Podcast appearances and mentions of jesse frasure

This week on GET REAL Podcast... JESSE FRASURE a.k.a. DJ TELEMITRY!DJ TELEMITRY is a Grammy-nominated Nashville songwriter, producer, DJ and music publisher with a running list of number one songs under his belt.IN THIS EPISODE, we talk:• The true measure of success• Trusting your work ethic• His keys to achieving your goals• Staying driven in a creative world• Having and finding the freedom to pursue passionsListen to DJ TELEMITRY on GET REAL Podcast...NOW!Connect with DJ TELEMITRY:Instagram See omnystudio.com/listener for privacy information.

Cole Swindell's latest single is arguably one of the biggest of his career. A spin off the '90s classic, “Heads Carolina, Tails California,” by Jo Dee Messina, Cole originally planned to tackle it as a duet with co-writer and fellow Country artist, Thomas Rhett. While on the road with Rhett's Center Point Road tour in 2021, Cole and Thomas sought to write a duet they could perform together, but after finding their stride with, “She Had Me At Heads Carolina,” it turned out to be a fit for only one. “Me and Thomas Rhett talked about this on tour last year, about wanting to do a song together,” Cole told Audacy's Rob + Holly. “That was the original plan, was for me and Thomas Rhett to sing, whatever this song became, together.” He continued, “The angle we wrote it in the room, it just didn't make sense really for both of us and TR is such a great writer anyways, so I'm proud to have him be a part of it.” Other songwriters on the project included Ashley Gorley and Jesse Frasure, as well as the writers of the original, “Heads Carolina, Tails California,” Tim Nichols and Mark Sanders. “The first step was to call the original writers, Tim Nichols and Mark D. Sanders,” he said of the songs initial start. “They wrote the original Jo Dee version and we didn't know what they were going to say.” He continued, “Turns out hey were honored we chose their song to kind of put a spin on and do our own way, so we wanted them to be involved there.” Another individual they wanted to be sure to involve was Jo Dee, which they ended up doing through the music video. “We wanted her involved as much as she wanted to be in any of it,” Cole said of Jo Dee. “My first time meeting her was literally on the set of the video shoot,” he laughed. “To meet somebody you've been a fan of your whole life, to meet them on the set of the video for a song you wrote — a spin of her original — it's mind-blowing. The whole thing, but I think it's just of those things that was meant to be.” We couldn't agree more as the song is sitting at the top of the charts and leading more and more people to explore 90s Country. “I think there are kids that are literally going back and falling in love with ‘90s Country music,” Cole said. “I feel like I owe that to Country music.” Hear more about the song and what Cole has been up to by listening to his conversation with Rob + Holly above.

Brooke Eden gets real honest about (1:20) the Elle King influence on her new

I have an unpopular opinion about the saying… “Don't reinvent the wheel.” I've seen and heard it a lot in the entrepreneurial space and every time I see someone say it and post it within their content…I cringe.  I feel like it's one of the most cringe-worthy, overused, and misrepresented statements out there for those entrepreneurs who are meant to be and teach innovators.  Because it's not accurate. In fact, the wheel has actually been reinvented several times compared to how it started.  According to the Smithsonian the first wheel is dated back to 3500 B.C. in Mesopotamia, 300 years before they were used for chariots. Funny enough the wheel was first used as a potter's wheel, and then hollowed out later to be used for transportation.  So the wheel in fact, has been reinvented (since reinvention is all about taking something and changing or redoing it).  So when we say, “Don't reinvent the wheel,” we're actually saying keep using the wheel as a potter's wheel, which was its original intent… It just doesn't make sense.  Now here's what I say.  “Yes, reinvent the wheel and keep the original structure as that's what keeps the motion of moving forward.” Like I said, unpopular opinion, but the opinion just doesn't make sense to me.  Which is a lot of what I've found in the online space.  So today we're going to talk about two of my favorite topics: Disruption and Innovation. The both go hand and hand, and both are about being the opposite of the status quo.  Growing up, I was anything but compliant. In fact, one of the things I got in trouble for most was, non-compliance. I remember hearing things said to my parents like… “Oh, you're going to have trouble with that one. She's young and has a mind of her own.” “She definitely marches to the beat of her own drum. Good luck with that.” And living in a small town, compliance meant survival and well, we were all in survival mode. So you can kind of guess what happened.  Eventually, I became compliant.  Looking back on it now, it was suffocating and I didn't know exactly why I wanted to leave my hometown right after high school, but boy did I run. And I ended up going as far away from northern Maine as possible (my first college was University of Hawaii at Manoa).  I had never been away from home or my parents for more than a handful of days, so this was a completely new experience for me.  Was I scared. You betcha. Did I have any idea of what I was getting myself into? Nope, not even in slightest. Did I learn a lot? I did, and I learned a lot about myself and what I wanted.  And I made a lot of mistakes…a lot of mistakes.  That was really just the beginning of me coming back into my non-compliant/yes reinvent the freakin wheel self.  And funny enough when I was thinking about this podcast episode, one of my favorite songs came on that really described the unfolding of my own disruption from that point forward… Road Less Traveled - Lauren Alaina You won't make yourself a name if you follow the rules History gets made when you're acting a fool So, don't hold back…just flaunt it Show what you got and just own it No one can tear you apart If you trust your rebel heart Ride into battle Don't be afraid Take the road less traveled Wear out your boots  And kick up the gravel Don't be afraid  Take the road less traveled So for my fellow innovators, disruptors, and rebels who are teetering the line between a good vs. bad mentality when it comes to your business, this last piece is for you.  If you're feeling the pull to do things differently. Start by doing things differently today. Find some point in your every day business to break the pattern of monotony.  Whether that's changing up your messaging, sending a different type of email to your email list or trying out a new platform that you haven't tried before. Do it…and do it scared.  Even if you fail. Even if you make yourself a fool.  Because the worst thing isn't about those two things. The worst thing is living with regret and wondering about the ‘what if'. And the best part of being the pattern breaker for yourself is…you give permission to those who are watching to break their own.  So, until next time… Make it a great one! ------------------------------------------------------------------------------------- **1. Smithsonian Magazine, 2009: Author - Megan Gambino. “A Salute to the Wheel.” https://www.smithsonianmag.com/science-nature/a-salute-to-the-wheel-31805121/    **2. Lauren Alaina (singer/songwriter). Co-writers Jesse Frasure and Meghan Trainor. “Road Less Traveled.” 2016. https://open.spotify.com/album/296hswDnxvymjboFBxvmI5

Together with American Songwriter and Sean Ulbs of The Eiffels, we had the pleasure of interviewing Brett Kissel over Zoom video! One of Country music’s fastest rising stars, Brett Kissel, recently released his new album, What Is Life?. Released on OneRPM, What Is Life?, is a 14-track collection of original material with ten musical compositions produced by the 18-time Canadian Country Music (CCMA) award-winning musician Brett Kissel, Bart McKay, and Jesse Frasure, and four short monologues reflecting on the title What Is Life? from Kissel and his children. While fans were still buzzing about last year’s Now Or Never album, Brett started looking towards his next release, but couldn’t get three words out of his head – What Is Life? The search for something “more” weighed heavily on the country star’s mind, and with the new album, Brett Kissel invites fans to take a deep-dive with him into songs about love, celebration, and gratitude. Brett Kissel is on Warner Music Canada and has had tremendous success in his home country. His charismatic personality, energetic stage presence, and music style have propelled him to the top of the Canadian Country music charts, with two Gold-certified albums, a Platinum and eight Gold singles, and 15 top-10 radio hits to his credit. 2019-2020 was a storybook year for Brett, winning the JUNO Award (equivalent to the American Grammy) for Country Album of the Year and earning the Canadian Country Music Association's Fans' Choice Award, following a record-breaking 112-date tour that reached every single province and territory. In 2019, he completed two legs of his headlining tour, marked as one of Canada’s most extensive tours, selling out venues and reaching nationwide status. The Canadian Press crowned him "The New King of Canadian Country." The accolades continued in 2020, when Brett was the big winner of the CCMA Awards, earning four trophies, including Fans' Choice, Male of the Year, and Album of the Year. As one of the top acts on the Canadian Country music scene, Brett Kissel is on the brink of becoming a household name across the United States. Having toured with artists such as Garth Brooks and Brad Paisley, the young entertainer is no stranger to the stage. We want to hear from you! Please email Tera@BringinitBackwards.com. www.BringinitBackwards.com #podcast #interview #bringinbackpod #zoom #aspn #americansongwriter #americansongwriterpodcastnetwork Listen & Subscribe to BiB Follow our podcast on Instagram and Twitter! --- Support this podcast: https://anchor.fm/bringinbackpod/support

Stevie is everybody’s best friend. Or at least everybody wants to be her best friend. Her smile and laugh are infectious. Then she drops her sense of humor and good time on you, and you can’t be anything short of glamoured by her spirit. Stevie talks to me openly about how life has been amazing and awful at the same time. While in the middle of battling breast cancer, her husband won songwriter of the year. While feeling her worst, she and her husband’s publishing company, Rhythm House (under Jay-Z’s Entertainment Company), started thriving and bringing in multiple #1 hits. Stevie also goes into vivid detail about the time she met Beyoncé at the company Christmas party and talked to her after multiple tequilas... they basically are best friends now lol! What I love about Stevie is her honesty and humor about life. She knows how to take things in stride. She’s not scared of dealing with the truth. She also knows how to really have fun and enjoy life no matter what season or struggle she may be facing, she finds the laughter and light! Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

Ben Vaughn is the President/CEO of Warner/Chappell Nashville. Prior to that, he was the youngest executive to head a major publisher in Nashville, as EVP & GM at EMI. Vaughn started out running an independent music publishing company at the age of 20. Today, he works with some of the biggest songwriters and artists in music including Thomas Rhett, Rhett Akins, Jesse Frasure, Nicolle Galyon, Liz Rose, Dan + Shay and many more. The Nashville Briefing  

A tractor cab might not seem like the ideal place for an aspiring artist to nurture her musical dreams, but it sure did the trick for Clare Dunn. Growing up in tiny Two Buttes, Colorado (population: 43), she spent days at a time helping plow and plant the family farm, sharpening her ears with uninterrupted music-listening in the driver’s seat, even as she strengthened her work ethic. “That’s where a lot of my creativity came from and where a lot of my vision was forged, was just having nothing else to do other than listen to music and dream all day long in the vast wide open of those plains,” she reflects. By the time the genial, grounded Great Plains native got the chance to record for MCA Nashville, she had fine-tuned her creative vision and was ready to do what it would take to make it a reality, which landed her in a truly unique position: she is the only female country artist in recent memory to have a hand in all of the writing, arranging and producing for her debut release, the Clare Dunn EP. “I remember feeling like, ‘I know that I’m asking my label to take this tremendous leap of faith on me. I will be in the studio day and night. I will go until it’s right,’” says the guitar-slinging singer and songwriter. “I feel so grateful that I’ve had a team around me that’s allowed me to do that and supported me every step of the way.” True to her word, Dunn spent virtually every waking moment holed up in The Cave at Nashville’s House of Blues studios, crafting her standout sound beneath the watchful eye of a Chuck Berry portrait with such A-list collaborators as Terry McBride, Jesse Frasure, and Ben West. And it definitely paid off. The hooks have irresistible pop-rock punch, the sentiments are shot through with heartland rock grit, the vocals show R&B-schooled rhythmic daring and the arrangements are both towering and dynamic. Every lick of guitar on there, from agile melodic figures to aggressive shredding, is hers. “I think there’s, like, one song where I didn’t play a mandolin part or something like that,” she says. “But other than that, every lead part is my playing—acoustic, electric, everything.” That goes for all of the vocal parts, too—except for a solitary Eric Paslay guest harmony. Dunn doesn’t sound quite like any other singer in any genre, but her sumptuous lower range and the attitude and lustiness she summons whenever it suits the song recalls such world-class pop performers as Pink or Annie Lennox. In her teens, Dunn geeked out over a VH1 “Behind the Music” documentary that showed Fleetwood Mac working out their meticulous vocal arrangements, and in the studio, she might devote as many as a dozen tracks to doubling the melody in a different octave or layering precision harmonies, which adds to the sheer size of her sound. Dunn began paying her dues back in southeast Colorado, where she grew up the second of two daughters born into a long line of farmers and ranchers. “We didn’t have any brothers,” she says. “We did basically everything that boys would normally do, driving 18-wheelers, combines, tractors. I was very grateful that my parents raised us with the mentality that we didn’t even think about it; it was just normal for us to do all that stuff. We were a small family operation, and it’s all hands on deck, all the time.” In her early years, Dunn soaked up her parents’ favorite classic rock and country records—lots of Bob Seger titles among them—and stocked up on Top 40 singles when the family made the trek to a store in a neighboring town that actually had a record bin. She also absorbed all manner of rhythmic pop and R&B during marathon dance classes, so devoted to her hip-hop dance team that she won a scholarship to study with Janet Jackson’s backup dancers in California. Says Dunn, “My mom wore out an engine in a Suburban hauling me back and forth to dance. I couldn’t go every day like the other kids, because I lived an hour away. So I would do makeup days, and spend all day from 10 in the morning to 10 o’clock at night just learning dances so that I could be in the recitals and competitions. Dance, for me, is such a form of expression. When I’m making music, I’m thinking about it from a dance perspective—beats and musicality and phrasing.” For all of her sonic smarts, the aspiring musician lived in a town with zero places to play live shows, and she had no clue how to pursue her dream after high school until she heard about the music business program at Nashville’s Belmont University. The private school was out of her family’s price range, but she didn’t let that stop her, raising a big chunk of her tuition by driving a silage truck. “Anytime that there wasn’t school going on,” she recalls, “I was on that truck. Spring break, summer break, fall break. If you could’ve grown silage in December, I would’ve been on it over Christmas break. Whenever I couldn’t be home to drive the truck, my family kept the wheels rolling. My mom, dad and sister all drove it for me when I couldn’t be there due to classes or internships.” It wasn’t until Dunn got to college that she learned how to play guitar. Unlike a lot of dorm room dabblers, she wasn’t content to just reach the point where she could accompany herself by strumming basic chords. “Whenever I’d try to talk to a guitar player and explain how I heard things, I could never explain it,” she says. “So I thought, ‘If I can’t explain it to them, I’d better see if I can learn how to do it myself, so I can get it the way that I hear it in my head.’ Lead guitar, for me, was where it was at. I had no interest in learning G, C, and D and stopping. I wanted to be able to sing on guitar.” After college, Dunn signed a deal that went sour and turned her attention to building a grassroots following through decidedly unglamorous touring. “I loaded up me and three guys in a four-door F-150 pickup and a trailer and we took off,” she laughs. “We put 100,000 miles on it in just a little over a year. We played bars—teeny, tiny bars—and honky-tonks and festivals. It was very bleak to start out with, pinching pennies, trying to magically make a dollar turn into three dollars, trying to keep morale up. Like, ‘I know we played for two people tonight, guys, but it’s fine. We’re gonna get beyond it!’ My family helped me then too. They believed in me so much that they were willing to sacrifice in order to help me build that following to get a record deal.” The audience quickly multiplied when SiriusXM’s The Highway channel put Dunn’s flirtatious number “Cowboy Side of You” in rotation, and the fans who came out to the shows found a vital, confident band leader stomping around, swapping fearsome solos and singing likes she meant it. Universal Music Group Nashville soon snatched her up, and she attracted in-demand co-writers like Paslay, West, Frasure, McBride, Tom Douglas, Liz Rose, Hillary Lindsey, Troy Verges, Chris Lindsey, Brett James, and Ryan Beaver, and hit the road with many of her musical heroes including Keith Urban, Miranda Lambert, Luke Bryan, and Seger, who hand-picked Dunn as direct support on his Ride Out Tour. Now, that her with-it, down-home vision is captured on record and her sensuous single “Tuxedo” is impacting the country radio, Dunn is in the position to bring her music back to the people and places that taught her what determination was in the first place. “I can confidently say I would not be in this chair had it not been for that work ethic my parents and community instilled in me,” says the forward-thinking, farm-bred artist. “It’s been a tough road getting here and it’s taken longer than I would’ve liked, but I’ve always felt confident in setting and pursuing my goals. That work ethic is what drove me to learn how to play, and to go back out and play another show for ten people. Where I’m from, that’s just what you do—you work.”

Stevie is everybody’s best friend. Or at least everybody wants to be her best friend. Her smile and laugh are infectious. Then she drops her sense of humor and good time on you, and you can’t be anything short of glamoured by her spirit. Stevie talks to me openly about how life has been amazing and awful at the same time. While in the middle of battling breast cancer, her husband won songwriter of the year. While feeling her worst, she and her husband’s publishing company, Rhythm House (under Jay-Z’s Entertainment Company), started thriving and bringing in multiple #1 hits. Stevie also goes into vivid detail about the time she met Beyoncé at the company Christmas party and talked to her after multiple tequilas... they basically are best friends now lol! What I love about Stevie is her honesty and humor about life. She knows how to take things in stride. She’s not scared of dealing with the truth. She also knows how to really have fun and enjoy life no matter what season or struggle she may be facing, she finds the laughter and light! Learn more about your ad-choices at https://news.iheart.com/podcast-advertisers

Wrapping up Season Two of the Nashville Pubcast, we take a look into the future of music publishing on Music Row with our favorite clips from Tyler Hubbard, Pat Higdon & Travis Myatt, Ashley Gorley, & Jesse Frasure.  We hope you've enjoyed the Nashville Pubcast! Be sure to follow us @aimpnashville for Season 3 in 2019. For more information about the Nashville, AIMP visit www.aimp.org. Season 2 was sponsored by SoundExchange and Jammber.  To know more about these unique companies and even what they can do for you for your publishing and business needs, visit www.soundexchange.com and www.jammber.com. 

Three episodes left of the 2018 season of the Nashville Pubcast, and we're sharing our favorite clips that will motivate you and keep you hustling in the music industry. Leslie Roberts, Ashley Gorley, Jesse Frasure, and Josh Osborne shares the keys to success in the music business is in the hustle. For more information about the Nashville, AIMP visit www.aimp.org. Season 2 is sponsored by SoundExchange and Jammber.  To know more about these unique companies and even what they can do for you for your publishing and business needs, visit www.soundexchange.com and www.jammber.com. 

Songwriter, Producer, Publisher, and DJ are only some of the positions that describe Jesse Frasure.  We also learn that Jesse is a teacher and mentor to his writers and producers at Rhythm House.  Tim guides us through a conversation with Jesse about his rise to power as a publisher and one of the most sought-after track guys in the industry. We also get a look into Rhythm House on how they make the decision to sign their next talent. For more information about the Nashville, AIMP visit www.aimp.org. Season 2 is sponsored by SoundExchange and Jammber.  To know more about these unique companies and even what they can do for you for your publishing and business needs, visit www.soundexchange.com and www.jammber.com. 

In this episode of the Made it in Music podcast, Full Circle’s own Seth Mosley (Grammy/Dove Award Winning Producer) sits down with Jesse Frasure (Producer, DJ, and A&R). They’ll share how you can fail 90% of the time and still win. Jesse, a Detroit native, currently resides in Nashville, TN where he has not only found success in production and as a DJ, but also as the VP of A&R for Major Bob Music, Inc. management and publishing. Jesse has produced, co-written, or remixed for artists like Florida Georgia Line, Meghan Trainor, Rascal Flatts, Kenny Chesney, Thomas Rhett, Billy Currington, Jordin Sparks, etc. As a DJ, Jesse (as Telemitry) has spun at parties all over the world. Celebrity DJ clients have included Lil Wayne, Nicki Minaj, Drake, Alyssa Milano, Cee Lo, etc. He has become a reliable call for those looking to record their next hit or throw one awesome party.Jesse Frasure is here to share his incredible story about how he made it in music, and he’s here to help you do the same.Resources:Books mentioned in this episode:Shoe Dog by Phil KnightReady Player One by Ernest ClineMusic mentioned in this episode:Thriller by Michael JacksonDiscovery by Daft PunkParachutes by Coldplay Find out more about Jesse Frasure:www.rocnation.com/jesse-frasure Find Full Circle Music on social mediaFacebookTwitterInstagramYouTubeCheck us out at www.madeitinmusic.comSubscribe to our YouTube Page for more incredible resources just like this one, all FREE for our friends like you.As always, thanks for listening and be sure to give us a review on iTunes if you have not already done so. We appreciate your feedback! See acast.com/privacy for privacy and opt-out information.

Jim Casey talks with Little Big Town about: hosting the CMT Music Awards the standout performance from the CMT Awards, including Kelly Clarkson, Carrie Underwood, Kelsea Ballerini and Dan + Shay winning Group Video of the Year at the CMT Awards for "When Someone Stops Loving You" the chart success of past singles releasing new single, "Summer Fever," which Karen Fairchild co-penned working with producers Shane McAnally and Jesse Frasure for the first time Shane's only fault, according to Phillip shooting the video for "Summer Fever" along Florida's 30-A Highway working on a new album the possibility of a future Christmas album hitting the road with Miranda Lambert on the Bandwagon Tour in July headlining a show at Red Rocks Amphitheater on Sept. 20 Show Participants: Karen Fairchild of LBT Kimberly Schlapman of LBT Jimi Westbrook of LBT Phillip Sweet of LBT Jim Casey, NCD Editor in Chief

Jesse Frasure is a grammy nominated songwriter, producer with a background in EDM. He co-wrote “Crash and Burn” with Chris Stapleton and co-produced  the Thomas Rhett’s album “Life Changes” alongside Dan Huff. Jesse also talks about parties he has DJ’d for celebrities, bus songwriter trips and being a sneaker head. Learn more about your ad-choices at https://news.iheart.com/podcast-advertisers

Jesse Frasure is a popular songwriter from Nashville who has written more than 15 #1 hits for the biggest names in Country music. Jesse joins Country Music Made Me to talk about growing up in Detroit and the influence both Motown and classic rock had on his upbringing. He details his progression into DJ'ing while attending college and why he moved to Nashville rather than L.A. after graduation. Finally he talks about his years working on the corporate side of the music industry, what finally drew him to songwriting in the country music genre and what it's taken to find success in the industry. Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy