Podcasts about printmaker

Anxious artists Bea and Molly revisit an old favourite topic - Instagram. They talk about how they feel about Instagram now compared to a few years ago, what's changed and what they think the future of the platform is. Plus Bea has two HUGE bits of news for you. Send your questions and thoughts to outofinkpodcast@gmail.com | Find us on Instagram: @outofinkpod @beatheillustrator @mollylemonart | Music © Alex Baranowski

Anxious artists Bea and Molly discuss failure as an artist and as a small business owner. There's a confusing anxiety scale where they compare the annoying things people do in public. Send your questions and thoughts to outofinkpodcast@gmail.com | Find us on Instagram: @outofinkpod @beatheillustrator @mollylemonart | Music © Alex Baranowski

Mokuhanga can be a standalone medium or combined with other artistic practices, offering endless opportunities for experimentation and creative exploration. In this episode of The Unfinished Print: A Mokuhanga Podcast, I speak with printmaker Karen Kunc, who has worked with mokuhanga for many years. She integrates it into her broader printmaking practice, which includes book arts, mixed media, letterpress, Western woodblock, and more. We discuss her early encounters with mokuhanga, her travels to Japan, and her experience printing with Akira Kurosaki. Karen also shares how nature influences her work, the importance of taking creative risks, and her perspective on mokuhanga today. Plus, we talk about her own Constellation Studios and its role in her artistic journey. Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note if available. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Print publishers are given if known. Karen Kunc - website, Instagram  Aqua Alta - 26" x 72", woodcut Jocelyn Art Museum - is a fine arts museum located in Omaha, Nebraska, USA. The museum was opened in 1931. More info, here. The Agony and The Ecstasy   - is a biographical novel by the American author Irving Stone (1903-1989). It goes into detail of the life of Michelangelo Buonarroti (1475-1564). The novel was published in 1961.  Awaji Island - located in Japan's Seto Inland Sea, has a rich history dating back to ancient times. According to the Kojiki(Records of Ancient Matters), it is considered the birthplace of Japan—the first island created by the gods Izanagi and Izanami in Japanese mythology. Historically, Awaji played a vital role as a strategic hub for maritime trade and travel, connecting the Kansai region with Shikoku and Kyushu. During the Edo period, it was governed as part of the Tokushima Domain under the Hachisuka clan. Today, Awaji is renowned for its natural beauty, traditional industries such as Awaji Ningyō Jōruri (puppet theater), and its connection to mainland Japan via the Akashi Kaikyō Bridge—the world's longest suspension bridge. Kyoto Seika University - located in Kyoto, Japan, is a leading private institution specializing in art and design education. It offers undergraduate and graduate programs in fields such as painting, sculpture, graphic design, and manga. Known for its rigorous curriculum, Kyoto Seika emphasizes both practical skills and creative expression. With a strong tradition of nurturing talented artists and designers, the university fosters a dynamic environment that encourages innovation and artistic growth. Akira Kurosaki (1937-2019) - was one of the most influential woodblock print artists of the modern era. His work, while seemingly abstract, moved people with its vibrant colour and powerful composition. He was a teacher and invented the “Disc Baren,” which is a great baren to begin your mokuhanga journey with. At the 2021 Mokuhanga Conference in Nara, Japan there was a tribute exhibit of his life works. Azusa Gallery has a nice selection of his work, here. Aurora - 13" x 17" colour woodcut (1982)  ukiyo-e - is a multi colour woodblock print generally associated with the Edo Period (1603-1867) of Japan. What began in the 17th Century as prints of only a few colours, evolved into an elaborate system of production and technique into the Meiji Period (1868-1912). With the advent of photography and other forms of printmaking, ukiyo-e as we know it today, ceased production by the late 19th Century.  Utagawa Kuniteru (1808-1876) Sumo Wrestler (1861) Peter Max - is an American artist who is associated with the American Pop Art movement of the 1950's and 1960's. He used vibrant colours in his work. Max's art was seen on posters, paintings, even running shoes. More info, here.  Outer Spectrum - serigraph 8.75" x 12.5" (1978)  Mary Brodbeck - is a mokuhanga printmaker, based in Kalamazoo, Michigan. She has been producing mokuhanga for nearly 25 years. Her work refelcts nature, and the power it contains. Mary's interview with The Unfinished Print can be found, here.  GAZE - 10" x 14"  MI Lab - is a mokuhanga artists residency located in Awatabe Town, Echizen City, Fukui, Japan.  More info can be found, here.  Center For The Science of Human Endeavor - also known in Japanese as 一般社団法人産業人文学研究所  is a program to "research, study, design for a life style in the 21st Century," and is associated with MI Lab.  There is a brick and mortar gallery located in Shinbashi, Tōkyō.  McClains Woodblock Print Supply Co.  - based in Portland, Oregon, McClain's is the go-to supplier of woodblock print tools in the United States. Their website can be found here. The Unfinished Print: A Mokuhanga Podcast interview with Daniel Jasa of McClain's can be found here. nishinouchi paper - is a Japanese washi which is produced in Nishinouchi Kami no Sato, located in Hitachiomiya City, Ibaraki, Japan. More info can be found, here.  The Japanese Paper Place- is a Toronto based Japanese paper store servicing the mokuhanga and arts community in Toronto and around the world for many years. Nancy Jacobi of The JPP and her interview with The Unfinished Print: A Mokuhanga Podcast can be found,  here. Constellation Studios - is the studio of Karen Kunc located in Lincoln, Nebraska, USA. More info can be found, here.  Penland School of Craft - is a school which welcomes students from all over the world. Located in North Carolina, the school offers eight-week workshops in many different types of mediums. More info, here.  Anderson Ranch Arts Center - since the 1960s, Anderson Ranch Arts Center, located in Colorado, has been a beacon for the arts in the United States. The Ranch offers master classes, workshops, artist-in-residence programs, and more. For additional information, please click here. Virginia Center for the Creative Arts (VCCA) - founded in 1971, is located at Mt. San Angelo in Amherst, Virginia. It provides residency opportunities for artists and writers across various disciplines, offering a supportive environment for creative work. More info can be found, here.  Wayne Crothers - is an Australian mokuhanga printmaker, curator and artist who lives in Japan.  Patricia Olynyk - is a Canadian multimedia artist, photographer,  who resides in The United States. Patricia's work explores the way " social systems and institutional structures shape our understanding of our place in the world." More information can be found, here.  Oculus - digital sculpture  Ralph Kiggell (1960-2022) -  was one of the most important mokuhanga practitioners. Originally from England, Ralph lived and worked in Thailand. Ralph pushed the boundaries of mokuhanga with extremely large pieces, jigsaw carving, and by using fantastic colour. He also worked with the International Mokuhanga Conference to promote mokuhanga around the world. He will be greatly missed. Ralph's work can be found, here. His obituary in The Guardian can be found, here. His interview with The Unfinished Print: A Mokuhanga Podcast can be found, here. Park Winter Tuula Moilanen - is a Finnish mokuhanga printmaker and painter based in Finland. She lived and studied in Kyōto from 1989 to 2012, where she learned her printmaking at Kyōto Seika University and from printmaker Akira Kurosaki (1937–2019). Her work can be found here. Her interview with The Unfinished Print: A Mokuhanga Podcast can be found here. Daizuyama - 23cm x 34cm (2009)  Kari Laitinen - is a Finnish artist and printmaker based in Finland. His works explore colour and dimension. More information can be found, here. He helped write, with Tuula Moilanen, the book Woodblock Printmaking with Oil-based Inks and the Japanese Watercolour Woodcut. It was published in 1999. Dimensions VII - 48cm x 76cm (2017) Venice Printmaking Studio - is a printmaking residency located in Murano, Italy. Malaspina Printmakers - is a printmaking residency located in Vancouver, British Columbia, Canada. MNmore info, here.  Annu Vertanen - is a Finnish printmaker who has used mokuhanga in her work. Annu is currently a professor at the Academy of Fine Arts, University of the Arts Helsinki.  Aspect Guanlan I - 95cm x 65cm  © Popular Wheat Productions Opening and closing musical credit - Bruce Springsteen, Atlantic City (1982). From the album Nebraska (Columbia Records) logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :)  Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***          

Anxious artists Bea and Molly discuss how they use their artistic license; Can a mermaid have blue skin? And do you really have to paint that ugly garden chair amongst the spring flowers? There's an anxiety scale of Zoo Animals and Bea isn't happy with Molly's choices. Send your questions and thoughts to outofinkpodcast@gmail.com | Find us on Instagram: @outofinkpod @beatheillustrator @mollylemonart | Music © Alex Baranowski

What happens when disaster strikes a historic building? And how do you even begin to move an entire house to a new state? In this episode of True Tales From Old Houses, Stacy and Daniel explore the incredible efforts people make to save history—one building at a time. First, historic preservation specialist Robert Killian joins Stacy and Daniel to talk about FEMA's role in protecting historic buildings and cultural heritage when disaster strikes. He explains how FEMA helps communities rebuild, what compliance rules come into play, and why preserving family treasures is just as important as saving big historic landmarks. Plus, he shares practical tips for disaster preparedness—because you never know when Mother Nature (or an unexpected plumbing disaster) might throw you a curveball. Then, they chat with Pete Galloway, who took his passion for historic preservation to the next level by moving an entire house from Connecticut to Savannah, Georgia. He shares the wild journey of securing funding, navigating city approvals, and figuring out how to transport a whole building. Now the proud owner of Printmakers Inn, Pete also gives us a behind-the-scenes look at running a historic inn, finding the right team for restoration projects, and why saving old buildings is always worth the effort. From disaster recovery to house-moving adventures, this episode has it all! Whether you're a history buff, a preservationist, or love a good "you won't believe what happened next" story, you won't want to miss it! WE LOVE OUR SPONSORS If you love True Tales From Old Houses as much as we love making it, please consider supporting the small businesses that sponsor our show—they help keep these stories (and our old house shenanigans) alive! Sutherland Welles - Maker of exceptional polymerized tung oil finishes since 1965. To save 10% on your first order, use the coupon code truetales. The Window Course from Scott Sidler of The Craftsman Blog - Learn everything you need to know to restore your wood windows. For 10% off The Window Course, use the coupon code truetales. Repaint Studios The Repaint Tray from Repaint Studios is the first reusable silicone paint tray liner and lid. The Repaint Tray's air-tight lid keeps your paint fresh for weeks at a time. Use the coupon code truetales10 to save 10% off your order. Old House Hub from My Old House Fix - An exclusive online community that connects passionate old house owners and enthusiasts with experts and service providers. Join for expert advice, valuable resources, and a supportive community. Use the coupon code truetales for a free one-year membership. Mentioned in this Episode Learn more about the Wood Window Workshop at Silver Lake - Earlybird tickets are available on March 1st.  Window Preservation Alliance Annual Conference - March 13-18 in Astoria, Oregon Learn more about HENTF (Heritage Emergency National Task Force)  What is HENTF Prepare for Natural Disasters (FEMA)  Printmaker's Inn (website)  Printmaker's Inn (Instagram)  

Today, we have a very special episode of ReadRadio podcast. FVRL Events Specialist Deanna interviews Canadian author Beka Shane Denter. They are joined by several of the remarkable women profiled in Beka's new book, Bloom Across Canada: • Kim Taylor — Potter and Photographer (Gabriola Island BC) • Carla Tak — Painter, Parker Street Studios (Vancouver BC) • Mallory Tolcher — Visual Arts Athletic Artist (Guelph ON) • Jill Pangman — Co-founder, Conservationist and Guide, Sila Sojourns (Whitehorse YT) • Peace Akintade — African-Canadian Interdisciplinary Poet, Public Speaker, Actor and Model (Saskatoon SK) • Joyce Majiski — Painter, Printmaker and Sculptor (Whitehorse YT) • Silvia Tennant — Curve Model, Founder and Designer, Zaleska Jewelry (Vancouver BC) Bloom Across Canada is a fascinating collection of 50 interviews and portraits that celebrate diversity, innovation, creativity and entrepreneurship. The women and non-binary people featured in this book represent different backgrounds, creative journeys and walks of life. They come from every province and territory in Canada, though many have roots in other parts of the world. The one thing they all have in common is that they have followed their own path in life and have a unique story to tell. https://fvrl.bibliocommons.com/v2/record/S21C1949829

Anxious artists Bea and Molly start the New Year with a bit of a different episode where they look back at their favourite moments from the last 50 episodes. There's an anxiety scale of anxiety scales, plus Molly has some big news to share! Send your questions and thoughts to outofinkpodcast@gmail.com | Find us on Instagram: @outofinkpod @beatheillustrator @mollylemonart | Music © Alex Baranowski

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. In this week's Episode, Emily features artist Carrie Ann Plank. Originally inclined towards a medical career, Carrie Ann found her true calling in printmaking. Her work, which combines science and art, is showcased in multiple renowned collections, including the Fine Arts Museums of San Francisco and the Library of Congress. Her latest exhibition, 'Cacophony' at Jonathan Carver Moore, visualizes sound through layered prints. Carrie Ann discusses her process, inspiration from scientific data, and collaboration with scientists. About Artist Carrie Ann Plank:Carrie Ann Plank is a San Francisco based artist working in installation, printmaking, and painting. Focusing on layers of sophisticated geometry, Plank examines the space of intersecting patterns to describe new structures. The work utilizes mathematical equations to create multiple overlapping impressions that reveal additional distinct pattern formations. The resulting forms are space in between, the intercession, of concrete data.Carrie Ann's work is included in multiple collections including the Fine Art Archives of the Library of Congress, Fine Art Museums of San Francisco, Achenbach Foundation for Graphic Arts, the Guanlan Print Art Museum in China, Museum Meermanno in The Hague, Netherlands and Museo Nacional de Bellas Artes, Havana, Cuba. Residencies include Black Church Print in Dublin Ireland, KALA in Berkeley, CA, Konstnärernas Kollektiva Grafikverkstad in Malmö, Sweden, Local Language, Oakland, CA, Taller Experimental de Gráfica de La Habana in Havana, Cuba, the Íslensk Grafík in Reykjavik, Iceland, Edition/Basel in Basel, Switzerland, Mullowney Printing in San Francisco, CA, Haystack Mountain School of Craft in Deer Isle, ME, and Bullseye Glass in Emeryville, CA. Additionally, Plank has had a 20 year teaching career before devoting herself solely to her artist practice in 2018. Plank is active in the Bay Area arts community serving on boards and committees such as Root Division, California Society of Printmakers, and Art for AIDS. She is also a 2024 SECA nominee.Visit Carrie Ann's  Website:  CarrieAnnPlank.comFollow Carrie Ann on Instagram:  @CarrieAnnPlankLearn more about Carrie Ann's exhibit "Cacophony" at Jonathan Carver Moore - CLICK HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

When it comes to immersing oneself in the understanding of mokuhanga, Jacek Machowski is dedicated to constantly deepening his knowledge and practice of the art form. His exploration of mokuhanga is both inspiring and dynamic, as he continually shares, creates, and evolves his expertise and approach to this wonderful art form.   I speak with mokuhanga printmaker, educator, and mokuhanga explorer Jacek Machowski. Jacek's work is a blend of experimentation, tradition, and excitement. We discuss his journey into mokuhanga, his deep dive into its history, techniques, and philosophies, and how he has dedicated himself to uncovering the intricacies of the art form. Jacek also shares insights into his process of making and testing his own tools, continually pushing their boundaries. Additionally, we explore his own mokuhanga prints, the choices behind his artistic methods, and the workshop he leads.   I would like to thank Jacek's translator , Małgorzata Ptasiński, for her invaluable help with translation. In this episode, you'll notice that Jacek's voice is intermittent, with Gosia speaking for most of the discussion. This approach was chosen to ensure smoother listening and a better flow.   Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at andrezadorozny@gmail.com Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note if available. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Print publishers are given if known. Jacek Machowski - wesbite,  Etsy, Instagram YouTube  Sakeda - Senjafuda (2023) 1.97" x 5.90"  senjafuda - are votive slips attributed to Buddhism in Japan. This slips of paper were pasted on temples in Japan. The worshippers name was written on the senjafuda in order for people to see that they had visited said shrine. The paper senjafuda were popular in the Edo Period (1603-1868). Tokyo and Kyoto senjafuda had various differences.  ex-libris - a decorative label or stamp placed inside a book to indicate its ownership. Usually features the owner's name, initials, or a personalized design, often with artistic or symbolic elements that reflect the owner's personality, interests, or profession. MI Lab - is a mokuhanga artists residency located in Kawaguchi-ko, near Mount Fuji. More info can be found, here.  nori - is a type of paste made from starch. It is used when making mokuhanga. You can make nori from any type of material made from starch. For instance, paste can be made with tapioca,  rice, corn, even potato. You can purchase nori pretty much anywhere but making it is more environmentally friendly. Laura Boswell has a great recipe, here.  binder - refers to the substance which holds pigment particles together and adheres them to a surface, such as paper, wood, or canvas, for prints or paints. The binder transforms dry pigments into a usable medium and also makes them more durable. embossing - refers to a technique where the paper is pressed into the carved woodblocks, creating a raised or textured effect on the printed surface. This technique adds a three-dimensional quality to the print by making certain areas of the paper slightly elevated. linocut -A linocut is a relief or block print type, similar to woodblock printing. The artist carves an image into a linoleum block, printing what's left.  intaglio printing - is a printing method, also called etching, using metal plates such as zinc, and copper, creating “recessed” areas which are printed with ink on the surface of these "recesses.” More info, here. The MET has info, here.   mica - in mokuhanga, mica (kirazuri) is used to add a shimmering, reflective effect to prints. Mica powder is typically mixed with glue and applied to the surface of the print in areas where a subtle sparkle or luminous texture is desired, often to highlight details such as clothing, water, or the sky. This technique gives the print a luxurious quality and enhances the visual depth. Historically, mica was used in ukiyo-e prints to elevate the status of the work, and it continues to be used by contemporary printmakers for its unique aesthetic appeal. kirazuri -  is a technique in woodblock printing using mica to add a sheen to the print. Mokuhanga artist Marcia Guetschow has written about kirazuri on her website, here.  David Bull - is a Canadian woodblock printmaker, and educator who lives and works in Japan. His love of mokuhanga has almost singlehandedly promoted the art form around the world. His company, Mokuhankan, has a brick and mortar store in Asakusa, Tōkyō, and online, here.  Forest In Spring (2008)  Wojciech Tylbor-Kubrakiewicz - a part of the Faculty of Graphics of the Academy of Fine Arts in Warsaw. His work focuses on everyday life, travel and memory. His works are in intaglio, relief such as mokuhanga, and serigraphy.  Augenblick 70 x 100 cm (2023) linocut Tomasz Kawełczyk - is a mokuhanga artist and deputy dean at the Faculty of Fine Arts of the Academy of Fine Arts in Łódź, Poland. He is also a lecturer and organizer of workshops. Tomasz has also worked in mokuhanga as well as holding workshops accompanying the "Road to Edo," held at the National Museum in Warsaw from February 25 - May 7, 2017. His work in mokuhanga has been focused on creating prints by using local tools and materials found in Poland.  Dariusz Kaca - is a relief printmaker and professor at the Academy of Fine arts  in Łódź, Poland. He works in linocut and mokuhanga.  Nocturn I - 40cm x 40cm, linocut Marta Bożyk - lecturer and researcher at the Academy of Fine Arts in Krakow, Poland.   © Popular Wheat Productions opening and closing credit -Ruby My Dear as performed by Roy Hargrove, originally by Thelonius Monk. (1990) RCA  logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :)  Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***        

Anxious artists Bea and Molly return for a Out of Ink Out of the Studio Christmas special! There's an anxiety scale of Christmas TV adverts! Send your questions and thoughts to outofinkpodcast@gmail.com | Find us on Instagram: @outofinkpod @beatheillustrator @mollylemonart | Music © Alex Baranowski

Anxious artists Bea and Molly chat about how to survive the festive season as a small business. This month's anxiety scale is insects!Purchase Our Enamel Pin BadgeSend your questions and thoughts to outofinkpodcast@gmail.com | Find us on Instagram: @outofinkpod @beatheillustrator @mollylemonart | Music © Alex Baranowski

Tom and Peter are delighted to welcome back, podcast founder, Laura Boswell.  Together with Peter, Laura founded this very podcast and recorded over 100 episodes. In 2022, she and her husband, "The Talented Mr B", made the decision to move from their home in Buckinghamshire, to Scotland.In this episode, Peter and Tom catch up with Laura, find out how her work and business have developed and discuss what it has been like to effectively start again in a new area. To find out more about Laura, visit her website: https://www.lauraboswell.co.uk/This Podcast is sponsored by Rosemary & Co Brushes,  Search Press publishers and Jackson's Art Supplies.For more information about our sponsors, please visit:Rosemary & Co Brushes: www.rosemaryandco.comSearch Press publishers: www.searchpress.comJackson's Art supplies: www.jacksonsart.com

Mokuhanga can be approached in many ways. For some, a hands-on approach is the most appealing, as it places full responsibility on the artist to carefully craft each step—designing, carving by hand, and printing—to achieve the best possible result. However, other mokuhanga artists take a more experimental route, where the possibilities are limitless, and innovation leads to unique outcomes. On this episode of The Unfinished Print, I speak with printmaker Mike Lyon, who has been creating mokuhanga for nearly 30 years. We delve into his philosophy on mokuhanga, his innovative use of a CNC machine in printmaking, and his inventive spirit. We also explore his own mokuhanga prints and the Lyon Collection of Japanese woodblock prints.  This interview was conducted while Mike was at the Mokuhanga Project Space in Walla Walla, Washington, and he reflects on his real time experiences during the interview. One other note; there is reference to an accident Mike had as a young man regarding his fingers. Listeners be warned.   Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note if available. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Print publishers are given if known. Mike Lyon - website Shotokan Karate - is a traditional Japanese martial art that emphasizes powerful, linear movements, strong stances, and precise techniques. Developed by Gichin Funakoshi (1868-1957) in the early 20th century, Shotokan blends self-defense, physical fitness, and mental discipline. It is characterized by its deep stances, focus on kata (pre-arranged forms), kihon (basic techniques), and kumite (sparring). Practitioners strive for mastery of body and mind, aiming to improve both physical strength and inner calm through rigorous practice. Shotokan is one of the most widely practiced karate styles worldwide. Zen Buddhism - is a school of Mahāyāna Buddhism that emphasizes direct experience, meditation (zazen), and mindfulness as paths to enlightenment. Originating in China as Chan Buddhism and later flourishing in Japan, Zen focuses on achieving insight into the nature of existence through meditation rather than reliance on scriptures or ritual. Central to Zen practice is the concept of "no-mind" (mushin), which seeks to quiet the mind and transcend dualistic thinking. Through sitting meditation, koans (paradoxical questions), and the guidance of a teacher, Zen practitioners aim to awaken to their true nature and the interconnectedness of all things. Hiroki Morinoue - is a mokuhanga printmaker and artist living in Holualoa, Big Island, Hawai'i. He is a co-founding member of the Holualoa Foundation For Arts & Culture, the establishment of the Donkey Mill Art Center and Studio 7 Fine Arts. Hiroki's interview with The Unfinished Print can be found, here.  Kitchen Fosit (2012)  Gotō Hidehiko (b.1953) - is a mokuhanga printmaker and tool maker based in Japan. He makes and teaches seminars about the construction of the mokuhanga tool, the baren.  From The Window (2017) 15" x 12" Anderson Ranch Arts Center - since the 1960s, Anderson Ranch Arts Center, located in Colorado, has been a beacon for the arts in the United States. The Ranch offers master classes, workshops, artist-in-residence programs, and more. For additional information, please click here. registration - there are several registration methods in mokuhanga. The traditional method is called the kentō registration, where you carve two notches, straight another an "L." There is also a "floating kentō," which is where the notches are cut in a piece of "L" shaped wood and not on the wood where you are cutting your image, hence "floating." Lastly, there are removable "pins," such as ones made by Ternes Burton.  The Fisherman and His Wife (1996) 15" x 10" International Mokuhanga Conference - is a bi-yearly conference dedicated to mokuhanga which started in 2011 by the International Mokuhanga Association. Each conference is themed. The latest conference was in 2021, delayed a year because of the pandemic. More information can be found, here. Prussian Blue - is a dark blue pigment, which has been used by painters, and mokuhanga printmakers. The pigment has been used in Europe since the 18th Century, and in Japan since around 1820, having been imported by Europeans into Japan. More information about Prussian Blue can be found in my interview with Professor Henry Smith, here.  reduction printmaking - is a process in printmaking where the printmaker cuts away on a piece of wood, or linoleum. After every carving, the printmaker makes an impression with pigments, beginning with lighter colours, gradually using darker colours. William H. Mays has a fine description of reduction on his website, here.  CNC Machine - A CNC (Computer Numerical Control) router is a machine used to cut, carve, or engrave materials like wood, plastic, metal, and foam with high precision, guided by a computer program. The router is controlled by pre-programmed software that dictates the movement of the cutting tool along multiple axes (typically three to five), allowing for complex shapes and designs to be created with great accuracy. CNC routers are commonly used in manufacturing, woodworking, sign-making, and prototyping because they can produce detailed and repetitive cuts that would be difficult to achieve by hand. Friends of Baren Forum - is a Facebook group dedicated to those interested in mokuhanga and woodblock printing in general. it can be found, here.  David Bull - is a Canadian woodblock printmaker, and educator who lives and works in Japan. His love of mokuhanga has almost singlehandedly promoted the art form around the world. His company, Mokuhankan, has a brick and mortar store in Asakusa, Tōkyō, and online, here.  River In Spring (2009)  shihan - is a title in Japanese martial arts, often translated as "master instructor." It is an honorific title given to highly skilled and experienced practitioners who have demonstrated knowledge, expertise, and commitment to a particular martial art over many years. A shihan is not only a technical expert but also a role model and leader, responsible for preserving and passing on the traditions and philosophies of the martial art to future generations. The title is typically granted in arts such as karate, aikido, judo, and kendo, and it is often reserved for senior instructors with a rank of 5th dan or higher. aizuri-e - (藍摺絵) are woodblock prints made entirely with shades of blue. This style gained popularity during the Edo Period.  yakusha-e - (役者絵) is the Japanese term for actor prints in mokuhanga.  bijin-ga - (美人画) is the Japanese term for beautiful women in mokuhanga.  Ezoshi - is a mokuhanga focused art gallery and store located in Kyoto, Japan. It was established in 1978. More info, here.  Tōshūsai Sharaku (dates unknown) - was a Japanese ukiyo-e printmaker active during the late Edo period, primarily from 1794 to 1795. He is known for his portraits of kabuki actors, capturing their dramatic expressions and movements with remarkable realism and emotional depth. Sharaku emphasized individuality and personality in his subjects, using bold colors and strong contrasts to create a distinct style. Despite his brief career, lasting only about ten months, his innovative approach had a lasting impact on the ukiyo-e tradition, making him one of the most significant printmakers of the Edo period. The true identity of Sharaku and the reasons for his sudden disappearance from the art scene are still unknown. Otani Oniji III as Edobei (1794) 14 15/16" × 9 7/8" ōkubi-e (大首絵) -  are woodblock prints of close-up human heads, which came into prominence in the late 19th Century. For me, the best mokuhanga designer of okubi-e is Toyohara Kunichika (1835-1900). His okubi-e of kabuki actors is unparalleled, showing the actors in various positions with intricate backgrounds and poses. Kamigata - is a region of Japan which refers to the area encompassing the cities of Kyoto and Osaka, located in the Kansai region. During the Edo period (1603–1868), Kamigata became a significant cultural and artistic center, known for its contributions to theater, literature, and the arts, particularly ukiyo-e  mokuhanga. The term "Kamigata," meaning "upper region," reflects its geographical position relative to Edo (modern Tōkyō), which was considered the "lower region."  Photoshop - is a powerful graphics editing software developed by Adobe Systems, widely used for image manipulation, photo editing, and digital art creation. It offers a variety of tools and features for tasks such as retouching images, creating graphics, applying effects, and designing layouts, making it an essential tool for photographers, graphic designers, and artists. Benjamin Selby - is an artist who works in mokuhanga, as well as serigraphy and installations. More information about Benjamin's work can be found, here. His interview with The Unfinished Print can be found, here.  Crushed (2024) Fudezaishiki - Hand Colored With Brush Mokuhanga 9" x 12" Mokuhanga Project Space - is a mokuhanga residency located in Walla Walla, Washington, USA. It was established in 2016 and is led by printmaker Keiko Hara. More info can be found, here.  coding - also known as programming, is the process of writing instructions for computers using programming languages. These instructions, or code, enable computers to perform specific tasks, solve problems, or automate processes. Coding involves creating algorithms, which are step-by-step procedures for carrying out a task, and translating these algorithms into a language that a computer can understand, such as Python, Java, C++, or JavaScript. Coding is essential in developing software applications, websites, and systems that power various technologies in everyday life, from mobile apps to complex databases and artificial intelligence systems. HP-25 - is a scientific calculator introduced by Hewlett-Packard in 1975. It is notable for being one of the first pocket-sized programmable calculators, featuring a unique Reverse Polish Notation (RPN) input system, which allows users to enter calculations in a more efficient manner than traditional algebraic notation. The HP-25 is equipped with a 49-step program memory, enabling users to create and store complex calculations. It has a 2-line display for showing both the program and the results, and it can perform a variety of functions, including trigonometric, logarithmic, and statistical calculations. The HP-25 is recognized for its durability, design, and the pioneering role it played in the evolution of personal computing and calculators. subroutine - also known as a function, method, or procedure, is a set of instructions designed to perform a specific task within a larger program. Subroutines allow programmers to break down complex problems into smaller, manageable pieces, promoting code reusability and organization. When a subroutine is called, the program temporarily transfers control to that subroutine, executes its instructions, and then returns control to the main program or calling code, often providing a result or output. This modular approach makes it easier to debug, maintain, and understand code, as well as to share functionality across different parts of a program or between different programs. Echizen - is a region in Fukui Prefecture, Japan, known for its long history of papermaking. The area is home to many paper artisans. One notable figure is Iwano Ichibei. He is a Living National Treasure in papermaking and the ninth generation of his family still making paper today. More information can be found here.in English, and here in Japanese.  baren - is a mokuhanga tool that typically consists of a round, flat disk with a bamboo base, covered with a layer of cord or cloth, often wrapped in a spiral pattern made from various materials such as cotton or hemp. Additionally, there are baren made from ball bearings and other materials, including plastic and metal. Linda in Black (2019) 41" x 29.5" - for more information on how this print was made you can find that on Mike Lyon's website, here.  rectangular spirals -  are a pattern which Mike Lyon uses a lot in his mokuhanga. Here is a posting on Mike's website in which Mike discusses his ideas on these spirals and how he uses them through coding. It can be found, here.  Guerra & Paint Pigment Corp. - is a brick and mortar store located in Brooklyn, New York that sells artists pigments. More info, here.  CMYK colour model - stands for Cyan, Magenta, Yellow and Key which are the colours used in the printing process of whichever work you are making. More info, here.  rasters - or raster graphics, are a type of digital image composed of a grid of individual pixels, each containing colour information. This pixel-based format is commonly used in digital photography, web graphics, and image editing, with resolution defined by the number of pixels in each dimension (width x height) and measured in dots per inch (DPI) or pixels per inch (PPI). While raster images can capture detailed and complex visuals, such as photographs, they can lose quality and become pixelated when enlarged, as the individual pixels become more visible. Common raster file formats include JPEG, PNG, GIF, and BMP. Unlike vector graphics, which use mathematical equations to represent images and can be scaled infinitely without loss of quality, rasters are less suitable for images requiring resizing or scaling. Shotbot code - typically refers to programming or scripting used to automate tasks in photography, particularly in photo booths or photography studios. It may involve controlling camera settings, managing image capture, and organizing files, allowing photographers to streamline their workflows and enhance productivity. Often associated with the ShotBot app, this code enables remote triggering of cameras, capturing images at set intervals, and integrating with other software for efficient image management. By utilizing Shotbot code, photographers can achieve consistent results and improve the overall efficiency of their photography projects. Madz - Portrait of the artist Madeline Cass. 31"x32" for more information regarding the process of how this print was made can be found on Mike Lyon's website, here.  Post Digital Printmaking - is printmaking using Computer Numeric Control (CNC) devices, including laser cutters and CNC routers, that are used for matrix production in lithography, intaglio, and relief printing. closed-loop controller -is a type of control system that continuously monitors and adjusts its output based on feedback from the system it is controlling. In this system, the controller receives information about the current state or output and compares it to a desired setpoint or target value. This feedback allows the controller to make real-time adjustments to the input or control signal to minimize the difference between the actual output and the desired output, enhancing accuracy and stability. Closed-loop controllers are commonly used in applications such as industrial automation, robotics, temperature control, and motor speed regulation, and they are contrasted with open-loop controllers, which do not utilize feedback and rely solely on predefined input commands. The feedback mechanism in closed-loop systems improves performance, allowing for better handling of disturbances and changes in system dynamics. MDF - or Medium-Density Fiberboard, is an engineered wood product made from wood fibres, wax, and resin that are compressed under high pressure and temperature. It is known for its smooth surface, uniform density, and versatility, making it a popular choice for furniture, cabinetry, moldings, and decorative applications. MDF can be easily cut, shaped, and painted, allowing for intricate designs and finishes. Unlike solid wood, MDF does not have knots or grain patterns, providing a consistent appearance. It is often used as a cost-effective alternative to solid wood and plywood, although it can be more susceptible to moisture damage and may require sealing for certain applications. Foundry Vineyards - based in Walla Walla, Washington is a vineyard and art space. It has been hosting artists from all types of media such as painting and printmaking since 2010. It has exhibited The Mokuhanga Project Space, printmaker Mike Lyon,  and the International Mokuhanga Print Exhibit. More info about this space and the good it does for the art community at large can be found, here.  The Wichita Art Museum - located in Wichita, Kansas, is the largest art museum in the state. Established in 1935, it features a diverse collection of American art, with a particular focus on works from the 19th and 20th centuries. The museum's permanent collection includes paintings, sculptures, and decorative arts, highlighting notable artists such as Georgia O'Keeffe, Edward Hopper, and John Steuart Curry. In addition to its collections, the museum offers rotating exhibitions, educational programs, and community events that engage the public and promote an appreciation for the visual arts. The museum's architecture, designed by the renowned architect Edward Durrell Stone. More info can be found, here.  The International Block Print Renaissance: Then & Now - was a woodblock exhibition held at the Wichita Art Museum from February 26 - August 7, 2022. It was an exhibition which exhibited prints from around the world as well as printmakers from Wichita, Kansas, USA. It described various print making techniques from Japan, Western and Eastern Europe, as well as the United States.  Secret Garden [Clover] (2017) 36" x 36", a video on how Mike Lyon printed this particular print can be found on YouTube, here.   © Popular Wheat Productions opening and closing credit -There Is No Greater Love by Chet Baker (1928-1988) from the album City Lights (2024) UMG Records.  logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :)  Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***    

Anxious artists Bea and Molly ask the question; Is growth always the goal? WThey discuss what really is growth and success, and at what point is your goal maintaining a business rather than growing it? This month's anxiety scale is very meaty...Purchase Our Enamel Pin BadgeSend your questions and thoughts to outofinkpodcast@gmail.com | Find us on Instagram: @outofinkpod @beatheillustrator @mollylemonart | Music © Alex Baranowski

As the small business Christmas prep ramps up anxious artists Bea and Molly discuss managing your workload. And this month's anxiety scale is all about mythical creatures...Purchase Our Enamel Pin BadgeThis episode is sponsored by Lightning Laser enter code 'OUTOFINK15' to get 15% off your next order. Code valid until 1st October 2024.Send your questions and thoughts to outofinkpodcast@gmail.com | Find us on Instagram: @outofinkpod @beatheillustrator @mollylemonart | Music © Alex Baranowski

The journey of an artist is a winding one. You make the decision to start, not knowing where it will take you. Over time, if you're fortunate, you build a career from your work while gaining the freedom to explore new forms of expression, with each project becoming an important and affirming part of that journey.   In this episode of The Unfinished Print, I speak with Mariko Jesse, a professional illustrator who has integrated mokuhanga into her artistic practice. Mariko draws inspiration from her life experiences, sharing insights on her family and travels. We discuss how living in San Francisco, Hong Kong, and Japan has shaped her outlook and creative process. Mariko also reflects on her involvement with MI Lab, now based in Echizen, Japan, as well travelling to the International Mokuhanga Conference in April 2024.  Finally, we explore Mariko's collaborations with The Mokuhanga Sisters and wood+paper+box, and how these partnerships shape her own artistic practice. Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note if available. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Print publishers are given if known.   Mariko Jesse - website, Instagram   Nagasawa Art Park (MI Lab) Awaji City - Nagasawa Art Park was an artist-in-residence program located in Awaji City, Hyōgo Prefecture, Japan. It was open for 12 years before evolving into MI Lab in 2012. More info, here.    Yoonmi Nam - is a contemporary mokuhanga printmaker, lithographer, sculptor, and teacher, based in Lawrence, Kansas. Her work can be found, here. Her interview with The Unfinished Print can be found, here.   From Yoonmi Nam's exhibition Among Other Things, as seen at The University at Buffalo Art Gallery, Buffalo, NY (2024) photo by me.    Katie Baldwin -  is a contemporary mokuhanga printmaker, illustrator, book maker, and artist based in Huntsville, Alabama.  Her work can be found, here. Her interview with The Unfinished Print can be found, here.    Looking For Different Places to Call Home, from the series Family Tree (2004) 18"x14" mokuhanga and letterpress   Ralph Kiggell (1960-2022) -  was one of the most important mokuhanga practitioners. Originally from England, Ralph lived and worked in Thailand. Ralph pushed the boundaries of mokuhanga with extremely large pieces, jigsaw carving, and by using fantastic colour. He also worked with the International Mokuhanga Conference to promote mokuhanga around the world. He will be greatly missed. Ralph's work can be found, here. His obituary in The Guardian can be found, here. His interview with The Unfinished Print can be found, here.   Leaf Change   linocut -A linocut is a relief or block print type, similar to woodblock printing. The artist carves an image into a linoleum block, printing what's left.    Central Saint Martins - is a renowned art and design college in London, formed in 1989 through the merger of St Martin's School of Art and the Central School of Art and Crafts, both known for their innovative, hands-on teaching methods. It later integrated the Drama Centre London and the Byam Shaw School of Art.  Central Saint Martins continues its tradition of radical art and design education while adapting to modern shifts in its disciplines and teaching approaches.   intaglio printing - is a printing method, also called etching, using metal plates such as zinc, and copper, creating “recessed” areas which are printed with ink on the surface of these "recesses.” More info, here. The MET has info, here.     Into The Garden (mokuhanga printed book)   cat + jug (etching)       A4 paper size - is a size of paper from the ISO 216 standard, with the dimensions of 210x297 mm.    Summer Blooms (2021)     MI Lab - is a mokuhanga residency located in Echizen, Fukui, Japan. More info can be found, here.    The Mokuhanga Sisters - are a mokuhanga collective consisting of Yoonmi Nam, Mariko Jesse, Lucy May Schofield, Melissa Schulenberg, Kate MacDonagh, Katie Baldwin, Mia-O, Patty Hudak, and Natasha Norman. Instagram   Masaban - was the exhibition held at the Udatsu Paper Museum in Echizen, Fukui, Japan in April, 2024. More info can be found, here.  Udatsu Paper & Craft Museum - is a museum dedicated to washi and its history. More information can be found, here.  gomazuri - is a mokuhanga technique where slight pressure is used with pigments too make a “spotty” image, what look like sesame seeds. It can add depth to your prints.  Paul Binnie - Travels with the Master: New York Night T/P 11 3/8" by 8 1/8" Awaji Island - located in the Seto Inland Sea of Japan, has a rich history that dates back to ancient times. It is considered the birthplace of Japan in the *Kojiki* (Records of Ancient Matters), as the first island created by the gods Izanagi and Izanami in Japanese mythology. Historically, Awaji was a strategic point for maritime trade and travel, linking the Kansai region with Shikoku and Kyushu. During the Edo period, it was part of Tokushima Domain under the rule of the Hachisuka clan. Today, Awaji is known for its natural beauty, traditional industries like Awaji Ningyo Joruri (puppet theater), and as the site of the Akashi Kaikyō Bridge, the world's longest suspension bridge, connecting it to mainland Japan. 弁  - is the Chinese character for ben, "dialect." Kansai (関西地方) - is a region located on the main island of Honshu, Japan, which encompasses the Prefectures of Nara, Kyoto, Wakayama, Osaka, Hyōgo, Shiga and Mie. It has the most UNESCO world heritage sites in Japan. For tourist information about Kansai, see here.  sizing paper - at times mokuhanga printmakers will size their paper. Size is made from water, animal glue (rabbit, horse), and alum. What the size does is keep the pigments the artist uses from “bleeding” into the outer edges of the paper. There are many recipes of size, here is one that artist Walter J. Phillips used. Gotō Hidehiko - is a mokuhanga printmaker and baren maker based in Tōkyō, Japan. You can order baren from him, here.  Terry McKenna -  is a mokuhanga printmaker and teacher residing in Karuizawa, Japan. He received guidance in the art form from Richard Steiner, a prominent mokuhanga printmaker based in Kyoto. Terry established the Karuizawa Mokuhanga School, a renowned residency dedicated to mokuhanga education, located in Karuizawa, Japan.  For further details about Terry and his school, here. Additionally, you can listen to Terry's interview with The Unfinished Print, here and Richard Steiner's interview here.  The Western Sky (22.4"x9") 2022 Lucy May Schofield - is a printmaker, photographer, and scroll maker (kakemono, 掛物) and is based in England. More information cane found on Lucy's website, and  Instagram. Lucy's interview with The Unfinished Print can be found, here.  The Last Light series (cyanotype) 2016 Tiffany & Co. - is a luxury jewelry and specialty retailer founded in 1837 in New York City. Known for its iconic blue boxes and high-quality craftsmanship, Tiffany's specializes in fine jewelry, particularly diamond engagement rings, as well as silver, watches, and luxury accessories. Over the years, it has become a symbol of elegance, style, and timeless sophistication. The brand is also known for its collaborations with renowned designers and its presence in popular culture. wood+paper+box - is a collaborative art group made up of Katie Baldwin, Mariko Jesse, and Yoonmi Nam. It is based on their experiences at Nagasawa Art Park, the precursor of MI Lab.  mica - in mokuhanga, mica (kirazuri) is used to add a shimmering, reflective effect to prints. Mica powder is typically mixed with glue and applied to the surface of the print in areas where a subtle sparkle or luminous texture is desired, often to highlight details such as clothing, water, or the sky. This technique gives the print a luxurious quality and enhances the visual depth. Historically, mica was used in ukiyo-e prints to elevate the status of the work, and it continues to be used by contemporary printmakers for its unique aesthetic appeal. © Popular Wheat Productions opening and closing credit - sounds of the Sumida River 2024  logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***                      

Anxious artists Bea and Molly step outside of their studios this month to record this special episode at the National Trust's Dyrham Park. Bea and Molly sketch in the beautiful grounds while answering listener's questions. Plus there's an anxiety scale to snack on...Purchase Our Enamel Pin BadgeThis episode is sponsored by Printed.com, enter code 'INK15' to get 15% off your next order. Code valid until 28th February 2025. Send your questions and thoughts to outofinkpodcast@gmail.com | Find us on Instagram: @outofinkpod @beatheillustrator @mollylemonart | Music © Alex Baranowski

Mokuhanga becomes a part of those who open themselves to its possibilities. It draws you in as an art form, with its seeming simplicity, and guides you on a profound journey of exploration. One of the strengths of mokuhanga as a practice is its ability to harmonize with other artistic and academic endeavors, enriching one's life in many ways.   On this episode of The Unfinished Print, I speak with William Mathie, a teacher and relief printmaker based in Pennsylvania. We discuss Bill's discovery of mokuhanga in the 1980s and how his academic and artistic journey in printmaking evolved, leading him to rediscover mokuhanga later in life. Bill and I delve into his personal mokuhanga teachers, his work on the Pennsylvania Print Symposium in 2006, his printmaking philosophies, his time at the First International Mokuhanga Conference in Awaji and Kyoto, and we also explore his own mokuhanga work, materials, making tools and how he views mokuhanga through an academic lens.   William Mathie - website, Instagram   Guarding The Cheese    The golden age of mokuhanga is generally considered to be during the Edo period (1603-1898), when the art of color woodcut flourished in Japan. Although woodblock printing in Japan has its origins around 700 CE, color woodblock printing began in 1743.   Rudy Pozzati (1925-2021) - was an American Professor Emeritus, painter, and printmaker who traveled extensively through grants early in life. Later, he served as a professor at Indiana University Bloomington from 1956 to 1991. Indiana University is a public research university in Bloomington, Indiana. He worked in various styles of printmaking and studied mokuhanga in Japan in the 1980s.   Man-eating Mares of King Diomedes (2009) one colour lithograph, 24 3/4" x 33 3/4"   The Adachi Institute of Woodblock Prints - is a print studio located in Tōkyō. Established in 1994 in order to promote and preserve the colour woodblock print of Japan. More information, in English and in Japanese.    Kenji Takenaka - is a mokuhanga printmaker based in Kyoto. He is a fifth generation printmaker, who has demonstrated mokuhanga technique throughout the world. He established the Takenaka Woodblock Printing Company (Takesazado) to help teach and promote mokuhanga. More information can be found, here.    Chikurin 10.6" x 15.3"   The Japan Foundation - established in October 1972 as a government-affiliated corporation and relaunched in 2003 as an independent administrative institution under the Ministry of Foreign Affairs, promotes international cultural exchange through a variety of programs. With its global network, including offices in Japan and 22 overseas locations, the Foundation focuses on Arts and Cultural Exchange, Japanese-Language Education Overseas, and Japanese Studies and Intellectual Exchange. It is funded by a government endowment, annual subsidies, investment revenue, and private donations.   Tuula Moilanen  - is a Finnish mokuhanga printmaker and painter based in Finland. She lived and studied in Kyōto from 1989 to 2012, where she learned her printmaking at Kyōto Seika University and from printmaker Akira Kurosaki (1937–2019). Her work can be found here. Her interview with The Unfinished Print can be found here. Blooming Sky 2, (2017) 10.2" x 14.2"   Yukō Harada - is a mokuhanga printmaker based in Kyoto, and works at Kenji Takenaka's Takesazado and is considered a sixth generation printmaker. An interview with Ms. Harada can be found at amirisu, here.   Rainy Season Stripes 7" x 5"   Evan Summer -  He is a printmaker and Professor Emeritus based in Kutztown, Pennsylvania. He has an extensive CV of artist-in-residence programs and has focused his print work on etching. More information can be found on his website, and on Instagram.    Landscape With Sloped Horizon (State 1)  lithograph printed by Tim Sheelsey at Corridor Press (2003) 36" x 30"   registration - there are several registration methods in mokuhanga. The traditional method is called the kentō registration, where you carve two notches, straight another an "L." There is also a "floating kentō," which is where the notches are cut in a piece of "L" shaped wood and not on the wood where you are cutting your image, hence "floating." Lastly, there are removable "pins," such as ones made by Ternes Burton.    intaglio printing - is a printing method, also called etching, using metal plates such as zinc, and copper, creating “recessed” areas which are printed with ink on the surface of these "recesses.” More info, here. The MET has info, here.     Andy Farkas - is a mokuhanga printmaker, author, mentor, and documentarian based in Pennsylvania. Andy's interview with The Unfinished Print can be found, here.    Watching Over 16" x 10"    serigraphy - is another word for the art of silk screen printing. Silk screen printing can be in on various materials, silk, canvas, paper.    lithography: A printing process where images are transferred onto a surface using a flat plate or stone.   Edinboro University in Pennsylvania - a part of PennWest Edinboro, is a public university located in Edinboro, Pennsylvania. Established in 1857 as Edinboro Academy and has a rich history of providing higher education. Before becoming part of the Pennsylvania Western University system in 2022, Edinboro University was known for its strong programs in education, art, and nursing. The university offers a wide range of undergraduate and graduate programs, with a commitment to academic excellence and community engagement.   John Lysak - is a master printmaker and artist. He is associated, like William Mathie, with Egress Press, a fine art publishing and research component of the Printmaking Area of Edinboro University of Pennsylvania's Art Department. More information can be found here   Palix River Marshlands (2022) acrylic on board 11" x 17"   wood engraving  - is a printmaking technique where an artist carves an image with burins and engravers, into the surface of a block of wood. The block is then printed using pigments and pressed into paper. Wood engraving uses the end grain of a hardwood block, typically boxwood. This allows for much finer detail and more intricate lines. Thomas Bewick (1753–1828), and Eric Gill (1882–1940) are some popular wood engravers.    The Great Wave off Kanagawa - is a woodblock print designed by Katsushika Hokusai in 1831. It is very famous.      Miami University at Ohio - is a public research university in Oxford, Ohio.    International Mokuhanga Conference, 2011 - was the first international conference on mokuhanga, held in two locations in Japan: Kyoto and the Awaji Islands, which are located near Shikoku.   Keizo Sato -  is a second generation mokuhanga printmaker based in Kyoto. Mr. Sato created the Sato Woodblock Print Center to teach mokuhanga. It is associated with Kyoto Seika University. An interview with Mr. Sato conducted by Fine Art JPN can be found, here.    Hiroshi Fujisawa - is a master carver and has been carving mokuhanga for over fifty years. He demonstrated at the first International Mokuhanga Conference in 2011. A lovely blog post about an interaction with Hiroshi Fujisawa can be found, here on printmaker Annie Bissett's blog. Annie's interview with The Unfinished Print can be found, here.    Karen Kunc - is an American printmaker and Professor Emeritus at the University of Nebraska Lincoln and is based in Nebraska. Karen Kunc works in various artistic and printmaking styles but has worked in mokuhanga for many years. More information can be found on her website, here.    A Cluster (2023) 15" x 11"   Young Woman Blowing a Popen - is a mokuhanga print designed by Kitagawa Utamaro (?-1806). Utamaro was one of the first famous woodblock print designers in the Edo Period of Japan made famous by his bijin prints of beautiful women. The print was first printed in 1792/93. It is from the series Ten Classes of Women's Physiognomy.     Energy Policy, 2005 - George W. Bush's energy policy prioritized expanding domestic fossil fuel production, including controversial drilling in protected areas like the Arctic National Wildlife Refuge, and offered substantial subsidies to the oil and gas industry while neglecting renewable energy development. Critics argue that this approach increased greenhouse gas emissions, exacerbated climate change, and harmed public health due to higher pollution levels. Additionally, by failing to diversify energy sources and invest in sustainable alternatives, the policy left the U.S. vulnerable to energy security risks and has delayed the transition to a cleaner energy economy.   Punch Magazine - Punch magazine, founded in 1841 in London, was a British weekly publication known for its satirical humor and cartoons. Punch played a significant role in shaping British satire and social commentary during the 19th and early 20th centuries. It became famous for its witty and often biting critiques of politics, society, and culture, influencing public opinion. Despite its early success and influence, the magazine eventually declined in readership and ceased publication in 2002.   Echizen - is a region in Fukui Prefecture, Japan, known for its long history of papermaking. The area is home to many paper artisans. One notable figure is Iwano Ichibei. He is a Living National Treasure in papermaking and the ninth generation of his family still making paper today. More information can be found here.in English, and here in Japanese.    Morgan Conservatory of Papermaking - established in 2008, the Morgan Conservatory of Papermaking is a nonprofit organization based in Cleveland, Ohio, dedicated to preserving papermaking techniques from around the world. It also serves as a working studio and gallery. More information can be found here.    The Morgan Library & Museum - based New York City, originally the private library of financier J.P. Morgan, it was established in 1906 and became a public institution in 1924. It houses an extensive collection of rare books, manuscripts, drawings, and prints, including works by literary and musical greats like Charles Dickens and Mozart. The museum also hosts rotating exhibitions and serves as a cultural hub, renowned for its architectural beauty and significant contributions to literature, history, and the arts. More information can be found, here.    © Popular Wheat Productions opening and closing credit - live music at The Seabird jazz bar in Aoyama, Tōkyō, Japan. logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***        

Mokuhanga is an art form of the physical. It is the use of our hands which carve, brush, and print, ultimately creating the final product. Through the physical act of making, mokuhanga carvers and printmakers explore themselves through their work, while at the same time producing a philosophy on how they see their own mokuhanga and the mokuhanga community at large. On this episode of The Unfinished Print, I speak with printmaker Andy Farkas. Andy is an American mokuhanga printmaker, mentor, and teacher who has explored in great detail what it means to create, the philosophies and sacrifices it takes to try and understand the simple question of “why?” Why create, why make, and why pursue a passion with an unknown conclusion? I speak with Andy about his mokuhanga, his materials, and how he approaches his prints. We discuss how Andy explores mokuhanga as an intellectual pursuit through the expressions of documentary, instruction, and writing. Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note if available. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Print publishers are given if known. Andy Farkas - website, Instagram registration - there are several registration methods in mokuhanga. The traditional method is called the kentō registration, where you carve two notches, straight another an "L." There is also a "floating kentō," which is where the notches are cut in a piece of "L" shaped wood and not on the wood where you are cutting your image, hence "floating." Lastly, there are removable "pins," such as ones made by Ternes Burton.  lithography: A printing process where images are transferred onto a surface using a flat plate or stone. A video regarding lithography from The British Museum can be found, here.   Edinboro University in Pennsylvania - a part of PennWest Edinboro, is a public university located in Edinboro, Pennsylvania. Established in 1857 as Edinboro Academy and has a rich history of providing higher education. Before becoming part of the Pennsylvania Western University system in 2022, Edinboro University was known for its strong programs in education, art, and nursing. The university offers a wide range of undergraduate and graduate programs, with a commitment to academic excellence and community engagement.   William Mathie - is a printmaker and the Director of Egress Press & Research based at Edinboro University in Pennsylvania. He works in mokuhanga and intaglio printmaking.     Hear No Evil (16.5" x 12")   kentō - is the registration system used by printmakers in order to line up the colour woodblocks with your key block, or outline block, carved first.   letterpress - is a type of relief printing using a printing press. It was popular during the Industrial Revolution and the modernization of the West. By the mid-twentieth century, letterpress began to be regarded more as an art form, with artists using the medium for books, stationery, and greeting cards.   John Lysak - is a master printmaker and artist. He is associated with Egress Press, a fine art publishing and research component of the Printmaking Area of Edinboro University of Pennsylvania's Art Department. More information can be found here     Sunflowers In Bright Light - acrylic on board 14" x 18"   Tuula Moilanen  - is a Finnish mokuhanga printmaker and painter based in Finland. She lived and studied in Kyōto from 1989 to 2012, where she learned her printmaking at Kyōto Seika University and from printmaker Akira Kurosaki (1937–2019). Her work can be found here. Her interview with The Unfinished Print can be found here.     Urban Holiday (2016) 14.37" x 11.81"   wood engraving  - is a printmaking technique where an artist carves an image with burins and engravers, into the surface of a block of wood. The block is then printed using pigments and pressed into paper. Wood engraving uses the end grain of a hardwood block, typically boxwood. This allows for much finer detail and more intricate lines. Thomas Bewick (1753–1828), and Eric Gill (1882–1940) are some popular wood engravers.      Eric Gill, On The Tiles (1921)    representational art -  is a form of art that attempts to depict subjects as they appear in the real world. It includes anything that portrays objects, figures, or scenes in a recognizable manner. Representational art focuses on representing objects or scenes from reality, such as landscapes, and still lives.  figurative art - is an art form which represents form or shapes in either representational or non representational forms.  serif - is a typographic style of font with a small line or stroke regularly attached to the end of a larger stroke.  gouache: is a water-based paint known for its opaque and vibrant colours. Made from pigment, water, and gum arabic as a binder, it offers artists versatility in creating both translucent washes and opaque layers. Gouache can be reactivated with water and comes in a range of colors, making it a popular choice for various painting techniques. gum arabic - is a sap from two types of Acacia tree. In art it is used as a binder for pigments which creates viscosity (depending on how much or little is applied to your pigments) for your watercolours and oils. Rachel Levitas has a fine description on how she uses gum arabic in her work, here.  Sinopia Pigments - is a pigment company based in San Francisco and started by Alex Warren in 1995. The company sells natural powdered pigments and milk paints. More info can be found here.  Earth Pigments -  is a pigment company based in Hinesburg, Vermont. They sell natural powdered pigments and milk paints. More info can be found here.  Bound To It (11" x 16") © Popular Wheat Productions opening and closing credit - Time After Time by Joshua Constantine from the album Soul Project Vol.II (2024)  logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***                                        

Anxious artists Bea and Molly discuss what drives us to make art, what do we get from it and how it can make us feel. There's a party of an anxiety scale and a new segment at the end.Purchase Our Enamel Pin BadgeThis episode is sponsored by Pooki Presses, enter code 'outofink' to get 5% off everything on their website.Send your questions and thoughts to outofinkpodcast@gmail.com | Find us on Instagram: @outofinkpod @beatheillustrator @mollylemonart | Music © Alex Baranowski

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. This Episode, Emily chats with Los Angeles based sculptor & printmaker, Alison Saar. She was visiting the Bay Area recently working with Arion Press on their recent production of Octavia Butler's Kindred. They dive Alison's artistic journey, influences, and her recent project illustrating Octavia Butler's 'Kindred' for Arian Press. Alison reflects on her upbringing in a creatively rich environment, heavily influenced by her artist parents, Betty and Richard Saar. She discusses her techniques, particularly her affinity for woodcuts and linoleum blocks, and the importance of texture in her work. The conversation also touches on Saar's interest in African and Indigenous art, her spiritual connections, and significant influences such as Elizabeth Catlett. The episode concludes with insights into Saar's favorite creatively inspiring places in Los Angeles and her experience of continuously making art from a young age.About Artist Alison Saar:Alison credits her mother, acclaimed collagist and assemblage artist Betye Saar, with exposing her to metaphysical and spiritual traditions. Assisting her father, Richard Saar, a painter and art conservator, in his restoration shop inspired her learning and curiosity about other cultures.Saar studied studio art and art history at Scripps College in Claremont, California, receiving a BA in art history in 1978. In 1981 she earned her MFA from the Otis Art Institute in Los Angeles. In 1983, Saar became an artist-in-residence at the Studio Museum in Harlem, incorporating found objects from the city environment. Saar completed another residency in Roswell, New Mexico, in 1985, which augmented her urban style with Southwest Native American and Mexican influences.Saar's style encompasses a multitude of personal, artistic, and cultural references that reflect the plurality of her own experiences. Her sculptures, installations, and prints incorporate found objects including rough-hewn wood, old tin ceiling panels, nails, shards of pottery, glass, and urban detritus. The resulting figures and objects become powerful totems exploring issues of gender, race, heritage, and history. Saar's art is included in museums and private collections across the U.S.Visit Alison on the web by CLICKING HERE.   Follow Alison  on Instagram:  @Alison_SaarLearn more about her Kindred project with Arion Press HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

Want to take a hike with Will's Birdbrain? If the answer is yes, you are in luck! This episode was recorded live on a hike in Westbrook, Maine! Try listening to this relaxing journey when you are unwinding after a long day, try and picture the unique creatures discussed and heard, and imagine the strange plants described... If you enjoy this more "freeform" type of episode be sure to check out the WBB Patreon page! There are exclusive episodes posted there that are similar to this one! This episode Will is joined by relief printmaker Lia, AKA Portmantoad Prints. Lia's work seeks out the silliness in nature and attempts to confuse the limits between plants, animals, and people. Will and Lia discuss how humans have used art as a means of connecting to nature for thousands of years, and the value of creating art today- for money or for the love of it!  Grab a cozy hot beverage, turn down the lights, and imagine you are in a misty forest in southern Maine. You are walking with Will's Birdbrain and his curious guest as they explore the intersections between humanity, nature, and art... oh an bonus points if you can identify all the birds heard in the background by ear! You've been warned, there is a catbird in there at one point!Lia's Webpage: Portmantoad PrintsLia's Instgram: portmantoad.printsBe sure to check out the Will's Birdbrain Instagram account for complementary episode photos and videos, plus many other awesome bird photos/stories!--> Will's Birdbrain Instagram Page Will's Birdbrain Shop

Mokuhanga has the ability to take the artist or craftsperson anywhere they would like to be. From the subject matter in their studio to physical movement around the world, teaching, exploring, and discovering. Wonder and beauty is what makes mokuhanga so special.   In this episode of The Unfinished Print, I speak with printmaker Jacqueline Gribbin, who has spent years honing her craft in mokuhanga and other printmaking techniques across Japan, Southeast Asia, and Australia. We discuss her deep connection with Indigenous communities, collaborating with the late Ralph Kiggell, and exploring the nuances of water-based and oil-based mokuhanga. Jaqueline explains her experiences traveling to isolated communities, conducting workshops, and sharing her passion for printmaking. We'll explore her teaching methods, the importance of community in her work, and how she balances creating and selling her prints.   Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note if available. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Print publishers are given if known. Jacqueline Gribbin - website  Shifting Tides (2022) Nagasawa Art Park (MI Lab) Awaji City - Nagasawa Art Park was an artist-in-residence program located in Awaji City, Hyōgo Prefecture, Japan. It was open for 12 years before evolving into MI Lab in 2012. More info, here.    Keiko Kadota (1942-2017) - was the director of Nagasawa Art Park at Awaji City from 1997-2011, and then of MI Lab at Lake Kawaguchi from 2011 until her passing.   Toru Ueba - was a print instructor at Nagasawa Art Park, and was one of Yoonmi's instructors in 2004.   Ralph Kiggell (1960-2022) -  was one of the most important mokuhanga practitioners. Originally from England, Ralph lived and worked in Thailand. Ralph pushed the boundaries of mokuhanga with extremely large pieces, jigsaw carving, and by using fantastic colour. He also worked with the International Mokuhanga Conference to promote mokuhanga around the world. He will be greatly missed. Ralph's work can be found, here. His obituary in The Guardian can be found, here. His interview with The Unfinished Print can be found, here.     Orange Flower On Blue    Hiroki Satake - is a mokuhanga printmaker, and instructor based in Japan. He has taught at MI Lab, as well as given demonstrations regarding tool sharpening, around the world. Instagram   赤絵（アンドレ・マルティ「狼よ！」より) (2022) 34.7cm×28.4cm   registration - there are several registration methods in mokuhanga. The traditional method is called the kentō registration, where you carve two notches, straight another an "L." There is also a "floating kentō," which is where the notches are cut in a piece of "L" shaped wood and not on the wood where you are cutting your image, hence "floating." Lastly, there are removable "pins," such as ones made by Ternes Burton.    bokashi - is a mokuhanga technique, where the pigment fades from a heavy colour to a softer, broad colour. Made famous by prints designed by Hokusai and Hiroshige, this technique is, for me, the most popular technique utilized by  mokuhanga printmakers. There are various types: Ichimoji-bokashi or straight line graduation, used in the above mentioned Hiroshige and Hokusai prints. Ichimoji-mura-bokashi or straight line gradation with uneven edge. Ō-bokashi or wide gradation, Ate-nashi-bokashi or gradation without definition. Futa-iro-bokashi or two tone gradation, and ita-bokashi or softer-edge gradation, where the block is cut in a specific way to achieve this style of gradation. All of these styles of bokashi technique take practice and skill but are very much doable. Below is a fine example of bokashi by Paul Binnie:     The Torii Gate at Miyajima (2009) 37.5 x 26cm sizing paper - at times mokuhanga printmakers will size their paper. Size is made from water, animal glue (rabbit, horse), and alum. What the size does is keep the pigments the artist uses from “bleeding” into the outer edges of the paper. There are many recipes of size, here is one that artist Walter J. Phillips used.   intaglio printing - is a printing method, also called etching, using metal plates such as zinc, and copper, creating “recessed” areas which are printed with ink on the surface of these "recesses.” More info, here. The MET has info, here.     serigraphy - is another word for the art of silk screen printing. Silk screen printing can be in on various materials, silk, canvas, paper.    lithography: A printing process where images are transferred onto a surface using a flat plate or stone.   Yoshitaka Amano (b. 1952) - is a character designer for the Final Fantasy video game series. He uses ukiyo-e and Japanese woodblock prints as insirpation for some of his work.    Takashi Murakami (b. 1962) is a contemporary artist best known for his fine art works and contributions to the commercial market. His works are heavily influenced by manga and anime, characterized by their bright colors and distinctive style. Multicolour Superflat Flowers - archival pigment print, silkscreen, 45 cm x 17.7cm   Margaret Thatcher 1925-2013) -  was the Prime Minister of the United Kingdom from 1979 to 1990. She was the first woman to hold the office and remains one of the most influential figures in British political history. Leading the Conservative Party, Thatcher implemented a series of economic policies known as "Thatcherism," which emphasized deregulation, privatization of state-owned industries, and reducing the power and influence of trade unions. Her tenure was marked by significant economic transformation, as well as controversial measures that sparked widespread debate and protest.    Tamarind Institute - was originally founded in Los Angeles in 1960 by June Wayne, and is a world renowned center for fine art lithography. Established to revive and sustain the art of lithography, which was in decline in the United States, Tamarind quickly became a leader in the education and promotion of lithographic techniques. In 1970, the institute moved to the University of New Mexico in Albuquerque, where it continues to thrive as a key institution in the printmaking world. Dedicated to advancing the lithographic arts through rigorous education, collaborative projects, and the production of high-quality prints, the Tamarind Institute's influence extends globally, contributing significantly to the development and appreciation of lithography as a vibrant art form. More info, here.    STPI Creative Workshop & Gallery - which stands for Singapore Thailand Print Institute is an educational gallery and workshop, based in Singapore. More info, here.    International Mokuhanga Conference, 2011 - was the first international conference on mokuhanga which was separated in two parts, Kyoto and the Awaji Islands in Japan.    MI Lab - is a mokuhanga artists residency located in Kawaguchi-ko, near Mount Fuji. More info can be found, here.    Hiroki Morinoue - is a mokuhanga printmaker and artist living in Holualoa, Big Island, Hawai'i. He is a co-founding member of the Holualoa Foundation For Arts & Culture, the establishment of the Donkey Mill Art Center and Studio 7 Fine Arts. Hiroki's interview with The Unfinished Print can be found, here.    Incoming Tide 30.5 x 30.5cm   Keiko Hara - is an artist and Professor of Art Emerita at Whitman College in Walla Walla, Washington. She is a painter, and printmaker in various relief mediums, such as mokuhanga. Keiko also leads the Mokuhanga Project Space based in Walla Walla, Washington. More info on Keiko's work can be found, here. More info regarding the Mokuhanga Project Space, here.   Verse Space M-1, lithography and stencil, 55.8 cm x 76.2 cm   Yamanashi Prefecture - (山梨県, Yamanashi-ken) is located in the Chūbu region of Honshu, Japan, and borders Saitama Prefecture to the northeast, Nagano Prefecture to the northwest, Shizuoka Prefecture to the southwest, Kanagawa Prefecture to the southeast, and Tokyo to the east. The capital and largest city is Kōfu. Yamanashi is one of only eight landlocked prefectures in Japan, with most of the population residing in the central Kōfu Basin, surrounded by the Akaishi Mountains. 27% of its land area is designated as Natural Parks, and it is home to many of Japan's highest mountains, including Mount Fuji, the country's tallest peak and a significant cultural icon, which is partially located on the border with Shizuoka Prefecture.   Tiwi Islands - which means "two islands," are part of the Northern Territory, Australia, located 80 km (50 mi) north of Darwin. They comprise Melville Island, Bathurst Island, and nine smaller uninhabited islands, with a combined area of 8,320 square kilometers (3,212 sq mi). The islands have been inhabited by the Tiwi, an Aboriginal Australian people, since before European settlement, with a population of 2,348 recorded in the 2021 census. The Tiwi Land Council, one of four land councils in the Northern Territory, serves as a representative body with statutory authority under the Aboriginal Land Rights (Northern Territory) Act 1976 and holds responsibilities under the Native Title Act 1993 and the Pastoral Land Act 1992.   Charles Darwin University - was established in 2003 in the Northern Territory of Australia, and resulted from the merger of Northern Territory University, Centralian College, and the Menzies School of Health Research. Named after naturalist Charles Darwin, CDU focuses on research and education tailored to the unique challenges of the region, with strong emphasis on Indigenous education and partnerships. The university offers a broad range of programs across disciplines like health, education, engineering, business, and environmental science, and is recognized for its research in desert knowledge, Indigenous systems, tropical health, and sustainable development. With campuses in Darwin, Alice Springs, Katherine, and Nhulunbuy, CDU plays a crucial role in the educational, economic, and social development of the Northern Territory. The More Than Human World: North Australian Ecologies was the exhibit which Jacqueline speaks on in her episode. The exhibit catalogue can be found, here.    Balgo - also known as Wirrimanu, is a remote Aboriginal community in the Kimberley region of Western Australia. Home to the Kukatja people and other desert groups like the Ngarti and Warlpiri, Balgo is renowned for its vibrant art scene, particularly through the Warlayirti Artists art center, which produces art reflecting the rich cultural heritage of the local people. The community, accessible mainly via local roads and air, provides essential services such as a health clinic, school and plays a vital role in preserving and promoting Indigenous culture and traditions. A description of Wirrimaru can be found, here via Deutscher and Hackett.    Printmaking Today - is a magazine published by Cello Press in England, and is published quarterly. The magazine focuses on printmaking themes and artists. More info, here.   Arnhem Land - is located in the northeastern Northern Territory of Australia, and is a vast and culturally rich region covering approximately 97,000 square kilometers. Bordered by the Arafura Sea, the Gulf of Carpentaria, and Kakadu National Park, it is one of the largest Aboriginal reserves in Australia, home to around 16,000 Indigenous people, primarily the Yolngu. Known for its stunning natural landscapes, including rugged coastlines, rainforests, and wetlands, Arnhem Land is also a cultural treasure, famous for Indigenous art, music, and traditions. Access is restricted to protect its heritage, and the region plays a crucial role in Indigenous land rights movements and the preservation of Aboriginal culture.   Foundry Vineyards - based in Walla Walla, Washington is a vineyard and art space. It has been hosting artists from all types of media such as painting and printmaking since 2010. It has exhibited The Mokuhanga Project Space, printmaker Mike Lyon,  and the International Mokuhanga Print Exhibit. More info about this space and the good it does for the art community at large can be found, here.    Ozu Washi - is a paper store located in the Nihonbashi district of Tokyo. website, Instagram   Wood Like Matsumura - is an online and brick and mortar store, for woodblock printmaking, located in Nerima City, Tōkyō.   uwa senka long - is a Thai kozo machine made paper which can be used for mokuhanga.    The Japanese Paper Place- is a Toronto based Japanese paper store servicing the Mokuhanga community for many years.  Interview with the Nancy Jacobi of the JPP can be found, here.   gouache: is a water-based paint known for its opaque and vibrant colours. Made from pigment, water, and gum arabic as a binder, it offers artists versatility in creating both translucent washes and opaque layers. Gouache can be reactivated with water and comes in a range of colors, making it a popular choice for various painting techniques.   The Adelaide River - is a significant waterway in the Northern Territory of Australia, extending approximately 180 km from its source in the Litchfield National Park to its mouth at the Timor Sea. The river flows through  lush wetlands, dense mangroves, and open floodplains, providing a rich habitat for diverse wildlife. It is particularly renowned for its large population of saltwater crocodiles.    © Popular Wheat Productions opening and closing credit - Stardust by Lester Young, Oscar Peterson Trio. (1956) © UMG Recordings logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***                                                

The CWB Association is committed to creating a safe space for growth and education to strengthen our membership by encouraging awareness. The LGBTQ2S+ community is a vibrant and essential part of our communities in the welding industry.  June is Pride Month, and we encourage you to actively promote and engage in equality, inclusion, and diversity as a priority all year long. Please note this episode is a replay, bringing you a blast from the past.Today's guest is Agata Derda, a Polish-Canadian Visual Artist, Printmaker, and Welder. Agata is an inspiration to the immigrant and queer community as she shares her journey to finding freedom, love, and education. Follow Agata: Instagram: https://www.instagram.com/mixtahandcrafted/Website: https://www.agataderda.com/Thank you to our Podcast Advertisers: Canada Welding Supply: https://canadaweldingsupply.ca/There is no better time to be a member! The CWB Association membership is new, improved, and focused on you. We offer a FREE membership with a full suite of benefits to build your career, stay informed, and support the Canadian welding industry.  https://www.cwbgroup.org/association/become-a-member

Anxious artists Bea and Molly discuss social media. They compare Instagram, Tiktok, Youtube and Facebook. In the anxiety scale they reveal their dream and nightmare careers.Purchase Our Enamel Pin BadgeSend your questions and thoughts to outofinkpodcast@gmail.com | Find us on Instagram: @outofinkpod @beatheillustrator @mollylemonart | Music © Alex Baranowski

Vanessa Meshack is fresh off her first solo gallery show at Pencil and Paper Gallery and a feature in the international printmaking magazine Pressing Matters. Now she joins her favorite art podcast, Studio Noize, to talk about her new career. Vanessa was one of the super fans featured on the 100th episode! She's made huge leaps in her art practice since she me JBarber out at Print Austin years ago. She discusses the way that making art has helped her find herself again, how she began exploring printmaking, and the challenges of setting up a new studio practice. Listen, subscribe, and share!Episode 187 topics include:Inner Visions solo show at Pencil and Paper Galleryfiguring out a directionobstacles on the way to making artfalling in love with printmakingusing yourself as a referenceexpressing yourself through artbeing featured in Pressing Matters magazineprint nerding out over monoprintingseparating your practice from your businessVanessa Meshack bio:In her profound journey towards self-actualization, Vanessa Meshack draws upon spiritual guidance, memory's whispers, graceful movement, and rich experiences to craft abstract figurative masterpieces. Her creations convey not just strength, healing, vulnerability, and joy, but also embody the intricate tapestry woven by intersectionality, shaping her unique worldview. Rather than dwelling on the shadows of overlapping social identities, Vanessa reframes the narrative, showcasing the elegance that blooms from embracing one's inner wisdom. Her chosen mediums, such as drawing, fiber, and printmaking techniques like monotype and woodcut, are meticulously applied to archival paper and fabric. Through stitching and quilting, she imparts intention, infusing her work with a profound meditative essence. Vanessa Meshack, a self-taught maestro, channels her artistic voyage into her prints. Her monotypes, a dance of ink and texture, create vignettes of her narrative. Her studio, nestled in a detached garage apartment in Dallas, Texas, serves as her sanctuary. Here, she transforms solitude into eloquent expressions, demonstrating the boundless potency of artistic exploration. See more: Vanessa Meshack website + Vanessa Meshack's IG @vlmeshackartFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

Sorry for the chaotic vibe this month... Anxious artists Bea and Molly discuss stepping outside your comfort zone as creative small business owners. The anxiety scale is all about shoes!Purchase Our Enamel Pin BadgeSend your questions and thoughts to outofinkpodcast@gmail.com | Find us on Instagram: @outofinkpod @beatheillustrator @mollylemonart | Music © Alex Baranowski

Mokuhanga today can be made in so many ways. So many inspirations, so many people creating beautiful pieces from all over the world. Coming to you from Obihiro, Hokkaido, I have been traveling around Japan for over a month. Coming back to Japan is always an inspiring act and it is already like a second home to me. What brought me back to Japan this time around was the 2024 International Mokuhanga Conference held in Echizen City, Fukui, Japan. Meeting with so many mokuhanga artists, carvers, and printers inspired me and makes me want to be a better artist and to make a better podcast. On this episode of The Unfinished Print I speak with one of the mokuhanga artists who also attended the 2024 IMC. Jason Fujiwara. Jason lives and works in Tokyo, Japan where he creates his mokuhanga. Jason and I speak together about how he approaches his work, his inspirations, the idea of cultural identity in his prints , his time at the 2024 International Mokuhanga Conference, and Jason even asks me some questions. Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note if available. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Print publishers are given if known. Jason Fujiwara - website, Instagram Utagawa Hiroshige (1797-1858) - born in Edo, Hiroshige is famous for his landscape series of that burgeoning city. The most famous series being, One Hundred Famous Views of Edo (1856-1859), and the landcape series, Fifty-Three Stations of the Tōkaidō (1833-1834). His work highlights bokashi, and bright colours. More info about his work can be found, here.  Ōiso: from the series The Tōkaidō Road - The Fifty-three Stations (1851-52) Katsushika Hokusai (1760-1849) - is one of the most famous Japanese artists to have ever lived. Hokusai was an illustrator, painter and woodblock print designer. His work can be found on paper, wood, silk, and screen. His woodblock print design for Under The Wave off Kanagawa (ca. 1830-32) is beyond famous. His work, his manga, his woodblocks, his paintings, influence artists from all over the world.  Poem by Sangi Hitoshi :  the series One Hundred Poems Explained by the Nurse (n.d.) David Bull - is a Canadian woodblock printmaker, and educator who lives and works in Japan. His love of mokuhanga has almost singlehandedly promoted the art form around the world. His company, Mokuhankan, has a brick and mortar store in Asakusa, Tōkyō, and online, here.  The Forest In Summer: From the Series "My Solitudes." (2007-9) Ema Shin - Based in Melbourne, Australia, Ema Shin hails from Niigata, Japan. She pursued her education in printmaking at Tama Art University in Tokyo. Currently, her work spans across various mediums including papier-mâché, embroidery, tapestry weaving, bookmaking, urauchi, collage, and mokuhanga. For more information, visit here.  Soft Alchemy (Fertile Heart) Woven tapestry, cotton, wool, 21" x 31" x 2.3", Matthew Stanton photography. (2019)   Terry McKenna -  is a mokuhanga printmaker and teacher residing in Karuizawa, Japan. He received guidance in the art form from Richard Steiner, a prominent mokuhanga printmaker based in Kyoto. Terry established the Karuizawa Mokuhanga School, a renowned residency dedicated to mokuhanga education. For further details about Terry and his school, here. Additionally, you can read Terry's interview with The Unfinished Print, here and Richard Steiner's interview here.    Beauty (2010)   mokume - is a woodblock printing technique where, by using heavy pressure on wood which contains a heavy grain, the artist can reveal the grain in their work. Below is a fine example of mokume technique by Osamu Sugiyama:     10 Views of Mt. Fuji - Moonlight over Shinobino Moor (13"x16.9")   bokashi - is a mokuhanga technique, where the pigment fades from a heavy colour to a softer, broad colour. Made famous by prints designed by Hokusai and Hiroshige, this technique is, for me, the most popular technique utilized by  mokuhanga printmakers. There are various types: Ichimoji-bokashi or straight line graduation, used in the above mentioned Hiroshige and Hokusai prints. Ichimoji-mura-bokashi or straight line gradation with uneven edge. Ō-bokashi or wide gradation, Ate-nashi-bokashi or gradation without definition. Futa-iro-bokashi or two tone gradation, and ita-bokashi or softer-edge gradation, where the block is cut in a specific way to achieve this style of gradation. All of these styles of bokashi technique take practice and skill but are very much doable. Below is a fine example of bokashi by Paul Binnie:     Flowers of a Hundred Years: Bubble Era [of 1990] (18.5"x13") (2024)   ukiyo-e - is a form of multi-color woodblock print and painting  primarily associated with Japan's Edo Period (1603-1867). Originating in the 17th century with prints featuring only a few colors, it evolved into a sophisticated system of production and technique by the Meiji Period (1868-1912). However, with the emergence of photography and other printmaking methods, traditional ukiyo-e production ceased by the late 19th century, leaving behind a rich legacy in Japanese art history.    Procreate - is a popular digital art app designed exclusively for iPad and iPhone. It offers a wide range of tools and features that allow artists to create digital illustrations, paintings, and designs with ease. Some of its key features include a variety of brushes, layers, blending modes, and advanced editing options. Procreate has gained popularity among digital artists due to its intuitive interface, powerful capabilities, and ability to produce high-quality artwork.   A2 - is a paper size part of the ISO 216 standard and is commonly used for posters, architectural drawings, and other large format prints. Its dimensions are 594 x 420 millimeters or approximately 23.4 x 16.5 inches.   Pansion paper - is a medium-heavy kozo paper, varying in size  and weight and is predominantly used in printmaking.    Ralph Kiggell (1960-2022) : was a highly influential figure in our world of mokuhanga printmaking. Originally from England, Ralph resided and practiced his art in Thailand. Renowned for his innovative approach, Ralph pushed the boundaries of mokuhanga through his creation of exceptionally large pieces, intricate jigsaw carving techniques, and vibrant color palettes. He also played a pivotal role in promoting mokuhanga globally through his involvement with the International Mokuhanga Conference. His legacy will be deeply felt and cherished by the mokuhanga community. You can explore Ralph's work, here. You can read his obituary in The Guardian here and his interview with The Unfinished Print, here.     White Orchid (n.d.)   Keiko Kobayashi - is a mokuhanga printmaker and administrator of the International Mokuhanga Conference. She lives and works in Tokyo, Japan. More information can be found, here.    花喰い(6) 蝋梅に四十雀 (2024) 4"x4"   nengajō -  (年賀状) what began as a way for Japanese nobility to communicate with faraway friends and family during the New Year festive period, has become a way for all people to send New Year greetings to their own friends and family. More info, here.   Kay Watanabe - is an artist located in Brisbane, Australia. Her creative endeavors span across various mediums, including mokuhanga and other printmaking techniques, painting, drawing, and photography. For further details about Kay and her artistic journey, visit here.      Heaven And Earth (2019) etching on paper    Roslyn Keane -  is a mokuhanga printmaker and baren designer situated in Sydney, Australia. Her artistic creations lean towards abstraction and often feature large-scale pieces crafted using a diverse range of techniques. For additional insights into Roslyn's work, her KBB barens, and her The Stables Print Studio, visit, here.     Transition (2019/20)    © Popular Wheat Productions opening and closing credit - eating in an izakaya in Himeji, Japan with friends recorded live in 2024.  logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***                

Show Notes: Have you ever thought about making your own artistic prints? Visual artist, Katrina Andry, shares her journey from growing up in New Orleans to discovering the world of printmaking. Katrina answers how to stand out as an artist and how to create work that resonates with the soul. If you've ever struggled or thought about how to weave symbolism in your work, this episode is for you.   Episode Overview: Keep up with your host Martine Severin https://martineseverin.com Follow This Is How We Create on IG. ⁠https://www.instagram.com/thisishowwecreate_ Follow Martine on Instagram:  ⁠https://www.instagram.com/martine.severin This is How We Create is produced by Martine Severin and edited by Casandra Voltolina. Episode research conducted by Braila West. Get to know Katrina: https://www.katrina-andry.com/about Instagram: https://www.instagram.com/k_andry/# Buy Katrina's Art: https://www.katrina-andry.com/get-in-touch

This week is part 1 of our interview with serial arts entrepreneur Liz Maugans. She's a Cleveland-based printmaker whose works are included in the Progressive Art Collection, The Cleveland Clinic, the Dalad Collection, BF Goodrich, the Westin Collection and The Riffe Center for Government and the Arts. She received an Ohio Arts Council Individual Artist Fellowship in 2000, and a 2005 Artist-in-Communities Grant. Liz was awarded an Ohio Arts Council's International Residency to Dresden, Germany in 2009. We hope you'll tune in to hear all about Liz's experiences in founding numerous nonprofits over the past 25+ years. https://www.lizmaugansart.com/ 

Anxious artists Bea and Molly discuss perfectionism... And there's a nostalgic anxiety scale.Purchase Our Enamel Pin BadgeThis episode is sponsored by Pooki Presses, enter code 'outofink' to get 5% off everything on their website.Send your questions and thoughts to outofinkpodcast@gmail.com | Find us on Instagram: @outofinkpod @beatheillustrator @mollylemonart | Music © Alex Baranowski

This week is part 1 of our interview with serial arts entrepreneur Liz Maugans. She's a Cleveland-based printmaker whose works are included in the Progressive Art Collection, The Cleveland Clinic, the Dalad Collection, BF Goodrich, the Westin Collection and The Riffe Center for Government and the Arts. She received an Ohio Arts Council Individual Artist Fellowship in 2000, and a 2005 Artist-in-Communities Grant. Liz was awarded an Ohio Arts Council's International Residency to Dresden, Germany in 2009. We hope you'll tune in to hear all about Liz's experiences in founding numerous nonprofits over the past 25+ years. https://www.lizmaugansart.com/ 

When creating mokuhanga, one requires time – time to prepare, time to plan, and time to explore. The essence of the work emerges from this delicate balance of managing one's time and integrating life within mokuhanga.   In this episode of 'The Unfinished Print,' I have the pleasure of speaking with printmaker Wuon-Gean Ho. Wuon-Gean approaches her mokuhanga with a keen focus on work-life balance, emphasizing creation not at the expense of life but as a means to enrich and enhance it. Join me as we delve into Wuon Gean's unique perspective on mokuhanga, how it skillfully blends with her other printmaking endeavors,  learning under Akira Kurosaki,  her educational experiences and we delve into her philosophies on living a life infused with art.    Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note if available. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Print publishers are given if known. Wuon-Gean Ho - website JET Programme - a teaching programme created in 1978, which is sponsored by the Japanese government, and various Japanese ministries. This organization brings people from around the world to teach English to Japanese students in grade school, junior high, and high schools throughout the country.  More info, here. Tate Modern - located in London, UK, and stands as one of the world's largest and most renowned contemporary art museums. It houses an extensive collection of international modern and contemporary art from around the world. The museum is known for its innovative exhibitions that showcase works by both established and emerging artists. Additionally, Tate Modern offers a variety of educational programs, workshops, and events designed to engage visitors of all ages and backgrounds. Kyoto Seika University - situated in Kyoto, Japan, is a leading private university specializing in art and design education. The university offers undergraduate and graduate programs in various fields of art and design, including painting, sculpture, graphic design, and manga. Known for its rigorous academic curriculum, Kyoto Seika University emphasizes practical skills and creative expression. The institution has a rich history and tradition of nurturing talented artists and designers, with a strong focus on fostering creativity and innovation among its students. Akira Kurosaki 黒崎彰 (1937-2019) - was one of the most influential woodblock print artists of the modern era. His work, while seemingly abstract, moved people with its vibrant colour and powerful composition. He was a teacher and invented the “Disc Baren,” which is a great baren to begin your mokuhanga journey with. At the 2021 Mokuhanga Conference in Nara, Japan there was a tribute exhibit of his life works. Azusa Gallery has a nice selection of his work, here. bokashi - is a mokuhanga technique, where the pigment fades from a heavy colour to a softer, broad colour. Made famous by prints designed by Hokusai and Hiroshige, this technique is, for me, the most popular technique utilized by  mokuhanga printmakers. There are various types: Ichimoji-bokashi or straight line graduation, used in the above mentioned Hiroshige and Hokusai prints. Ichimoji-mura-bokashi or straight line gradation with uneven edge. Ō-bokashi or wide gradation, Ate-nashi-bokashi or gradation without definition. Futa-iro-bokashi or two tone gradation, and ita-bokashi or softer-edge gradation, where the block is cut in a specific way to achieve this style of gradation. All of these styles of bokashi technique take practice and skill but are very much doable.  Katsushika Hokusai (1760-1849) - is one of the most, if not the most, famous Japanese artist ever known. He designed woodblock prints, as well as creating his own paintings, screens, scrolls, and commissioned art in Buddhist temples throughout Japan. More info, here. The British Museum has a lot of info, here.  Devon - is a city located in the southwest of England, and is renowned for its stunning natural beauty, diverse landscapes, and rich cultural heritage. Rugged coastlines adorned with sandy and picturesque villages, Devon offers a wealth of attractions for visitors and locals alike. You can find more info on Devon tourism, here.  Fabriano paper - is a high-quality paper produced by the Fabriano paper mill in Fabriano, Italy. It is renowned for its exceptional durability, texture, and archival quality, making it a favorite among artists, printmakers, and conservators worldwide. Fabriano paper comes in various weights, textures, and finishes. It is prized for its ability to withstand repeated erasing, scraping, and wet media applications while retaining its integrity and beauty. Camellia oil - also known as tea seed oil, is a versatile vegetable oil extracted from the seeds of the Camellia oleifera or Camellia sinensis plant, which are the same species from which tea leaves are harvested. Originating in East Asia, particularly China and Japan, camellia oil has been used for centuries for culinary, cosmetic, and medicinal purposes. In mokuhanga it has been used to oil the baren when printing, making a smooth printing surface.  Copperplate oil - is a substance used in the intaglio technique such as copperplate engraving or etching. This specialized oil, typically comprising linseed oil and resin, serves multiple purposes throughout the printmaking process. Initially applied to copper plates, it functions as a protective layer, guarding against oxidation while enhancing the quality of engraved or etched lines by promoting smoother, more consistent marks. Copperplate oil aids in achieving tonal effects and to the longevity of the final prints. It also serves as an effective agent for cleaning plates post-etching, ensuring the preservation of engraved details while removing excess ink. Ian Phillips - is a woodblock printmaker based in the UK. He works in water based printing, with the landscape of the sea as his main inspiration. More info of Ian's work can be found, here.  tabi hanga - is the collaborative printing method which Wuon-Gean describes in her episode.    © Popular Wheat Productions opening and closing musical credit - Audrey by Dave Brubeck from the album Brubeck Time released in 1955 on Columbia Records. logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***

Anxious artists Bea and Molly discuss knowing when is the right time to quit. They talk about leaving galleries and shops, knowing when a project has isn't going anywhere and when do you admit defeat if your small business isn't making enough money. The anxiety scale is all about quotes... sorry for anyone we offend during this segment...Purchase Our Enamel Pin BadgeSend your questions and thoughts to outofinkpodcast@gmail.com | Find us on Instagram: @outofinkpod @beatheillustrator @mollylemonart | Music © Alex BaranowskiOur Sponsor:https://www.magicmind.com/OUTOFINK20Use our code OUTOFINK20 to get 20% off

Today on the Noize we got printmaker, Tenjin Ikeda! he has been making art as for over 30 years and its been a journey across all kinds of mediums. From painting, to dancing, to sculpting, to printmaking, Tenjin has been open to where his talents and opportunity take him. We learn about Tenjin and his philosophy on making work. We nerd out a little bit on carving and relief printmaking masters like Latoya Hobbs, Elizabeth Catlett and more. Tenjin talks about a turning point print for him, how his spirituality inspires his work and what he's learned by being in exhibitions over so many year. Listen, subscribe, and share!Episode 183 topics include:doing art for 30 plus yearsfinding printmakingcarving tips and secretsdeveloping compositionswhat piece was a turning point in his eyesthe differences between mediumsexperience gained from exhibitionsoffering critique to younger artistsTenjin Ikeda is an Afro-Puerto Rican artist born and raised in Brooklyn, New York on October 30, 1968. At a very young age learned the importance of tradition and heritage from his mother. He taught himself how to draw at an early age and he was hooked, he has been seriously making art for 30 plus years using the various mediums of painting, sculpture, and printmaking. He attended the School of Visual Arts in New York first focusing on graphic design and ultimately Fine Arts where he felt more freedom to express himself. It was at the Art Students League that he discovered printmaking, which has been his focus for the past 20 plus years. “It is my desire to continue to visibly show the richness of my ancestry to the world.” He has various works in private collections in the US, Canada, Mexico, Bahamas as well as acquisitions by The Schomburg Center for Research in Black Culture, The Print Club of Albany, and the Art Student's League. Tenjin's work has been featured as cover art and illustrations for various books. He has been included in “Modern Printmaking” an up coming book of 30 contemporary printmakers by Sylvie Covey.Tenjin, also worked for 6 years as an artist assistant to Richard Artschwager and with artist Keith Haring on a mural project Mr. Haring did at Woodhull Hospital in Brooklyn, NY. He has participated in-group shows in different parts of the United States, Ireland, Japan as well as Spain and Australia.See more: Tenjin Ikeda's website + Tenjin Ikeda's IG @ify.chi.chiejinaFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

Printmaker and illustrator Russell Beans' work depicting cryptids, exotic animals, and rare endangered plants has graced the pages of Islandia Journal since its inception. He joins us to talk about his creative process, the inspiring wonder of the Everglades and south Florida, and where else you can see his work!

Anxious artists Bea and Molly chat about artist residencies as Molly has just returned from one in North Wales. The anxiety scale is based on one of Bea's favourite foods.Purchase Our Enamel Pin BadgeSend your questions and thoughts to outofinkpodcast@gmail.com | Find us on Instagram: @outofinkpod @beatheillustrator @mollylemonart | Music © Alex Baranowskihttps://www.mawddachresidency.com/https://www.ellisoconnor.com/Our Sponsor:https://www.magicmind.com/OUTOFINK20Use our code OUTOFINK20 to get 20% off

Embarking on the journey into the world of mokuhanga, each of us starts with a unique desire. It begins with early prints, guided by exploration, and the innate desire to create something—anything—all viewed through the prism of mokuhanga, shaping our voices in this captivating journey. In this episode of the Unfinished Print, I speak with the burgeoning mokuhanga printmaker Jack Moranetz. We discuss how he got involved in the art form, his early prints, his visit to Japan and meeting David Bull, collaborations, and how he approaches his printmaking.   Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note if available. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Print publishers are given if known. Jack Moranetz - website, YouTube, Etsy  Awagami -  is arguably the largest paper making company in Japan at the moment. With a large International name, Awagami sponsors, and promotes its paper all over the world. More information can be found on its website, here.  Dick Blick Art Supplies - is an art supply store with various brick and mortar stores throughout the United States, as well as online. Founded in 1911 by Dick Blick in Galesburg, Illinois, BLICK, as it's more commonly known, sells various types of art supplies, much like Jerry's Artarama. More info, here. linocut -  is a printmaking technique in which a design is carved into a sheet of linoleum with specialized cutting tools. The carved linoleum surface is then inked, and paper is pressed onto it to create a print. Linocut is a relief printing method, similar to woodcut, but it uses linoleum instead of wood as the printing surface. Linocut is popular for its versatility and is used in both fine art and craft applications. Michael's Art Supplies - is a big box art supply store located throughout North America. More info can be found, here.  brayer - is a roller with a handle used to apply ink to a printing surface. It typically consists of a cylindrical rubber roller attached to a handle. Printmakers use the brayer to evenly distribute ink over the surface of a printing block, such as linoleum or wood, before pressing it onto paper or another substrate. The brayer ensures a smooth and uniform ink coverage, allowing for clear and consistent impressions during the printing process. Artists can control the amount of ink applied by rolling the brayer over an ink slab or palette before transferring it to the printing surface. Brayers are an essential tool in various printmaking techniques, including linocut, woodcut, and monotype. Bender - is a fictional character in the animated television series "Futurama," created by Matt Groening. Bender is a robot with a humanoid appearance and a distinctive metal body. He is known for his irreverent and sarcastic personality, as well as his love for bending girders and other metal objects. He serves as one of the main characters in the series. David Bull - is a Canadian woodblock printmaker, and educator who lives and works in Japan. His love of mokuhanga has almost singlehandedly promoted the art form around the world. His company, Mokuhankan, has a brick and mortar store in Asakusa, Tōkyō, and online, here.  Chapter 9 - The Seacoast In Winter, from the My Solitudes series (2007) Twitch - is a widely-used live streaming platform, initially focused on video game streaming and e-sports, but later expanding to include diverse content like music and art. Acquired by Amazon in 2014, Twitch allows users to broadcast live video content, interact with viewers through a real-time chat feature, and offers features such as e-motes and subscriptions. Streamers create communities around their content, and viewers can engage by subscribing to channels for exclusive benefits. Twitch has become a prominent platform for live content creation, fostering a sense of community among its users. sumi - is a rich black stick or liquid used by artists, calligraphers, and traditional Japanese horimono tattoo artists. Sumi is made from the soot of burnt lamp oil. Sumi is used predominantly in key blocks in traditional mokuhanga and to mix pigments. Pigment Tōkyō conducts a great interview with their chief of pigments, Kei Iwaizumi, about sumi ink, here. shina - is a type of Japanese plywood used in mokuhanga. Not all shina is made equally, buyer beware. McClains Woodblock Print Supply Co.  - based in Portland, Oregon, McClain's is the go-to supplier of woodblock print tools in the United States. Their website can be found here. The Unfinished Print interview with Daniel Jasa of McClain's can be found here. Disk Baren - crafted by Akira Kurosaki (1937-2019), is a plastic baren which features a replaceable disc with small surface bumps that ensure uniform pressure application across the paper during the printing process. murasaki baren - is a mid-range mokuhanga baren. “murasaki” meaning “purple” , come in two types of weight (medium and heavy), and two types of sizes (10cm and 12cm). They are a reasonably priced baren.  bokashi - is a mokuhanga technique, where the pigment fades from a heavy colour to a softer, broad colour. Made famous by prints designed by Hokusai and Hiroshige, this technique is, for me, the most popular technique utilized by  mokuhanga printmakers. There are various types: Ichimoji-bokashi or straight line graduation, used in the above mentioned Hiroshige and Hokusai prints. Ichimoji-mura-bokashi or straight line gradation with uneven edge. Ō-bokashi or wide gradation, Ate-nashi-bokashi or gradation without definition. Futa-iro-bokashi or two tone gradation, and ita-bokashi or softer-edge gradation, where the block is cut in a specific way to achieve this style of gradation. All of these styles of bokashi technique take practice and skill but are very much doable.  Laura Boswell ARE - is a renowned British printmaker recognized for her expertise in linocut and woodblock printing. Her artistic repertoire includes creating intricate and detailed prints inspired by nature, landscapes, and everyday life. Notably, Boswell is known for her adept use of a bold and vibrant color palette in her prints. Beyond her artistic pursuits, she shares her knowledge by teaching printmaking techniques, conducting workshops, and authoring instructional books on the subject. Her commitment to both creating and educating adds depth to her contributions in the field of printmaking. More info can be found on her website, here. Her interview with The Unfinished Print can be found, here.  Long Grasses up by Westerdale 18"x 7"  Kitsune Prints - is a mokuhanga printmaking studio located in Monsano, Italy. More info can be found, here.  Atelier Sentō - is an art collective located in Biarritz, France. They design images for companies, bookstores, publishers, and mokuhanga. The print that Jack refers to is a print called, The Unseen World: After The Rain, a print published by Shinji Tsuchimochi and the publisher Miyakadori. More info about Atelier Sentō can be found, here. The print mentioned can be purchased from Mokuhankan, here.  11" x 8" (2021) Karen Pittman - is a mokuhanga printmaker based in Austin, Texas. She continues to make beautiful mokuhanga, and explores the craft through her blog Vivid Laboratories. Karen's interview with The Unfinished Print can be found, here. Katherine's Mora River 9" x 6.75" (2023) Daryl Howard - is a mokuhanga printmaker base in Austin, Texas. She apprenticed with Hodaka Yoshida (1926-1995). Her work has been shown around the world. More information about Daryl can be found, here. Daryl's interview with The Unfinished Print can be found, here.  an eternal teardrop...descending from love 15"x20" (2019) Ocooch Hardwoods - is a wood supplier based in Wisconsin. More info can be found, here.  Jackson's Art - is a brick and mortar and online art supply store located in London, England founded in 2000. More info can be found, here.  © Popular Wheat Productions opening and closing musical credit - Television Funeral by Mononegatives (2023)  logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***              

On this episode I have the pleasure of speaking with Hiroki Morinoue, an artist who resides and creates on the Big Island in Hawai'i. Together, we delve into his personal journey with mokuhanga, reflecting on his experiences at MI Lab, exploring his unique color palette, and gaining insights into his meticulous process in crafting mokuhanga prints. Additionally, we uncover Hiroki's life in Hawai'i, his ventures, and his relationships with prominent galleries such as Studio 7 Fine Arts, print studio's like Shark's Ink, and the arts center at Anderson Ranch. Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note if available. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Print publishers are given if known. Hiroki Morinoue - Pure Water (2001) 18.5"x38.5" High Tide (2012) 22"x30" Earth Cycle (2007) 37.5"x37" MI Lab - is a mokuhanga artists residency located in Kawaguchi-ko, near Mount Fuji. More info can be found, here.    Keiko Hara - is an artist and Professor of Art Emerita at Whitman College in Walla Walla, Washington. She is a painter, and printmaker in various relief mediums, such as mokuhanga.    Verse R - black and white (2017)  13"x11"   Jaqueline Gribbin - is a printmaker who focuses on mokuhanga and intaglio printing techniques. She lives and works in Humpty Doo, New Territory, Australia.    Kisaragi (2012) 18.9" x 25"   pochoir - is a stencilling technique used in printmaking and decorative arts. The term "pochoir" is French for "stencil." In this method, a design is created by cutting or punching holes in a sheet of paper or other material, and then paint or ink is applied through the openings onto a surface below. Pochoir allows for precise and intricate patterns, making it particularly popular in the creation of fine art prints, illustrations, and decorative designs. It has been historically employed in various art movements, including Art Nouveau and Art Deco. More info, here.   Helen Frankenthaler (1928–2011) was a prominent American abstract expressionist painter known for her role in the Color Field painting movement. Her innovative technique involved staining unprimed canvas with thinned oil paint, creating a distinctive luminous effect. "Mountains and Sea" (1952) is a notable example of her influential work. Frankenthaler's contributions have left a lasting impact on postwar American art. Frankenthaler began to make woodcut prints in 1973 and was influenced by Utagawa Hiroshige (1797–1858).  More info about her prints can be found at  the Frankenthaler Foundation, here.      Tale of Genji V (1998) 42"x47"   Donkey Mill Art Center - is a community art center located in Holualoa, Hawaii. It serves as a hub for various artistic activities, workshops, and events, fostering creative expression and engagement with the arts. The center often offers classes and programs in a variety of artistic disciplines, including painting, ceramics, printmaking, and more. More info, here.    Mauna Kea - is the highest peak in the Hawaiian Islands, located on the Big Island. A dormant volcano, it stands at 13,796 feet (4,205 meters) above sea level. The mountain holds cultural significance for Native Hawaiians and is home to unique ecosystems.    Mauna Loa - is an active shield volcano on the Big Island of Hawaii, standing at 13,678 feet (4,169 meters) above sea level. It is the Earth's most massive subaerial volcano, known for frequent non-explosive eruptions and its broad, gently sloping shape. The volcano holds scientific and cultural significance and is closely monitored due to its potential impact on nearby communities. Deepwater Horizon Oil Spill  - occurred in 2010 in the Gulf of Mexico. It was one of the largest environmental disasters in history. The spill resulted from the explosion of the Deepwater Horizon offshore drilling rig, releasing millions of barrels of oil into the Gulf. The incident had severe ecological and economic consequences, impacting marine life, coastal ecosystems, and local economies along the Gulf Coast. Thai mulberry paper - also known as "saa paper" or "kozo paper," is a traditional handmade paper originating from Thailand. It is crafted from the bark of the mulberry tree, specifically the Broussonetia papyrifera tree.  Shark's Ink - established in 1976 as Shark's Lithography Ltd, the studio has partnered with over 160 distinguished artists from the United States and Europe. These artists, known for their strong personal visions, engage in ongoing collaborations, often returning for multiple projects. The resulting prints, marked by inventive techniques, encompass a wide range of artistic approaches. The studio employs various processes, including lithography, monotype, metal leaf, chine collé, embossing, collage, and innovative methods for woodblocks and relief prints, including three-dimensional lithographs. More info, here.  nori - is a type of paste made from starch. It is used when making mokuhanga. You can make nori from any type of material made from starch. For instance, paste can be made with tapioca,  rice, corn, even potato. You can purchase nori pretty much anywhere but making it is more environmentally friendly. Laura Boswell has a great recipe, here.  embossing - refers to a technique where the paper is pressed into the carved woodblocks, creating a raised or textured effect on the printed surface. This technique adds a three-dimensional quality to the print by making certain areas of the paper slightly elevated. Gotō Hidehiko (b.1953) - is a mokuhanga printmaker and tool maker based in Japan. He makes and teaches seminars about the construction of the mokuhanga tool, the baren.  Window (2011) 15"x12" gomazuri - is a mokuhanga technique where slight pressure is used with pigments too make a “spotty” image, what look like sesame seeds. It can add depth to your prints.  Saitō Kiyoshi (1907-1997) - was a Japanese woodblock printmaker and artist who worked in the sōsaku hanga style of mokuhanga. HIs fame outside of Japan was fairly comprehensive with his peak fame being in the 1950's and 1960's. For a comprehensive book on his life and times, Saitō Kiyoshi: Graphic Awakening published by The John & Mable Ringling Museum is an excellent source. Can be found, here. Lecture by Dr. Paget about Saitō can be found, here. My interview with Professor Paget can be found, here.    Winter in Aizu (1969) 18"x23.5" Richard Notkin - is an American ceramic artist known for his pottery and distinctive style that often incorporates political and social commentary.  Notkin has gained recognition for his work in the field of ceramics, particularly his teapots. Meltdown of Reason: Helena MT. (1987) stoneware and porcelain. 10.5"x5.5"x4.5" Mayumi Oda - is a Buddhist teacher and artist based in Hawai'i. Her artwork has gained international recognition, having traveled worldwide. In addition to her artistic pursuits, Mayumi is an environmental activist and resides and works at Ginger Hill Farm, an eco-retreat on the Big Island of Hawai'i. Explore more about Mayumi Oda's work, here. Hands of Compassion  (1986) screen print 37"x25" Andrew Wyeth (1917-2009) - was a renowned American realist painter, known for his detailed and emotive depictions of the rural American landscape. Born in Pennsylvania, he spent much of his life capturing the subtleties of nature, particularly in the Brandywine Valley and coastal Maine.  Christina's World (1948) 32 1/4 x 47 3/4"   © Popular Wheat Productions opening and closing musical credit - The September Of My Years (1965) from the album The September Of My Years released on Reprise Records.  logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***                                        

Welcome back to ARTMATTERS: The Podcast for Artists. Today is the final installment of my conversation with the artist TL Solien. In this last section, TL talks about building his dream studio, selling his dream studio, the best years of his career, dwindling interest, staying afloat, vulnerability, taking things personally, contemplating failure, building paintings in moments of fracture, learning art history late, finding satisfaction, healthy fuel, 30 minutes of joy, scale, notes from an opera, Tex Avery cartoons, how he starts a painting now, being stumped, and problem solving.I'd like to add that I've been receiving a lot of love for the previous parts of this  conversation, and if this means you would like more long-form conversations like this one, please let me know at artmatterspodcast@gmail.com Finally please consider supporting this podcast by donating to ARTMATTERS Patreon. I just set it up and by donating you will help ensure the availability and continuation of these quality conversations.  About:T.L Solien, born in Fargo North Dakota in 1949, received a BA degree in Art from Moorhead State University, Moorhead MN in 1973, and an MFA in Painting and Sculpture from the University of Nebraska-Lincoln in 1977.TL Solien has been  invited to  participate in numerous exhibitions  of National and International magnitude including, the 1983 Whitney Biennial, the 39th  Biennial of American Painting at the Corcoran Museum, Washington, D.C.; Avant-Grade in the 80”s, at the Los Angeles County Museum of Art; The American Artist as Printmaker,   Brooklyn Museum NY; Images and Impressions, Walker Art Center, Minneapolis, MN; and Contemporary Drawings, High Museum of Art, Atlanta, GA. Solien was the subject, recently, of a 25 year retrospective at the Madison Museum of Contemporary Art, Madison WI, entitled “ T.L. Solien: Myths and Monsters", as well as a touring exhibition porganized by the Plains Museum of Fargo North Dakota, entitled "Toward the Setting Sun", comprised of 65 work, and supported by a 200 page catalog published and distributed by the University of Minnesota Press.TL Solien has had approximately 40 solo exhibitions over the last 25 years.TL Solien is represented in numerous corporate and public collections including, The Whitney Museum of American Art, New York; The Art Institute of Chicago, IL; The Walker Art Center, Minneapolis;  High Museum of Art, Atlanta; The Metropolitan Museum, New York; The Tate Modern, London;  The Smithsonian Museum ,Washington D.C.;  The Frederick Weisman Foundation, Los Angeles;  The National Museum of American Art, Washington, D.C.;  The Milwaukee Museum of Art, Milwaukee, WI. and  Madison Museum of Contemporary Art, Madison, WI.   TL Solien is currently represented by Tory Folliard Gallery in Milwaukee, and his most recent solo exhibition was at OTI in Los Angeles, CA. If you're enjoying the podcast so far, please rate, review, subscribe and SHARE ON INSTAGRAM!       If you have an any questions you want answered, write in to artmatterspodcast@gmail.com host: Isaac Mannwww.isaacmann.cominsta: @isaac.mann guest: TL Solienhttps://www.solientl.com/insta: @tlsolien

Welcome back to ARTMATTERS: The Podcast for Artists. And we're back with Part 2 of my three-part conversation with Wisconsin-based artist, TL Solien. Today we conclude the exploration of his early (or phase 1) art practice, including a fun description of the origins of his pictographic works. We talk about his early career experiences in visiting and exhibiting in New York City and living for a time in Paris. We discuss family, and home-life, agreements, and finances, the difficulties following the art market crash, and TL's  experience entering the culture of academia. Then we come back around to the concept or self-respect, the second phase of TL's studio practice, collage, Moby Dick, building paintings towards vibration , space, implied linearity and more. As I mentioned last week, I am extremely proud of this interview, and very thankful to my guest for his patience and his willingness to share so much of life with me and the ARTMATTERS listeners. About:T.L Solien, born in Fargo North Dakota in 1949, received a BA degree in Art from Moorhead State University, Moorhead MN in 1973, and an MFA in Painting and Sculpture from the University of Nebraska-Lincoln in 1977.TL Solien has been  invited to  participate in numerous exhibitions  of National and International magnitude including, the 1983 Whitney Biennial, the 39th  Biennial of American Painting at the Corcoran Museum, Washington, D.C.; Avant-Grade in the 80”s, at the Los Angeles County Museum of Art; The American Artist as Printmaker,   Brooklyn Museum NY; Images and Impressions, Walker Art Center, Minneapolis, MN; and Contemporary Drawings, High Museum of Art, Atlanta, GA. Solien was the subject, recently, of a 25 year retrospective at the Madison Museum of Contemporary Art, Madison WI, entitled “ T.L. Solien: Myths and Monsters", as well as a touring exhibition porganized by the Plains Museum of Fargo North Dakota, entitled "Toward the Setting Sun", comprised of 65 work, and supported by a 200 page catalog published and distributed by the University of Minnesota Press.TL Solien has had approximately 40 solo exhibitions over the last 25 years.TL Solien is represented in numerous corporate and public collections including, The Whitney Museum of American Art, New York; The Art Institute of Chicago, IL; The Walker Art Center, Minneapolis;  High Museum of Art, Atlanta; The Metropolitan Museum, New York; The Tate Modern, London;  The Smithsonian Museum ,Washington D.C.;  The Frederick Weisman Foundation, Los Angeles;  The National Museum of American Art, Washington, D.C.;  The Milwaukee Museum of Art, Milwaukee, WI. and  Madison Museum of Contemporary Art, Madison, WI.   TL Solien is currently represented by Tory Folliard Gallery in Milwaukee, and his most recent solo exhibition was at OTI in Los Angeles, CA. If you're enjoying the podcast so far, please rate, review, subscribe and SHARE ON INSTAGRAM!       If you have an any questions you want answered, write in to artmatterspodcast@gmail.com  host: Isaac Mannwww.isaacmann.cominsta: @isaac.mann  guest: TL Solien https://www.solientl.com/insta: @tlsolien

Anxious artists Bea and Molly are back with their first ep of 2024. They discuss how to set a fun, creative project to kickstart your year. Purchase Our Enamel Pin BadgeSend your questions and thoughts to outofinkpodcast@gmail.com | Find us on Instagram: @outofinkpod @beatheillustrator @mollylemonart | Music © Alex Baranowski Our Sponser:During January 2024 head to Magic Mind to get 1 month for free, when you're subscribing for 3 months at: https://www.magicmind.com/JANoutofink AND with our code: OUTOFINK20 It's an extra 20% off, which gets you to a 75% off. This only lasts until the end of January.

This week Wes and Todd sit down with Printmaker, Johanna Mueller. Johanna discusses being an entrepreneur in her youth, having a strong work ethic, her art education, falling in love with printmaking, defending her work in grad school, learning to edit her criticism, finding her voice with printmaking, the printmaking community, Frogman's workshops, wood engraving, printing presses, Wonderhand Studios, Hatch Show Print, what intrigues her about printmaking, process, holy cards & playing cards, the Bible & the birth of modern pornography, the fine art of printmaking, different printmaking processes, defining printmaking, educating people about printmaking, failures, experimenting & exploration, MO'Print, the thought behind her work, Jackalopes, the Sangre de Cristos, subliminal messaging, topographic maps, Wyoming, icons, fetishes & totems, art residencies, Siqueiros, Beth Cavener, the Greeley art community, pricing, editions, collage, selling art and the importance of connection.Join us for a fascinating and exploratory conversation about printmaking with Johanna Mueller! Check out Johanna's beautiful work at her website www.johannamuellerprints.com Follow Johanna Mueller on social media:Instagram - www.instagram.com/johannamuellerprints/@johannamuellerprints Check out the Wonderhand Studios website at www.wonderhandstudios.comFollow Wonderhand Studios on social media:Instagram - www.instagram.com/wonderhandstudios/@wonderhandstudios Check out the MO'Print website for all the events and exhibition for the Month of Printmaking in Denver, March 2024 – www.moprint.org

When it comes to the idea of longevity, my guest on this episode of The Unfinished Print has just that: the hard work and sacrifice to make a career in making mokuhanga, bringing the art form to people worldwide.    Today I speak with mokuhanga printmaker, graphic designer, and writer, Tuula Moilanen. Currently living in Finland, Tuula has made mokuhanga for almost 40 years and has been an essential part of the worldwide mokuhanga community, teaching, instructing and overseeing the art form's growth.   Tuula speaks about her twenty years in Japan, her teachers, and how she views her mokuhanga. We discuss creating work, social media, and the philosophy of art.  Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note if available. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Publishers are given if known. Tuula Moilanen  - website Tetsuya Noda -is a respected printmaker and artist who works with photography, mokuhanga, and serigraphy (silkscreen). Was head of the printmaking department at the National Fine Arts and Music University in Tōkyō until 2006. More info can be found here.  Diary: Nov. 7th ‘68  (#1) 31 15/16" × 31" (1963-1976) Akira Kurosaki 黒崎彰 (1937-2019) - was one of the most influential woodblock print artists of the modern era. His work, while seemingly abstract, moved people with its vibrant colour and powerful composition. He was a teacher and invented the “Disc Baren,” which is a great baren to begin your mokuhanga journey with. At the 2021 Mokuhanga Conference in Nara, Japan there was a tribute exhibit of his life works. Azusa Gallery has a nice selection of his work, here.   Meeting of Comets (1980) 5.7"x 3.9"   Kyoto Seika University - is a private university based in Kyōto, Japan. It is a university focused on art and scholarship. More info, here.    nagashizuki - is a style of paper making in Japan. This way of making paper creates a strong, translucent paper good for multiple uses. For a more detailed analysis of creating this type of washi check out Awagami's description, here.    shodo -is the name attributed to calligraphy in the Japanese style, which involves writing characters using a brush and ink. mokulito - a type of lithography which incorporated woodblock. Artist Danielle Creenaune uses mokulito in her work. She has a fine detailed explanation on its uses, here.     shina - is a type of Japanese plywood used in mokuhanga. Not all shina is made equally, buyer beware.   Utagawa Kuniyoshi (1798-1861) - is considered one of the last “masters” of the ukiyo-e genre of Japanese woodblock printmaking. His designs range from landscapes, samurai and Chinese military heroes, as well as using various formats for his designs such as diptychs and triptychs.   Taira Kiyomori from the series Meiko hyaku yuden 名高百勇傳 published by Izumiya Ichibei    Keizo Sato - is a mokuhanga printmaker who owns and operates a shop in Kyoto making reproductions of ukiyo-e prints. He has demonstrated at the International Mokuhanga Conference, in 2011. Has been associated with the Adachi Foundation of Woodblock Print Preservation.    takuhon - is a style of printmaking one in which the pigments are rubbed into the washi with a type of pad. Printmaking At Newcastle University on YouTube has a fine video about the process, here.    hyōgu - is a traditional Japanese process of mounting calligraphy and paper works such as paintings.   intaglio printing - is a printing method, also called etching, using metal plates such as zinc, and copper, creating “recessed” areas which are printed with ink on the surface of these "recesses.” More info, here. The MET has info, here.     European woodcuts - woodcuts began in Europe in 1400; the woodcut/woodblock tradition has long been in Western Europe. These prints gained prominence during the late Middle Ages (500-14/1500 AD) and the Renaissance (14th Century - 17th Century AD), spreading visual information from religious iconography to political propaganda. Some famous artists we know today are Albrecht Dürer (1471-1528) and Titian (? - 1576).    © Popular Wheat Productions opening and closing musical credit - Put It Down by Otis McDonald, John Patittuci, and Mike Chiavarro, from their single Put It Down released on TrackTribe (2023) logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***                

Anxious artists Bea and Molly return for a Christmas special! There's an anxiety scale of festive songs plus it's Christmas quiz time! Don't forget to subscribe/follow so you know when they're back in 2024! Send your questions and thoughts to outofinkpodcast@gmail.com | Find us on Instagram: @outofinkpod @beatheillustrator @mollylemonart | Music © Alex Baranowski

It's been said before, yet I feel it's worth repeating that when making mokuhanga, you don't make it alone. So many people influence us that it may be difficult to pinpoint who or what impacts our creative lives the most.    In this episode of the Unfinished Print I speak with mokuhanga printmaker Hellory. Based in Italy, Hellory makes multi-colour mokuhanga with luxury techniques. She learned these techniques from her mentor, Giovanni Berio Ligustro.  We discuss the intertwined artistic lives of Hellory and Ligustro. What learning from a mentor was like, what studying and assisting her teacher did for her work, and Hellory shares with me how she creates her mokuhanga using deluxe techniques such as gold leaf, mica, embossing, glassing and more.   Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Hellory - website Giovanni Berio Ligustro (1924-2015) - website © Popular Wheat Productions opening and closing musical credit - Bobcaygeon by The Tragically Hip. Released on their Phantom Power album in 1998 on Universal Records.  logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***          

This month anxious artists Bea and Molly discuss burnout when running a small business. Plus Molly isn't a fan of the anxiety scale... movie genres. Purchase Our Enamel Pin BadgeSend your questions and thoughts to outofinkpodcast@gmail.com | Find us on Instagram: @outofinkpod @beatheillustrator @mollylemonart | Music © Alex Baranowski 

As Black Friday and January sales are on the horizon this month anxious artists Bea and Molly discuss sales and discounts. For the anxiety scale they discusses their favourite (and least favourite) things about Autumn.  Purchase Our Enamel Pin BadgeSend your questions and thoughts to outofinkpodcast@gmail.com | Find us on Instagram: @outofinkpod | Find Bea and Molly on Instagram: @beatheillustrator @mollylemonart | Music © Alex Baranowski 

The wonderful Althea Murphy-Price joins the Studio Noize fam today! Althea is an awesome printmaker and professor at the University of Tennessee- Knoxville. Her work explores the politics and culture of Black women's hair. She's not confined to one medium in her exploration. She does lithography, screenprinting, collage, photography, and 3D printing. We talked about what inspired her to do so much experimentation and where she found her love for printmaking. Of course, we talk about her wonder work, ideas of realness and perfection, adornment of little girls, being a “good printer,” and much more. Two printmakers that love printmaking talking that good art talk like you like it. It's the Noize! Listen, subscribe, and share!Episode 178 topics include:Falling in love with printmakingstruggling with letting gogetting into teaching having an artistic communitythe politics of Black women's hairexperimenting with materialsbeing a good printerusing technology in experimentingmaking mistakes in the print shopAlthea Murphy-Price is inspired by the social implication of beauty and its relationship to female identity, women, and culture. Topics of real and false, decoration, and imitation are explored in two and three-dimensional working methods, using traditional and non-conventional approaches to printmaking and sculpture.Althea Murphy-Price began her studies in Fine Art at Spelman College before receiving her Master of Arts in Printmaking and Painting from Purdue University and later studying at the Tyler School of Art, Temple University, where she earned her Master of Fine Arts. Her artwork has been shown widely throughout the country and in international cities in Spain, China, Japan, Italy and Sweden. Her writings and work have been featured in such publications as Art Papers Magazine, CAA Reviews, Contemporary Impressions Journal, Art in Print, Printmaking: A Complete Guide to Materials and Process., and Printmakers Today.See more: Althea Murphy-Price website + Althea Murphy-Price IG @altheamurphypricePresented by: Black Art In AmericaFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast