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In this episode of Digital Alchemy, academic sisters and political allies, Dr. Beth Richie and Dr. Dána-Ain Davis join Professor Moya Bailey for a conversation about their academic production and social justice work as it pertains to Black feminism, gender-based violence, reproductive injustice, abolition, and medical racism. In the spirit of digital alchemy, which Professor Bailey defines as “black women transform[ing] everyday digital media into valuable social justice magic”, Dr. Richie and Dr. Davis discuss how new technologies can serve as a tool to foster international community and function as an alternate space to continue learning and producing social justice work outside of the confines of academia. Click here for the episode transcript FeaturingMoya Bailey Beth Richie Dána-Ain Davis Sponsor:Northwestern University School of Communication More from our guests: Moya BaileyAssociate Professor | Department of Communication StudiesNorthwestern UniversityDigital Alchemist, Octavia E. Butler Legacy NetworkBoard President, Allied Media ProjectsTwitter: @moyazbIG: @transformisogynoirBeth Richie Head of the Department of Criminology, Law & Justice | College of Liberal Arts and SciencesLAS Distinguished Professor & Professor of Black Studies | College of Liberal Arts and Sciences University of Illinois-ChicagoDána-Ain DavisProfessor of Anthropology, Professor of Psychology & Director and Professor of Women's and Gender Studies | Graduate CenterDirector | Center for the Study of Women and Society City University of New York (CUNY) Graduate Center Works Referenced in Episode: Bryant-Davis, T. (2019). The Homecoming Podcast with Dr. Thema [Audio Podcast].Lindley, T. (2022). Black Women's Dept. of Labor with Taja Lindley [Audio Podcast].Copy and Audio Editors: Bennett Pack Sharlene Burgos Executive Producer:DeVante Brown
Season 2 of SUPERMAN AND LOIS continues and The BAM Crew (Bethany, Alison, and Michael) are back to discuss the fourth episode of S AND L Season 2 which was titled The Inverse Method. The Crew talks about how many super-hero shows use drugs as a plot point, cults, how sucky Michael is with J names, and more! Plus, Bethany chooses The Most Punchable Face, Alison picks out who was The Most Aesthetically Pleasing, and Michael delivers another Professor Bailey's Superman 101 on Lucy Lane! Plus, YOUR FEEDBACK!
Season 2 of SUPERMAN AND LOIS continues and The BAM Crew (Bethany, Alison, and Michael) are back to discuss the fourth episode of S AND L Season 2 which was titled The Inverse Method. The Crew talks about how many super-hero shows use drugs as a plot point, cults, how sucky Michael is with J names, and more! Plus, Bethany chooses The Most Punchable Face, Alison picks out who was The Most Aesthetically Pleasing, and Michael delivers another Professor Bailey's Superman 101 on Lucy Lane! Plus, YOUR FEEDBACK!
Season 2 of SUPERMAN AND LOIS continues and The BAM Crew (Bethany, Alison, and Michael) are back to discuss the third episode of S AND L Season 2 which was titled The Thing In The Mines. The Crew talks about the major twist that the writers pulled off this week, how the head of a certain cult may have bitten off more than she can chew, how all we need is an Artemis, and more! Plus, Bethany chooses The Most Punchable Face, Alison picks out who was The Most Aesthetically Pleasing, and Michael delivers another Professor Bailey's Superman 101 on Bizarro! Plus, YOUR FEEDBACK!
Season 2 of SUPERMAN AND LOIS continues and The BAM Crew (Bethany, Alison, and Michael) are back to discuss the third episode of S AND L Season 2 which was titled The Thing In The Mines. The Crew talks about the major twist that the writers pulled off this week, how the head of a certain cult may have bitten off more than she can chew, how all we need is an Artemis, and more! Plus, Bethany chooses The Most Punchable Face, Alison picks out who was The Most Aesthetically Pleasing, and Michael delivers another Professor Bailey's Superman 101 on Bizarro! Plus, YOUR FEEDBACK!
Season 2 of SUPERMAN AND LOIS continues and The BAM Crew (Bethany, Alison, and Michael) are back to discuss the second episode of S AND L Season 2 which was titled The Ties That Bind. The Crew talks about the return of a certain character, Lana's political aspirations, John Henry making with the science, shadowy figures on the other end of a phone, and more! Plus, Bethany chooses The Most Punchable Face, Alison picks out who was The Most Aesthetically Pleasing, and Michael delivers another Professor Bailey's Superman 101 on Dr. Faulkner and Kranowski's history in the comics! Finally, YOUR FEEDBACK!
Season 2 of SUPERMAN AND LOIS continues and The BAM Crew (Bethany, Alison, and Michael) are back to discuss the second episode of S AND L Season 2 which was titled The Ties That Bind. The Crew talks about the return of a certain character, Lana's political aspirations, John Henry making with the science, shadowy figures on the other end of a phone, and more! Plus, Bethany chooses The Most Punchable Face, Alison picks out who was The Most Aesthetically Pleasing, and Michael delivers another Professor Bailey's Superman 101 on Dr. Faulkner and Kranowski's history in the comics! Finally, YOUR FEEDBACK!
Season 2 of SUPERMAN AND LOIS has begun, so The BAM Crew (Bethany, Alison, and Michael) are also back with a new season of the podcast! This time out they look at the first episode of S AND L Season 2 which was titled What Lies Beneath. The Crew talks about the amount of therapy most of the cast would need, Mitchell Anderson's attitude towards Superman, the final scene, and more! Plus, Bethany chooses The Most Punchable Face, Alison picks out who was The Most Aesthetically Pleasing, and Michael delivers another Professor Bailey's Superman 101 on Mitch Anderson's history in the comics! Finally, YOUR FEEDBACK!
Season 2 of SUPERMAN AND LOIS has begun, so The BAM Crew (Bethany, Alison, and Michael) are also back with a new season of the podcast! This time out they look at the first episode of S AND L Season 2 which was titled What Lies Beneath. The Crew talks about the amount of therapy most of the cast would need, Mitchell Anderson's attitude towards Superman, the final scene, and more! Plus, Bethany chooses The Most Punchable Face, Alison picks out who was The Most Aesthetically Pleasing, and Michael delivers another Professor Bailey's Superman 101 on Mitch Anderson's history in the comics! Finally, YOUR FEEDBACK!
This time out The BAM Crew (Bethany, Alison, and Michael) talk about the first and last episode of Smallvile Season 1! Tonrados! Clex! The Kents! This one has it all! Plus, The Most Punchable Face and Professor Bailey's Superman 101!
This time out The BAM Crew (Bethany, Alison, and Michael) talk about the first and last episode of Smallvile Season 1! Tonrados! Clex! The Kents! This one has it all! Plus, The Most Punchable Face and Professor Bailey's Superman 101!
Professor Bailey, associate professor and toxicology at the University of technology Jamaica, talks to Lowndes about the management of diabetes. --- Send in a voice message: https://anchor.fm/visionscope/message
This time out Bethany and Michael are joined by special guest Kelley (filling in for Alison, who is on a secret mission) discuss the latest episode, THROUGH THE VALLEY OF DEATH. They talk about how awesome Diggle is, how murder hungry everyone is, the musical 1776, and the mustache of Cesar Romero! PLus, a Professor Bailey's Superman 101 lesson about General Zod and who has the most punchable face!
This time out Bethany and Michael are joined by special guest Kelley (filling in for Alison, who is on a secret mission) discuss the latest episode, THROUGH THE VALLEY OF DEATH. They talk about how awesome Diggle is, how murder hungry everyone is, the musical 1776, and the mustache of Cesar Romero! PLus, a Professor Bailey's Superman 101 lesson about General Zod and who has the most punchable face!
This time out Bethany, Alison, and Michael (The BAM Crew) discuss the 11th episode from the first season of SUPERMAN AND LOIS, which was titled A Brief Reminiscence In-Between Cataclysmic Events or, as it should have been titled, Shirt Rips and Phone Booths and Pain. Topics include Baby Jordan's first appearance, phone booths, shirt rips, how good Tyler is, why Bitsie might be Michael's favorite Lois Lane ever and more. Plus, Bethany reveals who has the most punchable face, Michael talks about the Superman radio series on the Professor Bailey's Superman 101 segment, and lots of feedback!
This time out Bethany, Alison, and Michael (The BAM Crew) discuss the 11th episode from the first season of SUPERMAN AND LOIS, which was titled A Brief Reminiscence In-Between Cataclysmic Events or, as it should have been titled, Shirt Rips & Phone Booths & Pain. Topics include Baby Jordan's first appearance, phone booths, shirt rips, how good Tyler is, why Bitsie might be Michael's favorite Lois Lane ever and more. Plus, Bethany reveals who has the most punchable face, Michael talks about the Superman radio series on the Professor Bailey's Superman 101 segment, and lots of feedback!
This time out Bethany, Alison, and Michael (The BAM Crew) discuss the 10th episode from the first season of SUPERMAN AND LOIS, which was titled Oh Mother Where Art Thou or, as it should have been titled, A Krypton Man of Constant Sorrow. Topics include: Jonathan being awesome, torture, how the villain plays the long game, and more. Plus, Bethany reveals who has the most punchable face, Michael has two lessons for the Professor Bailey's Superman 101 segment, and feedback!
This time out Bethany, Alison, and Michael (The BAM Crew) discuss the 10th episode from the first season of SUPERMAN AND LOIS, which was titled Oh Mother Where Art Thou or, as it should have been titled, A Krypton Man of Constant Sorrow. Topics include: Jonathan being awesome, torture, how the villain plays the long game, and more. Plus, Bethany reveals who has the most punchable face, Michael has two lessons for the Professor Bailey's Superman 101 segment, and feedback!
This time out Bethany, Alison, and Michael (The BAM Crew) discuss the 7th episode from the first season of SUPERMAN AND LOIS, which was titled MAN OF STEEL. THey discuss Jordan's new power and the big reveal at the end of the episode. Plus, the return of Professor Bailey's Superman 101 and who had The Most Punchable Face.
This time out Bethany, Alison, and Michael (The BAM Crew) discuss the 7th episode from the first season of SUPERMAN AND LOIS, which was titled MAN OF STEEL. THey discuss Jordan's new power and the big reveal at the end of the episode. Plus, the return of Professor Bailey's Superman 101 and who had The Most Punchable Face.
This time out Bethany, Alison, and Michael (The BAM Crew) use the hitatus as an excuse to talk about other cinematic version of Superman and Lois with the fourth of a four part series covering Superman and Lois in the Snyderverse. The time has come to finish their look at Zack Snyder's Justice League. Even though they are talking about a movie, they still discuss what they liked about it, what they didn't like about it, how awesome Superman was, why Alison liked The Flash in the final battle, and how much Bethany loves Batfleck! Plus, Bethany reveals who had The Most Punchable Face and Mike gives a Professor Bailey's Superman 101 lesson on Superman as a member of the Justice League.
This time out Bethany, Alison, and Michael (The BAM Crew) use the hitatus as an excuse to talk about other cinematic version of Superman and Lois with the fourth of a four part series covering Superman and Lois in the Snyderverse. The time has come to finish their look at Zack Snyder's Justice League. Even though they are talking about a movie, they still discuss what they liked about it, what they didn't like about it, how awesome Superman was, why Alison liked The Flash in the final battle, and how much Bethany loves Batfleck! Plus, Bethany reveals who had The Most Punchable Face and Mike gives a Professor Bailey's Superman 101 lesson on Superman as a member of the Justice League.
Dave and Jason debate if current American society has reached its lowest point and then, by popular demand, Professor Bailey puts his scholar hat on to discuss the origins and history of professional wrestling.
Albert Camus' philosophical novel, 'La Peste', is being read voraciously all over the world at the moment. Written in 1947 it resonates with us today in a way Camus would probably never have imagined. In this podcast we hear excerpts of his Nobel Prize acceptance speech in 1957 in which he describes the role of the writer in a world under constant threat by malign forces. As we make the first tentative steps to come out of lockdown and emerge into a world where we will be living with an ongoing pandemic for the foreseeable future, I asked three academics to look at the lessons we can take from and parallels we can see in plagues from the past, using 'La Peste' as a springboard. This is a montage of their reflections which are diverse but complementary and their message, like Camus', is one of guarded optimism. We hear from Professor Rosemary Lloyd, Fellow Emerita of Murray Edwards College, University of Cambridge, and Professor Emerita in French at Indiana University, Dr. Rowan Williams, Master of Magdalene College, Cambridge, and former Archbishop of Canterbury and Mark Bailey, Professor of Late Medieval History at the University of East Anglia and High Master of St. Paul's School. Professor Bailey delivered the James Ford Lectures at Oxford University in 2019 on his specialist subject of thirty years, the Black Death, 'The End of Serfdom and The Rise of The West'. The excerpts from Camus' speech concerning the role of the writer translate as follows:'Art, in my view, is not a solitary pleasure. It is a means of stirring the greatest number of people by offering them a privileged picture of common joys and sufferings. It obliges the artist not to keep himself apart; it subjects him to the most humble and the most universal truth.' '..the nobility of our craft will always be rooted in two commitments, difficult to maintain: the refusal to lie about what one knows and the resistance to oppression.''..the silence of an unknown prisoner, abandoned to humiliations at the other end of the world, is enough to draw the writer out of his exile, at least whenever, in the midst of the privileges of freedom, he manages not to forget that silence, and to transmit it in order to make it resound by means of his art.' 'Each generation doubtless feels called upon to reform the world. Mine knows that it will not reform it, but its task is perhaps even greater. It consists in preventing the world from destroying itself.' 'Truth is mysterious, elusive, always to be conquered. Liberty is dangerous, as hard to live with as it is elating. We must march toward these two goals, painfully but resolutely, certain in advance of our failings on so long a road.'The full speech is available on the Nobel Prize website at https://www.nobelprize.org/prizes/literature/1957/camus/speech/With many thanks to the Nobel Prize organisation for the use of excerpts of Albert Camus' speech and the photograph from their archive.Many thanks to Ian Claussen, freelance existentialist, for translating and reading the passage at the beginning of the podcast from 'La Peste' and to the Estate of Albert Camus for allowing use of this extract.Piano: Tamás Vásáry playing Frédéric Chopin's 'Nocturne Op. 09 Andante in E flat major' (Internet Archive)
Albert Camus' philosophical novel, 'La Peste', is being read voraciously all over the world at the moment. Written in 1947 it resonates with us today in a way Camus would probably never have imagined. In this podcast we hear excerpts of his Nobel Prize acceptance speech in 1957 in which he describes the role of the writer in a world under constant threat by malign forces. As we make the first tentative steps to come out of lockdown and emerge into a world where we will be living with an ongoing pandemic for the foreseeable future, I asked three academics to look at the lessons we can take from and parallels we can see in plagues from the past, using 'La Peste' as a springboard. This is a montage of their reflections which are diverse but complementary and their message, like Camus', is one of guarded optimism. We hear from Professor Rosemary Lloyd, Fellow Emerita of Murray Edwards College, University of Cambridge, and Professor Emerita in French at Indiana University, Dr. Rowan Williams, Master of Magdalene College, Cambridge, and former Archbishop of Canterbury and Mark Bailey, Professor of Late Medieval History at the University of East Anglia and High Master of St. Paul's School. Professor Bailey delivered the James Ford Lectures at Oxford University in 2019 on his specialist subject of thirty years, the Black Death, 'The End of Serfdom and The Rise of The West'. The excerpts from Camus' speech concerning the role of the writer translate as follows:'Art, in my view, is not a solitary pleasure. It is a means of stirring the greatest number of people by offering them a privileged picture of common joys and sufferings. It obliges the artist not to keep himself apart; it subjects him to the most humble and the most universal truth.' '..the nobility of our craft will always be rooted in two commitments, difficult to maintain: the refusal to lie about what one knows and the resistance to oppression.''..the silence of an unknown prisoner, abandoned to humiliations at the other end of the world, is enough to draw the writer out of his exile, at least whenever, in the midst of the privileges of freedom, he manages not to forget that silence, and to transmit it in order to make it resound by means of his art.' 'Each generation doubtless feels called upon to reform the world. Mine knows that it will not reform it, but its task is perhaps even greater. It consists in preventing the world from destroying itself.' 'Truth is mysterious, elusive, always to be conquered. Liberty is dangerous, as hard to live with as it is elating. We must march toward these two goals, painfully but resolutely, certain in advance of our failings on so long a road.'The full speech is available on the Nobel Prize website at https://www.nobelprize.org/prizes/literature/1957/camus/speech/With many thanks to the Nobel Prize organisation for the use of excerpts of Albert Camus' speech and the photograph from their archive.Many thanks to Ian Claussen, freelance existentialist, for translating and reading the passage at the beginning of the podcast from 'La Peste' and to the Estate of Albert Camus for allowing use of this extract.Piano: Tamás Vásáry playing Frédéric Chopin's 'Nocturne Op. 09 Andante in E flat major' (Internet Archive)
Professor David Bailey on the World at One on BBC Radio 4. Professor Bailey discusses the potential impact of no deal on car manufacturing, in light of recent announcements by Vauxhall and other car manufacturers based in the UK. How could a no deal Brexit affect the supply chains crucial to the effective operation of British car manufacturing?
"[The concept of executive power]...in our system of government, which subscribes to the rule of law, is very hard to come to terms with..." The latest volume of the American History and Government Core Documents Collections – the Executive Branch – is available on Kindle, iTunes and PDF. Hard copies are also available for $10 each - email dmitchell@tah.org if you would like a copy. You can also buy it as print-on-demand on Amazon! Sign up for early access to each volume! This collection of documents on the Executive Branch is part of our extended series of document collections covering major periods, themes, and institutions in American history and government. This is the first of our Political Science/Government-focused volumes, especially appropriate for use in Government and Civics courses. Consider taking a look at these books by Professor Bailey mentioned in the interview: James Madison and Constitutional Imperfection Thomas Jefferson and Executive Power The Contested Removal Power: 1790-2010 See a list of all titles in TAH.org's Core Documents series. The post Core American Documents: The Executive Branch appeared first on Teaching American History.
"[The concept of executive power]...in our system of government, which subscribes to the rule of law, is very hard to come to terms with..." The latest volume of the American History and Government Core Documents Collections – the Executive Branch – is available on Kindle, iTunes and PDF. Hard copies are also available for $10 each - email dmitchell@tah.org if you would like a copy. You can also buy it as print-on-demand on Amazon! Sign up for early access to each volume! This collection of documents on the Executive Branch is part of our extended series of document collections covering major periods, themes, and institutions in American history and government. This is the first of our Political Science/Government-focused volumes, especially appropriate for use in Government and Civics courses. Consider taking a look at these books by Professor Bailey mentioned in the interview: James Madison and Constitutional Imperfection Thomas Jefferson and Executive Power The Contested Removal Power: 1790-2010 See a list of all titles in TAH.org's Core Documents series. The post Core American Documents: The Executive Branch appeared first on Teaching American History.
In this podcast we talk with Professor Blume-Kohout and Professor Bailey about how the Affordable Care Act (ACA) altered the individual insurance market and the effect it had on the affordability and availability of individual health insurance plans. We further the discussion about these changes and look at how these changes affected women and the tendency/ability to be self-employed.
Professor Bailey discusses the various relationships between art and archaeology, and argues that the most exciting current work is pushing hard against the boundaries of both disciplines. His proposal is for archaeologists and artists to take big risks in their work and to cut loose the restraints of their traditional subject boundaries. The result will be work that is neither art nor archaeology, but something else altogether and something that can take the study of human nature into uncharted and exciting new territories.
Professor Bailey discusses the various relationships between art and archaeology, and argues that the most exciting current work is pushing hard against the boundaries of both disciplines. His proposal is for archaeologists and artists to take big risks in their work and to cut loose the restraints of their traditional subject boundaries. The result will be work that is neither art nor archaeology, but something else altogether and something that can take the study of human nature into uncharted and exciting new territories.