Podcasts about Lithography

On this episode of Chit Chat Stocks, we talk with Nick and Kasey from the Chip Stock Investor YouTube channel. We discuss: (02:57) Overview of the Semiconductor Market Cycle (04:50) The Impact of AI on Semiconductor Spending (08:55) Beneficiaries of Accelerated Computing (13:35) Power Management in Semiconductor Technology (14:57) ASML's Dominance in Lithography (17:46) NVIDIA's Competitive Position in the Market (24:00) Alternatives to NVIDIA's GPUs (32:25) Hyperscalers and Custom Chip Design (35:59) Geopolitical Risks and TSMC Investment (43:43) Intel's Future and Market Position (47:12) Identifying Well-Managed Semiconductor Firms (49:45) Long-Term Investment Strategies in Cyclical Industries (52:43) Future Opportunities Beyond AI in Semiconductors (55:59) Electrification and Its Impact on Semiconductor Demand (58:58) The Underrated Potential of Broadcom and Qualcomm FOLLOW THE CHIP STOCK INVESTOR CHANNEL: https://www.youtube.com/@chipstockinvestor ***************************************************** Subscribe to our YouTube channel: https://www.youtube.com/@ChitChatStocks  Follow us on Twitter/X: ⁠https://twitter.com/chitchatstocks  Follow us on Substack: ⁠https://chitchatstocks.substack.com/  ********************************************************************* Sign-up for a bond account at Public.com/chitchatstocks  A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond's yield is a function of its market price, which can fluctuate; therefore, a bond's YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. ********************************************************************* FinChat.io is The Complete Stock Research Platform for fundamental investors. With its beautiful design and institutional-quality data, FinChat is incredibly powerful and easy to use. Use our LINK and get 15% off any premium plan: ⁠finchat.io/chitchat  ********************************************************************* Sign up for YellowBrick Investing to track the best investing pitches across the internet: joinyellowbrick.com/chitchat ********************************************************************* Disclosure: Chit Chat Stocks hosts and guests are not financial advisors, and nothing they say on this show is formal advice or a recommendation.

For a long time, the semiconductor industry's primary economic engine was Moore's Law. An internal benchmark of doubling the number of devices on an integrated chip every 18 months. Broadly speaking, three engines drove these advances. Semiconductor design, increasing wafer sizes, and lastly, lithography. Improvements in optical lithography techniques have been the true driving force behind producing faster and faster chips. But coming up to the new millennium, it became clear to everyone that the lithographic train of progress was braking to a slow halt. Was there enough left in the tank for one last ride?

For a long time, the semiconductor industry's primary economic engine was Moore's Law. An internal benchmark of doubling the number of devices on an integrated chip every 18 months. Broadly speaking, three engines drove these advances. Semiconductor design, increasing wafer sizes, and lastly, lithography. Improvements in optical lithography techniques have been the true driving force behind producing faster and faster chips. But coming up to the new millennium, it became clear to everyone that the lithographic train of progress was braking to a slow halt. Was there enough left in the tank for one last ride?

Join us on Discord with Semiconductor Insider: https://ko-fi.com/chipstockinvestor Everyone knows ASML is the leader in lithography equipment -- critical to manufacturing advanced chips and AI systems. But a small upstart chip fab recently announced delivery of a potentially disruptive lithography tool from a startup called Multibeam. But this tool is very different from what ASML produces. What is e-beam lithography? And how can investors bet on it? Chip Stock Investor breaks it down. Videos referenced: https://www.youtube.com/watch?v=Gqu0L5oVatk https://www.youtube.com/watch?v=5yTARacBxHI https://www.youtube.com/watch?v=xE67ikJp1i0 https://www.youtube.com/watch?v=RwQbID53f5o

Is Onto Innovation the next ASML? Discover how Onto Innovation is helping companies like TSMC, Intel, and Samsung revolutionize chip efficiency. Learn about the shift from traditional organic materials to glass substrates and the potential of lithography in chip packaging. Don't miss insights on the evolution of this technology and its impact on investments. Technical videos to watch on advanced chip packaging: https://youtu.be/ddEMy6xgg3s?si=K9GPrBVL2ITTVV7l

On the latest episode of Policy Outsider, Rockefeller Institute President Bob Megna and Kevin Younis, executive deputy commissioner and chief operating officer at Empire State Development, return to the podcast to discuss the latest $10 billion investment in Albany's NanoTech Complex for a new High Numerical Aperture Extreme Ultraviolet (NA EUV) Lithography Center. The conversation covers who the stakeholders are in this $10 billion deal, how partnerships between private industry and government came together and landed on upstate New York as the future of the semiconductor industry, and what that means for the New York economy. Guests: Bob Megna, president, Rockefeller Institute of Government Kevin Younis, chief operating officer and executive deputy commissioner, Empire State Development Learn More: Ep. 62. New York's $100 Billion Micron Deal. How Did It Happen? Ep. 63. New York's Investment in Innovation Infrastructure

ย้อนกลับไปในช่วงปี 1984 ในตอนนั้น ASML เป็นบริษัทที่เพิ่งเริ่มตั้งไข่ใหม่ ๆ ไม่มีสิ่งอำนวยความสะดวกใด ๆ แถมยังไม่มีเงินทุน ไม่ต้องคิดถึงการสร้างเครื่องจักรในการผลิตชิปรุ่นถัดไปของโลกที่คงเป็นแค่เรื่องในฝัน ปีเดียวกันนั้นเองเป็นปีที่บริษัท Philips ซึ่งเป็นบริษัทผลิตสินค้าอิเล็กทรอนิกส์ยักษ์ใหญ่จากเนเธอร์แลนด์ได้แยกแผนกในการสร้างเครื่องจักรผลิตชิปออกไป และก่อตั้งขึ้นเป็นบริษัทใหม่ในชื่อ ASML โดยมีสำนักงานใหญ่อยู่ที่ Veldhoven ซึ่งเป็นเมืองที่อยู่ไม่ไกลจากชายแดนเนเธอร์แลนด์ที่ติดกับเบลเยียมมากนัก มันดูจะไกลเกินฝันจริง ๆ สำหรับ ASML ที่จะกลายเป็นบริษัทระดับโลกในอุตสาหกรรมเซมิคอนดักเตอร์ แม้ยุโรปในยุคนั้นจะเป็นผู้ผลิตชิปรายใหญ่ แต่เห็นได้ชัดว่ายังตามหลัง Silicon Valley และทางฝั่งญี่ปุ่นอยู่สุดกู่ เลือกฟังกันได้เลยนะครับ อย่าลืมกด Follow ติดตาม PodCast ช่อง Geek Forever's Podcast ของผมกันด้วยนะครับ ========================= ร่วมสนับสนุน ด.ดล Blog และ Geek Forever Podcast เพื่อให้เรามีกำลังใจในการผลิต Content ดี ๆ ให้กับท่าน https://www.tharadhol.com/become-a-supporter/ ——————————————– ติดตาม ด.ดล Blog ผ่าน Line OA เพียงคลิก : https://lin.ee/aMEkyNA ——————————————– ไม่พลาดข่าวสารผ่านทาง Email จาก ด.ดล Blog : https://www.getrevue.co/profile/tharadhol ——————————————– Geek Forever Club พื้นที่ของการแลกเปลี่ยนข้อมูลข่าวสาร ความรู้ ด้านธุรกิจ เทคโนโลยีและวิทยาศาสตร์ ใหม่ ๆ ที่น่าสนใจ https://www.facebook.com/groups/geek.forever.club/ ========================= ช่องทางติดตาม ด.ดล Blog เพิ่มเติมได้ที่ Fanpage : www.facebook.com/tharadhol.blog Blockdit : www.blockdit.com/tharadhol.blog Twitter : www.twitter.com/tharadhol Instragram : instragram.com/tharadhol TikTok : tiktok.com/@geek.forever Youtube : www.youtube.com/c/mrtharadhol Linkedin : www.linkedin.com/in/tharadhol Website : www.tharadhol.com

ASML has a stranglehold (but not a total monopoly) on lithography equipment for semiconductor manufacturing. Japanese conglomerate Canon (CAJPY) is doubling down on competing advanced chipmaking equipment it originally acquired in 2014, and recently announced a new breakthrough it thinks could compete with ASML's most advanced machines. Canon certainly wants to be more than a PR-driven player in this department, but ASML's roots are deep in the chip supply chain. In this video, Chip Stock Investors Nick and Kasey discuss aspects of lithography that make ASML special, but how Canon's nanoimprint lithography (NIL) machines could make some headway in the years to come. They also discuss how they're handling ASML stock, given its elevated valuation and new risks that could emerge for the business. Chapters: 0:00 The Semiconductor Manufacturing Process 03:11 ASML & Canon In the Semiconductor Manufacturing Process 10:11 Photolithography vs Nano Imprint Lithography 15:59 What Happened to NIL? 17:54 How Can NIL Be Used? 20:09 ASML vs Canon Stock 25:17 Is ASML At Risk? Links for source material: https://global.canon/en/technology/nil-2023.html https://semiengineering.com/what-happened-to-nanoimprint-litho/ https://global.canon/en/news/2023/20231013.html https://www.youtube.com/watch?app=desktop&v=GSuTyOMq1Bg https://www.appliedmaterials.com/us/en/product-library/sculpta.html If you feel like leaving us a tip you can do so at : https://ko-fi.com/chipstockinvestor Thanks for the support! We use data, charts, and KPI's from our friends at Main Street Data. If you would like to check it out and subscribe to a premium membership here is a link that will get you 10% off

Our last episode about ASML and the semiconductor lithography equipment market briefly discussed the photomask business Photronics (PLAB). Lithography is a critical step in semiconductor manufacturing, and it can't be done without photomasks. That's where Photronics comes in. It's a small business with a sharp focus, and it's profitable. Is it a good long-term buy? Chip Stock Investors Nick and Kasey discuss. Next up is Amkor (AMKR), an OSAT, or outsourced semiconductor assembly and test company. They package and test semiconductors and computing systems for leading companies such as Taiwan Semiconductor. There has been a steep drop in stock price recently. Why did this happen and is it cheap enough for us to add to our portfolio? All of this and more in this “value stock” edition of Chip Stock Investor! If you feel like leaving us a tip you can do so at : https://ko-fi.com/chipstockinvestor Thanks for the support! Content in this video is for general information or entertainment only and is not specific or individual investment advice. Forecasts and information presented may not develop as predicted and there is no guarantee any strategies presented will be successful. All investing involves risk, and you could lose some or all of your principal. Nicholas and Kasey Rossolillo own shares of ASML

https://www.youtube.com/watch?v=CscUNI_37hU #2023 #art #music #movies #poetry #poem #photooftheday #volcano #news #money #food #weather #climate #monkeys #horse #puppy #fyp #love #instagood #onelove #eyes #getyoked #horsie #gotmilk #book #shecomin #getready 

This week Miranda speaks with Robert Arber, the founder of Arber and Sons Editions in Marfa, TX. This episode was recorded on-site in Robert's studio in this iconic art town. They talk about his journey to printmaking after working in a car design studio in Detroit, going to the Tamarind Institute of Lithography in the 1970s, making motorcycles that go very fast, and printing, collaborating, and drinking with Donald Judd. Go to our Instagram if you want to see photos of some of the objects Robert mentions in the episode, such as the prototype of the sotol bottom that Judd designed, the Deadhead Moth print, and more! Robert's Website: https://30x30cmproject.com/ YOUTUBE www.youtube.com/channel/UCOMIT3guY5PjHj1M7GApouw MERCH www.teepublic.com/user/helloprintfriend WEBSITE www.helloprintfriend.com Instagram www.instagram.com/helloprintfriend ✨patreon✨ www.patreon.com/helloprintfriend Our sponsor, Speedball www.speedballart.com Our sponsor, Legion Paper legionpaper.com/

This is Matt Reustle and today we are back covering the semiconductor value chain. ASML was once a forgotten subsidiary of Philips. Today, it's one of the most important technology companies in the world. To break down ASML, I'm joined by Tom Walsh, a portfolio manager at Baillie Gifford. Tom helps explain what's happening inside an extreme ultraviolet lithography machine, and how ASML came to pioneer this technology from the Netherlands. It was a non-traditional path to say the least. This breakdown pairs very well with our breakdowns on AMD, Qualcomm and Cadence. And I'd also highlight the Founders Podcast episode #8 on the Intel Trinity. Please enjoy this breakdown of ASML. For the full show notes, transcript, and links to the best content to learn more, check out the episode page here.  ----- This episode is brought to you by Tegus. Tegus is the modern research platform for leading investors, and provider of Canalyst. Tired of calculating fully-diluted shares outstanding? Access every publicly-reported datapoint and industry-specific KPI through their database of over 4,000 driveable global models handbuilt by a team of sector-focused analysts, 35+ industry comp sheets, and Excel add-ins that let you use their industry-leading data in your own spreadsheets. Tegus' models automatically update each quarter, including hard to calculate KPIs like stock-based compensation and organic growth rates, empowering investors to bypass the friction of sourcing, building and updating models. Make efficiency your competitive advantage and take back your time today. As a listener, you can trial Canalyst by Tegus for free by visiting tegus.co/patrick. ----- Business Breakdowns is a property of Colossus, LLC. For more episodes of Business Breakdowns, visit joincolossus.com/episodes. Stay up to date on all our podcasts by signing up to Colossus Weekly, our quick dive every Sunday highlighting the top business and investing concepts from our podcasts and the best of what we read that week. Sign up here. Follow us on Twitter: @JoinColossus | @patrick_oshag | @jspujji | @zbfuss | @ReustleMatt | @domcooke Show Notes (00:02:44) - (First question) - The ASML back story (00:06:14) - A deep dive into what semiconductors and Lithography are   (00:08:04) - Alternate business directions ASML could have pursued  (00:19:39) - How large ASML is in the industry today (00:10:37) - A look into the management team over time (00:14:03) - Moore's Law and the key components of chip production (00:15:09) - Overall size of the machines manufactured (00:16:14) - The evolution of UV light and its important role in the advancement of Lithography  (00:20:29) - Other competing companies within the field  (00:23:10) - A detailed look into the cost of production industry wide (00:24:04) - Unlocked innovations associated with the development technology  (00:25:32) - The life cycle of a lithography machine (00:27:04) - Revenue gained from new versus refurbished machines (00:27:27) - The cyclicality of the ASML machine revenue (00:29:32) - Potential production limitations due to capacity (00:31:00) - Margin profile and how ASML sets prices (00:32:33) - What the concentration of customers looks like (00:37:00) - Reasons why an acquisition has not taken place to date (00:38:42) - He explains where investor cash flow is directed (00:40:01) - An investors perspective on ASML opportunities  (00:42:24) - How milestones in new technology are regulated and measured (00:45:40) - Potential business risks (00:49:21) - Lessons he's learned from studying ASML Learn more about your ad choices. Visit megaphone.fm/adchoices

This week Miranda speaks with Joshua Orsburn, an artist and collaborative printer based in Santa Fe. We talk about formative experiences in his childhood, working at the iconic Landfall Press shortly after attending the Institute Tamarind of Lithography, how we use art to process trauma, and how to make trauma-informed art with thoughtful and responsible methods. Joshua on Instagram https://www.instagram.com/joshuaporsburn YOUTUBE www.youtube.com/channel/UCOMIT3guY5PjHj1M7GApouw MERCH www.teepublic.com/user/helloprintfriend WEBSITE www.helloprintfriend.com Instagram www.instagram.com/helloprintfriend ✨patreon✨ www.patreon.com/helloprintfriend Our sponsor, Speedball www.speedballart.com

Platemark s3e25's guest is Michael Barnes, an artist and professor at Northern Illinois University who specializes in lithography. In addition to deep knowledge of how lithography works, Michael is also an historian of the technique and a collector.

ASML earnings beat expectations, but unfortunately, the Lithography giant saw a weakness in bookings. Are investors worried that ASML might be overpriced for an upcoming slow year for semiconductor companies?A portion of this video is sponsored by The Motley Fool. Visit https://fool.com/jose to get access to my special offer. The Motley Fool Stock Advisor returns are 381% as of 3/23/2023 and measured against the S&P 500 returns of 113% as of 3/23/2023. Past performance is not an indicator of future results. All investing involves a risk of loss. Individual investment results may vary, not all Motley Fool Stock Advisor picks have performed as well.Semiconductor Podcasthttps://www.fool.com/josenajarroDISCORD GROUP!! https://discord.gg/wbp2Z9STwitter: https://twitter.com/_JoseNajarroDISCLAIMER: I am not a financial advisor.  All content provided on this channel, and my other social media channels/videos/podcasts/posts, is for entertainment purposes only and reflects my personal opinions.  Please do your own research and talk with a financial advisor before making any investing decisions.

As applications for artificial intelligence are developing rapidly, the need for ever higher computational power to train massive datasets for AI puts a premium on chipmaking technology. Conventional photolithography is increasingly difficult as gate density increases on modern semiconductors, and single digit nanometer devices are more time-consuming and difficult to fabricate. Nvidia has developed a software package in collaboration with ASML, Synopsys and TSMC which is designed to run with Nvidia graphics processor units in a system that promises to eventually produce an order of magnitude faster wafer production. 2 nm devices are under study, which may represent the physics limit to PLC development with photolithography technology. * * *Want to watch this podcast as a video? This Week in Engineering is available on engineering.com TV along with all of our other shows such as End of the Line, Designing the Future, Manufacturing the Future, and the Engineering Roundtable.

Max interview's Adam Kane of ASML about the industrial processes which make hardware innovation possible. They cover extreme UV lithography, the law of accelerating returns, and implications for software engineers. www.localmaxradio.com/271

Lexman and John discuss the downcomers business, and how lithography is used in this business.

My guest today is Jon from Asianometry (@asianometry), creator of the hugely popular Asianometry YouTube channel where he posts video essays on business, economics, and history within Asia. In this conversation, we cover EUV Lithography, ASML, and everything in between from how it all works to their impact on the world and what it all means. I hope you enjoy this deep dive on ASML & EUV Lithography Deep Dive with Asianometry.   For the full show notes, transcript, and links to mentioned content, check out the episode page on  https://compoundingpodcast.com/ep50    ------   Show Notes: [00:00:31] - [First question] - What is EUV lithography, how does it work, and why is it important? [00:06:14] - Who is ASML?  [00:07:49] - Can other companies make EUV machines? How big is that jump? [00:11:17] - Describing the insanity of ASML's EUV machines [00:14:21] - ASML's relationship with suppliers [00:16:13] - ASML and vertical integration? Can they become a fab? [00:18:06] - Is de-globalization a threat to ASML's asset-light model? [00:18:43] - Why zero defectivity is one of EUV lithography's key challenges to overcome [00:21:46] - The insane mirrors in an EUV machine [00:23:22] - Can we even build a simpler, cheaper EV machine? [00:25:20] - What's next after EUV? [00:27:52] - What kind of threat is the emergence of 3D DRAM that places more emphasis on itching and other processes rather than lithography? [00:31:40] - The power consumption problem for EUV machines [00:32:52] - Talking about the insanity of TSMC's fabs [00:34:42] - Does it worry Jon how much of the world economy is dependent on so few companies? [00:37:53] - Wrapping up   ------   Connect with Asianometry: Asianometry's YouTube: https://www.youtube.com/c/Asianometry/featured  Follow Asianometry on Twitter: https://twitter.com/asianometry  Asianometry Newsletter: https://asianometry.substack.com/  Asianometry Podcast: https://anchor.fm/asianometry    ------   Mentioned/Recommended Content: ASML YouTube Playlist: https://www.youtube.com/playlist?list=PLKtxx9TnH76R3D0aXnw-IVVaA383XTfMv    ------   Special thanks: Many thanks to @Vathashimo on Twitter for contributing questions!    ------   Stay up to date with the podcast by signing up for the Compounding Curiosity Substack, where I'll email you when the latest episode comes out along with my summary and takeaways, links to mentioned content, graphics and the transcript. Sign up at https://compoundingcuriosity.substack.com/    ------   Stay Connected with Compounding Curiosity: Visit the Compounding Curiosity PODCAST: https://CompoundingPodcast.com/  Sign up for the Compounding Curiosity SUBSTACK: https://compoundingcuriosity.substack.com/  Follow Compounding Curiosity on TWITTER: https://twitter.com/CompndCuriosity/  Follow Kalani Scarrott on TWITTER: https://twitter.com/ScarrottKalani/  Sign up for the Allocators Asia SUBSTACK: https://AllocatorsAsia.substack.com/   Join the DISCORD: https://discord.gg/NPVNPVsCYb  Have some thoughts on the podcast? Leave FEEDBACK: https://forms.gle/Du61UxeJ25BkydH49

Frieze Masters presents this conversation with Kamala Ibrahim Ishag and Hans Ulrich Obrist in partnership with the Serpentine (@serpentineuk). To celebrate the opening of her solo exhibition at Serpentine, Ishag returns to the RCA where she studied in the 1960s. She discusses her background, her relationship with nature and the influence of the Sudanese Zār cult on her work.  "If people are really genuine with their plants and they respect their plants, they should talk to them as human, as a source of creation from God. Humans and plants, we are all the same." – Kamala Ibrahim Ishag  Kamala Ibrahim Ishag was amongst the first women artists to graduate from the College of Fine and Applied Art in Khartoum in 1963, which she followed with studies in Mural Painting at the RCA in London between 1964 and 1966 and Lithography, Typography and Illustration from 1968-9. Her work bridges the earthly and spiritual through an understanding of our connections with the natural world. Hans Ulrich Obrist (@hansulrichobrist) is Artistic Director at Serpentine  Find images of artwork discussed here.  About the Frieze Masters Podcast  Exploring themes of identity, originality, geopolitics and Blackness through a historical lens, the new Frieze Masters Podcast is now available. Bringing together some of today's most celebrated artists, art historians and curators, the podcast launches with the Talks programme from the 2022 edition of Frieze Masters – one of the world's leading art fairs – and offers compelling insight into the influence of historical art on contemporary perspectives and creativity.     www.frieze.com  @friezeofficial

In this episode, historian and gender studies scholar, Dr. G. Anurima talks to us about why we've misunderstood the nature of matriliny in Kerala, Ravi Varma's legacy as a 'public artist,' and how family photos reflect domestic hierarchies.‘In Perspective' is The Swaddle's podcast series where academics reveal little-known facts about Indian history, society and culture.  Notes: 00:01:07:02- Why do you describe Ravi Varma as India's first public artist? What are the broader implications of Ravi Varma's Work, and the ways in which it was circulated and reproduced? 00:14:12:17- What representations of friendships do we see in different cultural mediums in 19th century Kerala?00:23:54:02- How is Nair matriliny understood outside Kerala, and within Kerala? 00:53:46:17- What notions of family do family photographs represent? How does this complicate the idea of a visual being a mirror of society?

By Davy Crockett You can read, listen, or watch On a summer morning in 1883 in midtown Manhattan, New York City, a young boy ran down 34th Street, getting the attention of a policeman. He cried out, “A man has killed some folks.”  Officer John Hughes ran with the boy to a new saloon that recently opened. There he saw a man, pale, and trembling. He found out that the man was Charles Noremac, one of the most famous ultrarunners/pedestrians in the country. Noremac led the officer up two flights of stairs to the apartment where he lived. On the dining room floor lay two dead bodies, Noremac's young wife, Elizabeth, and his longtime friend and trainer, George Beattie. A revolver lay on the floor near Beattie's left hand. The murder and suicide occurred while Noremac was downstairs, but his two young children, still crying, had sadly witnessed it all.  How could this have happened? Get Davy Crockett's new book, Frank Hart: The First Black Ultrarunning Star. In 1879, Hart broke the ultrarunning color barrier and then broke the world six-day record with 565 miles, fighting racism with his feet and his fists. George Duncan “Noremac” Cameron (1852-1922) was born in Edinburgh, Scotland in 1854.  He was the oldest of nine children. His father, John Cameron (1834-1902) was a lithographic printer, and George took up the same occupation. Lithography artwork was becoming very popular because it could create many copies of portraits for a reasonable cost. As a young adult George became interested in running in 1872 at the age of 20. His first achievement was winning a one-mile race in 5:13 at Powder Hall Grounds, Edinburgh, Scotland.  He quickly became recognized as one of the best sprinters in Scotland and would compete in various one-mile races during town fairs, always placing high. He improved his one-mile personal best to 4:21 and won three-mile races too. In 1875 at the age of twenty-two, George married eighteen-year-old Elizabeth Edwards (1855-1883). She was also born in Edinburgh, growing up in a large family of nine children. Her father was a pastry and candy maker. Elizabeth also learned the candy-making business. She gave birth to four children in Scotland, Alexander Edward Cameron (1877-1946) and daughter Jessie Brown Cameron (1880-1952), and two others who died as infants. Elizabeth was described as “a short, stout woman, with regular features, light complexion and pleasing manners, with blue eyes and brown hair.” Entering Pedestrianism Sport In 1879, long-distance pedestrianism started to get intense attention in Scotland as Edward Payson Weston barnstormed Great Britain, putting on walking exhibitions and competing in races. With so many others, George entered the sport that year. He was a small man, ideal for long-distance running, standing only 5'3”” and weighing about 122 pounds. He decided to take on the stage name of “Noremac” which is Cameron spelt backwards. He did not originate the idea of using his transposed name as an alias. Other Camerons before him had also used the Noremac alias both in Scotland and America. George Hazael Noremac's earliest known ultra-distance race came in July 1879. He ran in a 26-hour, outdoor six-day running tournament, at the Aberdeen Recreation Grounds in Inches, Scotland. Contestants ran four hours a day and six hours on the last day. It was put on by the 100-mile world record holder, George Hazael of London. “By the finish, an immense concourse of people had congregated within the enclosure, who seemed to take on eager interest in the competition, cheering one or other of the competitors whenever a spurt was made.” Noremac reached an impressive 156 miles. Noremac continued to win nearly every race. In January 1880, a two-day (12-hours per day) race was held at Perth, Scotland in Drill Hall. There were 23 starters. The track was very tiny, 31 laps to a mile. Noremac led after the first 12-hours with a remarkable 69 miles.

Producing the world's most complex and advanced semiconductors isn't rocket science; it's far more difficult and getting tougher. For example, today's most advanced AI devices are made using a 5nm process. 5nm, which in layperson's terms, is equivalent in size to two DNA strands. Imagine somehow placing billions of strands of DNA in an exact and elaborate pattern, 100 layers high, in an area that's the size of a thumbnail. In short, that is the challenge semiconductor manufacturers face when producing the most advanced AI chips.   Production of today's most advanced chips uses a cutting-edge technology called: Extreme Ultraviolet Lithography, or EUV. Listen in as Mr. Toshimichi Iwai, Senior Vice President of E-Beam Lithography at Advantest's R&D facility in Saitama, Japan, explains the history and importance of lithography in semiconductor manufacturing and the vital role that Advantest plays in enabling next-generation semiconductor devices.    

Maximize your engineering team's flexibility by deploying miDALIX's compact, tabletop lithography machine to transfer electrode designs with nanometer-level precision! Find out more at https://midalix.com

Offering nanometer-level precision, ease of use, and versatility, the DaLI by miDALIX is the new face of laser lithography for all research and industrial applications. Go to https://midalix.com to learn more!

Upgrade your mask-based lithography to maskless with this cost-effective solution from miDALIX Maskless Lithography Systems (+386-41-845-302). Visit https://midalix.com to learn more.

AM Ventures portfolio company Incus is developing a method to use lithography metal manufacturing to make small accurate metal parts. What kind of applications work for its technology? How is the company going to grow its business? How do they stack up against binder jet, bound metal, and powder bed fusion? We have an open conversation with Dr. Gerald Mitteramskogler, Incus CEO and founder, about all of this. We also discuss his journey in 3D printing and the future of his firm.

The National Institute of Standards and Technology (NIST) is a physical sciences laboratory and non-regulatory agency of the United States Department of Commerce. NIST's activities are organized into laboratory programs that include nanoscale science and technology, engineering, information technology, neutron research, material measurement, and physical measurement.In today's episode Markus speaks with Alex Liddle, Scientific Director at NIST.They discuss:Alex's Career Journey to NISTDimensional MetrologyThe Measurement of a Test Structure vs. the Actual Structure and CoverageThe trend to measure everything you can across the waferKey Trends Alex noticed at this years Frontiers conferenceStochastic Failures, Lithography and Reliability Reach out to Markus for any potential guest requests or episode ideas here: https://www.linkedin.com/in/markus-kuhn-4b502110/For the latest in new Metrology Techniques and Solutions check out https://rsmd.rigaku.com/To make sure you never miss an episode of Understanding Semiconductors, subscribe on Apple Podcasts, Spotify, and the website.Listening on a desktop & can't see the links? Just search for Understanding Semiconductors in your favorite podcast player.

Tired of cumbersome lithography machines? Switch to miDALIX's maskless photolithography machine to save time and money! Learn more by visiting https://midalix.com (https://midalix.com)

This week on Hello, Print Friend Miranda speaks with Bill Lagattuta master printer and workshop manager at the Tamarind Institute of Lithography from 1988 to 2015. We talk about his early days as a printer traveling around the country from job to job and rethinking his career path, landing at Tamarind and working with incredible artists over the years, and being included in the exhibition at the Albuquerque Museum “Printers Proof” which features editions from some of the great master printers of our time. Tamarind Institute https://tamarind.unm.edu Shop Talk www.patreon.com/helloprintfriend YOUTUBE www.youtube.com/channel/UCOMIT3guY5PjHj1M7GApouw MERCH www.teepublic.com/user/helloprintfriend WEBSITE www.helloprintfriend.com instagram www.instagram.com/helloprintfriend ✨patreon✨ www.patreon.com/helloprintfriend Our sponsor Speedball www.speedballart.com

In this episode Metal Artist Cash Barnes tells us how growing up with a realist painter father got him started in printmaking and sign fabrication. He'll educate us on interesting phrases from metalworking, drop some stories about working on a ride at Universal Studios, and tell us about his eye-catching sculptures, including one that is out of this world…all while sipping Jack Daniels over ice.Cash's Barnes' Art on the Atlanta Beltline: https://art.beltline.org/artist/cash-barnes/Cash Barnes' Instagram - Many photos of Cash's metal work https://www.instagram.com/williamcashbarnes/?hl=enExamples of Cash Barnes' work: https://www.facebook.com/Precision-Custom-Metals-Inc-127993133888510/Crashed spaceship sculpture in Atlanta's Beltline: https://art.beltline.org/art/take-me-to-your-leader/Jail cell park bench: https://art.beltline.org/art/get-yourself-free/More cowbell:  https://art.beltline.org/art/more-cowbell/Peace Bomb: https://art.beltline.org/art/the-peace-bomb/The self portrait of Cash Barnes' father : https://www.instagram.com/p/BK1s5Cmh1Tv/Islands of Adventure - Disney - Orlando: https://www.universalorlando.com/web/en/us/theme-parks/islands-of-adventureFontainebleau Hotel - Miami: https://www.fontainebleau.com/The D-Day Diorama on a helmet photo that Cash and Stephanie mention will be in our social media. Hope you enjoyed our podcast.Follow us on InstagramFollow us on FacebookTikTokYouTube

A discussion with Miranda Metcalf, founder and host of “Hello, Print Friend”, a podcast with over 130 episodes dedicated to the celebration and amplification of printmaking and its culture. In our conversation Miranda provides a historical context for printmaking, its advances, the culture around the medium and advice for the aspiring collector.

Lithography, the oldest form of printmaking, is the art-form of choice of Muriwai-based Kylie Rusk. It's physical - very physical - unpredictable and time-consuming. Landscapes and seascapes are what Kylie loves to represent in her limited edition prints, created on chunks of imported limestone. Her solo show Luminous is about to open at Auckland's Turua Gallery. It's a series of prints that focus on her family farm, on islands she can see from the shorelines she's constantly walking, and on Muriwai itself. Kylie talks to Lynn Freeman about the history of lithography, and what it takes to make a limited edition print: Luminous - Solo Exhibition by Kylie Rusk opens at Turua Gallery in Auckland on the 6th of May.

With this cutting-edge engineering device, you get high-level accuracy in all your projects and experiments. Find out more at: https://midalix.com (https://midalix.com)

Join Hackaday Editor-in-Chief Elliot Williams and Staff Writer Dan Maloney for an audio tour of the week's top stories and best hacks. We'll look at squeezing the most out of a coin cell, taking the first steps towards DIY MEMS fabrication, and seeing if there's any chance that an 80's-vintage minicomputer might ride again. How small is too small when it comes to chip packages? We'll find out, and discover the new spectator sport of microsoldering while we're at it. Find out what's involved in getting a real dead-tree book published, and watch a hacker take revenge on a proprietary memory format -- and a continuous glucose monitor, too. Head over to Hackaday for links in the show notes!

In 1978, 70% of all the world's lithography equipment came from an American supplier. As late as 1982, Americans still held 62% of the market. Seven years later in 1989, Japanese firms held 70% share of the market - led by their two lithography giants: Canon and Nikon. The American once-market leaders, rapidly declining. One loses $100 million by 1986. The other withdraws from the market entirely by 1989. The dominance of the Japanese lithography industry stunned the semiconductor world. Americans back home spilled gallons of ink, trying to figure out where it all went wrong. The answer, as always, is not what you might have expected. In this video, a prequel to my ASML video, we are going to look at Japan's famous cross-industry effort to develop an indigenous semiconductor industry and conquer the global lithography market on the side.

In 1978, 70% of all the world's lithography equipment came from an American supplier. As late as 1982, Americans still held 62% of the market. Seven years later in 1989, Japanese firms held 70% share of the market - led by their two lithography giants: Canon and Nikon. The American once-market leaders, rapidly declining. One loses $100 million by 1986. The other withdraws from the market entirely by 1989. The dominance of the Japanese lithography industry stunned the semiconductor world. Americans back home spilled gallons of ink, trying to figure out where it all went wrong. The answer, as always, is not what you might have expected. In this video, a prequel to my ASML video, we are going to look at Japan's famous cross-industry effort to develop an indigenous semiconductor industry and conquer the global lithography market on the side.

In the mid 1990s, two companies dominated the lithography space. Both of them were Japanese: Nikon and Canon. Together, they held three quarters share of the market. Then a Dutch company called ASML rose to overtake these two, relegating them to bit players in the industry. Today, the two are no longer trying to compete at the cutting edge. While ASML is now Europe's most valuable technology company. In this video, I want to talk about how ASML took the market share and technological leadership crown. And why the Japanese incumbents failed to keep it.

In the mid 1990s, two companies dominated the lithography space. Both of them were Japanese: Nikon and Canon. Together, they held three quarters share of the market. Then a Dutch company called ASML rose to overtake these two, relegating them to bit players in the industry. Today, the two are no longer trying to compete at the cutting edge. While ASML is now Europe's most valuable technology company. In this video, I want to talk about how ASML took the market share and technological leadership crown. And why the Japanese incumbents failed to keep it.

Siobhan mentioned two mentors: visual artist Michael Goodson and Ottawa School of Art printmaking teacher Robert Hinchley (visual artist), as well as a few of the artists who have inspired her approaches to art making: Robert Rauschenberg, Jean Michel Basquiat, Jane Ash Poitras (art: National Gallery of Canada, interview), and Delita Martin.Her exhibit of linocuts and installation art being held at the Lee Matasi Gallery, Ottawa School of Art. While the exhibit ends on February 23, 2022, you may obtain a behind the scenes look at its artworks and installation in Siobhan's blog ‘Bed-Lam.'

Abe Kimball talks about Common Ground, a collaborative art exhibit featuring his father's lithograph art through the eyes of a variety of other artists.

In this episode of Hello Print Friend Miranda speaks with Brandon Gunn and Valpuri Remling of The Tamarind Institute of Lithography. Brandon is Director of Education and Valpuri Master printer and workshop manager. Together they run the two sides of Tamarind's world famous lithographer training program. We had a wonderful conversation about how tamarind works and the seemingly at times mercurial world of litho. [more information] Tamarind Website tamarind.unm.edu Tamarind Instagram www.instagram.com/tamarindinstitute/?hl=en Tamarind Education Instagram www.instagram.com/tamarindeducation/ Shop Talk www.patreon.com/helloprintfriend YOUTUBE www.youtube.com/channel/UCOMIT3guY5PjHj1M7GApouw MERCH www.teepublic.com/user/helloprintfriend WEBSITE www.helloprintfriend.com instagram www.instagram.com/helloprintfriend print gallery helloprintfriend.com/print-gallery ✨patreon✨ www.patreon.com/helloprintfriend Our sponsor Speedball www.speedballart.com

Budka finalised her research on a rarely practiced Japanese printmaking technique called Mokulito. She created her own printmaking technique naming it, Budkalito. With the exciting results of Budkalito, she was invited to give lectures and workshops around the world. The “skin in the game” exhibition from 11 November to 16 December in Hong Kong presents Ewa Budka's lithography prints and paintings. Ewa Budka, New York-based, born and raised in Poland captures her own stories - emotions which, like a tattoo on her skin are visible on her abstract paintings. Budka explores the complexity of having an international career as an artist, art director, model, and recently also a mom, and all which goes with it, the bad and good times - heartbreaks, frustration, happiness, and love. The artist stated “Life is all about changes. 2020 had changed my life, it changed me in many ways. I realised I have many different needs, desires. What I have had learned when I became a Mother is that there are many different Women inside of me. My body has spoken to me in so many different ways that I had to stop, and carefuly check where are coming from all of the whispers. I saw a space-a potential to check and I found in there many different Ewa's. A Mother, a Lover, an Independent strong fighter but also Ewa who wants to be taken care of. It took time to hear them all out, to direct who's speaking when. They all can represent different personality archetypes of Greece Goddesses like Hera, Aphrodite, Anthena, Artemis. All powerful but so different. Finally my Women are all being respectful, friendly, gently living, to each other. It almost feels that they all had been at fight in the past decade, and now finally I see them all. Clearly without a doubt I wouldn't be able to listen to any of them if not the 2020.” #artaapp #storiesbehindart #budkalito #lito #lithography #from #wood #mokulito #workonpaper #abstractart #art #artwork #contemporaryart #artist #artistsofinstagram #exhibition #skininthegame #comingsoon #womxnartists #woman #paper #print

This week we discuss dolly focus, mail-in repairs, retrofitting older Macs. 1Password will now let you share passwords with just a link. We dive into the October event where Apple unveils the MacBook Pro 14-inch and 16-inch laptops with M1 Pro and M1 Max Apple Silicon. We discuss the chip architectures as well as Apple Music Voice Plan, new Home Pod Mini and Air Pods. Picks: Salary Negotiation: Make More Money, Be More Valued, TLDR Stock Options, The Pragmatic Engineer Test: 12 Questions on Engineering Culture, Hired Salary Calculator New audio uploaded - Sat Oct 23, 1:04 EDT

Are you a scientist looking to optimize your research budget? Learn more about DaLI, a tabletop maskless lithography device that provides greater flexibility in prototyping and development, while providing opportunities for cost savings. You can find more information at https://midalix.com (https://midalix.com)

Emily Arthur (Eastern Band Cherokee descent) is an Associate Professor at the University of Wisconsin-Madison and serves as Chair of the Printmaking Area within the Art Department where they will host (SGCI) Southern Graphics Council Conference in March 16 – 19 2022 titled Our Shared Future. Arthur received an MFA from the Pennsylvania Academy of the Fine Arts in Philadelphia and has served as a Fellow at the Barnes Foundation for Advanced Theoretical and Critical Research, Pennsylvania. Additional education includes the Rhode Island School of Design, University of Georgia and the Tamarind Institute of Lithography at the University of New Mexico. Arthur is awarded to the Notable Women in the Arts, National Museum of Women in the Arts and has been nominated for a Joan Mitchell Foundation, Painters and Sculptors Grant. She is the recipient of a Florida Artist Enhancement Grant provided by the State of Florida and the National Endowment for the Arts. Her work is included in the permanent collections of the Saint Louis Art Museum, Chazen Museum of Art, Minneapolis Museum of American Art, Tweed Art Museum, Denver Art Museum, Autry National Center of the American West and the Museum of Contemporary Native Arts, Santa Fe, NM. Arthur's work is included in the recent 2020 book, Knowing Native Arts (Lincoln): University of Nebraska Press, by Nancy Marie Mithlo as well as Dr. Mithlo's forthcoming book titled Visualizing Genocide co-authored with Yve Chavez, Ph.D. Arthur is also a co-curator and co-author of Re-Riding History: From the Southern Plains to the Matanzas Bay, edited by Phillip Earenfight, PhD. (The Trout Gallery: Carlisle, PA, Fall 2018). Arthur has served as an International Artist in Residence in France and Japan with artists from the Diné/Navajo Nation and as part of the 2011 Venice International Print Studios where she exhibited at the University of Ca” Foscari on Occasion of the Venice Biennale 54th International. International permanent collections include the nations of Iceland, Russia, Estonia, Ireland, France, Italy United Kingdom, India, Argentina, New Zealand, and Japan.

Thomas Negovan is the director of the Century Guild Museum of Art and author of Le Pater: Alphonse Mucha’s Symbolist Masterpiece and the Lineage of Mysticism. He joins me in this special bonus podcast episode to discuss the work of Alphonse Mucha (1860-1939), especially his incredibly symbolic and deeply esoteric masterpiece, Le Pater. Mucha was a Czech painter, illustrator and artist who lived in Paris during the Art Nouveau period. His distinctive style is recognized today as being among the defining works of that period, and is probably best known for his posters promoting stage actress Sara Bernhardt. However, Mucha was also a Moravian Christian and Freemason, and his esoteric interests and mystical pursuits enfused the artwork of his incredible masterpiece, Le Pater. This is such an important piece of esoteric artwork that I agreed to produce this bonus episode to help Thomas get the word out about his Kickstarter to produce a paperback version of his book on Le Pater. Links The Le Pater website Century Guild Information on Alphone Mucha’s involvement in Freemasonry What is Art Nouveau?

In this episode Pranoti sits down with Yu Kyoung Ryu, Postdoctoral researcher at the Institute of Optoelectronics and Microtechnology Systems at the Polytechnic University of Madrid at the time of recording, to take a deeper dive into Ryu‘s research journey. This vintage episode of the Under the Microscope podcast was originally released on 21.07.2021.

This episode's guest is Yu Kyoung Ryu, who was a Postdoctoral researcher at the Institute of Optoelectronics and Microtechnology Systems at the Polytechnic University of Madrid at the time of recording. This vintage episode of the Under the Microscope podcast was originally released on 19.07.2021.

The DaLi, a new desktop lithographic printer that removes the need for photomasks, has been introduced to the US marketplace by manufacturers miDALIX. The machine enables laser direct writing directly onto the samples. Go to https://midalix.com (https://midalix.com) for more details.

MIDALIX Maskless Lithography Systems has launched their DaLI Tabletop system to help increase your flexibility! Learn more at https://midalix.com (https://midalix.com) and at https://midalix.com/technology (https://midalix.com/technology)

Welcome to Hardware Addicts, a proud member of the Destination Linux Network. Hardware Addicts is the podcast that focuses on the physical components that powers our technology world. In this episode, we’re going to discuss IBM's new 2nm chip design and what this could mean for future products. We're also going to discuss how this is all manufactured using EUV which is a thing of geek and sci fi dreams. Freakin' lasers and plasma...we're going to get into all of it. Then we head to the camera corner where Wendy will discuss lithography in more detail and how it's utilized in a wide range of products. So Sit back, Relax, and Plug In because Hardware Addicts Starts Now! Show Links: - Electric Air Hosts: Ryan = https://dasgeekcommunity.com Michael = https://tuxdigital.com Wendy = https://destinationlinux.network Want to Support the Show? Destination Linux Network Store = https://destinationlinux.network/store Want to follow the show and hosts on social media? You can find all of our social accounts at https://hardwareaddicts.org/hosts

Are you looking for a top-end, simple-to-operate, affordable direct write lithography system? Visit miDALIX's website for their innovative technology solutions today! More information is available at https://midalix.com (https://midalix.com)

Grab your Starry Night coffee cup and get ready to learn about Jo van Gogh-Bonger and how she played a vital role in promoting Vincent van Gogh's artwork and legacy. You'll also get to hear Klaire Lockheart explain Pointillism, talk about advertising for the Moulin Rouge, and go on a justified rant about Paul Gauguin. Artists and Artwork: Georges Seurat (A Sunday Afternoon on the Island of La Grande Jatte), Paul Signac, Paul Cézanne, Henri de Toulouse-Lautrec (Moulin Rouge: La Goulue), Eugene Delacroix, Camille Pissarro, Vincent van Gogh (Starry Night), and Paul Gauguin Additional Topics: Neo-Impressionism, Pointillism, Divisionism, Sam Phillips (…Isms: Understanding Modern Art), Salon des Indépendants, Color Theory, Optical Mixing, Jo van Gogh-Bonger, Theo van Gogh, Roland Barthes (“Death of the Author”), Hannah Gadsby, Avant-Garde, Lithography, and Louise Weber klairelockheart.com instagram.com/klairelockheart facebook.com/klairealockheart

National security correspondent Harrison Cramer and technology reporter Brendan Bordelon join managing editor Mackenzie Weinger to discuss U.S.-China relations and Majority Leader Chuck Schumer's plans for a legislative package this spring focused on countering Beijing.

In this episode of pine copper lime Miranda speaks with Brandon Gunn and Valpuri Remling of The Tamarind Institute of Lithography. Brandon is Director of Education and Valpuri Master printer and workshop manager. Together they run the two sides of Tamarind's world famous lithographer training program. We had a wonderful conversation about how tamarind works and the seemingly at times mercurial world of litho. [more information] Tamarind Website tamarind.unm.edu Tamarind Instagram https://www.instagram.com/tamarindinstitute/?hl=en Tamarind Education Instagram https://www.instagram.com/tamarindeducation/ pine|copper|lime YOUTUBE https://www.youtube.com/channel/UCOMIT3guY5PjHj1M7GApouw pine|copper|lime MERCH www.teepublic.com/user/pinecopperlime pine|copper|lime website www.pinecopperlime.com pine|copper|lime instagram www.instagram.com/pine.copper.lime pine|copper|lime print gallery www.pinecopperlime.com/print-gallery ✨pine|copper|lime patreon✨ www.patreon.com/pinecopperlime Our sponsor Speedball www.speedballart.com

In this episode, Anna Ploszajski talks to scientist and podcaster Stuart Higgins about lithography.Check out Stuart's podcast, Scientists Not the Science on their website and Twitter, and follow Stuart on Twitter too.Support the podcast with a one-time donation here. Thanks for helping keep us going :)Thanks to Dave Shephard for our cover art, and Alex Lathbridge for the music mix.Follow the podcast on Instagram and Twitter, follow Anna Ploszajski on Instagram and Twitter.Support this show http://supporter.acast.com/handmade. See acast.com/privacy for privacy and opt-out information.

Author and Master Printmaker Phil Sanders comes on the podcast today in a two-part episode to discuss his new book Prints and Their Makers, a book that weaves connections between the tradition and techniques of printmaking developed over the course of human history. Phil Sanders is a master printer and publisher at PS Marlowe in Asheville, North Carolina. He is a former printer at ULAE, and former director at the Robert Blackburn Printmaking Workshop in New York City.His book features publishers and artists who push the boundaries of the seven major processes: Relief, Intaglio, Chine Collé, Photogravure, Lithography, Monotype & Monoprint, and Screen Print. It's like taking a tour of the best print workshops around the globe that are operating today. While it offers historical context, the book also invites us press-side with artists and master printers, giving insight into the decision making processes involved in making some truly impressive artworks. It's a treat for anyone who enjoys peeling apart the layers of how monumental prints are made.One of the best parts of the book are the images and the artists featured. The images are bright, bold, and well presented, and you'll see many new artists' work that will be sure to inspire and delight as you flip through the pages. It's a fantastic book and we have a really enjoyable chat regarding all things print. Today's episode is Part 1 of my interview with Phil Sanders, with Part 2 coming next week. Enjoy!

Lithography firm Currier & Ives profoundly impacted 19th century American popular culture through their "cheap and popular prints." Join Tennessee State Museum curator Annabeth Hayes as she explores the history of the firm and the ways in which it shaped American perspectives and prejudices. Featuring commentary from master printer and author Phil Sanders.

You don't find grit son, you earn it!! We are Art Club and this week, we're looking at another method of printmaking: lithography (aka stone mark)! The sisters make a brief stop at the Moulin Rouge, pick their mascot (welcome the Art Club Levigators) and decided that printmaking is most definitely not an art form for the procrastinator. Also, Ann has found the new Spice Girls and Laura becomes a 1940's detective. Get ready for the most fun you've ever had in your life! Find images and links to what we discussed at artclubpodcast.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

In this episode Doug talks about his unexpected journey into the graphic arts industry and his love for the comradery that surrounds it. He also discusses the industry’s problem in recruiting young talent, the challenges facing printers with an aging workforce and his hope for the future.

Breezing Up was a huge hit when Homer exhibited it during the American centennial, 1876. Viewers loved the optimism he conveyed in this scene of a trio of boys and their old skipper speeding towards port, one lad looking towards the horizon. We'll find out how Homer uses a technique we heard about in the Sargent episode that makes us feel like we're on board and get a brief introduction to lithography, a popular printing method. And I confess to missing an important symbol! See the artwork at https://alonglookpodcast.com/breezing-up-a-fair-wind-by-winslow-homer/ SHOW NOTES (TRANSCRIPT) “A Long Look” theme is “Ascension” by Ron Gelinas youtu.be/jGEdNSNkZoo Episode theme is “Today's Special:Jam Tomorrow” by Dr. Turtle. https://freemusicarchive.org/music/Doctor_Turtle/Will_Play_Wonderwall_For_Food/Todays_Special_Jam_Tomorrow Breezing Up information https://www.nga.gov/collection/artist-info.1401.html https://www.nga.gov/collection/art-object-page.30228.html Winslow Homer information Wilmerding, John. Winslow Homer. New York: Praeger Publishers, 1972. Print. American Paintings of the Nineteenth Century, Part 1 (PDF) https://www.nga.gov/research/publications/pdf-library/american-paintings-of-the-nineteenth-century-part-i.html American Stories information https://www.nga.gov/calendar/guided-tours/docent-led-tours/american-stories.html Lithography tutorial from Minneapolis Institute of Art (YouTube) https://www.youtube.com/watch?v=JHw5_1Hopsc The post Breezing Up (A Fair Wind) by Winslow Homer appeared first on A Long Look.

Ivana Lomová and I talk in her Prague, Czech republic studio about compromise, Lithography, works on paper, Framing, Knowing when to stop, Overworking your art, Diversification of your techniques and income, Artist residencies, and Artist statements. http://www.lomova.com   About The work of Ivana Lomová is defined not by the photographic “magic realism”, which makes her images accurately identify the situation in which the depicted characters are located - and when we are subject to her emotional tone, but rather the ability to get the most out of a particular environment. Her works are always somehow localized: to the café, the urban space, the beach, the path, the room. For her descriptive qualities, if her work is usually included in a broad stream of realism, either with reference to the new materiality of the 1920s or to the Hopper line, these are primarily the categories of romanticism that may best describe its effects. The frequent choice of a symptom-horizontal canvas format helps melancholy and the dizziness we feel from her paintings. However, in the case of Ivana Lomová, they do not manifest themselves as melancholy contemplating the inconceivable depth or vertigo of the vertical, but as melancholy and vertigo of the surface. What transcends us and what we cannot measure is not our subject or the grandeur of nature beyond any concept, but the mutual reflection of everything we know, what we have at hand and who we are. Mirroring as hopelessness and comfort. Ivana Lomová is at first sight factual, even descriptive. And it is her careful observation that gently leads us to know how suddenly there is a gap in what we know intimately. Dizziness from the unknown, thanks to the paintings of Ivana Lomová we become ourselves. -Marek Pokorný Please be sure to visit our Patreon page and help support the podcast by being part of the conversation. The more money raised, the larger the global reach we can offer you: https://www.patreon.com/thewisefool For more information about the host, Matthew Dols http://www.matthewdols.com   Transcript available: http://wisefoolpod.com/transcript-for-episode-010-painter-ivana-lomova-prague-cz/

Episode 9 of The Print Cast features a discussion with John Pusateri and Jan Philip Raath who together run Auckland Print Studio in Point Chevalier, New Zealand. It's one of the few studios in NZ offering litho, intaglio, relief and other print services to artists who want to create editions. We talk business models as they try to search for a way to move forward towards sustainability with print sales and program expansion. It is never clear what the most optimal model is for running a shop, but after 10 years they have created a solid foundation for their next steps forward. If you've ever been curious what it would take to do printmaking in far-off locales, this one is for you. Check out Auckland Print Studio on Instagram.See their services and learn about their residency.Follow the Print Cast on Instagram!

Nick sits down with artist Enrique Chagoya, in Part 1 of a two-part series. Enrique Chagoya is an artist who inverts cultural appropriation in a manner he calls “Reverse Anthropology”.  With a deft wit, his paintings, drawings, prints and codices use “symbols as one would use words in a sentence,” often with hilarious and biting results. At times his art can even arouse misinterpretation, negative press, and even vandalism. Nevertheless he persists and continues to tackle subjects like sexual abuse in the Catholic Church, racism, xenophobia, and pop culture, to name a few. Present in all of his work is humor, thoughtful juxtapositions, and myriad references harkening back to other artists' work, pop icons, figures of government, and his Mexican heritage. It can be disarming to view his work, where you might be laughing and unsettled at the same time. And that is the power of his art; it is intended not to change minds but provoke conversation and dialog.Chagoya is currently Professor of Art at Stanford University. His work has been shown internationally and is represented in the collections of the San Francisco Museum of Modern Art, the LA County Museum of Art, the National Museum of American Art, the Des Moines Art Center, the Whitney, MOMA, and the Metropolitan Museum of Art.Check out his work here.Follow the Print CastSee the show notes here. 

In today’s OnTrack Podcast Judy talks to Mike Vinson, the COO of Averatek about their breakthrough innovation in which they use a semi-additive process incorporating a liquid metal ink as the catalyst seed layer. This special catalytic precursor “ink” can be imaged to create the patterns or areas where conducting metal is to be deposited. This ink controls the horizontal dimensions of line width and spacing and creates the ability to get down to 1 mm and sub-1 mm line and traces. Keep an eye on this technology! Welcome to the future. Watch the VIDEO HERE.  Show Highlights: Mike’s background is in semiconductors primarily in the area of interconnects. At Averatek they create HDI solutions. What does Averatek’s technology enable engineers and product developers to realize? Lower layer count, Improve Yield, Cost reduction and High Value What is Semi-Additive Process Technology? Fundamentally the ink carries plating onto the surface of the substrate, depositing them in very thin layers. Also called atomic layer deposition - Averatek calls it lipid metal ink. Process allows for very precise and very small circuits. Learn the jargon: SAP (Semi-Additive Process). Copper can be left undisturbed by the etching process. Can be run in a traditional board shop - new technologies are emerging. Lithography capital equipment is indeed a worthwhile investment. Liquid Metal Ink where are you in getting this to market? Strategy is to license and sell liquid metal ink. What type of design considerations will EDA tools need to build-in to enable design with this technology? Smaller lands and increased density. Evolution: Lines & Spaces first then other areas. Thieving areas parameters will change. This tech will work for both flex, rigid-flex, and rigid circuits.   Links and Resources: Averatek website Email: mike@averatek.com

Bruno Jehle is the embodiment of an extraordinary range of talents: trained as a photo lithographer, he embraced and mastered the revolution in digital imaging, never losing a clear vision on where we should stand concerning cultural heritage and human values in the digital age.

Bruno Jehle is the embodiment of an extraordinary range of talents: trained as a photo lithographer, he embraced and mastered the revolution in digital imaging, never losing a clear vision on where we should stand concerning cultural heritage and human values in the digital age. More at: www.technoculture-podcast.com

欢迎收听丽莎老师讲机器人，想要孩子参加机器人竞赛、创意编程、创客竞赛的辅导，找丽莎老师！欢迎添加微信号：153 5359 2068，或搜索微信公众号：我最爱机器人。丽莎老师讲机器人之哈佛造出蚁人与蜘蛛侠合体的机器人！哈佛大学Wyss生物启发工程研究所，一直致力于微型机器人研究，从仿生蜜蜂机器人RoboBee到仿生蟑螂机器人HAMR。哈佛大学在微型机器人的道路上越走越远。就在不久前，哈佛大学和波士顿大学组成的一个研究团队通过模拟澳大利亚孔雀蜘蛛的表现，推出了一款微型软体机器人，并给它取名为“蜘蛛”。在此之前，机器人专家就一直在设想：在未来，会有一种创作灵感来源于动物的软体机器人可以应用于难以进入的自然和人造环境中，例如：人体的精细外科手术，或者在微小、危险且刚性机器人不可探测的空间。蜘蛛机器人，它是软体微型机器人研发道路上的第一项成果。在它之前，大多数先进的小型机器人都是厘米级别，且通常只有一个自由度，这意味着它们只能促成一种特定的运动形状或类型的变化。而这款新型蜘蛛机器人为毫米级别，身长不到1英寸（约为：2.54cm），由柔性材料制成，易于借助气压和液压动力移动，因此，该机器人具有前所未有的18个自由度。制作原理及方式软体蜘蛛机器人没有什么刚性部件，完全是从微流体系统中获得动力和实现各种能力。全身由无弹性硅橡胶制成，无色透明，共由12层薄层组成。采用光刻（Lithography）微雕技术，“雕刻”好每一层模具，然后把硅胶附到模具上，得到每一层的硅胶结构，最后把12层硅胶结构粘合在一起，以此形成3D结构。借助软光刻技术在这些层内绘制了一个复杂的微观通道网络（在感知到气压或液压动力时，这些微型“脉络”可促成蜘蛛的移动）。最后，为了达到机器人的最终形状，对微流体通道部分进行可固化树脂加压（当来自外部的 UV 光照射时，树脂会在实现硬化的同时，使较软的模层永久地弯曲成所需的形状）。MORPH（Microfluidic Origami for Reconfigurable Pneumatic/Hydraulic ）是一种全新的制造技术，翻译过来就是气压/液压重构的微流体折叠系统。机器人的主体内部，是一个复杂的微观通道网络系统，可以改变自身的结构和颜色。水是蜘蛛机器人移动能力的重要组成部分，它是依靠水或者酒精来驱动的。机器人体内设计有专供液体流动的微小通道。当研究人员为其填充有色液体时，蜘蛛的眼睛就会变亮，同时会驱动其四肢移动，完成“行走”。尽管这种机器人不能像蜘蛛那样轻盈地在蜘蛛网上移动，但相关人员还是给予了它很大的肯定。相关研究人员表示这种机器人，或者类似的机器人，不仅能够完成目前的软体机器人能力范围内精细的外科手术任务，有效减少侵入性外科手术，给医学领域带来重大改变。还可以从工业设施的维护到拯救灾民等各方面产生影响。这个小机器人，为更多关注医疗应用的研究者，打开了一扇通向软体机器人的大门。未来某一天，这些“蜘蛛”会爬进你的体内，在你身体各处游走，帮助修复组织、破坏肿瘤或是疏通堵塞的动脉。

Andrew Cannon started 1900 Engineering to commercialize a microcontact printing-based technology to map strain in high performance materials. His technology helps engineers understand when and how parts fatigue, knowledge that is critically important for industries ranging from aerospace to automotive. We talk about how 1900 Engineering's technology works and how the stamps are fabricated, but also discuss a number of the long-standing challenges to precision patterning at the micrometer and nanometer length scale.This episode is dedicated to Lorrie Michele Parson.Show details: • Hosted by Michael Filler (@michaelfiller) • Edited by Andrew Cannon (@andrewhcannon) • Recorded on December 5, 2017 • Show notes are available at http://www.fillerlab.com/nanovation/archive/33 • Submit feedback at http://www.fillerlab.com/nanovation/feedback

Andrew Cannon started 1900 Engineering to commercialize a microcontact printing-based technology to map strain in high performance materials. His technology helps engineers understand when and how parts fatigue, knowledge that is critically important for industries ranging from aerospace to automotive. We talk about how 1900 Engineering's technology works and how the stamps are fabricated, but also discuss a number of the long-standing challenges to precision patterning at the micrometer and nanometer length scale.This episode is dedicated to Lorrie Michele Parson.Show details: • Hosted by Michael Filler (@michaelfiller) • Edited by Andrew Cannon (@andrewhcannon) • Recorded on December 5, 2017 • Show notes are available at http://www.fillerlab.com/nanovation/archive/33 • Submit feedback at http://www.fillerlab.com/nanovation/feedback

Elizabeth Gould spent her life capturing the sublime beauty of birds, including Charles Darwin's famous Galapagos finches. But her legacy was eclipsed by the fame of her husband, John Gould.

At the time around 1919, after his experiences in the 1st World War and his first successes in the art market, Paul Klee took up the theme of personal awareness and self-reflection in numerous self-portraits. The best known of these is the pencil drawing «Absorbtion». Klee’s theme here was less the reflection on the role of the artist and more a self depiction of an inwardly looking meditator. The artist no longer looks outwards but looks within himself. The eyes are tight shut, the ears are missing. No external disturbances and influences can distract him from his meditation. This drawing he also transformed into a lithograph, printing it in large numbers. The prints were partly coloured by hand. In 1919 Paul Klee had the lithographic version of «Absorbtion» published in the Munich Folios for Poetry and Graphics and thus presented himself as an ascetic mystic. This image was imposed upon himself and stated by him in the preface of his first biography «At this moment I am not tangible …».

Booray and Gary discuss the Nikon stock announcements, the bikini model epidemic and a cool way to work with clients remotely. Photography Podcasts, podcasts for photographers, Gary Hughes, Booray Perry Follow the show on Facebook for news and stories related to the show. facebook.com/photobombpodcast

In this video, Felice Frankel explains how to create images that are more than "good enough."

Interferometric lithography (IL) has been used for many years in semiconductor nanofabrication, but has been little used for molecular nanopatterning. We have found that in combination with self-assembled monolayers as resists, it provides a very simple and rapid means to fabricate nanostructured metals, oxides, polymers and biomolecules over areas as large as 1 sq. cm. An introduction to the methodology that we use in this video.

We want to be the very best. Gunnin' for the top. Top Gun. Tom Cruise. Scientology. Paleontology. Paleolithic. Lithography. Lithium. Mania. March madness. Basketball. Sports. Competition.

Nik Semenoff: printmaker, Artist in Residence for the University of Saskatchewan, and inventor of a number of printmaking processes including waterless lithography and the use of copier toner. Hosted by Michael Peterson.

Henri de Toulouse-Lautrec, the pioneer of the avant-garde. A portrait by CastYourArt on the occasion of the exhibition at Bank Austria Kunstforum in Vienna.

Lithography is based on the chemical process that grease and water repel each other. A greasy medium is used to draw on a prepared lithographic printing surface, such as limestone. The surface is dampened with water, which settles in the unmarked areas and is rejected by the greasy medium. The surface is then rolled over with printing ink, which adheres to the drawn marks. The ink is transferred to a sheet of paper by running the paper and the printing surface through a press. With this process, designs rest on the surface and are printed in reverse. Lithography was developed in the 18th century by Aloys Senefelder.

"Miniaturization and Integration of Devices through Lithography." Presented by Axel Scherer, Distinguished Visiting Professor, Thayer School of Engineering.

This week, a new discovery suggesting that the chemistry of life could have come to Earth in a meteorite, how foetal immunity protects the expectant mother, and why we need to be careful with stem cells - a new study has found that they have an above average chance of carrying cancer-causing genetic changes. Plus, a new technique to etch graphene sheets with single-atom precision.