Podcasts about wisconsin press

A group of local historians are hard at work unearthing and preserving the rich histories of Madison's neighborhoods. Using maps and oral histories, Make History Madison is a crowd-sourced, place-based public history initiative that encourages people of all ages to contribute photos, research, testimonials, and observations about the places in Madison that matter to them. On today's show, host Douglas Haynes speaks with four guests involved in the project, Martín Alvarado, James Levy, Angela Richardson, and John Wedge. As much as their work involves celebrating Madison's vibrant history, they also tell the painful histories of dispossession and displacement that are part of our shared past. Alvarado discusses the displacement of African Americans from the Greenbush neighborhood to Madison's South Side, and Richardson describes the experience of learning about the Shenk-Atwood neighborhood as a layer cake. You can learn about your building or block using archival tools at the Madison Public Library and their Living History collections. Alvarado says that small newspapers are a treasure trove of our ancestors' oversharing. Richardson describes the process as “collective remembering” and this work is an “antidote” to the Trump Administration's “airbrushed history,” says Wedge. As the contributions of Black, LGBTQ, and Indigenous peoples have been scrubbed from federal websites, the work of local historians to preserve the past is more important than ever. Ultimately, Make History Madison isn't just about documenting the past, but about using the past to engage with the present and the future, says Levy.  On Tuesday, June 23, 2026, Make History Madison presents Music Venues We Have Loved at The High Noon Saloon in association with WORT 89.9 FM and Madison Public Library. Martín Alvarado is a Community Engagement Librarian at the Madison Public Library and host of Global Revolutions on WORT 89.9 FM. James Levy is the founder and Executive Director of the Race and Place Coalition and the Whose Land? public history project. A scholar trained in African American history and former Associate Professor of History at UW-Whitewater, his projects employ oral history and collaborative community research to foster public dialogue about the connections between race and geography. Dr. Levy's current book project, forthcoming from the University of Wisconsin Press, is titled The Color of Farming in the Heartland: A History of Land and Race in Wisconsin since 1800. Angela Richardson is an artist, educator, and passionate “hyperlocal historian.” Her primary research focuses on the Schenk-Atwood neighborhood and Madison’s near east side. John Wedge is a historian, labor advocate, and public arts organizer. Originally from London, he has a Ph.D. in American History from the University of Illinois. He is Executive Director for WEAC Region 6, and singer, guitarist, and co-founder of northern soul/rock band The Periodicals. Prior to Whoseland.org and Make History Madison, he co-produced The Greatest War: World War I, Wisconsin, and Why it Still Matters. Featured image of the Make History Madison logo. Did you enjoy this story? Your funding makes great, local journalism like this possible. Donate hereThe post You Can Make History with Make History Madison appeared first on WORT-FM 89.9.

The saga finally concludes and the Second Spanish Republic is destroyed. Its demise started with an army coup and it ended with one too.    Bibliography for this episode:    Jackson, Gabriel The Spanish Republic and the Civil War, 1931-39 Princeton University Press 1965 Preston, Paul The Spanish Civil War: Reaction, Revolution, and Revenge Harper Perennial 2006 Thomas, Hugh The Spanish Civil War Modern Library 2001 Beevor, Antony The Battle for Spain: The Spanish Civil War 1936-1939 Penguin Books 2006  Preston, Paul A People Betrayed: A History of Corruption, Political Incompetence, and Social Division in Modern Spain 1874-2018 William Collins 2020 Seidman, Michael The Victorious Counterrevolution: The Nationalist Effort in the Spanish Civil War University of Wisconsin Press 2011   Questions? Comments? Email me at peaceintheirtime@gmail.com

The Roundtable Panel: a daily open discussion of issues in the news and beyond. Today's panelists are Professor Emeritus of Russian at Hofstra University, and the author of ‘Illiberal Vanguard: Populist Elitism in the United States and Russia' (University of Wisconsin Press), Alexandar Mihailovic, Co-founder and Executive Director of Seeing Rainbows (a trans-led arts and mutual aid organization) maayan nuri hed, and Siena University Professor of Economics Aaron Pacitti.

Song 1: “Before the Magi” (John V. Modaff, sung by The Woman of Mystery) Poem 1: “Occupied” by Scott Wiggerman. His new collection, Beginning and Ending with Emily, came out Spring of 2026 with Casa Urraca Press. Scott lives in Albuquerque and is a painter and a poet. https://scottwiggerman.myportfolio.com/ Fiction: excerpt from The Surrogate by Lynn C. Miller, published March 31, 2026 from University of Wisconsin Press. Available on major platforms or order from your local bookstore. www.lynncmiller.com Feed the Cat Break: “Song of the Owl” (by John V. Modaff) Poem 2: “There Was…Pause” by Barbara Rockman whose book NIGHT SAID is in press for fall of 2026 from the University of New Mexico Press. Song 2: “Never Give Up” (John Modaff, with Dan Modaff on guitar leads) Episode artwork by Lynda Miller  Theme & Incidental Music by John V. Modaff, BMI  Recorded in Albuquerque NM and Morehead KY  Produced at The Creek Studio, Morehead, KY NEXT UP on Episode 59: Peace Thank You to our listeners all over the world. Please tell a friend about the podcast. Lynn & John

“What might it mean to take the dead seriously as political actors?” asks Lia Kent in this exciting new contribution to critical human rights scholarship The Unruly Dead: Spirits, Memory, and State Formation in Timor-Leste (U Wisconsin Press, 2024). In Timor-Leste, a new nation-state that experienced centuries of European colonialism before a violent occupation by Indonesia from 1975 to 1999, the dead are active participants in social and political life who continue to operate within familial structures of obligation and commitment. On individual, local, and national levels, Timor-Leste is invested in various forms of memory work, including memorialization, exhumation, reburial, and commemoration of the occupation's victims. Such practices enliven the dead, allowing them to forge new relationships with the living and unsettling the state-building logics that seek to contain and control them. With generous, careful ethnography and incisive analysis, Kent challenges comfortable, linear narratives of transitional justice and argues that this memory work is reshaping the East Timorese social and political order—a process in which the dead are active, and sometimes disruptive, participants. Community ties and even the landscape itself are imbued with their presence and demands, and the horrific scale of mass death in recent times—up to a third of the population perished during the Indonesian occupation—means Timor-Leste's dead have real, significant power in the country's efforts to remember, recover, and reestablish itself. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

“What might it mean to take the dead seriously as political actors?” asks Lia Kent in this exciting new contribution to critical human rights scholarship The Unruly Dead: Spirits, Memory, and State Formation in Timor-Leste (U Wisconsin Press, 2024). In Timor-Leste, a new nation-state that experienced centuries of European colonialism before a violent occupation by Indonesia from 1975 to 1999, the dead are active participants in social and political life who continue to operate within familial structures of obligation and commitment. On individual, local, and national levels, Timor-Leste is invested in various forms of memory work, including memorialization, exhumation, reburial, and commemoration of the occupation's victims. Such practices enliven the dead, allowing them to forge new relationships with the living and unsettling the state-building logics that seek to contain and control them. With generous, careful ethnography and incisive analysis, Kent challenges comfortable, linear narratives of transitional justice and argues that this memory work is reshaping the East Timorese social and political order—a process in which the dead are active, and sometimes disruptive, participants. Community ties and even the landscape itself are imbued with their presence and demands, and the horrific scale of mass death in recent times—up to a third of the population perished during the Indonesian occupation—means Timor-Leste's dead have real, significant power in the country's efforts to remember, recover, and reestablish itself. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

“What might it mean to take the dead seriously as political actors?” asks Lia Kent in this exciting new contribution to critical human rights scholarship The Unruly Dead: Spirits, Memory, and State Formation in Timor-Leste (U Wisconsin Press, 2024). In Timor-Leste, a new nation-state that experienced centuries of European colonialism before a violent occupation by Indonesia from 1975 to 1999, the dead are active participants in social and political life who continue to operate within familial structures of obligation and commitment. On individual, local, and national levels, Timor-Leste is invested in various forms of memory work, including memorialization, exhumation, reburial, and commemoration of the occupation's victims. Such practices enliven the dead, allowing them to forge new relationships with the living and unsettling the state-building logics that seek to contain and control them. With generous, careful ethnography and incisive analysis, Kent challenges comfortable, linear narratives of transitional justice and argues that this memory work is reshaping the East Timorese social and political order—a process in which the dead are active, and sometimes disruptive, participants. Community ties and even the landscape itself are imbued with their presence and demands, and the horrific scale of mass death in recent times—up to a third of the population perished during the Indonesian occupation—means Timor-Leste's dead have real, significant power in the country's efforts to remember, recover, and reestablish itself. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/southeast-asian-studies

“What might it mean to take the dead seriously as political actors?” asks Lia Kent in this exciting new contribution to critical human rights scholarship The Unruly Dead: Spirits, Memory, and State Formation in Timor-Leste (U Wisconsin Press, 2024). In Timor-Leste, a new nation-state that experienced centuries of European colonialism before a violent occupation by Indonesia from 1975 to 1999, the dead are active participants in social and political life who continue to operate within familial structures of obligation and commitment. On individual, local, and national levels, Timor-Leste is invested in various forms of memory work, including memorialization, exhumation, reburial, and commemoration of the occupation's victims. Such practices enliven the dead, allowing them to forge new relationships with the living and unsettling the state-building logics that seek to contain and control them. With generous, careful ethnography and incisive analysis, Kent challenges comfortable, linear narratives of transitional justice and argues that this memory work is reshaping the East Timorese social and political order—a process in which the dead are active, and sometimes disruptive, participants. Community ties and even the landscape itself are imbued with their presence and demands, and the horrific scale of mass death in recent times—up to a third of the population perished during the Indonesian occupation—means Timor-Leste's dead have real, significant power in the country's efforts to remember, recover, and reestablish itself. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

“What might it mean to take the dead seriously as political actors?” asks Lia Kent in this exciting new contribution to critical human rights scholarship The Unruly Dead: Spirits, Memory, and State Formation in Timor-Leste (U Wisconsin Press, 2024). In Timor-Leste, a new nation-state that experienced centuries of European colonialism before a violent occupation by Indonesia from 1975 to 1999, the dead are active participants in social and political life who continue to operate within familial structures of obligation and commitment. On individual, local, and national levels, Timor-Leste is invested in various forms of memory work, including memorialization, exhumation, reburial, and commemoration of the occupation's victims. Such practices enliven the dead, allowing them to forge new relationships with the living and unsettling the state-building logics that seek to contain and control them. With generous, careful ethnography and incisive analysis, Kent challenges comfortable, linear narratives of transitional justice and argues that this memory work is reshaping the East Timorese social and political order—a process in which the dead are active, and sometimes disruptive, participants. Community ties and even the landscape itself are imbued with their presence and demands, and the horrific scale of mass death in recent times—up to a third of the population perished during the Indonesian occupation—means Timor-Leste's dead have real, significant power in the country's efforts to remember, recover, and reestablish itself. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

Power doesn't just seize territory. It seizes the story. I'm using a selection of 6 excellent new books to follow the narrative battlegrounds where modern Russia tries to control what people see as true, normal, and inevitable, and where society still finds ways to push back even when formal protest is risky, whether in framing Harry Potter, or surviving in the occupied Donbas.The books in question are:Alexis Lerner, Post-Soviet Graffiti. Free Speech in Authoritarian States (University of Toronto Press, 2025) - see also her Eurasian Knot podcast interview here.Michael Gorham, Networking Putinism. The rhetoric of power in the digital age (Cornell University Press, 2026)Eliot Borenstein,The Politics of Fantasy. Magic, Children's Literature and Fandom in Putin's Russia (University of Wisconsin Press, 2025). Greta Lynn Uehling, Everyday War: The Conflict Over Donbas, Ukraine  (Cornell University Press, 2023)David Lewis, Occupation. Russian Rule in Southeastern Ukraine (Hurst, 2025) Martin Laryš, Rebel Militias in Eastern Ukraine, from leaderless groups to proxy armies (Routledge, 2025). Details of the Times event on 7 May I mentioned are here.The podcast's corporate partner and sponsor is Conducttr, which provides software for innovative and immersive crisis exercises in hybrid warfare, counter-terrorism, civil affairs and similar situations.You can also follow my blog, In Moscow's Shadows, and become one of the podcast's supporting Patrons and gain question-asking rights and access to exclusive extra materials including the (almost-) weekly Govorit Moskva news briefing right here. Support the show

Song 1: “Say Hello” (composed and performed by John V. Modaff) Poem 1: “Narrative Without People” by Hilda Raz, from Divine Honors. Author of eight collections of poems. The epigraph to this book is by Cynthia Macdonald: “May I see what I have tried not to see.” Hilda's collected poems are published by the University of Nebraska Press (2021). Fiction: “Hello Hello,” a story by Lynn C. Miller. Her fifth novel, The Surrogate, comes out March 31, 2026 from the University of Wisconsin Press. https://uwpress.wisc.edu/Books/T/The-Surrogate Feed the Cat Break: “The A Train Home” (Chris Geyerman & John V. Modaff) Poem 2: “Forever,” by poet Jack Cooper, author of Silly Lily's Rhyming Adventures In Nature (2023) and Across My Silence (2007) World Audience, Inc. https://sillylilysadventures.com/ Song 2: “High Class” (John V. Modaff , with Dan Modaff on guitar/banjo interlude) Episode artwork by Lynda Miller  Show theme and incidental music by John V. Modaff, BMI The Unruly Muse is Recorded in Albuquerque, NM and Morehead, KY  Produced at The Creek Studio, Morehead KY  NEXT UP: April, 2026 Episode 58: “Approach/Avoidance”       Thank You to our listeners all over the world. Please tell a friend about the podcast. Lynn & John

Nick Lantz's poem "Dolorimetry" appeared in issue 88 and won the 2026 Neil Postman Award for Metaphor. He's the author of five collections of poetry, most recently The End of Everything and Everything That Comes After That (University of Wisconsin Press, 2024). His poetry has received several awards, including the Larry Levis Reading Prize, the Great Lakes Colleges Association New Writer Award, and a grant from the National Endowment for the Arts. He teaches in the MFA program at Sam Houston State University and lives in Huntsville, Texas, with his wife and cats. Find more info here: https://www.nick-lantz.com/ As always, we'll also include the live Prompt Lines for responses to our weekly prompt. Submit your poems through Submittable by midnight Sunday for a chance to be invited: https://rattle.submittable.com/submit/269309/rattlecast-prompt-poems-online For links to all the past episodes, visit: https://www.rattle.com/page/rattlecast/ This Week's Prompt: Write a poem about a time you couldn't keep the correct time straight. Include at least one temporal shift. Next Week's Prompt: Pick an obscure holiday that occurs during the next week, and write a poem that celebrates accordingly. Include which holiday/date in the notes of your submission. The Rattlecast livestreams on YouTube, Facebook, and Twitter, then becomes an audio podcast. Find it on iTunes, Spotify, or anywhere else you get your podcasts.

The Kingdom of Kongo establishes a rare partnership with an up-and-coming European power, Portugal, to the point that the King of Kongo and his family embrace Christianity and take Portuguese royal names. However, this partnership will also be ground zero for one of the greatest atrocities in human history. Sources:Almeida, Marcos Abreu Lelitão de. “Speaking of Slavery: Slaving Strategies and Moral Imaginations in the Lower Congo” (Doctoral dissertation, Northwestern University, September 2020).Bosma, Ulbe. The World of Sugar: How the Sweet Stuff Transformed Our Politics, Health, and Environment over 2,000 Years (Harvard University Press, 2023).Etherington, Norman. “Christian Missions in Africa", The Wiley-Blackwell Companion to African Religions, ed. Elias Kifon Bongba (Wiley-Blackwell, 2012).Garretson, Peter P. "A Note on Relations Between Ethiopia and the Kingdom of Aragon in the Fifteenth Century." Rassegna di studi etiopici 37 (1993): 37-44.Gondola, Ch. Didier. The History of Congo (Greenwood Press, 2002).Hanno. “Gorilla Warfare.” Lapham's Quarterly, Last accessed: 3/12/2026. https://www.laphamsquarterly.org/animals/gorilla-warfare Klein, Herbert S. The Atlantic Slave Trade, 2nd edition (Cambridge University Press, 2012). MacGaffey, Wyatt. “Economic and Social Dimensions of Kongo Slavery (Zaire)", Slavery in Africa: Historical and Anthropological Perspectives, eds. Suzanne Miers and Igor Kopytoff (University of Wisconsin Press, 1977).Russell-Wood, A.R. The Portuguese Empire, 1415-1808: A World on the Move (Johns Hopkins University Press, 1998).Thornton, John. A Cultural History of the Atlantic World, 1250-1820 (Cambridge University Press, 2012).___________. Afonso I,  Mvemba a Nzinga, King of Kongo: His Life and Correspondence, trans. Luis Madureira (Hackett Publishing Co., 2023). Support this project: turningmodern.com/contact

Song 1: Ride Downtown (composed & performed by John V Modaff, with Dave Merrill on 2nd & 3rd guitars and harmonica)        Poem 1: “Eleanor Remembers” by Susan Aizenberg, published in 2025 in On the Seawall, a community gallery of new writing, art, and commentary. Susan is a poet living in Iowa City; her latest book is:A Walk With Frank O'Hara (U of New Mexico Press, 2024.) Fiction: “She Always Knew What She Wanted,” a short story by Lynn C. Miller. Her fifth novel, The Surrogate, comes out March 31, 2026 from the University of Wisconsin Press. https://uwpress.wisc.edu/Books/T/The-Surrogate Feed the Cat Break: “Estranged” (composed & performed by John V. Modaff) Poem 2: “Fireflies,” by Rebecca Aronson, poet, professor and editor. She is the author of three collections of poetry, most recently Anchor, and is a winner of several awards for her poetry. https://www.rebeccaaronsonpoetry.com/ Song 2: Beyond the Other Side (by David R. Merrill / performed by D.R. Merrill and J.V. Modaff on bass & percussion)                                                                   Episode artwork by Lynda Miller  Show theme and incidental music by John V. Modaff  The Unruly Muse is recorded in Albuquerque, NM and Morehead, KY  Produced at The Creek Studio, Morehead, KY  NEXT UP: Mar/ 2026, Episode 57: “Hello, is anyone there?”    Thank You to our listeners all over the world. Please tell a friend about the podcast. Lynn & John

Anna-Verena Nosthoff zu Kybernetik und Kritik, digitaler Regierungskunst und der Rolle der Plattformen. Future Histories LIVE Das Gespräch mit Anna-Verena Nosthoff ist Teil des Formats ‚Future Histories LIVE‘. In unregelmäßigen Abständen werden hierbei einzelne Episoden live – soll heißen vor Publikum – aufgezeichnet. Diese Folge Future Histories ist am 26. Januar 2026 in Zusammenarbeit des Future Histories Lab mit dem Critical Data Lab entstanden und wurde im Medientheater an der Humboldt-Universität zu Berlin aufgenommen.  Shownotes Anna-Verena Nosthoff an der Carl von Ossietzky Universität Oldenburg (inkl. Publikationsliste): https://uol.de/philosophie/mitarbeiterinnen/prof-dr-anna-verena-nosthoff das Critical Data Lab:  https://www.criticaldatalab.org/anna-verena-nosthoff Nosthoff, A-V. (2026). Kybernetik und Kritik: Eine Theorie digitaler Regierungkunst. Suhrkamp.  https://www.suhrkamp.de/buch/anna-verena-nosthoff-kybernetik-und-kritik-t-9783518300794 Nosthoff, Anna-Verena und Felix Maschewski. 2019. Die Gesellschaft der Wearables. Berlin: Nicolai Publishung: https://nicolai-publishing.com/products/die-gesellschaft-der-wearables zu Shintaro Myazaki: https://medienwissenschaft-berlin.org/prof-dr-shintaro-miyazaki/ Foucault, M. (1977-1979 [2006]). Geschichte der Gouvernementalität - Band I und II. Suhrkamp. https://www.suhrkamp.de/buch/michel-foucault-geschichte-der-gouvernementalitaet-t-9783518068441 zu Erich Hörl:  https://www.leuphana.de/institute/icam/personen/erich-hoerl.html zu Claus Pias:  https://www.diaphanes.net/titel/zeit-der-kybernetik-eine-einstimmung-385 zu Benjamin Seibel:  https://citylab-berlin.org/de/benjamin-seibel/ Seibel, B. (2016). Cybernetic Government: Informationstechnologie und Regierungsrationalität von 1943-1970. Springer-Verlag. https://link.springer.com/book/10.1007/978-3-658-12490-8 zu Norbert Wiener: https://monoskop.org/Norbert_Wiener Wiener, N. (1948 [1985]). Cybernetics or control and communication in the animal and the machine. The M.I.T. Press. https://ia801003.us.archive.org/9/items/cybernetics-or-communication-and-control-in-the-animal-and-the-machine-norbert-wiene-ocr/Cybernetics%20or%20Communication%20and%20Control%20in%20the%20Animal%20and%20the%20Machine%20-%20Norbert%20Wiene_OCR.pdf Zuboff, S. (2018). Das Zeitalter des Überwachungskapitalismus. campus.  https://www.campus.de/buecher-campus-verlag/wirtschaft-gesellschaft/wirtschaft/das_zeitalter_des_ueberwachungskapitalismus-15097.html?srsltid=AfmBOoqyy_ijK9Oex1CtRyQZwmE3BdQ30H2b_yc3-PlNDSxqwbXecaDb Lyotard, J-F. (1974 [1984]). Libidinöse Ökonomie. Diaphenes.   https://www.diaphanes.de/titel/libidinoese-oekonomie-109 zu Claude Shannon:  https://de.wikipedia.org/wiki/Claude_Shannon Shannon, C. E. & Weaver, W. (1964). The mathematical theory of communication. University of Illinois Press.  https://monoskop.org/images/b/be/Shannon_Claude_E_Weaver_Warren_The_Mathematical_Theory_of_Communication_1963.pdf Deutsch, K. W. (1969). Politische Kybernetik: Modelle und Perspektiven. Rombach Verlag. https://d-nb.info/456333991/04 zum Homeostat von William Ross Ashby: https://en.wikipedia.org/wiki/Homeostat zum Zitat von Steve Bannon ‘flood the zone with shit': https://www.deutschlandfunk.de/flood-the-zone-warum-trumps-flut-an-dekreten-und-provokationen-methode-hat-100.html zu Palantir: https://de.wikipedia.org/wiki/Palantir_Technologies zu Jürgen Habermas: https://de.wikipedia.org/wiki/J%C3%BCrgen_Habermas  zu Mastodon: https://mastodon.world/explore zu Eric Schmidt: https://en.wikipedia.org/wiki/Eric_Schmidt Robins, K., & Webster, F. (1988). Cybernetic capitalism: Information, technology, everyday life. In V. Mosco & J. Wasko (eds.). The political economy of information. University of Wisconsin Press. https://www.researchgate.net/profile/Kevin-Robins-2/publication/282816878_cybernetic_capitalism_Information_technology_everyday_life/links/561d36c708aecade1acb365e/cybernetic-capitalism-Information-technology-everyday-life.pdf Baudrillard, J. (1983). Der symbolische Tausch und der Tod. Matthes & Seitz Berlin. https://www.matthes-seitz-berlin.de/buch/der-symbolische-tausch-und-der-tod.html zu Gilles Deleuze:  https://brill.com/display/title/39900?language=de&srsltid=AfmBOoonpAe9aAERETg25wTxqOH2oWqf-8nHgpMSxX_iLoArUS_V3l8u zu Jaques Derrida:  https://monoskop.org/Jacques_Derrida zu Stafford Beer: https://monoskop.org/Stafford_Beer zum erwähnten Projekt ‘Cybersyn' in Chile: https://thereader.mitpress.mit.edu/project-cybersyn-chiles-radical-experiment-in-cybernetic-socialism/  zum erwähnten ‘Laboria Cuboniks'-Kollektiv:  https://monoskop.org/Laboria_Cuboniks Gebru, T., & Torres, Émile P. (2024). The TESCREAL bundle: Eugenics and the promise of utopia through artificial general intelligence. First Monday, 29(4).  https://firstmonday.org/ojs/index.php/fm/article/view/13636 zu Stewart Brand: https://de.wikipedia.org/wiki/Stewart_Brand zu Slava Gerovitch: https://web.mit.edu/slava/homepage/gerovitch-cv.html Klaus, G. (1973). Kybernetik – eine neue Universalwissenschaft der Gesellschaft? Akademie-Verlag Berlin. http://www.max-stirner-archiv-leipzig.de/dokumente/KlausKybernetik.pdf  zum Gesetz über digitale Dienste (DSA): https://de.wikipedia.org/wiki/Gesetz_%C3%BCber_digitale_Dienste  zu Salome Viljoen: https://www.salomeviljoen.com/  Virilio, P. (2009). Der integrale Unfall. transcript.  https://www.degruyterbrill.com/document/doi/10.1515/9783839407219-001/pdf?licenseType=restricted&srsltid=AfmBOopKQ_tu9OPZ4VAcVzfGybsk3gwqub83XcQ-QYyJxxNWAmnlWU-c  Pentland, A. (2014). Social physics: how good ideas spread-the lessons from a new science. Penguin. https://books.google.at/books/about/Social_Physics.html?id=KAL5AgAAQBAJ&redir_esc=y  Pentland, A. (2014a). Social physics: How social networks can make us smarter. Penguin. https://archive.org/details/socialphysicshow0000pent zu Felix Maschewski: https://www.criticaldatalab.org/felix-maschewski Thematisch angrenzende Folgen S03E40 | Jan Overwijk on Cybernetic Capitalism and Critical Systems Theory  https://futurehistories-international.com/episodes/s03/e40-jan-overwijk-on-cybernetic-capitalism-and-critical-systems-theory/ S03E28 | Silke van Dyk zu alternativer Gouvernementalität https://www.futurehistories.today/episoden-blog/s03/e28-silke-van-dyk-zu-alternativer-gouvernementalitaet/ S02E31 | Thomas Swann on Anarchist Cybernetics  https://www.futurehistories.today/episoden-blog/s02/e31-thomas-swann-on-anarchist-cybernetics/ S01E22 | Anna-Verena Nosthoff und Felix Maschewski zu digitaler Verführung, sozialer Kontrolle und der Gesellschaft der Wearables https://www.futurehistories.today/episoden-blog/s01/e22-anna-verena-nosthoff-und-felix-maschewski-zu-digitaler-verfuehrung-sozialer-kontrolle-und-der-gesellschaft-der-wearables/ S01E18 | Simon Schaupp zu Kybernetik und radikaler Demokratie  https://www.futurehistories.today/episoden-blog/s01/e18-simon-schaupp-zu-kybernetik-und-radikaler-demokratie/ S01E01 | Benjamin Seibel zu Kybernetik  https://www.futurehistories.today/episoden-blog/s01/e01-benjamin-seibel-zu-kybernetik/ — Future Histories Kontakt & Unterstützung  Wenn euch Future Histories gefällt, dann erwägt doch bitte eine Unterstützung auf Patreon: https://www.patreon.com/join/FutureHistories Schreibt mir unter: office@futurehistories.today Diskutiert mit mir auf Bluesky: https://bsky.app/profile/futurehistories.bsky.social Instagram: https://www.instagram.com/futurehpodcast/ Mastodon: https://mstdn.social/@FutureHistories Webseite mit allen Folgen: www.futurehistories.today English webpage: https://futurehistories-international.com Episode Keywords  #Anna-Verena Nosthoff, #JanGroos, #FutureHistories, #Podcast, #Zukunft, #Kybernetik, #Gouvernementalität, #PolitischeKybernetik, #CyberneticGovernment, #CriticalDataLab, #Digitalisierung, #Informationstechnologie, #Plattformen, #SocialMedia, #Kapitalismus, #Imaginaries, #AlternativeRegierungskunst, #Regierbarkeit

Today I spoke with Lesley Nicole Braun to talk about her new book on Congo's dancers. Dance music plays a central role in the cultural, social, religious, and family lives of the people of the Democratic Republic of the Congo. Among the various genres popular in the capital city of Kinshasa, Congolese rumba occupies a special place and can be counted as one of the DRC's most well-known cultural exports. The public image of rumba was historically dominated by male bandleaders, singers, and musicians. However, with the introduction of the danseuse (professional concert dancer) in the late 1970s, the role of women as cultural, moral, and economic actors came into public prominence and helped further raise Congolese rumba's international profile. In Congo's Dancers: Women and Work in Kinshasa (U Wisconsin Press, 2023), Lesley Nicole Braun uses the prism of the Congolese danseuse to examine the politics of control and the ways in which notions of visibility, virtue, and socio-economic opportunity are interlinked in this urban African context. The work of the danseuse highlights the fact that public visibility is necessary to build the social networks required for economic independence, even as this visibility invites social opprobrium for women. The concert dancer therefore exemplifies many of the challenges that women face in Kinshasa as they navigate the public sphere, and she illustrates the gendered differences of local patronage politics that shape public morality. As an ethnographer, Braun had unusual access to the world she documents, having been invited to participate as a concert dancer herself. Dr. Suvi Rautio is an anthropologist of China. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Today I spoke with Lesley Nicole Braun to talk about her new book on Congo's dancers. Dance music plays a central role in the cultural, social, religious, and family lives of the people of the Democratic Republic of the Congo. Among the various genres popular in the capital city of Kinshasa, Congolese rumba occupies a special place and can be counted as one of the DRC's most well-known cultural exports. The public image of rumba was historically dominated by male bandleaders, singers, and musicians. However, with the introduction of the danseuse (professional concert dancer) in the late 1970s, the role of women as cultural, moral, and economic actors came into public prominence and helped further raise Congolese rumba's international profile. In Congo's Dancers: Women and Work in Kinshasa (U Wisconsin Press, 2023), Lesley Nicole Braun uses the prism of the Congolese danseuse to examine the politics of control and the ways in which notions of visibility, virtue, and socio-economic opportunity are interlinked in this urban African context. The work of the danseuse highlights the fact that public visibility is necessary to build the social networks required for economic independence, even as this visibility invites social opprobrium for women. The concert dancer therefore exemplifies many of the challenges that women face in Kinshasa as they navigate the public sphere, and she illustrates the gendered differences of local patronage politics that shape public morality. As an ethnographer, Braun had unusual access to the world she documents, having been invited to participate as a concert dancer herself. Dr. Suvi Rautio is an anthropologist of China. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Today I spoke with Lesley Nicole Braun to talk about her new book on Congo's dancers. Dance music plays a central role in the cultural, social, religious, and family lives of the people of the Democratic Republic of the Congo. Among the various genres popular in the capital city of Kinshasa, Congolese rumba occupies a special place and can be counted as one of the DRC's most well-known cultural exports. The public image of rumba was historically dominated by male bandleaders, singers, and musicians. However, with the introduction of the danseuse (professional concert dancer) in the late 1970s, the role of women as cultural, moral, and economic actors came into public prominence and helped further raise Congolese rumba's international profile. In Congo's Dancers: Women and Work in Kinshasa (U Wisconsin Press, 2023), Lesley Nicole Braun uses the prism of the Congolese danseuse to examine the politics of control and the ways in which notions of visibility, virtue, and socio-economic opportunity are interlinked in this urban African context. The work of the danseuse highlights the fact that public visibility is necessary to build the social networks required for economic independence, even as this visibility invites social opprobrium for women. The concert dancer therefore exemplifies many of the challenges that women face in Kinshasa as they navigate the public sphere, and she illustrates the gendered differences of local patronage politics that shape public morality. As an ethnographer, Braun had unusual access to the world she documents, having been invited to participate as a concert dancer herself. Dr. Suvi Rautio is an anthropologist of China. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Today I spoke with Lesley Nicole Braun to talk about her new book on Congo's dancers. Dance music plays a central role in the cultural, social, religious, and family lives of the people of the Democratic Republic of the Congo. Among the various genres popular in the capital city of Kinshasa, Congolese rumba occupies a special place and can be counted as one of the DRC's most well-known cultural exports. The public image of rumba was historically dominated by male bandleaders, singers, and musicians. However, with the introduction of the danseuse (professional concert dancer) in the late 1970s, the role of women as cultural, moral, and economic actors came into public prominence and helped further raise Congolese rumba's international profile. In Congo's Dancers: Women and Work in Kinshasa (U Wisconsin Press, 2023), Lesley Nicole Braun uses the prism of the Congolese danseuse to examine the politics of control and the ways in which notions of visibility, virtue, and socio-economic opportunity are interlinked in this urban African context. The work of the danseuse highlights the fact that public visibility is necessary to build the social networks required for economic independence, even as this visibility invites social opprobrium for women. The concert dancer therefore exemplifies many of the challenges that women face in Kinshasa as they navigate the public sphere, and she illustrates the gendered differences of local patronage politics that shape public morality. As an ethnographer, Braun had unusual access to the world she documents, having been invited to participate as a concert dancer herself. Dr. Suvi Rautio is an anthropologist of China. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Today I spoke with Lesley Nicole Braun to talk about her new book on Congo's dancers. Dance music plays a central role in the cultural, social, religious, and family lives of the people of the Democratic Republic of the Congo. Among the various genres popular in the capital city of Kinshasa, Congolese rumba occupies a special place and can be counted as one of the DRC's most well-known cultural exports. The public image of rumba was historically dominated by male bandleaders, singers, and musicians. However, with the introduction of the danseuse (professional concert dancer) in the late 1970s, the role of women as cultural, moral, and economic actors came into public prominence and helped further raise Congolese rumba's international profile. In Congo's Dancers: Women and Work in Kinshasa (U Wisconsin Press, 2023), Lesley Nicole Braun uses the prism of the Congolese danseuse to examine the politics of control and the ways in which notions of visibility, virtue, and socio-economic opportunity are interlinked in this urban African context. The work of the danseuse highlights the fact that public visibility is necessary to build the social networks required for economic independence, even as this visibility invites social opprobrium for women. The concert dancer therefore exemplifies many of the challenges that women face in Kinshasa as they navigate the public sphere, and she illustrates the gendered differences of local patronage politics that shape public morality. As an ethnographer, Braun had unusual access to the world she documents, having been invited to participate as a concert dancer herself. Dr. Suvi Rautio is an anthropologist of China. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

This week on the podcast, Patrick and Tracy welcome Emily Mitchell to talk about her new short story collection The Church of Divine Electricity. About The Church of Divine Electricity: Delightfully blending literary fiction with speculative genres, the stories in The Church of Divine Electricity somehow manage to feel as though they could take place today. In Emily Mitchell's created worlds, as in our own, technology bewitches, especially with its ability to heighten both connections and isolation. Whether being held by a giant and comforting machine, allowing micro-drones to record one's every moment for a year to win prize money, or choosing self-mutilation in exchange for a bionic hand, these characters navigate technological and social change. The familiar can turn unrecognizable and disorienting—sometimes in a flash, sometimes gradually. Lyrical, haunting, and often funny, these stories ask us to consider what—and who—gets left out of a seemingly utopian future of technological advancements. Finely observed, thoughtful, and vivid, Mitchell's stories get under your skin. It's not that the best-laid plans could lead us astray—it's that they may already have. About Emily Mitchell: Emily Mitchell grew up in London, England and moved to the United States as a teenager. She is the author of a novel, The Last Summer of the World (W. W. Norton, 2007), which was a finalist for the NYPL Young Lions Award, and two collections of short fiction, Viral (W. W. Norton, 2015) and The Church of Divine Electricity, winner of the 2023 Elixir Press Fiction Prize, forthcoming from University of Wisconsin Press in fall 2025. Her stories have appeared in Harpers', The Sun, The Southern Review, Alaska Quarterly Review, Prairie Schooner, The Missouri Review, American Short Fiction and elsewhere. Her nonfiction has appeared in the New York Times, the New Statesman (UK), Guernica and the Washington Independent Review of Books. She is the recipient of fellowships from Yaddo, the Ucross Foundation, the Virginia Center for Creative Arts, and Can Serrat International Artists Residency. She serves as fiction editor for New England Review and teaches at the University of Maryland. She lives just outside Washington DC with her husband, the writer and editor J. M. Tyree. This week's picks: Emily #1: Tainaron by Leena Krohn Emily #2: Death by Lightning (Netflix) Tracy: Ranch Oyster Crackers (just subtract the dill for Tracy’s version) Patrick #1: Everspace 2 (Steam) Patrick #2: The Glass Cannon Podcast Campaign 3: Shadowdark Links: Emily Mitchell on Instagram Tracy Townsend on BluSky Patrick Hester on Instagram The Functional Nerds Patreon Page © 2025 Patrick Hester The post Episode 689-With Emily Mitchell appeared first on The Functional Nerds.

The first two years of the Second Spanish Republic were marked by a great burst of reformist energy after years of stagnation. The changes made though sparked a conservative reaction that would in turn dominate the next two, and set the stage for the proponents of the New and Old Spains to be hopelessly polarized against each other.    Bibliography for this episode:  Preston, Paul A People Betrayed: A History of Corruption, Political Incompetence, and Social Division in Modern Spain 1874-2018 William Collins 2020 Jackson, Gabriel The Spanish Republic and the Civil War, 1931-39 Princeton University Press 1965 Preston, Paul The Spanish Civil War: Reaction, Revolution, and Revenge Harper Perennial 2006 Thomas, Hugh The Spanish Civil War Modern Library 2001 Evans, Danny Revolution and the State: Anarchism in the Spanish Civil War 1936-1939 AK Press 2020 Payne, Stanley G. Fascism in Spain 1923-1977 University of Wisconsin Press 1999   Questions? Comments? Email me at peaceintheirtime@gmail.com

Soviet ideology called for the emancipation of women. Soviet women would be active participants in public life, unburdened by the home, children, and husbands, and serve equally in the building and defense of the Soviet state. Reality, however, was different, especially during WWII. Soviet women did serve in the Red Army and partisans. But life at war was more than the heroic tales we know today. Soviet women were often abused by their commanders and fellow soldiers or viewed as suspicious, weak, and even dangerous. Life under occupation was even worse. Many women turned to “survival prostitution” and fraternized with German soldiers to escape abuse, forced labor, and death. What strategies did Soviet women adopt to survive the war? How were they looked upon by the enemy, their neighbors, and compatriots? And what happened after the war to those who formed sexual relations with German soldiers? The Eurasian Knot spoke to Regina Kazyulina about gender, sex, and survival to get a window into this contentious and understudied chapter of WWII in the Soviet Union. Guest:Regina Kazyulina is a visiting assistant professor of history and the assistant director of the Center for Holocaust and Genocide Studies at Salem State University. Her book, Women Under Suspicion: Fraternization, Espionage, and Punishment in the Soviet Union During World War II published by University of Wisconsin Press. Hosted on Acast. See acast.com/privacy for more information.

Song 1: “You Can't Do That” (composed and performed by John Modaff)Poem 1: “Vegetable Medley” by Mikki Aronoff, a much-published Albuquerque poet, Pushcart nominee, and animal advocate. Poem first published in The Dribble Drabble Review. Fiction: excerpt from Death of a Department Chair by Lynn C. Miller.Her fifth novel, The Surrogate, comes out in Spring, 2026 from the University of Wisconsin Press. https://uwpress.wisc.edu/Books/T/The-Surrogate  Feed the Cat Break: “Never Goodbye” (composed by John Modaff, performed by jvm and The Mystery Woman)           Poem 2: “Who Knew” by poet and artist Julie Williams, author of Escaping Tornado Season and Drama Queens in the House. A poetry collection is in process. Song 2: “Original Sin” (composed and performed by John Modaff)  Episode artwork by Lynda Miller Show theme and Incidental music by John V. Modaff The Unruly Muse is Recorded in Albuquerque, NM and Morehead, KY. NEXT UP: Jan 2026, Episode 55, “Ancestors”     Thank You to our listeners all over the world. Please tell your friends about the podcast. Lynn & John

On this edition of Madison BookBeat, host Sara Batkie chats with author Emily Mitchell about her new short story collection, The Church of Divine Electricity, now available from University of Wisconsin Press. Delightfully blending literary fiction with speculative genres, the stories in The Church of Divine Electricity somehow manage to feel as though they could take place today. In Emily Mitchell's created worlds, as in our own, technology bewitches, especially with its ability to heighten both connections and isolation. Whether being held by a giant and comforting machine, allowing micro-drones to record one's every moment for a year to win prize money, or choosing self-mutilation in exchange for a bionic hand, these characters navigate technological and social change. The familiar can turn unrecognizable and disorienting—sometimes in a flash, sometimes gradually. Lyrical, haunting, and often funny, these stories ask us to consider what—and who—gets left out of a seemingly utopian future of technological advancements. Finely observed, thoughtful, and vivid, Mitchell's stories get under your skin. It's not that the best-laid plans could lead us astray—it's that they may already have.  Emily Mitchell, associate professor of English at the University of Maryland, is the author of a collection of short stories, Viral, and a novel, The Last Summer of the World. Her fiction has appeared in Harper's, Ploughshares, The Sun, and elsewhere; her nonfiction has been published in the New York Times, the New Statesman, and Guernica. She serves as fiction editor for the New England Review. Author photo by J.M. Tyree.

Every year, NBN speaks with the president of AUPresses in anticipation of University Press Week. This year, press week will take place from November 10 through the 14th, with the theme: #TeamUP. To celebrate, I'm thrilled to have Dennis Lloyd, director of the University of Wisconsin Press, and president of the Association of University Presses, on the podcast. Learn more about UP Week here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Every year, NBN speaks with the president of AUPresses in anticipation of University Press Week. This year, press week will take place from November 10 through the 14th, with the theme: #TeamUP. To celebrate, I'm thrilled to have Dennis Lloyd, director of the University of Wisconsin Press, and president of the Association of University Presses, on the podcast. Learn more about UP Week here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Simone Lerrante is a Belgian orphan whose memory is damaged by the trauma of her father being shot by Nazis and her subsequent escape to England. From 1940 to 2000, we see 9-year-old Simone standing through the long voyage and later through various perspectives of those whose lives she touches. From Sussex, she reaches New York and ends up across the states, married, divorced, and alone. She falls in love with literature, experiences new traumas, but cannot remember her early years. Over the years, she recalls snippets of the parents she loved, the life she escaped, and the people who saved her along the way. Janet Burroway's beautiful novel is a remarkable portrait of a fascinating woman. Janet Burroway is the author of poems, plays, essays, children's books, a memoir and nine novels, including The Buzzards; Raw Silk; Opening Nights; Cutting Stone (all Notable Books of NYTBR); and Simone in Pieces (Nov. 2025). Her Writing Fiction, the most widely used creative writing text in America, is now in a tenth edition; her four-genre text Imaginative Writing is in its fifth. Her plays have been produced and read in Chicago, New York, Los Angeles, San Francisco, and London. Her stories and poems appear in many literary magazines, including Prairie Schooner, New Letters, Narrative Magazine, and Five Points. She is Robert O. Lawton Distinguished Professor Emerita at Florida State University and winner of the Florida Humanities Lifetime Achievement Award. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Simone Lerrante is a Belgian orphan whose memory is damaged by the trauma of her father being shot by Nazis and her subsequent escape to England. From 1940 to 2000, we see 9-year-old Simone standing through the long voyage and later through various perspectives of those whose lives she touches. From Sussex, she reaches New York and ends up across the states, married, divorced, and alone. She falls in love with literature, experiences new traumas, but cannot remember her early years. Over the years, she recalls snippets of the parents she loved, the life she escaped, and the people who saved her along the way. Janet Burroway's beautiful novel is a remarkable portrait of a fascinating woman. Janet Burroway is the author of poems, plays, essays, children's books, a memoir and nine novels, including The Buzzards; Raw Silk; Opening Nights; Cutting Stone (all Notable Books of NYTBR); and Simone in Pieces (Nov. 2025). Her Writing Fiction, the most widely used creative writing text in America, is now in a tenth edition; her four-genre text Imaginative Writing is in its fifth. Her plays have been produced and read in Chicago, New York, Los Angeles, San Francisco, and London. Her stories and poems appear in many literary magazines, including Prairie Schooner, New Letters, Narrative Magazine, and Five Points. She is Robert O. Lawton Distinguished Professor Emerita at Florida State University and winner of the Florida Humanities Lifetime Achievement Award. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Founded in 1932, the Pērkonkrusts ("Thunder Cross") was the largest and most prominent right-wing political party in Latvia in the early twentieth century. Its motto--"Latvia for Latvians!"--echoed the ultranationalist rhetoric of similar movements throughout Europe at the time. Unlike the Nazis in Germany or the Fascists in Italy, however, the Pērkonkrusts never succeeded in seizing power. Nevertheless, in her book Thunder Cross: Fascist Antisemitism in Twentieth-Century Latvia (U Wisconsin Press, 2025) holocaust historian Paula A. Oppermann argues that the movement left an indelible mark on the country . The antisemitism at the core of the Pērkonkrusts' ideology remained a driving force for Latvian fascists throughout the twentieth century, persisting despite shifting historical and political contexts. Thunder Cross is the most comprehensive study of Latvia's fascist movement in English to date, and the only work that investigates the often neglected continuities of fascist antisemitism after World War II. Formulated as an empirical case study, this book draws on international and interdisciplinary secondary literature and sources in seven languages to broaden our understanding of fascism, antisemitism, and mass violence from Germany and Italy to the larger European context. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Founded in 1932, the Pērkonkrusts ("Thunder Cross") was the largest and most prominent right-wing political party in Latvia in the early twentieth century. Its motto--"Latvia for Latvians!"--echoed the ultranationalist rhetoric of similar movements throughout Europe at the time. Unlike the Nazis in Germany or the Fascists in Italy, however, the Pērkonkrusts never succeeded in seizing power. Nevertheless, in her book Thunder Cross: Fascist Antisemitism in Twentieth-Century Latvia (U Wisconsin Press, 2025) holocaust historian Paula A. Oppermann argues that the movement left an indelible mark on the country . The antisemitism at the core of the Pērkonkrusts' ideology remained a driving force for Latvian fascists throughout the twentieth century, persisting despite shifting historical and political contexts. Thunder Cross is the most comprehensive study of Latvia's fascist movement in English to date, and the only work that investigates the often neglected continuities of fascist antisemitism after World War II. Formulated as an empirical case study, this book draws on international and interdisciplinary secondary literature and sources in seven languages to broaden our understanding of fascism, antisemitism, and mass violence from Germany and Italy to the larger European context. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Founded in 1932, the Pērkonkrusts ("Thunder Cross") was the largest and most prominent right-wing political party in Latvia in the early twentieth century. Its motto--"Latvia for Latvians!"--echoed the ultranationalist rhetoric of similar movements throughout Europe at the time. Unlike the Nazis in Germany or the Fascists in Italy, however, the Pērkonkrusts never succeeded in seizing power. Nevertheless, in her book Thunder Cross: Fascist Antisemitism in Twentieth-Century Latvia (U Wisconsin Press, 2025) holocaust historian Paula A. Oppermann argues that the movement left an indelible mark on the country . The antisemitism at the core of the Pērkonkrusts' ideology remained a driving force for Latvian fascists throughout the twentieth century, persisting despite shifting historical and political contexts. Thunder Cross is the most comprehensive study of Latvia's fascist movement in English to date, and the only work that investigates the often neglected continuities of fascist antisemitism after World War II. Formulated as an empirical case study, this book draws on international and interdisciplinary secondary literature and sources in seven languages to broaden our understanding of fascism, antisemitism, and mass violence from Germany and Italy to the larger European context. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

Founded in 1932, the Pērkonkrusts ("Thunder Cross") was the largest and most prominent right-wing political party in Latvia in the early twentieth century. Its motto--"Latvia for Latvians!"--echoed the ultranationalist rhetoric of similar movements throughout Europe at the time. Unlike the Nazis in Germany or the Fascists in Italy, however, the Pērkonkrusts never succeeded in seizing power. Nevertheless, in her book Thunder Cross: Fascist Antisemitism in Twentieth-Century Latvia (U Wisconsin Press, 2025) holocaust historian Paula A. Oppermann argues that the movement left an indelible mark on the country . The antisemitism at the core of the Pērkonkrusts' ideology remained a driving force for Latvian fascists throughout the twentieth century, persisting despite shifting historical and political contexts. Thunder Cross is the most comprehensive study of Latvia's fascist movement in English to date, and the only work that investigates the often neglected continuities of fascist antisemitism after World War II. Formulated as an empirical case study, this book draws on international and interdisciplinary secondary literature and sources in seven languages to broaden our understanding of fascism, antisemitism, and mass violence from Germany and Italy to the larger European context. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

Song 1: “Homeless” (by Daniel P. Modaff with Good Enough)Poem 1: “Burned” by Jack Cooper, author of Silly Lily's Rhyming Adventures In Nature (2023) and Across My Silence (2007) World Audience, Inc. https://sillylilysadventures.com/Fiction: “Displaced,” a short story by Lynn C. Miller. Her fifth novel, The Surrogate, comes out March 31, 2026 from the University of Wisconsin Press. To pre-order go to: https://uwpress.wisc.edu/Books/T/The-Surrogate Lynn's website: www.lynncmiller.comFeed the Cat Break: excerpt from “Lost Soul” (composed and performed b y David R. Merrill)    Poem 2: “Still Life with Extinctions,” by Lauren Camp who has been the Poet Laureate of New Mexico for the past three years. Author of eight collections of poetry, Lauren's new book In Old Sky won the New Mexico Book Award.Song 2: “Old Texas Town,” composed by Mark E. Collins, Dan and John Modaff. Performed by J. Modaff      Episode artwork by Lynda Miller Theme & Incidental Music by John V. Modaff, BMI Recorded in Albuquerque NM and Morehead KY Produced at The Creek Studio NEXT UP on Episode 54: The Forbidden   Thank You to our listeners all over the world. Please tell your friends about the podcast. Lynn & John

When Marion pops up on Zoom with her curls blown out to smooth newscaster perfection, it's a hot topic and one that offers a perfect lead-in to the first poem up for discussion, “Your Hair Wants Cutting” by this episode's featured poet, Michael Montlack. The three poems we're considering take inspiration from the Mad Hatter character in Lewis Carroll's Alice's Adventures in Wonderland. We discuss, Slushies, how much, if any, contextual framing is needed to guide the reader when poems refer to a character who resides in our collective imagination. We also talk about local and regional idioms, and for Kathy, how difficult they are to unlearn (shout out to Pittsburgh!). Marion accidentally bestows a new nickname on Jason. Dagne has an opinion about how speech is rendered within a poem: italics or quotation marks. She's team italics, Slushies, which are you? While thinking about the line in these poems; Marion refers to Jason's excellent essay on the history and theory of the line from his book Nothingism: Poetry at the End of Print Culture. Another poem in the batch has Marion recalling Jason's poem “Wester.” As always, thanks for listening! At the table: Dagne Forrest, Samantha Neugebauer, Jason Schneiderman, Kathleen Volk Miller, Marion Wrenn, and Lisa Zerkle Michael Montlack's third poetry collection COSMIC IDIOT will be published by Saturnalia. He is the editor the Lambda Finalist essay anthology My Diva: 65 Gay Men on the Women Who Inspire Them (University of Wisconsin Press). His work has appeared in Poetry Daily, Prairie Schooner, Cincinnati Review, Lit, Epoch, Alaska Quarterly Review, Phoebe and other magazines. In 2022, his poem won the Saints & Sinners Poetry Contest for LGBTQIA+ poets. He lives in NYC and teaches poetry at NYU and CUNY City College. https://www.facebook.com/michael.montlack https://www.instagram.com/michaelmontlack (website) https://www.michaelmontlack.com/ “Your Hair Wants Cutting” my grandmother would say, sitting there at her window, monitoring the restless crows. Her robe nearly as ancient as she. Since when are you concerned with fashion? I once dared to ask. I was seventeen, restless as those crows. I knew she wasn't talking about my curls. Plumage, she used to call it when I was a boy. Sit down, little peacock—your hair wants cutting. Even then I knew it was a cutting remark. Laden. Throwing cold kettle water on my fire. I reminded myself that she was a widow. And was glad that at least I would never cause a woman to suffer such grief. I reminded her how I donned a hat most days. She stared me up and down, her eyes like the ocean's green cold. Clever. Your kind seems to have a clever answer for everything … I swallowed the indictment. Why not make yourself useful, she said, putting down her tea cup, eyeing the trash on her tray. I was glad to oblige, happy to depart before she could notice the low waist of my trousers, let alone the height of my heels. Muchier Picture me on a grand terrace, tipping my hat. Crossing a bridge over the river of defeat— it's definitely a state of ascent. Being owed rather than owing. A blatant triumph against the conventional. A la Lord Byron. A monocle without glass, worn for style. It's an advance for a memoir about a life you haven't yet lived. Bound to be lost on some but admired by all. Likely absent during the lessons on common subjects: Algebra, Classic Literature, Biology. More devoted to the mastery of the quaintest arts: Porcelain, Calligraphy, Tapestry Weaving, Drag. As ephemeral and ethereal as a bubble. It's not something you adopt. It's something that abducts you. Enviers call it utter madness, but the muchiest of the muchier won't even fathom the phrase. Inheritance There wasn't much to leave—my sister, also suspiciously unwed, took the cottage and the wagon. But our mother had insisted that the tea set should be mine. “It's dainty and a bit chipped. Like you,” she chortled on her deathbed. I failed to see the humor but took it just the same. Knowing my sister would likely surrender it to the church, where the nuns might put it to good use but never appreciate its finery, as that would be vanity. I much rather hear my motley chums slurp from it as they sit steeped in my ridiculous riddles. I never admitted how I crafted them at night, alone in bed, in the quiet twilight, the hour I imagined reading bedtime stories to the children I never had. An apprentice son would've been nice, to hand down millinery techniques. Instead I had the ghost of one, there in my workshop, where imaginary fights erupted over whose turn it was to sweep up the felt or sharpen the scissors. Of course, I appeared mad, a much better impression to leave than the riddle of my bachelorhood. Sometimes I wanted to smash the porcelain cups, chuck them at that bloody caterpillar stinking up the forest with his opium. Why not? There was no one to inherit my pittance. No one to be trusted with my legacy… until the appearance of this girl, at once strange yet so familiar. I quite liked her. The way she held her own with me. If ever I had a daughter, I would have wanted her to be as brave as she. Defending the poor Knave of Hearts, accused of stealing the Queen's tarts. There in that courtroom, I almost lost my head but finally found a beneficiary.

St. Sukie de la Croix has been a social commentator and researcher on Chicago's LGBT history for three decades. He has published oral-history interviews; lectured; conducted historical tours; documented LGBT life through columns, photographs, humor features, and fiction; and written the book Chicago Whispers (University of Wisconsin Press, 2012) on local LGBT history. You can see his complete body of work by clicking here. Spies, Lies, and Private Eyes is copyrighted by Authors on the Air Global Radio Network #authorsofinstagram #authorinterview #writingcommunity #authorsontheair #suspensebooks #authorssupportingauthors #thrillerbooks #suspense #wip #writers#writersinspiration #books #bookrecommendations #bookaddict #bookaddicted #bookaddiction #bibliophile #read #amreading #lovetoread #terrencemccauley #terrencemccauleybooks #bookouture #thrillers #TheTwilightTown #SukiedelaCroix #TheHuntfortheHairdoKiller

Song 1: “Is That Love” (John V. Modaff)Poem 1: “Little Histories” by Scott Wiggerman whose new book of poems comes out in Spring of 2026 with Casa Urraca Press. Scott lives in Albuquerque and is a painter and a poet among other things. https://scottwiggerman.myportfolio.com/Fiction: from the novel The Surrogate by Lynn C. Miller. Coming out March 31, 2026 from the University of Wisconsin Press. To pre-order go to: https://uwpress.wisc.edu/Books/T/The-Surrogate  Lynn's website:  www.lynncmiller.comFeed the Cat Break: a clip from “A Fine Romance,” Ginger Rogers and Fred Astaire version.Poem 2: “Persephone” by Sarah Kotchian. From her collection Light of Wings. University of New Mexico Press, 2024. https://www.unmpress.com/9780826365972/light-of-wings/Song 2: “Victory” (Sasha Colette and The Magnolias) Episode artwork by Lynda MillerTheme & Incidental Music by John V. Modaff, BMIRecorded in Albuquerque NM and Morehead KYProduced at The Creek StudioNEXT UP on Episode 53:  Homeless Thank You to our listeners all over the world. Please tell your friends about the podcast. Lynn & John

While our team is on a brief recording hiatus, we're sharing another encore episode from the Slush Pile archive. This one is from late 2017 and found Jason still in his bathrobe. Nick Lantz published a new collection of poetry in 2024 “The End of Everything and Everything That Comes after That”, and we love an opportunity to celebrate our past authors. Sidle up to our virtual editorial table and take a listen to an episode that considers three poems by Nick Lantz.   In this episode, the editors review three poems by Nick Lantz: “An Urn for Ashes,” “Starvation Ranch,” and “Ghost as Naked Man.”  As a child, Nick Lantz was obsessed with paranormal phenomenon and the unexplained, from cryptids to aliens to ghosts… Present at the Editorial Table: Kathleen Volk Miller, Tim Fitts, Sharee DeVose, Jason Schneiderman, Marion Wrenn, Samantha Neugebauer, Joe Zang (Production Engineer) For the first and possibly only time, we were in a recording studio within Drexel University's LeBow College of Business, which made us feel like we were on an episode of The View. This week, the editors review three poems by Nick Lantz: “An Urn for Ashes,” “Starvation Ranch,” and “Ghost as Naked Man.” As a child, Nick Lantz was obsessed with paranormal phenomenon and the unexplained, from cryptids to aliens to ghosts. These days, he tells people he's writing a book of poems about ghosts, though that's only sort of true. His fourth book, You, Beast, won the Brittingham Prize and was published by University of Wisconsin Press in 2017. He was also the recipient of a 2017 NEA fellowship for his poetry. He lives in Huntsville, Texas, where he teaches at Sam Houston State University and edits the Texas Review. “An Urn for Ashes” gets us started off on our a conversation on past lives and reincarnation. Lantz's impressive use of language and imagery draws up ideas of present beings possessing remnants of those far in the past. Moving on to “Starvation Ranch,” the editors reflect on what memory and recollection look like in the modern era. The poem layers alluring images that are beautifully constructed and give us a front seat in recounting many summers past. The final poem, “Ghost as Naked Man” offers a reimagined commentary on gender as a social construct. Seemingly in conversation with other works on the topic, the poem conveys frustration and destruction, then pride, as expressions of manhood. It also brings to mind Ada Limón's “After the Storm,” published in Issue 66 of Painted Bride Quarterly. Listen in for our takes on these poems and the verdicts! An Urn for Ashes The atoms that made up Julius Caesar's body, burned on a pyre, spread by wind and time, have since dispersed far and wide, and statistically speaking you have in you some infinitesimal bit of carbon or hydrogen from his hand or tongue, or maybe some piece of the foot that, crossing a river, turned a republic into an empire. But that means you carry with you also the unnamed dead, the serfs and farmers, foot soldiers and clerks, and their sandals and the axles of chariots and incense burned at an altar and garbage smoking in a pit outside a great city at the center of an empire, that you are a vessel carrying the ashes of many empires and the ashes of people burned away by empires, their sweet, unheard melodies. And look how finely wrought you are, how precise your features, your very form a kind of ceremony for transporting the dead through the living world. Starvation Ranch Frank Hite, my mother's father's mother's father, named his farm Starvation Ranch, and one July, I balanced high on a ladder to repaint those white letters on the same red barn where they've been for a hundred years. But that summer is a sketch, a note written in the margin of a book I gave away. I shot rabbits and learned to drive and listened to the same Lou Reed tape on loop in the upper bedroom of my family's farmhouse. In a closet I found my grandmother's high school yearbook in which she had crossed out the name of each classmate who had died. I learned there are three kinds of garbage— the kind that goes in the compost heap to feed the garden that grows the peppers and the corn, the kind that goes in the ditch to feed the coyotes who howl at night, the kind that goes in an old oil drum to burn I learned to love the indentation my grandmother's pencil left in the paper over a name, like the tally marks I carved into a tree for each rabbit I shot. I learned that a stone arrowhead, taken from a newly plowed field that has held it for hundreds of years is still sharp enough to cut my palm. I learned to love the hiss of silence on the tape after a song ended, the sound of time like the susurrus of insects at dusk, like a broom whisking clean the floor of some upper room. I learned how to walk the perimeter of the house and feel in the grass the edges of the old foundation, a version of house that burned, that disappeared, that was rewritten, and I learned how to walk farther out into the pastures, to spot the earthen mounds left behind by people who remain only in names of rivers and country roads. That was one summer. Decades later, I learned that the barn I painted was not even the original, which had been replaced, board by beam, years before. And I learned that barns are red because red paint is cheap because iron is abundant because dying stars sighed iron atoms into space and those atoms gathered here on earth, became the earth, became blood and arrowheads and steel girders holding up towers and the red paint of barns. Ghost as Naked Man “Gender is a kind of imitation of which there is no original.”—Judith Butler Take away his beard, his hairy flanks. Lick your thumb and smear off his Adam's apple. Lift away his penis like a live bomb, and bury it under a mountain. Hide the testicles behind a broad leaf. But look, he still goes around town pointing at things he wants and moaning, rattling his imaginary chains. Every time he sees his reflection in a shop window, he cuts a thumb and with the blood paints over gaps in his shimmering reflection. Then he takes a brick and breaks the glass. There, he says, look what I made.

Officially, women in the Soviet Union enjoyed a degree of equality unknown elsewhere in Allied countries at the time. However, long-standing norms of gendered behavior and stereotypes that cast women as morally weak, politically fallible, and sexually tempting meant that women in the army or living behind enemy lines were viewed with skepticism, seen as weak points easily exploited by the enemy. Concerned about sabotage, espionage, and ideological corruption, authorities categorized women who fraternized with the enemy—or who were suspected of doing so—as “socially dangerous,” a uniquely Soviet legal designation that exposed the accused to prosecution, imprisonment, and exile. Even without official sanction, women rumored to be involved with German occupiers were reviled, and treated accordingly, by their neighbors. By reading official reports against the grain and incorporating rare personal documents, Kazyulina provides a multifaceted study of the realities for non-Jewish Soviet women—in the army or resistance, or at home in occupied territories—during and after Nazi occupation. Guest: Regina Kazyulina (she/her), is the assistant director of the Center for Holocaust and Genocide Studies and a visiting assistant professor of history. She teaches in the Graduate Certificate Program in Holocaust and Genocide Studies. Her research interests include everyday life under German occupation, the “Holocaust by Bullets,” and the gendered lived experiences of Soviet civilians. Host: Jenna Pittman (she/her), a Ph.D. student in the Department of History at Duke University. She studies modern European history, political economy, and Germany from 1945-1990. Scholars@Duke: https://scholars.duke.edu/pers... Linktree: https://linktr.ee/jennapittman Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

One True Podcast concludes its One True Book Club for the year with its third of three installments on W.H. Hudson's 1885 novel, The Purple Land.This final episode covers chapter 21 to the end. We examine how Hudson resolves the domestic plot, the travel plot, and the confrontation with the diabolical Don Hilario. We debate whether The Purple Land's climax is or is not even climactic.Then, we call in scholar Ilan Stavans, former OTP guest and editor of the U of Wisconsin Press edition of The Purple Land. Stavans ties up some of our loose ends and provides a broader historical and aesthetic context for Hudson's project.We hope you'll enjoy this third episode on this fascinating and problematic novel. If you have a nomination for our 2026 One True Book Club selection (it must be Hemingway-relevant, but not by Hemingway), please email us at 1truepod@gmail.com.Thank you as always for your support of One True Podcast!

How did the indigenous people of Chicagoland understand what was happening in the Colonies in 1776? Did the Declaration of Independence affect them in any way? Of course, the City of Chicago was not founded until 1837, but this episode explores the lives of the inhabitants of the Chicago area and the effect of European colonization on their way of life during the Revolutionary War. Our expert guest, Prof. Theodore Karamanski, walks us through the history of Chicagoland, focussing on the following points: -Chicagoland during the Seven Years' War (French and Indian War) -The differences in French and British methods of imperial control over the Indians -The Consequences of the Treaty of Paris (1763) for native peoples in the Interior -Pontiac's War (Native Confederation vs. Britain) -The Anishinaabe people, who inhabited the Great Lakes region -The Three Fires Confederacy (Ojibwe, Odawa, and Potawatomi Tribes) -An explanation of the concept of the Village World, which means every tribal village makes its own independent foreign policy decisions -The consequences of the Proclamation of 1763 for both colonists and natives -The alliance between some Chicagoland tribes and American officer George Rogers Clark, who fought together against the British during the Revolutionary War -The alliance between some tribes and the Spanish Empire, who controlled St. Louis, against the British during the Revolutionary War -The period after the Revolutionary War until the founding of Chicago in 1837 The image is of Chief Pontiac picking up the war hatchet. Mastering the Inland Seas: How Lighthouses, Navigational Aids, and Harbors Transformed the Great Lakes and America (University of Wisconsin Press, 2020) http://greatlakesecho.org/2020/06/03/mastering-inland-seas/ Civil War Chicago: Eyewitness to History with Eileen M. McMahon (Ohio University Press, 2014) Blackbird's Song: Andrew J. Blackbird and the Odawa People (Michigan State University Press, 2012) North Woods River: The St. Croix River in Upper Midwest History (University of Wisconsin Press, 2009) Rally 'Round the Flag: Chicago and the Civil War (Rowman & Littlefield Publishers, 2006)

Officially, women in the Soviet Union enjoyed a degree of equality unknown elsewhere in Allied countries at the time. However, long-standing norms of gendered behavior and stereotypes that cast women as morally weak, politically fallible, and sexually tempting meant that women in the army or living behind enemy lines were viewed with skepticism, seen as weak points easily exploited by the enemy. Concerned about sabotage, espionage, and ideological corruption, authorities categorized women who fraternized with the enemy—or who were suspected of doing so—as “socially dangerous,” a uniquely Soviet legal designation that exposed the accused to prosecution, imprisonment, and exile. Even without official sanction, women rumored to be involved with German occupiers were reviled, and treated accordingly, by their neighbors. By reading official reports against the grain and incorporating rare personal documents, Kazyulina provides a multifaceted study of the realities for non-Jewish Soviet women—in the army or resistance, or at home in occupied territories—during and after Nazi occupation. Guest: Regina Kazyulina (she/her), is the assistant director of the Center for Holocaust and Genocide Studies and a visiting assistant professor of history. She teaches in the Graduate Certificate Program in Holocaust and Genocide Studies. Her research interests include everyday life under German occupation, the “Holocaust by Bullets,” and the gendered lived experiences of Soviet civilians. Host: Jenna Pittman (she/her), a Ph.D. student in the Department of History at Duke University. She studies modern European history, political economy, and Germany from 1945-1990. Scholars@Duke: https://scholars.duke.edu/pers... Linktree: https://linktr.ee/jennapittman Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Officially, women in the Soviet Union enjoyed a degree of equality unknown elsewhere in Allied countries at the time. However, long-standing norms of gendered behavior and stereotypes that cast women as morally weak, politically fallible, and sexually tempting meant that women in the army or living behind enemy lines were viewed with skepticism, seen as weak points easily exploited by the enemy. Concerned about sabotage, espionage, and ideological corruption, authorities categorized women who fraternized with the enemy—or who were suspected of doing so—as “socially dangerous,” a uniquely Soviet legal designation that exposed the accused to prosecution, imprisonment, and exile. Even without official sanction, women rumored to be involved with German occupiers were reviled, and treated accordingly, by their neighbors. By reading official reports against the grain and incorporating rare personal documents, Kazyulina provides a multifaceted study of the realities for non-Jewish Soviet women—in the army or resistance, or at home in occupied territories—during and after Nazi occupation. Guest: Regina Kazyulina (she/her), is the assistant director of the Center for Holocaust and Genocide Studies and a visiting assistant professor of history. She teaches in the Graduate Certificate Program in Holocaust and Genocide Studies. Her research interests include everyday life under German occupation, the “Holocaust by Bullets,” and the gendered lived experiences of Soviet civilians. Host: Jenna Pittman (she/her), a Ph.D. student in the Department of History at Duke University. She studies modern European history, political economy, and Germany from 1945-1990. Scholars@Duke: https://scholars.duke.edu/pers... Linktree: https://linktr.ee/jennapittman Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

Officially, women in the Soviet Union enjoyed a degree of equality unknown elsewhere in Allied countries at the time. However, long-standing norms of gendered behavior and stereotypes that cast women as morally weak, politically fallible, and sexually tempting meant that women in the army or living behind enemy lines were viewed with skepticism, seen as weak points easily exploited by the enemy. Concerned about sabotage, espionage, and ideological corruption, authorities categorized women who fraternized with the enemy—or who were suspected of doing so—as “socially dangerous,” a uniquely Soviet legal designation that exposed the accused to prosecution, imprisonment, and exile. Even without official sanction, women rumored to be involved with German occupiers were reviled, and treated accordingly, by their neighbors. By reading official reports against the grain and incorporating rare personal documents, Kazyulina provides a multifaceted study of the realities for non-Jewish Soviet women—in the army or resistance, or at home in occupied territories—during and after Nazi occupation. Guest: Regina Kazyulina (she/her), is the assistant director of the Center for Holocaust and Genocide Studies and a visiting assistant professor of history. She teaches in the Graduate Certificate Program in Holocaust and Genocide Studies. Her research interests include everyday life under German occupation, the “Holocaust by Bullets,” and the gendered lived experiences of Soviet civilians. Host: Jenna Pittman (she/her), a Ph.D. student in the Department of History at Duke University. She studies modern European history, political economy, and Germany from 1945-1990. Scholars@Duke: https://scholars.duke.edu/pers... Linktree: https://linktr.ee/jennapittman Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

One True Podcast continues our summer book club on The Purple Land, the 1885 novel written by W.H. Hudson and read and re-read by Robert Cohn.In this episode, we explore Chapters 12-20. We revisit the picaresque plot structure, discuss how the narrative moves between romance and revolution, explore how Hudson takes up the question of cultural relativism, and draw connections to The Sun Also Rises.We hope you'll join us in this close read of The Purple Land. We are using the handsome University of Wisconsin Press edition with an Introduction written by former One True Podcast guest, our friend Ilan Stavans.Thank you as always for your support of One True Podcast!

Song 1: “Speak Up,” (composed and performed by John V. Modaff, with guitars by Dan Modaff and Dave Merrill)Poem 1: “Sound Barrier” by Scott Wiggerman from the “Fire” chapter of Presence (San Antonio TX: Pecan Grove Press, 2011), a book arranged around the elements.Fiction excerpt: from the novel Death of a Department Chair by Lynn C. Miller. University of Wisconsin Press, 2006. https://uwpress.wisc.edu/Books/D/Death-of-a-Department-Chair Feed the cat break: “Cats, Cats, Cats” (Andrew Preston and AP Harbor)Poem 2: from ee cummings, poem #22 from XAIPE, 1950. This innovative modern poet (1894-1962) revitalized language from the familiar. He was also a painter, essayist, author, and playwright.Song 2: “Tell Me,” composed and performed by John V. Modaff.Episode artwork by Lynda Miller Theme & Incidental Music by John V. Modaff, BMI Recorded in Albuquerque NM and Morehead KY. Produced at The Creek Studio NEXT UP on Episode 50: “Levity and Gravity”        Thank You to our listeners all over the world. Please tell your friends about the podcast. Lynn & John

One True Podcast ushers in the summer by reading a book that is not by Hemingway, but is Hemingway-relevant: W.H. Hudson's The Purple Land, the 1885 novel that Jake Barnes name-drops in The Sun Also Rises and then weaponizes to criticize Robert Cohn.This episode covers the first 11 chapters, where we discuss the Hemingway-Hudson connection, this novel's picaresque structure, the dramatic situation, the setting, and the various adventures that our hero experiences, including the problematic nature of his “intensely amorous” inclinations.We hope you'll join us in this slow read of The Purple Land. We are using the handsome University of Wisconsin Press edition with an Introduction written by former One True Podcast guest, our friend Ilan Stavans.Thank you as always for your support of One True Podcast!

In this episode, Katy Didden and Abram Van Engen discuss the extraordinary leaps, narrative disjunctions, and temporal frames that fill Diaz's extraordinary ekphrastic poem, a reflection on Bruegel's painting, "Landscape with the Fall of Icarus" written in conversation with W.H. Auden's poem "Musée des Beaux Arts." "Two Emergencies," appears in My Favorite Tyrants (https://a.co/d/3IUlLmp) (University of Wisconsin Press 2014), winner of the 2014 Brittingham Prize in Poetry. For more poetry of Joanne Diaz, see also The Lessons (https://a.co/d/bZOFIOp) (Silverfish Review Press 2011), winner of the Gerald Cable Book Award. For W.H. Auden's "Musee des Beaux Artes (https://www.poetryfoundation.org/poems/159364/musee-des-beaux-arts-63a1efde036cd)" see The Poetry Foundation

Did you know that Ukraine is the fourth largest corn exporter globally? This is not the beginning of a Soviet joke. . . Ukraine plays a crucial role on the world food market. About sixty percent of its exports are agricultural products with destinations in Europe, Asia, and Africa. Ukraine also accounts for around one-sixth of the world wheat and barley markets and a staggering half of the world's supply of sunflower oil. But Ukrainian agribusiness is under stress. Soviet and post-Soviet legacies abound. Climate change and depleted soil pose long term obstacles. And Russia's invasion has only increased the calamity thanks to destruction, theft, and environmental damage. How do things look at the moment? In the fourth event in our Eurasian Environments series, the Eurasian Knot spoke to Susanne Wengle and Natalia Mamonova about Ukraine's past and present place in the global food system, the impact of the war, and the prospects of renewal and recovery. Guests:Susanne Wengle is professor of Russian and Eurasian studies at Uppsala University and associate professor of political science at the University of Notre Dame. Her most recent book is Black Earth, White Bread: A Technopolitical History of Russian Agriculture and Food published by the University of Wisconsin Press.Natalia Mamonova is a senior researcher at RURALIS - Institute for Rural and Regional Research, Norway. Her current research at RURALIS mainly focuses on the impact of the war in Ukraine on the Ukrainian and global food systems.Send us your sounds! PatreonKnotty News Hosted on Acast. See acast.com/privacy for more information.

In his memoir of life as a parish Orthodox priest in the 19th century, I. S. Belliustin wrote that the clergy was “humiliated, oppressed, downtrodden, they themselves have already lost consciousness of their own significance.” This is just one of several damning portraits Belliustin paints of his fellow holymen and the flock they tended. It's an image that stuck, even among historians. But Daniel Scarborough says there's another, brighter side to the story. Many Russian Orthodox parish priests also preached the social gospel. They served as mediators and informants between the state and peasantry, carried out social relief, taught literacy, and addressed other social ills. The most famous being Father Gapon, the priest that sparked the 1905 Revolution. Who were these priests? What social work did they do? And how did their actions intersect with the growing revolutionary movement in Imperial Russia? The Eurasian Knot sat down with Daniel Scarborough during a recent trip to Pittsburgh to find out more.Guest:Daniel Scarborough is an Associate Professor of Russian history and religion at Nazarbayev University. His interests include the religious and intellectual history of late imperial Russia, the local history of Moscow and Tver, and Russia's Silver Age. He's the author of Russia's Social Gospel: The Orthodox Pastoral Movement in Famine, War, and Revolution published by University of Wisconsin Press.Send us your sounds! PatreonKnotty News Hosted on Acast. See acast.com/privacy for more information.