Podcast appearances and mentions of enrique chagoya

In this interview with the director and founder of Lily Press and the Printmaking Legacy Project, Susan Goldman shares her passion for printmaking and documentary film making. Susan discusses her journey from discovering printmaking at Indiana University, Bloomington, to founding Lily Press and creating impactful documentaries like Midwest Matrix. She highlights her educational experiences, mentors, and the vibrant printmaking community she's built over time. Goldman also delves into her personal work, her love for screenprinting, and the balance of managing a studio while collaborating with renowned artists like Sam Gilliam. Her current projects include documentaries on Lloyd Menard and Rochelle Toner and exploring the evolution and impact of digital printmaking. Susan's reflections on the importance of documenting printmaking history and incorporating community and teaching into her work provide a comprehensive view of her dedication to the art form. Episode image: Erwin Thamm Midwest Matrix film: https://www.midwestmatrix.info/index.html Printmaking Legacy Project: https://printmakinglegacyproject.org/index.html IG: lily_press_studio IG: goldmansusan Spread from Journal of the Print World on Midwest Matrix. Rudy Pozzatti. Tracey Templeton, Wendy Calman, and Susan Goldman at Indiana University, Bloomington. John Whitesell. Circus, 1981. Three-color lithograph. 19 x 25 in. Published by Normal Editions. Susan Goldman. Squaring the Flower II, #15. Screenprint. 30 x 30 in. Printed and published by Lily Press, Rockville, MD. Installation shot of Susan Goldman's Squaring the Flower, McLean Project for the Arts, McLean, VA. Cory Oberndorfer inspects proofs of Six Frozen Treats (after Dine) at Lily Press, Rockville, MD. Elizabeth Martin Brown working on a Sam Gilliam edition at Lily Press, Rockville, MD. Renee Stout. The Secret Keeper, 2010. Etching. Plate: 7 x 5 in.; sheet: 15 x 11 in. Printed and published by Lily Press, Rockville, MD. Renee Stout working at Lily Press, Rockville, MD.  Viktor Ekpuk. Hip Sista, 2027. Screenprint. 30 x 22 in. Printed and published by Lily Press, Rockville, MD. Victor Ekpuk and Susan Goldman at Lily Press, Rockville, MD. Susan Goldman and Sam Gilliam at Lily Press, Rockville, MD. Dennis O'Neill in the shop at the Corcoran College of Art and Design, Washington, D.C. Lily Press booth at the Baltimore Fine Art Print Fair, 2023. Cory Oberndorfer. Six Frozen Treats (after Dine), 2023. Intaglio. Plate: 10 ¼ x 14 ½ in.; sheet: 21 x 15 in. Printed and published by Lily Press, Rockville, MD. Eve Stockton. Woodland Skyscape. Woodcut with watercolor. Sheet: 36 x 36 in. Printed and published by Lily Press, Rockville, MD. Eve Stockton working at Lily Press, Rockville, MD. Percy B. Martin at Lily Press, Rockville, MD. Photo: Duane Winfield. Lloyd Menard, founder of Frogman's Print Workshops. Rochelle Toner. Boost, 2009. Etching. 12 x 16. Courtesy of the Artist. Rochelle Toner and Susan Goldman filming their interview. Enrique Chagoya. Life at the Border of Language, 2023. Color lithograph. 21 ½ x 36 in. Published by Sharks Ink. Garo Antreasian. Y'es Em, 1991. Four-color lithograph. Sheet: 30 1/8 x 26 ¼ in. Published by Tamarind Institute, University of New Mexico. Leonard Lehrer. Powis, 1972. Lithograph. Sheet: 24 x 18 in. ArtworkArchive.com. Sam Gilliam (American, 1933–2022). 3 PM School Bus, 2018. Screenprint. 18 ½ x 51 ½. Published by Lily Press, Rockville, MD. Sam Gilliam (American, 1933–2022). 4 PM School Bus, 2018. Screenprint. 18 ½ x 51 ½. Printed and published by Lily Press, Rockville, MD. Sangmi Yoo. Common Ground, 2025. Aluminum etching. 20 x 15 in. Courtesy of the Artist. Keiko O'Hara at Lily Press, Rockville, MD.

Enrique Chagoya cuenta como le dio la vuelta al mundo en bicicleta junto con un amigo, los problemas a los que se enfrentaron, países donde los querían meter presos, gente que les ayudo con comida y provisiones, recorrer los 5 continentes pasando frio y calor extremo, como fue salir de méxico y toda la gente que los despidió, las lluvias que casi provocan que tuvieran un accidente. --- Support this podcast: https://podcasters.spotify.com/pod/show/gusgripodcast/support

In s3e7 of Platemark series three, Ann Shafer and Tru Ludwig sit down with Elizabeth Wyckoff, Curator of Prints and Drawings at the Saint Louis Art Museum, to talk about the exhibition Catching the Moment: Contemporary Art from the Ted L. and Maryanne Ellison Simmons Collection, which is open until September 11, 2022. The Simmons collection, recently acquired by the Saint Louis Art Museum, provided an opportunity to take a deep dive into three artists they collected in depth: Kiki Smith, Enrique Chagoya, and Tom Huck. The major through line is works that critique a broad range of social, political, and art historical concepts. Other artists in the exhibition include Jaune Quick-to-See Smith, Bruce Nauman, H.C. Westermann, Tony Fitzpatrick, and Kara Walker. Elizabeth, like so many curators of prints and drawings, is responsible for works of art on paper from the 15th century through tomorrow, even though her dissertation focused on Dutch print publisher Jan Pietersz Berendrecht, who was active in Haarlem in the 1620s. Hear about living in Amsterdam while researching Berendrecht, working with the Simmons, and what her (fictitious) retirement gift will be. Episode image of Elizabeth Wyckoff: Courtesy of the Saint Louis Art Museum. Saint Louis Art Museum Print and Drawing Room link: https://www.slam.org/research/print-study-room/  

In episode 2, Enrique Chagoya NA and Titus Kaphar NA connect on their passion for arts education outside of the traditional education system, creating politically charged work that sometimes receives violent reactions, and the materiality and varied mediums of their work.

In episode three of Are you listening?, co-curators Margaret Tedesco & Leila Weefur discuss the history of the illustrious Painting Department and its cast of characters. They discuss the department's long history reaching far and wide from the Bay Area and beyond. Featured in this episode are the voices from alumni and faculty, Pam Martin, Nina Zurier, Danielle Lawrence, Jenifer Wofford, Carlos Villa, Katherine Vetne, and Michele Foyer.  Our beautifully rendered portraits by Amanda Kirkhuff BFA'06.

Episode No. 497 features curator E. Carmen Ramos and artist Michael Menchaca. Ramos has curated "¡Printing the Revolution! The Rise and Impact of Chicano Graphics, 1965 to Now," which is at the Smithsonian American Art Museum through August 8. (SAAM re-opens on Friday, May 14 with separate, timed-entry passes required for each of its buildings.) Ramos was assisted by Claudia Zapata. Menchaca is among the artists included in the exhibition. "¡Printing the Revolution!" reveals how activist Chicano artists from the 1960s forward have engaged in printmaking practices that brought social activism to aesthetics and that helped instigate new political and cultural consciousness among people of Mexican descent in the U.S. The fantastic exhibition catalogue was published by Princeton University Press. Indiebound and Amazon offer it for $38 and up. Links, including those promised on the program: Tomás Ybarra-Frausto's papers at the Smithsonian's Archives of American Art. The exhibition's artists page. Enrique Chagoya, The Ghost of Liberty, 2004. Menchaca is also included in "Estamos Bien - La Triennial 20/21," which is on view at El Museo del Barrio in New York through September 26. It was curated by Rodrigo Moura, Susanna V. Temkin and Elia Alba. Menchaca is also presently in residence at Artpace San Antonio. Menchaca uses both print and new media to disrupt racist narratives that target Black and indigenous people by creating anti-colonial, anti-racist and anti-capitalist scenes.  He has had solo exhibitions at the Chrysler Museum of Art in Norfolk, the Lawndale Art Center in Houston, and the McNay Art Museum in San Antonio. His recent group show credits include the Cleveland Museum of Art and the Davis Museum at Wellesley College.

What do we gain from gathering? In this episode, we’re thinking about how coming together can change us. We’ll hear about a citizen-led clean-up movement in India, a Bay Area artist who forms an unlikely friendship with a church in Colorado, and a student who experiences the power of connection at a living museum on Stanford campus. Producers: Isabella Tilley, Tanvi Dutta Gupta, Regina Ta, Adesuwa Agbonile, Aparna Verma, Victoria Yuan, Patricia Wei, Hannah Scott, Jenny March Featuring stories produced by Tanvi Dutta Gupta, Regina Ta, and Adesuwa Agbonile. The stories feature the work of the Experience Sankofa Project (Venus Morris, Mizan Alkebulan-Abakah, Sizwe Andrews-Abakah), the artwork of Stanford professor Enrique Chagoya, and the grassroots-organized Ugly Indian Movement in Bangalore, India. Also featured in these stories are the voices of Frank Omowale Satterwhite, Jeanette Smith-Laws, Dereca Blackmon, and Persis Drell. “Le Songe d’Halcohii” - Sunhiilow - From There to Here “Awakenings” - Ketsa “Clouds at the Gap” - Blue Dot Sessions - Zander “Throughput” - Blue Dot Sessions - Holyoke “Louver” - Blue Dot Sessions - Holyoke “Willow Belle” - Blue Dot Sessions - Little Rock “Soothe” - Blue Dot Sessions - Bodytonic “Songe d’Automne” - Latché Swing

In Part 2 of Nick's interview with Enrique Chagoya, they do a deep dive into his art. They discuss the history of the codex book format, dating back to pre-columbian times, and why it's a relevant format for Chagoya's art. If you recall, it was a lithographic codex that was vandalized in Loveland, Colorado, and we recounted the entire incident in Part 1 of this interview. We go on to talk about appropriation and specifically artists who create art on top of other artists' work. Chagoya calls prints unique multiples, which implies they possess a similar aura like that of unique works of art. The artist shares how he maintains work-life balance, why meditation helps his daily life, and how he keeps going with a busy teaching and art career. 

Nick sits down with artist Enrique Chagoya, in Part 1 of a two-part series. Enrique Chagoya is an artist who inverts cultural appropriation in a manner he calls “Reverse Anthropology”.  With a deft wit, his paintings, drawings, prints and codices use “symbols as one would use words in a sentence,” often with hilarious and biting results. At times his art can even arouse misinterpretation, negative press, and even vandalism. Nevertheless he persists and continues to tackle subjects like sexual abuse in the Catholic Church, racism, xenophobia, and pop culture, to name a few. Present in all of his work is humor, thoughtful juxtapositions, and myriad references harkening back to other artists' work, pop icons, figures of government, and his Mexican heritage. It can be disarming to view his work, where you might be laughing and unsettled at the same time. And that is the power of his art; it is intended not to change minds but provoke conversation and dialog.Chagoya is currently Professor of Art at Stanford University. His work has been shown internationally and is represented in the collections of the San Francisco Museum of Modern Art, the LA County Museum of Art, the National Museum of American Art, the Des Moines Art Center, the Whitney, MOMA, and the Metropolitan Museum of Art.Check out his work here.Follow the Print CastSee the show notes here. 

Matt Ritchie(@rat136) comes to the house to talk to us about obsessing over his interests, why he does all of his pieces by hand, growing up with “nerd culture,” using pop culture in his art to address social issues, his “Astralnauts” show with Alex Pardee, his unexpected job as a park ranger, working on a show with his son Miles, his Bay Area twall, the influence of Enrique Chagoya, advice for younger artists and being grateful for the fans, and his surprising answer to the David Choe Money question! Please subscribe, rate and review!   Artists Mentioned: Andrew Schoultz Beautiful Losers doc Alex Pardee Greg Aranowitz Miles Ritchie Jon Wayshak Mel Ramos Enrique Chagoya

In the second installment of our Thesis Series, Jen discusses her research of Mesoamerican codices, the contemporary artist Enrique Chagoya, and the ultimate taboo -- human cannibalism *gasp*. Learn more about your ad choices. Visit podcastchoices.com/adchoices

This Educator Guide corresponds with the "Enrique Chagoya: Printmaker" video from KQED Spark.

Visit the studio of satirist and master printmaker Enrique Chagoya, as he takes on a new subject.

Visit the studio of satirist and master printmaker Enrique Chagoya, as he takes on a new subject. Original air date: March 2004.

Carmon Colanglo discusses On the Margins to provide context and commentary on selected works in the spring 2008 exhibition.