Podcasts about final cut x

Rich Stroffolino talks with tech skeptic Ben Weinberg about the latest tech news. In this pilot episode, they look into the luddite perspective on Apple's recently announced on-device scanning for CSAM, Facebook's metaverse take on VR meetings, and why AI-generated websites are like Final Cut X.Featuring Rich Stroffolino, Ben Weinberg  See acast.com/privacy for privacy and opt-out information.

Geschenke, Geschenke, Geschenke! In Folge 33 sprechen die ApfelNerds über Ihre Erfahrungen mit dem iPhone 12 Pro Max, dem iPhone 12 mini und dem HomePod mini. Außerdem geht es um Hüllen, die unkaputtbare Apple TV-Remote, Sleeptracking, weitere Wallet-Erfahrungen, den Dual-SIM-Betrieb im iPhone 12 Pro, M1-Benchmarks, die mögliche "Winter-Überraschung", Final Cut X ohne X, das Safari-Übersetzungsfeature, Parallels & VMWare für Apple Silicon und um PC, der überrschend zurück ist.

Oliver Peters is a successful independent editor/colorist and workflow consultant. He talks with OWC RADiO host, Cirina Catania, about his five decades working in broadcast production and post, and offers a wealth of important tips for media producers at all levels. If you work in commercials, corporate video, feature films or themed attraction entertainment, you will want to listen in! And he has a unique spin, as he is conversant in many aspects of technology, including Adobe's Premiere Pro and Apple's Final Cut X. Managing a studio with several editors involves a challenging workflow, including edit sharing, networking and remote collaboration. Oliver has answers! If you’ve ever shot a scene with multiple types of cameras, you’ve faced a very specific problem: How do you get the colors to match from the different cameras? At worst, color inconsistencies can become super distracting. For many, color matching simply makes everything look the same. Yet, if you’re a post-production legend like Oliver Peters, you take coloring of multi-camera shoots to the level of its own art form. One look at his reel and you’ll immediately want to find out how Oliver makes everything looks so amazing. Get ready for a veritable post-production master class, as OWC Radio host Cirina Catania gets into the details of making editing magic. Find out more about an award-winning editor and colorist Oliver Peters: www.oliverpeters.com. There you will also find links to his wide range of articles published in print and web publications. For more about our host, filmmaker, tech maven and co-founder of the Sundance Film Festival, Cirina Catania, visit cirinacatania.com. If you enjoy our podcast, please subscribe and tell all your friends about us! We love our listeners. And, if you have ideas for segments, write to OWCRadio@catania.us. Cirina is always up for new ideas! In This Episode 00:08 - Cirina introduces Oliver Peters, a successful independent editor/colorist and workflow consultant.05:37 - Oliver shares the cameras used for the Colorist Demo Reel video.10:30 - Oliver explains how cameras have different color sciences and shares the challenges of using different cameras for certain projects.15:19 - Oliver explains why media should be handled before uploading it to an editing system, like putting a valid timecode.22:35 - Oliver shares his blog where he wrote about different areas of workflow in the industry.28:23 - Oliver shares his recommendations for monitors with the best color grading display samples.36:37 - Oliver shares the price range of good quality display to perfectly-calibrated display TVs.41:02 - Oliver shares his workplace setup for an efficient media storage solution.47:16 - Oliver shares his opinion on LTO tapes in terms of practicality production wise.53:31 - Follow Oliver Peters’ blog digitalfilms.wordpress.com to learn more from his various lessons, tips, and updates. Jump to Links and Resources Transcript This is Cirina Catania with OWC Radio, and I have Oliver Peters on the line. Oliver is one of these quiet, strong, intelligent, very humble, incredibly talented people who work in so many different areas of what I call the entertainment industry. Oliver, you are an editor, you're an amazing colorist, you're a post-production workflow consultant, you run an operation with several editors working with you at any one point in time. I even noticed you had done still photography, which is beautiful. We all know you're an incredibly creative writer, both in the tech and the creative side, and I guess I would also call you although I don't know if you've used this term or not, you're definitely an industry analyst because it's such broad-based knowledge. So I'm excited and welcome to the show. Well, thank you for the big build-up there. Thank you very much. It's just wonderful because I know we haven't prepared this. I can pretty much ask you just about any question...

Oliver Peters is a successful independent editor/colorist and workflow consultant. He talks with OWC RADiO host, Cirina Catania, about his five decades working in broadcast production and post, and offers a wealth of important tips for media producers at all levels. If you work in commercials, corporate video, feature films or themed attraction entertainment, you will want to listen in! And he has a unique spin, as he is conversant in many aspects of technology, including Adobe's Premiere Pro and Apple's Final Cut X. Managing a studio with several editors involves a challenging workflow, including edit sharing, networking and remote collaboration. Oliver has answers! If you’ve ever shot a scene with multiple types of cameras, you’ve faced a very specific problem: How do you get the colors to match from the different cameras? At worst, color inconsistencies can become super distracting. For many, color matching simply makes everything look the same. Yet, if you’re a post-production legend like Oliver Peters, you take coloring of multi-camera shoots to the level of its own art form. One look at his reel and you’ll immediately want to find out how Oliver makes everything looks so amazing. Get ready for a veritable post-production master class, as OWC Radio host Cirina Catania gets into the details of making editing magic. Find out more about an award-winning editor and colorist Oliver Peters: www.oliverpeters.com. There you will also find links to his wide range of articles published in print and web publications. For more about our host, filmmaker, tech maven and co-founder of the Sundance Film Festival, Cirina Catania, visit cirinacatania.com. If you enjoy our podcast, please subscribe and tell all your friends about us! We love our listeners. And, if you have ideas for segments, write to OWCRadio@catania.us. Cirina is always up for new ideas! ABOUT OWC: If you work in tech and haven’t heard about MacSales.com, you’ve had your head in the sand. Other World Computing, under the leadership of Larry O’Connor since he was 15 years old, has expanded to all corners of the world and works every day to create hardware that makes the lives of creatives and business-oriented companies faster, more efficient and more stable.  Go to OWCDigital.com for more information. Here’s the company’s official mission statement: At OWC, we're committed to constant innovation, exemplary customer service, and American design.  For more than 25 Years, OWC has had a simple goal. To create innovative DIY solutions to give you the most from your technology.   Beginning with 100% compatible memory upgrades, reliably exceeding Apple’s maximum RAM specs, OWC’s product offering has grown to encompass the entire spectrum of upgrade and expansion possibilities, all with a focus on easy, DIY setup and installation.  Our dedication to excellence and sustainable innovation extends beyond our day-to-day business and into the community. We strive for zero waste, both environmentally and strategically. Our outlook is to the long term, and in everything we do, we look for simplicity in action and sustainability in practice. For us, it’s as much about building exceptional relationships, as it is about building exceptional products.

Última entrevista veraniega y es esta vez Julio quién entrevista a Jesús Hernández Ruíz, creador de la plataforma de cursos motionfx.es desde la que ofrece cursos online de una gran calidad para Final Cut X, Motion, Luma Fusion y Davinci Resolve desde hace varios años con gran éxito. En la entrevista Jesús cuenta cómo ha […] La entrada #87 Jesús Hernández – MotionFX se publicó primero en Haciendo Vídeos.

Off The Tracks is the documentary about the creation, release, and early days of Final Cut X. Bradley Olsen, the Director and Producer of the film discusses what motivated him to take on the project, how it evolved, and some of the people he interviewed along the way. Brad talks about how Final Cut X was a huge step forward, one that some other editing software is only now trying to emulate, why those advancements were resisted, and some of the story behind the story of the program’s controversial introduction. MacVoices Magazine, our free magazine on Flipboard, helps you do more with your Apple tech. Show Notes: Chuck Joiner is the producer and host of MacVoices. You can catch up with what he's doing on Twitter, Facebook, Google+ and LinkedIn. Subscribe to the show: iTunes: - Audio in iTunes - Video in iTunes - HD Video in iTunes Subscribe manually via iTunes or any podcatcher: - Audio: http://www.macvoices.com/rss/macvoicesrss  - Video: http://www.macvoices.com/rss/macvoicesvideorss Guests: Bradley Olsen is the Producer and Director of Off The Tracks, the Final Cut X documentary. He can be contacted on the film’s Facebook page.

Off The Tracks is the documentary about the creation, release, and early days of Final Cut X. Bradley Olsen, the Director and Producer of the film discusses what motivated him to take on the project, how it evolved, and some of the people he interviewed along the way. Brad talks about how Final Cut X was a huge step forward, one that some other editing software is only now trying to emulate, why those advancements were resisted, and some of the story behind the story of the program’s controversial introduction. MacVoices Magazine, our free magazine on Flipboard, helps you do more with your Apple tech. Show Notes: Chuck Joiner is the producer and host of MacVoices. You can catch up with what he's doing on Twitter, Facebook, Google+ and LinkedIn. Subscribe to the show: iTunes: - Audio in iTunes - Video in iTunes - HD Video in iTunes Subscribe manually via iTunes or any podcatcher: - Audio: http://www.macvoices.com/rss/macvoicesrss  - Video: http://www.macvoices.com/rss/macvoicesvideorss Guests: Bradley Olsen is the Producer and Director of Off The Tracks, the Final Cut X documentary. He can be contacted on the film’s Facebook page.

Neste episódio conversamos sobre a vida de editor. Onde estamos, como chegamos até aqui e pra onde queremos ir.Apresentadores:Rafa Costa: instagram.com/rafacostaeditorMarcelo Ferraz: instagram.com/marcelofrodo
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Neste episódio conversamos sobre a vida de editor. Onde estamos, como chegamos até aqui e pra onde queremos ir.

In Folge 6 von GAIN vs. ISO geht es um Farbkorrektur bzw. Color Correction, Grading und Looks. VJ-Coach Markus Valley spricht mit Kameramann und Colorist Bernd Gareis über Herangehensweisen, Tools, PlugIns und Hilfsmittel bei der Farbkorrektur. Bernd graded alles mit DaVinci Resolve, Markus je nachdem in welchem Programm er den Film geschnitten hat: Final Cut Pro X oder Premiere Pro CC. Die beiden sprechen auch über den Einsatz von LUTs sowie über Film Emulatoren wie Film Convert.

In Folge 5 von GAIN vs. ISO sprechen VJ-Coach Markus Valley und Kameramann Bernd Gareis über ihre Vorlieben in Sachen Schnittprogramme. Grundsätzlich funktionieren alle gleich gut, daher sind die wenigen Details, in denen sich Videoschnittprogramme unterscheiden, ausschlaggebend. Markus schneidet viele Produktionen, die mit mehren Kameras gedreht wurden, daher ist eine gute Multicam-Performance für ihn sehr wichtig. Bernd hingegen braucht eine Software, die ihre Stärken in der Farbkorrektur hat. Adobe Premiere, Final Cut X, AVIDs Mediacomposer oder vielleicht DaVinci Resolve? Und was können EDIUS und Magix? Markus und Bernd haben mit all diesen Programm ihre Erfahrungen gemacht und diskutieren Vor- und Nachteile sowie Möglichkeiten und Alternativen und sie verraten ihre Favoriten.

Why I Edited My Feature Film on DaVinci ResolveI've been editing features, shorts, commercial, and everything else shot on film or video for over 20 years. Editing on almost every non-linear editing system you can imagine I know what I want and like in an NLE. When it came time to edit my directorial feature film debut, This is Meg, I knew my good old Final Cut Pro 7 wouldn't cut it. So I decide to give Davinci Resolve 12.5 a try. I've been color grading on Resolve for years and always jumped over the "edit tab" on my way to the color tab. Once version 12 came out I was blown away. So powerful, so intuitive and it just plain worked! I have to tell you,"DaVinci Resolve is what all Final Cut X should've been."The good folks over at Blackmagic Design invited me to speak at the Slamdance Film Festival 2017 to discuss my experience editing, color grading and finishing on Davinci Resolve. Enjoy!Right click here to download the MP3Download on iTunes DirectLINKS AND RESOURCES MENTIONED IN THIS EPISODELearn how to edit your film on Davinci ResolveFREE DOWNLOAD to Davinci ResolveBlackMagic DesignSlamdance Film FestivalSPONSORSDirecting Actors Master Course – (30% OFF – CODE: HUSTLE)Get Your Film on Netflix, Hulu & Amazon & Keep 100% off the Revenue - DistribberHollywood Camera Work: Mastering High-End Blocking and Staging (30% OFF – CODE: HUSTLE)Aaron Sorkin Screenwriting Master ClassHans Zimmer Film Scoring MasterClassKevin Spacey Acting Master ClassFreeFilmBook.com (Download Your FREE Filmmaking Audio Book)KILLER RESOURCES!!!INDIE FILM SYNDICATE Filmmaking CommunityIFH's Online Film SchoolSix Secrets to get into Film Festivals for FREE!Action Items:Subscribe to the Podcast on iTunes,  Stitcher, Soundcloud or via RSSBONUS: TOP TEN Online Filmmaking Courses

There are three approaches to assembling your trailer video: 1. Use a video creator such as Animoto.com. 2. Use a video editor. 3. Vend the video production. View materials: http://bt101.info/ep10

The time 'round on the Cult of Casts: Apple finally confirms what we all knew, new iPhones are coming… we'll give our September 10th predictions.  Then, Erfon offers a bold prediction a big 5S spec bump; Apple's about to do something no tech company ever done; Microsoft buys Knockia; and Wil.i.am is the only one excited about the new Samsung Smartwatch. And stick around for our new segment CultCast Second Hour!  This time for a discussion with Mike Gaines, professional video editor, motion graphics artist, and former editor for the ultra-popular video podcast, The Totally Rad Show.  We'll talk the pros and cons Final Cut X; what software the pros use; the best cameras for indie projects; and all the Mac gear you need to have a solid video product rig; plus so much more.  Thanks to Squarespace for making this episode possible.   Treat yourself to a brand new website with the help of Squarespace-a drag-and-drop, do-it-yourself site builder with EVERYTHING you need to create exceptional websites! Head to http://Squarespace.com/cultcast to start a free trial. Use the offer code “cultcast9” when you decide to purchase, and you’ll receive a 20% discount off your order!

AppleStore de Passeig De Gràcia Barcelona. Aplicaciones Pro de Apple. Final Cut X, Aperture, Logic Pro

AppleStore de Passeig De Gràcia Barcelona. Aplicaciones Pro de Apple. Final Cut X, Aperture, Logic Pro

First in a video series featuring DJing over Visuals Episode 001 - DJ Trilllogy mixing Funky Disco House Tracklisting: 1.) DJ Trilllogy - Breathe and Stop (Trilllogy Fuh Real Ghetto Remix) 2.) Mighty Dub Catz - Just Another Groove (Ghosts of Venice Remix) 3.) The Cronys - Supa Xtra Sexy 4.) David Elkabas - Things We Used to Do (DJ Disciple Remix) 5.) Oliver Twizt - Love Trip (David Jones Remix) 6.) Phunk Investigation, Schuhmacher - Critical 7.) PJ - Happy Days (Hatiras Remix) 8.) Cevin Fisher, Seamus Haji - I Love the Music (Manuel De La Mare and Alex Kenji Remix) 9.) Groove Armada - Paper Romance feat Fenech Soler and Saint Saviour (Urchins Remix) I recorded the DJ mix using Serato with Ableton's Integration THE BRIDGE and edited the video using Final Cut X