Camerosity

In Episode 92 of the Camerosity Podcast, we needed to promote every caller to "host status" to tackle the topic of the Italian camera industry.  While a huge number of cameras were made in Germany, Japan, the United States and the Soviet Union, many were made in other countries like Italy, France, England, and Czechoslovakia yet far less is talked about these countries. We attempt to do some justice to cameras from this boot shaped peninsula, spreading some (very expensive) GAS for models like the Rectaflex, Ducati Sogno, and Gamma II.  In an episode where everyone was a host, Mike, Theo, AJ Gentile, Miles Libak, Robert Rotoloni and Will Pinkham share our thoughts on a variety of models. Mike's best reference is an out of print book called Made in Italy: Apparecchi Fotografici Italiani by Marco Antonetto and Mario Malavolti.  This 1983 book is the best reference any of us have found covering the Italian camera industry.  Featuring images and short descriptions for over 150 Italian cameras, this book, plus our assessment of a few models we're familiar with, prove that the Italian camera industry is far deeper than many realize. In addition to a whole lot of Italian GAS, we go over the many different film sizes and formats used by Bencini cameras, Robert spends some time with his favorite Italian subminiature camera, the Gami 16, Mike struggles to explain how the metering system on the Durst Automatica works, he spends a great deal of time professing his love for the Ducati Sogno, and shares with us the wild operation of the very interesting Industria Scientifica Ottica Super Duplex 120, a strange stereo camera that shoots 24mm x 24mm stereo pairs on 120 format roll film. In addition to talking about Italian cameras, we get side tracked and talk about the new upcoming Yashica FX-D digital camera and Mike shares his thoughts on these "so-called" hybrid film and digital cameras and where he thinks the film industry will be in 50 years.  Will Pinkham asks about new 3D printed cameras like the Superflex and the Alfie Tych. As always, the topics we discuss on the Camerosity Podcast are influenced by you!  Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show.  We LOVE people who are into shooting or collecting cameras, no matter how long you've been doing it, so please don't consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, the Camerosity Discord server, and right here on mikeeckman.com. We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. For our next episode, we are recording at a special time to allow for our European and South African listeners to join us.  We don't have a specific topic selected for this show as these "Euro Time Zone Friendly" episodes generally are open to anything, so if you've always wanted to join us, but couldn't because we recorded in the middle of the night, this is your chance to call in!  We will record Episode 93 on Tuesday, June 3rd at 1pm Central Daylight Time, 2pm Eastern Daylight Time, 7pm British Summer Time, 8pm Central European Summer Time, and at 4am Wednesday, June 4th Australian Eastern Standard Time.   In This Episode Italian Camera Book / Italy's Camera History is Deeper Than You'd Think Bencini Comet III / Bencini Koroll II and Koroll S / 127 Size Images on 120 Italy's Camera Industry is Similar to France's Ferrania Also Released Cameras / Ferrania Rondine / The Ferrania Condor is Not a Leica Copy The Rectaflex Was Very Pretty and Innovative / Rectaflex Lichtenstein Mike Apologizes for the Expensive GAS From This Episode Theo Loves His Closter Camera Durst Made Four Cameras, the Duca, Automatica, 66, and the Gil Mike Fumbles His Way Through Explaining how the Durst Automatica Works Theo Lusts Over a Gold Plated Half Frame Italian Camera SSR Ducati Sogno is a Half Frame Super Camera Gamma Officine Meccaniche de Precisione Gamma II Phototeknica Eaglet Box Camera / What if Italian Companies Still Made Cameras? Bob Heaps Praise on the Unique Gami 16 Submini ISO Super Duplex 120 / Forty-Eight 24mm x 24mm Images on a Single Roll The Italian Camera Indusry is Very Deep / Bob is All Done Writing Books Italian Cars Are Unique Too / Theo and Bob Both Owned Fiats What Ended Camera Production in Italy? / The Rise of Japanese Industry Miles is GASing for a Rectaflex / Mike's Warning About the Viewfinder Get Yourself a Camerosity Podcast T-Shirt!!! Yashica FX-D: Your First Digital Film Simulation Camera / SOC Cameras Will 3D Printed Cameras like the Superflex and Alfie Tych Ever Become Collectible? Mike Doesn't think New 3D Printed Cameras Appeal to Too Many Collectors Film Cameras Will Outlive the Production of Film Links The Camerosity Podcast is now on Discord! Join Anthony, Paul, Theo, and Mike on our very own Discord Server. Share your GAS and photography with other listeners in the Lounge or in our dedicated forums. If you have questions for myself or the other guys, we have an “Ask the Hosts” section as well where you can get your question answered on a future show! Check it out! https://discord.gg/PZVN2VBJvm. If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group, Instagram page, or Discord server. Order Your Very Own Camerosity Podcast T-Shirt! - https://www.zazzle.com/z/tbykl0hg The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris - https://thisoldcamera.net/ Anthony Rue - https://www.instagram.com/kino_pravda/

Like the saying goes, "better late than never", the Camerosity Podcast is back with Episode 91, which is dedicated to cameras of the 90s.  Which 90s you prefer, 1890s or 1990s, all 90s cameras are welcome! Joining Anthony, Paul, Theo, Stephen, and Mike are returning callers, AJ Gentile, Ira Cohen, Miles Libak, Nick Marshall, Robert Rotoloni, and Will Pinkham and we cover a wide range of 1990s cameras and technologies.  Paul starts off with some stories about mini labs and how single use cameras became a big thing.  We dive into bridge cameras, including the Olympus IS-2 which Mike gave rave remarks to. We discuss a large number of point and shoot cameras including premium models by Nikon and Konica, and ponder why the Olympus Stylus Epic is so popular today.  We talk about some dead end technologies from the 90s such as Minolta's ill fated Creative Expansion and Canon's obscure barcode scanner for the EOS 10S. Not all technologies from the 1990s were failures though as the 1990s was the first decade of digital cameras.  Models like the floppy disc Sony Mavica and Nikon D1 were great cameras with a historical significance which helped prove that digital photography had arrived. We round out the discussion with why Theo loves the Mamiya 7 so much and how it compares to the Mamiya 6, Robert shares some info on the development of the Nikon S3 2000 edition, and we have a thorough discussion on Kyocera's Contax SLRs. As always, the topics we discuss on the Camerosity Podcast are influenced by you!  Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show.  We LOVE people who are into shooting or collecting cameras, no matter how long you've been doing it, so please don't consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, the Camerosity Discord server, and right here on mikeeckman.com. We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. For our next episode, we decided to explore the Italian camera industry as its not often discussed in camera collector circles.  While Germany, Japan, the Soviet Union, and the United States were well known as makers of fine cameras, a great number of really cool cameras were made in Italy such as the Rectaflex, Ducati Sogno, Gamma II, and other models by Bencini, Durst, and Ferrania.  Join us if you're a fan of cameras from this "boot shaped" country, and see if we can manage to fill an entire episode without getting distracted!  We will record Episode 92 on Monday, May 19th at 7pm Central Daylight Time and 8pm Eastern Daylight Time. In This Episode Jeff and Gabe Can't Pronounce French Names / Alan Peres Sends Us Emails Now Sometimes Its Hard to Remember That We Like Cameras from the 1990s The 1990s Was the Decade of the MiniLab and Single Use Disposable Cameras Olympus Invested Heavily in Point and Shoots in the late 1980s In the 1990s, Olympus Gave Up on Traditional SLRs and Created the IS-Series Olympus IS-2 / In the 90s Zoom Reach was Over Valued By Novices Why Are the Olympus Stylus Epics so Expensive? / µ[mju:]-II Nikon F5 Improvements Over the F4 / Paul Really Hates the Nikon N70 The Nikon N90/F90 Was Nikons Best Semi-Pro SLR of the 1990s Broken Battery and Film Doors Were a Huge Problem Back Then The Nikon 28Ti and 35Ti Are Impressive Cameras but Terrible Investments 1990s Underwater Cameras / How Many People Kept Shooting 80s Cameras in the 90s? Contax S2 and Other 1990s Contax SLRs / Contax S2 and ST Mike Likes the Contax RTS II and the Contax RX / Large Contaxes Like the N1 and AX The Minolta Maxxum 600si/650si Has Mechanical Knobs and is Awesome / Minolta Maxxum 9xi Minolta's Horrible Creative Expansion Cards / Disabling Features on Consumer SLRs / Canon Barcode Scanning System The Canon EOS-1n RS / Pellicle Mirrors / Canon EOS A2E / Canon's Eye Control System Premium Point and Shoots / Konica Hexar AF / Canon Elph Theo Loves the Mamiya 7 / Mamiya 6 / Everyone's First 110 Camera Nikon Started Working on the S3 2000 in the 1990s / Differences Between the 2000 and Original S3 Sony Floppy Mavica Cameras / Nikon D1 Alfred C. Kemper Kombi from the 1890s / Theo's 1890s Australian Studio Cameras Advanced Photo System (APS) Film and Cameras / Kodak Advantix Preview Links The Camerosity Podcast is now on Discord! Join Anthony, Paul, Theo, and Mike on our very own Discord Server. Share your GAS and photography with other listeners in the Lounge or in our dedicated forums. If you have questions for myself or the other guys, we have an “Ask the Hosts” section as well where you can get your question answered on a future show! Check it out! https://discord.gg/PZVN2VBJvm. If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group, Instagram page, or Discord server. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Keppler's Vault 101: Advanced Photo System - https://mikeeckman.com/2022/03/kepplers-vault-101-advanced-photo-system/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris - https://thisoldcamera.net/ Anthony Rue - https://www.instagram.com/kino_pravda/

As sometimes happens in the wonderful world of social media content creation, "the best laid plans of mice and men often go astray" we had plans to record Episode 90 back in March, but a variety of unfortunate and unrelated happenstances occurred which resulted in a short hiatus for recording.  We had planned on making Episode 90 a show all about Cameras of the 90s, but we had also wanted Episode 91 to be recorded with two special guests, so we were forced to do things out of order. Thankfully, the obstacles which caused our six week break didn't interfere with us sitting down with Jeff Greenstein and Gabe Sachs from the I Dream of Cameras podcast.  For those of you who are familiar with their show, you'll know that Jeff has a fondness for Alpa cameras, so this unofficially doubles as our first and probably only Alpa episode. After some short introductions, we refer back to a fun comparison between the two podcasts written by listener John Kelly and both hosts give our reactions to some of his funny answers.  We cover a variety of cameras that we all love and shoot, along with Jeff's deep dive into why he loves the Alpa 11si so much. Gabe shares a story of how he's had to rebuild his camera collection from scratch after losing it when his home burned down in the Palisades wild fires that ravaged Los Angeles earlier this year.  We ponder why the Hasselblad XPan can't get repaired anymore and what other cameras are on the verge of being unrepairable.  Mike shares three very different Alpas in his collection and shares what he likes and doesn't like about all three, Anthony shares his thoughts on a new (to him) Fuji camera he recently bought, and Paul talks about his plans for traveling to Ireland later this spring. As always, the topics we discuss on the Camerosity Podcast are influenced by you!  Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show.  We LOVE people who are into shooting or collecting cameras, no matter how long you've been doing it, so please don't consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, the Camerosity Discord server, and right here on mikeeckman.com. We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. As promised two episodes ago, we still want to do a Cameras of the 90s episode, but this time it will have to be Episode 91.  Finally, Theo will get a chance to talk about his beloved Mamiya 7, but in addition to that there were many other terrific cameras from that decade like the Nikon N90s and the premium 28Ti and 35Ti point and shoots, the Contax AX, and the Olympus µ[mju:]-II.  In addition to terrific film cameras, the 1990s was the first decade with a large number of digital cameras like the Minolta RD-175 and Nikon D1.  We will record Episode 91 on Monday, May 5th at 7pm Central Daylight Time and 8pm Eastern Daylight Time. In This Episode Jeff Greenstein and Gabe Sachs from I Dream of Cameras / Episode Numbers John Kelly Compares Camerosity and IDOC Podcasts: A Rebuttal Rich Coastal Elites vs Salt of the Earth Midwesterners / So Good Camerosity Yellow and Red is the Same as Kodak Yellow and Red Mamiya 7, Alpa 10s, Pentax 17, and Hasselblad 500 Why Can't Anyone Repair the Hasselblad XPan? / Unrepairable Cameras Paul Doesn't Know what Neon Genesis Evangelion Is Anthony and Paul Trade a Leica M2 for a Rolleiflex 3.5F Gabe Talks About Losing His House and Entire Camera Collection in the LA Wild Fires Limiting a Collection to 30 Cameras / Olympus Pen FT Jeff Handles an Ilford Witness / Anthony Much Prefers the Bell & Howell Foton Is there any Alpa Heritage in Bolex Cameras? / Kern Lenses / Kilfitt Makro Kilar Lenses Mike and Jeff Both See the World in 40mm / The Konica AR 40mm f/1.8 Lens is the Best Value in 40mm The Original Alpa Reflex is a Hybrid SLR and a Rangefinder Mike Had an M42 Alpa Lens with No Body So He Bought an Alpa Si2000 / Chinon CE-II Memotron Jeff's Rhapsody for the Alpa 11si / The Weirdest Motor Drive Ever / Engraved Cameras Jeff Goes to Paris Fashion Shows / Cincinnati Camera Show Update / Sydney Show Update Anthony Picks Up a Fuji GS645W Professional / Fuji's Barcode Film System More Recap of the Cincinnati Show Stephen Gets a Pentax 110 Auto / Theo Gets a Light Meter that Measures in Foot Lamberts Jeff Wants to Get a Pentax MX / He Has a Medical Camera Called the Pentax MF Jeff Also Got a Zeiss Taxona and a Mamiya Sketch Mike Picks Up a Minolta 35 Model IIB and an Original Argus C with the F/S Switch Links The Camerosity Podcast is now on Discord! Join Anthony, Paul, Theo, and Mike on our very own Discord Server. Share your GAS and photography with other listeners in the Lounge or in our dedicated forums. If you have questions for myself or the other guys, we have an “Ask the Hosts” section as well where you can get your question answered on a future show! Check it out! https://discord.gg/PZVN2VBJvm. If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group, Instagram page, or Discord server. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Jeff Greenstein and Gabe Sachs - I Dream of Cameras - https://www.idreamofcameras.com/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris - https://thisoldcamera.net/ Anthony Rue - https://www.instagram.com/kino_pravda/

A topic that we've lightly touched upon in previous episode, but never dared devote an entire episode to is the taboo subject of repairing your own cameras.  There are those who firmly believe all repairs should be left to the capable hands of professionals, but there are others who have no problem with opening their own cameras and trying it out themselves. If you're in the latter group and are interested to hear some tips and tricks from those of us who have been brave/foolish enough to try it, Episode 89 is all about repairing your own cameras.  Joining Paul, Stephen, Theo, and Mike are returning callers A.J. Gentile, Alyssa Micha, Andrew Reynolds, Christopher Wells, John Michael Mendizza, Keir Frei, Larry Effler, Pat Casey, Rafael Espinoza, Ray Nason, Wayne Scheipers, and Will Pinkham who all share their own experiences. We cover a wide range of topics, starting with what you can and cannot repair on a Kodak Medalist and whether you can still send your Leicas to the factory in Wetzlar to get repaired.  Hear who we think makes a good set of JIS screwdrivers, lens spanners, and Mike recommends a rubber grippy tool.  We share our recommendations for cleaning cameras, getting sticky residue off film doors, replacing mirror bumpers and foam light seals, how not to clean a reflex mirror, what works on lenses and what not to use.  We even cover the taboo topic of washing your camera in the dishwasher! Although there is very little GAS in this episode, we do get into a few model specific camera repairs.  Alyssa Micha shares with us her beautiful 1903 Kodak camera which had moldy bellows and what she needed to do to replace them.  We talk about how to and how not to fix the infamous Canon Squeal of the Canon AE-1 and A-1 cameras, along with how to deal with the sticky backs of the Nikon N80 and N90, Mike talks about a product he used to mold a custom hand grip for his Minolta 650si. We talk about various cleaners, when and when not to use lighter fluid, acetone, glass cleaner, and for the love of God, please never use WD-40 on any camera!  Although this whole episode is about home repairs and cleaning, we end the show talking about how best to take care of your camera to minimize its chances of never needing to be repaired, how to deal with humidity, and whether or not to store your cameras in their original leather cases. Meet Anthony, Paul, and Mike: If you are in the vicinity of Cincinnati, Ohio on Saturday, March 22nd, come to the Ohio Camera Swap at the Hilton Garden Inn Cincinnati/West Chester and say hi to us.  Who knows, maybe even some other Camerosity Podcast regulars will show up as well.  While you're there, maybe you can buy something from us! As always, the topics we discuss on the Camerosity Podcast are influenced by you!  Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show.  We LOVE people who are into shooting or collecting cameras, no matter how long you've been doing it, so please don't consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, the Camerosity Discord server, and right here on mikeeckman.com. We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. Our next episode will be number 90, and like we've done for episodes 70 and 80, we will be devoting the show to cameras of that decade.  For Episode 90, we will discuss cameras of the 1990s (or 1890s for that matter)!  Finally, Theo will get a chance to talk about his beloved Mamiya 7, but in addition to that there were many other terrific cameras from that decade like the Nikon N90s and the premium 28Ti and 35Ti point and shoots, the Contax AX, and the Olympus µ[mju:]-II.  In addition to terrific film cameras, the 1990s was the first decade with a large number of digital cameras like the Minolta RD-175 and Nikon D1.  We will record Episode 90 on Monday, March 24th at 7pm Central Daylight Time and 8pm Eastern Daylight Time. (Note that Daylight Savings Time started in North America on Sunday, March 9th, so be sure to check your local time if you plan on joining the show!) In This Episode Disclaimer: A Proper CLA is Always the Best Way to Get Your Camera Working / Technicians for Some Models Are Retiring You Don't Have to Use The Most Popular Technicians to Repair Leicas / Does Leitz in Wetzlar Still CLA Cameras? Larry Wants to Repair His Kodak Medalist / Mike Offers Tips on Cleaning the Medalist Rangefinder Rerolling 620 / Larry Reload 828 Film Using Unperforated 35mm Film 3D Printing Battery Holders for Nikon SLRs / 3D Printing for Analog Photography Facebook Group Cleaning Corroded Battery Compartments / Removing Stuck Pentax Spotmatic Battery Compartment Covers Eyeglass Screwdrivers Are Not Good Enough / Japanese Cameras Use JIS Screws Get Good Spanners / SK Grimes Spanners Are Very Good / Micro-Tools Mike Recommends Getting a Set of Rubber Grips for Removing Lens Rings How to Remove Stuck Filters Due to a Damaged Filter Ring How Do You Know Whether You Should Fix It or Live With It? Beware of Sellers Claiming a Camera Was CLAd If They Did It Themselves Repairing the Canon AE-1 / Canon Squeaky Shutters / Never Use WD-40! Using Ronsonol and Lighter Fluid / Naphtha Oil Use Caution When Cleaning a Reflex Mirror / What is a Front Surface Mirror? / ROR Solution Replacing Light Seals is a Good DIY Repair / Mirror Bumpers Do Not Shoot a Camera with Compromised Light Seals / Cleaning the Old Stuff Out First Are PEC Pads Recommended for Cleaning Cameras? / Kimwipes and Baby Wipes A Old Toothbrush and a Tiny Drop of Soap is Good for Cleaning Crevasses and other Tight Spots Cleaning and Conditioning Rubber Grips on Lenses / Shrinking Rubber Grips Cleaning Sticky Rubber Surfaces / The Nikon N80 and N90 Have Horribly Sticky Backs Making a Hand Grip for a Minolta 650si Using Sugru How Do You Know When a Shutter Needs to Be Serviced? Beware of Self-Timers on Old Cameras / What does "V" Mean on German Shutters? Tips for Keeping Your Camera Working / Use It / Remove the Batteries Controlling Humidity / Using Silica Gel Packets and Desiccants / Damp Rid Getting Rid of Ever Ready Cases / Are There Any Cases Worth Saving? An Easier to Remember Join Link - join.camerositypodcast.com Links The Camerosity Podcast is now on Discord! Join Anthony, Paul, Theo, and Mike on our very own Discord Server. Share your GAS and photography with other listeners in the Lounge or in our dedicated forums. If you have questions for myself or the other guys, we have an “Ask the Hosts” section as well where you can get your question answered on a future show! Check it out! https://discord.gg/PZVN2VBJvm. If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group, Instagram page, or Discord server. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris - https://thisoldcamera.net/ Anthony Rue - https://www.instagram.com/kino_pravda/

Way back in Episode 27, the Camerosity gang went on a three hour tour to a tropical paradise and asked everyone what would be their idea of three "desert island" cameras that they would want to be stranded with if they couldn't have anything else.  That discussion proved to be a fun one and something we had wanted to revisit again.  It would take us all the way to Episode 88 when we would finally put out the call for another Desert Island episode. Joining Anthony, Paul, Mike and our new regular host Stephen Strangways, are returning callers A.J. Gentile, Andrew and Christopher Wells, Ira Cohen, Will Pinkham, and first time caller Robin Stone. Starting with this episode, we are welcoming Stephen as one of the regular hosts to the show.  His presence and knowledge on many previous episodes has impressed us, and after considering regular scheduling conflicts with the four regular hosts, we thought it was time to add a fifth person.  Although Theo has missed the last two episodes, he is still very much apart of the show and will return soon.  With a fifth host, in the event one of the "original four" have a scheduling issue, we can continue without hesitation. On this episode, we go through a tremendous amount of GAS, covering many unexpected models including multiple Horseman cameras, a Fuji G617, Argus Brick, Nikon F2, Leica CL, Zeiss-Ikon Tenax II, and many, many others. In addition to commercially available cameras, both Andrew and Christopher Wells share with us their own home made 3D printed large format creations.  Custom cameras built to use any combination of lenses, shutters, and film backs in a million different combinations are truly one of the more fascinating aspects of this hobby.  And if 3D printing your own camera isn't cool enough, Andrew took it a step further and even made his own bellows! In addition to tropical island GAS, we answer the question of why the Nikon F mount is backwards of almost every other interchangeable lens system and the Wells brothers give us a quick update of the state of current Polaroid Originals instant film. Meet Anthony, Paul, and Mike: If you are in the vicinity of Cincinnati, Ohio on Saturday, March 22nd, come to the Ohio Camera Swap at the Hilton Garden Inn Cincinnati/West Chester and say hi to us.  Who knows, maybe even some other Camerosity Podcast regulars will show up as well.  While you're there, maybe you can buy something from us! As always, the topics we discuss on the Camerosity Podcast are influenced by you!  Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show.  We LOVE people who are into shooting or collecting cameras, no matter how long you've been doing it, so please don't consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, the Camerosity Discord server, and right here on mikeeckman.com. We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. For our next episode, we will be discussing camera failures and home repairs.  What are some of the most common problems vintage cameras face and what can you do to get them back up and working?  While the Camerosity Podcast fully recommends professional CLAs to keep vintage cameras going as long as possible, we understand that a full service on every vintage camera is impractical, so sometimes you have to take matters in your own hands.  If you aren't afraid to go inside a camera and possibly make it worse, the next episode may be for you!  We will record Episode 89 on Monday, March 10th at 7pm Central Daylight Time and 8pm Eastern Daylight Time. (Note that Daylight Savings Time starts in North America on Sunday, March 9th, so be sure to check your local time if you plan on joining the show!) In This Episode All Aboard the Second Ever Camerosity Desert Island Cruise! Robin Starts Us Off with the Horseman VH / AJ is Bringing His Kodak Retina IIIc and Kodak Tourist Anthony Brings a Fuji G617 with an Unlimited Supply of 220 Film Ira Brings the Nikon F2 / Why is the Nikon F-Mount Backwards from Most Other SLRs? Andrew Brings a Rolleiflex SL66 / Another Horseman Makes It to the Island / Horseman Convertible Will Brings Brings A Balda Rigona 127 Camera / Mike Recommends Other Cool 127 Cameras Paul Has a Case of Cheap Plastic Pocket Cameras Mike's First Camera is the Folding Mamiya Six Stephen Brings the Nikon FM2 or Maybe the Pentax MX Pentax MZ-S / The Entire Pentax MZ-Series Had Weak Plastic Gears But They Can Be Replaced Mike Still Loves the Pentax LX / The Pentax LX Has a Geared Exposure Counter Robin Brings His Argus C3 / Andrew and Chris Wells Both 3D Printed Their Own Cameras Chris Brings the first Canon, a Canon F-1 / Ira Brings a Nikonos 4 for Underwater Fun Anthony Has Experience with Nikonos and O-Rings / More Large Format Discussion Stephen Goes Small with the Olympus XA / Anthony Goes Prewar with the Voigtländer Bergheil Paul Loves his Canon G10 / Digital Cameras with Optical Viewfinders Anthony is Bringing His Recent Favorite, the Zeiss-Ikon Tenax II Chris Suggests the Olympus 35 RC / Mike Picks the First Leica, the Leica CL / 40mm Lenses Will Pinkham Brings a Konica I Rangefinder / Minolta 24 Rapid Paul's Third Camera is the Nikon F Andrew Loves the Polaroid SX-70 So Is Bringing Some on the Boat Stephen Appreciates a compact Auto Focus SLR, the Pentax MZ-3 Minox 35 GL / Bel Air Plastic Camera / Graflex Norita 66 / Akameter / Akarex / Akarelle We Have No Clue What Episode 89 Will Be About Links The Camerosity Podcast is now on Discord! Join Anthony, Paul, Theo, and Mike on our very own Discord Server. Share your GAS and photography with other listeners in the Lounge or in our dedicated forums. If you have questions for myself or the other guys, we have an “Ask the Hosts” section as well where you can get your question answered on a future show! Check it out! https://discord.gg/PZVN2VBJvm. The Camerosity Podcast is now on BlueSky @camerosity.bsky.social.  This modern, and clean replacement for Twitter is a nice alternative to cluttered social networks out there.  Follow us there for show announcements and other content. If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group, Instagram page, or Discord server. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris - https://thisoldcamera.net/ Anthony Rue - https://www.instagram.com/kino_pravda/

In yet another request from our listeners for topics you wanted to hear, for Episode 88, you can include me as someone whose been interested in hearing an episode about the Kodak Retina and other German Kodaks. For many years, whenever I needed to write something about the Retina, the person I always reached out to was Dr. David Jentz.  David is not only the founder of the Historical Society for Retina Cameras, but also has published multiple written works about the Retina and its history.  In addition to his knowledge about the Retina, David frequently collaborates with historian Klaus Schicht who has studied the man who created the Retina, Dr. August Nagel.  Although Klaus does not appear on the show, David was able to quote some information regarding topics we discussed on this show. If one Kodak historian was not enough, we also invited Todd Gustavson from the George Eastman Museum to be on the show to fill in the blanks for any other Kodak related questions which came up. This was a closed episode, so we did not have any callers, and both Paul and Theo weren't able to make it, but what we lacked in callers, we more than made up for in fascinating Kodak, Nagel, and Retina history. Listen to Episode 87 to get a background on who Dr. August Nagel was, how he became a doctor, brief histories of his time working for Contessa Nettel, Zeiss-Ikon, and Nagel Kamerwerke prior to joining Kodak.  Did you know that before Kodak AG made cameras, they made film in Germany? We discuss other German Kodaks such as the Recomar, Pupille, Kodak Duo Six-20, and the mysterious Kodak Regent.  We get into the differences between the use of "Nr." and "Type" when referring to prewar and postwar cameras, and finally solve the mystery of Paul's Retinette Angenieux lens. In addition to camera history, we also take a deep dive into Kodak's introduction to making 35mm film.  While Kodak's type 135 daylight loading cassette was their most notable contribution to 35mm film in the 1930s, did you know they made 35mm film for the Leica and Contax before that?  David shares with us information about Kodaks original 35mm film, along with some detailed patent information about the Retina, and much more! As always, the topics we discuss on the Camerosity Podcast are influenced by you!  Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show.  We LOVE people who are into shooting or collecting cameras, no matter how long you've been doing it, so please don't consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, the Camerosity Discord server, and right here on mikeeckman.com. We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. For our next episode, we are getting on a boat and heading on a "Three Hour Tour" for our second Desert Island episode.  If you were stranded on a desert island with only three cameras, which three would they be?  Will a high spec but fragile electronic camera make the cut, or will people choose less technically impressive models built to withstand a lot more abuse?  Let us know what you'd choose!  We will record Episode 88 on Monday, February 24th at 7pm Central Standard Time and 8pm Eastern Standard Time. In This Episode David's Origin Story / His First Camera was a Kodak Retina IIIS Kodak Used to Have a Camera Museum in Stuttgart David Jentz Formed with Peter Tosh the Historical Society of Retina Cameras HSRC Received Permission from Kodak and the Rights to use the Actual Retina Logo Are the Retinas Separated in the George Eastman Museum? / There Are 22,000 Items in the Eastman Museum Collection Who was Dr. August Nagel? / Nagel Started Contessa Nettel and Merged with Zeiss-Ikon in 1926 Nagel Worked for Zeiss-Ikon for About 18 Months and then Formed His Own Nagel Werke Nagels First Cameras were the Recomar, Vollenda, and Pupille Kodak Gave Nagel Very Little Direction, He Was Free to Do What He Wanted Kodak And Nagel Both Benefited from the Two Companies Working Together If You Ship a Camera and Lens Separately, There are No Tariffs Nagel was Most Famously Known as a Great Designer Kodak's Design of the New Daylight Loading 35mm Cassette Kodak Made 35mm Film for Leicas and Contaxes Before the Release of Type 135 Film Was the Retina an Immediate Success? / Why Were the Nr. 117, 118, and 119 Released So Quickly Kodak Duo Six-20 and Other Nagel Designed Cameras Mike Has Questions About Nagel's Role in Making the Kodak Regent / Kodak Regent II Kodak's Transition During World War II / Early Post War Retinas Used Steel in Their Construction Are Retinas with the f/2 Ektar Lenses Worth Paying a Premium / 47mm f/2 Kodak Ektars Were Also on the Premier Instrument Kardon Kodak's CAMEROSITY Date Codes / Many Retinas Were Sold through US PX Stores / Identifying PX Retinas David Jentz Dispels Some of the Myths Mike Got Wrong in His Reviews Dr. August Nagel Never Once Used the Word "Type" to Identify Different Cameras He Made The Mystery of Paul's Angenieux Lens / French Kodak Retinettes Links The Camerosity Podcast is now on Discord! Join Anthony, Paul, Theo, and Mike on our very own Discord Server. Share your GAS and photography with other listeners in the Lounge or in our dedicated forums. If you have questions for myself or the other guys, we have an “Ask the Hosts” section as well where you can get your question answered on a future show! Check it out! https://discord.gg/PZVN2VBJvm. The Camerosity Podcast is now on BlueSky @camerosity.bsky.social.  This modern, and clean replacement for Twitter is a nice alternative to cluttered social networks out there.  Follow us there for show announcements and other content. If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group, Instagram page, or Discord server. David Jentz - https://www.blurb.com/user/hsrc028N The Historical Society for Retina Cameras - https://www.hsrcretina.org/ HSRC Publications - https://www.hsrcretina.org/hsrc-publications The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris - https://thisoldcamera.net/ Anthony Rue - https://www.instagram.com/kino_pravda/

We return with yet another exciting episode of the Camerosity Podcast.  For Episode 86, we dip into the listener mailbag and select a topic you all have told us you wanted to hear about, adapting vintage lenses.  Taking an old film camera lens and mounting it to a modern digital camera isn't exactly anything new, as adapting lenses from one mount to another camera has been done since the early 20th century. But what about the crazy number of lenses that weren't meant to be adapted?  How about uncommon Angenieux lenses from French Kodak Retinettes, photocopier lenses, or astronomy telescopes?  If it has glass and it focuses light, it can be adapted, and that's what got us going on this episode. Joining Anthony, Paul, Theo, and Mike are returning callers, AJ Gentile, Miles Libak, Nick Marshall, Pat Casey, Patrick Rapps, Ray Nason, Stephen Strangeway, Will Pinkham, and first time callers Alyssa Micha, David Jentz, and Rollin Banderob. On this episode, we talk about a huge number of lenses we mount to various digital and film cameras, but Alyssa starts us off with an ambitious project of adapting 35mm lenses to a Crown Graphic Graflex press camera, Stephen gives us some education on flange distance, why the Nikon Z mirrorless camera is ideally suited for adapting lenses, and Theo gives us his thoughts on how well a Mamiya press lens performs on micro 4/3rds. We discuss whether it is wise to spend extra money on premium adapters vs the cheap Chinese ones you can find on eBay, David Jentz talks about adapting DKL mount lenses and the struggles to find a good DKL adapter, and why you need to be concerned with image circle size when picking lenses from differing formats. Miles Libak shares with us a purchase he just made of a Contarex lens mount converted Canon F-1, and Paul talks about the best adapters to use for adapting Nikon rangefinder lenses to modern digital cameras. This episode proved that a relatively simple topic of adapting lenses included a deep wormhole into a huge amount of combinations of lenses including Paul's tip on how to remove a stuck Leica M to LTM adapter. For those of you who can't get enough of the Camerosity Podcast and would like the chance to meet 3/4 of the hosts, Anthony, Paul, and Mike will be at the Cincinnati Camera show in West Chester, Ohio on Saturday, March 22nd!  If you have nothing going on that day and can make it to the Cincinnati area, come and join us! As always, the topics we discuss on the Camerosity Podcast are influenced by you! Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show.  We LOVE people who are into shooting or collecting cameras, no matter how long you've been doing it, so please don't consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, the Camerosity Discord server, and right here on mikeeckman.com. We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. For our next episode, we are are taking another suggestion from you all and dedicating a whole show to the Kodak Retina and other cameras made by Kodak AG, the German arm of Kodak in Stuttgart, Germany.  We will be welcoming author and Kodak Retina expert David Jentz, along with Kodak historian from the Eastman Kodak Museum, Todd Gustavson to talk with us.  This will be a closed episode, so we won't be taking any callers for this one, but rest assured, the Camerosity gang has a long list of great questions to ask our esteemed guests.  Episode 87 will be recorded soon and should be available by the end of February. In This Episode Ramir's Rare Adapters / Argus Brick to Micro 4/3s Adapting 35mm SLR Lenses to a Crown Graphic Graflex / Learning About Image Circle Size Flange Distance and Why it is Important When Adapting Lenses Adapting DKL Lenses to Nikon DSLRs and Z-Mirrorless Cameras / DKL Adapters are Finicky Nikon Z Cameras have the Narrowest Flange Distance and a Very Narrow Sensor Stack More Love for Ramir Rare Adapters Sold on eBay Adapting Nikon Rangefinder Adapters / Amedeo Adapters / Wide and Telephoto Lenses Only Need the External Bayonet Paul's Adapted Angenieux 45mm Lens from a Retinette / David Jentz explains the origin of French Lenses on German Kodaks The Reason You Should Adapt Lenses is Because They're Imperfect / Perfection is Boring Adapting Lenses from Projectors and Photo Copiers / Enlarging Lenses Theo Has Adapters for Mamiya Press Lenses and Pentacon Six to Micro 4/3rds Adapting Lenses Intended for the Visoflex is Great on Digital PC-Nikkor 28mm and 35mm Lenses Are Great for Pseudo-Panoramics Pentax Q Lenses / Akarelle Lenses / Auto Focus Lens Adapters Third Party Licenses for the Nikon Z Mount / Nikon AF Teleconverters Miles Bought a Canon F-1 Modified to Accept Contarex Lenses / Zeiss Lens Separation DAG Modified Color-Minotar Converted to LTM and Mounted to a Corfield Periflex Shooting Macro on a Yashica-Mat / Rollei Bay Filters / Parallax Correction on TLRs Is it Worth Spending More Money on Premium Adapters? / What Brands Should You Avoid? Do All LTM to Leica-M Adapters Work on Every Camera? / Removing Stuck LTM Adapters With a Lens Cap Adapting Telescopes to Cameras / Nikon F Mount Telescopes Lenses with Floating Elements Can Sometimes Not Focus Correctly When Adapted Links The Camerosity Podcast is now on Discord! Join Anthony, Paul, Theo, and Mike on our very own Discord Server. Share your GAS and photography with other listeners in the Lounge or in our dedicated forums. If you have questions for myself or the other guys, we have an “Ask the Hosts” section as well where you can get your question answered on a future show! Check it out! https://discord.gg/PZVN2VBJvm. The Camerosity Podcast is now on BlueSky @camerosity.bsky.social.  This modern, and clean replacement for Twitter is a nice alternative to cluttered social networks out there.  Follow us there for show announcements and other content. If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group, Instagram page, or Discord server. David Jentz - https://www.blurb.com/user/hsrc028N Amedeo Lens Adapters - https://www.ebay.com/usr/amedeo.m The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris - https://thisoldcamera.net/ Anthony Rue - https://www.instagram.com/kino_pravda/

The Camerosity Podcast returns with Episode 85 where we wander back into the wonderful world of high end camera auctions.  For this episode, we went all the way to Vienna, Austria and invited Jo Geier from Mint and Rare Cameras and the Wetzlar Camera Auctions.  In addition to Jo, we also welcomed back Dan Tamarkin from Tamarkin Camera and Auctions. Joining Anthony, Paul, Theo, Mike, and our two special guests are returning callers Brian McDomnhaill, Dan Cuny, Fernando Villava, Gheerwijn Clicque, Ira Cohen, Wes Loder, Miles Libak, Tom Zoss, and Wayne Scheipers, As you might expect when you have two of the world's most respected camera auctioneers on the same episode, we talk about a lot of super rare and collectible cameras.  Everything from the original Ur-Leica to rare cameras like the Carl Zeiss Jena Contax, the Australian Snider 35 rangefinder, and Luxus Leicas.  In addition to some pretty deep GAS, some love is given to several more affordable cameras like the Canon P, Tower/Nicca rangefinders, and the Nikon F4. In addition to GAS, several great questions were raised including whether or not the definition of 'rare' has changed over the years, whether or not finding collectible cameras is getting harder to find, and why there aren't more younger people collecting cameras. Jo tells us his origin story to how he started both companies and shares with us what his 'white whale' camera would be, Dan and Jo show appreciation for each other and talk about how they have collaborated in the past, including a very special Leica which Dan found at a Pennsylvania garage sale.  We revisit the need to get old cameras repaired sooner than later and how quickly experts in certain cameras are disappearing, tips and tricks for new collectors, and Jo proposes a $10 "ugly" camera challenge for anyone going to a camera show. As always, the topics we discuss on the Camerosity Podcast are influenced by you! Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show.  We LOVE people who are into shooting or collecting cameras, no matter how long you've been doing it, so please don't consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, the Camerosity Discord server, and right here on mikeeckman.com. We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. For our next episode, we are are going to the suggestion box and covering a topic that you all have told us you wanted to learn more about, adapting lenses.  There are many people in this hobby who love cameras, but love the lenses more.  While an old Kodak Ektra might be pretty to sit on the shelf, it is more practical to adapt that lens to a modern digital camera and see what kinds of results you can get from it.  Episode 86 will be dedicated to the hobby of using old lenses on modern digital cameras.  We will record Episode 86 at our regular time on Monday, February 10th at 7pm Central Standard Time and 8pm Eastern Standard Time.  If you live in a different time zone and would like to participate, be sure to check your favorite time zone calculator to find out the exact time in your region. In This Episode Jo Geier's Origin Story / Shooting a Yashica FX-D with No Film Wetzlar Auctions Runs One Auction a Year / Jo Doesn't Keep Too Many Cameras Dan Loves Wetzlar Auctions and Has Worked with them Many Times How Jo Determines What Goes to Auction and What Goes to Retail Auctions Set a Benchmark for What Things Are Worth / Collectiblend Has the Definition of "Rare" Changed? / What is the White Whale that Has Never Shown Up? Sometimes a Pristine and Truly Mint Camera is More Rare Than a Collectible Are Certain Things More Common in the US compared to Europe and Vice Versa? Most Collectible Cameras are no Longer Owned by their Original Owners / Large Collectors Zeiss Prototypes and Oddities are Far More Difficult to Come By than Leicas Paul's Story About a Guy Buying a Luxus Leica in 1984 The Rarest Cameras Need to be Handled in Person to Fully Authenticate Post War Carl Zeiss Jena Contaxes / Does Jo Sell Rare Japanese Cameras Jeicy 35 Rangefinder / Leotax A / Minolta Sky / Konica FR / Konica F / Canon Standard and Hansa Canons What Are the Most Surprisingly Beautiful Cameras Jo and Dan Has Ever Handled? Theo is Still Looking for a Snider 35 Camera / Bell & Howell Foton Everyone Lists Off Cameras They Think Are Pretty Is it Getting Harder to Find Rare Cameras to Sell? Gheerwijn Wants to Know Why There Aren't More Younger Collectors Anthony and Paul Just Bought an Unused, New in Box Nikon F4 and It Don't Work Getting Old Cameras Repaired Today / It's Already Too Late for Some Models Other Great Japanese Cameras / Tower Rangefinders How Often is the Same Camera Sold More than Once? Tips for Getting into Collecting For Those New to the Hobby Do the $10 Camera Contest / Buy the Worst Camera You Can Find and See What You Can Get Links The Camerosity Podcast is now on Discord! Join Anthony, Paul, Theo, and Mike on our very own Discord Server. Share your GAS and photography with other listeners in the Lounge or in our dedicated forums. If you have questions for myself or the other guys, we have an “Ask the Hosts” section as well where you can get your question answered on a future show! Check it out! https://discord.gg/PZVN2VBJvm. The Camerosity Podcast is now on BlueSky @camerosity.bsky.social.  This modern, and clean replacement for Twitter is a nice alternative to cluttered social networks out there.  Follow us there for show announcements and other content. If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group, Instagram page, or Discord server. Jo Geier - https://www.jogeier.com/ and https://www.wetzlarcameraauctions.com/ Dan Tamarkin - https://www.tamarkin.com/ and https://www.tamarkinauctions.com/ The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris - https://thisoldcamera.net/ Anthony Rue - https://www.instagram.com/kino_pravda/

We are back with the first new episode of 2025!  The Camerosity crew hopes you had a good start to the new year.  Unfortunately, the episode we had planned to have Jeff and Gabe from the I Dream of Cameras podcast had to be postponed due to the wildfires in Los Angeles.  Instead, we went to the Camerosity mailbox (aka Facebook) and did an episode about square format cameras.  We had intended to cover all cameras that shoot square format, but found so much to talk about with 35mm and 127, we didn't have much time for 120 6x6 cameras, so we can save that for a future show! Whenever you talk about square format 35mm, one of the more popular ones for collectors is the Zeiss-Ikon Tenax II, and whenever you mention the Tenax II, the Wes Loder's "Spidey Sense" starts tingling, so we were happy to welcome back Michael Wescott Loder for the first time since Episode 74! Joining Wes, Anthony, Paul, Theo, and Mike on this episode were A.J. Gentile, Ira Cohen, Miles Libak, Mina Saleeb, Robert Coates, and Will Pinkham where they all shared their favorite square format cameras. We attempt to start off the list of square format cameras in alphabetical order with the Altix and quickly move into the Berning Robot and Bilora Radix, but our plan quickly goes off the rails as we jump around the alphabet with cameras like the Akarette (which isn't even square format), Metz Mecaflex, Yashica 44, and the Purma Special.  We also cover the popularity of square format Rapid film cameras from Japan like the Minolta 24 Rapid, Canon Dial Rapid, and Fujica Rapid S2. One of the more sought after square format cameras is the Mamiya Sketch, a camera that Mike has previously reviewed, but Theo desperately wants to acquire to round out his Mamiya collection. Mike shares his tips on rolling your own 127 film using bulk 46mm film, and Will asks for recommendations on affordable entries into square format 35mm.  Although the group is initially stumped, Mike comes up with an off the wall solution that is quite affordable! As always, the topics we discuss on the Camerosity Podcast are influenced by you! Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show.  We LOVE people who are into shooting or collecting cameras, no matter how long you've been doing it, so please don't consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, the Camerosity Discord server, and right here on mikeeckman.com. We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. For our next episode, we are excited to revisit a topic that we love to talk about, Camera Auctions, specifically high dollar auctions.  Our special guest for the next episode will be Jo Geier from Wetzlar Camera Auctions.  In addition to Jo, we will be welcoming back Dan Tamarkin from Tamarkin Auctions in Chicago.  In order to accommodate Jo's time zone, this will be a "European Friendly Time Zone" episode.  We will record Episode 85 on Monday, January 27th at 1pm Central Standard Time, 2pm Eastern Standard Time, 7pm Greenwich Mean Time, and 8pm Central European Time.  For Theo, and those of you in Australia, this will be very early in the morning on Tuesday the 28th.  Please check your favorite time zone calculator to find out the exact time in your region if you'd like to participate. In This Episode Square Cameras Come in All Format / Using TLRs Over Your Head or Around Walls Eho-Altissa Altix / Altix I Through III Shoot 24mm x 24mm Berning Robots / 90 Degree Viewfinder / Robot Junior Large Wind Knob Robots / Loading a Robot Camera / Accidental Redscale Surprise Anthony and West Love the Zeiss-Ikon Tenax II  Lenses Used by the Navy Required Lens Coatings 35mm Square Format Was Driven by the Technology of the Time Aka Akarette / AGFA Square Format Cameras Usually Shot Rapid Film Japanese Rapid Cameras / Fujica Rapid S2 / Minolta 24 Rapid / Canon Dial Rapid AGFA Karat Film and Bilora Radix Cameras Japanese Bolta Cameras / Sida Extra and Bolta Photavit The Mamiya Sketch is a Sought After Square Format Camera Metz Mecaflex is the only 24mm x 24mm SLR Quite a Few 127 TLRs Shoot 4x4 / Many Called Baby or '44' Cameras Yashica 44 / Adapting to Use 35mm Film Purma Special Shoots 4x4 and has a Gravity Shutter Kodak Vest Pocket / Other Vest Pocket Cameras Super Flex Baby / Karmaflex / There Were a Lot of Japanese 4x4 Cameras Bencini Comet 44 / Czech Kola Camera The Doris 3a probably had a 1a and a 2a / Diana Mini Super Slides Were Popular For a While / Reloading 127 with 46mm Bulk Film Photo Labs Hated Non-Standard Film Formats Chroma Cube / Stereo Cameras are a Cost Effective Way to Shoot Square Format 35mm Links The Camerosity Podcast is now on Discord! Join Anthony, Paul, Theo, and Mike on our very own Discord Server. Share your GAS and photography with other listeners in the Lounge or in our dedicated forums. If you have questions for myself or the other guys, we have an “Ask the Hosts” section as well where you can get your question answered on a future show! Check it out! https://discord.gg/PZVN2VBJvm. The Camerosity Podcast is now on BlueSky @camerosity.bsky.social.  This modern, and clean replacement for Twitter is a nice alternative to cluttered social networks out there.  Follow us there for show announcements and other content. If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group, Instagram page, or Discord server. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris - https://thisoldcamera.net/ Anthony Rue - https://www.instagram.com/kino_pravda/

The end of the year is almost here, and the guys and I were getting that itch to record something, so on a dreary Boxing Day, we all got together for a spontaneous episode to catch up on what we've been doing.  We did not post the join link this time, but we managed to coerce our friends Dan Cuny and Ray Nason to join us for some post-Christmas camera discussion. To help us find things to talk about, we decided to tackle a request made earlier this month in the Camerosity Facebook group, asking for more detail about Contax cameras which we were happy to do.  We get into some history, some real world reviews, advice, and other Contax nonsense.  Everything from the pre and post war  Contax rangefinders, the East German Contax SLRs, and the Yashica/Kyocera Contax cameras were discussed. In addition to Contax discussion, Mike gives an update on what became of the Detrola 400 he "borrowed" from Roberts Camera, Dan shares his thoughts on his most recent review of the Ansco Memo and we talk about Memo cameras.  Anthony shares his photographic adventures he went on traveling to New Zealand, and Paul confesses his love for adapting Contaflex 126 lenses! As always, the topics we discuss on the Camerosity Podcast are influenced by you! Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show.  We LOVE people who are into shooting or collecting cameras, no matter how long you've been doing it, so please don't consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, the Camerosity Discord server, and right here on mikeeckman.com. We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. We will welcome in the new year with Episode 84 in which we will be inviting Jeff and Gabe from I Dream of Cameras.  There is a high chance we will spend some time on Alpa SLRs, but there's no telling where the discussion will go with what will effectively two podcasts recording at the same time!  If you've ever wondered what it is like to have "too many cooks in the kitchen", this is the episode for you!  We will record on Monday, January 13th 7pm Central Standard Time and 8pm Eastern Standard Time. In This Episode Mike's Update on the Detrola 400 / Other Premium American Rangefinders / Ektra, Bell & Howell Foton, Clarus, Perfex Allen Wade is Ray, Paul, and Mike's Source for Camera Repair Mr Zhang Modifies Hasselblad Backs / Mike Didn't Like the Hasselblad SWC Paul Wishes for a 6x9 Mamiya 7 / Fuji 6x9s / Texas Leicas Dan Cuny Talks About His Review Process / Ansco Memo and Agfa Memo Cameras Dan is Curious About the Beier Beira / Voigtländer Prominent Paul's Friend Made a 240 Degree Panoramic Mamiya RB67 Tim Floyd is Contax Curious / Camerosity Presents: Everything You Ever Wanted to Know About Contax Cameras Pre-War Contax I Pre-War Contax II and III Post-War Contax IIa and IIIa East German Contax SLRs Yashica / Kyocera Contax SLRs and Other Cameras Comparing Shooting a Contax and Nikon Rangefinder / Dan Has Never Liked Shooting Contax Rangefinders What are the Differences Between a Contax / Pentacon / Hexacon SLRs Preset Lenses / Contarex Bullseye and non-Bullseye Contaflex 126 / Instamatic Cameras How Did Yashica Come to Use the Contax Name? Kyocera Made Great Knives and Golf Clubs / Contax T and G Series Cameras Theo is Shooting a Pentacon Six, KMZ Horizont, and Canon 7 Gallus Derlux and Foth Derby / Theo Has a Jolly Look from Antony Hands Mike Picks Up a Taron Supra V18 / Ray Picks Up an Exakta with an Ansco TLR Lens on It Anthony Just Got Back from New Zealand / Voigtländer Bessa and Perkeo II / Anthony Gets a Clip-On Meter Zeiss-Ikon Ikoflex TLRs / What's Next Links The Camerosity Podcast is now on Discord! Join Anthony, Paul, Theo, and Mike on our very own Discord Server. Share your GAS and photography with other listeners in the Lounge or in our dedicated forums. If you have questions for myself or the other guys, we have an “Ask the Hosts” section as well where you can get your question answered on a future show! Check it out! https://discord.gg/PZVN2VBJvm. The Camerosity Podcast is now on BlueSky @camerosity.bsky.social.  This modern, and clean replacement for Twitter is a nice alternative to cluttered social networks out there.  Follow us there for show announcements and other content. If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group, Instagram page, or Discord server. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris - https://thisoldcamera.net/ Anthony Rue - https://www.instagram.com/kino_pravda/

When you collect vintage film cameras, if they don't work, just send it out for a CLA and some technician will take it apart, clean it up, lube what needs lubing, calibrate the shutter and it is ready to go, good as new!  How boring!  If the simplicity of CLAing a film camera is not enough of a challenge for you, perhaps you should consider collecting vintage digital cameras.  Incompatible memory cards, legacy file systems, unsupported USB cables, and batteries which no longer hold a charge are all the rage! Although the era of digital cameras barely exceeds three decades, the earliest days of digital saw a tremendous amount of innovation and strange designs because camera makers were still trying to figure out what and how a digital camera should look and work like. In this episode, the Camerosity crew (minus Anthony) go over this early innovative era of digital camera design and pick out some of the coolest cameras of the era.  Many of these cameras have early sensors which do not stand up to the quality of modern designs, but that's not why we collect them, Joining Paul, Theo, and Mike are returning callers AJ Gentile, Larry Effler, Mark Faulkner, Miles Libak, Pat Casey, Stephen Strangways, and Will Pinkham and we cover a great deal of history regarding the earliest and most important digital cameras like the Kodak DCS-100, Nikon E2Ns, and Minolta RD-175.  We declare two cameras from the late 1990s to be historically significant moments in camera design, on par with that of the Leica and Nikon F. Stephen Strangways shares with us his wide depth of knowledge about camera sensors.  We discuss the differences between CCD and CMOS sensors, why companies made the switch between the two, motivations of Live View, and why DSLRs eventually gave way to digital mirrorless cameras. We discuss the limitations of early CCD sensors, what are hot mirror filters, why we think Nikon missed the mark on mirrorless, plus we cover a great deal of cool digital cameras, some of which have features cameras today don't have, like the Sony Cybershot DSC-F828, Olympus E-100 RS, Panasonic GF1, and the Ricoh G900. In addition, Mike shares his large collection of 17 Pentax Q-series cameras, plus a very strange "camera coffin", a wooden Nikon rangefinder camera that has the guts of a Sony alpha mirrorless inside. As it is officially the holiday season and each of our schedules has gotten increasingly complicated, we do not yet know when the next show will be, or what we will discuss.  Rest assured, that once we know, you'll know.  Be sure to follow us on our Camerosity Podcast Facebook page, the Camerosity Discord server, our new BlueSky page, and right here on mikeeckman.com. In This Episode What Exactly is 'Vintage Digital'? / Differences Between Still Video and Digital Cameras Kodak Had the Most to Lose with Digital But Pioneered it Anyway Apple Quicktake 100 / The Kodak DCS-100 Was Used in the Gulf War Did Kodak's Involvement in APS Impact Their Role in Developing Digital Cameras? Early CCD Sensors Were Extremely Difficult to Make, Resulting in Smaller Sensors The Sony Digital Mavica Was the Beginning of the End for Polaroid The Digital Mavica Was Also the Introduction of Digital to Many People Floppy Discs Gave Way to PCMCIA Cards and Eventually Flash Cards So Many Different Formats, MemoryStick, SmartMedia 3v and 5v, Compact Flash, etc Minolta RD-175 DSLR / Early Digitals Didn't Write JPGs / Converting Extinct Formats Sony Cybershot DSC-F828 / Sony's Night Shot Feature and How it Worked / Digital IR Photography Early Digital Cameras Had Weak IR Filtration, Throwing a Color Cast on Images / Hot Mirror Filters Why Did Digital Cameras Switch from CCD to CMOS Sensors? / Live View and Video Recording Problems with Sony Sensors / Canon and Fuji FinePix Pro SLRs / Leica M9 Sensor Problems Early Live View Sensors Would Overheat / Externally Cooling Camera Sensors What Drives the Popularity of CCD Sensors Today? Larry and Paul Love the Canon G-Series / Canon Color Science / Olympus E-100 RS Sigma Foveon Sensors / Foveon Merrills and Quattro Cameras The Nikon D1 Was the Watershed Moment for DSLRs / Nikon E2Ns Canon Did Well with the Digital Rebel and 18-55mm Kit Lens Kodak DCS Pro SLR/14 Was the First Full Frame DSLR In a Nikon Body and Mount Polaroid Polachrome Instant Slide Films The Switch from DSLR to Mirrorless / Panasonic GF1 / Sony SLT Cameras Nikon One and Pentax Q-Series Mirrorless Cameras / Nikon Missed the Mark On Mirrorless "No one will ever shoot the Superbowl with a smartphone"...or Will They? Digital Mirrorless Cameras Generally Have Poorer Battery Life Compared to DSLRs Most Camera Makers Never Made a Profit off Making Digital Cameras In February 1986 Herbert Keppler Made Several Predictions About Electronic Cameras Leica M11 / Pentax W90 / Canon Digital Rebel / Epson R-D1 / Pentax 645 Digital / Ricoh G900 Kurt's Strange Nikon Rangefinder Wooden Sony Digital Camera / Hasselblad Lunar and Stellar Digicams Links The Camerosity Podcast is now on Discord! Join Anthony, Paul, Theo, and Mike on our very own Discord Server. Share your GAS and photography with other listeners in the Lounge or in our dedicated forums. If you have questions for myself or the other guys, we have an “Ask the Hosts” section as well where you can get your question answered on a future show! Check it out! https://discord.gg/PZVN2VBJvm. The Camerosity Podcast is now on BlueSky @camerosity.bsky.social.  This modern, and clean replacement for Twitter is a nice alternative to cluttered social networks out there.  Follow us there for show announcements and other content. If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group, Instagram page, or Discord server. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Keppler's Vault 86: Electronic Still Photography - https://mikeeckman.com/2021/03/kepplers-vault-86-electronic-still-photography/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris - https://thisoldcamera.net/ Anthony Rue - https://www.instagram.com/kino_pravda/

At the end of Episode 80, we promised an entire show dedicated to Zeiss-Ikon.  Unfortunately, things got in the way of us being able to dedicate the necessary time to prepare to cover such a complex and important company, so we decided to pivot and do another GAS episode. Anthony and Theo were only able to make brief appearances, but joining Paul and Mike on this show was a well rounded cast of callers including AJ Gentile, Antony Hands, Fernando from Germany, Rafael E, Wannes Scheipers, Will Pinkham, and first time callers, Andrew Curley, Charles Lawson, and Jem! A large number of Zeiss-Ikon cameras were discussed including the Contax rangefinders, Contarex, folding Nettars, Contina, Contaflex, and the square format Tenax and Taxonas.  AJ shares his thoughts on his recent pickups of a Aires 35-V and Rolleiflex SL35, Wannes picks up an interesting book about the Kodak Vest Pocket, and Charles shares a story of how he gets his Kiev cameras repaired by a Ukrainian war hero. Mike talks about a very rare camera he was able to "borrow" from Used Photo Pro in Indianapolis, along with some recommendations on the most innovative and best user American rangefinders and medium format cameras, and a very well done book about the career of Heinz Waaske.  We also cover a very strange 1980s Fisher-Price video camera that records video onto standard audio cassettes, the I'm Back Digital Camera back, why auto focus lens adapters all suck, and Antony shares his love for the JollyLook foldable instant camera and pinhole camera. This was a wide ranging episode with a huge number of different cameras and topics covered, so rather than continue to promote it here, I recommend you hit the play button below, or on whatever your favorite podcast player is and enjoy! As always, the topics we discuss on the Camerosity Podcast are influenced by you! Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show. We LOVE people who are into shooting or collecting cameras, no matter how long you've been doing it, so please don't consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, the Camerosity Discord server, and right here on mikeeckman.com. We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. For Episode 82 we are going back to digital....waaay back and going to attempt to cover some early digital cameras.  While everyone knows that digicams are seeing a resurgence of interest, what were some of the earlier models that are worth checking out!  Are there any undiscovered gems out there?  Even I don't know the answer to that one!  We will record Episode 82 on Monday, November 25th at 7pm Central Standard Time and 8pm Eastern Standard Time. In This Episode Mike Fell for GAS After the 80s Episode / Pentax ME-F with AF 35-70 f/2.8 Lens Mike Convinces Roberts Camera to Loan him a Detrola 400 / The Tamarkin Auction Was Last Saturday What Were the Best American Cameras Ever Made? / Bell & Howell Foton / Kodak Ektra / Kodak Signet Series Kodak 35 / Military Kodaks / All of the Signets are Good Except the Kodak Signet 80 Bridge Cameras / Ricoh Mirai / Olympus IS-Series / Canon Photura Wayne Picks Up a Book About the Kodak Vest Pocket Cameras in World War I Kameras für Millionen - Heinz Waaske, Konstrukteur / Will Gets a Ricoh 500 and Ricoh-Matic / Zorki 10 and 11 Fisher-Price PXL2000 Video Camera / Recording Videos of Punk Rock Shows on Cassette Tapes Zeiss-Ikon Contarex Bullseye / Zeiss-Ikon Taxona / Tenax Cameras / Contarex Lenses Rafael's Favorite Camera is the Zeiss-Ikon Contina / Contaflex and Magazine Film Backs Hasselblad XPan and SWCs / Converting Hassy 500 Backs to Shoot 35mm / Horseman 3D Folding Zeiss Nettars and Ikontas / Zeiss Made Great Triplets Paul Bought a Graflex XLSW From Tom Zoss / Steve Grimes Modified Cameras Is the Zeiss-Ikon Contax IIIa a Good User Camera? / Adapting Contax Lenses Charles Gets His Kiev and Contaxes Repaired by a Ukrainian War Hero AJ Shot Mike's Gifted Kodak Tourist and Picked up a Rolleiflex SL35 and an Aires 35-V Aires Made Lots of Good Cameras / Aires III-C Sending Cameras to Canada May Get Rejected if You say its a Camera on the Customs Form Kowa SW Wide Angle Camera / Kepler Telescope Viewfinders Why Did Nikon and Others Have Different Names for the Same Cameras? Minolta Dynax 7s Are Great, But.... / 3D Printing Replacement Camera Parts Jollylook Instant Camera / Jollylook Pinhole Camera Another Underappreciated American Camera is the Argus Argoflex Forty Canon P and IVS Rangefinders / Horseman Convertible / Viewfinder Photography I'm Back Digital Adapter for Film Cameras / Other Film to Digital Adapters Contax Rangefinder Adapters to Nikon Z Mount / Autofocus Adapters Suck Links The Camerosity Podcast is now on Discord! Join Anthony, Paul, Theo, and Mike on our very own Discord Server. Share your GAS and photography with other listeners in the Lounge or in our dedicated forums. If you have questions for myself or the other guys, we have an “Ask the Hosts” section as well where you can get your question answered on a future show! Check it out! https://discord.gg/PZVN2VBJvm. If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group, Instagram page, or Discord server. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Used Photo Pro (Robert's Camera) - https://usedphotopro.com/ JollyLook - https://jollylook.com/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris - https://thisoldcamera.net/ Anthony Rue - https://www.instagram.com/kino_pravda/

Everyone get out your Aqua Net hair spray and G.I. Joe lunchboxes because it is time to hop in the Hot Tub Time Machine and go back to the 80s!  In this, the 80th episode of the Camerosity Podcast, we revisit the decade where Michael Jackson and Madonna reigned supreme, taking a look at everyone's favorite cameras from that decade.  The Nikon F3, Minolta Maxxum 7000, Olympus XA2, the Minox 35 series, Contax RTS II, and many, many more. Joining Anthony, Paul, Theo, and Mike on this show are returning callers AJ Gentile, Mark Faulkner, Miles Libak, Mina Saleeb, Pat Casey, Patrick Rapps, Will Pinkham, and first time caller Christopher Wells. Each person shares stories of the cameras they used during the 1980s, but Patrick Rapps didn't get the message about the 20th century and went back all the way to 1889 with his beautiful and fully functioning Kodak No.2 String Set.  This camera was the follow-up to the original 1888 Kodak and shares many of the same design features, including that camera's distinct round film gate! We get into a little bit of history of early point and shoot cameras and how their autofocus systems work and why so many of these early cameras consistently have such high image quality.  We discuss the history and merits of Kodak's Disc film cameras and two features of those cameras that influenced cameras that would come later.  We revisit the era of electronic still video cameras like the Canon Xap Shop and the original Sony Mavica.  We talk about focusing auto focus cameras and reflect back on how focus screens work from the Rick Oleson episode.  Theo shares with us a strange 3 lens 110 film camera, and finally, we answer a question asked in the Camerosity Facebook page about a recommendation of a compact SLR for a 10 year old. As always, the topics we discuss on the Camerosity Podcast are influenced by you! Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show. We LOVE people who are into shooting or collecting cameras, no matter how long you've been doing it, so please don't consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, the Camerosity Discord server, and right here on mikeeckman.com. We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance.   Our next episode will be Episode 81 and we are planning on tackling the complex and wonderful world of Zeiss-Ikon.  Since the recording of Episode 80 however, some scheduling conflicts have come up which may require us to pivot this show and postpone it.  We won't know until we get closer to the show date, so if Episode 81 comes and it is not about Zeiss, we didn't forget, we just had to change at the last minute.  As of right now however, it is still on.  We will record Episode 81 on Monday, November 11th at 7pm Central Standard Time and 8pm Eastern Standard Time. In This Episode Mike Forgets How Long Ago the 1980s Was / The Leica M6 Was Popular with Hobbyists Minolta Maxxum 7000 and Nikon N2020 Were Popular for the Every Man Nikon 4004 and 5005s Were Dogs, but the 6006 and 8008/8008s Were Very Nice Pininfarina Designed Nikon SLRs in the 80s and Created the Red Stripe Anthony's Go To 80s Nikon is the Nikon FM2 / FM2 Motor Drives Converting Non-Ai Lenses to Ai / Theo Loves the Nikon FA Paul Loves the Nikon F3 / HP Finders / Nikon F3P / Nikon FM3a Nikon L35AF "Pikaichi" / Nikon OneTouch AF3 / Pikaichi 46mm Lens Filters Olympus XA Series / Minox 35 Series / Agat 18K / Mamiya U Early Point and Shoots Had Superior Image Quality Due to Single Focal Length Lenses Canon MC / Plaubel 67W and 670 Fuji Brought Back the Folding Camera with the GS645 / GS645W / GA645 Patrick Rapps and His Kodak No.2 String Set from 1889 / The Original 1888 Kodak Don Goldberg Still Services the Minox 35 Series / Chinon Bellami / Canon Snappy S Canon Aqua Snappy and Minolta Weathermatic Underwater Cameras / Ricoh 500 ME / Yashica T-Series Mike and Mina Both Love the Contax RTS II / Contax RTS III / Repairing Contax SLRs Autofocus SLRs Were Not Meant to Be Manually Focused / A Nod Back to the Rick Oleson Episode Manual Focus SLRs with Focus Confirmation / Canon AL-1 / Minolta X-600 / Pentax ME-F Cameras Supporting External Autofocus Lenses / Canon T80 / Revue AC3 w/ Revuenon AF Lens /  Nikon F3AF Olympus and Konica Both Gave up on Interchangeable Lens SLRs in the 1980s / Konica Tomato and Konica Recorder Trivia: Name a Rangefinder Camera with Leica Thread Mount You Could Still Buy New in the 1980s Kodak Disc Film / T-Grain Film / Scanning Disc Film Mike Forgets What Decade He's In And Talks about APS Film Tasco Binoculars Camera / Canon Xap-Shot and Still Video Cameras / Sony Mavicas / Bronica GS-1 Mark Picked Up a Pentax 17 / Film for Classics 620 Spools / Theo Gets a Rollei 35AF Listener Question: What Small Form Factor SLR Would You Recommend for a 10 Year Old? Links The Camerosity Podcast is now on Discord! Join Anthony, Paul, Theo, and Mike on our very own Discord Server. Share your GAS and photography with other listeners in the Lounge or in our dedicated forums. If you have questions for myself or the other guys, we have an “Ask the Hosts” section as well where you can get your question answered on a future show! Check it out! https://discord.gg/PZVN2VBJvm. If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group, Instagram page, or Discord server. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris - https://thisoldcamera.net/ Anthony Rue - https://www.instagram.com/kino_pravda/

On this episode of the Camerosity Podcast, the guys took a suggestion off the top of the Camerosity Suggestion Box™ and dedicated this episode to medium format SLRs.  That's right, finally, an entire episode dedicated to Bronica, Mamiya, Rolleiflex, Kiev, and Norita SLRs (but not that H-brand). Joining Anthony, Paul, Theo, and Mike on this show are returning callers A.J. Gentile, Brian Zeman, Miles Libak, Will Pinkham, and first time callers Andrew Wells, Fernando from Germany, Henry Blanton, Robert Wawrzinek, and Tom Zoss. The show gets off to a quick start with the Bronica system, one that Mike has limited experience with, but the listeners make quick work out of recommending an accessory that Mike immediately decided he needed.  Our love for this Japanese SLR starts with the early S-series, moves into the GS, and finally ETRS series, but one is a clear favorite. Another well received SLR is the Kowa Six which Mike has been tirelessly shooting in the weeks prior to this show, ready to share his thoughts.  Anthony and Andrew both share their strong desires to own a Rolleiflex SL66, and Fernando shares his love for Soviet and East German medium format SLRs. A huge number of "less common" cameras like the KW Reflex Box, VEB WEFO Master Reflex, Fujita Six, Folmer-Graflex National Graflex, and both the horizontal and vertical versions of the Ihagee Exakta 66 get their mentions.  We point out the 6x6 SLR with the fastest medium format lens ever made, who is best to repair Mamiya SLRs, and ponder the age old question, "Why didn't anyone ever make a 6x9 SLR?" We get a little off topic, discussing John Minnick's Aero-Liberator SLRs used by Graham Burnett, Graflex's "Stove Top" SLRs, and Tom Zoss's custom Graflex XL with a very wide Rodenstock lens on it.  Plus, as an added bonus, we cover the only 16mm SLR in any of our collections, the KMZ Narciss SLR! As always, the topics we discuss on the Camerosity Podcast are influenced by you! Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show. We LOVE people who are into shooting or collecting cameras, no matter how long you've been doing it, so please don't consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, the Camerosity Discord server, and right here on mikeeckman.com. We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. Our next episode will be Episode 80 and we're taking the opportunity to dedicated this episode to cameras of the 80s (you get to pick the century).  The 1980s saw a huge advancement in auto focus SLRs, the use of lightweight plastics, and the beginning of the "bridge camera" era.  If you're fans of gems like the Nikon FM2, Minolta X-700, Leica M6, or the Yashica Samurai, this is the episode for you!  We will record Episode 80 on Monday, October 28th at 7pm Central Daylight Time and 8pm Eastern Daylight Time. In This Episode Mike Owns Two Bronica SLRs / Bronica S2 / Bronica GS-1 Kiev-60 SLR w/ Screw Lens Mount Adapter / ARAX Repaired and Upgraded Cameras Order Matters on the Kiev Cameras / Repairing Kiev SLRs / Kievs with Pentacon Six Mount Paul Declares the Bronica and Kowas to Be Value Leaders / Early Bronica S-Series Bronica S2 Has a Removable Helicoid Which Adds Flexibility / Adapting Other Lenses to Bronicas Mike's Early Review of the Kowa Six /  Kowa 66 Fujita 66 / Kalimar Six / Kodak Duo Six-20 John Minnick and Graham Burnett's Aero-Liberator SLR / Stove Top Graflex SLRs Mike is Working on a Review for the Folmer-Graflex National Graflex KW Reflex-Box is a Box Camera That's Also an SLR Brian GASses Mike into Buying a Winder Grip for the Bronica GS-1 Anthony's Favorite Medium Format SLR is the Rolleiflex SL66 / The Scheimpflug Effect Ihagee Exakta 66 Horizontal and Vertical Cameras Kochmann Reflex-Korelle / Master Reflex Norita 66 and Pentacon Six / The Noritar 80mm f/2 Lens is Faster than Most Medium Format SLR Lenses Repairing the Rolleiflex SL66 / Watching Watch Repair Videos on YouTube / Chris Sherlock's Camera Repair Videos Bill Rogers is a Great Resource for Mamiya SLR Repair / Mirror Stop on the Mamiya 645s How Many People Shoot Both Medium Format Rangefinders and SLRs? Nobody Made a 6x9 SLR / The Fuji 690 Rangefinder Series is as Close as You'll Get Two Huge Cameras are the Gowland Flex and Fuji GX680 What is the Difference Between the Mamiya RB67 and RZ67? KW Pilot 6 / Chinese Great Wall DF Series Tom Zoss's Custom Graflex XL with Rodenstock Wide Angle Lens Mike Likes Vignetting / Bill Rogers for Mamiya Repair / Who is Repairing Retinas Now The Only 16mm SLR We Know About / KMZ Narciss Links The Camerosity Podcast is now on Discord! Join Anthony, Paul, Theo, and Mike on our very own Discord Server. Share your GAS and photography with other listeners in the Lounge or in our dedicated forums. If you have questions for myself or the other guys, we have an “Ask the Hosts” section as well where you can get your question answered on a future show! Check it out! https://discord.gg/PZVN2VBJvm. If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group, Instagram page, or Discord server. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris - https://thisoldcamera.net/ Anthony Rue - https://www.instagram.com/kino_pravda/

One of the benefits to having four hosts is that if something comes up and someone can't be on a recording, the show can go on.  For Episode 78, we were short Anthony, so what did the guys decide to talk about while he wasn't there?  One of Anthony's favorite cameras of course!  The Zeiss-Ikon Super Ikonta 532/16 is a medium format folding camera that shoots 6cm x 6cm images and is one of the very few medium format folding cameras with both a rangefinder and fast f/2.8 lens. In addition to it being one of Anthony's favorite cameras, it is also a favorite of professional photographer Johnny Martyr who, along with a stable of vintage Leicas, shoots his Super Ikonta professionally, offering medium format prints to his clientele.  On this episode, Johnny shares with us his motivation on why he incorporated medium format into his business and why he chose this specific camera. Episode 78 was light on guests as Paul, Theo, and Mike were also joined by returning callers AJ Gentile and Miles Libak, but we made up for it with a nice discussion of GAS!  The conversation eventually moved from 6x6 folders to 4.5x6 folders and Mike gave his recommendation on one of the best Japanese 4.5x6 folding rangefinder cameras, the Konica Pearl IV.  In addition, Mike also recommended an unlikely 6x9 folding camera as a value champion that still punches above its weight with a great lens. Paul shares some recent cameras he's dug out of his crypt and Theo talks about his recent adventures with a Nikon S2 and Olympus Pen FT and how he accidentally redscaled some film without knowing it.  We briefly discuss the merits of prism based viewfinders and what would happen if you purposely loaded black and white film backwards. As always, the topics we discuss on the Camerosity Podcast are influenced by you! Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show. We LOVE people who are into shooting or collecting cameras, no matter how long you've been doing it, so please don't consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, the Camerosity Discord server, and right here on mikeeckman.com. We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. Episode 79 will be all about medium format SLRs.  If you're interested in Bronica, Mamiya, Kowa, Norita, Praktisix, (but hot Hasselblad) SLRs, this is the episode for you!  We will record on Monday, October 14th at 7pm Central Daylight Time and 8pm Eastern Daylight Time. In This Episode Only Three Hosts / AJ Working on His New Blog / Paul is Still Doing Long Trips for Cameras Johnny Martyr is Exploring Medium Format / Voigtländer Perkeo Inspired Him Welta Weltur / Zeiss Super Ikonta B and Fast f/2.8 Lenses Paul's Loves the Plaubel Makina 6x7 Viewfinders Made with Prisms vs Beamsplitters / Kodak Medalist has a bright viewfinder Mike Randomly Sends Cameras to Johnny / Miles Had an Ensign Selfix 820 Special  Super Ikonta 6x4.5 / Strap Lugs / Paper Thickness Can Cause Transport Issues in Some Cameras Welta Weltini is Too Complex / Semi Leotax Konica Pearl II, III, or IV Are All Great 4.5x6 Cameras The Voigtlander Bessa 66 is Nice / Gallus Delux is a French Foth Derby / Voigtländer Perkeo 127 Kodak Tourist / Voigtländer Bessa III 667 /  Fujifilm GF670 Professional / Balda Super Baldax Theo has been shooting the Nikon S2 and the Olympus Pen FT Highlight is the Robot II which accidentally used to red scale film Does anyone know what happens in putting B&W film backwards? Very Easy to Put Film Backwards in a Mamiya RB67 Mike got a Zeiss-Ikon Hexacon / Pentacon FM The Mamiya 6 is Just As Good as the Mamiya 7 Mike Wants to Shoot Cameras to Just Enjoy Them Now Miles is Testing an Uncoated Biogon on a Prewar Contax A Brief History of the Contax and Why We've Never Done a Zeiss-Ikon Episode Links The Camerosity Podcast is now on Discord! Join Anthony, Paul, Theo, and Mike on our very own Discord Server. Share your GAS and photography with other listeners in the Lounge or in our dedicated forums. If you have questions for myself or the other guys, we have an “Ask the Hosts” section as well where you can get your question answered on a future show! Check it out! https://discord.gg/PZVN2VBJvm. If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group, Instagram page, or Discord server. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Johnny Martyr - https://johnnymartyr.wordpress.com/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris - https://thisoldcamera.net/ Anthony Rue - https://www.instagram.com/kino_pravda/

In what is a record for the longest time between recording and release, Episode 77 is finally here!  Recorded more than 2 weeks ago, in this episode we follow up Episode 76 with a second episode about "stuff we know".  Before they were podcast superstars, Theo, Mike, and Paul have blogs and we wanted to share some behind the scenes secrets of the wonderful world of blogging. Joining us are fellow bloggers, Peggy Marsh, Alex Luyckx, Eric Jason, Dan Cuny, and Jim Grey who tell us their origin stories, what their process is for how they choose what to write about, and what's next for their blogs.  Joining us are non bloggers, A.J. Gentile and Will Pinkham who get inspired and consider making their own blog! As a group, we also discuss the state of blogging, has the luster of long form reviews been replaced by byte sized content from TikTok and Instagram Reels?  Alex discusses his experiences with Adox Scala and black and white reversal developers, Dan Cuny talks about his collection of vintage film negatives that he scans and posts online, and Paul reveals a guy he found in China that can modify standard Hasselblad backs, turning them into Hasselblad XPan sized panoramic backs. Because of a combination of regular delays along with a laptop crash which required this episode to be edited from beginning to end twice, Episode 78 has already been recorded before Episode 77 was ready for release.  Paul, Theo, and Mike had an intimate discussion with Johnny Martyr, A.J. Gentile, and Miles Libak about shooting medium format, Mike's favorite Japanese 4.5x6 folding camera, and how the process of professionally shooting film in the digital age has changed from before. Episode 79 will be all about medium format SLRs.  If you're interested in Bronica, Mamiya, Kowa, Norita, Praktisix, (but hot Hasselblad) SLRs, this is the episode for you!  We will record on Monday, October 14th at 7pm Central Daylight Time and 8pm Eastern Daylight Time. The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, the Camerosity Discord server, and right here on mikeeckman.com. We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. In This Episode How Blogging Relates to This Podcast / A Private Blogger Facebook Chat Has Improve All Our Sites Will There Ever Be a Video Version of the Camerosity Podcast? Peggy Marsh from Camera Go Camera / Do Not Reverse Her Blog's Name / Argus C3 / Purma Special / Photavit 828 / Agilux Agimatic Alex Luyckx and His Origin Story / Alex Loves Seeing How Different Developers Can Change How a Film Looks Developing Adox Scala Film / Black & White Reversal Set a Realistic Time Table for New Articles to Maintain Excitement and Quality Paul Has a Blog and He Reviews One Camera Every Decade! Eric Jason from Aperture Preview / Samoca 35 II / Perfex Cameras / Radio Companies That Also Made Cameras / Clarus MS-35 Eric Works for Retrospekt Repairing Polaroids Has Blogging Lost Its Luster? / How Much Readership Is There? / TikTok and Reels Byte Sized Content / Mr. Beast Dan Cuny Gives Mike a Run for His Rare Camera Review Money / Inoca Six Stereo Camera Mike Has No Idea How Many Cameras He Has / Cornu Ontoflex TLR Dan Loves to Digitize Old Negatives and Plates / Old Images Tell A Great Story / Mike Doesn't Like Ansel Adams Jim Grey Joins the Show and Talks about Down the Road / Operation Thin the Herd Reply to Every Comment / Jim Acquires a Camera For the Purpose of Reviewing It AJ Started a Youtube Channel During the Pandemic to Stay Busy Tips For Starting a Photo Blog or Podcast / Do What You Love / Your Voice Matters / Have a Thick Skin / If You Want to Make a Blog, Do It! Perhaps the Greatest Thing About Blogging is the Content is Searchable / Sticky Content The Wayback Machine is Great for Web 1.0, But Not So Much for Current Gen Blogs Paul Found a Guy in China Who Can Modify Hasselblad Backs to Shoot XPan Format Theo's Mamiya 7 Habit is Driving Mike to Drink / Extinct Blogs Mike is Sending Anthony a Leonardo Pinhole Camera Links The Camerosity Podcast is now on Discord! Join Anthony, Paul, Theo, and Mike on our very own Discord Server. Share your GAS and photography with other listeners in the Lounge or in our dedicated forums. If you have questions for myself or the other guys, we have an “Ask the Hosts” section as well where you can get your question answered on a future show! Check it out! https://discord.gg/PZVN2VBJvm. If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group, Instagram page, or Discord server. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Peggy Marsh - Camera Go Camera - https://cameragocamera.com/ Alex Luyckx - https://www.alexluyckx.com/blog/ Eric Jason - Aperture Preview - https://www.aperturepreview.com/ Dan Cuny - https://www.dancuny.com/camera-collecting-blog Jim Grey - Down the Road - https://blog.jimgrey.net/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris - https://thisoldcamera.net/ Anthony Rue - https://www.instagram.com/kino_pravda/

For most episodes of this show, we rely on experts to come and talk to us about a specific topic.  We value the experiences and knowledges of people who know a lot about a brand or a style of camera to teach us something that we didn't already know.  For Episode 76 however, we decided to go with something the Camerosity hosts are already experts on, which is buying and selling cameras. You don't get to have the experiences between the four hosts without access to a great deal of hardware, so we thought for this episode we would share some stories of how we all got to where we are at today.  In addition to our personal experiences, Anthony, Paul, Theo, and Mike share their best tips and tricks not only for buying cameras but also when it comes time to sell something. Joining us on this episode are returning callers, Mark Faulkner, Mike Litwin, Will Pinkham, and first time caller Cody Yoder.  We cover the basics of buying and selling on eBay but also ways in which we've accumulated gear through estate sales, Facebook Marketplace, and through good old human interaction.  Paul shares his thoughts on the state of buying and selling, Mike discusses one of his favorite eBay sellers and why he doesn't buy from them anymore, and Anthony shares his story for how he met one of the most eccentric camera collectors in Florida. In addition to buying and selling, Cody tells us a story about how he literally walked into a garage full of Hasselblads, Theo gives us an update on what it was like shooting and developing film while on vacation in Vietnam and Paul answers a question for how he decides how much to offer a seller when buying a large collection. For the next episode, we are sticking with topics we know well and will dedicate Episode 77 entirely to blogging.  This podcast wouldn't exist if Mike had never started mikeeckman.com and met Anthony, Paul, and Theo through his site, so if you've ever been interested into the behind the scenes of researching and reviewing cameras for a website, this is the episode for you.  In addition to Mike and Theo's thoughts, we are going to solicit some of your other favorite bloggers and get their thoughts as well.  Episode 77 will be recorded on Monday, September 16th at 7pm Central Daylight Time and 8pm Eastern Daylight Time. The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, the Camerosity Discord server, and right here on mikeeckman.com. We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. In This Episode How is the eBay Camera Selling Market Going? / Paul Buys Cameras from Cody Yoder Cody's Camera Garage Find / Hasselblads / Paul Stays Away from Facebook Marketplace The First Wave of Vintage Cameras Have Already Been Sold By Their Original Owners The Bottom of the Box is Where the Fun Stuff Is Mike's Biggest Missed Opportunity Came When He Just First Started Collecting. Anthony's Friend's Big Rollei Haul / Rolleiflex SLX / Paul's 800 Mile Day How Do You Calculate What You'll Pay When Buying a Large Collection? Selling on eBay Sucks Right Now / Paul Got in Trouble with eBay Anthony's Perspective on Old Cameras in Florida / How Anthony Met Bernard Danenberg Kurt Ingham's Collection / Buying Used Cameras in Australia Mike Litwin Has Been Buying Several Camera Books / Larry Gubas's Zeiss Book The Current State of Camera Repairs Cameras That Often Don't Work: Pentax ES II and Konica FT-1 Motor Mark's Bad Experience Selling His Leica M3 Tips for Buying on eBay: Be Patient, Use Wishlists, Build a Network of Other Collectors, Common Misspellings Mike's Favorite eBay Seller Used to be Tictocnmore / Buying from Antique Malls Tips for Selling on eBay: Take Good Pictures, Put Effort Into Your Description, Require Signature on International Buyers Theo's Experiences Shooting and Developing Film in Vietnam Mike Still Doesn't Like Shooting 58mm Lenses Links The Camerosity Podcast is now on Discord! Join Anthony, Paul, Theo, and Mike on our very own Discord Server. Share your GAS and photography with other listeners in the Lounge or in our dedicated forums. If you have questions for myself or the other guys, we have an “Ask the Hosts” section as well where you can get your question answered on a future show! Check it out! https://discord.gg/PZVN2VBJvm. If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group, Instagram page, or Discord server. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Mike's Guide to Buying and Selling Cameras on eBay - https://mikeeckman.com/2019/04/gas-attack-buying-cameras-on-ebay/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris Anthony Rue - https://www.instagram.com/kino_pravda/

A brand of camera that we've talked quite a bit about on this show is Pentax, but in every episode where this brand came up, the same book and author gets brought up as a great resource for screw mount Pentax and Takumar lenses, which is "The Ultimate/Definitive Asahi Pentax Collector's Guide 1952-1977" by Gerjan van Oosten.  While this is a great book to read, this is a podcast, so we like to talk to people, so for Episode 75, rather than continue to talk about a book, we went straight to the source and got the book's author, Gerjan van Oosten to join us! For this episode, we were missing Theo, but joining Anthony, Paul, Mike, and Gerjan are returning callers Patrick Casey and Wannes Scheipers.  Gerjan discusses some of his least favorite Takumar lenses, backwards compatibility of Takumar lenses, what's so special about the 8-element Super Takumar 50mm f/1.4 lenses, why the Spotmatic doesn't actually have a spot meter, what Honeywell had to do with Pentax, export market cameras like the Asahiflex H2 and Asahi Pentar, and a fun discussion about a prototype camera called the Pentax Metalica. In addition to Pentax camera and lens GAS, we get into discussions about why so many early SLRs had 58mm lenses, a little bit of Nikon history, Anthony's recent habit of breaking into churches, shooting the Horseman Convertible, and Mike's thoughts on the Leica M5. Gerjan covers his book and that there's three editions of the camera, all with significant changes from the earlier versions.  Only the latest 2023 edition is currently for sale direct from him, so if you're interested in buying this excellent book straight from him, he sells them direct on eBay at the following link: https://www.ebay.com/itm/335212596808 We had a lot of fun recording this episode, but we will be taking a break from new shows for a little while.  Although we have some ideas for future shows, nothing is planned at the moment, nor do we know when the next episode will be recorded, so be sure to look out for our show announcements on our Camerosity Podcast Facebook page, the Camerosity Discord server, and right here on mikeeckman.com. We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. In This Episode Introducing Gerjan van Oosten / Pentax ES II Recommendations for Takumar Lenses for Someone Getting Started / Gerjan Won't Recommend These Three Lenses Takumar 17mm and 20mm Fisheyes Are "Art Lenses" The Mystique of the Takumar 50mm f/1.4 8-Element Lens Asahi Started making cameras with a 35mm SLR / Mike Loves the Asahiflex / Are the Earlier Cameras Built Better? M42 Version of the Takumar 58mm f/2.4 Lens / Mike Doesn't Love the 58mm Focal Length Paul Made Mike Buy a Nikkor 5.8cm f/1.4 Lens / Why Did Early SLRs Often Have 58mm Lenses? Gerjan Has 3 Versions of His Book, from 1999, 2021, and 2023 and They're All Different Inside Did Pentax Ever Try to Make a 35mm Rangefinder? The Beatles Loved the Asahi Pentax Sv Asahu Pentaxes and Honeywell Pentaxes / Pentaxes for Different Markets There Was Going to be a Pentax H4 But the Name Sounds like Death in Japanese What is the Difference Between Preset and Automatic Lenses? Early Yashica Yashinon and Asahi Takumar SLR Lenses Look Remarkably Similar Many 50mm Lenses Aren't Actually 50mm Pentax Rarities: Asahiflex H2 / Asahi Pentar / Pentaxes Sold in Export Markets Are All Iterations of M42 Takumar Lenses Backwards Compatible? Are K-Mount Pentax Lenses Inferior to M42 Takumars? / De-yellowing Radioactive Lenses The Pentax Metalica Could Have Been a Game Changer Why Did Asahi Sell Pentaxes in the US Under the Honeywell Name? Herbert Keppler's Influence on Pentax / The Pentax Spotmatic Doesn't Have a Spot Meter What is in the Future for Pentax? Anthony Loves the Horseman Convertible and Paul's Leica M4-2 Anthony Breaks into Historic Churches to Take Photos The Leica M5 Has One of the Slowest Meters Ever Made Zeiss-Ikon Super Ikontas / Anthony Loaned Three Different Models to Mike Links The Camerosity Podcast is now on Discord! Join Anthony, Paul, Theo, and Mike on our very own Discord Server. Share your GAS and photography with other listeners in the Lounge or in our dedicated forums. If you have questions for myself or the other guys, we have an “Ask the Hosts” section as well where you can get your question answered on a future show! Check it out! https://discord.gg/PZVN2VBJvm. If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group, Instagram page, or Discord server. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Gerjan van Oosten - https://www.facebook.com/groups/1088887718612334 Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris Anthony Rue - https://www.instagram.com/kino_pravda/

As the world's first, number one, and only open source film photography podcast, we take pride in that in each episode you all get to influence the discussions we have.  For Episode 74, we decided to take it a step farther and dedicate the entire episode to two broad topics that listeners of this show have suggested to us.  The first is to cover the confusing and wide array of third party lenses and the second to go over some tips and tricks for home film development.  Never ones to disappoint our listeners, the gang took your suggestions to heart and turned both into a whole episode...mostly! Joining Anthony, Paul, Theo, and Mike was a full house of returning callers A.J. Gentile, Dan Cuny, Dan Hausman, Mario Piper, Michael Wescott (Wes) Loder, Miles Libak, Ray Nason, Robert Coates, Will Pinkham, and Mark (sorry, Mark, we didn't get your last name!) We quickly jump into a lens discussion first clarifying what exactly is considered a Third Party Lens maker?  From there the wormhole quickly opens as we bounce around with discussions regarding Asanuma, Vivitar, Kiron, and what Mike calls the "German B-List Lens Makers" like Steinheil, A.Schacht, Staeble, Enna-Werk, and many others. Wes jumps in and pivots the discussion to the vast array of lenses available for the Akarette/Akarelle and Lordomat systems, and then Mike quickly gets back on track professing his love for the Wirgin Edixa. We cover the Voigtländer Zoomar and the rash of very good Chinese lens makers like TTArtisan, 7Artisans, Light Lens Labs, and the obscure Japanese lens maker MS-Optics. For home development, we cover a whole host of hacks from doubling up on rolls of 120 on a single spool, how Mike pushes HC-110 to the absolute limit when developing black and white and Anthony chimes in with his suggestions for how to make shooting a Minox camera the most affordable way possible.  We get into other things like tips for flatbed scanning and what everyone thinks about digitizing.  It was certainly a live discussion, but I should probably stop typing here and encourage you to listen to the episode. For the next episode, we are revisiting one of our favorite brands of camera, Pentax!  Although we have dedicated multiple whole episodes to Pentax, this time we have Pentax historian Gerjan van Oosten who authored "The Ultimate Asahi Pentax Screw Mount Guide 1952 - 1977" which I consider to be one of the most definitive Pentax resources ever written.  The amount of info that Gerjan has about Pentax, Takumars, and everything relating to screw mounts is far more than we can ever hope to capture in a single episode, but we will certainly try!  To accommodate Gerjan's European time zone, Episode 75 will be recorded on Monday, August 5th at the special time of 2pm Central Daylight Time, 3pm Eastern Daylight Time, and 9pm Central European Time. The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, the Camerosity Discord server, and right here on mikeeckman.com. We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. In This Episode Clarification on the Ricoh Singlex and the Nikon F Mount / Recommendations for PASM Manual Focus Cameras What is a Third Party Lens Maker? / Almost Every Japanese Camera Company Started Off Making Lenses Asanuma Was One of the First Good Third Party Lens Makers / Later Became Kiron Vivitar Was a Marketing Company But Was Instrumental in Developing Computer Designed Lenses Vivitar Serial Numbers / Ponder & Best / Vivitar Flash Units What are T-Mount Lenses? / T-Mount vs Adaptall How Did Sears Become Such a Big Camera Distributor? /  Focal, Photo-Quelle, Revue, Hanimex The Beginning of Zoom Lenses / Nikkor 43-86 Zoom / TV Lenses Akarelle, Akarette, and Arakrex / German "B-List" Lens Makers / Lordomat Lenses Mike Really Likes the Steinheil Quinon Lens / Wirgin Edixa SLR Lenses Are Not the Same As Regular M42 Lenses Voigtländer Zoomar 36-82mm f/2.8 Lens / The Beauty of Imperfect Lenses / Some Lenses Can Be Too Perfect Chinese Lenses / Light Lens Labs, TTArtisan, 7Artisans Lenses / MS-Optics Lenses Voigtländer Cosina Lenses / Super-Nokton 28mm f/0.8 / Paul Loves the Nikkor 58mm f/1.4 Tricks for Loading Film on Paterson Reels / Loading Robot and Photavit Cassettes Developing Your Own Film Saves a Ton of Money / High Upfront Cost to Get Started Scanning with a Flatbed vs Digitizing / Negative Lab Pro / Building a Home Development Kit Loading Two Rolls of 120 Onto the Same Reel / Mike Prefers the Unicolor C41 Kit Monobaths / Scanning vs Digitizing / Kodak TMax Kills Fixer A Flatbed Scanner is More than Adequate for 90% of Film Scanning Avoiding Newton Rings / A&R Glass / Target Photo Frames Anthony Economizes Shooting Minox Cameras By Cutting His Own Film Nikon S Rangefinder Lenses / Compatibility Between Nikon and Contax Lenses Links The Camerosity Podcast is now on Discord! Join Anthony, Paul, Theo, and Mike on our very own Discord Server. Share your GAS and photography with other listeners in the Lounge or in our dedicated forums. If you have questions for myself or the other guys, we have an “Ask the Hosts” section as well where you can get your question answered on a future show! Check it out! https://discord.gg/PZVN2VBJvm. If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group, Instagram page, or Discord server. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Dan Cuny - https://www.dancuny.com/camera-collecting-blog Wes Loder - https://wesloderandnikon.blogspot.com/ Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris Anthony Rue - https://www.instagram.com/kino_pravda/

For the second episode in a row, we promise to deliver a thrilling discussion about two brands of Japanese cameras that have more in common than you might think.  Fuji and Ricoh both started making products for the photography industry right before the war, but originally started out in different industries, for Fuji, it was celluloid plastics and Ricoh (then called Riken) it was as a chemicals research company.  Each took a path making lenses and cameras, but in both instances photography was never each company's main focus.  Both Fuji and Ricoh invested heavily in the photocopier industry in the later part of the 20th century, and both successfully made the jump into the digital camera world.  Both companies continue to make new cameras today, Fuji with their excellent lineup of X-Series digital mirrorless, and Ricoh with their GR point and shoots and their ownership of the Pentax brand. In this episode, Anthony, Paul, Theo, and Mike are joined by Paul's personal Fuji rep, Bob Grzesiak, returning callers, Brad Swain, Howard Sandler, Mark Faulkner, Miles Libak, and first time caller, Dan Cuny. We extensively cover many of Fuji's medium format cameras from the Texas Leica, their variety of 4.5x6, 6x7, 6x8, 6x9, and even their lone 6x12 model, plus the company's mid century rangefinders, the extremely compact and very quirky Fujica Mini, their entry into SLRs with the Fujicarex, the Fuji ST-series, and the unloved Fuji AX-series.  For Ricoh, time is spent on their Auto-Half series and Hi-Color 35, along with some of Ricoh's screw mount SLRs and Mike's favorite Ricoh, the Anscomark M interchangeable lens rangefinder camera. In addition, we get to hear which of these two companies used to throw the best parties for camera dealers, a little bit of history regarding the Fuji Finepix S-Series DSLRs, a bit about the Ricoh GR-series, plus a strange digital camera that had not only interchangeable lenses, but also interchangeable sensors, plus some bonus discussion about Mamiya Prismat "bastard cameras" like the original Ricoh Singlex with the "sorta" Nikon F-mount, and a strange Tower branded camera made by Mamiya with an Ihagee Exakta lens mount and a Canon lens. This proved to be a very lively discussion, covering a huge amount of different camera models from two brands that don't get discussed nearly as often as others.  If you find that your collection is thin on cameras by either of these manufacturers, this is the episode that will surely flare up a case of GAS.  Get ready to open your wallet! For the next episode, we will be exploring the world of third party lens makers like Vivitar, Sigma, Tamron, Spiratone and many others, plus we hope to revisit a topic that started in a thread on the Camerosity Podcast Facebook group regarding home processing.  Episode 74 will be recorded on Monday, July 22nd at 7pm Central Daylight Time and 8pm Eastern Daylight Time. The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, the Camerosity Discord server, and right here on mikeeckman.com. We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. In This Episode Fuji and Ricoh Have Remarkably Similar Histories / Roico 127 Camera Fuji Made LTM Lenses and One Nikon S-Mount Lens in the 50s Fuji Made the Hasselblad XPan / Fuji Large Format Lenses Fujica ST-801 and ST-901 / Fuji's f/1.6 and f/2.2 Lenses and 1/700 Shutter Speeds Fujica 35SE Rangefinder and Other Fixed Lens Rangefinders / Fujicarex II SLR A Change of Priorities Caused Fuji To Change Their Lineup in the Mid 1960s Rapid Cassette Fujis and the Half Frame Fujica Mini The Fujica V2 and Compact Deluxe Rangefinders Are Excellent Fuji GF670 and Other Folding Cameras / Fujicaflex Automat TLR Bob Loans a Fuji G617 to Car & Driver and They Destroy It The Fujita 66SL (Kalimar 66) is Not a Real Fuji The Fuji GX680 is Massive and Difficult to Sell Fujifilm FinePix S-Pro Series DSLRs / Super CCD Sensors Fuji Ignored Their AX SLRs / Fujica AX-5 The Ricoh TLS-401 Has a Useless Waist Level Finder Paul Used to Party Hard With the President of Ricoh / Ricoh Solar Powered Cameras Ricoh Made the Anscomark M in Exchange for Photo Copier Technology from GAF The Ricoh Singlex Uses a Variation of the Nikon F-Mount But it is Not the Same Mamiya Made Prismat Cameras That Are the Basis for the Nippon Kogaku Nikkorex, Ricoh Singlex, and Many Others Other Bastard Mamiya Cameras / Canon Canonex / Mamiya Prismat and Tower Cameras with Canon Exakta Mount Lenses Ricoh GR-Series Compact Digital Cameras / Ricoh GXR Interchangeable Sensor Cameras Ricoh Diacord / Ricoh 500 and 519M /  Ricoh Hi-Color 35 Mark Faulkner Sells his Leica M3 / The Mystique of the M3 / X-Raying Boxes at Bowling Alleys Kenneth Panda Sells Kits to Adapt Fuji Ace Instant Cameras to Use Instax Film Lightning Round: Which Cameras Do You Regret Not Taking Out More Often? Shooting IR and Full Spectrum Through Modified Digital Cameras / Sony DSC-F828 Kodak Bantam Special / The Canon 7 is Still the Best Value in LTM 35mm Rangefinders Links The Camerosity Podcast is now on Discord! Join Anthony, Paul, Theo, and Mike on our very own Discord Server. Share your GAS and photography with other listeners in the Lounge or in our dedicated forums. If you have questions for myself or the other guys, we have an “Ask the Hosts” section as well where you can get your question answered on a future show! Check it out! https://discord.gg/PZVN2VBJvm. If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group, Instagram page, or Discord server. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Mark Faulkner - https://thegashaus.com/ Dan Cuny - https://www.dancuny.com/camera-collecting-blog Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris Anthony Rue - https://www.instagram.com/kino_pravda/

We return with the first episode with all four hosts in nearly two months with a great show.  We had plans to discuss Fuji and Ricoh on this episode, but like our reputation as the first and only open source film photography podcast, sometimes things don't go as planned. Recorded within a week of the release of the new half-frame Pentax 17 and a video preview of the upcoming Rollei 35 AF, the gang and I just knew we had to share our thoughts on these two new cameras.  But since none of us have actually seen either camera, we called someone who we knew would have some insight into what it is like to make a new camera in 2024, Marwan El Mozayen from Silvergrain Classics.  As you remember, in Episode 52, Marwan came on the show and talked about his project re-releasing the Widelux panoramic camera, along with the support of none other than Jeff Bridges. Joining Marwan, Anthony, Paul, Theo, and Mike on this episode are returning callers AJ Gentile, Daniel Bemes, Patrick Casey, Patrick Rapps, Skip Williams, William Pinkham, and first time callers Antony Hands, John Frank, and Brad (we never did get Brad's last name!) We extensively cover the Pentax 17 and the announcement of the Rollei 35 AF with some behind the scenes thoughts on the development of both cameras, but after covering those two models, Marwan shares with us what's new with the new Widelux, where in development it is at, and possible futures for the camera. Beyond that, we discuss other swing lens cameras like the Noblex and Viscawide 16, and after that we finally manage to get into Fuji a bit, mainly with their instant film cameras, we cover models like the FP-1, the merits of Instax Wide, and even a brief mention of Fuji's Integral film, called Fuji Ace.  Antony shares with us his love for the Fuji GF670 and GF670W, and Mike promotes a new Argus book that was recently released. This was a very fun episode chock full of great discussion and interesting information.  As always, the topics we discuss on the Camerosity Podcast are influenced by you! Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show. We LOVE people who are into shooting or collecting cameras, no matter how long you've been doing it, so please don't consider your knowledge level to be a prerequisite for joining! Silvergrain Classics Discount Code: During the show, Marwan El Mozayen mentioned that listeners of this show get a discount when ordering a copy of issue #23 of their magazine.  To receive this discount, use code: CAMERO24510 when ordering. For the next episode, since we barely scratched the surface of Fuji and never got to Ricoh like we had planned, maybe we'll do that...or maybe we'll do something else.  WHO KNOWS?!  All I can tell you is that we are back to our regular 2 week cadence of recording new episodes, so whatever we end up talking about, Episode 73 will be recorded on Monday, July 8th at 7pm Central Daylight Time and 8pm Eastern Daylight Time. The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, the Camerosity Discord server, and right here on mikeeckman.com. We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. In This Episode Guess Who's Back? Marwan's Back! / A Brief Intro Introducing the Pentax 17 / Marwan Had an NDA Early in the Process of Making the Pentax 17 Pentax Chose Half Frame to Appeal to Those Used to Smartphones / Many Style Cues Taken from Classic Pentaxes Zone Focusing is Ideal for the Type of Lens in the Pentax 17 / What Kind of Shutter Does it Have? The Rollei 35 AF is Made By a Company More Known for Instant Film Cameras The Rollei Name Today Has Nothing to do with the Original Rolleiflex Name Antony Had to Sell Many Cameras to Afford His Leica M7 / The Leica M7 is Awesome Pentax is Planning More Cameras, Possibly a Mechanical SLR New Electronic Cameras from Pentax and Mint Restart the Clock on Failing Electronic Cameras Younger Generations Are Much More Portrait Ratio Oriented Silver Bridges is Making the Widelux-X The Original Wideluxes Were Never Completely Reliable, the Widelux-X Has to be Better Some Parts for the Widelux-X Can Be Used as Replacements for Parts in Original Wideluxes Priming the Widelux Lens Before Shooting it Can Help Reduce Uneven Exposures Electronic Noblex vs Mechanical Widelux (and Horizont) There is No Release Date for the Widelux-X, It Will Be Ready When It Is Ready The Viscawide 16 is the Ultimate Swing Lens Camera! The Fuji FP-1 Was Made in the 1980s for Peel Apart Instant Pack Film and Was Awesome! Fuji Peel Apart Film Was Everyone's Favorite Instant Film The Fuji FP-100C Color Film Survives Much Better than the FP-3000B There is Zero Chance That Fuji or Polaroid Will Ever Bring Back Peel Apart Instant Film LomoGraflok Backs / Adapting 4x5 Cameras to Shoot Instax Wide / Polaroid 110 Cameras Fuji Ace Instant Film and Cameras Was Their Version of Integral Instant Film Instax Wide / What is the Future for Instax Wide? / Instax Wide 400 Mike Wishes Fuji Had Made a Semi-Pro Instax Wide Camera Other Options for Shooting Instax Wide on Other Sheet Film Cameras Mike Promotes the new Book, Argus: Fine American Cameras by Phil Sterritt and Mike Reitsma Q&A From the Camerosity Discord / Ninja Star Bokeh / Konica Hexar AF Fuji GF670 and GF670W Folding Camera / Get the New SilverGrain Classics Issue Links The Camerosity Podcast is now on Discord! Join Anthony, Paul, Theo, and Mike on our very own Discord Server. Share your GAS and photography with other listeners in the Lounge or in our dedicated forums. If you have questions for myself or the other guys, we have an “Ask the Hosts” section as well where you can get your question answered on a future show! Check it out! https://discord.gg/PZVN2VBJvm. If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group, Instagram page, or Discord server. Japan Camera Hunter's Live Preview of the Rollei 35 AF - https://www.youtube.com/watch?v=rWz7A2e05Xc Argus: Fine American Cameras - https://argusinfo.net/argusbook/ArgusBookMain.htm Silvergrain Classics - https://shop.silvergrainclassics.com/detail/index/sArticle/42181/sCategory/92 The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris Anthony Rue - https://www.instagram.com/kino_pravda/

As promised, here is the second half of the first ever two part episode in the Camerosity Podcast's history! This one features your two favorite Camerosity hosts Theo and Mike, but unlike in the first half, we had the call in lines open.  Joining us are returning callers Brian Howard, Ira Cohen, Mark Faulkner, Patrick Casey, Will Pinkham, and first time caller Erik Geiger. In this episode we get into a variety of topics such as the effects World War II had on the production of cameras during and after the war, Mark admits that he doesn't like his Leica M3 and wishes he had an M2 instead, how Ira ended up with two Ensign Multexes with no lenses, Theo's recent pickup of a Balda Super Baldinette, Mike's "reverse GAS" pickup of a Canon A1 and his recent test of a Super Pentacon 35mm SLR, and how much everyone loves the Pentax Q series for shooting C and D-Mount lenses. If two Camerosity Podcast releases in the same week isn't enough to satisfy your "nerdy podcast cravings", look for our upcoming announcement for Episode 72 on Friday.  We will record this episode on Monday, June 24th at our regular time of 7pm Central and 8pm Eastern.  We are going to get back to what we do best and talk about cameras!  For this episode, we have chosen the one-two punch of Fujica and Ricoh cameras. The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, the Camerosity Discord server, and right here on mikeeckman.com. We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. Links The Camerosity Podcast is now on Discord! Join Anthony, Paul, Theo, and Mike on our very own Discord Server. Share your GAS and photography with other listeners in the Lounge or in our dedicated forums. If you have questions for myself or the other guys, we have an “Ask the Hosts” section as well where you can get your question answered on a future show! Check it out! https://discord.gg/PZVN2VBJvm. If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group, Instagram page, or Discord server. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris Anthony Rue - https://www.instagram.com/kino_pravda/

In what has been the most hectic period of the podcasts history, Paul went on a month's long vacation to Ireland, Theo became the most important man in Corporate Australia, Anthony's personal life dialed it up a notch, and Mike became Mr. Soccer Tournament Man so the scheduling of four hosts in three different time zones, two continents, and one podcast became difficult. Not wanting to deprive you all of more of the nerdiest film photography discussion, we decided to throw caution to the wind and record separately, first with Anthony, Paul, and Mike, and then again with Theo, Mike, and you all.  The original plan was to edit these two separate recordings together, but even that became too difficult, so we decided to break up both recordings into two halves of Episode 71...our first Two Parter! In this episode, Anthony tells us about alligator mating calls and how he's thinking of selling his collection to buy a Leica M2, Paul meets up with Brian MacDomhnaill and then convinces another site listener to buy a Nikon point and shoot, and Mike tells us about a rare camera he was loaned by a reader of his site.  We cover a great deal of other topics as well, but unlike most episodes where I painstakingly type up an index of topics, for this one, you'll just have to listen and discover whatever nonsense we discuss, on your own! As always, the topics we discuss on the Camerosity Podcast are influenced by you! Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show. We LOVE people who are into shooting or collecting cameras, no matter how long you've been doing it, so please don't consider your knowledge level to be a prerequisite for joining! You won't have to wait long for the next episode as Episode 71 Part 2 will be just around the corner, but after that, we are planning Episode 72 to be recorded on Monday, June 24th at our regular time of 7pm Central and 8pm Eastern.  We are going to get back to what we do best and talk about cameras!  For this episode, we have chosen the one-two punch of Fujica and Ricoh cameras. The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, the Camerosity Discord server, and right here on mikeeckman.com. We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. Links The Camerosity Podcast is now on Discord! Join Anthony, Paul, Theo, and Mike on our very own Discord Server. Share your GAS and photography with other listeners in the Lounge or in our dedicated forums. If you have questions for myself or the other guys, we have an “Ask the Hosts” section as well where you can get your question answered on a future show! Check it out! https://discord.gg/PZVN2VBJvm. If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group, Instagram page, or Discord server. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris Anthony Rue - https://www.instagram.com/kino_pravda/

Is it a coincidence or did we plan it all along?  Episode 70 of the Camerosity Podcast is all about the 70s!  In this episode, the gang does our best to fit the best, the worst, and other noteworthy camera and photographic advancements of an entire decade into a 104 minute podcast! Joining Anthony, Paul, Theo, and Mike on this episode are returning callers Daniel Belmes, Jordan Berube, Patrick Casey, Tim Peters, and first time callers Gheerwijn Clicque and Will Pinkham. We start off this episode dedicated to the 1970s, discussing a camera from...the 1960s!  As we often do, the show gets off topic quickly and we end up discussing the merits of the Canon Pellix and pellicle mirrors, but we get back on track with other Canon SLRs like the Canon AE-1 and A-1. We discuss the beginning of the auto focus era, and cover the first ever auto focus SLR.  In addition, the topic of everyone's favorite 1970s film, Pocket Instamatic Type 110 is discussed, why it was invented, notable cameras that used it, and some tips and tricks to home developing and scanning your own 110 film. We declare the two companies who we think were the most and least innovative camera makers of the 1970s.  Can you guess who they are?  I'll give you a hint, one of them rhymes with "Schmoloroid"! Realizing that we made it more than halfway through the show without discussing too many cameras, we did a lightning round asking everyone to share their favorite, least favorite, and at least one noteworthy camera from the 1970s.  Be sure to listen to the show and see if your 1970s camera was mentioned. As always, the topics we discuss on the Camerosity Podcast are influenced by you! Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show. We LOVE people who are into shooting or collecting cameras, no matter how long you've been doing it, so please don't consider your knowledge level to be a prerequisite for joining! For the next episode, we are taking a break from our regular two week recording cadence as both Paul and Theo have some vacations coming up.  We will definitely return soon for Episode 71, but as of right now, we do not have a date or a topic set.  As mentioned in this episode, we teased an upcoming Zeiss-Ikon episode, but so far, that's still to be determined... The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, the Camerosity Discord server, and right here on mikeeckman.com. We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. In This Episode Camera Collectors vs Camera Photographers / What Do People Like to Collect? Canon Aspherical 35mm f/2 Lens / De-Yellowing Lenses Using UV Lights Two of the Most Reliable and Under Appreciated Canon SLRs of the 70s are the TLb and FTb Canon Pellix and the Virtues of Pellicle Mirrors / Canon and Nikon Both Made Other SLRs with Pellicle Mirrors Anthony Was in His Prime in the 70s / Shooting Concerts / Anthony and Ken Rockwell Love the Olympus RC / Other Olympus Rangefinders The Canon A-1 is Great When They Work But Haven't Proved to be Too Reliable Anymore The Canon AE-1 Was Very Popular and Easier to Fix / Squeaky Shutter Gearing Did the Canon AE-1 Motivate Nikon to Make the FM and FE? Polaroid Was the Most Innovative Camera Company in the 1970s / Polaroid Big Shot Polaroid Made the First Auto Focus SLR / Polaroid SX-70 OneStep Sonar /  Polaroid Put Batteries in their Film / Tips for Owning a Polaroid SX-70 110 Film Was One of the Great Advancements of the 1970s! Pentax Auto 110 / Canon 110ED /  Why Did Kodak Switch from 126 to 110? Kodak's Smaller Film Formats Forced Them to Make Better Film Home Developing 110 Film Using 16mm Reels /  How to Scan 110 Film Using Picture Frames Cameras We Love, Hate, and Think are Special Nikonos III, Canon AE-1, Konica Auto-Reflex / Yashica Electro 35 GSN / Rolleiflex 3.5F / Nikon FE, Minolta XE-5, Canon AE-1, Nikon EM Rollei 35 T, Olympus Trip 35, Peafowl DF-1 /  Nikon F2, Olympus OM-1, Canon A1, Alpa 11 / Bronica S2A, Mamiya 1000DTL Mamiya Press 23, Mamiya RB67 / Nikon F2, Nikon EL2, Miranda dx-3 / Pentax K1000 / Leicaflex SL2 Leica R-Mount SLRs / Brian Long's Leica R-Series Book / Leica R-Mount Lenses Are Getting More Expensive Links The Camerosity Podcast is now on Discord! Join Anthony, Paul, Theo, and Mike on our very own Discord Server. Share your GAS and photography with other listeners in the Lounge or in our dedicated forums. If you have questions for myself or the other guys, we have an “Ask the Hosts” section as well where you can get your question answered on a future show! Check it out! https://discord.gg/PZVN2VBJvm. If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group, Instagram page, or Discord server. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris and https://www.etsy.com/shop/Camerasandpictures Anthony Rue - https://www.instagram.com/kino_pravda/ and https://www.facebook.com/VoltaGNV/

In the 68 previous episodes of the Camerosity Podcast, we've had the pleasure of talking to a wide variety of fascinating guests.  We've had collectors, historians, former Kodak employees, camera repair technicians, and a variety of other bloggers and other assorted people in the industry.  Each of those people were fascinating guests, but each had a special niche where their skill and experience fit in and not every listener of this might would have known who they were. In this episode however, our special guest is Mike Butkus, someone whose name should ring a bell to anyone who has ever picked up an old camera and searched for information on it online.  It is impossible to collect cameras and never have stumbled upon the massive collection of cameras manuals at Mike's site.  His site has over 6000 high resolution scans of manuals for film and digital cameras, flashes, exposure meters, and much more, available for everyone to view and download for free.  Mike's site is not only big, but it has been around for over a quarter of a century, making it one of the oldest still operating film and digital photography sites out there. Be sure to check out Episode 69 where Anthony, Paul, Theo and Mike are joined by returning callers Ray Nason, Howard Sandler, and first time callers Brian Zeman and Jordan Berube. In addition to hearing Mike's origin story and getting a glimpse into what goes on behind the scenes at the world's largest depot of camera manuals, we venture into a wide variety of other topics, such as tips and tricks to selling a large camera collection, what is everyone's favorite 6 x 9 camera, and how heavy is a Koni-Omegaflex M TLR. Theo shares a story about a camera he bought, then returned, and may one day buy again, Mike gets yelled at by a site reader for mistaking a 2¼ x 3¼ camera for a 6 x 9 camera, and Howard asks why old folding Kodaks aren't valued by collectors. Donate to Mike Butkus: For the past 25 years, Mike Butkus has run his camera manual website by himself.  He buys all of the manuals he scans with his own money, he pays the hosting and domain registration fees with his own money, and he does all the scanning in his free time.  All of this on a site with no ads.  If you have ever found any useful information on his site, we encourage you to send him a couple bucks through PayPal. https://www.paypal.com/paypalme/butkus As always, the topics we discuss on the Camerosity Podcast are influenced by you! Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show. We LOVE people who are into shooting or collecting cameras, no matter how long you've been doing it, so please don't consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, the Camerosity Discord server, and right here on mikeeckman.com. We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. We had originally planned on doing a "Cameras of the 1970s" episode for number 69, but with the availability of Mike Butkus, we bumped it by one episode, so for Episode 70, we are definitely getting our disco balls out and putting our bell bottoms on and will be going over the best, the worst, and everything in between from everyone's favorite film camera decade. We will record Episode 70 on Monday, April 29th at 7pm Central Daylight Time (-5 UTC), 8pm Eastern Daylight Time (-4 UTC), and Tuesday at 10am Australian Eastern Standard Time (+10 UTC). We look forward to hearing from you! In This Episode 2024 is the Year of Solar Eclipses, New Jersey Earthquakes, 17 Year Cicadas, and a US Election / Mike Has a Yashica Dental-Eye Mike Butkus's Origin Story / First Scans Were Made in 1999 of Chinon K-Mount SLRs The First Scans Were Done in Word Format Using OCR Mike Uses Google Analytics to See Which Manuals are Searched for the Most / Mike Has Over 6000 Original Manuals How Can We Help Mike? / Donate Manuals He Doesn't Have Camera Collectors are Lucky to Have Access to So Many Manuals / Preserving Mike's Website Online / Money Donations Mike Does Not Collect Cameras, He Has About 20 Cameras and That's All We Tried to Play "Stump Butkus" But Couldn't Find Enough Cameras to Stump Him Eckman's Tip on Finding a Manual On Butkus's Site Jordan Loves the Mamiya 6 But Mike Doesn't Have a Manual for the One He Has / There are Many Different Mamiya 6 Models Wooden Leicas / Mike Bought a Leica IIIa From Ray and Had it CLA'd by Allen Wade Butlus and Eckman are Both Verbs / Mike Butkus Also Has Flash and Light Meter Manuals Too Mike Eckman Wants More Camera Catalogs / A Shout Out to Pacific Rim's Reference Library Collecting Magazines, National Geographic, Modern Photography, Popular Photography Tips for Selling Off Large Collections of Cameras / The First Question is How Fast? / Dealers Selling to Other Dealers Selling Things on eBay Not as Described / Theo Returns a Telka III People Donating Cameras to Us as "The Camera Guy" What is Everyone's Favorite 6 x 9 Camera? / Century Graphic / Zeiss-Ikon Nettar / KMZ Moskva Some 6 x 9 Cameras are Actually 2¼ x 3¼ / Kodak Medalist Fujica GL690 "Texas Leica" / Fujica GSW690III / Zeiss-Ikon Super Ikonta / Voigtländer Bessa I / Plaubel Makina / Horseman Convertible Theo Bought a Red Bellows AGFA Record III From Mike / Folding Kodak 2¼ x 3¼ Cameras Mamiya Super 23 /  Kodak Monitor Six-20 / No. 1A Speed Kodak 116 Camera The Koni-Omega Users Group / Simmons Omega 120 / Koni-Omegaflex M They Shoot Kodak Hawkeye Brownies in the Amazon Show Fallout What Are the Best Bargains People Have Collected? Links The Camerosity Podcast is now on Discord! Join Anthony, Paul, Theo, and Mike on our very own Discord Server. Share your GAS and photography with other listeners in the Lounge or in our dedicated forums. If you have questions for myself or the other guys, we have an “Ask the Hosts” section as well where you can get your question answered on a future show! Check it out! https://discord.gg/PZVN2VBJvm. If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group, Instagram page, or Discord server. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Mike Butkus - https://butkus.org/chinon/index.html Donate to Mike Butkus - https://www.paypal.com/paypalme/butkus Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris and https://www.etsy.com/shop/Camerasandpictures Anthony Rue - https://www.instagram.com/kino_pravda/ and https://www.facebook.com/VoltaGNV/

For this, the 68th episode of the World's Number One Open Source Film Photography Podcast, the gang invited our friend and film photographer Johnny Martyr to share with us his love of Leicas.  As is the case any time the topic of cameras made by everyone's favorite Wetzlar based company is mentioned, the Force™ beckons our own resident Leica Master, Dan Tamarkin, who also joins us on our first ever April Fool's Day episode! What is real and what is fake?!  Are Johnny and Dan really here or did Mike just find a really convincing AI voice generator?!  NO ONE KNOWS! Helping Anthony, Paul, Theo, and Mike differentiate between reality and imagination, are returning callers Bob Rotoloni, Mark Faulkner, Patrick Casey, Raymond Nason, and first time callers Alan Peres, and Brock's Garage! Starting off the episode, Johnny talks a bit about his business, shooting film and digital with his wife and what kinds of customers would hire a film photographer.  Of all the reasons someone might want a professional photographer, there is one type of gig that people tend to favor film more, but what is it?  Johnny also talks about how when he first got started, his customers struggled to differentiate his film shots from his wife's digital shots, so he sought out ways to come up with his own style. For the second episode in a row, Leica R SLRs have captivated the Camerosity Crew, and Paul, Mike, and Dan discuss all of Leicas different SLRs, and what they like about each one.  Mike recently shot three different Leica SLRs and clearly loved one over the others, but which one was it? Have you ever struggled loading film into bottom loading Leica screw mount (and similar) cameras?  Does trimming the leader to the necessary length cause you heartache and slow you down too much?  If so, Johnny has found a new type of take up spool that works in most screw mount Leicas (and copies) that greatly simplifies loading film into these cameras without having to trim the leader.  Enter Ausgeknipst, a small German company who 3D printed a new design that both Johnny and Mike have tested. Finally, Mike shares his thoughts on a camera he thought would make a good April Fool's Discussion because of how well it "fooled" the community upon its release, but strangely, he ended up liking it way more than he thought he would.  But what was it? As always, the topics we discuss on the Camerosity Podcast are influenced by you! Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show. We LOVE people who are into shooting or collecting cameras, no matter how long you've been doing it, so please don't consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, the Camerosity Discord server, and right here on mikeeckman.com. We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. For our next episode, rather than discuss a certain brand or type of camera, we thought it would be fun to discuss an entire decade worth of cameras, and what better decade to start in, but the 1970s!  Get out your hair picks, put on your bell bottoms, and spin up some Kiss records and call in to share with us your favorite 1970s cameras! We will record Episode 69 on Monday, April 15th at 7pm Central Daylight Time (-5 UTC), 8pm Eastern Daylight Time (-4 UTC), and Tuesday at 10am Australian Eastern Standard Time (+10 UTC). We look forward to hearing from you! In This Episode Johnny uses a converted 1930 Leica Model C converted to a III / Mostly uses the Leica M6 TTLs for most shooting in low light Shooting the Leica M6 With and Without a Meter / Paul does not like the Leica M3 Johnny and Mike met over a Konica III article, while he got noticed on a humorous M6 article People should shoot their own way and not try and impose on others Dan subscribes to Johnny's blog / Dan and a few others do not like the M3 viewfinder Paul prefers the M6 over the M6 TTL as it has more diodes Johnny also shoots with a Nikon FM2n and F2SB, but does not like the F3 / Anthony loves his FM2n Johnny had a shoot with Bill Clinton while he was working hybrid Clients don't really care if shooting film or not, they like the photos There is a market for film shooters / Mark had hired Johnny for his wedding Johnny moved to black and white to distinguish from digital / The has been more interest in film at weddings Dan has seen more people wanting to get in film / Most people won't know a Leica from a ratty old camera Wedding photographers get nervous seeing a Leica shooter Anthony wishes Johnny had shot his wedding / Theo's wedding photographer ran out of film Alan brought his Leica IIIf to Dan to have it CLA'd The Leica R virus has spread through the Camerosity hosts / Dan rarely sells R cameras but the lenses are in demand Dan caused Paul to buy 2 M10s / The M10 might be the last great Leica Paul tested the 7Artisans lens and it surprised him in quality People should like lenses because of their “flavor” / Each of the older Leica lenses is unique Paul suggests the Leica SL2 is a good starter in the SLR range Mike has fallen in love with the SL2 in 5 hours, didn't take to the R8 Theo though thinks the R8 is his favourite SLR he shoots Dan thinks the R8 is ungainly, the R3 is good for pounding nails The R6.2 is the pinnacle of the R series / Paul got a great haul of R equipment Some people wanted the Camerosity shirts off Mike and Paul's back! Johnny and Mike Promote New 3D Printed Quick Load Spools for Bottom Loading Leicas Simple accessories can make using vintage cameras much easier Both Paul and Mike missed a rare Argus lens at the camera show Was the Yashica Y35 an April Fools Joke? / Yashica name is being used with I'm Back micro 4/3 camera We don't appreciate sometimes the technology and effort to bring a product to market Mint is doing some cool work / The panel goes 110 crazy Links The Camerosity Podcast is now on Discord! Join Anthony, Paul, Theo, and Mike on our very own Discord Server. Share your GAS and photography with other listeners in the Lounge or in our dedicated forums. If you have questions for myself or the other guys, we have an “Ask the Hosts” section as well where you can get your question answered on a future show! Check it out! https://discord.gg/PZVN2VBJvm. If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group, Instagram page, or Discord server. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Johnny Martyr - https://johnnymartyr.wordpress.com/ Dan Tamarkin - https://www.tamarkin.com/ Ausgeknipst Film Spools - https://petapixel.com/2024/04/01/a-new-quick-load-spool-for-barnack-leica-and-similar-cameras/ Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris and https://www.etsy.com/shop/Camerasandpictures Anthony Rue - https://www.instagram.com/kino_pravda/ and https://www.facebook.com/VoltaGNV/

There's the old saying "If you're going to shoot the king, don't miss..." In a recent episode of a rival podcast, shots were fired at the Camerosity crew, especially Mike for a perceived slight given by us.  War was declared and many casualties were sure to ensue.  Would the world's first and only open source photography podcast respond?  Of course we would! In this, the 67th episode of the Camerosity Podcast, Anthony, Paul, Theo, and Mike have some good natured fun at the expense of Jeff Greenstein and Gabe Sachs of the I Dream of Cameras podcast.  Throughout the episode we make repeated jabs at them, some obvious, some very subtle, can you spot them all? Of course, this IS the number one open source film photography podcast, so we did eventually get on track with the exciting return of Mr. Rick Oleson, which we haven't seen since way back in Episode 2.  Rick is a master repair technician, who most recently became well known in the film community for a line of improved Bright Screens which can be adapted to a wide variety of medium format SLR and TLR cameras. Joining Rick and the Gang are returning callers, A.J Gentile, Eric Jason, Ray Nason, and Tim Peters.  During the show we spend a great deal of time learning about Rick and his history repairing cameras and how he got into making the Bright Screens.  If you thought you knew everything there was to know about focusing screens, you really need to listen to this episode as Rick puts on his cap and gown and schools us on how focusing screens work, why the Bright Screens are better than the stock screens, why you cannot simply cut down his screens to 35mm, and why focusing screens in the auto focus era were brighter than in the past.  We talk about Fresnel patterns and the advancements made throughout the 20th century to make your viewfinders brighter, and how to install a new screen in large format cameras. In addition to everything you didn't know you needed to know about focusing screens, Rick raves about a strange camera called the Continental TXL which he was amazed both at how simple it is, yet how good it is.  Paul and Mike talk more about the upcoming Cincinnati camera show and how Mike is bringing over 13 boxes of cameras to sell and Paul has at least another 10 or so more.  Mike talks about a recent trade with a UK camera blogger, and Rick talks about restoring a classic Mercedes Benz 450SL. This was definitely an odd episode, produced during the stress of an ongoing war with another podcast, yet we managed to squeeze in a huge amount of information you won't find on any other podcast out there!  Even if learning more about focusing screens doesn't sound like a great way to spend 90+ minutes, you'd be surprised at how interesting it all is. Meet Paul and Mike: If you are in the vicinity of Cincinnati, Ohio on Saturday, March 23rd, come to the Ohio Camera Swap at the Hilton Garden Inn Cincinnati/West Chester and say hi to Paul and Mike.  While you're there, maybe you can buy something from us! As always, the topics we discuss on the Camerosity Podcast are influenced by you! Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show. We LOVE people who are into shooting or collecting cameras, no matter how long you've been doing it, so please don't consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, the Camerosity Discord server, and right here on mikeeckman.com. We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. The next episode of the Camerosity Podcast will be recorded on April 1st, aka April Fool's Day, so if you thought episode 67 had a lot of silliness, wait until you see what we have in store for the next episode...  To be perfectly honest, we have no idea what we're going to talk about, but hey, it's a made up holiday dedicated to pranks, so we are sure to have some fun! We will record Episode 68 on Monday, April 1st at 7pm Central Daylight Time (-5 UTC), 8pm Eastern Daylight Time (-4 UTC), and Tuesday at 11am Australian Eastern Daylight Time (+11 UTC). We look forward to hearing from you! In This Episode Rick Introduces Himself / The Bright Screens Originated From a Pentacon Six Screen Rick Handed Over Production of the Screens Two Years Ago / New Improvements to the Hasselblad Screens How Do Focus Screens Work? / Why Do Fresnel Patterns Make Focusing Screens Brighter? Bright Screens Will Not Work on 35mm Cameras / Installing Screens on Large Format Cameras is Difficult Why Are SLRs from the 80s and 90s So Much Brighter Than Older SLRs? Focus Screens Were Changed in the Auto Focus Era / Bright Screens are Based off the Manual Focus Era Newer Focus Screens Maximize Brightness for Slower Lenses like Kit Zooms Manually Focusing a Fast Lens on an Auto Focus Camera is Best Done with the Lens Stopped Down Struggling to Manual Focus Fast Lenses on the Leica M10R / Fast Chinese Lenses Often Need Calibration When Will Rick's Screen Molds Need to be Replaced? /  Marking Up a Leica M8's Screen with a Wax Pencil Rick Is Currently Attempting to Restore a 50 Year old Mercedes 450SL and Learn Watch Repair / Rotary Aircraft Engines Rick's Website is Old But Still Has a Lot of Great Info / Old Camera Websites are Disappearing Online Is There a Bright Screen for the Kiev 88 with a 45 Degree Split Focus Aide? Mike and Paul are Bringing Nearly 20 Boxes of Cameras to the Cincinnati Show Premier Instrument Civilian Kardon / Konica Koniflex TLR / Many Voigtländer Brillants Mike Doubles Down on Vivian Maier Again / Mike and Paul Want to Give Rick Their Broken Cameras Kalimar Reflex / Fujita 66 Medium Format SLR / Adapting Miranda M44 Lenses to the Kalimar Theo Wants to Do a King Regula Episode Rick is Mystified by the Hong Kong Continental TXL / Fujica ST-F More Camera Shows in Montreal and Sydney Are Coming in April Mike Traded Some Cool Cameras with Cees-Jan de Hoog from CJ's Classic Cameras / Agilux Agimatic / Photavit 36 Would It Be Feasible to Make a Ground Glass with a Built In Rollei Style Bubble Level What Was the Hardest Camera Rick Ever Worked On? Links The Camerosity Podcast is now on Discord! Join Anthony, Paul, Theo, and Mike on our very own Discord Server. Share your GAS and photography with other listeners in the Lounge or in our dedicated forums. If you have questions for myself or the other guys, we have an “Ask the Hosts” section as well where you can get your question answered on a future show! Check it out! https://discord.gg/PZVN2VBJvm. If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group, Instagram page, or Discord server. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Rick Oleson's Bright Screens - https://bright-screen.com/ How a Fresnel Lens Makes a Screen Brighter - https://www.flickr.com/photos/rick_oleson/51876542662/in/album-72157706989069321/ Focusing Screen with Microlenses for AF - https://www.flickr.com/photos/rick_oleson/49279918017/in/album-72157706989069321/ Eric Jason - Aperture Preview - https://www.aperturepreview.com/ CJ's Classic Cameras - http://www.cjs-classic-cameras.co.uk/ I Dream of Cameras Podcast - https://www.idreamofcameras.com/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris and https://www.etsy.com/shop/Camerasandpictures Anthony Rue - https://www.instagram.com/kino_pravda/ and https://www.facebook.com/VoltaGNV/

The Camerosity Podcast goes full Reddit with our first ever Ask Me Anything, or more appropriately, Ask Us Anything.  Over the week prior to the recording, the guys solicited questions from our listeners through our official Facebook and Instagram sites and our Discord server.  The questions could truly be anything, so while we expected to get a lot of camera and photography related questions, nothing was off the table. Joining Anthony, Paul, Theo and Mike on this one were returning callers A.J. Gentile, Mark Faulkner, Miles Libak, Patrick Rapps, Ray Nason, and Stephen Strangways where we field questions submitted by our listeners and by the live guests on the show. If you've ever wanted to know what Anthony's favorite Elvis Presley movie is, or why Paul Rybolt had at one time one of the most notorious mugshots, or what each of our wives think of our collections, this is an episode you won't want to miss.  In addition to these compelling questions, we also hit the hard topics like what kinds of camera ephemera we have, what alternatives to eBay are there for buying and selling cameras, and what kinds of things besides cameras do we collect. As you might imagine, this was not a typical Camerosity Podcast episode.  This one was light on GAS, but heavy on discussions you won't hear anywhere else! Meet Paul and Mike: If you are in the vicinity of Cincinnati, Ohio on Saturday, March 23rd, come to the Ohio Camera Swap at the Hilton Garden Inn Cincinnati/West Chester and say hi to Paul and Mike.  While you're there, maybe you can buy something from us! As always, the topics we discuss on the Camerosity Podcast are influenced by you! Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show. We LOVE people who are into shooting or collecting cameras, no matter how long you've been doing it, so please don't consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, the Camerosity Discord server, and right here on mikeeckman.com. We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. For our next episode, we expect to have the return of Rick Oleson.  For those of you who have been collecting cameras for a long time, you've almost certainly run across Rick's name either by his excellent repair website or through one of his very popular SLR and TLR Bright Screens.  Rick was one of this show's earliest guests, last appearing in Episode 2, so it will be great to hear what he's been up to lately. We will record Episode 67 on Monday, March 18th at 7pm Central Daylight Time (-5 UTC), 8pm Eastern Daylight Time (-4 UTC), and Tuesday at 11am Australian Eastern Daylight Time (+11 UTC). We look forward to hearing from you! In This Episode Mike Had Failed GAS and Couldn't Buy a Meopta Opema / Theo GASsed a Telka III Cameras Engraved with Names and Social Security Numbers / Brinks Security Markers Patrick is Shooting a Keystone F8 Aircraft Camera Mike, Paul, and Ray Will Be At the Cincinnati Camera Show on March 23rd / Paul's eBay Story Why Would the Lord 4D Have a Film Cutter? / What Would it be Used for? Will There Ever Be Camerosity Merch or a Patreon Page? What Does Anthony Think Was Elvis Presley's Best Movie? Tracking Movies Using Letterboxd / Mike Recommends 'The Bear' What Photography Ephemera Does Everyone Collect, and What is Our Favorite? / Mike Has a Kodak Lamp Making Lamp Shades Using Old Film Slides and Kodachrome Film If Not eBay, What Alternatives Are There for Buying and Selling Cameras? / Yahoo.jp / ZenMarket / Fred Miranda Most Collectible Cameras Are No Longer Owned by Their Original Owners What's the Deal with Paul's Prison Mugshot? What Store Brands Are Good to Look For? / Sears TLS Third Party Lens Makers / Tomioka / Komine / Hanimex What Do All of Our Wives Think About Our Camera Hobbies? When Will Dan Tamarkin Come Back on the Show? / Paul Got in Trouble on Reddit The Excitement Around Ricoh's New Half Frame Camera Who Develops Their Own Film? / Anthony's 59 Minute Photo Lab What Other Things Do You Collect Besides Cameras? / Dan Cuny Collects Glass Plates What Was Your First Camera and if You Had to Start Over, What Would You Start Over With? Name a Camera That Everyone Else Loves But You Don't Links The Camerosity Podcast is now on Discord! Join Anthony, Paul, Theo, and Mike on our very own Discord Server. Share your GAS and photography with other listeners in the Lounge or in our dedicated forums. If you have questions for myself or the other guys, we have an “Ask the Hosts” section as well where you can get your question answered on a future show! Check it out! https://discord.gg/PZVN2VBJvm. If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group, Instagram page, or Discord server. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris and https://www.etsy.com/shop/Camerasandpictures Anthony Rue - https://www.instagram.com/kino_pravda/ and https://www.facebook.com/VoltaGNV/

For regular listeners of this show, the gang usually records each episode during the evening for listeners in the United States.  For those of you on Theo's side of the planet, it is either late morning or midday the next day, but this time slot is not good for listeners in Europe or Africa.  While we've had some graveyard shifters call us, we like to sometimes have episodes at an hour which is more time-zone friendly to our listeners in those areas of the world. It has been longer than we'd care to admit, but for this the 65th episode of the Camerosity Podcast, the gang invites our European friends for nearly 2 hours of non-stop Camerosity discussion!  Joining Anthony, Paul, Theo, and Mike are returning callers Alan Duncan, Brian MacDomhnaill, Frederico Quaglino, John-Michael Mendizza, Tim Peters, Wannes Scheipers and first time callers Adrian Cullen, Jeremy Scott, John Kelly, Stuart Pratt, and from Prague, Czech Republic, Tadeas Plachy. The conversations in this episode ranged all the way from Arsenic to Zeiss, hear about some of the groups favorite cameras from the Hungary, Italy, France, Czechoslovakia, England, Austria, and even Germany!  For those of you with access, what can Uranium and Mercury do for your film photography.  Who is still shooting Kodak Ektachrome IR film, and what is everyone's favorite method for removing Remjet?  When you invite such a wide variety of people from so many countries, you're bound to come up with some interesting conversation and boy did we ever! As always, the topics we discuss on the Camerosity Podcast are influenced by you!  Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show.  We LOVE people who are new to shooting and are interested in having an episode dedicated to people new to the hobby, so please don't consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, the Camerosity Discord server, and right here on mikeeckman.com.  We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. Our next episode is going to be a little different.  It will be our first ever Camerosity AMA (Ask Me Anything) episode.  All episodes of the show have an open discussion format, but for this one we are soliciting questions on ANY TOPIC for Anthony, Paul, Theo, and Mike.  Want to know something about either Theo or Mike's blogs, or any stories about Paul's days owning his own camera story, or Anthony's tips and tricks about underwater cave diving or running your own coffee shop?  Literally no topic is off the table (except politics).  Like all episodes, we encourage people to join us, but if you have a question you'd like to be read on air, please submit them to us through Facebook, Instagram, or Discord before the show airs. We will record Episode 66 on Monday, March 4th at 7pm Central Standard Time (-6 UTC), 8pm Eastern Standard Time (-5 UTC), and Tuesday at Noon Australian Eastern Daylight Time (+11 UTC).  We look forward to hearing from you! In This Episode Tadeas Hates Flexarets / Meopta Opema Soviet Countries were Allocated Camera Types for Manufacturing Paul has a Fokaflex / Meopta Enlargers are well respected The Czech press agency bought Nikon Fs in 1970 and 80s Tadeas loves his Nikon FM2 / Canon 25mm LTM Lenses / Minolta SRT-101 and Prakticas / Zeiss-Ikon Taxona and Tenax II 35mm Cassette Shapes Have Changed / East Europe 35mm Reloads Used Paper Wrapped Film Kodak Ektachrome Infrared Film / Full Spectrum and IR Digital Cameras / Shooting IR in a Movie Theater / Sony CyberShot DSC-F828 Using Expired Film and Cinema Films / Removing Remjet Uranium to Increase Contrast on Prints / Mercury to Increase the Speed of your Film / Kodachrome is Bad for the Earth / Arsenic Covered Books Minox 35ML / Chinon Made some AGFA Cameras / AGFA Optima Parat and the AGFA Parat I Brian MacDomhnaill's Football Squad Camera Lineup / Pentax IQ Zooms (Espio) / Voigtländer Perkeo II and Zeiss Ikon Super Ikonta Nikonos III is a simpler camera than the Nikonos V / Fuji Super Fujica-6 / Voigtländer Rollfilm / Ensign Autorange 620 / Royer Teleroy Demaria Lapierre Telka III / Greek cameras / Sabina 127 and the Piccopoulos Picca The Hungarian Mometta III / Gallus Derby-Lux and Foth Derby French Rex Reflex TLR / Complicated Italian Cameras / Rectaflex / Ducati / Bencini / Ferrania Ilford Advocate and Witness / Scale Focus is Faster for Candid Photography Mike Needs a Take Up Spool for the Ducati Only Service a Camera if it Needs It Links The Camerosity Podcast is now on Discord!  Join Anthony, Paul, Theo, and Mike on our very own Discord Server.  Share your GAS and photography with other listeners in the Lounge or in our dedicated forums.  If you have questions for myself or the other guys, we have an “Ask the Hosts” section as well where you can get your question answered on a future show!  Check it out!  https://discord.gg/PZVN2VBJvm. If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group, Instagram page, or Discord server. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris and https://www.etsy.com/shop/Camerasandpictures Anthony Rue - https://www.instagram.com/kino_pravda/ and https://www.facebook.com/VoltaGNV/  

For this, the 64th episode of the Camerosity Podcast, the gang finally devotes our full attention to one of the most popular brands of cameras ever made.  A camera brand that was so popular, they named the entire company after it, the Rolleiflex! Originally founded by two ex Voigtländer employees who had an idea on how to build a better soldier's camera, a new company called Franke & Heidecke was created, and from there, a whole legacy of twin lens, and eventual single lens reflexes was born. Joining Anthony, Paul, Theo, and Mike are returning callers Bill Smith, John Roberts, Marc Gordon, Patrick Casey, Rafael Espinosa, Tim Peters, and first time callers Dean Robinson and Steve "Johnny Appleseed" Lederman. In this episode, we will cover the early history of the company, how Paul Franke and Reinhold Heidecke first got started, the early and later Rolleiflex and Rolleicord TLRs.  We also cover their transition into both medium format and 35mm SLRs, the compact Rollei 35, the Cosina made Rollei 35 RF, and a few other Rollei models. We ask the tough questions like what is the difference between a Rolleiflex and Rolleicord, are the triplet lenses really that much worse than the Tessars, are German Rolleis better than Singapore Rolleis, and what are everyone's favorite models.  In addition to Rollei GAS, we briefly discuss a strange Japanese Rollei copy, why people tend to blend in better using cameras with waist level vs eye level viewfinders, the confusing transition from Voigtländer, Zeiss-Ikon to Rollei, and whether or not Vivian Maier was creepy. As always, the topics we discuss on the Camerosity Podcast are influenced by you!  Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show.  We LOVE people who are new to shooting and are interested in having an episode dedicated to people new to the hobby, so please don't consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, the Camerosity Discord server, and right here on mikeeckman.com.  We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. For our next episode, we are finally going across the pond for another European time zone friendly episode.  If you are a fan of the show but are asleep or otherwise unable to join us for our regular recordings, this is the episode for you!  We will record Episode 65 on Monday, February 12th at Noon Central Standard Time (-6 UTC), 1pm Eastern Standard Time (-5 UTC), 6pm Greenwich Mean Time (+0 UTC), 7pm Central European Time (+1 UTC), and 5am Tuesday morning Australian Eastern Daylight Time (+11 UTC).  We look forward to hearing from you! In This Episode Rollei Almost Didn't Exist / Paul Franke and Reinhold Heidecke Originally Worked for Voigtländer The Original Idea for the Rolleiflex Was to Be an Improved Vest Pocket Camera Franke & Heidecke Heidscop / Rolleidoscop The Rolleiflex First Went on Sale in 1929 / It Is Difficult to Tell Every Rollei Apart Early Rolleiflexes Were Designed for 117 Film / Some Were Modified to Use 620 Film Differences Between Rolleiflex and Rolleicords / Dim Viewfinders Was the 1950s the "Golden Era of Rollei"? / Triplet Lenses Can Sometimes Be Very Sharp Mike's First Attempt at Repairing a Rolleiflex Old Standard Rolleiflex T and Rolleimagic / TLRs with Interchangeable Lenses / Bay Filter Mounts Japanese Rollei Copy, the Rollekonter / Meopta Flexaret TLRs Rolleiflexes Are Precision Machines That Require Regular Service and Cleaning Honeywell Distributed Rolleiflexes in the US For a While Heinrich Peesel / Rollei 35 / Rolleiflex SLRs / Ifbaflex SLR Rolleiflex SL66 Medium Format SLR / Rolleiflex SL26 Instamatic / Rollei A110 and E110 The Confusing Transition from Voigtländer to Zeiss-Ikon to Rollei German Made Rolleis vs Singapore Made Rolleis / Triplets vs Better Lenses Cropping 6x6 Images / TLRs Are Great for Street Photography Vivian Maier / Being Confronted While Out Photographing People Mike Loves Vivian Maier's Work But Thinks She Was Probably a Little Creepy Cosina Made Rollei 35 RF is Based off the Bessa R2 Links The Camerosity Podcast is now on Discord!  Join Anthony, Paul, Theo, and Mike on our very own Discord Server.  Share your GAS and photography with other listeners in the Lounge or in our dedicated forums.  If you have questions for myself or the other guys, we have an “Ask the Hosts” section as well where you can get your question answered on a future show!  Check it out!  https://discord.gg/PZVN2VBJvm. If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group, Instagram page, or Discord server. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris and https://www.etsy.com/shop/Camerasandpictures Anthony Rue - https://www.instagram.com/kino_pravda/ and https://www.facebook.com/VoltaGNV/

In Greek mythology, Mount Olympus was the home of the Twelve Olympian Gods, Zeus, Hera, Apollo, Athena, and others looked upon the mortals of the world and accepted their worship.  In modern times, Mount Olympus is also home to the Camerosity Podcast where Anthony, Paul, Theo, and Mike gaze down upon their followers, accepting tributes and praise. No, just kidding, none of us are that egomaniacal, no, the real Mount Olympus is in modern day Greece on the border between Thessaly and Macedonia near the Aegean Sea.  It was the inspiration for a small Japanese company formed on October 12, 1919 as K.K. Takachiho Seisakusho, or Takachiho Works Co., Ltd. in English.  The company would originally make microscopes, one of which was branded the "Olympus".  A series of cameras would come next with the same name, and in 1949, the entire company would then become known as the Olympus Corporation. In the years since, Olympus has created some of the best lenses and cameras the Japanese photo industry ever produced.  In the time doing this show, we've mentioned a variety of Olympus cameras here and there, but we had never dedicated an entire episode to them, until now. Tune in to Episode 63 where Anthony, Paul, Theo, and Mike are joined by returning callers A.J. Gentile, Howard Sandler, Mark Faulkner, Matt Murray, Patrick Casey, Patrick Rapps, Robert Coates, Tim Peters, and first time callers Josh Barker, Stephen Strangway, and Tony Plescia discuss their favorite Olympus models, some tips and tricks to using them, and a little bit of history. The episode barely gets started before we go down the academia route and debate what the plural form of "Olympus" is, but then we get to other questions such as why half frame was so popular in Japan, when did Olympus become a point and shoot company, and what are some tips and tricks to get an Olympus OM-2 or OM-4 cheaply at a thrift shop. As always, the topics we discuss on the Camerosity Podcast are influenced by you!  Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show.  We LOVE people who are new to shooting and are interested in having an episode dedicated to people new to the hobby, so please don't consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, the Camerosity Discord server, and right here on mikeeckman.com.  We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. We will return with Episode 64 which will be dedicated to Rollei.  We will discuss all of the early Franke & Heidecke Rolleiflex and Rolleicord TLRs, plus their later SLRs, point and shoots, and maybe even an interchangeable lens rangefinder, digital camera or two.  We will record on a special night, on Thursday, January 25th at 7pm Central Standard Time, 8pm Eastern Standard Time.  We look forward to hearing from you! In This Episode What Is the Plurality of Olympus? / Was Olympus Famous for Their Lenses First? Olympus's Early History / Zuiko Lenses Made for Other People / Zuiko Leica Thread Mount 40mm f/2.8 Olympus Pen and Trip 35 / The Pen Re-Started Half Frame Popularity in the 1960s Why Was Half Frame 35mm So Popular in Japan? / Maitani Designed to Pen to Be Inexpensive Yet Still Capable of Great Photos Half Frame Was Single Frame Before the Pen / What Is Everyone's Favorite Pen? / Olympus Pen EE and D Series Zuiko Lenses and The Letter Code Indicates How Many Elements / The Original OM-1 Was Called the M-1 Olympus FTL Was the First Full Frame Olympus SLR / No One Knows Who Made the FTL Anthony Loves the Pen F and FT / The Pen F SLR is a Marvel of Miniaturization Olympus Ace, Ace-E, and Tower 19 Rangefinders / Anthony's Olympus SP and EC Fixed Lens Rangefinders All the Olympus Fixed Lens Rangefinders / The Olympus 35 LC is the Same as the 35 SP but Without the Advanced Electronics Anthony Also Loves the Olympus XA4 / Maitani Created The Olympus XA / Reverse Retrofocus Lenses Olympus OM-Series / OM-SLRS Shutter Speed Selector is Around the Lens Mount to Help Shrink the Camera Maitani Signature Cameras / OM-2 and 4 Shutters Will Lock Up if Batteries are Dead / How to Test Them When Did Olympus Become a Point and Shoot Company? Olympus Stylus and mju Cameras / Olympus LT-1 / Olympus O-Product / Goofy Special Edition Cameras Olympus iS-Series SLRs / SP-330 Bridge Camera Olympus Jumped into Micro 4/3rds for the Consumer Market / Olympus OM-D E M1X and other OM-D Mirrorlesses Olympus Really Likes to Recycle Model Numbers and Names / Olympus Pen Digitals / 4:3 vs 3:2 Ratios Mike's Update on His Contax N1 from the Last Episode Theo Loves the Olympus XZ-1 Digicam Lightning Round: If You Could Only Keep One Olympus Camera, What Would it Be? Links The Camerosity Podcast is now on Discord!  Join Anthony, Paul, Theo, and Mike on our very own Discord Server.  Share your GAS and photography with other listeners in the Lounge or in our dedicated forums.  If you have questions for myself or the other guys, we have an “Ask the Hosts” section as well where you can get your question answered on a future show!  Check it out!  https://discord.gg/PZVN2VBJvm. If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group, Instagram page, or Discord server. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Mark Faulkner - https://thegashaus.com/ Matt Murray - Matt Loves Cameras - https://mattlovescameras.com/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris and https://www.etsy.com/shop/Camerasandpictures Anthony Rue - https://www.instagram.com/kino_pravda/ and https://www.facebook.com/VoltaGNV/  

In the spirit of the earliest episodes of this show, as the last days of 2023 were winding down, the Camerosity gang found themselves with nothing to do on a Friday night and thought, "Hey! Lets do a Live show!"   Podbean, the service that hosts and distributes this show has a feature called Live Streams in which you can create a live podcast, where it goes out as you record.  Everything is done on the fly, no editing, just people talking about whatever.  We thought this might be a fun experiment to get the four of us together one last time in 2023 and see what a live Camerosity show might be like... Unfortunately, we couldn't make it work.  Apparently, Podbean has some requirements for more than one person to be able to talk during a live stream, and while it probably wouldn't have been too difficult to figure out, we just decided to go back to Zoom and record a quick episode as we usually do, except we'd keep the "live" spirit and do little to no editing. Episode 62 was not planned, we went into it with no idea of what we'd talk about, or for how long.  We stuck to our guns and left in all the pauses, uuummmmsss, and all the talking over each other heard in live recordings.  There are no guests, no show notes, no Instagram roll calls of all the cameras we talk about, just roughly two hours of raw audio of us chatting.  As I type this, I haven't even listened to the whole show myself, so I guess I should apologize now... We will be back with regular episodes in January and as always, we want to hear from you!  The topics we discuss on the Camerosity Podcast are influenced by our listeners!  Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show.  We LOVE people who are new to shooting and are interested in having an episode dedicated to people new to the hobby, so please don't consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, the Camerosity Discord server, and right here on mikeeckman.com.  We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. We will record Episode 63 on Monday, January 8, 2024 at 7pm Central Standard Time, 8pm Eastern Standard Time, and 12 Noon on Jan 9th in Australian Eastern Daylight Time.  Our topic of discussion will more than likely be Olympus cameras, so get out your OM-series SLRs and Olympus Sixes and stay tuned! Links The Camerosity Podcast is now on Discord!  Join Anthony, Paul, Theo, and Mike on our very own Discord Server.  Share your GAS and photography with other listeners in the Lounge or in our dedicated forums.  If you have questions for myself or the other guys, we have an “Ask the Hosts” section as well where you can get your question answered on a future show!  Check it out!  https://discord.gg/PZVN2VBJvm. If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group, Discord, or Instagram pages. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris and https://www.etsy.com/shop/Camerasandpictures Anthony Rue - https://www.instagram.com/kino_pravda/ and https://www.facebook.com/VoltaGNV/

It took us a couple of tries. but the Camerosity crew finally managed to put together an episode dedicated to the best selling, widely used, and most accessible type of camera ever, the point and shoot. The great thing about the point and shoot segment, is that apart from being easy enough to literally "point and shoot", there was a lot of flexibility in design, features, ergonomics, and usability, with many camera makers free to do something different from established norms, adding things like solar panels, dedicated panoramic modes, and even speech capability to otherwise mundane cameras. In Episode 61, Paul, Theo, and Mike chatted with Andrew Smith. Matt Murray, Tim Peters, Kyle Lu, AJ Gentile, and first time caller Rafael Espinosa to share with us their favorite point and shoot models, how they like to use them, and their own tips and tricks to getting the most from these cameras. Addressing the biggest debate right at the top of the show, we discuss what exactly is a point a shoot.  Not everyone agrees where this era exactly begins and ends as something as simple as the 1888 Kodak could technically be considered a point and shoot as you literally press the button and Kodak does the rest, but we decide to cap it to simple auto exposure models from the 1960s and on. We talk about replacing rotted light seals, battery compatibility, which models are more likely to fail than others, underwater point and shoots, disposable point and shoots, and some premium point and shoots.  Will this episode give you GAS like some of our others?  I guess that depends on what style of photography you prefer, but you'll never know for sure if you don't listen in! As always, the topics we discuss on the Camerosity Podcast are influenced by you!  Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show.  We LOVE people who are new to shooting and are interested in having an episode dedicated to people new to the hobby, so please don't consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, the Camerosity Discord server, and right here on mikeeckman.com.  We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. This will be our last episode of 2023 as the guys and I will take a short break before coming back in January.  We may have something special planned for the week after Christmas, but as always, we need to flesh out ideas and make sure that if we do record something it is worth listening to, but even if we don't manage to get something out, we will be sure to return in January with Episode 62.  As always, stay tuned and keep a look out for the show announcement! In This Episode We define what a Point and Shoot is / Theo suggests it might be a box camera Kodak made simple cameras to sell more film / Point and Shoots are perfect for the zoo Andrew's first was a Ricoh TF500 / Canon QL17 GIII Old P&S cameras often need foam replacement Yashica Electros are also a good option / Olympus XA The Mamiya 7 is the best camera in the world, even as a P&S The Fuji GA645 is a true medium format P&S Fuji has a DX type coding for medium format films Matt Loves Cameras loves the Contax T3, his has only one tooth! Canon SureShot/Autoshot P&S are a great range of cameras / Canon A1 / Aqua Snappy 6 / Prima / Nikon Action Touch Matt's Fuji Natura has a fast lens but only with fast film The Canon SureShot Series Are All Great Fuji TW-3 / Solar Powered Canon del Sol / Nikon Lite Touch Zoom 140 Autofocus technology was important for zoom lens advancement Mike Raves About the Olympus IS Range / Canon MC Inspired by the Olympus XA Paul loves the Samsung AF Slim / Samsung made the Rollei Prego Konica Hexar / Konica Genba Kantoku Rugged Cameras Everyone likes the Nikon L35AF / The Kodak Ektar 35 is surprisingly good / GOKO Macromax is Fantastic for Macro Photography Paul finds an Agfa Optima Flash / Tim's first compact was a Konica MR70, But Enjoys the Olympus Pen S Tim also believes the Nikon EM SLR is a P&S / Backlight button on a camera is a great feature Theo has been using the Pentax PC35AF / Mike played the Minolta Talker/AFS-V / Minolta Vista/Ps is a Panoramic Compact Premium Nikon P&S are the 35Ti and 28Ti / Premium Compacts are Starting to Fail / Kyle has found repairers in China that can fix them Pentax Espio Range are Great Value / Olympus mju / Ricoh FF series / Chinon Auto 3001 / Kodak VR35 K12 and K14 Disposables have always been popular / The Cat Camera is a weird camera / Mamiya U and U AF / Hand Sam mikeeckman.com is 9 years old! Links The Camerosity Podcast is now on Discord!  Join Anthony, Paul, Theo, and Mike on our very own Discord Server.  Share your GAS and photography with other listeners in the Lounge or in our dedicated forums.  If you have questions for myself or the other guys, we have an “Ask the Hosts” section as well where you can get your question answered on a future show!  Check it out!  https://discord.gg/PZVN2VBJvm. If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group or Instagram page, or email us at camerosity.podcast@gmail.com. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Matt Murray - Matt Loves Cameras - https://mattlovescameras.com/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris and https://www.etsy.com/shop/Camerasandpictures Anthony Rue - https://www.instagram.com/kino_pravda/ and https://www.facebook.com/VoltaGNV/

As we begin episodes numbered in the sixties, the Camerosity crew decided we haven't heard enough from our listeners, so rather than devote Episode 60 to one specific brand, style, or region of cameras, we decided to put out the call for a Listener's Choice episode! Messages were plastered all over social media, Facebook, our new Discord server asking you all to join us, share with us what you've been shooting lately, any recent GAS you've picked up or are thinking of picking up, ask any questions of the hosts or other guests, whatever you wanted. And boy, did you all respond!  With a total of 18 participants on this show, Anthony, Paul, Theo, and Mike were joined by returning callers Patrick Rapps, Andrew Smith, Mario and Julienne Piper, Greg McCreash, Marcy Merrill, Marc Gordon, Kyle Liu, and first time callers, AJ Gentile, Bill Chou, Bill Vitiello, Joseph Schallmo, Sam Kellett, and Tim Peters! We went around the room and asked each caller what they've been up to, and if you were to have asked me and the other hosts what types of cameras would be discussed, none of us would have predicted the number of early 20th century box cameras, large Graflex SLRs, military cameras, and other oddball stuff that camera geeks like us love!  Of course, there was plenty of love for Rolleis, the Nikon S2, the Minolta X-700, Argus C3, Voigtländer Bessa, Yashica 44 and many more.  In addition to camera GAS, Julienne Piper shares with us her method for making 122 size roll film out of computer paper, shooting dry plates, making your own bellows, how Mike once used a garbage bag to keep light out of a camera, and much, MUCH more! As always, the topics we discuss on the Camerosity Podcast are influenced by you!  Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show.  We LOVE people who are new to shooting and are interested in having an episode dedicated to people new to the hobby, so please don't consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, the Camerosity Discord server, and right here on mikeeckman.com.  We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. For the next episode of the show, we would like to focus on a subset of cameras that get mentioned often, but we rarely spend more than a short passing moment on them, compact point and shoots.  For many, point and shoot cameras represent the cheapest and simplest entry into film photography, but therein lies their strengths.  With a good number of point and shoots featuring a high quality lens, a point and shoot offers a level of convenience and spontaneity that larger, more feature rich cameras can't match.  If you've ever tried capturing a fleeting moment of a child playing with a puppy using a falling plate camera or an early roll film camera you'll know that perhaps that Nikon L35AF is just what the doctor ordered!  We will record Episode 61 on Monday, December 11th so be sure to look out for the show announcement 2-3 days before then! In This Episode Patrick Rapps has Panoramic GAS and Figured Out How to Repair a No. 1 Panoram-Kodak Everyone Has a Panoram-Kodak / 105 Roll Film Compared to 120 Marcy Bought a Novelty Yashica MF-1 in Japan and Then Ruined An Entire Roll of Film Anthony Only Found the Super Expensive Camera Stores in Japan / Mamiya U Repair / Bill Rogers Andrew Smith is Trying Not to Buy New Stuff / Chinese Light Lens Labs ELCAN 50/2 Collapsible Lens Ricoh 500 and Bottom Trigger Cameras / Leicavit / Canon VT Rangefinders / Riken Lenses Mario Piper Gets a Beautiful Spotmatic SP / Spotmatic ES and ESII / Nikon EL2 No 3A ANSCO Postcard Camera /  Julienne Makes Her Own 122 Size Photographic Paper / Kodak Bullseye Falling Plate Camera / Empire State No. 2 Studio Camera Printer Paper is Not Light Tight / Shooting Cameras in Garbage Bags / Making Your Own Bellows Bill Loves the Bronica ETRC / Bronicas Are Very Sensitive to Degraded Foam Light Seals / Bronica S2 More Love for the Chinese ELCAM Lens Tim Shows Off His Kodak No.2 Bullseye Special / Folmer & Schwing Home Portrait Graflex Other Companies Made Zeiss Lenses in the Early 20th Century / Nikon S2 / UsedPhotoPro in Indianapolis / Nikon F with Selenium Meter Bill Vitiello Loves Every TLR / What is the Difference Between a Rolleiflex and Rolleicord? / Rolleiflex T The Camerosity Podcast Saves Lives! / Minolta X-700 / Argus C3 with Sandmar 35mm Lens Adapting DKL Mount Lenses / Most DKL Adapters Suck / A Brief History of the Deckel Mount Wet Plate Collodion Process / AJ's Nagaoka 5x7 Field Camera / Where to Get 2x3 Sheet Film Voigtländer Bessa I / Ilford's Special Order Film / Leica IIIF Shooting Dry Plates / Some Guy Built a Camera Into His Van / Making Positives from Negatives Yashica 44 / 127 Film / Adapting to 35mm Rerapan and Shanghai 127 Film / Cutting Bulk 46mm Film to 127 / Imperial 127 Delta Paul Loves his Polaroid Snap Touch Instant Camera / Paul Sends Greg a Box o' Stuff Greg McCreash Loves Military Cameras / Combat Graflex / The US Military Often Used Bronica Cameras Mike's Recent GAS / National Graflex / Yashica YF Links The Camerosity Podcast is now on Discord!  Join Anthony, Paul, Theo, and Mike on our very own Discord Server.  Share your GAS and photography with other listeners in the Lounge or in our dedicated forums.  If you have questions for myself or the other guys, we have an “Ask the Hosts” section as well where you can get your question answered on a future show!  Check it out!  https://discord.gg/PZVN2VBJvm. If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group or Instagram page, or email us at camerosity.podcast@gmail.com. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Mario and Julienne Piper - https://www.instagram.com/genxphotogpod/ Marcy Merrill - https://junkstorecameras.com/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris and https://www.etsy.com/shop/Camerasandpictures Anthony Rue - https://www.instagram.com/kino_pravda/ and https://www.facebook.com/VoltaGNV/

A couple episodes ago, the gang discussed cameras of the Soviet Union to give some attention to lesser known Soviet cameras, and the histories behind them, so for episode 59, we devoted the entire show to the East German camera industries, primarily those around the Dresden area. There were perhaps more companies making cameras in this area than anywhere else in the world, so making a single episode that could cover them all would be impossible, but we certainly tried.  In the end, we discussed the fascinating histories of Ihagee and how Dutchman Johan Steenbergen split up the assets of his company into two to protect it from the Germans, how two Jewish businessmen formed KW in the early 20th century to become one of Germany's most successful camera makers, and how an eventual American entrepreneur took over the company and created the world's first modern 35mm SLR. We devote some time to the Carl Zeiss Jena Werras, the Praktina, the battery driven Prakti, East German TLRs, and because we can't control ourselves, we even crossed international borders and discussed Japanese cameras with Exakta lens mounts. It was a crazy episode that started out with some technical difficulties resulting in Paul losing power, Anthony's keyboard dying, and Theo needing to find a new job, but we persisted and delivered what I think is a fascinating, albeit abbreviated look at one of the most elaborate camera histories out there. This episode also marks the official debut of the Camerosity Discord server, which is where Anthony, Paul, Theo, and Mike are ready and waiting to share in all of our tomfoolery, GAS, and a place for you to share what you've been shooting lately.  Be sure to check it out! As always, the topics we discuss on the Camerosity Podcast are influenced by you!  Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show.  We LOVE people who are new to shooting and are interested in having an episode dedicated to people new to the hobby, so please don't consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, and right here on mikeeckman.com.  We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. Our next episode will be number 60, and I am extremely excited to invite a special guest who I've been yearning to speak to for years.  My desire to speak to this person goes back even farther than the start of this show, and they are someone I REALLY think you will all enjoy talking to.  I can't say their name yet, but I can say they are one of the most well known Camera Collectors, and that before they became Popular, in their early career, they were very Modern.  So stay tuned for the recording of Episode 60 on Monday, November 27th! In This Episode Dresden Was a Central Manufacturing Hub for All German Industry, Including Cameras / The Feb 1945 Bombing of Dresden Carl Zeiss Jena Werras / Differences Between the Various Werras KW Praktiflex and the M40 Lens Mount / Paul Loves Biotars of Every Size and Lens Mount Kamera-Werkstätten Has a Very Sad But Interesting History KW Patent-Etui / KW Pilot Reflex / The Story of Paul Guthe and Benno Thorsch The KW Praktina Was the First Modem Professional SLR / The Nikon F Was Influenced by the Praktina Praktina Spring Wound and Electric Motor Drives / 50 Foot Film Back / Angled Shutter Releases Why Were There So Many Different Camera Designs Coming Out of Dresden / Germans Didn't Like to Copy Themselves Ihagee and Johan Steenbergern's Story / Ihagee Was Split Into Two Halves So the Germans Couldn't Own it All East German TLRs / Weltaflex / Peerflekta / Mentorette Anthony Once Found East German Linen Photo Paper The East German Government Encouraged Photography for Propaganda Pentacon Six SLR with CZJ Biometar Lens Johan Steenbergen Was Successful in Getting the Rights to Ihagee Back, and Produced the Exakta Real in 1966 Vest Pocket Exaktas and the Night Exakta / Every Different Exakta Used a Different Lens Mount Nippon Kogaku and Canon Both Made a Single Lens in Exakta Mount / Firstflex 35 SLR Why Did Tokyo Kogaku Use the Exakta Mount on Topcon SLRs? / Mimosa II Ihagee Exas / System Exa Rheinmetall Everyone Loves the Looks of the Exakta / 12 Second Exposures and Razor Blades Jimmy Stewart and the Exakta in Rear Window / Kilfitt Fern-Kilar 400mm f/5.6 Lens What is the Proper Spelling of Exakta? / Exacta Cameras Topcon RE 300 and Japanese Made Exaktas / Exakta Twin TL / Pentacon Prakti Sounds Camerosity is Now on Discord! / Listener Question About Good Books Covering the German Camera Industry Links The Camerosity Podcast is now on Discord!  Join Anthony, Paul, Theo, and Mike on our very own Discord Server.  Share your GAS and photography with other listeners in the Lounge or in our dedicated forums.  If you have questions for myself or the other guys, we have an “Ask the Hosts” section as well where you can get your question answered on a future show!  Check it out!  https://discord.gg/u7DvZEz6 If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group or Instagram page, or email us at camerosity.podcast@gmail.com. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris and https://www.etsy.com/shop/Camerasandpictures Anthony Rue - https://www.instagram.com/kino_pravda/ and https://www.facebook.com/VoltaGNV/

We've done a lot of deep dives into specific camera brands here on the Camerosity Podcast, but one brand I've been the most excited to do was Yashica.  Some of my earliest acquisitions of film cameras right when I first started collecting were Yashicas, from the wonderful Yashica Electro 35 to the Yashica-Mat TLR, to the Yashica TL-Super, there was probably a time when nearly 20% of my collection was a Yashica. More than that, if you were to break down the entire Japanese camera industry into A, B, and C-List manufacturers with Nikon and Canon at the top, and the hordes of "one and done" Japanese makers from the 1950s in the C-List, Yashica seems to be one company that exists somewhere between A and B. So for this podcast, I really wanted to bring out the big guns and invite not one, but two people who love Yashica more than I do.  The first guest is someone who I've interviewed before on my "One Hour Photo" series, is Paul Sokk.  Hailing from about 90 minutes away from Theo, Paul is THE authority on Yashica TLRs, fixed lens Yashicas, and early Yashica SLRs.  He also has a huge amount of info on Nicca, Leotax, and Canon rangefinders too making his site a very worthwhile read for many collectors. In addition is Chris Whelan who has frequently collaborated with Paul, providing him with information and photographs that Paul has used on his site.  Chris has bought, owned, and sold a huge number of rare Yashicas, even to people you probably know.  Mike personally owns a few cameras that Chris has previously sold to other people, completing some form of Camerosity/Yashica Cycle of Life. In this episode, we focus on the early days of Yashima, their TLRs, early SLRs, the company's acquisition of Nicca and Nicca rangefinders, and touch upon some of Yashica's great fixed lens rangefinders, plus some of their stranger cameras like the Sequelle and Samurai. As always, the topics we discuss on the Camerosity Podcast are influenced by you!  Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show.  We LOVE people who are new to shooting and are interested in having an episode dedicated to people new to the hobby, so please don't consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, and right here on mikeeckman.com.  We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. We don't yet know what we will be doing for our next show, but we are definitely mulling on some topics suggested to us from other listeners, plus the many different areas in which we interact with you on social medial.  Whatever we decide to do, I am sure it will be interesting and a lot of fun, so be sure to join us on Monday, November 13th for the recording of Episode 59! In This Episode Paul Sokk and His Blogs, yashicatlr.com and leica-copies-japan.com / Chris Introduces yashicasailorboy.com We work out Anthony and Chris / Theo and Paul live close to each other Chris has sold to Kurt / Paul found the same camera when looking it up The Yashicaflex S and A3 found their way to Mike / Kurt wanted his collection to go to people that would appreciate them / Minolta Super A to Theo Chris's first camera was a Yashica Electro TL X and a Nikonos II He went to Canon F1 but returned to Yashica because of Paul's site / Chris turned Paul onto the Pentamatic Theo has been using the Electro TL X recently and the Yashinon 50 f/2 is one of his favourite lenses The Yashica FFT was the last M42 mount camera Anthony has a Contax S2 and ST with more Yashica lenses than Zeiss lenses Tomioka was responsible for the high quality Yashica glass Chris loves the Yashicamat EM / Mike Loves the Yashica D Yashica provided military goods to making cameras / Pigeonflex then Yashimaflex Was Next The Yashicamat Was One of the Best Selling TLRs Yashica was trying to sell volume by having the right quality for the right price Was 1956 when Yashica started to sell in US and Europe? In 1957 Yashima started to also make other cameras other than TLRs, first the Yashica 8 movie camera Yashima's First 35mm camera Was the Yashica-35 in 1958 Brian Wants a TLR / Yashica 124G are as modern a TLR you will find / Kyle collects Contax SLRs Nicca was a Canon service company / Paul and Theo will fight over a Snider 35 / Niccas Were Sold by Sears as Towers Niccas are well built, so were the Leotax / Nicca introduced some innovations but Only Made Rangefinders Nippon Kogaku made the Rigid Body 5cm f/3.5 Nikkor-QC Exclusively for Nicca Yashica bought Nicca before they went bankrupt / Yashica Pentamatic / Auto frame counters can be problematic Who made lenses for the Yashica SLRs? / Yashica's First M42 Camera was the Penta J / J is for Jaguar / Yashica J-3 TL Series when started with TTL metering / Fixed Lens Rangefinder Yashicas / Yashica Lynx / Yashica Minister Unique Yashica Cameras / Yashica Rapide / Yashica Sequelle / Yashica Samurai Yashica Electro 35 was hugely popular in the USA, and they have fantastic lenses The Contax/Yashica C/Y mount cameras and the Point and Shoots will be covered in a future episode Links If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group or Instagram page, or email us at camerosity.podcast@gmail.com. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ One Hour Photo 2 - Paul Sokk: https://mikeeckman.com/2019/05/one-hour-photo-2-paul-sokk/ Paul Sokk - http://yashicatlr.com/ and http://leica-copies-japan.com/ Chris Whelan - https://yashicasailorboy.com/ and https://www.ccstudio2380.com/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris and https://www.etsy.com/shop/Camerasandpictures Anthony Rue - https://www.instagram.com/kino_pravda/ and https://www.facebook.com/VoltaGNV/

Looking back at past episodes of the show, there are a few memorable ones, not necessarily for anything myself or the other hosts contributed, but rather from some of our esteemed guests.  Of those esteemed guests, one that consistently piles on great information and awesome anecdotes about our hobby is Robert Shanebrook.  A former employee of Eastman Kodak who while working there did everything from build cameras that went to the moon, to helping create some of the company's best film emulsions ever made, even some like TMax which are still being made today. With an incredible wealth of knowledge about Kodak's past and present, Robert still has his fingers on the pulse of the company and the industry and can often give insightful comments on where the industry is headed, so any time Robert agrees to join us, you know you're in for a ton of great information! Joining him on this show is returning guest Mina Saleeb and first time caller Jesse Wisdom.  Of course, joining Robert, Mina, and Jesse are the four horsemen of the world's first and only open source film photography podcast, Anthony, Paul, Theo, and Mike! In this episode, Robert shares his insights into Kodak's recent announcement of their intent to keep making film for as long as there is demand, and what exactly that means for the film community.  Robert reminisces on his days torture testing film and all of the great lengths Eastman Kodak went to making sure only the best film made it to your cameras, he talks about regional films, and a few more memorable film emulsions like Verichrome III and Supra. In addition, Jesse shares his passion for instant film photography and we learn of some history behind Polaroid's lawsuit against Kodak in the 1980s, and how if it weren't for Kodak, Polaroid might have never existed. Mike brings up his Kodak Aero-Ektar surveillance lens, and two recent pickups, a LOMO LC-Wide and W-Nikkor 2.5cm f/4 rangefinder lens.  Anthony shares his experience going to a recent KEH film event in Atlanta and how there is a clear disconnect between younger film enthusiasts and the older generation.  Jesse takes a stand and says that we need to connect the two groups of people as each can benefit from talking to another, but young people don't go on Facebook and old farts don't go on Discord. As always, the topics we discuss on the Camerosity Podcast are influenced by you!  Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show.  We LOVE people who are new to shooting and are interested in having an episode dedicated to people new to the hobby, so please don't consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, and right here on mikeeckman.com.  We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. For our next episode, we are devoting the entire show to Yashica.  From the earliest Yashica TLRs to Nicca rangefinders to screw mount Yashica SLRs to the final Contax/Kyocera/Yashica SLRs, we plan on covering the entire output of this once great Japanese camera maker.  To help us traverse Yashica's long history, we will be joined by not one, but two Yashica experts who are certain to share with us a great deal of Yashica history and GAS!  If you've ever had any questions about your Yashica Electro or Samurai, this is the episode you won't want to miss, so be sure to join us on Monday, October 30th for the recording of Episode 58! In This Episode The Ultimate Debate: Tim Tam Biscuits vs Mint Slices (aka Girl Scout Thin Mints) Kodak's Statement That They'll Stay in the Film Business As Long As There's Demand Christopher Nolan's Oppenheimer Has Increased Interest in Film / 65mm Kodak Double XX Film How Kodak Scaled Down Their Production While Keeping Quality High Kodak Built in Different Tolerances for Consumer and Professional Films / Kodak Torture Tested Film Does Film Need to be as Consistent Today As It Used To Be? You Can Make a Lot of Stuff and Throw Away What's Bad, Or You Can Just Make Only Good Stuff Did Kodak Ever Resell or Give Away Their Film That Failed Quality Checks? Is Expired Film Stored at a Consistent Temp More Stable than Film Stored in Varying Temperatures? 120 Degrees Seems to be the Breaking Point for Film / Humidity is More Detrimental than Temperatures Are Were There Differences in the Same Film Produced in Different Markets? / Tropical Film and Cameras / Kodak ProImage 100 The HBO Series Euphoria Was Shot on Ektachrome / Why Aren't There More Ektachrome Films? Differences in E2, E3, E4, and E6 Processes / Chemical vs Light Reversal How Similar are 1990s Pro Film to Today's Portra? / Iridium Doping Gets Rid of Reciprocity There Was Supposed to Be a Film Before Portra / Vericolor III When Portra Came Out Kodak Couldn't Sell Their Vericolor III Anymore So It Had to be Destroyed What Happened to Kodak Professional Supra Film? Instant Film / At Kodak the People Working on Instant Film Were in Silos Kodak Initially Helped Make Polaroid Film / Edwin Land Would Have Failed Without Kodak's Help Kodak Made the Negative for Polaroid Type 55 Peel Apart Film How Kodak Would Work With Fuji / Advanced Photo System Kodak Had an Earlier Attempt to Make a New 35mm Film in 1979 Aero Ektar Military Lenses / Lenses with Thorium / Don't Lick Radioactive Lenses Ice Station Zebra / 30 Mile Long Rolls of Film in Satellites Dental X-Ray Film / Minilabs in Dentist Offices / Yashica Dental-Eye Anthony Goes to KEH and Sees a Bunch of Youtube Influencers with Very Expensive Cameras / Film Discord Servers Younger People are Enthusiastic About Film and Older People Are Enthusiastic, But the Two Groups Aren't Talking to Each Other Shooting Expired Film Means Something Different Depending on Who You Ask Mike Has a Cat Camera In a Can Made in Japan by Holga (WTF?!) / Film Photography Echo Chambers Mina Bought a KMZ Horizont After the Soviet Episode / Mike Gets a LOMO LC-Wide / W-Nikkor 2.5cm f/4 Rangefinder Lens Robert Shanebrook's "Making Kodak Film" Book is Back In Print, So Order Now if You Want One Links If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group or Instagram page, or email us at camerosity.podcast@gmail.com. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Keppler's Vault 56: Kodak 35mm Film Prototype - https://mikeeckman.com/2020/02/kepplers-vault-56-kodak-35mm-prototype/ Robert Shanebrook - http://www.makingkodakfilm.com/ Mina Saleeb - https://www.instagram.com/crookandflail Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris and https://www.etsy.com/shop/Camerasandpictures Anthony Rue - https://www.instagram.com/kino_pravda/ and https://www.facebook.com/VoltaGNV/

Very few episodes of the Camerosity Podcast are recorded without mentioning at least one Soviet camera, or something about the Soviet photo industry.  When deciding what we should discuss in future episodes, it was quite a surprise to the gang and I when we realized we had never devoted an entire episode to the subject, so for Episode 56, we put out the call for all our Soviet comrades, poured a large glass of водка, and loaded some film into our favorite Советские Фотоаппараты. Joining us on our tour of camera factories in Moscow, Kyiv, Leningrad, and Minsk are esteemed Soviet camera collector and blogger, Vladislav Kern and all around Soviet enthusiast Mark Beadle.  In addition to Vlad and Mark, regular callers Mark Faulkner, Ray Nason, and Ira Cohen came along for the ride as well. As we often do, Episode 56 starts off with some history and a quick summary of Soviet factories and how their photo industry differed from those in Germany, Japan, and elsewhere.  A whole lot of Soviet GAS was discussed including recommendations for first Soviet cameras for someone whose never shot one, Mike raves repeatedly about Soviet triplets, Paul shares with us his incredibly rare Soviet Leica Summicron lens, and Anthony gets into a discussion about the Soviet motion picture industry. In this episode we talk about Smenas, the half frame Chaika and Agat, the panoramic Horizont, medium format Iskra, the Leningrad and Droug rangefinders, Soviet fakes, swirly bokeh, and a whole host of other Soviet GAS. Later in the show we get into a round of Soviet Mythbusters in which Mike asks Vlad several commonly cited "facts" about Soviet cameras, and whether they are true.  Find out if orphaned children really built FED rangefinders, whether cameras with English logos are built with a higher quality, or whether or not you really need to wind your Soviet camera before changing shutter speeds. As always, the topics we discuss on the Camerosity Podcast are influenced by you!  Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show.  We LOVE people who are new to shooting and are interested in having an episode dedicated to people new to the hobby, so please don't consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, and right here on mikeeckman.com.  We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. For our next episode, we are coming back to a favorite topic of the show, which is film stocks and film developing.  We will be welcoming back Robert Shanebrook from Eastman Kodak to talk about all the different types of film from history and past, and hopefully get some insight into what might come in the future.  These film emulsion episodes are always fascinating, so be sure to join us on Monday, October 16th for the recording of Episode 57! In This Episode Differences Between Soviet and Other Country's Camera Industries / Soviet Factories Camera Production Was a Cover for Military Manufacturing / Very Little Official Information About Camera Production Was Kept / Photography Was Encouraged to Aide in Soviet Propaganda What Soviet Camera Would a Photography Student Buy? / Smena 8 and 8M Home Developing and Recycling Everything / Camera Repair Manuals Were Common Pre-Soviet Cameras / Export Cameras Were Controlled by TOE aka the KGB Soviet Cameras were Distributed All Over the World as Kalimar, Global, and Many Others In the UK, Soviet Cameras Were Pretty Common and Seen as Good First Cameras A Zenit SLR Could Be Bought For Less Than a Third of a Nikon or Canon Soviet SLRs Came in M39, M42, Pentax K, Nikon F, and a Few Proprietary Mounts / KMZ Start Soviet Cameras Built for Export Were Generally of Higher Quality / Latin vs Cyrillic Lettering Ray's Distributor Used to Bring Him Kiev 60 and 88s for Ten Bucks Each After the Soviet Union Collapsed, the Arsenal Factory Attempted to Privatize and Compete on the World Market / Kiev USA Arax and Hartblei Also Refurbished Kiev Cameras Making them Better than New with Upgraded Features The Soviet Motion Picture Industry / Stalin Had to Approve Every Script That was Submitted for a Motion Picture French and Japanese Equipment Was Used to Make Movies The FED and Zorki Weren't the Only Soviet Leica Copies / VOOMP II Pioneer and Foto Apparat Geodeziya KMZ Started Producing Leica Copies After the War and For a Very Short Time, So Did Arsenal Did Orphaned Children Really Assemble FED Cameras? / American Children Worked in Coal Mines Are Other Eastern Bloc Cameras Made in Czechoslovakia and Hungary Part of Soviet Camera Collecting? / MOM Mometta III The Soviet Union Helped China Start their Camera Industry / Chinese Copies of Smenas and Zenits GOMZ Sport SLR / The Soviet Camera Industry Pioneered More Things Than They Often Get Credit For Arsenal Kiev Rangefinders Were Built Using Actual Zeiss Contax Parts and Machinery Paul Has Never Ever Shot a Soviet Camera / Mike Recommends the Smena 8 for Paul / Agat 18K Mike Thinks Soviet Cloth Shutters Hold Up Better than Other Cloth Curtains Soviet GAS / Lubitels / Kiev 17 and 19 / Kiev 10 and 15 / Kiev 30 Submini LOMO LC-A / Chaika and FED Micro Half Frame Cameras Panoramic Cameras / KMZ Horizont / KMZ FT-2 / Fedor Vasilievich Tokarev Soviet Mythbusters: Some Soviet Cameras Use Animal Fat Lubricant KMZ Cameras Built for Export are of Higher Quality Lenses with Serial Numbers Beginning with 00 Were Made for VIPs Whole Warehouses of New Soviet Lenses Are Still Being Discovered Don't Change Shutter Speeds Until After Cocking the Shutter / KMZ Narciss Soviet Fakes / Paul Has a Summicron 50mm f/3.5 Leica Lens / British Reid Soviet Fake KMZ Droug Has a Rangefinder Coupling Wheel Is it Difficult for Vlad to Get So Many Soviet Cameras Living in the United States TSVVS Prototypes / Mike Raves About Vlad's Collection and Rambles Off a Bunch of Soviet Cameras We Didn't Talk About Where Do You Get Soviet Cameras Repaired? Links If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group or Instagram page, or email us at camerosity.podcast@gmail.com. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Vlad Kern - http://ussrphoto.com/ and https://www.instagram.com/ussrphoto/ Mark Beadle - https://www.instagram.com/Mark_Beadle90/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris and https://www.etsy.com/shop/Camerasandpictures Anthony Rue - https://www.instagram.com/kino_pravda/ and https://www.facebook.com/VoltaGNV/

In the first episode of Season 3 of the Camerosity Podcast, the guys and I opened up the call-in lines for the first time since late July and asked everyone who has travelled lately, what their ideal travel cameras are.  When deciding to take some cameras on a trip, what makes the cut or doesn't, and why.  In addition to travelling with cameras, what are your tips for getting through airport security, is it worth getting your film hand checked, or should you separate your film from your cameras into separate luggage. Joining Anthony, Paul, Theo, and Mike are returning callers Mark Faulkner, Patrick Rapps, John Roberts, Howard Sandler, and first time callers Maxwell Whitaker, Mina Saleeb, and Kevin Knipp who all help us answer those questions. In addition to our travel tips, we also stray into the world of mirror lenses and other strange lenses of the 20th century like the Voigtländer Zoomar, KMZ Rubin-1, and the Minolta Rokkor-X 40-80mm f/2.8 "Gear Box Lens".  As we often do, much praise is heaped upon Voigtländer and the Bessamatic SLR and Cosina Bessa Rangefinders, we share our opinions of Minox submini cameras, the Carl Zeiss Jena Werra, AGFA Karat 36, plus many, many others. Later, hear Anthony admit that he's struggling with the decision of whether he needs to rebuy another Leica M3, whether or not people mix digital and film on vacations, and how many times Paul has bought the same camera more than once. As always, the topics we discuss on the Camerosity Podcast are influenced by you!  Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show.  We LOVE people who are new to shooting and are interested in having an episode dedicated to people new to the hobby, so please don't consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, and right here on mikeeckman.com.  We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. For our next episode, we are going red, for Red October.  That's right, the Camerosity Podcast is going to discuss the Soviet Photo Industry.  What are the best cameras to pick up for someone new to the hobby, which ones to avoid, and what are some under the radar models.  So for those of you looking to expand on your Soviet GAS, be sure to join us on Monday, October 2nd for the recording of Episode 56! In This Episode How Do You Decide Which Cameras Will Go With You on a Trip / Theo and Anthony Are Going to Asia Bringing At Least One Digital Camera on a Trip / Panasonic Lumix LX Series John Roberts Took a Canon F1 and Nikon Z5 and Used the Same Lenses Using an Adapter / Mike Loves the Z5 Mina Took a Nikon F-801 with Two AF Lenses Inspecting Film Through Airport Security / Put Film in Clear Bags, Be Polite, and Make the Inspection as Easy as Possible Some Airports Have a No Hand Check Policy / If You Are Eligible for TSA Pre-Check, Do It / ISO 800 Film And Up / CT Scanners Film Shield Bags Are Lined with Lead / Paul Once Lost an Entire Pelican Case of Film in Airport Security Anthony Is Going to Japan / Voigtänder Perkeo II / Olympus XA4 / Minox 35 Howard Brings Cheap Cameras On Trips / Rollei 35 B / Mike Gets Stressed Out If He Brings Too Many Cameras Paul Travels Specifically for Photography and Food / His Wife Traveled with an RB67 One Year If Your Cameras Are Stolen While Travelling, A Tip Is To Also Lose Your Passport So You'll Stop Thinking About the Cameras Getting Film Stolen is Worse Than Cameras Stolen / Travel With Your Cameras and Film Separately Good Compact Digitals for Travel / Ricoh GR / Panasonic Lumix LX100 Olympus Pen F Digital and Film Cameras / Half Frame vs APS-C Micro 4/3 Cameras Are Quite Good / Olympus OM-D EM1X / Olympus Pen Digitals Maxwell's Ideal Travel Camera is a Minox B He Bought from Paul / Getting and Developing Minox Film Slitting Film / 3D Printing Slitters / Using a TLR to Slit Film Anthony is Going to Attempt to Barter His Way to a Good Camera in Japan By Selling Argus C3s Theo and Anthony Love the Zeiss-Ikon Contessa 35 / Mike Not So Much / Voigtländer Vito III Carl Zeiss Jena Werra Series / The Werra is the Only Carl Zeiss Jena Camera Leaf Shutters That Go Faster than 1/500 / Kodak Tourist and Chevron / Minolta V2, V3, and Others Rudi Made Anthony Take a Bunch of 110 Cameras and 110 Film from Him / Minolta and Pentax 110 SLRs Mike Didn't Like the Canon 110ED / Anthony Loved his Minox 110 and the Vitoret 110 Voigtländer Was Owned by Zeiss, Then Rollei, then Licensed to Cosina for the Bessa Rangefinders Voigländer Vitessa, Vito C, Bessamatic, Ultramatic / Voigtländer Zoomar Lenses Russian MTO 500 and 1000mm Mirror Lenses / Maksutov Invented the Catadioptric Lenses for Telescopes Soviet Rubin-1 Is Not a Copy of the Zoomar But is Similar / The Zoomar Originally Came on the KMZ Zenit 6 Mike Attempts to Explain How a Mirror Lens Works / Mirror Lenses Are Almost Always Found in Mint Condition Nikon and Minolta Mirror Lenses / The Rokkor 250mm f/5.6 Mirror Lens is Very Good Minolta Rokkor-X 40-80mm f/2.8 Gearbox Lens Show Suggestions for Season 3 / Yashica / TLRs / Subminis Viscawide 16mm Swing Lens Camera / Large Format / Robert Shanebrook / Another Euro Episode Leicaflex SL Mirror Locks Just like the Nikon F How Many Cameras Have You Bought More Than Once? Anthony Is Starting to Miss His Leica M3 / Voigtländer Cosina Made Bessas / Contax RTS II and RTS III The Earlier AGFA Karat is the Rangefinder for People Who Don't Like Rangefinders We Have Lots Planned for Season 3, Stay Tuned! Links If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group or Instagram page, or email us at camerosity.podcast@gmail.com. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Chuck Rubin Photographics - https://www.facebook.com/p/Chuck-Rubin-Photographics-100054624692201/ Mina Saleeb - https://www.instagram.com/crookandflail Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris and https://www.etsy.com/shop/Camerasandpictures Anthony Rue - https://www.instagram.com/kino_pravda/ and https://www.facebook.com/VoltaGNV/

We're back....sorta! For the month of August, the Camerosity Gang has been on vacation, traveling all over the United States Southwest and Northern Dairylands, battling Florida storms and insect borne illnesses, and handling the stress of a new job and shopping for a new home. In a moment of spontaneous availability, the guys and I jumped on a Zoom call, hit record and just started talking.  If you've ever wanted to know what it would be like to be in a room (virtual or real) with Anthony, Paul, Theo, and Mike, this episode is what it's like, just four guys sitting around talking about whatever comes to mind.  In the spirit of Cocaine and Waffles, we put no effort into this, had no agenda, and just started talking. As promised at the end of Episode 53, we will return soon with Season 3, featuring (slightly) more organized and thought out episodes.  We have a ton of great ideas for topics coming up, so please keep a look out for our next show announcement soon.  If you'd like to join us on a future episode, be sure to look out on our Camerosity Podcast Facebook page, and right here on mikeeckman.com.  We will record our next episode on Monday, September 18th at 7pm Central Daylight Time.  Stay tuned! This Week's Episode Paul and Black Paint Leicas / Anthony is shooting the Voigtländer Perkeo, Robot Royal, and Mercury II Florida Storms / Disruptions to Business / Shooting in a Hurricane / Waffle House Index / Florida Man Konica Genba Kantoku and Other Industrial Cameras Minolta Weathermatic / Canon Aqua Snappy AS6 / Sureshot A1 / Nikon Nikonos Mike is shooting with the Rollei 35 RF with TTArtisan 50mm f/0.95 / Konica Hexar AF Nikon 35Ti and Other Compacts Which are in Danger of Electronics Failure Theo's Tale of Leica R Woe and What He Did to Solve it Theo is Also Shooting a Voigtlander Vitessa L with Ultron lens and Keks 2 Meter and Kodak 2238 Anthony's Vitessa is from the Original Importer / Voigtländer Prominent Theo is Also Shooting the Zeiss Ikoflex, Voigtländer Superb and the Zeiss Super Ikonta C Taking Panoramas with a Nikkor PC Shift Lens Paul is Overloaded With Cameras But Still Buys Leicas / 650 Boxes of Cameras Cameras with Sequential Serial Numbers Digicams Are Great for Kids to Learn Photography Theo is the Adapter King of Australia Lots of Voigtländer Brillants and Kodak Vest Pockets Have Been Found Rolleiflex with Duct Taped Polaroid Back / Leica Accessories Made in Japan Paul Did the Americana Festival and Met Patrick Rapps / Ray Nasson visited Mike Theo Bought a Canon FTb from Peter Kitchingman Without Knowing Anthony talks about John Minnicks and the Aero Liberator Anthony had his Canon IV Sb Repaired and Loves It He also Had Robot Royal, Mamiya 645 Lens and Tower 22 Repaired We Keep the Repairers Busy / Robot Royal / Anthony is Feeding Ticks Links If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group or Instagram page, or email us at camerosity.podcast@gmail.com. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris and https://www.etsy.com/shop/Camerasandpictures Anthony Rue - https://www.instagram.com/kino_pravda/ and https://www.facebook.com/VoltaGNV/

We've covered a lot of gear on this podcast before.  Some cameras are ones that flew under the radar that deserved some recognition as something worth checking out, others were less common models in which a bit more effort (and cost) were required to add to a collection, but then there's a level of camera in which no amount of money or effort will result in one coming your way.  These are the Unobtanium cameras, models which are so expensive, or so hard to find, that even the most experienced of collectors don't have them. Joining Anthony, Theo, Paul, and Mike on this episode dedicated to the hardest cameras to find are some people who have found some of the hardest cameras to find, Ira Cohen, Ray Nason, Robert Rotoloni, Patrick Rapps, Rudi Berden, and James Thorpe.  Each of these guys has at least one camera that for most people would quality as unobtanium.  How they came across each model varies, but nevertheless, represent some of the coolest and hardest to find cameras ever made. As we did in the last episode, we start off this one with a question, asking our guests to define what exactly qualifies as unobtanium.  As you might expert, rarity and cost are definitely prerequisites, but what about functionality or provenance?  Does a camera that's very difficult to find in working order or a camera formerly owned by the Beatles still qualify as unobtanium.  In addition to rare cameras, lenses and accessories can qualify too, so we get into some extras that are really hard to find as well. If you were to break down types of unobtanium cameras, one that would be the hardest of the hardest to find would be prototypes, so in this episode we spend time talking about some of the coolest prototypes including two interchangeable lens rangefinders made by Minolta and Konica, but also Robert Rotoloni goes DEEP into the rabbit hole of prototype Nikon rangefinder cameras and lenses.  If you thought the Nikon SP was the most advanced 35mm rangefinder the company ever made, think again as there were two others. The rest of the episode is all over the place, discussing rare cameras by Ilford, Argus, Wica, Premier Instrument Corp, and LeCoultre.  We are quite certain that we missed some other rare and otherwise difficult to find cameras, but as always, the topics we discuss on the Camerosity Podcast are influenced by you!  We would love to hear from more listeners, especially those who are new to shooting film or collecting cameras.  Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show.  We LOVE people who are new to shooting and are interested in having an episode dedicated to people new to the hobby, so please don't consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, and right here on mikeeckman.com.  We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. As we did last year, we're taking the entire month of August off to relax, soak in some sun, and maybe even catch up on shooting all of the cool cameras we've all picked up in the past year so we will not be back with Episode 54 until September.  The guys and I will still be active on the Camerosity Facebook page, so keep in touch with us there, and once we have an idea of when we'll record the next episode, and what possible topics we might discuss, we'll be sure to let you know! This Week's Episode How Do You Define "Unobtanium" / Rarity, Expensive, or Something Else? / Unobtanium Lenses Cameras Not Known to Be Very Reliable: Kodak Ektra, Hasselblad XPan, Graflex 3A Rudi Berden Reviews the Kodak Ektra / Leaving Notes in the Film Compartment Cameras that Have Provenance or Were Owned by Someone Famous Mike is Collecting Cameras Owned by Other Collectors Before the Internet, Finding Rare Cameras Was Extremely Difficult / Paul Finds a Leica Luxus Walter Dorwin Teague No. 1A Gift Camera Cameras that Have Cross Appeal to Different Collectors, The Price Goes Up Dramatically / Mickey Mouse Cameras Paul Handled 80 Boxes with 640 Cameras in Them in One Day / Graflex Combat Graphic Kodak Bantam Special in Original Box / Versions with Supermatic and Compur Shutters / Using the Bantam Special Nippon Kogaku Almost Made a TLR, Two Prototypes Were Known to Exist Other Companies Made Cameras with Nikkor Lenses / Aires Flex TLR / Sawyer's Mark IV / Mamiya Six Minolta Sky Prototype / Konica FR Rangefinder Prototype Andrew Lloyd MPP Press Camera / Robot Royal 18 Half Frame Camera It is Very Difficult to Assign Value to Extremely Rare Cameras Konica IIIM with Half-Frame Mask / Unobtanium Accessories / Getting a Pax 35 To Work is Not Easy Patrick's Strange Okaya Lord 5D / Rudi Reviews the Super Kodak Six-20 Digital Unobtanium / Epson R-D1 Digital Rangefinder Ira Cohen's Most Wanted Camera / Mike Helps Ira Buy a One of a Kind Camera / Lausar 127 James Thorpe's Unobtanium is a Zecaflex Folding TLR / Welta Superfekta / Zeiss-Ikon Contaflex TLR The LeCoultre Compass is a Very Unobtanium Camera...Except for Ira Bob's Nikon Rarities - Follow Along The Rotoloni Report 4: Nikon Rangefinder Prototypes 50mm f/1.8 Nikkor RF Lenses / 35mm f/1.4 RF Lens / Nikkor-O 50mm f/1.0 Nikon Screw Mount RFs / Nikon SPX / Nikon SP2 / The Original Nikon Rangefinder Paul and Mike Are Cornering the Market on Lens Hoods and Lens Adapters Ilford Witness / The Melcon II Looks like a Nikon Rangefinder / Wica Rangefinder Mike's Recent Unobtanium GAS / Military Kardon / Argus K Unobtanium Accessories / Some Unobtanium is More Difficult to Find in Other Countries Cameras That Are Opposite of Unobtamium Argus Brick / Kodak Vest Pocket / Voigtländer Brilliant / Pentax K1000 / Canon AE-1 / Big Royal View Trashcam / Yashica Electro 35 Anthony Shoots a Pentax Takumar 18mm f/11 Pancake Lens / Theo Won't Buy a Contax T2 Paul and the Americana Folk Music Gathering in Scottsdale, Arizona Links If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group or Instagram page, or email us at camerosity.podcast@gmail.com. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Americana Folk Music Gathering - https://americanafolkgathering.com/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris and https://www.etsy.com/shop/Camerasandpictures Anthony Rue - https://www.instagram.com/kino_pravda/ and https://www.facebook.com/VoltaGNV/

Venturing back into the early days of the Camerosity Podcast, the topic of panoramic cameras came up often on the show, so often that we jokingly referred to ourselves as the widest film photography podcast out there.  As we often do, the gang got distracted in later episodes by various other formats, brands, and special guests, but we thought it was time to revisit our love of all things panoramic and take a ride to Panorama City.  No, not that Panorama City in southern California, but the land of Hasselblad XPans, Fuji G617s, Horizonts, and Noblexes. Joining Anthony, Paul, Theo, and Mike on our wide journey was a motley crew of panoramic enthusiasts, fans, and just passers by.  Returning guests, all the way from Cape Town, South Africa, Dean Blumberg, Ray Nason, Skip Williams, Richard Driver, Andrew Smith, and Mark Faulkner.  Also, first time callers Patrick Rapps, Rudi Berden, and Paul's ex-Fuji rep, Bob Grzesiak were in attendance. Not content with only talking to people who like to use existing panoramic cameras, also joining us from Silvergrain Classics is Marwan El Mozayen who most people in the film community know as helping to bring back a new version of the Widelux F8 swing lens panoramic camera.  With the support of Hollywood A-lister and renowned Widelux fan, Jeff Bridges and his wife Susan, Marwan shares the back story of how he became involved in resurrecting this panoramic classic.  Marwan isn't just some PR guy helping to spread word about his company's project however, as he has extensive knowledge of other panoramic cameras like the Noblex, Soviet Horizonts and many others. We started the show off with what we thought would be a pretty straightforward question, but the topic of what exactly defines an image or camera as panoramic elicited a pretty interesting discussion, relating panoramic still photography to that of cinematography and that angle of view should be considered in addition to physical size. Differences between wide angle panoramic cameras like the Hasselblad XPan and swing lens cameras like the Panoram-Kodak were discussed, along with cropped panoramic, 3D printed masks, how to use a perspective control lens to shoot panoramic digitals, and even some panoramic developing and scanning hacks that make like easier for the hobbyist.  With Marwan on the show bringing back the Widelux, we did a lighting round asking every participant what other cameras you would like to see someone make an attempt at bringing back (who wants to guess what Theo's was?). [label type="warning"]Silvergrain Classics Discount Code: [/label]During the show, Marwan El Mozayen mentioned that listeners of this show get a discount when ordering a copy of issue #19 of their magazine, which features a ton of information about the upcoming re-release of the Widelux.  To receive this discount, use code: WLX10 when ordering. Like all other episodes of the Camerosity Podcast, we were excited to go down the panoramic rabbit hole but had no idea of how deep it would be.  We ventured into some discussions that I could have never imagined, sharing the love and passion for this subset of  photography with a fascinating and very experienced panel of callers. As always, the topics we discuss on the Camerosity Podcast are influenced by you!  We would love to hear from more listeners, especially those who are new to shooting film or collecting cameras.  Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show.  We LOVE people who are new to shooting and are interested in having an episode dedicated to people new to the hobby, so please don't consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, and right here on mikeeckman.com.  We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. Our next episode of the Camerosity Podcast will be all about "unobtanium cameras", those cameras you never thought you'd get a chance to see, let alone use.  Maybe it's a rare one of a kind prototype, or a common, but REALLY expensive camera that is beyond your budget.  If you can't find or afford it, come on the show and join us for Episode 53, which will be recorded on Monday, July 24th! This next episode will be our Season 2 finale before the gang goes on vacation.  As we did last year, we're taking the entire month of August off to relax, soak in some sun, and maybe even catch up on shooting all of the cool cameras we've all picked up in the past year.  We will return in September! This Week's Episode What Do We Mean When We Say “Panoramic”? / Widescreen in Cinematography Banquet Cameras in the 1900s / Banquet vs Kodak Cirkut Cameras Aspect Ratio as a Starting Point for Panorama / Aspect Ratio vs Field of View as a Way of Defining Panorama Is the Fuji G617 Panoramic or Wide View? Can a Cropped Image be Panoramic? / Cropping Before and After Taking the Image / The Hasselblad XPan and the Noblex 135 S What Makes the Widelux Special? / The Mechanics and Simplicity of a Swing Lens Camera The Original Kodak Panoram / Kodak 3A Using 122 and 616 film in Old Folders for Wider Aspect Ratios Zeiss Super Ikonta 616 and Zeiss Cocarette / 3A Graflex Camera Hack and 3D Printed Adapters for Older Film Types Silvergrain Classics and the Project to Resurrect the Widelux F8 The KMZ Horizont Was the First “Modern” Swing Lens Camera The Shift from Medium Format to 35mm Swing Lens Cameras Under the Widelux Brand Jeff and Susan Bridges and their Love of the Widelux How to Visualize Shooting with a Widelux / Looking to Cinematography Instead of Still Photography for Panoramic Compositional Ideas Depth of Field in Panorama / Using Contact Lenses to Modify Swing Lens Properties The Best and Worst About the Noblex / Every Released Noblex was Really a “Mostly” Working Prototype The Mechanics of Reproducing the Widelux / Swing Lens Camera Repair Horizont 202 The Affordable Swing Lens Alternative Pulling Back the Curtain on the Hasselblad XPan's Reliability Issues Skip's Mamiya Pro S 220 Back with a Mercury 3D Printed Film Gate Adapter Dean's Bronica ETRS Kludge / Skip's Cameradactyl Homunculus 69 Turning to 3D Printing for Wide Aspect Ratio Adapters The Virtues of the Fuji G617 / The G617 goes to the North Pole Paul's Sony A7 RII with a Nikkor Perspective Control Lens for Digital Panoramas Rudi's Zone Image Pinhole 617 / Patrick's Sinhao Wide Aspect Hack Back to Silvergrain Classic and Details on the Release of the New Widelux Lightning round: Pick One Camera you Want to see Brought Back! Minolta XM Motor / Hasselblad XPan / Plaubel 67 / Fuji GW690 / A Miranda That Works / Mamiya 7 / Fuji GX617 / Nikon FM3a / Panon 120 swing-lens / Kodak Medalist / Mamiya 6 Theo's Panora Wide Pic / Minolta P's and Masked 35mm Point and Shoots / Viscawide 16 Lightroom and Photoshop for Panoramic Merging / Flatbed Panoramic Scanning Hacks Panoramic Chromes and AGX Imaging for Pro Level E6 Developing and Scanning Links If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group or Instagram page, or email us at camerosity.podcast@gmail.com. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Silvergrain Classics Widelux Revivial - https://silvergrainclassics.com/en/2023/07/the-widelux-revival-project/ Andrew Smith – https://www.youtube.com/channel/UClXrAlbnU3gvdRrJ5gAR4mw Mark Faulkner – https://thegashaus.com/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris and https://www.etsy.com/shop/Camerasandpictures Anthony Rue - https://www.instagram.com/kino_pravda/ and https://www.facebook.com/VoltaGNV/

Hot off our 50th episode, the Camerosity Podcast goes back to the roots of our name, exploring the rich history of Eastman Kodak, one of the most influential companies in the photographic world.  You can't talk about the history of Kodak without George Eastman and what better way to explore that history than with Todd Gustavson, curator of the George Eastman Museum in Rochester, NY. Todd has been on the show before, but in this the 51th episode, he gets center stage, talking of his role at the Eastman Museum, the origins of George Eastman and how his company got started.  In this episode, you'll learn about George Eastman making dry plates in his mother's kitchen, his motivation for making the original 1888 Kodak, where the name "Kodak" comes from, early 20th century Kodaks, prewar, postwar, and everything in between. Also joining us on the show is the only person in the US I would trust with Kodak Retina repair, Paul Barden.  Back in 2022, long time Retina guru Chris Sherlock hung up his lens spanners and retired from Retina repair.  Not willing to leave a void in quality Retina service, Chris passed on his knowledge to Paul, who lives on the west coast of the United States.  This not only means that there is still a quality option for Retina repair, but for those of you in the US, shipping rates are much cheaper than to New Zealand!  Listen to this episode as Paul talks about his work repairing Retinas, what some of his favorite models are, and what models he does and doesn't repair. In addition to Todd and Paul's massive amount of Kodak knowledge, we go deep into some of the best Kodak cameras ever made, the Kodaks Ektra, Medalist, Monitor, and Regent get discussed here.  We talk about Walter Dorwin Teague, Dr. August Nagel, and Hubert Nerwin.  Mike shares what his all time favorite Retina is to shoot, Anthony discusses his nomination for a medium format Retina, Todd and Mike talk about Joe Mihayli and his contributions to Kodak's legacy. As always, the topics we discuss on the Camerosity Podcast are influenced by you!  We would love to hear from more listeners, especially those who are new to shooting film or collecting cameras.  Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show.  We LOVE people who are new to shooting and are interested in having an episode dedicated to people new to the hobby, so please don't consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, and right here on mikeeckman.com.  We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. Our next episode of the Camerosity Podcast will be our widest ever, as the gang discusses panorama photography and panoramic cameras.  If you've ever wanted to know what it's like to shoot a Hasselblad XPan, Soviet Horizont, Noblex, or a Widelux camera, this is the episode for you!  Episode 52 will be recorded on Friday, June 30th.  We hope to see you there! This Week's Episode What is the George Eastman Museum and Why Should Anyone Go There? Largest Collection of Nitrate Film / Over 10,000 Cameras / Not Just Kodak Is on Display / One of Louis Daguerre's Original Cameras Paul Once Got Liquored Up in the George Eastman Museum / The Museum Has an Impressive Music Room George Eastman's Early Years / Eastman Dry Plate Company / Eastman's First Film Wasn't Actually Film The 1888 Kodak / Origins of the Kodak Name / Variations of the Original Box Kodaks George Eastman Pioneered Dental Care and Donated a Ton of Money to Local Schools What Caused Kodak to Move Away from Simple Box Cameras to More Complex Folding and Other Camera Designs? Early Color Film Was a Two Color Film / Kodachrome Was a 6 Layer Black and White Film with Color Filters Super Kodak Six-20 / How Many Were Made? Kodak's Priority Was to Manufacture World Wide / Kodak Canada and UK Kodak Film Was One of the Most Complicated Consumer Products Ever Made Was It a Coincidence that Kodak Started Producing Much More Advanced Cameras Right After Eastman Died? Kodak 50th Anniversary Brownie Camera Was Given Away to Children for Free Why Did Kodak Hire Dr. August Nagel to Make Cameras For Them? The Original 35mm Type 135 Cassette is Slightly Different Than the Ones Today Introducing Paul Barden Who Studied Under Chris Sherlock to Repair Retinas Paul Does Not Repair the Retina Reflexes or All the Models Chris Repaired Disabling Dead Meters on the Later Retinas Actually Improves their Usability As There's Less Parts to Move Which Retinas are the Most Dependable Shooters After Receiving a CLA? Mike is Working on a Review of the Retina IIIC /  Mike's Favorite Retina to Use is the Retina IB Not Having a Rangefinder is Not Always a Bad Thing / The Retina Accessory Lenses Aren't Very Easy to Use Besides the Retinas, What Other Great Kodak Cameras Were Made After the War? Kodak Signet 35 / Kodak Ektra / The Ektra's Focal Plane Shutter Was Like No Other Anthony Loves the Kodak Medalist / The Kodak Chevron is Not a Replacement for the Medalist How Much Influence with Walter Dorwin Teague Have on Kodak? Kodak Was Always a Film First Company / The Profit Margins Making Film Was 10x Higher Than Making Cameras Kodak Tourist and Monitor Folding Cameras / Series III Pocket Folding Kodak The Problem with Nearly All Folding Kodaks Are the Bellows, They All Leak Light Kodak Retina Bellows Usually Do Hold Up To Time and Rarely Leak Light The Kodak Duo Six-20 Is Like a Medium Format Retina / Kodak Regent Mike Summarizes Other Great Kodaks to Shoot / Kodak Signet 35 Kodak Dated Their Lenses and Cameras Using a Code Inspired by the CAMEROSITY Podcast! / UK Lenses Used CUMBERLAND What Was Kodak's Motivation With Instamatics and Disc Film? / Kodak Disc Film Was Better Than People Gave it Credit For Hubert Nerwin, Designer of the Zeiss-Ikon Contax II and III Designed the Kodak Instamatic Type 126 Cassette A Kodak Designer That Doesn't Get Talked Much About is Joeseph Mihayli / Mihayli Designed the Super Kodak Six-20, Ektra, Medalist, and Much More What Are Some Good Kodak Reference Books Out There? / Robert Shanebrook, Brian Coe, and Douglas Collins's Books Kodak's Major Developments in New Apparatus / Kodak Prototypes of the 1930s / Kodak's Crazy System TLR Kodak Super 35 and Kodak Technar Prototypes are in the Eastman Collection Anthony Was Heavily Inspired by The Art of Fixing the Shadow Paul Barden Can Repair Your Kodak Retinas (Excluding the Retina Reflexes) Always RTFM Before Shooting a Retina / Also Always Check the Exposure Counter Links If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group or Instagram page, or email us at camerosity.podcast@gmail.com. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ George Eastman Museum - https://www.eastman.org/ Todd Gustavson - https://www.youtube.com/watch?v=KkDCZrTKQaI Paul Barden's Retina Repair - https://kodakretina.exposure.co/the-story-of-the-kodak-retina-camera and https://www.flickr.com/photos/paulbarden/ Episode 8: Making Kodak Film with Robert Shanebrook Episode 25: Steve Sasson and the First Digital Camera Keppler's Vault 42: George Eastman Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris and https://www.etsy.com/shop/Camerasandpictures Anthony Rue - https://www.instagram.com/kino_pravda/ and https://www.facebook.com/VoltaGNV/

In this the 50th episode of the Camerosity Podcast, the gang and I look back at the past two years of open source film photography nonsense.  A podcast created late one night on a whim has turned into one of the most popular of its kind. This is a screenshot from the recording of the very first Cocaine and Waffles Podcast recorded on May 12, 2021. Coming out of podcast retirement (somewhat) is original host, and former creator of the Classic Lenses Podcast, Johnny Sisson.  Dusting off his headset and microphone, Johnny updates us on what happened to his former co-hosts and reflects on what his favorite episodes were.  One of which involves Mr. Bob Rotoloni who conveniently joins us on this episode along with returning guests Rob Jamieson and podcast host himself, Andre Domingues. On a show featuring both Bob and Johnny, we are treated to a great deal more stories about Nikon and Polaroid, along with discussion about a strange product that brought both brands together.  It wouldn't be a Camerosity Podcast episode without the discussion foraying into other topics such as the Bronica S2 and adapting Bronica lenses, Hasselblads, Diptychs, and Andre's very favorable review of the half frame Kodak H35 which we touched upon in the last episode. In the spirit of an anniversary episode that reflects back on our origins, be sure to stay through the closing music for a look back into the very first moments of this show...Episode 0! As always, the topics we discuss on the Camerosity Podcast are influenced by you!  We would love to hear from more listeners, especially those who are new to shooting film or collecting cameras.  Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show.  We LOVE people who are new to shooting and are interested in having an episode dedicated to people new to the hobby, so please don't consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, and right here on mikeeckman.com.  We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. For our next episode, we are inviting back Todd Gustavson from the George Eastman House in Rochester, New York to share with us stories about Eastman Kodak, the company's history, some of the best Kodak models to look out for, more about the museum, and lots more.  If you've only ever thought of Kodak as a film company who also made cameras...well, you'd be right...but they're so much more than that.  Be sure to look out for our next show announcement.  Episode 51 will be recorded on Monday, June 12th.  We hope to see you there! This Week's Episode Johnny Reminisces About His Favorite Classic Lenses Podcast Episodes What Happened to the CLP? / Perry Ge Has Gone Radio Silent Mike's Favorite Camerosity Episodes / Instagram is Our Visual Aide / We Will Never Release the Zoom Video Paul's First Impressions of the Podcast When He First Came On / The Four Hosts Talk Every Day How Bob Rotoloni Got Started Collecting Nikon /  Bob's First Two Books and First Trip to Japan in 1987 Japanese Collectors are Reluctant of Western Collectors / Differences Between German and Japanese Companies Three Historians for Nikon, Canon, and Leica Were All Americans (Robert, Peter Dechert, and Jim Lager) Bob Had to Pay Japanese Students to Translate Old Japanese Articles to Learn More About Nikon Joe Ehrenreich Was a Typhoon / Canon Never Had a Joe Ehrenreich Nikon's 25th Anniversary Nikon F2A / Was There Ever a Nikon Historical Society Commemorative Camera? Nikon Rangefinder Serial Numbers / What is the significance of 609 and 906 Serial Numbers? How Long Have Johnny and Robert Been Going to Central Camera Johnny Has a Back Log of 4 Years Worth of Film to Develop / Johnny Still Shoots Polaroid Pack Film Johnny's Parents Both Worked at Polaroid so He Grew Up with Polaroid Johnny Tries to Shoot Half Used Packs of Polaroid Film When He Finds it / Polaroid 107 Film Polaroid Created a Lot of Waste / Dr. Edwin Land Was the Steve Jobs of His Era Polaroid Was a Lifestyle Brand, Similar to Apple Today Which Polaroid Films Last Longer Than Others? / Polaroid Snot Polaroid Backs for Nikon SLRs / Asanuma Backs Came with Nikkor-EL Enlarging Lens Inside Johnny's Dad Used to Take Photo Finish Pictures at the Indy 500 / He Also Took Photos at Fermi Lab Polaroid Revolutionized Photography in Ways Many People Today Don't Realize / It Was a Game Changer Polaroid 20x24 / Polaroid Macro 5 Close-Up Camera Rob Asks Bob About Nikon's Military Role During World War II / Yamato Battleship Rangefinder and Periscopes Japan Didn't Have RADAR, They Relied on Nippon Kogaku's Superior Optics to See at Night Nippon Kogaku Almost Disappeared After the War / Revere Was the Company's First Customer and Bought Tons of 8mm Cine Lenses  "Nikon and the Sponsorship of Japan's Optical Industry by the Imperial Japanese Navy" by Dr. Jeffrey Alexander / "Nikon in America 1947 - 1952" by Wes Loder Andre Shows Off His Nikon Zfc / Nikon is Catering to the Retro Aesthetic and There's Nothing Wrong with That! / There is a Zfc Collector's Group Adapting Bronica Nikkor Lenses / Bronica S2 / Why Did Nikon Make Lenses for Bronica? Rob's Hasselblad 500CM with 100mm f/3.5 / Andrew Shoots Kodak Ektachrome in Lomography Sprocket Rocket Theo is Shooting More 4x5 and His Super Ikonta 6x9 / Anthony's Half-Frame GAS / Olympus Pen D2 Anthony Still Loves His Fuji G617 / Mike Loves Photographing His Fingertips Using Panoramic Cameras Rob is a Huge Fan of Diptychs when Shooting Half Frame Andre Heaps Praise on the Kodak H35 Half Frame Camera / Johnny's Tips For Shooting 72 Frames in a Half Frame Camera Paul is Knee Deep in Hasselblads Lately / Mike is Shooting a Certo Dollina III and a Fujica ST801 Johnny Seeks Opinions on the Graflex XL Superwide / The Lens Mount Is Brittle Central Camera is Struggling / Traffic is Down Since the Pandemic / Central is Having Difficulty with their Landlord Johnny is Seeking Help for Making Central Camera's Sign a Historic Landmark Next Episode We Talk About Kodak with Todd Gustavson from the George Eastman House Cocaine and Waffles: Episode 0 Links If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group or Instagram page, or email us at camerosity.podcast@gmail.com. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Camerosity Twitter - https://twitter.com/CamerosityPod Nikon and the Sponsorship of Japan's Optical Industry - https://mikeeckman.com/2019/01/nikon-and-the-sponsorship-of-japans-optical-industry-by-the-imperial-japanese-navy-1917-1945/ Classic Lenses Podcast Episode 51 - http://www.classiclensespodcast.com/e/51-the-mike-bob-show/ Johnny Sisson - https://www.flickr.com/photos/sissonphotography/ and https://centralcamera.com/ Andre Domingues - https://www.instagram.com/andre.on.film and https://www.podbean.com/podcast-detail/3mf4p-5fc4e/Negative-Positives-Film-Photography-Podcast Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris and https://www.etsy.com/shop/Camerasandpictures Anthony Rue - https://www.instagram.com/kino_pravda/ and https://www.facebook.com/VoltaGNV/ Camerosity can also be heard on the following services: YouTube - https://www.youtube.com/@camerositypodcast Google - https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkLnBvZGJlYW4uY29tL2NhbWVyb3NpdHkvZmVlZC54bWw Apple - https://podcasts.apple.com/us/podcast/camerosity/id1583252688 Amazon Music - https://music.amazon.com/podcasts/9d316c9e-5461-4fa5-9e04-24fd27fffc3f/camerosity Podchaser - https://www.podchaser.com/podcasts/camerosity-1985806

In the history of the 20th century photo industry, there have been countless cameras made by countless companies from countless countries.  Of all those cameras, one subset of film photography seems to appeal to a larger number than most, the 35mm half-frame camera.  Originally the only size for still photography on 35mm film, single frame fell out of favor after World War II, but saw a huge resurgence in the 1960s with half-frame models being released by nearly every company who made cameras. In this, the 49th episode of the Camerosity Podcast, Anthony, Theo, Paul, and Mike welcome first time and returning callers, Ray Nason, Brian Howard, Phil C., Keir Frei, Maxwell Whitaker, Richard Diver, Roger Coats, and Sean Mahan to share with us their favorite half-frame models. Mike can't help himself and gives a brief (for him) history of half-frame and why it was originally called 'single frame', we ponder what exactly qualifies as half-frame, should 4.5cm x 6cm medium format or 24mm x 24mm square format cameras count? A huge amount of time is spent on the Olympus Pen series and a huge number of 35mm half-frame models by Ricoh, Konica, Yashica, Ansco, Minolta, Pentacon, Canon, Taron, Petri, and others. As is the case with many episodes, we get off topic a bit and venture into square frame 35mm with the likes of the Berning Robot, Zeiss-Ikon Tenax, and Bolta Photavit cameras.  Of course we come back, only to get off topic again talking about Rapid and Karat film cassettes.  We start on a slippery slope of what Gen Z looks for in photography today and briefly touch upon why anyone would want to shoot the new Kodak H35 and similar cameras. As always, the topics we discuss on the Camerosity Podcast are influenced by you!  We would love to hear from more listeners, especially those who are new to shooting film or collecting cameras.  Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show.  We LOVE people who are new to shooting and are interested in having an episode dedicated to people new to the hobby, so please don't consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, and right here on mikeeckman.com.  We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. It is hard to believe, but the next episode of the Camerosity Podcast will be our 50th!  Way back in 2021, there was this crazy idea to create a Podcast in the style of an AM/FM Radio Talk Show in which listeners could call in during a live recording and ask questions or talk about whatever they wanted.  The first two episodes of this show were done with little more than an hour's notice and between those two episodes, spawned 47 more episodes, eventually making us not only the number one open source film photography podcast, but one of the fastest growing podcasts of any format. We are trying to put something special together for our 50th episode, but haven't yet settled on the details, or even when we will record yet.  I can tell you it will definitely be in early June, but when I know, you'll know.  Hope to see you then! This Week's Episode Anthony reminisces about cheap AGAT 18s / A brief history lesson on the origins of half-frame all the way back to Thomas Edison Anthony takes us back even further to the Lumière brothers and the Cinématographe Olympus 18 / Pen revived the half-frame market in Japan in the 1960s / Half-frame is technically Single Frame Medium format cameras, like 6x9 vs 6.45 are not considered half-frame The Univex Mercury camera has a rotary shutter and very sharp lenses / Olympus Pen F also has a rotary shutter Cynthia A. Repinski wrote a good book, The Univex Story / Mercury II Theo brings in the Ansco Memo, which uses cartridges you can make yourself Maxwell shoots his AGAT 18K a lot with enlarged prints / Canon Demi / AGFA Memo Berning Robot and Zeiss-Ikon Tenax II are square format, are they considered half-frame? Theo considers is 35mm full frame is half-frame compared to XPan format / Bolta Photavit Half-frame was hated by photo finishers and tended to have a whole year pictures on one roll / Ilford created a double length film Theo shows the AGFA Optima Parat / Mike has the AGFA Parat I Understanding all the Olympus Pen models / Olympus Pen F / Pen FT / Pen FV Double wind on a half-frame camera is strange / The Pen FT has a bespoke metering number system / EV Couplings are terrible The Olympus Pen EE and EE-S /  Pen D series with faster f/1.9 and 1.7 lenses Olympus Pen-W is well sought out, Olympus Pen-S is a great small mechanical half-frame Ricoh Auto-Half / Ricoh Drive / Italian Ducati / Konica IIIM Other Half Frame Cameras by Nikon, Pentax, and Polaroid The Pentacon Penti is a fashion accessory camera Kodak Single Use camera can give you a Rapid Cassette replacement Why was half-frame so popular in Japan? / Photography for Everyone is a good book on the rise of photography popularity in Japan How Japan became a powerhouse in photography industry The Yashica Samurai / Yashica Rapide / Yashica Sequelle / Taron Chic / Canon Dial 35 /  Ricoh Caddy Sean's AGAT 18 with a Nikkor 8mm lens attached Adapted lenses for the Pen F / Mike Loves the BeLOMO Chaika 3 Keir does not have a half-frame, but may soon! / The Fed Mikron is a copy of the Konica EYE Mamiya made a half frame with the Myrapid Half-Frame cameras which have two different taking lenses / Canon Multi-Tele / Fuji TW-3 / Konica Recorder The Lomo LC-A Wide can switch between formats The Kodak H35 and it's clone / Why do Gen Z like half-frame? Can you modify a camera to be half-frame? Original Olympus Pen made by third party and was very popular The podcast descended in chaos with a debate on what half-frame means Links If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group or Instagram page, or email us at camerosity.podcast@gmail.com. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Camerosity Twitter - https://twitter.com/CamerosityPod Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris and https://www.etsy.com/shop/Camerasandpictures Anthony Rue - https://www.instagram.com/kino_pravda/ and https://www.facebook.com/VoltaGNV/

In this, the 48th episode of the world's most popular podcast, Anthony, Paul, Theo, and Mike shift their attention to one of the oldest camera makers in the world and one that had produced some of the most innovative, interesting, and high quality cameras ever made...except no one wanted to talk about them! Okay, that's not exactly accurate as three people did show up.  Returning callers Raymond Nason, Mark Faulkner, and Brian Howard answered the call and came to chat with us about their favorite Konica cameras. Kicking off the discussion was Mike who gave a short history of Japan's oldest camera maker with early models such as the Cherry Hand Camera and the Rokuoh-Sha Pearlette.  We quickly moved onto the sexy Pearl folding cameras and the early Konica 35mm rangefinders.  Ray brought with the very rare Konica F, the company's first attempt at a 35mm SLR, and then we bounced around between the Koni-Omega Rapid models, the Auto-Reflex series, we spent some time chatting about the Konica Eye half-frame camera, and eventually some of the company's more memorable point and shoots. In addition to 96 minutes worth of Konica love, Theo, Mike, and Brian learned all about the American craze for elaborate senior photos, Mike explained the difference between automatic parallax and automatic field correction, Paul shares with us his least favorite 1990s premium camera, Mike complained (again) about the Konica AiBorg, his least favorite camera ever made, we explore a huge range of strange cameras designed by F.A. Porsche, and Ray gives an update on the 4th and final Yarovsky camera auction, which we discussed previously in Episode 44. As always, the topics we discuss on the Camerosity Podcast are influenced by you!  We would love to hear from more listeners, especially those who are new to shooting film or collecting cameras.  Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show.  We LOVE people who are new to shooting and are interested in having an episode dedicated to people new to the hobby, so please don't consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, and right here on mikeeckman.com.  We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. For our next episode, we've decided to go half...half-frame that is.  If you ever thought that 24mm x 36mm images are too large, and found that 18mm x 24mm was the ideal size for your negatives, Episode 49 is the one for you!  Join us as we will no doubt cover many wonderful half-frame shooters like the Olympus Pen F, Canon Dial 35, the Yashica Samurai, and the Konica Auto-Reflex....wait, we talked about that already!  Be sure to look out for our next show announcement.  Episode 49 will be recorded on Monday, May 15th.  We hope to see you there! This Week's Episode Paul is Headed to Another Auction and Isn't Going to Buy Anything...SUUUURRREEE!!!! A Short Early History of Konica / Rokuoh-Sha Pearlette / Contessa-Nettel Picolette / Zeiss-Ikon Cocarette Konica Got Into 35mm With a Bunch of Scale Focus and Rangefinder Models / Konica I Konishiroku Snappy is a 17.5 mm "Hit Style" Camera / Konica Konilette Shoots Non-Perforated 35mm Film Anthony Tells A Story About Karl Havens Dropping His Konishiroku Pearl II / Theo Loves the Pearl II Mark Shares his 1938 Semi Pearl, the Predecessor to the Pearl / Semi is Japanese for 4.5x6 Konishiroku Pearl IV (SEXY ALERT!) Konica II and Konica III / Variants of the Konica III, the IIIA, and IIIM / Konica's First Half-Frame 35mm Camera Konica's First SLR was the Konica F from 1960 / Wards am551 (Konica Auto S2) / Konica FS Auto Parallax and Auto Field Correction in a Rangefinder Koni-Omega Rapid Cameras / The Konica F Has a Moving Film Pressure Plate The Koni-Omegas Were Horrible for Frame Spacing / The Koni-Omega TLRs Were Even Stranger What the Heck is Senior Photography? / Studios That Specialize in Nothing But Senior Photography Anthony's Favorite Konica is the Auto-Reflex / Shooting Full and Half Frame On the Same Roll is Super Cool / Dedicated Half Frame Lenses for the Auto-Reflex The Konica Eye is a Nice Half-Frame Camera with an Interesting Logo Konica Autoreflex T-Series Have TTL Metering and Shutter Priority AE / Autoreflex T3 Was the Last Good Body Konica's First SLR Lens Mount was the F-Mount, the Konica AR-mount came out in 1966 / Konica FT-1 Wasn't Very Good Konica C35 AF Was the First Point and Shoot with AF / Paul Had One of the First Konica Hexar AF Cameras in the US When Konica and Minolta Merged, Who Bought Who? / The Merger Was the Only Reason Both Companies Survived Mike's Number One Least Favorite Camera He's Ever Shot is the Konica AiBorg Samsung ECX-1 / Rollei QZ35W and T /  Olympus O-Product / Minolta Prod 20s / Olympus Écru Paul's Least Favorite Premium 90s Camera Was the Nikon 35Ti Konica Hexanon Lenses Are Great / Konica 40mm f/1.8 Lens / Mike Loves 40mm Lenses Konica's Colored Point and Shoots / Konica Tomato and Pop Series / Konica Recorder Konica Even Made APS Cameras / Konica Revio CL with Selfie Mirror Konica Genba Kantoku Rugged Cameras / Fuji HD Job Site Cameras Ray Bought Cameras from the 4th Yarovsky Auction We Talked About in Episode 44 / More of the Same Links If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group or Instagram page, or email us at camerosity.podcast@gmail.com. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Camerosity Twitter - https://twitter.com/CamerosityPod Theo's Review of the Pearl II - https://photothinking.com/2022-02-23-konica-pearl-ii-the-queen-of-gems/ Mark Faulkner - https://thegashaus.com/ Mike Eckman - https://mikeeckman.com/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris and https://www.etsy.com/shop/Camerasandpictures Anthony Rue - https://www.instagram.com/kino_pravda/ and https://www.facebook.com/VoltaGNV/

Of all the accessories available for cameras, perhaps camera straps are the thing that people have the strongest feelings about.  A camera strap is something that most cameras come with, whether it's one with the company's logo on it, or a leather one attached to an ever ready case, straps are almost as synonymous with photography as cameras are. Yet, I don't think in the history of photography podcasts, anyone dared devote an episode one...that is until now.  If there was any doubt that this is the nerdiest film photography podcast ever, wait until you hear our camera strap episode! To be fair, we don't spend the entire time talking about straps, we also discuss the cameras that have them attached.  To have a camera with a strap already attached suggests it is ready at a moment's notice to go out and shoot.  And if you have a camera at the ready, it must be one you like quite a bit, so for a good portion of this episode, the hosts talk about our favorite cameras which always have a strap attached, ready to go. Joining Anthony, Paul, Theo, and Mike are returning callers Alex Dietrich, Bill Smith, Bob St. Cyr, Mark Faulkner, Miles Libak, and Patrick Casey and first time caller, all the way from Ireland, Brian Mac Domhnaill. Along with our favorite cameras and favorite straps, we talk about cheap vs expensive lens adapters, Mike brings up a new camera he's testing with a 15mm f/8 lens, Alex Dietrich shares his black painted Nicca III L and much, much more! As always, the topics we discuss on the Camerosity Podcast are influenced by you!  We would love to hear from more listeners, especially those who are new to shooting film or collecting cameras.  Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show.  We LOVE people who are new to shooting and are interested in having an episode dedicated to people new to the hobby, so please don't consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, and right here on mikeeckman.com.  We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. For our next episode, we are devoting an entire episode to Konica, makers of such fine cameras as the half frame/full frame Konica Auto-Reflex, the Koni Rapid Omega, and the thumb film advance Konica III rangefinder.  Be sure to look out for our next show announcement.  Episode 48 will be recorded on Monday, May 1st.  We hope to see you there! This Week's Episode Paul has two picks for cameras he always has at the ready / Fuji GS645 and Plaubel 69W Proshift Patrick's go-to cameras are the Leica M4 and the Minox 35 GL Theo's "zoo" camera is the Nikon L35AF, a reliable point-and-shoot to keep loaded and ready to go Brian surprises everyone with the Chinon Auto 3001 / Chinon Bellami Mike sees your Pentax MX and raises you the Pentax LX Miles surprises us with his choice of the Leica MA kitted out with a vintage 1930s Summar lens / L39 to M-mount and M42-K-mount adapters Theo's more committed choice for a go-to camera / Leica M2 with a Hyperion strap OK, Boomer: Mike and Paul wax poetic about hippie straps / branded straps from the 1980s Alex goes strap shopping in Hong Kong The original Minox chain is also a measuring tool for macro photography Anthony raves about his Contax ST with the always-attached red Hyperion strap Bob goes large format for his choice of a Gibellini GP810Ti, a stunning field camera with a big leather strap for a handle Beware the metal rope straps... Mark's current go-to camera is the Bessa R2A with the Skopar 35mm lens A digression about the Secure Strap with braided stainless steel straps that help prevent cut-and-run theft Mike blows up the discussion with the Zeiss Hologon, a 15mm fixed lens viewfinder camera that costs as much as some used cars Bob talks about the demands of finding a strap to tame the Mamiya C330, a beast of a TLR Alex almost one-ups Mike's Hologon with a custom paint Nicca III L / Strong Opinions about repainting cameras The problems with tripod socket wrist straps The weirdness and beauty of the Ansco Anscomark M and its removable strap lugs The Mamiya 7 and the odd cameras that have both strap lugs on one edge / LOMO Voskhod / Agat 18K Digital Episode errata and corrections / Wait, what? Nobody brought up the Nikon FM2 or FM3?! Show Notes If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group or Instagram page, or email us at camerosity.podcast@gmail.com. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Camerosity Twitter - https://twitter.com/CamerosityPod Bill Smith - https://funwithcameras.blogspot.com/ Alex Dietrich - https://www.instagram.com/awdietrich/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris and https://www.etsy.com/shop/Camerasandpictures Anthony Rue - https://www.instagram.com/kino_pravda/ and https://www.facebook.com/VoltaGNV/

It has taken us 46 episodes of seemingly non stop film camera discussion to finally devote an entire episode to the cameras that in the late 1990s and early 2000s, many photographers thought were a fad.  That's right folks, Camerosity has gone digital!  Before anyone protests and demands their Camerosity Season Pass™ membership be refunded, enough time has passed since those early film-less cameras that the early digital cameras are now vintage themselves. In episode 46 of the Camerosity Podcast, the guys and I go all digital.  With us are callers Andrew Smith, Atabak Taghizadeh, Brian Howard, Greg McCreash, Mark Faulkner, Michael Gossett, Phil Clark, and Stephen Grasso. Anthony and Brian start things off with one of the earliest true digital cameras, the Apple QuickTake.  This 0.3 megapixel monster was first released in 1994 and came in two distinct designs, one created by Kodak and the other by Fuji.  Moving onto the Sony Mavica and it's 3.5" floppy disc storage, the rest of the gang has some familiarity of these cameras, and Anthony reminisces about his large collection of floppies. We continue to traverse the late 90s and early 2000s, going around the room recalling our first digital cameras that really made us realize that cameras which write in 1s and 0s were here to stay.  Mike discusses the differences between CCD and CMOS sensors, we dabble into digital IR photography and a couple Sony models which make disabling the visible light filter extremely simple.  Mark prefers a more difficult way though, by opening up his Panasonic Lumixes and permanently removing the filter. We cover digital mirrorless, and which mounts we all love adapting film lenses to, why some people didn't like EVFs compared to optical viewfinders, Mike heaps praise on the Nikon Z5, and we dabble into some of the more strange digital camera designs like the Pixii and Lytro. This was a loaded episode with a ton of information, so whether or not you're interested in older digital cameras, or are interested to know what a (Zoom) room full of a dozen collectors shoot when we don't feel like dealing with analog emulsion, you definitely do not want to miss this episode! As always, the topics we discuss on the Camerosity Podcast are influenced by you!  We would love to hear from more listeners, especially those who are new to shooting film or collecting cameras.  Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show.  We LOVE people who are new to shooting and are interested in having an episode dedicated to people new to the hobby, so please don't consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, and right here on mikeeckman.com.  We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. For our next episode, we plan on going back to the analog realm, but now that the digital Pandora's Box has been opened, will we forever be changed?  The theme of our next episode is "cameras with a strap" meaning those which are permanently in shooting configuration, ready to fire off some exposures at a moment's notice.  What are your favorite cameras of all time, and which are the ones that someone will have to pry from your cold dead fingers, on the day you reach your expiration date!  Be sure to look out for our next show announcement.  Episode 47 will be recorded on Monday, April 17th.  We hope to see you there! This Week's Episode All hosts shoot digital, arguments on better medium are silly Anthony's intro into digital, the Apple QuickTake / Brian's Apple QuickTake 150, 100 and 200 Anthony has lots of floppies / Mark and Theo both have Sony Mavica Cameras People don't wipe card on old digicams, even birthing and wedding photos Mike shoots the Nikon E2Ns with a car lighter power cord Batteries are hard to find for pro grade equipment / Also hard to find for Leica D-Lux 2 Greg has a Sony MVC-5000 with an AC to DC adapter Theo shoots a Minolta RD-175 / Press Compact Flash Cards from the middle to avoid bent pins Difficult to get images from early digital cameras onto computers now / Early DSLRs had no latitude Innovation in form of Nikon Coolpix 995 / Early CCD vs CMOS sensors Sony DSC-505 was Anthony's first significant digital Canon Powershot S2 was Mike's first significant digital / Canon Powershot S45 and Nikon D300 were Theo's first significant digitals Nikon D3 was Paul's first significant digital APS-C is based on the named after the APS format / People love to adapt Pen-F lenses to Micro 4/3 Micro 4/3 was a ground breaking innovation / Pentax Q has insane 5.5x crop factor Some mirrorless cameras are hard to find with lenses / DSLRs vs Mirrorless Fuji has a super loyal customer base / The Panasonic Lumix LX3 is a great pocket camera Adjusting to electronic viewfinders / Mike has a Nikon Z for vintage lenses and stacks a Sony to Nikon adapter Pixii Camera as a Leica competitor Sony has had a huge head start on the others / Sony manufactured sensors for most of the brands Infrared Red conversions on digital cameras / Using a magnet on a Sony CyberShot DSC-F828 to shoot IR / Military buys lots of IR cameras Pentax K1 and K10 / Sigma Merrill and Quattro / Stephen loves his Leica Q2 Monochrome Is the “film look” really a thing? Epson RD1 / Leica M8 was Leica's first digital rangefinder camera Digital bridge cameras - Theo's prediction of next big thing / The Digicam craze Mike gets excited because he can USB charge his Z5 / AI Integrated Photography might be the future Ricoh GRIII / Mike's ultimate hybrid camera / Lytro Cameras Show Notes If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group or Instagram page, or email us at camerosity.podcast@gmail.com. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Camerosity Twitter - https://twitter.com/CamerosityPod Andrew Smith – https://www.youtube.com/channel/UClXrAlbnU3gvdRrJ5gAR4mw Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris and https://www.etsy.com/shop/Camerasandpictures Anthony Rue - https://www.instagram.com/kino_pravda/ and https://www.facebook.com/VoltaGNV/

On Episode 45 of the Camerosity Podcast, the guys and I return to a brand specific discussion for everyone's favorite bellows-TLR, 6cm x 4.5cm medium format SLR, 35mm leaf shutter SLR, f/1.5 lens rangefinder, half frame pistol camera making company, Mamiya!  If that seems like a wild range of cameras, you're right!  As makers of pretty much every style of camera conceived, Mamiya has done it all! Joining Anthony, Paul, Theo, and Mike on this episode is Bill Rogers from mamiyarepair.com who has a literally grocery store size storage room full of spare Mamiya parts acquired from the company before they went bankrupt.  Bill has experience with and can repair nearly every Mamiya camera ever made, even the compact 35mm point and shoot Mamiya U. In addition to Bill's expertise, we also welcome current Mamiya employee Ray Nason.  Ray has many decades of experience working with Mamiya cameras, selling them for many years to professional photographers and consumers alike.  Together, both Bill and Ray offer a 1-2 punch of Massive Mamiya Madness! Along for the ride are returning callers, Robert Rotoloni, Mark Faulkner, Nick Marshall, Cheyenne Morrison, Andrew Smith, Bob St. Cyr, Ira Cohen, Marcy Merrill, and Larry Effler, and first time callers Brian Howard, Mike Ahmadi, and Steven Lederman. With a total of 20 participants, the most we've ever had on an episode of the podcast, we cover a HUGE array of subjects, including some history of the brand, the state of the Japanese optics industry immediately after the war, the origins of the Mamiya-Sekor name, trivia on a rare Canon lens made in the Exakta mount for Mamiya, and how Mamiya was able to use Nikon's bunny ears for the meter coupling on the lenses for the M645 cameras.  Ira shows off his half frame Mamiya Pistol camera, Marcy brings with her a very strange accessory made for the Mamiya U, and Steven Lederman shows off a totally bizarre stereo camera made with Mamiya lenses. As always, the topics we discuss on the Camerosity Podcast are influenced by you!  We would love to hear from more listeners, especially those who are new to shooting film or collecting cameras.  Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show.  We LOVE people who are new to shooting and are interested in having an episode dedicated to people new to the hobby, so please don't consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, and right here on mikeeckman.com.  We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. For our next episode, we are finally entering the digital era, with an entire discussion on film-less cameras.  Point and shoot digicams, DSLRs, digital mirrorless, vintage digital, and digital backs are all topics we may or may not get to!  If you'd like to learn more about the history of digital photography, or why Gen Z is so smitten with Japanese digicams, be sure to look out for the next show!  Episode 46 will be recorded on Monday, April 3rd.  We hope to see you there! This Week's Episode Introducing Bill Rogers from mamiyarepair.com The History of Mamiya / First Japanese Camera Maker After WWII / Made in Occupied Japan Cameras Mamiya Sixes Can Be Found with Fuji, Nikkor, and Zuiko Lenses / Nikon Almost Made a TLR The Mamiya Six Had a Movable Film Plane and a Strange Film Pressure Plate In 1948 Mamiya Released Both the First Mamiyaflex and Mamiya 35mm Camera / Early Mamiyaflex and Mamiya C-Series TLRs Anthony Knew a Guy Who Used the Mamiya C to Shoot Crime Scenes and Dead Bodies Mamiya C TLRs Were Popular with Wedding Photographers Ray Nason Works for Mamiya and has a Couple Photos of Mamiya Prototypes The Koni-Omegaflex and Gowlandflex Were Two Other TLRs with Interchangeable Lenses and Shutters Mamiya Super 23 Press Cameras / Mamiya 645 Prisms Almost Always Have Separation Why Do Prisms Have Separation? / Everyone Wants Waist Level Finders Today The Mamiya 7 Has the Best Optics of Any Camera Mike Ahmadi and Theo Have Ever Owned Weak Points of the Mamiya 7 / Magnetic Interlocks The RB67 is a Tank / The RBs Will Be Repairable for a Long Time Using Graflock Backs for the RB67 and the Super 23 Press Camera Mamiyas's 35mm Cameras / Mamiya Magazine Has a Completely Removable Film Back / Adox 300 Mamiya Sketch Was Japan's First and Only 24mm x 24mm Rangefinder Camera / Mamiya Myrapid Mamiya Prismat Leaf Shutter SLRs / Argus SLR / Nikkorex / Tower SLRs / Ricoh Singlex Mamiya's Other SLRs / Mamiya Auto XTL / Mamiya ZE-X Mamiya 16mm Cameras / Tower 10B / Rank Mamiya Canon Once Made a Lens with the Exakta Mount for the Mamiya Prismat / Ira Has a Mamiya Pistol Camera The Meter Coupling "Bunny Ears" on Mamiya 645 Lenses Was a Shared Patent by Nikon Insider Information: The Next Edition of McKeown's Camera Collector's Guide is Coming Any Day Now! You Can Use 120 Film in the Mamiya M645 Camera With the 220 Back Mamiya 500DTL and 1000DTL SLRs had Dual and Spot Metering Where Does the Name "Sekor" Come From in Mamiya-Sekor Lenses? Mamiya Was Game for Almost Everything / Mamiya Super Deluxe 1.7 The Early Japanese Camera Industry Was Built Around Cooperation / Mamiya Had a Lot of Similarities to Konica Henry Froelich Was Responsible for Helping Konica Get Imported to the US Bill Rogers Can No Longer Repair the Mamiya 645AF or the Mamiya ZD Digital Camera Ilford Jazz CDs, Minolta Disco Records, and Mamiya Nudie T-Shirts and Fuzzy Bear Stickers Mamiya U Manual Focus and Auto Focus Compact 35mm Cameras / Bill Still Has Parts for Those Marcy Merrill Has the Coolest Accessory for the Mamiya U Mamiya's Demise Started Around 1983 / They Stopped Making 35mm Cameras What Would it Take to Make an All New 35mm or Medium Format Camera? The Biggest Obstacle to Someone Making a New Camera is So Many Old Cameras Still Work Steven Lederman's Weird 3D World Stereo Camera / Hybrid Stereo Mamiya C-Series TLR The Recent Cincinnati Ohio Camera Auction was Very Well Attended and Paul Wasn't There Nick Marshall Loves Shooting Instax Film on the RB67 and Super 23 / Marcy Promotes a Camera Show in Kent, WA An Update About Anthony's Voigtländer Superb He Bought from Australia Show Notes If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group or Instagram page, or email us at camerosity.podcast@gmail.com. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Camerosity Twitter - https://twitter.com/CamerosityPod Peter Dechert's SLR book, “Canon: Single Lens Reflex Cameras 1959-1991” Bill Rogers - mamiyarepair.com - https://mamiyarepair.com/ Ray Nason - https://www.facebook.com/RayNasonMacGroup/ Cheyenne Morrison – https://www.instagram.com/bigshotphotos/ Mark Faulkner – https://thegashaus.com/ Marcy Merrill - Junk Store Cameras - https://junkstorecameras.com/ Closing Credits Audio - https://www.youtube.com/watch?v=cUBC553yteo Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris and https://www.etsy.com/shop/Camerasandpictures Anthony Rue - https://www.instagram.com/kino_pravda/ and https://www.facebook.com/VoltaGNV/

After a stream of back to back to back episodes covering specific brands of cameras and talking to a huge number of listeners, the guys and I decided we would take a short break from our "open source" concept to catch up on the things we all have been doing. We thought it would be a nice change to have a smaller, more intimate discussion and invite someone we all thoroughly enjoy talking to and wanted to catch up with. After a painstaking "Hunger Games" style of elimination rounds, the guys and I picked none other than Dan Tamarkin as our special guest host this week.  As he always does, Dan brings with him a lifetime of knowledge of Leica and camera retail experience. With that experience, we decided it would be fun to talk about some recent auctions, including a rather infamous one that recently closed in Northern Ohio which Paul and I participated in, and a large number of our listeners did as well.  We've heard some of the stories from that auction and have a few of our own, so we talk about that, along with Tamarkin Auctions, and everything that goes into making one run smoothly, and what might make them run "not smoothly". In addition to auctions, Anthony thought it would be fun to announce in the presence of a well-known Leica dealer that he sold every single Leica he owns, and traded it for a viewfinder camera.  What kind of viewfinder camera is equal to a perfectly working Leica M3 and a IIIf you ask?  Listen to the show. In addition, Mike's not dead, Robot Theo is pining for his job, Human Theo bought some stuff from Paul, Paul is bringing out the bling with his golden cameras, and Mike is shooting one of those Japanese "Hit" style miniature cameras. As always, the topics we discuss on the Camerosity Podcast are influenced by you!  We would love to hear from more listeners, especially those who are new to shooting film or collecting cameras.  Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show.  We LOVE people who are new to shooting and are interested in having an episode dedicated to people new to the hobby, so please don't consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, and right here on mikeeckman.com.  We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. For our next Episode, we will re-open the call-in lines and talk about Mamiya and their very diverse line up of roll film TLR and SLRs, along with their many different iterations of 35mm cameras.  Episode 45 will be recorded on Monday, March 20th.  We hope to see you there! This Week's Episode Besides Leica, What is Dan's Favorite Camera to Shoot? / Fuji GS645 / Zeiss-Ikon ZM Rangefinder Fuji GF670 Folders / Plaubel Makina 67 and 67W Anthony Sells All His Leicas To Buy a Fuji G617 / Theo Sells Anthony A Voigtländer Superb and it Gets Lost / Anthony Hates the Gainesville USPS How Do You Properly Frame for a Panoramic Photo? / Anthony Sees Things in Panavision Noblex 135 S / Mamiya 7 with Pano Adapter What Percentage of Tamarkin Camera is Film vs Digital? Leica M8 and M9s Come in and Go Straight to Leica / Faulty Digital Sensors Mike Really Wants to Try a Leica M5 / Front Hanging Shutter Speed Dial / Canon EF Behind the Scenes at Tamarkin Auctions / Live Auctions vs Online Auctions Confusion About A Recent Large Camera Auction in Ohio / Bid Multipliers Shipping Items from Online Auctions / Pickup of Items at the Ohio Auction Dan and Paul's Stories About the Voncabbage Collection / The Most Amazing Collection What Other High Profile Auctions Are Out There? Buying Cameras from Estate Auctions / The Thrill of the Hunt / Mike Buys a Very Poorly Listed Olympus Six Mike's Thoughts on Using Common Sense / Reputation is Important / Stuff Begets Stuff The Girl in Facebook Who Inherited A Storage Locker Full of Cameras From Her Boss Theo Buys a Contessa 35 and ANSCO Memo from Paul and Gets a Free T-Shirt Theo is Shooting a Zeiss-Ikon Super Ikonta Repaired by Jess / Ricoh Auto-Half / Rollei 35 / Nikon FE Anthony is Shooting a Minox LX / Akarelle Loaded with Tech Pan / Nikon F with Nikkor 105/2.5 Lens Mike Sells an Olympus Pen F to Someone Who Was On the Last Episode Mike is Shooting a Sears (Ricoh) TLS with the SR "Atomic" Logo / Praktica VLC 3 / Olympus 35 SP / Toko Tone Paul is Shooting His Gold Summilux on Anthony's M3 / Paul Loves Gold Cameras Stay Tuned for Mamiya Discussion Next Time / Check us out on Instagram Show Notes If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group or Instagram page, or email us at camerosity.podcast@gmail.com. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Camerosity Twitter - https://twitter.com/CamerosityPod Dan Tamarkin – http://www.tamarkin.com/ and https://www.tamarkinauctions.com/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris and https://www.etsy.com/shop/Camerasandpictures Anthony Rue - https://www.instagram.com/kino_pravda/ and https://www.facebook.com/VoltaGNV/

In a first for the Camerosity Podcast, we finally dive into the wonderful world of Graflex press cameras and other 4x5 cameras.  If you thought Camerosity only meant 35mm, medium format roll film, and subminis, this is the episode that will shake up everything you know about us! For episode 43, we had a packed house (although there was one significant omission).  Joining the gang on this show was first time caller, and owner of Graflex Parts, Graham Burnett, along with Andy Pham, Daniel Belmes, Eric J, Greg McCreash, Howard Sandler, Jess Hobbs, Marcy Merrill, Mario Piper and his wife Julianne Piper, Mark Faulkner, Nick Marshall, Patrick Casey, and Robert Rotoloni. Together, topics ranging far and wide from the history of Folmer & Schwing, the company who made the first Graphic cameras, to differences between all the models, where to start if you've never shot a Graflex before, development tips, and all sorts of information that people who love these cameras want you to know.  In addition to discussions about Graflex press cameras, we also get into a few other 4x5 cameras like the Busch Pressman and Burke & James versions.  Greg McCreash is back to talk about his massive Combat Graflex, and we even touch upon some of the 35mm Graflex cameras. If you've ever wanted to know something about these wonderful cameras, this is the episode you'll want to hear! As always, the topics we discuss on the Camerosity Podcast are influenced by you!  We would love to hear from more listeners, especially those who are new to shooting film or collecting cameras.  Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show.  We LOVE people who are new to shooting and are interested in having an episode dedicated to people new to the hobby, so please don't consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, and right here on mikeeckman.com.  We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. The guys and I have had a great time talking about Graflex, Argus, Contax, and Pentax, and for our next episode, we are going to divert a bit from our regular format and just discuss what we've been working on lately and some topics we'd like to share with you all, so there won't be any option to dial in for the next episode.  Maybe we'll still have a special guest for you, maybe not!  You'll just need to stay tuned for that one. We will resume our normal call in for episode 45 though, which we will record on Monday, March 20th.  We don't yet know what we'll talk about then, but be sure to stay tuned for the official announcement! This Week's Episode How Paul Ended Up with a Closet Full of Graflex / The Baffling Array of Variations Anthony Takes the Leap Into Press Cameras with His Graflex Super Graphic Differences Between the Speed vs Crown Graphic Graham Burnett of graflexparts.com Dives Deep into the Graflex Lineage What Does Graflex Parts Do for the Graflex Community? Folmer & Schwing and the Bicycle Graphic The Complicated Rise of the Single Lens Reflex Graflex The Many Sizes of Film for Graflex / The Evolution of Graflex Film Backs Eric J and his F&S / Bicycle Camera Bicycle Touring with Graflex Andy Pham and Concert Photography with his AutoGraflex 5x7 SLR Luis Mendez and Graflex Street Portraits in NYC Keeping Pre-war Graflex Cameras Up and Running Howard and his Graflex Monorail Graphic View Camera Julianne Piper, Shooting Paper Negatives in an Array of Graflex Cameras The LomoGraflock vs Polaroid backs Advantages of Crown vs Speed Graphic as a First Graflex Demystifying Graflex Lens Options Using Projector and Brass Lenses with Graflex Graflex at War / The Post-war Decline of Graflex Other Press Cameras / Busch Pressman / Burke & James Press Cameras Nick Marshall and His Series D 3x4 / Shooting Speed Graphic with Instax Developing 4x5 at Home Jess Hobbs and Adventures with 4x5 with Her Intrepid / 4x5 Film Options Daniel B and Shooting a Graflex Super D / Enlarging Graflex as 11x14 Large Format Greg McCreash and the Combat Graflex Mario Asks is Graflex is Making a Resurgence? / What is the Appeal of Shooting Large Format? Eric Mathy on the Appeal of Large Format to the Tinkerer and the Artist Mike Eckman and the Graflex Graphic 35 Jet Show Notes If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group or Instagram page, or email us at camerosity.podcast@gmail.com. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Camerosity Twitter - https://twitter.com/CamerosityPod Graham Burnett, Graflex Parts - https://www.graflexparts.com/ Jess Hobbs - https://www.youtube.com/c/JessHobbs Erik Mathy, All Through a Lens - https://allthroughalens.com/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris and https://www.etsy.com/shop/Camerasandpictures Anthony Rue - https://www.instagram.com/kino_pravda/ and https://www.facebook.com/VoltaGNV/