Podcasts about gargoyles

When the Gargoyles' leader, Goliath, is seriously injured, his friend and former mentor, Hudson, must keep him alive until sunrise. To keep Goliath alert, Hudson reminisces about their days as warriors in medieval Scotland.   Follow us on Instagram! Dr. Drea Letamendi - @drdreapsychology Brian Ward - @b_ward028 The Arkham Sessions - @thearkhamsessions Join us on Patreon! Patreon.com/ArkhamSessions

The Zen Buddhist Master and the Gargoyles - All the Winds of Heaven - Absolute Dissolution, 6 4, Season 4, Out-of-Body Travel FilmsBased on the Book Series 'The Mysteries of the Redemption: A Treatise on Out-of-Body Travel and Mysticism,' by Marilynn HughesThe Out-of-Body Travel Foundation - https://outofbodytravel.org – Astral Travel and Astral Projection: Download Books, Films, Seminars, Livestreams, Music, Art, Vignettes, Radio and TV Appearances and More on Out-of-Body Experiences. (Ghosts, Reincarnation, Initiations, Heaven, Hell, Angels, Demons.) Out-of-Body Travel Author, Marilynn Hughes (Copyright)Out of Body Travel, Out of Body Experiences, Out of Body, Astral Travel, Astral Projection, Near Death Experiences, Mystical Experiences, OBE, OOBE, NDE

And here it is folks Episode 250 were we talk once again about, in my opinion, the greates animate series. We talked about the first five episodes early on when David Liz and I started. So I figured we go ahead and do it again with Chris for our 250th. I tried to get some of our earlier guest but they couldnt make it. Life has changed David got Busy Liz went to colledge and has actually graduated. Chris has joined me but he has started a new job, so we'll see how long he sticks around. Will we make it to episode 500? We knows stick around and see.

While the rest of the Gargoyles do pretty well to adjust to their new home, their leader, Goliath, continues to struggle with persistent anger, hypervigilance, and isolation. His identified enemy, Xanatos, has attacked the Gargoyles multiple times. But, recently released from prison, Xanatos now offers safe refuge and housing in his castle, the very castle that Goliath and his friends called home 1,000 years ago.

It's Friday – and that means it's time for a bonus episode! Today, Nico with series producer (and Gargoyles expert) Kevo come together to discuss the incredible three-part Fantastic Four / Gargoyles crossover event! Pulling together the incredible canon of the Gargoyles show and comics, series creator Greg Weisman weaves a seamless Marvel classic for the ages with appearances from the Fantastic Four, Tony Stark, and legendary Marvel villains! Read along with Gargoyles: Demona #1, Fantastic Four x Gargoyles #1, and Gargoyles x Fantastic Four #1 – it's all this and more on an all new X Is For Comics!

As Alexander Fox Xanatos begins his first magical lesson, we're joined by the younger generation of the Gargoyles family: Greg Weisman's children, Erin and Benny Weisman, along with Jennifer's daughter, Stephanie Scoggins. Together, we discuss what it was like growing up in the home of the creator of the series and one of its most prominent fans. We explore the impact Gargoyles had on them, the impressions it left behind, and the other passions and interests the series may have inspired along the way. As the countdown to “Hunter's Moon” continues, we also dive into “Possession,” featuring the return of... Continue reading

Before CGI creatures took over horror, there was Gargoyles (1972) — a made-for-TV nightmare packed with eerie atmosphere, practical effects, and a surprisingly wild premise about ancient winged monsters hiding in plain sight. Equal parts creature feature and occult thriller, it's the kind of film that feels like a late-night transmission from another era of horror. If you love vintage monster movies, this one deserves a spot on your watchlist. Where to find us: https://linktr.ee/Jumpscarepodcast #Gargoyles1972 #ClassicHorror #70sHorror #CreatureFeature #stanwinston  #CultCinema  #HorrorMovies #RetroHorror #CultClassic #PracticalEffects  #scottglenn #berniecasey #cornellroberts #jenifersalt

Spanish gargoyles take it up the ___, influencer monkey business in Japan https://mydeals.page/q7j8

DJ Jesse Luscious highlights new tunes from Madball, DFMK, Seven Crowns, Feldspar, Sugar Horse, Antimozdebeast, Micko & The Mellotronics, Effigy, Brigata Vendetta, & St Lucifer and previews his new band Plutonium Underdog's 1st local show in Nottingham this weekend by checking out the other bands Screensaver from Australia & The Rain Age (the show's Sat 23/5 at JT Soar btw). He spins classics from The Stooges, Gargoyles, Dog Park Dissidents, Fear, Sick Of It All, Slaughterhouse, NOTA, Rudimentary Peni, Big Black, Stiffs Inc, Tony Slug Experience featuring Jello Biafra, Radio Birdman, Dead Kennedys, GG Allin, Subincision, Los Fastidios, & The Undertones, and reveals this week's Luscious Listener's Choice! DFMK- Pobres Criaturas Tony Slug Experience- Puppet Smut (feat. Jello Biafra) Micko And The Mellotronics- Shadow Slaughterhouse- Poison Radio Birdman- Hand Of Law Dead Kennedys- Kill The Poor Seven Crowns- Side Effects Feldspar- Good Kids St Lucifer- The Witching Hour Dog Park Dissidents- Rainbow Drones Stiffs Inc- Chelsea Undertones- True Confessions Subincision- 1983 Teenage Car Crash Los Fastidios- Hooligirl Brigata Vendetta- Corporate Control NOTA- Taking Away Your Rights Effigy- The Wall Rudimentary Peni- Blind Dogs Rudimentary Peni- B-Ward Sugar Horse- Fire Graphics Big Black- Stinking Drunk Screensaver- Symptom Check Rain Age- WPD Madball- Rebel Kids (Clean Edit) Sick Of It All- Scratch The Surface Fear- I Love Living In The City (edit) GG Allin- You Hate Me And I Hate You (edit) Gargoyles- Michigan Stooges- Death Trip Antimozdebeast- Torn Mentality

In this episode, Macbeth, a mysterious new villain, uses Goliath and the Gargoyles as bait for a personal vendetta, and proves to be a formidable opponent. Meanwhile, in order to keep Goliath and his family safe, Elisa insists they move into the city's clocktower where their identities will be kept hidden. While the other Gargoyles seem willing to leave the castle, Goliath strongly opposes this plan and he lashes out at his family.

This time, The 42cast, is proud to welcome prolific animation writer Brynne Chandler on to the show. Brynne talks to us about her decades of experience, focusing on many ground-breaking series from the 80’s and 90’s including He-Man, Teenage Mutant Ninja Turtles, Batman: The Animated Series, and Gargoyles. She talks with us about her experiences […] The post The 42cast Episode 281: The Brynne Chandler Interview appeared first on The ESO Network.

Greg Weisman is an American writer, producer, novelist, and voice actor best known for creating the animated series Gargoyles, co-developing The Spectacular Spider-Man, and producing Young Justice, is the guest this week in Episode #741! We focus particularly on Gargoyles this time, a favorite of mine in both comics and animation! Greg has brought many other comic book stories to life, including the Gargoyles meeting the Fantastic Four in New York City. We talk about how Gargoyles came to be, who the characters are, and what the future might hold for these heroes of the night. If you enjoy excellent storytelling and compelling characters, be sure to pick up any comic that has his name on it, just like I do! Subscribe via Apple Podcasts Wayne's Comics Podcast Archive Show your thanks to Major Spoilers for this episode by becoming a Major Spoilers Patreon member. It will help ensure Wayne's Comics Podcast continues far into the future! At Major Spoilers, we strive to create original content that you find interesting and entertaining. Producing, writing, recording, editing, and researching require significant resources. We pay writers, podcast hosts, and other staff members who work tirelessly to provide you with insights into the comic book, gaming, and pop culture industries. Help us keep Major Spoilers strong. Become a Patron (and our superhero) today.

https://m.ebay.co.uk/sch/i.html?sid=tindogpodcast&_pgn=1&isRefine=true&_trksid=p4429486.m3561.l49496 Atlantis: The Lost Empire is a 2001 American animated science fiction adventure film directed by Gary Trousdale and Kirk Wise, produced by Don Hahn, and written by Tab Murphy. Produced by Walt Disney Feature Animation, it stars Michael J. Fox, James Garner, Cree Summer, Don Novello, Phil Morris, Claudia Christian, Jacqueline Obradors, Florence Stanley, David Ogden Stiers, John Mahoney, Jim Varney, Corey Burton and Leonard Nimoy. Set in 1914, the film follows young linguist Milo Thatch, who gains possession of a sacred book, which he believes will guide him and a crew of mercenaries to the lost city of Atlantis. Development of the film began after production had finished on The Hunchback of Notre Dame (1996). Instead of another musical, directors Trousdale and Wise, producer Hahn, and screenwriter Murphy decided to do an adventure film inspired by the works of Jules Verne. Atlantis: The Lost Empire was notable for adopting the distinctive visual style of comic book artist Mike Mignola, one of the film's production designers. The film made greater use of computer-generated imagery (CGI) than any of Disney's previous traditionally animated features and remains one of the few to have been shot in anamorphic format. Linguist Marc Okrand constructed an Atlantean language specifically for use in the film. James Newton Howard provided the film's musical score. The film was released at a time when audience interest in animated films was shifting away from traditional animation toward films with full CGI. Atlantis: The Lost Empire premiered at the El Capitan Theatre in Hollywood, Los Angeles, on June 3, 2001, and went into its general release on June 15. The film received mixed reviews from critics. Budgeted at around $90–120 million, Atlantis grossed over $186 million worldwide, $84 million of which was earned in North America; its lackluster box office response was identified as a result of being released in competition with Shrek, Lara Croft: Tomb Raider, The Fast and the Furious and Dr. Dolittle 2. As a result of the film's box office failure, Disney cancelled a planned spin-off animated television series, Team Atlantis; an underwater Disneyland attraction; and a volcanic Magic Kingdom attraction based on it. Atlantis was nominated for several awards, including seven Annie Awards, and won Best Sound Editing at the 2002 Golden Reel Awards. The film was released on VHS and DVD on January 29, 2002, and on Blu-ray on June 11, 2013. Despite its initial reception, reception in later years became favorable and has given Atlantis a cult following[5] and reappraisal from critics as a mistreated classic, due in part to Mignola's unique artistic influence.[6][7] A direct-to-video sequel, Atlantis: Milo's Return, was released in 2003. Plot In 1914 Washington, D.C., archaeo-linguist Milo Thatch obsesses over finding the legendary lost city of Atlantis, believed to have sunk thousands of years ago. His employers ridicule his theories, but he gains an unexpected ally in eccentric millionaire Preston B. Whitmore, a friend of Milo's deceased adventurer grandfather who also sought the city. Determined to honor his old friend's quest, Whitmore recruits Milo for an expedition to Atlantis, having recently uncovered the Shepherd's Journal, an ancient Atlantean manuscript that contains directions to the lost city. Aboard the submarine Ulysses, Milo meets his teammates: Commander Lyle Tiberius Rourke, Lieutenant Helga Sinclair, demolitions expert Vincenzo Santorini, geologist Gaetan "Mole" Molière, medical officer Joshua Sweet, mechanic Audrey Ramirez, radio operator Wilhelmina Packard, mess cook Jebidiah "Cookie" Farnsworth, and a platoon of mercenaries. Upon reaching a cave entrance leading to the lost city, the submarine is destroyed by a massive mechanical leviathan, killing most of the crew. Milo and the survivors escape in smaller craft, navigating through the cave to emerge among ancient ruins. Milo translates the journal, guiding the team through caves beneath a dormant volcano until they reach the worn remains of Atlantis. There, they are greeted by Princess Kidagakash "Kida" Nedakh, who, despite being around 8,500 years old, has the appearance of a young woman. She leads them to her father, King Kashekim, who orders them to leave. Learning that Milo can read their language—a skill lost to the Atlanteans over millennia—Kida asks for his help in uncovering their forgotten history and highly-advanced technology, without which the city has declined and resources have dwindled. Milo learns that Atlantis is powered by the Heart of Atlantis, a massive crystal that grants longevity and health to its citizens through the smaller crystals they carry. Rourke betrays Milo and the Atlanteans, revealing his true intention to steal the Heart for profit, despite knowing the Atlanteans will perish without it. He mortally wounds the King while seizing control and uncovers the crystal's hidden location beneath the city. Sensing the danger, the crystal merges with Kida, who is then captured by Rourke. He departs with the crystallized Kida and his mercenaries, except for Vincenzo, Molière, Sweet, Audrey, Packard, and Cookie, who refuse to take part in the Atlanteans' destruction. Before dying, the King reveals that Atlantis was devastated by a megatsunami after he attempted to weaponize the crystal's vast power. To protect the city, the crystal merged with a royal family member, Kida's mother. This created a protective dome over the city's inner district, shielding it from total destruction as Atlantis sank beneath the waves, but Kida's mother never returned. To prevent the crystal from ever merging with Kida, the King hid it, inadvertently accelerating Atlantis' decline. He warns Milo that Kida will be lost forever if she is not soon separated from the crystal and pleads with him to save her. Alongside his allies, Milo rallies the Atlanteans to reactivate their long-dormant flying machines. Together, they eliminate Rourke and his mercenaries in the volcano. Milo and the others fly the crystallized Kida back to Atlantis as the volcano erupts. Kida ascends into the air and awakens Stone Guardians, who erect a barrier that shields the city from the lava flow. With Atlantis saved, the crystal separates from Kida and remains suspended in the sky. Milo chooses to stay in Atlantis with Kida, having fallen in love with her. Before returning to the surface, Vincenzo, Molière, Sweet, Audrey, Packard, and Cookie each receive a small crystal and a share of treasure. The six reunite with Preston on the surface and agree to keep their adventure a secret to protect Atlantis. Preston opens a package from Milo containing his own crystal and a note thanking him. The newly crowned Queen Kida and Milo carve a stone effigy of her father to join those of past rulers floating beside the Heart of Atlantis, as the city stands restored to its former glory. Voice cast Production layout sketch of Milo and Kida. Milo's character design was based in part on sketches of the film's language consultant, Marc Okrand. Michael J. Fox as Milo James Thatch, a linguist and cartographer at the Smithsonian who was recruited to decipher The Shepherd's Journal while directing an expedition to Atlantis. James Garner as Commander Lyle Tiberius Rourke, the leader of the band of mercenaries for the Atlantean expedition. Cree Summer as Kidagakash "Kida" Nedakh, the Princess of Atlantis and Milo's love interest. Natalie Strom provided dialogue for Kida as a young child. Summer also voiced the unnamed Queen of Atlantis, Kida's mother and Kashekim's wife who was "chosen" by the Crystal during the sinking of the city. John Mahoney as Preston B. Whitmore, an eccentric millionaire who funds the expedition to Atlantis. Lloyd Bridges was originally cast and recorded as Whitmore, but he died before completing the film. Mahoney's zest and vigor led to Whitmore's personality being reworked for the film.[8] Claudia Christian as Lieutenant Helga Katrina Sinclair, Rourke's German-born second-in-command. Don Novello as Vincenzo "Vinny" Santorini, an Italian demolitions expert. Phil Morris as Dr. Joshua Strongbear Sweet, a medic of African-American and Arapaho descent. Jacqueline Obradors as Audrey Rocio Ramirez, a Puerto Rican mechanic and the youngest member of the expedition. Corey Burton as Gaetan "Mole" Molière, a French geologist who acts like a mole. Jim Varney as Jebidiah Allardyce "Cookie" Farnsworth, a Western-style chuckwagon chef. Varney died in February 2000, before the production ended, and the film was dedicated to his memory. Steven Barr recorded supplemental dialogue for Cookie. Florence Stanley as Wilhelmina Bertha Packard: an elderly, sarcastic, chain-smoking radio operator who is also the expedition's photographer. Leonard Nimoy as Kashekim Nedakh, the King of Atlantis and Kida's father. David Ogden Stiers as Fenton Q. Harcourt, a board member of the Smithsonian Institution who dismisses Milo's belief in the existence of Atlantis. Production Development The production team visited New Mexico's Carlsbad Caverns to get a sense of the underground spaces depicted in the film. The idea for Atlantis: The Lost Empire was conceived in October 1996 when Don Hahn, Gary Trousdale, Kirk Wise, and Tab Murphy lunched at a Mexican restaurant in Burbank, California. Having recently completed The Hunchback of Notre Dame,[9] the producer, directors and screenwriter wanted to keep the Hunchback crew together for another film with an "Adventureland" setting rather than a "Fantasyland" setting.[10] Drawing inspiration from Jules Verne's Journey to the Center of the Earth (1864) and Twenty Thousand Leagues Under the Seas (1870), they set out to make a film which would fully explore Atlantis (compared to the brief visit depicted in Verne's novel).[11] While primarily utilizing the Internet to research the mythology of Atlantis,[12] the filmmakers became interested in the clairvoyant readings of Edgar Cayce and decided to incorporate some of his ideas—notably that of a mother-crystal which provides power, healing, and longevity to the Atlanteans—into the story.[13] They also visited museums and old army installations to study the technology of the early 20th century (the film's time period), and traveled underground in New Mexico's Carlsbad Caverns to view the subterranean trails which would serve as a model for the approach to Atlantis in the film.[14] The filmmakers wanted to avoid the common depiction of Atlantis as "crumbled Greek columns underwater", said Wise.[15] "From the get-go, we were committed to designing it top to bottom. Let's get the architectural style, clothing, heritage, customs, how they would sleep, and how they would speak. So we brought people on board who would help us develop those ideas."[16] Art director David Goetz stated, "We looked at Mayan architecture, styles of ancient, unusual architecture from around the world, and the directors really liked the look of Southeast Asian architecture."[17] The team later took ideas from other architectural forms, including Cambodian, Indian, and Tibetan works.[18] Hahn added, "If you take and deconstruct architecture from around the world into one architectural vocabulary, that's what our Atlantis looks like."[19] The overall design and circular layout of Atlantis were also based on the writings of Plato,[18] and his quote "in a single day and night of misfortune, the island of Atlantis disappeared into the depths of the sea"[20] was influential from the beginning of production.[9] The crew wore T-shirts which read "ATLANTIS—Fewer songs, more explosions" due to the film's plan as an action-adventure (unlike previous Disney animated features, which were musicals).[21] Language The Atlantean letter A, created by artist John Emerson. Kirk Wise noted that its design was a treasure map showing the path to the crystal, "The Heart of Atlantis". Main article: Atlantean language Marc Okrand, who developed the Klingon language for the Star Trek television and theatrical productions, was hired to devise the Atlantean language for Atlantis: The Lost Empire. Guided by the directors' initial concept for it to be a "mother-language", Okrand employed an Indo-European word stock with its own grammatical structure. He would change the words if they began to sound too much like an actual, spoken language.[16] John Emerson designed the written component, making hundreds of random sketches of individual letters from among which the directors chose the best to represent the Atlantean alphabet.[22][23] The written language was boustrophedon: designed to be read left-to-right on the first line, then right-to-left on the second, continuing in a zigzag pattern to simulate the flow of water.[24] The Atlantean [A] is a shape developed by John Emerson. It is a miniature map of the city of Atlantis (i.e., the outside of the swirl is the cave, the inside shape is the silhouette of the city, and the dot is the location of the crystal). It's a treasure map. — Kirk Wise, director[25] Writing Joss Whedon was the first writer to be involved with the film but soon left to work on other Disney projects. According to him, he "had not a shred" in the movie.[26] Tab Murphy completed the screenplay, stating that the time from initially discussing the story to producing a script that satisfied the film crew was "about three to four months".[27] The initial draft was 155 pages, much longer than a typical Disney film script (which usually runs 90 pages). When the first two acts were timed at 120 minutes, the directors cut characters and sequences and focused more on Milo. Murphy said that he created the centuries-old Shepherd's Journal because he needed a map for the characters to follow throughout their journey.[28] A revised version of the script eliminated the trials encountered by the explorers as they navigated the caves to Atlantis. This gave the film a faster pace because Atlantis is discovered earlier in the story.[29] The directors often described the Atlanteans using Egypt as an example. When Napoleon wandered into Egypt, the people had lost track of their once-great civilization. They were surrounded by artifacts of their former greatness but somehow unaware of what they meant. — Don Hahn, producer[30] The character of Milo J. Thatch was originally supposed to be a descendant of Edward Teach, otherwise known as Blackbeard the pirate. The directors later related him to an explorer so he would discover his inner talent for exploration.[31] The character of Molière was originally intended to be "professorial" but Chris Ure, a story artist, changed the concept to that of a "horrible little burrowing creature with a wacky coat and strange headgear with extending eyeballs", said Wise.[32][33] Don Hahn pointed out that the absence of songs presented a challenge for a team accustomed to animating musicals, as action scenes alone would have to carry the film. Kirk Wise said it gave the team an opportunity for more on-screen character development: "We had more screen time available to do a scene like where Milo and the explorers are camping out and learning about one another's histories. An entire sequence is devoted to having dinner and going to bed. That is not typically something we would have the luxury of doing."[16] Hahn stated that the first animated sequence completed during production was the film's prologue. The original version featured a Viking war party using The Shepherd's Journal to find Atlantis and being swiftly dispatched by the Leviathan. Near the end of production, story supervisor John Sanford told the directors that he felt this prologue did not give viewers enough emotional involvement with the Atlanteans. Despite knowing that the Viking prologue was finished and it would cost additional time and money to alter the scene, the directors agreed with Sanford. Trousdale went home and completed the storyboards later that evening after visiting a strip club where he boarded the new sequence on a napkin.[34] The opening was replaced by a sequence depicting the destruction of Atlantis, which introduced the film from the perspective of the Atlanteans and Princess Kida.[35] The Viking prologue is included as an extra feature on the DVD release.[36] Casting Kirk Wise, one of the directors, said that they chose Michael J. Fox for the role of Milo because they felt he gave his characters his own personality and made them more believable on screen. Fox said that voice acting was much easier than his past experience with live action because he did not have to worry about what he looked like in front of a camera while delivering his lines.[37] The directors mentioned that Fox was also offered a role for Titan A.E.; he allowed his son to choose which film he would work on, and he chose Atlantis.[38] Viewers have noted similarities between Milo and the film's language consultant, Marc Okrand, who developed the Atlantean language used in the film. Okrand stated that Milo's supervising animator, John Pomeroy, sketched him, claiming not to know how a linguist looked or acted.[24] Kida's supervising animator, Randy Haycock, stated that her actress, Cree Summer, was very "intimidating" when he first met her; this influenced how he wanted Kida to look and act on screen when she meets Milo.[39] Wise chose James Garner for the role of Commander Lyle Tiberius Rourke because of his previous experience with action films, especially war and Western films, and said the role "fits him like a glove". When asked if he would be interested in the role, Garner replied: "I'd do it in a heartbeat."[40] Producer Don Hahn was saddened that Jim Varney, the voice of Jebidiah Allardyce "Cookie" Farnsworth, never saw the finished film before he died of lung cancer in February 2000, but mentioned that he was shown clips of his character's performance during his site sessions and said, "He loved it." Shawn Keller, supervising animator for Cookie, stated, "It was kind of a sad fact that [Varney] knew that he was not going to be able to see this film before he passed away. He did a bang-up job doing the voice work, knowing the fact that he was never gonna see his last performance." Steven Barr recorded supplemental dialogue for Cookie.[41] John Mahoney, who voiced Preston Whitmore, stated that doing voice work was "freeing" and allowed him to be "big" and "outrageous" with his character.[42] Dr. Joshua Sweet's supervising animator, Ron Husband, indicated that one of the challenges was animating Sweet in sync with Phil Morris' rapid line delivery while keeping him believable. Morris stated that this character was extreme, with "no middle ground"; he mentioned, "When he was happy, he was really happy, and when he's solemn, he's real solemn."[43] Claudia Christian described her character, Lieutenant Helga Katrina Sinclair, as "sensual" and "striking", and was relieved when she finally saw what her character looked like, joking, "I'd hate to, you know, go through all this and find out my character is a toad."[44] Jacqueline Obradors said her character, Audrey Rocio Ramirez, made her "feel like a little kid again" and she always hoped her sessions would last longer.[45] Florence Stanley felt that her character, Wilhelmina Bertha Packard, was very "cynical" and "secure": "She does her job, and when she is not busy, she does anything she wants."[46] Corey Burton mentioned that finding his performance as Gaetan "Mole" Molière was by allowing the character to "leap out" of him while making funny voices. To get into character during his recording sessions, he stated that he would "throw myself into the scene and feel like I'm in this make-believe world".[47] Kirk Wise and Russ Edmonds, supervising animator for Vincenzo "Vinny" Santorini, noted Vinny's actor Don Novello's unique ability to improvise dialogue while voicing the role. Edmonds recalled, "[Novello] would look at the sheet, and he would read the line that was written once, and he would never read it again! And we never used a written line, it was improvs, the whole movie."[48] Michael Cedeno, supervising animator for King Kashekim Nedakh, was astounded at Leonard Nimoy's voice talent in the role, stating that he had "so much rich character" in his performance. As he spoke his lines, Cedeno said the crew would sit there and watch Nimoy in astonishment.[49] Animation For comparison, the top image (panoramic view of Atlantis) is cropped to Disney's standard aspect ratio (1.66:1); the bottom image was seen in the film (2.35:1). At the peak of its production, 350 animators, artists and technicians were working on Atlantis[50] at all three Disney animation studios: Walt Disney Feature Animation (Burbank, California), Walt Disney Feature Animation Florida (Orlando), and Disney Animation France (Paris).[51] The film was one of the few Disney animated features produced and shot in 35mm anamorphic format. The directors felt that a widescreen image was crucial, as a nostalgic reference to old action-adventure films presented in the CinemaScope format (2.35:1), noting Raiders of the Lost Ark as an inspiration.[52] Because switching to the format would require animation desks and equipment designed for widescreen to be purchased, Disney executives were at first reluctant about the idea.[16] The production team found a simple solution by drawing within a smaller frame on the same paper and equipment used for standard aspect ratio (1.66:1) Disney-animated films.[52] Layout supervisor Ed Ghertner wrote a guide to the widescreen format for use by the layout artists and mentioned that one advantage of widescreen was that he could keep characters in scenes longer because of additional space to walk within the frame.[53] Wise drew further inspiration for the format from filmmakers David Lean and Akira Kurosawa.[16] The film's visual style was strongly based upon that of Mike Mignola, the comic book artist behind Hellboy. Mignola was one of four production designers (along with Matt Codd, Jim Martin, and Ricardo Delgado) hired by the Disney studio for the film. Accordingly, he provided style guides, preliminary character, and background designs, and story ideas.[54] "Mignola's graphic, the angular style was a key influence on the 'look' of the characters," stated Wise.[55] Mignola was surprised when first contacted by the studio to work on Atlantis.[56] His artistic influence on the film would later contribute to a cult following.[57] I remember watching a rough cut of the film and these characters have these big, square, weird hands. I said to the guy next to me, "Those are cool hands." And he says to me, "Yeah, they're your hands. We had a whole meeting about how to do your hands." It was so weird I couldn't wrap my brain around it. — Mike Mignola[56] The final pull-out shot of the movie, immediately before the end-title card, was described by the directors as the most difficult shot in the history of Disney animation. They said that the pull-out attempt on their prior film, The Hunchback of Notre Dame, "struggled" and "lacked depth"; however, after making advances in the process of multiplaning, they tried the technique again in Atlantis. The shot begins with one 16-inch (40.6 cm) piece of paper showing a close-up of Milo and Kida. As the camera pulls away from them to reveal the newly restored Atlantis, it reaches the equivalent of an 18,000-inch (46,000 cm) piece of paper composed of many individual pieces of paper (24 inches [61 cm] or smaller). Each piece was carefully drawn and combined with animated vehicles simultaneously flying across the scene to make the viewer see a complete, integrated image.[58] Scale model of Ulysses submarine by Greg Aronowitz, used by digital animators as reference during production.[59] At the time of its release, Atlantis: The Lost Empire was notable for using more computer-generated imagery (CGI) than any other Disney traditionally animated feature. To increase productivity, the directors had the digital artists work with the traditional animators throughout the production. Several important scenes required heavy use of digital animation: the Leviathan, the Ulysses submarine and sub-pods, the Heart of Atlantis, and the Stone Giants.[60] During production, after Matt Codd and Jim Martin designed the Ulysses on paper, Greg Aronowitz was hired to build a scale model of the submarine, to be used as a reference for drawing the 3D Ulysses.[59] The final film included 362 digital-effects shots, and computer programs were used to seamlessly join the 2D and 3D artwork.[61] One scene that took advantage of this was the "sub-drop" scene, where the 3D Ulysses was dropped from its docking bay into the water. As the camera floated toward it, a 2D Milo was drawn to appear inside, tracking the camera. The crew noted that it was challenging to keep the audience from noticing the difference between the 2D and 3D drawings when they were merged.[62] The digital production also gave the directors a unique "virtual camera" for complicated shots within the film. With the ability to operate in the z-plane, this camera moved through a digital wire-frame set; the background and details were later hand-drawn over the wireframes. This was used in the opening flight scene through Atlantis and the submarine chase through the undersea cavern with the Leviathan in pursuit.[63] Music and sound Since the film would not feature any songs, the directors hired James Newton Howard to compose the score after they heard his music on Dinosaur. Approaching it as a live-action film, Howard decided to have different musical themes for the cultures of the surface world and Atlantis. In the case of Atlantis, Howard chose an Indonesian orchestral sound incorporating chimes, bells, and gongs. The directors told Howard that the film would have a number of key scenes without dialogue; the score would need to convey emotionally what the viewer was seeing on screen.[64] Gary Rydstrom and his team at Skywalker Sound were hired for the film's sound production.[65] Like Howard, Rydstrom employed different sounds for the two cultures. Focusing on the machine and mechanical sounds of the early industrial era for the explorers, he felt that the Atlanteans should have a "more organic" sound utilizing ceramics and pottery. The sound made by the Atlantean flying-fish vehicles posed a particular challenge. Rydstrom revealed that he was sitting at the side of a highway recording one day when a semi-truck drove by at high speed. When the recording was sped up on his computer, he felt it sounded very organic, and decided to use it in the film. Rydstrom created the harmonic chiming of the Heart of Atlantis by rubbing his finger along the edge of a champagne flute, the sound of sub-pods moving through the water with a water pick, while a ceramic pot from a garden store was used for the sounds of the movement of the Giant stone guardians.[66] Release Atlantis: The Lost Empire had its world premiere at Disney's El Capitan Theatre in Hollywood, Los Angeles, on June 3, 2001[67] and a limited release in New York City and Los Angeles on June 8; a wider release followed on June 15.[4][61] At the premiere, Destination: Atlantis was on display, featuring behind-the-scenes props from the film and information on the legend of Atlantis with video games, displays, laser tag, and other attractions. The Aquarium of the Pacific also loaned a variety of fish for display within the attraction.[68] Promotion Atlantis was among Disney's first major attempts to utilize internet marketing. The film was promoted through Kellogg's, which created a website with mini-games and a movie-based video game give-away for UPC labels from specially marked packages of Atlantis breakfast cereal.[50] The film was one of Disney's first marketing attempts through mobile network operators, and allowed users to download games based on the film.[69] McDonald's (which had an exclusive licensing agreement on all Disney releases) promoted the film with Happy Meal toys, food packaging and in-store decor. The McDonald's advertising campaign involved television, radio, and print advertisements beginning on the film's release date.[70] Frito-Lay offered free admission tickets for the film on specially marked snack packages.[71] Home media Atlantis: The Lost Empire was released on VHS and DVD on January 29, 2002.[72] During the first month of its home release, the film led in VHS sales and was third in VHS and DVD sales combined.[73] Sales and rentals of the VHS and DVD combined would eventually accumulate $157 million in revenue by mid-2003.[74] Both a single-disc DVD edition and a two-disc collector's edition (with bonus features) were released. The single-disc DVD gave the viewer the option of viewing the film either in its original theatrical 2.39:1 aspect ratio or a modified 1.33:1 ratio (utilizing pan and scan). Bonus features available on the DVD version included audio and visual commentary from the film team, a virtual tour of the CGI models, an Atlantean-language tutorial, an encyclopedia on the myth of Atlantis, and the deleted Viking prologue scene.[72] The two-disc collector's edition DVD contained all the single-disc features and a disc with supplemental material detailing all aspects of the film's production. The collector's-edition film could only be viewed in its original theatrical ratio, and also featured an optional DTS 5.1 track. Both DVD versions, however, contained a Dolby Digital 5.1 track and were THX certified.[72][75] Disney digitally remastered and released Atlantis on Blu-ray on June 11, 2013, bundled with its sequel Atlantis: Milo's Return.[76] Reception Box office Before the film's release, reporters speculated that it would have a difficult run due to competition from Shrek and Lara Croft: Tomb Raider. Regarding the market's shift from traditional animation and competition with CG-animated films, Kirk Wise said, "Any traditional animator, including myself, can't help but feel a twinge. I think it always comes down to story and character, and one form won't replace the other. Just like photography didn't replace painting. But maybe I'm blind to it."[61] Jeff Jensen of Entertainment Weekly noted that CGI films (such as Shrek) were more likely to attract the teenage demographic typically not interested in animation, and called Atlantis a "marketing and creative gamble".[77] With a budget of $100 million,[3] the film opened at #2 on its debut weekend, behind Lara Croft: Tomb Raider, earning $20.3 million in 3,011 theaters.[78] During its second weekend, it would drop into fourth place behind the latter film, Dr. Dolittle 2 and The Fast and the Furious, making $13.2 million.[79] The film's international release began September 20 in Australia and other markets followed suit.[80] During its 25-week theatrical run, Atlantis: The Lost Empire grossed over $186 million worldwide ($84 million from the United States and Canada).[4] Responding to its disappointing box-office performance, Thomas Schumacher, then-president of Walt Disney Feature Animation, said, "It seemed like a good idea at the time to not do a sweet fairy tale, but we missed."[81] Critical response Atlantis: The Lost Empire received mixed reviews from critics,[82][83][84] many of whom criticized its story.[85] The review aggregator website Rotten Tomatoes reports that 48% of 144 professional critics have given Atlantis: The Lost Empire a positive review; the average rating is 5.5/10. The site's consensus is: "Atlantis provides a fast-paced spectacle, but stints on such things as character development and a coherent plot".[86] Metacritic assigned the film a weighted average score of 52 out of 100 based on 29 reviews from critics, indicating "mixed or average" reviews.[87] Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale.[88] While critics had mixed reactions to the film in general, some praised it for its visuals, action-adventure elements, and attempt to appeal to an older audience. Roger Ebert gave Atlantis three-and-a-half stars out of four. He praised the animation's "clean bright visual look" and the "classic energy of the comic book style", crediting this to the work of Mike Mignola. Ebert gave particular praise to the story and the final battle scene and wrote, "The story of Atlantis is rousing in an old pulp science fiction sort of way, but the climactic scene transcends the rest, and stands by itself as one of the great animated action sequences."[89] In The New York Times, Elvis Mitchell gave high praise to the film, calling it "a monumental treat", and stated, "Atlantis is also one of the most eye-catching Disney cartoons since Uncle Walt institutionalized the four-fingered glove."[90] Internet film critic James Berardinelli wrote a positive review of the film, giving it three out of four stars. He wrote, "On the whole, Atlantis offers 90 minutes of solid entertainment, once again proving that while Disney may be clueless when it comes to producing good live-action movies, they are exactly the opposite when it comes to their animated division."[91] Wesley Morris of the San Francisco Chronicle wrote positively of the film's approach for an older audience: "But just beneath the surface, Atlantis brims with adult possibility."[92] Other critics felt that the film was mediocre in regards to its story and characters, and that it failed to deliver as a non-musical to Disney's traditional audience. Owen Gleiberman of Entertainment Weekly gave the film a C+ rating, writing that the film had "gee-whiz formulaic character" and was "the essence of craft without dream".[93] Kenneth Turan of the Los Angeles Times said the storyline and characterizations were "old-fashioned" and the film had the retrograde look of a Saturday-morning cartoon, but these deficiencies were offset by its "brisk action" and frantic pace.[94] Todd McCarthy of Variety wrote, "Disney pushes into all-talking, no-singing, no-dancing and, in the end, no-fun animated territory."[95] Stephanie Zacharek of Salon wrote of Disney's attempt to make the film for an adult audience, "The big problem with Disney's latest animated feature, Atlantis: The Lost Empire, is that it doesn't seem geared to kids at all: It's so adult that it's massively boring."[96] Rita Kempley of The Washington Post panned the film, calling it a "new-fashioned but old-fangled hash" and wrote, "Ironically Disney had hoped to update its image with this mildly diverting adventure, yet the picture hasn't really broken away from the tried-and-true format spoofed in the far superior Shrek."[97] In 2015, Katharine Trendacosta at io9 reviewed the film and called it a "Beautiful Gem of a Movie That Deserved Better Than It Got" and said that the film deserves more love than it ended up getting.[6] Lindsay Teal considers "Atlantis" to be "a lost Disney classic". Describing the film as highly entertaining, she praises the writing and characterisation – in particular, Sweet, Helga and Kida.[7] In particular, much praise has been given to the character of Kida.[98] Summer has regarded the character of Kida as one of her favourite roles and even considers the character among the official Disney Princess line-up. Themes and interpretations Several critics and scholars have noted that Atlantis plays strongly on themes of anti-capitalism and anti-imperialism. M. Keith Booker, academic and author of studies about the implicit messages conveyed by media, views the character of Rourke as being motivated by "capitalist greed" when he pursues "his own financial gain" in spite of the knowledge that "his theft [of the crystal] will lead to the destruction of [Atlantis]".[99] Religion journalist Mark Pinsky, in his exploration of moral and spiritual themes in popular Disney films, says that "it is impossible to read the movie ... any other way" than as "a devastating, unrelenting attack on capitalism and American imperialism".[100] Max Messier of FilmCritic.com observes, "Disney even manages to lambast the capitalist lifestyle of the adventurers intent on uncovering the lost city. Damn the imperialists!"[101] According to Booker, the film also "delivers a rather segregationist moral" by concluding with the discovery of the Atlanteans kept secret from other surface-dwellers in order to maintain a separation between the two highly divergent cultures.[102] Others saw Atlantis as an interesting look at utopian philosophy of the sort found in classic works of science fiction by H. G. Wells and Jules Verne.[103] Nadia: The Secret of Blue Water controversy When the film was released, some viewers noticed that Atlantis: The Lost Empire was similar to the 1990-91 anime Nadia: The Secret of Blue Water, particularly in its character design, setting, and story.[104] The similarities, as noted by viewers in both Japan and America, were strong enough for its production company Gainax to be called to sue for plagiarism. According to Gainax member Yasuhiro Takeda, they only refrained from doing so because the decision belonged to parent companies NHK and Toho.[105] Another Gainax worker, Hiroyuki Yamaga, was quoted in an interview in 2000 as saying: "We actually tried to get NHK to pick a fight with Disney, but even the National Television Network of Japan didn't dare to mess with Disney and their lawyers. [...] We actually did say that but we wouldn't actually take them to court. We would be so terrified about what they would do to them in return that we wouldn't dare."[105] Although Disney never responded formally to those claims, co-director Kirk Wise posted on a Disney animation newsgroup in May 2001, "Never heard of Nadia till it was mentioned in this [newsgroup]. Long after we'd finished production, I might add." He claimed both Atlantis and Nadia were inspired, in part, by the 1870 Jules Verne novel Twenty Thousand Leagues Under the Seas.[106] However, speaking about the clarification, Lee Zion from Anime News Network wrote, "There are too many similarities not connected with 20,000 Leagues for the whole thing to be coincidence."[107] As such, the whole affair ultimately entered popular culture as a convincing case of plagiarism.[108][109][110] In 2018, Reuben Baron from Comic Book Resources added to Zion's comment stating, "Verne didn't specifically imagine magic crystal-based technology, something featured in both the Disney movie and the too similar anime. The Verne inspiration also doesn't explain the designs being suspiciously similar to Nadia's."[110] Critics also saw parallels with the 1986 film Laputa: Castle in the Sky from Hayao Miyazaki and Studio Ghibli (which also featured magic crystals, and Atlantis directors Trousdale and Wise both acknowledged Miyazaki's works as a major influence on their own work)[104] and with the 1994 film Stargate as Milo's characteristics were said to resemble those of Daniel Jackson, the protagonist of Stargate and its spinoff television series Stargate SG-1 — which coincidentally launched its own spinoff, titled Stargate Atlantis; the plot of the 1994 film is also paralleled involving a group visiting an unknown world, a fictional language made for the other world's people, the main protagonist having apparent knowledge of the people's culture, falling in love with one of the female locals and electing to stay behind when the others return home.[111] Accolades Award Category Name Result 29th Annie Awards[112] Individual Achievement in Directing Gary Trousdale and Kirk Wise Nominated Individual Achievement in Storyboarding Chris Ure Nominated Individual Achievement in Production Design David Goetz Nominated Individual Achievement in Effects Animation Marlon West Nominated Individual Achievement in Voice Acting – Female Florence Stanley Nominated Individual Achievement in Voice Acting – Male Leonard Nimoy Nominated Individual Achievement for Music Score James Newton Howard Nominated 2002 DVD Exclusive Awards[113] Original Retrospective Documentary Michael Pellerin Nominated 2002 Golden Reel Award[114] Best Sound Editing – Animated Feature Film Gary Rydstrom, Michael Silvers, Mary Helen Leasman, John K. Carr, Shannon Mills, Ken Fischer, David C. Hughes, and Susan Sanford Won Online Film Critics Society Awards 2001[115] Best Animated Feature Nominated 2002 Political Film Society[116] Democracy Nominated Human Rights Nominated Peace Nominated World Soundtrack Awards[117] Best Original Song for Film Diane Warren and James Newton Howard Nominated Young Artist Awards[118] Best Feature Family Film – Drama Walt Disney Feature Animation Nominated Related works Main article: Atlantis (franchise) Atlantis: The Lost Empire was meant to inspire an animated television series entitled Team Atlantis, which would have presented the further adventures of its characters. The series would have been akin to an animated steampunk version of The X-Files and feature a crossover with Gargoyles. However, because of the film's underperformance at the box office, the series was not produced.[119] On May 20, 2003, Disney released a direct-to-video sequel titled Atlantis: Milo's Return, consisting of three episodes planned for the aborted series.[120] Disneyland planned to revive its Submarine Voyage ride with an Atlantis: The Lost Empire theme with elements from the movie. These plans were canceled and the attraction was re-opened in 2007 as the Finding Nemo Submarine Voyage, its theme based on the 2003 Pixar film Finding Nemo, which was far more successful commercially and critically.[121] In addition, after the Submarine Voyage's Magic Kingdom counterpart, 20,000 Leagues Under the Sea: Submarine Voyage, closed down in 1994, four years before Disneyland's, there were proposals of a new attraction that would take its place, with one of them a volcano attraction inspired by that film's Vulcania location, being approved for the Magic Kingdom's Adventureland area. Around 1999, during development of Atlantis: The Lost Empire, it was decided that it would be themed to the movie, with it taking place in 1916, two years after the film's events. The ride would have focused on Preston Whitmore, a character from the film, seeking to make Atlantis existence public and offer expeditions to visitors in newly developed vehicles. However, due to mishaps, the vehicles would be forced to make a detour through the lava-filled caverns of the volcano. The attraction would have used a unique hybrid ride system, in which it would start as a standard coaster before the trains hook up to a suspended track midway through to fly through the caverns. The attraction would have been accessed by a new canyon path in between Pirates of the Caribbean and a re-routed Jungle Cruise that would have led to a Whitmore Enterprises base camp at the edge of the Walt Disney World Railroad path, with the mountain itself being built outside the berm. However, like the previous Submarine Voyage retheme, the ride was cancelled due to the film's disappointment in the box office.[122]

When a man calling himself William Rutledge uploaded footage of a secret Apollo 20 mission to YouTube, what the world saw — a crashed alien mothership and a mummified extraterrestrial body on the Moon's dark side — would shake the internet to its core.*No AI Voices Are Used In The Narration Of This Podcast*SONG INSPIRED BY THIS EPISODE: "Mona Lisa On The Moon" = https://weirddarkness.com/music-monalisaonthemoon/IN THIS EPISODE: Did a secret Apollo mission to the dark side of the Moon discover an ancient alien life-form? (Apollo 20: Journey Into Darkness) *** 
It's been 12 years since Jennifer Kesse disappeared from her Florida home without a trace. What happened to her? We'll look inside this case that is still a mystery. (Inside The Unsolved Disappearance of Jennifer Keese) *** In 1894, a massive fire broke out in the forests of Minnesota, killing more than 400 people. Do their ghosts remain behind with the ashes? (Under a Flaming Sky) *** A teenager tells how ghosts are just part of day-to-day living for her family. (Ghosts – A Part of Life) *** One of the most well-known explorers, Christopher Columbus, had a signature that was so perplexing that most scholars believe it is a secret code of some kind – and so far, an unbreakable code at that. (The Secret Code Signature of Christopher Columbus) *** Some victims died because they happened to leave their doors unlocked. Others had been methodically stalked. How do serial killers choose their victims? We'll look at the methods of nine of the most notorious serial killers in history. (How Do Serial Killers Select Their Victims?) *** When Jeffrey Dampier won the lottery, he thought he finally had it all. Little did he know that someone was about to take everything from him. (No Good Deed Goes Unpunished) *** They found Annie stretched out on the floor with a pistol lying by her hand. There was no sign of a struggle and nothing had been taken; they could only conclude that Annie had taken her own life. But is that really what happened? (The Annie Dorman Mystery) *** When you think of seeing a ghost, you almost automatically envision an ethereal being, in flowing white – like that of a woman in a wedding dress. And that might make sense, seeing as there are a lot of dead brides-to-be floating around America. (Til Death: Ghost Brides of the United States) *** You've seen them on the outside of large gothic buildings and massive churches. Their stone faces and menacing presence can be unsettling to some. But what are the purpose of gargoyles? (In The Protection of Gargoyles) *** Were Betty and Barney Hill actually visited and even abducted by aliens in 1961, or was it an outlandish story just to get attention? (The Betty and Barney Hill Abduction) *** The village of Trasmoz in Spain is said to be cursed by witches. Could there be a truth in the lore? (The Cursed Village of Witches)CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = The Foreboding00:01:11.876 = Show Open00:04:17.293 = The Apollo 20 Conspiracy00:22:18.745 = Ghosts – A Part of Life ***00:24:24.662 = How Do Serial Killers Select Their Victims?00:30:17.878 = The Secret Code Signature of Christopher Columbus00:35:09.693 = Under a Flaming Sky ***00:40:02.099 = Inside The Unsolved Disappearance of Jennifer Kesse00:47:15.759 = Cursed Village of Witches0:55:27.977 = The Betty and Barney Hill Abduction ***01:09:54.653 = The Annie Dorman Mystery01:14:49.088 = No Good Deed Goes Unpunished01:20:47.921 = Til Death: Ghost Brides of the United States ***01:35:05.387 = In The Protection of Gargoyles01:40:54.704 = Show Outro*** = Begins immediately after inserted ad breakHELPFUL LINKS & RESOURCES…https://WeirdDarkness.com/ALBUMS = Songs and Videos by our Weird Darkness punk band, #DarkWeirdnesshttps://WeirdDarkness.com/STORE = Tees, Mugs, Socks, Hoodies, Totes, Hats, Kidswear & Morehttps://WeirdDarkness.com/HOPE = Hope For Depression or Thoughts of Self-Harmhttps://WeirdDarkness.com/NEWSLETTER = In-Depth Articles, Memes, Weird DarkNEWS, Videos & Morehttps://WeirdDarkness.com/AUDIOBOOKS = FREE Audiobooks Narrated By Darren Marlar EPISODE BLOG PAGE (includes sources): https://weirddarkness.com/Apollo20SOURCES and RESOURCES:“Ghosts – A Part of Life” by M. Lynch from YourGhostStories.com: https://tinyurl.com/wnprlzs“Under a Flaming Sky” by Troy Taylor for American Hauntings Ink: https://tinyurl.com/rdkxpyo“The Apollo 20 Conspiracy” posted at The Unredacted: https://tinyurl.com/yx4suc9q“The Secret Code Signature of Christopher Columbus” by Jenny Kile for Mysterious Writings: https://tinyurl.com/uxmyym2“How Do Serial Killers Select Their Victims” from The Line Up: http://ow.ly/S6aw30m9rAC“Inside The Unsolved Disappearance of Jennifer Kesse” by Joel Stice for All That's Interesting: https://tinyurl.com/uyjw9f4 ***CRIME LINE FLORIDA: https://tinyurl.com/tsqwqej“The Cursed Village of Witches” by Brent Swancer for Mysterious Universe: https://tinyurl.com/yx3xu2jn“Til Death: Ghost Brides of the United States” posted at Notebook Of Ghosts: https://tinyurl.com/w9lsovt“No Good Deed Goes Unpunished” by Wyatt Redd for All That's Interesting: https://tinyurl.com/uylol76“The Annie Dorman Mystery” by Robert Wilhelm for Murder By Gaslight: https://tinyurl.com/y9fk5rr4“The Betty and Barney Hill Abduction” by Les Hewitt for Historic Mysteries: (web page no longer exists)“In The Protection of Gargoyles” by A. Sutherland for Ancient Pages: https://tinyurl.com/ux8pcfk(Over time links may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)"I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46WeirdDarkness® is a registered trademark. Copyright ©2026, Weird Darkness.Originally aired: October 08, 2019ABOUT WEIRD DARKNESS: #WeirdDarkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all things strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold cases, conspiracy theories, and more. Weird Darkness has been named one of the “20 Best Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a blend of “Coast to Coast AM”, “The Twilight Zone”, “Unsolved Mysteries”, and “In Search Of”.DISCLAIMER: Stories and content in Weird Darkness can be disturbing for some listeners and intended for mature audiences only. Parental discretion is strongly advised.

We're back, and we're thrilled to be joined by Thom Adcox (the voice of Lexington), Jeff Bennett (the voice of Brooklyn), Bill Fagerbakke (the voice of Broadway), and—of course—Greg Weisman! It's a full rookery brothers reunion as the Trio comes together to reminisce about working on the show, collaborating with each other, sharing the booth with the rest of the cast, and interacting with the many guest actors who helped bring the world of Gargoyles to life. The chemistry between these three is on full display and serves as a great reminder of why the Trio worked so well in... Continue reading

The Fanholes get together to discuss the first dozen episodes from Season Two of Gargoyles!

Cathy Hackl, futurist for Nokia and advisor to the Boston Consulting Group (BCG), joins the podcast to discuss her fascinating work across the Middle East and her insights on the next generation of AI and connectivity. Learn how nations like the UAE and KSA are strategically positioning themselves to lead in spatial computing, quantum supremacy, and a hopeful, future-forward vision of AI.Cathy details her work in the Middle East, including her residency in the UAE and her advisory roles on massive projects like NEOM and Qiddiya, explaining how these regions are embracing technology as a means to modernize. She shares her perspective on the shift in global venture capital, noting how Europe and the Middle East are providing significant funding that is moving beyond traditional Silicon Valley terms.AI XR News You Should Know:The hosts discuss massive AI funding rounds, including a $1 billion seed round for Advanced Machine Intelligence and a $500 million round for Mind Robotics, highlighting the intense capital war for chips and the boom in robotics. They also cover the rise of YouTube as the world's largest media company and the ethical questions surrounding the collection of human data to train robots.Key Moments[00:01:19] Intro: Friday the 13th and geopolitical news.[00:02:17] Mind Robotics & Advanced Machine Intelligence: Discussing the $500M and $1B seed rounds for robotics and AI startups.[00:04:04] Headband Camera for Robot Training: Debate on the ethics of companies paying people to wear cameras to collect training data for robots, comparing it to "Gargoyles" from Snow Crash.[00:10:12] YouTube Surpasses Disney & Netflix: Discussion on YouTube becoming the world's largest media company with $62 billion in revenue.[00:11:29] AI & Media Market Dominance: Questioning whether today's AI music and video companies will eventually surpass all big film, music, and streaming companies.[00:14:40] Cathy Hackl Interview Begins: Cathy discusses her work as a futurist for Nokia, focusing on AI-native networks.[00:16:26] KSA Projects: Cathy's experience working on the virtual and gaming strategy for Qiddiya and on the KSA Pavilion at the World Expo.[00:22:07] Golden Visa & Gifted Residency: The privileges associated with becoming a resident of the UAE or KSA for highly skilled talent.This conversation offers a vital global perspective on technology, innovation, and culture that is often missed when focusing solely on Silicon Valley. Understanding these geopolitical and technological movements is key for anyone trying to anticipate where the next wave of global innovation will truly come from.This episode of The AI XR Podcast is brought to you by Zappar, the folks behind Mattercraft, a leading visual development environment for building immersive 3D web experiences—mattercraft.io. Subscribe wherever you get your podcasts or watch the full episode on YouTube. https://youtu.be/Mw0yM_qpGG8See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

One of the most controversial episodes of the early 90's Disney's Gargoyles animated series, "Deadly Force", depicts the serious topics of criminal gangs, gun violence, and PTSD. Broadway becomes a fan of westerns, and often mimics the action heroes he sees on screen. While visiting Elisa, he excitedly re-enacts scenes from movie while playing with her unsecured firearm. In a moment of recklessness, the Gargoyle accidentally shoots Elisa.   Follow us on Instagram! Dr. Drea Letamendi - @drdreapsychology Brian Ward - @b_ward028 The Arkham Sessions - @thearkhamsessions   Join our Patreon! Patreon.com/ArkhamSessions

MERCH: https://orchideight.com/collections/poorhammer TWITCH: https://www.twitch.tv/poorhammer PATREON: https://www.patreon.com/SolelySingleton   On this week's episode, Brad and Eric go through all the models available for Tyranids. EVERY. SINGLE. MODEL. Well… except Forge World because who buys Forge World am I right?   SHOW LINKS: Brad's Bsky: https://bsky.app/profile/drruler.bsky.social Eric's Bsky: https://bsky.app/profile/onekuosora.bsky.social   MENTIONED THIS EPISODE: Exploring Every Faction Playlist: https://www.youtube.com/playlist?list=PL-p4AUDNDTPZ8CgTNFqesitLD-9nu_ojC   TIMESTAMPS: 00:00 The Quickest Intro Ever, It's almost concerning 00:28 Summoning the Next Tyranid Model 01:54 The Swarm Lord 05:52 Old One Eye 09:44 Death Leaper 11:49 Hive Tyrant 14:21 Winged Hive Tyrant 15:05 Neurotyrant 16:41 Tervigon 17:54 Broodlord 19:24 Winged Tyranid Prime 20:53 Tyranid Prime with Whip 21:37 Parasite Of Mortrex 22:45 Hyperadapted Raveners 24:08 Termagants 26:31 Hormagaunts 27:24 Gargoyles 28:57 Neurogaunts 31:11 Tyranid Warriors 32:26 Zoanthropes 33:42 Neurolictor 35:24 Lictor 36:19 Raveners 36:57 Von Ryan's Leapers 37:24 Genestealers 39:02 Ripper Swarms 40:14 Biovore and Pyrovore 42:17 Sporemines 42:37 Barbgaunts 44:34 Hive Guard 45:27 Tyrant Guard 46:21 Venomthropes 47:21 Norn Emissary 49:01 Maleceptor 50:30 Mawloc 52:19 Trygun 54:31 Harpy 55:21 Hive Crone 55:49 Haruspex 57:15 Psychophage 58:41 Norn Assimilator 59:26 Carnifexes 01:01:10 Screamer-Killer 01:02:57 Toxicrene 01:04:18 Exocrine 01:06:10 Tyrannofex 01:08:00 Sporocyst and Mucolid Spores 01:08:26 Tyrannocyte 01:08:45 Sounds Good 01:09:53 Alright Audio Audience   Contact Information: You can interact with Solely Singleton by joining the hosts on discord and Twitter to give input to improve the show. Feel free to email more detailed questions and suggestions to the show's email address.   Your Hosts: Brad (DrRuler) & Eric (OnekuoSora) Brad's Bsky: https://bsky.app/profile/drruler.bsky.social Eric's Bsky: https://bsky.app/profile/onekuosora.bsky.social Show Email: thepoorhammerpodcast@gmail.com Merch Website: http://www.poorhammer.com/ Edited by: Menino Berilio Show Mailing Address: PO Box 70893 Rochester Hills, MI 48307   Licensed Music Used By This Program: "Night Out" by LiQWYD CC BY "Thursday & Snow (Reprise)" by Blank & Kytt CC BY "First Class" by Peyruis CC BY "Funky Souls" by Amaria CC BY  

MERCH: https://orchideight.com/collections/poorhammer TWITCH: https://www.twitch.tv/poorhammer PATREON: https://www.patreon.com/SolelySingleton   On this week's episode, Brad and Eric go through all the models available for Tyranids. EVERY. SINGLE. MODEL. Well… except Forge World because who buys Forge World am I right?   SHOW LINKS: Brad's Bsky: https://bsky.app/profile/drruler.bsky.social Eric's Bsky: https://bsky.app/profile/onekuosora.bsky.social   MENTIONED THIS EPISODE: Exploring Every Faction Playlist: https://www.youtube.com/playlist?list=PL-p4AUDNDTPZ8CgTNFqesitLD-9nu_ojC   TIMESTAMPS: 00:00 The Quickest Intro Ever, It's almost concerning 00:28 Summoning the Next Tyranid Model 01:54 The Swarm Lord 05:52 Old One Eye 09:44 Death Leaper 11:49 Hive Tyrant 14:21 Winged Hive Tyrant 15:05 Neurotyrant 16:41 Tervigon 17:54 Broodlord 19:24 Winged Tyranid Prime 20:53 Tyranid Prime with Whip 21:37 Parasite Of Mortrex 22:45 Hyperadapted Raveners 24:08 Termagants 26:31 Hormagaunts 27:24 Gargoyles 28:57 Neurogaunts 31:11 Tyranid Warriors 32:26 Zoanthropes 33:42 Neurolictor 35:24 Lictor 36:19 Raveners 36:57 Von Ryan's Leapers 37:24 Genestealers 39:02 Ripper Swarms 40:14 Biovore and Pyrovore 42:17 Sporemines 42:37 Barbgaunts 44:34 Hive Guard 45:27 Tyrant Guard 46:21 Venomthropes 47:21 Norn Emissary 49:01 Maleceptor 50:30 Mawloc 52:19 Trygun 54:31 Harpy 55:21 Hive Crone 55:49 Haruspex 57:15 Psychophage 58:41 Norn Assimilator 59:26 Carnifexes 01:01:10 Screamer-Killer 01:02:57 Toxicrene 01:04:18 Exocrine 01:06:10 Tyrannofex 01:08:00 Sporocyst and Mucolid Spores 01:08:26 Tyrannocyte 01:08:45 Sounds Good 01:09:53 Alright Audio Audience   Contact Information: You can interact with Solely Singleton by joining the hosts on discord and Twitter to give input to improve the show. Feel free to email more detailed questions and suggestions to the show's email address.   Your Hosts: Brad (DrRuler) & Eric (OnekuoSora) Brad's Bsky: https://bsky.app/profile/drruler.bsky.social Eric's Bsky: https://bsky.app/profile/onekuosora.bsky.social Show Email: thepoorhammerpodcast@gmail.com Merch Website: http://www.poorhammer.com/ Edited by: Menino Berilio Show Mailing Address: PO Box 70893 Rochester Hills, MI 48307   Licensed Music Used By This Program: "Night Out" by LiQWYD CC BY "Thursday & Snow (Reprise)" by Blank & Kytt CC BY "First Class" by Peyruis CC BY "Funky Souls" by Amaria CC BY  

Send us a textOur story for this episode is “Grotesque,” by Ian Fortey. A young man moves into an apartment with a gargoyle right outside his window. After some strange incidents, he begins to wonder if the gargoyle is just for show, or some more sinister. Have you ever looked up at a building only to see something staring back? Gargoyles have decorated churches and other buildings for centuries. We'll find out more about their use and history.Music"Fesliyan Studios: "Ghost," "Halloween" "Scary Music,"Audio Jungle: "Halloween Waltzes" Rogers and Hammerstein: "Oklahoma"Narration: Robert BreaultPlease join us! Like and follow our Facebook page to become " patron of the Cemetery Hills Library, or (even better!)  jump on our Patreon page and become a VIP Patron.                         Mugs, tee-shirts and eternal thanks await you!                                                                  Patreon Page: https://www.patreon.com/user?u=61177769&fan_landing=trueWebpage: http://www.afterwordsparanormal.comFacebook: After Words Paranormal Podcast

Send us a textOur story for this episode is “Grotesque,” by Ian Fortey. A young man moves into an apartment with a gargoyle right outside his window. After some strange incidents, he begins to wonder if the gargoyle is just for show, or some more sinister. Have you ever looked up at a building only to see something staring back? Gargoyles have decorated churches and other buildings for centuries. We'll find out more about their use and history.Music"Fesliyan Studios: "Ghost," "Halloween" "Scary Music,"Audio Jungle: "Halloween Waltzes" Rogers and Hammerstein: "Oklahoma"Narration: Robert BreaultPlease join us! Like and follow our Facebook page to become " patron of the Cemetery Hills Library, or (even better!)  jump on our Patreon page and become a VIP Patron.                         Mugs, tee-shirts and eternal thanks await you!                                                                  Patreon Page: https://www.patreon.com/user?u=61177769&fan_landing=trueWebpage: http://www.afterwordsparanormal.comFacebook: After Words Paranormal Podcast

Demona and Brooklyn exemplify different forms of social distrust: Functional and Dysfunctional. 

The Whizzer is a Marvel speedster from the 1940's. And his origin is one of the craziest stories ever told in any medium. In this episode, the Doombots do a panel-by-panel analysis of the Whizzer's origin as originally published in U.S.A. Comics #1. They'll discuss all the retcons that have come since, and wonder why everyone doesn't just inject themselves with mongoose blood. All this, plus Disney's Gargoyles are now 616 canon? Don't miss what is sure to be your new favorite episode of the Doombots Marvel Podcast!

We discussed the Gargoyles in episode 265, but there was such interest in this topic that we had to do it again. Many years ago someone told Nathan that men and women view Gargoyles differently, but would not explain to him how, so we decided to do an experiment. Last time the women told us […] The post The 42cast Episode 270: Defenders of the Night appeared first on The ESO Network.

This book tells the story of the animated series from the 90's about living Gargoyles. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

This week, we talk about real life encounters with Gargoyles. Or...are they? Keeping in line with mothman lore, Gargoyles are another type of winged humanoid that people aren't paying enough attention to due to our belief that they are just architectural beauties. But maybe there is more than meets the eye.Join the Patreon: www.Patreon.com/Wednesdaystalk  Join the Facebook Group: https://www.facebook.com/share/g/17r9NPkasi/  Call Us: 773-599-3473  Email Us: OnWednesdaysWeTalkWeird@gmail.com  Follow Ashley Hilt: Linktr.ee/itsasherz  Follow Cassie Marozsan: Linktr.ee/Cassiesland  Produced By: Nate, who is filthyBecome a supporter of this podcast: https://www.spreaker.com/podcast/on-wednesdays-we-talk-weird--5989318/support.

Even as survivors of medieval wars, religious persecution, and a thousand-year cement coma, the Gargoyles are still not yet ready to face the perils of modern-day New York City. Their "fish out of water" story highlights many challenges they face as they encounter discrepancies between their historical origins and their new home atop a towering skyscraper. The Gargoyles, despite their collective wisdom, must now start from a "blank slate" and acclimate to an advanced society that fears their monstrous appearances. 

Welcome back to 5th & Long, the OBFFL's official safe space for overconfidence, regret, and revisionist history. It's the final week of the regular season, and somehow the league feels both completely predictable and utterly unhinged at the same time. The Gargoyles have clinched the Iacanos Division, four teams have punched their playoff tickets, and six others are clinging to life like a flex player projected for 7.4 but 'trending up.' Week 14 gave us the full spectrum: big swings, brutal beats, Morgan's concession speech for Tit of the League, and a Pick 'Em race where half the league is suddenly pretending they knew what they were doing all along. This is the episode where hopes get validated, dreams get vaporized, and someone definitely lies about 'not checking the app that much.' Buckle in - it's the last dance before the playoffs, and every storyline is on the table.

Gargoyles debuted in 1994 as part of the Disney Afternoon – a programming block of Disney Animation aimed at children just getting out of school. The series provided complex multi-episode stories with complex characters that was rare for children’s animation. In this episode we take a look back at Gargoyles from a female perspective. We... The post The 42cast Episode 265: We Live Again appeared first on The 42cast.

Gargoyles debuted in 1994 as part of the Disney Afternoon – a programming block of Disney Animation aimed at children just getting out of school. The series provided complex multi-episode stories with complex characters that was rare for children’s animation. In this episode we take a look back at Gargoyles from a female perspective. We […] The post The 42cast Episode 265: We Live Again appeared first on The ESO Network.

A cousin tries to make sense of a tragedy, but her investigation leads to her unearthing family secrets concerning a dark room where no one ever dares enter. Learn more about your ad choices. Visit megaphone.fm/adchoices

A cousin tries to make sense of a tragedy, but her investigation leads to her unearthing family secrets concerning a dark room where no one ever dares enter. Learn more about your ad choices. Visit megaphone.fm/adchoices

Kara, Nick, and Zach dig into comics around the Apocalypse. It's really bright and cheery and exactly what you need this time of year!Timestamps:00:00:00 - Start/Last Week in Comics00:01:15 - The Last American (Zach00:10:26 - Lazarus (I know, we talked about this last week. We love this book.)00:13:38 - The Last American (Nick)00:26:34 - The Scooby Apocalypse Vol. 100:35:10 - Dust to Dust #700:45:01 - Teenage Mutant Ninja Turtles x Godzilla #100:50:41 - Gargoyles x Fantastic Four #100:54:44 - WrapMusic provided by Infinity Shred. Find them on Bandcamp.IRCB Avatars by @ICELEVELIRCB Logo by Kyle RoseProducer: Mike RapinProoflistener: Brian MurrayEditor: Zander Riggs Support us on Patreon to get access to our Patreon-only series: IRCB Movie Club, Saga of Saga, Giant Days of Our Lives, A Better Batmobile, and more! patreon.com/ircbpodcastBuy a copy of our anniversary zine Totally Not A Cult: https://ircbpodcast.com/shop/p/totally-not-a-cult-zine-1Email: ircbpodcast@gmail.comTwitter: @ircbpodcastInstagram: @ircbpodcastDiscord: discordapp.com/invite/E8JUB9sReddit: ireadcomicbooks.reddit.comIRCB GoodreadsMerch: ircbpodcast.com/shop

One more new Comic Book Bears Podcast audio episode for November! Recorded on a livestream before Thanksgiving 2025 but hitting your ear buds after, Bill Z, Steve and Caleb discuss some of the comics they were thankful to have read recently - the origin expanding Mr. Terrific: Year One (DC), the spicy sci-fi romance of Maria Llovet's Artificial (Image), the action packed Skinbreaker from Robert Kirkman and David Finch (Image), the kick-off of a mini-series based on TV's Gargoyles mini-series focused on Demona (Dynamite), the tarot inspired fantasy of Arcana: The Lost Heirs graphic novel (Feiwel and Friends) and the first issue Mark Russell's new sci-fi horror anthology series Terrorbytes (Mad Cave!!!) GOBBLE GOBBLE!!!

On Episode 599 of Spittin' Chiclets the boys are joined by Andrew Ladd and The Wonton Don, and the boys are rolling. Sandbagger and Peakin' were a hit, ChicletsU and the new Peakin' drop this week, and Biz wants answers on the Tate McRae–Jack Hughes photo. The Wall of St. Paul has Minnesota buzzing — Wallstedt is unconscious, Gustavsson is dialed in, and Zuccarello's return flipped the switch. Ottawa's heating up too, while injuries pile up around the league and Mikko Rantanen earns a one-game auto suspension. Romanov's done for months, Chabot banged up, and the Sens' stars keep producing. With a surprise guest, recent minnesota highschool football championship star and Chicago Blackhawks First Round Draft Pick, Mason West, joins the show to talk about school loyalty, where he's headed next, and the eruption of a two sport athlete in our world. Quick Hits: Avs win nine straight, Bedard video goes viral, Hellebuyck out, Crosby hits 500 multi-point games, Leafs slump buster idea from Biz. Then it's Wonton Don talking Peakin', plus the Gargoyles mini-doc and Black Friday deals. This is an Episode you won't want to miss. 00:00:00 - START 00:00:32 - Chiclets Updates 00:25:08 - Jack Hughes Dating Rumors 00:31:27 - Andrew Ladd Interview 01:29:12 - Scumbag Seekers 01:29:44 - Mason West Joins the Show 01:44:40 - Scumbag Seekers Continued 01:53:47 - Colorado on a Roll 01:57:50 - Minnesota Wild are Humming 02:04:34 - Ottawa is Buzzing 02:15:03 - Wonton Don Joins the Show 02:45:34 - Leafs Slump Buster 02:52:25 - ETC. Support the Show: DISCOVER: Get cash back on every purchase with the Discover It card. Learn more at discover.com/creditcard https://www.discover.com/nhl PINK WHITNEY: Take Your Shot with Pink Whitney DRAFTKINGS: Download the app and sign up with code CHICLETS. Then choose from ten different Cash Eruption slots and let it spin! In partnership with DraftKings Casino. The Crown is Yours.  RO: Connect with a provider at RO.co/CHICLETS to find out if prescription Ro Sparks are right for you and get $15 off your first order AURAFRAMES: Exclusive $45-off Carver Mat at https://on.auraframes.com/CHICLETS. Promo Code CHICLETS RHOBACK: Entire Rhoback site is 20% off through December 1st for ALL customers. No code needed just shop away at Rhoback.com.You can find every episode of this show on Apple Podcasts, Spotify or YouTube. Prime Members can listen ad-free on Amazon Music. For more, visit barstool.link/schiclets

Jim Hill and Lauren Hersey ring in the holiday season with a look at Disney Lorcana's newest expansion, Whispers in the Well—a set packed with gorgeous art, new gameplay mechanics, and some of the deepest Disney cuts yet, from The Black Cauldron to Gargoyles. Then they shift from gothic fantasy to nostalgic action as they trace the surprising rise, fall, and resurgence of the Mighty Morphin Power Rangers, including the merch craze that once swept toy aisles and the collector market that's exploding again today. HIGHLIGHTS Celebrating Fantasia's anniversary and the release of JB Kaufman's new making-of book. Lorcana's “Whispers,” new boost mechanics, and art featuring The Black Cauldron, Gargoyles, and Zootopia characters. Why fans are hoping for a dedicated Art of Lorcana book. The wild history of Power Rangers merch, from '90s shortages to today's sky-high collector prices. How shifting toy trends are affecting Super Sentai in Japan—and why Power Rangers nostalgia is booming again. Hosts Jim Hill — X/Twitter: @JimHillMedia | Instagram: @JimHillMedia | Website: jimhillmedia.com Lauren Hersey — X/Twitter: @laurenhersey2 | Instagram: @lauren_hersey_ Patreon Enjoy bonus episodes and support the show at: https://www.patreon.com/jimhillmedia/ Follow Us Facebook: @JimHillMediaNews YouTube: @jimhillmedia TikTok: @jimhillmedia Producer Credits Edited by Dave Grey Produced by Eric Hersey — Strong Minded Agency Sponsor This episode is brought to you by Unlocked Magic, from the team behind DVC Rental Store and DVC Resale Market—offering the best deals on Walt Disney World tickets, including the lowest available prices for Mickey's Very Merry Christmas Party and Jollywood Nights. Visit UnlockedMagic.com to plan a more magical trip. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today on Word Balloon, I'm talking with two legends of Disney TV animation—Greg Weisman, the creator of Gargoyles, and Tad Stones, the mind behind Darkwing Duck. They're teaming up for the first time in decades for a brand-new crossover comic series — Gargoyles / Darkwing Duck, debuting this January from Dynamite Entertainment.We'll dig into how this unlikely mash-up came together, what it's like blending the gothic mythos of Gargoyles with the high-energy satire of Darkwing Duck, and how the characters reflect two very different eras of Disney storytelling. Beyond the comic,Greg and Tad share their memories from the golden age of Disney Afternoon syndication—what it was like building shows like DuckTales, Chip ‘n Dale Rescue Rangers, Aladdin: The Animated Series, and of course, Gargoyles—when animation was a daily fixture for millions of kids. And we'll get real about today's landscape—how streaming has upended the business model that supported those kinds of shows, what that means for creators, and whether there's still room for original animated series to thrive outside of nostalgia. 

The beloved, darkly themed animated series, GARGOYLES (1994), features a supernatural species of nocturnal beasts who turn to stone during the day and confront dangers in the dark of night. Winged, fanged, and clawed, the Gargoyles stand out as monsters amidst people, but their intelligence, wit, charm, and value system humanize them.  Watch the reaction on YouTube! https://youtu.be/nuIt-9P1hbM Follow us on Instagram!  Dr. Drea Letamendi - @drdreapsychology Brian Ward - @b_ward028 The Arkham Sessions - @thearkhamsessions Join our Patreon!  Patreon.com/ArkhamSessions  

Join PAD & Tom as they talk with GREG WEISMAN about two titans in pop culture combining forces: the legendary Disney GARGOYLES and the First Family of Marvel: The Fantastic Four! Hear them break down the first crossover issue (via Marvel - On Sale Now and the upcoming next part from Dynamite Comics - On sale in November 2025)! Follow Greg at: https://x.com/Greg_Weisman Follow Dynamite Comics at: https://www.dynamite.com/htmlfiles/ Follow PAD at: https://linktr.ee/odphpodcast Follow Tom at: https://linktr.ee/offthecufftom Find Your LCS: https://www.comicshoplocator.com/ Tom Jolu music: https://tomjolu.bandcamp.com/track/im... For your NCBD reviews destination: https://nerdinitiative.com/comic-books/ #comics #disney #gargoyles #disneygargoyles #starwarsrebels #youngjustice #FCBD #demona #animation #cartoons #NCBD #FF #fantasticFour #marvel #marvelcomics

On Episode 593 of Spittin' Chiclets, Biz hits Dallas for a Pink Whitney meet-and-greet this week before Stars–Ducks, fresh off a wild weekend with Tom Green and a heartbreaking Game 7 World Series loss. Yes, Biz was there. Leafs are starting to spiral, (29th-ranked PP, Domi's cold, Easton Cowen's first goal, Tanev stretchered off), while the Penguins are humming and Trevor Zegras is suddenly a wagon in Philly. Blue Jackets are buzzing, Bolts have won five straight, and St. Louis might be heading for a fire sale with Kyrou rumors heating up. Markstrom inks an extension in Jersey, Kiefer Sherwood keeps filling the net, and the Gargoyles finally notch a Win. Later on, Logan Cooley joins the pod to talk his new deal, having a hot start, and life in Utah. Ryan Reaves pops in to surprise the boys with some ultimate chirps. The third episode of the Internet Invitation drops today and Luke Kwon released an Apology to Whit. Tons of Hockey talk on this week's episode coming to you LIVE. Tune in 2x each week Monday and Fridays with Gamenotes LIVE on Wednesdays. You won't want to miss it. Support the Show: PINK WHITNEY: Take Your Shot with Pink Whitney GAMETIME: Download the Gametime app today and use code CHICLETS for $20 off your first purchase BETTERHELP: Get 10% off your first month at https://BetterHelp.com/CHICLETS RHOBACK: Use code CHICLETS on https://rhoback.com for a generous 20% off your first purchase through the end of this week  BODYARMOR: Get your BODYARMOR today at Walmart or a local grocery store near you! https://www.walmart.com/brand/bodyarmor/bodyarmor-sports-drinks-and-zero-sugar-sports-drinks/10009696 DRAFTKINGS: GAMBLING PROBLEM? CALL 1-800-GAMBLER, (800) 327-5050 or visit gamblinghelplinema.org (MA). Call 877-8-HOPENY/text HOPENY (467369) (NY). Please Gamble Responsibly. 888-789-7777/visit ccpg.org (CT), or visit www.mdgamblinghelp.org (MD).  21+ and present in most states. (18+ DC/KY/NH/WY). Void in NH/OR/ONT. Eligibility restrictions apply. Terms: draftkings.com/sportsbook. On behalf of Boot Hill Casino & Resort (KS). Fees may apply in IL. 1 per new customer. Must register new account to receive reward Token. Must select Token BEFORE placing min. $5 bet to receive $300 in Bonus Bets if your bet wins. Min. -500 odds req. Token and Bonus Bets are single-use and non-withdrawable. Token expires 11/23/25. Bonus Bets expire in 7 days (168 hours). Stake removed from payout. Terms: sportsbook.draftkings.com/promos. Ends 11/16/25 at 11:59 PM ET. Sponsored by DK.You can find every episode of this show on Apple Podcasts, Spotify or YouTube. Prime Members can listen ad-free on Amazon Music. For more, visit barstool.link/schiclets

Hour 3 for 10/30/25 Drew and Father Paul Desmarais cover all things Halloween and the occult (4:35). Topics: Harry Potter for kids? (10:25), BVM apparitions (14:33), Harry Potter Story (18:58), crystals (21:47), Ouija boards (28:12), my girlfriend is a witch (32:45), sage and evil spirits (36:54), did someone put a curse on me? (39:45), I almost went to a fake 'Catholic' medium (42:24), and talking gargoyle's (44:33).

In this Scene Missing panel, we dive deep into the 1972 made-for-TV movie Gargoyles — a cult classic that helped define the early wave of '70s creature features. Joining the discussion are Gabriel Hardman, Jeff Parker, Ian Brill, and Allison Baker, each bringing their sharp insight into the film's production, themes, and its influence on modern genre storytelling.The panel explores the film's eerie desert setting and its surprising critical success, including an Emmy Award for Outstanding Makeup that launched the career of Stan Winston, who went on to create the iconic creatures of Aliens and Predator. We spotlight the performances of Cornel Wilde as anthropologist Mercer Boley, Jennifer Salt (Sisters, Soap) as his daughter Diana, and Bernie Casey as the noble Gargoyle leader — one of television's earliest sympathetic monster roles. We also examine the creative team behind the movie: director Bill L. Norton, later known for Cisco Pike and Law & Order, and writer-producers Steve and Elinor Karpf, who blended mythology, horror, and social reflection into an unexpectedly thoughtful TV thriller.

John, Bob, Steve, and a little bit of Joey go a long way to hold the fort down this week, as another Talking Comics podcast goes in the books. While the guys wax rhapsodic about the evolution of media, Doctor Doom gets spicy, and something simply won't stop killing the children!Books: World's Finest #44, Captain America #4, One World Under Doom #8, Fantastic Four x Gargoyles #1, Transformers #25, Spider-Man #13-14, Something is Killing the Children #42-44, A Monster Hunter Walks Into a BarThe Comic Book Podcast is brought to you by Talking Comics (www.talkingcomicbooks.com). The podcast is hosted by Steve Seigh, Bob Reyer, Joey Braccino, Aaron Amos, John Burkle, and Bronwyn Kelly-Seigh who weekly dissect everything comics-related, from breaking news to new releases. Our Instagram handle is @TalkingComicsPodcast and you can email us at podcast@talkingcomicbooks.com.

Plus the Fantastic Four meet Disney's Gargoyles! Originally recorded live on youtube.com/comicpop on October 20, 2025.

This week, we review Hector Plasm: Hunt the Bigfoot #1 (Image), Fantastic Four/Gargoyles #1 (Marvel), and War Wolf #1 (Mad Cave)—then dive into the great publisher crossover boom and our dream team-ups. In TPB Corner, we time-hop through Batman & Etrigan team-ups (Brave & the Bold #109, Detective Comics #603, and Batman #544–546) to see what still sings (and what doesn't). Show your thanks to Major Spoilers for this episode by becoming a Major Spoilers Patron at http://patreon.com/MajorSpoilers. It will help ensure the Major Spoilers Podcast continues far into the future! Join our Discord server and chat with fellow Spoilerites! (https://discord.gg/jWF9BbF)  REVIEWS STEPHEN HECTOR PLASM: HUNT THE BIGFOOT #1 Writer: Benito Cereno Artist: Derek Hunter, Spencer Holt Publisher: Image Comics Cover Price: $3.99 Release Date: October 15, 2025 Itinerant ghost-hunter Hector Plasm has faced all sorts of unquiet spirits in his travels, but a series of murders in a Pacific Northwest town leads him to confront a creature more solid than usual: BIGFOOT! Can Hector track down a beast that doesn't want to be found, clear his own name, AND save a struggling local business at the same time? [rating:2.5/5] MATTHEW FANTASTIC FOUR/GARGOYLES (2025) ONE-SHOT Writer: Greg Weisman Artist: Enid Balam Publisher: Marvel Comics Cover Price: $5.99 Release Date: October 15, 2025 MARVEL'S FIRST FAMILY UNITES WITH THE MANHATTAN CLAN IN THIS EXCITING CROSSOVER! GARGOYLES creator and acclaimed Marvel writer Greg Weisman brings the Gargoyles to the Baxter Building alongside star artist Enid Balám! Danger strikes when the super villain Diablo learns stone gargoyles may hold the secret to eternal life…but the Gargoyles aren't about to let him leech the blood of his own! Fortunately, they've got the help of expert Diablo-bashers - the Fantastic Four! Plus: Tony Stark and David Xanatos compare facial hair, Marvel's own Gargoyle, Isaac Christians, bonds with his new kin, and more! You won't want to miss this collision of beloved universes! [rating:3.5/5] RODRIGO WAR WOLF #1 Writer: Steve Orlando Artist: Marco Perugini Publisher: Mad Cave Studios Cover Price: $4.99 Release Date: October 22 After he fends off an alien invasion, Thomas Bruin goes from a nobody security guard to Earth's greatest hero! He's got a supercharged launchpad and no ceiling. Bruin rises from celebrity to congress, then to the head of the planet's first orbital security force. He's married into one of the country's most powerful political families, he's surfing a wave of endorsements, and he's the very symbol of human resilience. So why is Bruin nervous? Because only he knows his great victory is a lie. When the aliens return to Earth, stronger than ever, Bruin has no choice but to be the hero he's fooled the whole world into thinking he is…or die trying. [rating: 2.5/5] DISCUSSION BATMAN AND ETRIGAN Etrigan first appeared in The Demon #1 (September 1972) and was created by Jack Kirby. He created him at the behest of DC, who saw it as likely to be more commercially successful than the Fourth World and cancelled New Gods and Forever People to facilitate work on the new title. According to Evanier, Kirby had no interest in horror comics, but created Mark Etrigan in response to DC's demand for a horror character. Kirby was annoyed that Etrigan's popularity forced him to abandon the Fourth World titles before he was done with them. Etrigan returned for a four-issue miniseries in 1987, written and illustrated by Matt Wagner. Alan Grant followed this with an Etrigan feature in Action Comics Weekly #636-641 and a second ongoing title in 1990. The 1990 series lasted 58 issues, two Annuals and one #0 issue. Garth Ennis took over the title beginning with issue #40. Ennis' run included the first appearance of his character Hitman. This series was followed by a miniseries, Driven Out. Following this, John Byrne's Blood of the Demon lasted 17 issues, and ignored much of the continuity that took place after Kirby's initial run. While his first monthly comic book series was short-lived, and his second was canceled after five years, Etrigan remains a popular supporting character with occasional additional miniseries. Series in which Etrigan has appeared include Alan Moore's Swamp Thing, Neil Gaiman's The Sandman, Kevin Smith's Green Arrow and Batman: The Widening Gyre, Garth Ennis's Hitman, and Cosmic Odyssey by Jim Starlin and Mike Mignola. CLOSE Contact us at podcast@majorspoilers.com A big Thank You goes out to everyone who downloads, subscribes, listens, and supports this show. We really appreciate you taking the time to listen to our ramblings each week. Tell your friends!

This week, we review Hector Plasm: Hunt the Bigfoot #1 (Image), Fantastic Four/Gargoyles #1 (Marvel), and War Wolf #1 (Mad Cave)—then dive into the great publisher crossover boom and our dream team-ups. In TPB Corner, we time-hop through Batman & Etrigan team-ups (Brave & the Bold #109, Detective Comics #603, and Batman #544–546) to see what still sings (and what doesn't). Show your thanks to Major Spoilers for this episode by becoming a Major Spoilers Patron at http://patreon.com/MajorSpoilers. It will help ensure the Major Spoilers Podcast continues far into the future! Join our Discord server and chat with fellow Spoilerites! (https://discord.gg/jWF9BbF)  REVIEWS STEPHEN HECTOR PLASM: HUNT THE BIGFOOT #1 Writer: Benito Cereno Artist: Derek Hunter, Spencer Holt Publisher: Image Comics Cover Price: $3.99 Release Date: October 15, 2025 Itinerant ghost-hunter Hector Plasm has faced all sorts of unquiet spirits in his travels, but a series of murders in a Pacific Northwest town leads him to confront a creature more solid than usual: BIGFOOT! Can Hector track down a beast that doesn't want to be found, clear his own name, AND save a struggling local business at the same time? [rating:2.5/5] MATTHEW FANTASTIC FOUR/GARGOYLES (2025) ONE-SHOT Writer: Greg Weisman Artist: Enid Balam Publisher: Marvel Comics Cover Price: $5.99 Release Date: October 15, 2025 MARVEL'S FIRST FAMILY UNITES WITH THE MANHATTAN CLAN IN THIS EXCITING CROSSOVER! GARGOYLES creator and acclaimed Marvel writer Greg Weisman brings the Gargoyles to the Baxter Building alongside star artist Enid Balám! Danger strikes when the super villain Diablo learns stone gargoyles may hold the secret to eternal life…but the Gargoyles aren't about to let him leech the blood of his own! Fortunately, they've got the help of expert Diablo-bashers - the Fantastic Four! Plus: Tony Stark and David Xanatos compare facial hair, Marvel's own Gargoyle, Isaac Christians, bonds with his new kin, and more! You won't want to miss this collision of beloved universes! [rating:3.5/5] RODRIGO WAR WOLF #1 Writer: Steve Orlando Artist: Marco Perugini Publisher: Mad Cave Studios Cover Price: $4.99 Release Date: October 22 After he fends off an alien invasion, Thomas Bruin goes from a nobody security guard to Earth's greatest hero! He's got a supercharged launchpad and no ceiling. Bruin rises from celebrity to congress, then to the head of the planet's first orbital security force. He's married into one of the country's most powerful political families, he's surfing a wave of endorsements, and he's the very symbol of human resilience. So why is Bruin nervous? Because only he knows his great victory is a lie. When the aliens return to Earth, stronger than ever, Bruin has no choice but to be the hero he's fooled the whole world into thinking he is…or die trying. [rating: 2.5/5] DISCUSSION BATMAN AND ETRIGAN Etrigan first appeared in The Demon #1 (September 1972) and was created by Jack Kirby. He created him at the behest of DC, who saw it as likely to be more commercially successful than the Fourth World and cancelled New Gods and Forever People to facilitate work on the new title. According to Evanier, Kirby had no interest in horror comics, but created Mark Etrigan in response to DC's demand for a horror character. Kirby was annoyed that Etrigan's popularity forced him to abandon the Fourth World titles before he was done with them. Etrigan returned for a four-issue miniseries in 1987, written and illustrated by Matt Wagner. Alan Grant followed this with an Etrigan feature in Action Comics Weekly #636-641 and a second ongoing title in 1990. The 1990 series lasted 58 issues, two Annuals and one #0 issue. Garth Ennis took over the title beginning with issue #40. Ennis' run included the first appearance of his character Hitman. This series was followed by a miniseries, Driven Out. Following this, John Byrne's Blood of the Demon lasted 17 issues, and ignored much of the continuity that took place after Kirby's initial run. While his first monthly comic book series was short-lived, and his second was canceled after five years, Etrigan remains a popular supporting character with occasional additional miniseries. Series in which Etrigan has appeared include Alan Moore's Swamp Thing, Neil Gaiman's The Sandman, Kevin Smith's Green Arrow and Batman: The Widening Gyre, Garth Ennis's Hitman, and Cosmic Odyssey by Jim Starlin and Mike Mignola. CLOSE Contact us at podcast@majorspoilers.com A big Thank You goes out to everyone who downloads, subscribes, listens, and supports this show. We really appreciate you taking the time to listen to our ramblings each week. Tell your friends!

On this week's show, our fighters Steve, Julia, and Dana enter the ring to tussle over The Smashing Machine, the Dwayne Johnson vehicle directed by Benny Safdie. Can they smell what the Rock is cooking? Is it a subtly modulated performance about a sensitive pro UFC fighter? Or, a shameless Oscar play?  Next, it's on to the offbeat climes of Tulsa, Oklahoma by way of The Lowdown, a shaggy noir series created by Sterlin Harjo and starring Ethan Hawke. Finally, they gaze into the uncanny eyes of Tilly Norwood, the A.I. beauty that launched a thousand think pieces and a Hollywood freakout. On an exclusive bonus episode for Slate Plus subscribers, the panel unburies an old hatchet to discuss Elizabeth Gilbert's newest memoir.  Email us your thoughts at culturefest@slate.com.  Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Endorsements Dana: The N+1 essay "Large Language Muddle" and Isaac Butler's deep dive on Daniel Day-Lewis in Slate. Julia: Walking in Coal Oil Point Natural Reserve. Steve: James Meek's essay in The London Review of Books "Computers that want things" and the novel Gargoyles by Thomas Bernhard (and welcomes listener suggestions for what else to read by Bernhard). Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's show, our fighters Steve, Julia, and Dana enter the ring to tussle over The Smashing Machine, the Dwayne Johnson vehicle directed by Benny Safdie. Can they smell what the Rock is cooking? Is it a subtly modulated performance about a sensitive pro UFC fighter? Or, a shameless Oscar play?  Next, it's on to the offbeat climes of Tulsa, Oklahoma by way of The Lowdown, a shaggy noir series created by Sterlin Harjo and starring Ethan Hawke. Finally, they gaze into the uncanny eyes of Tilly Norwood, the A.I. beauty that launched a thousand think pieces and a Hollywood freakout. On an exclusive bonus episode for Slate Plus subscribers, the panel unburies an old hatchet to discuss Elizabeth Gilbert's newest memoir.  Email us your thoughts at culturefest@slate.com.  Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Endorsements Dana: The N+1 essay "Large Language Muddle" and Isaac Butler's deep dive on Daniel Day-Lewis in Slate. Julia: Walking in Coal Oil Point Natural Reserve. Steve: James Meek's essay in The London Review of Books "Computers that want things" and the novel Gargoyles by Thomas Bernhard (and welcomes listener suggestions for what else to read by Bernhard). Learn more about your ad choices. Visit megaphone.fm/adchoices

Gargoyles, psychics, and demonic flatulation… oh my! Today's guest is a CHRISTIAN!!! Delta welcomes reality TV icon Marguerite Perrin, the unforgettable star of the early 2000s show Trading Spouses. Marguerite's legendary “go off” moment about being a Christian woman has fueled Delta's drag for over two decades, so this interview is truly a dream come true. The two dish on the “realness” of reality TV, queer allyship, and yes… silent but deadly moments. Delta even gives Marguerite a crash course in queer lingo with phrases like “pay him dust” and “boochie.” Plus, Delta unleashes on fast food apps because honestly, just hand her the damn food through the speaker. Nobody wants to download your crusty app!Listen to Very Delta Ad-Free AND One Day Early on MOM Plus⁠ ⁠Send us an e-mail at readmedelta@gmail.com⁠ FOLLOW DELTA⁠@deltawork⁠ ⁠VERY DELTA IS A FOREVER DOG AND MOGULS OF MEDIA (M.O.M.) PODCASTSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.