Podcasts about cleveland museum

On this episode we're joined by Daniel Newman. Daniel is a digital content producer for Cleveland Jewish News in Cleveland Ohio. He's an early-career journalist who also spent a year as a news reporter for the Tribune Chronicle in Warren, Ohio. He's a native of Youngstown, Ohio and a 2023 graduate of Cleveland State University, where he spent a year as news editor of the student newspaper. Daniel discussed his upbringing and multi-layered racial religious background and what he's enjoying about working for a Jewish media outlet. He walked us through the different elements of his job, gave examples of what he's covered, and shared several other interests he has.Work example: Cleveland Museum of Natural History TransformationDaniel's salute: Chris McBride, Tribune-ChronicleThank you as always for listening. Please send us feedback to journalismsalute@gmail.com  Visit our website: thejournalismsalute.org Mark's website (MarkSimonmedia.com)Tweet us at @journalismpod and Bluesky at @marksimon.bsky.socialSubscribe to our newsletter– journalismsalute.substack.com

Sonia Winner is the CEO of the Cleveland Museum of Natural History. In July 2018, she became the 10th director of the Museum in its more than 100-year history, dating back to 1920. Since then, she has spearheaded a $150 million reinvention of the institution—reimagining its campus and exhibits to highlight the interconnectedness of life on Earth.Under her leadership, the Museum continues its century-long legacy as one of the nation's top natural history institutions, stewarding over 12,000 acres of protected ecosystems and housing more than 5 million artifacts and specimens. It is supported by a nearly 60-member Board of Directors, 140 staff members, and approximately $282 million in assets.Before joining CMNH, Sonia built an impressive career in higher education and philanthropy. At Columbia University, she led record-breaking fundraising efforts, helping to secure $6.1 billion for the university. Prior to that, she held leadership roles at Case Western Reserve University, serving as associate dean of both the Weatherhead School of Management and the School of Law. A lawyer by training, she also served as Director of the Cleveland-Marshall College of Law at Cleveland State University.This was an amazing conversation! Sonia's passion for this work shines through as we explore the transformative power of museums, cultivating childhood curiosity, the Museum's rich history and legacy, her personal journey to leading a major cultural institution, the ambitious centennial project aimed at revitalizing the museum experience, the overall business of museums, and so much more.00:00:00 – The Magic of Museums and Childhood Curiosity  00:06:59 – Personal Reflections on Museums and Nature  00:09:07 – Sonia's Journey to the Museum Leadership  00:16:42 – Understanding the Cleveland Museum of Natural History  00:17:02 – The Museum's Legacy and Community Impact  00:19:56 – Honoring History While Embracing Change  00:25:50 – The Centennial Project and Its Vision  00:31:52 – The Business of Museums: Challenges and Opportunities  00:35:15 – Balancing Accessibility and Sustainability in Museums  00:36:28 – Creating Memorable Visitor Experiences  00:37:38 – Dinosaurs: The Gateway to Natural History  00:40:45 – The Role of Museums in Scientific Literacy  00:45:22 – Trust in Museums: A Reflection of Society  00:47:41 – Understanding the Value of Local Museums  00:50:04 – Personal Stories and the Impact of Museums  00:52:03 – The Future of Museums: Programming and Community Engagement  00:53:13 – Leadership Lessons in the Museum Sector  00:56:43 – Women in Leadership: Challenges and Opportunities  00:57:27 – Hidden Gem -----LINKS:https://www.cmnh.org/https://www.linkedin.com/in/sonia-winner-2699123/-----SPONSOR:Roundstone InsuranceRoundstone Insurance is proud to sponsor Lay of The Land. Founder and CEO, Michael Schroeder, has committed full-year support for the podcast, recognizing its alignment with the company's passion for entrepreneurship, innovation, and community leadership.Headquartered in Rocky River, Ohio, Roundstone was founded in 2005 with a vision to deliver better healthcare outcomes at a more affordable cost. To bring that vision to life, the company pioneered the group medical captive model — a self-funded health insurance solution that provides small and mid-sized businesses with greater control and significant savings.Over the past two decades, Roundstone has grown rapidly, creating nearly 200 jobs in Northeast Ohio. The company works closely with employers and benefits advisors to navigate the complexities of commercial health insurance and build custom plans that prioritize employee well-being over shareholder returns. By focusing on aligned incentives and better health outcomes, Roundstone is helping businesses save thousands in Per Employee Per Year healthcare costs.Roundstone Insurance — Built for entrepreneurs. Backed by innovation. Committed to Cleveland.-----Stay up to date by signing up for Lay of The Land's weekly newsletter — sign up here.Past guests include Justin Bibb (Mayor of Cleveland), Pat Conway (Great Lakes Brewing), Steve Potash (OverDrive), Umberto P. Fedeli (The Fedeli Group), Lila Mills (Signal Cleveland), Stewart Kohl (The Riverside Company), Mitch Kroll (Findaway — Acquired by Spotify), and over 200 other Cleveland Entrepreneurs.Connect with Jeffrey Stern on LinkedIn — https://www.linkedin.com/in/jeffreypstern/Follow Lay of The Land on X @podlayofthelandhttps://www.jeffreys.page/

In another Zachless episode, Kevin is joined by Missy Fryer, Al  and special guest Jamie Flanagan from CareStack for a candid discussion about their practice's transition to the CareStack dental software platform. They move beyond the hype to share their specific experiences, highlighting the intuitive interface, the power of the real-time dashboard, the efficiency gains from Voice Stack's AI call logging, and the stress reduction from using Care Revenue for insurance management. Discover how consolidating multiple functions into one cloud-based system improved transparency, streamlined workflows, enhanced cash flow, and even made onboarding new team members easier. Some links from the show: CareStack 3D Dentists Cleveland Museum of Natural History: https://www.cmnh.org/ Cleveland Museum of Art: https://www.clevelandart.org/ Great Lakes Science Center: https://greatscience.com/ A Christmas Story House: https://www.achristmasstoryhouse.com/ Minnesota Renaissance Festival: https://www.renaissancefest.com/ If you decide to look in to CareStack, be sure to let them know that you heard about them on the podcast! Join the Very Dental Facebook group using the password "Timmerman," Hornbrook" or "McWethy," "Papa Randy" or "Lipscomb!" Very Clinical is brought to you by Zirc Dental Products, Inc., your trusted partner in dental efficiency and organization. The Very Clinical Corner segment features Kate Reinert, LDA, an experienced dental professional passionate about helping practices achieve clinical excellence.  Connect with Kate Reinert on LinkedIn: Kate Reinert, LDA  Book a call with Kate: Reserve a Call  Ready to upscale your team? Explore Zirc's solutions today: zirc.com  

What makes people want to go to museum? How can they ensure they still remain relevant? I spend a lot of my time in museums.  They inspire me, inform me and put me into mindsets I wouldn't otherwise be in.  So I wanted to learn more about them.Episode Summary On this episode, I sit down with Matthew McNerney, Chief Creative Officer of Luci Creative, to explore the hidden psychology behind museum design. Matthew has worked on everything from the Lego House in Denmark to presidential libraries, science museums, and even the NASCAR Hall of Fame.Together, we dive into the ways museum spaces are meticulously crafted to shape how we learn, feel, and interact with history, culture, and ideas. We also discuss the challenges museums face today—from declining visitor numbers to evolving audience expectations—and what it takes to design experiences that are both educational and entertaining.Along the way, Matthew shares fascinating insights from his career, from how a single professor changed the trajectory of his life to the unexpected lessons learned from working on hospital play spaces. If you've ever been inspired by a museum visit or wondered why some exhibits engage while others fall flat, this conversation is for you.Guest Biography: Matthew McNerney Matthew McNerney is the Chief Creative Officer at Luci Creative, a museum and brand experience design firm that works at the intersection of curiosity and change. His work spans a vast array of projects, from designing experiences for the Lego House in Billund, Denmark, to working on presidential libraries, science museums, and the NASCAR Hall of Fame. Matthew's career in museum design began in an unexpected way — he originally considered becoming a wedding designer before a professor introduced him to the world of exhibition design.Since then, he has spent over 20 years in the field, crafting experiences that spark curiosity and create lasting impressions. His work is deeply influenced by behavioral science, storytelling, and the psychology of engagement, all of which help him transform physical spaces into immersive learning environments.Beyond museums, Matthew has also worked on brand experiences, including designing retail environments for New Balance and flagship stores for Tiffany & Co. His expertise lies in creating multisensory experiences that connect people with content in compelling ways. AI-Generated Timestamped Summary[00:00:00] Introduction[00:01:00] Introducing Matthew McNerney and his work in museum design[00:02:00] How Matthew got into museum design—pivoting from wedding planning[00:06:00] The role of museums in shaping collective memory and conversatio[00:08:00] How museums balance education and entertainment[00:11:00] The variety of projects Matthew has worked on, from LEGO to NASCAR[00:14:00] The complexity of designing exhibits that engage diverse audiences[00:17:00] Museums as the most trusted institutions—but with declining attendance[00:19:00] Competing for attention: Museums vs. other forms of entertainment[00:24:00] The challenges of working with subject-matter experts and overcoming "the curse of passion"[00:29:00] The Mona Lisa effect—why some artworks become pilgrimage sites[00:32:00] Designing for different visitor experiences and expectations[00:37:00] Using behavioral science to map visitor engagement strategies[00:40:00] The hidden barriers that stop people from visiting museums[00:45:00] The challenge of curating history while staying objective[00:50:00] Creating curiosity: Making museums a launchpad for deeper exploration[00:53:00] How Lego taught Matthew a lesson about designing for engagement[00:55:00] Gamifying museum experiences—how the Cleveland Museum of Art makes learning fun[00:57:00] The risks and security challenges of modern museum spaces[01:00:00] Matthew's favorite museum recommendations[01:02:00] Where to find Matthew's work and final thoughtsLinks & ReferencesLuci Creative – https://lucicreative.com/Matthew McNerney's Website – https://matthewmcnerney.com/Lego House, Billund, Denmark – https://www.legohouse.com/Tenement Museum, New York – https://www.tenement.org/Micropia, Amsterdam – https://www.micropia.nl/en/Cleveland Museum of Art – ArtLens Exhibit – https://www.clevelandart.org/artlens-galleryPrevious episode of the show featuring Professor Tom Schössler talking about museum innovation - https://www.humanriskpodcast.com/professor-tom-schossler-on-deploying/

Where would we be without music? Without the arts? Imagine a world without the rush of a live performance, the thrill of harmony, or the power of a single note to move you. Music fuels our imagination, sparks emotions, and connects us across generations and cultures. Chamber music, in particular, is storytelling at its most intimate—a soul-stirring conversation between instruments that transcends words.And thanks to the Cleveland Chamber Music Society, we don't have to travel to the great concert halls of Europe to experience it. Joining Speaking of Travel is Steve Somach, Program Committee Chair of the Cleveland Chamber Music Society, and Gabe Pollack, the Director of Performing Arts at the Cleveland Museum of Art. As the Cleveland Chamber Music Society celebrates its milestone 75th anniversary, the organization is expanding its reach, collaborating with the Cleveland Museum of Art to make chamber music more accessible than ever. This partnership brings performances into one of the city's most treasured cultural spaces, ensuring that audiences can experience the magic of live chamber music. Don't miss this unforgettable, and exceptional, season! Tune in for a fabulous conversation. Only on Speaking of Travel! Thanks for listening to Speaking of Travel! Visit speakingoftravel.net for travel tips, travel stories, and ways you can become a more savvy traveler.

Stephen McHale — a long-time Cleveland serial entrepreneur with a 40-year career founding, investing in, and building companies.Most notably, Steve served as Chairman of the Board and Chief Executive Officer of Explorys, which he formed in 2009 in partnership with The Cleveland Clinic. He co-founded and funded Explorys with Charlie Lougheed, one of my former co-founders from Axuall, where Steve is also a board member.In six years, Explorys became the leader in leveraging electronic medical records, healthcare big data, and value-based-care analytics, spanning 26 healthcare networks, 60 hospitals, and 60 million patients across the US — ultimately leading to its acquisition by IBM in April 2015.Prior to Explorys, Steve served as the Chairman of the Board and CEO of Everstream, the company he founded in 1999 which was sold to Concurrent [NASDAQ: CCUR] in 2005 as a market leader in broadband and content analytics.Beyond his roles serving on Boards of The Cleveland Clinic, Cleveland Orchestra, Cleveland Museum of Natural History, JumpStart, and others, today he serves as the co-founder and director of Unify Labs — a 501c3 he formed in 2017 to power inclusive prosperity — and CEO of Graici, a universal personal AI-powered assistant inspired by the work and research conducted at Unify Labs.-----LINKS:https://graici.com/about-graicihttps://www.unifylabs.org/https://www.linkedin.com/in/stmchale/-----SPONSORS: John Carroll University Boler College of Business || Impact Architects & NinetyJohn Carroll University Boler College of Business: https://business.jcu.edu/ As we've heard time and time again from entrepreneurs on Lay of The Land — many of whom are proud alumni of John Carroll University —  success in this ever-changing world of business requires a dynamic and innovative mindset, deep understanding of emerging technology and systems, strong ethics, leadership prowess, acute business acumen… all qualities nurtured through the Boler College of Business!With 4 different MBA programs of study — spanning Professional, Online, Hybrid, and 1-Year-Flexible — The Boler College of Business provides flexible timelines and various class structures for each MBA Track — including online, in-person, hybrid and asynchronous — to offer the most effective options for you, in addition to the ability to participate in an elective International Study Tour, providing unparalleled opportunities to expand your global business knowledge by networking with local companies overseas and experiencing a new culture.The career impact of a Boler MBA is formative and will help prepare you for this future of business and get more out of your career. To learn more about John Carroll University's Boler MBA programs, please go to business.jcu.eduThe Boler College of Business is fully accredited by AACSB International, the highest accreditation a College of Business can have.Impact Architects & NinetyLay of The Land is brought to you by Ninety. As a Lay of The Land listener, you can leverage a free trial with Ninety, the platform that helps teams build great companies and the only officially licensed software for EOS® — used by over 7,000 companies and 100,000 users!This episode is brought to you by Impact Architects. As we share the stories of entrepreneurs building incredible organizations throughout NEO, Impact Architects helps those leaders — many of whom we've heard from as guests on Lay of The Land — realize their visions and build great organizations. I believe in Impact Architects and the people behind it so much, that I have actually joined them personally in their mission to help leaders gain focus, align together, and thrive by doing what they love! As a listener, you can sit down for a free consultation with Impact Architects by visiting ia.layoftheland.fm!-----Stay up to date by signing up for Lay of The Land's weekly newsletter — sign up here.Past guests include Justin Bibb (Mayor of Cleveland), Pat Conway (Great Lakes Brewing), Steve Potash (OverDrive), Umberto P. Fedeli (The Fedeli Group), Lila Mills (Signal Cleveland), Stewart Kohl (The Riverside Company), Mitch Kroll (Findaway — Acquired by Spotify), and over 200 other Cleveland Entrepreneurs.Connect with Jeffrey Stern on LinkedIn — https://www.linkedin.com/in/jeffreypstern/Follow Jeffrey Stern on X @sternJefe — https://twitter.com/sternjefeFollow Lay of The Land on X @podlayofthelandhttps://www.jeffreys.page/

Todd Mesek Chief Marketing Officer Communications and External Relations The Cleveland Museum of Art spoke to Bill about Pablo Picasso's prolonged engagement with paper is the subject of the groundbreaking exhibition Picasso and Paper, organized by the CMOA and the Royal Academy of Arts, London. Sunday, December 8, 2024–Sunday, March 23, 2025

A 2025 preview: Georgina Adam, our editor-at-large, tells host Ben Luke what might lie ahead for the market. And Ben is joined by Jane Morris, editor-at-large, and Gareth Harris, chief contributing editor, to select the big museum openings, biennials and exhibitions.All shows discussed are in The Art Newspaper's The Year Ahead 2025, priced £14.99 or the equivalent in your currency. Buy it here.Exhibitions: Site Santa Fe International, Santa Fe, US, 28 Jun-13 Jan 2026; Liverpool Biennial, 7 Jun-14 Sep; Folkestone Triennial, 19 Jul-19 Oct; Ruth Asawa: A Retrospective, San Francisco Museum of Modern Art, 5 Apr-2 Sep; Museum of Modern Art (MoMA), New York, 19 Oct-7 Feb 2026; Gabriele Münter, Guggenheim Museum, New York, 7 Nov-26 Apr 2026; Musée d'Art Moderne de Paris, 4 Apr-24 Aug; Elizabeth Catlett: a Black Revolutionary Artist, Brooklyn Museum, New York, until 19 Jan; National Gallery of Art (NGA), Washington DC, 9 Mar-6 Jul; Art Institute of Chicago, US, 30 Aug-4 Jan 2026; Ithell Colquhoun, Tate Britain, London, 13 Jun-19 Oct; Abstract Erotic: Louise Bourgeois, Eva Hesse, Alice Adams, Courtauld Gallery, London, 20 Jun-14 Sep; Michaelina Wautier, Kunsthistorisches Museum, Vienna, 30 Sep-25 Jan 2026; Radical! Women Artists and Modernism, Belvedere, Vienna, 18 Jun-12 Oct; Dangerously Modern: Australian Women Artists in Europe, Art Gallery of South Australia, Adelaide, 24 May-7 Sep; Art Gallery of New South Wales, Sydney, 11 Oct-1 Feb 2026; Lorna Simpson: Source Notes, Metropolitan Museum of Art, New York, 19 May-2 Nov; Amy Sherald: American Sublime, SFMOMA, to 9 Mar; Whitney Museum of American Art, New York, 9 Apr-Aug; National Portrait Gallery, Washington DC, 19 Sep-22 Feb 2026; Shahzia Sikander: Collective Behavior, Cincinnati Art Museum, 14 Feb-4 May; Cleveland Museum of Art, US, 14 Feb-8 Jun; Cantor Arts Center, Stanford, US, 1 Oct-25 Jan 2026; Jenny Saville: The Anatomy of Painting, National Portrait Gallery, London, 20 Jun-7 Sep; Linder: Danger Came Smiling, Hayward Gallery, London, 11 Feb-5 May; Arpita Singh, Serpentine Galleries, London, 13 Mar-27 Jul; Vija Celmins, Beyeler Collection, Basel, 15 Jun-21 Sep; An Indigenous Present, ICA/Boston, US, 9 Oct-8 Mar 2026; The Stars We Do Not See, NGA, Washington, DC, 18 Oct-1 Mar 2026; Duane Linklater, Dia Chelsea, 12 Sep-24 Jan 2026; Camden Art Centre, London, 4 Jul-21 Sep; Vienna Secession, 29 Nov-22 Feb 2026; Emily Kam Kngwarray, Tate Modern, London, 10 Jul-13 Jan 2026; Archie Moore, Queensland Gallery of Modern Art, 30 Aug-23 Aug 2026; Histories of Ecology, MASP, Sao Paulo, 5 Sep-1 Feb 2026; Jack Whitten, Museum of Modern Art, New York, 23 Mar-2 Aug; Wifredo Lam, Museum of Modern Art, Rashid Johnson, Solomon R. Guggenheim Museum, New York, 18 Apr-18 Jan 2026; Adam Pendleton, Hirshhorn Museum and Sculpture Garden, Washington DC, 4 Apr-3 Jan 2027; Marie Antoinette Style, Victoria and Albert Museum, London, 20 Sep-22 Mar 2026; Leigh Bowery!, Tate Modern, 27 Feb- 31 Aug; Blitz: the Club That Shaped the 80s, Design Museum, London, 19 Sep-29 Mar 2026; Do Ho Suh, Tate Modern, 1 May-26 Oct; Picasso: the Three Dancers, Tate Modern, 25 Sep-1 Apr 2026; Ed Atkins, Tate Britain, London, 2 Apr-25 Aug; Turner and Constable, Tate Britain, 27 Nov-12 Apr 2026; British Museum: Hiroshige, 1 May-7 Sep; Watteau and Circle, 15 May-14 Sep; Ancient India, 22 May-12 Oct; Kerry James Marshall, Royal Academy of Arts, London, 20 Sep-18 Jan 2026; Kiefer/Van Gogh, Royal Academy, 28 Jun-26 Oct; Anselm Kiefer, Ashmolean Museum, Oxford, 14 Feb-15 Jun; Anselm Kiefer, Van Gogh Museum, Stedelijk Museum, Amsterdam, 7 Mar-9 Jun; Cimabue, Louvre, Paris, 22 Jan-12 May; Black Paris, Centre Pompidou, Paris, 19 Mar-30 Jun; Machine Love, Mori Art Museum, Tokyo, 13 Feb-8 Jun Hosted on Acast. See acast.com/privacy for more information.

Ep.227 Zohra Opoku examines the politics of personal identity formation through historical, cultural, and socio-economic influences, particularly in the context of contemporary Ghana. Opoku's explorations have primarily been expressed through her photography, which she translates into screen printing. This process has led to a collage art practice that combines hand-stitched embroidery on various pre-dyed natural fabrics. She also incorporates references from West African brass-making traditions into her work, which can be experienced as applications on the textile pieces or as sculptures themselves. While her work relays social commentary and broadly relevant themes around the human experience, each of Zohra's explorations is intimately rooted in personal identity politics. She repeatedly integrates family heirlooms and her own self-image into her visual observations of Ghana's cultural memory. In 2023, she is among the artists exhibited in the 15th edition of Sharjah Biennale ‘Thinking Historically in the Present' (United Arab Emirates), as Black Rock Sénégal Alumni at 14th edition of DAK'ART ‘Forger/Out Of Fire' in 2022 and at 7th Athens Biennale ‘Eclipse'(Greece) 2021. She has exhibited internationally such as the Brooklyn Museum (NYC), The Museum for Photography (Chicago), The Cleveland Museum of Art, High Museum of Art (Atlanta), Kunsthaus Hamburg, Kunstmuseum Wolfsburg, Musée de l'Ethnographie (Bordeaux), Guggenheim Museum (Bilbao), Kunsthal Rotterdam, Archaeological Museum of Mykonos, Southbank Centre / Hayward Gallery (London), TATE London, SAVVY Contemporary (Berlin), Palais Populaire (Berlin), National Museum Nairobi, CCA Lagos, Nubuke Foundation (Accra) and RAW Material Company (Dakar). Her work is collected by renowned institutions such as the Los Angeles County Museum of Art, Los Angeles; CCS Bard College Hessel Museum of Art, Annandale-on-Hudson, NY; The Royal Museum of Ontario Toronto, Ontario; The Faurschou Foundation, Copenhagen, Denmark; TATE Modern, London, United Kingdom; The Onassis Collection, Athens, Greece and The Centre Pompidou, Paris, France. Zohra Opoku is born 1976 in Altdöbern (former GDR/ East Germany), lives and works in Accra/ Ghana and is represented by Mariane Ibrahim Gallery Chicago / Paris / Mexico City. Photo credit Nii Odzenma Artist https://www.zohraopoku.com/ Mariane Ibrahim Gallery https://marianeibrahim.com/artists/33-zohra-opoku/ Berlin Art Institute https://berlinartinstitute.com/visit-to-zohra-opoku-at-suite-berlin-and-mariane-ibrahim/ deCordova Sculpture Park and Museum https://thetrustees.org/exhibit/platform-33-zohra-opoku-self-portraits/ Interior Design https://interiordesign.net/designwire/10-questions-with-textile-artist-zohra-opoku/ Financial Times https://www.ft.com/content/2d916c9b-fafe-457e-8d21-0b6763430668 C& https://contemporaryand.com/magazines/zohra-opoku-empowering-children-of-color-to-love-themselves/ The Art Newspaper https://www.theartnewspaper.com/2024/09/10/four-galleries-and-four-artists-team-up-on-collaborative-project-suite-berlin Aperture https://aperture.org/editorial/zohra-opokus-evocative-reflections-on-mortality-and-resilience/ NYTimes https://www.nytimes.com/2023/07/14/arts/design/african-royalty-tate-modern.html The Guardian https://www.theguardian.com/artanddesign/2021/nov/01/laced-cut-mix-review-new-art-exchange-nottingham Wikipedia https://en.wikipedia.org/wiki/Zohra_Opoku

Lana Z Caplan works across various media – including single-channel films or videos in essay form, interactive installations, video art, and photography. Her recent photographic monograph, Oceano (for seven generations) published by Kehrer Verlag in 2023, contrasts the historic inhabitants of California's Oceano Dunes – the Indigenous Chumash and a colony of depression-era artist and mystic squatters – with the current ATV riding community which is the source of a public health crisis in neighboring communities. Oceano (for seven generations) is in the collection of museums including Los Angeles County Museum of Art, The Getty Museum, Museum of Fine Arts Boston and The Cleveland Museum of Art. Her work has been reviewed and featured in publications such as ARTnews, LA Times, , and The Boston Globe and she has received several grants including from Massachusetts Cultural Council and the Film/Video Studio Program Fellowship at the Wexner Center for the Arts in Columbus, OH. Caplan earned her BA and BS from Boston University, her MFA from Massachusetts College of Art and is currently an Associate Professor of Photography and Video at Cal Poly, San Luis Obispo. Resources Lana Z. Caplan Websites Photo Workshops Tokyo Exploration Workshop with Ibarionex Perello Sponsors Playpodcast Podcast App Charcoal Book Club Chico Review Photobook Retreat Frames Magazine Education Resources: Momenta Photographic Workshops Candid Frame Resources Download the free Candid Frame app for your favorite smart device. Click here to download it for . Click here to download Contribute a one-time donation to the show thru Buy Me a Coffee Support the work at The Candid Frame by contributing to our Patreon effort.  You can do this by visiting or the website and clicking on the Patreon button. You can also provide a one-time donation via . You can follow Ibarionex on and .

In this episode of PhotoWork with Sasha Wolf, Sasha is joined by photographer, publisher, and educator, Ed Panar. They delve into "Winter Nights, Walking" (Spaces Corners), a nightly walk through his hometown of Pittsburgh, Pennsylvania, during the cold winter months shot over a 10 year period. Ed also describes the evolution of his process as the photo industry moved from the film era to the digital era and how that affected his work. Ed and Sasha discuss their optimistic views of our very connected photo community and how Ed and Melissa Catanese helped grow that community with their imprint and former community space, Spaces Corners. https://edpanar.com ||| https://spacescorners.com/shop/p/winter-nights-walking-by-ed-panar Ed Panar is a Pittsburgh based photographer and bookmaker. Ed has published several photobooks including: Winter Nights, Walking (2023), In the Vicinity (2018), Animals That Saw Me Volume One and Volume Two (2011 and 2016), Salad Days (2012), Same Difference (2010), and Golden Palms (2007). His photographs and books have been exhibited internationally at venues including: The Museum of Contemporary Photography, Chicago, MiCamera, Milan, The New York Photography Festival, The Cleveland Museum of Art and Pier 24 Photography in San Francisco. He is the recipient of a 2007 Artist Fellowship from the Pennsylvania Council of the Arts and in 2022 he relieved a Creative Development Award from The Heinz Endowments and a Guggenheim Fellowship. Ed is co-founder of the project space and publisher Spaces Corners. This podcast is sponsored by picturehouse + thesmalldarkroom. https://phtsdr.com

Ep.225 Mario Moore, a Detroit native, received a BFA from the College for Creative Studies, Detroit, MI in 2009 and an MFA in Painting from the Yale School of Art, New Haven, CT in 2013. He is a recent Kresge Arts Fellow (2023) and a recipient of the prestigious Princeton Hodder Fellowship (2018-2019). He also has been awarded residencies at Duke University, Josef and Annie Albers Foundation, Fountainhead, and Knox College. Moore's work is in the permanent collections of but not limited to the Detroit Institute of Arts, Princeton University Art Museum and The Studio Museum in Harlem. Moore's work has been widely exhibited, including at the Smart Museum of Art, Chicago, IL; Cranbrook Art Museum, Bloomfield Hills, MI; Jeffrey Deitch Gallery, Los Angeles, CA; Arthur Roger Gallery, New Orleans, LA; The Cleveland Museum of Art, and Colby College Museum of Art. Mario Moore / Enshrined: Presence & Preservation exhibition—Moore's largest survey of work to date—opened at the Charles H. Wright Museum of African American History, Detroit in June 2021 and traveled to the California African American Museum (CAAM) in March 2022, his first solo exhibition on the West Coast]. Moore's most recent traveling museum exhibition, Revolutionary Times opened at the Flint Institute of Arts in January 2024 and closed at the Grand Rapids Art Museum in August 2024. Mario Moore currently works and lives in Detroit, MI. Headshot by Danielle Eliska Artist https://www.mariomoorestudio.com/ ABC news https://www.abc12.com/video/detroit-native-brings-revolutionary-times-to-the-flint-institute-of-arts/video_1a604728-0a2e-5a4b-969d-f0304557c2a1.html Hour Detroit https://www.hourdetroit.com/art-topics/two-new-exhibitions-at-cranbrook-art-museum-highlight-detroit-artists/ Canvas Rebel https://canvasrebel.com/meet-mario-moore/ David Klein Gallery https://www.dkgallery.com/artists/45-mario-moore/ Grand Rapids Art Museum https://www.artmuseumgr.org/press-releases/artist-mario-moore-bridges-untold-stories-of-americas-past-and-present-at-the-grand-rapids-art-museum Kresege Arts https://kresgeartsindetroit.org/artist/mario-moore/ Shondaland https://www.shondaland.com/act/a40458000/detroit-artist-mario-moore-interview/ Outlier Media https://outliermedia.org/mario-moore-artist-detroit-painter-interview/ LSU Museum of Art https://www.lsumoa.org/mario-moore-responding-to-history CAA Museum https://caamuseum.org/exhibitions/2022/enshrined-presence-preservation Duke Arts https://arts.duke.edu/projects/mario-moore/ Duke Form https://www.dukeform.co/all-content/mario-moore Sakehile & Me https://www.sakhileandme.com/artists/mario-moore.htm Cranbrook Art Museum https://cranbrookartmuseum.org/events/artist-led-tour-skilled-labor-mario-moore-sabrina-nelson-richard-lewis/ CCS Detroit https://www.ccsdetroit.edu/news/mario-moore-honored-with-ccss-2023-distinguished-alumni-award/ Detroit Metro Times https://www.metrotimes.com/arts/mario-moore-tells-detroits-underground-railroad-history-in-new-exhibit-midnight-and-canaan-31303155 Cultured Mag https://www.culturedmag.com/article/2022/11/02/mario-moore-painting-black-history Princeton University https://www.cnn.com/2020/01/01/us/princeton-university-portraits-workers-trnd/index.html The Art Newspaper https://www.theartnewspaper.com/2020/01/20/princeton-artist-fellow-mario-moore-celebrates-african-american-workers

Episode No. 680 features artist Ronny Quevedo and curator Jillian Kruse. The Menil Drawing Institute is presenting "Wall Drawing Series: Ronny Quevedo" through August 2025. The work on view, titled C A R A A C A R A, is a site-specific drawing that explores the relationship between origin, transfer, and translation. Each of the drawing's three panels reveals a different step in Quevedo's process. The presentation was curated by Kelly Montana. Quevedo has had a solo show at the Queens Museum, New York. He's been included in group shows at the Buffalo AKG Museum, the San Francisco Museum of Modern Art, and more. Kruse is the curator of "Imagination in the Age of Reason" at the Cleveland Museum of Art. The exhibition examines how Enlightenment artists presented fantasy and folly in works on paper during an era obsessed with truth and knowledge. It is on view through March 2, 2025. Instagram: Ronny Quevedo, Tyler Green.

My guest this week is Christine DeJesus. Christine operates at the intersection of regenerative organic agriculture and social justice. For five years she's been perfecting a highly efficient organic cultivation model while managing operations for Galenas Cannabis in Akron, Ohio. Prior she worked in food justice, ran a farm for Great Lakes Brewing Company, functioned as campaign coordinator for Marijuana Policy Project, and co-founded the Midwest CannaWomen. She was featured in the documentary “Polycultures: Food Where We Live,” with Michael Pollan, and at the “My Global Kitchen” exhibit at the Cleveland Museum of Natural History. Christine is a creative writer, a columnist for Cannabis Business Times magazine, and holds degrees from both Kent State and the University of Pittsburgh. In her current role, she focuses on keeping plants, processes, and people healthy and productive while delivering top-tier quality cannabis flower to Ohio consumers. Christine also works with home-growers to bring commercial-level success to their backyard gardens.

We mark Native American Heritage Month with artist Rose B. Simpson (Santa Clara Pueblo) who discusses her work in large-scale public art, and her journey as a creative rooted in Santa Clara Pueblo heritage. Simpson reflects on her process, exploring themes of protection, generational healing, and the deep connection between her art, identity, and community.  Simpson explains how her background in Santa Clara Pueblo pottery and her experiences studying in Japan and at the Rhode Island School of Design ( RISD) have shaped her unique approach, blending cultural reverence with innovative techniques.  We talk in-depth about her recent installation Seed, commissioned by the Madison Square Park Conservancy to mark its 20th anniversary  and funded in part by the NEA, a work inspired by both the Lenape land and Simpson's own explorations of safety and lineage, and her monumental exhibit Strata currently showing at the Cleveland Museum of Art. Simpson also discusses her automotive training and its impact on her art particularly her work  Maria--the black-on-black El Camino, symbolizing the Pueblo tradition of pottery within lowrider culture.  Simpson shares the challenges of creating art that respects cultural boundaries while pushing expressive boundaries, capturing the spirit of resilience and interconnectedness that defines her work.

In s3e67 of Platemark, I talk with Amy Namowitz Worthen, a distinguished engraver and curator, about her lifelong journey in printmaking. Influenced early by her artist mother, she pursued art education at Smith College and the University of Iowa, honing her artistic skills under Leonard Baskin and Mauricio Lasansky. Amy's career is marked by multi-faceted contributions to printmaking, including prestigious curatorial positions at Des Moines Art Center, along with helping to establish its Print Club. Her work bridges historical and contemporary practices, with publications and collaborations spanning across the globe, notably in Venice. Personal experiences, including significant tragedies, deeply influenced her art, shaping unique series and projects. Amy's legacy is celebrated through her continued involvement in the art community and her influential prints, which are showcased and valued internationally. Useful links FB https://www.facebook.com/amy.worthen IG @amynamowitzworthen Link to Hayter film: https://www.youtube.com/watch?v=wUIM9ZiMqzw Platemark links Platemark website Sign-up for Platemark emails Leave a 5-star review Support the show Get your Platemark merch Check out Platemark on Instagram Join our Platemark group on Facebook Leonard Baskin (American, 1922–2000). Man of Peace, 1952. Woodcut. Image: 59 5/8 x 30 7/8 in. (151.5 x 78.5 cm.). Metropolitan Museum of Art, New York. Amy N. Worthen at the Scuola Internazionale de Grafica di Venezia, 1989. Courtesy of the Artist. View from Amy N. Worthen's Venice apartment. Courtesy of the Artist. Amy N. Worthen (American, born 1946). My Wisteria 25, 2023. India ink on Seichosen Tosa Kozo paper. 55 x 29 ½ in. Olson Larsen Gallery, Des Moines. Amy N. Worthen (American, born 1946). My Wisteria, Venice: Summer Shadows and Sunlight. View from my terrace looking towards Palazzo Zane Collalto, Ponte sant'Agostin, and Palazzo Morosini degli Spezieri (W. japonica floribunda macrobotrys), 2022/2023. India ink on Seichosen Tosa Kozo paper. 55 x 29 ½ in. Olson Larsen Gallery, Des Moines. Amy N. Worthen (American, born 1946). My Wisteria,Venice: Last year's seed pods, budding and flowering racemes, a falling blossom, terrace view towards Ponte sant'Agostin (W. japonica floribunda macrobotrys), 2023. India ink and watercolor. 30 x 22 in. Olson Larsen Gallery, Des Moines. Jacques Bellange (French, c. 1575–1616). Pietà, 1615. Etching with stippling and engraving. Sheet (trimmed): 12 3/16 × 7 13/16 in. (31 × 19.8 cm). Metropolitan Museum of Art, New York. Giorgio Morandi (Italian, 1890–1964). Natura morta a grandi segni, 1931. Etching. Plate: 9 5/8 x 12 1/2 in. (24.4 x 31.8 cm.); sheet: 15 1/8 x 20 in. (38.4 x 50.8 cm.). Metropolitan Museum of Art, New York. Amy N. Worthen (American, born 1946). Strumenti d'Incisione (Engraving Tools), 1995. Engraving, roulette, and mezzotint. Plate: 7 3/8 x 6 in. (18.9 x 15.6 cm.). Courtesy of the Artist. Amy N. Worthen in her home studio, Des Moines. Courtesy of the Artist. Amy N. Worthen (American, born 1946). The Law Library, from the series Real and Imagined Aspects of the Iowa State Capitol, 1977. Etching. Plate: 17 ½ x 14 ½ in. (44.5 x 36.8 cm.). Courtesy of the Artist. Amy N. Worthen (American, born 1946). Terrace Hill with Peacock, 2008. Engraving. Plate: 13 7/8 x 16 ½ in. (35 x 42 cm.). Courtesy of the Artist. Amy N. Worthen (American, born 1946). Sotoportego Pisano, from the series Sotoporteghi Veneziani, 1994. Engraving. 9 x 7 7/8 in. (22.7 x 20 cm.). Olson Larsen Gallery, Des Moines. Antonio del Pollaiuolo (Italian, 1431/32–1498). Battle of the Nudes, 1470s–80s. Engraving. Sheet: 42.4 x 60.9 cm. (16 11/16 x 24 in.); plate: 42 x 60.4 cm. (16 9/16 x 23 3/4 in.). The Cleveland Museum of Art. Amy N. Worthen (American, born 1946). House in Ruins, 1986. Engraving. Plate: 16 ¾ x 13 7/8 in. (42.5 x 35.3 cm.). Courtesy of the Artist. Amy N. Worthen (American, born 1946). House of Emblems, 1988. Engraving, roulette, and mezzotint. Plate: 24 x 18 in. (61 x 45.7 cm.). Courtesy of the Artist. Amy N. Worthen (American, born 1946). Vanitas, 1987. Engraving. Plate: 14 ¾ x 11 7/8 in. (37 x 30.4 cm.). Courtesy of the Artist. Amy N. Worthen (American, born 1946). A Sphinx Fountain, 1971. Engraving. Plate: 14 1/8 x 12 ½ in. (36 x 31.7 cm.). Courtesy of the Artist. Amy N. Worthen (American, born 1946). Melancolia II, 1973. Engraving. Plate: 8 1/8 x 14 7/8 in. (20.5 x 38 cm.). Courtesy of the Artist. Amy N. Worthen (American, born 1946). The Supreme Court, from the series Real and Imagined Aspects of the Iowa State Capitol, 1977. Engraving and etching. Plate: 13 7/8 x 16 ¾ in. (35.2 x 42.5 cm.). Courtesy of the Artist. Amy N. Worthen (American, born 1946). An Iowa Valentine, 1990. Engraving with hand coloring. Plate: 6 7/8 x 5 in. (17.5 x 12.7 cm.). Olson Larsen Gallery, Des Moines. Amy N. Worthen (American, born 1946). Iowa Alphabet, 1990. 25 engravings with watercolor. Overall: 19 7/8 x 15 in. (50.1 x 38.1 cm.). Courtesy of the Artist. Amy N. Worthen (American, born 1946). Iowa Alphabet: VOTE, 2020. Engraving printed in blue. Courtesy of the Artist. Amy N. Worthen (American, born 1946). Iowa Alphabet: VOTE, 2020. Engraving printed in blue with watercolor. Courtesy of the Artist. Amy N. Worthen (American, born 1946). Billboard with Iowa Alphabet: VOTE, 2020. Courtesy of the Artist. Get-Out-The-Vote postcards featuring Amy N. Worthen's Iowa Alphabet: VOTE, 2020. Courtesy of the Artist. Amy N. Worthen speaks in front of her Wisteria drawings at Olson Larsen Gallery, Des Moines, 2023. Courtesy of the Artist.

We mark Native American Heritage Month with artist Rose B. Simpson (Santa Clara Pueblo) who discusses her work in large-scale public art, and her journey as a creative rooted in Santa Clara Pueblo heritage. Simpson reflects on her process, exploring themes of protection, generational healing, and the deep connection between her art, identity, and community.  Simpson explains how her background in Santa Clara Pueblo pottery and her experiences studying in Japan and at the Rhode Island School of Design ( RISD) have shaped her unique approach, blending cultural reverence with innovative techniques.  We talk in-depth about her recent installation Seed, commissioned by the Madison Square Park Conservancy to mark its 20th anniversary  and funded in part by the NEA, a work inspired by both the Lenape land and Simpson's own explorations of safety and lineage, and her monumental exhibit Strata currently showing at the Cleveland Museum of Art. Simpson also discusses her automotive training and its impact on her art particularly her work  Maria--the black-on-black El Camino, symbolizing the Pueblo tradition of pottery within lowrider culture.  Simpson shares the challenges of creating art that respects cultural boundaries while pushing expressive boundaries, capturing the spirit of resilience and interconnectedness that defines her work.

A conversation between artist Samia Halaby and Sanna Almajedi, recorded live following a performance at e-flux on September 10, 2024.  In the performance, Halaby used a computer program that she coded in the early '90s to generate abstract shapes. These were manipulated in real-time alongside sonic improvisation by musician Amir ElSaffar.  Samia Halaby is a trailblazer in contemporary abstract art internationally. In her distinctive painting style, Halaby draws inspiration from nature and historical movements such as early Islamic architecture and the Soviet avant-garde. Displaced from Palestine in 1948 with her family when she was eleven, Halaby was educated in the American Midwest at a time when abstract expressionism was popular but female abstract painters were marginalized. Halaby believes that new approaches to painting can transform our ways of seeing and thinking, not only within aesthetics, but also as a way to discover new perspectives for advances in teaching, technology, and society at large. This conviction has inspired her to pursue additional experiments in drawing, printmaking, computer-based kinetic art, and free-from-the-stretcher painting. Halaby's work is collected by many museums such as the Solomon R. Guggenheim Museum of Art (New York and Abu Dhabi); Cleveland Museum of Art; Institut du Monde Arabe; and Birzeit University (Ramallah).

This week the Cru had a special prompt. We wandered the halls of the Cleveland Museum of Art, seeking inspiration, and all picked different artworks to inspire our writing. Art is it's own world: listen for mysterious galleries, goblins, bad relationships, and sonnets! And, if you get a chance, try this exercise yourself. The CMA is free, or find your nearest museum, and, with an open mind, search for something to inspire your writing!Be sure to follow us on Instagram (if that's your sort of thing). Please do send us an email with your story if you write along, which we hope you will do. Episodes of Radio FreeWrite are protected by a Creative Commons Attribution-NoDerivatives 4.0 International (CC BY-ND 4.0) license. All Stories remain the property of their respective authors.

September 5, 2024 - Korean Couture: Generations of Revolution is a compelling exhibition at the Cleveland Museum of Art about the history and transformative legacy of Korean fashion, presenting garments ranging from excavated 17th-century aristocratic garments to contemporary Korean couture by leading and emerging designers, including André Kim (1935–2010); Lie Sang Bong (b. 1954); Lee Chung Chung (b. 1978), for LIE; Lee Jean Youn (b. 1978); and Shin Kyu Yong (b. 1988) and Park Ji Sun (b. 1988), for Blindness. Through juxtaposing historical and contemporary ensembles, Korean Couture: Generations of Revolution recounts the definition of “couture” from an inclusive perspective, amplifying how tradition has empowered contemporary Korean fashion designers to invent a new artistic language. Join us for a conversation with Darnell-Jamal Lisby, who co-curated the exhibition with Sooa Im McCormick. For the video version with slides, please visit the link below: https://www.youtube.com/watch?v=qJ5dgb1gSXE For more information, please visit the link below: https://www.koreasociety.org/arts-culture/item/1853-korean-couture-generations-of-revolution-a-curator-s-perspective

More than 50 years after Henry Halem designed a series of cast glass sculptures inspired by the Kent State shootings, he decided to bring the imagery back to life. At a time when the Vietnam War empowered social activism and fueled political debates, the May 4, 1970, Kent State shootings seemed to take center stage, influencing several genres of music and art. Among these works was Halem's glass sculptures. “The imagery was based on the shootings at Kent State and the blindness that the political system had in relationship to what young people were about in protesting the war. They were blind to the generation that was protesting. And, so, I made these blinded images that had their eyes covered,” Halem said. Today, Halem is at it again, creating another series of blinded sculptures, but this time for a different reason. He has created seven blinded sculptures in the series so far, three of which are on view at Habatat Galleries Detroit. “I revived the imagery,” Halem said, “the blind imagery, to reflect the narrative of our blindness to the destruction of the earth, and who we are, what we are.” As a teenager growing up in the Bronx, Halem learned to throw pots at the Greenwich House Pottery in New York's Greenwich Village. Now, at 86 years old, he's still making art. Holding a BFA from the Rhode Island School of Design and an MFA from George Washington University, Halem did post graduate work at the University of Wisconsin as an assistant to Harvey Littleton in 1968. In 1969, Halem founded the glass program at Kent State University (KSU) and taught there for 29 years, subsequently teaching at Pilchuck Glass School and Penland School of Craft. He was one of the founders of the Glass Art Society and served as its first president.  Halem's body of work ranges from his early blown vessels to Vitrolite glass collages, glass castings to enameled and painted glass wall panels. His narrative boxes have been described as “… ordinary glass boxes filled with enigmatic objects and reverse glass drawings and paintings.” He is known for powerful responses to political events – the 1970 Kent State shootings, 9/11, and a memorial for American soldiers who died in Iraq.  Exhibiting extensively throughout the U.S., Europe and Japan, Halem's work is in the permanent collections of The Corning Museum of Glass, Cleveland Museum of Art, Smithsonian Institution, Toledo Museum, Detroit Institute of Art, High Museum of Art in Atlanta, Philadelphia Museum of Art, the Hokkaido & Niijima Museums in Japan, and the Decorative Arts Museum, Prague. He has been honored by the Glass Art Society and the American Crafts Council; he received the Governor's Award from the State of Ohio as well as the President's Medal for Outstanding Achievement from KSU. He penned Glass Notes: A Reference for the Glass Artist and is still an authority on all things glass. Throughout the years, Halem has amassed a diverse set of techniques that are put into action with a little bit of know-how. No matter what he does regarding art, it gets “distilled” through what he has learned from one of his favorite books, Zen and the Art of Motorcycle Maintenance. “The moral of that book was, in order to fix something, you have to know how it works,” Halem said. “So, my search is into finding out how things work. That, and my belief that the artist's job is to question authority in itself, is what drives me.”  

After 6 or more years, the prickly pear (Opuntia) paddles I gathered from a neighbor and planted throughout the garden are finally blooming. I have been hoping to see this Continue Reading Read more on this topic: Society Garlic in the Garden – In the garden for March 29, 2021 via Tiktok [Video] Flowering Now: An interesting geranium in the garden this morning via Instagram Along the street Historical Seed Catalogs: Maynard plum catalogue by Oregon Nursery Co (1904) – 44 in a series Vintage Botanical Prints – 8 in a series – White Cape-Cost Lily from the Cleveland Museum of Art

Episode No. 659 features artists Barbara Bosworth and the Haas Brothers. Two art museums are showing exhibitions of Bosworth's work: the Museum of Fine Arts, Boston is presenting "Barbara Bosworth: The Meadow" through December 1. The show features photographs of a meadow in Carlisle, Massachusetts and near the Concord River that Bosworth made over 15 years, pictures that investigate time, human presence, and nature. The exhibition was curated by Karen Haas. In 2015 Radius Books published a book of Bosworth's "The Meadow" pictures accompanied by texts by poet Margot Anne Kelley. "Barbara Bosworth: Sun Light Moon Shadow" is at the Cleveland Museum of Art through June 30. The exhibition offers Bosworth's photographs of light, including eclipses, sunrises, and sunsets, many of which were made near Bosworth's childhood home in eastern Ohio. It was curated by Barbara Tannenbaum. The Nasher Sculpture Center in Dallas is showing "Haas Brothers: Moonlight" through August 25. The exhibition, which highlights the fusion of art, design, and technology in the brothers' practice, shows work made by twin brothers Nikolai and Simon Haas both inside and outside the museum. The Haas Brothers have previously had solo exhibitions at the Katonah (NY) Museum of Art, the SCAD Museum of Art, Savannah, Ga., and at the Bass Museum of Art, Miami Beach, Fla. Instagram: Barbara Bosworth, Barbara Bosworth (weather), Haas Brothers, Tyler Green.

Lynn Hershman Leeson talks to Ben Luke about her influences—from writers to musicians, film-makers and, of course, other artists—and the cultural experiences that have shaped her life and work. Leeson, born in 1941 in Cleveland, Ohio, US, and now based in San Francisco, is one of the pioneers of media art. Over more than half a century, she has explored how people and society engage with, and are shaped by, technology—from surveillance and control, via scientific progress, to the formation and manipulation of identity. Her work has taken the form of sculptural installation, video, photography, sound, online art, performance, and much more. It moves fluidity across these disciplines and adopts disparate modes, from documentary to historical drama to science-fiction fantasy, in a language awash with art historical and cinematic allusion. At the heart of her practice is a fundamental analysis of how humans can navigate political, social and environmental upheavals, and how technology in contemporary society can liberate and empower as much as oppress and censor. She discusses the epiphany provoked by a photocopier malfunction that prompted her lifelong interest in humans' engagement with technology, how she felt forced to look beyond conventional spaces when a museum rejected her multimedia Breathing Machines, the early influence of Cézannes she encountered in the Cleveland Museum of Art, the conversations with women artists that led to the Women Art Revolution film and archive, her film with the Cuban artist-activist Tania Bruguera, and a transformative encounter with the theatre of Tadeusz Kantor. Plus, she answers our usual questions, including the ultimate: what is art for?Lynn Hershman Leeson: Are Our Eyes Targets?, Julia Stoschek Foundation, Düsseldorf, Germany, until 2 February 2025; Lynn Hershman Leeson: Moving-Image Innovator, Museum of Modern Art, New York, 7-20 June Hosted on Acast. See acast.com/privacy for more information.

Pre-Loved Podcast is a weekly vintage fashion interview show, with guests you'll want to go thrifting with! For more Pre-Loved Podcast, subscribe to our Patreon!On today's show, we're chatting with fashion conservator, Sarah Scaturro, the Chief Conservator at the Cleveland Museum of Art, and previously, the head of the fashion conservation laboratory in the Costume Institute at the Metropolitan Museum of Art.  Today is the first Monday in May, which means – if you're listening to this live – tonight is the Met Gala, and we're talking all things archival fashion at the Met Gala with Sarah.  We discuss the famous Kim Kardashian incident – wearing Marilyn Monroe's dress to the Met Gala – what to make of the Sleeping Beauties exhibition theme this year, and fashion preservation. This is such a fascinating episode with a real subject matter expert, and I think you're going to really enjoy it, so let's dive right into it!  DISCUSSED IN THE EPISODE: [2:29] Sarah grew up with a love of clothes, costumes, and playing dress-up. [7:47] Sarah's career path into textile preservation. [12:10] How fashion items are acquired by museums, and what makes an archive collection unique. [17:27] What it means when an object becomes “singularized.” [24:15] On Kim Kardashian wearing Marilyn Monroe's ‘Happy Birthday, Mr. President' dress to the 2022 Met Gala. [32:49] Why “absolute prohibitions” around interacting without artifacts is not the answer, either. [37:36] The Met Gala's exhibition “Sleeping Beauties: Reawakening Fashion,” and dress code theme “The Garden of Time," and what to expect to see this year. EPISODE MENTIONS:  Sarah Sc:aturro Sarah's research  Cleveland Museum of Art FIT Studies: History, Theory & Museums Renée Zellweger wears a vintage yellow Jean Desses dress at the 2001 Oscars. @chloesevigny Rihanna's Met Gala Guo Pei gown LET'S CONNECT: 

A conversation with Andrea Myers Achi (The Metropolitan Museum of Art) about the enduring connections between Byzantium and a number of African cultures, beginning in late antiquity (e.g., Aksum) and continuing into medieval and modern times (e.g., Nubia and Ethiopia). Andrea organized a exhibition at the Met to illustrate these connections (including also manuscripts, textiles, icons, and inscriptions), and it has now moved to the Cleveland Museum of Art. If you can't visit it there, definitely check out the exhibition volume that she edited, Africa and Byzantium (New York: The Met 2023).

This week: after 80 years in business, Marlborough Gallery, one of the most historic commercial galleries in London, New York and beyond, has announced that it is closing. Host Ben Luke talks to Anny Shaw, a contributing editor at The Art Newspaper, about what happened and what, if anything, it tells us about the market. The New Mexico-based sculptor Rose B. Simpson revealed newly commissioned public art works in Madison Square Park and Inwood Hill Park in New York on Wednesday, called Seed. The Art Newspaper's editor, Americas, Ben Sutton went to meet her. And this episode's Work of the Week is the final painting ever made by Caravaggio: The Martyrdom of Saint Ursula, made in 1610. The painting is travelling to London for an exhibition opening at the National Gallery next week, called The Last Caravaggio. Francesca Whitlum-Cooper, the gallery's acting curator of later Italian, Spanish and 17th-century French Paintings and the curator of the exhibition, tells us more.marlborougharchive.com.Rose B. Simpson: Seed, Madison Square Park and Inwood Hill Park, New York, until 22 September. The Whitney Biennial: Even Better than the Real Thing, Whitney Museum of American Art, New York, until 11 August. Rose B. Simpson: Strata, Cleveland Museum of Art, Ohio, US, 14 July-13 April 2025; Rose B. Simpson: LEXICON, De Young, San Francisco, US, 16 November-29 June 2025.The Last Caravaggio, National Gallery, London, 18 April-21 JulySubscription offer: subscribe to The Art Newspaper for as little as 50p per week for digital and £1 per week for print (or the equivalent in your currency). Visit theartnewspaper.com to find out more. Hosted on Acast. See acast.com/privacy for more information.

Bill is solo today during this once-in-a-lifetime celestial event in the cosmos. He talks to Monica Marshall, an astronomer with the Cleveland Museum of Natural History, who explains exactly what will happen today (and what time) during the solar eclipse. Curtis Danburg from the Cleveland Guardians also drops by to give us a heads up on the Guardians Home Opener. Pete called in for "Am I The Bleephole" wondering if he's the bleephole for denying his employees the opportunity to see the eclipse. Plus, Morning Motivation, the 30 Day Song Challenge, and Battle of the Burbs! 

In this episode, Micah and James lead off the discussion with an update on earthquakes, odd weather, the 2024 full solar eclipse, Mediterranean archaeology during our open segment. We are then joined by Dr. Metin Eren of Kent State University, who returns to discuss the publication of a new, highly detailed paper involving experimental archaeology. The new paper titled "Experimental bison butchery using replica hafted Clovis fluted points and large handheld flakes" is available now in the Journal of Archaeological Science: Reports at ScienceDirect.com.  Dr. Metin Eren is a Professor of Anthropology at Kent State University. He is the founder and co-director of the Kent State University Experimental Archaeology Laboratory and a research associate at the Cleveland Museum of Natural History. He has appeared on the SAAJ episode.054 The Clovis Projectile Point, and has also appeared on two of our Patreon podcasts, the Cross-Tyme Pub and the Digging Deeper podcast.  Instagram  Facebook  Seven Ages Official Site  Patreon  Seven Ages YouTube  Guest Links: Science Direct  Meat Eater Documentary 

Click here for everything you need to know about places to visit and things to see in Cleveland, including access to the Cleveland Experience Passports.Click here to learn about exhibits and tours at the Rock & Roll Hall of Fame. Purchase a ticket for the WOCNext 2024 WOC n Roll Welcome Party taking place at the Rock Hall on Saturday, June 8.Click here to book a Cleveland walking tour.Click here to book a Cleveland food tour.Click here to book a water tour on the Good Time III, and click here to book a water tour on the Lady Caroline.Click here to learn about Cleveland Lakefront Bikeway trails.Click here to learn about the Westside Market.Click here to learn about University Circle which includes the free Cleveland Museum of Art, historical landmarks, parks and gardens, and more.Click here to learn about the Cleveland Botanical Garden.Click here to learn about Edgewater Park & Beach located on Lake Erie.Click here to learn about the Pro Football Hall of Fame in Canton, OH.Click here to learn about Cedar Point Amusement Park in Sandusky, OH. About the Speaker:Nick Urig is a Senior Communications Manager for Destination Cleveland and leads the leisure and meetings/conventions public relations initiatives.

Shahzia Sikander talks to Ben Luke about her influences—from writers to musicians and, of course, other artists—and the cultural experiences that have shaped her life and work. Sikander, born in 1969 in Lahore, Pakistan, trained in the tradition of Indo-Persian manuscript painting and has used its forms, techniques and language as a launchpad for a wide-ranging engagement with colonial and postcolonial histories, with feminism, gender and sexuality, and with cultural identity and narratives around race. Working in drawing, painting, animation, video, mosaic and most recently sculpture, she has created a body of work in which existing and invented images and forms are juxtaposed to vivid and poetic effect. Technically exquisite and conceptually profound, her works have an instant impact but reward slow looking with layered narratives, references and histories. She discusses her early discovery of Michelangelo in Lahore, explains how she has channelled the “soulfulness” Eva Hesse found in minimalism in her response to historic manuscript painting, reflects on the importance of her teenage experience of Mogadishu, Somalia, and speaks about the enormous importance of poetry to her work, including the US writer Adrienne Rich's translations of the Indian poet Mirza Ghalib. Plus, she gives insight into her life in the studio, and answers our usual questions, including which artwork, if she could only have one, she would most like to live with.Shahzia Sikander: Collective Behavior, Palazzo SoranzoVan Axel, Venice, Italy, 20 April-20 October; Cincinnati Art Museum, Ohio, US, 14 February-4 May 2025; Cleveland Museum of Art, 14 February-8 June 2025. Shahzia Sikander: Havah…to breathe, air, life, University of Houston, Texas, US, until 31 October; Entangled Pasts, 1768–now: Art, Colonialism and Change, Royal Academy of Arts, London, until 28 April 2024. Hosted on Acast. See acast.com/privacy for more information.

A philosopher has the unique challenge of expressing that which is beyond us through the limitations of language. For many, this is done through a series of logical arguments; for the Taoist philosopher Zhuangzi 莊子 the Way of Nature, called Tao 道 is best approached in another way, through the powerful, poetic language of metaphor. Zhuangzi sets the tone through the marvelous image of the mythological Peng 大鵬 bird which rises beyond the limits of our understanding. Yet, we will see, even the lofty Peng can affect our lives. Transcript: https://ancientworld.website/b/mythosandlogos/view_post.php?id=7 Mythos & Logos are two ancient words that can be roughly translated as “Story & Meaning.” Support the channel by subscribing, liking, and commenting to join the conversation! Support the channel financially through your generous Patreon donation: patreon.com/mythosandlogos This channel is a collection of thoughts of one person on the important stories that we humans have shared with each other. I believe that, in respectfully approaching storytelling traditions, we can find timeless wisdom and beauty that apply to modern life. I do my best to find and share that wisdom. I encourage you to share your thoughts and stories as well. The stories presented here have all been freely shared by their original tellers. I encourage you to study each story directly and consult traditional sources whenever possible. 00:00 Introduction 00:21 Zhuang Zhou from the National Folk Museum of Korea 00:33 Chinese Landscape from the Cleveland Museum of Art 01:03 Tao Te Ching, Chapter 1, translated by Gia-fu Feng and Jane English 01:23 Zuangzi in front of Waterfalls 02:08 Journey Through Darkness 03:13 The Land is So Rich in Beauty by Fu Baoshi & Guan Shanyue 03:35 Dapeng from the Kyōaka Hyaku-Monogatar, 19th century Japan. Image upscaled via use of artificial intelligence. 04:51 Universal Harmony 05:08 Chinese Trading Junk, Moored in the River of Guangzhou by Robert James Elliott 05:54 Zhuangzi, Chapter 1, “Free & Easy Wandering,” translated by Burton Watson 07:30 Difference In Perspective 07:45 Qing Dynasty Zhuangzi from National Museum of China 08:32 The Monk Zhidun Admiring a Horse by Ren Yi 10:01 Conclusion: Free & Easy Wandering Ambiment - The Ambient by Kevin MacLeod is licensed under a Creative Commons Attribution license.

This week's guest is the media artist Kasumi whose career ranges from musician, filmmaker, author, designer, illustrator and painter. Her work features short and feature length experimental films, live shows, VJ, and public art projection, creating looping electronic sculptures, designing motion graphics and animated gifs, producing immersive 360 virtual reality pieces and making fine art prints and wearable art. Kasumi studied music at the Stadliche Musik Hochschule in Cologne, Germany playing the lute. She then moved to Japan, where she lived for 12 years and taught Baroque music at the Tokyo College of Music. Kasumi performed as a soloist throughout Japan, Europe and the U.S., recorded four albums, and performed twice at the Carnegie Hall. Whilst living in Japan, Kasumi explored her writing and published her first book; The Way of the Urban Samurai, in 1992. Kasumi married and raised her son, Kitao Sakurai who became a renown filmmaker. While simultaneously pursuing her work in painting and set design she continued to publish writings on music, politics and social issues for among others; the Asahi Shimbun, The Japan Financial Journal, The Early Music Quarterly Tokyo, The Philadelphia Inquirer, Sacramento Bee. From prints and collage to films and video art installations at the Rocket Mortgage Field House; at the Lincoln Center with The New York Philharmonic and Carnegie Hall; performances with Grandmaster Flash and DJ Spooky; public art at The Cleveland Museum of Art, DC Tower, Vienna, and Teatro Colón, Buenos Aires; VR 360, post-production, and gifs for The Eric Andre Show; and interactive art-making apps. Kasumi's work Surfacing, developed at The Cleveland Museum of Art, was expanded into a solo exhibition for The Sculpture Center. Perhaps her most impactful production came after being awarded a Guggenheim Fellowship in 2011 when she embarked on the feature-length film project, ‘Shockwaves', which included 25,000 plus short public domain film samples. It proved to be a life-changing project, which she says ‘was like being in therapy for five years'. Kasumi's next production is ‘Farandole', an hour long cinematic assemblage, selected as part of Lincoln Center Presents Women and Non-binary Artists in Tech. It will screen at 6:30 pm on March 14 at the David Rubenstein Atrium at Lincoln Center. Free and open to the public. Kasumi's website - http://kasumiartstudios.com/ Kasumi'sInstagram: @kasumifilms Kasumi's favorite women artists:Amanda BluglassFlash RosenbergLeslie SwackhamerJulie Patton Kasumi's playlist:Lil Cherry & Goldbuuda - Mukkbang!Miles DavisDavid Starfire / CobraHarsh Kale / One Step BeyondRicardo Imperatore / Omelet BananaCheb i Sabbah / Ganga DevNightnoise / FionnghualaElectronic World MusicDublicator Host: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramAART on FacebookEmail: hollowellstudios@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/wisp--4769409/support.

This week's guest is the media artist Kasumi whose career ranges from musician, filmmaker, author, designer, illustrator and painter. Her work features short and feature length experimental films, live shows, VJ, and public art projection, creating looping electronic sculptures, designing motion graphics and animated gifs, producing immersive 360 virtual reality pieces and making fine art prints and wearable art. Kasumi studied music at the Stadliche Musik Hochschule in Cologne, Germany playing the lute. She then moved to Japan, where she lived for 12 years and taught Baroque music at the Tokyo College of Music. Kasumi performed as a soloist throughout Japan, Europe and the U.S., recorded four albums, and performed twice at the Carnegie Hall. Whilst living in Japan, Kasumi explored her writing and published her first book; The Way of the Urban Samurai, in 1992. Kasumi married and raised her son, Kitao Sakurai who became a renown filmmaker. While simultaneously pursuing her work in painting and set design she continued to publish writings on music, politics and social issues for among others; the Asahi Shimbun, The Japan Financial Journal, The Early Music Quarterly Tokyo, The Philadelphia Inquirer, Sacramento Bee. From prints and collage to films and video art installations at the Rocket Mortgage Field House; at the Lincoln Center with The New York Philharmonic and Carnegie Hall; performances with Grandmaster Flash and DJ Spooky; public art at The Cleveland Museum of Art, DC Tower, Vienna, and Teatro Colón, Buenos Aires; VR 360, post-production, and gifs for The Eric Andre Show; and interactive art-making apps. Kasumi's work Surfacing, developed at The Cleveland Museum of Art, was expanded into a solo exhibition for The Sculpture Center. Perhaps her most impactful production came after being awarded a Guggenheim Fellowship in 2011 when she embarked on the feature-length film project, ‘Shockwaves', which included 25,000 plus short public domain film samples. It proved to be a life-changing project, which she says ‘was like being in therapy for five years'. Kasumi's next production is ‘Farandole', an hour long cinematic assemblage, selected as part of Lincoln Center Presents Women and Non-binary Artists in Tech. It will screen at 6:30 pm on March 14 at the David Rubenstein Atrium at Lincoln Center.- free and open to the public.Kasumi's website - http://kasumiartstudios.com/ Kasumi'sInstagram: @kasumifilms Kasumi's favorite women artists:Amanda BluglassFlash RosenbergLeslie SwackhamerJulie Patton Kasumi's playlist:Lil Cherry & Goldbuuda - Mukkbang!Miles DavisDavid Starfire / CobraHarsh Kale / One Step BeyondRicardo Imperatore / Omelet BananaCheb i Sabbah / Ganga DevNightnoise / FionnghualaElectronic World MusicDublicator Host: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramAART on FacebookEmail: hollowellstudios@gmail.com

In s3e52 of Platemark, hosts Ann Shafer and Tru Ludwig talk with Carol Wax, artist and author of The Mezzotint: History and Technique. Carol recently published the second edition of The Mezzotint, expanding greatly in every area from the 1990 first edition. As she tells us, there is a better break down of rocking the copper plates, and of inking and printing them, plus there are new chapters about printing papers and the history of the medium and how it fits in the greater history of prints. They talk about the early history of mezzotint, whether one can over rock a plate, what happens when you do, and about Carol's dislike of perspectival composition, all the machines and their personalities, and her dogs Cecil, the Weimaraner, and Delia, the new dog in her life. The conversation ran long, so the episode is split into two parts. [Top] Carol Wax (American, born 1953). Eleven Shells, 1982. Mezzotint. 2 ¾ x 5 inches. Courtesy of the artist. First mezzotint I felt comfortable signing and which shows the influence of Hamaguchi. {Bottom] Yozo Hamaguchi (Japanese, 1909–2000). Shells. Mezzotint. John Raphael Smith (British, 1751–1812), after Henry Fuseli (Swiss, 1741–1825). The Weird Sisters (Shakespeare, MacBeth, Act 1, Scene 3), 1785. Mezzotint. Sheet: 18 1/16 x 21 7/8 in. (45.8 x 55.5 cm.). Metropolitan Museum of Art, New York. [Left] John Raphael Smith (British, 1751–1812), after Sir Joshua Reynolds (British, 1723–1792). The Infant Jupiter, 1775. Mezzotint. Plate: 20 x 14 in. New York Public Library, New York. [Right] Valentine Green (British, 1739–1813), after Sir Anthony Van Dyck (Flemish, 1599–1641). The Earl of Danby, 1775. Mezzotint. Sheet: 20 7/8 x 13 7/8 in. Chazen Museum of Art, University of Wisconsin, Madison. Carol Wax. The Mezzotint: History and Technique (2nd Edition). Atglen, PA: Schiffer Publishing, 2023. Hendrick Goltzius (Dutch, 1558–1617). After Cornelis Cornelisz van Haarlem (Netherlandish, 1562–1638). Icarus, from the series The Four Disgracers, 1588. Engraving. Sheet: 13 7/16 x 13 1/4 in. (34.2 x 33.7 cm.). Metropolitan Museum of Art, New York. Ludwig von Siegen (German, 1609–after 1676). Amelia Elizabeth Landgravure of Hesse-Kassel, 1642. Mezzotint. Sheet: 16 7/16 x 11 15/16 in. (41.8 x 30.3 cm.). Metropolitan Museum of Art, New York. Prince Rupert (German, 1619–1682). Head of the Executioner, 1662. Mezzotint. Cooper Hewitt, Smithsonian Institution, New York. Theodor Caspar von Fürstenburg (German, 1615–1675). Salomé, 1656–75. Mezzotint. 191 x 149 mm. British Museum, London. David Lucas (British, 1802–1881), after John Constable (British, 1776–1837). The Rainbow, Salisbury Cathedral, 1855. Mezzotint. Sheet: 24 ¼ x 28 ¼ in. (61.5 x 71.7 cm.). Christie's. Thomas Frye (British, 1710/11–1762). Head of a Man Wearing a Turban, 1760. Mezzotint. Plate: 19 7/8 × 13 15/16 in. (50.5 × 35.4 cm.); sheet: 23 3/8 × 16 15/16 in. (59.4 × 43 cm.). Metropolitan Museum of Art, New York. Valentine Green (British, 1739–1813), after Joseph Wright of Derby (British, 1734–1797). A Philosopher Shewing an Experiment on the Air Pump, 1769. Mezzotint. Plate: 19 × 23 in. (48.3 × 58.4 cm.). Sheet: 19 7/8 × 25 5/8 in. (50.5 × 65.1 cm.). Metropolitan Museum of Art, New York. Joseph Pennell (American, 1857–1926). Hail America, 1908. Mezzotint. Plate: 8 7/16 × 14 11/16 in. (21.5 × 37.3 cm.); sheet: 9 7/8 × 15 3/4 in. (25.1 × 40 cm.). Metropolitan Museum of Art, New York. Reynold Weidenaar (American, 1915–1985). The Bridge and the Storm, Mackinac Straits, 1957. Mezzotint. Sheet: 19 5/8 x 15 ½ in. Richard and Jane Manoogian Mackinac Art Museum, Mackinac. Mario Avati (French, 1921–2009). Le Goût acide du jaune citron, 1982. Mezzotint. 29 x 37.7 cm. Fitch Febvrel Gallery. Yozo Hamaguchi (Japanese, 1909–2000). The Three Lemons, 1956. Color mezzotint. Cleveland Museum of Art, Cleveland. Art Werger (American, born 1955). Clarity, 2021. Mezzotint. 24 x 36 in. Courtesy of the artist. Craig McPherson (American, born 1948). Memento Mori, 2013. Mezzotint. 13 5/8 x 16 ½ in. Courtesy of the artist. Judith Rothchild (American, born 1950). Le nid, 2005. Mezzotint. 7 13/16 x 11 5/8 in. Annex Galleries, Santa Rosa. Jacob Crook (American, born 1985). Nightrise II, 2019. Mezzotint. 8 ½ x 11 in. Courtesy of the artist. Julie Niskanen (American, born 1983). Sanctuary, 2007. Mezzotint. Courtesy of the artist. Charles Ritchie (American, born 1954). House II, 2012–19. Mezzotint. Plate: 6 x 3 7/8 in.; sheet: 13 ½ x 10 in. Courtesy of the artist. J.M.W. Turner (British, 1775–1851) and Charles Turner (British, 1774–1857). Norham Castle on the Tweed (Liber Studiorum, part XII, plate 57), 1816. Etching and mezzotint. Plate: 7 x 10 5/16 in. (17.8 x 26.2 cm.); sheet: 8 1/4 x 11 1/2 in. (21 x 29.2 cm.). Metropolitan Museum of Art, New York. Frank Short (British, 1857–1945), after J.M.W. Turner (British, 1775–1851). Liber Studiorum—Frontispiece, 1885. Etching and mezzotint. Plate: 124 x 185 mm. Tate, London.   EXTRA IMAGES Carol Wax (American, born 1953). Type Face, 2002. Mezzotint. 9 ¼ x 9 ¼ inches. Courtesy of the artist. An example of (perhaps more than any other) anthropomorphizing subjects and the use of modulating, repeating patterns to suggest animation, as well as the humor and humanity I see in manufactured objects. Carol Wax (American, born 1953). Sew What, 2022. Mezzotint. 20 x 12 inches. Courtesy of the artist. This was printed from two plates: a black-and-white key plate rocked with an 85-gauge rocker and a color plate ground selectively with roulettes and wiped selectively. These images demonstrate the dialogue between my current work in painting and mezzotint. [Left] Carol Wax (American, born 1953). Pipe Dream, 2003. Mezzotint and engraving. Plate: 2 ½ x 1 ½ in. Courtesy of the artist. [Right] Carol Wax (American, born 1953). Serpentdipity, 2003. Mezzotint. Plate: 2 ½ x 1 ½ in. Courtesy of the artist. These two show burin engraving through a mezzotint ground.   Carol Wax (American, born 1953). Binder Spiral, 2023. Graphite. 127 x 23 in. Courtesy of the artist.   USEFUL LINKS Carol's website https://www.carolwax.com/ Jennifer Melby's link https://www.jennifermelby.com/ Conrad Graeber's link https://conradgraeber.com/

Join us as we talk with Museum Educator Ashley Hall about her career as a museum educator at the Museum of the Rockies, her research on Sauropod feet and her books including Fossils for Kids: A Junior Scientist's Guide to Dinosaur Bones and Ancient Animals, and Prehistoric Life on Earth and Prehistoric Worlds: Stomp Into the Epic Lands Ruled by Dinosaurs (due out at the end of March 2024).   Ashley is a dynamic paleontologist, naturalist, and museum educator. Originally from South Bend, Indiana, she grew up loving dinosaurs from an early age and was inspired by holiday trips to Chicago's Field Museum to pursue a career in natural history. Ashley earned her Bachelor of Arts in anthropology (focus: Zooarchaeology) and animal behavior from Indiana University, Bloomington. After graduation, she spent nearly a decade working as a science educator for various educational institutions in southern California, including the Los Angeles Zoo and Botanical Gardens, Natural History Museum of Los Angeles County, and the La Brea Tar Pits. During this time, Ashley also served as the assistant curator of paleontology at the Raymond M. Alf Museum of Paleontology in Claremont, California. While with the “Alf,” she managed the fossil collection and participated in fieldwork including Late Cretaceous dinosaur excavations in the Grand-Staircase Escalante National Monument in Utah and Miocene mammal reconnaissance paleontology in the Mojave Desert's Rainbow Basin. Ashley relocated to Ohio where she worked as a naturalist for the Cleveland Metroparks reservation system before taking a position with the Cleveland Museum of Natural as the adult programs coordinator.  When Ashley is not educating the public in person, she is an active science communicator on social media. Ashley has presented several invited workshops on communicating science through social media at professional, scientific meetings, including the Society of Vertebrate Paleontology and the Association for Materials and Methods in Paleontology annual conferences. Her scientific research has focused on sauropod claw morphology and function and the evolution of birds from deposits at the La Brea Tar Pits.

What is the meaning of Cleveland? Cartoonist Aaron Lange joins the show to talk about AIN'T IT FUN: Peter Laughner & Proto-Punk In The Secret City (Stone Church Press), his breathtaking new graphic novel that weaves together obscure records, urban legends and psychographic history. We talk about Aaron's fascination with Cleveland's punk scene, why the musician Peter Laughner stood out to him, the way Cleveland's hidden landmarks pointed him toward this massive project. We get into the research and interviews Aaron conducted for Ain't It Fun, the process of editing this work into a looping, flaneur-like, discursive (but never aimless) narrative, and the influence of Greil Marcus' Lipstick Traces, Iain Sinclair's Lud Heat, and Adam Curtis' documentaries. We also discuss post-Laughner Pere Ubu, using graphic design rather than panel-to-panel cartooning, visiting the zodiac circle by the Cleveland Museum of Art at all 4 equinoxes, chronicling the city's brutalist architecture, the constraints of the comics market on a book that defies easy description, and a lot more. Follow Aaron on Instagram and support Stone Church Press via Patreon (which doubles as Aaron's blog) • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter

In s3e50, Platemark host Ann Shafer talks with Allison Tolman, a private dealer handling prints by contemporary Japanese artists. The Tolman Collection has branches in Tokyo and New York and works with a range of artists. Allison is a second-generation dealer—her father heads up the Tokyo branch while Allison is holding down the fort in New York. She enjoys personal relationships with her artists and is a tireless promoter of prints from the other side of the world. Ann and Allison talk about cultural differences relating to aesthetics, manner of working, and business dealings. They also talk about managing a business without a bricks-and-mortar space and their love of this admittedly tiny corner of the art world. SHINODA Toko (Japanese, 1913–2021). Awakening, 2017. Original painting. 24 3/4 x 40 1/2 in. The Tolman Collection of New York. YAMAMOTO Kanae (Japanese, 1882–1946). Fisherman, 1904. Woodcut. 12 3/8 x 10 11/16 in. Cleveland Museum of Art, Cleveland. HOKUSAI Katsushika (Japanese, 1760–1849). Under the Wave off Kanagawa, from the series Thirty-six Views of Mount Fuji, c. 1830–32. Woodblock print. 10 x 15 in. (25.4 x 38.1 cm.). Metropolitan Museum of Art, New York. KAWAMURA Sayaka (Japanese, born 1990). I Dream of Floating, 2021. 27 5/8 x 27 5/8 in. The Tolman Collection of New York. YOSHIDA Hadaka (Japanese, 1926–1995). Night (drops), 1954. Woodblock print. 16 x 10 7/8 in. (40.5 x 27.5 cm.). Scholten Japanese Art, New York.   KURODA Shigeki (Japanese, born 1953). Yellow Flow. Etching. 7 x 11 in. Gilbert Luber Gallery, Philadelphia. KAWACHI Seiko (Japanese, born 1948). The Flying (Metropolitan Government-I), from the series One Hundred Views of Tokyo, Message to the 21st Century, 1989–99. Color woodblock print. 27 x 20 in. (68 x 50 cm.). Art Institute of Chicago, Chicago. TAKAHASHI Hiromitsu (Japanese, born 1959). Blizzard of Blossoms, 2013. Stencil print. The Tolman Collection, Tokyo.   USEFUL LINKS Artists | The Tolman Collection of New York Japanese Woodblock Print Search - Ukiyo-e Search What is an Original Print? | Print Council of America Lucas Martineau. Takahashi Hiromitsu: The “DyEing” Art of Kappazuri, 2020. Takahashi Hiromitsu “DyEing” Art of Kappazuri Lucas Martineau | Tolman Collection of Tokyo (tolmantokyo.com)  

Art historian and curator Stephanie Stebich is the Margaret and Terry Stent Director of the Smithsonian American Art Museum. She was named director of the Smithsonian American Art Museum in January 2017. Stebich serves on the Smithsonian's Capital Board as well as the Smithsonian-London Strategic Advisory Board. In May 2018, she was named co-chair of the Smithsonian American Women's History Initiative. Before coming to Washington, D.C., Stebich was executive director of the Tacoma Art Museum for 12 years. Under her leadership, the museum underwent a major renovation that doubled its exhibition space, and secured major collection gifts, including the Haub Family Collection of Western American Art, 300 masterworks from the 1790s to the present by Charles Bird King, Thomas Moran, Frederick Remington, Georgia O'Keeffe and others. She was assistant director of the Minneapolis Institute of Arts from 2001 to 2004 and assistant director at the Cleveland Museum of Art from 1995 to 2001.She and Zuckerman discuss feeling at home in museums, taking risks, making a museum free, house favorites, why museums buy certain things, finding the optimal location for an artwork, having a broad definition of art to include craft, mentorship, how to get a job, speaking up while active listening, America as a hopeful experiment, artists as makers of hope!

Art historian and curator Stephanie Stebich is the Margaret and Terry Stent Director of the Smithsonian American Art Museum. She was named director of the Smithsonian American Art Museum in January 2017. Stebich serves on the Smithsonian's Capital Board as well as the Smithsonian-London Strategic Advisory Board. In May 2018, she was named co-chair of the Smithsonian American Women's History Initiative. Before coming to Washington, D.C., Stebich was executive director of the Tacoma Art Museum for 12 years. Under her leadership, the museum underwent a major renovation that doubled its exhibition space, and secured major collection gifts, including the Haub Family Collection of Western American Art, 300 masterworks from the 1790s to the present by Charles Bird King, Thomas Moran, Frederick Remington, Georgia O'Keeffe and others. She was assistant director of the Minneapolis Institute of Arts from 2001 to 2004 and assistant director at the Cleveland Museum of Art from 1995 to 2001.She and Zuckerman discuss feeling at home in museums, taking risks, making a museum free, house favorites, why museums buy certain things, finding the optimal location for an artwork, having a broad definition of art to include craft, mentorship, how to get a job, speaking up while active listening, America as a hopeful experiment, artists as makers of hope!

Carolyn Harding with visual artist/activist Andrea Bowers and Lauren Leving, curator at Cleveland Museum of Contemporary Art, or commonly called moCa. On December 21, 2023, Andrea, you posted on Face Book, “A line from the Lake Erie bill of rights will be shining over Lake Erie on the science center across from the rock and roll hall of fame!” with photos and video clip from the installation of your work of Art, which is now hundreds of feet high installed on the Great Lakes Science Center, next to the Rock and Roll Hall of Fame in downtown, Cleveland, Ohio. Congratulations! That's a big and very public work of Art. Let's Talk about this huge Glowing Sign that says “Lake Erie has the Right to Exist, Flourish and Naturally Evolve” in Red, Green, Blue and Yellow Neon. Ohio-raised Andrea Bowers is a Los Angeles-based artist who has been recording and amplifying the work of activists present and past for more than two decades. Her multi-media practice includes drawing, video, sculpture, and installation work that foregrounds the experience of the people who dedicate their time and energy to the struggle for gender, racial, environmental, labor, and immigration justice and those who are directly affected by systemic inequality. Over time, her different bodies of work have become a document of the changing language, prerogatives, and dynamics of social justice movements. In 2021, a major mid-career survey of Bowers's work curated by Michael Darling and Connie Butler opened at the MCA Chicago and traveled to the Hammer Museum in Los Angeles in 2022. Other recent solo exhibitions include Grief and Hope, Museum Abteiberg, Mönchengladbach, Germany and Light and Gravity, Weserburg Museum für moderne Kunst, Bremen, Germany. In September 2022, Bowers opened a solo exhibition including both new and existing work at the Galleria d'Arte Moderna di Milano as part of an exhibition program organized by the Fondazione Furla. Bowers is represented by Vielmetter Los Angeles, Andrew Kreps Gallery, Kaufmann Repetto, and Jessica Silverman Gallery. Lauren Leving (she/her) is a curator and writer based in Chicago, IL and Cleveland, OH. Her work explores how creative practice can expand institutionally-rooted understandings of access. Currently, she is Curator-at-Large at the Museum of Contemporary Art (moCa) Cleveland; Associate Curator for the Orange County Museum of Art's 2024 California Biennial; and Co-Curator of Everlasting Plastics, originally presented in the U.S. Pavilion during the 2023 Venice Architecture Biennale. Since joining moCa in 2019, Leving has organized projects including the Getting to Know You residency, which supported the production of Messages to Authorities (Go Away!), a largescale textile commission by Aram Han Sifuentes and Don't mind if I do, a group exhibition stewarded by Finnegan Shannon. She holds an MA in Museum & Exhibition Studies from the University of Illinois–Chicago and a BA from Tulane University. https://www.mocacleveland.org/exhibitions/andrea-bowers-exist-fourish-evolve Celdf.org GrassRoot Ohio - Conversations with everyday people working on important issues, here in Columbus and all around Ohio. Every Friday 5:00pm, EST on 94.1FM & streaming worldwide @ WGRN.org, Sundays at 2:00pm EST on 92.7/98.3 FM and streams @ WCRSFM.org, and Sundays at 4:00pm EST, at 107.1 FM, Wheeling/Moundsville WV on WEJP-LP FM. Contact Us if you would like GrassRoot Ohio on your local LP-FM community radio station. Face Book: www.facebook.com/GrassRootOhio/ Instagram: www.instagram.com/grassroot_ohio/ All shows/podcasts archived at SoundCloud! @user-42674753 Apple Podcast: podcasts.apple.com/.../grassroot-ohio/id1522559085 YouTube: www.youtube.com/channel/UCAX2t1Z7_qae803BzDF4PtQ/ Intro and Exit music for GrassRoot Ohio is "Resilient" by Rising Appalachia: youtu.be/tx17RvPMaQ8 There's a time to listen and learn, a time to organize and strategize, And a time to Stand Up/ Fight Back!

Our guest is Dr. Metin Eren. He is an Associate Professor of Archaeology at Kent State University and a Research Associate at the Cleveland Museum of Natural History.He did his undergraduate degree at Harvard and his Masters and Ph.D. degrees at Southern Methodist University in Dallas, Texas. Dr. Eren has published over 200 scholarly papers and three edited books. His research, which focuses on Stone Age archaeology and the evolution of technology, has been regularly featured in international media, including PBS NOVA, the History Channel, the BBC, the Discovery Channel, NPR, and MeatEater, among many others.This episode discusses student mentorship and Dr. Eren's role as a faculty and research mentor to both undergraduate and graduate students.Additional resources:· CITI Program's Campus Health and Wellbeing course: https://about.citiprogram.org/series/campus-health-and-wellness/· Kent State University Experimental Archelogy Lab: https://sites.google.com/view/ksuexarchlab/home?authuser=0

Here is Tom Welsh, Craig's old friend and a music aficionado. Tom was the Director of Performing Arts at the Cleveland Museum of Art, was the Managing Director of Big Ears in 2023, and is the manager of legendary composer Terry Riley. EnJOY! See omnystudio.com/listener for privacy information.

Listen to Cleveland's Morning News with Wills and Snyder weekdays from 5 to 9 am on Newsradio WTAM 1100

Some might say that Daniel Clayman is more a sculptor using glass as his primary material than a glass artist. That is to say his sculptures would be successful from a formal point of view no matter what material they were created in. With one major exception: the play of light in Clayman's glass art enhances the objects dramatically in comparison with how they might appear in a solid, non-translucent medium. Born in 1957 in Lynn, Massachusetts, Clayman planned a career as a theater lighting designer, studying in the theater and dance departments at Connecticut College, eventually dropping out of college to work in the professional theater, dance and opera world. A chance class in 1980 introduced the artist to using glass as a sculptural material. In 1986, he received his BFA from Rhode Island School of Design and has maintained a studio in East Providence, Rhode Island since then. ​Clayman's interests in engineering, the behavior of light, and the memory of experience, act as an impetus for much of his work. Having turned his attention to large-scale installations, he employs technology from the simplest hand tool to the latest three-dimensional modeling and production tools. Recent public projects include Rainfield, Massachusetts College of Art and Design and Media Center Atrium, exhibition dates: January 23, 2017 – January 23, 2018; and Radiant Landscape, Grounds for Sculpture, Hamilton Township, New Jersey, exhibition dates: May 7, 2017 – February 28, 2018. Clayman is the recipient of several grants and awards and has had numerous one-person shows throughout the country to include the Tacoma Museum of Glass in Tacoma, Washington, the Mint Museum in Charlotte, North Carolina, and the Fuller Craft Museum in Brockton, Massachusetts. Works in glass sculpture by the artist can be found in the permanent collections of the Museum of Fine Art in San Francisco, The Museum of Art and Design in New York, the Corning Museum of Glass, the Hunter Museum of American Art in Chattanooga, the Cleveland Museum of Art, the Milwaukee Art Museum, the Museum of Fine Art in Boston and the Renwick Gallery of the National Museum of American Art of the Smithsonian Institution in Washington, D.C.  An artist/educator, Clayman has taught in Japan, Israel and Australia in addition to a robust teaching schedule here in the U.S. He has been a Visiting Critic at the Rhode Island School of Design and Artist in Residence at Tyler School of Art and Massachusetts College of Art and Design. He lectures frequently and teaches workshops at Penland School of Crafts, Pilchuck and The Studio at the Corning Museum of Glass, among others. In 2018, Clayman became the first endowed chair of glass at University of the Arts, Philadelphia.  Clayman states: “While I moved away from a professional career pursuit in lighting design, I have never turned away from my observations of light. Using glass as my primary sculptural material, I have spent the last 20 years developing a vocabulary of forms which describe volumes of light. Over the past four years, my studio work has centered around the creation of large-scale glass castings that thematically reference the capturing of light. One of the many mysteries of light is that it refuses to reveal any of its essence until it happens to reflect on something other than itself. For instance, the headlight of a car projects (reflects) light onto objects as the viewer approaches, but not until there is a foggy mist in the air does one see the shape and arc of the beam.”  

From their trademark blown vessel forms to more recent large castings, Hunting Studio of Princeton, Wisconsin, uses glass and its myriad mysteries to tell stories of unapologetic beauty and celebration of color. The work of this father-son team, Wes Sr. and Wesley Hunting, is on view now through February 4, 2024 in Directing the Flow: The Art of Wes Hunting, at the Bergstrom Mahler Museum of Glass (BMM) in Neenah, Wisconsin. The studio was awarded First Place and a solo show at the Museum following its 2022 Glass Arts Festival. States BMM Executive Director, Amy Moorefield: “The Huntings create blown and cast glass vessels and sculpture featuring colorful palettes and murrine inspired by past and present creations of artists working in Murano, Italy. Through the process of painting with colored glass and cold surface cutting, Hunting's newest creations invite the viewer to gaze inward into miniature worlds, paying homage to the aesthetics of overlay paperweights.” Hunting Sr. studied under glass artist Henry Halem while attending Kent State from 1975 to 1979. He served as an assistant to Richard Ritter and has taught at the University of Kansas, Tennessee College of Crafts, Florida Keys Community College, and the University of Wisconsin – Madison.  Hunting Studio's work can be found in museum collections internationally to include the Cleveland Museum of Art, Cleveland, Ohio; the Bergstrom-Mahler Museum of Glass, Neenah, Wisconsin; The White House, Washington D.C.; the Krasl Art Center, St. Joseph, Michigan; the Windhover Center for the Arts, Fond Du Lac, Wisconsin; the Tucson Museum of Art, Tucson, Arizona; the Dubuque Museum of Art, Dubuque, Iowa; the Museum of American Glass, Millville, New Jersey; the Hickory Museum of Art, Hickory, North Carolina; Cafesjian Museum of Art, Armenia; The Milwaukee Museum of Art, Milwaukee, Wisconsin; the Museum of Glass, Tacoma, Washington; and The Art Museum of South Texas, Corpus Christi. Hunting corporate collections include Bank One, The Hyatt Corporation, The Standard Oil Company and The Quaker Oat Company, to name just a few. In the early 1980s, a trip to Penland School of Craft in North Carolina and travel through Italy set Wes Sr. on the path he continues on today. His studio visits with artists such as Mark Peiser, Billy Bernstein, Gary Beecham, Steve Edwards, Rob Levin, and Harvey Littleton and witnessing the millefiori process of the Italian masters helped refine his own goals in glass. Now as his son assumes increasingly more responsibilities at their studio, new ideas and bodies of work are fleshed out, investigated and introduced to their enthusiastic collectors. From their early Colorfield series, the artists have expanded into new aesthetic territory in the creation of their Optical series, Remnantseries and Castings. Says Wes Sr.: “We are always striving to take the work to a new level of intensity. It has developed into a way for me to express myself by painting with molten glass. There is no other material like glass. The colors are totally unique as they can be transparent or opalescent. The way light passes through colored glasses adds a third dimension that cannot be duplicated by any other material.”  

  https://restauranttopia.com/episodes-156-and-157-a-two-part-series-with-chef-doug-katz-and-todd-thompson-talking-about-their-restaurant-group-how-they-navigated-the-pandemic-and-operating-multiple-successful-restaurants-in-nor/   The magnetic culinary scene of Cleveland takes center stage on the latest episode of Restauranttopia! Our very own Brian Seitz had the pleasure of hosting two of the city's most prolific food maestros - Chef Doug Katz and Todd Thompson. If you've been searching for an episode brimming with passion, delectable tales, and insights into what makes the dining experience memorable, this one's for you. This episode was more than just an interview; it was a culinary odyssey, taking listeners on a flavorful ride through the lanes of Cleveland, the stories behind two iconic restaurants, and the minds of two extraordinary restaurant professionals. If you haven't tuned in yet, make sure to check out this delicious episode on Restauranttopia! About Chef Katz For the past 25 years, Chef Douglas Katz has focused on creating fulfilling, transportive experiences for Clevelanders to enjoy. As chef/owner of Zhug, Amba and soon-to-open Chimi, his driving purpose is to spread joy through meaningful experiences and shared passion. Chef Katz is also chef/partner of Provenance at the Cleveland Museum of Art, as well as former chef/owner of fire food and drink — which operated in Shaker Square for more than 20 years. Chef Katz is passionate about using fresh, high-quality ingredients with integrity. Throughout his career, he has been celebrated for his unwavering support of local farmers and food artisans. He advocates nationally and internationally for sustainable, healthful and local food systems, and frequently consults with media and civic leaders on local food initiatives. Chef Katz is an advisor for Seeds of Collaboration Tahini and Smart Soda. He also serves as a chef ambassador for the Monterey Bay Aquarium's Seafoodwatch program, which promotes environmentally responsible fishing and fish farming. He served on the board of Countryside in the Cuyahoga Valley National Park and has held leadership positions with Destination Cleveland and Cleveland Independents, an organization of 90 locally owned restaurants that nurtures and promotes local independent restaurants. Esquire magazine named Zhug one of America's best new restaurants in 2020. In 2014, the prestigious James Beard Foundation nominated Chef Katz for Best Chef of the Great Lakes Region. In 2010 he was recognized by Crain's Cleveland Business, “Who's Who, 150 Names to Know in Northeast Ohio.” He graduated from the Culinary Institute of America and also earned a Bachelor of Science degree from the University of Denver School of Hotel and Restaurant Management. Prior to opening fire food and drink, he served as executive chef of Moxie the restaurant (Cleveland, OH) and worked at acclaimed restaurants including The Little Nell (Aspen, CO) and Wildwood Restaurant (Portland, OR). In his free time, Chef Katz enjoys traveling and exploring the world and other cultures through food — and then sharing those experiences in his restaurants. He also loves relaxing at home with his family and much-loved dog, Arlo.         Learn more about Chef Douglas Katz Connect with Douglas Katz on LinkedIn Follow Douglas Katz on Twitter @phireman Follow Douglas Katz on Instagram Learn more about Amba Amba is the newest addition to Chef Douglas Katz and Todd Thompson's restaurant group. Located in the Hingetown neighborhood of Ohio City, Amba's menu of shareable plates pays homage to the flavors and ingredients of India.Learn more about Zhug Follow Zhug on Instagram Zhug is a concept by chef Douglas Katz that offers Mediterranean Mezze in a casual, high energy urban space at Cedar Fairmount in Cleveland Heights.

Episode 156 is the first of a two-part series with Chef Doug Katz and Todd Thompson talking about their Restaurant Group, how they navigated the pandemic, and operating multiple successful restaurants in northeast Ohio.   https://restauranttopia.com/episodes-156-and-157-a-two-part-series-with-chef-doug-katz-and-todd-thompson-talking-about-their-restaurant-group-how-they-navigated-the-pandemic-and-operating-multiple-successful-restaurants-in-nor/   The magnetic culinary scene of Cleveland takes center stage on the latest episode of Restauranttopia! Our very own Brian Seitz had the pleasure of hosting two of the city's most prolific food maestros - Chef Doug Katz and Todd Thompson. If you've been searching for an episode brimming with passion, delectable tales, and insights into what makes the dining experience memorable, this one's for you. This episode was more than just an interview; it was a culinary odyssey, taking listeners on a flavorful ride through the lanes of Cleveland, the stories behind two iconic restaurants, and the minds of two extraordinary restaurant professionals. If you haven't tuned in yet, make sure to check out this delicious episode on Restauranttopia!   About Chef Katz For the past 25 years, Chef Douglas Katz has focused on creating fulfilling, transportive experiences for Clevelanders to enjoy. As chef/owner of Zhug, Amba and soon-to-open Chimi, his driving purpose is to spread joy through meaningful experiences and shared passion. Chef Katz is also chef/partner of Provenance at the Cleveland Museum of Art, as well as former chef/owner of fire food and drink — which operated in Shaker Square for more than 20 years. Chef Katz is passionate about using fresh, high-quality ingredients with integrity. Throughout his career, he has been celebrated for his unwavering support of local farmers and food artisans. He advocates nationally and internationally for sustainable, healthful and local food systems, and frequently consults with media and civic leaders on local food initiatives. Chef Katz is an advisor for Seeds of Collaboration Tahini and Smart Soda. He also serves as a chef ambassador for the Monterey Bay Aquarium's Seafoodwatch program, which promotes environmentally responsible fishing and fish farming. He served on the board of Countryside in the Cuyahoga Valley National Park and has held leadership positions with Destination Cleveland and Cleveland Independents, an organization of 90 locally owned restaurants that nurtures and promotes local independent restaurants. Esquire magazine named Zhug one of America's best new restaurants in 2020. In 2014, the prestigious James Beard Foundation nominated Chef Katz for Best Chef of the Great Lakes Region. In 2010 he was recognized by Crain's Cleveland Business, “Who's Who, 150 Names to Know in Northeast Ohio.” He graduated from the Culinary Institute of America and also earned a Bachelor of Science degree from the University of Denver School of Hotel and Restaurant Management. Prior to opening fire food and drink, he served as executive chef of Moxie the restaurant (Cleveland, OH) and worked at acclaimed restaurants including The Little Nell (Aspen, CO) and Wildwood Restaurant (Portland, OR). In his free time, Chef Katz enjoys traveling and exploring the world and other cultures through food — and then sharing those experiences in his restaurants. He also loves relaxing at home with his family and much-loved dog, Arlo.         Learn more about Chef Douglas Katz Connect with Douglas Katz on LinkedIn Follow Douglas Katz on Twitter @phireman Follow Douglas Katz on Instagram Learn more about Amba Amba is the newest addition to Chef Douglas Katz and Todd Thompson's restaurant group. Located in the Hingetown neighborhood of Ohio City, Amba's menu of shareable plates pays homage to the flavors and ingredients of India.Learn more about Zhug Follow Zhug on Instagram Zhug is a concept by chef Douglas Katz that offers Mediterranean Mezze in a casual, high energy urban space at Cedar Fairmount in Cleveland Heights.

Clarissa von Spee, curator and Chair of Asian Art at the Cleveland Museum of Art, comes on the pod to discuss a pair of ornately carved Qing Dynasty jade vessels, made by masters in Suzhou, China. Probably luxury objects and perhaps gifts, they're just a couple of the more than two hundred objects on view as part of the exhibition "China's Southern Paradise: Treasures from the Lower Yangzi Delta," the first exhibition in the West that focuses on the artistic production and cultural impact of a region located in the coastal area south of the Yangzi River. White jade cup with Daoist figures (仿古款白玉雙仙人耳杯), China, Qing Dynasty (1644–1911), Qianlong period (1736–1795). Palace Museum, Beijing, ©故宫博物院.

Michael Manes is the director and co-owner of Blue Spiral 1 Gallery (Asheville, NC) - one of the Southeast's most established galleries of contemporary fine art and craft. Michael earned his BFA from the Columbus College of Art and Design and started his career in Ohio at the Columbus Museum of Art, moving on to the exhibitions departments at the Akron Art Museum and the Cleveland Museum of Art. Before turning back to curating, he was artist-in-residence at a private school in Cleveland, teaching grades K-5. After moving to Asheville, Manes became involved with the Asheville Area Arts Council (former Vice Chair and currently on the Advisory Board and serves as a chair of The Arts Coalition), the Center for Craft, and Black Mountain College Museum + Arts Center where he currently is co-vice-chair. Manes is a graduate of Leadership Asheville and currently facilitates the Downtown Asheville Arts District (DAAD). Manes brings experience from the sectors of education, art museums and art consultation, having worked with numerous artists, non-profit organizations, and art and craft collectors. Manes currently lives in Weaverville, NC with his wife Hanna, son Harvey, and three pups Ella, Mabel, and Chili Dog.Blue Spiral 1 - Homehttps://www.bing.comBeing a Business Owner is Lonely. But It Doesn't Have to Be...Join The Entrepreneur Experience. Be sure to visit BizRadio.US to discover hundreds more engaging conversations, regional events and more.