Podcasts about later that night

In this emotional and inspiring episode, Scott sits down with Tennyson Jacobson—author, business owner, and survivor—to unpack her deeply personal memoir, The Mother of All Days. Tennyson shares the harrowing story of a violent home invasion that changed her life forever, and the healing journey that followed. This is about more than trauma—it's about reclaiming identity, building strength, and finding purpose.

Had no idea I was recording but here's what I got after like 6 minutes of my stomach gurgling and some extremely uncomfortable shallow breathing. Somebody should tell her. Can you walk my dog Before we fuck? My girl's not home. Wanna walk my dog. My neighbor is cheating on his girl but that's not my business. YOU LET HER WALK OUR DOG!!!? BEFORE: V.O. That's not my neighbor… [an evil blonde girl with blue eyes smiles maliciously as she exits the building walking a small black dog] …But that's their dog. LATER THAT NIGHT. V.O. I heard them fucking through the paper thin walls of the apartment. That is definitely not my neighbor. …somebody should tell her. YOU LET HER WALK OUR DOG?! That is not my business. Gee, God, I thought you'd never show up. [ensues Horrible guitar playing with acrylic nails] Self You never employ these two fingers. Also Self Cause they don't work. Try medicating that. They would try! (No thanks, I'll do it myself.) Dumb twat. I don't want to call people that… Thats's just what I am. Yo. Somebody tell her! Somebody tell her! …that's not my business. Maybe she already know. Cabinet slamming is a nasty business! YOU LET THAT BITCH WALK OUR DOOOOOG?! Yo, fuck that dog. Ugly ass chihuahua. [ensues more bad guitar playing with acrylic nails.] [basic ass surf music and some suspicious ass licks] [atrocious traffic noise] Jack went down the rabbit hole Jill came back and asked for more Then she saw that Jack was gone [over all] After all she all, She carried on After all, she carried on After all she carried on After all she carried on. Heheheh. [ghetto people yelling in the street like animals] Jack flew down the wishing well… [car honking that always honks whenever I try to make music and start succeeding (but never actually leaves the lot.)] What happened first? Uh. Jack went down the rabbit hole. Yeah. And then? Auh— [nothing], Jill didn't follow him. She just carried on. Jack flew down the wishing well. [the traffic pics up; the ghetto people start acting a fool. Yes. My windows are closed. My focus is broken by the noise.] Crème filling! Nothing but— crème filling! Oh! I want a croissant. A wonderful croissant with butter And Crème filling. A wonderful croissant With butter! And crème filling especially when— —rare! Especially when! Crème filling. Crème filling. A croissant. What kind of croissant. A delicious croissant. With— butter! —and A — special— No— Delicious— With— Butter And Crème filling. A— Delicious croissant With butter And Crème Filling Where are we from? Obviously this place is hell. Why am I here Why am I here Why am I here A… Fabulous croissant. [mind you, I've still no idea I'm recording. ] V.O. actually, I was assuming I wasn't. Monologue/ talk with God [The noise picks up and I get up to record the evidence that my right to peace and quiet enjoyment of my property have been violated severely— then I realize I've been recording the whole time.[ Oh shit. (Well, there's your answer.) I didn't know I was recording. Well, thats's how this all started. And I guess, how it ends. It's true, I started the series by accident when in my homeless despair, my talking to God out loud began being recorded by my iPhone just turning itself on and recording at random. In this instance, I had probably started the recording for the motorcycles and forgotten about it, but having been sick for days from the motorcycles and noise to no avail, I had begun to exhibit symptoms of extreme stress much akin to the homelessness in which the series started; erratic behaviors such as speaking freely out loud without the intention of being heard— and yet being heard anyway. I wasn't happy in New York, and I still felt homeless. The insanity might have been trademark New York, but it wasn't trademark me. I counted my blessings and all of my change; I knew I would have to leave for my own health, but I didn't know how—and returning to the streets was not an option. I was done playing the victim, and done complaining— my stomach churning with indigestion and my head gnawing with the congestion of a two year long head cold. Something needed to change, and rapidly— New York was turning against my mind, and my mind was turning against my body. This was no game— it was somebody's business. But to me, it was personal. This was my mind and my body being tampered with, and my soul remained at large. Something else entirely was begging to take over; whatever was attempting to destroy me had to be destroyed. Immidiately. This happy accident had to have been the end of the series— the show would come down soon and everything I had written with it. My life and my safety were at stake. I had nothing to risk, but also nothing to lose. I think they call that a lose cannon. {Enter The Multiverse} [The Festival Project ™] Copyright © The Festival Project, Inc. ™ | Copyright The Complex Collective © 2019-2025 ™ All Rights Reserved. -Ū.

Had no idea I was recording but here's what I got after like 6 minutes of my stomach gurgling and some extremely uncomfortable shallow breathing. Somebody should tell her. Can you walk my dog Before we fuck? My girl's not home. Wanna walk my dog. My neighbor is cheating on his girl but that's not my business. YOU LET HER WALK OUR DOG!!!? BEFORE: V.O. That's not my neighbor… [an evil blonde girl with blue eyes smiles maliciously as she exits the building walking a small black dog] …But that's their dog. LATER THAT NIGHT. V.O. I heard them fucking through the paper thin walls of the apartment. That is definitely not my neighbor. …somebody should tell her. YOU LET HER WALK OUR DOG?! That is not my business. Gee, God, I thought you'd never show up. [ensues Horrible guitar playing with acrylic nails] Self You never employ these two fingers. Also Self Cause they don't work. Try medicating that. They would try! (No thanks, I'll do it myself.) Dumb twat. I don't want to call people that… Thats's just what I am. Yo. Somebody tell her! Somebody tell her! …that's not my business. Maybe she already know. Cabinet slamming is a nasty business! YOU LET THAT BITCH WALK OUR DOOOOOG?! Yo, fuck that dog. Ugly ass chihuahua. [ensues more bad guitar playing with acrylic nails.] [basic ass surf music and some suspicious ass licks] [atrocious traffic noise] Jack went down the rabbit hole Jill came back and asked for more Then she saw that Jack was gone [over all] After all she all, She carried on After all, she carried on After all she carried on After all she carried on. Heheheh. [ghetto people yelling in the street like animals] Jack flew down the wishing well… [car honking that always honks whenever I try to make music and start succeeding (but never actually leaves the lot.)] What happened first? Uh. Jack went down the rabbit hole. Yeah. And then? Auh— [nothing], Jill didn't follow him. She just carried on. Jack flew down the wishing well. [the traffic pics up; the ghetto people start acting a fool. Yes. My windows are closed. My focus is broken by the noise.] Crème filling! Nothing but— crème filling! Oh! I want a croissant. A wonderful croissant with butter And Crème filling. A wonderful croissant With butter! And crème filling especially when— —rare! Especially when! Crème filling. Crème filling. A croissant. What kind of croissant. A delicious croissant. With— butter! —and A — special— No— Delicious— With— Butter And Crème filling. A— Delicious croissant With butter And Crème Filling Where are we from? Obviously this place is hell. Why am I here Why am I here Why am I here A… Fabulous croissant. [mind you, I've still no idea I'm recording. ] V.O. actually, I was assuming I wasn't. Monologue/ talk with God [The noise picks up and I get up to record the evidence that my right to peace and quiet enjoyment of my property have been violated severely— then I realize I've been recording the whole time.[ Oh shit. (Well, there's your answer.) I didn't know I was recording. Well, thats's how this all started. And I guess, how it ends. It's true, I started the series by accident when in my homeless despair, my talking to God out loud began being recorded by my iPhone just turning itself on and recording at random. In this instance, I had probably started the recording for the motorcycles and forgotten about it, but having been sick for days from the motorcycles and noise to no avail, I had begun to exhibit symptoms of extreme stress much akin to the homelessness in which the series started; erratic behaviors such as speaking freely out loud without the intention of being heard— and yet being heard anyway. I wasn't happy in New York, and I still felt homeless. The insanity might have been trademark New York, but it wasn't trademark me. I counted my blessings and all of my change; I knew I would have to leave for my own health, but I didn't know how—and returning to the streets was not an option. I was done playing the victim, and done complaining— my stomach churning with indigestion and my head gnawing with the congestion of a two year long head cold. Something needed to change, and rapidly— New York was turning against my mind, and my mind was turning against my body. This was no game— it was somebody's business. But to me, it was personal. This was my mind and my body being tampered with, and my soul remained at large. Something else entirely was begging to take over; whatever was attempting to destroy me had to be destroyed. Immidiately. This happy accident had to have been the end of the series— the show would come down soon and everything I had written with it. My life and my safety were at stake. I had nothing to risk, but also nothing to lose. I think they call that a lose cannon. {Enter The Multiverse} [The Festival Project ™] Copyright © The Festival Project, Inc. ™ | Copyright The Complex Collective © 2019-2025 ™ All Rights Reserved. -Ū.

Had no idea I was recording but here's what I got after like 6 minutes of my stomach gurgling and some extremely uncomfortable shallow breathing. Somebody should tell her. Can you walk my dog Before we fuck? My girl's not home. Wanna walk my dog. My neighbor is cheating on his girl but that's not my business. YOU LET HER WALK OUR DOG!!!? BEFORE: V.O. That's not my neighbor… [an evil blonde girl with blue eyes smiles maliciously as she exits the building walking a small black dog] …But that's their dog. LATER THAT NIGHT. V.O. I heard them fucking through the paper thin walls of the apartment. That is definitely not my neighbor. …somebody should tell her. YOU LET HER WALK OUR DOG?! That is not my business. Gee, God, I thought you'd never show up. [ensues Horrible guitar playing with acrylic nails] Self You never employ these two fingers. Also Self Cause they don't work. Try medicating that. They would try! (No thanks, I'll do it myself.) Dumb twat. I don't want to call people that… Thats's just what I am. Yo. Somebody tell her! Somebody tell her! …that's not my business. Maybe she already know. Cabinet slamming is a nasty business! YOU LET THAT BITCH WALK OUR DOOOOOG?! Yo, fuck that dog. Ugly ass chihuahua. [ensues more bad guitar playing with acrylic nails.] [basic ass surf music and some suspicious ass licks] [atrocious traffic noise] Jack went down the rabbit hole Jill came back and asked for more Then she saw that Jack was gone [over all] After all she all, She carried on After all, she carried on After all she carried on After all she carried on. Heheheh. [ghetto people yelling in the street like animals] Jack flew down the wishing well… [car honking that always honks whenever I try to make music and start succeeding (but never actually leaves the lot.)] What happened first? Uh. Jack went down the rabbit hole. Yeah. And then? Auh— [nothing], Jill didn't follow him. She just carried on. Jack flew down the wishing well. [the traffic pics up; the ghetto people start acting a fool. Yes. My windows are closed. My focus is broken by the noise.] Crème filling! Nothing but— crème filling! Oh! I want a croissant. A wonderful croissant with butter And Crème filling. A wonderful croissant With butter! And crème filling especially when— —rare! Especially when! Crème filling. Crème filling. A croissant. What kind of croissant. A delicious croissant. With— butter! —and A — special— No— Delicious— With— Butter And Crème filling. A— Delicious croissant With butter And Crème Filling Where are we from? Obviously this place is hell. Why am I here Why am I here Why am I here A… Fabulous croissant. [mind you, I've still no idea I'm recording. ] V.O. actually, I was assuming I wasn't. Monologue/ talk with God [The noise picks up and I get up to record the evidence that my right to peace and quiet enjoyment of my property have been violated severely— then I realize I've been recording the whole time.[ Oh shit. (Well, there's your answer.) I didn't know I was recording. Well, thats's how this all started. And I guess, how it ends. It's true, I started the series by accident when in my homeless despair, my talking to God out loud began being recorded by my iPhone just turning itself on and recording at random. In this instance, I had probably started the recording for the motorcycles and forgotten about it, but having been sick for days from the motorcycles and noise to no avail, I had begun to exhibit symptoms of extreme stress much akin to the homelessness in which the series started; erratic behaviors such as speaking freely out loud without the intention of being heard— and yet being heard anyway. I wasn't happy in New York, and I still felt homeless. The insanity might have been trademark New York, but it wasn't trademark me. I counted my blessings and all of my change; I knew I would have to leave for my own health, but I didn't know how—and returning to the streets was not an option. I was done playing the victim, and done complaining— my stomach churning with indigestion and my head gnawing with the congestion of a two year long head cold. Something needed to change, and rapidly— New York was turning against my mind, and my mind was turning against my body. This was no game— it was somebody's business. But to me, it was personal. This was my mind and my body being tampered with, and my soul remained at large. Something else entirely was begging to take over; whatever was attempting to destroy me had to be destroyed. Immidiately. This happy accident had to have been the end of the series— the show would come down soon and everything I had written with it. My life and my safety were at stake. I had nothing to risk, but also nothing to lose. I think they call that a lose cannon. {Enter The Multiverse} [The Festival Project ™] Copyright © The Festival Project, Inc. ™ | Copyright The Complex Collective © 2019-2025 ™ All Rights Reserved. -Ū.

主播：拉帝｜奇妙导演，小红薯：拉帝冬天到了！开始接触不一样的音乐了！感觉每年的喜好的循环貌似有迹可循！ShowNotes：00:00 《健全な社会》-yonige04:03 《downt》- downt10:39 《Our Man in Paris》- Dexter Gordon18:41 《Later That Night》-国蛋32:09 《Lupin the Third Original Sound Tracks》- 大野雄二/You & the Explosion Band

For white, suburban, heterosexual middle America, Jeffrey Dahmer, like AIDS, was the natural, even the righteous, consequence of homosexual promiscuity. He remains one of the exemplary constructions of the supervillain serial killer, the perfect subject of a true crime story. Today's episode is about Jeffrey Dahmer as man and metaphor: about the phenomenon of the serial killer-monster, about the ways in which homophobia, racism, and the various true crime myths Dahmer helped reify ironically impeded his arrest and enabled his crimes, and about the twisted, slap-happy identification with Dahmer pursued by some gay men. ----more---- SOURCES: ABC News. “Jeffrey Dahmer Hero Charged With Homicide.” ABC News. Accessed March 15, 2022. https://abcnews.go.com/US/jeffrey-dahmer-hero-tracy-edwards-charged-homicide/story?id=14853608. Barron, James. “Milwaukee Police Once Queried Suspect.” The New York Times, July 27, 1991, sec. U.S. https://www.nytimes.com/1991/07/27/us/milwaukee-police-once-queried-suspect.html. AP NEWS. “Dahmer Case Raises Complaints of Racism With PM-Dahmer Confession, Bjt.” Accessed March 15, 2022. https://apnews.com/article/6452017abebdb9eaa87e90817bf59b7e. AP NEWS. “Dahmer Tells Judge He Blames Nobody But Himself With PM-, AM-Dahmer Sentencing, Bjt.” Accessed March 15, 2022. https://apnews.com/article/49045923cf0d3c1a0ffc82eda398b935. AP NEWS. “Dahmer Tells Judge He Blames Nobody But Himself With PM-, AM-Dahmer Sentencing, Bjt.” Accessed March 15, 2022. https://apnews.com/article/49045923cf0d3c1a0ffc82eda398b935. Davis, Donald A. The Jeffrey Dahmer Story: An American Nightmare. St. Martin's Paperbacks, 1991. Gage, Gabriella. “True Crime's Deceits: The Genrefication of Tragedy.” Los Angeles Review of Books, June 21, 2021. https://lareviewofbooks.org/article/true-crimes-deceits-the-genrefication-of-tragedy/. Masters, Brian. The Shrine of Jeffrey Dahmer. London: Hodder & Stoughton, 1993. O'Brien, Brendan. “Homeless Man Who Escaped Cannibal Serial-Killer Jeffrey Dahmer Gets Prison Sentence.” National Post, January 24, 2012. https://nationalpost.com/news/homeless-man-who-escaped-canibal-serial-killer-jeffrey-dahmer-gets-prison-sentence. Sarah McGonagall. “Did You Know? In 1991 Officer John Balcerzak Was Fired after Handing 14 Year-Old Konerak Sinthasomphone Back to the Man He Had Just Escaped from despite Two Bystanders Begging the Officer Not to. Later That Night, Konerak Was Tortured and Killed by That Same Man - Jeffrey Dahmer.” Tweet. @gothspiderbitch (blog), June 19, 2020. https://twitter.com/gothspiderbitch/status/1273785359869116421. Toofab. “The Racist Reason White Cops Handed a Dying 14-Year-Old Back to Jeffrey Dahmer.” Accessed March 15, 2022. https://toofab.com/2020/06/19/white-cops-handed-a-dying-14-year-old-back-to-jeffrey-dahmer/. Tithecott, Richard, and James R. Kincaid. Of Men and Monsters: Jeffrey Dahmer and the Construction of the Serial Killer. Madison: University of Wisconsin Press, 1997. Our intro music is Arpeggia Colorix by Yann Terrien, downloaded from WFMU's Free Music Archive and distributed under a Creative Commons Attribution-ShareAlike License. Our outro music is by DJ Michaeloswell Graphicsdesigner.   ----more----

After the Rossi trial our heroes work on resolving lose ends, but will they cause more problems than they finish? You can help support the show by watching episodes LIVE every Tuesday at 8PM Est over on twitch.tv/roleplayslive or join our Patreon at https://www.patreon.com/Role_Plays Join Our Discord Community and become a Mall Kid in our season long RP game: https://discord.gg/kv2tR8xdWR Rock your Lowmond Pride with official Tales From 2000 merch: https://merch.streamelements.com/gmtable Our Sponsor Skullsplitter Dice: https://bit.ly/32NlWWe --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

LATER THAT NIGHT. TRACKLIST: Santo "Vocal Mix" Bobby Nourmand Azur (Kamilo Sanclemente & Dabeat Remix) Zalvador Far Away (Original Mix) Imar Black Slopes (Extended Mix) Kroman Asylum Twist "Joseph Ashworth Remix" Gab Rhome Self Inquiry (Original Mix) Stan Kolev Black Ice (Original Mix) Moritz Hofbauer Landscape (RIGOONI Remix) Analog Jungs, Oliver & Tom Harsh Feelings (Original Mix) Matierro Clueless (Original Mix) Boss Axis, Rauschhaus Valhalla (Extended Mix) Miss Monique, Sean & Dee Falling (Paul Hamilton Remix) Max Freegrant, ANUQRAM The Tribal Code (Original Mix) Teklix Siren Song (Original Mix) Rinzen Blossom Spring (Original Mix) Pablo Gargano Painted In Gold (Extended Mix) MikeT Doppler Effect (Rauschhaus Remix) Jono Stephenson Division (Original Mix) Marco Bedini Sayonara (Analog Jungs Remix) Golan Zocher, Choopie Significance (Original Mix) Gordey Tsukanov Breath (Original Mix) Olivier Giacomotto

THEN IT WAS TIME TO TURN IT UP: with Made in Paris Saive Rodriguez Jr. Sasch BBC, Caspar CamelPhat, Au/Ra Orkidea Dave Seaman Jobe Kasper Koman Amy dB Lee Van Dowski Adana Twins Kamilo Sanclemente & Golan Zocher Blancah, Clawz SG Stan Kolev Michael & Levan & Stiven Rivic Damir Ludvig, Everbeatz Collective States Animal Picnic, Aaryon TRACKLIST Sonorous (Luis Junior Remix) Made in Paris Kairos (Original Mix) Made in Paris Eable (Antonio Citarella Remix) Saive An Evidence Of Time (Claude VonStroke Remix) Rodriguez Jr. Grey Day (Township Rebellion Remix) Sasch BBC, Caspar Panic Room (Camelphat Club Mix) CamelPhat, Au/Ra Nana (Jerome Isma-Ae Remix) Orkidea Virgo Ryzin (Audiojack Remix) Dave Seaman Dissolusion (Original Mix) Jobe Hi Kasper Koman Revered (Stan Kolev Remix) Amy dB EKT Lee Van Dowski Jupiter (Original Mix) Adana Twins El Sol (Roger Martinez Remix) Kamilo Sanclemente & Golan Zocher Ravens (Extended Version) Blancah, Clawz SG NOX, K.A.L.I.L. - THE SEED (ST D From The Other Side (Original Mix) Saturn Keys, Fel C Inscape (Original Mix) Stan Kolev Whisper "Futur-E Remix" Michael & Levan & Stiven Rivic Echo Base (Alfonso Muchacho Remix) Damir Ludvig, Everbeatz Eleven (Original Mix) Collective States Calathea (D-Nox & Beckers Remix) Animal Picnic, Aaryon

Is your name too ghetto? Is your name too ghetto? This company thinks so — at least 20 women were rejected for having a “ghetto” sounding name. Throwdown at a golf course ends in a man’s thumb being bitten off all the way to the knuckle. Teyana Taylor‘s touring on her own on the Later That Night... The post Is your name too ghetto? #90 appeared first on Bandedbox.

The fourth generation of consoles produced some of the most divisive and bitter rivalry ever seen in the history of video games. The two main contenders, The Sega Genesis and The Super Nintendo, waged a war against one another unlike anything ever seen before, which is why this STAGE of the Retro VGM Revival Hour is dedicated to the console wars of the 90s pitting the Sega Genesis and the Super Nintendo!!!! =====Game - Composer - Title - Year - Company - System==== 1.) Sonic 3 & Knuckles - Brad Buxer, Cirocco Jones, Geoff Grace, Sachio Ogawa, Tatsuyuki Maeda, Tomonori Sawada, Jun Senoue, Miyoko Takaoka, Masanori Hikichi, Howard Drossin & Michael Jackson - “Flying Battery Zone 1" - (sonic 3)February 2, 1994/(sonic & Knuckles)October 18, 1994 - Sonic Team/SEGA - Sega Genesis 2.) Sparkster - Kazuhiro Uehara, Masahiro Ikariko, Minako Matsuhira, Michiru Yamane & Akira Yamaoka - “Lakeside” - September 15, 1994 - KONAMI - SNES 3.) Streets of Rage - Yuzo Koshiro - "Keep The Groovin (Round 4)” - SEGA - August 2, 1991 - Sega Genesis 4.) Battletoads in Battlemaniacs - David Wise - “The Dark Queen (BonusStage 1)" - June 1993 - RARE/Tradewest - SNES 5.) Batman - Naoki Kodaka - “Gotham City Street" - July 27, 1990 - SunSoft - Sega Genesis 6.) Star Fox - Hajime Hirasawa -"Corneria" - February 21, 1993 - Nintendo & Argonaut Games/NINTENDO - SNES 7.) X-Men 2: The Clone Wars - Kurt Harland - “ Climbing The Temple” - 1995 - HeadGames/SEGA - Sega Genesis 8) Actraiser - Yuzo Koshiro - “Fillmore" - December 16, 1990 - Quintet/Enix - SNES 9.) The Ooze - Howard Drossin - "Toxic Dump (Parts I & II)" - September 22, 1995 - Sega Technical Institute/SEGA - Sega Genesis 10.) Battletoads & Double Dragon - David Wise - "Missile Mayhem (Stage 5)" - December 1, 1993 - RARE/Sony ImageSoft - SNES 11.) Elemental Master - Toshiharu Yamanishi - “Dance of Flame (Stage 1)”- December 14, 1990 - TechnoSoft/Renovation Products - Sega Genesis 12.) EarthBound - Keiichi Suzuki & Hirokazu Tanaka - “Pokey(porky) Means Business" - August 27, 1994 - Ape & HAL Laboratoty/Nintendo - SNES 13.) Advanced Busterhawk Gley Lancer - Masanori Hikichi, Noriyuki Iwadare, Isao Mizoguchi & Yoshiaki Kubotera - "Asteroid Field (Stage 1)” - July 16, 1992 (Japan Only) - Masaya - Sega Genesis 14.) Mega Man 7 - Yuko Takehara, Makoto Tomozawa & Toshihiko Horiama - “Intro Stage(Opening Stage)" - March 24, 1995 - CAPCOM - SNES 15.) Sparkster (Sparkster: Rocket Knight Adventures 2) - Akira Yamaoka & Michiru Yamane - “Stage 1-1/1-3” - February 22, 1994 - KONAMI - Sega Genesis 16.) Top Gear - Barry Leitch & Hiroyuki Masuno - “Las Vegas/Mad Racer (Track 1)” - March 27, 1992 - Gremlin Graphics/KEMCO - SNES 17.) Cool Spot - Tommy Tallarico - "Rave Dancetune" - 1993 - Virgin Games/Virgin Interactive - Sega Genesis 18.) Final Fight 3 - Katsunari Katajima - “For Metro City” - December 21, 1995 - CAPCOM - SNES 19) Decap Attack - Fumito Tamayama & Hiroto Kanno - “Stage 2” - September 1991 - Vic Tokai/SEGA - Sega Genesis 20.) Shadow run - Marshall Parker - "3 AM On A Summer Night(Mourge)” - May 1993 - Beam Software/Data East - SNES 21.) Tiny Toon Adventures: Buster's Hidden Treasure - Shinji Tasaka, Hideto Inoue & Tsuyoshi Sekito - "Inside the Caverns” - February 7, 1993 - KONAMI - Sega Genesis 22.) Super Adventure Island - Yuzo Koshiro - "Follow Wind(Stage 1)” - April 1992 - Produce/Hudson Soft - SNES 23.) Comix Zone - Howard Drossin - "Episode 2, Page 1-3 (Later That Night)" - August 2, 1995 - Sega Technical Institute/SEGA - Sega Genesis - 24.) Lady Stalker: Challenge from the Past - Eri Sugai - "fighting dancer(Fighting Spirit)” - April 1, 1995(Japan Only) - Climax Entertainment/Taito Corporation - SNES Edgar Velasco: @MoonSpiderHugs FB: www.facebook.com/groups/vgmrevivalhour/ Tumblr: retro-vgm-revival-hour.tumblr.com/ AND NOW AVAILABLE ON GOOGLE PLAY: play.google.com/music/m/I2uvnfvy4…_VGM_REVIVAL_HOUR

I can't believe it has been nearly a year since I did one of these. Well that is going to change. 1 Jarvis Cocker - "One Man Show" 2 Greg Dulli - "Early Today (and Later That Night)" 3 Ivy - "Disappointed" 4 Sia - "The Girl You Lost To Cocaine" 5 Franz Ferdinand - "Walk Away" 6 Ned's Atomic Dustbin - "I Want It Over" 7 Lilys - "The Hermit Crab" 8 "One Morning" - From Bottle Rocket 9 Pavement - "Box Elder" 10 Lush - "Ciao!" 11 the Mountain Goats - "No Children" 12 Holland - "Spit You Out" 13 Ween - "Piss Up A Rope" 14 Cotton Candy - "The End of the Beginning" 15 Super Furry Animals & The Beatles - "Free Now" 16 Firewater - "Is That All There Is?" 17 The Afghan Whigs - "What Jail Is Like" 18 Air - "The Duelist" 19 "What you want me to say" - From Brighton Rock 20 The Byrds - "I'll Feel A Whole Lot Better" 21 Dylan Hicks - "Screw You (And Screw Your Friends)" 22 Graham Coxon - "You always let me down" 23 Rocket From The Crypt - "Who Needs You" 24 Super Furry Animals - "Hello Sunshine"

1 Intro 2 Tape Findings - "The Oxford Club" 17:20 3 Chisel - "Priviliged & Impotent" 02:54 4 Jumbling Towers - "Apartments" 03:32 5 The xx - "Islands" 02:39 6 Scott Allen - "We Eat Like Cannibals" 03:27 7 Cath Carroll - "My Cold Heart" 02:59 8 James Deane - "Dreamed You Were Home" 04:13 9 Dials - "All The Same" 03:52 10 "sexy_sisters" 00:10 11 Greg Dulli - "Early Today (and Later That Night)" 03:33 12 Pulp - "It's A Dirty World (Recording Session Outtake)" 05:12 13 Television Personalities - "Three wishes" 05:23 14 Charlie And Todd - "A Conversation Between Two Red Ants" 00:36 15 The Creation - "Life Is Just Beginning (Alternate Take)" 03:19 16 Crazy Elephant - "Higher and Higher" 03:36 17 The Small Faces - "Grow Your Own" 02:18 18 Pat & Lolly Vegas - "Papa's Got a Brand New Bag (Pat and... 02:24 19 Tape Findings - "1986 kids doing the news" 03:05 20 Psycho VII - "Just Another Fun Love Song" 05:09 21 Crooked Fingers - "White Trash Hereos" 04:57 22 Beach Boys - "In My Room" 02:12 23 Sweet Thunder Found Sound - "Tod & Jeff Fight/Danger Zone" 03:28 24 China Drum - "Biscuit Barrel F.M.R." 03:48 25 The Afghan Whigs - "Brother Woodrow / Closing Prayer" 05:38 26 Found Sound - "jill becky katie all out of love" 04:09

BEATIMPRINT LIVE FROM THE BEAT DOWN BEAT IMPRINT Episode 3.5 LATER THAT NIGHT LATE MARCH/EARLY APRIL 2011 Russian beat, hip hop, dub, dubstep, & witchy witchhouse, ghosty tracks thrown in for good measure... This was done live @ the Beatimprint Beat Down Happy Hour March 25th @ Club De Ville in Austin, TX This is part 2 of 2 live in one take mixes from Club De Ville www.beatimprint.com