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Dedicamos parte de la sesión de hoy a escuchar a algunos de los artistas que participarán en el homenaje a Mark Lanegan, celebrando el que habría sido el 60º cumpleaños del músico; un evento que tendrá lugar en Londres el 5 de diciembre con la colaboración de músicos como Josh Homme, Alison Mosshart, Dave Gahan, Greg Dulli o Bobby Gillespie, entre otros. Además, te presentamos el segundo avance del próximo álbum de Linkin Park, y lo nuevo de Amyl and The Sniffers.Playlist:SCREAMING TREES - Nearly Lost YouMARK LANEGAN - Hit the City (feat. PJ Harvey)MARK LANEGAN - Union Tombstone (feat. Beck)QUEENS OF THE STONE AGE - Song For The DeadTHE KILLS - Future Starts SlowTHE KILLS - Happier Than EverTHE DEAD WEATHER - Hang You from the Heavens (Josh Homme & Mark Lanegan Remix)THE DEAD WEATHER - Hang You from the HeavensDAVE GAHAN & SOULSAVERS - Don't CryDEPECHE MODE - John the RevelatorPRIMAL SCREAM - Ready To Go HomeAMYL AND THE SNIFFERS - Big DreamsLAMBRINI GIRLS - Company CultureANOTHER SKY - PsychopathLINKIN PARK - Heavy Is the CrownIMAGINE DRAGONS - Enemy (feat. JID)IMAGINE DRAGONS - Eyes ClosedCAPSULA - Automatical SoulHIGHLY SUSPECT - The Blue-Eyed DevilLARKIN POE - If God Is A WomanTYLER BRYANT & THE SHAKEDOWN - Shake You DownTOM MORELLO - Soldier In The Army of Love (feat. Roman Morello)FEVER 333 - NosebleedsRUTO NEÓN - Sana SanaOCTOBER DRIFT - Blame The YoungJAPANDROIDS - All Bets Are OffEscuchar audio
Part 2 of my conversation with guest Phil Stacey about our favorite cover songs. Show notes: Jay's #7: Ty Segall with a ripper of a Neil Young cover Phil's #6: The live version of a Linda Ronstadt classic Jay's #6: An indie rock all-star band playing covers the Beatles played in their early days Greg Dulli, Thurston Moore, Dave Grohl, Dave Pirner, Mike Mills and Don Fleming Phil's #5: Phish covering the Stones Phish does tons of covers Jay's #5: An unexpected '60s cover from Husker Du Phil's #4: Coltrane with a wild twist on a Rodgers and Hammerstein classic Jay's #4: Stripped down version of an English Beat hit by Pete Townshend Phil's #3: Rage Against the Machine's explosive take on a Springsteen folk song Jay: Forgot about Rollins and Bad Brains covering "Kick Out the Jams" Jay's #3: Dirtbombs with a smokin' garage punk remake of Stevie Wonder Jay's #2: Nirvana's Unplugged show featured several great covers Phil's #1: Epic length cover "Morning Dew" by the Dead Watching old videos from the '60s and '70s to guess how old the crowd members are now Jay's #1 and Phil's #2: Mind-blowing Who cover of little-know Mose Allison song Jay: Live at Leeds is the greatest live album All four members of the Who at the peak of their powers Completely Conspicuous is available through Apple Podcasts. Subscribe and write a review! The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.
Se cumplen dos años desde que Mark Lanegan y el hueco que su presencia y magnetismo, por no hablar de toda su carrera musical, dejaron un vacío insondable para quienes conformamos su parroquia de fans con su triste desaparición. Con la perspectiva del tiempo, y el dolor de la pérdida suficientemente reposado en duelo, es tiempo de que esta azotea sonora rinda homenaje a uno de sus héroes indiscutibles. La manera que Him empleará para hacerlo será a través de la remembranza de diez momentos importantes en la trayectoria del genio nacido en Ellensburg. Desde sus inicios con su banda madre Screaming Trees, pasando por su amistad con Kurt Cobain, Layne Staley o Greg Dulli, llegando a sus escarceos excesivos en el seno de Queens of the Stone Age hasta llegar a sus más recientes flirteos electrónicos, el viaje promete emociones de altos vuelos conducidas por una garganta de lija que, sin embargo, fue capaz de acariciar los corazones más sensibles.
Barrett Martin is a Grammy Award winning American record producer, percussionist, writer, and ethnomusicologist from Washington. He was a member of Screaming Trees between 1992 and their break-up in 2000, and a member of the grunge 'supergroup' Mad Season. He has played music with Stone Temple Pilots, R.E.M., Greg Dulli and more. In 2000, he was ordained as a Zen monk.His book concerning his Screaming Trees days, The Greatest Band That Ever Wasn't: The Story Of The Roughest, Toughest, Most Hell-Raising Band To Ever Come out Of The Pacific Northwest, The Screaming Trees, is available to buy now. PLEASE VOTE FOR THE JAMES MCMAHON MUSIC PODCAST IN THE OH MY POD CATEGORY (BEST INDEPENDENT PODCAST) OF THE 2023 POD BIBLE LISTENER POLL. YOU CAN DO THAT HERE. Show theme by Bis.Want more? Join The James McMahon Music Podcast Patreon. Twitter - @jamesjammcmahon Substack - https://spoook.substack.com YouTube - www.youtube.com/channel/UC8Vf_1E1Sza2GUyFNn2zFMA Reddit - https://www.reddit.com/r/jamesmcmahonmusicpod/
Part 2 of my conversation with guest Phil Stacey about the music of 2003. Show notes: Phil's #5: Raucous debut from NYC's Yeah Yeah Yeahs, featuring the electric Karen O Jay's #5: Radiohead combined electronic and guitar-driven sounds Radiohead albums kept leaking early on file-sharing networks Phil's #4: The Shins hone their super catchy pop sound Jay's #4: An indie rock gem from the Wrens that still awaits a follow-up 20 years of starts, stops, indecision and disagreements Phil's #3: My Morning Jacket combined indie rock, Southern rock, folk and jam band sounds MP3 blog bands abound Jay's #3: Another kickass release from Ted Leo and the Pharmacists Leo is one of the great unsung artists of our generation Is Springsteen overrated? Phil's #2: Drive-By Truckers add Jason Isbell and step up their game Jay's #2: A departure for Sloan, but one jam-packed with great songs The only Sloan album without an Andrew Scott song Phil's #1: The White Stripes expand their sound and totally blow up The Stripes made a lot of noise with minimal instrumentation Jay's #1: Greg Dulli's Twilight Singers unleash a classic album as a tribute to late friend Favorite songs: "The Hardest Button to Button" (Phil), "Teenage Wristband" (Jay) Completely Conspicuous is available through Apple Podcasts. Subscribe and write a review! The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.
Brad from the Pop Culture Yearbook Podcast is our guest to talk about the 1996 Ted Demme film, Beautiful Girls, which features the acting talents of Timothy Hutton, Noah Emmerich, Michael Rapaport, Mira Sorvino, Martha Plimpton, Laruen Holly, Rosie O'Donnell, Uma Thurman, Matt Dillon, and Natalie Portman. The soundtrack is equally stacked featuring songs from Pete Droge, The Afghan Whigs, Howlin' Maggie, Chris Issak, Ween, and Neil Diamond's "Sweet Caroline".We discussWhy Brad feels like this is a Minnesota movie even though it takes place in Massachusetts Afghan Whigs' frontman Greg Dulli's very busy 1994-1996The weird storyline with Natalie Portman and why it's problematicWhy the movie doesn't exactly feel like it's set in the '90sIf you're looking to create a podcast with professional sound, check out Podtastic Audio at:https://www.podtasticaudio.com/easyFor More Information about Pop Culture Yearbook:Website: https://pcy.buzzsprout.com/IG: https://www.instagram.com/popyearbook/Twitter: https://twitter.com/PopYearbookIf you'd like to support Soundtrack Your Life, we have a Patreon, where you'll get bonus episodes and more!https://www.patreon.com/soundtrackyourlife
This week we look to the stars for inspiration for our show theme. Oh yeah! We are talking about bands that have rock stars in them: Supergroups and Offshoots. A band consisting of well-known artists from other bands does not always equal great success. We dive into some of the more obscure supergroups and offshoots that didn't break with huge mainstream success or stay around very long.What is it we do here at InObscuria? Every show Kevin opens the crypt to exhume and dissect from his personal collection; an artist, album, or collection of tunes from the broad spectrum of rock, punk, and metal. This week we talk exclusively about Supergroups featuring famous solo artists and band members along with, Offshoots which are bands who contain the bulk of a previous incarnation of a famous band. Our hope is that we turn you on to something new.Songs this week include:Chequered Past – “A World Gone Wild” from Chequered Past (1984)California Breed – “Midnight Oil” from California Breed (2014)BackBeat Band – “Rock & Roll Music” from BackBeat – Original Motion Picture Soundtrack (1994)Brides Of Destruction – “Brace Yourself” from Brides Of Destruction (2004)Robin Trower - “Life On Earth” from BLT (1981)Down ‘N' Outz – “By Tonight” from My ReGeneration (2010)Metal Allegiance – “Wait Until Tomorrow” from Metal Allegiance (2015)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://twitter.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uIf you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/Check out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/
By the end of the 1990s, The Afghan Whigs were critical faves without the breakthrough single that propelled some of their contemporaries into the platinum or multi-platinum stratosphere. While 1993's Gentlemen and 1996's Black Love explored the dark, 1998's 1965 turned on the light long enough to find the party and get down to the business of feeling good, as lead singer Greg Dulli sings on the opener "Somethin' Hot." Much about the record is a change-up from previous efforts - guitars are dialed down while horns, pianos, and backing vocalists make their presence known on a record that shows off the band integrating the New Orleans vibe of their surroundings during recording. The result acts as a bridge between what the Whigs were and what Dulli and new collaborators would explore in the 2010s as The Twilight Singers. Intro - 66 17:53 - Somethin' Hot 35:27- The Slide Song 39:29 - Omerta 45:46 - Uptown Again Outro - John The Baptist Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.
By the end of the 1990s, The Afghan Whigs were critical faves without the breakthrough single that propelled some of their contemporaries into the platinum or multi-platinum stratosphere. While 1993's Gentlemen and 1996's Black Love explored the dark, 1998's 1965 turned on the light long enough to find the party and get down to the business of feeling good, as lead singer Greg Dulli sings on the opener "Somethin' Hot." Much about the record is a change-up from previous efforts - guitars are dialed down while horns, pianos, and backing vocalists make their presence known on a record that shows off the band integrating the New Orleans vibe of their surroundings during recording. The result acts as a bridge between what the Whigs were and what Dulli and new collaborators would explore in the 2010s as The Twilight Singers. Intro - 66 17:53 - Somethin' Hot 35:27- The Slide Song 39:29 - Omerta 45:46 - Uptown Again Outro - John The Baptist Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.
Episode 58 is a Family Affair without Mr. French, Uncle Bill, and Jody. Instead we have cohosts Mr. Sean Clark and Uncle Dave Griffin, along with their guest, Jamie Stewart. Besides being Uncle Dave's stepson, Jamie was Sean's first childhood friend outside of the family, both recalling childhood escapades of cowboys in state patrol hats and makeshift guns; injuries that should have maimed and scarred but for the grace of God; Christmas of '89 when first guitars were gifted. A pictorial trip down musical memory lane with high school friends at Club CiraSomething in bands Twist of Fate, Slush Puppy, and Fat Baby Angels. More Sean and Jamie reminiscences of Stage-Crushing, Crowd-Surfing, Pit-Moshing Concert Tales of Horror and Fun. Uncle Dave's Tail of the Weak speaks to his fascination with art and how it was and still is a family obsession. Finally, a musical send-off with Jamie and wife Megan's favorite band, the Afghan Whigs and lead singer, Greg Dulli.https://somethinginthewaterpodcast.comhttps://www.patreon.com/somethinginth...https://www.facebook.comcautionlightm...https://www.instagram.com/somethingin...https://www.facebook.com/somethingint...somethinginthewaterpodcast@gmail.comhttps://somethinginthewater.captivate.fm
1.ª parte: 1 - Kathryn Joseph - For You Who Are The Wronged - What is Keeping You Alive Makes Me Want To Kill Them For 2 - Romance - Once Upon a Time - I've Been Blown By The Wind 3 - Ian William Craig - Music For Magnesium_173 - Sentimental Drift 4 - Jenny Hval - Buffy - Buffy 5 - Rosa Anschütz - Goldener Strom - Sold Out 6 - Ryuichi Sakamoto - A Tribute to Ryuichi Sakamoto - To the Moon and Back - Grains (Sweet Paulownia Wood) - David Sylvian Remodel 7 - Leya - Eyeline - Glass Jaw (Feat. Julie Byrne) 8 - Mami Sakurai & Midori Hirano - Myth - Myth 9 - Hildur Guðnadóttir - Women Talking Soundtrack - Not All Men 10 - Keeley Forsyth - Limbs - Bring Me Water 11 - Liela Moss - Internal Working Model - Ache In The Middle (Feat. Jehnny Beth) 12 - Trentemøller - Memoria - Linger 13 - SRSQ - Ever Crashing - Abyss 2.ª parte: 14 - Emile Mosseri, Angel Olsen - Kajillionaire (Original Motion Picture Soundtrack) - Mr. Lonely 15 - Emile Mosseri - Kajillionaire (Original Motion Picture Soundtrack) - Infinite Love 16 - The Smile - A Light for Attracting Attention - Open The Floodgates 17 - Rosie Alena - Pixelated Images - Adore Me 18 - Lambchop - The Bible - Daisy 19 - Nick Cave & Warren Ellis - Blonde (Soundtrack From The Netflix Film) - Bright Horses (Instrumental) 20 - Michael Price - The Hope of Better Weather - In Spite of the Weather (Bill Ryder-Jones Re-Imagining) 21 - Greg Dulli, Mark Lanegan - Girl from the North Country - Girl from the North Country 22 - Mark Lanegan - Gargoyle - Goodbye to Beauty 23 - Delaney Bailey - (I Would Have Followed You) - J's Lullaby (Darlin' I'd Wait For You) 25 - Tiny Vipers - American Prayer - Tormentor 26 - Laura Veirs - Found Light - My Lantern 27 - Helena Deland - Swimmer - Swimmer 28 - Nina Nastasia - Riderless Horse - Ask Me * imagem de (image by) Sergio Larrain
Andy Shauf, Vulfpeck, Fleet Foxes, Greg Dulli com Mark Lanegan e Tomás Wallenstein são as vozes de mais um arranque de semana. Todos melancólicos, cada um à sua maneira.See omnystudio.com/listener for privacy information.
Este mes la azotea sonora de Talk to Him se viste de gala para recibir un especial que llevábamos muchísimo tiempo queriendo hacer, un episodio dedicado en cuerpo y alma a una de las mejores y más infravaloradas bandas del mundo: The Afghan Whigs. Ningún artista le ha cantado al amor, a la pasión, a la lujuria, a la traición y al abandono como Greg Dulli y los suyos. Him se embarca en un viaje de más tres horas para dibujarnos el perfil minucioso de la banda mientras lo entrelaza con un tratado acerca de la vulnerabilidad y la invencibilidad a las que nos somete el amor y sus accidentes. Una película existencial con forma de canción en la que resulta difícil no sentirse identificado con alguna de las huellas dactilares que nuestra alma muestra -o esconde- tras pasar por la experiencia más trascendental de esta vida, la de amar a cualquier precio.
"Oscuridad, champán, lencería y un happy meal" es el título alternativo que manejaba para el podcast de hoy donde hablamos del concierto que The Afghan Whigs ofrecieron en Madrid el 22 octubre 2022. Iván Muñiz y Jose Ángel Romera nos sumergen en el universo privado que Greg Dulli y sus chicos crearon en el Teatro Barceló. Pasen y escuchen. Espacio patrocinado por: Antuan Clamarán, Mario Sosa, Isranet, Jesus Arribas, Jose Manuel Valera, Micelioelectrico, Octavio Oliva, Paco Gandia, kharhan, Pablo Pena Gómez, jmcc1980, Rico, Braulio, Marian Rodríguez Sánchez, Eduardo Vaquerizo, Jarrillero_Txo, Crisele, David Reig, Wasabi Segovia, Domingo Santabárbara, María Garrido, RafaGP, PabloArabia, Sergio Serrano, Macu Chaleka, Laura, Yu Carlitus, Jorge Altarriba, Vicent Martin, Dani Diez, kevinbazan95, Infestos, Öki Þeodoroson, Ikr Uri Arte, davidgonsan, Juan Carlos Mazas, 61garage, JJM, Rosa Rivas, Bassman Mugre, SrLara, David Meño Manzaneque, Próxima Estación Okinawa, Barullo, Megamazinger, Francisco Javier Indignado Hin, Unai Elordui, carmenlimbostar, Piri, J. Gutiérrez, Miguel Ángel Tinte, Alvaro Perez, Miquel CH, Jon Perez Nubla, screaming, agui102, Raul Sánchez, Nuria Sonabé, davicin blackmetal, Franc Puerto, Spinda Records, Pere Pasqual, Giulia Governi, Juanmi, JulMorGon, Alexander Castañeda Padilla, Juan Carlos Acero Linares, JM MORENTE, Eduardo Mayordomo Muñoz, Alfonso Moya, Pilar Díez, Rubio Carbón, LaRubiaProducciones, cesmunsal, Mr.Kaffe, Marcos, Aytiro Saki, Fernando Masero, jocio, Dani RM, Alejandro Gómez García, baron72, Norberto Blanquer Solar, VICTORGB, Tolo Sent, Israel, Jordi, LIP, Carmen Ventura y varios oyentes anónimos. GRACIAS 🙏
Ben Cardew talks to Greg Dulli of legendary US band The Afghan Whigs ahead of their Barcelona gig, on October 23 at the Apolo. They discuss the band's new album How Do You Burn?, ask whether Greg will ever write an autobiography and ponder the art of crooning, among other things. Plus, there is new music from Alvvays, Dry Cleaning and Freddie Gibbs.
Greg Dulli's 90's stalwarts were one of the greatest alt rock acts of arguably the greatest decade in American alt rock, with a run of albums that rival anyone and in 1965 (a straight 10/10) still being one of my favorite go to albums. Since their 2010's rebirth, they've hardly been slouches, but this third album is their finest document since their heyday. In a terrific year for indie and alt guitar music - one of the best.
Today my friend Greg Dulli of The Afghan Whigs returns to the show to talk all about their new masterpiece record "How Do You Burn" which comes out this Friday. This record is absolutely next level and I have not stopped spinning it all week. It was so good to catch up with Greg on all things Whigs. We dive into all kinds of topics including his early days in LA working at Tower Records, Peter Falk aka Columbo teaching him about Jazz, recording in the desert and Touring in Europe during a heat wave. I love this episode. Have a great week and looking forward to seeing you guys out on the road. DDR
David Eric Grohl was born in Warren, Ohio on January 14, 1969. Mom is teacher Virginia Jean Hanlon and dad was news writer James Harper Grohl. In addition to being an award-winning journalist, Dave's dad had also served as the special assistant to Republican Congressman and US Senator Robert Taft Jr. When Dave was young, the Grohl family moved to Springfield, Virginia. When he was seven, his parents divorced, and he was raised primarily by his mom. At the age of 12, he began learning to play the guitar. He grew tired of lessons and instead taught himself, eventually playing in bands with friends. He said, "I was going in the direction of faster, louder, darker while my sister, Lisa, three years older, was getting seriously into new wave territory. We'd meet in the middle sometimes with Bowie and Siouxsie and the Banshees." At 13, Grohl and his sister spent the summer at their cousin Tracey's house in Illinois. Cousin Tracey introduced them to punk rock by taking the pair to shows by several different punk bands. His first concert was Naked Raygun at The Cubby Bear in Chicago in 1982. Grohl recalled, "From then on we were totally punk. We went home and bought Maximumrocknroll, (a punk subculture music zine that ran from 1982 to 2019) and tried to figure it all out." In Virginia, he attended Thomas Jefferson High School as a freshman and was shockingly elected class vice-president. He taught himself to play pieces of songs by punk bands like Circle Jerks and Bad Brains and, using his clout as vice president, would play them over the school intercom before his morning announcements. His mother decided he should transfer to Bishop Ireton High School in Alexandria because he was smoking too much weed and it was affecting his grades. He stayed there for two years, one of those repeating his first year. After his second year, he transferred yet again to Annandale High School. While in high school, he played in several local bands, including a short stint as guitarist in a band called Freak Baby. It was during this period that he thought it was a good idea to switch to learning drums. When Freak Baby kicked out its bass player and reshuffled its lineup, Davel took on the role of drummer and history was made. Show's over, folks! The band then changed their name to “Mission Impossible.” Dave has said he did not take drumming lessons and instead learned by listening to Rush and punk rock bands. Obviously, insanely talented and possible robot and Rush drummer Neil Peart was an early influence: "When I got 2112 when I was eight years old, it fucking changed the direction of my life. I heard the drums. It made me want to become a drummer." During his beginning years as a drummer, Grohl cited John Bonham as his greatest influence, and eventually had Bonham's three-rings symbol tattooed on his right shoulder. Mission Impossible changed their name once again to “Fast” before breaking up, after which Dave joined the hardcore punk band Dain Bramage in December 1985. Dain Bramage ended in March 1987 when Dave up and quit without warning to join Scream, having produced the I Scream Not Coming Down LP. Many of Dave's early influences were at the 9:30 Club, a music venue in Washington, D.C. He said, "I went to the 9:30 Club hundreds of times. I was always so excited to get there, and I was always bummed when it closed. I spent my teenage years at the club and saw some shows that changed my life." As a teenager in D.C.,Dave briefly thought about joining shock-rocker punk/metal band, GWAR, who were looking for a drummer around this time. At age 17, Dave auditioned with local Washington, D.C. favorites Scream to fill the vacancy left by the departure of drummer Kent Stax. In order to be considered for the position, Dave lied about his age, saying he was 34. I'm kidding but he did say he was older. To Dave's surprise, the band asked him to join and so he pulled a Jay-Z (last week's Icon) and dropped out of high school in his junior year. He has been quoted as saying, "I was 17 and extremely anxious to see the world, so I did it." Over the next four years, Grohl toured extensively with Scream, recording a couple of live albums (their show of May 4, 1990 in Alzey, Germany being released by Tobby Holzinger as Your Choice Live Series Vol.10) and two studio albums, No More Censorship and Fumble, on which Grohl penned and sang vocals on the song "Gods Look Down". During a Toronto stop on their 1987 tour, Grohl played drums for Iggy Pop at a CD release party held at the El Mocambo, which became best known for the 1977 surprise show by The Rolling Stones, which became popular when then Prime Minister Pierre Trudeau's wife, Margaret Trudeau, showed up and partied with the Stones.. In 1990, Scream unexpectedly disbanded mid-tour when bassist Skeeter Thompson left the band. Nirvana (1990–1994) We obviously can't talk about Foo Fighters without discussing Nirvana. They'll definitely have their own episode so we won't get too into them today. While playing in Scream, Grohl became a fan of the Melvins and eventually befriended them. During a 1990 tour stop on the West Coast, Melvins guitarist Buzz Osborne took his friends Kurt Cobain and Krist Novoselic, of future Icons Nirvana, to go see Scream. Grohl called Osborne for advice after Scream disbanded and Osborne informed him that Nirvana was looking for a drummer. He gave Dave the phone numbers of Cobain and Novoselic, who then invited Grohl out to Seattle to audition. Grohl soon joined the band. Novoselic later said, "We knew in two minutes that he was the right drummer." Dave told the U.K. based magazine Q: "I remember being in the same room with them and thinking, 'What? That's Nirvana? Are you kidding?' Because on their record cover they looked like psycho lumberjacks... I was like, 'What, that little dude and that big motherfucker? You're kidding me'." When Dave joined Nirvana, they had already recorded several demos for the follow-up to their debut album Bleach, produced and recorded by Butch Vig. Initially, the plan was to release the album on Sub Pop, but they received a ton of label interest based on their demos. Dave spent the initial months with Nirvana traveling to various labels as the band shopped for a deal, eventually signing with DGC Records. In the spring of 1991, the band entered the infamous Sound City Studios in Los Angeles to record Nevermind as seen in Dave's amazing documentary, Sound City, from 2013. The album Nevermind was released later that year and exceeded all expectations becoming a worldwide commercial success. At the same time, Dave was compiling and recording his own material, which he released on a cassette called Pocketwatch in 1992 on indie label Simple Machines. Rather than using his own name for the project, Dave released the songs under his pseudonym "Late!" In the later years of Nirvana, Dave's songwriting increased. In his first months in Olympia, Washington, Kurt Cobain overheard him working on a song called "Color Pictures of a Marigold", and they wound up working on it together. Dave would later record the song for the Pocketwatch cassette. Dave stated in a 2014 episode of the documentary series, Foo Fighters: Sonic Highways, that Kurt kissed him when he first heard a demo of "Alone + Easy Target" that Dave had recently recorded. According to Dave, "I'd told him I was recording and he said, 'Oh, I wanna hear it, bring it by.' He was sitting in the bath-tub with a walkman on, listening to the song, and when the tape ended, he took the headphones off and kissed me and said, 'Oh, finally, now I don't have to be the only songwriter in the band!' I said, 'No, no, no, I think we're doing just fine with your songs.'" Nirvana would jam Dave's song on soundchecks during their 1991 European tour. Dave reluctantly held back his songs in the beginning. In a 1997 interview he said, "I was in awe of [Kurt Cobain's songs], and [I was] intimidated. I thought it was best that I kept my songs to myself." During the sessions for In Utero, Nirvana's third and final studio album, the band decided to re-record "Color Pictures of a Marigold" and released it as a B-side on the "Heart-Shaped Box" single, with a slight title change; "Marigold". Dave also wrote the main guitar riff for "Scentless Apprentice", another song on In Utero. In a 1993 MTV interview, Kurt had said that, at first, he thought the riff was "kind of boneheaded", but was happy with how the song developed. Part of this development process can be heard in a demo on the Nirvana box set ``With the Lights Out”, released in 2004. Cobain had said that he was excited at the possibility of having Chris Novoselic and Dave contribute more to the band's songwriting. Before embarking on their 1994 European tour, Nirvana scheduled session time at the popular Robert Lang Studios in Seattle to knock out some demos. The recording session was only 3 days long and Cobain wasn't there for most of it, so Chris and Dave worked on demos of their own songs. They completed several of Dave's songs, including future Foo Fighters songs "Exhausted", "Big Me", "February Stars", and "Butterflies". On the third day, Kurt finally arrived, and the band recorded a demo of a song later Titled "You Know You're Right". It was to be Nirvana's last studio recording. After the death of Kurt Cobain in 1994, the band known as Nirvana broke up. Dave received numerous offers to work with various artists and there were rumors saying he might join Pearl Jam. Dave almost accepted a position as the drummer for Tom Petty and the Heartbreakers. He later said: "I was supposed to just join another band and be a drummer the rest of my life. I thought that I would rather do what no one expected me to do." Instead he booked time at Robert Lang Studios in October 1994 and began recording 15 of his own songs. Dave played every instrument and sang every vocal part on the record with the exception of one guitar part on "X-Static", which was played by Greg Dulli of the Afghan Whigs,. He completed an album's worth of material in only five days and handed out cassette copies of the sessions to his friends for feedback. Dave hoped to keep his anonymity and release the recordings in a limited run under the title "Foo Fighters", taken from the World War II term "foo fighter", used to refer to unidentified flying objects. "Around the time that I recorded the first FF tape, I was reading a lot of books on UFO's. Not only is it a fascinating subject, but there's a treasure trove of band names in those UFO books!" he said. "So, since I had recorded the first record by myself, playing all the instruments, but I wanted people to think that it was a group, I figured that FOO FIGHTERS might lead people to believe that it was more than just one guy. Silly, huh?" Continuing, Dave contends that a better band name could have been created. "Had I actually considered this to be a career, I probably would have called it something else, because it's the stupidest fucking band name in the world." The demo tape circulated the music industry, creating serious interest among record labels. This WAS the drummer from arguably the biggest rock band in the world, right? Dave put together a band to support the album. He talked to Nirvana bassist Krist Novoselic about joining, but they both decided against it; Dave said it would have felt "really natural" for them to work together, but would have been "weird" for the others and place more pressure on himself. Having heard about Sunny Day Real Estate breaking up, Dave snagged the group's bass player, Nate Mendel, and their drummer, William Goldsmith. Dave then asked George Ruthenberg to join the band as their second guitarist. George, better known as Pat Smear, played as a touring guitarist for Nirvana after the release of In Utero. Pat was one of the founding members of the iconic punk band, The Germs, and Dave was a huge fan. Dave then licensed the album to Capitol Records, releasing it on his new record label, Roswell Records. Get it? Roswell. UFO's? The very first Foo Fighters show happened on February 19th, 1995. They played above a boat house in Seattle in front of friends and family. They made their official live, public debut on February 23rd, 1995 at a gig at the Jambalaya Club in Arcata California. They just happened to be in the area mixing their album when a local promoter asked the cover band, The Unseen, if Foo Fighters could open for them. They agreed. Dave and his band of Foo Fighters then embarked on their first US tour in April of 1995 in support of The Stooges and Porno For Pyros bass player Mike Watt's solo tour. This tour featured an additional new band called “Hovercraft”, an instrumental outfit featuring Pearl Jam singer, Eddie Vedder. Dave refused to play large venues or even do interviews to promote their debut album. The first single, “This Is A Call”, was released in June of 1995 and the album, “Foo Fighters”, was released in July containing the follow up singles “I'll Stick Around”, “For All the Cows”, and “Big Me”. Foo Fighters toured for almost an entire year and then jumped right back into the studio. This time it was Bear Creek Studio in Woodinville, Washington with English producer Gil Norton who produced the Pixies, Jimmie Eat World, Counting Crows and so many more. Dave, of course, wrote the songs but the band had a hand in arrangements. Nearly finished, he took the rough mixes to LA to finish his vocal and guitar parts. As he was listening to the mixes, something just didn't sound right. It wasn't what he envisioned. The drums weren't perfect, not that they were bad. Dave was a drummer. He knew drums. He had a career based on playing the drums and could arguably be considered one of the greatest rock drummers of all time. So, he set up some drums, mic'd them up and re-recorded the drums for the album. All of them. Dave wanted Goldsmith to remain as their live drummer, but he was rightfully butthurt. Goldsmith quit. He quit what would become one of the biggest rock bands ever. Recently, drummer William Goldsmith has said “It was a pain in the ass. Like, that's the only band that I wish I could just, like, remove that from.” He continued by saying: “It doesn't matter what happened because the Foo Fighters are like Disney. Everyone wants to love Mickey Mouse. Everyone loves Mickey Mouse, so it's a difficult thing, but sometimes Mickey Mouse is a little rough around the edges. It's a no win scenario, so I'd rather remove it. I think the best thing to do is have a one on one conversation with Mickey.” He has gone to say that he has no ill will towards Dave. Shortly after this, Pat Smear decided to leave, as well, claiming he was exhausted and burnt out. Goldsmith and Smear were replaced by the late, great Taylor Hawkins and former Scream guitarist Franz Stahl, respectively, although Stahl was fired before the recording of the group's third album, There Is Nothing Left to Lose in 1999. Drummer Taylor Hawkins had played as Alanis Morissette's drummer from June of 1995 until March of 1997 in support of her “Jagged Little Pill” and “Can't Not” tours. I thought it would be cool to hear Taylor explain how he wound up being Foo Fighters drummer and Dave Grohl's best friend. This is all from interviews Taylor Hawkins and Dave Grohkl did with NME, Entertainment Weekly and Kerrang. “I'd met Dave at this [US radio station] K-Rock Christmas show because Foo Fighters were on their way up and Alanis Morrissette was through the f***ing stratosphere at that point,”. “Me and Dave just looked like long lost brothers in a weird way. “We had a similar vibe and I don't know why. I remember my friend playing with the Foo Fighters before I met Dave and watching them goof around backstage. He said to me, ‘That guy could be like your brother.' “And sure enough, when we met, we just thought, ‘We're brothers from another mother!' It was instantaneous – so much so that Alanis Morrisette just said ‘What are you going to do when Dave asks you to be the drummer in the Foo Fighters?'” “I was driving with my girlfriend at the time, and we were listening to KROQ,” “I heard William had departed and they were looking for a new drummer.” Tylor immediately called Dave. “I said, ‘I heard you guys are looking for a drummer,' and he said, ‘Well, do you know any?' I thought Alanis wanted to go in a more laid-back direction, and it seemed like the right time to jump. Alanis didn't need me! I basically said to Dave, ‘I'll play drums for you,' and we jammed a couple of times. “I remember I was at home watching Showgirls with my girlfriend, and Dave called to ask if I wanted to join.” Initially, Dave never thought Taylor would leave Morissette and Taylor's allegiance was always with Alanis; that's why he asked Taylor if he knew of any good drummers. When Hawkins agreed to join, all Dave cared about was that he was getting a friend, not a great drummer. Dave told Entertainment Weekly, “I sent Taylor a tape of one of the new songs. It was ‘Monkey Wrench.' I went over to his little house in Topanga Canyon, he sat down and played for three seconds, and the first time he hit a snare drum, I knew it.” Dave knew Taylor was the guy. “I swear to God, I was like, ‘That's all I need to f***ing hear. I love you as a person. You've just given me hearing damage for the rest of my life in three seconds. You have to be in the band.” Later, Grohl said Hawkins came into his life like an F5 tornado. “When he joined the band, his drumming was the least important factor – I just thought I want to travel the world with this guy, I want to jump on stage and drink beers with this person. That was my biggest concern,”. Morissette didn't take Hawkins leaving personally. They remained friends over the years. Taylor has said he would have been delivering pizzas if it wasn't for her. She was the first person who gave him a break in the music world. “She gave me a lot of space to do what I wanted. It was probably the biggest album of the year (referencing her debut album “Jagged Little Pill”), and there was a lot of pressure on her. She was having to learn to be this leader on the job, which isn't easy. But it was really one of the most fun times of my life.” The band announced Tylor would be its new drummer on March 18, 1997. His first appearance with the Foo Fighters was in the music video for the 1997 single "Monkey Wrench", although the song was recorded before he joined the band. Foo Fighter's second album, “The Colour and the Shape” was released on May 20th, 1997 through Capitol and Roswell Records with the legendary singles, “Monkey Wrench”, “Everlong” and “My Hero” blasting through the airwaves. The album charted at number ten on the Billboard 200 and was nominated for a Grammy in 1998 for best rock album. It has sold more than 2 million copies. The band then traveled to Dave's home state of Virginia in 1998 to record their third album, “There Is Nothing Left To Lose”. Dave and Pat Smear's replacement, Franz Stahl, just couldn't see eye to eye as songwriters. Dave said "in those few weeks it just seemed like the three of us were moving in one direction and Franz wasn't." Franz was Dave's childhood friend and the decision to fire him from the band was a hard one. Then, shortly after Franz's termination, bassist Nate Mendel called Dave and said he was quitting to rejoin Sunny Day Real Estate, but the next day changed his mind and decided not to leave. Dave, Taylor and Nate spent the next several months recording their third album at Dave's home studio. “There Is Nothing Left To Lose” spawned mega hits like “Learn To Fly”, “Stacked Actors”, “Generator” and “Break Out”. “Learn To Fly” was the band's first single to chart on the US Billboard Hot 100. Right before the album was released, the president of Capitol Records (Foo Fighters record label), Gary Gersh was forced out and with the help of a “key man clause” in their contract, they were allowed to leave Capitol upon Gersh's release. They left Capitol to sign with RCA who then bought the rights to their previous albums from Capitol. Upon completing the recording of their third album, the band started auditioning guitarists. Foo Fighters selected No Use For A Name and, what I didn't know, Me First and The Gimmie Gimmies guitarist, Chris Shiflett. He was only supposed to come into the fold as the band's touring guitarist, but was hired on full time before they recorded “One By One”, their fourth studio album. Right around 2001, Dave and Taylor, being diehard fans of the band Queen, established a relationship with the future Icons and Outlaws episode subjects. Dave and Taylor had the distinct pleasure of inducting them into the Rock and Roll Hall of Fame that same year and joined them to perform the 1976 classic, Tie Your Mother Down, with Taylor playing drums alongside Roger Taylor. Queen's legendary guitarist Brian May even added a guitar track to Foo Fighters' second cover of Pink Floyd's "Have a Cigar", which was on the soundtrack to Mission: Impossible 2. In 2002, guitarist Brian May contributed guitar work to Tired of You and an outtake called Knucklehead. The bands have performed together on several occasions since, including VH1 Rock Honors and Foo Fighters' headlining gig at Hyde Park in London, England. At the end of 2001, the boys got together to record their fourth studio record, “One By One. They spent four months in a LA studio and something was off. The spark just wasn't there and the band were having issues, internally. So, Dave stepped away for a while and worked with Queens of the Stone Age, helping them complete their 2002 record, “Songs for the Deaf”. Touring commenced for Foo Fighters and Queens of the Stone Age, but the internal struggles were still there and just as they were about to call it quits, they hit the stage at Coachella. Dave and Taylor wanted to complete the album and the next day, they rocked the festival and agreed to do so. Almost every part of the album was scrapped and re-recorded at Dave's studio in Virginia, in only ten days. Seven songs from the original recording of One By One eventually leaked, but the full album has never been released. That record has often been referred to as “Million Dollar Demos”. The band finally released its fourth album, One by One, in 2002. This record had hit singles like “All My Life”, “Have It All”, “Low” and “Times Like These”. This was Chris Shiflett's first recorded appearance as part of the band and where Taylor played all of the drums. “One By One” topped the charts globally and sold a million units in the U.S., bringing home a Grammy for Best Rock Album in 2004. Supporting One By One by touring for a year and half, Dave wasn't in a hurry to record another Foo Fighters album. He was more interested in doing an acoustic, solo record but it turned into a full band ordeal. They built a new studio in Northridge, Los Angeles, called Studio 606 West and began recording their 5th album, In Your Honor, a two disc set with full blown rock songs on one and the other with acoustic tracks. It was released in 2005 and had the hits, “DOA”, “Resolve” and one of my all time favorites, “Best of You”. The album also had guest performances by Led Zeppelin's John Paul Jones, Queen of the Stone Age's Josh Homme and Norah Jones. It also featured their new keyboardist, Rami Jaffee of the Wallflowers, who wouldn't become a full-time member until 2017. “In Your Honor” was nominated for five Grammy Awards, hit the number one spot in five countries and number two in the U.S., selling more than a million copies. Foo Fighters released their first live CD, “Skin and Bones” in November of 2006, with 15 songs recorded at a 3 night performance at the Pantages Theater in Los Angeles. The album featured a violinist, Pat Smear joining in and a three song encore with Dave playing “Best of You”, “Everlong”, and “Friend of a Friend”. The record debuted at number 21 on the Billboard 200, sold 49,000 copies in its first week and over 357,000 total. Foo Fighters released its sixth album, Echoes, Silence, Patience & Grace, in 2007 and recruited producer Gil Norton, who worked on the band's “The Colour and the Shape”. This was primarily because Dave felt the songs were different from the band's previous input and "had the potential to be something great". So, he considered that instead of doing something like the last three albums, the band had to go out of "our own comfort zone" and "needed someone to push us out of there". Preparing to record this album was extensive: first Dave started off developing demos with Taylor, but for the first time he tried to input vocals and lyrics early in the writing phase. After finalizing the song's composition with guitarist Chris and bassist Nate, Dave spent two weeks with Gil Norton discussing "arrangements, harmony and melody" and condensing the song ideas. They then spent four weeks rehearsing, and playing "a song a day, from noon to midnight". Taylor stated that "we basically played each of these songs 100 different times, trying every little thing every different way" and that it was the first time since The Colour and the Shape ``that Dave had to deal with someone in the room questioning all his ideas". Dave claimed the choices were for the "most powerful, dramatic songs" and that there was an effort to "make everything sound as natural as possible – just like on the albums we grew up listening to". On this album's sound, Taylor Hawkins said: "We haven't been ready to write a record like this until now. I know that Dave wouldn't have been comfortable putting violins on a song before. But for whatever reasons, it just felt like the right time to explore those things now. The last record, obviously, was half heavy stuff, half acoustic songs. So it really was like two sides of the coin. It sounds obvious, but this time around we weren't afraid of incorporating everything into one song if it felt right." The first single, “The Pretender”, topped Billboard's modern rock chart for 19 weeks. Other singles from this album were “Long Road to Ruin”, “Let It Die” and “Cheer Up Boys”. It was nominated for five Grammys, winning Best Rock Album and Best Hard Rock Performance and won the Brit Award, (Britain's version of the American Recording Academy) for Best International Album. Foo Fighters hit the road again in 2007 on a world tour and at the European MTV Music Awards, Pat Smear was confirmed as a returned member of the band. June 7th, 2008 saw Foo Fighters headline the world renowned Wembley Stadium in London, England. Jimmy Page and John Paul Jones from Led Zeppelin joined them on stage and after rocking out the songs “Rock and Roll” and “Ramble On”, Dave excitedly shouted “Welcome to the greatest fucking day of my whole entire life!” The attendance at this amazing sold out concert was 85,000. In August 2010, the band began recording their seventh studio album with the return of producer Butch Vig. The album was recorded in Dave's garage using only analog equipment. The album won five Grammys and was nominated for six. Planning the seventh album, Dave realized he was bored of the band's typical recording process. Even though the group own 606 Studios, he is still a punk rocker at heart, and found himself yearning for a grittier, wholly analogue approach to recording. One night in his hotel room in Melbourne, while on tour with Them Crooked Vultures (his side project with Josh Homme and John Paul Jones), he hatched a plan to return to recording basics for what was to become Wasting Light. Dave told Sound on Sound.com, "I thought, rather than just record the album in the most expensive studio with the most state‑of‑the‑art equipment, what if Butch and I were to get back together after 20 years and dust off the tape machines and put them in my garage? We've recorded an album somewhere where no‑one has ever recorded before. We've not gone to the studio where Zeppelin made In Through The Out Door, we've gone into my garage. The only person that's recorded in my garage before is me for shitty demos that I've done for the last two records.” The first single from Wasting Light, "Rope", was released to radio in February 2011. On April 16, 2011, Foo Fighters released an album of covers, Medium Rare, as a limited-edition vinyl for Record Store Day. Wasting Light debuted at number one on the Billboard 200 chart, becoming the band's first album to do so. Other singles for the album were "Walk", "Arlandria", "These Days", and "Bridge Burning". Alongside Wasting Light's release, the band released a rockumentary, directed by Academy Award-winner James Moll. The film, titled Back and Forth, chronicles the band's career. Current and past members, and producer Butch Vig, tell the story of the band through interviews. After debuting on March 15, 2011, at the SXSW festival in Austin, Texas, it was released on DVD three months later. The first batch of ‘Wasting Light' CDs include pieces of the album's analog tape master Look inside your CD copy of the band's Wasting Light album. If you were one of the first fans to pick one up, chances are it includes a piece of the original analog tape the album was recorded on. After announcing a break after touring in support of Wasting Light, Dave said in 2013 that they were starting to write new material for their 8th studio album, “Sonic Highways”, bringing back Butch Vig. They announced their return to the stage by posting a video of Erik Estrada, one of the main actors from the 70's motorcycle cop show, CHIPS, riding a motorcycle and delivering each member of the band an invitation to play in Mexico. They announced that their eighth album would be released in November of 2014 and they would commemorate it and their 20th anniversary with an HBO TV series called “Sonic Highways”, directed by Dave, himself. Eight songs were written and recorded in eight studios in eight different American cities with video capturing the history and feel of each town. Each track features contributions from one or more musicians with ties to that city's musical history. The album debuted at number two on the Billboard 200, with sales of 190,000 copies in the United States. It has sold over 617,500 copies in the US and had amazing songs like “Something From Nothing”, “The Feast and the Famine”, and “Congregation” featuring country artist, Zac Brown Foo Fighters were the last musical performance on Late Show with David Letterman on May 20th, 2015, as he retired from his 33 year career as a late night show host. On June 12th, 2015, Dave had the misfortune of falling off the stage in Gothenburg, Sweden and breaking his leg during the second song. The band kept playing while Dave was fixed up by the medical staff and then RETURNED TO THE STAGE to finish the last two hours of their set while sitting in a chair and a medic taking care of his leg. He was flown to London, England after the show and received six metal pins to stabilize the fracture in his leg. There was speculation that Foo Fighters would drop out of their 20th anniversary, fourth of July bash, after canceling their remaining European dates following Dave's accident. Instead, The band performed for 48,000 people with Dave in a custom-built moving throne which he claimed to have designed himself while on painkillers. They renamed the following tour the “Broken Leg Tour”. November 25th, 2015 Foo Fighters released a surprise EP named “Saint Cecilia”, available for digital download, and Dave announced an indefinite hiatus. This EP peaked at number 3 on Billboard's mainstream rock songs chart. Krist Novoselic, who played with Grohl in Nirvana, described Saint Cecilia as Foo Fighters' "statement on how they are the biggest rock band in the world". Novoselic also said that "Saint Cecilia is more straight-ahead rock that is done really well", and went on to say that "I went to the Foo's last gig at the Moda Center in Portland and they rocked a packed house. I love the drummer Matt Sorum (Guns and Roses). However, he is so wrong in his statement about danger and the Foo's somehow lacking it. First off all, I know about danger in rock. I was the bassist in Flipper — and survived! Look at a band like Queen, who totally rocked. They were way more dandy than danger. Queen knows how to rock a stadium. So do the Foo Fighters and you'll hear big rock on Saint Cecilia". Rumors about Foo Fighters breaking up were everywhere so, the band released a mockumentary video in March 2016 portraying Grohl leaving the band to pursue an electronic music career and Nick Lachey (formerly of 98 Degrees) becoming the group's new singer, ending with: "For the millionth time, we're not breaking up. And nobody's going fucking solo!" Dave announced that the band would spend most of 2017 recording their ninth studio album, “Concrete and Gold”. On June 1, 2017, their new single "Run" was released. Run topped the US Billboard Mainstream Rock Songs chart the following month. On June 20, 2017, the band announced that their new album, Concrete and Gold, would be released in September. On August 23, 2017, The Sky Is a Neighborhood was released as the second single and topped the Mainstream Rock chart. The Line was released in promotion of the album and later as the third single in 2018. Concrete and Gold was officially released on September 15, 2017, produced by Greg Kurstin. Concrete and Gold also features Justin Timberlake on vocals for Make It Right, Shawn Stockman of Boyz II Menon backing vocals for the song Concrete and Gold, and Paul McCartney on the drums for Sunday Rain. Concrete and Gold has sold over 262,000 units. In October 2019, the band announced that they were recording their tenth studio album based on Dave's demos. In November 2019, the band began releasing a series of EPs under the umbrella name of the Foo Files, largely consisting of previously released B sides and live performances. By February 2020, Dave announced that the new album was complete but by May, it was delayed indefinitely because of a little unforeseen event called the COVID-19 pandemic, saying, "We've kind of shelved it for now to figure out exactly when it's going to happen." Starting in November 2020, promotion for the album ramped up. Its title, Medicine at Midnight, and release date, February 5, 2021, were announced. The band released three singles ahead of the album: "Shame Shame", "No Son of Mine", and "Waiting on a War". On February 10, 2021, Foo Fighters were announced as one of the 2021 Rock and Roll Hall of Fame nominees in their first year of eligibility as their debut album had been released 25 years prior. On May 12, 2021, Foo Fighters were announced as one of 6 performer inductees. For Record Store Day on July 17, 2021, the Foo Fighters released an album of disco covers, Hail Satin, under the name Dee Gees. The album contains four Bee Gees covers, a cover of Andy Gibb's "Shadow Dancing", plus five live versions of Medicine at Midnight tracks.] On February 25, 2022, the band released a comedy horror film, Studio 666, directed by BJ McDonnell. It stars the band members as themselves, alongside Will Forte, Whitney Cummings, Jeff Garlin, and Jenna Ortega. In the movie, the band attempts to record an album in a haunted mansion; Dave is possessed by a demonic spirit and the other members are killed off one by one. It was filmed in the same mansion in which the band had recorded their most recent album, Medicine at Midnight. Studio 666 is currently available on Amazon Prime Video. Dave has recently released an EP of songs from the film, Dream Widow, on March 25, 2022. On March 25, 2022, Foo Fighters drummer Taylor Hawkins died in his room at the Casa Medina hotel in Bogotá, Colombia. No cause of death was given. Taylor had suffered chest pain, and had ten substances in his system at the time of his death, including opioids, benzodiazepines, tricyclic antidepressants, and THC. Foo Fighters were scheduled to perform that night at the Estéreo Picnic Festival as part of their ongoing South American tour; the festival stage was turned into a candlelight vigil for Taylor. A few days later, the band canceled all remaining tour dates. According to Sony Music Japan, FOO FIGHTERS sold over 32,000,000 albums worldwide, including 9,065,000 in the United States and 5,260,000 in the United Kingdom. The best-selling album by FOO FIGHTERS is GREATEST HITS, which sold over 2,775,000 copies .
Pat welcomes listener Rich Richmond to the Zoom Room to talk about the discography of his favorite band The Afghan Whigs.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Episode 70 and Wendi and Dfernando's guest interview is award winning novelist, comedian, poet, and storyteller Derrick C. Brown.Derrick first discovered poetry as a young man enlisted in the United States Army. He often found himself spending hours in foxholes needing to pass the time. He began rewriting psalms from his military-issue Bible in a more relatable language and, after serving in the 82nd Airborne, continued to explore poetry. He became involved with the Long Beach and Orange County Poetry Slam community, competing at his first National Poetry Slam in 1998, where he placed second in the individual championship. He began touring with his poetry shortly thereafter. Early in his career, Brown often toured solo. However, he has since become known for touring and collaborating with other artists. To date, Brown has written four children's books, a musical, and eight books of poetry, including the 2013 Texas Book of the Year, STRANGE LIGHT.In October 2006, Brown teamed up with poet, TV and film actress, and activist Amber Tamblyn for several poetry performances in California called THE LAZERS OF SEXCELLANCE. Brown also collaborated with painter Blaine Fontana for a live reading and gallery opening of new paintings based on Brown's work. In 2007, Brown toured Europe opening for the band Cold War Kids, chronicled in the documentary film about him, YOU BELONG EVERYWHERE. That same year, Brown performed as a poet on THE TONIGHT SHOW with Jay Leno. In 2011, Brown was commissioned to write a 40-minute-long poem for the prestigious Noord Nederlands Dans Collective. The work, titled INSTRUMENTAL, received rave reviews in the Netherlands and Canada.In 2014, he was commissioned to write poems about soldiers for the Los Angeles Craft and Folk Art Museum. These poems were later performed by Oscar-nominated actor Jake Gyllenhaal. The following year, Brown was again commissioned, this time by the Getty Museum in Los Angeles, to create a new work for the J.M.W. Turner Exhibit.In 2016, Brown toured as the opening act for Greg Dulli of The Afghan Whigs. On his most recent tour in 2017, Brown toured the United States and Europe, opening for rock band Rival Sons. He also often tours and performs with comedians, including David Cross, Kristen Schaal, Jon Glaser, H. Jon Benjamin and Eugene Mirman.In 2017, Brown wrote, directed, and produced his original musical 300 BONES. Later that year, he performed an original piece called “If You Were God...” in Israel, reading alongside the Kibbutz Contemporary Dance Company members, Martin and Shani who choreographed their dance program based on Brown's poetry. Brown is known for being an innovator in curating unique and creative poetry adventures like the DOUBLE DECKER POETRY BUS PARTY and poetry shows at sea for POETRY CRUISE, which he started in Long Beach, CA. He is also the creator of THE LIGHTBULB MOUTH RADIO HOUR, a literary variety show. PARTY WITH HONOR is his latest literary variety show in Los Angeles, CA.Perhaps his biggest accomplishment to date is his creation of Write Bloody Publishing in 2004, which FORBES and FILTER Magazine call “…one of the best independent poetry pressed in the country.” The press is known for utilizing a rock & roll, indie record label model, uncommon for a poetry press.At the center of Write Bloody is the philosophy that to create a lasting career and engage with your audience, you can't simply publish a book and hope for the best. Every author on the press is required to tour and perform their works to build a lasting fan base. This has proved incredibly successful for the press. To date, Write Bloody Publishing has released 134 volumes of poetry, including books by Sarah Kay, Clint Smith, Andrea Gibson, Anis Mojgani, Cristin O'Keefe Aptowicz and Taylor Mali. Also on Episode 70, Wendi and Dfernando discuss his newly trimmed white beard and her manicurist's assessment of her dressed-down, casual appearance. On THE RIPE REPORT, Dfernando shares his love for Magnolia Bakery's Banana Pudding and Apple Crisp Pudding, and Wendi shares 23andMe genetic testing, which helped reunite her and her family with a cousin. Watch Wendi and Dfernando and their TEAM GENERATION RIPE: Greg Covey, Shelley McLendon and Ponciana Badia on Season 7 Episode 2 of CELEBRITY FAMILY FEUD - now on ABC OnDemand and Hulu and on the GENERATION RIPE website. Follow us on our Instagram:Wendi McLendon-CoveyDfernando ZarembaGENERATION RIPE... and our guest Derrick C. Brown, and for just about everything else: Click Here!Remember to subscribe, rate & leave a review for GENERATION RIPEVisit Dfernando Zaremba's website: dfernandozaremba.com
En el programa de hoy nos vestimos con nuestro mejor traje de chaqueta para hablar de 'Gentlemen', disco icónico grabado por The Afghan Whigs en 1993. Greg Dulli creaba así una obra atemporal y alejada del grunge que por aquel entonces se había convertido en la moda a seguir. Espacio patrocinado por: CARMEN VENTURA, NORBERTO BLANQUER, JORDI, ROSA RIVAS, INFESTOS, 61 GARAGE, MR.KAFFE, ISRAEL, TOLO SENT, ANXO, RAUL SANCHEZ, VICTORGB, EDUARDO MAYORDONO, BARON72, EDUARDO VAQUERIZO, LIP, ALEJANDRO GOMEZ, DANI RM, JOCIO, AYTIRO SAKI, MARCOS, PABLO ARABIA, CARLOS CONSEGLIERI, JEKY LOSABE, CESMUNSAL, LARUBIAPRODUCCIONES, RUBIO CARBÓN, PILAR DÍEZ, ALFONSO MOYA, JON LÓPEZ, FERNANDO MASERO, RODRIGO GUADIÁN, DOMINGO SANTABÁRBARA, JOSE MIGUEL, ALEXANDER CASTAÑEDA, ANTO78, JULMORGON, JUANMI, MIGUEL BLANCO, JUAN CARLOS ACERO, GIULIA GOVERNI, PERE PASQUAL, SPINDA RECORDS, FRANC PUERTO, DAVICIN BLACKMETAL, NURIA SONABÉ, JM MORENTE, AGUI102, OCTAVIO OLIVA SÁNCHEZ, SCREAMING, AMANDA PATTERSON, APF, JON PEREZ, MIQUEL CH, ALVARO PEREZ, MIGUEL ANGEL TINTE, CARMENLIMBOSTAR, UNAI ELORDUI, FRANCISCO JAVIER INDIGNADO, MEGAMAZINGER y varios oyentes anónimos. GRACIAS!🙏
Nesse episódio tocamos: Gabriel O Pensador, Mark Lanegan, Grinderman, Greg Dulli, VIsao de Rua, Império Z O, Racionais MC's, DJ Cia, Dance of Days, Houdini, Noção de Nada, Pearl Jam e Nirvana. Episódio 164 do Aperta O Play veiculado na WebRadio Mutante Rádio em 30/10/2021! Apresentação: Alexandre Okubo, Danilo Soares, Eduardo Ferreira e Pedro Paulo. Artwork by: Paulo Floriani.
Nesse episódio tocamos: Gabriel O Pensador, Mark Lanegan, Grinderman, Greg Dulli, VIsao de Rua, Império Z O, Racionais MC's, DJ Cia, Dance of Days, Houdini, Noção de Nada, Pearl Jam e Nirvana. Episódio 163 do Aperta O Play veiculado na WebRadio Mutante Rádio em 23/10/2021! Apresentação: Alexandre Okubo, Danilo Soares, Eduardo Ferreira e Pedro Paulo. Artwork by: Paulo Floriani.
Greg Dulli may be mostly known for his work with rock bands The Afghan Whigs & Twilight Singers, but he also co-owns a bunch of bars scattered around LA & New Orleans (The Short Stop, R Bar, & many more). He also happens to be a dear friend, & an inspiration for this podcast. What better person to be the 100th guest? Hang with us for a chill session about his days serving up drinks, playing dive bars, and making everyone feel welcome. (Apologies in advance for my ear shattering laughter.) His playlist? Drink with us! https://open.spotify.com/user/shebmo
The recent Grammy winner and string multi-instrumentalist with the Afghan Whigs, the Polyphonic Spree, and the Twilight Singers is also the owner/engineer at the wonderful Marigny Studios. His early orchestral training and rock’n’roll impulses led to a decade touring with the Spree, including two Bowie tours. His post-Katrina volunteer work resulted in permanent relocation to New Orleans and the eventual establishment of the studio. Rick’s a real talent who believes in trusting the professionals he works with. Let’s hope his trust isn’t misplaced as he puts it all on the line with the Troubled Men. Topics include the Safe House, Hurricane Ida, roof damage, a tree cutter, coastal destruction, name confusion, music training, punk exposure, a first gig, older women, parents’ music, car trouble, UNT, violin to bass, loving school, an audition, a religious experience, future vision, not a cult, choir robes, 32 on a bus, a launch pad, meeting Bowie, studio training, Luthjen’s Dancehall, the Beat Exchange, board-side manner, trust, Greg Dulli, Dave Rosser, the Gutter Twins, guitar lessons, ghost stories, a legacy, a guitar collection, New Orleans musicianship, and much more. Support the podcast here. Join the Patreon page here. Shop for Troubled Men’s Wear here. Subscribe, review, and rate (5 stars) on Apple Podcasts, Spotify, or any podcast source. Follow on social media, share with friends, and spread the Troubled Word. Intro music: Styler/Coman Break music: "Diamonds" from "Together We're Heavy" by the Polyphonic Spree Outro music: "Toy Automatic" from "In Spades" by the Afghan Whigs Troubled Men Podcast Facebook Troubled Men Podacst Instagram Rick G.Nelson Homepage Rick G. Nelson Facebook Marigny Studios Homepage
Scot and Jeff discuss The Afghan Whigs/The Twilight Singers with John J. Miller. Introducing the Band: Your hosts Scot Bertram (@ScotBertram) and Jeff Blehar (@EsotericCD) are with guest John J. Miller. John is director of the Dow Journalism Program at Hillsdale College and national correspondent for National Review, plus host of the NR podcasts The Great Books and The Bookmonger. Find him on Twitter at @heymiller. John's Music Pick: The Afghan Whigs/The Twilight Singers Your attention, please. We haven't got all night. And these three gentlemen hosts of Political Beats wish to sell these bands to you. The Afghan Whigs and The Twilight Singers are the vehicles for the music of Greg Dulli, chief songwriter and singer for both groups. The Whigs were in operation from 1986–2001, at which point Dulli launched The Twilight Singers. That band created music for about a decade until a reunion of the Whigs led to new music from Dulli and bassist John Curley. While never tasting mainstream success, the bands developed a devoted following. The dark, angst-ridden narratives of bad relationships and addictions of various kinds lent an uncommon edge to the music. Dulli thought and wrote in cinematic scope; his recorded aren't recorded, they are “shot on location.” Musically, the Whigs found influence from the great '60s soul and R&B acts. The band created a fusion-rock sound that manifested itself in different forms on each album. The Twilight Singers, meanwhile, largely de-emphasized the waves of guitar that marked the Whigs' sound in favor of a keener sense of rhythm and groove (though neither were previously in short supply). And while the hosts are “meh” on one of the two reunion albums, the other gets a very big recommendation. If you missed them the first time, we're here to fill you in. Black out the windows, it's party time with The Afghan Whigs and The Twilight Singers.
Some bonus coverage. Bakko talks with the engineer of Pearl Jam Ten, Dave Hillis. Dave has plenty of amazing anecdotes from the making of one of the biggest records in Grunge and Rock music in general. Dave Hillis started his career as a 17 year old guitarist for the legendary thrash metal band "MACE." In the mid 80's, they released two LP's on Enigma Records in the US and Blackdragon Records in Europe. They were featured on Metalblade Records, "Metal Massacre V"and recognized in the "Thrash-Metal Encyclopedia" and fanzines around the world, as a pioneering force in heavy metal. To this day, there is still a huge following of this pioneering band. Led by Dave's furious guitar work, they charted in the UK and Japan. Mace later toured with Slayer, Anthrax, Raven, Death Angel, and Testament. Dave spent ten years as Chief Engineer, along side legendary producer Rick Parashar, at Seattle's famed London Bridge Studios, during the birth of the Grunge Era. Dave worked as the Engineer on Pearl Jam's debut album "Ten" , Assistant Engineer on the Self Titled "Mother Love Bone" album, the movie soundtrack for "Singles", Alice in Chains, Blind Melon, The Seattle Symphony, Love On Ice, and many others. As the years went by, developed his own producing and engineering skills and continued to work with multiple major label artists. During this time he co-produced, with Greg Dulli, The Afghan Whigs' standout farewell single "66" , on the "1965 " LP and the Twilight Singers "She Loves You" record. Dave also continued to create and record his own music. Dave founded the alternative rock group, "Sybil Vane" , and was the guitarist and song writer. Sybil Vane was signed with both Polydor Records and Island Records. Their song "Sorry" was featured in the movie "Empire Records" , starring actress Liv Tyler. In 2005, Dave founded, produced, mixed and engineered the Shoegaze group "Thee Heavenly Music Association" (Rehash Records US, Fierce Panda Records UK) , to much critical acclaim, where he also served as the group's guitarist and songwriter. During this time, Dave also co-produced the Kevin Martin (Candlebox) solo record "The Possibility Of Being" on Gold Circle Entertainment and worked with comedian, Denis Leary on his live album. Dave continued playing and was hired as a live guitarist for Duff McKagen's (Guns and Roses) band "Loaded". While living in London, Dave worked with multi platinum artist James Blunt, on his writing demos for his hugely successful "Back to Bedlam" album, which included "You're Beautiful" and, "Good Bye My Lover". Dave is also credited with working on Britpop star, Chris Gentry's (Menswear) solo recordings. In 2011, Dave opened Starlodge Studios in the SODO neighborhood of Seattle; a private mix and overdub room featuring vintage and modern recording tools and his beloved AMPEX 1/2" tape Machine for analog magic. Most recently, Dave has crossed over to house and electronic music, with his alter-ego Lo-Rez. Lo-Rez has received critical acclaim and has been featured on major motion film soundtracks. The album "Infinity", has been remastered and re-released in 2019. Dave currently resides in Pittsburgh, Pennsylvania, with his wife and daughter. He is currently working on new music, engineering, producing, participating in public speaking engagements and workshops.
Hoy os traemos un podcast del décimo álbum de estudio de la banda de grunge y rock alternativo Foo Fighters que, a lo largo de los años, y más en especial en esta última década, hemos visto como su estilo ha ido variando, y en este caso le dan una nueva vuelta de tuerca. Pero antes, vamos a conocer a la banda en cuestión. Foo Fighters es una banda estadounidense formada en la ciudad de Seattle en 1994 por Dave Grohl, el cual fue exbaterista tanto del grupo de Hardcore-Punk Scream como de la mítica banda de grunge Nirvana. El nombre es una alusión a los ovnis y los diversos fenómenos aéreos reportados por los pilotos de los aviones aliados en la Segunda Guerra Mundial, que se conocían como Foo Fighters. Poco después de que Dave Grohl abandonara el grupo Scream, fue contratado por Nirvana, que en ese momento era un grupo desconocido, y eso fue uno de los factores por los cuales el ‘Nevermind’ fuese todo un éxito. Por otra parte, Dave escribió algunas canciones que no llegó a publicar porque no las veía acorde a la banda, aunque si que grabó una demo por cuenta propia. Editó unas 100 copias que él mismo repartió únicamente entre sus amistades. Tras la muerte de Kurt Cobain y desaparición de Nirvana, Dave decidió seguir adelante con su carrera musical. Volvió al estudio para grabar más temas en solitario, pero esta vez bajo el seudónimo Foo Fighters. Grabó todos los instrumentos a excepción de la guitarra que tocó su amigo Greg Dulli, el cual era guitarrista de Afghan Whigs. Volvió a editar otra demo, pero en esta ocasión recibió muy buenos comentarios, y eso hizo que se decidiera por formar una banda junto a el bajista Nate Mendel, el baterista William Goldsmith, que justo había abandonado la banda de Emo-Rock Sunny Day Real State y el guitarrista que llevaba Nirvana en las giras, Pat Smear. Más tarde este proyecto sería reeditado bajo el nombre de Foo Fighters, como un álbum de estudio completo. Además, formó el sello discográfico Roswell Records que es subsidaría de Capitol Records. Después del lanzamiento de su noveno álbum la banda y de realizar una extensa gira, la banda anuncio otro descanso en octubre de 2018, aunque Dave ya dijo que estaba empezando a trabajar en un nuevo proyecto. La pausa duró menos de un año ya que, en agosto de 2019, el baterista Hawkins ya dijo que Dave había empezado a preparar material para el siguiente disco, y poco después se embarcaron en su grabación. El proyecto fue grabado en una casa antigua de la década del 1940 en una población cercana a Los Ángeles. Se grabó con mucha fluidez algo que Dave atribuyó a que el material se procesaba rápidamente y que estaban sucediendo hechos paranormales en el entorno de grabación, tales como ruidos extraños y micrófonos que se encendían solos. Él mismo ha comparado el sonido de este nuevo álbum con el sonido del ‘Let’s Dance’ de David Bowie y ha dicho que es un disco divertido y lleno de himnos y canciones para cantar. En febrero de 2020 la banda anunció una gira por USA que se iba a realizar entre abril y mayo pero la pandemia obligó a retrasar la gira para octubre y diciembre, y al mismo tiempo eso provocó que este ‘Medicine At Midnight’, que en principio se iba a lanzar en mayo del 2020, se iba a retrasar indefinidamente. Pero finalmente, Dave decidió que había que lanzarlo igualmente, aunque estuviéramos en pandemia, para así poder levantar el ánimo de los fans. En noviembre del año pasado se retomaron las promociones y el 7 de noviembre de 2020 se lanzó el single ‘Shame Shame’, el 1 de enero de 2021 el single ‘No son of Mine’ y el 14 de enero el single ‘Waiting on a War’. El proyecto finalmente apareció este pasado 5 de febrero, y obtuvo críticas diversas tanto por parte de la prensa como de los fans. Datos del vinilo • Título: Medicine At Midnight • Artista: Foo Fighters • Sello discográfico: RCA/Sony • Label Code/Bar Code: 19439-78839-1 • Año: 2021 • Fabricado en: Europa • Edición limitada con vinilo púrpura arremolinado
Singer/songwriter Chris McFarland (chrismcfarland.com) joins Jason to discuss The Afghan Whigs' 1993 album Gentlemen. The two friends share their memories of finding out about the Whigs and the album and go track by track diving into how the songs struck them back in the 90s and how they sound now. They also talk about creative process, songwriting, the very effective use of ugliness on this album, and singer Greg Dulli's persona and career arc. Subscribe, rate and review wherever you listen to podcasts. Email: beforethestreampodcast@gmail.com Twitter: beforethestream Instagram: beforethestream
The guys welcome back THE Derrek Carriveau of the “I Love That Record” podcast to talk about The Afghan Whigs “Do To The Beast.” Plenty of other discussion including #MWE, Sweet Relief, how Afghan Whigs might be confused with Britpop, the various Greg Dulli incarnations, Po Boys in New Orleans (shoutout to Domalise’s and Parkway Bakery), Greg’s word choices, and Ben’s bad choices that include a shrimp lean cuisine. Check out Derrek’s podcast at: https://www.lovethisrecord.com/ Check out Afghan Whigs at: https://theafghanwhigs.com/ Check out other episodes at RecordsRevisitedPodcast.com, Apple Podcasts, Stitcher, Castbox, iHeartMedia, Google Podcasts and Spotify. Additional content is found at: Facebook.com/recordsrevisitedpodcast or twitter @podcastrecords or IG at instagram.com/recordsrevisitedpodcast/
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It's part 2 of my Zoomtastic conversation with guest Jay Breitling as we discuss our favorite music of 2020. Show notes: - Recorded via Zoom - On to our top 10 - Kumar's #10: Dan Bejar with another great cinematic Destroyer album - Breitling's #9: A hooky rock record from Bully - Kumar's #9: METZ with an accessible yet pummeling record - Breitling's #8: Spectres with a disconcerting release - Kumar's #8: Jeff Rosenstock has become a reliably excellent indie rock stalwart - Breitling's #7: Hop Along's Frances Quinlan goes solo - Reppin' for the new movie Sound of Metal - Kumar's #7: Boston act Eldridge Rodriguez with a sweeping, epic album - Dog walkin' time - Breitling's #6: The Psychedelic Furs with the superb comeback album nobody expected - Kumar's #6 and Breitling's #4: Sadie Dupuis (aka Sad13) branches out with a pop-driven release - Breitling's #5: A true banger from IDLES - Kumar's #5: The Coriky album is as close to a Fugazi reunion as we're gonna get - Kumar's #4: Greg Dulli delivers a compelling solo release - Breitling's #3: Fiona Apple unleashes a bold and uncompromising record - Kumar's #3: A pissed-off Bob Mould with a timely blast of angry anthems - Breitling's #2: Happyness with a quirky collection that echoes an Elliott Smith-Teenage Fanclub mashup - Kumar's #2: Protomartyr predicts everything and continues to get better - Breitling's #1: Phoebe Bridgers hits the big time with a masterpiece - Kumar's #1 and Breitling's #10: Run the Jewels with a vicious, vital hip-hop record that captures the desperate vibe of 2020 Completely Conspicuous is available through the Apple Podcasts directory. Subscribe and write a review! The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.
Met ditmaal: The Rolling Stones, The Vices, Will Butler, Throwing Muses, The Flaming Lips, Will Hoge, Floodlights, Greg Dulli, Madrugada,
Met ditmaal: Floodlights, Mikal Cronin, CeeLo Green, Greg Dulli, Angel Olsen, My Morning Jacket, Bent Cobb, Motorpsycho, Bully, The The,
Originally On Patreon - 12/06/2019 Steve and Remfry take on an excellent suggestion by Max Ellis of one of our favourite vocalists Mark Lanegan. Released in 2004, Lanegan's sixth full-length solo album was his most commercially successful to date, featuring a myriad of guests including PJ Harvey, Izzy Stradlin, Duff McKagan, Joshua Homme, Nick Oliveri, Greg Dulli and Chris Goss amongst a plethora of others. See acast.com/privacy for privacy and opt-out information.
Nesse episódio tocamos: Artic Monkeys, Charlie Brown Jr., Fu Manchu, Dead Kennedys, The Ernies, Primus, Sublime, Goldfinger, The Suicide Machines, Bob Mould, Ramones, Dead Fish, Queens of the Stone Age, Ratos De Porão, Streetlight Manifesto, Nirvana, Paul McCartney, Jeff Lynne, Joe Strummer & The Latino Rockabilly War, Greg Dulli, Angel Olsen, A Sea of Leaves, Lenny Kravitz, U2, Aerosmith, Green Day, Dido e The Rolling Stones. Episódio 100 do Aperta O Play veiculado na WebRadio Mutante Rádio em 08/08/2020! Apresentação: Alexandre Okubo, Danilo Soares e Eduardo Ferreira. Artwork by: Alexandre Okubo.
Greg Dulli has compiled a successful career on over a dozen albums spanning the past three decades. From his anachronistic band of the grunge era, The Afghan Whigs, to his Twilight Singers project and back again, he has dazzled us with his debonair stylings. On August 1, he played two (mostly) solo concerts that were livestreamed. Steve, who is on record as 'a better Afghan Whigs fan than most people,' and Keith, who just learned about the glorious Twilight Singers, use the streams as a backdrop for their detailed discussion about an artist who really should be selling out Madison Square Garden.The Afghan Whigs were active during the 90s, reformed in 2014 for two more albums, and another is expected...eventually. Meanwhile, The Twilight Singers released four proper albums, a covers album, and other assorted ephemera between 2000 and 2011. Greg Dulli also formed The Gutter Twins with Mark Lanegan for one album and one EP. He has also guested on a number of other projects.If you want to check out a sampling of the music, and you should, Greg Dulli himself was nice enough to curate a playlist of his career highlights entitled, "Now You Know" on just about every streaming service. Or you can take Steve's word for it and delve into the albums Gentlemen, 1965, or Blackberry Belle.Support the show (https://teespring.com/stores/the-new-dad-rock)
En esta edición escuchas a Jeff Rosenstock, Ty Segall, Carlos Cabezas, Adelaida, X, L7, Courtney Barnett, Greg Dulli, Loathe, Fontaines D.C., Whiskey Myers y Danko Jones.
En esta edición escuchas a Jeff Rosenstock, Ty Segall, Carlos Cabezas, Adelaida, X, L7, Courtney Barnett, Greg Dulli, Loathe, Fontaines D.C., Whiskey Myers y Danko Jones.
Steven Routledge sits in for Jim & Patrick today and talks about a great interpreter of song, Greg Dulli of Afghan Whigs and Twilight Singers. Read Steven Routledge's blog at powderfingerspeaks.com Follow Steven on Twitter @powderfinger71 Become a Rockin' the Suburbs patron - support the show and get bonus content - at Patreon.com/suburbspod (http://patreon.com/suburbspod) Subscribe to Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Play, SoundCloud, Stitcher and TuneIn. Or listen at SuburbsPod.com (http://suburbspod.com/) . Please rate/review the show on Apple Podcasts/iTunes and share it with your friends. Visit our website at SuburbsPod.com (http://suburbspod.com/) Email Jim & Patrick at rock@suburbspod.com Follow us on the Twitter, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music by Quartjar. Visit quartjar42.com (http://quartjar42.com/) (c) 2020, Artie S. Industries LLC
Listeners give us lots of new music recommendations. Captain Doug Ferrel goes with Rookie, Black Lips and Beach Slang. Kevin Bartlett likes EOB. Mackensi Crenshaw touts the Monophonics. Tim Hoffman shares some love for Stephen Malkmus. And Jesse from San Antonio tells us about Greg Dulli and Kiwi Jr. Episode editor: Mary Edelberg Become a Rockin' the Suburbs patron - support the show and get bonus content - at Patreon.com/suburbspod (http://patreon.com/suburbspod) Subscribe to Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Play, SoundCloud, Stitcher and TuneIn. Or listen at SuburbsPod.com (http://suburbspod.com/) . Please rate/review the show on Apple Podcasts/iTunes and share it with your friends. Visit our website at SuburbsPod.com (http://suburbspod.com/) Email Jim & Patrick at rock@suburbspod.com Follow us on the Twitter, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music by Quartjar. Visit quartjar42.com (http://quartjar42.com/) (c) 2020, Artie S. Industries LLC
Jeff & Jobee kibitz about the coronavirus, the apocalypse, and a whole bunch of disease-ridden music. Plus: Allister tries to tear down the room, Jeff insults a listener, and music from Sorrows Path, Greg Dulli, and Human Impact.
In this episode, you will hear the latest from New Zealand’s Tami Neilson, Canada’s Corb Lund, we will get to some wonderfully twisted roots music from artists like Danny Barnes and Sierra Hull, and turn it up a notch with new rock from Best Coast, Maya De Vitry and Greg Dulli. We also welcome Joni Deutsch to our segment “DJ For A Day”, as we have a conversation about how Joni and her colleagues at WFAE in Charlotte are still making radio happen amidst all the upheaval from the coronavirus. All that and more, plus a Segue Of The Show from De La Soul’s watershed debut.
Here’s Strange Brew #203 - Ad Nauseam - with gugai on 8radio.com - Amigo The Devil tells me about a song he loves, plus music from God Knows, Thumper, Dream Wife, Jape, U.S. Girls, Thumper, Deap Lips, Pottery, Greg Dulli, Porridge Radio and Kyoto Love Hotel #strangebrew #8radio #gugai #try8radio Every Friday at 9pm & Saturday at 7pm on 8radio.com. Spotify - open.spotify.com/user/gugai www.strangebrew.ie www.facebook.com/strangebrewgalway www.twitter.com/@strangebrewirl gugai@strangebrew.ie
To artists that have performed with him, including Dave Grohl and Usher, Greg Dulli is one of the most iconic frontmen in alternative music. The lead singer of early Sub Pop band Afghan Whigs, as well as the Twilight Singers, Dulli is branching out for his first official solo album, "Random Desire." On this episode of "My Turning Point," Dulli sits down with host Steve Baltin to explain why now was the time for his first aolo album, the concert that, as a child, inspired his dreams of rock stardom, and to assure fans the Whigs are still going strong.For more original LiveXLive podcasts and the best in streaming music and video, head to https://www.livexlive.comTwitter: https://twitter.com/livexliveInstagram: https://www.instagram.com/livexlive/
To artists that have performed with him, including Dave Grohl and Usher, Greg Dulli is one of the most iconic frontmen in alternative music. The lead singer of early Sub Pop band Afghan Whigs, as well as the Twilight Singers, Dulli is branching out for his first official solo album, "Random Desire." On this episode of "My Turning Point," Dulli sits down with host Steve Baltin to explain why now was the time for his first aolo album, the concert that, as a child, inspired his dreams of rock stardom, and to assure fans the Whigs are still going strong.For more original LiveXLive podcasts and the best in streaming music and video, head to https://www.livexlive.comTwitter: https://twitter.com/livexliveInstagram: https://www.instagram.com/livexlive/
Eure beiden Lieblingsdullis sitzen erstmals zusammen in einem Raum und kommen gleich mal so richtig vom hundertsten ins tausendste. Überdies sprechen wir auch diese Woche wieder über neue Alben von: Wilsen, Six Organs of Admittance, Moses Boyd, Sightless Pit, Lanterns on the Lake, King Krule, Best Coast, Agnes Obel und natürlich: Greg Dulli.
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Would you wear The Afghan Whigs or choose Something For Kate? Feat The Derrek Carriveau of I F*king Love This Record (USA/Poland).Song 1 - ‘John The Baptist' by The Afghan Whigs - Listen on Apple Music - Listen on Spotify.Song 2 - ‘Feeding The Birds And Hoping For Something In Return' by Something For Kate - Listen on Apple Music - Listen on Spotify.Visit takemytone.com/51 for all links and credits.
Tyne Darling is a Milwaukee, WI-based musician. Sometimes, though, he lives in Brooklyn. He has some black-ink tattoos on both of his arms. His music works to conjure elements of both Raymond Carver and Greg Dulli. He's toured throughout the U.S., Europe, and Canada, played festivals such as SXSW, Wakarusa, and CMJ, and supported the likes of Richard Buckner, Charlie Mars, Dale Watson, and The Bottlerockets. In 2016, Tyne Darling will release a new LP entitled, These Ghosts. Occasionally, Tyne Darling publishes stories under the name Tom Vollman.