German-born American film director
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6 episodes with Robert Siodmak
3 episodes with Robert Siodmak
3 episodes with Robert Siodmak
2 episodes with Robert Siodmak
2 episodes with Robert Siodmak
2 episodes with Robert Siodmak
2 episodes with Robert Siodmak
4 episodes with Robert Siodmak
2 episodes with Robert Siodmak
Au sommaire de cette spéciale Film Noir : Retour sur les dernières sorties Rimini Éditions : Casier judiciaire (1938) & La Femme au portrait (1944) de Fritz Lang ; Évocation des dernières parutions Elephant Films : La Tigresse de Byron Haskin (1949), Le Déporté de Robert Siodmak (1950), Iron Man de Joseph Pevney (1951) & Le Rôdeur de Joseph Losey (1951). Bonne écoute à toutes et tous !
Criss Cross is a film noir often discussed and appreciated, and for good reason. Directed by the great Robert Siodmak, and starring Burt Lancaster, Yvonne De Carlo, and Dan Duryea, few other movies epitomize the feeling of film noir as well as this one all the way through to the final frame. Join Marc and Dan as they break down this essential from 1949!Related Books on: https://shadowsofnoir.com/Los Angeles's Bunker Hill: https://shadowsofnoir.com/product/los-angeless-bunker-hill-pulp-fictions-mean-streets-and-film-noirs-ground-zero/Burt Lancaster Biography: https://shadowsofnoir.com/product/burt-lancaster-an-american-life/Dan Duryea Biography: https://shadowsofnoir.com/product/dan-duryea-heel-with-a-heart/NEXT EPISODE: SCARLET STREET (1945)
In 1989, Steven Soderbergh was on top of the world. By 1995, he was underneath...THE UNDERNEATH, that is! We're talking Sodie's very loose remake of the 1949 Robert Siodmak film noir CRISS-CROSS (and the 1934 novel on which it was based), noir in the 1990s, armored cars, and Soderbergh's evolving film language as he becomes the director we all know and love. Nobody's favorite Sodie movie, but maybe somebody's favorite ep? Remains to be seen! Further Reading: Criss Cross by Don Tracy Steven Soderbergh: Interviews ed. Anthony Kaufman Reinventing Hollywood by David Bordwell "Neither Noir" by Jonathan Rosenbaum Further Viewing: THE KILLERS (Siodmak, 1946) KISS OF DEATH (Hathaway, 1947) CRISS CROSS (Siodmak, 1949) THE KILLING (Kubrick, 1956) BLOOD SIMPLE (Coen, 1984) PULP FICTION (Tarantino, 1994) Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart
From the gritty, hard-boiled story by Cornell Woolrich, to the vision and expert coordination of producer Joan Harrison, to the masterful execution of director Robert Siodmak, Phantom Lady seemed to be destined for film noir history. Join Marc and Dan as they discuss this classic that not only stands tall on its own merits, but also holds an important place in the evolution of film noir's classic era.https://shadowsofnoir.com/
Who's the Bossk? - Episode 210: The Dark Mirror with David Murto Date: December 16th, 2024 (recorded December 8th) Listen Topics In the 11th installment of "Mike & David Movie Club," recurring guest David Murto joins "Who's the Bossk?" host Mike Celestino for a discussion of the 1946 film noir The Dark Mirror directed by Robert Siodmak, which shares a premise with Lucasfilm's 2024 Disney+ series Star Wars: The Acolyte. Subscribe iTunes Google Spotify
Welcome to It's A Wonderful Podcast! We just really didn't want Noirvember to end this year, so decided to extend the celebration of the dark, deceitful genre into December and take a look at some FESTIVE FILM NOIR! Morgan and Jeannine kick off the series today with Robert Siodmak's CHRISTMAS HOLIDAY (1944) starring Deanna Durbin & Gene Kelly, which sees a nightclub singer relaying the story of her dangerous marriage, only for the estranged husband to break out of prison and seek her out! With a slice of the southern gothic and a Christmas Eve setting, it's a great place to transition between the series'! Our YouTube Channel for Monday Madness on video, Morgan Hasn't Seen TV, Retro Trailer Reactions & More https://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vow The It's A Wonderful Podcast Theme by David B. Music. Donate: https://www.buymeacoffee.com/ItsAWonderful1 Join our Patreon: https://www.patreon.com/ItsAWonderful1 IT'S A WONDERFUL PODCAST STORE: https://its-a-wonderful-podcast.creator-spring.com/ Sub to the feed and download now on Anchor, Apple Podcasts, Spotify, Google Podcasts, Amazon Music & more and be sure to rate, review and SHARE AROUND!! Keep up with us on (X) Twitter: Podcast: https://twitter.com/ItsAWonderful1 Morgan: https://twitter.com/Th3PurpleDon Jeannine: https://twitter.com/JeannineDaBean_ Keep being wonderful!! --- Support this podcast: https://podcasters.spotify.com/pod/show/itsawonderfulpodcast/support
Get your raincoat, because Marc and Dan are discussing The Spiral Staircase for episode 19! Amidst a powerful storm, in a big, dark house, we have a thrilling noir that stands the test of time. Directed and photographed by film noir legends Robert Siodmak and Nicholas Musuraca, respectively, this film looks like few others in the film noir canon. Join Dan and Marc for an in-depth look at the story progression, the characters, the visuals, the themes, and more! https://shadowsofnoir.com
Welcome to It's A Wonderful Podcast! IT'S NOIRVEMBER 2024 and Morgan and Jeannine have five episodes for the month, covering the vast array of Film Noir, in the way only they can! We love Noir more than anything else on this show! One of Morgan's very favourite Noirs this week as double crossing, doomed romance, and reluctant robbery are on the ticket in Robert Siodmak's gut-punching CRISS CROSS (1949) starring Burt Lancaster, Yvonne DeCarlo & Dan Duryea! Our YouTube Channel for Monday Madness on video, Morgan Hasn't Seen TV, Retro Trailer Reactions & More https://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vow The It's A Wonderful Podcast Theme by David B. Music. Donate: https://www.buymeacoffee.com/ItsAWonderful1 Join our Patreon: https://www.patreon.com/ItsAWonderful1 IT'S A WONDERFUL PODCAST STORE: https://its-a-wonderful-podcast.creator-spring.com/ Sub to the feed and download now on Anchor, Apple Podcasts, Spotify, Stitcher, Google Podcasts, Castbox, Amazon Music & more and be sure to rate, review and SHARE AROUND!! Keep up with us on (X) Twitter: Podcast: https://twitter.com/ItsAWonderful1 Morgan: https://twitter.com/Th3PurpleDon Jeannine: https://twitter.com/JeannineDaBean_ Keep being wonderful!! --- Support this podcast: https://podcasters.spotify.com/pod/show/itsawonderfulpodcast/support
In this 1947 Universal Studios Year by Year episode, a little Ella Raines never hurt no one: we struggle to understand her role in the intermittently riveting Gothic melodrama Time Out of Mind (stylishly directed by Robert Siodmak), while Edmond O'Brien struggles to understand her role in Vincent Price's life in The Web, a white-collar film noir directed by future blacklistee Michael Gordon. Time Codes: 0h 00m 25s: TIME OUT OF MIND [dir. Robert Siodmak] 0h 20m 07s: THE WEB [dir. Michael Gordon] Studio Film Capsules provided by The Universal Story by Clive Hirschhorn Additional studio information from: The Hollywood Story by Joe W. Finler +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project! Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join!
Des colts et la loi à l'ouest du Pecos : le western revient dans le Saloon de Filmo, pardon le Salon. Didier Philippe Gérard, Charles Nemès et Denis Parent commentent des séries B et des grandes œuvres. On revient sur des films de John Ford, Howard Hawks et même Robert Siodmak. Et l'on découvre un western de la Blaxploitation. Donc, on dégaine et on regarde sur Filmo ;) Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.
Au sommaire de cette spéciale classiques : Retour sur deux sorties Rimini Editions : Le Chat et le canari de Radley Metzger, L'énigmatique Monsieur D de Sheldon Reynolds ; Évocation de trois inédits parus chez Elephant Films : Le mystère d'Edwin Drood (Stuart Walker), Désirs de bonheur (Robert Siodmak) et Le prix du silence (Elliott Nugent) ; Chronique de deux parutions Carlotta Films : Tokyo-Ga de Wim Wenders et le coffret Ozu inédits. Bonne écoute à toutes et tous !
In 1944's Christmas Holiday, Deanna Durbin and Gene Kelly, both known for their achievements in musical comedies, were cast against type as a lounge singer with a sordid past and her abusive husband respectively. Audiences seemed to be ready for the change as Christmas Holiday, directed by stylist Robert Siodmak and based on a W. Somerset Maugham story, quickly became one of Universal's most successful films of 1944. Dan and Vicky discuss the offbeat and melancholy Christmas movie along with their feelings on some recently seen movies and TV including The First Omen, Monkey Man, Zone of Interest, Beau is Afraid and Netflix's Dick Wolf docu-series Homicide New York. Check us out on all our socials: hotdatepod.com FB: Hot Date Podcast Twitter: @HotDate726 Insta: hotdatepod
[7x7] We're delving into early Hollywood cinema for Robert Siodmak's horror sequel from 1943, Son of Dracula, starring Lon Chaney Jr. as 'Count Alucard', a European nobleman who's invited to the American South to marry a plantation owner's daughter obsessed with the occult...And making her debut on the show is Trashwire podcaster and Geek Girl Authority film writer Kim Pierce...Hosts: Dan Owen & Hugh McStayGuest: Kim PierceEditor: Dan Owen"The angel of death hovers over a great house. I see it in ruins... weeds, vines growing over it, bats flying in and out the broken windows." -- Madame ZimbaSubscribe and leave a rating or review to help support the show. You can also leave a donation at Ko-fi and follow us on various social media platforms here. A proud part of the We Made This podcast network. Theme music composed by Nela Ruiz • Podcast artwork by Dan Owen. Become a supporter of this podcast: https://www.spreaker.com/podcast/vampire-videos--5546381/support.
It goes without saying that there's gonna be some dangerous dames all March for our noir month we've dubbed THE LEFT HAND ENDEAVOR. Today's feature has a lady that is so stunning, so femme fatale, that she's got Burt Lancaster's bisexual ass simping to the grave. I mean, this dude did time for this lady by taking the fall for her while she was sitting at a table with her actual boyfriend. It's really not clear if he ever got to second base. Either way, the Swede is dead, and who else but an insurance guy is gonna piece this puzzle together? We're talking Robert Siodmak's 1947 adaptation of the Ernest Hemingway story “THE KILLERS” starring a sad-ass Burt Lancaster, a knockout Ava Gardner and Edmund O'Brien who ain't a bad little piece of chicken in his own right. We also got a little bit of post-Oscar conversation as well. Congrats to Oppenheimer. Here's a link to the movie (not Oppenheimer): https://archive.org/details/thekillers1946usafeaturingburtlancasteravagardneredmondobrienfilmnoirfullmovie_202001 Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: MOVIEHUMPERS@gmail.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought
In this Universal 1945 episode of The Hollywood Studios Year-by-Year, we look at a couple of noir-adjacent films, Robert Siodmak's The Suspect, starring Charles Laughton as an abused husband who looks for a way out of his miserable marriage when he meets sweet and lovely Ella Raines, and the comedy/crime film Lady on a Train, which stars Deanna Durbin as an exuberant and resourceful murder mystery addict who gets involved in a real investigation when she witnesses a murder from her train window. And in Fear and Moviegoing in Toronto, we discuss three short documentaries about James Baldwin, along with another Douglas Sirk masterpiece, There's Always Tomorrow (1956). Time Codes: 0h 00m 35s: THE SUSPECT [dir. Robert Siodmak] 0h 27m 39s: LADY ON A TRAIN [dir. Charles David] 0h 38m 11s: Fear and Moviegoing in Toronto – TIFF Cinémathèque – There's Always Tomorrow (1956) by Douglas Sirk and three short documentaries about James Baldwin Studio Film Capsules provided by The Universal Story by Clive Hirschhorn Additional studio information from: The Hollywood Story by Joel W. Finler +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project! Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join!
While Derek was supposed to be away, fellow podcaster Steve Turek stepped into the guest host slot to chat with long time friend of the show to conclude their look at Universal's Dracula franchise with a Son of Dracula (dir. Robert Siodmak). Plus, Mark Matzke's Beta Capsule Review (The Return of Ultraman), Listener Feedback, and Kenny's Look at Famous Monsters of Filmland! Team Deth YouTube Channel - Monster Kid Radio Contact Information: Voicemail: (360) 524-2484 Email: Monster Kid Radio's Discord Server - Monster Kid Radio on Reddit - Monster Kid Radio on Twitch! - - Monster Kid Radio on YouTube - Follow Steve Turek DieCast Movie Podcast - Follow Kevin SlickKevin Slick - Kevin Slick on YouTube - Follow Mark MatzkeMonster Fest 2024 - Monsteropolis - Monster Study Group - Small Town Monsters - Monster Fest - Small Town Monsters YouTube Channel (Home of SasWatch) - Monster Kid Radio Amazon Wishlist - Monster Kid Radio on TeePublic - Next time on Monster Kid Radio: STAY TUNED! The opening and closing song () provided courtesy of - - - And catch The Meteoroids LIVE at The Sardine, February 29, 2024! All original content of Monster Kid Radio by is licensed under a .
While Derek is away, fellow podcaster Steve Turek steps into the guest host slot to chat with long time friend of the show to continue their look at Universal's Dracula franchise with a look at Dracula's Daughter (dir. Lambert Hillyer). Plus Mark Matzke's Beta Capsule Review (The Return of Ultraman), Listener Feedback, and Kenny's Look at Famous Monsters of Filmland! Team Deth YouTube Channel - Monster Kid Radio Contact Information: Voicemail: (360) 524-2484 Email: Monster Kid Radio's Discord Server - Monster Kid Radio on Reddit - Monster Kid Radio on Twitch! - - Monster Kid Radio on YouTube - Follow Steve Turek DieCast Movie Podcast - Follow Kevin SlickKevin Slick - Kevin Slick on YouTube - Follow Mark MatzkeMonster Fest 2024 - Monsteropolis - Monster Study Group - Small Town Monsters - Monster Fest - Small Town Monsters YouTube Channel (Home of SasWatch) - Monster Kid Radio Amazon Wishlist - Monster Kid Radio on TeePublic - Next time on Monster Kid Radio: Son of Dracula (dir. Robert Siodmak) with The opening and closing song () provided courtesy of - - And watch for their next album coming April 2024! All original content of Monster Kid Radio by is licensed under a .
Jenny talks about Robert Siodmak’s 1946 thriller, one of the best horror films of the 1940s, about a mute woman who becomes the target of a serial killer. Audio version: Video version: Please support us on Patreon! Don't forget to subscribe to our YouTube channel, like us on Facebook, and follow us on Twitter and Instagram. Also check out Jenny's horror … Continue reading Movie Time: The Spiral Staircase (1946)
Visit our WATCH PAGE to rent or purchase movies we've talked about on the show. By doing so, you get to watch the movie and help us out in the process as a portion comes back our way. All of the movies from our current season are in there, and we're continuing to add more from our back catalog. Enjoy!Want to upgrade your Letterboxd account? Use our promo code to get a discount and help us out in the process!“I tell ya what's gonna happen. We're gonna kill a Swede.”The Killers: Dissecting a Landmark NoirRobert Siodmak's 1946 crime drama The Killers earned four Oscar nominations at the 19th Academy Awards, including Best Director for Siodmak and Best Adapted Screenplay. The influential film noir also marked the screen debut of Hollywood legend Burt Lancaster. Join us – Pete Wright and Andy Nelson – as we continue our series on the 1947 Academy Award Best Writing, Screenplay nominees with an in-depth discussion about Siodmak's 1946 film The Killers.Behind the Stylish Noir LensBased on Ernest Hemingway's 1927 short story, The Killers greatly expands the sparse source material into a complex, nonlinear narrative involving murder, robbery and betrayal. Director Siodmak utilizes creative camera angles and lighting techniques to craft a visually stunning noir landscape. Cinematographer Woody Bredell's high-contrast, shadowy aesthetic defines the classic film noir look and feel. Lancaster shines in his first on-screen role as Ole “The Swede” Anderson, a washed-up boxer mixed up in a criminal underworld scheme. His powerful performance launched the charismatic new star to fame. Ava Gardner embodies the femme fatale archetype as the alluring but dangerous siren Kitty Collins.Standout Elements of This Influential Crime Drama The opening 12 minutes closely follow Hemingway's original story before transitioning into a complex, nonlinear narrative structure, utilizing flashbacks from multiple perspectives to unravel the central mystery. We discuss the extended single-take heist scene, staged with incredible choreography and camerawork, as a prime example of Siodmak's skilled direction. Miklós Rózsa's propulsive, jazz-inspired score sets the ominous, moody tone throughout the shadowy proceedings. We debate whether splitting the protagonist role (the Swede) from the main character (the insurance investigator) dilutes the hard-boiled noir narrative. It's a great film with much to dissect, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Join the conversation with movie lovers from around the world on The Next Reel's Discord channel!Film SundriesLearn more about supporting The Next Reel Film Podcast through your own membership. Watch this on Apple or Amazon, or find other places at JustWatch Script Options Theatrical trailer Poster artwork Flickchart Letterboxd (00:00) - Welcome to The Next Reel • The Killer (02:00) - The Original and Adaptation (10:06) - The Writers (14:23) - Insurance Investigator – Dated? (17:21) - Protagonist vs. Main Character (21:09) - Film Noir and Robert Siodmak (23:20) - Pushing Boundaries (24:32) - Femme Fatale (26:44) - Heist Scene (29:26) - Heist Genre? (31:59) - Burt Lancaster (35:17) - Siodmak's Performance Direction (37:39) - Albert Decker (41:48) - The Score (43:35) - Dead Men Don't Wear Plaid and the Killers (45:49) - Credits (47:39) - Sequels and Remakes (49:57) - Awards (51:34) - The Box Office (52:37) - Last Thoughts (52:55) - Coming Next Week • Rome, Open City (55:46) - Letterboxd (57:39) - Wrap Up Learn more about the WGA strike here. Learn more about the SAG-AFTRA strike here.
Visit our WATCH PAGE to rent or purchase movies we've talked about on the show. By doing so, you get to watch the movie and help us out in the process as a portion comes back our way. All of the movies from our current season are in there, and we're continuing to add more from our back catalog. Enjoy!Want to upgrade your Letterboxd account? Use our promo code to get a discount and help us out in the process!“I tell ya what's gonna happen. We're gonna kill a Swede.”The Killers: Dissecting a Landmark NoirRobert Siodmak's 1946 crime drama The Killers earned four Oscar nominations at the 19th Academy Awards, including Best Director for Siodmak and Best Adapted Screenplay. The influential film noir also marked the screen debut of Hollywood legend Burt Lancaster. Join us – Pete Wright and Andy Nelson – as we continue our series on the 1947 Academy Award Best Writing, Screenplay nominees with an in-depth discussion about Siodmak's 1946 film The Killers.Behind the Stylish Noir LensBased on Ernest Hemingway's 1927 short story, The Killers greatly expands the sparse source material into a complex, nonlinear narrative involving murder, robbery and betrayal. Director Siodmak utilizes creative camera angles and lighting techniques to craft a visually stunning noir landscape. Cinematographer Woody Bredell's high-contrast, shadowy aesthetic defines the classic film noir look and feel. Lancaster shines in his first on-screen role as Ole “The Swede” Anderson, a washed-up boxer mixed up in a criminal underworld scheme. His powerful performance launched the charismatic new star to fame. Ava Gardner embodies the femme fatale archetype as the alluring but dangerous siren Kitty Collins.Standout Elements of This Influential Crime Drama The opening 12 minutes closely follow Hemingway's original story before transitioning into a complex, nonlinear narrative structure, utilizing flashbacks from multiple perspectives to unravel the central mystery. We discuss the extended single-take heist scene, staged with incredible choreography and camerawork, as a prime example of Siodmak's skilled direction. Miklós Rózsa's propulsive, jazz-inspired score sets the ominous, moody tone throughout the shadowy proceedings. We debate whether splitting the protagonist role (the Swede) from the main character (the insurance investigator) dilutes the hard-boiled noir narrative. It's a great film with much to dissect, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Join the conversation with movie lovers from around the world on The Next Reel's Discord channel!Film SundriesLearn more about supporting The Next Reel Film Podcast through your own membership. Watch this on Apple or Amazon, or find other places at JustWatch Script Options Theatrical trailer Poster artwork Flickchart Letterboxd (00:00) - Welcome to The Next Reel • The Killer (02:00) - The Original and Adaptation (10:06) - The Writers (14:23) - Insurance Investigator – Dated? (17:21) - Protagonist vs. Main Character (21:09) - Film Noir and Robert Siodmak (23:20) - Pushing Boundaries (24:32) - Femme Fatale (26:44) - Heist Scene (29:26) - Heist Genre? (31:59) - Burt Lancaster (35:17) - Siodmak's Performance Direction (37:39) - Albert Decker (41:48) - The Score (43:35) - Dead Men Don't Wear Plaid and the Killers (45:49) - Credits (47:39) - Sequels and Remakes (49:57) - Awards (51:34) - The Box Office (52:37) - Last Thoughts (52:55) - Coming Next Week • Rome, Open City (55:46) - Letterboxd (57:39) - Wrap Up Learn more about the WGA strike here. Learn more about the SAG-AFTRA strike here.
Universal 1943 is a strange one, starting with The Strange Death of Adolph Hitler, starring Ludwig Donath as a reluctant Nazi collaborator who's forced to impersonate Hitler, and continuing with Robert Siodmak's Son of Dracula, with Lon Chaney Jr. as a hapless Dracula who falls victim to femme fatale Louise Allbritton. We discuss WWII AU scenarios, the Twilight Zone scenario of being a soul trapped in Hitler's body, and the comedy team of Frank Craven and J. Edward Bromberg as a down-to-earth doctor and sub-Van Helsing forced to confront supernatural shenanigans and, worse, a wayward woman with a plan. Time Codes: 0h 00m 45s: THE STRANGE DEATH OF ADOLPH HITLER [dir. James P. Hogan] 0h 29m 59s: SON OF DRACULA [dir. Robert Siodmak] Studio Film Capsules provided by The Universal Story by Clive Hirschhorn Additional studio information from: The Hollywood Story by Joel W. Finler +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project! Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join!
Book Vs. Movie: The KillersThe 1927 Ernest Hemingway Short Story Vs. the 1946 Classic FilmThe Margos are discussing Ernest Hemingway for the first time on the podcast after nine years of producing, which is shocking! His 1927 short story, The Killers, was first published in 1927 for Scribner's Magazine and is a return of his character Nick Adams who appears in several short stories. Set in Summit, Illinois, Adams has to deal with a couple of hitmen looking to take out a boxer named “Ole Anderson.” A Swedish heavyweight fighter being warned about impending doom decides to let fate take over. Like many of his peers, Hemingway detested the Hollywood versions of his work that were sanitized due to the Hays Code. In the 1946 adaptation, director Robert Siodmak and screenwriter Anthony Veiller give us more background on “The Swede” and his life after his boxing career ended. So what are the main differences between the short story and the film? Which version did the Margos like better? Have a listen!In this ep, the Margos discuss:Ernest Hemingway and his incredible life and careerThe cast of the 1946 film: Burt Lancaster (Pete Lund/Ole “Swede” Anderson,) Ava Gardner (Kitty Collins,) Edmond O'Brien (Jim Reardon,) Albert Dekker (“Big Jim Colfax,”), Sam Levene (Lt. Sam Lubinsky,) Vince Barnett (Charleston,) Virginia Christine (Lily,) Jack Lambert (“Dum-Dum” Clarke), Phil Brown (Nick Adams,) Charles D. Brown (Packy Robinson,) and Donald MacBride as Reardon's boss.Clips used:The opening scene at the Brentwood dinerThe Killers (1946 trailer)Nick warns The SwedeMain boxing sceneAva Gardner singsKitty leaves ReardonColfax dies, and Kitty panicsMusic: Miklos RozsaBook Vs. Movie is part of the Frolic Podcast Network.Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupFollow us on Twitter @bookversusmovieInstagram: Book Versus Movie https://www.instagram.com/bookversusmovie/ bookversusmoviepodcast@gmail.com Margo D. Twitter @BrooklynMargo Margo D's Blog www.brooklynfitchick.com Margo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok https://www.tiktok.com/@margodonohuebrooklynfitchick@gmail.comYou can buy your copy of Filmed in Brooklyn here! Margo P. Twitter @ShesNachoMamaMargo P's Instagram https://www.instagram.com/shesnachomama/Margo P's Blog https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5406542/advertisement
Book Vs. Movie: The KillersThe 1927 Ernest Hemingway Short Story Vs. the 1946 Classic FilmThe Margos are discussing Ernest Hemingway for the first time on the podcast after nine years of producing, which is shocking! His 1927 short story, The Killers, was first published in 1927 for Scribner's Magazine and is a return of his character Nick Adams who appears in several short stories. Set in Summit, Illinois, Adams has to deal with a couple of hitmen looking to take out a boxer named “Ole Anderson.” A Swedish heavyweight fighter being warned about impending doom decides to let fate take over. Like many of his peers, Hemingway detested the Hollywood versions of his work that were sanitized due to the Hays Code. In the 1946 adaptation, director Robert Siodmak and screenwriter Anthony Veiller give us more background on “The Swede” and his life after his boxing career ended. So what are the main differences between the short story and the film? Which version did the Margos like better? Have a listen!In this ep, the Margos discuss:Ernest Hemingway and his incredible life and careerThe cast of the 1946 film: Burt Lancaster (Pete Lund/Ole “Swede” Anderson,) Ava Gardner (Kitty Collins,) Edmond O'Brien (Jim Reardon,) Albert Dekker (“Big Jim Colfax,”), Sam Levene (Lt. Sam Lubinsky,) Vince Barnett (Charleston,) Virginia Christine (Lily,) Jack Lambert (“Dum-Dum” Clarke), Phil Brown (Nick Adams,) Charles D. Brown (Packy Robinson,) and Donald MacBride as Reardon's boss.Clips used:The opening scene at the Brentwood dinerThe Killers (1946 trailer)Nick warns The SwedeMain boxing sceneAva Gardner singsKitty leaves ReardonColfax dies, and Kitty panicsMusic: Miklos RozsaBook Vs. Movie is part of the Frolic Podcast Network.Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupFollow us on Twitter @bookversusmovieInstagram: Book Versus Movie https://www.instagram.com/bookversusmovie/ bookversusmoviepodcast@gmail.com Margo D. Twitter @BrooklynMargo Margo D's Blog www.brooklynfitchick.com Margo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok https://www.tiktok.com/@margodonohuebrooklynfitchick@gmail.comYou can buy your copy of Filmed in Brooklyn here! Margo P. Twitter @ShesNachoMamaMargo P's Instagram https://www.instagram.com/shesnachomama/Margo P's Blog https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine
Robert Siodmak's gem from 1949 goes under the microscope in this episode. Motivations for this classic plot involve an armoured car heist, an old flame and axes to grind. Good natured sap, Burt Lancaster, is the inside man on the job whilst making time with his ex, turned gangster's moll, Yvonne De Carlo. Unfortunately for him, head-heavy Dan Duryea is as violent as he is jealous. Josh takes you through the beats of Criss Cross as LTP Noir continues its investigation into the world of Film Noir.
Immerse yourself in the captivating world of vintage classic radio as Vintage Classic Radio presents "The Killers," a thrilling episode from the renowned series Screen Director's Playhouse. Originally broadcasted on June 5th, 1949, this noir masterpiece stars the legendary Burt Lancaster and the talented Shelly Winters. In this suspenseful radio play, adapted from the iconic Ernest Hemingway short story, two professional hitmen arrive in a small town with one mission: to eliminate a former boxer known as "The Swede." As the story unfolds, dark secrets, betrayal, and a mysterious woman intertwine to create a web of intrigue and danger. "The Killers" radio adaptation is closely related to the 1946 film version, directed by Robert Siodmak. Burt Lancaster delivers a mesmerizing performance as "The Swede," while Ava Gardner captivates as the enigmatic Kitty Collins. Considered a classic of film noir, the 1946 adaptation of "The Killers" masterfully combines stylish cinematography, a haunting score, and a gripping narrative to create an unforgettable cinematic experience. The radio play brings this cinematic brilliance to the audio realm, allowing listeners to immerse themselves in the atmospheric world of the film. Cast: Burt Lancaster as The Swede Shelly Winters as Kitty Collins William Conrad as Al Charles McGraw as Max Sam Edwards as George Virginia Gregg as the Operator John Dehner as Nick Adams Peggy Webber as Mrs. Bellini Screen Director's Playhouse, a popular radio anthology series, showcased adaptations of classic films directed by renowned Hollywood filmmakers. It provided a unique platform for celebrated actors and actresses to showcase their talent in captivating audio dramas. Tune in to "Friday Night Noir" and experience the tension, mystery, and star power of "The Killers."
Welcome to It's A Wonderful Podcast!! A faultless, formative, flashback-filled Noir on this week's main show as Morgan and Jeannine take a look at the first film adaptation of Ernest Hemingway's THE KILLERS (1946) directed by the great Robert Siodmak, with Burt Lancaster in his unforgettable debut role and Ava Gardner making a star of herself too! The underappreciated Edmond O'Brien is our POV in this one as the investigation into why Burt Lancaster's "Swede" was killed brings up double cross after double cross and seeps into a criminal underworld seemingly overpowered in its obsession for one of cinema's great Femme Fatales, Gardner's Kitty Collins! Our Youtube Channel for Monday Madness on video, Watchalongs, Live Discussions & more: https://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vow The It's A Wonderful Podcast Theme by David B. Music. Donate: https://www.buymeacoffee.com/ItsAWonderful1 Join our Patreon: https://www.patreon.com/ItsAWonderful1 IT'S A WONDERFUL PODCAST STORE: https://its-a-wonderful-podcast.creator-spring.com/ Sub to the feed and download now on Anchor, Apple Podcasts, Spotify, Stitcher, Google Podcasts, Castbox, Amazon Music & more and be sure to rate, review and SHARE AROUND!! Keep up with us on Twitter: Podcast: https://twitter.com/ItsAWonderful1 Morgan: https://twitter.com/Th3PurpleDon Jeannine: https://twitter.com/JeannineDaBean Keep being wonderful!! --- Send in a voice message: https://podcasters.spotify.com/pod/show/itsawonderfulpodcast/message Support this podcast: https://podcasters.spotify.com/pod/show/itsawonderfulpodcast/support
Citizen Kane isn't the only film in which the lead character dies in the beginning and sets an audience in pursuit of what to make of his final moments. Mike and Dan talk about The Killers (1946), Robert Siodmak's adaptation of Ernest Hemingway's short story and a terrific noir, right down to the clackety-clack shoes. As a reformed English major, Mike talks about the "gimmick" of the film but also how that gimmick is easily defeated by Ava Gardner standing at the piano. Dan brings in John Donne, Dylan Thomas, and a man at a gas station. John Wick makes an appearance, too. So throw that broch in the soup and give it a listen! Interested in the source material? You can read Hemingway's "The Killers" in this collection. Learn more about your ad choices. Visit megaphone.fm/adchoices
Está na hora de dar sequência ao ano do Film Noir no Podcast Filmes Clássicos: Fred e Alexandre convocam os dois produtores do “Podcast Cinemaventura”, Marcos Damiani e Leandro Tonello, para debater a obra de Robert Siodmak. Desta vez escolhemos como destaque dois grandes filmes do alemão nos Estados Unidos, “Assassinos” (The Killers, 1946) e “Baixeza” (Criss Cross, 1949), mas não deixamos de conversar também sobre outros film noir interessantes de Siodmak, como “Dúvida” (The Suspect, 1944), “Silêncio nas Trevas” (The Spiral Staircase, 1946) e “Uma Vida Marcada” (Cry of The City, 1948). Um dos diretores mais importantes do subgênero policial, Siodmak chegou nos EUA fugindo da segunda guerra na Europa e como muitos de seus colegas, contrabandeou na bagagem um pedaço do expressionismo alemão para o cinema de Hollywood. ---------------------- Acesse nosso site: http://www.filmesclassicos.com.br Acesse nossa página no Facebook : https://www.facebook.com/podcastfilmesclassicos/ Nos procure no seu aplicativo de podcast do celular, no Spotify, YouTube, Anchor ou iTunes.
Programme riche et varié ce mois de mai, avec du blockbuster, du film ovni, du drame, de l'animation japonaise, du documentaire… et surtout du débat ! Une émission animée par Alexandre Caporal avec Thibaud Ducret et Florian Poupelin LES FILMS DU MOIS (01:52) LES GARDIENS DE LA GALAXIE 3 (18:25) BEAU IS AFRAID (38:40) JE VERRAI TOUJOURS VOS VISAGES (46:44) DONJONS & DRAGONS : L'HONNEUR DES VOLEURS (58:17) SUZUME (01:15:47) MISANTHROPE (01:25:30) TOUTE LA BEAUTE ET LE SANGE VERSE LES FILMS DU PASSÉ (01:36:26) LES TUEURS de Robert Siodmak (1946) (01:42:17) LA VENGEANCE EST A MOI de Shonei Imamura (1979) (01:47:22) DIRTY HARRY de Don Siegel (1971)
Los asesinos en serie han sido siempre atractivos para el público, desde Jack el destripador a El asesino de las rubias de Hitchcock y M, el vampiro de Dusseldorf - Fritz Lang- El hipnotismo fantasmagórico de esos films pervive en La escalera de caracol, su fotografía de flashes y sombras, y el suspense con estilo detectivesco clásico de casa rural inglesa. Y eso que en realidad tampoco hay muchos candidatos a ser el dueño del ojo que inunda la pantalla, se ajusta los guantes de cuero, con un objetivo común, quitar la vida de mujeres con una tara. Que coincidencia que la protagonista -estupenda Dorothy McGuire- sea la víctima ideal, no puede musitar una palabra, un trauma de infancia le hizo perder la voz. Los hechos transcurren en una unidad de tiempo, una tarde y una noche de tormenta, con un ambiente cada vez más siniestro, más denso, y en un caserón con vida propia, en la planta de arriba vive postrada junto a una chimenea y multitud de trofeos de caza la señora Warren – Ethel Barrymore. , una extraña mujer de larga trenza y facilidad para dormir despierta. Siodmak concentra la historia con maestría, la cuenta de un tirón, ajustando cada detalle, cada truco de guion para aumentar la intriga, intenta no dejar tan claro que el mayor sospechoso ahí es el profesor – un George Brent de bigotillo fino y mirada oblicua- De la novela original de Ethel Lina White, Mel Dinelli y el productor Dore Schary cambiaron el té británico por el apacible entorno de Nueva Inglaterra. Esta noche buscamos el revolver de la señora Warren… Zacarías Cotán, Salvador Moreno y Raúl Gallego
In today's episode, it is early horror with an unexpected feminist twist in 1946's The Spiral Staircase, directed by Robert Siodmak. Set in 1906, the film follows Helen (Dorothy McGuire), a woman with traumatic mutism, who cares for Mrs. Warren (Ethel Barrymore), the difficult and bedridden lady of the manor. When a serial killer begins killing off women with so-called afflictions, Helen is warned that she may be next. Adapted from Ethel Lina White's novel Some Must Watch (1933), the film takes up themes such as disability and masculinity while simultaneously challenging the notion that the modern slasher film began with Hitchcock's Psycho (1960). We're breaking it all down today with spoilers, so stay tuned. --- Support this podcast: https://podcasters.spotify.com/pod/show/horror-homeroom/support
In this week's Dorothy McGuire Acteurist Oeuvre-view, two very different roles for our subject: in Elia Kazan's first film, A Tree Grows in Brooklyn (1945), an imperfect mother in a difficult relationship with her protagonist-daughter; and in Robert Siodmak's Gothic noir, The Spiral Staircase, (1946) a mute girl targeted by a eugenicist killer. We discuss the unique qualities McGuire brings to what could be an unsympathetic role in A Tree Grows in Brooklyn, and the intricacies of that movie's family relationships. And in Fear and Moviegoing in Toronto, we look at Set It Off, F. Gary Gray's 1996 heist movie about four women who start robbing banks together, starring Jada Pinkett and Queen Latifah. Time Codes: 0h 0m 45s: A TREE GROWS IN BROOKLYN (1945) [dir. Elia Kazan] 0h 46m 31s: THE SPIRAL STAIRCASE (1946) [dir. Robert Siodmak] 1h 07m 36s: FEAR & MOVIEGOING IN TORONTO – Perpetratin' Realism series at TIFF Lightbox – SET IT OFF (1996) directed by F. Gary Gray +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – “Making America Strange Again” * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project! Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join!
Phantom Lady, un film noir fondateur Dans le bonus 3 d'Emotion Side Story, je vous propose d'aborder un film d'aborder un film noir précurseur, audacieux et unique en son genre, le méconnu "Phantom Lady", dont le titre français est "Les mains qui tuent". Nous allons voir que ce film de 1944 réalisé par Robert Siodmak, contient les germes de nombre des spécificités du genre noir avec un mariage entre culture américaine et européenne, une photographie clair-obscure et l'influence des thérories freudiennes. "Phantom Lady" est une odyssée toublante et inquéitante dans la psyché humaine. Et qui a le bon goût de ne pas apporter toutes les réponses. CREDITS: Extraits films: Phantom Lady, Robert Siodmak, 1944Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.
'Tis the season for the lads to head to New Orleans for a film that, despite the title, features very little yuletide cheer: it's 1944's Christmas Holiday, from director Robert Siodmak and screenwriter Herman J. Mankiewicz, based on the novel by W. Somerset Maugham and starring the unlikely noir duo of Deanna Durbin and Gene Kelly! Questions, comments or wanna go to a WHOLE ENTIRE concert? therealoutofthepodcast@gmail.com SNAP SNAP: instagram.com/outofthepodcast
As we continue to delve into the work of directors whom we have yet to talk about on the show, we decided to go back to the “film noir” well. This week the guys at 1001 by 1 explore the Robert Siodmak directed film “The Killers”. Join Adam and Ian as they discuss the Hemingway short story, the Tarkovsky student film, and the Don Siegal remake – all in relation to the Burt Lancaster/Ava Gardner led film. The guys also reexamine “The Little Things” and “Joker” before getting to recommends: Adam with “Judas and the Black Messiah” (still available on HBO Max) & Ian with “Nomadland” (available on Hulu). 0:00 – Intros/Criticism Vs. Reviews/Physical Media 6:59 – “The Little Things” and New Opening Nights 12:29 – A “Joker” rewatch 17:35 – Adam's recommend “Judas and the Black Messiah” 23:44 – Ian's recommend “Nomadland” 34:12 – “The Killers” Stats/History 38:16 – “The Killers” Plot/Thoughts 1:10:36 – Final Thoughts/“Rififi”?
Hosts Josh and Jamie and special returning guest Chris Cabin (of We Hate Movies) kick off Noirvember with a Robert Siodmak double feature of CHRISTMAS HOLIDAY (1944) and CRY OF THE CITY (1948). Next week's bonus episode is a patron-exclusive bonus episode on SUNSET BOULEVARD (1950) and IN A LONELY PLACE (1950), you can get access to that episode (and all past + future bonus episodes) by subscribing to our $5 tier on patreon: www.patreon.com/sleazoidspodcast Intro // 00:00-13:30 CHRISTMAS HOLIDAY // 13:30-1:13:22 CRY OF THE CITY // 1:13:22-2:16:10 Outro // 2:16:10-2:21:50 Josh talks STONE COLD with Chris and the other We Hate Movies boys: https://omny.fm/shows/we-hate-movies/stone-cold-with-josh-lewis MERCH: www.teepublic.com/stores/sleazoids?ref_id=17667 WEBSITE: www.sleazoidspodcast.com/ Pod Twitter: twitter.com/sleazoidspod Pod Letterboxd: letterboxd.com/SLEAZOIDS/ Josh's Twitter: twitter.com/thejoshl Josh's Letterboxd: letterboxd.com/thejoshl/ Jamie's Twitter: twitter.com/jamiemilleracas Jamie's Letterboxd: letterboxd.com/jamiemiller/
This episode was written using the following references:Frank Nugent, “War's Double-Entry”, New York Times, 17th September 1939, section A, p. 137Robert Sklar, Movie-Made America: A Cultural History of American Movies [New York: Random House, 1975], p. 253University of California Television (UCTV). (2017, April 2). Expanded Hitchcock: Rebecca [Video]. YouTube. Retrieved September 25, 2022, from https://www.youtube.com/watch?v=WY3SKrxnIMoSchatz, T., 1999. Boom and Bust: American Cinema in the 1940s. Berkeley: Univ. of California Press.Holden, Anthony. (1993). The Oscars: The Secret History of Hollywood's Academy Awards. Little Brown and Company.Kliman, B. W. (1983). A Palimpsest for Olivier's “Hamlet.” Comparative Drama, 17(3), 243–253. For more British films that carved out overseas success, watch:Brief Encounter (1945) dir. David LeanCaesar and Cleopatra (1945) dir. Gabriel PascalGreat Expectations (1946) dir. David LeanThe Red Shoes (1948) dirs. Michael Powell and Emeric PressburgerAnd for more examples of European directors used Gothic elements in their noir films, seek out:Shadow of a Doubt (1943) dir. Alfred HitchcockDouble Indemnity (1944) dir. Billy WilderThe Woman in the Window (1944) dir. Fritz Lang Phantom Lady (1944) dir. Robert Siodmak
This week we have a look at the classic film Son of Dracula as part of our march to Halloween. This is Episode #381!Son of Dracula is a 1943 American horror film directed by Robert Siodmak with a screenplay based on an original story by his brother Curt Siodmak. The film stars Lon Chaney, Jr., Louise Allbritton, Robert Paige, Evelyn Ankers, and Frank Craven. The film is set in the United States, where Count Alucard (Chaney Jr.) has just taken up residence. Katherine Caldwell (Allbritton), a student of the occult, becomes fascinated by Alucard and eventually marries him. Katherine begins to look and act strangely, leading her former romantic partner Frank Stanley (Paige) to suspect that something has happened to her. He gets help from Dr. Brewster (Craven) and psychologist Laszlo (J. Edward Bromberg) who come to the conclusion that Alucard is a vampire.The film is the third in Universal's Dracula film series following Dracula's Daughter (1936). The film was made under different circumstances than the previous two entries in the series with a new Chairman of the Board working at Universal and several horror sequels being made since the success of the film Son of Frankenstein (1939). The film was initially being written by Curt Siodmak who was later replaced by Eric Taylor. Filming began on January 7, 1943 and concluded on February 2. Few documents related to the film's production survive from studio files or trade reports.
Una tranquilla cittadina del New England ai primi del '900 è funestata da una serie di delitti compiuti nei confronti di giovani donne affette da menomazioni fisiche, una storia raccontata attraverso la macchina cinema dal grande Robert Siodmak un regista che fa sua la lezione espressionista del cinema tedesco per raccontare un thriller indimenticabile dalle grandi atmosfere, ne parliamo in questa puntata insieme a Massimiliano Bolcioni
The lads take a peek into the file cabinet to get down to the bottom of Robert Siodmak's 1950 noir The File on Thelma Jordon, starring Barbara Stanwyck and Wendell Corey. Will they find what they're hoping for or will they be busted by Aunt Vera? Tune in and find out! (Note: for those who want to get straight to the business, the movie talk starts at 11:53) Questions, comments or the identity of Mr. X? therealoutofthepodcast@gmail.com SNAP SNAP: instagram.com/outofthepodcast TWEET TWEET: twitter.com/outofthecast
The first attempt on Everest took place in 1922 by a British team led by George Leigh Mallory. What happened is an extraordinary story full of controversy, drama, and incident, populated by a set of larger-than-life characters straight out of an adventure novel. I spoke with Mick Conefrey about this story. Bio: For thirty years I've made documentaries for the BBC and all the major British and US channels. I've been everywhere from the Arctic to the Himalayas to Angkor Wat and written books on mountaineering and exploration. I've been lucky to have been able to film all over over the world from Cambodia to K2, from Puerto Rico to Spitsbergen. I'm particularly interested in films about exploration and mountaineering, and have filmed in the Alps, the Himalayas and Alaska. Several of my films have won international and British awards, at festivals such as Trento, Telluride, Banff and Kendal. As both a film maker and a writer, I'm fascinated by the art of narrative. I love to find good stories with complex characters dealing with even more complex situations. My definition of good drama is what happens when people are put under pressure, and exploration and mountaineering provide plenty examples of this. My heroes: John Hunt, Graham Greene, Robert Siodmak, Tom Woolfe, Alexandra David Neel, Tom Wolfe, Orson Welles, Ella Maillart, Sir Richard Burton, John Banville, Don Cherry, Lucinda Williams. My current squeezes: Jeanette Winterson, Bobby Womack, Jo Nesbo, Carla Bley. Website - https://www.mickconefrey.co.uk/ Book - https://www.mickconefrey.co.uk/books/everest-1953 Artwork by Phillip Thor - https://linktr.ee/Philipthor_art To watch the visuals with the trailer go to https://www.podcasttheway.com/trailers/ The Way Podcast - www.PodcastTheWay.com - Follow at Twitter / Instagram - @podcasttheway (Subscribe/Follow on streaming platforms and social media!) Thank you Don Grant for the Intro/Outro. Check out his podcast - https://threeinterestingthings.captivate.fm Intro guitar copied from Aiden Ayers at https://www.youtube.com/watch?v=7UiB9FMOP5s *The views demonstrated in this show are strictly those of The Way Podcast/Radio Show*
Join “The Invisible Dan” Colón and “Monster Mike” Manzi as they head down to the bayous of Louisiana for some Southern Gothic vampire action in 1943's Son of Dracula! They discuss Lon Chaney Jr.'s divisive performance as the nefarious Count Alucard, Robert Siodmak's directorial debut with Universal, new vampire abilities, and why the film remains an interesting take on the classic Dracula formula despite a flawed screenplay. If you enjoy this episode, and want to support the show, check out our Patreon!
On this episode of the Criterion CULT Film Podcast we explore the 1946 noir classic The Killers, directed by Robert Siodmak and starring Burt Lancaster and Ave Gardner. To the chopping block this week Jordan brings Drive A Crooked Road starting Mickey Rooney.
In the sixth episode of Season 6 (Heists, Cons, & Grifters) Kyle is joined by screenwriter David Gutierrez and filmmaker Michael Willer (of the Big Fat Gay Podcast) to discuss Robert Siodmak's gripping noir tragedy about a sucker for love and the warning fable of being seduced by the uncontrollable passion of the criminal underworld in Criss Cross (1949).
On this episode of The Snub Club, the gang is investigating 1946's The Killers. Directed by Robert Siodmak and introducing Burt Lancaster, The Killers was nominated for four Academy Awards but lost out on any gold. In this episode, Danny, Sarah and Caleb continue discussing current Oscar controversies, catch up on the development of film noir, and of course discuss everyone's favorite Mormon band. The Snub Club is a biweekly podcast about cinema history where we discuss the film from every year's Academy Awards with the most nominations but no wins. Hosted by Danny Vincent, Sarah Knauf, and Caleb Bunn! Follow us everywhere! Twitter: https://mobile.twitter.com/SnubClubPod Instagram: https://www.instagram.com/thesnubclubpodcast/ Facebook: https://m.facebook.com/permalink.php?story_fbid=108436691341808&id=108435618008582&substory_index=0 Theme music: Ragtop by Bee Yan-Key
Who’s that lady? This is what Alan Curtis and Ella Raines need to know. Alan is accused of murdering his wife, but he says he has a perfect alibi - he was spending the evening with a stranger at the time of the murder. Ella is determined to prove his innocence, and goes to great lengths to do so. Franchot Tone is along to help solve the mystery as well. It’s directed by Robert Siodmak and produced by Hitchcock collaborator, Joan Harrison. Shelly Brisbin with Erika Ensign, Nathan Alderman and David J. Loehr.
Who’s that lady? This is what Alan Curtis and Ella Raines need to know. Alan is accused of murdering his wife, but he says he has a perfect alibi - he was spending the evening with a stranger at the time of the murder. Ella is determined to prove his innocence, and goes to great lengths to do so. Franchot Tone is along to help solve the mystery as well. It’s directed by Robert Siodmak and produced by Hitchcock collaborator, Joan Harrison. Host Shelly Brisbin with Erika Ensign, Nathan Alderman and David J. Loehr.
There's some insurance that needs investigating and the lads PLUS special guest Lisa Petitte are on the case! Today we discuss 1946's The Killers (based on Ernest Hemingway's short story), directed by Robert Siodmak and starring Burt Lancaster, Ava Gardner, Edmond O'Brien, and Sam Levene. Bring your map, we're going backwards in time for answers and hats! (Note: for those who want to get straight to the business, the movie talk starts at 5:59) Questions, comments or policy info? therealoutofthepodcast@gmail.com
Robert Siodmak had a long career making films in Germany during the Weimar Republic (1919-1933) before fleeing to France in 1933. He then left for the United States in 1940 when France fell to Germany. "The Spiral Staircase" 1946 is a showcase of his talents in directing this gothic horror tale of a serial killer who targets vulnerable women in a Vermont town.The cast in this suspenseful movie includes Dorothy McGuire as Helen the woman unable to speak, George Brent as Professor Warren a man with secrets, Ethel Barrymore as Mrs. Warren who recognizes danger for Helen, and Gordon Oliver as the suspicious Steven Warren. Elsa Lanchester dominates her scenes as Mrs. Oates and Kent Smith plays Dr. Parry the newly arrived Physician. Enjoy this shadowy murder mystery.Here's the IMDB page for “The Spiral Staircase”Check us out on Patreon at www.patreon.com/classicmoviereviews for even more content and bonus shows.
Casi treinta años de registros fílmicos y transformación urbana están detrás de Berlín, sinfonía de una gran ciudad (1927), filme con que el alemán Walter Ruttmann gatilló todo un subgénero cinematográfico: películas en que la ciudad es protagonista. Con la cinta, Ruttmann pretendía expandir sus horizontes de realizador experimental, pero al mismo tiempo le dio un nuevo sentido al cine realizado en clave observacional (cuyos pioneros habían sido los operadores de Lumière), generando de paso multitud de imitadores, incluyendo uno que superaría el modelo original: El hombre con la cámara móvil (1928), de Dziga Vertov. Entre los muchos artistas influidos por Ruttmann se encuentran también los jóvenes cineastas que poco después emprendieron Gente en domingo (1930), vital registro de los últimos días de la inestable y borrascosa República de Weimar. Aunque en lo formal se trata de un producto de ficción, este jovial, certero y fascinante registro de un día primaveral en lo que por entonces era la capital más importante del mundo, tiene el sabor de lo vivido y experimentado de primera mano. Tal vez la respuestas está en la juventud de Robert Siodmak, Billy Wilder, Edgar Ulmer, Fred Zinnemann, cineastas que un día se convertirían en fogueados veteranos de Hollywood, pero que en esos intensos y frágiles días de principios de los treinta, antes de los nazis, antes de la paranoia y el horror, solo se debían ser fiel a sí mismos, a lo que veían y vivían en esas calles perservadas, indelebles, en estas imágenes.
En el Berlín de entreguerras, los ciudadanos sobrellevan la semana a la espera del descanso dominical. Un grupo de amigos planea una escapada al campo, pero las cosas se complican entre ellos. Es el argumento de Los hombres del domingo ("Menschen am Sonntag", 1930, Alemania) de Robert Siodmak, con Brigitte Borchert, Christl Ehlers, Wolfganf von Waltershausen, Annie Schreyer y Erwin Splettstösser. Esta "película sin actores", como se autodenomina en sus primeros minutos, contó tras la cámara con el talento colectivo de Robert Siodmak, Edgar G. Ulmer, Curt Siodmak y Fred Zinnemann, así como con un joven Billy Wilder al guion. Con vocación de retrato documental, el film utilizó actores no profesionales en una historia que, no obstante, se mueve en todo momento entre la mirada puramente observacional (e improvisada) y la dramatización meticulosamente escrita.Más información de este acto
Cine en la Fundación: Cine social (VI). Presentación de "Los hombres del domingo" (1930) de Robert Siodmak. José Luis Sánchez Noriega. Los hombres del domingo ("Menschen am Sonntag", 1930, Alemania) de Robert Siodmak, con Brigitte Borchert, Christl Ehlers, Wolfganf von Waltershausen, Annie Schreyer y Erwin Splettstösser (73') Presentación: José Luis Sánchez Noriega En el Berlín de entreguerras, los ciudadanos sobrellevan la semana a la espera del descanso dominical. Un grupo de amigos planea una escapada al campo, pero las cosas se complican entre ellos. Esta "película sin actores", como se autodenomina en sus primeros minutos, contó tras la cámara con el talento colectivo de Robert Siodmak, Edgar G. Ulmer, Curt Siodmak y Fred Zinnemann, así como con un joven Billy Wilder al guion. Con vocación de retrato documental, el film utilizó actores no profesionales en una historia que, no obstante, se mueve en todo momento entre la mirada puramente observacional (e improvisada) y la dramatización meticulosamente escrita. Explore en canal.march.es el archivo completo de Conferencias en la Fundación Juan March: casi 3.000 conferencias, disponibles en audio, impartidas desde 1975.
In this episode, Drew gets in the middle of two childhood friends who took different paths and chaos ensues with the 1948 Robert Siodmak film noir "Cry of the City."
In this Episode, Drew returns to England's cobblestone streets to witness another good man gone bad in Robert Siodmak's "The Suspect."
The lads head to Los Angeles to chase the old haunts and check in on some old flames - we're discussing Robert Siodmak's Criss Cross, starring Burt Lancaster, Yvonne De Carlo and Dan Duryea. Questions, comments or money for The Lush's bar tab? therealoutofthepodcast@gmail.com
Au sommaire de cette spéciale Film Noir et polar : -Chroniques de quatre titres sortis chez ELEPHANT FILMS, à savoir, LA CLE DE VERRE (1942) de Stuart Heisler, LES MAINS QUI TUENT (1944) de Robert Siodmak, LA GRANDE HORLOGE (1948) & LES YEUX DE LA NUIT (1948) de John Farrow ;-Evocation de MARCHE DE BRUTES (1948) d'Anthony Mann édité par RIMINI ;-Retour sur AFTER DARK, MY SWEET (1990) de James Foley paru chez CARLOTTA FILMS tout comme le livre THE BIG GOODBYE de Sam Wasson qui revient longuement sur un chef d'œuvre du film noir : CHINATOWN (1974) de Roman Polanski ;-Débat concernant HORS D'ATTEINTE (1998) de Steven Soderbergh disponible chez RIMINI. Bonne écoute à toutes et à tous !
A four-film Special Subject episode, Joan Harrison, Producer, Part 1 looks at: Phantom Lady (1944), The Strange Affair of Uncle Harry (1945), Nocturne (1946), and They Won't Believe Me (1947). These idiosyncratic noirs and Jamesian melodramas by the former Hitchcock screenwriter and honorary family member interrogate gender roles, flip gendered tropes, and deconstruct male resentment of women in ways that faintly anticipate Elaine May's work. We also discuss the Negative Capability of George Raft, the void-like charisma of Robert Young, the appealing androgyny of Ella Raines and very different vibe of Susan Hayward, Geraldine Fitzgerald's ability to be sexy and Victorian at the same time, and George Sanders' subtle way of showing us his soul dying inside of him. It's a big episode! Time Codes: 0h 01m 00s: Brief introduction to Joan Harrison 0h 19m 08s: PHANTOM LADY (1944) [dr. Robert Siodmak] 0h 48m 41s: NOCTURNE (1946) [dir. Edwin L. Marin] 1h 15m 08s: THE STRANGE AFFAIR OF UNCLE HARRY (1945) [dir. Robert Siodmak] 1h 43m 41s: THEY WON’T BELIEVE ME (1947) [dir. Irving Pichel] +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s *Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Find Elise’s latest film piece on Billy Wilder and 1930s Romantic Comedy *And Read lots of Elise’s Writing at Bright Wall/Dark Room, Cléo, and Bright Lights.* Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com
In dieser Folge widmen sich Stanley und Sebastian ganz dem Film Noir. Gemeinsam sprechen wir über Robert Siodmaks Film "Der Schwarze Spiegel" aus dem Jahr 1945. Doppelungen, Spiegelungen, Zwillinge, Schwarz/Weiß, Freudsche Psychoanalyse, Migration, Persönlichkeitsstörung, Eugen Schüfftan und ganz viele Zigaretten in hartem Schlagschatten beschäftigen uns in diesem klassischen Genrevertreter. Wir sind sehr angetan und beschäftigen uns besonders mit der Frage, in wie weit der Regisseur das Publikum mit seinem Blick lenkt und uns aufs Glatteis führt. Wir wünschen viel Spaß beim hören!
Esta noche nos adentramos en callejones sin salida con finales infelices. Son historias que hielan los corazones a la par que suben la temperatura. Hablaremos de libros y películas: de Hermingway a Billy Wilder, pasando por Robert Siodmak o Don Siegel. Bienvenidos al festín. Intervienen: Pablo González, Alfonso De Lucas. https://www.facebook.com/tipososcuros/ @CineHeroico
As we continue to delve into the work of directors whom we have yet to talk about on the show, we decided to go back to the “film noir” well. This week the guys at 1001 by 1 explore the Robert Siodmak directed film “The Killers”. Join Adam and Ian as they discuss the Hemingway short story, the Tarkovsky student film, and the Don Siegal remake – all in relation to the Burt Lancaster/Ava Gardner led film. The guys also reexamine “The Little Things” and “Joker” before getting to recommends: Adam with “Judas and the Black Messiah” (still available on HBO Max) & Ian with “Nomadland” (available on Hulu). 0:00 – Intros/Criticism Vs. Reviews/Physical Media 6:59 – “The Little Things” and New Opening Nights 12:29 – A “Joker” rewatch 17:35 – Adam’s recommend “Judas and the Black Messiah” 23:44 – Ian’s recommend “Nomadland” 34:12 – “The Killers” Stats/History 38:16 – “The Killers” Plot/Thoughts 1:10:36 – Final Thoughts/“Rififi”? Want to suggest a film for us to review on the show? You can support us at patreon.com/1001by1. You can listen to us on iTunes, Stitcher, Spotify, & Google Play. You can find us on Facebook at facebook.com/1001by1. You can find us on Twitter at twitter.com/1001by1. You can send us an email at 1001by1@gmail.com. Intro/Outro music is “Bouncy Gypsy Beats” by John Bartmann.
Hosts Josh and Jamie and special guest Dr. Peter Labuza continue Noirvember with a double feature of women taking the reigns of the genre's detective role in Joan Harrison & Robert Siodmak's PHANTOM LADY (1944) and Tito Davison's MAY GOD FORGIVE ME (1948) starring Maria Felix. Next week's Noirvember episode is a patron-exclusive bonus episode on Orson Welles in THE LADY FROM SHANGHAI (1947) + THE THIRD MAN (1949), you can get access to that episode (and all past + future bonus episodes) by subscribing to our $5 tier on patreon: www.patreon.com/sleazoidspodcast Intro // 00:00-09:05 PHANTOM LADY // 09:05-1:10:08 MAY GOD FORGIVE ME //1:10:08-1:52:43 Outro // 1:52:43-1:56:40 MERCH: www.teepublic.com/stores/sleazoids?ref_id=17667 WEBSITE: www.sleazoidspodcast.com/ Pod Twitter: twitter.com/sleazoidspod Pod Letterboxd: letterboxd.com/SLEAZOIDS/ Josh's Twitter: twitter.com/thejoshl Josh's Letterboxd: letterboxd.com/thejoshl/ Jamie's Twitter: twitter.com/jamiemilleracas Jamie's Letterboxd: letterboxd.com/jamiemiller/
Return to the House of Franklin-Stein! The Super Mates begin hosting the Halloween party no one can cancel with a Universal Monsters classic! Lon Chaney Jr. stars in the horror noir, Son of Dracula…but is he the son of the Count, or the real deal? And just who is pulling the strings, the count, or his vampire bride? Then it's a bit of Saturday Morning Fever when Chris and Cindy discuss the Spider-Man and His Amazing Friends episode, “The Bride of Dracula”. Drac has his romantic sites set on Firestar! Can Spidey and Iceman save their roommate? Subscribe via iTunes. This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK Visit our WEBSITE: http://fireandwaterpodcast.com/ Please consider supporting us on Patreon: https://www.patreon.com/fwpodcasts • Follow us on TWITTER - https://twitter.com/FWPodcasts & https://twitter.com/supermatespod Like our FACEBOOK page - https://www.facebook.com/FWPodcastNetwork Like our FACEBOOK page - https://www.facebook.com/supermatespodcast Use our HASHTAG online: #FWPodcasts Email us at supermatespodcast@gmail.comClip credits:Son of Dracula (1943) directed by Robert Siodmak, music by Hans J. Salter “The House of Franklinstein” by Terry O'Malley, of Stop Calling Me Frank “Without You” (from a DIFFERENT Son of Dracula) by Harry Nillson Clips and music from Spider-Man and His Amazing Friends' “Bride of Dracula”, directed by Don Jurwich, theme and music by John Douglas “Transylvania Terror Train” by Captain Clegg and the Night Creatures
An executive in Universal studio turned down Yvonne De Carlo's request for the part of the waitress in A Double Life. He explained the way the system worked--Yvonne was rock candy, not dipped chocolates. They wanted to keep her in the stuff that sold and sold. Robert Siodmak felt otherwise and fought to keep her in the role for Criss Cross that producer Mark Hellinger had promised her before his tragic death. Siodmak doesn't ask Yvonne to play rock candy or a paint by numbers noir dame. In this picture, she proves she was a great actress--and wasted in those sand and sandals pictures.
Les infos du secteur de la vidéo et du cinéma et les bons plans de la semaine du mercredi 8 avril 2020 avec notament le terrible film "71" sur les émeutes en Irlande vues par une jeune recrue anglaise, film de Yann Demange, et le classique mais très efficace "Les SS frappent la nuit" un film allemand de Robert Siodmak, sorti en 1957. Enfin, on évoque la sortie en France de l'offre "Disney+". Bonne semaine à tous !
What better befits a Valentine's episode than a couple of films about star-crossed lovers. First, it's punk (Nicholas Cage, in his first starring role) meets prep in Martha Coolidge's low-key, surprisingly affecting teensploitation cult classic VALLEY GIRL (1983). Then, John Travolta in his sex symbol prime drifts up on the beach of middle-aged one percenter Lily Tomlin in MOMENT BY MOMENT (1978), the only movie directed by Tomlin's partner and collaborator, Jane Wagner. We find out whether it's really the unprecedented-in-cinematic-history disaster that the internet continues to claim it is. Time Codes: 0h 01m 00s: Valley Girl (1983; dir: Martha Coolidge) 0h 45m 10s: Moment By Moment (1978; dir.: Jane Wagner) 1h 26m 44s: Winter cinemagoing: Angela Schanelec retrospective + our coverage announcement; NOW, VOYAGER (1942; dir: Irving Rapper); THE KILLERS (1946; Robert Siodmak); THE KILLERS (1964; dir: Don Siegel) +++ * Check out our Complete Upcoming Episode Schedule * Find Elise’s latest published film piece – “Elaine May’s Male Gaze” – in the Elaine May issue of Bright Wall/Dark Room* *And Read Elise’s Writing at Bright Wall/Dark Room, Cléo, and Bright Lights.* Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com Theme Music: “What’s Yr Take on Cassavetes?” – Le Tigre
On the very first episode of Speakeasy NoirCast Carly and Jason discuss the 1945 film Conflict. Conflict is a 1945 American black-and-white suspense film noir made by Warner Brothers. It was directed by Curtis Bernhardt, produced by William Jacobs from a screenplay by Arthur T. Horman and Dwight Taylor, based on the story The Pentacle by Alfred Neumann and Robert Siodmak. It starred Humphrey Bogart, Alexis Smith, and Sydney Greenstreet. The film is the only pairing of Bogart and Greenstreet where Bogart, rather than Greenstreet, is the villain or corrupt character.Look for the cameo appearance of the Maltese Falcon Statue. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/speakeasy-noircast/message Support this podcast: https://anchor.fm/speakeasy-noircast/support
Wrapping up Noirvember with the 1950 Noir The File on Thelma Jordon. Directed by Robert Siodmak, written by Ketti Frings based on a story by Marty Holland, staring Barbara Stanwyck and Wendell Corey. Recommendations: Pushover (1954) Directed by Richard Quine Staring Fred MacMurray, Phil Carey and Kim Novak Sorry, Wrong Number (1948) Directed by Anatole […]
Au sommaire de cette spéciale polar : -Trois films asiatiques édités par SPECTRUM FILMS, à savoir, WRATH OF SILENCE (Xin Yukun - 2017), BIRDSHOT (Mikhail Red - 2016) et le cultissime COPS AND ROBBERS (Alex Cheung - 1979) ;-Un petit classique du film de braquage signé Phil Karlson, LE QUATRIEME HOMME (1952 - RIMINI) ;-La série télé des années 90 produite par Sidney Pollack qui rend hommage au film noir, FALLEN ANGELS (ELEPHANT FILMS) ;-Le classique d'Otto Preminger AUTOPSIE D'UN MEURTRE (1959 - CARLOTTA) ;-Une œuvre signée par un maître du film noir, Robert Siodmak, LE SUSPECT (1946 - ESC ÉDITIONS). Bonne écoute à toutes et à tous.
Noirvember hits the Scream Scene team with THE SPIRAL STAIRCASE (1946), a film noir combining Gothic horror & slasher tropes. Starring Dorothy McGuire, George Brent & Ethel Barrymore, this old dark house flick comes from RKO and director Robert Siodmak. Context Setting 00:00; Synopsis 30:56; Discussion 40:12; Ranking 1:13:31
Often considered one of the best movies of the film noir genre featuring the ultimate femme fatale, Ava Gardner. Co-starring Burt Lancaster and Edmond O'Brien. Directed by Robert Siodmak.
In our 155th episode we're talking spine #176 in the Criterion Collection: THE KILLERS from 1946, directed by Robert Siodmak, Andrei Tarkovsky's 1955 student film, and Don Siegel's film from 1964. First RJ talks about his further adventures with Mr. Jodorowsky, and Jarrett talks about CROSS OF IRON, ULTRAMARINES, KAIJU BUNRAKU, POINT BLANK, and MICKEY ONE. Podcast's intro song 'Here Come the Creeps' by Ugly Cry Club. You can check out her blossoming body of work here: uglycryclub.bandcamp.com/releases Like us on Facebook! www.facebook.com/criterioncreeps/ Follow us on that Twitter! twitter.com/criterioncreeps Follow us on Instagram! instagram.com/criterioncreeps We've got a Patreon too, if you are so inclined: patreon.com/criterioncreeps You can also subscribe to us on Soundcloud, iTunes, Google Play, and Stitcher!
Capítulo 226 - Noir: está todo podrido Conducción: Diego Cirulo, Fabio Villalba Tercera entrega dedicada al policial negro. Y es tiempo de ingresar en el mundo de las asociaciones ilícitas y malandrinas. O sea, el crimen organizado. Es así como nuestros compañeros trataron: "The big heat" (Fritz Lang, 1953), "The setup" (Robert Wise, 1949), "The killers" (Robert Siodmak, 1946) y "Touch of evil" (Orson Welles, 1958). Seguinos o seremos carne de cañón! Producción general: Diego Cirulo, Fabio Villalba. Locución: Daniela Jorquera Música: Bahía Blanca
Capítulo 226 - Noir: está todo podrido Conducción: Diego Cirulo, Fabio Villalba Tercera entrega dedicada al policial negro. Y es tiempo de ingresar en el mundo de las asociaciones ilícitas y malandrinas. O sea, el crimen organizado. Es así como nuestros compañeros trataron: "The big heat" (Fritz Lang, 1953), "The setup" (Robert Wise, 1949), "The killers" (Robert Siodmak, 1946) y "Touch of evil" (Orson Welles, 1958). Seguinos o seremos carne de cañón! Producción general: Diego Cirulo, Fabio Villalba. Locución: Daniela Jorquera Música: Bahía Blanca
Chaney! Ankers! Siodmak! The third instalment of Universal's Dracula trilogy arrives with SON OF DRACULA (1943) from Robert Siodmak! It's spooky and foggy, and how could it go wrong with a moustachioed vampire? It's not the *best* vampire flick, but it's a diamond in the Southern Gothic rough. Context setting 00:00; Synopsis 28:53; Discussion 44:03; Ranking 1:16:37
Enjoy a prototype podcast about a prototypical film genre as Gabe and special guest Patrick Ripoll talk about proto-slashers. Please excuse our dust as we run through several dozen stalk ‘n stab movies extending back to the very beginning of cinema. You can follow along with our list here: https://letterboxd.com/gabepowers/list/proto-slashers/ The greatest emphasis is placed on three classics – John Brahm’s Hangover Square (1945), Robert Siodmak’s The Spiral Staircase (1946), and Charles B. Pierce’s The Town that Dreaded Sundown (1976) – as well as three...erm...less than classics – Kent Bateman’s Headless Eyes (1971), Marc B. Ray’s Scream Bloody Murder (1973), and Curtis Hanson’s Sweetkill (aka: The Arousers, 1972). There were a few recording errors made, so be aware of temporary (but reoccuring) audio distortion after the one-hour mark. I’m doing everything I can to gauge what listeners will want from future episodes, so please take a moment to leave feedback either on the official website, the official Facebook (www.facebook.com/genregrinder), the official Twitter (@GenreGrinder), or my Twitter (@GabeMPowers).
Dans ce dernier épisode de l'été, retrouvez Antoine Sire et Antoine Jullien pour les ressorties DVD/Blue Ray du mois d'août. Au programme : - La ressortie en version restaurée 4K chez Carlotta de "La vengeance aux deux visages", l'unique réalisation de Marlon Brando. Un film contant l'histoire de deux bandits qui attaquent une banque au Mexique, s'en suivra une trahison et une vengeance dans un film d'une grande beauté. - "Le dernier face à face" de Sergio Sollima. Un western italien mettant en scène la rencontre improbable entre un professeur d'histoire et un gangster. - "La Proie" de Robert Siodmak ou l'un des films noirs les plus emblématiques de son époque. - "Une histoire simple" de Claude Sautet. Le film qui récompensa Romy Schneider d'un césar de la meilleure actrice, jouissant d'un casting cinq étoiles et illustrant avec brio la place de la femme en France, post Loi Veil. Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.
The Spiral Staircase, directed by Robert Siodmak and scored by Roy Webb, is a murder mystery noir from 1946. It’s set in a quaint cityContinue reading
The writings of underground filmmaker Jack Smith serve as a starting point for Phil and JF's second tour of the trash stratum. In their wanderings, they will uncover such moldy jewels as the 1944 film Cobra Woman, the exploitation flick She-Devils on Wheels, and (wonder of wonders) Hitchcock's Vertigo. The emergent focus of the conversation is the dichotomy of passionate commitment and ironic perspective, attitudes that largely determine whether a given object will turn out to appear as a negligible piece of garbage... or the Holy Grail. By the end, our hosts realize that even their own personal trash strata may give off shimmers of the divine. Jack Smith, [Flaming Creatures](https://www.moma.org/learn/momalearning/jack-smith-flaming-creatures-1962-1963)_ Robert Siodmak (director), Cobra Woman (https://www.imdb.com/title/tt0036716/) (1944) Jack Smith, "The Perfect Filmic Appositeness of Maria Montez" Roger Scruton (https://en.wikipedia.org/wiki/Roger_Scruton), English philosopher [Mystery Science Theater 3000](https://en.wikipedia.org/wiki/MysteryScienceTheater3000)_ (TV series) Kenneth Burke (https://en.wikipedia.org/wiki/Kenneth_Burke), American literary theorist Alfred Hitchcock (director), Vertigo (https://www.imdb.com/title/tt0052357/) (1958) Fyodor Dostoevsky, [Notes from Underground](https://en.wikipedia.org/wiki/NotesfromUnderground) Charles Ludlam's Theater of the Ridiculous (https://en.wikipedia.org/wiki/Theatre_of_the_Ridiculous) Mel Brooks (director), [High Anxiety](https://en.wikipedia.org/wiki/HighAnxiety)_ (1977) "Ironic Porn Purchase Leads to Unironic Ejaculation" (https://local.theonion.com/ironic-porn-purchase-leads-to-unironic-ejaculation-1819565403), The Onion (1999) James Carse, [Finite and Infinite Games](https://en.wikipedia.org/wiki/FiniteandInfiniteGames)_ Jorge Luis Borges, "The Approach to Al-Mu'tasim" (https://en.wikipedia.org/wiki/The_Approach_to_Al-Mu%27tasim) Herschell Gordon Louis (director), She-Devils on Wheels (https://www.youtube.com/watch?v=4TosyNe9nzQ) André Bazin, What is Cinema? (https://www.ucpress.edu/book/9780520242272/what-is-cinema) Erik Davis, "The Alchemy of Trash" (https://techgnosis.com/the-alchemy-of-trash/) David Lynch, Mulholland Drive (https://www.imdb.com/title/tt0166924/) William James, [The Varieties of Religious Experience](https://en.wikipedia.org/wiki/TheVarietiesofReligiousExperience) Phil Ford, "Birth of the Weird" (https://dialmformusicology.com/2018/02/07/birth-of-the-weird/)
"Am I still on the case or have I quit Atlantic Casualty?" The Killers (1946) directed by Robert Siodmak and starring Burt Lancaster and Ava Gardner Next Time: M (1931)
À l’occasion de sa réédition en Blu-Ray chez “Elephant”, retour sur ce thriller expérimental de la fin des années 90 signé Steven Soderbergh. “The Endernis”, ou “A fleur de peau” dans sa version française, parle du retour d’un homme dans sa ville natale du Texas qu’il avait quitté précipitamment suite à une histoire de dette de jeu. Il y retrouve son ex-femme qui a refait sa vie mais la passion va reprendre entre les deux amants, entraînant une succession de complications et de conflits. Réadaptation du film “Criss Cross” de Robert Siodmak sorti en 1949 et que l’on retrouve aussi dans le DVD, le long-métrage de David Soderbergh va jusqu’à refaire plan pour plan des scènes cultes du film de départ. Mais en essayant de se réapproprier le matériau d’origine tout en s’en distinguant par un ton expérimental, “A fleur de peau” rate le coche du film noir et se confond dans la vague des thrillers érotiques douteux des années 90. L’intérêt de la réédition est donc bien de pouvoir comparer ces deux versions de la même histoire mais aussi d’assister aux premières des expérimentations de Soderbergh en termes de travail de l’image et des couleurs : les prémices de ce qui fera la patte du célèbre réalisateur.Podcast animé par Thomas Rozec avec Stéphane MoïssakisRÉFÉRENCES CITÉES DANS L’ÉMISSIONA fleur de peau (Steven Soderbergh, 1996), Elephant Film, Peter Gallagher, Alison Elliott, Tous des vendus ! (don tracy, 1948), Criss Cross/Pour toi j’ai tué (Robert Siodmak, 1949), Burt Lancaster, Yvonne De Carlo, Out of Sight (Steven Soderbergh, 1998), Logan Lucky (Steven Soderbergh, 2017), Basic Instinct, Sang chaud pour meurtre de sang-froid (Phil Joanou, 1992), Kim Basinger, Richard Gere, Brian De Palma, Solaris (Steven Soderbergh, 2002), Andreï Tarkovski, Schizopolis (Steven Soderbergh, 1996)CRÉDITSEnregistré le 15 mars 2018 à l’Antenne (Paris 10eme). Production : Binge Audio. Direction de production : Joël Ronez. Rédacteur en chef : David Carzon. Direction générale : Gabrielle Boeri-Charles. Moyens techniques : Binge Audio. Réalisation : Camille Regache & Quentin Bresson. Chargée de production et d’édition : Albane Fily. Générique : "Soupir Articulé", Abstrackt Keal Agram (Tanguy Destable et Lionel Pierres). NoCiné est une production du réseau Binge Audio www.binge.audio.POUR ASSISTER AUX ENREGISTREMENTSPour assister à notre prochain enregistrement en public à L'Antenne Paris, rendez-vous sur notre page bingeaudio.eventbrite.com See acast.com/privacy for privacy and opt-out information.
Neste episódio inaugura-se o ciclo film noir com Pagos a Dobrar (1944), de Billy Wilder, e Assassinos (1946), de Robert Siodmak.
Mit The Killers wenden wir uns einem der prototypischsten und sehr spannenden Film Noir zu. Kurz nach dem Krieg in den USA gedreht, schafft es der deutsche Kriegsflüchtling Robert Siodmak perfekt, amerikanisches Erzählen mit expressiver, europäischer Filmsprache zu verbinden. Wir kümmern uns vor allem um die Anfangssequenz, die die wohl beste Hemingway-Kurzgeschichtenverfilmung aller Zeiten ist, und wenden uns dann der Art des Erzählens zu, die selbst für einen Noir-Film mutig, politisch und radikal ist. Wobei wir der Frage nachgehen: was ist eigentlich Film Noir und wie erkennen wir das?
"Im Augenblick tanzen wir auf einem Vulkan" – Kurt Hoffmann über die Entwicklungen beim Film der 60er-Jahre Sein Name ist heute schon ein wenig in Vergessenheit geraten, doch dem Kinopublikum der "älteren Semester" sind die Titel und die Stars seiner Filme immer noch geläufig. Der Regisseur Kurt Hoffmann hinterließ eine Filmothek von knapp fünf Dutzend Filmen, mit denen er zum Teil große Erfolge feierte. Erste Schritte Der Weg zum Film schien Kurt Hoffmann vorbestimmt zu sein, denn er kam am 12.11.1910 in Freiburg als Sohn des damals berühmten Kameramannes Carl Hoffmann zur Welt. Nach dem Abitur öffnete ihm sein Vater das Tor zum Filmatelier und vermittelte ihm ein Regie-Volontariat. 1931 drehte Erik Charell seine Operette "Der Kongress tanzt": Kurt Hoffmann durfte bei den Dreharbeiten zu diesem Publikumserfolg als dritter Regieassistent volontieren. Der Weg in die Filmwelt war nun eingeschlagen und sollte dem angehenden Regisseur noch viele Erfolge und zahlreiche Auszeichnungen bescheren. Regieassistenzen und das Debüt Nach mehreren Regieassistenzen, während deren er das Handwerk unter anderem bei Robert Siodmak oder auch Reinhold Schünzel erlernte, folgte nun 1939 das Debüt als selbstständiger Regisseur: Kurt Hoffmann inszenierte seinen ersten Kinofilm "Paradies der Junggesellen" mit Heinz Rühmann in der Hauptrolle. Und die Zusammenarbeit mit dem damals gefragten Schauspieler sollte noch weitere Früchte tragen: insgesamt drehten sie sieben Filme zusammen. Dies waren unter anderem solche erfolgreichen Filme wie "Quax, der Bruchpilot" (1941) oder auch "Ich vertraue Dir meine Frau an" (1943). Nach dem Zweiten Weltkrieg wurde Kurt Hoffman 1946 aus amerikanischer Kriegsgefangenschaft entlassen und konnte schließlich auf den Regiestuhl zurück kehren. Sein erster Nachkriegsfilm kam im Februar 1949 in die Kinos. Es war das Drama "Das verlorene Gesicht" mit Marianne Hoppe in der Hauptrolle, die Verfilmung des authentischen Falls eines verwirrten Mädchens in Stuttgart. Nach zwei Krimis, die Kurt Hoffmann 1950 drehte, kehrte der Regisseur zu seinem eigentlichen Fach zurück: dem der leichten Muse. Und hier sollte er wieder Erfolge feiern und dabei auch eine Schauspielerin entdecken, mit der er zahlreiche Publikumshits drehte. Eine Erfolgsgeschichte Mit der Komödie "Fanfaren der Liebe" nach der gleichnamigen Geschichte von Robert Thoeren und Michael Logan landete Kurt Hofmann 1951 einen großen Kinoerfolg, den auch später Billy Wilder mit seiner Version "Manche mögen’s heiß" wiederholte. Ein Jahr später drehte Kurt Hoffmann die Krimikomödie "Klettermaxe" und holte für die weibliche Hauptrolle Liselotte Pulver aus der Schweiz vor die Kamera. Und es sollte eine schicksalhafte Begegnung werden, den es begann mit ihr eine Zusammenarbeit, die zahlreiche Kassenschlager hervorbrachte. Darunter waren solche Filme wie „Ich denke oft an Piroschka“, die "Spessart-Trilogie" oder "Heute heiratet mein Mann", zehn an der Zahl, allesamt Publikumslieblinge, meistens aus der Sparte "leichte Kost". Doch Kurt Hoffmann befasste sich auch mit ernsteren Stoffen. So verfilmte er unter anderem 1957 die "Bekenntnisse des Hochstaplers Felix Krull" von Thomas Mann – der Film wurde unter anderem mit dem Golden Globe ausgezeichnet - oder auch 1965 den Roman von Moscheh Ya’akov Ben-Gavriel "Das Haus in der Karpfengasse", eine Geschichte der Bewohner eines Mietshauses im faschistisch besetzten Prag. Dieser Film wurde 1965 mit dem Deutschen Filmpreis prämiert. Doch es waren nicht die einzigen Ehrungen, die Kurt Hofmann zuteil wurden. So wurde er unter anderem mit dem Filmband in Gold oder auch dem Großen Bundesverdienstkreuz geehrt. Nach seinem Rückzug aus der Regietätigkeit 1976 starb Kurt Hofmann am 25.6.01 in München. Im September 1968 sprach DW-Redakteur Rolf Wiest mit Kurt Hoffmann über seine Arbeit. Autor: Andreas Zemke Redaktion: Diana Redlich
As the publisher of the 24-issue fanzine Lonny Jr., Paul McComas started writing about monsters before he was even a teenager, and he's still writing about them now. He co-wrote (with Greg Starrett) the short novel Fit for a Frankenstein as a tribute to all things Universal monsters with a particularly fond look at Bela Lugosi's portrayal of Ygor and the Frankenstein Monster as portrayed by Lon Chaney, Jr. Paul and Derek talk about the genesis of this book as well as another role Lon Chaney, Jr., undertook - the Son of Dracula in the film of the same name (dir. Robert Siodmak). Along the way, they also talk about Jack Pierce, early goth girls, and . . . buying used books? Paul McComas - http://paulmccomas.com The opening and closing song "Toxic Train" (from the album Release the Mosquitos) appears with permission of Atomic Mosquitos - http://http://www.atomicmosquitos.com/ All original content of Monster Kid Radio by is licensed under a . Monster Kid Radio is a registered service mark of Monster Kid Radio LLC. RAINN: Rape, Abuse and Incest National Network - http://www.rainn.org/
Mauvaise graine, La Crise est finie, Dédé, Mademoiselle Mozart, J'aime toutes les femmes... Autant dire Billy Wilder, Robert Siodmak, mais aussi René Guissart, Yvan Noé, Henri Decoin... Dans les premières années 30, la toute jeune Danielle Darrieux électrise un cinéma français chamboulé de ne plus être silencieux et prêt à quelques expériences. Un cinéma français ouvert aussi aux étrangers et en quête d'une nouvelle chair : une voix qui chanterait, un visage qui prendrait la lumière, un corps qui n'aurait pas peur de son ombre. Il sera bien temps après que vienne l'heure des mélodrames.
Mauvaise graine, La Crise est finie, Dédé, Mademoiselle Mozart, J'aime toutes les femmes... Autant dire Billy Wilder, Robert Siodmak, mais aussi René Guissart, Yvan Noé, Henri Decoin... Dans les premières années 30, la toute jeune Danielle Darrieux électrise un cinéma français chamboulé de ne plus être silencieux et prêt à quelques expériences. Un cinéma français ouvert aussi aux étrangers et en quête d'une nouvelle chair : une voix qui chanterait, un visage qui prendrait la lumière, un corps qui n'aurait pas peur de son ombre. Il sera bien temps après que vienne l'heure des mélodrames.
The Screen Director's Playhouse - From 01/09/49 to 09/28/51 this series was greatly enjoyed by the radio listening audience. It opened as NBC Theater and was also known as The Screen Director’s Guild and The Screen Director’s Assignment. But most people remember it simply as Screen Director’s Playhouse. Many of the Hollywood elite were heard recreating their screen roles over the radio. John Wayne in his rare radio appearances, Cary Grant, Edward G. Robinson, Lucille Ball, Claire Trevor, Tallulah Bankhead and many others were on the air week after week during these broadcasts. Many of Hollywood’s directors were also heard in the recreation of their movies. The President of the Screen Director’s Guild appeared on 02/13/49, and Violinist Isaac Stern supplied the music for the 04/19/51 broadcast. THIS EPISODE: October 10, 1949. NBC network. "Criss Cross". Sustaining. A good gangster story about a planned armored car holdup and a double-double cross. Screen director Robert Siodmak appears by transcription. Burt Lancaster, Betty Lou Gerson, Jeff Corey, Betty Morgan, Jimmy Wallington (announcer), Robert Siodmak. 1/2 hour.
From 01/09/49 to 09/28/51 this series was greatly enjoyed by the radio listening audience. It opened as NBC Theater and was also known as The Screen Directorâs Guild and The Screen Directorâs Assignment. But most people remember it simply as Screen Directorâs Playhouse. Many of the Hollywood elite were heard recreating their screen roles over the radio. John Wayne in his rare radio appearances, Cary Grant, Edward G. Robinson, Lucille Ball, Claire Trevor, Tallulah Bankhead and many others were on the air week after week during these broadcasts. Many of Hollywoodâs directors were also heard in the recreation of their movies. The President of the Screen Directorâs Guild appeared on 02/13/49, and Violinist Isaac Stern supplied the music for the 04/19/51 broadcast. THIS EPISODE:June 5, 1949. NBC network. "The Killers". Sustaining. Screen director Robert Siodmak appears. After a $200,000 robbery, a gangster just out of jail double crosses the gang and is double crossed in turn. Burt Lancaster, Dan Riss, Frank Barton (announcer), Frank Gerstle, Gwen Delano, Milton Geiger (adaptor), Robert Siodmak (guest screen director), Sam Edwards, Shelley Winters, Tony Barrett, William Conrad. 29:35.
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