Podcasts about Speed Graphic

In a first for the Camerosity Podcast, we finally dive into the wonderful world of Graflex press cameras and other 4x5 cameras.  If you thought Camerosity only meant 35mm, medium format roll film, and subminis, this is the episode that will shake up everything you know about us! For episode 43, we had a packed house (although there was one significant omission).  Joining the gang on this show was first time caller, and owner of Graflex Parts, Graham Burnett, along with Andy Pham, Daniel Belmes, Eric J, Greg McCreash, Howard Sandler, Jess Hobbs, Marcy Merrill, Mario Piper and his wife Julianne Piper, Mark Faulkner, Nick Marshall, Patrick Casey, and Robert Rotoloni. Together, topics ranging far and wide from the history of Folmer & Schwing, the company who made the first Graphic cameras, to differences between all the models, where to start if you've never shot a Graflex before, development tips, and all sorts of information that people who love these cameras want you to know.  In addition to discussions about Graflex press cameras, we also get into a few other 4x5 cameras like the Busch Pressman and Burke & James versions.  Greg McCreash is back to talk about his massive Combat Graflex, and we even touch upon some of the 35mm Graflex cameras. If you've ever wanted to know something about these wonderful cameras, this is the episode you'll want to hear! As always, the topics we discuss on the Camerosity Podcast are influenced by you!  We would love to hear from more listeners, especially those who are new to shooting film or collecting cameras.  Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show.  We LOVE people who are new to shooting and are interested in having an episode dedicated to people new to the hobby, so please don't consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, and right here on mikeeckman.com.  We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. The guys and I have had a great time talking about Graflex, Argus, Contax, and Pentax, and for our next episode, we are going to divert a bit from our regular format and just discuss what we've been working on lately and some topics we'd like to share with you all, so there won't be any option to dial in for the next episode.  Maybe we'll still have a special guest for you, maybe not!  You'll just need to stay tuned for that one. We will resume our normal call in for episode 45 though, which we will record on Monday, March 20th.  We don't yet know what we'll talk about then, but be sure to stay tuned for the official announcement! This Week's Episode How Paul Ended Up with a Closet Full of Graflex / The Baffling Array of Variations Anthony Takes the Leap Into Press Cameras with His Graflex Super Graphic Differences Between the Speed vs Crown Graphic Graham Burnett of graflexparts.com Dives Deep into the Graflex Lineage What Does Graflex Parts Do for the Graflex Community? Folmer & Schwing and the Bicycle Graphic The Complicated Rise of the Single Lens Reflex Graflex The Many Sizes of Film for Graflex / The Evolution of Graflex Film Backs Eric J and his F&S / Bicycle Camera Bicycle Touring with Graflex Andy Pham and Concert Photography with his AutoGraflex 5x7 SLR Luis Mendez and Graflex Street Portraits in NYC Keeping Pre-war Graflex Cameras Up and Running Howard and his Graflex Monorail Graphic View Camera Julianne Piper, Shooting Paper Negatives in an Array of Graflex Cameras The LomoGraflock vs Polaroid backs Advantages of Crown vs Speed Graphic as a First Graflex Demystifying Graflex Lens Options Using Projector and Brass Lenses with Graflex Graflex at War / The Post-war Decline of Graflex Other Press Cameras / Busch Pressman / Burke & James Press Cameras Nick Marshall and His Series D 3x4 / Shooting Speed Graphic with Instax Developing 4x5 at Home Jess Hobbs and Adventures with 4x5 with Her Intrepid / 4x5 Film Options Daniel B and Shooting a Graflex Super D / Enlarging Graflex as 11x14 Large Format Greg McCreash and the Combat Graflex Mario Asks is Graflex is Making a Resurgence? / What is the Appeal of Shooting Large Format? Eric Mathy on the Appeal of Large Format to the Tinkerer and the Artist Mike Eckman and the Graflex Graphic 35 Jet Show Notes If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group or Instagram page, or email us at camerosity.podcast@gmail.com. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Camerosity Twitter - https://twitter.com/CamerosityPod Graham Burnett, Graflex Parts - https://www.graflexparts.com/ Jess Hobbs - https://www.youtube.com/c/JessHobbs Erik Mathy, All Through a Lens - https://allthroughalens.com/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris and https://www.etsy.com/shop/Camerasandpictures Anthony Rue - https://www.instagram.com/kino_pravda/ and https://www.facebook.com/VoltaGNV/

In this episode, Alex sits down with James Lane, the high-priest of 510-Pyro. They discuss the starting of Zone Imaging and where 510-Pyro comes from. Dealing with Internet trolling and what's next for Zone Imaging in taking film chemistry into the 21st Century. If you are looking for Sources for 510-Pyro and Zone Imaging Products, you can purchase them through the following retailers: Analogue Wonderland, Firstcall Photographic, Parallax Photographic, Process Supplies, Silverprint, Speed Graphic, Analog Space, Fotoimpex, Retrocamera, Sagrada Pelicula, CatLabs of JP, Freestyle, Northeast Photographic, Analogtheroom, Thuong Xanh, Not ready to jump onto the self-development and 510-Pyro bandwagon? These labs will do the work for you! Analogue Films, Come Through, East Coast, Leicester Lo-Fi, Silverpan, Traia, CatLabs of JP, Gelatin Labs, North East Photographic, Analog Space, Sagrada Pelicula, Analogtheroom, LLab, Thuong Xanh

Full shownotes and pics: allthroughalens.com   On this episode of Dev Party, Vania shoots some Fuji Pro400H while Eric messes with Fomapan 400. Vania shot these with a Nikon F and a 50mm lens. The Pro 400 H did okay, she supposes. Here are her photos, taken on her trip to Northern California.     Meanwhile, Eric shot a couple of sheets of Fomapan 400 through a Speed Graphic with an older brass lens. These were developed in FA-1027; 1+14; for 9mins. The negatives were pretty thin, but it all worked out.   . . . Camera: Graflex Speed Graphic Lens: Steinheil Rapid Antiplanet 6,5; 27cm Film: Fomapan 400 Exposure: f/12; 1/50sec Process: FA-1027; 1+14; 9min Washington May 2022. . . Camera: Graflex Speed Graphic Lens: Steinheil Rapid Antiplanet 6,5; 27cm Film: Fomapan 400 Exposure: f/16; 1/30sec Process: FA-1027; 1+14; 9min Washington May 2022  He also mentioned taking an additional shot with Foma 400 of the same cows from the same position, same camera, etc etc.   PATREON Thank you to everyone who supports us! Check out our Patreon for bonus episodes, extended interviews, early drops. Tons of stuff! patreon.com/allthroughalens THE CREDITS OF ENDING Music by Last Regiment of Syncopated Drummers Vania: IG, Flickr, Zines Eric: IG, Flickr, Zines, ECN-2 Kits All Through a Lens: IG, Website, Patreon, Spotify Playlists

Frank is an NBC producer and off air reporter who uses his access to the USA Capitol building to explore his film obsession.   Using a Speed Graphic camera and Aero Ektar lens he made a moving photo essay 100 days after the January 2020 storming of the Capitol building.   “After the Riot” is a series of portraits of 12 individuals who work in the building, made in locations that resonated with each person (from the day of the storming) and aims to bring a sense of closure to the subjects and indeed to Frank who was also in the building on that fateful day. Project links.   See Frank's portraits here as well as the YouTube video with interviews.    https://www.nbcnews.com/specials/after-the-riot-capitol-attack/index.html?fbclid=IwAR1GOkpqLm4ctRy9gAgT1cbbiUa5gPcp9kxQuMtwZJNA0WWkFLK7Tkrhh4Q Things we chatted about on the show:   The community darkroom that Frank learned at: https://www.theartleague.org/   Richard Avedon was mentioned as one of the photographers Frank looked to before embarking on his portraiture project – Erik mentioned this book “Portraits of Power”. https://www.amazon.co.uk/Richard-Avedon-Portraits-Renata-Adler/dp/3865216757   Frank has started using Jason Lane's dry plates – just to make his life a little harder. https://www.pictoriographica.com/store/c5/www.pictoriographica.com/store/c5/All_Production_Dry_Plates.html   Frank owes a debt of gratitude to his friend David Burnett and Erik mentioned his body of work documenting the aftermath of Hurricane Katrina. https://www.davidburnett.com/gallery.html?gallery=Aftermath&folio=Galleries#/0   Eugene Richards “War is Personal”. https://eugenerichards.com/war-is-personal   James Guerin got a shout out as Frank is considering how he might make pinhole photography work for him in the Capitol building. https://realitysosubtle.fr/   Mark Wilson, the legendary Getty photographer Frank got his first 4x5's from. https://www.washingtonpost.com/photography/2020/11/20/tough-salty-outside-soft-kind-inside-remembering-getty-images-mark-wilson/ Frank Thorp's social media: IG: https://www.instagram.com/frankthorpv/ Twitter: https://twitter.com/frankthorp   LFPP links -    https://largeformatphotographypodcast.podbean.com/   ko-fi.com/largeformatphotographypodcast   You can join in the fun at our Facebook Group https://www.facebook.com/groups/2296599290564807/    And now our Flikr group curated by Colin Devroe https://www.flickr.com/groups/lfpp/   Get Twitter updates for the show from Andrew –  https://twitter.com/warboyssnapper   Or from Simon (Yes he's still part of the show) –  https://twitter.com/simonfor   Email feedback, ideas and questions for the podcast largeformatphotographypodcast@gmail.com   Podcast Hosts Social Media presence   Simon Forster www.classiclensespodcast.com   www.simonforsterphotographic.co.uk   https://stores.ebay.co.uk/itsfozzyphotography   https://www.flickr.com/photos/125323761@N07/   https://www.facebook.com/SimonForsterPhotographic/   https://www.instagram.com/simonforsterphotographic/   https://twitter.com/SimonFor   Andrew Bartram https://anchor.fm/thelenslesspodcast   https://andrewbartram.wordpress.com   https://www.instagram.com/warboyssnapper   https://www.instagram.com/warboyssnapper_pinholes   https://www.flickr.com/photos/warboyssnapper/   https://twitter.com/warboyssnapper   Erik Mathy A not updated website. https://www.erikmathy.com/about   IG probably best for all things including rabbits. https://www.instagram.com/erikhmathy/?hl=en   The East Bay Photo Collective https://www.ebpco.org/ Stay Safe!

This episode is dedicated to the memory of John Whitmore.A few items from the mailbagreminder about our fabulous contest — compose a limerick whose final word is a camera brand!Gabe's Speed Graphic + two birthday acquisitions: Nikon FM3a and Pentax 6x7Jeff's ConSol didn't work, so bring on the Electro Spotmatic!Our Pentax show!the mighty Pentax 6x7 and its siblingsSpotmatic… Spotmatic F… Electro SpotmaticThe K1000, basically a Spotmatic F with a bayonet mount (but no timer or DOF preview! you can do better!)The rest of the K series, including Jeff's one-of-a-kind half-frame KXThe ME, ME Super SE... and the weird half-frame medical MFPentax Auto 110 and Auto 110 SuperKEH just opened a brick and mortar store in Atlanta!Our shooting plans for the coming weeksAnd finally! Check out the great new IDOC character shirts launching this week in the merch section of our website!

参加“艺卓杯摄影大赛”，请关注微信公众号“摄影早自习”，回复：艺卓早安，我是叶梓，今天是摄影早自习陪伴大家的第1754天。今天是我们聊画幅的第三课，之前好像没有聊过这么仔细的，这次就聊个痛快。那么之前我们了解了全画幅，说它是柯达小铁桶胶卷135型胶卷的感光面积：24×36mm。又聊了它砍一半的面积，就是那个所谓的半画幅 ——APS-C画幅，但是我也说了这两个画幅面积并不完全相等，最后我们又聊了M4/3画幅。Photo by Patrick on Unsplash这里我补一句，全画幅和APS-C画幅都是2:3的尺寸，唯独M4/3画幅它是4:3尺寸，这个长宽比变了。其实咱们手机拍照也都是4:3尺寸为主，所以下次你一看照片2:3的，你就知道了要么全画幅，要么APS-C画幅，对吧。一看4:3就知道了，要么就是手机拍的，要么就是M4/3画幅拍的。当然还有富士的所谓的“4433”的中画幅。富士GFX 50S 感光元件43.8x 32.9mm 图片来源：富士官网中画幅又是什么玩意呢？之前其实我跟大家提了一嘴，就是在整个相机大家族里边，135胶卷那绝对是“小画幅”啊，绝对是很小的，因为它的老大哥有的是。其中比它大一点的就有一种胶卷，它也是胶卷，也是卷在一根卷轴上的一个东西。那个胶卷的宽度是6cm多一点，我没细量过，我在网上查了一下资料，是6.15cm宽吧，因为它也是一长卷，所以它肯定也能拍很多张是不是？每拍一张把这个胶卷卷一卷，然后就拍下一张。左：135胶卷 右：120胶卷 图片来源：淘宝画英雄那你也可以想象了，这个胶卷它限制了我们的感光的面积的高，但是宽其实随便你造是不是？所以我们有好多种中画幅的相机，它用来感光的面积最小的6×4.5cm，大一点6×6cm正方形，再大6×7cm，6×9cm，甚至高达“617”——6×17cm。富士就有生产这个相机，名字特别好记，因为它差一点就“618”了。那么这种相机看上去它拍的照片特别宽特别长，胶片面积也特别大，但是因为它用的胶卷还是那个6cm宽度的120胶卷，所以我们还是管它叫做中画幅相机。FUJI（富士） PANORAMA G617 PRO 宽幅相机 图片来源：祥升行相机博物馆其实同样的事情也发生在135的胶卷里头。我之前说了135胶卷的总宽度是35mm，但是要去掉齿孔，所以用来感光拍照片的面积最高也就是24mm，但是宽度其实也是不受限制的，所以才会有之前说的半画幅相机——半格相机24×18mm宽度的感光面积。当然也有更宽的，就是哈苏XPan，其实我自己非常喜欢这个机器，但是今天也没买得起。哈苏这个相机它能拍的最大的最宽的画幅是24×65mm，它的长宽比是6:17，你看又是“617”。这两种相机它都是用了一种尺寸比较小的胶片，但是却因为拓展宽度而达到了很大的感光面积，很清晰的画质的这么一种结果，是非常讨巧、非常聪明的。但是它的长宽比因为非常奇葩，所以构起图来也确实考验人。HASSELBLAD（哈苏） Xpan 宽幅相机图片来源：祥升行相机博物馆还是回到中画幅的话题上来，不难看出，中画幅的宽度随便搞，但是这高度肯定是6cm。中画幅里有谁最常用的、最标准的呢？其实大家比较习惯正方形6×6，单位是cm，这个是中画幅里的标准画幅，就像135画幅的标准化画幅是24×36mm一样（长宽比是）2:3，中画幅120胶卷里面最常见的是1:1。Ricoh（理光） 120中画幅相机图片来源：祥升行相机博物馆但不管怎么样，你会发现富士所生产的中画幅数码相机，它严格来讲确实不应该算中画幅，它的大小是44×33mm，它不及6cm宽，所以它是介于135画幅——所谓的全画幅和120的中画幅之间的一个尺寸。所以有人也带有鄙视性的称其为残中幅、中残幅。我其实也不太喜欢这个词，因为听上去有点不太文明，是不是？感觉总有一点那种鄙视链的意味，这个是我们不想要的。但是反正大家叫也叫惯了，就叫富士中幅，就代称它那种“4433”画幅的相机了。其实哈苏的X1D它其实也是这个尺寸，“4433”。其实还有别的尺寸也是介于全画幅和中画幅之间，比如说宾得的645z，它的尺寸43.8×32.8mm。在这些名称被历史统一之前，我们就暂且都称它为中幅好了，暂且饶它们一命。但是你心里要知道，就是我们一说中幅，第一反应其实是6×6cm的感光元件的尺寸或者是胶片的面积。有没有这样的数码相机是民用级的呢？有的，其实哈苏还有飞思——这个品牌大家可能不熟悉，因为它实在是太专业了——这两个品牌它都有6×6cm的标标准准的中画幅的数码后背。Phase One（飞思）XT相机 图片来源：Phase One中国什么叫数码后背？其实就是说它这个后背是跟机身分开卖的，感光元件这个区块，包括屏幕在内，它整个后边这半截是跟前面的机身分开卖的，就管它叫数码后背，你就暂时这么理解吧，反正它是个专业玩意。这种东西的画质真的不是那种偏小的画幅的数码相机能够比拟的，但是它也确实有它的缺点，什么对焦特别慢啊，什么拍东西连拍速度极慢无比啊，相机相对比较笨重啊，这些东西其实都是刚好跟 M4/3画幅的特别小画幅的奥林巴斯相机对着的。奥林巴斯所擅长的，它都不擅长，而它所擅长的奥林巴斯都不擅长。最后我还是要嘱咐一句，中画幅之上其实还有大画幅，但是大画幅的尺寸比例就非常非常的多了。你就记着只要不是用中画幅120胶卷的，比它大的都叫大画幅。它除了画质好以外，其实还由于它的相机设计的特殊的原因，它可以实现一些像移轴这样的特殊效果，这个我们今天不展开谈。Speed Graphic大画幅相机 图片来源：祥升行相机博物馆你还需要知道一点的是，大画幅的胶卷是没有那种卷轴状的，它不像135胶卷是一个小铁桶，也不像120胶卷是一个小纸筒，它是一片一片的。这个道理也很好理解，就是因为它画幅实在是太大了，卷起来再摊开来拍照它的边肯定不是很平整，到时候会有很大的成像上的问题。最后还是做个总结吧，其实还是那句话，画幅这个东西它也并不说是谁大谁就好，也不是说谁小谁就好，它们各有所长。我自己干活的时候愿意拿全幅，弱光的时候愿意拿全画幅，因为它成像素质好。偶尔的情况下拍商业片需要更高的成像的时候会拿中幅。但是旅行摄影，包括为甲方干活的那种旅行摄影，委托创作的这种，大量的时候我其实都是带奥林巴斯走，用的是M4/3的画幅。因为我懒啊，我就是想要轻便的嘛，而且它拍出来的画质在大部分情况下是绝对够用的，那够用不就好了吗？好，画幅的故事我们就聊这么多了，希望各位同学有所收获，我知道大家有很多问题想讨论，任何问题都可以在底部向我留言，不管是在微信公众号还是喜马拉雅里，你们的留言我都能看得见。有问题也欢迎在下方提问，我会尽力为你解答。另外别忘了艺卓和我们联合主办的“艺卓杯摄影大赛”就在这个月底截稿，现在还有三四天的时间，大家不要错过了投稿的机会，那个大奖是非常诱人的——专业的艺卓显示器，艺卓可是显示器界的天花板级的存在。具体的比赛信息、投稿信息请点击今天的微信公众号“摄影早自习”的第二条图文链接，或者你就在我们的微信公众号摄影早自习底下回复“艺卓”两个字，艺术的艺，卓越的卓。另外11月7号我们的颐和园的外拍课程已经确认成团，现在正是秋色最美的时候，大家不要错过，你可以扫描语音下方的海报里的二维码来咨询报名。今天是摄影早自习陪伴大家的第1754天，我是叶梓，每天早上6:30，微信公众号“摄影早自习”，不见不散。

参加“艺卓杯摄影大赛”，请关注微信公众号“摄影早自习”，回复：艺卓早安，我是叶梓，今天是摄影早自习陪伴大家的第1754天。今天是我们聊画幅的第三课，之前好像没有聊过这么仔细的，这次就聊个痛快。那么之前我们了解了全画幅，说它是柯达小铁桶胶卷135型胶卷的感光面积：24×36mm。又聊了它砍一半的面积，就是那个所谓的半画幅 ——APS-C画幅，但是我也说了这两个画幅面积并不完全相等，最后我们又聊了M4/3画幅。Photo by Patrick on Unsplash这里我补一句，全画幅和APS-C画幅都是2:3的尺寸，唯独M4/3画幅它是4:3尺寸，这个长宽比变了。其实咱们手机拍照也都是4:3尺寸为主，所以下次你一看照片2:3的，你就知道了要么全画幅，要么APS-C画幅，对吧。一看4:3就知道了，要么就是手机拍的，要么就是M4/3画幅拍的。当然还有富士的所谓的“4433”的中画幅。富士GFX 50S 感光元件43.8x 32.9mm 图片来源：富士官网中画幅又是什么玩意呢？之前其实我跟大家提了一嘴，就是在整个相机大家族里边，135胶卷那绝对是“小画幅”啊，绝对是很小的，因为它的老大哥有的是。其中比它大一点的就有一种胶卷，它也是胶卷，也是卷在一根卷轴上的一个东西。那个胶卷的宽度是6cm多一点，我没细量过，我在网上查了一下资料，是6.15cm宽吧，因为它也是一长卷，所以它肯定也能拍很多张是不是？每拍一张把这个胶卷卷一卷，然后就拍下一张。左：135胶卷 右：120胶卷 图片来源：淘宝画英雄那你也可以想象了，这个胶卷它限制了我们的感光的面积的高，但是宽其实随便你造是不是？所以我们有好多种中画幅的相机，它用来感光的面积最小的6×4.5cm，大一点6×6cm正方形，再大6×7cm，6×9cm，甚至高达“617”——6×17cm。富士就有生产这个相机，名字特别好记，因为它差一点就“618”了。那么这种相机看上去它拍的照片特别宽特别长，胶片面积也特别大，但是因为它用的胶卷还是那个6cm宽度的120胶卷，所以我们还是管它叫做中画幅相机。FUJI（富士） PANORAMA G617 PRO 宽幅相机 图片来源：祥升行相机博物馆其实同样的事情也发生在135的胶卷里头。我之前说了135胶卷的总宽度是35mm，但是要去掉齿孔，所以用来感光拍照片的面积最高也就是24mm，但是宽度其实也是不受限制的，所以才会有之前说的半画幅相机——半格相机24×18mm宽度的感光面积。当然也有更宽的，就是哈苏XPan，其实我自己非常喜欢这个机器，但是今天也没买得起。哈苏这个相机它能拍的最大的最宽的画幅是24×65mm，它的长宽比是6:17，你看又是“617”。这两种相机它都是用了一种尺寸比较小的胶片，但是却因为拓展宽度而达到了很大的感光面积，很清晰的画质的这么一种结果，是非常讨巧、非常聪明的。但是它的长宽比因为非常奇葩，所以构起图来也确实考验人。HASSELBLAD（哈苏） Xpan 宽幅相机图片来源：祥升行相机博物馆还是回到中画幅的话题上来，不难看出，中画幅的宽度随便搞，但是这高度肯定是6cm。中画幅里有谁最常用的、最标准的呢？其实大家比较习惯正方形6×6，单位是cm，这个是中画幅里的标准画幅，就像135画幅的标准化画幅是24×36mm一样（长宽比是）2:3，中画幅120胶卷里面最常见的是1:1。Ricoh（理光） 120中画幅相机图片来源：祥升行相机博物馆但不管怎么样，你会发现富士所生产的中画幅数码相机，它严格来讲确实不应该算中画幅，它的大小是44×33mm，它不及6cm宽，所以它是介于135画幅——所谓的全画幅和120的中画幅之间的一个尺寸。所以有人也带有鄙视性的称其为残中幅、中残幅。我其实也不太喜欢这个词，因为听上去有点不太文明，是不是？感觉总有一点那种鄙视链的意味，这个是我们不想要的。但是反正大家叫也叫惯了，就叫富士中幅，就代称它那种“4433”画幅的相机了。其实哈苏的X1D它其实也是这个尺寸，“4433”。其实还有别的尺寸也是介于全画幅和中画幅之间，比如说宾得的645z，它的尺寸43.8×32.8mm。在这些名称被历史统一之前，我们就暂且都称它为中幅好了，暂且饶它们一命。但是你心里要知道，就是我们一说中幅，第一反应其实是6×6cm的感光元件的尺寸或者是胶片的面积。有没有这样的数码相机是民用级的呢？有的，其实哈苏还有飞思——这个品牌大家可能不熟悉，因为它实在是太专业了——这两个品牌它都有6×6cm的标标准准的中画幅的数码后背。Phase One（飞思）XT相机 图片来源：Phase One中国什么叫数码后背？其实就是说它这个后背是跟机身分开卖的，感光元件这个区块，包括屏幕在内，它整个后边这半截是跟前面的机身分开卖的，就管它叫数码后背，你就暂时这么理解吧，反正它是个专业玩意。这种东西的画质真的不是那种偏小的画幅的数码相机能够比拟的，但是它也确实有它的缺点，什么对焦特别慢啊，什么拍东西连拍速度极慢无比啊，相机相对比较笨重啊，这些东西其实都是刚好跟 M4/3画幅的特别小画幅的奥林巴斯相机对着的。奥林巴斯所擅长的，它都不擅长，而它所擅长的奥林巴斯都不擅长。最后我还是要嘱咐一句，中画幅之上其实还有大画幅，但是大画幅的尺寸比例就非常非常的多了。你就记着只要不是用中画幅120胶卷的，比它大的都叫大画幅。它除了画质好以外，其实还由于它的相机设计的特殊的原因，它可以实现一些像移轴这样的特殊效果，这个我们今天不展开谈。Speed Graphic大画幅相机 图片来源：祥升行相机博物馆你还需要知道一点的是，大画幅的胶卷是没有那种卷轴状的，它不像135胶卷是一个小铁桶，也不像120胶卷是一个小纸筒，它是一片一片的。这个道理也很好理解，就是因为它画幅实在是太大了，卷起来再摊开来拍照它的边肯定不是很平整，到时候会有很大的成像上的问题。最后还是做个总结吧，其实还是那句话，画幅这个东西它也并不说是谁大谁就好，也不是说谁小谁就好，它们各有所长。我自己干活的时候愿意拿全幅，弱光的时候愿意拿全画幅，因为它成像素质好。偶尔的情况下拍商业片需要更高的成像的时候会拿中幅。但是旅行摄影，包括为甲方干活的那种旅行摄影，委托创作的这种，大量的时候我其实都是带奥林巴斯走，用的是M4/3的画幅。因为我懒啊，我就是想要轻便的嘛，而且它拍出来的画质在大部分情况下是绝对够用的，那够用不就好了吗？好，画幅的故事我们就聊这么多了，希望各位同学有所收获，我知道大家有很多问题想讨论，任何问题都可以在底部向我留言，不管是在微信公众号还是喜马拉雅里，你们的留言我都能看得见。有问题也欢迎在下方提问，我会尽力为你解答。另外别忘了艺卓和我们联合主办的“艺卓杯摄影大赛”就在这个月底截稿，现在还有三四天的时间，大家不要错过了投稿的机会，那个大奖是非常诱人的——专业的艺卓显示器，艺卓可是显示器界的天花板级的存在。具体的比赛信息、投稿信息请点击今天的微信公众号“摄影早自习”的第二条图文链接，或者你就在我们的微信公众号摄影早自习底下回复“艺卓”两个字，艺术的艺，卓越的卓。另外11月7号我们的颐和园的外拍课程已经确认成团，现在正是秋色最美的时候，大家不要错过，你可以扫描语音下方的海报里的二维码来咨询报名。今天是摄影早自习陪伴大家的第1754天，我是叶梓，每天早上6:30，微信公众号“摄影早自习”，不见不散。

参加“艺卓杯摄影大赛”，请关注微信公众号“摄影早自习”，回复：艺卓早安，我是叶梓，今天是摄影早自习陪伴大家的第1754天。今天是我们聊画幅的第三课，之前好像没有聊过这么仔细的，这次就聊个痛快。那么之前我们了解了全画幅，说它是柯达小铁桶胶卷135型胶卷的感光面积：24×36mm。又聊了它砍一半的面积，就是那个所谓的半画幅 ——APS-C画幅，但是我也说了这两个画幅面积并不完全相等，最后我们又聊了M4/3画幅。Photo by Patrick on Unsplash这里我补一句，全画幅和APS-C画幅都是2:3的尺寸，唯独M4/3画幅它是4:3尺寸，这个长宽比变了。其实咱们手机拍照也都是4:3尺寸为主，所以下次你一看照片2:3的，你就知道了要么全画幅，要么APS-C画幅，对吧。一看4:3就知道了，要么就是手机拍的，要么就是M4/3画幅拍的。当然还有富士的所谓的“4433”的中画幅。富士GFX 50S 感光元件43.8x 32.9mm 图片来源：富士官网中画幅又是什么玩意呢？之前其实我跟大家提了一嘴，就是在整个相机大家族里边，135胶卷那绝对是“小画幅”啊，绝对是很小的，因为它的老大哥有的是。其中比它大一点的就有一种胶卷，它也是胶卷，也是卷在一根卷轴上的一个东西。那个胶卷的宽度是6cm多一点，我没细量过，我在网上查了一下资料，是6.15cm宽吧，因为它也是一长卷，所以它肯定也能拍很多张是不是？每拍一张把这个胶卷卷一卷，然后就拍下一张。左：135胶卷 右：120胶卷 图片来源：淘宝画英雄那你也可以想象了，这个胶卷它限制了我们的感光的面积的高，但是宽其实随便你造是不是？所以我们有好多种中画幅的相机，它用来感光的面积最小的6×4.5cm，大一点6×6cm正方形，再大6×7cm，6×9cm，甚至高达“617”——6×17cm。富士就有生产这个相机，名字特别好记，因为它差一点就“618”了。那么这种相机看上去它拍的照片特别宽特别长，胶片面积也特别大，但是因为它用的胶卷还是那个6cm宽度的120胶卷，所以我们还是管它叫做中画幅相机。FUJI（富士） PANORAMA G617 PRO 宽幅相机 图片来源：祥升行相机博物馆其实同样的事情也发生在135的胶卷里头。我之前说了135胶卷的总宽度是35mm，但是要去掉齿孔，所以用来感光拍照片的面积最高也就是24mm，但是宽度其实也是不受限制的，所以才会有之前说的半画幅相机——半格相机24×18mm宽度的感光面积。当然也有更宽的，就是哈苏XPan，其实我自己非常喜欢这个机器，但是今天也没买得起。哈苏这个相机它能拍的最大的最宽的画幅是24×65mm，它的长宽比是6:17，你看又是“617”。这两种相机它都是用了一种尺寸比较小的胶片，但是却因为拓展宽度而达到了很大的感光面积，很清晰的画质的这么一种结果，是非常讨巧、非常聪明的。但是它的长宽比因为非常奇葩，所以构起图来也确实考验人。HASSELBLAD（哈苏） Xpan 宽幅相机图片来源：祥升行相机博物馆还是回到中画幅的话题上来，不难看出，中画幅的宽度随便搞，但是这高度肯定是6cm。中画幅里有谁最常用的、最标准的呢？其实大家比较习惯正方形6×6，单位是cm，这个是中画幅里的标准画幅，就像135画幅的标准化画幅是24×36mm一样（长宽比是）2:3，中画幅120胶卷里面最常见的是1:1。Ricoh（理光） 120中画幅相机图片来源：祥升行相机博物馆但不管怎么样，你会发现富士所生产的中画幅数码相机，它严格来讲确实不应该算中画幅，它的大小是44×33mm，它不及6cm宽，所以它是介于135画幅——所谓的全画幅和120的中画幅之间的一个尺寸。所以有人也带有鄙视性的称其为残中幅、中残幅。我其实也不太喜欢这个词，因为听上去有点不太文明，是不是？感觉总有一点那种鄙视链的意味，这个是我们不想要的。但是反正大家叫也叫惯了，就叫富士中幅，就代称它那种“4433”画幅的相机了。其实哈苏的X1D它其实也是这个尺寸，“4433”。其实还有别的尺寸也是介于全画幅和中画幅之间，比如说宾得的645z，它的尺寸43.8×32.8mm。在这些名称被历史统一之前，我们就暂且都称它为中幅好了，暂且饶它们一命。但是你心里要知道，就是我们一说中幅，第一反应其实是6×6cm的感光元件的尺寸或者是胶片的面积。有没有这样的数码相机是民用级的呢？有的，其实哈苏还有飞思——这个品牌大家可能不熟悉，因为它实在是太专业了——这两个品牌它都有6×6cm的标标准准的中画幅的数码后背。Phase One（飞思）XT相机 图片来源：Phase One中国什么叫数码后背？其实就是说它这个后背是跟机身分开卖的，感光元件这个区块，包括屏幕在内，它整个后边这半截是跟前面的机身分开卖的，就管它叫数码后背，你就暂时这么理解吧，反正它是个专业玩意。这种东西的画质真的不是那种偏小的画幅的数码相机能够比拟的，但是它也确实有它的缺点，什么对焦特别慢啊，什么拍东西连拍速度极慢无比啊，相机相对比较笨重啊，这些东西其实都是刚好跟 M4/3画幅的特别小画幅的奥林巴斯相机对着的。奥林巴斯所擅长的，它都不擅长，而它所擅长的奥林巴斯都不擅长。最后我还是要嘱咐一句，中画幅之上其实还有大画幅，但是大画幅的尺寸比例就非常非常的多了。你就记着只要不是用中画幅120胶卷的，比它大的都叫大画幅。它除了画质好以外，其实还由于它的相机设计的特殊的原因，它可以实现一些像移轴这样的特殊效果，这个我们今天不展开谈。Speed Graphic大画幅相机 图片来源：祥升行相机博物馆你还需要知道一点的是，大画幅的胶卷是没有那种卷轴状的，它不像135胶卷是一个小铁桶，也不像120胶卷是一个小纸筒，它是一片一片的。这个道理也很好理解，就是因为它画幅实在是太大了，卷起来再摊开来拍照它的边肯定不是很平整，到时候会有很大的成像上的问题。最后还是做个总结吧，其实还是那句话，画幅这个东西它也并不说是谁大谁就好，也不是说谁小谁就好，它们各有所长。我自己干活的时候愿意拿全幅，弱光的时候愿意拿全画幅，因为它成像素质好。偶尔的情况下拍商业片需要更高的成像的时候会拿中幅。但是旅行摄影，包括为甲方干活的那种旅行摄影，委托创作的这种，大量的时候我其实都是带奥林巴斯走，用的是M4/3的画幅。因为我懒啊，我就是想要轻便的嘛，而且它拍出来的画质在大部分情况下是绝对够用的，那够用不就好了吗？好，画幅的故事我们就聊这么多了，希望各位同学有所收获，我知道大家有很多问题想讨论，任何问题都可以在底部向我留言，不管是在微信公众号还是喜马拉雅里，你们的留言我都能看得见。有问题也欢迎在下方提问，我会尽力为你解答。另外别忘了艺卓和我们联合主办的“艺卓杯摄影大赛”就在这个月底截稿，现在还有三四天的时间，大家不要错过了投稿的机会，那个大奖是非常诱人的——专业的艺卓显示器，艺卓可是显示器界的天花板级的存在。具体的比赛信息、投稿信息请点击今天的微信公众号“摄影早自习”的第二条图文链接，或者你就在我们的微信公众号摄影早自习底下回复“艺卓”两个字，艺术的艺，卓越的卓。另外11月7号我们的颐和园的外拍课程已经确认成团，现在正是秋色最美的时候，大家不要错过，你可以扫描语音下方的海报里的二维码来咨询报名。今天是摄影早自习陪伴大家的第1754天，我是叶梓，每天早上6:30，微信公众号“摄影早自习”，不见不散。

参加“艺卓杯摄影大赛”，请关注微信公众号“摄影早自习”，回复：艺卓早安，我是叶梓，今天是摄影早自习陪伴大家的第1754天。今天是我们聊画幅的第三课，之前好像没有聊过这么仔细的，这次就聊个痛快。那么之前我们了解了全画幅，说它是柯达小铁桶胶卷135型胶卷的感光面积：24×36mm。又聊了它砍一半的面积，就是那个所谓的半画幅 ——APS-C画幅，但是我也说了这两个画幅面积并不完全相等，最后我们又聊了M4/3画幅。Photo by Patrick on Unsplash这里我补一句，全画幅和APS-C画幅都是2:3的尺寸，唯独M4/3画幅它是4:3尺寸，这个长宽比变了。其实咱们手机拍照也都是4:3尺寸为主，所以下次你一看照片2:3的，你就知道了要么全画幅，要么APS-C画幅，对吧。一看4:3就知道了，要么就是手机拍的，要么就是M4/3画幅拍的。当然还有富士的所谓的“4433”的中画幅。富士GFX 50S 感光元件43.8x 32.9mm 图片来源：富士官网中画幅又是什么玩意呢？之前其实我跟大家提了一嘴，就是在整个相机大家族里边，135胶卷那绝对是“小画幅”啊，绝对是很小的，因为它的老大哥有的是。其中比它大一点的就有一种胶卷，它也是胶卷，也是卷在一根卷轴上的一个东西。那个胶卷的宽度是6cm多一点，我没细量过，我在网上查了一下资料，是6.15cm宽吧，因为它也是一长卷，所以它肯定也能拍很多张是不是？每拍一张把这个胶卷卷一卷，然后就拍下一张。左：135胶卷 右：120胶卷 图片来源：淘宝画英雄那你也可以想象了，这个胶卷它限制了我们的感光的面积的高，但是宽其实随便你造是不是？所以我们有好多种中画幅的相机，它用来感光的面积最小的6×4.5cm，大一点6×6cm正方形，再大6×7cm，6×9cm，甚至高达“617”——6×17cm。富士就有生产这个相机，名字特别好记，因为它差一点就“618”了。那么这种相机看上去它拍的照片特别宽特别长，胶片面积也特别大，但是因为它用的胶卷还是那个6cm宽度的120胶卷，所以我们还是管它叫做中画幅相机。FUJI（富士） PANORAMA G617 PRO 宽幅相机 图片来源：祥升行相机博物馆其实同样的事情也发生在135的胶卷里头。我之前说了135胶卷的总宽度是35mm，但是要去掉齿孔，所以用来感光拍照片的面积最高也就是24mm，但是宽度其实也是不受限制的，所以才会有之前说的半画幅相机——半格相机24×18mm宽度的感光面积。当然也有更宽的，就是哈苏XPan，其实我自己非常喜欢这个机器，但是今天也没买得起。哈苏这个相机它能拍的最大的最宽的画幅是24×65mm，它的长宽比是6:17，你看又是“617”。这两种相机它都是用了一种尺寸比较小的胶片，但是却因为拓展宽度而达到了很大的感光面积，很清晰的画质的这么一种结果，是非常讨巧、非常聪明的。但是它的长宽比因为非常奇葩，所以构起图来也确实考验人。HASSELBLAD（哈苏） Xpan 宽幅相机图片来源：祥升行相机博物馆还是回到中画幅的话题上来，不难看出，中画幅的宽度随便搞，但是这高度肯定是6cm。中画幅里有谁最常用的、最标准的呢？其实大家比较习惯正方形6×6，单位是cm，这个是中画幅里的标准画幅，就像135画幅的标准化画幅是24×36mm一样（长宽比是）2:3，中画幅120胶卷里面最常见的是1:1。Ricoh（理光） 120中画幅相机图片来源：祥升行相机博物馆但不管怎么样，你会发现富士所生产的中画幅数码相机，它严格来讲确实不应该算中画幅，它的大小是44×33mm，它不及6cm宽，所以它是介于135画幅——所谓的全画幅和120的中画幅之间的一个尺寸。所以有人也带有鄙视性的称其为残中幅、中残幅。我其实也不太喜欢这个词，因为听上去有点不太文明，是不是？感觉总有一点那种鄙视链的意味，这个是我们不想要的。但是反正大家叫也叫惯了，就叫富士中幅，就代称它那种“4433”画幅的相机了。其实哈苏的X1D它其实也是这个尺寸，“4433”。其实还有别的尺寸也是介于全画幅和中画幅之间，比如说宾得的645z，它的尺寸43.8×32.8mm。在这些名称被历史统一之前，我们就暂且都称它为中幅好了，暂且饶它们一命。但是你心里要知道，就是我们一说中幅，第一反应其实是6×6cm的感光元件的尺寸或者是胶片的面积。有没有这样的数码相机是民用级的呢？有的，其实哈苏还有飞思——这个品牌大家可能不熟悉，因为它实在是太专业了——这两个品牌它都有6×6cm的标标准准的中画幅的数码后背。Phase One（飞思）XT相机 图片来源：Phase One中国什么叫数码后背？其实就是说它这个后背是跟机身分开卖的，感光元件这个区块，包括屏幕在内，它整个后边这半截是跟前面的机身分开卖的，就管它叫数码后背，你就暂时这么理解吧，反正它是个专业玩意。这种东西的画质真的不是那种偏小的画幅的数码相机能够比拟的，但是它也确实有它的缺点，什么对焦特别慢啊，什么拍东西连拍速度极慢无比啊，相机相对比较笨重啊，这些东西其实都是刚好跟 M4/3画幅的特别小画幅的奥林巴斯相机对着的。奥林巴斯所擅长的，它都不擅长，而它所擅长的奥林巴斯都不擅长。最后我还是要嘱咐一句，中画幅之上其实还有大画幅，但是大画幅的尺寸比例就非常非常的多了。你就记着只要不是用中画幅120胶卷的，比它大的都叫大画幅。它除了画质好以外，其实还由于它的相机设计的特殊的原因，它可以实现一些像移轴这样的特殊效果，这个我们今天不展开谈。Speed Graphic大画幅相机 图片来源：祥升行相机博物馆你还需要知道一点的是，大画幅的胶卷是没有那种卷轴状的，它不像135胶卷是一个小铁桶，也不像120胶卷是一个小纸筒，它是一片一片的。这个道理也很好理解，就是因为它画幅实在是太大了，卷起来再摊开来拍照它的边肯定不是很平整，到时候会有很大的成像上的问题。最后还是做个总结吧，其实还是那句话，画幅这个东西它也并不说是谁大谁就好，也不是说谁小谁就好，它们各有所长。我自己干活的时候愿意拿全幅，弱光的时候愿意拿全画幅，因为它成像素质好。偶尔的情况下拍商业片需要更高的成像的时候会拿中幅。但是旅行摄影，包括为甲方干活的那种旅行摄影，委托创作的这种，大量的时候我其实都是带奥林巴斯走，用的是M4/3的画幅。因为我懒啊，我就是想要轻便的嘛，而且它拍出来的画质在大部分情况下是绝对够用的，那够用不就好了吗？好，画幅的故事我们就聊这么多了，希望各位同学有所收获，我知道大家有很多问题想讨论，任何问题都可以在底部向我留言，不管是在微信公众号还是喜马拉雅里，你们的留言我都能看得见。有问题也欢迎在下方提问，我会尽力为你解答。另外别忘了艺卓和我们联合主办的“艺卓杯摄影大赛”就在这个月底截稿，现在还有三四天的时间，大家不要错过了投稿的机会，那个大奖是非常诱人的——专业的艺卓显示器，艺卓可是显示器界的天花板级的存在。具体的比赛信息、投稿信息请点击今天的微信公众号“摄影早自习”的第二条图文链接，或者你就在我们的微信公众号摄影早自习底下回复“艺卓”两个字，艺术的艺，卓越的卓。另外11月7号我们的颐和园的外拍课程已经确认成团，现在正是秋色最美的时候，大家不要错过，你可以扫描语音下方的海报里的二维码来咨询报名。今天是摄影早自习陪伴大家的第1754天，我是叶梓，每天早上6:30，微信公众号“摄影早自习”，不见不散。

Simon, Andrew and Yevgeni venture out on their first LFPP outside broadcast. Unfortunately Erik couldn't get a ticket across the Atlantic so we had to use a naked female shop dummy as an able replacement.   After two previous attempts we arrive at the wonderful imaginarium where Dave eats, sleeps and breathes creative photography.   For part 2 we are mostly in the darkroom where the magic is revealed and the Tintypes of Dave come out pretty darn well. What a brilliant day we had and both of us are hooked.     Things we chatted about on the show:   Dave works closely with Jeff Perry who has helped him bring his photographic equipment vision to reality and Andrew will be using his 4x5 back and wetplate insert in pt 2 https://20thcenturycamera.com/   Dave goes out of his way to shop locally where he can for his film and chemical supplies. RK Photographic is a long established high street retailer originally based in Potters bar, North London they recently relocated to Letchworth. https://www.thedarkroom.co.uk/?fbclid=IwAR0N2nk7wCiS0zBWoLhGYFflKGw0iPn6n9TyN07r3B6RbabwrbqjJYsScX0   Kevin Lunham operates Wet Plate Supplies from Ramsey (down the road from Andrew) and is a brilliant place for all you may need for wet plate and your alternative photographic process. http://www.wetplatesupplies.com/?fbclid=IwAR3E7f82xQNxk6VWveNm7ww5UAKVqjwrszku72peWHUJAgSARpjVaUinddA   Process Supplies in London – Founded in 1928 PS are one of the oldest photographic supply companies in Great Britain and still run by the Willes family in the same Clerkenwell premises. https://www.processuk.net/   Dave Burnett – the guy that shot the 2012 Olympic Games on a Speed Graphic with an Aero Ektar lens and took the photographs that  led Dave into LF photography. https://www.davidburnett.com/?fbclid=IwAR2e1cDtTHMzQPA15mwwGG1M5zYWGHdotLb4VkAQPN0TiKYJ_LAi8PdvZlA   http://grahamcopekoga.com/?fbclid=IwAR2XHzGNnDtrW_JEUh7xia6BZyxTcMQTc88IihFD0BxJ1eFzOLAGjxrYh0A   Dollies Little Follies make accessories and home décor with very much a quirky twist – perfect for Dave as he brings his vision into reality. Dollie'slittlefolies (@BlackRoseCamden) / Twitter     Dave's links https://www.instagram.com/dave_shrimpton/   https://daveshrimpton.co.uk       LFPP links -   https://largeformatphotographypodcast.podbean.com/   ko-fi.com/largeformatphotographypodcast   You can join in the fun at our Facebook Group https://www.facebook.com/groups/2296599290564807/   And now our Flikr group curated by Colin Devroe https://www.flickr.com/groups/lfpp/   Get Twitter updates for the show from Andrew – https://twitter.com/warboyssnapper   Or from Simon – https://twitter.com/simonfor   Email feedback, ideas and questions for the podcast largeformatphotographypodcast@gmail.com   Podcast Hosts Social Media presence   Simon Forster www.classiclensespodcast.com   www.simonforsterphotographic.co.uk   https://stores.ebay.co.uk/itsfozzyphotography   https://www.flickr.com/photos/125323761@N07/   https://www.facebook.com/SimonForsterPhotographic/   https://www.instagram.com/simonforsterphotographic/   https://twitter.com/SimonFor   Andrew Bartram https://anchor.fm/thelenslesspodcast   https://andrewbartram.wordpress.com   https://www.instagram.com/warboyssnapper   https://www.instagram.com/warboyssnapper_pinholes   https://www.flickr.com/photos/warboyssnapper/   https://twitter.com/warboyssnapper   Erik Mathy A not updated website. https://www.erikmathy.com/about   IG probably best for all things including rabbits. https://www.instagram.com/erikhmathy/?hl=en   Stay Safe

Not to forget a Speed Graphic! Want to support my shows? You can, just visit this link at Paypal, or go to SupportKenneth.com to add your monthly contribution to keep the lights on! Check out my YouTube Channel of Photography Talks, my 6x6 Portraits Blog and my Daily Photography Podcast. Thanks! --- Send in a voice message: https://anchor.fm/kenneth-wajda/message Support this podcast: https://anchor.fm/kenneth-wajda/support

Simon, Andrew and Yevgeni venture out on their first LFPP outside broadcast. Unfortunately Erik couldn't get a ticket across the Atlantic so we had to use a naked female shop dummy as an able replacement.   After two previous attempts we arrive at the wonderful imaginarium where Dave eats, sleeps and breathes creative photography.   For part 1 we chat to Dave over coffee and Kit Kats as he shows us his various go to 4x5 cameras. Venturing into his photographic imaginarium that is his studio and we are like kiddies in a sweetshop…..oh and Simon exposes some LF film in his Chroma Carbon Adventurer camera.     Things we chatted about on the show:   Dave works closely with Jeff Perry who has helped him bring his photographic equipment vision to reality and Andrew will be using his 4x5 back and wet plate insert in pt 2 https://20thcenturycamera.com/   Dave goes out of his way to shop locally where he can for his film and chemical supplies. RK Photographic is a long established high street retailer originally based in Potters bar, North London they recently relocated to Letchworth. https://www.thedarkroom.co.uk/?fbclid=IwAR0N2nk7wCiS0zBWoLhGYFflKGw0iPn6n9TyN07r3B6RbabwrbqjJYsScX0   Kevin Lunham operates Wet Plate Supplies from Ramsey (down the road from Andrew) and is a brilliant place for all you may need for wet plate and your alternative photographic process. http://www.wetplatesupplies.com/?fbclid=IwAR3E7f82xQNxk6VWveNm7ww5UAKVqjwrszku72peWHUJAgSARpjVaUinddA   Process Supplies in London – Founded in 1928 PS are one of the oldest photographic supply companies in Great Britain and still run by the Willes family in the same Clerkenwell premises. https://www.processuk.net/   Dave Burnett – the guy that shot the 2012 Olympic Games on a Speed Graphic with an Aero Ektar lens and took the photographs that  led Dave into LF photography. https://www.davidburnett.com/?fbclid=IwAR2e1cDtTHMzQPA15mwwGG1M5zYWGHdotLb4VkAQPN0TiKYJ_LAi8PdvZlA   http://grahamcopekoga.com/?fbclid=IwAR2XHzGNnDtrW_JEUh7xia6BZyxTcMQTc88IihFD0BxJ1eFzOLAGjxrYh0A   Dollies Little Follies make accessories and home décor with very much a quirky twist – perfect for Dave as he brings his vision into reality. Dollie'slittlefolies (@BlackRoseCamden) / Twitter     Dave's links https://www.instagram.com/dave_shrimpton/   https://daveshrimpton.co.uk       LFPP links -   https://largeformatphotographypodcast.podbean.com/   ko-fi.com/largeformatphotographypodcast   You can join in the fun at our Facebook Group https://www.facebook.com/groups/2296599290564807/   And now our Flikr group curated by Colin Devroe https://www.flickr.com/groups/lfpp/   Get Twitter updates for the show from Andrew – https://twitter.com/warboyssnapper   Or from Simon – https://twitter.com/simonfor   Email feedback, ideas and questions for the podcast largeformatphotographypodcast@gmail.com   Podcast Hosts Social Media presence   Simon Forster www.classiclensespodcast.com   www.simonforsterphotographic.co.uk   https://stores.ebay.co.uk/itsfozzyphotography   https://www.flickr.com/photos/125323761@N07/   https://www.facebook.com/SimonForsterPhotographic/   https://www.instagram.com/simonforsterphotographic/   https://twitter.com/SimonFor   Andrew Bartram https://anchor.fm/thelenslesspodcast   https://andrewbartram.wordpress.com   https://www.instagram.com/warboyssnapper   https://www.instagram.com/warboyssnapper_pinholes   https://www.flickr.com/photos/warboyssnapper/   https://twitter.com/warboyssnapper   Erik Mathy A not updated website. https://www.erikmathy.com/about   IG probably best for all things including rabbits. https://www.instagram.com/erikhmathy/?hl=en   Stay Safe

Try a Speed Graphic and channel your inner Weegee! Want to support my shows? You can, just visit this link at Paypal, or go to SupportKenneth.com to add your monthly contribution to keep the lights on! Check out my YouTube Channel of Photography Talks, my 6x6 Portraits Blog and my Daily Photography Podcast. Thanks! --- Send in a voice message: https://anchor.fm/kenneth-wajda/message Support this podcast: https://anchor.fm/kenneth-wajda/support

Neil heads off out for a walk with too many cameras... Speed Graphic, Holga, ONDU, A1 & the Vista Colour Camera...which ones will he actually use? Tune in to find out as they say...! He is available in both ears this time, if a little quiet...! ------------------------------- As always please feel free to drop us an email at sootandwhitewash@gmail.com or send us a call in if you'd like to get your voice out on the show! You can do this either through the anchor app or email us a voice recording. If you like what we do and would like to support the show please head over to https://ko-fi.com/sootandwhitewash Neil - @neil_piper on instagram and www.neilpiper.com Alex's - @grainyblur on instagram Show instagram - @sootandwhitewash Thanks for taking the time to listen! Intro/outro music is: "RetroFuture Clean" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/ --- Send in a voice message: https://anchor.fm/sootandwhitewash/message

In todays show Neil visits his first car boot sale since the world went down the toilet, shoots some film around the sale and comes away with some surprising bargains. He then goes for a wander through the woods chasing elusive rays of light to make some more photographs with Stewie the Speed Graphic. He also gets attacked by mosquitoes. Honestly, first cows now freaking mozzies... And just so you know, episode 54 is already in the bag and follows on with Neil actually using that cool Kodak...tune in soon for the results! ------------------------------- Anil Mistry's work mentioned is called Ritual, and some of it can be seen here. I believe he's releasing it soon as a book as well. ------------------------------- As always please feel free to drop us an email at sootandwhitewash@gmail.com or send us a call in if you'd like to get your voice out on the show! You can do this either through the anchor app or email us a voice recording. If you like what we do and would like to support the show please head over to https://ko-fi.com/sootandwhitewash Neil - @neil_piper on instagram and www.neilpiper.com Alex's - @grainyblur on instagram Show instagram - @sootandwhitewash Thanks for taking the time to listen! Intro/outro music is: "RetroFuture Clean" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/ --- Send in a voice message: https://anchor.fm/sootandwhitewash/message

Just Neil this episode out in the forest following part of the Southwold to Halesworth narrow gauge railway line again. This episode he brings along Stewie the Speed Graphic, his Canon A1 and the Minolta Riva Panorama to make some images on sheets of Foma 400 and some 35mm Kentmere 400. ------------------------------- Forgot to make proper notes, sorry! I know that Analogue Wonderland was mentioned Henry and his Tales from The Magic Box podcast Im pretty sure an undated box of film was mentioned and called Ilford FP3. It was actually FP4. ------------------------------- As always please feel free to drop us an email at sootandwhitewash@gmail.com or send us a call in if you'd like to get your voice out on the show! You can do this either through the anchor app or email us a voice recording. If you like what we do and would like to support the show please head over to https://ko-fi.com/sootandwhitewash Neil - @neil_piper on instagram and www.neilpiper.com Alex's - @grainyblur on instagram Show instagram - @sootandwhitewash Thanks for taking the time to listen! Intro/outro music is: "RetroFuture Clean" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/ --- Send in a voice message: https://anchor.fm/sootandwhitewash/message

What can you do with just two frames? Comments? Send them to me at info@kennethwajdaphotographer.com and find me on the web at KennethWajdaPhotographer.com, on IG at www.instagram.com/kennethwajda/ and on YouTube at HeresToGoodLight.com - We can post our photo assignment photos and connect on the Daily Photography Blog FB Group at www.facebook.com/groups/2151928021601330/ --- Send in a voice message: https://anchor.fm/kenneth-wajda/message Support this podcast: https://anchor.fm/kenneth-wajda/support

In todays show Alex and I have a catch up regarding Project Box Camera and our experiment involving our large format cameras, and he finally joins the Podcasters Union...your membership card is in the post pal.

In this episode I venture into the outside world with my Speed Graphic for the first time. There's me learning stuff, having fun, getting stuff wrong, pulling my hair out (what little is left) and ultimately a happy ending. Its a bit longer than I'd hoped but that happens I guess sometimes when you ramble on without a coherent idea of what you're doing... Apologies for the wind noise in some of the segments. Theres a lot of cursing in this show just to warn the people that care... ------------------------------- ...and who's Stewie you ask? Well, I was reading something about people having names for their large format cameras the other day and I thought it was odd. But I still got to thinking what the Speed Graphic's name might be. I was watching an episode of Family Guy and it occurred to me that the initials SP, Speed Graphic, were the same as Stewie Griffin...therefore Stewie the Speed Graphic. Dumb, but it appears to have stuck. As always please feel free to drop me an email at sootandwhitewash@gmail.com or send me a call in if you'd like to get your voice out on the show! You can do this either through the anchor app or email me a voice recording. If you like what I do and would like to support the show please head over to https://ko-fi.com/sootandwhitewash Instagram - @neil_piper and @sootandwhitewash www.neilpiper.com Thanks for taking the time to listen! Intro/outro music is: "RetroFuture Clean" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/ --- Send in a voice message: https://anchor.fm/sootandwhitewash/message

Try a Crown Graphic, a Speed Graphic or a Busch-Pressman 4x5. Comments? Send them to me at info@kennethwajdaphotographer.com and find me on the web at KennethWajdaPhotographer.com, on IG at www.instagram.com/kennethwajda/ and on YouTube at HeresToGoodLight.com - We can post our photo assignment photos and connect on the Daily Photography Blog FB Group at www.facebook.com/groups/2151928021601330/ --- Send in a voice message: https://anchor.fm/kenneth-wajda/message Support this podcast: https://anchor.fm/kenneth-wajda/support

In this show I start by talking about my EMULSIVE Secret Santa gifts, and then give a shoutout to my favourite new podcast - Tales From The Magic Box with Henry Scott. I then go on to talk through (at length, sorry) the act of making my first 4x5 image with my Speed Graphic. ------------------------------- Emulsive: https://emulsive.org Tales From The Magic Box: https://podcasts.apple.com/us/podcast/tales-from-the-magic-box/id1472051992 ------------------------------- As always please feel free to drop me an email at sootandwhitewash@gmail.com or send me a call in if you'd like to get your voice out on the show! You can do this either through the anchor app or email me a voice recording. Instagram - @neil_piper and @sootandwhitewash www.neilpiper.com Thanks for taking the time to listen! Intro/outro music is: "RetroFuture Clean" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/ I think I swore a bit more than normal in this show...apologies for that. Also halfway through the show recording I realised I had gone out in my pyjamas. I didn't care... --- Send in a voice message: https://anchor.fm/sootandwhitewash/message

David Burnett is a photojournalist with more than 5 decades of work covering the news, the people, and visual tempo of our age. He is co-founder of Contact Press Images, the New York based photojournalism agency. In an issue of American Photo magazine, Burnett was named one of the "100 Most Important People in Photography." (That made his mom very happy.)   In the spring of 2018, David was awarded the Sprague Award for Lifetime Achievement from the National Press Photographers Assn., though he claims he is trying to figure out what his subsequent 'lifetime' work will be.  In his career, he has created photographs of history unfolding: war, sport, politics, the famous, the infamous, and the Unfamous. In a world gone mad over digital photography, his kit includes a 70-year-old Speed Graphic press camera, and a plastic $30 HOLGA.  Each has a place alongside his digital cameras, each camera a tool to find the right look for the right moment. Resources:   Download the free Candid Frame app for your favorite smart device. Click here to download for . Click here to download Support the work we do at The Candid Frame with contributing to our Patreon effort.  You can do this by visiting or visiting the website and clicking on the Patreon button. You can also provide a one-time donation via . You can follow Ibarionex on and .    

November 19, 2018 - Our time machine hauls out the big, bulky Speed Graphic camera and watches the ultimate watcher of watchers in 1930s, '40s and '50s New York City: Arthur Fellig. Helping haul the tripod around to various crime scenes and disasters is Christopher Bonanos who brings us Flash: The Making of Weegee the Famous. Even if you don’t know the name, you've seen his gritty images from the 1930s through '50s. It's an incredible body of work produced by a photographer who hammed up claims of an uncanny ability to show up at a crime scene just as the cops did -- a human Ouija board. Christopher Bonanos is city editor at New York magazine where he covers arts and culture and urban affairs. His previous book is Instant: The Story of Polaroid. Follow him on Twitter @HeyBonanos and @PolaroidLand on Instagram.        

There were a few audio issues with this episode. Please bear with us through the pops, scratches, and bangs. The boys start off with a discussion of the ins and outs of leaving cameras in your car during hot weather (00:00) and Nick explains why he wants a camera like a bar of soap (13:00). They continue the discussion of the travel camera they started in the last episode (14:40). Graham can’t remember the name of the Olympus Trip 35 and felt like a fool for forgetting (23:50). He then redeems himself with a reconfiguring of the body of a travel 35mm camera on the model of the film cartridge backs of medium format cameras (28:20). Graham talks about Graham (another one, better known as Chickenthumbs on Instagram) 41:45. Graham blathers on and on about his Flex-O-Pan at 58:00 so you’ll probably want to skip ahead to the good stuff, like the next episode of Photography Matters with Ted Viera. The talk turns to a Kickstarter campaign to create a digital sensor that drops into a standard 35mm camera and how that could be the source of sensors for digital camera builds (https://www.kickstarter.com/projects/1374923168/film-35-innovative-photography-experience) (1:29:00). Nick sends a shout out to Ralph Lundval (1:53:20) and the images he posted using an enlarger lens and a Speed Graphic.

It's finally come to this, Mike, John, and Alex dive into the wonderful world of large format, specifically 4x5 cameras and discuss the Speed Graphic, the Crown Graphic, and the Calumet CC400. Other topics include developing at home without a Jobo and some of the new 4x5 films available outside of the big three (Kodak, Ilford, and Fuji).

Le photographe Luc Quelin (www.lucquelin.com) parle aux étudiants IFM de Weegee (Usher Fellig, 1899-1968), qui a joué un rôle-clé dans l'histoire de la photographie et a largement influencé tant les photo-reporters que les artistes du pop-art. Originaire de Galicie en Ukraine, il a commencé comme "squeegee boy" (essoreur de photos) dans les magazines avant de se promener dans les rues de New York avec son appareil à chambre Speed Graphic 4x5. Weegee passait ses nuits dans sa voiture et dormait n’importe où pour être au plus près de l'événement. Sa voiture abritait un laboratoire photographique dans le coffre, de nombreux appareils photographiques préchargés en plaques, ainsi qu’un stock d’ampoules de flash et une machine à écrire. A partir de 1938, il a été le premier photographe à être branché sur la radio de la police. Sachant titrer ses photos avec distance et ironie, il était également un grand technicien de la lumière. Il fut également le premier à créer des "séries" (dormeurs, accidents, noyades...) et à s'intéresser aux enseignes lumineuses des villes, un aspect de son art qui inspira les artistes du pop-art. Pour résumer son approche : "il n'y a pas de sujet qui ne mérite photographie".

 This weeks guest is Frank Thorp!Listen along while he explains his process of covering the impeachment hearings with his 4x5 Speed Graphic. Franks coverage of the trail is timeless and super inspiring. His message of just getting out and doing it motivated me to load some film holders and get my butt up and make some photos! We are so excited for you guys to check this one out and we can't thank Frank enough for coming on the show! https://www.instagram.com/frankthorpv/Help support the show by joining our Patreon!!!Get early access to our episodes every Monday 2 Days early!!!https://www.patreon.com/analogtalkPick up some Analog Talk MERCH!!!!https://analogtalkpodcast.bigcartel.com/Head over to polaroidoriginals.com and use the code ANALOGTALK10 for 10% off on your purchase!!And don't forget to follow us on Instagram https://www.instagram.com/analogtalkpodcast/https://www.instagram.com/timothymakeups/https://www.instagram.com/chrisbphoto/Thanks so much guys and we will see you next week!Support this podcast at — https://redcircle.com/analog-talk/exclusive-contentWant to advertise on this podcast? Go to https://redcircle.com/brands and sign up.