Podcasts about marso

With only 3% of women represented in Australia's trade occupations as of March 2024, Iselle Chua, a 25-year-old Filipina from Darwin, is challenging the status quo. From hospitality to heavy industry, she stepped into a field dominated by men, proving that strength, skill, and resilience are not defined by gender. - Sa kabila ng katotohanang 3% lamang ng mga kababaihan ang kinakatawan sa mga trabahong teknikal at trade sa Australia noong Marso 2024, isang 25-anyos na Filipina mula Darwin, si Iselle Chua, ang humahamon sa nakasanayang kalakaran.

Political theorist Lori Marso has been intrigued by filmmaker Chantal Ackerman for many years and has integrated Ackerman's work into her courses at Union College and into her writings and scholarship as well. So it is no surprise that Feminism and the Cinema of Experience (Duke UP, 2024) is both an academic and a personal journey into Ackerman's work but also the ways in which Ackerman's work and similar kinds of artistry have made their way into our imaginations and our cinematic spaces. In Feminism and the Cinema of Experience Marso uses both Ackerman's cinematic work and the written work of Simone de Beauvoir to frame a variety of approaches to thinking about feminism and contemporary film. As Marso explains, Ackerman's work attends to and notices women's experiences, often with the kinds of cinematography that are used to explore these experiences in ways that make audiences a bit uncomfortable. Part of the thrust of Marso's analysis is interrogating what it means to “feel like a feminist.” This is an important component to the discussion in Feminism and the Cinema of Experience since this feeling may be a space where we are puzzled by what we actually do feel and we need to accept that we are alright sitting with that discomfort and with that inconclusive affect. Feminism and the Cinema of Experience explores the ways that cinema and film shift our senses, through what we see, hear, and the focus of our thinking. Film is also a profoundly emotional experience, especially if we are in a theater with others or viewing it in a community. The discussions that we have with others about what we have seen and experienced are political—this is a form of political engagement and a kind of democratic engagement. Marso provides the reader with different genres and categories that help us think about films within the broader framework at hand. And within these sections, many more contemporary films are put into conversation with Ackerman's work. Finally, Marso wrote an epilogue of a kind that brings Greta Gerwig's Barbie movie into the discussion as well. This is an important and thoughtful examination of contemporary cinema—but it is also a valuable analysis of feminism and feminist thought as we see it all around us, but particularly in narrative form on the silver screen. Feminism and the Cinema of Experience is fascinating, engaging, and opens doors to new and different ways of thinking and seeing and experiencing. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices

Political theorist Lori Marso has been intrigued by filmmaker Chantal Ackerman for many years and has integrated Ackerman's work into her courses at Union College and into her writings and scholarship as well. So it is no surprise that Feminism and the Cinema of Experience (Duke UP, 2024) is both an academic and a personal journey into Ackerman's work but also the ways in which Ackerman's work and similar kinds of artistry have made their way into our imaginations and our cinematic spaces. In Feminism and the Cinema of Experience Marso uses both Ackerman's cinematic work and the written work of Simone de Beauvoir to frame a variety of approaches to thinking about feminism and contemporary film. As Marso explains, Ackerman's work attends to and notices women's experiences, often with the kinds of cinematography that are used to explore these experiences in ways that make audiences a bit uncomfortable. Part of the thrust of Marso's analysis is interrogating what it means to “feel like a feminist.” This is an important component to the discussion in Feminism and the Cinema of Experience since this feeling may be a space where we are puzzled by what we actually do feel and we need to accept that we are alright sitting with that discomfort and with that inconclusive affect. Feminism and the Cinema of Experience explores the ways that cinema and film shift our senses, through what we see, hear, and the focus of our thinking. Film is also a profoundly emotional experience, especially if we are in a theater with others or viewing it in a community. The discussions that we have with others about what we have seen and experienced are political—this is a form of political engagement and a kind of democratic engagement. Marso provides the reader with different genres and categories that help us think about films within the broader framework at hand. And within these sections, many more contemporary films are put into conversation with Ackerman's work. Finally, Marso wrote an epilogue of a kind that brings Greta Gerwig's Barbie movie into the discussion as well. This is an important and thoughtful examination of contemporary cinema—but it is also a valuable analysis of feminism and feminist thought as we see it all around us, but particularly in narrative form on the silver screen. Feminism and the Cinema of Experience is fascinating, engaging, and opens doors to new and different ways of thinking and seeing and experiencing. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Political theorist Lori Marso has been intrigued by filmmaker Chantal Ackerman for many years and has integrated Ackerman's work into her courses at Union College and into her writings and scholarship as well. So it is no surprise that Feminism and the Cinema of Experience (Duke UP, 2024) is both an academic and a personal journey into Ackerman's work but also the ways in which Ackerman's work and similar kinds of artistry have made their way into our imaginations and our cinematic spaces. In Feminism and the Cinema of Experience Marso uses both Ackerman's cinematic work and the written work of Simone de Beauvoir to frame a variety of approaches to thinking about feminism and contemporary film. As Marso explains, Ackerman's work attends to and notices women's experiences, often with the kinds of cinematography that are used to explore these experiences in ways that make audiences a bit uncomfortable. Part of the thrust of Marso's analysis is interrogating what it means to “feel like a feminist.” This is an important component to the discussion in Feminism and the Cinema of Experience since this feeling may be a space where we are puzzled by what we actually do feel and we need to accept that we are alright sitting with that discomfort and with that inconclusive affect. Feminism and the Cinema of Experience explores the ways that cinema and film shift our senses, through what we see, hear, and the focus of our thinking. Film is also a profoundly emotional experience, especially if we are in a theater with others or viewing it in a community. The discussions that we have with others about what we have seen and experienced are political—this is a form of political engagement and a kind of democratic engagement. Marso provides the reader with different genres and categories that help us think about films within the broader framework at hand. And within these sections, many more contemporary films are put into conversation with Ackerman's work. Finally, Marso wrote an epilogue of a kind that brings Greta Gerwig's Barbie movie into the discussion as well. This is an important and thoughtful examination of contemporary cinema—but it is also a valuable analysis of feminism and feminist thought as we see it all around us, but particularly in narrative form on the silver screen. Feminism and the Cinema of Experience is fascinating, engaging, and opens doors to new and different ways of thinking and seeing and experiencing. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Political theorist Lori Marso has been intrigued by filmmaker Chantal Ackerman for many years and has integrated Ackerman's work into her courses at Union College and into her writings and scholarship as well. So it is no surprise that Feminism and the Cinema of Experience (Duke UP, 2024) is both an academic and a personal journey into Ackerman's work but also the ways in which Ackerman's work and similar kinds of artistry have made their way into our imaginations and our cinematic spaces. In Feminism and the Cinema of Experience Marso uses both Ackerman's cinematic work and the written work of Simone de Beauvoir to frame a variety of approaches to thinking about feminism and contemporary film. As Marso explains, Ackerman's work attends to and notices women's experiences, often with the kinds of cinematography that are used to explore these experiences in ways that make audiences a bit uncomfortable. Part of the thrust of Marso's analysis is interrogating what it means to “feel like a feminist.” This is an important component to the discussion in Feminism and the Cinema of Experience since this feeling may be a space where we are puzzled by what we actually do feel and we need to accept that we are alright sitting with that discomfort and with that inconclusive affect. Feminism and the Cinema of Experience explores the ways that cinema and film shift our senses, through what we see, hear, and the focus of our thinking. Film is also a profoundly emotional experience, especially if we are in a theater with others or viewing it in a community. The discussions that we have with others about what we have seen and experienced are political—this is a form of political engagement and a kind of democratic engagement. Marso provides the reader with different genres and categories that help us think about films within the broader framework at hand. And within these sections, many more contemporary films are put into conversation with Ackerman's work. Finally, Marso wrote an epilogue of a kind that brings Greta Gerwig's Barbie movie into the discussion as well. This is an important and thoughtful examination of contemporary cinema—but it is also a valuable analysis of feminism and feminist thought as we see it all around us, but particularly in narrative form on the silver screen. Feminism and the Cinema of Experience is fascinating, engaging, and opens doors to new and different ways of thinking and seeing and experiencing. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Political theorist Lori Marso has been intrigued by filmmaker Chantal Ackerman for many years and has integrated Ackerman's work into her courses at Union College and into her writings and scholarship as well. So it is no surprise that Feminism and the Cinema of Experience (Duke UP, 2024) is both an academic and a personal journey into Ackerman's work but also the ways in which Ackerman's work and similar kinds of artistry have made their way into our imaginations and our cinematic spaces. In Feminism and the Cinema of Experience Marso uses both Ackerman's cinematic work and the written work of Simone de Beauvoir to frame a variety of approaches to thinking about feminism and contemporary film. As Marso explains, Ackerman's work attends to and notices women's experiences, often with the kinds of cinematography that are used to explore these experiences in ways that make audiences a bit uncomfortable. Part of the thrust of Marso's analysis is interrogating what it means to “feel like a feminist.” This is an important component to the discussion in Feminism and the Cinema of Experience since this feeling may be a space where we are puzzled by what we actually do feel and we need to accept that we are alright sitting with that discomfort and with that inconclusive affect. Feminism and the Cinema of Experience explores the ways that cinema and film shift our senses, through what we see, hear, and the focus of our thinking. Film is also a profoundly emotional experience, especially if we are in a theater with others or viewing it in a community. The discussions that we have with others about what we have seen and experienced are political—this is a form of political engagement and a kind of democratic engagement. Marso provides the reader with different genres and categories that help us think about films within the broader framework at hand. And within these sections, many more contemporary films are put into conversation with Ackerman's work. Finally, Marso wrote an epilogue of a kind that brings Greta Gerwig's Barbie movie into the discussion as well. This is an important and thoughtful examination of contemporary cinema—but it is also a valuable analysis of feminism and feminist thought as we see it all around us, but particularly in narrative form on the silver screen. Feminism and the Cinema of Experience is fascinating, engaging, and opens doors to new and different ways of thinking and seeing and experiencing. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

Un matin, j'ai contacté Audrey Vauvillier pour lui poser une question sur les innombrables projets que j'ai et que je souhaiterais a mettre en lumière, elle est forte pour cela, pensez y. La discussion a lentement dérivé sur ce podcast et mon envie d'aller voir des personnalités que je ne connaissais pas directement, mais aussi qui ne sont pas forcement de ma generation. C'est la qu'elle m'a dit "tu devrais contacter Marso", il est adorable et super interessant. Je ne savais pas qui etait ce Marso, j'ai donc utilisé la toute puissance d'internet pour être moins ignorant, et, comme souvent, Audrey avait raison. Valentin Marceau n'est pas de ma generation, mais n'est pas un nouveau venu. Il a d'abord roulé sa bosse de chanteur avec BoXoN, son premier groupe, puis sous son nom, avant de passer de l'autre coté du micro avec des artistes comme Slimane, Suzanne, Pierre de Maere, Adele Castillon ou encore Solann et Pierre Garnier dont les disques vient de gagner la victoire de la musique 2025, catégorie revelation  et chanson originale. Je me suis donc dit que ce Valentin avait certainement des choses à me dire, et cela s'est vérifié lors de notre entretien, oscillant entre evocation de plugins et de natation. Bonne écoute.

Here are today's top stories on SBS Filipino. - Alamin ang pinakamainit na balita ngayong Linggo sa SBS Filipino.

Here are today's top stories on SBS Filipino. - Alamin ang pinakamainit na balita ngayong Lunes sa SBS Filipino.

Here are today's top stories on SBS Filipino. - Alamin ang pinakamainit na balita ngayong Sabado ng umaga sa SBS Filipino.

Here are today's top stories on SBS Filipino. - Alamin ang pinakamainit na balita ngayong Biyernes sa SBS Filipino.

On 27 March 2025, the Prime Minister visited the Governor General and asked her to dissolve parliament. - Kahapon, ika-27 ng Marso, binisita ng Punong Ministro ang Governor-General at hiniling na i-dissolve o maipawalang bisa ang Parliyamento.

Mrach 28 marks the start of the campaign for local posts in the coming May 2025 mid-term elections. - Nagsimula ngayon ika-28 ng Marso ang pangangampanya para sa local elections.

Here are today's top stories on SBS Filipino. - Alamin ang pinakamainit na balita ngayong Huwebes ng umaga sa SBS Filipino.

Stay informed, stay connected — SBS Filipino shares the news and stories that matter to Filipinos in Australia. - Hatid ng SBS Filipino ang mga balita, impormasyon at kwento ng mga Pinoy sa Australia.

Stay informed, stay connected — SBS Filipino shares the news and stories that matter to Filipinos in Australia. - Hatid ng SBS Filipino ang mga balita, impormasyon at kwento ng mga Pinoy sa Australia.

Here are today's top stories on SBS Filipino. - Alamin ang pinakamainit na balita ngayong Martes ng umaga sa SBS Filipino.

Alamin ang pinakamainit na balita ngayong Miyerkules ng umaga sa SBS Filipino.

Dakilang Kapistahan ng Pagpapahayag ng Magandang Balita tungkol sa Panginoon Isaias 7, 10-14; 8, 10 Salmo 39, 7-8a. 8b-9. 10. 11 Handa akong naririto upang sundin ang loob mo. Hebreo 10, 4-10 Lucas 1, 26-38

Stay informed, stay connected — SBS Filipino shares the news and stories that matter to Filipinos in Australia. - Hatid ng SBS Filipino ang mga balita, impormasyon at kwento ng mga Pinoy sa Australia.

Here are today's top stories on SBS Filipino. - Alamin ang pinakamainit na balita ngayong Lunes sa SBS Filipino.

Here are today's top stories on SBS Filipino. - Alamin ang pinakamainit na balita ngayong Linggo sa SBS Filipino.

Here are today's top stories on SBS Filipino. - Alamin ang pinakamainit na balita ngayong Biyernes ng umaga sa SBS Filipino.

Stay informed, stay connected — SBS Filipino shares the news and stories that matter to Filipinos in Australia. - Hatid ng SBS Filipino ang mga balita, impormasyon at kwento ng mga Pinoy sa Australia.

Here are today's top stories on SBS Filipino. - Alamin ang pinakamainit na balita ngayong Sabado ng umaga sa SBS Filipino.

Stay informed, stay connected — SBS Filipino shares the news and stories that matter to Filipinos in Australia. - Hatid ng SBS Filipino ang mga balita, impormasyon at kwento ng mga Pinoy sa Australia.

Here are today's top stories on SBS Filipino. - Alamin ang pinakamainit na balita ngayong Huwebes ng umaga sa SBS Filipino.

Stay informed, stay connected — SBS Filipino shares the news and stories that matter to Filipinos in Australia. - Hatid ng SBS Filipino ang mga balita, impormasyon at kwento ng mga Pinoy sa Australia.

Dakilang Kapistahan ni San Jose, Kabiyak ng Puso ng Mahal na Birhen 2 Samuel 7, 4-5a. 12-14a. 16 Salmo 88, 2-3. 4-5. 27 at 29 Lahi niya'y walang wakas, kailanma'y hindi lilipas. Roma 4, 13. 16-18. 22 Mateo 1, 16. 18-21. 24a o kaya Lucas 2, 41-51a

Here are today's top stories on SBS Filipino. - Alamin ang pinakamainit na balita ngayong Miyerkules sa SBS Filipino.

Here are today's top stories on SBS Filipino. - Alamin ang pinakamainit na balita ngayong Martes sa SBS Filipino.

Stay informed, stay connected — SBS Filipino shares the news and stories that matter to Filipinos in Australia. - Hatid ng SBS Filipino ang mga balita, impormasyon at kwento ng mga Pinoy sa Australia.

Here are today's top stories on SBS Filipino. - Alamin ang pinakamainit na balita ngayong Linggo sa SBS Filipino.

Here are today's top stories on SBS Filipino. - Alamin ang pinakamainit na balita ngayong Lunes sa SBS Filipino.

Ikalawang Linggo ng Apatnapung Araw na Paghahanda para sa Pasko ng Pagkabuhay (K) Genesis 15, 5-12. 17-18 Salmo 26, 1. 7-8. 9abk. 13-14 Panginoo'y aking tanglaw, siya'y aking kaligtasan. Filipos 3, 17 - 4, 1 o kaya Filipos 3, 20 - 4, 1 Lucas 9, 28b-36

Here are today's top stories on SBS Filipino. - Alamin ang pinakamainit na balita ngayong Biyernes sa SBS Filipino.

Here are today's top stories on SBS Filipino. - Alamin ang pinakamainit na balita ngayong Sabado sa SBS Filipino.

Stay informed, stay connected — SBS Filipino shares the news and stories that matter to Filipinos in Australia. - Hatid ng SBS Filipino ang mga balita, impormasyon at kwento ng mga Pinoy sa Australia.

Here are today's top stories on SBS Filipino. - Alamin ang pinakamainit na balita ngayong Miyerkules sa SBS Filipino.

Stay informed, stay connected — SBS Filipino shares the news and stories that matter to Filipinos in Australia. - Hatid ng SBS Filipino ang mga balita, impormasyon at kwento ng mga Pinoy sa Australia.

Alamin ang pinakamainit na balita ngayong Huwebes ng umaga sa SBS Filipino.

Here are today's top stories on SBS Filipino. - Alamin ang pinakamainit na balita ngayong Martes sa SBS Filipino.

Stay informed, stay connected — SBS Filipino shares the news and stories that matter to Filipinos in Australia. - Hatid ng SBS Filipino ang mga balita, impormasyon at kwento ng mga Pinoy sa Australia.

Here are today's top stories on SBS Filipino. - Alamin ang pinakamainit na balita ngayong Lunes sa SBS Filipino.

Stay informed, stay connected — SBS Filipino shares the news and stories that matter to Filipinos in Australia. - Hatid ng SBS Filipino ang mga balita, impormasyon at kwento ng mga Pinoy sa Australia.

Here are today's top stories on SBS Filipino. - Alamin ang pinakamainit na balita ngayong Linggo sa SBS Filipino.

Unang Linggo ng Apatnapung Araw na Paghahanda para sa Pasko ng Pagkabuhay (K) Deuteronomio 26, 4-10 Salmo 90, 1-2. 10-11. 12-13. 14-15 Poon ko, ako'y samahan sa dusa at kahirapan. Roma 10, 8-13 Lucas 4, 1-13

Here are today's top stories on SBS Filipino. - Alamin ang pinakamainit na balita ngayong Sabado sa SBS Filipino.

Miyerkules ng Abo Joel 2, 12-18 Salmo 50, 3-4, 5-6a. 12-13. 14 at 17 Poon, iyong kaawaan kaming sa ‘yo'y nagsisuway. 2 Corinto 5, 20 – 6, 2 Mateo 6, 1-6. 16-18

Sabado ng Ika-7 Linggo sa Karaniwang Panahon (I) o kaya Paggunita sa Mahal na Birheng Maria tuwing Sabado Sirak 17, 1-13 Salmo 102, 13-14. 15-16. 17-18a Pag-ibig mo'y walang hanggan sa bayan mong nagmamahal. Marcos 10, 13-16