Podcasts about movie makers

John Granger Attempts to Convince Nick (and You!) That The Hallmarked Man will be Considered the Best of the Series.We review our take-away impressions from our initial reading of The Hallmarked Man. Although we enjoyed it, especially John's incredible prediction of Robin's ectopic pregnancy, neither of us came away thinking this was the finest book in the series. For Nick, this was a surprise, as enthusiastic J. K. Rowling fan that he is other than Career of Evil every book he has read has been his favourite. Using an innovative analysis of the character pairs surrounding both Cormoran and Robin, John argues that we can't really appreciate the artistry of book number eight until we consider its place in the series. Join John and Nick as they review the mysteries that remain to be resolved and how The Hallmarked Man sets readers up for shocking reveals in Strike 9 and 10!Why Troubled Blood is the Best Strike Novel:* The Pillar Post Collection of Troubled Blood Posts at HogwartsProfessor by John Granger, Elizabeth Baird-Hardy, Louise Freeman, Beatrice Groves, and Nick JefferyTroubled Blood and Faerie Queene: The Kanreki ConversationBut What If We Judge Strike Novels by a Different Standard than Shed Artifice? What About Setting Up the ‘Biggest Twist' in Detective Fiction History?* If Rowling is to be judged by the ‘shock' of the reveals in Strike 10, then The Hallmarked Man, the most disappointing book in the series even to many Serious Strikers, will almost certainly be remembered as the book that set up the finale with the greatest technical misdirection while playing fair.* The ending must be a shock, one that readers do not see coming, BUT* The author must provide the necessary clues and pointers repeatedly and emphatically lest the reader feel cheated at the point of revelation.* If the Big Mysteries of the series are to be solved with the necessary shock per both Russian Formalist and Perennialist understanding, then the answers to be revealed in the final two Strike novels, Books Two and Three of the finale trilogy, should be embedded in The Hallmarked Man.* Rowling on Playing Fair with Readers:The writer says that she wanted to extend the shelf of detective fiction without breaking it. “Part of the appeal and fascination of the genre is that it has clear rules. I'm intrigued by those rules and I like playing with them. Your detective should always lay out the information fairly for the reader, but he will always be ahead of the game. In terms of creating a character, I think Cormoran Strike conforms to certain universal rules but he is very much of this time.* On the Virtue of ‘Penetration' in Austen, Dickens, and Rowling* Rowling on the Big Twist' in Austen's Emma:“I have never set up a surprise ending in a Harry Potter book without knowing I can never, and will never, do it anywhere near as well as Austen did in Emma.”What are the Key Mysteries of the Strike series?Nancarrow FamilyWhy did Leda and Ted leave home in Cornwall as they did?Why did Ted and Joan not “save” Strike and Lucy?Was Leda murdered or did she commit suicide?If she was murdered, who dunit?If she commited suicide, why did she do it?What happened to Switch Whittaker?Cormoran StrikeIs Jonny Rokeby his biological father?What SIB case was he investigating when he was blown up?Was he the father of Charlotte's lost baby? If not, then who was?Why has he been so unstable in his relations with women post Charlotte Campbell?Charlotte CampbellWhy did her mother hate her so much?What was her relationship with her three step-fathers? Especially Dino LongcasterWho was the father of her lost child?Was the child intentionally aborted or was it a miscarriage?What was written in her “suicide note”?Was Charlotte murdered or did she commit suicide?If she was murdered, who done it?If she committed suicide, why did she do it?What happened to the billionaire lover?What clues do we get in Hallmarked Man that would answer these questions?- Strike 8 - Greatest Hits of Strikes 1-7: compilation, concentration of perumbration in series as whole* Decima/Lion - incest* Rupert's biological father not his father of record (Dino)* Sacha Legard a liar with secrets* Ryan Murphy working a plan off-stage - Charlotte's long gameStrike about ‘Pairings' in Lethal WhiteStrike continued to pore over the list of names as though he might suddenly see something emerging out of his dense, spiky handwriting, the way unfocused eyes may spot the 3D image hidden in a series of brightly colored dots. All that occurred to him, however, was the fact that there was an unusual number of pairs connected to Chiswell's death: couples—Geraint and Della, Jimmy and Flick; pairs of full siblings—Izzy and Fizzy, Jimmy and Billy; the duo of blackmailing collaborators—Jimmy and Geraint; and the subsets of each blackmailer and his deputy—Flick and Aamir. There was even the quasi-parental pairing of Della and Aamir. This left two people who formed a pair in being isolated within the otherwise close-knit family: the widowed Kinvara and Raphael, the unsatisfactory, outsider son.Strike tapped his pen unconsciously against the notebook, thinking. Pairs. The whole business had begun with a pair of crimes: Chiswell's blackmail and Billy's allegation of infanticide. He had been trying to find the connection between them from the start, unable to believe that they could be entirely separate cases, even if on the face of it their only link was in the blood tie between the Knight brothers.Part Two, Chapter 52Key Relationship Pairings in Cormoran Strike:Who Killed Leda Strike?To Rowling-Galbraith's credit, credible arguments in dedicated posts have been made that every person in the list below was the one who murdered Leda Strike. Who do you think did it?* Jonny Rokeby and the Harringay Crime Syndicate (Heroin Dark Lord 2.0),* Ted Nancarrow (Uncle Ted Did It),* Dave Polworth,* Leda Strike (!),* Lucy Fantoni (Lucy and Joan Did It and here),* Sir Randolph Whittaker,* Nick Herbert,* Peter Gillespie, and* Charlotte Campbell-RossScripted Ten Questions:1. So, Nick, back when we first read Hallmarked Man we said that there were four things we knew for sure would be said about Strike 8 in the future. Do you remember what they were?2. And, John, you've been thinking about the ‘Set-Up' idea and how future Rowling Readers will think of Hallmarked Man, even that they will think of it as the best Strike novel. I thought that was Troubled Blood by consensus. What's made you change your mind?3. So, Nick, yes, Troubled Blood I suspect will be ranked as the best of series, even best book written by Rowling ever, but, if looked at as the book that served the most critical place in setting up the finale, I think Hallmarked Man has to be considered better in that crucial way than Strike 5, better than any Strike novel. Can you think of another Strike mystery that reviews specific plot points and raises new aspects of characters and relationships the way Strike 8 does?4. Are you giving Hallmarked Man a specific function with respect to the last three books than any of the others? If so, John, what is that exactly and what evidence do we have that in Rowling's comments about reader-writer obligations and writer ambitions?5. Nick, I think Hallmarked Man sets us up to answer the Key mysteries that remain, that the first seven books left for the final three to answer. I'm going to organize those unresolved questions into three groups and challenge you to think of the ones I'm missing, especially if I'm missing a category.6. If I understand the intention of your listing these remaining questions, John, your saying that the restatement of specific plot points and characters from the first seven Strike novels in Hallmarked Man points to the possible, even probable answers to those questions. What specifically are the hallmarks in this respect of Hallmarked Man?7. If you take those four points, Nick, and revisit the mysteries lists in three categories, do you see how Rowling hits a fairness point with respect to clueing readers into what will no doubt be shocking answers to them if they're not looking for the set-ups?8. That's fun, Nick, but there's another way at reaching the same conclusions, namely, charting the key relationships of Strike and Ellacott to the key family, friends, and foes in their lives and how they run in pairs or parallel couplets (cue PPoint slides).9. Can we review incest and violence against or trafficking of young women in the Strike series? Are those the underpinning of the majority of the mysteries that remain in the books?10. Many Serious Strikers and Gonzo Galbraithians hated Striuke 8 because Hallmarked Man failed to meet expectations. In conclusion, do you think, Nick, that this argument that the most recent Strike-Ellacott adventure is the best because of how it sets us up for the wild finish to come will be persuasive -- or just annoying?On Imagination as Transpersonal Faculty and Non-Liturgical Sacred ArtThe Neo-Iconoclasm of Film (and Other Screened Adaptations): Justin requested within his question for an expansion of my allusion to story adaptations into screened media as a “neo-iconoclasm.” I can do that here briefly in two parts. First, by urging you to read my review of the first Hunger Games movie adaptation, ‘Gamesmakers Hijack Story: Capitol Wins Again,' in which I discussed at post's end how ‘Watching Movies is a a Near Sure Means to Being Hijacked by Movie Makers.' In that, I explain via an excerpt from Jerry Mander's Four Arguments for the Elimination of Television, the soul corrosive effects of screened images.Second, here is a brief introduction to the substance of the book I am working on.Rowling is a woman of profound contradictions. On the one hand, like all of us she is the walking incarnation of her Freudian family romance per Paglia, the ideas and blindspots of the age in which we live, with the peculiar individual prejudices and preferences and politics of her upbringing, education, and life experiences, especially the experiences we can call crises and consequent core beliefs, aversions, and desires. Rowling acknowledges all this, and, due to her CBT exercises and one assumes further talking therapy, she is more conscious of the elephant she is riding and pretending to steer than most of her readers.She points to this both in asides she make in her tweets and public comments but also in her descriptive metaphor of how she writes. The ‘Lake' of that metaphor, the alocal place within her from her story ideas and inspiration spring, is her “muse,” the word for superconscious rather than subconscious ideas that she used in her 2007 de la Cruz interview. She consciously recognizes that, despite her deliberate reflection on her PTSD, daddy drama, and idiosyncratic likes and dislikes, she still has unresolved issues that her non-conscious mind presents to her as story conflict for imaginative resolution.Her Lake is her persona well, the depths of her individual identity and a mask she wears.The Shed, in contrast, is the metaphorical place where Rowling takes the “stuff” given her by the creature in her Lake, the blobs of molten glass inspiration, to work it into proper story. The tools in this Shed are unusual, to say the least, and are the great markers of what makes Rowling unique among contemporary writers and a departure from, close to a contradiction of the artist you would expect to be born of her life experiences, formative crises, and education.Out of a cauldron potion made from listening to the Smiths, Siouxie and the Banshees, and The Clash, reading and loving Val McDermid, Roddy Doyle, and Jessica Mitford, and surviving a lower middle class upbringing with an emotionally barren homelife and Comprehensive education on the England-Wales border, you'd expect a Voldemort figure at Goblet of Fire's climax to rise rather than a writer who weaves archetypally rich myths of the soul's journey to perfection in the spirit with alchemical coloring and sequences, ornate chiastic structures, and a bevy of symbols visible only to the eye of the Heart.To understand Rowling, as she all but says in her Lake and Shed metaphor, one has to know her life story and experiences to “get” from where her inspiration bubbles up and, as important, you need a strong grasp of the traditionalist worldview and place of literature in it to appreciate the power of the tools she uses, especially how she uses them in combination.The biggest part of that is understanding the Perennialist definition of “Sacred Art.” I touched on this in a post about Rowling's beloved Christmas story, ‘Dante, Sacred Art, and The Christmas Pig.'Rowling has been publicly modest about the aims of her work, allowing that it would be nice to think that readers will be more empathetic after reading her imaginative fiction. Dante was anything but modest or secretive in sharing his self-understanding in the letter he wrote to Cangrande about The Divine Comedy: “The purpose of the whole work is to remove those living in this life from the state of wretchedness and to lead them to the state of blessedness.” His aim, point blank, was to create a work of sacred art, a category of writing and experience that largely exists outside our understanding as profane postmoderns, but, given Rowling's esoteric artistry and clear debts to Dante, deserves serious consideration as what she is writing as well.Sacred art, in brief, is representational work — painting, statuary, liturgical vessels and instruments, and the folk art of theocentric cultures in which even cutlery and furniture are means to reflection and transcendence of the world — that employ revealed forms and symbols to bring the noetic faculty or heart into contact with the supra-sensible realities each depicts. It is not synonymous with religious art; most of the art today that has a religious subject is naturalist and sentimental rather than noetic and iconographic, which is to say, contemporary artists imitate the creation of God as perceived by human senses rather than the operation of God in creation or, worse, create abstractions of their own internally or infernally generated ideas.Story as sacred art, in black to white contrast, is edifying literature and drama in which the soul's journey to spiritual perfection is portrayed for the reader or the audience's participation within for transformation from wretchedness to blessedness, as Dante said. As with the plastic arts, these stories employ traditional symbols of the revealed traditions in conformity with their understanding of cosmology, soteriology, and spiritual anthropology. The myths and folklore of the world's various traditions, ancient Greek drama, the epic poetry of Greece, Rome, and Medieval Europe, the parables of Christ, the plays of Shakespeare's later period, and the English high fantasy tradition from Coleridge to the Inklings speak this same symbolic language and relay the psychomachia experience of the human victory over death.Dante is a sacred artist of this type. As difficult as it may be to understand Rowling as a writer akin to Dante, Shakespeare, Homer, Virgil, Aeschylus, Spenser, Lewis, and Tolkien, her deployment of traditional symbolism and the success she enjoys almost uniquely in engaging and edifying readers of all ages, beliefs, and circumstances suggests this is the best way of understanding her work. Christmas Pig is the most obviously sacred art piece that Rowling has created to date. It is the marriage of Dantean depths and the Estecean lightness of Lewis Carroll's Alice books, about which more later.[For an introduction to reading poems, plays, and stories as sacred art, that is, allegorical depictions of the soul's journey to spiritual perfection that are rich in traditional symbolism, Ray Livingston's The Traditional Theory of Literature is the only book length text in print. Kenneth Oldmeadow's ‘Symbolism and Sacred Art' in his Traditionalism: Religion in the light of the Perennial Philosophy(102-113), ‘Traditional Art' in The Essential Seyyed Hossein Nasr(203-214), and ‘The Christian and Oriental, or True Philosophy of Art' in The Essential Ananda K. Coomaraswamy(123-152) explain in depth the distinctions between sacred and religious, natural, and humanist art. Martin Lings' The Sacred Art of Shakespeare: To Take Upon Us the Mystery of Things and Jennifer Doane Upton's two books on The Divine Comedy, Dark Way to Paradise and The Ordeal of Mercy are the best examples I know of reading specific works of literature as sacred art rather than as ‘stories with symbolic meaning' read through a profane and analytic lens.]‘Profane Art' from this view is “art for art's sake,” an expression of individual genius and subjective meaning that is more or less powerful. The Perennialist concern with art is less about gauging an artist's success in expressing his or her perception or its audience's response than with its conformity to traditional rules and its utility, both in the sense of practical everyday use and in being a means by which to be more human. Insofar as a work of art is good with respect to this conformity and edifying utility, it is “sacred art;” so much as it fails, it is “profane.” The best of modern art, even that with religious subject matter or superficially beautiful and in that respect edifying, is from this view necessarily profane.Sacred art differs from modern and postmodern conceptions of art most specifically, though, in what it is representing. Sacred art is not representing the natural world as the senses perceive it or abstractions of what the individual and subjective mind “sees,” but is an imitation of the Divine art of creation. The artist “therefore imitates nature not in its external forms but in its manner of operation as asserted so categorically by St. Thomas Aquinas [who] insists that the artist must not imitate nature but must be accomplished in ‘imitating nature in her manner of operation'” (Nasr 2007, 206, cf. “Art is the imitation of Nature in her manner of operation: Art is the principle of manufacture” (Summa Theologia Q. 117, a. I). Schuon described naturalist art which imitates God's creation in nature by faithful depiction of it, consequently, as “clearly luciferian.” “Man must imitate the creative act, not the thing created,” Aquinas' “manner of operation” rather than God's operation manifested in created things in order to produce ‘creations'which are not would-be duplications of those of God, but rather a reflection of them according to a real analogy, revealing the transcendental aspect of things; and this revelation is the only sufficient reason of art, apart from any practical uses such and such objects may serve. There is here a metaphysical inversion of relation [the inverse analogy connecting the principial and manifested orders in consequence of which the highest realities are manifested in their remotest reflections[1]]: for God, His creature is a reflection or an ‘exteriorized' aspect of Himself; for the artist, on the contrary, the work is a reflection of an inner reality of which he himself is only an outward aspect; God creates His own image, while man, so to speak, fashions his own essence, at least symbolically. On the principial plane, the inner manifests the outer, but on the manifested plane, the outer fashions the inner (Schuon 1953, 81, 96).The traditional artist, then, in imitation of God's “exteriorizing” His interior Logos in the manifested space-time plane, that is, nature, instead of depicting imitations of nature in his craft, submits to creating within the revealed forms of his craft, which forms qua intellections correspond to his inner essence or logos.[2] The work produced in imitation of God's “manner of operation” then resembles the symbolic or iconographic quality of everything existent in being a transparency whose allegorical and anagogical content within its traditional forms is relatively easy to access and a consequent support and edifying shock-reminder to man on his spiritual journey. The spiritual function of art is that “it exteriorizes truths and beauties in view of our interiorization… or simply, so that the human soul might, through given phenomena, make contact with the heavenly archetypes, and thereby with its own archetype” (Schuon 1995a, 45-46).Rowling in her novels, crafted with tools all taken from the chest of a traditional Sacred Artist, is writing non-liturgical Sacred Art. Films and all the story experiences derived of adaptations of imaginative literature to screened images, are by necessity Profane Art, which is to say per the meaning of “profane,” outside the temple or not edifying spiritually. Film making is the depiction of how human beings encounter the time-space world through the senses, not an imitation of how God creates and a depiction of the spiritual aspect of the world, a liminal point of entry to its spiritual dimension. Whence my describing it as a “neo-iconoclasm.”The original iconoclasts or “icon bashers” were believers who treasured sacred art but did not believe it could use images of what is divine without necessarily being blasphemous; after the incarnation of God as Man, this was no longer true, but traditional Christian iconography is anything but naturalistic. It could not be without becoming subjective and profane rather than being a means to spiritual growth and encounters. Western religious art from the Renaissance and Reformation forward, however, embraces profane imitation of the sense perceived world, which is to say naturalistic and as such the antithesis of sacred art. Film making, on religious and non-religious subjects, is the apogee of this profane art which is a denial of any and all of the parameters of Sacred art per Aquinas, traditional civilizations, and the Perennialists.It is a neo-iconoclasm and a much more pervasive and successful destruction of the traditional world-view, so much so that to even point out the profanity inherent to film making is to insure dismissal as some kind of “fundamentalist,” “Puritan,” or “religious fanatic.”Screened images, then, are a type of iconoclasm, albeit the inverse and much more subtle kind than the relatively traditional and theocentric denial of sacred images (the iconoclasm still prevalent in certain Reform Church cults, Judaism, and Islam). This neo-iconoclasm of moving pictures depicts everything in realistic, life-like images, everything, that is, except the sacred which cannot be depicted as we see and experience things. This exclusion of the sacred turns upside down the anti-naturalistic depictions of sacred persons and events in iconography and sacred art. The effect of this flood of natural pictures akin to what we see with our eyes is to compel the flooded mind to accept time and space created nature as the ‘most real,' even ‘the only real.' The sacred, by never being depicted in conformity with accepted supernatural forms, is effectively denied.Few of us spend much time in live drama theaters today. Everyone watches screened images on cineplex screens, home computers, and smart phones. And we are all, consequently, iconoclasts and de facto agnostics, I'm afraid, to greater and lesser degrees because of this immersion and repetitive learning from the predominant art of our secular culture and its implicit atheism.Contrast that with the imaginative experience of a novel that is not pornographic or primarily a vehicle of perversion and violence. We are obliged to generate images of the story in the transpersonal faculty within each of us called the imagination, one I think that is very much akin to conscience or the biblical ‘heart.' This is in essence an edifying exercise, unlike viewing photographic images on screens. That the novel appears at the dawn of the Modern Age and the beginning of the end of Western corporate spirituality, I think is no accident but a providential advent. Moving pictures, the de facto regime artistry of the materialist civilization in which we live, are the counter-blow to the novel's spiritual oxygen.That's the best I can manage tonight to offer something to Justin in response to more about the “neo-iconoclasm” of film This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit hogwartsprofessor.substack.com/subscribe

Lights. Camera. Action! This week on Alestle After Hours we chat about our special section in Lifestyles that is focused on movies. Mass Communications Instructor Cory Byers joins the show to talk about the movie making magic that takes place in SIUE Mass Comm Classes. Opinion Editor Brandi Spann and Copy Editor Destin Albrecht join to talk about their other stories as well.Check out more episodes on Spotify. ⁠⁠⁠⁠⁠https://open.spotify.com/show/7wnmP2tNzpbFI6pZQMyFgM⁠⁠⁠⁠⁠Looking for SIUE news? Head to The Alestle's website for our editorial content.⁠⁠⁠⁠⁠https://www.alestlelive.com/⁠⁠⁠⁠⁠Look for our social media too! The Alestle Instagram:⁠⁠⁠⁠⁠ https://www.instagram.com/thealestle/⁠⁠⁠⁠⁠Alestle After Hours Instagram: ⁠⁠⁠⁠⁠https://www.instagram.com/alestleafterhours/ ⁠⁠⁠⁠⁠Alestletics X:⁠⁠⁠⁠⁠https://x.com/alestletics

Preview: David Mamet Biographer Emina Melonic comments on a new book, "THE DISENLIGHTENMENT,"  by playwright and movie maker David Mamet who introduces the unhappy observation that critics are even soulless. More later tonight on that current news. 1943 GARY COOPER AND AUTOGRAH SEEKER

Di episode ini, kita akan menjelajahi tantangan di balik layar podcast "On The PAS" dari IGYDN dan Backdraft. Dari jadwal syuting yang awalnya dua minggu sekali hingga seminggu sekali, sampai pengalaman sulit mencari narasumber chef perempuan yang 'galak' dan pemalu. Tonton video selengkapnya di #RayJansonRadioOTP #33 MOVIE MAKER WANNABE WITH BACKDRAFT X IGYDN | ONTHEPASEnjoy the show!Instagram:Mario https://www.instagram.com/mariojreynaldi/Backdraft Project https://www.instagram.com/backdraft_project/Yudiana https://www.instagram.com/gdyudiana_/IGYDN https://www.instagram.com/igydn_/DON'T FORGET TO LIKE AND SUBSCRIBE !On The Pas is available on:Spotify: https://spoti.fi/2lEDF01Apple Podcast: https://apple.co/2nhtizqGoogle Podcast: https://bit.ly/2laege8iAnchor App: https://anchor.fm/ray-janson-radioInstagran: https://www.instagram.com/onthepasbali/TikTok: https://www.tiktok.com/@onthepasLet's talk some more:https://www.instagram.com/renaldykhttps://www.instagram.com/backdraft_projecthttps://www.instagram.com/mariojreynaldi#OnThePasPodcast #BaliPodcast #RayJansonRadio #FnBPodcast #PodcastAfterService

What if a single film could echo the cries of the unheard and shake the foundations of injustice? Join us for an inspiring conversation with Ramesh Sharma, the international award-winning movie-maker behind Ahimsa - Gandhi: The Power of the Powerless. In this powerful discussion, Sharma delves into his lifelong dedication to giving a voice to the voiceless through his films. Discover what drives him to expose injustices, from challenging the "Imperial DNA" of colonialism to highlighting the struggles of marginalized communities. Explore with us how the nonviolent power of the powerless can ignite profound social change, and how the power of one individual, like Gandhi or Mandela, can resonate across continents and generations, shaping a more just world.Love the show? Subscribe, rate, review & share! https://anne-pratt.com

Programa emitido el 20 de marzo de 2024. En directo con Josean desde València en plenas Falles junto a Miguel Ángel como invitado especial. ¿Fokas Evangelinos hará un desastre con Marina Satti? ¿Polonia incluirá efectos de Movie Maker en su puesta en escena? ¿El diario Público y demás kiosko se está aprovechando como le viene en gana del boicot a Eurovisión? ¿Cuál tendría que ser la sede de Eurovisión Junior? ¿Broncano fichará por RTVE? ¿Konstrakta predijo lo de Kate Middleton? ¿Y qué tal superviven en Supervivientes? Incluye bollos del mercadona.

Adam is the man behind the camera that films all of our high end films. Today we sit down to hear his story about how he got into filming and turned it into his full time career.Learn more about Whiskey Sloughs: https://linktr.ee/whiskeysloughs

Your daily news in under three minutes. At Al Jazeera Podcasts, we want to hear from you, our listeners. So, please head to https://www.aljazeera.com/survey and tell us your thoughts about this show and other Al Jazeera podcasts. It only takes a few minutes! Connect with us: @AJEPodcasts on Twitter, Instagram, Facebook, Threads and YouTube

Ben Tiede Director of TESTAMENT, the award winning documentary about the war in Ukraine, joins Jordana.

Send us a textIn this episode of TDG, we sit down with Ryan McCurdy, the writer and director of Pears, to explore not just the making of the film but also the journey that led him there. Ryan opens up about his early inspirations, the experiences that shaped his storytelling, and the challenges he faced along the way. From his first steps in filmmaking to bringing Pears to life, we get a behind-the-scenes look at his creative process and personal growth. Whether you're a film enthusiast, an aspiring filmmaker, or just love hearing the human stories behind great movies, this episode is packed with inspiration and insight.Ama omnes, crede paucis, nulli peccate,The Days Grimm Podcast[Ryan's Links]Ranked Podcast - https://www.youtube.com/@RANKEDpodcastPears - https://www.amazon.com/gp/video/detail/amzn1.dv.gti.28e587f2-665c-443a-bf24-c324d017661b?ref_=imdbref_tt_wbr_shv__pvt_aiv&tag=imdbtag_tt_wbr_shv__pvt_aiv-20Pears IMDB - https://m.imdb.com/title/tt33079260/[The Days Grimm Podcast Links]- YouTube: https://www.youtube.com/c/TheDaysGrimm- Our link tree: linktr.ee/Thedaysgrimm- GoFundMe account for The Days Grimm: https://gofund.me/02527e7c [The Days Grimm is brought to you by]Sadness & ADHD (non-medicated)

Movies in 2024: Lessons from a turbulent year at the box office Please Subscribe + Rate & Review KMJ’s Afternoon Drive with Philip Teresi & E. Curtis Johnson wherever you listen! --- KMJ’s Afternoon Drive with Philip Teresi & E. Curtis Johnson is available on the KMJNOW app, Apple Podcasts, Spotify, Amazon Music or wherever else you listen. --- Philip Teresi & E. Curtis Johnson – KMJ’s Afternoon Drive Weekdays 2-6 PM Pacific on News/Talk 580 & 105.9 KMJ DriveKMJ.com | Podcast | Facebook | X | Instagram --- Everything KMJ: kmjnow.com | Streaming | Podcasts | Facebook | X | Instagram See omnystudio.com/listener for privacy information.

Movies in 2024: Lessons from a turbulent year at the box office Please Subscribe + Rate & Review KMJ’s Afternoon Drive with Philip Teresi & E. Curtis Johnson wherever you listen! --- KMJ’s Afternoon Drive with Philip Teresi & E. Curtis Johnson is available on the KMJNOW app, Apple Podcasts, Spotify, Amazon Music or wherever else you listen. --- Philip Teresi & E. Curtis Johnson – KMJ’s Afternoon Drive Weekdays 2-6 PM Pacific on News/Talk 580 & 105.9 KMJ DriveKMJ.com | Podcast | Facebook | X | Instagram --- Everything KMJ: kmjnow.com | Streaming | Podcasts | Facebook | X | Instagram See omnystudio.com/listener for privacy information.

Katie discovers Tyler's villain origin story, and then spins away. Watch this episode on YouTube. Seriously. It's very visual.

Join me as I chat with Jim Brunzell (Director of the Sound Unseen Film Festival). Movie Maker calls Sound Unseen  "One of the 25 Coolest Film Festivals in the World." The festival is a unique, cutting edge "films on music" festival that started in Minneapolis 25 years ago. We discuss his upbringing, upcoming festival guests, John Doe, Linda Perry and more and I also learn that his dad was a WWF/WWE Wrestling star. Great talk!

September 16th 2024. Insufferable with @thereneereina & @thelizajean. Mormon Mom's Mr. Mendes AI Movie Makers Orlando's Sneak Peek VMA's TMJ Liza Starts Birth Control P-Diddly Update Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

September 16th 2024. Insufferable with @thereneereina & @thelizajean. Mormon Mom's Mr. Mendes AI Movie Makers Orlando's Sneak Peek VMA's TMJ Liza Starts Birth Control P-Diddly Update Learn more about your ad choices. Visit megaphone.fm/adchoices

At the crossroads of Science, Technology, and Society stands ohmTown. A bit of resistance where information becomes manifest as structures visited by the citizens of ohmTown.com. Aggregated news sourced from across the world into ohmTown.com and discussed by Mayor Watt and the Sentient AI from the Future. Daily episodes of Non Sequitur News and weekly shows with more focused discussions are available live, as podcasts, and on Youtube. Show Notes:Patent for Listening to Serve Ads - https://www.ohmtown.com/groups/mobble/f/d/ford-seeks-patent-for-software-that-records-your-conversations-to-serve-you-ads/1.7 Million User Credit Card Leak - https://www.ohmtown.com/groups/realityhacker/f/d/credit-card-info-for-1-7-million-users-leaked-in-huge-breach/Refunds due to Genetic Testing Breach - https://www.ohmtown.com/groups/mobble/f/d/genetic-testing-company-must-issue-refunds-after-security-breach-disaster/Cheetos Nightmare in Carlsbad Caverns - https://www.ohmtown.com/groups/mobble/f/d/a-bag-of-cheetos-created-an-ecological-nightmare-in-carlsbad-caverns/Worlds Dumbest Booby Trap - https://www.ohmtown.com/groups/mobble/f/d/virginia-man-accidentally-invents-worlds-dumbest-booby-trap/Forced to pay for Fuel - https://www.ohmtown.com/groups/four-wheel-tech/f/d/unruly-passenger-forced-to-pay-5750-for-the-fuel-his-plane-had-to-dump-to-land/Food Recalls 2024 - https://www.ohmtown.com/groups/nonsequiturnews/f/d/food-recalls-affect-millions-of-americans-in-2024/Underwater Data Center - https://www.ohmtown.com/groups/realityhacker/f/d/an-underwater-data-center-in-san-francisco-bay-regulators-say-not-so-fast/Shaking your Movie Makers - https://www.ohmtown.com/groups/hatchideas/f/d/how-streaming-is-changing-the-game-for-indie-movie-makers/Playing Carmen Sandiego - https://www.ohmtown.com/groups/technologytoday/f/d/the-new-carmen-sandiego-game-will-let-you-play-as-carmen-sandiego/Daily 8PM ET : Non Sequitur NewsWeekly Shows:Reality HackerWANTED!WarCraftersThe Continuity ReportTechnology TodayFour Wheel TechPodcasts:Non Sequitur News - https://podcasts.apple.com/us/podcast/non-sequitur-news/id1609446592Reality Hacker - https://podcasts.apple.com/us/podcast/reality-hacker/id1730569174WANTED! - https://podcasts.apple.com/us/podcast/wanted/id1736804331WarCrafters - https://podcasts.apple.com/us/podcast/warcrafters/id1747332089The Continuity Report - https://podcasts.apple.com/us/podcast/the-continuity-report/id1730555984Technology Today - https://podcasts.apple.com/us/podcast/technologytoday/id1736803981Four Wheel Tech - https://podcasts.apple.com/us/podcast/fourwheeltech/id1747338365Discord:https://discord.gg/b86H985mWp -- Watch live at https://www.twitch.tv/ohmtown -- Watch live at https://www.youtube.com/ohmtown

Send your text message - we'd love to hear from you!Alexandra Boylan is a film maker and screen writer of family-friendly movies with a message of faith for all ages. Listen to the stories behind she and her sister, Andrea, coming together to create books, curriculum and more to go with the movies that make an impact for eternity! 

Send us a Text Message.Hosted By: Pepper & MattGuest: Matt Malone of the upcoming Western "Whore & The Horseman" it's not what you think!  Talked about Western Movies and TV. Mixed in a few random stories, cattle loose in England, Longhorn on the Highway and more. Talked about PBR coming to Merit Street Media's Tv & Streaming Channel. Lots of discussion on the modern western movies and Kevin Costner's new film and why attendance is low. Shown a few trailers for: Horizon, Dead Don't Hurt, Rustlers Rhapsody, & Man with 1000 kids.

The Eucharist is such a common part of Christian worship that it's easy to overlook how strange it is — drinking wine that represents Jesus's blood, eating bread that represents His flesh. The ritual would have been even more shocking to Jesus's Jewish followers, for whom consuming blood (even metaphorically) was absolutely forbidden. The New Testament says that Jesus himself instituted the Eucharist at the Last Supper, but earlier writers like Paul describe something more like a communal meal with ritual components. So our question is: where did the Eucharist originate and what did it mean to the earliest Christians? Helen and Dave are excited to have Katie Turner back on the podcast. In addition to being a top-notch biblical scholar, Katie is the cohost of Gods and Moviemakers. For more on the Eucharist, check out this excellent article on Bible Odyssey, our content partner. SUPPORT BIBLICAL TIME MACHINE!If you enjoy the podcast, please show your support through the Time Travelers Club, our Patreon. We love making the show, but since we don't run ads we rely on listener contributions to cover our costs. Please help us continue to showcase high-quality biblical scholarship with a $5/month subscription. (Think of it as $1.25 an episode!) GET YOUR BIBLICAL TIME MACHINE MUGThe Biblical Time Machine Store  is open! Check out our 4-part audio study guide called "The Gospel of Mark as an Ancient Biography." Or get yourself a handsome Biblical Time Machine mug or a cool sticker for your water bottle. Support the Show.Join the Time Travelers Club!Join our Patreon to support the podcast and get special perks like bonus content and direct messaging with the hosts. Learn more and subscribe at the Time Travelers Club. Theme music written and performed by Dave Roos

You know the Georgia peach logo at the end of shows like “WandaVision” or “The Walking Dead?” The peach means a production was filmed in Georgia, where major tax credits are helping the state grow its film industry. Today, we head to Atlanta to hear about the pipeline for show business gigs there. Plus, Americans are paying down their credit card balances thanks to a strong labor market.

Alexandra Boylan shares her journey as an actress and how the challenges turned her towards writing and producing films. She finds the strength and courage to do practically every aspect of film making out of her passion and calling in life.  Alexandra is full of life and inspiration to anyone interested in the film industry.

In this episode of the podcast Jeff chats with Luke Dusenbury, a freelance photographer and Videographer in the hunting industry, Luke is an extremely talanted creator. I hope you enjoy this amazing episode with Jeff and Luke.   USE CODE PNWILD WHEN PURCHASING WILD SOCIETY MEALS OR COFFEE! CHECKOUT OUR YOUTUBE BELOW! https://www.youtube.com/@PNWild/videos SUBSCRIBE TO OUR YOUTUBE CHANNEL https://www.youtube.com/c/PNWild   FOR GOHUNT use code PNW thise code will give you $50 in GOHUNT Shop credit when you purchase an Insider Membership and $20 when they purchase an Explorer Membership and 10% off the GoHunt gear shop!   VISIT OUR LINKTREE FOR ALL OUR DISCOUNT CODES!! https://linktree/pnwild PNWILD STORE - USE CODE PODCAST AT CHECKOUT

EPISODE 30 - “Robert Walker: Old Hollywood's Tragic Boy Next Door” - 04/08/2024 No one played sensitive, lost souls quite like ROBERT WALKER. However, he is best known for playing one of the most complicated, psychopaths in film history, Bruno Antony in ALFRED HITCHCOCK's masterpiece “Strangers On A Train” (1951). His journey from playing sensitive innocents to playing Bruno is reflective of his troubled, turbulent life, and the heartbreak from which he never recovered. This week, we'll discuss the artistry and the tragedy of this incredible actor. SHOW NOTES:  Sources: Star-Crossed: The Story of Robert Walker and Jennifer Jones (1986), by Beverly Linet; Portrait of Jennifer (1995), by Edward Z. Epstein; Showman: The Life of David O. Selznick (1992), by David Thomson; Hollywood On The Couch: A Candid Look at the Overheated Love Affair Between Psychiatrists and Moviemakers (1993), by Marc Green and Stephen Farber; “Biography of Robert Walker,” April 1951, Paramount Pictures;  “I Know Myself Now”, by Marva Anderson, July 1950, Movieland Magazine;  “Actor Walker Dies After Drug Dosage,” August 3, 1951, by Gladwin Hill, New York Times; “Robert Walker: A Great Star Lost,” August 15, 1999, by David Thomson, The Independent On Sunday (London); “An Affair to Forget?” March 1998, by Nick Clooney, American Movie Classics Magazine; “Utahn's Rising Career in Films Came to a Sudden Tragic End,” July 23, 1999, by E. Hunter Hale, Deseret News; “Robert Walker, Jr. ‘Star Trek' Actor and Son of Superstars, Dies at 79,” December 6, 2019, The Hollywood Reporter; IMDBPro.com; Wikipedia.com; Movies Mentioned:  Strangers On A Train (1951), starring Robert Walker, Farley Granger, Ruth Roman, Leo G. Carroll, Pat Hitchcock, and Kasey Rogers; New Frontier (1939), starring John Wayne and Phylis Isley (Jennifer Jones); Dick Tracy's G-Men (1939), starring Ralph Byrd and Phylis Isley (Jennifer Jones); Winter Carnival (1939), starring Ann Sheridan, Richard Carlson, and Helen Parrish;  These Glamour Girls (1939), starring Lana Turner, Lew Ayres, Marsha Hunt, Ann Rutherford, Mary Beth Hughes, Richard Carlson, and Jane Bryan; Dancing Co-Eds (1939) staring Lana Turner, Richard Carlson, Ann Rutherford, Lee Bowman, and Artie Shaw; The Song of Bernadette (1943), starring Jennifer Jones, Charles Bickford, Vincent Price, Anne Revere, William Eythe, Lee J. Cobb, and Gladys Cooper; Bataan (1943), Staring Robert Taylor, George Murphy, Thomas Mitchell, Desi Arnaz, and Robert Walker; Madame Curie (1943), starring Greer Garson, Walter Pidgeon, Henry Travers, and Robert Walker; See Here Private Hargrove (1944), staring Robert Walker and Donna Reed; Since You Went Away (1945), starring Claudette Colbert, Jennifer Jones, Shirley Temple, Joseph Cotten, and Robert Walker; Thirty Seconds Over Tokyo (1944), starring Spencer Tracy, Van Johnson, and Robert Walker;  The Clock (1945), starring Judy Garland and Robert Walker;  Her Highness and the Bell Boy (1945), starring June Allyson, Hedy Lamarr, and Robert Walker;  The Sailor Takes A Wife (1945), starring June Allyson and Robert Walker;  Til The Clouds Roll By (1946); Robert Walker, June Allyson, Judy Garland, Kathryn Grayson, Van Heflin, Van Johnson, Lucille Bremer, Cyd Charisse, and Angela Lansbury; One Touch of Venus (1948), starring Robert Walker, Ava Gardner, Tom Conway, and Eve Arden; Please Believe Me (1950), starring Deborah Kerr, Robert Walker, Peter Lawford, and Mark Stevens; The Skipper Surprises His Wife (1950), starring Robert Walker and Joan Leslie; Vengeance Valley (1951), starring Burt Lancaster, Joanne Dru, and Robert Walker; My Son John (1952), staring Helen Hayes, Robert Walker, and Van Heflin; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on Taking Stock Mandy Johnston has something a little different when she takes a look at the Irish Music, Movie Makers and Visitor Attractions that have proved the most lucrative. She has assembled a crack team of Newstalkers!

Recorded - 3/17/2024 On Episode 263 of the Almost Sideways Movie Podcast, we discuss the latest A24 film to come out starring Kristen Stewart and Ed Harris's hair. Then we dive into the film that put Alexander Payne on the map. Election is celebrating its 25th anniversary this year, and it might be more relatable to the team now than it was 25 years ago. Find out why! Here are the highlights: What We've Been Watching (7:30) Todd TallaBoogie Review: Holmes and Watson (12:15) Zach Reviews: Io Capitano, The Good Girl (19:30) Terry Reviews: Troy (Oscar watch), Downfall (Oscar watch), One Life (27:30) Featured Review: Love Lies Bleeding 25th Anniversary Deep Dive: Election (44:30) Trivia (56:20) First Impressions (1:16:20) Mt. Rushmore: Movie/TV Overachievers (1:26:20) Recasting Election (1:42:30) Highest WAR, Worst Performance (1:54:20) Minor Character Triumvirate ... Favorite Minor Character, Movie Maker, Matt Damon award (2:00:30) Tripod of Depravity, Best Scene (2:10:50) Gripes and Conspiracies (2:13:10) LVP, MVP, Quote of the Day Find AlmostSideways everywhere! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠almostsideways.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/AlmostSidewayscom-130953353614569/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠AlmostSideways Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: @almostsideways ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Terry's Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: @almostsideterry ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Zach's Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: @pro_zach36 Todd: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Too Cool for Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Adam's Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: @adamsideways ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://podcasts.apple.com/us/podcast/almostsideways-podcast/id1270959022⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://open.spotify.com/show/7oVcx7Y9U2Bj2dhTECzZ4m⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Stitcher⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.stitcher.com/podcast/almost-sideways-movie-podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCfEoLqGyjn9M5Mr8umWiktA/featured?view_as=subscriber

Al Adamson, the beloved cult-horror director of such schlocky films as PSYCHO A-GO-GO and DRACULA VS. FRANKENSTEIN – was murdered in what can only be called a scene from one of his movies brought to life. (Murder Of The Horror Movie Maker) *** It's said that the devout Saint Joseph of Cupertino could fly, he could read people's thoughts, and could create rain during a drought. So why would the church do everything in its power to hide him from the masses of Christian believers? (The Flying Saint With Telepathic Abilities) *** A man sees two ghostly figures in a window's reflection – and one of them is holding a strange object. (Shades of White) *** Some suspect a serial killer while others point a finger at the paranormal, but nobody has been able to fully explain the mysterious disappearances from Vermont's Bennington Triangle. (Inside The Unsolved Disappearances Of The Bennington Triangle) *** Chingle Hall is one of Britain's oldest and most haunted buildings. Ghosts and poltergeist activity have been reported for many centuries with visions of monks being the most commonly reported phenomena. (Haunted Chingle Hall) *** June and Jennifer Gibbons displayed unsettling behavior early on, even for twins. They refused to speak despite their ability to do so, and they insisted on never being apart. But that is not the strangest thing that happened between these disturbed twins. (Disturbing Twins)SOURCES AND REFERENCES FROM THE EPISODE…“Murder of the Horror Movie Maker” by Troy Taylor: http://bit.ly/2lIuQlh“The Flying Saint With Telepathic Abilities” by Ellen Lloyd for Ancient Pages: http://bit.ly/2m9CWnl“Shades of White” by Herman for YourGhostStories.com: http://bit.ly/2lMKFHu“Inside The Unsolved Disappearances Of The Bennington Triangle” by Ted Kammerer for All That's Interesting: http://bit.ly/2k6nlnK“Haunted Chingle Hall” posted at Ghost-Story.co.uk: http://bit.ly/2m3XFsw“Disturbing Twins” by Jim Harper for Paranorms.com: http://bit.ly/2m8z1alWeird Darkness theme by Alibi Music Library. = = = = =(Over time links seen above may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2024, Weird Darkness.= = = = =Originally aired: June 21, 2018CUSTOM WEBPAGE: https://weirddarkness.com/murder-of-a-horror-movie-maker/

This week on Taking Stock Mandy Johnston has something a little different when she takes a look at the Irish Music, Movie Makers and Visitor Attractions that have proved the most lucrative. She has assembled a crack team of Newstalkers!

A Conversation With Kyekyeku, A Ghanaian Movie Maker And Actor --- Support this podcast: https://podcasters.spotify.com/pod/show/ksspod/support

Ty Jones makes movies. After one of his movies a critic wrote an inaccurate, and malicious review of his work. Because of the review, not the movie itself, Ty was asked to leave the Jehovah Witness Church. Ty goes into detail what the movie was about and the details that followed after the review. He made himself a victor not a victim of the ordeal. His love of God, his parents and his life are inspiring. We are honored that Ty Jones shares this story with the You Just Have To Laugh family.

Filmmaker Melissa Davey is back with the story of her next film, "Climbing Into Life," about the oldest woman to scale El Capitan in Montana. Both the producer and her subject bring loads of inspiration for all of us. Learn more about Melissa's first doc, "Beyond Sixty," here, as well the trailer for her new film.See omnystudio.com/listener for privacy information.

Movie Maker Norm Jewison passed away, and the guys paid tribute.

There's so much we get wrong about clothing and dress in the 1st Century. Did Jewish people dress differently than gentiles? No. Did most men have long hair and beards? No. Did Jesus and the disciples rock sandals with socks? Yes! Clothing is an essential component of culture, yet it's been woefully ignored by historians. Today we change all that. Helen and Dave are excited to welcome Katie Turner to the podcast. Katie dispels 1st-Century fashion myths and answers our burning questions about ancient underwear, veiling and yes — socks! To hear more from Katie, check out her podcast Gods & Moviemakers about the best and worst Bible movies. We know you want to see pics of those ancient sandal socks...Red Socks from Egypt Striped Socks from EgyptFragments of a Linen Sock from Masada (Israel)Leather Sandal from MasadaJoin the Time Travelers Club!Support the podcast and get special perks like bonus content and the ability ask your questions on air. Learn more about the Time Travelers Club. Theme music written and performed by Dave Roos

Conor Holway is Boston-born-and-raised savage who took his talents to the West Coast to create one of the most bad-ass dragon movies of our time out in Hollywood!Follow Conor: https://www.instagram.com/conorholway/Support the Kickstarter: https://www.kickstarter.com/projects/conorholway/conrad-the-last-defender Kevin Cooney: https://www.instagram.com/kevincooneyy/ Ashley DeMato: https://www.instagram.com/ashley_demato/ Colin Begin: https://www.instagram.com/colinbegin18/

Celebrating the crime noir series A GRIFTER'S SONG by reviewing books 3, 4, and 5 (The Whale by Lawrence Kelter, The Movie Makers by Gary Phillips, and Lost in Middle America by Colin Conway) with insight from series editor/creator Frank Zafiro and interviews with the authors!

In this episode of Pop Wrap! Snayhil and Antariksh are in conversation with singer and song writer Asees Kaur! Asees talks about her journey in music, from her time in a Punjabi singing reality show to playback singing in Bollywood. Asees also gives us some very relatable advice about break ups, and tells us what's on her playlist right now. tune in!  Follow Snayhil on Instagram : https://instagram.com/snayhil Follow Asees on Instagram: https://www.instagram.com/aseeskaurmusic/?hl=en Follow Antariksh on Instagram: https://instagram.com/antariksht Listen to Pop Wrap, Has It Aged Well? and Just A Filmy Game Show on the IVM Pop feed which is available across platforms. The views, opinions, and statements expressed in the episodes of the shows hosted on the IVM Podcasts network are solely those of the individual participants, hosts, and guests, and do not necessarily reflect the official policy or position of IVM Podcasts or its management. IVM Podcasts does not endorse or assume responsibility for any content, claims, or representations made by the participants during the shows. This includes, but is not limited to, the accuracy, completeness, or reliability of any information provided. Any reliance you place on such information is strictly at your own risk. IVM Podcasts is not liable for any direct, indirect, consequential, or incidental damages arising out of or in connection with the use or dissemination of the content featured in the shows. Listener discretion is advised. Spotify | Apple Podcasts | JioSaavn | Gaana | Amazon MusicSee omnystudio.com/listener for privacy information.

Today on the podcast I'm thrilled to introduce you to writer/director David Helling. David wrote and directed the recently released to theaters movie His Only Son. We had a great conversation about his journey into film making and I asked why he wanted to share this story of when God asked Abraham to sacrifice his only son, Isaac, David said when he lived in San Fransisco while attending film school that time and time again this story would be a point of contention. Not only did he see non-believers have an issue with this passage, but he also saw believers not knowing how to answer it. The movie beautifully shares Abraham and Sara's struggle through the years of longing for a son as Abraham and Isaac make the three-day journey to Mount Moriah. His only Son received a 72% rating from the Angel Guild-- the group of over 64,000 Angel Studio crowd funders who review and greenlight creator projects. This is one of the highest scores ever given. David is a U.S. Marine corp. veteran whose time in the deserts of Iraq was the impetus for the film. He shares in this interview how he'd have to spend nights in the desert near where the biblical story of Daniel took place and the effect that had on him and his relationship with God and His word. I found David to be a genuine person who loves the Lord and wants to lead others to read and study the scriptures for themselves, so they'll grow in their relationship with Christ too. I know you're going to enjoy getting to know the man behind the movie.

Everything old is new again on this week's Moviecast. The Super Mario Movie is about to release. Scott Pilgrim vs. The World will release an anime featuring the voices of the original cast. The Rock is hyping a live-action Moana. WB and HBO Max are in talks to reboot Harry Potter in a series. #scottpilgrim #moana #mariomovie #harrypotter #hbomax #tv #streaming #tv #movies

In this episode Ryan talks with ANDY ERWIN ( I Can Only Imagine, WoodLawn, American Underdog) about what it is like to direct and produce movies in the Hollywood studio system through his production company “Kingdom Story Company.”  

Find Weird Darkness wherever you listen to podcasts: https://linktr.ee/weirddarkness. #paranormal #truestories #paranormalstories #ghoststories #horrorstories #truecrime #cryptidsIN THIS EPISODE: Al Adamson, the beloved cult-horror director of such schlocky films as PSYCHO A-GO-GO and DRACULA VS. FRANKENSTEIN – was murdered in what can only be called a scene from one of his movies brought to life. (Murder Of The Horror Movie Maker) *** It's said that the devout Saint Joseph of Cupertino could fly, he could read people's thoughts, and could create rain during a drought. So why would the church do everything in its power to hide him from the masses of Christian believers? (The Flying Saint With Telepathic Abilities) *** A man sees two ghostly figures in a window's reflection – and one of them is holding a strange object. (Shades of White) *** Some suspect a serial killer while others point a finger at the paranormal, but nobody has been able to fully explain the mysterious disappearances from Vermont's Bennington Triangle. (Inside The Unsolved Disappearances Of The Bennington Triangle) *** Chingle Hall is one of Britain's oldest and most haunted buildings. Ghosts and poltergeist activity have been reported for many centuries with visions of monks being the most commonly reported phenomena. (Haunted Chingle Hall) *** June and Jennifer Gibbons displayed unsettling behavior early on, even for twins. They refused to speak despite their ability to do so, and they insisted on never being apart. But that is not the strangest thing that happened between these disturbed twins. (Disturbing Twins)SOURCES AND ESSENTIAL WEB LINKS…“Murder of the Horror Movie Maker” by Troy Taylor: http://bit.ly/2lIuQlh “The Flying Saint With Telepathic Abilities” by Ellen Lloyd for Ancient Pages: http://bit.ly/2m9CWnl “Shades of White” by Herman for YourGhostStories.com: http://bit.ly/2lMKFHu “Inside The Unsolved Disappearances Of The Bennington Triangle” by Ted Kammerer for All That's Interesting: http://bit.ly/2k6nlnK “Haunted Chingle Hall” posted at Ghost-Story.co.uk: http://bit.ly/2m3XFsw “Disturbing Twins” by Jim Harper for Paranorms.com: http://bit.ly/2m8z1al = = = = = = = = = = = = = = = = = = = = = = = = = = = = = =Weird Darkness theme by Alibi Music Library. Background music provided by Alibi Music Library, EpidemicSound and/or StoryBlocks with paid license. Music from Shadows Symphony (https://tinyurl.com/yyrv987t), Midnight Syndicate (http://amzn.to/2BYCoXZ), Kevin MacLeod (https://tinyurl.com/y2v7fgbu), Tony Longworth (https://tinyurl.com/y2nhnbt7), and Nicolas Gasparini (https://tinyurl.com/lnqpfs8) is used with permission of the artists.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =(Over time links seen above may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46Trademark, Weird Darkness®, 2022. Copyright Weird Darkness©, 2022.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =

In this episode of the "Filmmaking Friends" podcast Ryan talks about how to cut a movie trailer with MICAH STUART, a full-time trailer editor in Hollywood. They breakdown the components that go into creating an epic trailer and Micah shares some of his tricks and tips on how to make a lasting impression on the viewer.  

RFM and Bill sit down with Movie Director Richard Dutcher to explore his career directing the movies God’s Army, Brigham City, & States of Grace. We take a look at these films through the perspective of Richard’s faith journey and take an evening to get to know the man who kicked of Mormon cinema. RESOURCES:… Read More »Mormonism LIVE: 092: Mormon Movie Maker

RFM and Bill sit down with Movie Director Richard Dutcher to explore his career directing the movies God's Army, Brigham City, & States of Grace. We take a look at these films through the perspective of Richard's faith journey and take an evening to get to know the man who kicked of Mormon cinema. RESOURCES:… Read More »Mormonism LIVE: 092: Mormon Movie Maker

RFM and Bill sit down with Movie Director Richard Dutcher to explore his career directing the movies God’s Army, Brigham City, & States of Grace. We take a look at these films through the perspective of Richard’s faith journey and take an evening to get to know the man who kicked of Mormon cinema. RESOURCES:… Read More »Mormonism LIVE: 092: Mormon Movie Maker The post Mormonism LIVE: 092: Mormon Movie Maker appeared first on Mormon Discussions Podcasts - Full Lineup.

Foone Turing is a self-proclaimed "software necromancer" not only bringing classics back to life, but also breathing new life and community into older software and hardware. Foone and Scott recently worked with Microsoft to get Microsoft 3D Movie Maker released as Open Source. We'll hear about Foone's plans for 3D Movie Maker going forward, as well as why the community has such strong feelings for this funny 27 year old piece of software!https://github.com/foone/3DMMForever

Microsoft makes available the video-creation tool 3D Movie Maker. The Mozilla Foundation shares its research regarding mental health apps and their privacy policies and protections. Google announces new hardware at its Google I/O developer conference. Meta's Mark Zuckerberg shares a short demo of the company's next AR/VR headset. First, Scott Hanselman of Microsoft stops by to share how he successfully published the archive of Microsoft 3D Movie Maker after a developer on Twitter "nerd-sniped" him. Self-proclaimed software necromancer, Foone, is now working to modernize the movie-making tool. Then, Misha Rykov of the Mozilla Foundation shares the foundation's work on "*Privacy Not Included," a guide that details the privacy practices and protections of smart home hardware, apps, and services. The Foundation's latest focus? Mental health apps. Then, Mikah recounts the exciting — and numerous — hardware announcements at Google I/O. The company revealed a new Pixel 6 smartphone, a Pixel Watch smartwatch, and true-wireless earbuds with active noise cancelation. Google also shared some details about the Pixel 7 & Pixel 7 Pro smartphones, a Pixel tablet, and augmented-reality glasses. Lastly, Mikah discusses a new reveal from Meta's Mark Zuckerberg. The company is working on a mixed-reality headset, currently called Project Cambria, that will use high-quality cameras to stream a person's environment and overlay augmented reality experiences. Host: Mikah Sargent Guests: Scott Hanselman and Misha Rykov Download or subscribe to this show at https://twit.tv/shows/tech-news-weekly. Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Sponsors: nureva.com NetFoundry.io/TWIT NewRelic.com/TNW