Podcasts about Preminger

We're kicking off our series on DC Onscreen with a look at the romance of Otto Preminger's 1962 Senate drama Advise & Consent! Join in as we discuss the movie's deployment of star Henry Fonda, the tension between Preminger's liberalism and Allen Drury's Pulitzer-winning novel, and the real-life incidents that inspired the story. Plus: What stunt castings did Preminger want (and get) for the movie? How effective is its then-controversial depiction of gay people? And, most importantly, is Gene Tierney's Dolly Harrison the coolest woman we'll see in this series? Make sure to rate, review, and subscribe! Next week: D.C. Cab (1983) - available here via the Internet Archive!-----------------------------------------------------Key sources and links for this episode:Bosley Crowther's review of Advise & Consent (New York Times)"Hollywood's Biggest Washington Movie Goofs" (Washingtonian Magazine)"Otto Preminger, 1960-1979 (The Old Man is Still Alive, Part 7)" (You Must Remember This)"1961: Starring Martin Luther King, Jr. (And Henry Fonda)" (New York Times)"Just How Gay is the Right?" by Frank Rich (New York Times)"Allen Drury and the Washington Novel" (Hoover Institute)"Uniquely Nasty: The Blockbuster Novel that Haunted Gay Washington" (Yahoo News)"The 1959 Novel that Convinced a Young Barney Frank Not to Come Out" (Washington Post)"Trump Allies Pressure GOP Senators to Back Cabinet Picks - Or Else" (Washington Post)"The Week Trump Finally Broke the Senate" (Politico)"Takeaways from Doug Liman's Secret Brett Kavanaugh Documentary" (Washington Post)

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En este programa Juanjo Cuerda nos presenta El destripador de películas 2, La banda se entrega al programa en su misión divina con Laura de otro Preminger, Monty, Rafa it follows y Raúl y su tós.

Long an antagonist to Hollywood's norms (not to mention its actresses), Preminger began the 1960s by directing a massive blockbuster (Exodus) and earning his second Oscar nomination (for directing The Cardinal). But towards the end of the decade, with 1967's Hurry, Sundown, he began a run of six films which attempted to respond to changing times, all of which flopped. We'll focus primarily on two of these: the much-maligned Skidoo, an indictment of both hippies and the true American establishment which Preminger prepared for by dropping acid with Timothy Leary; and the unfairly forgotten Such Good Friends, the rare sex comedy of the era to understand the extent to which the sexual revolution did little to liberate women from the expectations of men. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Good evening, Mr. and Mrs. America and all ships at sea, and welcome to Episode 57 of Vintage Sand, our first of 2025. In this episode and the next one we return, for the penultimate time, to the source of some of our most popular episodes: Danny Peary's hard-to-find 1993 classic "Alternative Oscars". In the past, we have used Peary's model to approach every full decade in which the Academy has handed out Oscars except two: the 2010's, and the topic for this two-part episode, Alternate Oscars: The 1940's Edition. It's interesting that the 40's are considered to be the peak of Hollywood's Golden Age, yet many films that were beloved and honored back then have not well withstood the passage of time. The early part of the decade's most important development was the rise of the writer/director in Hollywood. Preston Sturges was the first, with his incredible run of films from 1940-1945, and he was followed quickly by the Billy Wilder/Charles Brackett team and, of course, that clever young fellow from the Mercury Theater. The 40's also marked the arrival of Hitchcock to these shores, and the rise to prominence of new directorial voices like Huston, Preminger, Zinnemann and Nicholas Ray. There were also many high points in the decade for well-established directors like Ford, Capra, Hawks, Lubitsch and Wyler. We have the incredible run of films between 1942 and 1946 made by Val Lewton's brilliant B-movie unit at RKO, and, of course, the birth of film noir, overseen predominantly by expats like Wilder, Lang, Preminger, Ulmer, Lewis and Siodmak. The latter half of the decade, which we will cover in Episode 58 in February, saw two major developments. The end of the war saw the return to strength of many European film industries as well as studio filmmaking in Japan. In France, in the wake of 1945's miraculous "Les Enfants du Paradis", directors as different as Cocteau, Clouzot and Bresson began or restarted their careers. This explosion of creativity was matched in the UK, with the arrival of Lean, Reed, and especially with the flowering of the Powell-Pressburger Archers team. Clearly, though, the most important such event was the rise of what today is called Italian Neo-Realism, as directors like Rossellini, De Sica, and to a lesser extent Visconti, created a brand new way to tell stories on film that is still influencing directors today. The second big change of the late 40's was really two changes in one: the landmark Paramount court case in 1948 that ended the vertical monopoly the studios had long held as owners of theater chains as well, and the mass arrival of television. Between 1948 and 1952, Hollywood lost nearly half of its audience, bringing down the curtain on that so-called “Golden Age” of Hollywood. In terms of the Oscars, the Academy made solid choices for Best Picture--they certainly picked better films than they did in the 1930's! These included enduring works like "The Best Years of Our Lives", "All the King's Men" and especially, "Casablanca". Who could argue with that? (Hint: us.) But there were plenty of head scratchers as well. Prestige choices like "How Green Was My Valley", "Mrs. Miniver" and Olivier's "Hamlet" look a little creaky these days. Hell, we might argue that "Rebecca" was not even Hitchcock's best film of 1940! And the less said about "Going My Way" and "Gentlemen's Agreement", the better. So kick back, round up the usual suspects, and help us make this podcast more important than the gas in that light…

durée : 00:58:38 - Otto Preminger, le goût de la musique - par : Thierry Jousse - Maître du Hollywood d'après-guerre, Otto Preminger a travaillé avec de grands compositeurs, de David Raksin à Harry Nilsson, en passant par Duke Ellington et quelques autres. Voyage dans une œuvre majeure et profondément musicale.

durée : 00:58:39 - Plan large - par : Antoine Guillot - Pour ouvrir cette année 2025, nous recevons le critique et cinéaste Nicolas Saada à l'occasion de la rétrospective Otto Preminger actuellement à la Cinémathèque française, le cinéaste Nelson Carlo de Los Santos Arias pour son film "Pepe", et aussi N.T. Binh. - réalisation : Anne-Laure Chanel - invités : Nelson Carlos De Los Santos Arias cinéaste; Nicolas Saada Réalisateur, scénariste, programmateur musical et directeur de la photo; N.T. Binh Journaliste, critique, enseignant de cinéma (Université Paris 1 Panthéon-Sorbonne)

durée : 00:58:39 - Plan large - par : Antoine Guillot - Pour ouvrir cette année 2025, nous recevons le critique et cinéaste Nicolas Saada à l'occasion de la rétrospective Otto Preminger actuellement à la Cinémathèque française, le cinéaste Nelson Carlo de Los Santos Arias pour son film "Pepe", et aussi N.T. Binh. - réalisation : Anne-Laure Chanel - invités : Nelson Carlos De Los Santos Arias cinéaste; Nicolas Saada Réalisateur, scénariste, programmateur musical et directeur de la photo; N.T. Binh Journaliste, critique, enseignant de cinéma (Université Paris 1 Panthéon-Sorbonne)

This week's podcast is on Otto Preminger's thriller, Bunny Lake is Missing. The London-set mystery is a stylish and psychologically probing return to the noirs Preminger was making at Fox in the 40s. 00:00 - Bunny Lake is Missing 49:30 - Milk Join us on patreon to get an extra episode every week, for $5/mo https://www.patreon.com/c/Extended_Clip Send us your questions and concerns to be read on the air at extendedclippodcast@gmail.com And don't forget to rate/review us wherever you listen!

Nachum Segal presents great Jewish music, the latest news from Israel, an interview with Fabia Preminger of Migdal Ohr's Bayit Yehudit Fund, a New Music Alert! with Yoeli Doppelt and Rabbi Dovid Goldwasser with Morning Chizuk.

Der größte Gewerkschaftsbund Israels rief zu einem Generalstreik für Gefangenenaustausch und Waffenstillstand auf. Doch er scheiterte am Widerstand der Institutionen – und vieler Gewerkschaftsmitglieder. Die israelische Gesellschaft bleibt tief gespalten. Artikel vom 13. September 2024: https://jacobin.de/artikel/israel-gaza-streik-waffenstillstand-hamas-histadrut Seit 2011 veröffentlicht JACOBIN täglich Kommentare und Analysen zu Politik und Gesellschaft, seit 2020 auch in deutscher Sprache. Ab sofort gibt es die besten Beiträge als Audioformat zum Nachhören. Nur dank der Unterstützung von Magazin-Abonnentinnen und Abonnenten können wir unsere Arbeit machen, mehr Menschen erreichen und kostenlose Audio-Inhalte wie diesen produzieren. Und wenn Du schon ein Abo hast und mehr tun möchtest, kannst Du gerne auch etwas regelmäßig an uns spenden via www.jacobin.de/podcast. Zu unseren anderen Kanälen: Instagram: www.instagram.com/jacobinmag_de X: www.twitter.com/jacobinmag_de YouTube: www.youtube.com/c/JacobinMagazin Webseite: www.jacobin.de

David Cairns returns to discuss the end of Ernst Lubitsch's career and life: a period in which, after a heart attack left him debilitated, he produced a series of films directed by the likes of Joseph L. Mankiewicz and Otto Preminger. We cover Dragonwyck, cinema's foremost depiction of the Dutch patroonship system in what is now upstate New York; A Royal Scandal, a remake of Forbidden Paradise; andThat Lady in Ermine, Lubitsch's final unfinished project later completed to little effect by Otto Preminger. Throughout the episode, we discuss the gap in worldviews between Lubitsch and Preminger, our dream Lubitsch/actor pairings that never came to pass, Billy Wilder's tall tales, Ernst Lubitsch's death, and what comes next. Edited by Brennen King. We have a Discord! Listen on: Apple Podcasts | Spotify NEXT WEEK: A reading of Freundschaft, Samson Raphaelson's eulogy for Ernst Lubitsch. WORKS CITED: The World and Its Double: The Life and Work of Otto Preminger by Chris Fujiwara

"¡UN EXTRAÑO Y PELIGROSO EXPERIMENTO DE AMOR Y ASESINATO!" LAURA | El Retrato de un Crimen en el Cine Negro de Preminger en Podcastwood, tu Podcast de Cine Clásico Adéntrate en el universo cinematográfico de una de las joyas más enigmáticas del cine negro: "Laura". En este podcast dedicado a los amantes del cine clásico, desentrañamos cada rincón de esta obra maestra de Otto Preminger, una película que sigue cautivando al público décadas después de su estreno. ¿Qué hace de "Laura" una película tan especial? ¿Por qué sigue siendo objeto de análisis y debate entre los cinéfilos? En este espacio, exploraremos la vida y obra de Otto Preminger, un director que supo imprimir su sello personal en cada una de sus películas. Analizaremos su estilo visual característico, su habilidad para crear atmósferas densas y su capacidad para sorprender al espectador con giros argumentales inesperados. Pero "Laura" no es solo una película, es un manifiesto del cine negro. En este podcast, te invitamos a sumergirte en las profundidades del género, a descubrir sus códigos y convenciones, y a entender cómo Preminger subvierte y reinventa estos elementos para crear una experiencia cinematográfica única. ¿Sabías que el reparto de "Laura" no estaba compuesto por grandes estrellas en ese momento? Sin embargo, las interpretaciones de Gene Tierney, Dana Andrews y Clifton Webb son memorables. Exploraremos cómo estos actores dieron vida a personajes complejos y fascinantes, y cómo sus actuaciones contribuyeron al éxito de la película. Además, te revelaremos los secretos detrás de la producción de "Laura". Desde el guion, basado en la novela de Vera Caspary, hasta la fotografía en blanco y negro, cada detalle fue cuidadosamente pensado para crear una atmósfera de misterio y suspense. Hablaremos de los desafíos que enfrentó el equipo de producción, de las técnicas cinematográficas utilizadas y de cómo todas estas piezas encajaron a la perfección para crear una obra maestra. Pero, ¿aguanta bien el paso del tiempo una película como "Laura"? ¿Sigue siendo capaz de sorprendernos y emocionarnos después de haber descubierto sus secretos? En este podcast, te invitamos a reflexionar sobre esta pregunta y a compartir tus propias impresiones. Si eres un apasionado del cine clásico, si te intriga el género negro o si simplemente buscas una película que te haga pensar y sentir, este podcast es para ti. Acompáñanos en este viaje a través del tiempo y descubre por qué "Laura" sigue siendo una referencia imprescindible en la historia del cine. ️ SECCIONES ▪️ Otto Preminger: más allá de Laura ▪️ Laura, sinónimo de noir subversivo ▪️ Un elenco de pocos quilates en un rodaje tenso ▪️ ¿Aguanta bien el revisionado? ➖➖➖➖➖➖➖➖➖➖➖➖ Disfruta de toda la música pinchada en nuestros programas con nuestra lista de reproducción en Spotify: PODCASTWOOD JUKEBOX https://acortar.link/podcastwoodjukebox Durante el podcast, citamos y recomendamos una gran variedad de películas que no te puedes perder. ¡Olvídate de tomar notas!. Accede fácilmente a toda la información en nuestros listados publicados en Letterboxd: LISTAS DE PELÍCULAS CITADAS Y RECOMENDADAS https://letterboxd.com/podcastwood/list/3x01-podcastwood-laura/ ➖➖➖➖➖➖➖➖➖➖➖➖ ¡CONVIÉRTETE EN MECENAS Y ÚNETE A NUESTRA COMUNIDAD DE PERSONAS APASIONADAS POR EL CINE CLÁSICO! ¿Te apasiona el séptimo arte? ¿Quieres compartir tu amor por las películas clásicas con otros cinéfilos?. ¿Te gustaría profundizar en contenidos únicos en torno al cine clásico?. ¡Únete a nuestra comunidad de Podcastwood! ‍ ‍ ‍ ¿POR QUÉ SER MECENAS? Al apoyar a Podcastwood, no solo estarás contribuyendo a la creación de contenido de calidad, sino que también formarás parte de un grupo selecto de amantes del cine. 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Además, ¿Imaginas compartir tu pasión por el cine con Fran, Gonzalo y Juanlu? Ahora es posible. Al convertirte en mecenas, tendrás la oportunidad de interactuar con ellos de forma más cercana y de sentirte parte de un proyecto único. ¡Únete a la familia Podcastwood! ⭐ ¿CÓMO HACERLO? Es muy sencillo, solo tienes que activar el botón azul de "APOYAR" en nuestro perfil de ivoox. ➖➖➖➖➖➖➖➖➖➖➖➖ SÍGUENOS EN ✘ (TWITTER): @podcastwood | https://x.com/podcastwood @fran_maestra | https://x.com/fran_maestra @gcuelliga | https://x.com/gcuelliga @Juanlu_Uno | https://x.com/Juanlu_Uno LETTERBOXD: Podcastwood | https://letterboxd.com/podcastwood/ Fran Maestra | https://letterboxd.com/fran_maestra/ Gonzalo Cuélliga | https://letterboxd.com/gcuelliga/ Juanlu Uno | https://letterboxd.com/rockatanskyy/ INSTAGRAM: podcastwood | https://www.instagram.com/podcastwood/ ✉ CONTÁCTANOS EN: podcastwoodmail@gmail.com ➖➖➖➖➖➖➖➖➖➖➖➖ CREW ▪️ Producción: Fran Maestra ▪️ Redacción: Gonzalo Cuélliga ▪️ Sonido y grafismo: Fran Maestra ▪️ Entorno digital: Fran Maestra ▪️ Conducción: Gonzalo Cuélliga y Fran Maestra ▪️ Locución: Marta Navas ➖➖➖➖➖➖➖➖➖➖➖➖ Podcastwood | 2024

In 1960, Otto Preminger provoked controversy with his movie Exodus. Based on Leon Uris’s novel, it provides a fictional account of Jewish refugees emigrating to Palestine after World War II. The film concludes with the bodies of a young European-Jewish girl and an Arab man, both murder victims, buried in the same grave in what will soon be the nation of Israel. Preminger leaves the conclusion to us. Is this a metaphor for despair, a dream forever buried? Or is it a symbol of hope, as two peoples with a history of hatred and hostilities come together—in death and in life? Perhaps the sons of Korah, credited with writing Psalm 87, would take the latter view of this scene. They anticipated a peace we still await. Of Jerusalem, they wrote, “Glorious things are said of you, city of God” (v. 3). They sang of a day when nations—all with a history of warring against the Jewish people—will come together to acknowledge the one true God: Rahab (Egypt), Babylon, the Philistines, Tyre, Cush (v. 4). All will be drawn to Jerusalem, and to God. The conclusion of the psalm is celebratory. People in Jerusalem will sing, “All my fountains [springs] are in you” (v. 7). Who are they singing of? The One who is the Living Water, the Source of all life (John 4:14). Jesus is the only one who can bring lasting peace and unity.

Writer and film historian Eloise Ross joins us to discuss noted Lubitsch disciple Otto Preminger and his 1944 noir Laura. We cover Preminger's past and parallels with Lubitsch, the tumultuous story of Laura's production, the film's highly unusual tone, its memorable characters and dialogue, and the majesty of Clifton Webb. Edited by Brennen King We have a Discord! Listen on: Apple Podcasts | Spotify NEXT WEEK: David Cairns returns to discuss A Royal Scandal, Dragonwyck, That Lady in Ermine, and the death of Ernst Lubitsch. WORKS CITED: The World and Its Double: The Life and Work of Otto Preminger by Chris Fujiwara

From Beneath The Hollywood Sign is thrilled to welcome our newest sponsor, www.HappyMammoth.com. Use code BENEATH at checkout for 15% off of your entire first order! EPISODE 42 - “Eva Marie Saint: Star of the Month (July)” - 07/01/2024 Blonde, beautiful, sophisticated, and chic, there was no one in Hollywood quite like EVA MARIE SAINT. This versatile, elegant actress had an incredible emotional range and left an indelible mark on the landscape of film. July 4th marks her 100th birthday of this national treasure and in this episode we take a look at her extraordinary career. Come hear about her incredible life and a career that spanned from live TV to Broadway to film and television where she was directed by all the greats — Hitchcock, Kazan, Preminger, Fred Zinnemann, John Frankenheimer, Paul Bogart — and held her own opposite Hollywood's greatest leading men — Cary Grant, Marlon Brando, Gregory Peck, Paul Newman, Montgomery Clift, James Garner, Bob Hope, and Warren Beatty.  SHOW NOTES:  Sources: Eva Marie Saint: A Journey From Newark to Hollywood's Iconic Heights (2024), by Alexander Harmony; Hitchcock's Heroines (2018), by Caroline Young; Kazan: The Master Director Discusses His Films (1999), by Jeff Young; Hitch (1978), by John Russell Taylor; Destination Hitchcock: The Making of North by Northwest (2000), by Peter Fitzgerald; “As Eva Marie Saint Turns 97, Celebrating Her Seductive Turn in ‘North by Northwest',” July 4, 2021, by Brent Lang, Variety; Robert Osborne interview(s) with Eva Marie Saint, www.TCM.com; “In Search of a Classic Saint Revisits Hitchcock Role,” September 10, 2000, by Gene Triplett, The Oklahoman; “Saint in Hollywood; Forthright Star Actress Illustrates Devotion to Work and Family,” May 10, 1964, New York Times; “All About Eva Marie,” February 22, 2011, Vanity Fair; IMDBPro.com; Wikipedia.com; Movies Mentioned:  On The Waterfront (1954), starring Marlon Brando, Eva Marie Saint, and Karl Malden; That Certain Feeling (1956), starring Bob Hope, Eva Marie Saint, and George Sanders; A Hatful of Rain (1957), starring Anthony Franciosa, Don Murray, and Eva Marie Saint; Raintree County (1957), starring Elizabeth Taylor, Montgomery Clift, Eva Maire Saint, and Rod Taylor; North By Northwest (1959), starring Cary Grant and Eva Marie Saint; Exodus (1960), starring Paul Newman, Eva Marie Saint, and Sal Mineo; All Fall Down (1962), Warren Beatty, Eva Marie Saint, Karl Malden, Angela Lansbury, and Brandon deWilde;  The Sandpiper (1965), staring Richard Burton, Elizabeth Taylor, and Eva Marie Saint; The Russians Are Coming, The Russians Are Coming (1966), starring Alan Arkin, Carl Reiner, and Eva Marie Saint; Grand Prix (1966), starring James Garner, Yves Montand, and Eva Marie Saint;  The Stalking Moon (1968), starring Gregory Peck, Eva Marie Saint, and Robert Forster; Cancel My Reservations (1972), starring Bob Hope, Eva Marie Saint, Forest Tucker, Ralph Bellamy, and Anne Archer; Splendor In the Grass (1981) (TV-movie), starring Melissa Gilbert, Cyril O'Reilly, Ned Beatty, Eva Marie Saint, and Michelle Pfeiffer; Nothing In Common (1986), starring Tom Hanks, Jackie Gleason, Eva Marie Saint, Bess Armstrong, and Sela Ward; I Dreamed Of Africa (2000), starring Kim Basinger, Daniel Craig, and Eva Marie Saint; Because of Winn Dixie (2005), starring Jeff Daniels, Cicely Tyson, and Eva Marie Saint; Don't Come Knocking (2005), starring Sam Shepherd, Jessica Lange, and Eva Marie Saint; Superman Returns (2002), starring Brandon Routh, Kate Bosworth, Kevin Spacey, and Eva Marie Saint; Mariette in Ecstasy (2019), starring Geraldine O'Rawe, Eva Marie Saint, Mary McDonnell, and Rutger Hauser; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

**THIS EPISODE CONTAINS FULL SPOILERS** Kickstarting Film is Lit's latest series on hardboiled noirs, we're covering the 1943 detective novel "Laura," written by the ultimate badass, Vera Caspery. It was adapted a year later into the film of the same name by Otto Preminger, and is widely considered to be one of the most celebrated noirs of all time. Does Gene Tierney live up to the titular character from Caspery's text? You'll just have to listen to find out! #Laura #VeraCaspery #GeneTierney #OttoPreminger #DanaAndrews #CliftonWebb #VincentPrice #Filmnoir #detective #mystery #filmislit #filmislitpod #dannyGaylord #lauraGaylord #booktoscreen #filmadaptation #bookvmovie #Isthebookbetter

Alain Defremont chroniqueur cinématographique de l'UFAL vous présente :  « EXODUS » d'Otto preminger

In this podcast episode, hosts Julian Schlossberg, Arthur E. Friedman, and Steven J. Rubin discuss the careers and films of directors Otto Preminger and John Sturges. They delve into Preminger’s reputation for being a tyrant on set, his bold directorial choices, and his notable films, including “River of No Return” and “Laura”. They also discuss … Movie Directors Spotlight: Otto Preminger and John Sturges | Tales From Hollywoodland Read More » The post Movie Directors Spotlight: Otto Preminger and John Sturges | Tales From Hollywoodland appeared first on The ESO Network.

In this podcast episode, hosts Julian Schlossberg, Arthur E. Friedman, and Steven J. Rubin discuss the careers and films of directors Otto Preminger and John Sturges. They delve into Preminger's reputation for being a tyrant on set, his bold directorial choices, and his notable films, including "River of No Return" and "Laura". They also discuss his treatment of actor Tom Tryon on the set of "In Harm's Way". The conversation then shifts to John Sturges, highlighting his talent for directing action and his successful films like "The Great Escape". The hosts also share personal anecdotes and trivia, and discuss their opinions on various films and actors.  We want to hear from you! Feedback is always welcome. Please write to us at  talesfromhollywoodland@gmail.com and why not subscribe and rate the show on Apple Podcast, Spotify, iHeartRadio, PlayerFM, Pandora, Amazon Music, Audible, and wherever fine podcasts are found.  Links Tales From Hollywoodland on Facebook https://www.facebook.com/talesfromhollywoodland  Tales From Hollywoodland on Instagram https://www.instagram.com/talesfromhollywoodland/ #HollywoodDirectors #TalesFromHollywoodland #OttoPreminger #JohnSturges #ClassicFilmmakers #GoldenAgeOfHollywood #FilmHistoryPodcast #DirectorSpotlight #CinematicLegends #HollywoodIcons #PremingerSturgesPodcast #FilmmakingMasters #HollywoodGreats #DirectorialVision #CinephileDiscussion #OldHollywoodPodcast #OttoAndJohn #FilmIndustryInsights #HollywoodMasterclass #DirectorialLegacy  

Our Fox 1944 episode features a prestige production, The Eve of St. Mark, based on a Maxwell Anderson play and directed by John Stahl, and a modest marital drama, In the Meantime, Darling, directed by Otto Preminger just before he makes a name for himself in noir with Laura. Between the two, the problems facing the men at the front and the women who love them are covered, as well as the kinds of moral dilemmas each might face. We discuss Preminger's handling of Jeanne Craine's character, and Bosley Crowther (back to being Nemesis of the Pod) inadvertently describes John Stahl's distinctive style/outlook. Time Codes: 0h 00m 45s:      THE EVE OF ST. MARK [dir. John M. Stahl] 0h 33m 04s:      IN THE MEANTIME, DARLING [dir. Otto Preminger]       Studio Film Capsules provided by The Films of 20th Century-Fox by Aubrey Solomon & Tony Thomas   Additional studio information from: The Hollywood Story by Joel W. Finler                                     +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com   We now have a Discord server - just drop us a line if you'd like to join!           

00:00 - 39:57 - Bonjour Tristesse 39:58 - 1:05:00 - Malcolm in the Middle Otto Preminger's 1958 drama is a perfect fusion of early European modernist dramas and Hollywood bombast. Before we talk about the film that inspired Godard to cast Jean Seberg in Breathless, we get into the auteur behind it. Preminger's theatrical roots, range of genre and tone, stylistic approach and place in the canon are discussed, before we talk about the Riviera-set drama. Then, on MiTM, Malcolm rants about The Nun 2, JT rants about Sam Raimi, and Eddie is not so hot on Ghost World. We'll be a lot more positive next time. subscribe to the patreon and get an extra episode every week. patreon.com/Extended_Clip

This episode is titled for a recording found through jazztodon.com .  Oliver Nelson (of Blues and the Abstract Truth fame), recorded Skull Session in 1975. It's quite a departure from his other recordings, and is his take on the fusion sound that was popular in that era. Same can be said for the Preminger track if you are familiar with his work. The podcast ends on a more familiar note for ITG listeners with Mobley, Morgan and Shank. Playlist  Artist ~ Name ~ Album Oliver Nelson ~ Skull Session ~ Skull Session Oliver Nelson ~ Baja Bossa ~ Skull Session Noah Preminger & Kim Cass ~ Daddy Likey ~ The Dank Pat Metheny Group ~ The First Circle ~ First Circle Hank Mobley ~ Carolyn ~ No Room for Squares Hank Mobley ~ No Room for Squares ~ No Room for Squares Lee Morgan ~ Mr. Kenyatta ~ Search for the New Land Bud Shank ~ Blowin' Country ~ California Suite

Aujourd'hui nous parlerons de Anatomie d'une Chute , Hypnotic , Le Dernier Voyage du Demeter , Banel et Adama et pour le passé  de Anatomy of a Murder de Preminger présenté par JMA, avec Alexei .  Montage : William Seris Suivez nous sur le compte insta @leduel_vision.libre Timecodes: Hypnotice 0:30 Le Dernier Voyage du Demeter 09:10 Anatomie d'une Chute  18:10 Banel et Adama 31:00 Anatomy of a Murder 36:47 Soutenez-nous sur PayPal !

This month, we welcome back “Schmigadoon!” co-creator/showrunner Cinco Paul to help sift thru the curiosity that is Groucho Marx's final film appearance, the ‘far-out' 1968 comedy, “Skidoo.” You don't need to like (or even have seen) the film to enjoy our discussion of the whats, whys, and what-ifs from a movie that's not quite as half-assed as you expect it to be. What was Groucho thinking? What was Preminger thinking? What does Jackie Gleason sound like after taking LSD? You'll hear our thoughts on these…plus the tragic tale of one of your hosts who, after numerous viewings, is actually starting to like “Skidoo.”

Tras finalizar sus interminables jornadas de trabajo, las costureras del Londres victoriano regresaban al descanso doméstico, y en el camino veían hilos invisibles en el aire, cosían paños, sedas y tafetán, y sus bordados seguían tejiéndose en el cielo. Ese hilo fantasma une al modisto de la alta costura Reynolds – Daniel Day Lewis en su retirada- a su madre fallecida. Un galán, un soltero empedernido que no sabe estar solo, vive entre brocados, sedas y encajes, con su hermana Cyril -Lesley Manville- Ella conoce su rutina, sus desayunos silenciosos, sus manías, y su trauma. Reynolds se viste con parsimonia cada mañana, diferentes compañeras se han sentado a su mesa, han conocido su taller, hasta que el exigente diseñador conozca en un restaurante a Alma – Vicky Krieps-. Un niño mimado requiere cuidados, el cordón umbilical será reforzado por una mujer de pechos pequeños, perfectos para amoldar a sus creaciones textiles, ella será su Pigmalión, poseerá todo su ser, toda su esencia. Alma, de mirada somnolienta, se dejará tomar medidas en la primera noche, con la presencia de la hermana controladora, entre la ama de llaves de “Rebeca”, y el Grenouille de Süskind, la olisqueará, ávida de aromas y perfumes, la diferencia es que Cyril hará buenas migas con la invitada, y Alma, astuta y retadora, sabrá hechizar como la Laura de Preminger, terminará apoderándose del espíritu del modisto. A Reynolds le gusta que le cuiden en su estado febril, al médico lo manda a la mierda, ese médico interlocutor de las confidencias de la musa: “Reynolds ha hecho realidad mis sueños, y a cambio yo le he dado lo que más desea. Todo mi ser”. Hitchcock , Max Öphuls. se cruzan en el cine de Thomas Anderson, su puesta en escena bebe de los clásicos. Las secuencias en esa escalera en que el diseñador espera a Alma o a la heredera mal parecida y chiflada, con la música casi siempre presente de Jonnny Grenwood, colaborador habitual del director (The Master, Pozos de ambición, Licorice Pizza), pianos y violines sonando al ritmo de las fugas de Bach. El protagonista ve a la madre en todos los espejos, le dice a la chica en su primera cita que se quite el lápiz de labios. La erótica entre ambos es un carrusel, una neurosis, el ansia de posesión, el pinchazo del alfiler espera el alivio posterior, la aguja enhebrada perfecta, Sentir de nuevo la regañina de mamá por no terminarse la cena, y después el arrullo tras el castigo, al final Reynolds se comerá los espárragos, y también la tortilla de setas. Esta noche desvestimos a una cliente borracha en La gran Evasión… Zacarías Cotán, Salvador Moreno, Rosario Medina, David Velázquez y Raúl Gallego

We are concluding our Graham Greene series with an obscure spy drama from director Otto Preminger, the 1979 film "The Human Factor." It is of a piece with "Tinker Tailor Soldier Spy" and to that point, Jamelle and John spend this episode discussing the connections between the two works and the similarities (and differences) between how Le Carre and Greene view betrayal and deception."The Human Factor" is pretty good — Preminger was a master — so we both recommend that you check it out. It's available to view for rent on iTunes and Amazon Prime.To hear the full episode, subscribe to the Unclear and Present Patreon and get access to our show on the films (and television) of the Cold War, as well a monthly entry into a movie raffle, and whatever else we can think of.Connor Lynch produced this episode. Artwork by Rachel Eck.

Laura est un totem de la cinéphilie mondiale.  Tout bon·ne passionné·e de cinéma se doit de l'avoir vu.  Mais au-delà de cette charge cinéphilique, parfois pesante, Laura est un film ensorcelant qui marque le spectateur pendant longtemps.  [ATTENTION CET EPISODE CONTIENT DES SPOILERS] Cette semaine, nous explorons doncLaura,un film noir américain de 1944 avec Gene Tierney, Dana Andrews, et Clifton Webb.  Otto Preminger en est le réalisateur.  Cet immense cinéaste, qui ne déteste pas la controverse, s'est attaqué avec brio à beaucoup de genres cinématographiques : mélodrames, westerns, fresques historiques, films judiciaires… Avec Laura, il a contribué à bâtir les fondations du film noir avec une mise en scène hypnotique, une structure narrative originale et une atmosphère qui laisse toute la place à l'ambiguïté.    Laura est un film où il est question de tableau, de pendule, et de mort-vivant. Entre rêve et réalité, entre image et personne, que représente vraiment Laura ?  Quelles émotions déclenche-t-elle dans son entourage ?   Et pourquoi Laura nous captive toujours autant encore aujourd'hui ?    Le titre de l'épisode est tiré du poème de Charles Baudelaire À une passante   CREDITS: Extraits films: Laura, Otto Preminger, 1944 Where the Sidewalk Ends, Otto Preminger, 1950 Bonjour Tristesse, film Otto Preminger, 1958 Angel Face, film Otto Preminger, 1952 River of no Return, film Otto Preminger, 1954 Forever Amber, film Otto Preminger, 1947 Carmen Jones, film Otto Preminger, 1954 Anatomy of a murder, film Otto Preminger, 1959 The Big Heat, Fritz Lang, 1953 The Big Sleep, Howard Hawks, 1946 Out of the Past, Jacques Tourneur, 1947   Autres extraits: Excerpt of screenwriter Dalton Trumbo's testimony before HUAC, October 1947  Mister Freeze, television series Batman, 1967  Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

"As a lawyer, I've had to learn that people aren't just good or just bad. People are many things." For Episode 230, Thomas and Brandon discuss one of their favorite courtroom dramas, Anatomy of a Murder. Listen as they talk about the film's history and how it pushed the boundaries in American cinema. Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast E-mail: cinenationpodcast@gmail.com

Another legend of Hollywood's Golden Age is the spotlight for this episode as Alex and Jonathan talk about some of the classic works of Otto Preminger: Laura (1944), Bonjour Tristesse (1958), Anatomy of a Murder (1959), and Bunny Lake is Missing (1965). We discuss how Preminger builds character driven narrative through visuals, his real and perceived image as a directorial tyrant, and how he stacks up against some of his contemporaries. Skip to: 7:29 – Laura 24:43 – Bonjour Tristesse 43:54 – Anatomy of a Murder 59:02 – Bunny Lake is Missing 1:16:50 – Overall 1:24:59 – Coming Attractions Coming Attractions: Time After Time (1979) Back to the Future (1985) Groundhog Day (1993) Tenet (2020) For more information, visit the blog: https://thefilmlings.wordpress.com/2022/07/27/preminger Join us on Discord for ongoing film discussion: https://discord.gg/MAF6jh59cF Support the Show! Patreon: https://patreon.com/thefilmlings Ko-fi: https://ko-fi.com/thefilmlings

As new generations increasingly have the knowledge and social acceptance to explore their identities, the number of openly transgender people in our world—especially transgender youth—is rapidly rising. Yet despite these recent spikes— the transgender community is still comparatively small: making up roughly 0.6% of the global population. As a result, many cisgender people (meaning those of us whose gender aligns with the one we were assigned at birth) have little to no lived experience interacting with transgender people. What we're exposed to instead is whatever our media, political, and social leaders choose to tell us about them, resulting in a perilous gap between actual transgender people and a series of cultural stereotypes. This gulf in our understanding not only endangers the trans population, it harms all of us, discouraging marginalized demographics from working together, making it even more difficult for us to dismantle oppressive structures, and denying cisgender people the chance to love their trans neighbors. Fortunately, some transgender people are stepping forward to help bridge this divide, sharing their personal stories, dispelling dangerous myths, and helping us envision a more egalitarian future for all. On today's episode I'm happy to say we'll be joined by two such voices: Sam Rose Preminger and Domi Shoemaker Sam Rose Preminger (they/them) is a trans-nonbinary, Jewish writer and publisher. They hold an MFA from Pacific University, serve as the Editor-in-Chief of NAILED Magazine, and are a contributing editor at Lightship Press and Write Bloody Publishing. Their poetry has appeared in numerous publications online and in print. Their debut collection of poems —'Cosmological Horizons' — is forthcoming from Kelsay Books (Summer 2022). They live in Portland, OR, where they've acquired too many house plants. www.sampreminger.com Domi J Shoemaker (they/them) is an Idaho-born gender flexer who founded the quarterly reading series, Burnt Tongue, after cutting teeth in Tom Spanbauer's Dangerous Writers workshop. While finishing an MFA in Writing in 2015, author Lidia Yuknavitch asked Domi to help her create the Corporeal Writing Seasonal Workshop Series. With a resounding yes, Domi is now the Corporeal Writing Seasonal Workshop Co-Facilitator. Domi has published at [PANK], Nailed Magazine, Unshod Quills, Gobshite Quarterly, and has a story in the anthology, The Night and The Rain and The River, from Forest Avenue Press. They were recently featured in the literary radio theatre podcast, Storytellers Telling Stories. www.domishoemaker.com

Este thriller con toque de drama sobre un adicto a las drogas recién salido del penal -un entregado Frank Sinatra-, resultó una provocación en la década de los 50. Frankie Machine vuelve en el bus de línea a su viejo barrio de Chicago, mira a través de la ventana el bar de siempre, con los parroquianos conocidos, entre ellos el camello que le suministraba la droga y le espera, su exjefe Schwiefka le recuerda todos los días que es le el mejor croupier de los contornos y debe volver a repartir los naipes en las partidas nocturnas que organiza en su local. Y en casa le espera su desequilibrada novia, Zosh -Eleanor Parker-, manipuladora, se encarga de recordarle que está impedida por un accidente de tráfico que él provocó por conducir bebido. Ante ese panorama, Frankie lo tiene difícil para reconducir su vida, él quiere triunfar tocando la batería en una banda de jazz, el tiempo a la sombra le ha servido para demostrar que tiene el brazo de oro, sabe utilizar las baquetas con compás y está dispuesto a demostrarlo en su primera audición. Así se lo cuenta a su amigo Sparrow -Arnold Stang-, tan fiel como los perros con que trapichea, y a Molly – una joven Kim Novak-, un romance anterior del que Frankie sigue enamorado. A pesar de no ser aprobada por el consejo censor, por la problemática de las drogas, el austriaco Preminger siguió adelante con este proyecto basado en la novela de Nelson Algren. El tono general del film pierde verosimilitud en algunos momentos en parte por los decorados utilizados, casi todas las secuencias están rodadas en estudio. Aún así, el genio del director se hace notar en sus habituales planos largos y medios, con hábiles desplazamientos. A recordar momentos como la salida del casino de Molly y su contoneo egregio hasta llegar a su apartamento, la cámara hace un escorzo hacia atrás y nos presenta a Frankie ensayando en la batería, quien no recibiría a Kim Novak con un redoble de platillos. La superación individual de un tipo con pocas posibilidades, el giro de guion final no aparecía en la novela original de Algren, Preminger quiso aportar algo de luz tras tanto fracaso y desesperación. En una escena final sorprendente la neurótica Zosh se aferrará a su grotesco silbato por última vez. Esta noche nos refugiamos en la partitura de Elmer Bernstein para olvidar los vicios de la calle…

Book Vs. Movie “Musicals in March” The 1845 Novella Carmen Vs the 1954 Carmen Jones filmWe are continuing our month of musicals with the classic tale of Carmen which began as a novella by French writer Prosper Merimee and was first adapted as an opera. The story of a Romani woman who enchants the narrator by reading his fortune and behaving in a mysterious manner has been adapted several times, but for this episode, we focus on a 1954 all-African American cast filmed by director Otto Preminger.Based on the1943 Broadway musical by Oscar Hammerstein, Carmen Jones stars Harry Bellafonte, Dorothy Dandridge, and Pearl Bailey and it was a true passion project for the director as most studios would never risk a film that would not appeal during the era of massive Jim Crow laws. The character of Carmen was also criticized for being lustful and there were not enough “moral” voices. Preminger went so far as to send the script to Walter Francis White who was Executive Secretary for the NAACP who approved it. Dorothy Dandridge and Harry Belafonte became stars after the film's release which was a big hit a the box office. Dandridge became involved with Preminger and though she was the first African Americen woman to be nominated for Best Actress, her career had major ups and downs and she died under mysterious circumstances in 1965. Belafonte recently celebrated his 95th birthday. So, between the original novella and the 1954 musical adaptation--which did we prefer? In this ep the Margos discuss:The original novella by Prosper MerimeeHow the main character is presented The differences between the novella and 1954 musicalThe cast includes Harry Belafonte (Joe,) Dorothy Dandridge (Carmen Jones,) Pearl Bailey (Frankie,) Olga James (Cindy Lou,) Joe Adams (Husky Miller,) Brock Peters (Sargeant Brown,) and Diahann Carroll as Myrt. Clips used:Carmen Jones and Joe in the JeepCarmen Jones (the original trailer)Carmen Jones singsPearl Bailey singsJoe Kills Carmen JonesMusic by Georges Bizet Book Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page to help support the show! https://www.patreon.com/bookversusmovie Book Vs. Movie podcast https://www.facebook.com/bookversusmovie/Twitter @bookversusmovie www.bookversusmovie.comEmail us at bookversusmoviepodcast@gmail.com Margo D. @BrooklynFitChik www.brooklynfitchick.com brooklynfitchick@gmail.comMargo P. @ShesNachoMama https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine

Book Vs. Movie “Musicals in March” The 1845 Novella Carmen Vs the 1954 Carmen Jones filmWe are continuing our month of musicals with the classic tale of Carmen which began as a novella by French writer Prosper Merimee and was first adapted as an opera. The story of a Romani woman who enchants the narrator by reading his fortune and behaving in a mysterious manner has been adapted several times, but for this episode, we focus on a 1954 all-African American cast filmed by director Otto Preminger.Based on the1943 Broadway musical by Oscar Hammerstein, Carmen Jones stars Harry Bellafonte, Dorothy Dandridge, and Pearl Bailey and it was a true passion project for the director as most studios would never risk a film that would not appeal during the era of massive Jim Crow laws. The character of Carmen was also criticized for being lustful and there were not enough “moral” voices. Preminger went so far as to send the script to Walter Francis White who was Executive Secretary for the NAACP who approved it. Dorothy Dandridge and Harry Belafonte became stars after the film's release which was a big hit a the box office. Dandridge became involved with Preminger and though she was the first African Americen woman to be nominated for Best Actress, her career had major ups and downs and she died under mysterious circumstances in 1965. Belafonte recently celebrated his 95th birthday. So, between the original novella and the 1954 musical adaptation--which did we prefer? In this ep the Margos discuss:The original novella by Prosper MerimeeHow the main character is presented The differences between the novella and 1954 musicalThe cast includes Harry Belafonte (Joe,) Dorothy Dandridge (Carmen Jones,) Pearl Bailey (Frankie,) Olga James (Cindy Lou,) Joe Adams (Husky Miller,) Brock Peters (Sargeant Brown,) and Diahann Carroll as Myrt. Clips used:Carmen Jones and Joe in the JeepCarmen Jones (the original trailer)Carmen Jones singsPearl Bailey singsJoe Kills Carmen JonesMusic by Georges Bizet Book Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page to help support the show! https://www.patreon.com/bookversusmovie Book Vs. Movie podcast https://www.facebook.com/bookversusmovie/Twitter @bookversusmovie www.bookversusmovie.comEmail us at bookversusmoviepodcast@gmail.com Margo D. @BrooklynFitChik www.brooklynfitchick.com brooklynfitchick@gmail.comMargo P. @ShesNachoMama https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine

Romeo Preminger returns to share The Arizona Series, a gay southern gothic set in Aacadiana of the 1980s. We discuss writing historical fiction in an era we lived through and some thoughts on queer literature today.

Anchors aweigh on 2021 as we deliver our very last episode of the year with Otto Preminger's colossal 1968 "comedic" misfire Skidoo! But before we steer directly into the iceberg, this week's Blue Plate Special has us parsing the Matrix sequels (Reloaded, Revolutions, and the latest Resurrections) for meaning and edification, followed by an outright celebration of Paul Thomas Anderson's latest film Licorice Pizza. Upon finally arriving to the Mad Magazine-esque pastiche that is Skidoo, we critique the ways in which television began altering the stylings and aesthetics of film comedy in the 1960s and beyond, question the decision making of dramatic filmmaker like Preminger endeavoring to direct a comedy as scattershot and misguided as this, and in general mourn the presence of stars (in this case from the 1930s) rapidly approaching their expiration dates. Feel free to skip to 2:43:21 for the beginning of our audio commentary. As always, please like, subscribe, rate, and review us on all of our channels, which include Apple Podcasts, Spotify, and YouTube! Contact us at huffmanbrothersproductions@gmail.com with your questions, comments, and requests. https://thebigwblog.wordpress.com/2021/12/24/hm-upgrades-the-matrix-resurrections-as-a-reflection-of-the-perils-of-the-legasequel/?fbclid=IwAR370jACqmDJ_-av6T2bU_UmKzXAaIHKufbGy6xfVuTKCbX2Jjv7dbEQOo4 https://thebigwblog.wordpress.com/2021/12/27/the-world-doesnt-revolve-around-gary-valentine-licorice-pizza-and-the-perfection-of-the-shaggy-dog-story/

We bid Margaret Sullavan a sad farewell with her two final films, Cry 'Havoc' (1943), a very dark WWII propaganda film with an all-female main cast in which the Battle of Bataan meets Stage Door, and No Sad Songs for Me (1950), a peak-crazy woman's picture in the mode of The Shining Hour with a slyly progressive screenplay by Howard Koch. Sullavan manages to make having your man stolen from under your nose while dying and fighting fascists/propping up the empty shell-men of post-war America into a triumphant art form. Then: we give our Top 5 Sullavan performances. And in the Fear and Moviegoing in Toronto segment, we discuss and spoil Verhoeven's lesbian nuns/nympho mystic movie, Benedetta (2021), and Preminger's glorious film noir Fallen Angel (1945).   Time Codes: 0h 01m 00s:                CRY HAVOC (1943) [dir. Richard Thorpe]  0h 20m 16s:                NO SAD SONGS FOR ME (1950) [dir. Rudolph Maté] 0h 38m 54s:                Margaret SullavanTop Fives 0h 00m 00s:                Fear and Moviegoing in Toronto – BENEDETTA (2021) and FALLEN ANGEL (1945)                                                                                      +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com

Tune in to this interview with Jacob Kraus-Preminger. The time is now to begin to strategize for the 2022 elections. We start with knowing our power.   The conversation began with Gail asking about food insecurity and the connection to voter participation and other issues of racial and economic justice. Jacob began his response by sharing, “So often, people experience food insecurity because they are forced to choose between spending their limited dollars on housing, healthcare, education, childcare, food, and other necessities. We can work together to expand the choices families have by (1) creating better jobs with living wages and (2) making housing, childcare, healthcare, and basic necessities more affordable. All of this requires power: power we exercise at the voting booth, power we exercise in relationship with elected officials, and power we exercise in the face of those who see basic survival as an opportunity to make record profits.   Gail then jumped to this question, “What opportunities and challenges can we look towards as the 2022 elections get closer and closer?” Jacob jumped in by saying, “The biggest opportunity is for us to continue to win real changes by working together across race, faith, place, and economic background. We are seeing how getting together, not with 100% agreement on everything, but with a shared vision for a country where all of us can thrive, is already paying off. Billions of dollars have been invested in communities around the country, but we need to keep building power so that 1 or 2 Members of Congress aren't able to stand in the way of voting rights, affordable childcare, saving the planet, and other necessities.”   Here's the truth. Those who want to keep working people fighting over scraps while they earn record profits are afraid of the power we're building to get together, so they will keep trying to divide us, especially by race, faith, and place. We should all be ready to see more dog whistle politics: certain politicians will keep speaking about race in coded language that isn't explicitly racist but converts a racist message to white folks in particular. We need to call out these attempts at division for what they are and recognize that a coalition of working people who are Black, brown, white, and Indigenous can win real change in this country.   For more on dog whistle politics, check out the work of Ian Henry Lopez. You can always reach out to Jacob via email at krausjck@gmail.com.   ----------------------------------   Join Gail this month as she helps families who are facing food insecurity. This is the tenth year Gail has come alongside of families who are hungry.   Here's Gail appeal ~   Do this. Close your eyes and think about a time you were hungry. Not because you did not have food in your refrigerator, but due to not having anything immediately on hand to eat. Can you hear your stomach growling? Now think about your neighbor going without food for twenty-four, seventy-two hours, six weeks, six months, an entire year. No, they do not have to live next door to you or even in your neighborhood. Imagine, if you will, someone who cannot feed their children or older parents. Picture that person who needs food to take their medication but would instead give their last slice of bread to a child before school. Let's become a part of the solution this year.   Yes, this is happening every day here in America. Last year around this time, I shared about people who were facing eviction and food insecurity. This year I am doing the same. Currently, we have eleven families seeking food. Before you ask, during our vetting system, it is has been confirmed that the individuals have been to the food bank, and with the price of food increasing, the need is greater, and food banks are struggling. American food banks across the country have been dealing with the increased demands due to COVID19. Twenty months later, the new challenge with an increase in food prices and container issues of the supply chain, the nation is facing new problems. According to the Associated Press, the higher costs and limited availability mean some families may get smaller servings or substitutions for staples such as peanut butter, which food banks are buying for nearly double what it cost two years ago. Now that the holidays are upon us, many food banks are concerned they won't have enough supply for Thanksgiving and Christmas. We have all heard about lower inventory and labor shortages which have all contributed to increased costs for charities on which tens of millions of people in the U.S. rely on for nutrition, reports Newsweek. They state in their reporting that, “Donated food is more expensive to move because transportation costs are up, and bottlenecks at factories and ports means there's less food coming.” Feeding America, which coordinates the work of more than 200 food banks around the country, says that this hidden crisis impacts more families than you might realize. In fact, as many as 160,000 active-duty military members are having trouble feeding their families. Allow me to share more information that I was able to obtain from the USDA Economic Research (https://www.ers.usda.gov) The defining characteristic of very low food security is that, at times during the year, food intake of household members is reduced, and their normal eating patterns are disrupted because the household lacks money and other resources for food. Very low food security is characterized in terms of the conditions that households in this category typically reported in the annual survey. 98 percent reported having worried that food would run out before they got money to buy more food. 96 percent reported that the food they bought just did not last, and they did not have money to get more. 95 percent reported that they could not afford to eat balanced meals. 96 percent reported that an adult in the household had cut the size of meals or skipped meals because there was not enough money for food; 86 percent reported that this activity had occurred in 3 or more months during the year. 94 percent reported having eaten less than they felt they should because there was not enough money for food. 67 percent reported that they had been hungry, but they did not eat because they could not afford enough food. 46 percent reported having lost weight because they did not have enough money for food. 30 percent reported that an adult did not eat for a whole day because there was not enough money for food; 23 percent reported that this had occurred in 3 or more months during the year. All households without children that were classified as having very low food security reported at least 6 of these conditions, and 66 percent of these households reported 7 or more conditions. Food-insecure conditions in households with children followed a similar pattern. Here's my call to action.   As you are grocery shopping, pick up a few extra items. Drop them off at local churches, food banks, community centers, YMCA, College Campuses, Child Care Centers, Senior Centers, Fire Stations, Doctor's Offices, Hair Salons, etc. Be sure to call or google first to confirm they are a food drop off location.   OR   You can participate by investing in the ministry and work of Gail Dudley.   Just like the last ten years, as Gail has celebrated her wedding anniversary with her amazing husband, she is asking you to join her and the Ministry in Motion, News in Motion, and #NIMOSAFriday's podcast family by investing $30.00 to help provide food to those who are hungry. We have a relationship with Aldi's and can secure gift cards for families across America to provide food (no alcohol).   You may click this link Paypal link to give to Ministry in Motion. https://www.paypal.com/donate/?hosted_button_id=S3ZUABL7JEPUC   NOTE: The link will say, “Donate to Gail Dudley.”   Or send funds via CashApp $MIMToday.   Thank you in advance for providing for those who are facing food insecurity.   ~ Gail   Follow Gail on Twitter and Instagram @GailDudley Subscribe to Gail's YouTube: www.YouTube.com/GailDudley Tune In Monday – Thursday for News in Motion at 7:25 AM www.Facebook.com/NewsInMotion and become a patron on Patreon at www.Patreon.com/NewsInMotion   Connect with Gail on her website at www.GailDudley.com

This week Mark is joined by child psychologist Dr. Seth Preminger. They discuss life lessons learned during the pandemic and the need to teach resiliency at work and at school. Dr. P. and Mark also dive into identifying the root of the parent and leader as a micromanager, as well as some tips to get “unstuck.” Mark shares his 3-most important words when communicating with someone and tells the harrowing story of the time he almost got eaten by a wolf. Be sure to stick around until the end for an exciting offer.

Min 5: EL FILTRO LUCHINI Angelina Jolie, Fernando Trueba, Javier Cámara y una de las grandes películas europeas de año lideran la cartelera llamada a cruzar el estado de alarma. Con el redactor jefe de la revista “Metrópoli”, Alberto Luchini, analizamos la calidad, la información o la desinformación de estrenos como “Aquellos que desean mi muerte”, “El olvido que seremos”, “Quo Vadis, Aida?” o “Boda sin fin”. Min 28: SEASON ONE: “Inocente” arrasa en Netflix “Inocente”, la miniserie de Oriol Paulo que adapta el best seller de Harlan Coben se ha convertido en el fenómeno seriéfilo de la semana. Mario Casas, Aura Garrido, José Coronado o Alexandra Jiménez encarnan a los personajes que componen una turbia y compleja trama poliédrica que parte del homicidio involuntario que marca la vida del joven Mat, al que encarna Casas. Ponderamos la serie del momento con la periodista Raquel Hernández. La crítico de la web “Hobby Consolas” está empapada en la novela convertida en miniserie y nos da opinión y calificación para “El Inocente”. Min 50: ESPECIAL BSO EL MEJOR CINE NEGRO Y atención a la guinda musical del pastel, porque nuestro experto Ángel Luque viene de tiros largos para sacar brillo a un especial al que teníamos muchas ganas. El mejor cine negro de todos los tiempos ocupa el diván de las bandas sonoras para rendir homenaje a un género que concitó como pocos a grandes talentos delante y detrás de la cámara y a algunos de los mejores compositores de la historia del cine. Tras títulos como “El Halcón Maltés”, “Perdición”, “La Jungla de Asfalto”, “El hombre del Brazo de Oro” o “Chinatown” se aglutinan apellidos como Huston, Wilder, Preminger, Welles, Polanski, Deutsch, Bernstein, Mancini o Goldsmith. Un delicioso repaso a la evolución musical y atmosférica del Cine Negro para celebrar que dejamos atrás por fin el estado de alarma. Feliz escucha.

In this episode of So Dramatic, my guest is educator and performer Jen Hynes. Jen and I talk about burlesque star Gypsy Rose Lee. We delve into the world's worst stage mom, our love of show tunes, and why you don't dump the whole roast on the platter. Remember to rate, subscribe, and review on iTunes and Spotify.  Find/like us on Facebook at So Dramatic page, Instagram, and our website www.thesodramaticpodcast.com. Here are some links for those who want more drama: Gypsy (1962 movie) Watch Gypsy | Prime Video (amazon.com) More Havoc by June Havoc More Havoc: Havoc, June: 9780060118112: Amazon.com: Books Gypsy: A Memoir Gypsy: A Memoir: Lee, Gypsy Rose, Preminger, Erik: 9781883319953: Amazon.com: Books The G-String Murders  by Gypsy Rose Lee The G-String Murders (Femmes Fatales): Lee, Gypsy Rose, Shteir, Rachel: 9781558615038: Amazon.com: Books  

Master thief Stan Kovacs assembles a team of professional thieves, who the police believe intend to steal the Mask of Rasputin from the museum of natural history. While they are distracted guarding it, Kovacs masterminds a string of robberies across Central City, which are foiled by the Flash, and in the process Barry learns that Kovacs is using the other criminals as a diversion so his accomplice Celia Wayne can steal the relic from the museum's curator and Barry's mentor, Ted Preminger. The Flash catches up to Kovacs and Celia before they escape with the artifact and brings them to justice, insuring that Preminger can finance the museum with the Rasputin Mask exhibit.

I'm sure you are familiar with Johnson & Johnson, but do you know their innovation strategy? On this episode we're joined by 2 Corporate Innovators within J&J Michal Preminger and Stephen Pitt to discuss their innovation strategy.

Mit seiner eigenen Produktionsfirma schafft sich Otto Preminger sehr viel Freiraum innerhalb eines Hollywoods im Umbruch, schwer angeschlagen durch das TV und die Entscheidung, dass Studios keine Kinos mehr besitzen dürfen. Während seit den 30ern und erst Recht nach McCarthy die allermeisten Filme die moralischen selbstzensorischen Regeln des Hays Code einhalten, setzt sich Preminger so radikal wie bewusst über diese hinweg: In seinem Gerichtssaal wird klar über die Details von Sex und Vergewaltigung geredet. Zudem zeigt er, wie vor Gericht das Recht zumindest gebeugt wird, um einen Fall zu gewinnen. Recht wird gesprochen, aber die Gerechtigkeit muss außen vor bleiben. Auch weil alle Figuren ambivalent bleiben, vor allem der Angeklagte und seine sexuell für die Zeit sehr offene Frau. Besonders gemein für das zeitgenössische Publikum: Jimmy Stewart spielt sein eigenes Image aus; wir sehen zu Anfang den rechtschaffenen Jimmy, den Tom Hanks seiner Zeit, bevor er uns dann klar macht, dass hinter der bewussten Fassade des gutherzigen Kleinbürgers ein kalkulierender Anwalt steckt, dem Gerechtigkeit nicht wichtig ist, gewinnen dafür umso mehr. Was heute üblicher Topos im Gerichtsdrama ist, war 1959 ein riesiger Skandal; nur wenige Jahre später musste Hollywood nachgeben: der Hays-Code verschwand Anfang der 60er aus der Praxis, 1967 wurde er auch offiziell eingemottet. Wie der Film Ambivalenz nutzt, wie die Narration sich als etwas konstruiert, dem wir nie voraus sind, warum es wichtig ist, dass der Film on location gedreht wurde und warum Schauspielstile und die Darsteller selbst zentral für den Wirkungseffekt sind – das alles hat uns so beschäftigt, dass wir zum Thema Inszenierungsoptionen ausnahmsweise einfach auf unser Mise en Scène-Special verweisen.

While this episode is an excerpt from my final radio show on WWUH, the podcast will continue on its weekly schedule. Ahmad Jamal shows his love of music, Joe Farrell and Gary Burton rocks out, and Stevie W provides the outro with love. Artists with CT based roots; Byrd, Preminger, Zuraitis represented here too. PlaylistArtist ~ Track ~ Album Ahmad Jamal Trio ~ I Love Music ~ The AwakeningJoe Farrell ~ Great Gorge ~ Moon GermsAntonio S, Antonio Sanchez, Gary Burton, Pat Metheny & Steve Swallow ~ Question and Answer (Live) ~ Gary Burton, Pat Metheny, Steve Swallow & Antonio Sanchez: Quartet Live!Warren Byrd ~ What Is This Thing Called Love ~ Truth Raised TwiceNoah Preminger ~ Before The Rain ~ Before The RainNicole Zuraitis ~ What a Wonderful World ~ All Wandering HeartsStevie Wonder ~ As ~ Songs in the Key of Life

Snaps to Barbie movies! This may in fact be the best Barbie movie of all time. Join us as we embark on a feminist discussion of Barbie movies as a whole, plan a stage musical, and Gelsey advocates for both adultery and child marriage. Featuring first world problems, bizarre dog stereotypes, and the true protagonist - Preminger. How can you refuse (Reprise)? --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/girls-like-you/support

Romeo Preminger shares his hot new erotic thriller, The Manny, that hits stores this week! We also dive into his self-publishing adventure and share some laughs along the way.

Please Comment, Rate, and Share our episodes and tell us what you like and what you want to hear more of!---Be sure to check us out onOur website: thisisbecket.comFacebook Twitter: @oldsoulpodInstagram: @oldsoulmoviepodcast

Please Comment, Rate, and Share our episodes and tell us what you like and what you want to hear more of!---Be sure to check us out onOur website: thisisbecket.comFacebookTwitter: @oldsoulpodInstagram: @oldsoulmoviepodcast

This podcast episode is all blues. We run the gamut of styles beginning with an R&B drenched Ray Charles, rockin' Hendrix, classic Ellington, N'awlins Marsalis, modern Preminger, free Coleman and ending with a Miles classic performed by Chick. PlaylistArtist ~ Track ~ AlbumRay Charles ~ I've Got News for You ~ Genius + Soul = JazzThe Jimi Hendrix Experience ~ Voodoo Chile ~ Electric LadylandDuke Ellington ~ Jeep's Blues ~ Ellington At Newport 1956Jazz at Lincoln Center Orchestra with Wynton Marsalis ~ The Sanctified Blues (From Congo Square) ~ Live in CubaNoah Preminger ~ Hard Times Killin' Floor Blues ~ Dark Was The Night, Cold Was The GroundOrnette Coleman ~ Broad Way Blues ~ New York Is NowChick Corea, Christian McBride & Brian Blade ~ All Blues ~ Trilogy 2

Since this is Fathers Day, we have to begin with Song For My Father, this time a funky version from Victor Wooten. From there we pay tribute to the Black Live Matters movement and the struggle for racial justice and equality. Avery Sharpe interprets the history of the movement in his album 400. Blanchard, Louis and Croker do their tributes to the cry of "I Can't Breathe" with their original compositions. Glasper and Preminger provide more  tributes to the cause. PlaylistArtist ~ Track ~ AlbumVictor Wooten ~ Song For My Father ~ PalmysteryAvery Sharpe ~ Arrival ~ 400Avery Sharpe ~ Is There A Way Home ~ 400Terence Blanchard ~ Breathless ~ BreathlessGodwin Louis ~ I Can't Breathe ~ GlobalTheo Croker ~ We Can't Breathe ~ Escape VelocityRobert Glasper ~ Enoch's (Inaugural) Meditation ~ WBGO Studio SessionsNoah Preminger ~ Change is Gonna Come ~ Meditations on FreedomJoshua Redman ~ Father ~ 'Round AgainJazzmia Horn ~ East of the Sun ~ Social Call

The time is now. The podcast is here. Princess and the Pauper (Barbie Edition) is ready to blow your mind. The cinematography! The prestige! Preminger!Let's be honest. You already know what's going on here. Barbie is in her first ever musical- and guess what? It slaps.Follow us on twitter @barbieslaps !!

Welcome to Reel Britannia-a very British podcast about very British movies ...with just a hint of professionalism. Episode 062 – Bunny Lake Is Missing (1965) Scott and Steven are back in the Balaban Sound Studio for this week’s review…a mystery / thriller starring Laurence Olivier, Carol Lynley and Keir Dullea. Also featuring Noel Coward, Martita Hunt and Anna Massey…Bunny Lake is missing…or is she? Ann Lake has recently settled in England with her daughter, Bunny. When she goes to retrieve her daughter after the girl's first day at school, no one has any record of Bunny having been registered. When even the police can find no trace that the girl ever existed, they wonder if the child was only a fantasy of Ann's. When Ann's brother backs up the police's suspicions, she appears to be a mentally-disturbed individual. Are they right? “I have some more African heads in my apartment. Small, pickled ones. Do drop in anytime you care to meet some unsuccessful politicians.” You can find this and all of our previous episodes at: Apple Podcasts Libsyn Player FM Podtail Owltail ListenNotes Follow us on Twitter @rbritanniapod Join us over at our Facebook Group ….we’d love to chat with you email: reelbritannia@gmail.com Thanks for listening Scott and Steven

As much as many will espouse the "universal language" of cinema, the experience of both making and watching films from location to location is full of fascinating difference. As someone who grew up watching films in both America and Colombia, Daniel Steinhart became attuned to look for these differences as he traveled film festivals as well. But his book, Runaway Hollywood, moves from the audience to the filmmakers who escaped the studio lot and made works across the globe in the postwar era. Peter and Dan discuss this fascinating taxonomy of taxes and tea, gaffers and genre, politics and panning shots. How exactly could this cultural exchange create a change in film style? Finally, they dive into an oddball thriller from Otto Preminger shot in London, Bunny Lake Is Missing, examining how this film balances both its unique locale and the demands of its auteur. 0:00–3:28 Opening5:11–12:52 Establishing Shots — Gilberto Perez's The Eloquent Screen13:37–1:07:22 Deep Focus — Daniel Steinhart1:08:06–1:11:33 Sponsorship Section1:12:52–1:33:02 Double Exposure — Bunny Lake Is Missing (Otto Preminger)1:33:07–1:35:50 Close  

Saxophonist Noah Preminger's new album is Zigsaw: Music Of Steve Lampert. In this interview, Preminger talks about the fascinating creative and recording processes that resulted in this new record; the many albums he's released in recent years; his future touring and recording plans; and more. You'll find a previous interview with Noah here, and one with composer Steve Lampert here. I've been recording conversations with jazz musicians since 2007. I think it's important work that deserves public support. I'd also like to be able to do it for my living. If you agree that The Jazz Session is worth supporting, become a member today at thejazzsession.com/join. For $5 a month you'll get a monthly bonus episode, early access to every show, and a yearly gift. For $10 a month you get all that plus an extra bonus show exploring a classic jazz album.

Saxophonist Noah Preminger's new album is Zigsaw: Music Of Steve Lampert. In this interview, Preminger talks about the fascinating creative and recording processes that resulted in this new record; the many albums he's released in recent years; his future touring and recording plans; and more. You'll find a previous interview with Noah here, and one with composer Steve Lampert here. I've been recording conversations with jazz musicians since 2007. I think it's important work that deserves public support. I'd also like to be able to do it for my living. If you agree that The Jazz Session is worth supporting, become a member today at thejazzsession.com/join. For $5 a month you'll get a monthly bonus episode, early access to every show, and a yearly gift. For $10 a month you get all that plus an extra bonus show exploring a classic jazz album.

Saxophonist Noah Preminger‘s new album is Zigsaw: Music Of Steve Lampert. In this interview, Preminger talks about the fascinating creative and recording processes that resulted in this new record; the many albums he’s released in recent years; his future touring and recording plans; and more. You’ll find a previous interview with Noah here, and one … Continue reading "The Jazz Session #488: Noah Preminger"

Sean bienvenidos a la emisión número 147 en donde Raúl Fuentes hablará con so nosotros y nos dará su opinión sobre la nueva película “Locos al volante”, una cinta que da mucho de que hablar, no se lo pierdan. Miguel Cane habla sobre uno de nuestros directores favoritos Otto Preminger, director estadounidense que fue uno de los primeros directores que quebrantaron la censura en las pantallas, tenemos bastante información interesante para ustedes entérense y escúchenos, solo en Dixo.

Arnie Preminger once wrote a Star Trek story that takes place during The Original Series. Arnie and Matt discuss his story, love of Star Trek, and the franchise overall.

In this episode, we discuss Otto Preminger's courtroom drama, Anatomy of a Murder (1959), starring James Stewart, Lee Remick, and George C. Scott.  Join us as we examine the combination of objectivity and ambiguity that makes Preminger's film so gripping.

Puntata numero 15. Paternò Raddusa e Spoladori omaggiano Otto Preminger insieme allo storico del cinema Attilio Palmieri e commentano il bellissimo "Roma" di Alfonso Cuaron insieme al critico cinematografico Andrea Chimento.

Ot Hazoy, le magazine de la culture yiddish préparé et proposé par Lise Amiel Gutmann qui reçoit Erez Levy, spécialiste et enseignant du yiddish qui vient nous présenter une nouvelle actualité musicale et Elie Preminger, organisateur du festival yiddish d’Israel

Cette semaine, Antoine Sire et Antoine Jullien reviennent sur les ressorties en DVD/Blue Ray de trois grand classiques du 7ème art. Il s'agira tout d'abord du coffret Rainer Werner Fassbinder par Carlotta proposant les plus grands chefs-d'oeuvre du réalisateur allemand. Nous irons ensuite du côté de Wildside et la ressortie de "Mark Dixon, détective privé" d'Otto Preminger. Une oeuvre aussi bien passionnante par son scénario que violente par ses images. Toujours sur le thème de la violenc au cinéma, nous finirons par la ressortie du "Je dois tuer" de Lewis Allen où l'on peut notamment voir la performance de Frank Sinatra cherchant à assassiner le président des Etats Unis. En bref, voilà trois raisons de plus d'agrandir votre bibliothèque ! Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

Comedian Michael Preminger joins Mark to discuss his Johnny appearances, working as a NBC page, and the difficulties of doing audience warmup on Pink Lady and Jeff.

The 65th Next 100 Project ‘cast is all about obsession on a Gollum level...and Gene Tierney’s title character is THE PRECIOUS! This movie belongs to Clifton Webb though. He’s an unusually effete presence in this unusual film noir. So track down some Sparkplug Coffee, then gobble up our jibber jabber!

It's Otto Preminger's turn to be Mr. Freeze! Why does his version keep saying "wild"? What aspects of this version are better than the George Sanders version, and which are worse (aside from his demeanor on the set)? The script itself has more than its share of head-scratchers, as well as some bits of comedy (and camp) gold. And, wait... are there references in this arc to the 1940 film His Girl Friday? This episode, we go up against an in-office blizzard, an arm-injuring explosion, and worst of all... a little boy's "boo". PLUS: the City of Prague Philharmonic Orchestra's version of the theme, and a new iTunes review (have you written yours yet?)!

This week we take a step back in time to the 40's and the "Golden Age of Hollywood" with a filmmaker and actors who have true depth, knowledge, understanding and reverence for classic film and the art of film noir, as we welcome writer/director/editor DUSTIN KAHIA, and actors JT ALEXANDER and MOJEAN ARIA, as they talk about their new film CALL OF THE VOID and its upcoming world premiere at Newport Beach Film Festival. And talk about fun! Their ease and chemistry is infectious. A stunning psychological noir thriller presented in black & white with a visual grammar and emotional tone that harken to masters like Hitchcock, Preminger, Litvak and Lang, bodes for interesting and fun discussion among the group from both a directorial and creative standpoint, and that of performance. Plus, the boys weigh in on various aspects of the filmmaking craft in general, as well as hot topics of the day, including texting in theatres. http://behindthelensonline.net http://eliasentertainmentnetwork.com

Truffaut remarked there was cinema before Godard and cinema after Godard. The academic discipline of Film Studies could be said to have its own Godard in David Bordwell, the author of some of the most influential books in understanding the history of film style. In this sprawling conversation, David discusses his upbringing that led him to movies and his first steps in helping spearhead the neo-formalist movement of film criticism. He looks back at the formation of poetics, his role in thinking about the conventions that tell us a film story, the role of auteurism as problem-solvers, and how popular film criticism has influenced in his more recent work. They swing through conversations on art history, Jean-Luc Godard, new media, Hong Kong filmmaking, and Robin Wood. Finally, David and Peter discuss Daisy Kenyon, a 1947 Joan Crawford-Dana Andrews-Henry Fonda melodrama from Otto Preminger with so many radical choices in its delivery of narrative one might mistake it for being a subversive text, even if it's all convention. 0:00-2:40 Opening3:27-10:22 Establishing Shots - Texture and Claire Denis11:07-1:27:05 Deep Focus - David Bordwell1:28:10-1:30:37 Mubi Sponsorship1:32:20-1:52:00 Double Exposure - Daisy Kenyon (Otto Preminger)1:52:02-1:56:23 Close

Look at all the amazing comedians in this 1968 film! Surely, it must be hilarious? You’re first clue that the assumption is wrong? We’re watching it for this podcast. Adjust your listening EQ settings on your audio device from pop to Carol Channing and have a listen to the episode. No streaming of this steaming pile. Watch this film (at your own risk), on Amazon. The cast: Groucho Marx Carol Channing Jackie Gleason Frankie Avalon (who isn’t Frankie Valli) Cesar Romero Slim Pickens Mickey Rooney Burgess Meredith Peter Lawford Richard Kiel (Jaws from the Bond films) Richard Donner (Exidor from Mork & Mindy) And on with the show! Dan & Chris heard of this film’s awful reputation on Gilbert Gottfried’s Amazing Colossal Podcast! Otto Preminger directed this comedy. He sounds like an interesting character. He desperately needs an editor. Reviewer Vincent Canby of the Times wrote a devastating critique. Guess who was on set? Roger Ebert, who shares another look at the Otto & his process. It’s the sixties, so Gleason can’t get away with beating his wife anymore so he pistol whips a hippie. The movie of Batman villains. (Preminger, Romero, Meredith, Gorshin) Carol Channing is a proto-Big Bird. Dan get’s a haircut because of the poster that goes around a corner. Everyone gets their Reagan impression on. Well… Gleason sneaks onto Alcatraz & Dan suggests you visit the park yourself. Austin Pendleton is really great in this film. You may remember him from My Cousin Vinny. Who can do Carol Channing impressions? Ryan Stiles of course. Frank Gorshin plays The Man. No riddle, he’s just The Man at Alcatraz. Is that the apartment from Dcotor Goldfoot? God, Groucho Marx, plays bumper pool with his mistress. Groucho is also part of Gleason’s acid trip as a loose screw, get it? Paul wonders how secure Crazy Hippie Encryption is and Dan answers, “420 bit.” Old men pretending to trip on acid. The garbage song must have inspired Stomp! This movie has a theme song and you don’t want to click this because it “drills into your head.” The best part of the film is the end, because it is over, but also ALL of the credits are sung. Gary Larson, creator of The Far Side, apologizes for making an Ishtar joke. Recommendations:Land of the Lost, Brain Donors and Anchorman: The Legend of Ron Burgundy. Wake Up Ron Burgundy: The Lost Movie is a movie composed of sub-plots on the cutting room floor from the first film. Check out Dan’s site, clattertron.com for some rad web comics and thanks for listening. Rate us on iTunes! Thanks for listening. Support Film Frown on Patreon

Frank Sinatra had just won an Oscar before he signed up to star in Otto Preminger's The Man with the Golden Arm, but who knew he could really act?  In a day when films about [insert drug name here] addiction and abuse seem like a dime a dozen, Sinatra delivers a top notch performance that has aged like a fine wine after 60 years. Performances aside, Preminger delivers the goods with the film, which was arguably part of his crusade snubbing the Hollywood production code which would never permit mainstream studios to release a picture about drugs.  Indeed, the chemistry between Sinatra and Preminger, two Hollywood celebrities who everyone predicted would never bond, is part of the magic of this production. Have a comment or question for the host?  Email Sean at 1001moviespodcast@gmail.com and follow him in Twitter via @1001moviespc.

Après avoir rappelé quelques traits essentiels des procès judiciaires « à l’anglosaxonne », l’intervention s’emploiera à montrer en quoi, dans Autopsie d’un meurtre (Anatomy of a Murder, 1959), ces caractéristiques trouvent un écho dans certains procédés stylistiques, voire dans les obsessions du cinéaste de Laura (1944).

(RIGHT CLICK THE IMAGE TO SAVE THIS EPISODE TO YOUR COMPUTER) Aired November 9/10, 1966   Mr. Freeze returns to Gotham City and is looking for love in all the wrong places.  He kidnaps a beauty contestant and promises she will love him by making her as cold as he is.  Of course, he also has to deal with Batman, but he has a plan for the Caped Crusader that will tarnish his image.   Joining John to discuss this episode is Dan Greenfield, creator and author of the 13th Dimension website.   Comment on the episode here or write thebatcavepodcast@gmail.com   Dan Greenfield is the editor and co-creator of 13thDimension.com, a website devoted primarily to comics and pop culture, past and present. To him, the basic food groups are Batman, Planet of the Apes, Star Trek (the Original Series), James Bond, the Beatles and the Stones. But if he had to he'd be able to subsist on Batman alone. Channel 11 in New York was his favorite syndicated channel as a kid -- you can guess why -- followed closely by Channel 5. Channel 9 didn't really enter into it unless he was home sick and there wasn't much else on. He's married to his remarkably patient wife Wendy and his best sidekick is his son, Sam. They have two cats,Lex and Zod.   Links 13th Dimension Website Facebook page Twitter

In this episode we review Damien Chazelle's new film "Whiplash" starring Miles Teller and J.K. Simmons. Using the topic of jazz as a springboard we launch into a discuss of Otto Preminger's "Anatomy of a Murder" featuring a score by jazz master Duke Ellington.

Returning guest and friend to the show Nat Almirall joins us to talk about the great Otto Preminger. We debate the merits of his beloved noir mystery LAURA, and then praise the incredible melodrama, DAISY KENYON. We also touch upon his filmography later in the show including a couple of his classic courtroom dramas.  Before that, though, we have discussions about THAT AWKWARD MOMENT, GROUNDHOG DAY, and Patrick talks about indulging in some low-budget VHS horror films.0:00 - 15:50 - Intro  / Tribute To Philip Seymour Hoffman15:51 - 16:38 - What We Watched Song 16:39 - 59:35 - What We Watched This Week 59:36 - 1:00:44 - Director Song 1:00:45 - 2:17:02 - Freeflowing Preminger discussion2:17:03 - 2:27:42 - Denouement   For the next month, we are devoting the show to the work of Steven Spielberg with a 2-part retrospective featuring past guests Collin Souter and Erik Childress.  Please send us your top ten list by leaving us a voicemail to play on the show at 224-366-9528. If you’re a movie blogger/podcaster and would like a guest spot on the show to talk about a filmmaker whose work you admire. Thanks again for listening and be sure to check out our updated upcoming schedule in the sidebar to see which directors we’ll be talking about soon! Questions and Top Ten Lists are always welcome via email: directorsclubpodcast@gmail.com 

Welcome to Mancave Movie Review, Episode 90 where we will be talking about . This great and fantastic film stars William Holden, Peter Graves and Otto Preminger. So kick back with your favorite beverage while Steve, Mark, Jeff and Ken tell you what its like to get deloused with ice water. We hope you liked the show and many thanks to all our listeners out there for tuning in. Stick with us until next week when we will be talking about another great war movie set during the yuletide. Until then visit us on our page and give us a like and share us with your friends. We are also on so check us out there and please leave a review. Also follow us on . 

Gene Tierney was so hot that she could make a frumpy rain hat look sexyRC-2013-112: The Film Noir Series — Laura (1944)Your browser does not support this audioOtto Preminger's Laura is beloved by many a noir aficionado, and I'm out to figure out why. (Could it have something to do with Gene Tierney being nuclear hot? Hells yeah.) I have fun with the movie, lamenting the fact that the opening titles sequence wasn't created by Saul Bass and declaring that Preminger's directorial style is "slick." Listeners might begin to suspect that there isn't an actor from the 30s and 40s that I don't adore as I swoon over the verbal acuity of Clifton Webb, the implacable demeanor of Dana Andrews, and the radioactive...uh, talent of Tierney. Along the way, I analyze the bizarro story story structure, discuss Daryl F. Zanuck's alleged homophobia, and examine the lapels on Vinny Price's double-breasted suits. Due to the Rank Speculation software I have running on my brain, I also speak about how Laura may have weighed heavy on the mind of David Lynch when he made Mulholland Dr. and how Preminger's picture also has similarities to Gilda, Vertigo, and a couple other classics the posters for which are hanging in my bathroom.Show NotesThe late Roger Ebert's "Great Movies" essay on the pictureSome insight into David Raskin's scoreClifton Webb's unofficial, posthumous web presence (!) Richard Shickel's review of that Preminger biography I mentionA tumblr dedicated to sexy-ass Gene TierneyListen to the mp3, or kick it iTunes style.

De Laura (1944) à The Thirteenth Letter (1951), à travers les dix premiers films qu'Otto Preminger réalisa, et souvent produisit, pour la Twentieth Century Fox, une étude de l'arrivisme, de l'égoïsme, des figures de domination et d'exclusion dans un univers – les États-Unis d'après-guerre – où il faut sans cesse lutter pour espérer rester dans le cadre, assurer sa place devant la caméra.

De Laura (1944) à The Thirteenth Letter (1951), à travers les dix premiers films qu'Otto Preminger réalisa, et souvent produisit, pour la Twentieth Century Fox, une étude de l'arrivisme, de l'égoïsme, des figures de domination et d'exclusion dans un univers – les États-Unis d'après-guerre – où il faut sans cesse lutter pour espérer rester dans le cadre, assurer sa place devant la caméra.

Où la souveraineté de la mise en scène côtoie parfois une certaine vulgarité du propos, où l'élégance suprême n'est pas exempte de cruauté envers les personnages féminins, où le lyrisme n'exclut pas l'ironie, où un même cinéaste s'intéresse autant à la décrépitude de l'homme qu'à sa grandeur...

Où la souveraineté de la mise en scène côtoie parfois une certaine vulgarité du propos, où l'élégance suprême n'est pas exempte de cruauté envers les personnages féminins, où le lyrisme n'exclut pas l'ironie, où un même cinéaste s'intéresse autant à la décrépitude de l'homme qu'à sa grandeur...

durée : 00:50:00 - Les Grandes Traversées - par : Michel Schneider - Documentaire. Marilyn Monroe joue pour les plus grands : Fritz Lang, Hathaway, Hawks, Huston, Preminger, mais elle reste méprisée par les studios. En 1955, elle quitte Hollywood pour New York et redevient une apprentie actrice sur les bancs de l'Actors Studio.

There isn't anything comic about a pair of panties which figure in the violent death of one man and the possible incarceration of another. JURY: It's episode 8 of Prognosis Negative featuring Eric, Sean, and Christopher! Join us as delve into Otto Preminger's 1959 courtroom procedural Anatomy of a Murder. Let the banter begin! This one goes out to Sean's ex-girlfriend. WARNING: This discussion contains miscellaneous  SPOILERS pertaining to the film(s) discussed and more! If you are 100% spoilerphobic to films not yet seen, do not complain to us. This episode is mostly negative (though often that is a misnomer) and contains EXPLICIT terms, concepts, and as always expect strokes of innuendo throughout. LINKS: Links? We don't need no stinking links! DISCLAIMER: Sorry for the delay, plenty more coming down the pipeline. COMING SOON: Shaken Not Stirred #007   No, Mr. Dancer, get off the panties. You've done enough damage.   Host/Producer: EricEmail: EscoWHO ~at~ gmail ~dot~comTwitter: @Bullitt33 / @BullittWHOBlog: bullitt33tvblog.wordpress.com Co-Host: SeanTwitter: @tardistavernPodcast: tardistavern.libsyn.com Co-Host: ChristopherTwitter: @dubbayooPodcast: radiofreeskaro.com Coverart Artist:  Julian aka 'Louis Blair'Email: samwisewise ~at~ gmail ~dot~comTwitter: @JLB_ToschedeviantART: type40productions.deviantart.comThe 2am Show: twoamshow.libsyn.com Prognosis NegativeEmail: guidetothewhoverse ~at~ gmail ~dot~comWebsite: prognosisnegative.libsyn.com Twitter: @ProgNegTumblr: progneg.tumblr.com Facebook: facebook.com/ProgNeg ProgNeg Theme assembled by J.L.B. Chapman

Saxophonist Noah Preminger's new CD is Before The Rain (Palmetto, 2011). In this interview, Preminger talks about his musical upbringing; why he spend a lot of time planning the order of the songs in a performance; and the important of being respectful. Learn more at www.noahpreminger.com. Tracks used in this episode: Where or When; Quickening; Before The Rain; Abreaction; Until The Real Thing Comes Along; Jamie.

Saxophonist Noah Preminger’s new CD is Before The Rain (Palmetto, 2011). In this interview, Preminger...

Otto Preminger's 1944 "Laura" marks an important transition in film history. Visually it harks back to Hollywood's Golden Era, flooding with light elaborate sets and the glamorous stars they hold--but at crucial moments a noir vision bubbles up to artfully blemish this smooth facade. It is a classic love story--except that it hinges on forbidden fantasy and murder. It at once gives a coy nod to the parlor psychology of the "Thin Man" variety of mystery, and looks forward to the dark Hitchcockian psychological thriller. It is a Janus of a film, and it may be eternally debated whether its double vision signals an end or a beginning. This podcast is brought to you by Clute and Edwards of www.noircast.net. To leave a comment on this episode, or make a donation to the podcast, please visit "Out of the Past: Investigating Film Noir" at outofthepast.libsyn.com/ Our program is available at these podcast sites: Rate this podcast @ DigitalPodcast.com Vote for this podcast at podcastalley.com If you already have iTunes 4.9 installed on your computer, click on the link below: Out of the Past--Free iTunes Subscription

1. Einleitung Die Ureterabgangsenge ist eine in den meisten Fällen bereits kongenital angelegte, morphologische Abweichung des pyeloureteralen Übergangs, deren pathogene Bedeu-tung in jedem Alter klinisch manifest werden kann (Gillenwater 1991, Park und Bloom 1998). Es handelt sich hierbei um eine anatomische und/oder funktionelle Obstruktion. Die urodynamische Relevanz dieser Obstruktion unterliegt offensichtlich einer eigenen Entwicklung, sodass das rechtzeitige Erkennen und die Beseitigung des Abflusshinder-nisses vor dem Auftreten eines irreversiblen Funktionsverlusts der Niere von entschei-dender Bedeutung sind (Gillenwater 1991, Jacobs et al. 1979, Novic und Streem 1998). Lange Zeit war die offene Nierenbeckenplastik die Therapie der Wahl bei Ureterab-gangsengen. Der allgemeine Trend zu minimal invasiven Operationsmethoden hat in den achtziger Jahren neues Interesse für die bereits 1943 von Davis veröffentlichte Ure-terotomie geweckt (Van Cangh und Nesa 1998, Davis 1943). Dabei handelt es sich um eine komplette Inzision aller Wandschichten im Bereich des stenosierten Segmentes mit anschließender Ureterschienung. Die Entwicklung und Verbesserung der endoskopi-schen Instrumente und Operationstechniken erlauben heute einen endoskopischen, mi-nimal invasiven Zugang zum pyeloureteralen Übergang. Es wurden spezielle Endopye-lotomie-Katheter ent-wickelt, sowohl für den perkutanen Zugang bei der antegraden Pyelotomie (Perez et al. 1992, Van Cangh et al. 1994, Brannen et al. 1988, Van Cangh und Nesa 1998, Motola et al. 1993 A, Kletscher et al. 1995) als auch für den transu-rethralen Zugang bei der retrograden Endopyelotomie (Schwartz und Stoller 1999, Tawfiek et al. 1998, Faerber et al. 1997, Preminger et al. 1997, Nadler et al. 1996). Be-züglich der Langzeitergebnisse ist die Endopyelotomie derzeit der offenen Pyeloplastik noch unterlegen. Für die Patienten ist die Endopyelotomie jedoch mit einer sehr viel geringeren Morbidität und einem kürzeren Krankenhausaufenthalt verbunden (Brooks et al. 1995). Um die Erfolgsrate zu evaluieren, sollen nun Nachuntersuchungen von Patienten nach Endopyelotomien wichtige Informationen liefern.Die folgende Arbeit beinhaltet eine Fallstudie mit postoperativer Kontrolle von 33 Pati-enten, die mittels retrograder Endopyelotomie bei Ureterabgangsengen behandelt wur-den. Die Datenerhebung und Datenauswertung erfolgte teilweise retrospektiv, zum ü-ber-wiegenden Anteil jedoch prospektiv, begleitend zu Operationen und Kontroll-Untersuchungen im Klinikum München-Bogenhausen. Vor diesem Hintergrund soll letztlich die Frage beantwortet werden, ob und in welchen Fällen die retrograde Endo-pyelotomie die konventionelle Pyeloplastik in Zukunft ersetzen könnte.