Podcasts about The Afghan Whigs

                                                    BLACK SHIRT MIXTAPE                                                       **Episode 100**                                                             Join host Jesse Karassik aka @heyyyyy_jesse as he takes you on a 2 hour sonic journey playing mixtape inspired tracks in a variety of genres- all for your listening (dis)pleasure!   Tracklisting: Section 1- Nostalgia 1. You Always Hurt The One You Love...Ryan Gosling 2. Love Vigilantes...New Order 3. Once In A Lifetime (live)...Talking Heads 4. Bigmouth Strikes Again...The Smiths 5. The Is The Day...The The 6. Never Let me Down Again...Depeche Mode 7. Starman...David Bowie   Section II- Nite Driving 8. Not Even Jail (live)...Interpol 9. The Magnificent Seven...The Clash 10. When You Were Young...The Killers 11. Go With The Flow...Queens of the Stoneage 12. Wave of Mutilation (UK Surf)...Pixies 13. Everything In It's Right Place...Radiohead 14. New Frontier...Donald Fagan   Section III- Loners & Lovers 15. Souk Eye...GORILLAZ 16. Somebody That I Used To Know...Elliott Smith 17. Get Gone...Fiona Apple 18. Find The River...REM 19. Wake Up Alone...Amy Winehouse 20. Hannah & Gabi...Lemonheads   Section IV- Celebration 21. Check The Rhime...A Tribe Called Quest 22. Oodles of O's...De La Soul 23. Hey Boy...Mark Ronson 24. Bizarre Love Triangle (live)...Pete Yorn 25. Every Little Thing She Does is Magic...The Afghan Whigs (outro)  

Un tour celebrativo che è anche un atto di fede nella musica: il ritorno degli Afterhours Manuel Agnelli ha presentato alla stampa un progetto tanto atteso quanto denso di significati: il tour che celebra i vent'anni di "Ballate per piccole iene", uno degli album più iconici del rock alternativo italiano, uscito nel 2005. La band ha annunciato anche un'edizione speciale rimasterizzata del disco, che restituisce nuova vita a brani che hanno segnato una generazione. La conferenza stampa ha assunto i toni di un racconto autobiografico, in cui Agnelli ha ripercorso la nascita del disco e le dinamiche, anche conflittuali, con il pubblico e all'interno della band. Nel cuore dell'incontro, il leader degli Afterhou rs ha descritto il momento storico in cui nacque l'album: un periodo di successo ma anche di smarrimento, in cui la band sentiva di essere celebrata in modo quasi eccessivo, perdendo il contatto con l'urgenza creativa iniziale. È in questo contesto che nacque l'esigenza di rompere con l'ironia e l'estetica dei dischi precedenti per abbracciare un tono più cupo, crudo e diretto. “Ballate per piccole iene” si pose come un'opera sul disorientamento, sulla rinuncia agli obiettivi, e sull'accettazione della mediocrità. Da Catania agli Stati Uniti: un album nato tra amicizie internazionali e collaborazioni visionarie Una parte centrale della narrazione è dedicata alla collaborazione con Greg Dulli degli Afghan Whigs, che produsse l'album, portando nel suono degli Afterhours una nuova dimensione ritmica e live. Dulli li spinse a registrare dal vivo negli studi di Catania, infondendo nei brani energia e immediatezza. Una svolta che segnò profondamente la band, donando coerenza a un disco nato in modo frammentario. All'edizione italiana seguì una versione inglese pubblicata nel circuito internazionale, che suscitò reazioni contrastanti nel pubblico italiano. Fischi, lanci di oggetti e contestazioni mostrarono quanto il legame affettivo dei fan fosse anche una forma di possesso. Un momento di crisi sfociato in un episodio violento, simbolo di una rottura con il passato e al contempo di una rinascita artistica. Carne fresca e il futuro della scena: una nuova visione, tra scouting e responsabilità culturale Il rilancio del disco e del tour si intreccia con “Carne Fresca”, la rassegna nata da Germi (lo spazio culturale fondato da Agnelli), dedicata ai giovani musicisti tra i 15 e i 30 anni. Un laboratorio musicale e sociale che ha l'ambizione di rigenerare la scena indipendente italiana, offrendo visibilità a chi suona per necessità espressiva e non per marketing. “Carne Fresca” ha portato sul palco band emergenti capaci di riempire i locali, spesso sconosciute alla critica e ai media tradizionali, ma con una forza genuina e incontaminata. Alcuni di questi gruppi accompagneranno gli Afterhours come opening act nel nuovo tour, creando un ponte tra passato e futuro, tra esperienza e scoperta. Agnelli sottolinea il valore politico e culturale di questa scelta: “Vogliamo dire a questa generazione che esistono alternative reali, concrete. E noi ci mettiamo a disposizione per costruirle insieme.”

739 Afghan Whigs - Gentlemen

Steve Guile is Travis's dear friend and cohost on the podcast Small Screen Sessions. Steve was kind enough to come on '93-'94 and interview Travis about an album they both love but that Travis considers his favorite album of all time-- Gentlemen by the Afghan Whigs.

Part 1 of my conversation with guest Phil Stacey about our favorite concerts.  Show notes: Cold weather running tips What makes a great concert? Small shows vs. stadiums Hard to pare down the list Limited to one show per artist Good idea for a sequel involving a time machine Phil leaned toward larger shows Didn't include: R.E.M., the Cure, Sleater-Kinney, Drive-By Truckers, Tedeschi Trucks Band  Jay: Prefer the intimacy of club shows We were at the same shows before we knew each other Phil: First concert was Van Halen in 1986 Setlist.fm is a great resource MTV's Saturday Night concerts Jay's first show was a festival show in Kingston, NH with Cheap Trick, Ratt, Twisted Sister and Lita Ford in 1984 Jay: Not a fan of festival shows anymore Adventures in seeing Rush Jay: Didn't see R.E.M. when they played my college  Other favorites: PJ Harvey, Hot Snakes, Lollapalooza '92, Afghan Whigs, Soundgarden, Mudhoney, Drive-By Truckers, Alice in Chains/Screaming Trees, Peter Gabriel, White Stripes, Hold Steady, Mission of Burma, Gord Downie To be continued Completely Conspicuous is available through Apple Podcasts. Subscribe and write a review! The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

We just can't get it right still, can we?! No Luke on the show this week. He had to split at the last second. We wish him well. Govier and Steve are here though and they have a few thoughts roughly 48 hours after the polls closed on Election Day 2024 in the bozo USA. The first 25 minutes has plenty of talk about what happened there, but there are also plenty of other goodies on this week's show including an email from our old friend Mr. Pink! We love you all! This talk show is not the same without you listening & emailing us your highly entertaining & thoroughly analyzed thoughts. We close the show with Fountain & Fairfax by The Afghan Whigs. If any of our nonsense provokes your thoughts, please share them with us at isitsafepod@gmail.com or check out our Discord:https://discord.gg/wXPdgujdSj

Recorded in May and July 2024 at Afterlife Studios in Vancouver, "Graystone" was produced by Brian Minato and the band, with mixing by Dave Ogilivie and mastering by Ronan Chris Murphy at Veneto West. Since their formation in 2012, SLIPons have established themselves as a powerful, guitar-driven band from Vancouver, BC, blending influences from the Exile on Main St. era of the Stones and the Afghan Whigs. With a history marked by acclaim, their last album, "Heavy Machinery," garnered significant attention, spending seven weeks on College Radio across North America and receiving support from impressive broadcasters like KXLU (Los Angeles, CA), WFMU (Jersey City, NJ), WUTK (Knoxville, TN), and WXAV (Chicago, IL), along with coverage from numerous outlets including Global News, True Skateboarding, and Exclaim. As anticipation builds for "Graystone," SLIPons continue to solidify their place in the power-pop and alt-rock landscape. The band plans to complete more recordings and videos in the months ahead and announce North American tour dates for 2024 and 2025. D I S C O V E R TikTok: tiktok/@sliponsvancouverTwitter: https://twitter.com/sliponsbandBandcamp: https://slip-ons.bandcamp.comFacebook: https://www.facebook.com/slip.ons.band/Instagram: https://www.instagram.com/sliponsvancouver/Spotify: https://open.spotify.com/artist/0GB7L9xhFn0Lb5Jh8BVk5A?si=LaP_sSuaTc625B9E7cN1SA This episode is brought to you byGo to BETTERHELP.com/apologue for confidential online counselling.use the code word Apologue for a 7 day free trial Checkout my YouTube Channel with long form interviews from the Subversives | the History of Lowest of the Low. A weekly release on Tuesdays .https://www.youtube.com/@simonhead666 Pledge monthly with Patreon https://www.patreon.com/apologueShop Apologue products at http://apologue.ca/shop

Hoy en La Gran Travesía podréis escuchar a gente como Amy Winehouse, Ten Years After, R.E.M, Orquesta del Desierto, Afghan Whigs, Jaded Hearts Club, Refused, Johnny Winter, China Drum, Ben E. King... ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además acceder a todo el archivo histórico exclusivo. Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Eva Arenas, Poncho C, Nacho, Javito, Alberto, Tei, Pilar Escudero, Utxi 73, Blas, Moy, Silvia Rotlant, Juan Antonio, Dani Pérez, Santi Oliva, Vicente DC, Juan Carlos Ramírez, Leticia, JBSabe, Huini Juarez, Flor, Melomanic, Jarebua, Noni, Arturo Soriano, Gemma Codina, Raquel Jiménez, Francisco Quintana, Pedro, SGD, Raul Andres, Tomás Pérez, Pablo Pineda, Quim Goday, Enfermerator, María Arán, Joaquín, Horns Up, Victor Bravo, Fonune, Eulogiko, Francisco González, Marcos Paris, Vlado 74, Daniel A, Redneckman, Elliott SF, Guillermo Gutierrez, Sementalex, Jesús Miguel, Miguel Angel Torres, Suibne, Javifer, Matías Ruiz Molina, Noyatan, Estefanía, Iván Menéndez, Niksisley y a los mecenas anónimos.

Hoy os dejamos en La Gran Travesía un programa donde podréis escuchar a Tame Impala, R.E.M, Elton John, Redd Kross, Live, Afghan Whigs, Dido, Datsuns, Primal Scream, Ash, Depeche Mode... ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además acceder a todo el archivo histórico exclusivo. Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Nacho, Javito Bike, Alberto, Tei, Pilar Escudero, Utxi 73, Blas Castellote, Moy, Silvia Rotlant, Juan Antonio, Dani Pérez, Santi Oliva, Vicente DC, Edgar Xavier Sandoval, Juan Carlos Ramírez, Leticia, JBSabe, Huini Juarez, Flor, Melomanic, Felix Lorente, Jarebua, Noni, Arturo Soriano, Gemma Codina, Nicolás, Raquel Jiménez, Francisco Quintana, Pedro, SGD, José Luis Orive, Raul Andres, Tomás Pérez, Pablo Pineda, Quim Goday, Enfermerator, María Arán, Joaquín, Horns Up, Victor Bravo, Fonune, Eulogiko, Francisco González, Marcos Paris, Vlado 74, Daniel A, Redneckman, Elliott SF, Guillermo Gutierrez, Sementalex, Jesús Miguel, Miguel Angel Torres, Sergio, Suibne, Javifer, Javi Dubra, Matías Ruiz Molina, Noyatan, Estefanía, Norberto Esteban, Iván Menéndez y a los mecenas anónimos.

Baxie talks to one of his all time favorites—multi-instrumentalist Harold “Happy” Chichester! Happy's incredible career began with the Columbus, Ohio based band The Royal Crescent Mob! This was a band that was (and continues to) to hold a special place in my home collection of entirely too many records. But his career hardly stopped there. He was a one-time member of The Afghan Whigs, The Twilight Singers, and Howlin' Maggie! On top of that he's release three amazing solo records. He was also heavily courted by Dave Grohl to join The Foo Fighters (an offer he turned down to keep working on his own music). Grohl has even referred to him as one of the best songwriters in America (which I agree with!). It's a special episode with a guy that I've wanted to talk to for the last 40 years. And it was totally worth the wait!!! Listen on Apple Podcasts, SoundCloud, Spotify, and on the Rock102 app Brought to you by Metro Chrysler Dodge Jeep Ram of Chicopee

This season we discuss over 300 albums of the 1990s selected from https://besteveralbums.com. The show starts at (1:40). The Ten Singles Ranking starts at (5:18). This episode covers the following albums: Cop Shoot Cop - Ask Questions Later (54:56), Nirvana - Incesticide (1:09:34), and The Afghan Whigs - Gentlemen (1:21:16). --- Send in a voice message: https://podcasters.spotify.com/pod/show/combingthestacks/message

THIS IS A PREVIEW. IF YOU WANT TO LISTEN TO THE FULL EPISODE, CHECK OUT FRUITLESS ON PATREON HERE: https://www.patreon.com/user?u=11922141EPISODE ON PATREON: https://www.patreon.com/posts/101162953Josiah catches up with his brother, Caleb aka The Bog Hog. We talk about what we've been watching and listening to, and get a little into the history of punk, post-punk, folk punk, surf rock, and emo. We also spoil Dawn of the Dead, Day of the Dead, and Train to Busan, and then have a conversation about blood donation.Music by SHADE08, Taking Back Sunday, American Football, The Afghan Whigs, Sunny Day Real Estate, Sleater-Kinney.

After 25 years in the music business, both as a major label priority artist and as a jobbing musician, Ed Harcourt still has big ambitions. “My greatest achievement would be to write a song I would never get bored of singing”.Cards on the table, Ed Harcourt's two instrumental albums made between 2018 and 2020 (Beyond the End and Monochrome to Colour) got me through the pandemic. Well, they certainly helped. But Ed didn't sing on either, so it comes as something of a relief to have Ed Harcourt back in the world of songs. Not only that, but his best batch of songs for a while - held together on a cracker of a new album El Magnifico. It is quite possibly the best album he has ever made. The question is, will enough people get to hear it?Harcourt was first signed to Heavenly Records, which was subsumed into the EMI empire of old, where he was a priority UK artist for a while - thrust into the eye of the needle. But the chart positions never came, the pressure mounted, and, inevitably, Harcourt moved on into the second phase of his career as an independent artist. These days, his view of ‘the industry' is understandably jaded. “I went a bit mad. I had been institutionalised. I felt done. It still feels like a rollercoaster, but I can't do anything else”. His solo albums as an independent artist have impressed critics and fans - especially Furnaces (2016) - but commercial success has been elusive, and Furnaces left him burnt out and in need of a change (hence the ‘neo classical phase' that followed).Harcourt remains an active collaborator, however, producing albums for Kathryn Williams and Sophie Ellis Bexter, whom with Ed co-wrote on her last three albums. He is now working with emerging artist Roxanne De Bastion. In many ways, it is surprising he is not more in demand as a producer, although by his own admission, he will never be motivated to do anything within a million miles of what you might call a trend. Meanwhile, he tours with cult Ohio indie band The Afghan Whigs and is waiting for some film score projects to drop. But, for an ambitious artist, is that success?“Success is working. Just making music all the time. I am proud but dismissive. Something will come, but I just don't know what, yet…”Harcourt now makes music with the battle scars of an artist who has been through the mangle. He rode the hype cycle - signing a five album deal to a major, experiencing the fallout from that, and steadily rebuilding to a place where he can always make music for himself.  In particular on El Magnifico, there is a bouncy, upbeat ‘single' in Strange Beauty, while Deathless is a throwback to the classic days of album songs - a centrepiece if you will. Broken Keys is reminiscent of Elvis Costello during his 70s heyday, while Into The Loving Arms Of Your Enemy may well be Harcourt's best song so far. In fact, it might be the song Ed Harcourt never gets bored of singing. Support the showGet more related content at: https://www.songsommelier.com/

Matt Pryor of The Get Up Kids drops by the show to talk about his book, 'Red Letter Days.' We also touch on important subjects like the animatronic bears that played "Crocodile Rock" at ShowBiz Pizza, how to properly cook a steak, choosing an Afghan Whigs song for your wedding processional, and the lost art of making a long-distance call on a pay phone. All that and more this week on '24 Question Party People.'Host: Yasi Salek Guest: Matt Pryor Producer: Jesse Miller-Gordon Associate Producer: Chris Sutton Additional Production Supervision: Justin Sayles Theme Song: Hether Fortune Learn more about your ad choices. Visit podcastchoices.com/adchoices

Will Westercauw and Orly discuss kerosene hats, the merits of being Evan Dando, why it pays to be friends with Mark Pellington, whether or not being with you, girl, is actually like being "stone", and the modern rock hits of November 1993, including: The Lemonheads - "Into Your Arms" Cracker - "Low" The Connells - "Slackjawed" The Afghan Whigs - "Debonair" Season 6 (1993) Spotify Playlist: https://open.spotify.com/playlist/3RV2gzADXh93VuQieGrbVX?si=8a7c9febb3de4ce1

Carriers is a music collective led by Cincinnati-based guitarist and singer-songwriter Curt Kiser. You may recognize him as a former member of the indie rock band, Pomegranates or as the winner of the Album of the Year at the 2019 Cincinnati Entertainment Awards for their debut album, Now is the Time for Loving Me, Yourself & Everyone Else. He also collaborates with drummer Bryan Devendorf of The National and bassist John Curley of The Afghan Whigs. His music shows the beauty that collaboration and friendship can bring. Follow Carriers and check out their music on all platforms: Website: https://www.carrierstheband.com/ Instagram: https://www.instagram.com/carrierstheband/ TikTok: https://www.tiktok.com/@carrierstheband Facebook: https://www.facebook.com/Carriersband YouTube: https://youtube.com/channel/UCjLBFPKgp2QYWMZLd_N_A7g Spotify: https://open.spotify.com/artist/03Y6dXzmx4DFtBblTZpAw4?si=0u_mEBwZTIW7XzawToblQQ Bandcamp: https://carrierstheband.bandcamp.com/music Follow In My Tracks on socials: Instagram: https://www.instagram.com/inmytrackspod TikTok: https://www.tiktok.com/@inmytrackspod YouTube: https://www.youtube.com/@InMyTracksPod Facebook: https://www.facebook.com/inmytrackspod Threads: https://www.threads.net/@inmytrackspod Pinterest: https://www.pinterest.com/inmytrackspod LinkedIn: https://www.linkedin.com/company/inmytrackspod All links: https://linktr.ee/inmytrackspod Use #inmytrackspod to share the songs that stopped you in your tracks! Spotify playlists: https://open.spotify.com/user/31n4cgpxynsbahjqnybumnsaucry?si=3ed6eae3a1b74656 Creator, Producer, Writer, and Host: Jada Burt  https://www.instagram.com/jadaxburt/ Production, Writing, Engineering, Composing, and Editing: Play Audio Agency https://www.playaudioagency.com/ Creative Direction, Design, Illustration, Branding, and Video Editing: Liz Rose Wolf Studio https://www.lizroses.com/ Black-Owned Business Spotlight: LGBStyles Jewelry: https://www.etsy.com/shop/LGBStyles  Washed with Butter: https://www.etsy.com/shop/WashedwithButter  Views in Bloom: https://www.etsy.com/shop/VIEWSINBLOOM

Doug Stone talks to jazz musicians about life, music, recent and upcoming performances, equipment and current events on this Tenor Talk Podcast recording. A different jazz musician is featured in each episode.  This episode features Roderick Paulin and was recorded February 16, 2020. Roderick Paulin is an American saxophonist, clarinetist, composer and educator. Roderick's musical career spans over four decades collaborating with artists such as John Legend, Harry Connick Jr.,  Aaron Neville, Allen Toussaint, Maceo Parker, Fred Wesley, Christian McBride, Trombone ‘Shorty' Andrews, Wynton Marsalis, The Grateful Dead, PJ Morton, The Brand New Heavies, The Afghan Whigs, Branford Marsalis, and the ReBirth Brass Band. For the last 10 years, Paulin has served on the faculty of the Louis Armstrong Summer Jazz Camp of New Orleans which is the longest running, minority-owned and operated music organization that serves public and private school students of New Orleans and surrounding communities.Roderick completed his undergraduate music degree at Southern University New Orleans (SUNO) under the guidance of New Orleans avant-garde saxophonist Edward “Kidd” Jordan, and the previously mentioned pianist and composer Roger Dickerson. After some 30 plus years of performing in every musical setting one can think of, Roderick returned to school at 50 years old and completed his Masters Degree at Louisiana State University (LSU - May 2022) during the Pandemic and he's continuing his academic studies currently as a Doctoral candidate pursuing the PhD in Music Education at LSU as well. Roderick has released the projects RPM, Slow But Steady, Da Hustle Don't Stop, and a new album Jazz, Blues, and Grooves that is set to release soon which features Roderick's interpretations on tunes from artists Herbie Hancock, Marvin Gaye, Art Blakey, and original compositions as well.Learn more about Roderick here: https://roderickpaulinmusic.com/home https://youtube.com/playlist?list=PL7kMuikSH6hb4DCdI4KDTasHJftaAPcrU Let's connect: Website: https://www.dougstonejazz.com/ Instagram: https://www.instagram.com/dougstonejazzsaxophone/ Facebook: https://www.facebook.com/profile.php?id=100089874145057 If you want to learn more about jazz improvisation and be part of the Doug Stone Jazz community get on our email list! https://www.dougstonejazz.com/about Head over to the Doug Stone Jazz Shop for some fun jazz merch: https://www.dougstonejazz.com/product-page/just-play-the-changes-long-sleeved-shirt #dougstonejazz #jazz #podcast #musicianlife #musicians #tenorsaxophone #jazzmusicians #jazzinterview #musicianlife

What is love? (Brian don't hurt me.) It's a Brian Krakow takeover and Nate Runkel is here to work out some of his own stuff. Tipper Newton doesn't remember much but maybe that's just the brain protecting itself. Questionable music choices, terrible ADR and more Brian Krakow than anyone ever wanted in their lives. It's My So-Called Life Of Brian!

This week Chris Ryan joins us to discuss the first Sub Pop band East of the Mississippi, the Afghan Whigs. Afghan Whigs are a band that has always been exactly themselves, fronted by an iconoclast who approaches putting together albums like he's making a movie. A dark, f*cked up movie. From their Cincinnati roots to leaving a crater in Memphis partying with Primal Scream, to their breakup, reformation and excellent latest album, we track the story of the Afghan Whigs to unpack what makes this singular band work. Follow Chris Ryan on Twitter @ChrisRyan77 Listen to songs we detail in the episode HERE Host: Yasi Salek Guest: Chris Ryan Producer: Jesse Miller-Gordon Audio Editor: Adrian Bridges Additional Production Supervision: Justin Sayles Theme Song: Bethany Cosentino Learn more about your ad choices. Visit podcastchoices.com/adchoices

My guest is Vinyl Mastering Engineer Jeff Powell, based in Memphis, Tennessee. Jeff has worked with Jackson Browne, Allison Kraus, and Robert Plant, Bob Dylan, Randy Newman, Dusty Springfield, Afghan Whigs, T-Bone Burnett, Al Green, Elvis Presley, and The Black Keys. In this episode, we discuss Focus on Laquer Cutting Cutting Lacquer, not Vinyl Daily Fed Ex Visits Sam Phillips  Chip and Swarf Apollo/Transco Fire MDC Lacquers Keeping the Line Moving Curing, Ditches, Halos,  Blowing a Cutter Head  3 Step Plating Fathers, Mothers, and Stampers Charlie Brown Christmas Humidity  T-Bone Burnett Chris Muth Larry Nix HD Vinyl Culture of Vinyl Backlog of Work 1950's Technology Business Planning Last Minute Loans Credits Preview Deck Elliptical EQ Matt's Rant: Revisiting Backing Up Links and Show Notes Jeff On WCA #015 Neo Finder (mentioned in Rant Hire Jeff! jeff at takeoutvinyl.com Credits Guest: Jeff Powell Host: Matt Boudreau Engineer: Matt Boudreau Producer: Matt Boudreau Editing: Anne-Marie Pleau  WCA Theme Music: Cliff Truesdell  Announcer: Chuck Smith 

Brad from the Pop Culture Yearbook Podcast is our guest to talk about the 1996 Ted Demme film, Beautiful Girls, which features the acting talents of Timothy Hutton, Noah Emmerich, Michael Rapaport, Mira Sorvino, Martha Plimpton, Laruen Holly, Rosie O'Donnell, Uma Thurman, Matt Dillon, and Natalie Portman. The soundtrack is equally stacked featuring songs from Pete Droge, The Afghan Whigs, Howlin' Maggie, Chris Issak, Ween, and Neil Diamond's "Sweet Caroline".We discussWhy Brad feels like this is a Minnesota movie even though it takes place in Massachusetts Afghan Whigs' frontman Greg Dulli's very busy 1994-1996The weird storyline with Natalie Portman and why it's problematicWhy the movie doesn't exactly feel like it's set in the '90sIf you're looking to create a podcast with professional sound, check out Podtastic Audio at:https://www.podtasticaudio.com/easyFor More Information about Pop Culture Yearbook:Website: https://pcy.buzzsprout.com/IG: https://www.instagram.com/popyearbook/Twitter: https://twitter.com/PopYearbookIf you'd like to support Soundtrack Your Life, we have a Patreon, where you'll get bonus episodes and more!https://www.patreon.com/soundtrackyourlife

On this installment of SRR we break out the Sony CDP-CE315 five CD disc changer and discuss not just 1 but 5 albums that we've loaded up for a hot summer Friday night. The digital age is back baby!

It sounds like the setup to a joke: "A punk rock guitarist and a preacher's daughter walk into a theater..." But when Billy Alletzhauser and Beth Harris starting singing songs together in 2004, the result was pure magic. Their band, The Hiders, is the Kevin Bacon of music, with connections to Ass Ponys, The Afghan Whigs, Throneberry, Wussy, Heartless Bastards, Band of Horses, Plow On Boy, Comet Bluegrass All-Stars, Pearlene and more. And their sound is an amazing amalgamation of folk, country, rock, psychedelia, bluegrass, and indie rock. We talked to B & B about their start, the band's evolution, Billy's Ass Ponys tenure, Beth's harmony vocal work with Erika Wennerstrom and Heartless Bastards, the Hiders most recent album (2021's Forever at the End) and their plans for the year ahead.

Join the Patreon In 2007, Dashboard Confessional decided to release an album of cover songs to coincide with their upcoming tour. The result might be one of the best mixtapes Jon and Danny have covered on the show. Featuring Songs Originally Performed By: They Might Be Giants, The Movielife, Weezer, Grade, Men At Work, Townes Van Zandt, Counting Crows, The Cure, The Smoking Popes, The Afghan Whigs, and Regina Spektor --- Send in a voice message: https://podcasters.spotify.com/pod/show/blanketingcovers/message

Welcome to the Nothing Shocking Podcast 2.0 reboot episode 180 with our guest Happy Chichester singer/songwriter (Howlin' Maggie, Afghan Whigs, The Twilight Singers, Royal Crescent Mob).  In this episode we discuss his latest single “Have you Noticed?,” as well as other tracks and solo albums he's released on Bandcamp.  We also discuss his journey as a solo artist, his early days with Royal Crescent Mob, the Afghan Whigs, working with Shawn Smith and more! Solo albums: Live @ Aladdin Theatre, Lovers Come Back, Torchwood Loop For more information visit https://happychichester.bandcamp.com/ https://www.facebook.com/HappyChichester/   Hong Kong Sleepover: https://thehongkongsleepover.bandcamp.com   Please like our Facebook page which can be found right here: https://www.facebook.com/nothingshockingpodcast/ or follow us on twitter at  https://twitter.com/hashtag/noshockpod   Help support the podcast and record stores by shopping at Ragged Records. http://www.raggedrecords.org 

Soon enough Bill Ackerman will be bringing us an official director-centric episode soon and I will be discussing another in early July. For this excursion into something besides movies, in case you didn't know, I once hosted called Voices & Visions and I would recruit friend and Austin-based journalist Dan Solomon to go back 20 years to talk about a year in music - an art form that I love every bit much as film. For this retrospective, my guests and I curate a new list of ten favorite records from a favorite year, playing snippets of certain songs and discussing our feelings about music in general. As of 2021, I decided to include my friend Jason Simpson, also a writer, to join us in this endeavor, he's back to experience the fun as well. As listeners know, I've been going back 30 years to talk about the year in film with Collin Souter and Erik Childress, so I asked Jason and Dan to do the same from now on with records. 1993 was the year I officially started my own band so it's a special discussion for me, in terms of records that had a bigger impact than most. Hearing my number one choice for favorite record of this year changed my life forever. Hopefully everyone enjoys this discussion about our favorite records from 1993, even if there are very few references to films and directors for this bonus episode. It was such a blast sharing memories with dear friends from high school as well as getting to hear a lot of incredible music from the early 90s (Smashing Pumpkins, Nirvana, The Afghan Whigs, Liz Phair and so much more). If you want to hear the older episodes of the music retrospective, they are now archived below as well. Thank you so much for listening and much gratitude to Dan & Jay for their insights, opinions and a 30-year plus friendship. Other episodes recorded over the years: https://www.directorsclubpodcast.com/archives/yearlymusicretrospectives Follow Dan On Twitter: https://twitter.com/dansolomon Pre-Order/Buy Dan's New Book: https://northstareditions.com/product/the-fight-for-midnight Follow Jason On Twitter: https://twitter.com/for3stpunk Hear Me Talk All About Exile In Guyville on The Great Albums: https://thegreatalbums.libsyn.com/liz-phair-exile-in-guyville-w-guest-jim-laczkowski

Vocalist, guitarist and songwriter Jame Lathren formed Candy Coffins in 2018 in Columbia, South Carolina. A cultural outcast, his resilience, sensitivity and hyperawareness of his emotional state would ultimately permeate his own music, getting right to the heart of the emotions surrounding the human condition. After disbanding his band Crown The Cake, he formed Candy Coffins with hometown guitar legend Tom Alewine (Bachelors of Art), followed by seasoned bassist Alex Mabrey, keyboardist Justin Purdy and drummer Jonathan Bradley (Iron & Wine). With dynamic and textured approach, the band's trademark lush sound bolsters Lathren's emotive songwriting and delivery. With tasteful nods to Joy Division, The Cure, The Psychedelic Furs, The Afghan Whigs and The Cult, as well as The Brian Jonestown Massacre, Spiritualized, Black Rebel Motorcycle Club and Interpol, Candy Coffins' sound is dark and emotionally restless, but with elements of hope and elation. Defiantly unique, their sound is a welcome respite from musical mediocrity.

This week we look to the stars for inspiration for our show theme. Oh yeah! We are talking about bands that have rock stars in them: Supergroups and Offshoots. A band consisting of well-known artists from other bands does not always equal great success. We dive into some of the more obscure supergroups and offshoots that didn't break with huge mainstream success or stay around very long.What is it we do here at InObscuria? Every show Kevin opens the crypt to exhume and dissect from his personal collection; an artist, album, or collection of tunes from the broad spectrum of rock, punk, and metal. This week we talk exclusively about Supergroups featuring famous solo artists and band members along with, Offshoots which are bands who contain the bulk of a previous incarnation of a famous band. Our hope is that we turn you on to something new.Songs this week include:Chequered Past – “A World Gone Wild” from Chequered Past (1984)California Breed – “Midnight Oil” from California Breed (2014)BackBeat Band – “Rock & Roll Music” from BackBeat – Original Motion Picture Soundtrack (1994)Brides Of Destruction – “Brace Yourself” from Brides Of Destruction (2004)Robin Trower - “Life On Earth” from BLT (1981)Down ‘N' Outz – “By Tonight” from My ReGeneration (2010)Metal Allegiance – “Wait Until Tomorrow” from Metal Allegiance (2015)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://twitter.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uIf you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/Check out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/

By the end of the 1990s, The Afghan Whigs were critical faves without the breakthrough single that propelled some of their contemporaries into the platinum or multi-platinum stratosphere. While 1993's Gentlemen and 1996's Black Love explored the dark, 1998's 1965 turned on the light long enough to find the party and get down to the business of feeling good, as lead singer Greg Dulli sings on the opener "Somethin' Hot." Much about the record is a change-up from previous efforts - guitars are dialed down while horns, pianos, and backing vocalists make their presence known on a record that shows off the band integrating the New Orleans vibe of their surroundings during recording. The result acts as a bridge between what the Whigs were and what Dulli and new collaborators would explore in the 2010s as The Twilight Singers.   Intro - 66 17:53 - Somethin' Hot 35:27- The Slide Song 39:29 - Omerta 45:46 - Uptown Again Outro - John The Baptist   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

Despite its party vibe, “1965” was the Afghan Whigs breakup album.  The move to a new record label (Columbia), lackluster sales and a less than spectacular tour with Aerosmith that would culminate in a coma inducing 2x4 to the head in an Austin Texas bar bathroom would prove too much for the band.  Though they would emerge triumphant to reunite in in 2006, “1965” for a time was their final salvo and what a gloriously debaucherous time it was.  #solopod!        RIP Bob Nalbandian    Recommended Listening:   EP185AW:  The Afghan Whigs Black Love https://huntsmanhill.com/2022/07/31/ep185aw-the-afghan-whigs-black-love/   Live At the Howlin' Wolf https://www.youtube.com/watch?v=XUFDfpVvXzU   Moon Maan  https://open.spotify.com/album/0pUyXByJ9TjelPxVD9OBy5?si=8EQr3lOhTxO6wXWXb2SwIA   huntsmanhill.com #huntsmanhill Spotify Playlist:  https://open.spotify.com/user/1298220429/playlist/4gy1wWwypkoFS2lUztvZ44?si=waSq07DBQlq3x9G1_nK0pg   Our Music manhuntsman:  https://manhuntsman.com Academy O.C:  https://academyoc.bandcamp.com/album/academy-o-c  

Part 2 of my conversation with guest Phil Stacey about the music of 1998. Show notes: More of Phil's non-top 5s: Monster Magnet, R.E.M., Hole, Dave Matthews Band Jay's non-top 5s: Tragically Hip, Monster Magnet, Jerry Cantrell, Frank Black and the Catholics, Beastie Boys, Rocket From the Crypt, Rancid, Cat Power Phil tells of a magical mixtape service Phil's #5: Moe with a jazzy jam band album Phil says he's not a "Moe-ron" Not hating on Steely Dan Jay's #5: Silver Jews with downbeat indie rock classic Phil's #4 and Jay's #2: The debut from Queens of the Stone Age kicks serious ass, combining stoner rock with robotic grooves Jay's #4: Followed up Odelay with the experimental Mutations Phil's #3: A fun release from the Beastie Boys Jay's #3: R&B-influenced album from Afghan Whigs was last before they broke up Phil's #2: Phish's 7th album featured a "cow funk" sound Phil's #1: Big breakthrough from Fatboy Slim paved the way for DJ as frontman Jay's #1: Sloan with a '70s vibe, from arena rockers to sunny AM pop Favorite songs: "Praise You" (Phil), "She Says What She Means" (Jay) Completely Conspicuous is available through Apple Podcasts. Subscribe and write a review! The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

Episode 58 is a Family Affair without Mr. French, Uncle Bill, and Jody. Instead we have cohosts Mr. Sean Clark and Uncle Dave Griffin, along with their guest, Jamie Stewart. Besides being Uncle Dave's stepson, Jamie was Sean's first childhood friend outside of the family, both recalling childhood escapades of cowboys in state patrol hats and makeshift guns; injuries that should have maimed and scarred but for the grace of God; Christmas of '89 when first guitars were gifted. A pictorial trip down musical memory lane with high school friends at Club CiraSomething in bands Twist of Fate, Slush Puppy, and Fat Baby Angels. More Sean and Jamie reminiscences of Stage-Crushing, Crowd-Surfing, Pit-Moshing Concert Tales of Horror and Fun. Uncle Dave's Tail of the Weak speaks to his fascination with art and how it was and still is a family obsession. Finally, a musical send-off with Jamie and wife Megan's favorite band, the Afghan Whigs and lead singer, Greg Dulli.https://somethinginthewaterpodcast.comhttps://www.patreon.com/somethinginth...https://www.facebook.comcautionlightm...https://www.instagram.com/somethingin...https://www.facebook.com/somethingint...somethinginthewaterpodcast@gmail.comhttps://somethinginthewater.captivate.fm

Alternative Rock musician Rob Munk released his new "Phased Out" album via Montclair, New Jersey based Magic Door record label, a grassroots imprint founded by Guided by Voices Kevin March and producer Ray Ketcham and Renee Lab from Elk City.  "Phased Out" is a record that somehow comes out of nowhere from an artist that has been almost everywhere. This is modern rock that respects people's emotional intelligence. With elements of 1990's and 2000's indie rock and traces of 1970's AM pop, this is music that respects people's emotional intelligence.For Rob Munk, music was never the plan. An actor from the age of three, he and his brothers would commute into NYC from New Jersey for gigs to help support life with a single Mom. After several years of filming commercials, including Jello pudding with Bill Cosby to scenes with Tina Fey, Tony Hale, John Goodman and Paul Giammatti, Munk was also cast as young Woody Allen in "Stardust Memories," his brother having played the same role in the Oscar-winning "Annie Hall." Munk was also a copywriter and creative director, writing huge campaigns for ESPN, Delta Airlines and AT&T.Upon moving to Boston, Munk's new band Thudpucker became a staple on the Boston rock scene in the early 90s as many local bands were starting to explode. Between several singles, gigs and touring, they opened for Pavement, Hole, the Afghan Whigs and Juliana Hatfield.  "Phased Out" is out now. Thank you for your support !https://linktr.ee/robmunkmusicPlaylist and podcast: https://djnocturna.comYouTube:  https://www.youtube.com/c/DJNocturnaListen : http://modsnapradio.comQUEEN OF WANDS with DJ Nocturna Every Saturday on ModSnap Radio 3pm (HST), 5pm (PST), 6pm (MST), 7pm (CST), 8pm (EST)#DJNocturna #modsnapradio  #alternativerock #magicdoorrecordlabel #ShamelessPromotionPR

Brock Pytel, best known as the singing drummer for late 80's Montreal pop-punks The Doughboys, has just released his new solo single, Anemic Heart. The single is the follow up to his 2022 single, Hurrah Hooray. The Vancouver transplant's two latest singles were both from a session he did in 2011 at Montreal's Hotel2Tango with Howard Bilerman (Godspeed You! Black Emperor, Arcade Fire) after some Doughboys reunion tour dates with The Foo Fighters. The track features two of his former bandmates, Jonathan Cummins on the Jazzmaster, and Jon “Bond Head” Asencio on bass (both of whom are in Montreal's The Low Sixes) and was mastered by Ronan Chris Murphy (Gwar, King Crimson). The song meanders from jangly verses that seem to be pulled from The Rolling Stone's “Their Satanic Majesty's Request” into melodic choruses that call to mind 90's pop crossovers like The Fluid or Afghan Whigs. Accompanying the new single is Pytel's video for Anemic Heart, filmed and edited by prolific Vancouver artist RD Cane. The video features blurry cityscapes, fires and idyllic beach scenes that compliment Pytel's melancholic lyrics and harmonies, painting the contrast of a love gained, then lost. In the years between the sessions for the singles and their subsequent releases, the recordings fell into an extended dormancy. Pytel was buried under seemingly endless hours working in Vancouver's film industry where eventually the  stress and lack of sleep caught up with him. Reflecting on his mortality, (after serious health issues in 2020) Pytel explained, “One of the things that really hit me at that time was how little music I'd put out into the world compared to how big a part of my life making music is. I was really motivated to get things going in that regard. These digital singles are me clearing my plate, so to speak, and making room for the new. When things seem to be lagging with the SLIP~ons (waiting for mixes, etc.) it helps with the frustration of working on getting these songs out.” With renewed vigor and determination, Pytel plans to complete more solo singles from the H2T sessions in the months ahead, and unleash a 5-song vinyl EP of his power pop band SLIP~ons in Summer 2023.  D I S C O V E R Bandcamp: http://brockpytel.bandcamp.comInstagram: https://www.instagram.com/brockpytelFacebook: https://www.facebook.com/brock.pytelSpotify: https://open.spotify.com/artist/1NQdziyMx6vWJyVlUv27a0?si=obKMIc9cR5e-SsftdX7RJA Brought to you by AIXdspShop now and get up to 50% off on all plugins.Website: HEREPledge monthly with Patreon https://www.patreon.com/apologueShop Apologue products at http://apologue.ca/shop

Part 2 of my conversation with guest Jay Breitling as we count down our favorite music of 2022. Show notes: - On to our top 10 - Breitling's #10: Archers of Loaf returns with a different sounding release - Kumar's #10: Fontaines D.C. evolves its sound - Breitling's and Kumar's #9: Radiohead offshoot The Smile with an interesting return to early '00s sound - Breitling's #8: Pleasant surprise album from Palm - Breitling's #7: First Sub Pop album from Frankie Cosmos - Bernice taking over the couch - Breitling's #6: Shimmering pop brilliance from The Beths - Kumar's #6: A nostalgic rocker from Oceanator - Breitling's #5 and Kumar's #7: Horsegirl bursts out of nowhere with a lo-fi banger of a debut - Kumar's #5: Another strong release from Toronto's Kiwi Jr. - Breitling's #4 and Kumar's #8: Harking back to '85, band full of DC punk vets lands a massive post-hardcore statement - Kumar's #4: Triumphant return by Titus Andronicus overcoming setbacks - Breitling's #3: METZ side project Weird Nightmare is "peak Jay (Breitling)" - Kumar's #3: Afghan Whigs combines old collaborations with new sounds - Breitling's #2: A "modern shoegaze classic" from Helens - Kumar's #2: Sloan delivers another classic power pop album that they developed during the pandemic - Breitling's #1: Side project from Johnny Foreigner principals as Yr Poetry - Kumar's #1: Smart-ass and cynical look at being in an band from PUP   Completely Conspicuous is available through the Apple Podcasts directory. Subscribe and write a review! The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

KGLW Ice-V and Karma by Kidd G Pavement, Afghan Whigs, and Built to SpillYATRA, Hell Fire, and Russian CirclesThese are a few of our favorite thingsModern Lovers and Mud HowlersSpiritualized, Spoon, and Friendship's St BonaventureWeen, The Weeknd, and WipersThese are a few of our favorite thingsWhen the dog bitesWhen the bee stingsWhen I'm feeling sadWe simply remember our favorite thingsAnd then we don't feel so badBeyonce, Kane Brown & Latto's Big EnergyDrag State, DJ Khalid's God Did, and Doin' This with Luke CombsOctoPolar and Pere UbuJack Harlow's First ClassGlass Animals' HeatwaveRosewater by Young JesusThese are a few of our favorite thingsHave a great 2023 everybody!Support the show

It's our third year of getting the patrons together and giving thanks for the new music that gave us happiness and good vibes in 2022. There's a wide array of bands and artists, new and old, that helped make 2022 a great year for music. New albums from 1980s and 90s artists like The Afghan Whigs, Suede, Archers of Loaf, The Cult, Rammstein, The Crystal Method, The Hellacopters, and many more all released great late career records, while newer bands like The Glad Machine, Noiseheads, The Bishop's Daredevil Stunt Club, Goodbye June, and a number of others landed on our radar.   Songs In This Episode: Intro - I'll Make You See God by The Afghan Whigs (How Do You Burn?) 11:43 - Nervous by Noise Unit (Cheeba City Blues) 26:23 - Times Like These by Soulside (A Brief Moment In The Sun) 32:44 - Magical Thinking by Sloan (Steady) 41:40 - Feed The Wound by Pig (The Merciless Light) 53:00 - October's Song by Skid Row (The Gang's All Here) 1:10:39 - Reality Spiral by Greg Puciato (Mirrorcell) Outro - Personality Disorder by Suede (Autofiction)   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

On this weeks radio hour you get a real mix bag of great music ranging from Screaming Females, Chat Pile, Shonen Knife, Blacklisted, Afghan Whigs, Ceremony, the Menzingers, Creeper Lagoon, The National and so much more!  Subscribe to the PATREON and receive a brand new radio hour every Sunday! Thats two additional episodes a month AND you get them a day early! You'll also see a complete list of songs played on this episode. Follow the show on Instagram and Twitter!

Part 1 of my conversation with guest Phil Stacey about the music of 1994. Show notes: - Back after a two-month summer break - In 1994, Jay turned 27, Phil turned 25 - Steely Dan was touring again - Jay: Life improved in '94 on job and home front - Jay: Saw a ton of shows including Pearl Jam, Afghan Whigs, Rollins Band, Cracker, Soundgarden, Buffalo Tom, Blues Explosion, Tragically Hip, Sugar - Debating the merits of the Mighty Mighty Bosstones - Phil's kids love the pop music - Phil went to the infamous Green Day show at the Hatch Shell - Top singles were all pop and hip hop, lots of ballads - Big year for indie rock - Grunge peaked and major labels started signing bands from non-Seattle locations like Chicago, San Diego, etc. - Pearl Jam sued TicketMaster and tried to do a tour of non-TM venues, but it fizzled - Cobain's death was a pivotal moment - Woodstock '94 didn't get as much press as '99 - Other newsy events: Baseball strike, OJ Simpson chase, Eagles started charging $100 for concert tickets - Phil's non-top 5 albums: Alice in Chains, R.E.M., Hole, Beastie Boys, Weezer, Phish, Sonic Youth, Meat Puppets, Sugar, Dinosaur Jr., Luscious Jackson, Beck, Liz Phair, Veruca Salt, Stone Roses, Jesus and Mary Chain, Portishead, Stone Temple Pilots, Dave Matthews Band, Tom Petty, Neil Young & Crazy Horse - What is emo? Also, what is internet? - Weezer started out strong, but now they're a parody of themselves - To be continued Completely Conspicuous is available through Apple Podcasts. Subscribe and write a review! The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

September 2022 New Music is a wrap with today's episode. Jason Goebel, Kurt Gallagher and Scott Isom take us out with music from Ondara, Afghan Whigs, Tyler Childers, Taimane, The War & Treaty and Ashley McBryde.  Subscribe to Rockin' the Suburbs on Apple Podcasts/iTunes or   other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Twitter, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, covered by Frank Muffin. Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com

Die Alt-Rock-Ikonen The Afghan Whigs veröffentlichen eines der besten Alben ihrer Karriere. Diesen Satz im Jahr 2022 schreiben zu können... damit hätten wohl nicht viele gerechnet. Wahr ist er trotzdem. Für diese Platte streckt unser Rock-Experte Dominic Dillier beide Daumen nach oben.

Topics: neighborhood report, stoop hangs, watering the school garden, Dolce Brooklyn, Nicky's Unisex, Roger Waters at Madison Square Garden, trip to New Haven, Old Heidelberg, Ordinary, Modern Apizza, Norwalk Cove Mini Golf, first day of school, Sunny's, Strong Rope Red Hook, Live at Gilley's by Kris Kristofferson, Eight Freedoms by New Freedom Sound, How Do You Burn? by Afghan Whigs, I'm So Free: The 1971 RCA Demos by Lou Reed, Back On The Road To You by Freedy Johnston, The Individualist: Digressions, Dreams, and Dissertations by Todd Rundgren.

There's something poetic about the fact Built To Spill and The Afghan Whigs dropped an album on the same day. The bands may have been diametrically opposed in the '90s, but because they peaked around the same time and have now become a staple for Gen X indie heads, the two groups oftentimes get put in the same category. On this week's Indiecast episode, hosts Steven Hyden and Ian Cohen put both bands' legacy into perspective while discussing Built To Spill's When The Wind Forgets Your Name (18:39) and The Afghan Whigs' How Do You Burn? (36:57)The biggest music news of this week came from Harry Styles and the absolute chaos that is his new film, Don't Worry Darling (:55). The film's premiere saw cringey interview quotes, Florence Pugh being a wild card, and a (debunked) rumor that Styles spit on his co-star Chris Pine. Plus, a fan mailbag question had Steven and Ian finally addressing which one of them is guilty of having a squeaky chair (7:26).In this week's Recommendation Corner (52:39), Ian endorsed Phoenix band Holy Fawn, whose new album Dimensional Bleed is out today. Meanwhile, Steven shouted out Bitchin Bajas' new album Bajascillators, which sounds like Philip Glass meets the Grateful Dead. New episodes of Indiecast drop every Friday. Listen to Episode 105 here or below and subscribe wherever you get your podcasts. You can submit questions for Steve and Ian at indiecastmailbag@gmail.com, and make sure to follow us on Instagram and Twitter for all the latest news. We also recently launched a visualizer for our favorite Indiecast moments. Check those out here.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Today my friend Greg Dulli of The Afghan Whigs returns to the show to talk all about their new masterpiece record "How Do You Burn" which comes out this Friday. This record is absolutely next level and I have not stopped spinning it all week. It was so good to catch up with Greg on all things Whigs. We dive into all kinds of topics including his early days in LA working at Tower Records, Peter Falk aka Columbo teaching him about Jazz, recording in the desert and Touring in Europe during a heat wave. I love this episode. Have a great week and looking forward to seeing you guys out on the road. DDR  

Black Love is the Whigs second masterpiece in a row and they would never be as dark or foreboding again.  Where Gentlemen was intimate and desperate, Black Love is grand and demanding.  It's the soundtrack to a Film Noir / Blaxploitation mashup, a world where secrets and betrayal are set to a Wah Wah pedal and there's no discerning anger, desperation or triumph. It's terrifying and I never want to leave.  Here's hoping Greg gives us the second part of that crime scene at some point.    Recommended Listening: Beautiful Girls Soundtrack  https://www.amazon.com/Beautiful-Original-Motion-Picture-Soundtrack/dp/B002GKMKUA   Greg Dulli “Live At the Triple Door” https://open.spotify.com/album/18qbIFeS9zZck6MjFaEmQY?si=lbroHcetQFueylX49h6-bg   huntsmanhill.com #huntsmanhill Spotify Playlist:  https://open.spotify.com/user/1298220429/playlist/4gy1wWwypkoFS2lUztvZ44?si=waSq07DBQlq3x9G1_nK0pg   Our Music manhuntsman:  https://manhuntsman.com Academy O.C:  https://academyoc.bandcamp.com/album/academy-o-c  

Your attention please...   Recommended Listening: The Backbeat Band at the 1994 MTV Movie Awards https://youtu.be/oFzL0X9pLNA   huntsmanhill.com #huntsmanhill Spotify Playlist:  https://open.spotify.com/user/1298220429/playlist/4gy1wWwypkoFS2lUztvZ44?si=waSq07DBQlq3x9G1_nK0pg   Our Music manhuntsman:  https://manhuntsman.com Academy O.C:  https://academyoc.bandcamp.com/album/academy-o-c  

This is when The Afghan Whigs really became The Afghan Whigs.  Episode two of the solo pod series explores all twelve tracks from the defining opening statement “Her Against Me” to what is perhaps their finest ever moment in “Miles Iz Ded” with plenty of chill inducing moments in between.     huntsmanhill.com #huntsmanhill Spotify Playlist:  https://open.spotify.com/user/1298220429/playlist/4gy1wWwypkoFS2lUztvZ44?si=waSq07DBQlq3x9G1_nK0pg   Our Music manhuntsman:  https://manhuntsman.com Academy O.C:  https://academyoc.bandcamp.com/album/academy-o-c  

The Naughty Professor cofounding trumpet player and point man for the Naughty Horns has also worked with the Temptations, Rickie Lee Jones, the Afghan Whigs, and Galactic. He discusses the band’s formation, his home-schooled childhood, and his many collaborations with hip hop artists including Chali 2na. For being the youngest guest to date, John really has his head together. The Troubled Men want to be him when they grow up. Topics include Will Smith vs. Chris Rock, stage violence, Chris Owens RIP, a covid infection, Holy Week, a carjacking, a failed state, the Next Door app, a Texas childhood, TV rewards, a high school faux pas, the Geek Squad, Loyola music school, practicing, the Arban Trumpet Method, jazz exposure, band competition, Dennis Dotson, skipping church, music as prayer, a music biz program, a band house, early touring, the jam band scene, serious recording, a new approach, band identity, the Musos sync licensing agency, sample packs, and much more. Intro music: Styler/Coman Break music: “Pleiades” from “Everyday Shredder” by Naughty Professor Outro music: “Imagine” from “Magic Box” by John Culbreth Support the podcast: Paypal or Venmo Join the Patreon page here. Shop for Troubled Men’s Wear here. Subscribe, review, and rate (5 stars) on Apple Podcasts or any podcast source. Follow on social media, share with friends, and spread the Troubled Word. Troubled Men Podcast Facebook Troubled Men Podcast Instagram Iguanas Tour Dates René Coman Facebook John Culbreth Facebook John Culbreth Homepage Naughty Horns Homepage Naughty Professor Homepage

Pat welcomes listener Rich Richmond to the Zoom Room to talk about the discography of his favorite band The Afghan Whigs.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On this week's First Ever Radio Hour, Jeremy pays respects to Gared O'Donnell. Hear tracks by Planes Mistaken for Stars, Blunt Razors, Converge, Afghan Whigs, Doomriders, Coliseum, Nothing, Small Brown Bike, Hum, The Casket Lottery, Against Me!, and more!    Discuss this episode with Jeremy and other listeners:   Instagram - https://www.instagram.com/thefirsteverpodcast   Twitter - https://www.twitter.com/thefirsteverpod   Patreon - https://www.patreon.com/thefirsteverpatreon