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The Most Haunted City On Earth | Presented by The Savannah Underground
Join The Parajunkie Fam for ZERO ADS ALWAYS! (And much more)It's our Halloween debrief from inside the Savannah Paranormal Museum, and everything popped off. In this episode, Madison and Chris break down what happened during our “Midnight Methods” night: Brian's automatic writing sessions that connected guests with recently departed loved ones, a vulgar modern Navy ghost named Pete who hijacked the Estes Method, and a mysterious “bully” spirit that keeps muscling its way through the building.We also dive into the growing threat around Jigoku (our possible kitsune vessel), Charlotte's shocking attempt to warnguests away from danger, Emily the haunted doll who may be desperately searching for her girl Leah in Savannah, and why the doll Jeb now looks like he's been through a war. Plus, we talk phone calls from the dead, TVs that tell you where to stand, and what it really means when ghosts use modern tech to reach out.If you've ever wondered what Halloween is like inside a haunted museum in the most haunted city on earth—this is your front-row seat. Stay spooky, y'all.
All Home Care Matters and our host, Lance A. Slatton were honored to welcome Kian Saneii as guest to the show. About Kian Saneii Founder & CEO Independa, Inc.: Kian Saneii is a serial entrepreneur and computer scientist, best known as the founder and CEO of Independa, an award winning health tech company delivering remote care solutions through computers, tablets, mobile phones and even TVs! His work helps people stay healthier at home longer, safer and more comfortably, while improving efficiency and effectiveness across senior care, homecare and healthcare systems. Previously, Saneii held leadership roles at Websense, IPNet Solutions, and IMA, driving innovation in wireless, supply chain, and CRM technologies. He holds Computer Science undergrad and graduate degrees from NYU and Rutgers, respectively, and lives in Los Angeles, CA. Outside of work, he enjoys spending time with family, playing soccer, tennis, and cycling, and dabbling with the piano and drums. About Independa, Inc.: Independa, Inc., founded in 2009, is a leader in remote engagement, education and care solutions. Independa turns the everyday TV into a health and wellness hub, offering 24/7 access to telehealth services, games, wellness content, social engagement including video chat, in-home lab tests, and much more—improving access to health across the US. Independa customers and partners enjoy top line growth, bottom line efficiencies, and brand elevation, and improving the lives and maintaining the health of those they serve. Independa provides solutions "From the Hospital to the Home, and everything in between."
Send us a textAuto-clip your long form into viral shorts- https://link.vidiq.com/podcast-to-shortsGet the vidIQ plugin for FREE: https://vidiq.ink/boostpluginWant a 1 on 1 coach? https://vidiq.ink/theboost1on1Join our Discord! https://www.vidiq.com/discordWatch the video version: https://youtu.be/0RE0fZkIbI4We break down how to grow on YouTube by thinking like a viewer, from using the collab feature without breaking the promise to designing for lean-back TV audiences. We also answer listener questions on mixed-format channels, browse vs search, accessibility, and naming your channel.• why the algorithm serves viewers, not creators• how to use the collab feature to meet expectations• where collabs fit in your content mix• TV viewing habits and lean-back packaging• AI upscaling and higher-res thumbnails for TVs• playlists and targeted end screens for binges• browse vs search and “scary” analytics• separating podcasts from produced videos• accessibility cues that boost retention• naming a channel for memorability and growthYou can subscribe if you feel like it. Or even better, watch another podcast. If you're on the audio podcast, leaving us a five star review is always amazing and appreciated.
In this must-listen episode, LDG sets the stage for one of the most exciting conclusions to the regular season in recent memory with an in-depth preview of Decision Day in the NWSL.He breaks down the key storylines that shape the final weekend of action with playoff spots on the line, examining how each result could influence the postseason picture. He chooses four matches that are NECESSARY for the listener's TVs and explores the implications of this weekend on playoff seeding, hosting, and qualification.He provides deep insight into individual performances by players, team dynamics, and tactical approaches both on and off the ball that have defined the 2025 campaign, including the outstanding goal scorers and creative playmakers who will make headlines this week!The episode covers everything from the jaw-dropping matches to the tactical decisions of coaches, emerging trends across the league, to the evolved identities of clubs vying for postseason glory. He also explores how summer window transfers, injuries, and tactical changes have reshaped the playoff landscape going into the final stretchThank you for listening! Remember to follow us wherever you get your podcasts, on Instagram (@the_womens_soccer_podcast) and Bluesky (@thewomenssoccerpod.bsky.social). In addition, leave a 5-star review and tell all your friends about our show!
Divas, Diamonds, & Dollars - About Women, Lifestyle & Financial Savvy!
Ever wonder what tech tools actually keep everything running behind the scenes for a multipreneur? In this episode, I'm pulling back the curtain on my daily toolkit—the platforms I truly use to create content, manage meetings, market my businesses, and stay connected with my community.We talk a lot about working smarter, not harder, but what does that actually look like day-to-day? The truth is, most of us already use tech—Siri, Alexa, our smartphones, even our TVs—but we're only scratching the surface of what these tools can do for our businesses.This week, I'm sharing a behind-the-scenes look at the tools that power my world as a multipreneur. From design and content creation to marketing automation and community building, I'll walk you through how I use each tool—and how you can start, even if you're not a “tech person.”My Everyday Essentials:Canva: My go-to design studio for everything from real estate flyers to podcast promos. Templates make branding effortless and consistent.ChatGPT Plus: My creative partner for brainstorming, drafting, SEO, and training outlines. It saves hours of time and helps me show up sharper.Zoom: For meetings, interviews, and podcast recordings—integrated with Calendly to simplify scheduling.OpusClips: Turns long-form video into short, scroll-stopping reels with AI-powered rankings to see what will perform best.Expanding My Reach:Gemini: The Google-integrated AI that streamlinesresearch, writing, and creative projects right inside Gmail and Docs.Designrr: Converts blogs and transcripts into polishedeBooks or freemiums—perfect for lead magnets and training.Descript: A must-have for podcast editing andtranscription. It's beginner-friendly, yet powerful enough for pros.Skool: My hub for community building andconnection—combining learning, engagement, and monetization in one place.Speaker Event Finder: Helps locate and pitch speakingengagements to grow your visibility and credibility.Beginner-Friendly Starter Stack:If you're just beginning your tech journey, start small:Canva (free)Zoom (free)Google Workspace (Docs/Sheets/Drive)Trello or Asana (for project management)Otter.ai (meeting notes + transcriptions)Later or Buffer (for social scheduling)
John Hunter asks about using high-end TVs as computer monitors. It's certainly possible, but there are several considerations to keep in mind. Scott Wilkinson explains. Host: Scott Wilkinson Download or subscribe to Home Theater Geeks at https://twit.tv/shows/home-theater-geeks Want access to the ad-free video and exclusive features? Become a member of Club TWiT today! https://twit.tv/clubtwit Club TWiT members can discuss this episode and leave feedback in the Club TWiT Discord.
They're Here! Jack and Corey round out the spooky season with actor-turned-patchmaker David Neher (Patch Supply) to talk the Tobe Hooper directed, Steven Spielberg produced horror classic POLTERGEIST (1982)! The three talk seeing ghosts, PG horror movies, Frankenstein Zeitgeist, the debate about who actually directed this movie, the Poltergeist curse, Mike Myers movies, fun families, JoBeth William's Oscar worthy performance, scary TVs, great dog acting, The Spielberg Face, Zelda Rubenstein's sexy energy, alien abductions, tornadoes, clown toys, deleted Pizza Hut, texas switches, David Cop-A-Feel, Spielberg's double billed hat, going to the light, and cursed bones!Support the pod by joining our Patreon at patreon.com/cinemapossessedpod and unlock the Cinema Possessed Bonus Materials, our bi-monthly bonus episodes where we talk about more than just what's in our collection.Instagram: instagram.com/cinemapossessedpodTikTok: https://www.tiktok.com/@cinemapossessedpodEmail: cinemapossessedpod@gmail.com Hosted on Acast. See acast.com/privacy for more information.
John Hunter asks about using high-end TVs as computer monitors. It's certainly possible, but there are several considerations to keep in mind. Scott Wilkinson explains. Host: Scott Wilkinson Download or subscribe to Home Theater Geeks at https://twit.tv/shows/home-theater-geeks Want access to the ad-free video and exclusive features? Become a member of Club TWiT today! https://twit.tv/clubtwit Club TWiT members can discuss this episode and leave feedback in the Club TWiT Discord.
On Wednesday's ENN, Hutchinson extended. Slow hotel TVs. Dart on Skattebo. First baby words. Lawrence responds to Banks. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Welcome to this weeks episode of the Paddy Wagon. We took our show on the road and recorded live, at Pittsburgh's newest and greatest establishment... Pub 1019. The crowd was electric and the drinks were great. It was a long time coming, but I was finally joined by none other than the only woman crazy enough to want to spend the rest of her life with me... my beautiful wife, Katie. (in fairness, she only has to spend the rest of MY LIFE with me. Fair game after that, fellas) We sit down for a great conversation that ranges from raising kids to planning birthday parties and our own little running quote list to me potentially performing mouth services on another man in a minivan. Be sure to tune in and hear from the woman who keeps me grounded, supports me through everything and must have one sick sense of humor to put up with me! There's no one better, folks! Episode Sponsors: Mometu https://mometu.com/ Looking for your next movie, documentary or TV show to binge? Tired of seeing the same 20 movies recommended over and over? Look no further than Mometu!! Great content isn't reserved for 2 or 3 bigger streaming services we've all used and it doesn't always come in the form of a 100 million dollar budget. Mometu helps you discover often under-served content. Some of the best films you've never heard of are out there waiting to be enjoyed. Don't let the algorithms tell you what's up next. Mometu has over 10,000 hand-curated titles…. All free… All the time! Put an end to those subscription services today. The Mometu app is available for phones, smart TVs and can also be streamed over the web. Intro/Outro Music Provided by: https://uppbeat.io/t/kevin-macleod/achaidh-cheide https://uppbeat.io/t/kevin-macleod/celtic-impulse Be sure to follow the Paddy Wagon on IG @Paddywagonpod and check us out at https://paddywagonpodcast.com or https://linktr.ee/paddywagonpodcast Paddy Wagon Podcast is available on Apple, Spotify, iHeart Radio and all your other favorite platforms If you'd like to submit questions, comments, hot takes or just have me respond to some of your random thoughts with some random thoughts of my own…. Please be sure to leave us a message at: https://whatayarn.com/paddywagonpodcast and you'll be featured on a future episode.
For our final chilling installment of Spooky Szn, we revisit the American horror film that fundamentally changed the genre in the early 2000s: Gore Verbinski's "The Ring (2002)."This isn't a slasher or a jump-scare festival; it's a cold, slow-burn mystery wrapped in a shroud of eerie, washed-out green and blue cinematography. We praise the masterful sense of looming dread created by the ticking seven-day clock and Naomi Watts' compelling performance as the investigative journalist Rachel Keller. "The Ring" stands out for its success in translating the chilling atmosphere of Japanese horror (Ringu) for a Western audience and its brilliant use of mundane technology—VCRs, telephones, and static-filled TVs—as conduits for supernatural terror.However, the hosts also tackle the film's legacy of techno-fear and its dark, nihilistic ending. We discuss the film's lasting cultural impact, which paved the way for a wave of J-horror remakes, and the truly unsettling nature of Samara's curse. The ultimate question we pose is the chilling moral dilemma the movie leaves us with: Is it better to accept your fate, or doom a stranger to save your child?Tune in for a deep dive into the horror classic that made a whole generation terrified of their own television sets.This episode VIDEO is live on YouTube AND Spotify!Follow us on Instagram and TikTok to get ep sneak peaks and find out what's coming next. DM us what you want to hear about next or email us at wedrinkandwewatchthingspod@gmail.com.
It’s almost time kids, the clock is ticking! Andrea and Alex explore the strange world of Halloween III: Season of the Witch, uncovering tricks and treats in the history of holiday, Celtic rituals, and our evolving relationship with our TVs. Class of 2025 Merch is now available! Thanks to Caleb Milatovic and Rachelle Walker for the incredible […]
A Zona Franca de Manaus é um dos principais polos industriais do país, responsável por atrair investimentos, gerar empregos e sustentar parte importante da produção nacional de eletrônicos. Mas será que ainda vale a pena fabricar por lá? No novo episódio do Podcast Canaltech, Leo Muller, editor de Produtos do Canaltech, conversa com Manuel Moreira, diretor executivo da planta de TVs da TCL SEMP em Manaus, e José Higino, diretor de produção, que explicam o papel dos incentivos fiscais, os desafios logísticos e o impacto econômico da região para o Brasil. O episódio também traz a participação de Silvio Ribeiro, porta-voz da marca, que comenta sobre o modelo da Zona Franca e por que ele segue sendo fundamental para a indústria de tecnologia no país. Você também vai conferir: Como a inteligência artificial está reprogramando a mente humana, Apple terá de compensar 36 milhões de usuários após derrota judicial e BYD anuncia centro de direção autônoma e IA no Rio de Janeiro. Este podcast foi roteirizado e apresentado por Fernanda Santos e contou com reportagens de Nathan Vieira, Marcelo Fischer,, Lucas Parente, sob coordenação de Anaísa Catucci. A trilha sonora é de Guilherme Zomer, a edição de Jully Cruz e a arte da capa é de Erick Teixeira.See omnystudio.com/listener for privacy information.
Christian College Sex Comedy: Part 15 Chancellor Gets Boned In 30 parts, By FinalStand. Listen to the podcast at Explicit Novels. The pursuit of power is pointless unless you know how to use it The look the Chancellor gave me was filled with hate alright, but it was awash in a desperate sexual hunger too. "You goddamn bastard," she huffed through clenched teeth. My response was to switch finger slamming her, instead rolling her rather large clit between my forefinger and thumb gently. "Gak," she choked out. "You can get on top and ride me," I promised her softly. "You an even tie my hands up with the sash of my robe." "On your back, damn you," Melrose snarled ferociously. As I fell back, she ripped my bathrobe sash off so fast it yanked me off the bed. My ass had no sooner hit the bed again when Bazz pulled my robe open and straddled me. She pulled my arms together and bound my wrists with frightening proficiency. "Not your first time at the rodeo?" I joked. She slapped me across the face; not so hard to break my skin but enough to make me have to rework my jaw to get it set again. "Shut up, Braxton," she gloated over me, "I'm going to treat you like the piece of trash that you are. You are going to regret ever thinking you belonged here." Mel rose up on her knees, maneuvered her hand onto my cock, and aimed it at her cunt lips. "Oh," she gasped as her sex blossomed and let my cockhead in. She slowly began shifting down my cock with ecstatic pleasure written all over her face. "It feels pretty good," I started to say. I was going to finish with 'doesn't it?' but she cut me off. "Shut up!" she seethed. "You exist solely for my pleasure. I don't need to hear your juvenile stumbling at sexual banter." This wasn't the time to start a fight; that would come later. Doctor Bazz kept wiggling her ass down my shaft. She was so lost in her own fulfillment that she almost forgot about me. I grunted when she planted herself down particularly hard as she was humping me. Melrose looked down at me. With one hand she struck snake-like at my throat, squeezing my windpipe shut. "You are just a child," she taunted me wickedly, but then her whole tone changed to a creepy, appreciative voice, "a pretty, pretty child." Okay, I want a psychopath. I want a selfish bitch with no issues beyond insensitivity. I do not want a woman in her forties telling me I'm "a pretty, pretty child." That's just wrong, and that's coming from a guy who screws just about anything that moves. "Is this how you screw those sluts?" she moaned. "Is this how you pack Heaven's tight little ass? Does she scream for you?" Wait; did she call Heaven a 'she'? That's progress! I choked out a non-response. I was getting enough air to breath but not enough vocal freedom to talk, and I had a feeling this was on purpose. "You don't need to answer that," she chuckled eerily. "I've heard reports of their sad little cries as they squirted all over you. You love it when you break their wills to you and this, oh, God, big cock, don't you?" The Chancellor leaned forward, her bra-covered breasts dangling tantalizingly close to my mouth, and rolled her hips so that her clit rubbed against my cock. "You hammer them, hammer them, and hammer them some more until their tight little bodies can't even crawl out of your bed. And you wanted to hammer me with this huge cock of yours; you wanted to make me sweat, make me cry out your name, you wanted to wreck me," she sneered. I reached up with my bound hands and lifted her grip off my throat. "Actually, I'm done. I want you out of my room," I growled back. Melrose's breast heaved and she glared down at me, angry but uncertain. "I was hoping there would be something intriguing about you but seriously, you are just, mediocre. Hell, Heaven is more of a woman than you are and that's kind of pathetic. I wasn't denigrating Heaven, who I cared about, but was using Doctor Bazz's prejudice against the bitch. "How dare you?" she muttered. She hadn't stopped humping me yet. "Get some plastic, a broom handle, I don't care, but get the hell off of me, you evil witch," I insisted. As a counterpoint to that, I began to thrust my cock deeper into her womb. "Ugh, ugh, no," she gasped. "You don't, tell me what, to do." Mel had now positioned her clit so that it received maximum impact with my pelvic bone. I flipped us over; even with her resistance, I was too strong for her. I pushed my bound hands down on her sternum, the fear of sexual frustration written large over her face and burning forth from her eyes. "I want Heaven back," I demanded. "Never," she growled. I began to withdraw my cock from her cunt. She whimpered and tried to hold me to her body by grabbing my shoulders in each hand. "Get off me," I insisted. "Get off of me. If you want some piece of meat between your thighs, go to an over-forties bar and pick up some Momma's Boy who will pop in less than fifteen seconds, then grovel at your feet for an hour like a worm. "It would be better than an immature punk like you," she struggled to insult me and my performance. I took three long strokes inside her, flexing my cock when it was at its deepest, thumping her G-spot each time. I could see tears of pleasure in her eyes. I tried to pull out the fourth time but she hooked her legs behind me and held my shoulders tight. "No," she persisted. "I am going to use you until I'm satisfied." Instead of wrestling with her, I pulled her up so that my hands cupped her ass, her arms remained around my shoulders, letting her kiss me, and her thighs and calves were wrapped around my waist. I bounced her up and down quickly, quickening her passion as each drop onto the fullness of my rod brought her closer to orgasm. "What?" she gasped, "Where are we, " "Outside, so that your security can see us," I explained evilly. "No!" she squeaked. "Heaven," I stated. She shook her head so I took two more steps to the cutback exit in the screens. "No, no," she insisted then as I took the next step. "Fine," she said in defeat, but hating me for it. "You can have her back for the short time she's still here," she seethed. "The Board will support my decision and that will be it for her, and probably the rest of you too." "Don't be bitter, Mel," I teased. "You've been good to me so I'm going to be good to you. How do you want it?" She glared at me so I continued talking as I walked us back to the bed. "You want to be slammed from behind, don't you? It is hard to get those girls you break down to do a convincing job of it, yet you miss being treated like a slut," I verbally prodded her. She'd gone over too fast to face down and ass sticking out for someone who didn't crave it. I gently lowered us down to the bed while keeping eye contact. "Take off your bra, then roll over on your hands and knees right here on the edge of the bed. She was torn; she had hold of me at the moment, but she really wanted to give me my grudge fuck. As she opened her shirt, I dove into her cleavage, kissing and licking. She purred hungrily even as she worked her shirt off and then her bra. While keeping up my torture of her breasts, I hooked her thighs with my hand and hiked up her legs until I had her splayed out, her knees pushed halfway to her breasts. I dove down to her muff and ravaged her clitoris and lips. Doctor Bazz squealed with surprise and pleasure. Right as my vaginal attention got to be too much for her, I yanked her ass over the edge, bent her farther over, and returned to chewing on her nipples. If she was upset that I wasn't immediately fucking her, she was doing a good job of hiding it. The next time I dove on her cunt, I kept my fingers on her engorged nipples, teasing to the point pleasure and pain collided. I tore up her cunt with a total disregard to patience and sensitivity. The Chancellor squealed, squirmed, and thrust against me without inhibition until she growled loud enough to bring any guards, had they been close enough. She hit her second spasm when I rushed one hand down to her twat and began to jackhammer two fingers inside her cunt, unrelentingly driving her eruption from crest to crest. When her eyes rolled back in her head, I released her, but only to move to my next stage. I'd promised her a good hard fucking after all. I took Melrose's hips and repositioned her so that she was face down, her knees on the edge of the bed and her legs dangling over. I knelt between her thighs and began licking her from clit to anus. A few passes into it, I sucked several of my fingers on one hand until they were really slick while working her cunt over with my other hand. I think she was a bit surprised when I pressed my first finger against her anus. As her sphincter gave way, Doctor Bazz finally spoke up. "Don't you dare," she moaned sensually. "Don't do this?" I teased her, as I sunk another half-inch into her rectum. "Oh, God, yes," she groaned like a wanton whore. I wiggled in a little farther; Melrose gasped and shook her big ass in my face. I pulled the finger, she whimpered in need, and I went back to assaulting her cunt with my tongue and teeth. "Put it back," she panted. "If I put it back, I'll have to use two fingers," I informed her. Mel coughed in response. I obliged her quiet acquiescence by teasing her anus once more. "Ugh, bastard," she grunted. It started out angry but transformed to sexual in mid-vocalization. I worked my two fingers in slowly, I didn't want her to scream and I'm basically not a sadist. I also ameliorated the pain by slipping my cock back into her cunt seconds later. I developed a slow rhythm, picking up the pace incrementally until she was really taken aback the moment I bottomed out in her womb, tickled her cervix, and twisted my two fingers 180 degrees in her anus. "Oh, God," she moaned. I began fishing through a list of affections until I found the one that bit - 'Gorgeous'. That word bit into her psyche and I decided to use it. "Oh, fuck, Gorgeous, you are so damn sexy," I whispered to her. Melrose coughed, then growled. I took the moment to lean on her back and cruelly grab a breast and begin to aggressively maul it. "Oh, God, yes!" she exulted heavily. "You are a filthy-minded, little, huge damn delinquent." "And you finally got me to ream you good, didn't you?" I responded. "Play, play all you like," she groaned, "but I know how to break you, now." 'Yes', I thought back, 'but I know you want something too.' About this time I was pretty sure there was no possible way I was getting away with this. I had fucking silk screen walls, for pity's sake. Chancellor Bazz was equally sobbing and cursing into my sheets. One second she was encouraging me to pound her harder, I obliged, and the next second she was telling me how good it felt. I will give her this much; the old bird had a lot of sexual frustration to work out and I was her instrument. Having this game go on and on certainly wasn't going to work so I had to figure out what I could do that I wasn't already doing and what would turn her on. I didn't like my answer. I reached down and took Melrose by the back of her head and pushed her face deeper into the bed. First she moaned louder and then her body started to tremble as she thrust back harder. When the suffocation set in, she struggled to rise but I was too strong and pressing her down with too much force. The Chancellor reached back from her vulnerable position and tried to push me off and remove my hand holding her head down. She became more and more frantic, undoubtedly fuelled by her own sense of rage upon the world and mirroring my own hatred of her as my motivation. Her last explosion of air was a scream into the bed. A fear-fueled orgasm overwhelmed her with her whole body going rigid, then lurching about. Now that I'd gotten her off, I let go of her neck, going so far as to grabbing her shoulder and pull her up for a desperate breath. I withdrew my fingers from her ass and my cock from her flooded cunt. Melrose lay boneless on the bed, dazed and incoherent. I put my fists on either side of her shoulders and leaned over my tormentor and victim. "You damn near killed me, you bastard," she moaned heatedly. "Was the orgasm worth it, knowing this might be the last thing you feel in this life?" I whispered to her. "Don't answer because your body told the story already. As much as you hate me, you loved putting everything on the line like that." "Shut up," she wheezed. "You know nothing, Child." "I know you are lying face-first, mostly naked, on my bed, freshly fucked, covered in sweat, my cock resting on your open, inviting ass with your legs spread wide for me, Doctor Bazz. I know I said that the next time we met I was going to fuck you like I owned you, and I think I've done that." "I am, going to, break, all of your girl, friends," Melrose ground out. "We will see who owns who when this is over, Mr. Braxton," she gasped once she'd finally calmed down and she could take an unlabored breath. As I slowly got off of her, she gave out one last sigh. "Remember your promise, Chancellor," I cautioned her. "I remember all kinds of things," she snapped back. Doctor Bazz resumed a standing position but was polite enough not to kick me when I helped her get her panties back on. "Let's not do this again," I cautioned the Chancellor. "If we do, I'm going to have to tie you up and abuse all three of your holes all weekend long." "The only 'next time' will be my last time using you," she growled. "You didn't let me finish, Mel. Next time, after I've got you warmed up, I'm handing you over to Rio who, trust me, will be a lot less compassionate than I am. Like you, she's got some anger issues to work through," I grinned. "Thank you for putting her back on my radar," she sneered back sweetly. "I'm not too worried, Mel," I replied. "You are a pretty smart woman. You know that with Rio, the pain and risk of permanent harm isn't just play. She'll be looking forward to making you beg for your life." The expectant smile she shot my way chilled the soul. God, can't you give me some not-so-crazy women to deal with? For once, he gave me a reply by way of a sudden insight: try not to solve every problem with my cock and appreciate the sane women who do spend time with me. Doctor Bazz moved past me so I gently stroked her ass. "Done?" she snarled while looking straight ahead. Her anger was betrayed by her hardening nipples. "Yes. And I apologize, Chancellor. I was only thinking about your arms bound behind your back while I pounded your cunt at the same time as Rio slammed you from behind," I said softly. She rotated her gaze to me, lust and hate warring across her countenance. "Every time we are alone together, Melrose," I breathed into the side of her face as I rubbed a hand down from her stomach to her crotch, "I am going to have to check out how wet you are." Her hand flashed down and stopped my progress. "Or would you rather I check you from behind?" I added as I ran a hand down her rump. "Fuck you," she sighed. "Is that an invitation?" I teased. This was killing me inside. "Just remember that next time, you are getting that dildo rammed up your ass." "Damn you," she seethed once more. "I have to go before security suspects something." Like they didn't all know precisely what had been going on? How dumb did she think they were? Without another word she strode out of my bedroom into the main area. "What have you found?" she questioned the guards. Of course they had found nothing damning. They had to be suspicious of all the TVs and computer stations without internet hook-ups but no one mentioned a thing. "This was a colossal waste of time," Melrose said in an exaggerated display. "Let's go." Doctor Bazz led the way down the stairs but stumbled on the first step. The last guard in line smirked at me. "Do you miss Dana much?" I inquired quietly. "And how," she rolled her eyes. "Tonight was a total bust. Anyone with half a brain knew you expected a raid tonight and would have everything stashed somewhere else. All this overtime is good for my paycheck but I'd kill for a good night's sleep." "Oh, you are preaching to the choir, ma'am," I chuckled, "preaching to the choir." I went back to my room and lay down. Sleep did not come easy. I knew that the Science Club's cameras had recorded the events of the past half hour; I just had to figure out what to do with them, besides get Heaven back. Rolling Off the Bottom I had grabbed a shower around 2:00 so I wasn't really surprised that a dozen feet came running up my steps at 6:15. I was barely able to prop myself up in the bed when Rio came storming in. "What's up, dude?" she said as she plopped down. "Planning to forgo cleanliness?" "I showered earlier," I told them. Valerie, Iona, Opal, Brandi and Barbie Lynn all came in and sat around me. Barbie Lynn was the first to clue in that something was off. "What's wrong, Honey?" she asked with concern. "My room was raided last night," I answered. It wasn't the total truth but I wasn't sure how I felt about my actions with the Chancellor the night before, much less how my friends would take it. "Well, you are still here so they didn't find anything, so what is it?" Opal prodded. "Ladies, can I keep this plan to myself?" I requested. "Of course," Iona responded. Sadly, she seemed to be the only one who appeared ready to let the situation lie. "Don't make us get all CSI on your ass," Rio teased. "You know we'll eventually figure it out so you might as well tell us." I studied her for a few seconds. "I ass-raped the Chancellor in order to get Heaven back," I told her in a dead-even tone. It was an empty joy to see that most of them realized too late they really didn't want to know after all. "What did she say?" Barbie Lynn came to my rescue. "Are we getting Heaven back?" "She promised me, and I have reason to believe she'll actually honor it," I replied. "Well, Rio finally kicked in, "How was she?" "Why do you think I took a shower earlier?" I pointed out. "I've never used sex that way and I pray it never happens again." "Don't beat yourself up over this," Brandi consoled me. "You did say that being young means you get to do stupid shit?" I don't recall using those exact words but still, "I think we can agree to not talk about this outside of this room," Opal added. "So do you know of any Thai Sexual Cleansing ritual that will help you get over last night?" Brandi grinned mischievously. I chuckled. "We'd love to help," Barbie Lynn chimed in. "Thank you, ladies," I smiled, "but I think I need to get my head on straight before diving back into the pleasurable side of this school. I need to know if I did the right thing or not." On that cheery note we all began to move toward the stairs and out into the world. In the stairwell Valerie cornered me, put a hand on my chest to impede my progress, and motioned to me that she had something to say. "From the discussion in the Chancellor's office Monday I get the feeling that Heaven is a girl-guy, shemale, what have you; right?" she started off. I nodded. "You clearly like girls but you are real close to Heaven; right?" Val continued. "Yes," I replied. "So you risked something you love, namely, the pleasure you derive from sex, to save her; right?" she prodded. "Yes," I sounded curious. "Then you did the right thing," she concluded. "Zane, I'd kill for the people I love and I imagine you would too. What's death compared to a little rough sex with an evil controlling bitch to get her to release someone as close to you as Heaven appears to be?" "Thanks, Valerie," I grinned. "My heart knows you are right but it is going to take my mind a while to accept that. I guess I'm over-thinking things." "Happens to the best of us," Valerie joked, then punched me in the arm. "Let's catch up with the others before Rio does something stupid, okay, does something more stupid than normal." We were halfway through breakfast when I noted a diminishing of noise from the south entrance of the hall. Being taller than the average female student, I was able to make out the cause of the disturbance. I catapulted out of my seat and raced for the lady at the door; I had the vague impression I wasn't alone. I rushed up within a few feet of Heaven, who had dropped her bags and looked at me with fear and expectation. I didn't want to overwhelm or embarrass her so I pulled up short to make sure the moment was special. I'm an idiot!! Rio slipped past me, grabbed Heaven's cheeks, and planted a deep kiss full of longing on MY GIRL's lips!! "Oh, Babycakes, I've missed you so much," Rio panted passionately to Heaven. "Ah, thanks, Rio," Heaven said, "but if you don't let go of me right now, I'm going to strangle you with your own intestines." Heaven untangled herself from Rio, shot a look my way, then rushed into Christina's arms. Rio smirked at me. The rest of Christina's crew swarmed around Heaven and rejoiced at her return. I took a step back to give them some room. I did note Chancellor Bazz glaring at me from the head table. I looked back to catch sight of Dana Gorman giving me a lopsided grin from the door Heaven had come through, a McDonald's bag in hand. I missed Heaven's arm slipping through her knot of friends and pulling me in. She pressed her body against me and looked up into my eyes. "I want you inside of me so bad," she whispered. Why can't a woman look at me and say "I've missed gazing into your eyes" or something romantic like that? "How about we get Heaven squared away in our room before Assembly?" Christina suggested. "We'll get her bags," Hope volunteered. "I'll come too," I joined in, but Chastity quickly put a hand up. "No, you don't," she smiled. "We'd like Heaven to actually get to Assembly." "There is no Assembly today," Iona pointed out. "Great, I can go straight to Zane's room," Heaven beamed. "I don't think we'll mind the company," Paige announced. I was suddenly left trying to figure out how she'd appeared next to me in this crowd, as well as how my arm ended up around her waist. "Holy Hell, Paige," I hissed. "You are going to give me a heart attack if you keep that up." "It isn't worth it unless you pay the price," she teased me. What the hell did that mean, 'pay the price'? Heaven balled up her fists and I was sure blood was about to be spilled. "Paige, we need to figure out what you are wearing to the party this weekend," Valerie intervened. "Party?" Paige sounded intrigued. Valerie edged Paige away and the situation defused. "Heaven, unpack," I began. "Iona, round up the Coach and get her to our place." "Barbie Lynn, could you and Alice watch over the door to make sure we aren't overwhelmed by non-freshmen?" Alice had been standing on the periphery and was clearly stunned that I was addressing her in this manner, but still rapidly nodded and looked to Barbie Lynn to gauge her perception of the request. Barbie Lynn gave her 'replacement' a smile and motioned Alice away from the group as well. "Alright, everyone," Doctor Larson spoke up, "finish breakfast and then back to your rooms. We are still under twenty-four hours of restricted travel so I do not expect to see any of you again until lunch. Please get about your business. Lastly, I expect some of you will be called before the Board of Directors to give testimony or receive a verdict on your status here; make yourself ready and presentable." "Mr. Braxton," Doctor Topaz Larson fixed me with a deadly eye, "that will require you to remain fully clothed most of the time. Do you understand?" "Of course, Doctor Larson; I'll do my best," I swore. "Sweet! That means I get to run around naked!" Rio exalted. "Ms. Talon, are you taking your anti-psychotic drugs?" Doctor Larson said deadpan. "Nope; I've been slipping them into the Chancellor's tea," Rio grinned all crazy-like. "Do you think anyone has noticed?" "If you want to take credit for the past two weeks, by all means do so," Topaz allowed. "I was looking for a cheap and sleazy way to be despised by everybody, she began, but I headed her off. "She'll stay in clothes and we'll make sure that all her pills are changed to suppositories. I know she won't miss any of those," I taunted my friend. "That may be for the best," Doctor Larson snorted disdainfully, but ruined it with a grin. She turned and strode back to the table. I wasn't sure which one of us the Chancellor hated more; Doctor Larson for keeping order or the rest of us for obeying. "Okay, I'm going to the bathroom. Heaven, can I hope to see you once you are squared away in your room?" I asked as I hugged her once more and headed away. I knew the questions would come soon enough. One aspect of a women's college that guys might not appreciate is that there are only stalls in girl's bathrooms, and since FFU has a grand total of two men's rooms on the entire campus (Administration and Athletics), I was always using a female facility. I was about to finish business, the standing-up kind, when my door rattled as someone tried to get in. "Excuse me?" I inquired. "Let me in," hissed my visitor. Since I clearly knew the voice, I zipped up and unlatched the door. She pushed in and latched the door behind her before pushing me down and straddling my lap. "You did, Heaven kissed me ", something." Kiss, kiss. "Christina says it had to be you who got me back." She went back to kissing me. "You are my girlfriend, Heaven. I don't know what I wouldn't do for you, Babe," I told her. She nestled into my lap and wrapped her arms around my neck. "You make me feel so alive, Zane," Heaven related in a soft vulnerable tone. "Don't get all romantic on me," I teased her between light kisses on her lips. "I've got a whole bottle of Viagra showing up at noon and I need someone to work all that sexual energy out on, and, okay, I missed you." She wiggled into a more snug fit in my lap. "Did you miss me more than Barbie Lynn, or Paige?" she teased. "They aren't you," I countered. I ran my right hand between us, worked up her skirt, and began rubbing her package, which was clearly straining against the strap-down. Heaven began moaning, then slowly rolling her body against mine. "Come on," she panted, "let's have a quickie." "Can't happen," I whispered. To prove my dedication to my statement, I ran my left hand around her hip, under her skirt, and to her covered ass. I pressed a finger between her ass cheeks until I pressed against her anus. Now I was massaging her front and back. "Oh, God, you bastard," she sobbed while she rocked back and forth. "We really need to get going, though," I sighed. "Bazz will send someone after us soon enough." "I, Gurr, I owe you, Zane," Heaven groaned. "You stood by me. Damn, you fought Gorman by yourself for me and somehow you got me back. I know I can be a horrible person but you've always looked past that and saw who I could be." "I could continue being a jack-ass and say that I looked past your horrible personality to that luscious ass but I think I'd rather remind you that I chose you to be my lover and no one else," I smiled at Heaven. "Your lover, she murmured happily. "And you are my bitch," she tacked on that bit from our sexual encounter in the Kappa Sigma closet hardly one week back. We still managed to stand up and get the door open before Ms. Marlowe came in quietly. She frowned at us while we grinned at her, cleaned our hands, and walked past her back to the Dining Hall. Restructuring We sat outside in the hall opposite the main Administrative conference room. There weren't a ton of us; the individual class presidents plus Heaven, Rio and myself. Christina and Rhaine shared the Senior Class spot. "Drink run," I volunteered. "Who wants what?" "Zane, if they call for you and you're gone, it will be big trouble," Christina pointed out. "If I stay here one more minute, I'll strip off my clothes, paint myself blue, and streak across campus," I grinned piratically. "Sprite," Heaven spoke up. A series of orders followed and I hurried off. Upon my return, I handed Rhaine (last in line) a Doctor Pepper, which caused her to give me an odd look. "I didn't ask for, she began muttering. "Nah, but I always see you drinking the stuff so I figured you could use one," I told her. "Ah, thank you," she responded with a cautious smile. "If it makes you horny then it was my idea too, Rhaine," Rio leaned forward so Rhaine could see her and smiled. "Is she hormonal, dropped on the head as a child, or what?" Simone Brady asked the group of us. She was the Junior Class President and nominally a Rhaine supporter. She'd asked for and received a Sunkist. "Tie me up in your room and we'll find out," Rio licked her lips at Simone. "Isn't that supposed to be the other way around?" Heaven quizzed Rio. "No; Simone looks like a slow learner and I don't want to scare her off on our first date," Rio leered. "Now you know what I went through," Rhaine explained to Simone, who sniffed in derision. "Hey, I don't know this crazy woman at all but even I can tell she's playing with you two," Hannah Cartwright, Sophomore Class President, rolled her eyes. "How about we all try to remember we are all here to save our school?" Christina interrupted. The conversation had died down to nothing when Rio nudged me. "There's this old guy coming down the hallway and he looks like he knows you," she whispered. I looked up and my heart nearly stopped. I'd fucked up even worse than I thought. "Uncle Josh," I said weakly, as I stood and faced him. "Dude, I thought you said your family was dead," Rio continued. "Technically, that would be true," the old man rumbled, "and you would be Rio Talon. I'm Joshua Coppersmith, old family acquaintance and the Braxton family executor." "The last time I saw you I was being placed on a plane to Thailand," I stated somewhat bitterly. "It was part of your father's will, Zane. He was my boss and the son of a friend so I owed it to him to trust his judgment concerning his only child," Uncle Josh explained. "I recall wanting to stay with you," I reminded him. I recalled crying a river of tears, hoping to stay. I actually knew who Josh was, where Tim and Jill were virtual unknowns. "A normal life is not allowed for everyone," Christina spoke up; "Past battles and all." I hate being beaten with my own words. "That was one of your father's favorite sayings," Uncle Josh said. "I am glad to see you living by it. Thank you, Ms. Buchanan." She nodded politely. "Who is this old geezer again?" Rio interjected. "He was a close personal friend of my grandfather. They turned the company from a tired little mining concern to something a bit more. He mentored my father and they worked side-by-side when granddad died. Now he sort of runs thing until I inherit," I outlined. "That is somewhat correct but not why I'm here. I could hardly miss the past week's activities here at Freedom Fellowship University. As the child of Victor and Jenna Braxton, I owed it to them both to let Zane sink or swim on his own. As the future head of the corporation I work for, I need to make sure he doesn't end up in prison," Josh clarified. "Dude," Rio scoffed, then came to my side, "your boy went to jail last week. Where were you then?" "Ms. Talon, I do not have spies watching his every move. By the time I became aware of the matter, it had been resolved," my pseudo-Uncle responded. "I seriously suggest you get a 'minder' for Zane," Hannah Cartwright weighed in. "He's a real nutjob." That assessment would have angered me more had I not seen everyone nod in agreement. Instead, I went for the redirect. "You've been in contact with Aunt Jill?" As far as I knew, Jill despised every aspect of my Dad's life. "Zane, Jill has never handled more than two hundred dollars her entire life; of course I'm keeping an eye on her, and you," Josh stared at me. "I carefully monitor both yours and her finances." "Seriously?" Christina asked skeptically. "He bought a warehouse full of furniture and that didn't appear to you to be frivolous?" "Frivolous would be renting a private jet and a penthouse for a weekend in Las Vegas. Since Zane can't use eight sofas, I made the educated guess he was buying them to help out his dorm mates," Josh countered. "It is a pleasure to meet you, sir. I'm Rhaine Ritchie, Senior Class President," Rhaine jumped in. "I am curious as to your purpose here. Are you here to take Zane away or are you going to help him stay here?" "President Presumptive," Heaven growled. "That's good to know," Josh nodded, "and I'm here to represent the corporation's interests, in this case, avoiding embarrassment to the company's executive branch." "If you want an embarrassment, you don't need to go any further than Heaven," Rhaine insinuated. "She's my transgender girlfriend and we have rocking sex," I blurted out to preempt Rhaine. Heaven's eyes flew open; Joshua looked totally nonplussed. "Did you buy her in a Manila slum?" Josh asked me dryly. "Ahh, no?" I stammered. "Oh, that's alright, then," Uncle Josh mused. "I mean, once I had to fly a fourteen-year-old Tanzanian princess back to her home and explain to her parents why she and Victor weren't really married." He looked at Heaven, "Besides, she's clearly an adult and we could do far worse with photo opportunities." "His father dated his share of actresses and models before he settled down and I have every reason to believe Zane will be just as much trouble before some woman steals his heart and reins him in," Uncle Joshua related. "Too late," Rio snickered, but I cut her off with a painful elbow to the ribs. "Ow!" "That would be me," Christina stood and declared proudly. Josh looked her over. "Little lady, I hope you have patience, iron resolve, and the will to exert them both in equal measure," he informed her. "I am not sure I want him yet," Christina retorted. "Ah, then you are intelligent as well," Josh smiled. "Please make sure that if you do marry, you don't murder him until you have a child. Otherwise, the inheritance will be a bear. I like Jill but she comes from a family of nitwits," Josh continued. "That won't be a problem," Rio grinned evilly. "Zane's adopted a daughter since coming to FFU." "Iona is not my daughter," I snarled at Rio, "but I could do worse than making her my heir." Instead of being shocked, Josh rolled his shoulders. "I'll get the paperwork to you next week." "Are you sure you want to do that to Ms. Beckett?" Christina asked me. "Who else would be saint enough to deal with Rio if I was gone?" I explained. "Just for that, you get to wear the ball-gag and restraints next time," Rio warned me. "Mr. Coppersmith?" an attendant from the Board meeting asked when she poked her head out of the conference room. Her eyes flitted from me to my 'Uncle', locking on him. He nodded and followed her into the room. "Umm, he looks like my first husband," Rio mused. "I'm sure his wife, children, and grandchildren will take to that without protest," I joked. "Fine; I'll settle for being his mistress," Rio sulked. The Inquisition "Okay, I am missing something," Rhaine spoke up. "What is going on, Zane? Now that you know Heaven is a guy, how can the two of you still be going out together? You are not gay." "Rhaine, I already knew about Heaven before we actually had intercourse, though I admit to being attracted to her before then," I responded. "But, he's a guy. What do you do?" Rhaine wondered out loud with a quizzical look on her face. "Rhaine," Christina chimed in, "what kind of sex do you think Zane has been having with all the women he takes to bed? He's not taking their virginity, after all." "Oh, that's sick!" Simone declared. "Simone, have you ever had anal sex?" Rio grumbled. "God, no, that's gross," Simone said indignantly. "So what was it like when you walked the Dolorosa?" Rio queried. I was pretty stunned Rio even knew what the path that Jesus took to Golgotha was called. "What? I've never been to Israel," Simone answered. "I bet you'd like to go and I'd bet you think you'd like it," Rio grinned. "Yes, I would want to go, and I know it would be spiritual, but this has nothing to do with homosexuality being wrong," Simone struck back. "Listen, you stuck up bitch," Rio kept grinning, "Jesus was a pretty smart Son of God so we would assume if something was really important to him, he'd have brought it up before the Romans gakked him. Seriously, how long does it take to say 'homosexuality is wrong; no more butt-sex'?" Rio beamed vile unpleasantness at Simone. "You are an immoral soul," Rhaine jumped in. "If that is how you want to describe someone who is honest, fearless, and who thinks for themselves, then I guess Rio and I are both immoral souls," I defended my best buddy. "Count me in," Christina raised her hand. "Me, too," Hannah and Heaven joined in our little heresy. "Hannah, how can you go down the same way they are?" Rhaine complained. "Heaven is gay and Christina has lied for her since the beginning; Rio is a criminal; and Zane is, a boy." "Listen, Rhaine, I don't claim to understand what is going on with Heaven and Zane but I figure if God is pissed, he'll let them know," Hannah stated. "In the past two weeks, short of dodging you and your enforcers, I haven't known Rio to do anything wrong. She's served her time so we should forgive her and give her a chance. St Paul started out persecuting early Christians before he saw the light. What would have happened if Jesus hadn't given him a second chance?" Hannah sighed. "How could I do less?" "And Zane, face it, he's eye-candy, and I've got a list of ten different things I want to do with him when my time to have him for Handmaiden's Duty comes up," she finished with a grin. "Just once I'd like to have a girl here tell me I'm smart, or funny, or that I have a nice personality," I griped. "But No, it is always 'he's got a fifteen inch cock as thick as his forearm; he can screw for two hours straight; or that I have a prehensile tongue that can tickle the ovaries and bring a girl to multiple orgasms." Simone and Hannah's eyes grew larger as my gross exaggerations persisted. "It's not fifteen inches long," countered Rhaine decisively. Simone missed it. "How do you know how big it is?" Hannah clearly didn't. "I, Rhaine choked. "I was coming out of the shower when Rhaine, Joy Jefferson, and Mercy Chaplain intercepted me. My towel accidently fell off and she got a brief view," I volunteered. Rhaine's look of surprise became one of veiled thanks. "Because it wasn't like Rhaine wanted that massive piece of meat rubbing between her legs until she cried out in ecstasy or anything like that," Rio teased. "That's enough," I cautioned Rio, and put an arm around her waist to pull her in. That calmed things down until we were all called into the meeting. Uncle Josh was sitting against the near wall. Against the North wall sat Ms. Lane and a dark-haired fortyish woman with reading glasses I didn't recognize. They both were taking notes. On the South Wall sat a different woman, early thirties with short black hair and what I could best describe as a casual lethality. Both new women looked over us newcomers but lingered on Christina, Heaven, and myself. Looking at the eight men on the Board of Directors was rather anticlimactic comparatively. "Ms. Ritchie and Buchanan, we have decided to uphold Chancellor Bazz's decision to annul the last election of Senior Class President. The matter will be decided during Freshman elections in October. We find both of your behavior to date this semester to be deplorable and a sad example to your fellow seniors. Do you have any comments? Ms. Buchanan?" "Directors, what do we do if the Chancellor once again annuls the elections?" Christina asked. "You appeal the action to the new Vice-Chancellor, Doctor Victoria Scarlett," the head of the board directed our attention to the woman sitting with Ms. Lane. As if my life wasn't hell already. "Oh, you would so do her," Rio whispered to me with her insane grin. I was so busy praying that no one heard her that I missed Simone being read the riot act next. She'd be facing re-election in a few weeks too, a fact she was distinctly upset by. Hannah was given the same news but her reaction was to flick her hair over one shoulder and give a bored sigh. "What was that, Ms. Cartwright?" the Head Director grilled her. "Reverence, Purity, Integrity, this is what our school supposedly stands for," Hannah faced the man down. "I can vote and fight for my country but you are treating us like children, Sir. The Chancellor was wrong and we fought back against her tyranny because that was the only choice our Christian moral code left us." "It is hardly Christian to physically attack your fellow students, Ms. Cartwright," he shot back. "I didn't tell any of my class to attack anyone but I admit that I punched two girls who I knew attacked other students," she admitted. "I figured it was time for a little Old Testament 'Wrath of the Israelites' kind of thing." "Your intransience is not encouraging," a different man on the board stated. "I apologize, Sir. I was hoping my love of justice would not be misunderstood," she sighed. "Hannah, I'm voting for you as my class president," Rio leaned forward and addressed Hannah. "You can't, Rio; you are a freshman and I'm a sophomore," Hannah grinned back at her. As far as I could tell, this was the most either had ever said to the other. "Obviously you've never heard of gerrymandering and ballot box stuffing," Rio snickered. "This is neither the time to joke nor a subject to joke about, Ms. Talon," the Chairman said crossly. "Sorry, Sir," Rio beamed. "I wasn't trying to be frivolous; elections are a good thing. I'm all for seeing more of the girls here, to see them get excited and come together for their mutual enjoyment, I swear I do." While that seemed to satisfy the Board, Hannah had to look down at her lap and Heaven developed a sudden coughing fit. "Um, um, Vickers, umm, you represent quite a quandary. We suspect you lied on your application to this school three years ago and you absolutely understood you would not have been admitted if you had been honest with us," the Chairman of the Board declared. Heaven shivered so I took one of her hands while Christina took the other. Our motions were noted but I doubt the three of us cared. "Now, Vickers, we could deal with this matter if you would submit to a medical examination," he continued. "Why?" Christina replied. "Is every other applicant to this school required to do the same?" "No other student has their gender called into question," a third board member informed us. "She is not going to go along with this blatantly discriminatory policy," Christina retorted. "If I may," Doctor Scarlett raised her hand. After a moment the Chairman nodded. "Mr. Braxton, as a man and someone with a confessed familiarity with Heaven Vickers, would you assert that said person is a woman?" "She's more than woman enough for me," I quickly answered. "Since it is clear that I have the lowest moral threshold in this room, it isn't going to make anyone think less of me if I attest that I've seen Heaven naked and she's got all the girlie parts I like," Rio threw her soul into the struggle. Heaven virtually froze up at that declaration. "Are, are you saying that you've seen Umm, Vickers naked?" the second director stuttered. "Dude," Rio scoffed, "we have communal showers here. Seeing a girl naked is hardly a rare occurrence. Since you seem like a kindred kinky soul, I'll let you know that I've seen Heaven under the sheets and I can give that body my pseudo-lesbian seal of approval." "Have you had homosexual relations?" the Chairman gasped. "With Heaven, definitely not," Rio swore with an upraised hand. "As for anyone else, what does it matter?" she joked. "You already think I'm a whore." "You should watch your language," the third director warned Rio. I put my hand on her stomach to hold her back from saying something that would only make it worse for her. "To the bitter end," she winked at me. "To the bitter end," I smirked back. She was taking one for the team; drawing off the discussion about Heaven by shocking the Board. Unfortunately, I wasn't alone in seeing that. "Mr. Chairman," Doctor Scarlett addressed the Head of the Board, "perhaps we could return to the agenda if you want to stay on schedule." "Very well," the man allowed. "Umm, Vickers, this matter isn't over but since we do not have conclusive proof about your gender, your application will remain under review." "Thank you," Heaven replied softly. "Don't thank us," the man spat. "Your deviancy will reveal itself soon enough. Evil can never hide from God's Truth." "God is with us," I glowered back. I wasn't winning any friends on the far side of the table. "Your time is coming, Mr. Braxton," the Chairman retorted. "Ms. Talon, we find it miraculous that you haven't racked up more infractions in your short time here. Now, your parents and this board agreed, upon your admittance, that you would live with the strictest discipline and you've attempted every trick in the book to circumvent those intentions." "They did this to me on purpose," Rio moaned over the revelation of her parents' role in events. They'd given the Chancellor and Dana Gorman carte blanche in dealing with Rio. "Nothing has changed," I whispered to Rio. She turned and looked at me with tear-brimmed eyes. She nodded once in understanding. "A special guardian will be assigned to see to your physical and spiritual security," he continued. "Who?" Rio questioned quietly. "Administration will decide on who is most appropriate," he responded snidely. "Now for Mr. Braxton." "I would like to say how much we appreciate you ladies and gentlemen taking time out of your busy schedules to deal with matters here today," I interrupted. I earned several glares for my effort. "Mr. Braxton, you are an unfortunate aberration that should never have been allowed to happen. All disruptions that have happened in the past few weeks can be laid at your feet," he opened with. I raised my hand. The man opened his mouth to continue but seemed annoyed with my gesture. "Yes, Mr. Braxton?" "Sir, how did you come to this conclusion? I'm one guy, and a freshman at that," I countered. "You are the man, of course," the Chairman snorted. "It is only natural that the women of this campus would follow your masculine authority no matter how unfounded and perverse." Wait, did he just call every woman in this room mindless sheep? "Still, we are caught in the same quandary that left you here in the first place. Since we have already isolated you in a Solarium, you will also be assigned a guardian," he grumbled. "Oh, okay," I shrugged. "What happens to Dana Gorman?" "Ms. Gorman has been terminated," he shrugged back. "But it wasn't her fault. I'm no fan; she did knock me out during a practice session once after all," I pointed out. "She is good for this school, though." "We have a new Head of Security and the Athletics Department is being suspended for the rest of the semester," the Chairman informed us. "That would be the neo-fascist in black at the end of the table," I directed my attention to the lone woman on the south end of the table. "Ending our sports programs would be a serious mistake for the morale of the school. Ms. Gorman has done a bang-up job and it would show real concern for the students at this school if you would keep her on as Athletics Dean." "Ask around to any of the hundreds of students who participate; ask Rhaine, she's worked closely with the Coach before," I begged. I had no idea which way Rhaine would jump but she was the only trump I had to play. The big guy didn't seem inclined to listen to Rhaine but that didn't stop her. "Coach Gorman gives every girl an active outlet for our energy," Rhaine volunteered. "She also allowed the reliable elements of the student body to aid with security. It was a shame that Zane's masculinity unbalanced the school populace; the student body does not blame her for what Zane and Christina did." "She should hardly be rewarded for such a catastrophic loss of control," the second director stated. "Reinstating Coach Gorman as Athletics Dean would save us the need for creating new creative programs to provide for the physical well-being of the girls," Doctor Scarlett suggested. "This is a matter for the Board to discuss," the Chairman announced. "You students are released to return to your dorms. Thank you for your attendance. Mr. Braxton and Ms. Talon, you will be assigned your guardians before you arrive at breakfast tomorrow." We took that as our clue to leave. We made it out of the room and almost out of the building. "A moment, Mr. Braxton, Ms. Buchanan," the short-haired woman called out. I turned and met her while the rest of the group slowed down behind me as we started to exit the building. "I'm Gabrielle Black, your new Head of Campus Security. I thought it was important to meet you before classes formally resume." She stepped up and shook Christina's and my hand while we studied her. "You may call me Zane," I offered. "I hope this means we are getting off on the right foot despite that whole neo-fascist thing." "I don't see any panty lines 'Gestapo' Black," Rio interjected herself. "Have you gone commando today?" "I usually make someone earn the right to find out, Ms. Talon," she gave Rio a shark-like grin. "I really don't see how that is relevant and I really don't want to know," Hannah spoke up. "Come on, Zane," Rio persisted, "give it a shot." "Hannah doesn't want to go there so why don't we say good-bye to the nice lady and go," I responded. "What exactly is Ms. Talon asking for?" Ms. Black inquired. "Apparently Zane has a thing for figuring out women and woman's lingerie," Christina said with a degree of caution. "I hope Ms. Cartwright will forgive me but I'd like to test this little trick," Gabrielle requested. "If Hannah doesn't mind," I asked the sophomore class President (sort of). She nodded so I looked to Gabrielle. "Give me a second," I requested. "What's wrong, Zane?" Rio wondered when I didn't immediately start reeling off the facts. "She's good at lying," I informed the group, "but, " "But?" Gabrielle smirked. "Lycra, form-fitting, probably a custom job, dull black, and I guess, with some sort of synthetic weave," I stumbled along. "I've never seen anything precisely like it." "I have," Simone muttered. "A woman in the Presidential Detail for the Secret Service talked about having o
Day 24 – Episode 174: The Ring (2002)On Day 24 of The Conner & Smith Show's 31 Days of Halloween, Ryan and I revisit Gore Verbinski's The Ring (2002) — the film that defined early 2000s horror and made us all afraid of our TVs. We dive into how influential this American remake of Ringu truly was, from its haunting aesthetic to its eerie use of analog technology. Naomi Watts delivers a powerhouse performance as Rachel Keller, grounding the supernatural mystery in raw emotion and fear. We also try to wrap our heads around how exactly Samara manages to cross over through VHS tapes and landlines — a mystery that still chills us decades later.Support The Conner & Smith Show on Patreon here:
We sit down with Luke Wetzel and Mollie Mullis to share how bonding over pizza led to the newest Bentonville hotspot, Townie Burgers & Bevvies. Hear about their roots and Luke's training under Alice Waters; and the influence on local, farm-to-table and seasonal sourcing. Get the scoop on your new favorite burger joint, and so much more--there's a huge patio, TVs, beer, cocktails, private room, inclusive menu for all diets and a welcoming spirt. "Come a stranger, leave a townie"! Follow at townieburgers.com and on Instagram at TownieBurgersandBevvies.You can listen to this podcast on Apple Podcasts, Overcast, Spotify, CastBox, Podcast Casts, Google Podcasts, iHeartRadio, and Podcast Addict.Find us at visitbentonville.com and subscribe to our newsletter. Follow us on Facebook, Instagram, TikTok, X, and LinkedIn. A New American Town is here to help you plan your trip to Bentonville, Arkansas. From guides, events, and restaurant highlights. Find all this and more at visitbentonville.com and subscribe to our newsletter. Follow us on Facebook, Instagram, TikTok, X, and LinkedIn. You can listen to this podcast on Apple Podcasts, Overcast, Spotify, CastBox, Podcast Casts, Google Podcasts, iHeartRadio, and Podcast Addict.
Following the success of its DXP series, UGREEN has announced the launch of its new DH Series, designed to make network-attached storage (NAS) more accessible for entry-level users and those with essential data storage needs. The lineup includes two models, NASync DH2300 and NASync DH4300 Plus, with the DH2300 officially available starting October 15. NASync DH2300: Accessible NAS for Everyone The NASync DH2300 is the ideal first step into personal NAS, tailored for cloud drive and hard drive users, as well as home entertainment enthusiasts seeking a secure and more efficient way to manage growing data. With a 2-bay SATA configuration supporting up to 60TB (30TB per drive), it effortlessly handles vast libraries of 4K videos, high-resolution photos, and large documents, without relying on third-party cloud services. Running on UGOS Pro, UGREEN's intuitive operating system, the device offers a guided setup process that allows even first-time NAS users to complete installation in under ten minutes. The all-in-one UGREEN NAS app integrates file management, automatic photo backup, and media streaming to TVs through a single interface, removing the need for multiple apps. NFC quick connection further simplifies access, allowing users to connect a smartphone with just a tap. Security is built into every layer. DH2300 ensures full control of personal data through local storage, protected by TLS/SSL, RSA, and AES encryption, two-factor authentication, and certifications from TÜV and TRUSTe. The built-in Security Manager adds 24/7 threat monitoring and scheduled virus scans for complete peace of mind. With additional hardware features including a 1GbE LAN port for stable connectivity, 4K 60Hz HDMI output, and multiple RAID modes for flexible performance and redundancy, the DH2300 delivers simplicity, security, and versatility. It is the go-to NAS for users moving from cloud-based to private local storage for the first time. NASync DH4300 Plus: Designed for Growth and Collaboration For users who need more storage and performance, NASync DH4300 Plus is a powerful choice. Its 4-bay SATA setup supports up to 120TB, ideal for home offices, creative teams, and media-heavy workflows. With stable multitasking across data management, streaming, and collaboration, it features a 2.5GbE LAN port delivering theoretical speeds of up to 312.5MB/s, and supports RAID 5, 6, and 10 for enhanced redundancy and data protection. USB-A and USB-C 3.2 ports offer fast connectivity, while Docker support enables flexible deployment. DH4300 Plus combines professional-grade capabilities with an intuitive interface and the same robust security foundation as DH2300. The new DH Series represents UGREEN's ongoing commitment to creating NAS solutions that truly fit users' lifestyles. By simplifying setups, streamlining daily workflows, and strengthening data protection, the DH Series makes intelligent storage a reality for beginners, families, and small teams alike. DH2300 is now available at €209.99 in the EU and £169.99 in the UK. DH4300 Plus is currently offered at €429.99 in the EU and £359.99 in the UK. For more details, check the UGREEN website. More about Irish Tech News Irish Tech News are Ireland's No. 1 Online Tech Publication and often Ireland's No.1 Tech Podcast too. You can find hundreds of fantastic previous episodes and subscribe using whatever platform you like via our Anchor.fm page here: https://anchor.fm/irish-tech-news If you'd like to be featured in an upcoming Podcast email us at Simon@IrishTechNews.ie now to discuss. Irish Tech News have a range of services available to help promote your business. Why not drop us a line at Info@IrishTechNews.ie now to find out more about how we can help you reach our audience. You can also find and follow us on Twitter, LinkedIn, Facebook, Instagram, TikTok and Snapchat.
Some hauntings scream for attention. Others linger so long they become part of the wallpaper. It began innocently enough: a new house, two young daughters, and an imaginary friend named Shawn—a boy her four-year-old claimed to see every night at the foot of her bed. But when toys began to slide across the floor, drawers slammed shut on their own, and footsteps echoed in empty rooms, it became clear Shawn wasn't just a child's game. Friends stopped visiting after glimpsing a tall dark figure in the upstairs hall. Even a local ghost-hunting team —armed with cameras, EVP recorders, and experience—fled after one night, leaving behind a single chilling photo of a glowing orb clinging to the basement ceiling. Another lost photo, captured in daylight, showed a gray, child-sized figure standing behind her daughter during a birthday party. The activity never really stopped: lights flicker, toys burst into song on their own, TVs turn off and on, and at 3 A.M. a presence often wakes the eldest daughter—sometimes lowering to one knee beside her bed as if keeping vigil. This is more than a haunting; it's a story of endurance in a home that feels alive. #TrueGhostStory #RealHaunting #ShawnTheGhost #HauntedHouse #3AMHaunting #ParanormalActivity #GhostHunters #CreepyTrueStory #SupernaturalEncounters #UnseenPresence #HauntedFamily #TerrifyingHaunting Love real ghost stories? Don't just listen—join us on YouTube and be part of the largest community of real paranormal encounters anywhere. Subscribe now and never miss a chilling new story:
Some hauntings scream for attention. Others linger so long they become part of the wallpaper. It began innocently enough: a new house, two young daughters, and an imaginary friend named Shawn—a boy her four-year-old claimed to see every night at the foot of her bed. But when toys began to slide across the floor, drawers slammed shut on their own, and footsteps echoed in empty rooms, it became clear Shawn wasn't just a child's game. Friends stopped visiting after glimpsing a tall dark figure in the upstairs hall. Even a local ghost-hunting team —armed with cameras, EVP recorders, and experience—fled after one night, leaving behind a single chilling photo of a glowing orb clinging to the basement ceiling. Another lost photo, captured in daylight, showed a gray, child-sized figure standing behind her daughter during a birthday party. The activity never really stopped: lights flicker, toys burst into song on their own, TVs turn off and on, and at 3 A.M. a presence often wakes the eldest daughter—sometimes lowering to one knee beside her bed as if keeping vigil. This is more than a haunting; it's a story of endurance in a home that feels alive. #TrueGhostStory #RealHaunting #ShawnTheGhost #HauntedHouse #3AMHaunting #ParanormalActivity #GhostHunters #CreepyTrueStory #SupernaturalEncounters #UnseenPresence #HauntedFamily #TerrifyingHaunting Love real ghost stories? Don't just listen—join us on YouTube and be part of the largest community of real paranormal encounters anywhere. Subscribe now and never miss a chilling new story:
Microsoft is promising a bold AI-infused future for Windows 11, as the company aims to turn the OS into an AI-powered "agentic" hub. Amid all the Copilot hype, the hosts ask the tough questions: Are these AI features solving real problems, or is Big Tech just chasing a revenue gold rush? Tune in for sharp takes on AI skepticism, notable buzzwords, and the practical impact of Microsoft's ambitious new direction. Windows 11... Windows.ai?? Microsoft announces several new Copilot and AI features in Windows while redefining the term "AI PC" out from under Intel New features: Hey Copilot wake phrase (and goodbye), Copilot Vision is GA, new features coming soon include Copilot replacing Search in the Taskbar, Copilot Actions for local files, Manus AI agent and Filmora integration with File Explorer AI Actions, Zoom integration with Click to Do This is about Windows transforming into an "AI native" agentic OS Which ties into Paul's AI is the End of Apps editorial, where apps became programmable so that they can be controlled by AI - You can see baby steps in Windows 11 in-box apps now Microsoft explains how it will secure agents in Windows because Recall what happened last time Microsoft releases so-called emergency update for Windows 11 after the October Patch Tuesday updates killed USB mouse and keyboard supports in the Windows Recovery Environment (WRE). Windows Insider Program: Mobile devices settings improvements, File Explorer improvements, Drag Tray improvements, and other changes head to Dev (25H2) and Beta (24H2) channels New Start menu, battery icons, Copilot Vision integration in Taskbar, File Explorer improvements, Voice access improvements, and Click to Do improvements (Copilot+ PC only) head to Release Preview, indicating they will be a Week D preview and then Patch Tuesday release in November Restyle rolling out in Paint across most Insider channels Open AI finally launches long-expected web browser, but only on the Mac because FU, Microsoft Facebook Messenger for Windows is retiring, will chase rabbits on a farm upstate Microsoft What does Microsoft's annual report say about its relationship with consumers? Three core consumer businesses: Windows, Microsoft 365 Consumer, Xbox/gaming Xbox/gaming smallest (500m) but also the most engaged - and also the most discussed in the report Not clear what % of users/revenues is consumer based, but it's not a small number (guessing its at least one-third of each) AI Copilot for Education is coming in December, $18 per student per month Anthropic Claude is coming for Copilot in Microsoft 365 commercial Copilot has AI competition on Samsung smart TVs now Opera Neon is getting an AI research agent Xbox and gaming Xbox president says next console will be "very premium". You know, like Xbox Game Pass Ultimate. ASUS ROG Xbox Ally and Xbox Ally X are now available for purchase New wave of games coming to Game Pass across PC, console, and cloud, including Microsoft Flight Simulator 2024, The Outer Worlds 2, and more Following console price hikes, Xbox Development Kit gets a 33 percent price increase thanks to insane U.S. tariffs Tips & Picks Tip of the week: Laptops are upgradeable again and life is good App pick of the week: A grab bag of apps for Windows users RunAs Radio this These show notes have been truncated due to length. For the full show notes, visit https://twit.tv/shows/windows-weekly/episodes/955 Hosts: Leo Laporte, Paul Thurrott, and Richard Campbell Sponsors: ventionteams.com/twit helixsleep.com/windows framer.com/design promo code WW outsystems.com/twit
What a heart-pounding, sweat-inducing rollercoaster as the Packers scrape by the Cardinals in a 27-23 thriller that had fans screaming at their TVs. From Micah Parsons' beast-mode performance to Jordan Love's shaky moments, callers unload on the highs, lows, and everything in between. This After Dark episode captures the raw emotion of a gritty road win that wasn't pretty but got the job done. Micah Parsons steals the show with game-changing plays, proving why he's worth the hype and the cash. Offense stalls early but delivers when it counts; debates rage on Love's spatial awareness and Lafleur's bold fourth-down guts. Defense bends but doesn't break, with clutch stops and fan frustration over penalties and Hobbs getting cooked. Special teams shine with the backup kicker's heroics, plus rants on plane delays and why we play down to lesser teams. This episode is brought to you by PrizePicks! Use code PACKDADDY and visit https://prizepicks.onelink.me/LME0/PACKDADDY to get started with America's #1 fantasy sports app. Tune in, subscribe, rate, and review to keep the After Dark vibes going—your calls make the show! Follow for more unfiltered Packers talk and hit us up on social with #GoPackGo #PackernetAfterDark. To advertise on this podcast please email: ad-sales@libsyn.com Or go to: https://advertising.libsyn.com/packernetpodcast
Microsoft is promising a bold AI-infused future for Windows 11, as the company aims to turn the OS into an AI-powered "agentic" hub. Amid all the Copilot hype, the hosts ask the tough questions: Are these AI features solving real problems, or is Big Tech just chasing a revenue gold rush? Tune in for sharp takes on AI skepticism, notable buzzwords, and the practical impact of Microsoft's ambitious new direction. Windows 11... Windows.ai?? Microsoft announces several new Copilot and AI features in Windows while redefining the term "AI PC" out from under Intel New features: Hey Copilot wake phrase (and goodbye), Copilot Vision is GA, new features coming soon include Copilot replacing Search in the Taskbar, Copilot Actions for local files, Manus AI agent and Filmora integration with File Explorer AI Actions, Zoom integration with Click to Do This is about Windows transforming into an "AI native" agentic OS Which ties into Paul's AI is the End of Apps editorial, where apps became programmable so that they can be controlled by AI - You can see baby steps in Windows 11 in-box apps now Microsoft explains how it will secure agents in Windows because Recall what happened last time Microsoft releases so-called emergency update for Windows 11 after the October Patch Tuesday updates killed USB mouse and keyboard supports in the Windows Recovery Environment (WRE). Windows Insider Program: Mobile devices settings improvements, File Explorer improvements, Drag Tray improvements, and other changes head to Dev (25H2) and Beta (24H2) channels New Start menu, battery icons, Copilot Vision integration in Taskbar, File Explorer improvements, Voice access improvements, and Click to Do improvements (Copilot+ PC only) head to Release Preview, indicating they will be a Week D preview and then Patch Tuesday release in November Restyle rolling out in Paint across most Insider channels Open AI finally launches long-expected web browser, but only on the Mac because FU, Microsoft Facebook Messenger for Windows is retiring, will chase rabbits on a farm upstate Microsoft What does Microsoft's annual report say about its relationship with consumers? Three core consumer businesses: Windows, Microsoft 365 Consumer, Xbox/gaming Xbox/gaming smallest (500m) but also the most engaged - and also the most discussed in the report Not clear what % of users/revenues is consumer based, but it's not a small number (guessing its at least one-third of each) AI Copilot for Education is coming in December, $18 per student per month Anthropic Claude is coming for Copilot in Microsoft 365 commercial Copilot has AI competition on Samsung smart TVs now Opera Neon is getting an AI research agent Xbox and gaming Xbox president says next console will be "very premium". You know, like Xbox Game Pass Ultimate. ASUS ROG Xbox Ally and Xbox Ally X are now available for purchase New wave of games coming to Game Pass across PC, console, and cloud, including Microsoft Flight Simulator 2024, The Outer Worlds 2, and more Following console price hikes, Xbox Development Kit gets a 33 percent price increase thanks to insane U.S. tariffs Tips & Picks Tip of the week: Laptops are upgradeable again and life is good App pick of the week: A grab bag of apps for Windows users RunAs Radio this These show notes have been truncated due to length. For the full show notes, visit https://twit.tv/shows/windows-weekly/episodes/955 Hosts: Leo Laporte, Paul Thurrott, and Richard Campbell Sponsors: ventionteams.com/twit helixsleep.com/windows framer.com/design promo code WW outsystems.com/twit
What a heart-pounding, sweat-inducing rollercoaster as the Packers scrape by the Cardinals in a 27-23 thriller that had fans screaming at their TVs. From Micah Parsons' beast-mode performance to Jordan Love's shaky moments, callers unload on the highs, lows, and everything in between. This After Dark episode captures the raw emotion of a gritty road win that wasn't pretty but got the job done. Micah Parsons steals the show with game-changing plays, proving why he's worth the hype and the cash. Offense stalls early but delivers when it counts; debates rage on Love's spatial awareness and Lafleur's bold fourth-down guts. Defense bends but doesn't break, with clutch stops and fan frustration over penalties and Hobbs getting cooked. Special teams shine with the backup kicker's heroics, plus rants on plane delays and why we play down to lesser teams. This episode is brought to you by PrizePicks! Use code PACKDADDY and visit https://prizepicks.onelink.me/LME0/PACKDADDY to get started with America's #1 fantasy sports app. Tune in, subscribe, rate, and review to keep the After Dark vibes going—your calls make the show! Follow for more unfiltered Packers talk and hit us up on social with #GoPackGo #PackernetAfterDark. To advertise on this podcast please email: ad-sales@libsyn.com Or go to: https://advertising.libsyn.com/packernetpodcast
Microsoft is promising a bold AI-infused future for Windows 11, as the company aims to turn the OS into an AI-powered "agentic" hub. Amid all the Copilot hype, the hosts ask the tough questions: Are these AI features solving real problems, or is Big Tech just chasing a revenue gold rush? Tune in for sharp takes on AI skepticism, notable buzzwords, and the practical impact of Microsoft's ambitious new direction. Windows 11... Windows.ai?? Microsoft announces several new Copilot and AI features in Windows while redefining the term "AI PC" out from under Intel New features: Hey Copilot wake phrase (and goodbye), Copilot Vision is GA, new features coming soon include Copilot replacing Search in the Taskbar, Copilot Actions for local files, Manus AI agent and Filmora integration with File Explorer AI Actions, Zoom integration with Click to Do This is about Windows transforming into an "AI native" agentic OS Which ties into Paul's AI is the End of Apps editorial, where apps became programmable so that they can be controlled by AI - You can see baby steps in Windows 11 in-box apps now Microsoft explains how it will secure agents in Windows because Recall what happened last time Microsoft releases so-called emergency update for Windows 11 after the October Patch Tuesday updates killed USB mouse and keyboard supports in the Windows Recovery Environment (WRE). Windows Insider Program: Mobile devices settings improvements, File Explorer improvements, Drag Tray improvements, and other changes head to Dev (25H2) and Beta (24H2) channels New Start menu, battery icons, Copilot Vision integration in Taskbar, File Explorer improvements, Voice access improvements, and Click to Do improvements (Copilot+ PC only) head to Release Preview, indicating they will be a Week D preview and then Patch Tuesday release in November Restyle rolling out in Paint across most Insider channels Open AI finally launches long-expected web browser, but only on the Mac because FU, Microsoft Facebook Messenger for Windows is retiring, will chase rabbits on a farm upstate Microsoft What does Microsoft's annual report say about its relationship with consumers? Three core consumer businesses: Windows, Microsoft 365 Consumer, Xbox/gaming Xbox/gaming smallest (500m) but also the most engaged - and also the most discussed in the report Not clear what % of users/revenues is consumer based, but it's not a small number (guessing its at least one-third of each) AI Copilot for Education is coming in December, $18 per student per month Anthropic Claude is coming for Copilot in Microsoft 365 commercial Copilot has AI competition on Samsung smart TVs now Opera Neon is getting an AI research agent Xbox and gaming Xbox president says next console will be "very premium". You know, like Xbox Game Pass Ultimate. ASUS ROG Xbox Ally and Xbox Ally X are now available for purchase New wave of games coming to Game Pass across PC, console, and cloud, including Microsoft Flight Simulator 2024, The Outer Worlds 2, and more Following console price hikes, Xbox Development Kit gets a 33 percent price increase thanks to insane U.S. tariffs Tips & Picks Tip of the week: Laptops are upgradeable again and life is good App pick of the week: A grab bag of apps for Windows users RunAs Radio this These show notes have been truncated due to length. For the full show notes, visit https://twit.tv/shows/windows-weekly/episodes/955 Hosts: Leo Laporte, Paul Thurrott, and Richard Campbell Sponsors: ventionteams.com/twit helixsleep.com/windows framer.com/design promo code WW outsystems.com/twit
Microsoft is promising a bold AI-infused future for Windows 11, as the company aims to turn the OS into an AI-powered "agentic" hub. Amid all the Copilot hype, the hosts ask the tough questions: Are these AI features solving real problems, or is Big Tech just chasing a revenue gold rush? Tune in for sharp takes on AI skepticism, notable buzzwords, and the practical impact of Microsoft's ambitious new direction. Windows 11... Windows.ai?? Microsoft announces several new Copilot and AI features in Windows while redefining the term "AI PC" out from under Intel New features: Hey Copilot wake phrase (and goodbye), Copilot Vision is GA, new features coming soon include Copilot replacing Search in the Taskbar, Copilot Actions for local files, Manus AI agent and Filmora integration with File Explorer AI Actions, Zoom integration with Click to Do This is about Windows transforming into an "AI native" agentic OS Which ties into Paul's AI is the End of Apps editorial, where apps became programmable so that they can be controlled by AI - You can see baby steps in Windows 11 in-box apps now Microsoft explains how it will secure agents in Windows because Recall what happened last time Microsoft releases so-called emergency update for Windows 11 after the October Patch Tuesday updates killed USB mouse and keyboard supports in the Windows Recovery Environment (WRE). Windows Insider Program: Mobile devices settings improvements, File Explorer improvements, Drag Tray improvements, and other changes head to Dev (25H2) and Beta (24H2) channels New Start menu, battery icons, Copilot Vision integration in Taskbar, File Explorer improvements, Voice access improvements, and Click to Do improvements (Copilot+ PC only) head to Release Preview, indicating they will be a Week D preview and then Patch Tuesday release in November Restyle rolling out in Paint across most Insider channels Open AI finally launches long-expected web browser, but only on the Mac because FU, Microsoft Facebook Messenger for Windows is retiring, will chase rabbits on a farm upstate Microsoft What does Microsoft's annual report say about its relationship with consumers? Three core consumer businesses: Windows, Microsoft 365 Consumer, Xbox/gaming Xbox/gaming smallest (500m) but also the most engaged - and also the most discussed in the report Not clear what % of users/revenues is consumer based, but it's not a small number (guessing its at least one-third of each) AI Copilot for Education is coming in December, $18 per student per month Anthropic Claude is coming for Copilot in Microsoft 365 commercial Copilot has AI competition on Samsung smart TVs now Opera Neon is getting an AI research agent Xbox and gaming Xbox president says next console will be "very premium". You know, like Xbox Game Pass Ultimate. ASUS ROG Xbox Ally and Xbox Ally X are now available for purchase New wave of games coming to Game Pass across PC, console, and cloud, including Microsoft Flight Simulator 2024, The Outer Worlds 2, and more Following console price hikes, Xbox Development Kit gets a 33 percent price increase thanks to insane U.S. tariffs Tips & Picks Tip of the week: Laptops are upgradeable again and life is good App pick of the week: A grab bag of apps for Windows users RunAs Radio this These show notes have been truncated due to length. For the full show notes, visit https://twit.tv/shows/windows-weekly/episodes/955 Hosts: Leo Laporte, Paul Thurrott, and Richard Campbell Sponsors: ventionteams.com/twit helixsleep.com/windows framer.com/design promo code WW outsystems.com/twit
Microsoft is promising a bold AI-infused future for Windows 11, as the company aims to turn the OS into an AI-powered "agentic" hub. Amid all the Copilot hype, the hosts ask the tough questions: Are these AI features solving real problems, or is Big Tech just chasing a revenue gold rush? Tune in for sharp takes on AI skepticism, notable buzzwords, and the practical impact of Microsoft's ambitious new direction. Windows 11... Windows.ai?? Microsoft announces several new Copilot and AI features in Windows while redefining the term "AI PC" out from under Intel New features: Hey Copilot wake phrase (and goodbye), Copilot Vision is GA, new features coming soon include Copilot replacing Search in the Taskbar, Copilot Actions for local files, Manus AI agent and Filmora integration with File Explorer AI Actions, Zoom integration with Click to Do This is about Windows transforming into an "AI native" agentic OS Which ties into Paul's AI is the End of Apps editorial, where apps became programmable so that they can be controlled by AI - You can see baby steps in Windows 11 in-box apps now Microsoft explains how it will secure agents in Windows because Recall what happened last time Microsoft releases so-called emergency update for Windows 11 after the October Patch Tuesday updates killed USB mouse and keyboard supports in the Windows Recovery Environment (WRE). Windows Insider Program: Mobile devices settings improvements, File Explorer improvements, Drag Tray improvements, and other changes head to Dev (25H2) and Beta (24H2) channels New Start menu, battery icons, Copilot Vision integration in Taskbar, File Explorer improvements, Voice access improvements, and Click to Do improvements (Copilot+ PC only) head to Release Preview, indicating they will be a Week D preview and then Patch Tuesday release in November Restyle rolling out in Paint across most Insider channels Open AI finally launches long-expected web browser, but only on the Mac because FU, Microsoft Facebook Messenger for Windows is retiring, will chase rabbits on a farm upstate Microsoft What does Microsoft's annual report say about its relationship with consumers? Three core consumer businesses: Windows, Microsoft 365 Consumer, Xbox/gaming Xbox/gaming smallest (500m) but also the most engaged - and also the most discussed in the report Not clear what % of users/revenues is consumer based, but it's not a small number (guessing its at least one-third of each) AI Copilot for Education is coming in December, $18 per student per month Anthropic Claude is coming for Copilot in Microsoft 365 commercial Copilot has AI competition on Samsung smart TVs now Opera Neon is getting an AI research agent Xbox and gaming Xbox president says next console will be "very premium". You know, like Xbox Game Pass Ultimate. ASUS ROG Xbox Ally and Xbox Ally X are now available for purchase New wave of games coming to Game Pass across PC, console, and cloud, including Microsoft Flight Simulator 2024, The Outer Worlds 2, and more Following console price hikes, Xbox Development Kit gets a 33 percent price increase thanks to insane U.S. tariffs Tips & Picks Tip of the week: Laptops are upgradeable again and life is good App pick of the week: A grab bag of apps for Windows users RunAs Radio this These show notes have been truncated due to length. For the full show notes, visit https://twit.tv/shows/windows-weekly/episodes/955 Hosts: Leo Laporte, Paul Thurrott, and Richard Campbell Sponsors: ventionteams.com/twit helixsleep.com/windows framer.com/design promo code WW outsystems.com/twit
Microsoft is promising a bold AI-infused future for Windows 11, as the company aims to turn the OS into an AI-powered "agentic" hub. Amid all the Copilot hype, the hosts ask the tough questions: Are these AI features solving real problems, or is Big Tech just chasing a revenue gold rush? Tune in for sharp takes on AI skepticism, notable buzzwords, and the practical impact of Microsoft's ambitious new direction. Windows 11... Windows.ai?? Microsoft announces several new Copilot and AI features in Windows while redefining the term "AI PC" out from under Intel New features: Hey Copilot wake phrase (and goodbye), Copilot Vision is GA, new features coming soon include Copilot replacing Search in the Taskbar, Copilot Actions for local files, Manus AI agent and Filmora integration with File Explorer AI Actions, Zoom integration with Click to Do This is about Windows transforming into an "AI native" agentic OS Which ties into Paul's AI is the End of Apps editorial, where apps became programmable so that they can be controlled by AI - You can see baby steps in Windows 11 in-box apps now Microsoft explains how it will secure agents in Windows because Recall what happened last time Microsoft releases so-called emergency update for Windows 11 after the October Patch Tuesday updates killed USB mouse and keyboard supports in the Windows Recovery Environment (WRE). Windows Insider Program: Mobile devices settings improvements, File Explorer improvements, Drag Tray improvements, and other changes head to Dev (25H2) and Beta (24H2) channels New Start menu, battery icons, Copilot Vision integration in Taskbar, File Explorer improvements, Voice access improvements, and Click to Do improvements (Copilot+ PC only) head to Release Preview, indicating they will be a Week D preview and then Patch Tuesday release in November Restyle rolling out in Paint across most Insider channels Open AI finally launches long-expected web browser, but only on the Mac because FU, Microsoft Facebook Messenger for Windows is retiring, will chase rabbits on a farm upstate Microsoft What does Microsoft's annual report say about its relationship with consumers? Three core consumer businesses: Windows, Microsoft 365 Consumer, Xbox/gaming Xbox/gaming smallest (500m) but also the most engaged - and also the most discussed in the report Not clear what % of users/revenues is consumer based, but it's not a small number (guessing its at least one-third of each) AI Copilot for Education is coming in December, $18 per student per month Anthropic Claude is coming for Copilot in Microsoft 365 commercial Copilot has AI competition on Samsung smart TVs now Opera Neon is getting an AI research agent Xbox and gaming Xbox president says next console will be "very premium". You know, like Xbox Game Pass Ultimate. ASUS ROG Xbox Ally and Xbox Ally X are now available for purchase New wave of games coming to Game Pass across PC, console, and cloud, including Microsoft Flight Simulator 2024, The Outer Worlds 2, and more Following console price hikes, Xbox Development Kit gets a 33 percent price increase thanks to insane U.S. tariffs Tips & Picks Tip of the week: Laptops are upgradeable again and life is good App pick of the week: A grab bag of apps for Windows users RunAs Radio this These show notes have been truncated due to length. For the full show notes, visit https://twit.tv/shows/windows-weekly/episodes/955 Hosts: Leo Laporte, Paul Thurrott, and Richard Campbell Sponsors: ventionteams.com/twit helixsleep.com/windows framer.com/design promo code WW outsystems.com/twit
This episode of The Shift podcast, with the High Street legend, Mary Portas, is brought to you live from Cheltenham Literature Festival Mary is one of the UK's most high profile and innovative business women. She made her name transforming dusty old Harvey Nichols into global fashion destination Harvey Nicks (with a little bit of help from Jennifer Saunders, Joanna Lumley and Absolutely Fabulous!), leaving after a decade to found Portas her own creative company, helping to transform some of the many companies and brands who'd tried and failed to poach her. Mary went from industry famous to on-the-street famous when over three and a half million people tuned into BBC's Mary Queen of Shops back in 2007 and she has been a regular on our TVs ever since. She has advised the government on the future of high streets, created twenty six Mary's Living & Giving shops for Save The Children and written six books. But we're here to talk about those Harvey Nicks years and the book she's written about them in the heady whirl of the 90s - I Shop Therefore I Am. Mary takes us on a no-holds barred journey from shop window to boardroom. It's a joyous gossip-filled riot but also a candid look at the childhood that shaped her, her passion for shops (not fashion) and crucially how and why we shop. And in amongst it all we might get a bit emotional! * You can buy all the books mentioned in this podcast at The Shift bookshop on Bookshop.org, including I Shop, Therefore I am by Mary Portas as well as the book that inspired this podcast, The Shift: how I lost and found myself after 40 - and you can too, by me. * If you enjoyed this episode and you fancy buying me a coffee, pop over to my page on buymeacoffee.com. • And if you'd like to support the work that goes into making this podcast and get a weekly newsletter plus loads more content including exclusive transcripts of the podcast, why not join The Shift community, come and have a look around at www.theshiftwithsambaker.substack.com • The Shift (on life after 40) with Sam Baker is created and hosted by Sam Baker and edited by Juliette Nicholls at Pineapple Production. If you enjoyed this podcast, please rate/ review/ follow as it really does help other people find us. And let me know what you think on Bluesky @theothersambaker.bsky.social or instagram @theothersambaker or message me on substack The Shift with Sam Baker. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode of AV Trade Talk, host Katye McGregor Bennett sits down with Alexa Centeno, co‑owner of Systems Design & Integration (SDI Boston) and founder of the new VELLA HAUS franchise, to explore how premium home staging and home technology come together to sell faster, sell higher, and create lifelong clients. Alexa shares her journey from integrator to stager (without leaving integration behind), the moment a $10M project setback became rocket fuel, and why she's taking her staging brand national. You'll hear about: How SDI evolved from hanging TVs to delivering 20,000‑sq‑ft smart estates with lighting control, theaters, outdoor lifts, motorized shades, voice control and more. The origin story of VELLA HAUS: turning a last‑minute “no” into a thriving staging business that completed 77 homes last year—and the systems she uses to scale. Staging with real tech to create emotion and demand: framed displays, full theater seating with screens and speakers, landscape audio, and why these experiences become powerful AV lead generators. Education as a differentiator: helping builders plan for shade pockets, lighting, and infrastructure—so design and technology align from day one. The big announcement: VELLA HAUS has launched and is now accepting franchise applicants for a national luxury home staging franchise with protected territories—starting in Massachusetts—and a highly selective (≈1%) award process. Who they're looking for and how to raise your hand. A peek inside SDI Boston's experience center: a Listening Room for cinema demos, an Experience Room showcasing Lutron, Ketra, Leon, Coastal Source, outdoor living, and more—curated to inspire designers, architects, builders, and homeowners alike. Highlights from Katye's CEDIA Expo Smart Stage panel on design‑tech collaboration featuring Toni Sabatino (Toni Sabatino Style), Caitlin Stewart (Leon Speakers), Frank DeFilippis (Sonos), and Alexa Centeno (VELLA HAUS), and what those conversations signal for integrator–designer partnerships. Whether you're a designer, integrator, builder, or realtor, this conversation offers practical ideas for teaming up, differentiating your projects, and creating unforgettable client experiences before, during, and long after the sale. #avtradetalkpod
Keith sits down with Terry Kerr and Matthew Vanhorn, the leaders of America's oldest turnkey real estate provider, Mid South Home Buyers, to unpack the practical systems that keep thousands of rental units profitable and tenants happy. With national renter mobility dropping, longer stays are now the norm. Average resident stay is 4 years—double the industry average, thanks to proactive maintenance and relationship-driven management. Instead of fighting for eyeballs on Zillow, they target HR departments at hospitals, universities, and major employers, tapping into pre-screened, income-verified tenants with stable paychecks and predictable work schedules. Invest where returns still make sense. Visit midsouthhomebuyers.com to book your investor tour and get $500 off your first property. Resources: Switch to listening to the podcast on the Apple Podcasts or Spotify app, as the dedicated GRE mobile app will be discontinued at the end of the month. Show Notes: GetRichEducation.com/576 For access to properties or free help with a GRE Investment Coach, start here: GREmarketplace.com GRE Free Investment Coaching: GREinvestmentcoach.com Get mortgage loans for investment property: RidgeLendingGroup.com or call 855-74-RIDGE or e-mail: info@RidgeLendingGroup.com Invest with Freedom Family Investments. For predictable 10-12% quarterly returns, visit FreedomFamilyInvestments.com/GRE or text 1-937-795-8989 to speak with a freedom coach Will you please leave a review for the show? I'd be grateful. Search “how to leave an Apple Podcasts review” For advertising inquiries, visit: GetRichEducation.com/ad Best Financial Education: GetRichEducation.com Get our wealth-building newsletter free— text ‘GRE' to 66866 Our YouTube Channel: www.youtube.com/c/GetRichEducation Follow us on Instagram: @getricheducation Complete episode transcript: Keith Weinhold 0:01 welcome to GRE I'm your host. Keith Weinhold, learn about how to cut your rental property vacancies and keep tenants twice as long. Why Memphis, Tennessee stays the cash flow King, and exactly where to find really low cost, quality properties today. That make sense from day one today on, get rich education. Keith Weinhold 0:26 You know, most people think they're playing it safe with their liquid money, but they're actually losing savings accounts and bonds don't keep up when true inflation eats six or 7% of your wealth. Every single year, I invest my liquidity with FFI freedom family investments in their flagship program. Why fixed 10 to 12% returns have been predictable and paid quarterly. There is real world security backed by needs based real estate like affordable housing, Senior Living and health care. Ask about the freedom flagship program. When you speak to a freedom coach there, and that's just one part of their family of products, they've got workshops, webinars and seminars designed to educate you before you invest. Start with as little as 25k and finally, get your money working as hard as you do. Get started at Freedom family investments.com/gre, or send a text now it's 1-937-795-8989, yep, text their freedom coach, directly. Again, 1-937-795-8989, Corey Coates 1:39 you're listening to the show that has created more financial freedom than nearly any show in the world. This is get rich education. Keith Weinhold 1:49 Welcome to GRE from New York's Long Island Sound to Washington's Puget Sound and across 188 nations worldwide. I'm Keith Weinhold, and you're listening to get rich education. There's an economic trend that you need to be aware of. We're going to talk about how you can play it in this era, sources ranging from Redfin to Housing Wire and others, you know they're all in agreement that the transiency rate, that mobility rate for Americans, is down. And what that means is, when people find a place to live, whether they're a property owner or a renter, they are staying put longer. They put this big, heavy anchor down, and that kind of goes along with employment. Although the unemployment rate is low right now, there aren't very many people moving jobs or changing jobs. So the rate of hiring is low, that's bad, but the rate of employer firings is low, that's good. So on balance, Americans are keeping their job if they've already got one, and they're keeping their home if they've already got one. But because movement has slowed, as we are in this slower housing market, I'll drastically oversimplify here. All right, a few years ago, you might have had a tenant stay for two years, and then there would be a one month vacancy between tenancies today, double both of those. You're more likely to see a four year stay, but two months between vacancies. So your occupancy rate, therefore, is the same in both scenarios, but there's less movement. Again, oversimplifying, but you can see the effect a longer vacancy period is bad, a longer tenant retention period is good, all right. Well, how do you increase your tenant's length of stay and decrease that vacancy in order to be more profitable as an investor and yet give your tenant a satisfactory experience too well. One thing that you can do is list your vacant unit with an employer. Yeah, advertise it through a local stable company. You're going to end up with higher quality tenants. See, there's already this built in screening that was done for you. The employer basically did that for you. So when you work directly with especially hospitals, universities, corporate campuses or military bases, what you're doing is you're fishing from a pond of already vetted, income verified and drug screened candidates. See these tenants what they had to do. They already had to pass HR background checks and employment verification in order to get their job. So for you, that saves you both risk and time compared to the you know, the Craigslist style roll the dice crowd. Now, Of course, we cannot discriminate against certain groups of people, and we'll get into that shortly. But of course, steady employment equals steady rent tenants sourced through employers. They usually have reliable paychecks, often through direct deposit. They've got predictable work schedules, and there's going to be less income volatility. So that means that you'll have fewer late payments and lower eviction risk. And some landlords, you know what they do, they even structure rent payments through payroll deduction. I mean that essentially automates the rent collection. Yes, you can do that. Employees who move for a job, they often sign longer leases, because relocating again would be a hassle. So many will stay in your unit as long as they stay employed. That could be two years or five years, especially in the health care, education and tech sector. So less turnover means fewer make ready costs for you, fewer showings and just more ease and peace of mind. So advertising through employers that is a really low competition marketing channel as well. You know, most landlords, they blast their listings on Zillow apartments.com or maybe Facebook marketplace. Well over there, your post is just one out of hundreds, instead of all that competition, what you're doing is you're finding quiet, uncrowded channels when you utilize these employer housing boards and their HR relocation departments, and this way you can even get inside that company's internal newsletters so you're reaching renters before they can even start scrolling listings over on Zillow and see employers love this too. It's not like the employer is having to do a favor for you. They love it, because when they can help new hires or transferees find housing, it's better for that company. It reduces the employee's stress. It improves the retention at that company. If they have an employer that's satisfied and has a good place to stay, and it really boosts that company's recruiting success. So you're helping yourself, you're helping that company, and you're helping their new employee, which is your tenant. So this makes HR departments. They are surprisingly receptive to you. They might even circulate your listing internally or add you to their housing resource list. So this is a perfect fit for these hands off turnkey investors. So if you're doing that or you're managing properties remotely, this employer outreach, it really gives you a nice extra layer of reliability. And as far as the people that will be your tenants, think about nurses, engineers. IT staff, sometimes teachers, sometimes military based personnel. I mean, they are all ideal long term tenants. Now the way that you can actually do this and put it into practice is identify major employers that are near your property, that could be hospital systems, that could be universities or manufacturing plants, then contact their HR or the relocation department, and after that, it's not hard just provide them with a concise PDF or a one page flyer with your property photos and the monthly rent amount. And one thing you can do, and you should in this case, is put the distance or the time it takes to travel to the employer from your rental unit, and then add your contact info. That is exactly how you do it. You can offer a small incentive, like $50 off the first month for employees. So this is a slick way to advertise your vacancy with employers and make you more profitable over time. Keith Weinhold 7:02 Now today, we're going to talk to who is actually America's oldest turnkey real estate company. As far as we know, they're based in Memphis, Tennessee, and we'll learn how they advertise a vacant unit and screen prospective tenants and place them and maintain their units over time. They are called mid south homebuyers. You've heard them on the show before, and because of their success, both investors and other real estate companies, they actually listen in intently to what these people have to say. I mean, others study them and learn from them. These are the people other companies study, and you're still going to hear from their principal and their sales lead about reducing your vacancy time and increasing your tenant duration. And, you know, it's just kind of funny how often Memphis, Tennessee, which is where they're based, how often this comes up in cash flowing real estate conversations that you have out there over time? I mean. And Memphis consistently has the best cash flow, maybe, amongst any substantial Metro in the nation. We'll just say among metros that are big enough to have a major pro sports team. I mean, Memphis does have the NBA Grizzlies. There aren't many other cities that can even compete with Memphis as the cashflow King, although there are some that you can work into the conversation. Indianapolis, Cleveland and Oklahoma City are some of those places. Now, before we're done, you'll also learn about how, even following this generation's big inflationary wave, how purchase prices are still as affordable as they are in both Memphis and Little Rock. I mean, this is going to make you ask out loud today, how could they still be so low? We'll also talk about conventional, enduring property management techniques today, now next month here on the show, we're going to talk about how you can use AI to self manage your properties, and that show next month is going to be with an expert straight from Silicon Valley. We're going to talk to the CEO of hemlane then and their AI driven property management software. She used to work for Apple, and she's got a Harvard Business School degree. That is next month today. It's about tried and proven techniques to make you more profitable as an investor Keith Weinhold 11:24 I'd like to welcome in longtime friends of the show, with the emphasis on long time since they were first here with us, nearly 11 years ago, They are those ever steady property providers based in Memphis, mid south homebuyers. They also serve Little Rock, Arkansas. I have physically walked their offices and properties in person myself. They are, in fact, America's oldest turnkey real estate provider. And it's the return of their founder and principal, Terry Kerr and a second guest who you'll meet shortly, Terry, welcome back on of the show. Terry Kerr 12:04 Thanks so much, Keith, so glad to be back. Keith Weinhold 12:07 Congrats on your success. Your model and operation is prominent and exemplary nationally. You've now grown to 110 w2 employees there, and your 13 plus year property management guru who's been leading that entire division is now your sales director. It's terrific to introduce him to the world today. Matthew Van Horn, Matthew Vanhorn 12:31 Keith, so great to be on here. Long time listener of the show. Really great to meet you. Keith Weinhold 12:36 Yeah. Appreciate it now you'll soon be listening to yourself on the show. GRE, listeners are familiar with the turnkey real estate model. What you do is buy a distressed property, you rehab it, and then you place a tenant in the property, and you hold on to that for investors across the nation for the production of long term cash flow. Well, let's get an update between Memphis and Little Rock. How many properties do you hold under management for investors now and then? What percent are single family rentals versus other types? Terry Kerr 13:07 Right now, we're about 57 maybe a little closer to 5800 and the vast majority of them are single family houses. I'm going to say probably. What 5% are duplexes? Matthew, something like that. Yeah, something like that. So no other multis, just single family, most of them rehabs. And of course, now we're doing a new construction direct to rental as well. Keith Weinhold 13:29 Interestingly, with 58 to 5900 rentals, I mean, you can easily sort of be your own surveying outfit in an informal way, in finding out what's happening with the market, what all the dynamics are. So why don't we start at the beginning, when you're marketing and advertising and looking to place a tenant, tell us about just what you look for, just what you need to avoid. I mean checking for the tenant. That typically involves an employment check, a credit check, a rental history. Sometimes something might appear like a red flag, say, a 590 credit score. Would you always accept tenants in that condition? Because there are times when there are extenuating circumstances when a tenant with a 590 credit score actually might be a good placement. So tell us more about that screening. Terry Kerr 14:17 As you know, it is renters that drive our returns as investors, and so selecting the right renter is where the money is made in this business, for sure, we are doing as much screening as we can for our renters. There's a lot that goes into that. We actually have a whole processing department. You know some people here who spend their whole day working in the processing division. And what you really got to watch out for, as far as red flags, is just fraud. There are so many ways you can use machines to defraud, and we have people who are able to detect and weed out the bad actors there, but we know what works really well. We have, for instance, in. Arkansas, the main employer of our residents is Baptist Health Medical Center, and we love our healthcare workers there. So that's a place that, you know, starting from the marketing side, we're going to dial up our marketing in those places we're going to go to the HR department, or we're often in the HR department of Baptist Health Medical Center, pushing and asking for referrals from them, you know. And same with just referrals in general, good tenants tend to refer other good tenants. We're of course, looking for strong income that we can verify. And more than anything, we're looking for strong, credible current rental history, so someone who's paying the rent today somewhere to a verified landlord, not their sister, you know, but a very verified landlord. That's the big thing, Keith. Keith Weinhold 15:50 Tell us more about that. That's great that you're being proactive and getting right in there with a stable, steady employer. That is where our rent comes from. After all, are there any other red flags, maybe things that people would not think about identifying as a red flag when it comes to that employment, in that credit, in that rental history Matthew Vanhorn 16:11 one reason I bring up the localized marketing that some people may not think about is that renters who move from Out of state often will land in a place and then stay there for one year, which is fine, but then they often don't renew their lease and they'll move somewhere else. Now, of course, what we have to do above all is we have to be legal, you know, so we can't discriminate against someone from coming from out of town, but what we can do is dial up our localized marketing so that we're getting people who are in the neighborhood, who love the neighborhood already where they are, and so that contributes to longer residence days, and it's just little things like that. Once again, you're looking for employment that you can verify, so that you know that you're getting a quality renter. Terry Kerr 16:59 I'll also say that one of the ways that we try to attract the most potential residents we can is by having a free application. So typically, a property management company is going to charge, you know, 50 to 75 bucks per applicant. And we're very fortunate that we've get a terrific deal from Equifax, because we're also lenders, we do some lending to our investors, which gives us a really good deal on paying for credit checks. And so we waive those fees for our residents. And so a lot more folks are going to apply with us, because it doesn't cost them anything to apply. And of course, the more people that apply, you've got a much better shot at a filling the property quicker, but also finding a much better resident. Keith Weinhold 17:44 well this is a great part of building the connection. One of the first interactions they have with you is realizing that you don't have any application fee. And AI can be great for marketing and for doing things like writing listing descriptions, but you build that human connection there. For example, you do in person showings. You invite prospective tenants in current tenants into your physical office, kind of replacing society's trust crisis with humanity. Matthew Vanhorn 18:14 Yes, that's right, Keith. In the last 12 months, we've spent more money than ever on technology, so we are leaning heavily into creating the systems and processes that allow us to get to our service quickly. And at the same time, we've invested more into staffing up in the past 12 months, into inviting people into our office, you know, and we can still do everything remotely. We can do it virtually for folks who want that, we found that a lot of residents love to look us in the face, and they like to come down to our office, and they like to sit across from Karen and across from Gabby, and they just love the personalized experience that we give them. It's hard to quantify it, Keith, but I just really believe that it drives longevity, right? Keith Weinhold 19:04 Having a face behind that rental because your properties are freshly rehabbed, or, in some cases, they're new builds, so hopefully you won't have too many tenant service calls once they do become a resident, and you don't need to interact with them all the time, though you're there for them, but once you have chosen a tenant, and that tenant is placed, you know somebody has to be the adult in the lease, and we sincerely hope that the tenant is one of them. So with regard to that, how do you help ensure that tenants keep making on time payments, and you can keep tenants and not get ones that break the lease. So can you speak to us about that, how you can help identify that in the screening and then that ongoing relationship? Matthew Vanhorn 19:47 I will say that perfect vetting does not necessarily lead to perfect collections, because it turns out that every one of our residents, they are humans, and as humans, we run into things you. Know, divorce can happen. Relationship breakups can happen, job losses happen. Just very human things happen. And so we like to stay in touch with our residents as often as possible, and very much encourage an open line of communication. We very much believe in compassion based collections here at Mid South. And so when residents fall upon hard times, we are truly there for them. Memphis actually has more nonprofits per capita than any place in America then. So when residents do fall on hard times, you know, and it happens, we're actually able to reach out. We have connections with several agencies that can help with rental assistance for renters who need it, we found that by pouring into our staffing with the resident support and solutions department that we've had a lot of success in collecting just by keeping that relationship intact when the pandemic hit. For instance, and I know that's been a few years from now, and maybe we all want to forget it, our collections rate actually went up during that time, and I attribute that largely to the fact that, number one, we had a relationship in place with our renters. We staffed up, and matter of fact, we had a full time person just working to get rent assistance for those renters who kind of had been disenfranchised by the pandemic Keith Weinhold 21:26 during pandemic times or post pandemic times whenever it is us as investors, we're always interested in reducing that vacancy time. We seem to be in a period, at least nationally, where when people get a hold of a place, they want to keep it and hold on to it. In a lot of markets, the duration of a tenancy has been increasing. So despite what era that we're in, can you talk to us about some of the best practices for how you reduce the vacancy time? Because we all know vacancy and turnover is our biggest expense over time. As investors, Terry Kerr 21:58 I like to say, you know, at the heart of what we do is making sure that when a hard working, single mother comes home at the end of the day, she can give her child a hot bath. And that's not possible if the water heaters out. And that's just one example, but our main job is to give a good quality of life to the residents that we are caring for, and if we can do that, and if we can treat them with respect when they do fall on hard times, like Matthew said, they're going to want to renew the lease. So we have got a almost twice the average length of stay as the industry average, which is we've got about a four year average resident stay. And when folks move out of a mid south house, it's not because they can find a better value they're going to get. They're already in the nicest house on the street. And if something breaks, we're out there lickety split to fix it. When folks move out of a mid south house. It's either because they're downsizing. Kids are moving out, or they're going up because they're having their family increases and they've got to move up, or maybe something happens to them, like Matthew mentioned, you know, death, divorce, disability, these things happen, right? But no one's moving out because they can find a better value or because they're not getting the service or respect that they deserve. Keith Weinhold 23:25 That says a lot. Being managers of 5800 to 5900 properties, which gives you this sort of canvassing or de facto surveying ability that you have. What are we seeing for the direction of rents? We'll get into rents and prices later, because nationally, rents are just holding steady. They're really not rising very much. What do you see there? Matthew Vanhorn 23:49 Yes, we saw them fairly stable. Over the course of 2024 I have started to see an uptick here in the past few months, I will say, which is encouraging for investors, for sure, each month, I'm looking at all of the renewal rates personally, to kind of look at that, engage the market. And like you said, it really is helpful. I mean, yes, we have all the tools, Zillow, rentometer, all these things, but there's nothing like just our own data of seeing, hey, what's the house across the street renting for? You know, how long did it take for that to rent and incorporating that into our data. And right now, our houses are moving at a faster pace on the leasing tip, which rent increases tend to follow that Keith Weinhold 24:30 when it comes to optimizing rents, a lot of that coming back to reducing vacancy time. There are a number of strategies that one can employ now it's not with you guys, but I have a single family rental home in another market, and one promotion that that manager is running and encouraged me to participate in is a 50 inch flat screen TV having that and giving it away to the tenant. Somehow, that only costs $250 so I decided to do that. At for a vacancy that I have there in that market. Now, some investors might say, you know, why am I buying TVs for a tenant? I'm already providing them with a place. If the rent is 1500 bucks, a $250 TV only costs five days of vacancy, and that helps me reduce that vacancy period. Might even make a tenant want to stay longer, so sometimes you got to be thinking about how your tenant thinks, and you can come up with inventive ways to reduce vacancy. Do you have anything like that, any small concession that you've offered or have needed to offer in either market? Terry Kerr 25:33 Well, we haven't done anything like that, Keith, but what we do like to do, and Matthew mentioned this earlier, is as great tenants tend to refer other great residents, and so we have a referral bonus that we pay out to our residents that refer other folks to us, and that does not come out of the pocket of our investors, that comes out of our pocket, because it's our job to make sure that We rent these properties as quick as we can to qualified residents. Keith Weinhold 26:04 One thing that I've liked about Memphis, which few markets have, is that it's embedded within renter culture in Memphis, since it is such a renter city, that renters travel with their appliances, like the refrigerator, in their stove, in their dishwasher, which always seems crazy to me, so you're not providing those appliances. It seems like that fact alone might help with resident retention in Memphis. They're just less likely to move when they have more stuff to move. Matthew Vanhorn 26:35 Yeah, it's really true. Yeah. And the longer people stay, the longer they tend to stay as funny as that sounds. And yeah, that's something that we found even in our new construction homes where we do provide the appliances we've been finding in many instances, still the residents are coming with their own appliances. And so we're storing our appliance, our brand new appliances, in our warehouse. Keith Weinhold 26:58 Wow, yes, that's just something that you don't see in other places. And when it comes to retention, we're interested in maintaining the property like you talked about being proactive with are there some other things you do to help ensure that the maintenance expenses stay lower throughout the lifetime of that investor ownership? How do you approach that? Terry Kerr 27:16 It really starts with doing a full blown rehab, right? So every once in a while, you know, we'll have houses that, you know, have some age on the components. But when we do a rehab, everything is brand spanking new, like a new roof, gut, the kitchen, got the bathroom, you know, all new electrical, all new plumbing, all new HVAC, a new water heater the whole nine yards. So it starts there, and then when a property turns over, we go into the property, and we are looking for safe and clean, right? So we want to make sure to keep the water out. We want to make sure that everything is safe and the property is tip top and super clean. Fortunately, the folks that are maintaining the houses for our investors. The technicians are the same technicians that did the renovations on the property, right? And it's the same materials. Yeah, it's like, we have an assembly line and a junky house jumps on the assembly line, and we rip everything off, and all the same materials jump back on the house. So we're able to keep costs low because of that, and also because the labor that we end up having to pay the technicians typically is a lot less than normal, because they're used to working on the same water heater, the same HVAC system, you know, the same furnace, the same dishwasher. So our volume model kind of helps with that. Keith Weinhold 28:39 Oh, if you were listening closely, yes, what a huge efficiency that can be. You fellas, have any last thoughts about efficient property management, since that's what you've led for more than 13 years, Matthew, Matthew Vanhorn 28:51 I resonate with what you said about how many investors overlook vacancy costs when properties turn over. And so I think it's just getting your rents right on the money, maybe just a little below, can actually drive returns, as opposed to maybe trying to get an extra 25 bucks more, which takes you three weeks longer to rent. You actually did not come out ahead in that, in that scenario, Keith Keith Weinhold 29:14 today, with inflation, a $25 difference, I mean, we're down to what 12 hours of vacancy is, really how we're talking about there Property Management turning a passive income into an active lifestyle since forever. That's what they do. Property managers are the people that have never met a maintenance issue that waited until business hours. So that's why I'm grateful that my managers do what they do for me. That's what we're talking about today. More when we come back with Terry Kerr and Matthew Van Horn of mid south homebuyers, I'm your host. Keith Weinhold Keith Weinhold 29:45 if you're scrolling for quality real estate and finance info today, yeah, it can be a mess. You hit paywalls, pop ups, push alerts, Cookie banners. It's like the internet is playing defense against you. Not so fun. That's why. It matters to get clean, free content that actually adds no hype value to your life. This is the golden age of quality email newsletters, and I write every word of ours myself. It's got a dash of humor. It's direct, and it gets to the point because even the word abbreviation is too long, my letter takes less than three minutes to read, and it leaves you feeling sharp and in the know about real estate investing, this is paradigm shifting material, and when you start the letter, you'll also get my one hour fast real estate video course, completely free as well. It's called The Don't quit your Daydream letter. It wires your mind for wealth, and it couldn't be simpler to get visit gre letter.com while it's fresh in your head, take a moment to do it now at gre letter.com Visit gre letter.com Keith Weinhold 30:56 the same place where I get my own mortgage loans is where you can get yours. Ridge lending group and MLS, 42056, they provided our listeners with more loans than anyone because they specialize in income properties. They help you build a long term plan for growing your real estate empire with leverage. Start your pre qual and even chat with President chailey Ridge personally, while it's on your mind, start at Ridge lending group.com that's Ridge lending group.com Tom Wheelwright 31:31 this is Rich Dad Advisor Tom wheelwright. Listen to get rich education with Keith Weinhold, and don't quit your Daydream. Keith Weinhold 31:37 welcome back to get rich education. You've got the pleasure of listening to the voices of America's oldest turnkey real estate provider mid south homebuyers based in Memphis, Tennessee, and some years ago, they branched out to Little Rock, Arkansas as well, just about a two hour road trip west of Memphis. When us as investors buy a property, we've got to be cognizant of the fact that that property swims in an economic ocean, and therefore job vibrancy is, after all, how the tenant pays the rent. So tell us about economic developments in Memphis and Little Rock, because there are some exciting ones. Matthew Vanhorn 32:24 So yeah, both in Memphis and in Little Rock, we've got the roads, we've got the rivers, we've got the rails, which drives both Memphis and Little Rock as distribution hubs here in the middle of America. And so of course, FedEx famously has their headquarters here in Memphis. Many of your listeners will know it's the largest cargo airport in America. We've had a resurgence of X. AI has actually come to Memphis and built the world's largest supercomputer here in Memphis, and they're actually working hard now on building a second called Colossus two, which is going to be even larger. They're saying it may hold as many as 1 million Nvidia chips, which I can't do that math, but that's a lot of money. And so x AI is has quickly become the second largest taxpayer here in Memphis and in Shelby County. And 25% of those tax proceeds, by the way are going, they're earmarked to go right into that local community beside where the plant is, and all the development is in Little Rock. You know, of course, it's Arkansas's largest city. It's the capital city, and so by nature of that, there are many stable state government jobs there that is a bulwark of the economic development there. There is a actually Fintech startup space is big in Little Rock as well. Lockheed Martin has been doing developments there, so a lot of aerospace development around Little Rock. Folks who look at our homes will also notice that we are in Jacksonville, which is a suburb of Little Rock that's anchored by the Air Force base there in Jacksonville. And there's actually a large munitions supplier there, Sig Sauer, which provides a lot of jobs to the locals there. And our number one, I may have mentioned it earlier, our number one employer in Central Arkansas is actually Baptist Health Medical Center. And just generally speaking, health care workers make up the largest portion of our residents in Central Arkansas. So a lot of great economic drivers that we're seeing bringing renters to Little Rock and and new jobs there. As a matter of fact, not just that, but I noted recently that the cost of living in Little Rock is now 10% below the national average. I think we had a report on our website a few years ago that it was 6% and that's actually. It's only becoming more favorable to live in Central Arkansas. Keith Weinhold 35:04 You're talking about stable and growing drivers here, AI related businesses and healthcare. Let's talk about those rents and prices. Because really, this is one reason why national investors are so drawn to that area. It's that high affordability and that high ratio of rent income to purchase price. So what sort of rent and price ranges are we looking at in both markets now, Matthew Vanhorn 35:29 it's not the same as it was when I started here in 2012 Reds have increased and so, you know, average rents around here start around 900 and now we're going up to about 1700 toward the high end there. And you know, the great news is that incomes have increased as well, and so our renters are able to afford this just as well as they were before. Or maybe even better, like I mentioned, cost of living in Arkansas has actually improved. And so what that means is people are actually making more money compared to the rent, even though rents have increased, which I believe is good news for investors, and it's been good news for us as a management company, as I think that contributes to the resident longevity there, once again, Keith Weinhold 36:17 nowhere in the nation Do we hear enough about increased affordability stories, which is exactly what you have when your income rises faster than your rent, which is a harbinger of being able to increase the rent in the future. Tell us more about the rent in price ranges in both markets. Matthew Vanhorn 36:35 In Memphis, if you get a two bed, one bath, you can often find that for as low as 808 850, something like that. As you step up into a three bed one bath, that's going to be somewhere between 1000 1200, depending on where you are in the city, there in Memphis, if you're in our new construction homes, those can range between 1395 all the way up to 1850 once again, depending on the size of the construction and the location out in Arkansas, rents tend to be just a little bit higher than in Memphis. So you see the rent starting there around 950 and going up to just under 2000 Keith Weinhold 37:19 and we're interested in that capital price, because a lot of times, investors think about their purchase through that perspective of the ratio of the rent income to the purchase price. Matthew Vanhorn 37:30 As far as sales price goes, Keith, we started right around $100,000 on the low end, and those can range up to 240,000 thereabouts, on the high end, if you're talking about a new construction, three, two with a two car garage in an appreciating area. You can see that sort of range in Memphis, very similar, very similar. We have some of our smaller rehabs starting as low as 100,000 and going up to about that $215,000 range. Keith Weinhold 38:04 Now, I would imagine, in the inflationary era that we're still in, that you get investors that call in there, and you do have these robust interactions with investors, where you talk with them on the phone like a human being, and people that say, come on. How can you get a respectable tenant in a single family rehab rental home that only costs $120,000 How do you handle questions like that? Matthew Vanhorn 38:30 That's the whole job here is explaining that Sure, no where our renters are living. It's the best home that they've ever lived in, and it's it's in a affordable area. It's in an area where their friends live, where you just have workforce, just blue collar, but beautiful neighborhoods where they live. And I mean, they're proud to call these houses their home, and for many, it really is their dream home. Keith Weinhold 38:55 People mold their lawns. The streets aren't littered with trash. I know where you guys invest. I've been on the streets there with you, checking them out. What percentage of investors finance the property, and how has that changed over time? Terry Kerr 39:09 I'm going to say that it's probably about 75% finance, 25% cash. A lot of your listeners come with their own mortgage broker. The ones that don't, we have our tried and true mortgage brokers. Interest rates are not 4% anymore, and some folks are are wanting to pay cash, and they do, and some of them will pay cash, and then, you know, plan on refinancing later. But right now, that's probably about 25% cash, 75% finance. Keith Weinhold 39:36 Yeah, it's interesting to see that direction, since rates did begin to get higher in 2022 you have this robust interaction with investors, but that doesn't only have to be over the phone. You guys are so proud of what you do that you've long offered investor tours. In fact, now you're doing more of those investor tours than you ever have. I believe you're doing 11. In tours per year in Memphis, and five in Little Rock as well.So tell us about that. Terry Kerr 40:04 I guess it was maybe seven or eight years ago. We're so stoked that everybody wants to buy houses from us, and we've got, you know, a short wait list, and that's awesome, but we want folks to come visit us, and so, you know, we just started offering folks $500 off of the purchase of their first home, if they'll just come visit us. And so we know it's in our best interest to try to get to know our investors on a personal level, and the investors that do come to visit us, and we're able to pull back the curtain and show them, you know how operational efficiency benefits them as investors. I think they appreciate it, and then we do also just kind of like the nerd out on the nuts and bolts of the business. So it's fun to be able to pull that curtain back. Keith Weinhold 40:48 Now, you don't have to be an investor to come on the tour, either prospective investors or regular investors that are already there can come on the tour. Is the Tour Free? Absolutely. So the tour is free, and you get a $500 credit if you end up purchasing there. Most investors never come physically see the property at all, but you sure can do that, and they make it really easy for you. Well, this is going to help a lot of people, especially when we think about how to manage the tenant and reduce our vacancy time in today's era. Before I ask how our listeners can learn more about you. Do you have any last thoughts at all about anything that we discussed management or properties or tenants or anything else? Maybe I did not think about asking you. Matthew Vanhorn 41:32 I'll just go back to Keith talking about how well staffed we are here at Mid South. I think that's where we stand. Apart from a lot of our competitors is that we're not just two or three guys in an office here, we have over 100 employees. It takes speed to deliver good service. Service leads to satisfaction. Satisfaction leads to the residents staying. The resident staying leads to stacks of cash for you as investors, and the only way you can do that is if you're staffed up properly. And so that's something that you want to ask if you're ever vetting another property manager, is what does your staff look like? And really understand, can they actually provide the service to their residents and to their investors that they're reporting? Keith Weinhold 42:17 You have helped more of our listeners than any other provider in the nation, certainly over 100 of them, perhaps hundreds by now. I'm not really sure if listeners want to get a hold of you, what's the best way for them to do that? Terry Kerr 42:31 Invest at mid southhomebuyers.com Keith Weinhold 42:34 that's a great starting place for you. And that way you can take a look at properties, get thinking about the market. Learn more about their management and get a hold of them. Terry and Matthew, it's been valuable as usual. Thanks so much for coming out of the show. Matthew Vanhorn 42:49 Thank you, Keith. Terry Kerr 42:49 Thank you, Keith. Keith Weinhold 42:56 Oh yeah. Sharp insights from Terry and Matthew at mid south homebuyers today, waiving their application fee means more applicants, a bigger renter pool to choose from, which either shortens your vacancy time or it's going to get you a better quality tenant. Now, a lot of people, they think that real estate is unaffordable and even impossible, but few make it easier and more affordable than these people. And I think I shared with you before that, an 18 year old guy who I do know and have talked to in person, he bought his first ever rental property from mid south homebuyers. So it's kind of interesting. His goal was to own his first rental property when he was 18, and he closed just in time the day before his 19th birthday. I think he's age 20 now, but because fully renovated single family homes can be bought in a range of about 100 to 220k here, and you will put 20 to 25% of a down payment on that your monthly rent is about eight tenths of 1% of that purchase price. Okay, so that's renovated, and then new builds sell in a range of 200 to 260k rent to price ratios on those are a little lower. They're point seven five or so. Now we are here in an era where mortgage rates are in the low sixes for owner occupied that means you'll pay closer to 7% on income properties. But if you go new build, which is really something I've been suggesting to you for a while, if you can swing it, those rates are as low as five and a quarter percent for qualified buyers here, yes, at these low Memphis and Little Rock prices, they've got a few duplexes usually available as well, renting your residence. It's just something that's sort of in the culture there in Memphis, and that's why they're confident in offering a number of guarantees for investors. They just do things that. That other providers don't do in the rare event that your property is occupied and then it somehow falls vacant during your first year of ownership. Their releasing fee is free. They also have a guarantee that you will cash flow after you close. They have a one year bumper to bumper warranty on the renovations we're talking about from the doorknob to the ductwork, and there's a lifetime 90 day occupancy guarantee. What that means is, if your property were ever vacant for that long, they would start paying rent to you on day 91 but you know what's amazing? It's easy for them to offer that they'll tell you that they've never had to pay out on that, because they've never experienced the vacancy of more than 55 days. Just amazing. And all those guarantees I just told you about that is in writing on their website. So if you want to get a hold of them, there's virtually no one else in the nation that makes it easier and more affordable. I believe that's an email address that Terry gave there. Again, it is invest@midsouthhomebuyers.com their website is, as you might have guessed, midsouthhomebuyers.com that's midsouthhomebuyers.com interestingly, you can even look at their income properties. There some provider websites don't let you do that. And again, they offer free tours, and if you prefer, their phone number is 901-306-9009, this week, you learned some great techniques for reducing your vacancy and being more profitable, as well as a provider that can deliver it for you. Should you so choose? The proverb goes, give a man a fish and you feed him for a day. Teach a man to fish and you feed him for a lifetime. Well, you've got the option of doing either one or both today, until next week. I'm your host. Keith Weinhold, don't quit your Daydream. Speaker 1 46:59 Nothing on this show should be considered specific, personal or professional advice. Please consult an appropriate tax, legal, real estate, financial or business professional for individualized advice. Opinions of guests are their own. Information is not guaranteed. All investment strategies have the potential for profit or loss. The host is operating on behalf of get rich Education LLC, exclusively you Keith Weinhold 47:27 The preceding program was brought to you by your home for wealth building, get richeducation.com
In this special anniversary episode, host Lisette Zounon celebrates 15 years of marriage by sharing 15 real lessons that have shaped her confidence, patience, and peace as a wife and partner.From “why every couple needs two sinks and two TVs” to deeper truths about prayer, respect, boundaries, and self-love — this episode blends honesty, humor, and wisdom that every modern woman can relate to.Whether you're single, dating, or married, these lessons are reminders that confidence in marriage starts with self-awareness, faith, and grace.
For the past year, Siphesihle Magagula has been going door-to-door selling solar power. He convinced nearly all of his neighbours to buy a basic solar kit, bringing lights to about 400 homes for the first time. His neighborhood, Nomzamo, never had electricity before — despite being close to South Africa's biggest coal mines and power stations. But some of his clients are disappointed. Their solar kits don't have enough power to run fridges or TVs. Nomzamo is just one example of South Africa's attempt at a transition away from coal but will it bring justice to the 1.6 million homes that aren't connected to the power grid?Show NotesAccess our free resources:To use our episodes on your radio show, refer to our toolkit.To host your own listening event, check out our guide.This episode is part of "Power to Change," a series of stories examining South Africa's transition from coal to renewable energy through the lives of young people living in coal communities. Listen to This Coal Life, an earlier episode in the series.We partnered with Context News, launched by the Thomson Reuters Foundation, which published a companion piece, written by Kim Harrisberg.You can visit Peco Power's website to read more about their solar power devices and their champion network.If you want to hear more of our award-winning climate storytelling, listen to Zambia's Sacrifice Zone.Acknowledgements:This story was reported by Siya Mokoena and Dhashen Moodley. Production assistance from Mo Isu and Malvin Shabangu. Thanks to Khuthala Environmental Care Group, GreenCape, Peco Power, VOC FM in Ermelo, and the residents of Nomzamo for their support. This episode was edited by Lesedi Mogoatlhe, with help from Kerry Donahue. Original music by Qhamani Sambu at Edible Audio in Cape Town. Sound engineering by Jo Jackson and Mike Rahfaldt. Jo Jackson is our Managing Producer. Clémence Petit Perrot is our Impact Producer with support from impact strategist Andy Jones. Mike Rahfaldt is our Executive Producer. Vuyo Lutseke is our Executive Director.This episode and the work of Radio Workshop would not be possible without support from the Doc Society, the UMI Fund, the African Climate Foundation, and the Oppenheimer Memorial Trust. Special thanks to Rob Byers, and also thanks to Hindenburg for supporting our projects across Africa with audio editing software.Support the showWe can only do this work because of your support. You can make a donation at radioworkshop.org.
We start with McDonald's Monopoly, the one national event that manages to unite the country every fall. My son's eating nuggets like they're gold coins, I'm entering codes like a madman, and somehow the “major prizes” are already gone a week in. Somebody's winning RVs, TVs, and million-dollar prizes while I'm sitting here collecting free hash browns and McChickens. But hey, at least there's a secret way to play for free that McDonald's doesn't want you to know about.Then we move into the lawsuit of the week: Smucker's vs. Trader Joe's. Yep. Smucker's is suing Trader Joe's over Uncrustables. They say the “crustless peanut butter and jelly sandwich” design was stolen. We're at the point in America where billion-dollar corporations are beefing over who owns the circle sandwich. You can't make this up.Next up, the government shutdown. We're weeks deep and no one cares. Nobody's getting paid, food banks are feeding federal workers, and the TSA is either missing or working for free. I say keep it shut down. If we hit 60 days, turn the White House into a Spirit Halloween.But that's not all. Donald Trump somehow found the time to:• Broker “peace” in the Middle East.• Send $20 billion to bail out Argentina's collapsing economy.• Announce he's building his own Arc de Trump because why not?Meanwhile, the rest of the country is drowning in family diners and new Sheetz gas stations. Every failed business in central Pennsylvania turns into a breakfast spot. Friendly's? Now a diner. Hookah bar? Diner. Chinese restaurant? Diner. We have so many diners the eggs are forming a union.We wrap up with OpenAI's new partnership with Walmart (the dumbest thing I've ever heard) and their latest feature that finally gives men what they've always wanted: intimacy mode. Yep, ChatGPT's getting spicy. For twenty bucks a month you get a girlfriend who listens, compliments you, and doesn't ask where you were last night.This episode is chaos from top to bottom—Monopoly scams, sandwich wars, government meltdowns, Trump buying Argentina, and AI turning romantic.Welcome to America, folks. What are we doing?Watch the full episode now, hit Like, Subscribe, and ring the bell so you don't miss next week's meltdown.
On this week's show we look at some 1960s and 1970s TV shows that received their series finally in a movie at least ten years after going off the air. We also take a look at five home automation trends for this year and beyond. We also read your emails and take a look at the week's news. News: MTV is Shutting Down Its Last Music Channels, Marking the End of an Era Taylor Swift Eras Tour docuseries, concert film head to Disney+ Apple TV+ Is Getting Rid Of The Plus 47 Years Ago: Rescue from Gilligan's Island Makes TV History On October 14, 1978, television history was made with the premiere of Rescue from Gilligan's Island, the first-ever TV series adapted into a made-for-TV movie. Airing 47 years ago today, this film brought back the beloved cast of the iconic 1960s sitcom Gilligan's Island, reuniting fans with the stranded castaways for a nostalgic adventure. The movie picked up where the series left off, following the bumbling Gilligan and his fellow survivors as they finally escaped their tropical island—only to face new comedic challenges adjusting to modern life. Starring the original cast, including Bob Denver as Gilligan and Alan Hale Jr. as the Skipper, the film captured the charm and humor that made the show a cultural staple. This groundbreaking adaptation paved the way for future TV-to-movie transitions, proving that beloved series could find new life on the small screen. Rescue from Gilligan's Island remains a milestone in TV history, reminding us of the enduring appeal of these lovable castaways. Here are a few other series that got a series finale years after it's TV run ended: Star Trek (ended in 1969) - Star Trek: The Motion Picture (1979) – Relaunched the crew on a new mission, effectively serving as a big-screen continuation and soft finale to the original era's story. Get Smart (ended 1970) - The Nude Bomb (1980) – Maxwell Smart returns for a solo mission against a mad bomber, providing a comedic capstone to his career. The Munsters (ended 1966) - Munsters' Revenge (1981 TV movie) – The family thwarts a crime ring, reuniting the original cast for a proper send-off. The Adams Family (ended 1966) - Halloween with the New Addams Family (1977 TV movie) – A reunion special where Gomez and Morticia host a haunted party, offering light-hearted closure. Five Smart Home Trends for 2025 and Beyond According to the National Association of Home Builders, two-thirds of consumers desire a connected home. Smart home technology is increasingly impacting property value while homes without such features may soon be worth less. At the annual CEDIA smart home technology expo in Denver, professionals like Kyle Steele, president of Global Wave Integration, and interior designer Toni Sabatino emphasized the importance of staying updated on smart home innovations. They both highlight insights from CEDIA and recent research, offering ideas for your smart home. Today we take a look at the five trends they see for 2025 and beyond. Increasing Seamless IntegrationFor the aesthetics committee, Smart home tech is evolving to blend invisibly into home aesthetics, with slimmer designs, refined finishes, and hidden features in shading, lighting, audio, and furnishings. This shift turns gadgets into design elements, like concealed speakers or artful LED walls, prioritizing user experience over visibility. But underneath it all, seamless integration will enable devices from various brands, such as lights, thermostats, cameras, and voice assistants, to work together as a unified system. This allows unified control via a single app or voice command, intuitive automation based on triggers and a smooth user experience with minimal setup, no delays, and reliable performance. New devices will integrate easily, and a robust network like Wi-Fi 6 supports the ecosystem, enabling complex routines regardless of device brands. Partnering ExpandsCollaborations between tech integrators and designers are growing to make solutions more accessible, especially for non-tech-savvy users like older homeowners. Designers act as bridges, explaining privacy-focused systems, while expos highlight products for storage, entertainment, and monitoring to enhance client value. Wellness TrendingHealth and wellness features are becoming mainstream, including circadian lighting, air/water purification, biophilic elements, and acoustic treatments. These systems promote energy-efficient, livable spaces aligned with natural rhythms, which may be a selling point for those focused on healthier home environments. Products such as smart scales, sleep analyzers, and blood pressure monitors will seamlessly integrate with home automation platforms enabling automations like adjusting room lighting based on sleep patterns detected by sleep sensors or dimming lights if weight trends indicate fatigue. Similarly, on-demand ECG readings through their mobile app can connect to the automation system to send notifications to family members, doctors and in extreme cases to first responders creating a proactive smart home that responds to vital health data in real time. SecuritySecurity remains a top priority, driving demand for video doorbells, whole-house systems, and cybersecurity measures amid hacking risks. Industry reports project strong growth in global smart home security, urging professionals to educate homeowners on secure setups like strong passwords. Multi-TaskingProducts now multitask across needs like security, comfort, entertainment, and energy savings like smart shading for automated vacation modes or TVs that double as art displays like Samsung's The Frame. Emerging "smart surfaces," such as charging countertops, reflect this versatile, lifestyle-fitting approach.
#529 TVS Motor, India Pt1. Gareth travels 5,000 miles to discover more about the 4th biggest manufacturers of 2-wheelers in the world. Join Gareth on a factory tour, and find out about TVS' connection to storied British bike brand Norton.
Few ideas have gripped the public imagination quite like the idea of the “psychopath.” From Hollywood thrillers to true-crime podcasts, popular culture has led us to believe that psychopaths are dangerous and biologically distinct from the rest of us. But what if almost everything we think we know about them is wrong?In this episode, we talk with Rasmus Rosenberg Larsen, an Assistant Professor of Forensic Epistemology at the University of Toronto and author of "Psychopathy Unmasked," whose research is challenging the very foundation of psychopathy as a diagnosis. Larsen explains how the term “psychopath” is relatively new, dating to the Ted Bundy trial in the 1970s, and how TVs and movies have skewed our understanding of the “psychopath.” He discusses psychopathy tests, their impact on the criminal justice system—and what the latest science reveals about the minds we've long misunderstood. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Send us a textA moment that's been 180 episodes in the making: the entire crew finally recording in person. We start the show with a heartfelt discussion about the passing of Diane Keaton, whose legacy sparks both nostalgia and debate. From Annie Hall to Baby Boom to Something's Gotta Give, the crew unpacks what made her such an everywoman icon. Would a “modern Diane Keaton” even be possible in an era of Botox and CGI storytelling?We then pivot to something far less wholesome.... Jared Leto. We dissect the flop of Tron: Ares and Leto's mysterious Hollywood staying power. How does he keep getting cast in roles? Rhea explains Leto's insider connections at Disney, while Angelo draws parallels to other once-golden stars such as De Niro and Will Ferrell.We then get into California's ban on overly loud streaming commercials. Is this actually good for advertisers and is there already a way to fix it with your smart TVs? We then have a conversation about bad TV mixing, over-hyped anchors, and SNL's eternally off-balance soundboard.The spouses join in..... with Christina Black and Gal Cataldi giving their takes on their partner's TV habits. THEN: BRITISH CORNER: Rhea introduces Karen Pirie, a Scottish detective series on BritBox. How does the writing and binge-friendly episode format contribute to the show;s success? Angelo then reviews The Lost Bus on Apple TV+. It is raw, emotional, and, according to the crew, one of McConaughey's best performances in years.Finally, Jay wraps things up with a quick dive into Peacemaker, discussing the incredible season finale. Carter ( Rhea's son) gives his fresh take from a Gen Z perspective.LISTEN NOW to stay up to date on all you need to know regarding the latest and greatest in television and the big screens.MAKE SURE TO VISIT OUR SPONSOR: Steven Singer Jewelers!The TV Show is a weekly podcast hosted by Jay Black, with regular guests Angelo Cataldi and Rhea Hughes. Each week, we dive into the new Golden Age of Television, with a discussion of the latest shows and news.
TSA screens more than bags as Kristi Noem blames Democrats for the shutdown—on airport TVs. Speaker Mike Johnson digs in, predicting the longest shutdown ever. Meanwhile, burnout hits a record high, and Gen Z gets shown the door—again.
If you've ever wanted an insight into Joel and Hannah's social media algorithms, look no further. Carpentry, self-help medical info, leopard print coats - a rather heady mix. In fact, it sounds like social media has finally killed Joel's attention span for good. Hannah's painfully aware that everything distracts him nowadays! TVs, phones, women in booty shorts… Email: Hello@NeverEverPod.comInstagram: @NeverEverPodTikTok: @nevereverpodThis episode contains explicit language and adult themes that may not be suitable for all listeners.
Creepy or genius? A new university-trained AI model can predict your one-year death risk with 76% accuracy. No psychic powers required. Plus, Walmart's partnership with ChatGPT, the comeback of tiny '90s kitchen TVs, and why charging your e-bike indoors is more dangerous than you think. Learn more about your ad choices. Visit megaphone.fm/adchoices
The Head of Instagram, Adam Mosseri, announces Instagram is working on a TV app because they've seen the success YouTube has had. (That's a nice way to say Instagram is jealous that people can watch YouTube on their TVs.) Also Instagram has a blog post all about Notes, and we do a Q&A session from Adam Mosseri's weekly Ask Me Anything. Links:Bloomberg Talks: Head of Instagram Adam Mosseri (YouTube)Instagram: Mastering Instagram Notes: Ideas for Creative Sharing (Instagram Blog)Sign Up for The Weekly Email Roundup: NewsletterLeave a Review: Apple PodcastsFollow Me on Instagram: @danielhillmedia Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
This week, we highlight all of the comments from Netflix's co-CEO regarding its upcoming release of five Party Games designed for connected TVs. We also detail his remarks on why Netflix doesn't bid for an entire season of NFL games, why Netflix doesn't want to acquire WBD, the impact of their new UI/UX and why trying to copy YouTube is the "dumbest move" a company can make. We also cover some announcements made during Advertising Week NY, with news from NBC, Paramount Skydance, Roku, Snap, The Trade Desk, Sky Media and Fox.Podcast produced by Security Halt Media
On this week's show we recommend five 55” TVs for less than $500 that will give you the best bang for your buck! We also read your emails and take a look at some of the week's news. News: Anker opens pre-orders for its Nebula X1 Pro projector system Amazon unveils a new Fire TV lineup, including the $40 Fire TV Stick 4K Select TiVo Exiting Legacy DVR Business Walmart's Onn 4K Pro Google TV Streaming Device is On Sale At Its Lowest Price Ever Other: DIY Surround Sound... USING LASERS! Signal GH Highly Rated 55 Inch TVs Under $500 This week we scoured the Internet for best bang for the buck TVs that would work in a typical family room. For this criteria we landed on 55” as it is, in our opinion, the Goldilocks size. We read reviews from sites like RTINGS, CNET, Tom's Guide, and What Hi-Fi? To select five models that have something for everyone. All the TVs are 4K smart TVs with good picture quality, HDR support, and gaming features. All Models Available at Amazon Here's a comparison of the top-rated options: TCL QM6K (QLED Mini-LED) 55-inch ~$445 at Amazon CNET: 8.6 out of 10 RTINGS: 7.1 out of 10 overall Tom's Guide: 4 out 5 144Hz refresh rate, local dimming for deep blacks, Google TV OS, VRR/AMD FreeSync for gaming, Dolby Vision HDR. Best all-around budget TV; excels in brightness, color vibrancy, and motion handling for movies/gaming—rivals pricier models without blooming issues. Hisense QD7QF (QLED) 55-inch ~$350 at Amazon CNET: 8 out of 10 RTINGS: 6.8/10 Full-array local dimming, 144Hz VRR, Dolby Vision/Atmos, Google TV, twice the brightness of most budget rivals. Unmatched contrast and immersion for the price; ideal for dark-room viewing and gaming, with solid upscaling for streaming. Roku Plus Series (QLED Mini-LED) 55-inch $400 at Amazon Tom's Guide: 4 out of 5 WIRED: Best Smart TV Mini-LED backlight, quantum dots for color pop, Roku OS (simple streaming), HDR10+, 60Hz with low lag. Easiest interface for casual users; great value for vibrant colors and decent blacks—perfect for bright rooms and Roku fans. Hisense U6K (Mini-LED) 55-inch ~450 at Amazon RTINGS: 7.4 out of 10| Tom's Guide: 4.5 out of 5 Quantum dots, local dimming, 60Hz Game Mode, VIDAA OS, Dolby Vision, Affordable entry to Mini-LED tech; strong HDR performance and shadow detail—beats basic LEDs in contrast without extras. Amazon Fire TV Omni QLED 55-inch $410 at Amazon What Hi-Fi?: 4 out of 5; RTINGS: 7.6 out of 10 Local dimming, Alexa voice control, Fire TV OS, Dolby Vision, wide color gamut | Balanced for smart home integration; solid contrast and app ecosystem—best for Amazon Prime users wanting a compact, feature-rich set.
An episode full of amazing guest voices! DIPA Josh, Ryan, Gnome, and Blake chimed in here and there as we recorded while waiting for the finale of Oktoberfest Quest to begin. We stayed mostly on track since we had a lot of content to talk about in not a lot of time. Join the loud, rocking MadTree taproom as we discuss things such as: Joe Flacco. Blake shaking down the Cincy Brew Dads to get all the tea on their beer content. Matt and Ryan being offended by our recaps. A Tuesday Weekly Pint full of Big Sipz. The void that's being filled by things like Big Sipz and Buzzballs. Appreciating kangaroos. Matt loses his religion at Streetside. The best Nick Cage movie. Marco is banned from facing TVs while we record. The best town in the world according to Michael "Brings the D" Morgan. Jack Daniels screwing over local farmers. Actual schnapps for the Schnappening. Talking about the beginning of the end of the 2025 Oktoberfest Quest. Struggling to keep "classic" beers in your drinking rotation. **The music used in the NFL Deathmatch Challenge is by DonRock the Imposter on YouTube: https://www.youtube.com/watch?v=mqKSIaE_QE8 @donrocktheimposter912 Week 6 : Gnome's Pick : Rams Marco's Pick : Steelers Julia's Pick : Broncos Current points going into Week 6 : Gnome : 5 Marco : 4 Julia : 3 ----- This episode covers the following shows : Cincy Brew Dads - From the Tap Ep 8 - Streetside Brewery's 9th Anniversary Barstool Perspective - 10/3/2025 The Weekly Pint - Ep 281 - That's Not Poison...But It IS Gnarly! The Weekly Pint - Ep 282 - Marking the End...Preparing for the Beginning Blake's Craft Beer Podcast - Ep 86 - Cincy Brew Dads ----- What we drank : MadTree - Identity Crisis - Black IPA MadTree - The Cincy Stripe - French Pilsner MadTree - Psychopathy - IPA ----- Episode recorded on 10/7/2025 at our amazing podcast host, MadTree's Oakley taproom! https://madtree.com/ Disclaimer: The views and opinions expressed by Truth, Beer, and Podsequences are those of the participants alone and do not necessarily reflect the views or opinions of any entities they may represent. ------ Links to everything at http://truthbeerpod.com/ or https://truthbeerpod.podbean.com/ Find us on all the social medias @ TruthBeerPod Email us at TruthBeerPod@gmail.com Subscribe, like, review, and share! Find all of our episodes on your favorite Podcast platform or https://www.youtube.com/@TruthBeerPod ! Buy us a pint! If you'd like to support the show, you can do by clicking the "One-Time Donation" link at http://truthbeerpod.com ! If you want exclusive content, check out our Patreon! https://www.patreon.com/TruthBeerPod If you'd like to be a show sponsor or even just a segment sponsor, let us know via email or hit us up on social media! ----- We want you to continue to be around to listen to all of our episodes. If you're struggling, please reach out to a friend, family member, co-worker, or mental health professional. If you don't feel comfortable talking to someone you know, please use one of the below resources to talk to someone who wants you around just as much as we do. Call or Text 988 to reach the Suicide and Crisis Lifeline Chat with someone at 988lifeline.org http://www.988lifeline.org ----- Our Intro, Outro, and most of the "within the episode" music was provided by Gnome Creative. Check out www.GnomeCreative.com for all your audio, video, and imagery needs! @gnome__creative on Instagram @TheGnarlyGnome on Twitter https://thegnarlygnome.com/support http://gnomecreative.com http://instagram.com/gnome__creative http://www.twitter.com/TheGnarlyGnome
EP166 Interview With Mark & Simon From Elinchrom UK I sit down with Mark Cheatham and Simon Burfoot from Elinchrom UK to talk about the two words that matter most when you work with light: accuracy and consistency. We dig into flash vs. continuous, shaping light (not just adding it), why reliable gear shortens your workflow, and Elinchrom's new LED 100 C—including evenly filling big softboxes and that handy internal battery. We also wander into AI: threats, tools, and why authenticity still carries the highest value. Links: Elinchrom UK store/info: https://elinchrom.co.uk/ LED 100 C product page: https://elinchrom.co.uk/elinchrom-led-100-c Rotalux Deep Octa / strips: https://elinchrom.co.uk/elinchrom-rotalux-deep-octabox-100cm-softbox/ My workshop dates: https://masteringportraitphotography.com/workshops-and-mentoring/ Transcript: Paul: as quite a lot of, you know, I've had a love affair with Elinchrom Lighting for the past 20 something years. In fact, I'm sitting with one of the original secondhand lights I bought from the Flash Center 21 years ago in London. And on top of that, you couldn't ask for a nicer set of guys in the UK to deal with. So I'm sitting here about to talk to Simon and Mark from Elinchrom uk. I'm Paul and this is the Mastering Portrait Photography podcast. Paul: So before we get any further, tell me a little bit about who you are, each of you and the team from Elinchrom UK Mark: After you, Simon. Simon: Thank you very much, mark. Mark: That's fine. Simon: I'm, Simon Burfoot. I have, been in the industry now for longer than I care to think. 35 years almost to the, to the day. Always been in the industry even before I left school because my father was a photographer and a lighting tutor, working for various manufacturers I was always into photography, and when he started the whole lighting journey. I got on it with him, and was learning from a very young age. Did my first wedding at 16 years old. Had a Saturday job which turned into a full-time job in a retail camera shop. By the time I was 18, I was managing my own camera shop, in a little town in the Cotswolds called Cirencester. My dad always told me that to be a photographic rep in the industry, you needed to see it from all angles, to get the experience. So I ended up, working in retail, moving over to a framing company. Finishing off in a prolab, hand printing, wedding photographers pictures, processing E6 and C41, hand correcting big prints for framing for, for customers, which was really interesting and I really enjoyed it. And then ended up working for a company called Leeds Photo Visual, I was a Southwest sales guy for them. Then I moved to KJP before it became, what we know now as Wex, and got all of the customers back that I'd stolen for them for Leeds. And then really sort of started my career progressing through, and then started to work with Elinchrom, on the lighting side. Used Elinchrom way before I started working with them. I like you a bit of a love affair. I'd used lots of different lights and, just loved the quality of the light that the Elinchrom system produced. And that's down to a number of factors that I could bore you with, but it's the quality of the gear, the consistency in terms of color, and exposure. Shooting film was very important to have that consistency because we didn't have Photoshop to help us out afterwards. It was a learning journey, but I, I hit my goal after being a wedding photographer and a portrait photographer in my spare time, working towards getting out on the road, meeting people and being involved in the industry, which I love. And I think it's something that I'm scared of leaving 'cause I dunno anything else. It's a wonderful industry. It has its quirks, its, downfalls at points, but actually it's a really good group of people and everyone kind of, gets on and we all love working with each other. So we're friends rather than colleagues. Paul: I hesitate to ask, given the length of that answer, to cut Simon: You did ask. Mark: I know. Paul: a short story Mark: was wondering if I was gonna get a go. Paul: I was waiting to get to end into the podcast and I was about to sign off. Mark: So, hi Mark Cheatham, sales director for Elinchrom uk this is where it gets a little bit scary because me and Simon have probably known each other for 10 years, yet our journeys in the industry are remarkably similar. I went to college, did photography, left college, went to work at commercial photographers and hand printers. I was a hand printer, mainly black and white, anything from six by four to eight foot by four foot panels, which are horrible when you're deving in a dish. But we did it. Paul: To the generation now, deving in a dish doesn't mean anything. Simon: No, it doesn't. Mark: And, and when you're doing a eight foot by four foot print and you've got it, you're wearing most of the chemistry. You went home stinking every night. I was working in retail. As a Saturday lad and then got promoted from the Saturday lad to the manager and went to run a camera shop in a little town in the Lake District called Kendall. I stayed there for nine years. I left there, went on the road working for a brand called Olympus, where I did 10 years, I moved to Pentax, which became Rico Pentax. I did 10 years there. I've been in the industry all my life. Like Simon, I love the industry. I did go out the industry for 18 months where I went into the wonderful world of high end commercial vr, selling to blue light military, that sort of thing. And then came back. One of the, original members of Elinchrom uk. I don't do as much photography as Simon I take photos every day, probably too many looking at my Apple storage. I do shoot and I like shooting now and again, but I'm not a constant shooter like you guys i'm not a professional shooter, but when you spent 30 odd years in the industry, and part of that, I basically run the, the medium format business for Pentax. So 645D, 645Z. Yeah, it was a great time. I love the industry and, everything about it. So, yeah, that's it Paul: Obviously both of you at some point put your heads together and decided Elinchrom UK was the future. What triggered that and why do you think gimme your sales pitch for Elinchrom for a moment and then we can discuss the various merits. Simon: The sales pitch for Elinchrom is fairly straightforward. It's a nice, affordable system that does exactly what most photographers would like. We sell a lot of our modifiers, so soft boxes and things like that to other users, of Prophoto, Broncolor. Anybody else? Because actually the quality of the light that comes out the front of our diffusion material and our specular surfaces on the soft boxes is, is a lot, lot more superior than, than most. A lot more superior. A lot more Mark: A lot more superior. Paul: more superior. Simon: I'm trying to Paul: Superior. Simon: It's superior. And I think Paul, you'll agree, Paul: it's a lot more, Simon: You've used different manufacturers over the years and, I think the quality of light speaks for itself. As a photographer I want consistency. Beautiful light and the effects that the Elinchrom system gives me, I've tried other soft boxes. If you want a big contrasty, not so kind light, then use a cheaper soft box. If I've got a big tattoo guy full of piercings you're gonna put some contrasty light to create some ambience. Maybe the system for that isn't good enough, but for your standard portrait photographer in a studio, I don't think you can beat the light. Mark: I think the two key words for Elinchrom products are accuracy and consistency. And that's what, as a portrait photographer, you should be striving for, you don't want your equipment to lengthen your workflow or make your job harder in post-production. If you're using Elinchrom lights with Elinchrom soft boxes or Elinchrom modifiers, you know that you're gonna get accuracy and consistency. Which generally makes your job easier. Paul: I think there's a bit that neither of you, I don't think you've quite covered, and it's the bit of the puzzle that makes you want to use whatever is the tool of your trade. I mean, I worked with musicians, I grew up around orchestras. Watching people who utterly adore the instrument that's in their hand. It makes 'em wanna play it. If you own the instrument that you love to play, whether it's a drum kit a trumpet a violin or a piano, you will play it and get the very best out of your talent with it. It's just a joy to pick it up and use it for all the little tiny things I think it's the bit you've missed in your descriptions of it is the utter passion that people that use it have for it. Mark: I think one of the things I learned from my time in retail, which was obviously going back, a long way, even before digital cameras One of the things I learned from retail, I was in retail long before digital cameras, retail was a busier time. People would come and genuinely ask for advice. So yes, someone would come in and what's the best camera for this? Or what's the best camera for that? Honestly there is still no answer to that. All the kit was good then all the kit is good now. You might get four or five different SLRs out. And the one they'd pick at the end was the one that they felt most comfortable with and had the best connection with. When you are using something every day, every other day, however it might be, it becomes part of you. I'm a F1 fan, if you love the world of F1, you know that an F1 car, the driver doesn't sit in an F1 car, they become part of the F1 car. When you are using the same equipment day in, day out, you don't have to think about what button to press, what dial to to turn. You do it. And that, I think that's the difference between using something you genuinely love and get on with and using something because that's what you've got. And maybe that's a difference you genuinely love and get on with Elinchrom lights. So yes, they're given amazing output and I know there's, little things that you'd love to see improved on them, but that's not the light output. Paul: But the thing is, I mean, I've never, I've never heard the F1 analogy, but it's not a bad one. When you talk about these drivers and their cars and you are right, they're sort of symbiotic, so let's talk a little bit about why we use flash. So from the photographers listening who are just setting out, and that's an awful lot of our audience. I think broadly speaking, there are two roads or three roads, if you include available light if you're a portrait photographer. So there's available light. There's continuous light, and then there's strobes flash or whatever you wanna call it. Of course, there's, hybrid modeling and all sorts of things, but those are broadly the three ways that you're gonna light your scene or your subject. Why flash? What is it about that instantaneous pulse of light from a xenon tube that so appealing to photographers? Simon: I think there's a few reasons. The available light is lovely if you can control it, and by that I mean knowing how to use your camera, and control the ambient light. My experience of using available light, if you do it wrong, it can be quite flat and uninteresting. If you've got a bright, hot, sunny day, it can be harder to control than if it's a nice overcast day. But then the overcast day will provide you with some nice soft, flat lighting. Continuous light is obviously got its uses and there's a lot of people out there using it because what they see is what they get. The way I look at continuous light is you are adding to the ambient light, adding more daylight to the daylight you've already got, which isn't a problem, but you need to control that light onto the subject to make the subject look more interesting. So a no shadow, a chin shadow to show that that subject is three dimensional. There are very big limitations with LED because generally it's very unshapable. By that I mean the light is a very linear light. Light travels in straight lines anyway, but with a flash, we can shape the light, and that's why there's different shapes and sizes of modifiers, but it's very difficult to shape correctly -an LED array, the flash for me, gives me creativity. So with my flash, I get a sharper image to start with. I can put the shadows and the light exactly where I want and use the edge of a massive soft box, rather than the center if I'm using a flash gun or a constant light. It allows me to choose how much or how little contrast I put through that light, to create different dynamics in the image. It allows me to be more creative. I can kill the ambient light with flash rather than adding to it. I can change how much ambient I bring into my flash exposure. I've got a lot more control, and I'm not talking about TTL, I'm talking about full manual control of using the modifier, the flash, and me telling the camera what I want it to do, rather than the camera telling me what it thinks is right. Which generally 99% of the time is wrong. It's given me a beautiful, average exposure, but if I wanted to kill the sun behind the subject, well it's not gonna do that. It's gonna give me an average of everything. Whereas Flash will just give me that extra opportunity to be a lot more creative and have a lot more control over my picture. I've got quite a big saying in my workshops. I think a decent flash image is an image where it looks like flash wasn't used. As a flash photographer, Paul, I expect you probably agree with me, anyone can take a flash image. The control of light is important because anybody can light an image, but to light the subject within the image and control the environmental constraints, is the key to it and the most technical part of it. Mark: You've got to take your camera off P for professional to do that. You've got to turn it off p for professional and get it in manual mode. And that gives you the control Paul: Well, you say that, We have to at some point. Address the fact that AI is not just coming, it's sitting here in our studios all the time, and we are only a heartbeat away from P for professional, meaning AI analyzed and creating magic. I don't doubt for a minute. I mean, right now you're right, but not Mark: Well, at some point it will be integrated into the camera Paul: Of course it will. Mark: If you use an iPhone or any other phone, you know, we are using AI as phone photographers, your snapshots. You take your kids, your dogs, whatever they are highly modified images. Paul: Yeah. But in a lot of the modern cameras, there's AI behind the scenes, for instance, on the focusing Mark: Yeah. Paul: While we've, we are on that, we were on that thread. Let's put us back on that thread for a second. What's coming down the line with, all lighting and camera craft with ai. What are you guys seeing that maybe we're not Simon: in terms of flash technology or light technology? Paul: Alright. I mean, so I mean there's, I guess there's two angles, isn't there? What are the lights gonna do that use ai? What are the controllers gonna do, that uses ai, but more importantly, how will it hold its own in a world where I can hit a button and say, I want rebrand lighting on that face. I can do that today. Mark: Yeah. Simon: I'm not sure the lighting industry is anywhere near producing anything that is gonna give what a piece of software can give, because there's a lot more factors involved. There's what size light it is, what position that light is in, how high that light is, how low that light is. And I think the software we've all heard and played with Evoto we were talking about earlier, I was very skeptical and dubious about it to start with as everybody would be. I'm a Photoshop Lightroom user, have been for, many years. And I did some editing, in EEvoto with my five free credits to start with, three edits in, I bought some credits because I thought, actually this is very, very good. I'll never use it for lighting i'd like to think I can get that right myself. However, if somebody gives you a, a very flat image of a family outside and say, well, could you make this better for me? Well, guess what? I can do whatever you like to it. Is it gonna attack the photographer that's trying to earn a living? I think there's always a need for people to take real photographs and family photographs. I think as photographers, we need to embrace it as an aid to speed up our workflow. I don't think it will fully take over the art of photography because it's a different thing. It's not your work. It's a computer generated AI piece of work in my head. Therefore, who's responsible for that image? Who owns the copyright to that image? We deal with photographers all the time who literally point a camera, take a picture and spend three hours editing it and tell everyone that, look at this. The software's really good and it's made you look good. I think AI is capable of doing that to an extent. In five years time, we'll look back at Evoto today and what it's producing and we'll think cracky. That was awful. It's like when you watch a high definition movie from the late 1990s, you look at it and it was amazing at the time, but you look at it now and you think, crikey, look at the quality of it. I dunno if we're that far ahead where we won't get to that point. The quality is there. I mean, how much better can you go than 4K, eight K minus, all that kind of stuff. I'm unsure, but I don't think the AI side of it. Is applicable to flash at this moment in time? I don't know. Mark: I think you're right. To look at the whole, photography in general. If you are a social photographer, family photographer, whatever it might be, you are genuinely capturing that moment in time that can't be replaced. If you are a product photographer, that's a different matter. I think there's more of a threat. I think I might be right in saying. I was looking, I think I saw it on, LinkedIn. There is a fashion brand in the UK at the moment that their entire catalog of clothing has been shot without models. When you look at it on the website, there's models in it. They shoot the clothing on mannequins and then everything else is AI generated they've been developing their own AI platform now for a number of years. Does the person care Who's buying a dress for 30 quid? Probably not, but if you are photographing somebody's wedding, graduation, some, you know, a genuine moment in someone's life, I think it'd be really wrong to use any sort of AI other than a little bit of post-production, which we know is now quite standard for many people in the industry. Paul: Yeah, the curiosity for me is I suspect as an industry, Guess just released a full AI model advert in, Vogue. Declared as AI generated an ai agency created it. Everything about it is ai. There's no real photography involved except in the learning side of it. And that's a logical extension of the fact we've been Photoshopping to such a degree that the end product no longer related to the input. And we've been doing that 25 years. I started on Photoshop version one, whatever that was, 30 years More than 33. So we've kind of worked our way into a corner where the only way out of it is to continue. There's no backtracking now. Mark: Yeah. Paul: I think the damage to the industry though, or the worry for the industry, I think you're both right. I think if you can feel it, touch it, be there, there will always be that importance. In fact, the provenance of authenticity. Is the high value ticket item now, Simon: Mm-hmm. Paul: because you, everything else is synthetic, you can trust nothing. We are literally probably months away from 90% of social media being generated by ai. AI is both the consumer and the generator of almost everything online Mark: Absolutely. Paul: Goodness knows where we go. You certainly can't trust anything you read. You can't trust anything you see, so authenticity, face-to-face will become, I think a high value item. Yeah. Mark: Yeah. Paul: I think one problem for us as an industry in terms of what the damage might be is that all those people that photograph nameless products or create books, you know, use photography and then compositing for, let's say a novel that's gone, stock libraries that's gone because they're faceless. Simon: Mm-hmm. Paul: there doesn't have to be authentic. A designer can type in half a dozen keywords. Into an AI engine and get what he needs. If he doesn't get what he needs, he does it again. All of those photographers who currently own Kit are gonna look around with what do we do now? And so for those of us who specialize in weddings and portraits and family events, our market stands every chance of being diluted, which has the knock on effect of all of us having to keep an eye on AI to stay ahead of all competitors, which has the next knock on effect, that we're all gonna lean into ai, which begs the question, what happens after Because that's what happened in the Photoshop world. You know, I'm kind of, I mean, genuinely cur, and this will be a running theme on the podcast forever, is kind of prodding it and taking barometer readings as to where are we going? Mark: Yeah. I mean, who's more at threat at the moment from this technology? Is it the photographer or is it the retouch? You know, we do forget that there are retouchers That is their, they're not photographers. Paul: I don't forget. They email me 3, 4, 5 times a day. Mark: a Simon: day, Mark: You know, a highly skilled retouch isn't cheap. They've honed their craft for many years using whatever software product they prefer to use. I think they're the ones at risk now more so than the photographer. And I think we sort of lose sight of that. Looking at it from a photographer's point of view, there is a whole industry behind photography that actually is being affected more so than you guys at the moment. Simon: Mm-hmm. Paul: Yeah, I think there's truth in that, but. It's not really important. Of course, it's really important to all of those people, but this is the digital revolution that we went through as film photographers, and probably what the Daguerreotype generators went through when Fox Tolbert invented the first transfer. Negative. You know, they are, there are always these epochs in our industry and it wipes out entire skillset. You know, I mean, when we went to digital before then, like you, I could dev in a tank. Yeah. You know, and really liked it. I like I see, I suspect I just like the solitude, Mark: the dark, Paul: red light in the dark Mark: yeah. Paul: Nobody will come in. Not now. Go away. Yeah. All that kind of stuff. But of course those skills have gone, has as, have access to the equipment. I think we're there again, this feels like to me a huge transition in the industry and for those who want to keep up, AI is the keeping up whether you like it or not. Mark: Yeah. And if you don't like it, we've seen it, we're in the middle of a massive resurgence in film photography, which is great for the industry, great for the retail industry, great for the film manufacturers, chemical manufacturers, everything. You know, simon, myself, you, you, we, we, our earliest photography, whether we were shooting with flash, natural light, we were film shooters and that planes back. And what digital did, from a camera point of view, is make it easier and more accessible for less skilled people. But it's true. You know, if you shot with a digital camera now that's got a dynamic range of 15 stops, you actually don't even need to have your exposure, that accurate Go and shoot with a slide film that's got dynamic range of less than one stop and see how good you are. It has made it easier. The technology, it will always make it. Easier, but it opens up new doors, it opens up new avenues to skilled people as well as unskilled people. If you want, I'm using the word unskilled again, I'm not being, a blanket phrase, but it's true. You can pick up a digital camera now and get results that same person shooting with a slide film 20 years ago would not get add software to that post-production, everything else. It's an industry that we've seen so many changes in over the 30 odd years that we've been in it, Simon: been Mark: continue Simon: at times. It exciting Mark: The dawn of digital photography to the masses. was amazing. I was working for Olympus at the time when digital really took off and for Olympus it was amazing. They made some amazing products. We did quite well out of it and people started enjoying photography that maybe hadn't enjoyed photography before. You know, people might laugh at, you know, you, you, you're at a wedding, you're shooting a really nice wedding pool and there's always a couple of guests there which have got equipment as good as yours. Better, better than yours. Yeah. Got Simon: jobs and they can afford it. Mark: They've got proper jobs. Their pitches aren't going to be as good as yours. They're the ones laughing at everyone shooting on their phone because they've spent six grand on their new. Camera. But if shooting on a phone gets people into photography and then next year they buy a camera and two years later they upgrade their camera and it gets them into the hobby of photography? That's great for everyone. Hobbyists are as essential, as professional photographers to the industry. In fact, to keep the manufacturers going, probably more so Simon: the hobbyists are a massive part. Even if they go out and spend six or seven or 8,000 pounds on a camera because they think it's gonna make them a better photographer. Who knows in two years time with the AI side, maybe it will. That old saying, Hey Mr, that's a nice camera. I bet it takes great pictures, may become true. We have people on the lighting courses, the workshops we run, the people I train and they're asking me, okay, what sessions are we gonna use? And I'm saying, okay, well we're gonna be a hundred ISO at 125th, F 5.6. Okay, well if I point my camera at the subject, it's telling me, yeah, but you need to put it onto manual. And you see the color drain out their faces. You've got a 6,000 pound camera and you've never taken it off 'P'. Mark: True story. Simon: And we see this all the time. It's like the whole TTL strobe manual flash system. The camera's telling you what it wants to show you, but that maybe is not what you want. There are people out there that will spend a fortune on equipment but actually you could take just as good a picture with a much smaller, cheaper device with an nice bit of glass on the front if you know what you're doing. And that goes back to what Mark was saying about shooting film and slide film and digital today. Paul: I, mean, you know, I don't want this to be an echo chamber, and so what I am really interested in though, is the way that AI will change what flash photography does. I'm curious as to where we are headed in that, specific vertical. How is AI going to help and influence our ability to create great lip photography using flash? Mark: I think, Paul: I love the fact the two guys side and looked at each other. Mark: I, Simon: it's a difficult question to answer. Mark: physical light, Simon: is a difficult question to answer because if you're Mark: talking about the physical delivery of light. Simon: Not gonna change. Mark: Now, The only thing I can even compare it to, if you think about how the light is delivered, is what's the nearest thing? What's gotta change? Modern headlamps on cars, going back to cars again, you know, a modern car are using these LED arrays and they will switch on and switch off different LEDs depending on the conditions in front of them. Anti dazzle, all this sort of stuff. You know, the modern expensive headlamp is an amazing technical piece of kit. It's not just one ball, but it's hundreds in some cases of little arrays. Will that come into flash? I don't know. Will you just be able to put a soft box in front of someone and it will shape the light in the future using a massive array. Right? I dunno it, Simon: there's been many companies tested these arrays, in terms of LED Flash, And I think to be honest, that's probably the nearest it's gonna get to an AI point of view is this LED Flash. Now there's an argument to say, what is flash if I walk into a living room and flick the light on, on off really quickly, is that a flash? Mark: No, that's a folock in Paul: me Mark: turn, big lights off. Paul: Yeah. Mark: So Simon: it, you, you might be able to get these arrays to flush on and off. But LED technology, in terms of how it works, it's quite slow. It's a diode, it takes a while for it to get to its correct brightness and it takes a while for it to turn off. To try and get an LED. To work as a flash. It, it's not an explosion in a gas field tube. It's a a, a lighter emitting diode that is, is coming on and turning off again. Will AI help that? Due to the nature of its design, I don't think it can. Mark: Me and s aren't invented an AI flash anytime soon by the looks of, we're Simon: it's very secret. Mark: We're just putting everyone off Paul, Simon: It's alright. Mark: just so they don't think Simon: Yeah, Mark: Oh, it's gonna be too much hard work and we'll sort it. Paul: It's definitely coming. I don't doubt for a minute that this is all coming because there's no one not looking at anything Simon: that makes perfect sense. Paul: Right now there's an explosion of invention because everybody's trying to find an angle on everything. Simon: Mm-hmm. Paul: The guys I feel the most for are the guys who spent millions, , on these big LED film backdrop walls. Simon: Yep. Mark: So you can Paul: a car onto a flight sim, rack, and then film the whole lot in front of an LED wall. Well, it was great. And there was a market for people filming those backdrops, and now of course that's all AI generated in the LED, but that's only today's technology. Tomorrow's is, you don't need the LED wall. That's here today. VEO3 and Flow already, I mean, I had to play with one the other day for one of our lighting diagrams and it animated the whole thing. Absolute genius. Simon: Mm-hmm. Paul: I still generated the original diagram. Mark: Yeah, Paul: Yeah, that's useful. There's some skill in there still for now, but, you gotta face the music that anything that isn't, I can touch it and prod it. AI's gonna do it. Mark: Absolutely. If you've ever seen the series Mandalorian go and watch the making of the Mandalorian and they are using those big LED walls, that is their backdrop. Yeah. And it's amazing how fast they shift from, you know, they can, they don't need to build a set. Yeah. They shift from scene to scene. Paul: Well, aI is now building the scenes. But tomorrow they won't need the LED wall. 'cause AI will put it in behind the actors. Mark: Yeah. Say after Paul: that you won't need the actors because they're being forced to sign away the rights so that AI can be used. And even those that are standing their ground and saying no, well, the actors saying Yes. Are the ones being hired. You know, in the end, AI is gonna touch all of it. And so I mean, it's things like, imagine walking into a studio. Let's ignore the LED thing for a minute, by the way, that's a temporary argument, Simon: I know you're talking about. Paul: about today's, Simon: You're about the. Mark: days Paul: LEDs, Simon: we're in, We're in very, very interesting times and. I'm excited for the future. I'm excited for the new generation of photographers that are coming in to see how they work with what happens. We've gone from fully analog to me selling IMACON drum scanners that were digitizing negatives and all the five four sheet almost a shoot of properties for an estate agent were all digitized on an hassle blood scanner. And then the digital camera comes out and you start using it. It was a Kodak camera, I think the first SLRI used, Paul: Yeah. Simon: and you get the results back and you think, oh my God, it looks like it's come out of a practica MTL five B. Mark: But Simon: then suddenly the technology just changes and changes and changes and suddenly it's running away with itself and where we are today. I mean, I, I didn't like digital to start with. It was too. It was too digital. It was too sharp. It didn't have the feel of film, but do you know what? We get used to it and the files that my digital mirrorless camera provide now and my Fuji GFX medium format are absolutely stunning. But the first thing I do is turn the sharpness down because they are generally over sharp. For a lovely, beautifully lit portrait or whatever that anybody takes, it just needs knocking back a bit. We were speaking about this earlier, I did some comparison edits from what I'd done manually in Photoshop to the Evoto. Do you know what the pre-selected edits are? Great. If you not the slider back from 10 to about six, you're there or thereabouts? More is not always good. Mark: I think when it comes to imagery in our daily lives, the one thing that drives what we expect to see is TV and most people's TVs, everything's turned up to a hundred. The color, the contrast, that was a bit of a shock originally from the film to digital, crossover. Everything went from being relatively natural to way over the top Just getting back to AI and how it's gonna affect people like you and people that we work with day to day. I don't think we should be worried about that. We should be worried about the images we see on the news, not what we're seeing, hanging on people's walls and how they're gonna be affected by ai. That generally does affect everyone's daily life. Paul: Yeah, Mark: Yeah. But what Paul: people now ask me, for instance, I've photographed a couple head shots yesterday, and the one person had not ironed her blouse. And her first question was, can we sort that out in post? So this is the knock on effect people are becoming aware of what's possible. What's that? Nothing. Know, and the, the smooth clothing button in Evoto will get me quite a long way down that road and saves somebody picking up an eye and randomly, it's not me, it's now actually more work for me 'cause I shouldn't have to do it. But, you know, this is my point about the knock on effect. Our worlds are different. So I didn't really intend this to be just a great sort of circular conversation about AI cars and, future technology. It was more, I dunno, we ended up down there anyway. Simon: We went down a rabbit hole. Mark: A Paul: rabbit hole. Yeah Mark: was quite an interesting one. Simon: And I'm sorry if you've wasted your entire journey to work and we Paul: Yeah. Simon: Alright. It wasn't intended to be like that. Paul: I think it's a debate that we need to be having and there needs to be more discussion about it. Certainly for anybody that has a voice in the industry and people are listening to it because right now it might be a toddler of a technology, but it's growing faster than people realize. There is now a point in the written word online where AI is generating more than real people are generating, and AI is learning that. So AI is reading its own output. That's now beginning to happen in imagery and film and music. Simon: Well, even in Google results, you type in anything to a Google search bar. When it comes back to the results, the first section at the top is the AI generated version. And you know what, it's generally Paul: Yep. Simon: good and Paul: turn off all the rest of it now. So it's only ai. Simon: Not quite brave enough for that yet. No, not me. Mark: In terms Paul: of SEO for instance, you now need to tune it for large language models. You need to be giving. Google the LLM information you want it to learn so that you become part of that section on a website. And it, you know, this is where we are and it's happening at such a speed, every day I am learning something new about something else that's arriving. And I think TV and film is probably slightly ahead of the photography industry Mark: Yeah. Paul: The pressures on the costs are so big, Simon: Yes. Paul: Whereas the cost differential, I'm predicting our costs will actually go up, not down. Whereas in TV and film, the cost will come down dramatically. Mark: Absolutely. Simon: They are a horrifically high level anyway. That's Paul: I'm not disputing that, but I watched a demo of some new stuff online recently and they had a talking head and they literally typed in relight that with a kiss light here, hairlight there, Rembrandt variation on the front. And they did it off a flat picture and they can move the lights around as if you are moving lights. Yes. And that's there today. So that's coming our way too. And I still think the people who understand how to see light will have an advantage because you'll know when you've typed these words in that you've got it about right. It doesn't change the fact that it's going to be increasingly synthetic. The moment in the middle of it is real. We may well be asked to relight things, re clothe things that's already happening. Simon: Yeah. Paul: We get, can you just fill in my hairline? That's a fairly common one. Just removing a mole. Or removing two inches round a waist. This, we've been doing that forever. Simon: Mm-hmm. Paul: And so now it'll be done with keyword generation rather than, photoshop necessarily. Simon: I think you'll always have the people that embrace this, we can't ignore it as you rightly say. It's not going away. It's gonna get bigger, it's gonna feature more in our lives. I think there's gonna be three sets of people. It's gonna be the people like us generally on a daily basis. We're photographers or we're artists. We enjoy what we do. I enjoy correctly lighting somebody with the correct modifier properties to match light quality to get the best look and feel and the ambience of that image. And I enjoy the process of putting that together and then seeing the end result afterwards. I suppose that makes me an artist in, in, in loose terms. I think, you know, as, as, as a photographer, we are artists. You've then got another generation that are finding shortcuts. They're doing some of the job with their camera. They're making their image from an AI point of view. Does that make up an artist? I suppose it still does because they're creating their own art, but they have no interest 'cause they have no enjoyment in making that picture as good as it can be before you even hit the shutter. And then I think you've got other people, and us to an extent where you do what you need to do, you enjoy the process, you look at the images, and then you just finely tune it with a bit of AI or Photoshop retouching so I think there are different sets of people that will use AI to their advantage or completely ignore it. Mark: Yeah. I think you're right. And I think it comes down, I'm going to use another analogy here, you, you know, let's say you enjoy cooking. If you enjoy cooking, you're creating something. What's the alternative? You get a microwave meal. Well, Paul Simon: and Sarah do. Mark: No. Paul: Sarah does. Simon: We can't afford waitress. Mark: You might spend months creating your perfect risotto. You've got it right. You love it. Everyone else loves it. You share it around all your friends. Brilliant. Or you go to Waitrose, you buy one, put it three minutes in the microwave and it's done. That's yer AI I Imagery, isn't it? It's a microwave meal. Paul: There's a lot of microwave meals out there. And not that many people cook their own stuff and certainly not as many as used to. And there's a lesson. Simon: Is, Mark: but also, Simon: things have become easier Mark: there Simon: you go. Mark: I think what we also forget in the photographic industry and take the industry as a whole, and this is something I've experienced in the, in the working for manufacturers in that photography itself is, is a, is a huge hobby. There's lots of hobbyist photographers, but there's actually more people that do photography as part of another hobby, birdwatching, aviation, all that sort of thing. Anything, you know, the photography isn't the hobby, it's the birds that are the hobby, but they take photographs of, it's the planes that are the hobby, but they take photographs. They're the ones that actually keep the industry going and then they expand into other industries. They come on one of our workshops. You know, that's something that we're still and Simon still Absolutely. And yourself, educating photographers to do it right, to practice using the gear the right way, but the theory of it and getting it right. If anything that brings more people into wanting to learn to cook better, Paul: you Mark: have more chefs rather than people using microwave meals. Education's just so important. And when it comes to lighting, I wasn't competent in using flash. I'm still not, but having sat through Simon's course and other people's courses now for hundreds of times, I can light a scene sometimes, people are still gonna be hungry for education. I think some wills, some won't. If you wanna go and get that microwave risotto go and microwave u risotto. But there's always gonna be people that wanna learn how to do it properly, wanna learn from scratch, wanna learn the art of it. Creators and in a creative industry, we've got to embrace those people and bring more people into it and ensure there's more people on that journey of learning and upskilling and trying to do it properly. Um, and yes, if they use whatever technology at whatever stage in their journey, if they're getting enjoyment from it, what's it matter? Paul: Excellent. Mark: What a fine Paul: concluding statement. If they got enjoyment outta it. Yeah. Whatever. Excellent. Thank you, Mark, for your summing up. Simon: In conclusion, Paul: did that just come out your nose? What on earth. Mark: What Paul: what you can't see, dear Listener is the fact that Mark just spat his water everywhere, laughing at Si. It's been an interesting podcast. Anyway, I'm gonna drag this back onto topic for fear of it dissolving into three blokes having a pint. Mark: I think we should go for one. Simon: I think, Paul: I think we should know as well. Having said that with this conversation, maybe not. I was gonna ask you a little bit about, 'cause we've talked about strobes and the beauty of strobes, but of course Elinchrom still is more than that, and you've just launched a new LED light, so I know you like Strobe Simon. Now talk about the continuous light that also Elinchrom is producing. Simon: We have launched the Elinchrom LED 100 C. Those familiar with our Elinchrom One and Three OCF camera Flash system. It's basically a smaller unit, but still uses the OCF adapter. Elinchrom have put a lot of time into this. They've been looking at LED technology for many years, and I've been to the factory in Switzerland and seen different LED arrays being tested. The problem we had with LEDs is every single LED was different and put out a different color temperature. We're now manufacturing LEDs in batches, where they can all be matched. They all come from the same serial number batch. And the different colors of LED as well, 15 years ago, blue LEDs weren't even possible. You couldn't make a blue LED every other color, but not blue for some unknown reason. They've got the colors right now, they've got full RGB spectrum, which is perfectly accurate a 95 or 97 CRI index light. It's a true hundred watts, of light as well. From tosin through to past daylight and fully controllable like the CRO flash system in very accurate nth degrees. The LED array in the front of the, the LEDA hundred is one of the first shapeable, fully shapeable, LED arrays that I've come across and I've looked at lots. By shapeable, I mean you put it into a soft box, of any size and it's not gonna give you a hotspot in the middle, or it's not gonna light the first 12 inches of the middle of the soft box and leave the rest dark. I remember when we got the first LD and Mark got it before me And he said, I've put it onto a 70 centimeter soft box. And he said, I've taken a picture to the front. Look at this. And it was perfectly even from edge to edge. When I got it, I stuck it onto a 1 3 5 centimeter soft box and did the same and was absolutely blown away by how even it was from edge to edge. When I got my light meter out, if you remember what one of those is, uh, it, uh, it gave me a third of a stop different from the center to the outside edge. Now for an LED, that's brilliant. I mean, that's decent for a flash, but for an LED it's generally unheard of. So you can make the LED as big as you like. It's got all the special effects that some of the cheaper Chinese ones have got because people use that kind of thing. Apparently I have no idea what for. But it sits on its own in a market where there are very cheap and cheerful LEDs, that kind of do a job. And very expensive high-end LEDs that do a completely different job for the photographer that's gone hybrid and does a bit of shooting, but does a bit of video work. So, going into a solicitor's or an accountant's office where they want head shots, but also want a bit of talking head video for the MD or the CEO explaining about his company on the website. It's perfect. You can up the ISO and use the modeling lamp in generally the threes, the fives, the ones that we've got, the LEDs are brilliant. But actually the LED 100 will give you all your modifier that you've taken with you, you can use those. It's very small and light, with its own built-in battery and it will give you a very nice low iso. Talking head interview with a lovely big light source. And I've proved the point of how well it works and how nice it is at the price point it sits in. But it is our first journey into it. There will be others come in and there'll be an app control for it. And I think from an LED point of view, you're gonna say, I would say this, but actually it's one of the nicer ones I've used. And when you get yours, you can tell people exactly the same. Paul: Trust me, I will. Simon: Yes. Mark: I think Paul: very excited about it. Mark: I think the beauty of it as well is it's got an inbuilt battery. It'll give you up to 45 minutes on a full charge. You can plug it in and run it off the mains directly through the USB socket as well. But it means it's a truly portable light source. 45 minutes at a hundred watt and it's rated at a hundred watt actual light output. It's seems far in excess of that. When you actually, Simon: we had a photographer the other day who used it and he's used to using sort of 3, 2 50, 300 watt LEDs and he said put them side by side at full power. They were virtually comparable. Paul: That is certainly true, or in my case by lots. Simon: I seem to be surrounded Paul: by Elinchrom kit, Which is all good. So for anybody who's interested in buying one of these things, where'd you get them? How much are they? Simon: The LED itself, the singlehead unit is 499 inc VAT. If you want one with a charger, which sounds ridiculous, but there's always people who say, well, I don't want the charger. You can have one with a charger for 50 quid extra. So 549. The twin kit is just less than a thousand quid with chargers. And it comes in a very nice portable carry bag to, to carry them around in. Um, and, uh, yeah, available from all good photographic retailers, and, Ellen crom.co uk. Paul: Very good. So just to remind you beautiful people listening to this podcast, we only ever feature people and products, at least like this one where I've said, put a sales pitch in because I use it. It's only ever been about what we use here at the studio. I hate the idea of just being a renta-voice. You it. Mark: bought it. Paul: Yeah. That's true. You guys sold it to me. Mark: Yeah, Simon: if I gave you anything you'd tell everyone it was great. So if you buy it, no, I've bought Paul: Yeah. And then became an ambassador for you. As with everything here, I put my money where my mouth is, we will use it. We do use it. I'm really interested in the little LED light because I could have done with that the other night. It would've been perfect for a very particular need. So yes, I can highly recommend Elinchrom Fives and Threes if you're on a different system. The Rotalux, system of modifier is the best on the planet. Quick to set up, quick to take down. More importantly, the light that comes off them is just beautiful, whether it's a Godox, whether it's on a ProPhoto, which it was for me, or whether if you've really got your common sense about you on the front of an Elinchrom. And on that happy note and back to where we started, which is about lighting, I'm gonna say thanks to the guys. They came to the studio to fix a problem but it's always lovely to have them as guests here. Thank you, mark. Thank you Simon. Most importantly, you Elinchrom for creating Kit is just an absolute joy to use. If you've enjoyed the podcast, please head over to all your other episodes. Please subscribe and whatever is your podcast, play of choice, whether it's iTunes, Spotify, YouTube, or a other. After you head, if you head across to masteringportraitphotography.com the spiritual home of this, particular, podcast, I will put in the show notes all the little bits of detail and where to get these things. I'll get some links off the guys as to where to look for the kit. Thank you both. I dunno when I'll be seeing you again. I suspect it will be the Convention in January if I know the way these things go. Simon: We're not gonna get invited back, are we? Mark: Probably not. Enough. Paul: And I'm gonna get a mop and clean up that water. You've just sprayed all over the floor. What is going on? Simon: wish we'd video. That was a funny sun Mark: I just didn't expect it and never usually that sort of funny and quick, Simon: It's the funniest thing I've ever seen. Paul: On that happy note, whatever else is going on in your lives, be kind to yourself. Take care.
Netflix Inc. wants you to play Boggle in between binges of Stranger Things. The streaming service is making its video games available for play on TVs for the first time, co-Chief Executive Officer Greg Peters said Wednesday at the Bloomberg Screentime conference in Los Angeles, taking a major step forward in one of its key growth initiatives. “One of the gaming areas we’re going after is social gaming experiences that can show up on your TV,” said Peters, who gave the company a B-minus grade for its efforts in that area so far. Netflix is specifically offering games that can be played in groups, including Boggle Party, Pictionary: Game Night, Tetris Time Warp and Lego Party. The company has been offering games for four years, part of a plan to extend its reach beyond films and TV shows. Until now, users had to play those games on mobile devices. With the new ones, subscribers will use their phones as controllers, but much of the play will be on the big screen.See omnystudio.com/listener for privacy information.
Columbia Technology Partners (CTP) fosters a vibrant, competitive culture that blends professional growth with a fun, engaging workplace, shares Allen Scott, the Director of People & Culture. CTP seeks cleared professionals, particularly those with CISSP and ISSEP certifications, for roles in cybersecurity, cloud engineering, and systems engineering. The company supports continuous education with paid training and exams to fuel career advancement. Beyond work, CTP's new office boasts 75-inch TVs, video game tournaments, cornhole, and regular happy hours, creating a welcoming environment where coworkers can connect. With opportunities in Maryland, Aberdeen, and Wright-Patterson Air Force Base, CTP offers prospective employees both challenging missions and a lively, supportive culture.Find complete show notes at: https://clearedjobs.net/columbia-technology-partners-upskilling-from-certs-to-cornhole-podcast_ This show is brought to you by ClearedJobs.Net. Have feedback or questions for us? Email us at rriggins@clearedjobs.net. Sign up for our cleared job seeker newsletter. Create a cleared job seeker profile on ClearedJobs.Net. Engage with us on LinkedIn, Facebook, Instagram, X, or YouTube. _
Jimmy Conrad, Charlie Davies, and Tony Meola dive into Mauricio Pochettino's latest USMNT roster and the coach's blunt stance on player communication - no explanations, just performances. The guys reflect on how roster decisions were handled in their own playing days, and debate which players have the most to gain or prove in the October friendlies against Ecuador and Australia. Plus, the U.S. tops its group at the U20 World Cup... can they go all the way? And with Philadelphia Union clinching the Supporters' Shield, who's your MLS Cup favorite? Call It What You Want is available for free on the Audacy app as well as Apple Podcasts, Spotify and wherever else you listen to podcasts. Follow the Call It What You Want team on X: @JimmyConrad, @CharlieDavies9, @TMeola1 Visit the betting arena on CBSSports.com for all the latest in sportsbook reviews and sportsbook promos for betting on soccer. For more soccer coverage from CBS Sports, visit https://www.cbssports.com/soccer/ To hear more from the CBS Sports Podcast Network, visit https://www.cbssports.com/podcasts/ You can also watch Call It What You Want on the CBS Sports Golazo Network for free on connected TVs and mobile devices through the CBS Sports app, Pluto TV, and on CBSSports.com as well as Paramount+. Watch UEFA Champions League, UEFA Europa League, UEFA Europa Conference League, UEFA Women's Champions League, EFL Championship, EFL League Cup, Carabao Cup, Serie A, Coppa Italia, CONCACAF Nations League, CONCACAF World Cup Qualifiers, Lamar Hunt U.S. Open Cup, NWSL, Scottish Premiership, AFC Champion League by subscribing to Paramount+ Sign up to the Golazo newsletter, your ultimate guide to the Beautiful Game as our experts take you beyond the pitch and around the globe with news that matters. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
Nicole Kidman has hit the "Bangs" stage of the break up. Also Taylor was on with Fallon and corrected some headlines and gave us Engagement details. Also did Taylor use her fiancé podcast to give Blake Lively some love? Also J Lo and Ben in the Wild and Brittany has to finally accept Sydney and Scooter.BK buying TVs, Kendall is on board with Golden Bachelor and Gerry is engaged. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
On this week's show we take a look at the Longevity Burn-In Test Results From 100 TVs that RTINGS.com has been tracking for the last two years. We also read your emails and take a look at the week's news. News: I spent three months with Telly, the free TV that's always showing ads Ring announces 4K doorbell with Alexa+ AI greetings and new Search Party feature for pets 33 Years Ago Today Cartoon Network Premieres: A Milestone in Animation History NBCUniversal Shuts Down Its Cable Network Apps on Roku TVs & Roku Players To Promote Peacock Other: Is Google TV's New Interface Better? Full Redesign Review Sports on TV Today: Where to Watch or Stream Games - Sports Media Watch Longevity Burn-In Test Updates And Results From 100 TVs RTINGS.com has been conducting an accelerated longevity test for over two years. We've covered it periodically but haven't provided an update recently. In today's show, we'll summarize the key findings and discuss their implications for consumers. 1. Introduction to the Test Methodology and Purpose RTINGS.com conducts an extensive longevity and burn-in test on over 100 TVs to assess their durability under real-world usage conditions. The purpose is to evaluate how modern displays, particularly OLED and LED models, hold up over time, focusing on issues like image retention and permanent burn-in that can degrade picture quality. The methodology involves running TVs for thousands of hours in a simulated accelerated aging scenario, including static content like CNN tickers, sports scores, and video games to mimic common usage patterns that risk burn-in. Tests are performed in a controlled environment at 50% brightness (except for high-end OLEDs at 100% for stress testing), with periodic photo documentation and measurements of uniformity, color accuracy, and brightness retention. This ongoing project, started in 2019, aims to provide data-driven insights into TV lifespan beyond short-term reviews. 2. Key Results and Findings The test has yielded detailed observations on burn-in susceptibility across various TV brands and panel types, with over 18,000 hours of cumulative runtime as of the latest update. Here's an expanded breakdown: OLED Performance and Burn-In Incidence: OLED TVs, known for perfect blacks but vulnerable to burn-in from static elements, showed mixed results. The LG C8 (2018 model) exhibited permanent burn-in after just 8,850 hours, with visible CNN ticker ghosts in dark scenes, marking it as one of the earliest failures. In contrast, the LG G4 (2024) and Sony A95L (2023) QD-OLEDs remained burn-in free after 5,000+ hours, though minor temporary image retention appeared in high-stress tests. The Samsung S95B QD-OLED burned in after 9,000 hours, displaying HUD elements from racing games, while the LG G2 showed no permanent damage after 14,000 hours but had noticeable retention. LED and Mini-LED Durability: LED TVs generally fared better against burn-in. The TCL QM8 QLED (2023) and Hisense U8/U8N (2024) showed no burn-in after 5,000–7,000 hours, with only temporary retention in extreme cases. However, the Samsung QN90A (2021) developed subtle uniformity issues after 10,000 hours, but no true burn-in. Budget LEDs like the Hisense A6G lasted without issues up to 12,000 hours. Brightness and Color Degradation: Across all panels, brightness dropped by 20–50% over 10,000+ hours; for example, the LG CX lost 40% peak brightness. Color accuracy shifted slightly, with OLEDs maintaining better DeltaE scores (