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Founded in 1932, the Pērkonkrusts ("Thunder Cross") was the largest and most prominent right-wing political party in Latvia in the early twentieth century. Its motto--"Latvia for Latvians!"--echoed the ultranationalist rhetoric of similar movements throughout Europe at the time. Unlike the Nazis in Germany or the Fascists in Italy, however, the Pērkonkrusts never succeeded in seizing power. Nevertheless, in her book Thunder Cross: Fascist Antisemitism in Twentieth-Century Latvia (U Wisconsin Press, 2025) holocaust historian Paula A. Oppermann argues that the movement left an indelible mark on the country . The antisemitism at the core of the Pērkonkrusts' ideology remained a driving force for Latvian fascists throughout the twentieth century, persisting despite shifting historical and political contexts. Thunder Cross is the most comprehensive study of Latvia's fascist movement in English to date, and the only work that investigates the often neglected continuities of fascist antisemitism after World War II. Formulated as an empirical case study, this book draws on international and interdisciplinary secondary literature and sources in seven languages to broaden our understanding of fascism, antisemitism, and mass violence from Germany and Italy to the larger European context. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Founded in 1932, the Pērkonkrusts ("Thunder Cross") was the largest and most prominent right-wing political party in Latvia in the early twentieth century. Its motto--"Latvia for Latvians!"--echoed the ultranationalist rhetoric of similar movements throughout Europe at the time. Unlike the Nazis in Germany or the Fascists in Italy, however, the Pērkonkrusts never succeeded in seizing power. Nevertheless, in her book Thunder Cross: Fascist Antisemitism in Twentieth-Century Latvia (U Wisconsin Press, 2025) holocaust historian Paula A. Oppermann argues that the movement left an indelible mark on the country . The antisemitism at the core of the Pērkonkrusts' ideology remained a driving force for Latvian fascists throughout the twentieth century, persisting despite shifting historical and political contexts. Thunder Cross is the most comprehensive study of Latvia's fascist movement in English to date, and the only work that investigates the often neglected continuities of fascist antisemitism after World War II. Formulated as an empirical case study, this book draws on international and interdisciplinary secondary literature and sources in seven languages to broaden our understanding of fascism, antisemitism, and mass violence from Germany and Italy to the larger European context. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Founded in 1932, the Pērkonkrusts ("Thunder Cross") was the largest and most prominent right-wing political party in Latvia in the early twentieth century. Its motto--"Latvia for Latvians!"--echoed the ultranationalist rhetoric of similar movements throughout Europe at the time. Unlike the Nazis in Germany or the Fascists in Italy, however, the Pērkonkrusts never succeeded in seizing power. Nevertheless, in her book Thunder Cross: Fascist Antisemitism in Twentieth-Century Latvia (U Wisconsin Press, 2025) holocaust historian Paula A. Oppermann argues that the movement left an indelible mark on the country . The antisemitism at the core of the Pērkonkrusts' ideology remained a driving force for Latvian fascists throughout the twentieth century, persisting despite shifting historical and political contexts. Thunder Cross is the most comprehensive study of Latvia's fascist movement in English to date, and the only work that investigates the often neglected continuities of fascist antisemitism after World War II. Formulated as an empirical case study, this book draws on international and interdisciplinary secondary literature and sources in seven languages to broaden our understanding of fascism, antisemitism, and mass violence from Germany and Italy to the larger European context. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

Founded in 1932, the Pērkonkrusts ("Thunder Cross") was the largest and most prominent right-wing political party in Latvia in the early twentieth century. Its motto--"Latvia for Latvians!"--echoed the ultranationalist rhetoric of similar movements throughout Europe at the time. Unlike the Nazis in Germany or the Fascists in Italy, however, the Pērkonkrusts never succeeded in seizing power. Nevertheless, in her book Thunder Cross: Fascist Antisemitism in Twentieth-Century Latvia (U Wisconsin Press, 2025) holocaust historian Paula A. Oppermann argues that the movement left an indelible mark on the country . The antisemitism at the core of the Pērkonkrusts' ideology remained a driving force for Latvian fascists throughout the twentieth century, persisting despite shifting historical and political contexts. Thunder Cross is the most comprehensive study of Latvia's fascist movement in English to date, and the only work that investigates the often neglected continuities of fascist antisemitism after World War II. Formulated as an empirical case study, this book draws on international and interdisciplinary secondary literature and sources in seven languages to broaden our understanding of fascism, antisemitism, and mass violence from Germany and Italy to the larger European context. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

Founded in 1932, the Pērkonkrusts ("Thunder Cross") was the largest and most prominent right-wing political party in Latvia in the early twentieth century. Its motto--"Latvia for Latvians!"--echoed the ultranationalist rhetoric of similar movements throughout Europe at the time. Unlike the Nazis in Germany or the Fascists in Italy, however, the Pērkonkrusts never succeeded in seizing power. Nevertheless, in her book Thunder Cross: Fascist Antisemitism in Twentieth-Century Latvia (U Wisconsin Press, 2025) holocaust historian Paula A. Oppermann argues that the movement left an indelible mark on the country . The antisemitism at the core of the Pērkonkrusts' ideology remained a driving force for Latvian fascists throughout the twentieth century, persisting despite shifting historical and political contexts. Thunder Cross is the most comprehensive study of Latvia's fascist movement in English to date, and the only work that investigates the often neglected continuities of fascist antisemitism after World War II. Formulated as an empirical case study, this book draws on international and interdisciplinary secondary literature and sources in seven languages to broaden our understanding of fascism, antisemitism, and mass violence from Germany and Italy to the larger European context. Learn more about your ad choices. Visit megaphone.fm/adchoices

Song 1: “Homeless” (by Daniel P. Modaff with Good Enough)Poem 1: “Burned” by Jack Cooper, author of Silly Lily's Rhyming Adventures In Nature (2023) and Across My Silence (2007) World Audience, Inc. https://sillylilysadventures.com/Fiction: “Displaced,” a short story by Lynn C. Miller. Her fifth novel, The Surrogate, comes out March 31, 2026 from the University of Wisconsin Press. To pre-order go to: https://uwpress.wisc.edu/Books/T/The-Surrogate Lynn's website: www.lynncmiller.comFeed the Cat Break: excerpt from “Lost Soul” (composed and performed b y David R. Merrill)    Poem 2: “Still Life with Extinctions,” by Lauren Camp who has been the Poet Laureate of New Mexico for the past three years. Author of eight collections of poetry, Lauren's new book In Old Sky won the New Mexico Book Award.Song 2: “Old Texas Town,” composed by Mark E. Collins, Dan and John Modaff. Performed by J. Modaff      Episode artwork by Lynda Miller Theme & Incidental Music by John V. Modaff, BMI Recorded in Albuquerque NM and Morehead KY Produced at The Creek Studio NEXT UP on Episode 54: The Forbidden   Thank You to our listeners all over the world. Please tell your friends about the podcast. Lynn & John

When Marion pops up on Zoom with her curls blown out to smooth newscaster perfection, it's a hot topic and one that offers a perfect lead-in to the first poem up for discussion, “Your Hair Wants Cutting” by this episode's featured poet, Michael Montlack. The three poems we're considering take inspiration from the Mad Hatter character in Lewis Carroll's Alice's Adventures in Wonderland. We discuss, Slushies, how much, if any, contextual framing is needed to guide the reader when poems refer to a character who resides in our collective imagination. We also talk about local and regional idioms, and for Kathy, how difficult they are to unlearn (shout out to Pittsburgh!). Marion accidentally bestows a new nickname on Jason. Dagne has an opinion about how speech is rendered within a poem: italics or quotation marks. She's team italics, Slushies, which are you? While thinking about the line in these poems; Marion refers to Jason's excellent essay on the history and theory of the line from his book Nothingism: Poetry at the End of Print Culture. Another poem in the batch has Marion recalling Jason's poem “Wester.” As always, thanks for listening! At the table: Dagne Forrest, Samantha Neugebauer, Jason Schneiderman, Kathleen Volk Miller, Marion Wrenn, and Lisa Zerkle Michael Montlack's third poetry collection COSMIC IDIOT will be published by Saturnalia. He is the editor the Lambda Finalist essay anthology My Diva: 65 Gay Men on the Women Who Inspire Them (University of Wisconsin Press). His work has appeared in Poetry Daily, Prairie Schooner, Cincinnati Review, Lit, Epoch, Alaska Quarterly Review, Phoebe and other magazines. In 2022, his poem won the Saints & Sinners Poetry Contest for LGBTQIA+ poets. He lives in NYC and teaches poetry at NYU and CUNY City College. https://www.facebook.com/michael.montlack https://www.instagram.com/michaelmontlack (website) https://www.michaelmontlack.com/ “Your Hair Wants Cutting” my grandmother would say, sitting there at her window, monitoring the restless crows. Her robe nearly as ancient as she. Since when are you concerned with fashion? I once dared to ask. I was seventeen, restless as those crows. I knew she wasn't talking about my curls. Plumage, she used to call it when I was a boy. Sit down, little peacock—your hair wants cutting. Even then I knew it was a cutting remark. Laden. Throwing cold kettle water on my fire. I reminded myself that she was a widow. And was glad that at least I would never cause a woman to suffer such grief. I reminded her how I donned a hat most days. She stared me up and down, her eyes like the ocean's green cold. Clever. Your kind seems to have a clever answer for everything … I swallowed the indictment. Why not make yourself useful, she said, putting down her tea cup, eyeing the trash on her tray. I was glad to oblige, happy to depart before she could notice the low waist of my trousers, let alone the height of my heels. Muchier Picture me on a grand terrace, tipping my hat. Crossing a bridge over the river of defeat— it's definitely a state of ascent. Being owed rather than owing. A blatant triumph against the conventional. A la Lord Byron. A monocle without glass, worn for style. It's an advance for a memoir about a life you haven't yet lived. Bound to be lost on some but admired by all. Likely absent during the lessons on common subjects: Algebra, Classic Literature, Biology. More devoted to the mastery of the quaintest arts: Porcelain, Calligraphy, Tapestry Weaving, Drag. As ephemeral and ethereal as a bubble. It's not something you adopt. It's something that abducts you. Enviers call it utter madness, but the muchiest of the muchier won't even fathom the phrase. Inheritance There wasn't much to leave—my sister, also suspiciously unwed, took the cottage and the wagon. But our mother had insisted that the tea set should be mine. “It's dainty and a bit chipped. Like you,” she chortled on her deathbed. I failed to see the humor but took it just the same. Knowing my sister would likely surrender it to the church, where the nuns might put it to good use but never appreciate its finery, as that would be vanity. I much rather hear my motley chums slurp from it as they sit steeped in my ridiculous riddles. I never admitted how I crafted them at night, alone in bed, in the quiet twilight, the hour I imagined reading bedtime stories to the children I never had. An apprentice son would've been nice, to hand down millinery techniques. Instead I had the ghost of one, there in my workshop, where imaginary fights erupted over whose turn it was to sweep up the felt or sharpen the scissors. Of course, I appeared mad, a much better impression to leave than the riddle of my bachelorhood. Sometimes I wanted to smash the porcelain cups, chuck them at that bloody caterpillar stinking up the forest with his opium. Why not? There was no one to inherit my pittance. No one to be trusted with my legacy… until the appearance of this girl, at once strange yet so familiar. I quite liked her. The way she held her own with me. If ever I had a daughter, I would have wanted her to be as brave as she. Defending the poor Knave of Hearts, accused of stealing the Queen's tarts. There in that courtroom, I almost lost my head but finally found a beneficiary.

St. Sukie de la Croix has been a social commentator and researcher on Chicago's LGBT history for three decades. He has published oral-history interviews; lectured; conducted historical tours; documented LGBT life through columns, photographs, humor features, and fiction; and written the book Chicago Whispers (University of Wisconsin Press, 2012) on local LGBT history. You can see his complete body of work by clicking here. Spies, Lies, and Private Eyes is copyrighted by Authors on the Air Global Radio Network #authorsofinstagram #authorinterview #writingcommunity #authorsontheair #suspensebooks #authorssupportingauthors #thrillerbooks #suspense #wip #writers#writersinspiration #books #bookrecommendations #bookaddict #bookaddicted #bookaddiction #bibliophile #read #amreading #lovetoread #terrencemccauley #terrencemccauleybooks #bookouture #thrillers #TheTwilightTown #SukiedelaCroix #TheHuntfortheHairdoKiller

St. Sukie de la Croix has been a social commentator and researcher on Chicago's LGBT history for three decades. He has published oral-history interviews; lectured; conducted historical tours; documented LGBT life through columns, photographs, humor features, and fiction; and written the book Chicago Whispers (University of Wisconsin Press, 2012) on local LGBT history. You can see his complete body of work by clicking here. Spies, Lies, and Private Eyes is copyrighted by Authors on the Air Global Radio Network #authorsofinstagram #authorinterview #writingcommunity #authorsontheair #suspensebooks #authorssupportingauthors #thrillerbooks #suspense #wip #writers#writersinspiration #books #bookrecommendations #bookaddict #bookaddicted #bookaddiction #bibliophile #read #amreading #lovetoread #terrencemccauley #terrencemccauleybooks #bookouture #thrillers #TheTwilightTown #SukiedelaCroix #TheHuntfortheHairdoKiller

Song 1: “Is That Love” (John V. Modaff)Poem 1: “Little Histories” by Scott Wiggerman whose new book of poems comes out in Spring of 2026 with Casa Urraca Press. Scott lives in Albuquerque and is a painter and a poet among other things. https://scottwiggerman.myportfolio.com/Fiction: from the novel The Surrogate by Lynn C. Miller. Coming out March 31, 2026 from the University of Wisconsin Press. To pre-order go to: https://uwpress.wisc.edu/Books/T/The-Surrogate  Lynn's website:  www.lynncmiller.comFeed the Cat Break: a clip from “A Fine Romance,” Ginger Rogers and Fred Astaire version.Poem 2: “Persephone” by Sarah Kotchian. From her collection Light of Wings. University of New Mexico Press, 2024. https://www.unmpress.com/9780826365972/light-of-wings/Song 2: “Victory” (Sasha Colette and The Magnolias) Episode artwork by Lynda MillerTheme & Incidental Music by John V. Modaff, BMIRecorded in Albuquerque NM and Morehead KYProduced at The Creek StudioNEXT UP on Episode 53:  Homeless Thank You to our listeners all over the world. Please tell your friends about the podcast. Lynn & John

While our team is on a brief recording hiatus, we're sharing another encore episode from the Slush Pile archive. This one is from late 2017 and found Jason still in his bathrobe. Nick Lantz published a new collection of poetry in 2024 “The End of Everything and Everything That Comes after That”, and we love an opportunity to celebrate our past authors. Sidle up to our virtual editorial table and take a listen to an episode that considers three poems by Nick Lantz.   In this episode, the editors review three poems by Nick Lantz: “An Urn for Ashes,” “Starvation Ranch,” and “Ghost as Naked Man.”  As a child, Nick Lantz was obsessed with paranormal phenomenon and the unexplained, from cryptids to aliens to ghosts… Present at the Editorial Table: Kathleen Volk Miller, Tim Fitts, Sharee DeVose, Jason Schneiderman, Marion Wrenn, Samantha Neugebauer, Joe Zang (Production Engineer) For the first and possibly only time, we were in a recording studio within Drexel University's LeBow College of Business, which made us feel like we were on an episode of The View. This week, the editors review three poems by Nick Lantz: “An Urn for Ashes,” “Starvation Ranch,” and “Ghost as Naked Man.” As a child, Nick Lantz was obsessed with paranormal phenomenon and the unexplained, from cryptids to aliens to ghosts. These days, he tells people he's writing a book of poems about ghosts, though that's only sort of true. His fourth book, You, Beast, won the Brittingham Prize and was published by University of Wisconsin Press in 2017. He was also the recipient of a 2017 NEA fellowship for his poetry. He lives in Huntsville, Texas, where he teaches at Sam Houston State University and edits the Texas Review. “An Urn for Ashes” gets us started off on our a conversation on past lives and reincarnation. Lantz's impressive use of language and imagery draws up ideas of present beings possessing remnants of those far in the past. Moving on to “Starvation Ranch,” the editors reflect on what memory and recollection look like in the modern era. The poem layers alluring images that are beautifully constructed and give us a front seat in recounting many summers past. The final poem, “Ghost as Naked Man” offers a reimagined commentary on gender as a social construct. Seemingly in conversation with other works on the topic, the poem conveys frustration and destruction, then pride, as expressions of manhood. It also brings to mind Ada Limón's “After the Storm,” published in Issue 66 of Painted Bride Quarterly. Listen in for our takes on these poems and the verdicts! An Urn for Ashes The atoms that made up Julius Caesar's body, burned on a pyre, spread by wind and time, have since dispersed far and wide, and statistically speaking you have in you some infinitesimal bit of carbon or hydrogen from his hand or tongue, or maybe some piece of the foot that, crossing a river, turned a republic into an empire. But that means you carry with you also the unnamed dead, the serfs and farmers, foot soldiers and clerks, and their sandals and the axles of chariots and incense burned at an altar and garbage smoking in a pit outside a great city at the center of an empire, that you are a vessel carrying the ashes of many empires and the ashes of people burned away by empires, their sweet, unheard melodies. And look how finely wrought you are, how precise your features, your very form a kind of ceremony for transporting the dead through the living world. Starvation Ranch Frank Hite, my mother's father's mother's father, named his farm Starvation Ranch, and one July, I balanced high on a ladder to repaint those white letters on the same red barn where they've been for a hundred years. But that summer is a sketch, a note written in the margin of a book I gave away. I shot rabbits and learned to drive and listened to the same Lou Reed tape on loop in the upper bedroom of my family's farmhouse. In a closet I found my grandmother's high school yearbook in which she had crossed out the name of each classmate who had died. I learned there are three kinds of garbage— the kind that goes in the compost heap to feed the garden that grows the peppers and the corn, the kind that goes in the ditch to feed the coyotes who howl at night, the kind that goes in an old oil drum to burn I learned to love the indentation my grandmother's pencil left in the paper over a name, like the tally marks I carved into a tree for each rabbit I shot. I learned that a stone arrowhead, taken from a newly plowed field that has held it for hundreds of years is still sharp enough to cut my palm. I learned to love the hiss of silence on the tape after a song ended, the sound of time like the susurrus of insects at dusk, like a broom whisking clean the floor of some upper room. I learned how to walk the perimeter of the house and feel in the grass the edges of the old foundation, a version of house that burned, that disappeared, that was rewritten, and I learned how to walk farther out into the pastures, to spot the earthen mounds left behind by people who remain only in names of rivers and country roads. That was one summer. Decades later, I learned that the barn I painted was not even the original, which had been replaced, board by beam, years before. And I learned that barns are red because red paint is cheap because iron is abundant because dying stars sighed iron atoms into space and those atoms gathered here on earth, became the earth, became blood and arrowheads and steel girders holding up towers and the red paint of barns. Ghost as Naked Man “Gender is a kind of imitation of which there is no original.”—Judith Butler Take away his beard, his hairy flanks. Lick your thumb and smear off his Adam's apple. Lift away his penis like a live bomb, and bury it under a mountain. Hide the testicles behind a broad leaf. But look, he still goes around town pointing at things he wants and moaning, rattling his imaginary chains. Every time he sees his reflection in a shop window, he cuts a thumb and with the blood paints over gaps in his shimmering reflection. Then he takes a brick and breaks the glass. There, he says, look what I made.

Officially, women in the Soviet Union enjoyed a degree of equality unknown elsewhere in Allied countries at the time. However, long-standing norms of gendered behavior and stereotypes that cast women as morally weak, politically fallible, and sexually tempting meant that women in the army or living behind enemy lines were viewed with skepticism, seen as weak points easily exploited by the enemy. Concerned about sabotage, espionage, and ideological corruption, authorities categorized women who fraternized with the enemy—or who were suspected of doing so—as “socially dangerous,” a uniquely Soviet legal designation that exposed the accused to prosecution, imprisonment, and exile. Even without official sanction, women rumored to be involved with German occupiers were reviled, and treated accordingly, by their neighbors. By reading official reports against the grain and incorporating rare personal documents, Kazyulina provides a multifaceted study of the realities for non-Jewish Soviet women—in the army or resistance, or at home in occupied territories—during and after Nazi occupation. Guest: Regina Kazyulina (she/her), is the assistant director of the Center for Holocaust and Genocide Studies and a visiting assistant professor of history. She teaches in the Graduate Certificate Program in Holocaust and Genocide Studies. Her research interests include everyday life under German occupation, the “Holocaust by Bullets,” and the gendered lived experiences of Soviet civilians. Host: Jenna Pittman (she/her), a Ph.D. student in the Department of History at Duke University. She studies modern European history, political economy, and Germany from 1945-1990. Scholars@Duke: https://scholars.duke.edu/pers... Linktree: https://linktr.ee/jennapittman Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

One True Podcast concludes its One True Book Club for the year with its third of three installments on W.H. Hudson's 1885 novel, The Purple Land.This final episode covers chapter 21 to the end. We examine how Hudson resolves the domestic plot, the travel plot, and the confrontation with the diabolical Don Hilario. We debate whether The Purple Land's climax is or is not even climactic.Then, we call in scholar Ilan Stavans, former OTP guest and editor of the U of Wisconsin Press edition of The Purple Land. Stavans ties up some of our loose ends and provides a broader historical and aesthetic context for Hudson's project.We hope you'll enjoy this third episode on this fascinating and problematic novel. If you have a nomination for our 2026 One True Book Club selection (it must be Hemingway-relevant, but not by Hemingway), please email us at 1truepod@gmail.com.Thank you as always for your support of One True Podcast!

How did the indigenous people of Chicagoland understand what was happening in the Colonies in 1776? Did the Declaration of Independence affect them in any way? Of course, the City of Chicago was not founded until 1837, but this episode explores the lives of the inhabitants of the Chicago area and the effect of European colonization on their way of life during the Revolutionary War. Our expert guest, Prof. Theodore Karamanski, walks us through the history of Chicagoland, focussing on the following points: -Chicagoland during the Seven Years' War (French and Indian War) -The differences in French and British methods of imperial control over the Indians -The Consequences of the Treaty of Paris (1763) for native peoples in the Interior -Pontiac's War (Native Confederation vs. Britain) -The Anishinaabe people, who inhabited the Great Lakes region -The Three Fires Confederacy (Ojibwe, Odawa, and Potawatomi Tribes) -An explanation of the concept of the Village World, which means every tribal village makes its own independent foreign policy decisions -The consequences of the Proclamation of 1763 for both colonists and natives -The alliance between some Chicagoland tribes and American officer George Rogers Clark, who fought together against the British during the Revolutionary War -The alliance between some tribes and the Spanish Empire, who controlled St. Louis, against the British during the Revolutionary War -The period after the Revolutionary War until the founding of Chicago in 1837 The image is of Chief Pontiac picking up the war hatchet. Mastering the Inland Seas: How Lighthouses, Navigational Aids, and Harbors Transformed the Great Lakes and America (University of Wisconsin Press, 2020) http://greatlakesecho.org/2020/06/03/mastering-inland-seas/ Civil War Chicago: Eyewitness to History with Eileen M. McMahon (Ohio University Press, 2014) Blackbird's Song: Andrew J. Blackbird and the Odawa People (Michigan State University Press, 2012) North Woods River: The St. Croix River in Upper Midwest History (University of Wisconsin Press, 2009) Rally 'Round the Flag: Chicago and the Civil War (Rowman & Littlefield Publishers, 2006)

Officially, women in the Soviet Union enjoyed a degree of equality unknown elsewhere in Allied countries at the time. However, long-standing norms of gendered behavior and stereotypes that cast women as morally weak, politically fallible, and sexually tempting meant that women in the army or living behind enemy lines were viewed with skepticism, seen as weak points easily exploited by the enemy. Concerned about sabotage, espionage, and ideological corruption, authorities categorized women who fraternized with the enemy—or who were suspected of doing so—as “socially dangerous,” a uniquely Soviet legal designation that exposed the accused to prosecution, imprisonment, and exile. Even without official sanction, women rumored to be involved with German occupiers were reviled, and treated accordingly, by their neighbors. By reading official reports against the grain and incorporating rare personal documents, Kazyulina provides a multifaceted study of the realities for non-Jewish Soviet women—in the army or resistance, or at home in occupied territories—during and after Nazi occupation. Guest: Regina Kazyulina (she/her), is the assistant director of the Center for Holocaust and Genocide Studies and a visiting assistant professor of history. She teaches in the Graduate Certificate Program in Holocaust and Genocide Studies. Her research interests include everyday life under German occupation, the “Holocaust by Bullets,” and the gendered lived experiences of Soviet civilians. Host: Jenna Pittman (she/her), a Ph.D. student in the Department of History at Duke University. She studies modern European history, political economy, and Germany from 1945-1990. Scholars@Duke: https://scholars.duke.edu/pers... Linktree: https://linktr.ee/jennapittman Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Officially, women in the Soviet Union enjoyed a degree of equality unknown elsewhere in Allied countries at the time. However, long-standing norms of gendered behavior and stereotypes that cast women as morally weak, politically fallible, and sexually tempting meant that women in the army or living behind enemy lines were viewed with skepticism, seen as weak points easily exploited by the enemy. Concerned about sabotage, espionage, and ideological corruption, authorities categorized women who fraternized with the enemy—or who were suspected of doing so—as “socially dangerous,” a uniquely Soviet legal designation that exposed the accused to prosecution, imprisonment, and exile. Even without official sanction, women rumored to be involved with German occupiers were reviled, and treated accordingly, by their neighbors. By reading official reports against the grain and incorporating rare personal documents, Kazyulina provides a multifaceted study of the realities for non-Jewish Soviet women—in the army or resistance, or at home in occupied territories—during and after Nazi occupation. Guest: Regina Kazyulina (she/her), is the assistant director of the Center for Holocaust and Genocide Studies and a visiting assistant professor of history. She teaches in the Graduate Certificate Program in Holocaust and Genocide Studies. Her research interests include everyday life under German occupation, the “Holocaust by Bullets,” and the gendered lived experiences of Soviet civilians. Host: Jenna Pittman (she/her), a Ph.D. student in the Department of History at Duke University. She studies modern European history, political economy, and Germany from 1945-1990. Scholars@Duke: https://scholars.duke.edu/pers... Linktree: https://linktr.ee/jennapittman Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

Officially, women in the Soviet Union enjoyed a degree of equality unknown elsewhere in Allied countries at the time. However, long-standing norms of gendered behavior and stereotypes that cast women as morally weak, politically fallible, and sexually tempting meant that women in the army or living behind enemy lines were viewed with skepticism, seen as weak points easily exploited by the enemy. Concerned about sabotage, espionage, and ideological corruption, authorities categorized women who fraternized with the enemy—or who were suspected of doing so—as “socially dangerous,” a uniquely Soviet legal designation that exposed the accused to prosecution, imprisonment, and exile. Even without official sanction, women rumored to be involved with German occupiers were reviled, and treated accordingly, by their neighbors. By reading official reports against the grain and incorporating rare personal documents, Kazyulina provides a multifaceted study of the realities for non-Jewish Soviet women—in the army or resistance, or at home in occupied territories—during and after Nazi occupation. Guest: Regina Kazyulina (she/her), is the assistant director of the Center for Holocaust and Genocide Studies and a visiting assistant professor of history. She teaches in the Graduate Certificate Program in Holocaust and Genocide Studies. Her research interests include everyday life under German occupation, the “Holocaust by Bullets,” and the gendered lived experiences of Soviet civilians. Host: Jenna Pittman (she/her), a Ph.D. student in the Department of History at Duke University. She studies modern European history, political economy, and Germany from 1945-1990. Scholars@Duke: https://scholars.duke.edu/pers... Linktree: https://linktr.ee/jennapittman Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Officially, women in the Soviet Union enjoyed a degree of equality unknown elsewhere in Allied countries at the time. However, long-standing norms of gendered behavior and stereotypes that cast women as morally weak, politically fallible, and sexually tempting meant that women in the army or living behind enemy lines were viewed with skepticism, seen as weak points easily exploited by the enemy. Concerned about sabotage, espionage, and ideological corruption, authorities categorized women who fraternized with the enemy—or who were suspected of doing so—as “socially dangerous,” a uniquely Soviet legal designation that exposed the accused to prosecution, imprisonment, and exile. Even without official sanction, women rumored to be involved with German occupiers were reviled, and treated accordingly, by their neighbors. By reading official reports against the grain and incorporating rare personal documents, Kazyulina provides a multifaceted study of the realities for non-Jewish Soviet women—in the army or resistance, or at home in occupied territories—during and after Nazi occupation. Guest: Regina Kazyulina (she/her), is the assistant director of the Center for Holocaust and Genocide Studies and a visiting assistant professor of history. She teaches in the Graduate Certificate Program in Holocaust and Genocide Studies. Her research interests include everyday life under German occupation, the “Holocaust by Bullets,” and the gendered lived experiences of Soviet civilians. Host: Jenna Pittman (she/her), a Ph.D. student in the Department of History at Duke University. She studies modern European history, political economy, and Germany from 1945-1990. Scholars@Duke: https://scholars.duke.edu/pers... Linktree: https://linktr.ee/jennapittman Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

Officially, women in the Soviet Union enjoyed a degree of equality unknown elsewhere in Allied countries at the time. However, long-standing norms of gendered behavior and stereotypes that cast women as morally weak, politically fallible, and sexually tempting meant that women in the army or living behind enemy lines were viewed with skepticism, seen as weak points easily exploited by the enemy. Concerned about sabotage, espionage, and ideological corruption, authorities categorized women who fraternized with the enemy—or who were suspected of doing so—as “socially dangerous,” a uniquely Soviet legal designation that exposed the accused to prosecution, imprisonment, and exile. Even without official sanction, women rumored to be involved with German occupiers were reviled, and treated accordingly, by their neighbors. By reading official reports against the grain and incorporating rare personal documents, Kazyulina provides a multifaceted study of the realities for non-Jewish Soviet women—in the army or resistance, or at home in occupied territories—during and after Nazi occupation. Guest: Regina Kazyulina (she/her), is the assistant director of the Center for Holocaust and Genocide Studies and a visiting assistant professor of history. She teaches in the Graduate Certificate Program in Holocaust and Genocide Studies. Her research interests include everyday life under German occupation, the “Holocaust by Bullets,” and the gendered lived experiences of Soviet civilians. Host: Jenna Pittman (she/her), a Ph.D. student in the Department of History at Duke University. She studies modern European history, political economy, and Germany from 1945-1990. Scholars@Duke: https://scholars.duke.edu/pers... Linktree: https://linktr.ee/jennapittman Learn more about your ad choices. Visit megaphone.fm/adchoices

Officially, women in the Soviet Union enjoyed a degree of equality unknown elsewhere in Allied countries at the time. However, long-standing norms of gendered behavior and stereotypes that cast women as morally weak, politically fallible, and sexually tempting meant that women in the army or living behind enemy lines were viewed with skepticism, seen as weak points easily exploited by the enemy. Concerned about sabotage, espionage, and ideological corruption, authorities categorized women who fraternized with the enemy—or who were suspected of doing so—as “socially dangerous,” a uniquely Soviet legal designation that exposed the accused to prosecution, imprisonment, and exile. Even without official sanction, women rumored to be involved with German occupiers were reviled, and treated accordingly, by their neighbors. By reading official reports against the grain and incorporating rare personal documents, Kazyulina provides a multifaceted study of the realities for non-Jewish Soviet women—in the army or resistance, or at home in occupied territories—during and after Nazi occupation. Guest: Regina Kazyulina (she/her), is the assistant director of the Center for Holocaust and Genocide Studies and a visiting assistant professor of history. She teaches in the Graduate Certificate Program in Holocaust and Genocide Studies. Her research interests include everyday life under German occupation, the “Holocaust by Bullets,” and the gendered lived experiences of Soviet civilians. Host: Jenna Pittman (she/her), a Ph.D. student in the Department of History at Duke University. She studies modern European history, political economy, and Germany from 1945-1990. Scholars@Duke: https://scholars.duke.edu/pers... Linktree: https://linktr.ee/jennapittman Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

James JankoA Vietnam vet and an award-winning novelist with a deep interest in peaceJames Janko is the author of three award-winning novels. He learned to write on Alcatraz Island National Park where he worked alone as a nightwatchman from 1979 to 1992. He read N. Scott Momaday, Maxine Hong Kingston, James Baldwin, García Lorca, Louise Erdrich, and many others. Over the years, word by word, he fell in love with language and learned to write. Janko's awards include: the Juniper Prize from the University of Massachusetts Press for his novel, The Wire-Walker; the Association of Writers and Writing Programs Award for the Novel for The Clubhouse Thief; The Northern California Book Award and The Association of Asian American Studies Prose Award for Buffalo Boy and Geronimo. His novel, What We Don't Talk About (University of Wisconsin Press), tells the story of his hometown in rural Illinois.Want to be a guest on Book 101 Review? Send Daniel Lucas a message on PodMatch, here: https://www.podmatch.com/hostdetailpreview/17372807971394464fea5bae3 Hosted on Acast. See acast.com/privacy for more information.

Cited Sources:Allard, C. and Skogvang, S.F. (2016) Indigenous rights in Scandinavia: Autonomous Sami Law. London: Routledge.Aubinet, S. (2023) Why Sámi sing: Knowing through melodies in Northern Norway. Abingdon, Oxon: Routledge.Beach, H. (2001) A year in Lapland: Guest of the reindeer herders. Seattle, WA: University of Washington Press.Eriksen, T.H., Valkonen, S. and Valkonen, J. (2020) Knowing from the indigenous north sáami approaches to history, politics and belonging edited by Thomas Hylland Eriksen, Sanna Valkonen, Jarno Valkonen. London: Routledge.Franck, K. (2025) Reawakening Noaidevuohta: A Journey into Sami Shamanism. YouTube, YouTube, 3 Apr. 2025, www.youtube.com/watch?v=RChRXoYo6Zs.Hansen, K. and Peterson, N. (2015) Being Sami: An ethnography of identity through the lens of the Riddu Riddu Festival, Being Sami: an ethnography of identity through the lens of the Riddu Riddu festival. thesis.Hansen, L.I. and Olsen, B. (2014) Hunters in transition: An outline of early SÁMI history. Leiden: Brill.HATT, E.D. (2022) By the fire: Sami Folktales and legends. S.l.: UNIV OF MINNESOTA PRESS.Hatt, E.D. and Sjoholm, B. (2013) With the Lapps in the High Mountains: A woman among the Sami, 1907-1908. Madison: The University of Wisconsin Press.Kent, N. (2018) The Sámi peoples of the north: A social and cultural history. London: Hurst & Company.Labba, E.A. and Graham, F. (2024) The Rocks Will Echo Our sorrow: The forced displacement of the Northern Sámi. Minneapolis: University of Minnesota Press.Lehtola, V.-P. and Muller-Wille, L.W. (2005) The Sami people: Traditions in transitions. University of Alaska Press.Nergård, J.-I. (2022) The SÁMI narrative tradition: Cosmopolitans on the Arctic Tundra. Abingdon, Oxon ; New York, NY: Routledge.Ojala, C.-G. (2009) Sámi prehistories: The Politics of Archaeology and identity in northernmost Europe. Uppsala: Uppsala Universitet, Institutionen för Arkeologi och Antik Historia.Ratcliffe, D.A. and Unwin, M. (2010) Lapland: A natural history. London: T. & AD Poyser.Took, R. (2004) Running with reindeer: Encounters in Russian Lapland. Boulder, Colo: Westview Press.Valkonen, S. (2022) The SÁMI world. Abingdon, Oxon: Routledge.

One True Podcast continues our summer book club on The Purple Land, the 1885 novel written by W.H. Hudson and read and re-read by Robert Cohn.In this episode, we explore Chapters 12-20. We revisit the picaresque plot structure, discuss how the narrative moves between romance and revolution, explore how Hudson takes up the question of cultural relativism, and draw connections to The Sun Also Rises.We hope you'll join us in this close read of The Purple Land. We are using the handsome University of Wisconsin Press edition with an Introduction written by former One True Podcast guest, our friend Ilan Stavans.Thank you as always for your support of One True Podcast!

Song 1: “Speak Up,” (composed and performed by John V. Modaff, with guitars by Dan Modaff and Dave Merrill)Poem 1: “Sound Barrier” by Scott Wiggerman from the “Fire” chapter of Presence (San Antonio TX: Pecan Grove Press, 2011), a book arranged around the elements.Fiction excerpt: from the novel Death of a Department Chair by Lynn C. Miller. University of Wisconsin Press, 2006. https://uwpress.wisc.edu/Books/D/Death-of-a-Department-Chair Feed the cat break: “Cats, Cats, Cats” (Andrew Preston and AP Harbor)Poem 2: from ee cummings, poem #22 from XAIPE, 1950. This innovative modern poet (1894-1962) revitalized language from the familiar. He was also a painter, essayist, author, and playwright.Song 2: “Tell Me,” composed and performed by John V. Modaff.Episode artwork by Lynda Miller Theme & Incidental Music by John V. Modaff, BMI Recorded in Albuquerque NM and Morehead KY. Produced at The Creek Studio NEXT UP on Episode 50: “Levity and Gravity”        Thank You to our listeners all over the world. Please tell your friends about the podcast. Lynn & John

One True Podcast ushers in the summer by reading a book that is not by Hemingway, but is Hemingway-relevant: W.H. Hudson's The Purple Land, the 1885 novel that Jake Barnes name-drops in The Sun Also Rises and then weaponizes to criticize Robert Cohn.This episode covers the first 11 chapters, where we discuss the Hemingway-Hudson connection, this novel's picaresque structure, the dramatic situation, the setting, and the various adventures that our hero experiences, including the problematic nature of his “intensely amorous” inclinations.We hope you'll join us in this slow read of The Purple Land. We are using the handsome University of Wisconsin Press edition with an Introduction written by former One True Podcast guest, our friend Ilan Stavans.Thank you as always for your support of One True Podcast!

Song 1: “The Eyes Have It,” composed and performed by John V. ModaffPoem 1: “In Hurricane With Horses” by Mark Sanders. Mark lives in Nacogdoches, TX and teaches at Stephen F. Austin University. https://sandersme1.wixsite.com/mark-sanders/Fiction excerpt: from the novel Death of a Department Chair by Lynn C. Miller. University of Wisconsin Press, 2006. https://uwpress.wisc.edu/Books/D/Death-of-a-Department-ChairFeed the cat break: “Beastly Beauty” by John V. ModaffPoem 2: “My Hipster” by Barbara Rockman, author of the poetry collections To Cleave and Sting and Nest. Barbara is a poet and teacher whose homebase is Santa Fe.Song 2: “Sonnet 130” by William Shakespeare. Set to music by Phil Schmidt and performed by John V. ModaffEpisode artwork by Lynda MillerTheme & Incidental Music by John V. Modaff, BMIRecorded in Albuquerque NM and Morehead KY. Produced at The Creek StudioNEXT UP on Episode 49: “Speaking Up”     Thank You to our listeners all over the world. Please tell your friends about the podcast. Lynn & John

On this episode, Cody and Steve talk about Dr. Cornelius, a chimpanzee sympathetic to the plight of astronaut Taylor, played by Charlton Heston...wait, that's not right. No, they talk about Dr. Cornelius Evazan, who messed with Luke Skywalkwer and got Ponda Baba's arm chopped off...no, wait, that's not it either. Who are they talking about, again?Podcast to recommend: Space Rocket History (Space Rocket History Podcast - Welcome to the Space Rocket History podcast)Sources· Lennon, Donald R. "Harnett, Cornelius, Jr.." NCpedia. Dictionary of North Carolina Biography, University of North Carolina Press. Accessed 1 Apr 2025. .· Mulrooney, Margaret M. Race, Place, and Memory: Deep Currents in Wilmington, North Carolina. Tallahassee, FL: U. Press of Florida, 2018.· Watson, Alan D., et al. Harnett, Hooper, and Howe: Revolutionary Leaders of the Lower Cape Fear. Madison, WI: U. of Wisconsin Press, 1979.· See pinned post on Bluesky for general sources Hosted on Acast. See acast.com/privacy for more information.

TVC 687.3: Peter Ford, son of screen legends Glenn Ford  and Eleanor Powell and the author of Glenn Ford: A Life, talks to Ed about how his dad used his star power to hire directors and actors on Cade's County (CBS, 1971-1972) with whom he'd worked before, including George Marshall, Leo Penn, Edgar Buchanan, Barbara Rush, and Broderick Crawford; how James Woods saved Peter's life in 1976 while the two of them filmed a scene together for “Sins of Thy Father,” an episode of Barnaby Jones; and some of the notable people who hired Peter during his twenty-year career as a building contractor, including Don Simpson, Frank Gehry, Blake Edwards, George Clooney, Sally Kellerman, Mary Kay Place, and Steve Tisch. Glenn Ford: A Life is available wherever books are sold through University of Wisconsin Press.

In this episode, Katy Didden and Abram Van Engen discuss the extraordinary leaps, narrative disjunctions, and temporal frames that fill Diaz's extraordinary ekphrastic poem, a reflection on Bruegel's painting, "Landscape with the Fall of Icarus" written in conversation with W.H. Auden's poem "Musée des Beaux Arts." "Two Emergencies," appears in My Favorite Tyrants (https://a.co/d/3IUlLmp) (University of Wisconsin Press 2014), winner of the 2014 Brittingham Prize in Poetry. For more poetry of Joanne Diaz, see also The Lessons (https://a.co/d/bZOFIOp) (Silverfish Review Press 2011), winner of the Gerald Cable Book Award. For W.H. Auden's "Musee des Beaux Artes (https://www.poetryfoundation.org/poems/159364/musee-des-beaux-arts-63a1efde036cd)" see The Poetry Foundation

Emily Hyland shares her full circle story of marriage, divorce, business partners, loss, grief, finding yourself again, teacher, yoga, the power of writing, and her new full circle and her forever husband. Emily is a poet, restaurateur, educator, and mindful movement teacher. Her debut collection, Divorced Business Partners, came out in October 2024. Her second collection, Post-Mastectomy Poems, is forthcoming with Cornerstone Press, an imprint of the University of Wisconsin Press in September 2026. Hyland's poetry has appeared in The Brooklyn Review, Frontier Poetry, and The Hollins Critic, among others. She earned her MFA in poetry and her MA in English education from Brooklyn College. Her cookbook, Emily: The Cookbook, was published by Ballantine Books, an imprint of Random House, in 2018. Hyland is the eponymous co-founder of the international restaurant groups Pizza Loves Emily + Emmy Squared Pizza. She lives in Santa Fe, New Mexico where she writes and teaches at Yogasource, a beloved local studio that she co-owns and directs.wendy sloaneWed, Apr 9, 10:06 AM (12 days ago)to meMeet EmilyEmily Hyland is a poet, restaurateur, educator, and mindful movement teacher. Her debut collection of poetry, Divorced Business Partners, explores the complex nature of a relationship's evolution from marriage through ugly divorce into unexpected kinship. Emily Hyland's debut collection, Divorced Business Partners: A Love Story-not unlike Emily's own. It follows the tender, brutal, routine, awkward and aching unraveling of a marriage. While building what would become a successful restaurant. It maps the disintegration of the couple's primal bond.how does grief find us in the smallest moments? What is family when it's broken? We talk about the power of writing and her process to find her way to a better relationship with her ex. Emily shares her full circle story of marriage, divorce, business partners, loss, grief, finding yourself again, teacher, yoga, the power of writing, and her new  full circle and her forever husband. This is NOT to be missed. Follow Emily:@emilyhylandemilyhyland.com emmysquaredpizza.com pizzalovesemily.com

TVC 686.3: Peter Ford, son of screen legends Glenn Ford and Eleanor Powell and the author of Glenn Ford: A Life, talks to Ed about working with his dad and Edgar Buchanan on Cade's County (CBS, 1971-1972), including the back story for why the series did not last more than one season; how Peter became a reserve deputy for the Los Angeles County Sheriff's Department a few years after Cade's County ended; and how both he and Bobby Sherman once appeared together as bachelors (Peter, reluctantly so) on a segment of The Dating Game. Glenn Ford: A Life is available wherever books are sold through University of Wisconsin Press.

Dr. T and Truth Fairy welcome Greg Wrenn, a former Alabama state representative and long-time health policy advocate, who shares insights into how he became interested in the therapeutic use of psychedelics through personal research and professional exposure. Greg recently wrote a book called “Mothership” about coral reef research, ecological crisis, and his personal PTSD healing journey with ayahuasca. He discusses portions of the book and his experiences with Truth and Dr. T.  Greg explores the growing interest in psychedelic-assisted therapy, particularly its potential to help individuals who struggle with mental health issues such as depression, anxiety, and PTSD. He addresses the shift from viewing psychedelics as taboo to recognizing their potential under controlled, clinical settings. His personal stories, alongside those shared by Truth, highlight the positive impact psychedelic therapy can have and how his passion for the issue has been fueled. Truth Fairy, Dr. T, and Greg share concerns about the challenges of implementing beneficial psychedelic healing sessions, and they celebrate Greg's integration of tribal and liberating dance into the ayahuasca ceremony. They talk about the importance of regulation, ethical safeguards, and integration of Indigenous practices, and caution against the risks of commercialization. The episode is both vulnerable and informative, painting a hopeful picture of potential healing even in the face of difficult times.“You know, I'm no psychedelic evangelist. I don't think everyone should drink ayahuasca or work with psychedelics. I know I should, I know I need to. And so this is really important for my mission, which is to, I guess, spread a message of love and spread a message of the possibility of planetary healing, because planetary healing happens, at least with humanity, one brain at a time.” - Greg Wrenn__About Greg Wrenn:A former Stegner Fellow and Jones Lecturer at Stanford University, GREG WRENN is the author of the ayahuasca eco-memoir Mothership: A Memoir of Wonder and Crisis, an evidence-based account of his turning to coral reefs and psychedelic plants to heal from childhood trauma, and Centaur (U of Wisconsin Press 2013), which National Book Award-winning poet Terrance Hayes awarded the Brittingham Prize. ​Greg's work has appeared or is forthcoming in HuffPost, The New Republic, Al Jazeera, The Rumpus, LitHub, Writer's Digest, Kenyon Review, New England Review, The Iowa Review, and elsewhere. He has received awards and fellowships from the James Merrill House, the Bread Loaf Writers' Conference, the Vermont Studio Center, the Poetry Society of America, the Hermitage Artist Retreat, the Virginia Center for the Creative Arts, and the Spiro Arts Center. On his Mothership book tour, he spoke to audiences around the world, including at Yale School of Medicine, the University of Utah School of Medicine, Vancouver Island University, and the University of Virginia School of Nursing. Greg has also been on numerous podcasts, including Levi Chambers's PRIDE, and was recently interviewed by Emmy Award-winning journalist Elizabeth Vargas on NewsNation​ and by Jane Garvey on Times Radio (UK). ​As an associate English professor at James Madison University, he teaches creative nonfiction, poetry, and environmental literature and directs the JMU Creative Writing Minor. He also teaches in the Memoir Certificate Program at Stanford Continuing Studies. He was educated at Harvard University and Washington University in St. Louis.Greg is currently at work on a follow-up book to Mothership and sending out Homesick, his second poetry collection. A student of ayahuasca since 2019, he is a trained yoga teacher and a PADI Advanced Open Water diver, having explored coral reefs around the world for over 25 years. He and his husband divide their time between the mountains of Virginia and Atlantic Beach, Florida.Website: GregWrenn.comBook: “Mothership: A Memoir of Wonder and Crisis” by Greg Wrenn__Contact Punk Therapy:Patreon: Patreon.com/PunkTherapyWebsite: PunkTherapy.comEmail: info@punktherapy.com Contact Truth Fairy: Email: Truth@PunkTherapy.com

In Rescue and Remembrance: Imagining the German Collective After Nazism (U Wisconsin Press, 2025), Kobi Kabalek examines how the rescue of Jews during the Holocaust has been understood and represented in Germany from the Nazi period to the present. In many regions outside Germany, a small number of known Holocaust rescuers are often held up as exemplars of broad pro-Jewish sentiment among that country's population during World War II, thereby projecting an image of national moral virtue. Within Germany, by contrast, rescuers are often presented in both scholarship and public commemoration as a small minority; their examples condemn the majority by showing what Germans could have done but did not do. Kabalek argues that such simplistic depictions of the majority versus minority obscure the complex motivations and situations that led people in Nazi Germany to help persecuted Jews. Against the view that the rescuers were "forgotten" after the war, he shows that portrayals and interpretations of helping Jews appeared in various media and social discourses in East, West, and unified Germany and were used to actively debate questions of collective morality. Rescue and Remembrance analyzes the varied and changing depictions of rescue in the distinct German politics from the Nazi period, examining how the very notions of "majority" and "collective" were articulated and reformulated. Kobi Kabalek is Assistant Professor of German and Jewish Studies, Penn State University, since 2019. He earned his Ph.D. in history from the University of Virginia, with a dissertation on “The Rescue of Jews and the Memory of Nazism in Germany” (2013). In 2014-2017 he was a post-doctoral fellow at the Hebrew University in Jerusalem as part of the ERC project “Experience, Judgment, and Representation of WWII in an Age of Globalization,” and examined conflicting perspectives concerning the war in Mandatory Palestine and their impact on the postwar historiography of Israel and Zionism. Former editor of The Journal for Holocaust Research and assistant editor of History & Memory. His research focuses on historical perceptions, moral sentiments, and memory in film, literature, auto/biography, oral narratives, art, etc., in German, Israeli, and global Holocaust history. He currently explores marginalized and extreme phenomena in Holocaust testimonies, historical writing, and popular culture – with special attention to the role of fantasy, imagination, and horror – and their impact on our understanding and representation of the Holocaust. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Song 1: The God Machine (Dave Merrill and John V. Modaff)Poem 1: “To the Mother of the Sixteen-Year-Old Boy Shot Dead by the Police After She'd Called Them” by Susan Aizenberg. From Quiet City, BkMk Press 2015. Her most recent book is A Walk With Frank O'Hara (U of New Mexico Press, 2024).Fiction: Excerpt from The Surrogate by Lynn C. Miller, in press with U of Wisconsin Press, 2026. www.lynncmiller.comFeed the Cat Break: "Harpsong," by John V. ModaffPoem 2: “Butterflies Just Out of Reach” by David Meischen from Anyone's Son: 3 A Taos Press, 2020. His short story collection is the recent Nopalito, U of New Mexico Press.Song 2: "Someplace Safe"  (John Modaff with Dave Merrill) Episode artwork by Lynda MillerShow theme and incidental music by John V. ModaffThe Unruly Muse is Recorded in Albuquerque, NM & Morehead, KYProduced at The Creek StudioNEXT UP:   Episode 47, “Myths and Legends”          Thank You to our listeners all over the world. Please tell all of your friends about the podcast. Lynn & John

In Rescue and Remembrance: Imagining the German Collective After Nazism (U Wisconsin Press, 2025), Kobi Kabalek examines how the rescue of Jews during the Holocaust has been understood and represented in Germany from the Nazi period to the present. In many regions outside Germany, a small number of known Holocaust rescuers are often held up as exemplars of broad pro-Jewish sentiment among that country's population during World War II, thereby projecting an image of national moral virtue. Within Germany, by contrast, rescuers are often presented in both scholarship and public commemoration as a small minority; their examples condemn the majority by showing what Germans could have done but did not do. Kabalek argues that such simplistic depictions of the majority versus minority obscure the complex motivations and situations that led people in Nazi Germany to help persecuted Jews. Against the view that the rescuers were "forgotten" after the war, he shows that portrayals and interpretations of helping Jews appeared in various media and social discourses in East, West, and unified Germany and were used to actively debate questions of collective morality. Rescue and Remembrance analyzes the varied and changing depictions of rescue in the distinct German politics from the Nazi period, examining how the very notions of "majority" and "collective" were articulated and reformulated. Kobi Kabalek is Assistant Professor of German and Jewish Studies, Penn State University, since 2019. He earned his Ph.D. in history from the University of Virginia, with a dissertation on “The Rescue of Jews and the Memory of Nazism in Germany” (2013). In 2014-2017 he was a post-doctoral fellow at the Hebrew University in Jerusalem as part of the ERC project “Experience, Judgment, and Representation of WWII in an Age of Globalization,” and examined conflicting perspectives concerning the war in Mandatory Palestine and their impact on the postwar historiography of Israel and Zionism. Former editor of The Journal for Holocaust Research and assistant editor of History & Memory. His research focuses on historical perceptions, moral sentiments, and memory in film, literature, auto/biography, oral narratives, art, etc., in German, Israeli, and global Holocaust history. He currently explores marginalized and extreme phenomena in Holocaust testimonies, historical writing, and popular culture – with special attention to the role of fantasy, imagination, and horror – and their impact on our understanding and representation of the Holocaust. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

In Rescue and Remembrance: Imagining the German Collective After Nazism (U Wisconsin Press, 2025), Kobi Kabalek examines how the rescue of Jews during the Holocaust has been understood and represented in Germany from the Nazi period to the present. In many regions outside Germany, a small number of known Holocaust rescuers are often held up as exemplars of broad pro-Jewish sentiment among that country's population during World War II, thereby projecting an image of national moral virtue. Within Germany, by contrast, rescuers are often presented in both scholarship and public commemoration as a small minority; their examples condemn the majority by showing what Germans could have done but did not do. Kabalek argues that such simplistic depictions of the majority versus minority obscure the complex motivations and situations that led people in Nazi Germany to help persecuted Jews. Against the view that the rescuers were "forgotten" after the war, he shows that portrayals and interpretations of helping Jews appeared in various media and social discourses in East, West, and unified Germany and were used to actively debate questions of collective morality. Rescue and Remembrance analyzes the varied and changing depictions of rescue in the distinct German politics from the Nazi period, examining how the very notions of "majority" and "collective" were articulated and reformulated. Kobi Kabalek is Assistant Professor of German and Jewish Studies, Penn State University, since 2019. He earned his Ph.D. in history from the University of Virginia, with a dissertation on “The Rescue of Jews and the Memory of Nazism in Germany” (2013). In 2014-2017 he was a post-doctoral fellow at the Hebrew University in Jerusalem as part of the ERC project “Experience, Judgment, and Representation of WWII in an Age of Globalization,” and examined conflicting perspectives concerning the war in Mandatory Palestine and their impact on the postwar historiography of Israel and Zionism. Former editor of The Journal for Holocaust Research and assistant editor of History & Memory. His research focuses on historical perceptions, moral sentiments, and memory in film, literature, auto/biography, oral narratives, art, etc., in German, Israeli, and global Holocaust history. He currently explores marginalized and extreme phenomena in Holocaust testimonies, historical writing, and popular culture – with special attention to the role of fantasy, imagination, and horror – and their impact on our understanding and representation of the Holocaust. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Rescue and Remembrance: Imagining the German Collective After Nazism (U Wisconsin Press, 2025), Kobi Kabalek examines how the rescue of Jews during the Holocaust has been understood and represented in Germany from the Nazi period to the present. In many regions outside Germany, a small number of known Holocaust rescuers are often held up as exemplars of broad pro-Jewish sentiment among that country's population during World War II, thereby projecting an image of national moral virtue. Within Germany, by contrast, rescuers are often presented in both scholarship and public commemoration as a small minority; their examples condemn the majority by showing what Germans could have done but did not do. Kabalek argues that such simplistic depictions of the majority versus minority obscure the complex motivations and situations that led people in Nazi Germany to help persecuted Jews. Against the view that the rescuers were "forgotten" after the war, he shows that portrayals and interpretations of helping Jews appeared in various media and social discourses in East, West, and unified Germany and were used to actively debate questions of collective morality. Rescue and Remembrance analyzes the varied and changing depictions of rescue in the distinct German politics from the Nazi period, examining how the very notions of "majority" and "collective" were articulated and reformulated. Kobi Kabalek is Assistant Professor of German and Jewish Studies, Penn State University, since 2019. He earned his Ph.D. in history from the University of Virginia, with a dissertation on “The Rescue of Jews and the Memory of Nazism in Germany” (2013). In 2014-2017 he was a post-doctoral fellow at the Hebrew University in Jerusalem as part of the ERC project “Experience, Judgment, and Representation of WWII in an Age of Globalization,” and examined conflicting perspectives concerning the war in Mandatory Palestine and their impact on the postwar historiography of Israel and Zionism. Former editor of The Journal for Holocaust Research and assistant editor of History & Memory. His research focuses on historical perceptions, moral sentiments, and memory in film, literature, auto/biography, oral narratives, art, etc., in German, Israeli, and global Holocaust history. He currently explores marginalized and extreme phenomena in Holocaust testimonies, historical writing, and popular culture – with special attention to the role of fantasy, imagination, and horror – and their impact on our understanding and representation of the Holocaust. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies

In Rescue and Remembrance: Imagining the German Collective After Nazism (U Wisconsin Press, 2025), Kobi Kabalek examines how the rescue of Jews during the Holocaust has been understood and represented in Germany from the Nazi period to the present. In many regions outside Germany, a small number of known Holocaust rescuers are often held up as exemplars of broad pro-Jewish sentiment among that country's population during World War II, thereby projecting an image of national moral virtue. Within Germany, by contrast, rescuers are often presented in both scholarship and public commemoration as a small minority; their examples condemn the majority by showing what Germans could have done but did not do. Kabalek argues that such simplistic depictions of the majority versus minority obscure the complex motivations and situations that led people in Nazi Germany to help persecuted Jews. Against the view that the rescuers were "forgotten" after the war, he shows that portrayals and interpretations of helping Jews appeared in various media and social discourses in East, West, and unified Germany and were used to actively debate questions of collective morality. Rescue and Remembrance analyzes the varied and changing depictions of rescue in the distinct German politics from the Nazi period, examining how the very notions of "majority" and "collective" were articulated and reformulated. Kobi Kabalek is Assistant Professor of German and Jewish Studies, Penn State University, since 2019. He earned his Ph.D. in history from the University of Virginia, with a dissertation on “The Rescue of Jews and the Memory of Nazism in Germany” (2013). In 2014-2017 he was a post-doctoral fellow at the Hebrew University in Jerusalem as part of the ERC project “Experience, Judgment, and Representation of WWII in an Age of Globalization,” and examined conflicting perspectives concerning the war in Mandatory Palestine and their impact on the postwar historiography of Israel and Zionism. Former editor of The Journal for Holocaust Research and assistant editor of History & Memory. His research focuses on historical perceptions, moral sentiments, and memory in film, literature, auto/biography, oral narratives, art, etc., in German, Israeli, and global Holocaust history. He currently explores marginalized and extreme phenomena in Holocaust testimonies, historical writing, and popular culture – with special attention to the role of fantasy, imagination, and horror – and their impact on our understanding and representation of the Holocaust. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/genocide-studies

In Rescue and Remembrance: Imagining the German Collective After Nazism (U Wisconsin Press, 2025), Kobi Kabalek examines how the rescue of Jews during the Holocaust has been understood and represented in Germany from the Nazi period to the present. In many regions outside Germany, a small number of known Holocaust rescuers are often held up as exemplars of broad pro-Jewish sentiment among that country's population during World War II, thereby projecting an image of national moral virtue. Within Germany, by contrast, rescuers are often presented in both scholarship and public commemoration as a small minority; their examples condemn the majority by showing what Germans could have done but did not do. Kabalek argues that such simplistic depictions of the majority versus minority obscure the complex motivations and situations that led people in Nazi Germany to help persecuted Jews. Against the view that the rescuers were "forgotten" after the war, he shows that portrayals and interpretations of helping Jews appeared in various media and social discourses in East, West, and unified Germany and were used to actively debate questions of collective morality. Rescue and Remembrance analyzes the varied and changing depictions of rescue in the distinct German politics from the Nazi period, examining how the very notions of "majority" and "collective" were articulated and reformulated. Kobi Kabalek is Assistant Professor of German and Jewish Studies, Penn State University, since 2019. He earned his Ph.D. in history from the University of Virginia, with a dissertation on “The Rescue of Jews and the Memory of Nazism in Germany” (2013). In 2014-2017 he was a post-doctoral fellow at the Hebrew University in Jerusalem as part of the ERC project “Experience, Judgment, and Representation of WWII in an Age of Globalization,” and examined conflicting perspectives concerning the war in Mandatory Palestine and their impact on the postwar historiography of Israel and Zionism. Former editor of The Journal for Holocaust Research and assistant editor of History & Memory. His research focuses on historical perceptions, moral sentiments, and memory in film, literature, auto/biography, oral narratives, art, etc., in German, Israeli, and global Holocaust history. He currently explores marginalized and extreme phenomena in Holocaust testimonies, historical writing, and popular culture – with special attention to the role of fantasy, imagination, and horror – and their impact on our understanding and representation of the Holocaust. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

How do you balance faith, sexuality, and life—without losing your mind? Finding the just right path to authenticity can feel overwhelming, even chaotic. But here's the truth: authenticity is a journey, not a destination. And living your most fulfilled life as a gay, Jewish Rabbi (or whoever you are) is exactly the path you're meant to walk. Joining the conversation today is Rabbi Steven Greenberg—author of Wrestling with God and Men: Homosexuality in the Jewish Tradition and founder of Eshel, an Orthodox LGBTQ+ advocacy and support organization. He's here to share his wisdom on embracing all of who you are and aligning faith, identity, and purpose as a Jewish queer man. Key lessons you'll learn: What does authenticity mean to you and how to live and define it on your terms Keys for embracing your Jewish (or other faith-based self) with your gayness How to get support from Eshel if you desire it About Steve Rabbi Steven Greenberg is an educator, writer and speaker who has led the call for LGBTQ+ inclusion in the Orthodox world. He is the author of Wrestling with God and Men: Homosexuality in the Jewish Tradition, (University of Wisconsin Press) for which he won the Koret Jewish Book Award for Philosophy and Thought in 2005. Rabbi Greenberg is presently the Founding Director of Eshel, an Orthodox LGBTQ+ community support, education and advocacy organization and lives with his partner, Steven Goldstein, and daughter, Amalia, in Boston. Connect With Steve Website Facebook Instagram Hey Guys, Check This Out! Are you a guy who keeps struggling to do that thing? You know the thing you keep telling yourself and others you're going to do, but never do? Then it's time to get real and figure out why. Join the 40 Plus: Gay Men Gay Talk, monthly chats. They happen the third Monday of each month at 5:00 pm Pacific - Learn More! Also, join our Facebook Community - 40 Plus: Gay Men, Gay Talk Community Break free of fears. Make bold moves. Live life without apologies

Before the creation of the European colonial states in the nineteenth century, Southeast Asia had hundreds of royal families, large and small. Today, only a small number survive. In his book, Champassak Royalty and Sovereignty: Within and Between Nation-States in Mainland Southeast Asia (U Wisconsin Press, 2024), Ian Baird uncovers the history of one of these royal lineages, the House of Champassak, located formerly in southern Laos. Dating back to the late seventeenth century, this royal lineage has survived enormous political changes in Laos and the surrounding region: including becoming a vassal of the Thai kingdom; French colonial rule; national independence; and the communist takeover of Laos in 1975. But despite not being a ‘national monarchy', as Baird shows, for a long time the House of Champassak has exerted a special kind of sovereignty. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Before the creation of the European colonial states in the nineteenth century, Southeast Asia had hundreds of royal families, large and small. Today, only a small number survive. In his book, Champassak Royalty and Sovereignty: Within and Between Nation-States in Mainland Southeast Asia (U Wisconsin Press, 2024), Ian Baird uncovers the history of one of these royal lineages, the House of Champassak, located formerly in southern Laos. Dating back to the late seventeenth century, this royal lineage has survived enormous political changes in Laos and the surrounding region: including becoming a vassal of the Thai kingdom; French colonial rule; national independence; and the communist takeover of Laos in 1975. But despite not being a ‘national monarchy', as Baird shows, for a long time the House of Champassak has exerted a special kind of sovereignty. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Before the creation of the European colonial states in the nineteenth century, Southeast Asia had hundreds of royal families, large and small. Today, only a small number survive. In his book, Champassak Royalty and Sovereignty: Within and Between Nation-States in Mainland Southeast Asia (U Wisconsin Press, 2024), Ian Baird uncovers the history of one of these royal lineages, the House of Champassak, located formerly in southern Laos. Dating back to the late seventeenth century, this royal lineage has survived enormous political changes in Laos and the surrounding region: including becoming a vassal of the Thai kingdom; French colonial rule; national independence; and the communist takeover of Laos in 1975. But despite not being a ‘national monarchy', as Baird shows, for a long time the House of Champassak has exerted a special kind of sovereignty. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/southeast-asian-studies

Before the creation of the European colonial states in the nineteenth century, Southeast Asia had hundreds of royal families, large and small. Today, only a small number survive. In his book, Champassak Royalty and Sovereignty: Within and Between Nation-States in Mainland Southeast Asia (U Wisconsin Press, 2024), Ian Baird uncovers the history of one of these royal lineages, the House of Champassak, located formerly in southern Laos. Dating back to the late seventeenth century, this royal lineage has survived enormous political changes in Laos and the surrounding region: including becoming a vassal of the Thai kingdom; French colonial rule; national independence; and the communist takeover of Laos in 1975. But despite not being a ‘national monarchy', as Baird shows, for a long time the House of Champassak has exerted a special kind of sovereignty. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

The system of prostitution imposed and enforced by the Japanese military during its wartime occupation of several countries in East and Southeast Asia is today well-known and uniformly condemned. Transnational activist movements have sought to recognize and redress survivors of this World War II-era system, euphemistically known as "comfort women," for decades, with a major wave beginning in the 1990s. However, Indonesian survivors, and even the system's history in Indonesia to begin with, have largely been sidelined, even within the country itself. In Systemic Silencing: Activism, Memory, and Sexual Violence in Indonesia (U Wisconsin Press, 2023), Katharine E. McGregor not only untangles the history of the system during the war, but also unpacks the context surrounding the slow and faltering efforts to address it. With careful attention to the historical, social, and political conditions surrounding sexual violence in Indonesia, supported by exhaustive research and archival diligence, she uncovers a critical piece of Indonesian history and the ongoing efforts to bring it to the public eye. Critically, she establishes that the transnational part of activism surrounding victims of the system is both necessary and fraught, a complexity of geopolitics and international relationships on one hand and a question of personal networks, linguistic differences, and cultural challenges on the other. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The system of prostitution imposed and enforced by the Japanese military during its wartime occupation of several countries in East and Southeast Asia is today well-known and uniformly condemned. Transnational activist movements have sought to recognize and redress survivors of this World War II-era system, euphemistically known as "comfort women," for decades, with a major wave beginning in the 1990s. However, Indonesian survivors, and even the system's history in Indonesia to begin with, have largely been sidelined, even within the country itself. In Systemic Silencing: Activism, Memory, and Sexual Violence in Indonesia (U Wisconsin Press, 2023), Katharine E. McGregor not only untangles the history of the system during the war, but also unpacks the context surrounding the slow and faltering efforts to address it. With careful attention to the historical, social, and political conditions surrounding sexual violence in Indonesia, supported by exhaustive research and archival diligence, she uncovers a critical piece of Indonesian history and the ongoing efforts to bring it to the public eye. Critically, she establishes that the transnational part of activism surrounding victims of the system is both necessary and fraught, a complexity of geopolitics and international relationships on one hand and a question of personal networks, linguistic differences, and cultural challenges on the other. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

The system of prostitution imposed and enforced by the Japanese military during its wartime occupation of several countries in East and Southeast Asia is today well-known and uniformly condemned. Transnational activist movements have sought to recognize and redress survivors of this World War II-era system, euphemistically known as "comfort women," for decades, with a major wave beginning in the 1990s. However, Indonesian survivors, and even the system's history in Indonesia to begin with, have largely been sidelined, even within the country itself. In Systemic Silencing: Activism, Memory, and Sexual Violence in Indonesia (U Wisconsin Press, 2023), Katharine E. McGregor not only untangles the history of the system during the war, but also unpacks the context surrounding the slow and faltering efforts to address it. With careful attention to the historical, social, and political conditions surrounding sexual violence in Indonesia, supported by exhaustive research and archival diligence, she uncovers a critical piece of Indonesian history and the ongoing efforts to bring it to the public eye. Critically, she establishes that the transnational part of activism surrounding victims of the system is both necessary and fraught, a complexity of geopolitics and international relationships on one hand and a question of personal networks, linguistic differences, and cultural challenges on the other. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/southeast-asian-studies

Song 1: “The Young & The Old” (composed by David R. Merrill, performed with John Modaff)Poem 1: “Cousin Judy Paints” by Mikki Aronoff, a much-published Albuquerque poet, Pushcart nominee, and animal advocate.Short Story: “Satisfaction” by Lynn C. Miller. Her novel THE SURROGATE is in process with the University of Wisconsin Press for 2026. www.lynncmiller.comFeed the Cat Break: “Bouree” (JS Bach/Ian Anderson, performed by David R. Merrill)Poem 2: “Bloom” by Sarah Kotchian. From “Light of Wings,” her new collection from University of New Mexico Press in 2024. https://sarahkotchian.com/Song 2: “Sweet Songs” (by John V. Modaff, performed with Good Enough on the album “TOO”)Episode artwork by Lynda MillerShow theme and incidental music by John V. Modaff, BMIThe Unruly Muse is Recorded in Albuquerque, NM and Morehead, KYProduced at The Creek Studio, Morehead 40351NEXT UP: Episode 45 coming February 2025: “Neighbors”       Thank You to our listeners all over the world. Please tell a friend about the podcast. Lynn & John

By popular demand, we sit down to explore the significance and functional role of the passenger pigeon. Join as we dive into the available literature on the history and ecological importance of passenger pigeons, learning how they shaped ecosystems and oak forest dynamics, how these historical disturbances can give insight into our management practices today, what this means for turkeys, and more.  Resources: Blockstein, D. E., and H. B. Tordoff. 1985. Gone forever: a contempo-rary look at the extinction of the passenger pigeon. American Birds39:845–851 Ellsworth, J. W., & McCOMB, B. C. (2003). Potential effects of passenger pigeon flocks on the structure and composition of presettlement forests of eastern North America. Conservation Biology, 17(6), 1548-1558. Hung, C. M., et al. (2014). Drastic population fluctuations explain the rapid extinction of the passenger pigeon. Proceedings of the National Academy of Sciences, 111(29), 10636-10641. Schorger,  A.  W.  1955.  The  passenger  pigeon:  its  natural  history  and extinction. University of Wisconsin Press, Madison Has turkey habitat changed? | #21 The American Chestnut: Restoring ecological function | #106   Donate to wild turkey research: UF Turkey Donation Fund , Auburn Turkey Donation Fund  Do you have a topic you'd like us to cover? Leave us a review or send us an email at wildturkeyscience@gmail.com!   Dr. Marcus Lashley @DrDisturbance, Publications Dr. Will Gulsby @dr_will_gulsby, Publications Turkeys for Tomorrow @turkeysfortomorrow  UF DEER Lab @ufdeerlab, YouTube   Please help us by taking our (QUICK) listener survey - Thank you!  Check out the NEW DrDisturbance YouTube channel! DrDisturbance YouTube Watch these podcasts on YouTube Leave a podcast rating for a chance to win free gear! Get a 10% discount  at Grounded Brand by using the code ‘TurkeyScience' at checkout! This podcast is made possible by Turkeys for Tomorrow, a grassroots organization dedicated to the wild turkey. To learn more about TFT, go to turkeysfortomorrow.org.    Music by Artlist.io Produced & edited by Charlotte Nowak  

By popular demand, we sit down to explore the significance and functional role of the passenger pigeon. Join as we dive into the available literature on the history and ecological importance of passenger pigeons, learning how they shaped ecosystems and oak forest dynamics, how these historical disturbances can give insight into our management practices today, what this means for turkeys, and more.  Resources: Blockstein, D. E., and H. B. Tordoff. 1985. Gone forever: a contempo-rary look at the extinction of the passenger pigeon. American Birds39:845–851 Ellsworth, J. W., & McCOMB, B. C. (2003). Potential effects of passenger pigeon flocks on the structure and composition of presettlement forests of eastern North America. Conservation Biology, 17(6), 1548-1558. Hung, C. M., et al. (2014). Drastic population fluctuations explain the rapid extinction of the passenger pigeon. Proceedings of the National Academy of Sciences, 111(29), 10636-10641. Schorger,  A.  W.  1955.  The  passenger  pigeon:  its  natural  history  and extinction. University of Wisconsin Press, Madison Has turkey habitat changed? | #21 The American Chestnut: Restoring ecological function | #106   Donate to wild turkey research: UF Turkey Donation Fund , Auburn Turkey Donation Fund  Do you have a topic you'd like us to cover? Leave us a review or send us an email at wildturkeyscience@gmail.com!   Dr. Marcus Lashley @DrDisturbance, Publications Dr. Will Gulsby @dr_will_gulsby, Publications Turkeys for Tomorrow @turkeysfortomorrow  UF DEER Lab @ufdeerlab, YouTube   Please help us by taking our (QUICK) listener survey - Thank you!  Check out the NEW DrDisturbance YouTube channel! DrDisturbance YouTube Watch these podcasts on YouTube Leave a podcast rating for a chance to win free gear! Get a 10% discount  at Grounded Brand by using the code ‘TurkeyScience' at checkout! This podcast is made possible by Turkeys for Tomorrow, a grassroots organization dedicated to the wild turkey. To learn more about TFT, go to turkeysfortomorrow.org.    Music by Artlist.io Produced & edited by Charlotte Nowak