Podcasts about x1d

参加“艺卓杯摄影大赛”，请关注微信公众号“摄影早自习”，回复：艺卓早安，我是叶梓，今天是摄影早自习陪伴大家的第1754天。今天是我们聊画幅的第三课，之前好像没有聊过这么仔细的，这次就聊个痛快。那么之前我们了解了全画幅，说它是柯达小铁桶胶卷135型胶卷的感光面积：24×36mm。又聊了它砍一半的面积，就是那个所谓的半画幅 ——APS-C画幅，但是我也说了这两个画幅面积并不完全相等，最后我们又聊了M4/3画幅。Photo by Patrick on Unsplash这里我补一句，全画幅和APS-C画幅都是2:3的尺寸，唯独M4/3画幅它是4:3尺寸，这个长宽比变了。其实咱们手机拍照也都是4:3尺寸为主，所以下次你一看照片2:3的，你就知道了要么全画幅，要么APS-C画幅，对吧。一看4:3就知道了，要么就是手机拍的，要么就是M4/3画幅拍的。当然还有富士的所谓的“4433”的中画幅。富士GFX 50S 感光元件43.8x 32.9mm 图片来源：富士官网中画幅又是什么玩意呢？之前其实我跟大家提了一嘴，就是在整个相机大家族里边，135胶卷那绝对是“小画幅”啊，绝对是很小的，因为它的老大哥有的是。其中比它大一点的就有一种胶卷，它也是胶卷，也是卷在一根卷轴上的一个东西。那个胶卷的宽度是6cm多一点，我没细量过，我在网上查了一下资料，是6.15cm宽吧，因为它也是一长卷，所以它肯定也能拍很多张是不是？每拍一张把这个胶卷卷一卷，然后就拍下一张。左：135胶卷 右：120胶卷 图片来源：淘宝画英雄那你也可以想象了，这个胶卷它限制了我们的感光的面积的高，但是宽其实随便你造是不是？所以我们有好多种中画幅的相机，它用来感光的面积最小的6×4.5cm，大一点6×6cm正方形，再大6×7cm，6×9cm，甚至高达“617”——6×17cm。富士就有生产这个相机，名字特别好记，因为它差一点就“618”了。那么这种相机看上去它拍的照片特别宽特别长，胶片面积也特别大，但是因为它用的胶卷还是那个6cm宽度的120胶卷，所以我们还是管它叫做中画幅相机。FUJI（富士） PANORAMA G617 PRO 宽幅相机 图片来源：祥升行相机博物馆其实同样的事情也发生在135的胶卷里头。我之前说了135胶卷的总宽度是35mm，但是要去掉齿孔，所以用来感光拍照片的面积最高也就是24mm，但是宽度其实也是不受限制的，所以才会有之前说的半画幅相机——半格相机24×18mm宽度的感光面积。当然也有更宽的，就是哈苏XPan，其实我自己非常喜欢这个机器，但是今天也没买得起。哈苏这个相机它能拍的最大的最宽的画幅是24×65mm，它的长宽比是6:17，你看又是“617”。这两种相机它都是用了一种尺寸比较小的胶片，但是却因为拓展宽度而达到了很大的感光面积，很清晰的画质的这么一种结果，是非常讨巧、非常聪明的。但是它的长宽比因为非常奇葩，所以构起图来也确实考验人。HASSELBLAD（哈苏） Xpan 宽幅相机图片来源：祥升行相机博物馆还是回到中画幅的话题上来，不难看出，中画幅的宽度随便搞，但是这高度肯定是6cm。中画幅里有谁最常用的、最标准的呢？其实大家比较习惯正方形6×6，单位是cm，这个是中画幅里的标准画幅，就像135画幅的标准化画幅是24×36mm一样（长宽比是）2:3，中画幅120胶卷里面最常见的是1:1。Ricoh（理光） 120中画幅相机图片来源：祥升行相机博物馆但不管怎么样，你会发现富士所生产的中画幅数码相机，它严格来讲确实不应该算中画幅，它的大小是44×33mm，它不及6cm宽，所以它是介于135画幅——所谓的全画幅和120的中画幅之间的一个尺寸。所以有人也带有鄙视性的称其为残中幅、中残幅。我其实也不太喜欢这个词，因为听上去有点不太文明，是不是？感觉总有一点那种鄙视链的意味，这个是我们不想要的。但是反正大家叫也叫惯了，就叫富士中幅，就代称它那种“4433”画幅的相机了。其实哈苏的X1D它其实也是这个尺寸，“4433”。其实还有别的尺寸也是介于全画幅和中画幅之间，比如说宾得的645z，它的尺寸43.8×32.8mm。在这些名称被历史统一之前，我们就暂且都称它为中幅好了，暂且饶它们一命。但是你心里要知道，就是我们一说中幅，第一反应其实是6×6cm的感光元件的尺寸或者是胶片的面积。有没有这样的数码相机是民用级的呢？有的，其实哈苏还有飞思——这个品牌大家可能不熟悉，因为它实在是太专业了——这两个品牌它都有6×6cm的标标准准的中画幅的数码后背。Phase One（飞思）XT相机 图片来源：Phase One中国什么叫数码后背？其实就是说它这个后背是跟机身分开卖的，感光元件这个区块，包括屏幕在内，它整个后边这半截是跟前面的机身分开卖的，就管它叫数码后背，你就暂时这么理解吧，反正它是个专业玩意。这种东西的画质真的不是那种偏小的画幅的数码相机能够比拟的，但是它也确实有它的缺点，什么对焦特别慢啊，什么拍东西连拍速度极慢无比啊，相机相对比较笨重啊，这些东西其实都是刚好跟 M4/3画幅的特别小画幅的奥林巴斯相机对着的。奥林巴斯所擅长的，它都不擅长，而它所擅长的奥林巴斯都不擅长。最后我还是要嘱咐一句，中画幅之上其实还有大画幅，但是大画幅的尺寸比例就非常非常的多了。你就记着只要不是用中画幅120胶卷的，比它大的都叫大画幅。它除了画质好以外，其实还由于它的相机设计的特殊的原因，它可以实现一些像移轴这样的特殊效果，这个我们今天不展开谈。Speed Graphic大画幅相机 图片来源：祥升行相机博物馆你还需要知道一点的是，大画幅的胶卷是没有那种卷轴状的，它不像135胶卷是一个小铁桶，也不像120胶卷是一个小纸筒，它是一片一片的。这个道理也很好理解，就是因为它画幅实在是太大了，卷起来再摊开来拍照它的边肯定不是很平整，到时候会有很大的成像上的问题。最后还是做个总结吧，其实还是那句话，画幅这个东西它也并不说是谁大谁就好，也不是说谁小谁就好，它们各有所长。我自己干活的时候愿意拿全幅，弱光的时候愿意拿全画幅，因为它成像素质好。偶尔的情况下拍商业片需要更高的成像的时候会拿中幅。但是旅行摄影，包括为甲方干活的那种旅行摄影，委托创作的这种，大量的时候我其实都是带奥林巴斯走，用的是M4/3的画幅。因为我懒啊，我就是想要轻便的嘛，而且它拍出来的画质在大部分情况下是绝对够用的，那够用不就好了吗？好，画幅的故事我们就聊这么多了，希望各位同学有所收获，我知道大家有很多问题想讨论，任何问题都可以在底部向我留言，不管是在微信公众号还是喜马拉雅里，你们的留言我都能看得见。有问题也欢迎在下方提问，我会尽力为你解答。另外别忘了艺卓和我们联合主办的“艺卓杯摄影大赛”就在这个月底截稿，现在还有三四天的时间，大家不要错过了投稿的机会，那个大奖是非常诱人的——专业的艺卓显示器，艺卓可是显示器界的天花板级的存在。具体的比赛信息、投稿信息请点击今天的微信公众号“摄影早自习”的第二条图文链接，或者你就在我们的微信公众号摄影早自习底下回复“艺卓”两个字，艺术的艺，卓越的卓。另外11月7号我们的颐和园的外拍课程已经确认成团，现在正是秋色最美的时候，大家不要错过，你可以扫描语音下方的海报里的二维码来咨询报名。今天是摄影早自习陪伴大家的第1754天，我是叶梓，每天早上6:30，微信公众号“摄影早自习”，不见不散。

参加“艺卓杯摄影大赛”，请关注微信公众号“摄影早自习”，回复：艺卓早安，我是叶梓，今天是摄影早自习陪伴大家的第1754天。今天是我们聊画幅的第三课，之前好像没有聊过这么仔细的，这次就聊个痛快。那么之前我们了解了全画幅，说它是柯达小铁桶胶卷135型胶卷的感光面积：24×36mm。又聊了它砍一半的面积，就是那个所谓的半画幅 ——APS-C画幅，但是我也说了这两个画幅面积并不完全相等，最后我们又聊了M4/3画幅。Photo by Patrick on Unsplash这里我补一句，全画幅和APS-C画幅都是2:3的尺寸，唯独M4/3画幅它是4:3尺寸，这个长宽比变了。其实咱们手机拍照也都是4:3尺寸为主，所以下次你一看照片2:3的，你就知道了要么全画幅，要么APS-C画幅，对吧。一看4:3就知道了，要么就是手机拍的，要么就是M4/3画幅拍的。当然还有富士的所谓的“4433”的中画幅。富士GFX 50S 感光元件43.8x 32.9mm 图片来源：富士官网中画幅又是什么玩意呢？之前其实我跟大家提了一嘴，就是在整个相机大家族里边，135胶卷那绝对是“小画幅”啊，绝对是很小的，因为它的老大哥有的是。其中比它大一点的就有一种胶卷，它也是胶卷，也是卷在一根卷轴上的一个东西。那个胶卷的宽度是6cm多一点，我没细量过，我在网上查了一下资料，是6.15cm宽吧，因为它也是一长卷，所以它肯定也能拍很多张是不是？每拍一张把这个胶卷卷一卷，然后就拍下一张。左：135胶卷 右：120胶卷 图片来源：淘宝画英雄那你也可以想象了，这个胶卷它限制了我们的感光的面积的高，但是宽其实随便你造是不是？所以我们有好多种中画幅的相机，它用来感光的面积最小的6×4.5cm，大一点6×6cm正方形，再大6×7cm，6×9cm，甚至高达“617”——6×17cm。富士就有生产这个相机，名字特别好记，因为它差一点就“618”了。那么这种相机看上去它拍的照片特别宽特别长，胶片面积也特别大，但是因为它用的胶卷还是那个6cm宽度的120胶卷，所以我们还是管它叫做中画幅相机。FUJI（富士） PANORAMA G617 PRO 宽幅相机 图片来源：祥升行相机博物馆其实同样的事情也发生在135的胶卷里头。我之前说了135胶卷的总宽度是35mm，但是要去掉齿孔，所以用来感光拍照片的面积最高也就是24mm，但是宽度其实也是不受限制的，所以才会有之前说的半画幅相机——半格相机24×18mm宽度的感光面积。当然也有更宽的，就是哈苏XPan，其实我自己非常喜欢这个机器，但是今天也没买得起。哈苏这个相机它能拍的最大的最宽的画幅是24×65mm，它的长宽比是6:17，你看又是“617”。这两种相机它都是用了一种尺寸比较小的胶片，但是却因为拓展宽度而达到了很大的感光面积，很清晰的画质的这么一种结果，是非常讨巧、非常聪明的。但是它的长宽比因为非常奇葩，所以构起图来也确实考验人。HASSELBLAD（哈苏） Xpan 宽幅相机图片来源：祥升行相机博物馆还是回到中画幅的话题上来，不难看出，中画幅的宽度随便搞，但是这高度肯定是6cm。中画幅里有谁最常用的、最标准的呢？其实大家比较习惯正方形6×6，单位是cm，这个是中画幅里的标准画幅，就像135画幅的标准化画幅是24×36mm一样（长宽比是）2:3，中画幅120胶卷里面最常见的是1:1。Ricoh（理光） 120中画幅相机图片来源：祥升行相机博物馆但不管怎么样，你会发现富士所生产的中画幅数码相机，它严格来讲确实不应该算中画幅，它的大小是44×33mm，它不及6cm宽，所以它是介于135画幅——所谓的全画幅和120的中画幅之间的一个尺寸。所以有人也带有鄙视性的称其为残中幅、中残幅。我其实也不太喜欢这个词，因为听上去有点不太文明，是不是？感觉总有一点那种鄙视链的意味，这个是我们不想要的。但是反正大家叫也叫惯了，就叫富士中幅，就代称它那种“4433”画幅的相机了。其实哈苏的X1D它其实也是这个尺寸，“4433”。其实还有别的尺寸也是介于全画幅和中画幅之间，比如说宾得的645z，它的尺寸43.8×32.8mm。在这些名称被历史统一之前，我们就暂且都称它为中幅好了，暂且饶它们一命。但是你心里要知道，就是我们一说中幅，第一反应其实是6×6cm的感光元件的尺寸或者是胶片的面积。有没有这样的数码相机是民用级的呢？有的，其实哈苏还有飞思——这个品牌大家可能不熟悉，因为它实在是太专业了——这两个品牌它都有6×6cm的标标准准的中画幅的数码后背。Phase One（飞思）XT相机 图片来源：Phase One中国什么叫数码后背？其实就是说它这个后背是跟机身分开卖的，感光元件这个区块，包括屏幕在内，它整个后边这半截是跟前面的机身分开卖的，就管它叫数码后背，你就暂时这么理解吧，反正它是个专业玩意。这种东西的画质真的不是那种偏小的画幅的数码相机能够比拟的，但是它也确实有它的缺点，什么对焦特别慢啊，什么拍东西连拍速度极慢无比啊，相机相对比较笨重啊，这些东西其实都是刚好跟 M4/3画幅的特别小画幅的奥林巴斯相机对着的。奥林巴斯所擅长的，它都不擅长，而它所擅长的奥林巴斯都不擅长。最后我还是要嘱咐一句，中画幅之上其实还有大画幅，但是大画幅的尺寸比例就非常非常的多了。你就记着只要不是用中画幅120胶卷的，比它大的都叫大画幅。它除了画质好以外，其实还由于它的相机设计的特殊的原因，它可以实现一些像移轴这样的特殊效果，这个我们今天不展开谈。Speed Graphic大画幅相机 图片来源：祥升行相机博物馆你还需要知道一点的是，大画幅的胶卷是没有那种卷轴状的，它不像135胶卷是一个小铁桶，也不像120胶卷是一个小纸筒，它是一片一片的。这个道理也很好理解，就是因为它画幅实在是太大了，卷起来再摊开来拍照它的边肯定不是很平整，到时候会有很大的成像上的问题。最后还是做个总结吧，其实还是那句话，画幅这个东西它也并不说是谁大谁就好，也不是说谁小谁就好，它们各有所长。我自己干活的时候愿意拿全幅，弱光的时候愿意拿全画幅，因为它成像素质好。偶尔的情况下拍商业片需要更高的成像的时候会拿中幅。但是旅行摄影，包括为甲方干活的那种旅行摄影，委托创作的这种，大量的时候我其实都是带奥林巴斯走，用的是M4/3的画幅。因为我懒啊，我就是想要轻便的嘛，而且它拍出来的画质在大部分情况下是绝对够用的，那够用不就好了吗？好，画幅的故事我们就聊这么多了，希望各位同学有所收获，我知道大家有很多问题想讨论，任何问题都可以在底部向我留言，不管是在微信公众号还是喜马拉雅里，你们的留言我都能看得见。有问题也欢迎在下方提问，我会尽力为你解答。另外别忘了艺卓和我们联合主办的“艺卓杯摄影大赛”就在这个月底截稿，现在还有三四天的时间，大家不要错过了投稿的机会，那个大奖是非常诱人的——专业的艺卓显示器，艺卓可是显示器界的天花板级的存在。具体的比赛信息、投稿信息请点击今天的微信公众号“摄影早自习”的第二条图文链接，或者你就在我们的微信公众号摄影早自习底下回复“艺卓”两个字，艺术的艺，卓越的卓。另外11月7号我们的颐和园的外拍课程已经确认成团，现在正是秋色最美的时候，大家不要错过，你可以扫描语音下方的海报里的二维码来咨询报名。今天是摄影早自习陪伴大家的第1754天，我是叶梓，每天早上6:30，微信公众号“摄影早自习”，不见不散。

参加“艺卓杯摄影大赛”，请关注微信公众号“摄影早自习”，回复：艺卓早安，我是叶梓，今天是摄影早自习陪伴大家的第1754天。今天是我们聊画幅的第三课，之前好像没有聊过这么仔细的，这次就聊个痛快。那么之前我们了解了全画幅，说它是柯达小铁桶胶卷135型胶卷的感光面积：24×36mm。又聊了它砍一半的面积，就是那个所谓的半画幅 ——APS-C画幅，但是我也说了这两个画幅面积并不完全相等，最后我们又聊了M4/3画幅。Photo by Patrick on Unsplash这里我补一句，全画幅和APS-C画幅都是2:3的尺寸，唯独M4/3画幅它是4:3尺寸，这个长宽比变了。其实咱们手机拍照也都是4:3尺寸为主，所以下次你一看照片2:3的，你就知道了要么全画幅，要么APS-C画幅，对吧。一看4:3就知道了，要么就是手机拍的，要么就是M4/3画幅拍的。当然还有富士的所谓的“4433”的中画幅。富士GFX 50S 感光元件43.8x 32.9mm 图片来源：富士官网中画幅又是什么玩意呢？之前其实我跟大家提了一嘴，就是在整个相机大家族里边，135胶卷那绝对是“小画幅”啊，绝对是很小的，因为它的老大哥有的是。其中比它大一点的就有一种胶卷，它也是胶卷，也是卷在一根卷轴上的一个东西。那个胶卷的宽度是6cm多一点，我没细量过，我在网上查了一下资料，是6.15cm宽吧，因为它也是一长卷，所以它肯定也能拍很多张是不是？每拍一张把这个胶卷卷一卷，然后就拍下一张。左：135胶卷 右：120胶卷 图片来源：淘宝画英雄那你也可以想象了，这个胶卷它限制了我们的感光的面积的高，但是宽其实随便你造是不是？所以我们有好多种中画幅的相机，它用来感光的面积最小的6×4.5cm，大一点6×6cm正方形，再大6×7cm，6×9cm，甚至高达“617”——6×17cm。富士就有生产这个相机，名字特别好记，因为它差一点就“618”了。那么这种相机看上去它拍的照片特别宽特别长，胶片面积也特别大，但是因为它用的胶卷还是那个6cm宽度的120胶卷，所以我们还是管它叫做中画幅相机。FUJI（富士） PANORAMA G617 PRO 宽幅相机 图片来源：祥升行相机博物馆其实同样的事情也发生在135的胶卷里头。我之前说了135胶卷的总宽度是35mm，但是要去掉齿孔，所以用来感光拍照片的面积最高也就是24mm，但是宽度其实也是不受限制的，所以才会有之前说的半画幅相机——半格相机24×18mm宽度的感光面积。当然也有更宽的，就是哈苏XPan，其实我自己非常喜欢这个机器，但是今天也没买得起。哈苏这个相机它能拍的最大的最宽的画幅是24×65mm，它的长宽比是6:17，你看又是“617”。这两种相机它都是用了一种尺寸比较小的胶片，但是却因为拓展宽度而达到了很大的感光面积，很清晰的画质的这么一种结果，是非常讨巧、非常聪明的。但是它的长宽比因为非常奇葩，所以构起图来也确实考验人。HASSELBLAD（哈苏） Xpan 宽幅相机图片来源：祥升行相机博物馆还是回到中画幅的话题上来，不难看出，中画幅的宽度随便搞，但是这高度肯定是6cm。中画幅里有谁最常用的、最标准的呢？其实大家比较习惯正方形6×6，单位是cm，这个是中画幅里的标准画幅，就像135画幅的标准化画幅是24×36mm一样（长宽比是）2:3，中画幅120胶卷里面最常见的是1:1。Ricoh（理光） 120中画幅相机图片来源：祥升行相机博物馆但不管怎么样，你会发现富士所生产的中画幅数码相机，它严格来讲确实不应该算中画幅，它的大小是44×33mm，它不及6cm宽，所以它是介于135画幅——所谓的全画幅和120的中画幅之间的一个尺寸。所以有人也带有鄙视性的称其为残中幅、中残幅。我其实也不太喜欢这个词，因为听上去有点不太文明，是不是？感觉总有一点那种鄙视链的意味，这个是我们不想要的。但是反正大家叫也叫惯了，就叫富士中幅，就代称它那种“4433”画幅的相机了。其实哈苏的X1D它其实也是这个尺寸，“4433”。其实还有别的尺寸也是介于全画幅和中画幅之间，比如说宾得的645z，它的尺寸43.8×32.8mm。在这些名称被历史统一之前，我们就暂且都称它为中幅好了，暂且饶它们一命。但是你心里要知道，就是我们一说中幅，第一反应其实是6×6cm的感光元件的尺寸或者是胶片的面积。有没有这样的数码相机是民用级的呢？有的，其实哈苏还有飞思——这个品牌大家可能不熟悉，因为它实在是太专业了——这两个品牌它都有6×6cm的标标准准的中画幅的数码后背。Phase One（飞思）XT相机 图片来源：Phase One中国什么叫数码后背？其实就是说它这个后背是跟机身分开卖的，感光元件这个区块，包括屏幕在内，它整个后边这半截是跟前面的机身分开卖的，就管它叫数码后背，你就暂时这么理解吧，反正它是个专业玩意。这种东西的画质真的不是那种偏小的画幅的数码相机能够比拟的，但是它也确实有它的缺点，什么对焦特别慢啊，什么拍东西连拍速度极慢无比啊，相机相对比较笨重啊，这些东西其实都是刚好跟 M4/3画幅的特别小画幅的奥林巴斯相机对着的。奥林巴斯所擅长的，它都不擅长，而它所擅长的奥林巴斯都不擅长。最后我还是要嘱咐一句，中画幅之上其实还有大画幅，但是大画幅的尺寸比例就非常非常的多了。你就记着只要不是用中画幅120胶卷的，比它大的都叫大画幅。它除了画质好以外，其实还由于它的相机设计的特殊的原因，它可以实现一些像移轴这样的特殊效果，这个我们今天不展开谈。Speed Graphic大画幅相机 图片来源：祥升行相机博物馆你还需要知道一点的是，大画幅的胶卷是没有那种卷轴状的，它不像135胶卷是一个小铁桶，也不像120胶卷是一个小纸筒，它是一片一片的。这个道理也很好理解，就是因为它画幅实在是太大了，卷起来再摊开来拍照它的边肯定不是很平整，到时候会有很大的成像上的问题。最后还是做个总结吧，其实还是那句话，画幅这个东西它也并不说是谁大谁就好，也不是说谁小谁就好，它们各有所长。我自己干活的时候愿意拿全幅，弱光的时候愿意拿全画幅，因为它成像素质好。偶尔的情况下拍商业片需要更高的成像的时候会拿中幅。但是旅行摄影，包括为甲方干活的那种旅行摄影，委托创作的这种，大量的时候我其实都是带奥林巴斯走，用的是M4/3的画幅。因为我懒啊，我就是想要轻便的嘛，而且它拍出来的画质在大部分情况下是绝对够用的，那够用不就好了吗？好，画幅的故事我们就聊这么多了，希望各位同学有所收获，我知道大家有很多问题想讨论，任何问题都可以在底部向我留言，不管是在微信公众号还是喜马拉雅里，你们的留言我都能看得见。有问题也欢迎在下方提问，我会尽力为你解答。另外别忘了艺卓和我们联合主办的“艺卓杯摄影大赛”就在这个月底截稿，现在还有三四天的时间，大家不要错过了投稿的机会，那个大奖是非常诱人的——专业的艺卓显示器，艺卓可是显示器界的天花板级的存在。具体的比赛信息、投稿信息请点击今天的微信公众号“摄影早自习”的第二条图文链接，或者你就在我们的微信公众号摄影早自习底下回复“艺卓”两个字，艺术的艺，卓越的卓。另外11月7号我们的颐和园的外拍课程已经确认成团，现在正是秋色最美的时候，大家不要错过，你可以扫描语音下方的海报里的二维码来咨询报名。今天是摄影早自习陪伴大家的第1754天，我是叶梓，每天早上6:30，微信公众号“摄影早自习”，不见不散。

参加“艺卓杯摄影大赛”，请关注微信公众号“摄影早自习”，回复：艺卓早安，我是叶梓，今天是摄影早自习陪伴大家的第1754天。今天是我们聊画幅的第三课，之前好像没有聊过这么仔细的，这次就聊个痛快。那么之前我们了解了全画幅，说它是柯达小铁桶胶卷135型胶卷的感光面积：24×36mm。又聊了它砍一半的面积，就是那个所谓的半画幅 ——APS-C画幅，但是我也说了这两个画幅面积并不完全相等，最后我们又聊了M4/3画幅。Photo by Patrick on Unsplash这里我补一句，全画幅和APS-C画幅都是2:3的尺寸，唯独M4/3画幅它是4:3尺寸，这个长宽比变了。其实咱们手机拍照也都是4:3尺寸为主，所以下次你一看照片2:3的，你就知道了要么全画幅，要么APS-C画幅，对吧。一看4:3就知道了，要么就是手机拍的，要么就是M4/3画幅拍的。当然还有富士的所谓的“4433”的中画幅。富士GFX 50S 感光元件43.8x 32.9mm 图片来源：富士官网中画幅又是什么玩意呢？之前其实我跟大家提了一嘴，就是在整个相机大家族里边，135胶卷那绝对是“小画幅”啊，绝对是很小的，因为它的老大哥有的是。其中比它大一点的就有一种胶卷，它也是胶卷，也是卷在一根卷轴上的一个东西。那个胶卷的宽度是6cm多一点，我没细量过，我在网上查了一下资料，是6.15cm宽吧，因为它也是一长卷，所以它肯定也能拍很多张是不是？每拍一张把这个胶卷卷一卷，然后就拍下一张。左：135胶卷 右：120胶卷 图片来源：淘宝画英雄那你也可以想象了，这个胶卷它限制了我们的感光的面积的高，但是宽其实随便你造是不是？所以我们有好多种中画幅的相机，它用来感光的面积最小的6×4.5cm，大一点6×6cm正方形，再大6×7cm，6×9cm，甚至高达“617”——6×17cm。富士就有生产这个相机，名字特别好记，因为它差一点就“618”了。那么这种相机看上去它拍的照片特别宽特别长，胶片面积也特别大，但是因为它用的胶卷还是那个6cm宽度的120胶卷，所以我们还是管它叫做中画幅相机。FUJI（富士） PANORAMA G617 PRO 宽幅相机 图片来源：祥升行相机博物馆其实同样的事情也发生在135的胶卷里头。我之前说了135胶卷的总宽度是35mm，但是要去掉齿孔，所以用来感光拍照片的面积最高也就是24mm，但是宽度其实也是不受限制的，所以才会有之前说的半画幅相机——半格相机24×18mm宽度的感光面积。当然也有更宽的，就是哈苏XPan，其实我自己非常喜欢这个机器，但是今天也没买得起。哈苏这个相机它能拍的最大的最宽的画幅是24×65mm，它的长宽比是6:17，你看又是“617”。这两种相机它都是用了一种尺寸比较小的胶片，但是却因为拓展宽度而达到了很大的感光面积，很清晰的画质的这么一种结果，是非常讨巧、非常聪明的。但是它的长宽比因为非常奇葩，所以构起图来也确实考验人。HASSELBLAD（哈苏） Xpan 宽幅相机图片来源：祥升行相机博物馆还是回到中画幅的话题上来，不难看出，中画幅的宽度随便搞，但是这高度肯定是6cm。中画幅里有谁最常用的、最标准的呢？其实大家比较习惯正方形6×6，单位是cm，这个是中画幅里的标准画幅，就像135画幅的标准化画幅是24×36mm一样（长宽比是）2:3，中画幅120胶卷里面最常见的是1:1。Ricoh（理光） 120中画幅相机图片来源：祥升行相机博物馆但不管怎么样，你会发现富士所生产的中画幅数码相机，它严格来讲确实不应该算中画幅，它的大小是44×33mm，它不及6cm宽，所以它是介于135画幅——所谓的全画幅和120的中画幅之间的一个尺寸。所以有人也带有鄙视性的称其为残中幅、中残幅。我其实也不太喜欢这个词，因为听上去有点不太文明，是不是？感觉总有一点那种鄙视链的意味，这个是我们不想要的。但是反正大家叫也叫惯了，就叫富士中幅，就代称它那种“4433”画幅的相机了。其实哈苏的X1D它其实也是这个尺寸，“4433”。其实还有别的尺寸也是介于全画幅和中画幅之间，比如说宾得的645z，它的尺寸43.8×32.8mm。在这些名称被历史统一之前，我们就暂且都称它为中幅好了，暂且饶它们一命。但是你心里要知道，就是我们一说中幅，第一反应其实是6×6cm的感光元件的尺寸或者是胶片的面积。有没有这样的数码相机是民用级的呢？有的，其实哈苏还有飞思——这个品牌大家可能不熟悉，因为它实在是太专业了——这两个品牌它都有6×6cm的标标准准的中画幅的数码后背。Phase One（飞思）XT相机 图片来源：Phase One中国什么叫数码后背？其实就是说它这个后背是跟机身分开卖的，感光元件这个区块，包括屏幕在内，它整个后边这半截是跟前面的机身分开卖的，就管它叫数码后背，你就暂时这么理解吧，反正它是个专业玩意。这种东西的画质真的不是那种偏小的画幅的数码相机能够比拟的，但是它也确实有它的缺点，什么对焦特别慢啊，什么拍东西连拍速度极慢无比啊，相机相对比较笨重啊，这些东西其实都是刚好跟 M4/3画幅的特别小画幅的奥林巴斯相机对着的。奥林巴斯所擅长的，它都不擅长，而它所擅长的奥林巴斯都不擅长。最后我还是要嘱咐一句，中画幅之上其实还有大画幅，但是大画幅的尺寸比例就非常非常的多了。你就记着只要不是用中画幅120胶卷的，比它大的都叫大画幅。它除了画质好以外，其实还由于它的相机设计的特殊的原因，它可以实现一些像移轴这样的特殊效果，这个我们今天不展开谈。Speed Graphic大画幅相机 图片来源：祥升行相机博物馆你还需要知道一点的是，大画幅的胶卷是没有那种卷轴状的，它不像135胶卷是一个小铁桶，也不像120胶卷是一个小纸筒，它是一片一片的。这个道理也很好理解，就是因为它画幅实在是太大了，卷起来再摊开来拍照它的边肯定不是很平整，到时候会有很大的成像上的问题。最后还是做个总结吧，其实还是那句话，画幅这个东西它也并不说是谁大谁就好，也不是说谁小谁就好，它们各有所长。我自己干活的时候愿意拿全幅，弱光的时候愿意拿全画幅，因为它成像素质好。偶尔的情况下拍商业片需要更高的成像的时候会拿中幅。但是旅行摄影，包括为甲方干活的那种旅行摄影，委托创作的这种，大量的时候我其实都是带奥林巴斯走，用的是M4/3的画幅。因为我懒啊，我就是想要轻便的嘛，而且它拍出来的画质在大部分情况下是绝对够用的，那够用不就好了吗？好，画幅的故事我们就聊这么多了，希望各位同学有所收获，我知道大家有很多问题想讨论，任何问题都可以在底部向我留言，不管是在微信公众号还是喜马拉雅里，你们的留言我都能看得见。有问题也欢迎在下方提问，我会尽力为你解答。另外别忘了艺卓和我们联合主办的“艺卓杯摄影大赛”就在这个月底截稿，现在还有三四天的时间，大家不要错过了投稿的机会，那个大奖是非常诱人的——专业的艺卓显示器，艺卓可是显示器界的天花板级的存在。具体的比赛信息、投稿信息请点击今天的微信公众号“摄影早自习”的第二条图文链接，或者你就在我们的微信公众号摄影早自习底下回复“艺卓”两个字，艺术的艺，卓越的卓。另外11月7号我们的颐和园的外拍课程已经确认成团，现在正是秋色最美的时候，大家不要错过，你可以扫描语音下方的海报里的二维码来咨询报名。今天是摄影早自习陪伴大家的第1754天，我是叶梓，每天早上6:30，微信公众号“摄影早自习”，不见不散。

Mark introduces Dave and David! Two new co-hosts that bring a wealth of professional photographic experience to the pod. They talk about the Leica Monochrome, the X1D and the 45/4P, and their resolutions for the new year! Dave Waddell can be found on Instagram at @davidbryanphoto and David Pexton can be found at @davidpexton This episode is made possible with the support of @negative.supply --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Firmware frenzy, medium format love, and vacation cams are some of the topics that Marco and Scott discuss on episode #14 of the “We Shoot Mirrorless” podcast for May 2018.   This show is sponsored by: COSYSPEED - The fastest camera bags in the world.   Marco was interviewed about street photography and his work in the current issue of the German photography magazine “PHOTO HITS” 6/2018 (in German): https://shop.fotohits.de/catalogsearch/result/?q=foto-hits-magazin-6-2018   SmugMug acquired Flickr and Scott and Marco think that this could be a good thing for the photography community.   If you want to attend a 1 on 1 street photography workshop in Hamburg, Marco now offers this option. Check it out: https://www.marcolarousse.com/street-photography-workshops/   Marco draws the four winners for the PPN 1st birthday giveaway. 3 cool photo presents are gifted to 3 PPN listeners. These are the prices:   A COSYSPEED CAMSLINGER STREETOMATIC + camera bag. A copy of Skylum Luminar 2018 image processing software. A copy of Skylum Aurora HDR 2018 software. Panasonic announced the TS7/FT7 camera. It’s the first rugged compact water- and shockproof camera to have a built-in EVF. B&H: https://bhpho.to/2L1InfT   Fuji announced the GF 250mm f4 R LM OIS WR medium format lens. It gives an EFV of around 200mm, focuses via a linear focus motor and its OIS is rated at 5-stop shake reduction, according to Fuji. The minimum focus distance is 1.4m or 55” and it weight 1.4kg or 3.14lb. B&H: https://bhpho.to/2wRqttw   Fuji released a 1.4x teleconverter for the new 250mm f4 lens, boosting the FOV to 277mm at f5.6..And they have also released macro extension tubes for the Medium Format GF system. The MCEX-18G WR is 18mm long while the MCEX-45G WR is 45mm. Both are weather sealed. B&H: https://bhpho.to/2wRqttw   Fuji updated the X-T2 with FW version 4.0. Some of the added features are: Automatic focus bracketing up to 999 frames focus shift. (Stich later) F-log recording to SD card (previously only possible over HDMI) 1080/120p high speed mode (plays back in Slow Motion) Improved Phase Detect AF performance reducing the low light focus acquisition from  +0.5EV to -1.0EV, Flicker reduction (especially indoor sports in fluorescent light) Enlarged/customizable indicators in viewfinder and LCD   The Fuji X-T20 was upgraded to FW version 2.0, The X-E3 to FW version 1.20, the X100F to FW version 2.10, and the X-H1 to FW version 1.02. Fuji FW update website: http://www.fujifilm.com/support/digital_cameras/software/fw_table.html Olympus has also released FW updates to some of their OM-D series cameras: http://cs.olympus-imaging.jp/en/support/imsg/digicamera/download/software/firm/e1/ .   Hasselblad has released the XCD 21mm f4 lens for the X1D camera. It has a 17mm EFV with f4-f32 aperture range. B&H: https://bhpho.to/2rKZR7F   Hasselblad also updated the FW and added some features to the X1D camera with FW version 1.21. Some of the new features are: Interval timer. Exposure bracketing. Shutter speed limit for Auto ISO in P and full Auto mode. AF support for almost all HC/HCD lenses when using the XH lens adapter. https://www.hasselblad.com/x1d/firmware/   Sony released minor FW upgrades for two of their top cameras. a7R III FW version 1.10 adds Pixel Shift Multi Shooting interval of 0.5sec (1-30 seconds previously). Adds support for bracketing during silent shooting with uncompressed RAW. Adds support for turning of the peaking display level for S-Log shooting and improves the overall stability of camera. https://esupport.sony.com/US/p/model-home.pl?mdl=ILCE7RM3&template_id=1®ion_id=1&tab=download#/downloadTab   a7 III FW version 1.01 implements bug fixes and improves the overall camera stability. https://esupport.sony.com/US/p/model-home.pl?mdl=ILCE7M3&template_id=1®ion_id=1&tab=download#/downloadTab   Tamron launches 28-75mm f2.8 Di III RXD lens for Sony e-Mount. The lens was designed with a focus on IQ, compact size, and Silent AF. It weighs 550g or 19.4Oz. The new stepping motor is claimed to be fast, accurate, and silent, and the lens is moisture resistant. B&H: https://bhpho.to/2rMI8wq   Casio is pulling out of the digital compact camera market and Marco is going down memory lane as his first ever digital camera was a Casio QV-10. Check out the Skylum LUMINAR 2018 software: Link: http://bit.ly/2CzlC2g (use the discount code “PHOTOPODCASTS” at checkout for extra savings) Mirrorless question of the month: Hi Scott and Marco, I am currently shooting wildlife with a Nikon D500 and D7200, the D500 is everything have always wanted for a wildlife shooting camera. I use mostly a tamron 150-600 lens, however, at the end of the day, my arm is so tired if I do a lot of shooting. I have been seriously thinking about changing to either the oly OM_D Mll or the panasonic G9. From reviews, I have read either camera is a toss up for my needs. The panasonic feels great in the hand. My main question does one brand of lenses work better on the competitors camera than the other? Both brands seem to have good long lenses for wildlife Oh by the way I am from Clearfield, UT. and I have a sony a6500 for street shooting and for doing landscapes. I did try the sony 100-400 on it, and I did not care for that set up. Thanks for your help. Question by: Mark from Clearfield, Utah, USA. We have a PPN Photo Podcast Network group at Flickr (click link) that is open to our listeners and photos taken with all mirrorless camera brands. If you want to join just let us know through the "request invitation" button on the group and drop us a quick line there. We'll add you to the group then. And please ask for the invite via the web browser and not via the Flickr App. The invite process via the app has not been working reliably. You can also submit an image using the Instagram hashtag #WeShootMirrorless   We have picked our monthly featured photographer and image from the submitted photos. Our monthly We Shoot Mirrorless feature photo and photographer of the month is: Pics from Paul - Title: Bicycle and Bicycle (click here). Please support our show by using our B&H affiliate link (click here) that will not cost you a penny more than when you are buying at B&H without our link. And the more this link will be used to buy at B&H, the more giveaways we’ll be able to give back to our listeners through B&H. It really is a “win-win” situation :)   And please share this podcast with your friends and subscribe via iTunes. We would also love to get your feedback. Is there anything that you want us to cover on the show in the future? And we would appreciate if you could take a short moment to rate or post a quick review for our shows on iTunes.   For more information on Marco Larousse follow him on Twitter: @HamburgCam For more information on Scott Bourne follow him on Twitter: @ScottBourne   About this show: On the monthly #WeShootMirrorless episode of the “PPN - Photo Podcast Network” show, Marco and a guest will discuss news from the mirrorless camera world related to innovations, trends, gear, and accessories. And they will introduce mirrorless camera brands by interviewing the respective managers of those manufacturers. They will also invite pro photographers who make their living working with mirrorless cameras to share some tips and tricks about their workflow.

Gordon and Doug from Cameralabs discuss everything you need to know about the Hasselblad X1D-50C, a medium-format camera in our in-depth review!

The Hasselblad X1D is an interesting camera for Medium Format because of its size. The X1D is much smaller than the studio types of models most digital medium format cameras come in. So with a camera that's designed for portability, lenses are a concern because of the sensor size. How do you design a lens that is as compact and portable as the camera itself? Hasselblad currently offer 4 lenses - a 30mm f/3.5, 45mm f/3.5, 90mm f/3.2 and a 120mm macro. I had the opportunity to work with three of these lenses on the Hasselblad X1D over the last month and I'm excited to share the results with you. Hasselblad X1D - get it at B&H https://goo.gl/4YqBhV My filter system: http://www.winecountry.camera/ Music from Epidemic Sound: https://goo.gl/v5wWKr

On this episode #8 “We Shoot Mirrorless” podcast episode for November 2017, Scott and Marco discuss these new products and mirrorless topics:   This show is sponsored by B&H: https://bhpho.to/2htc5AL   Scott shares his experiences from visit Photo Plus Expo in New York and Marco talks about his 48h trip to Berlin.   Sony announced a new camera. The a7rIII 42MP full frame camera comes with some nice speed, shutter and battery improvements. https://bhpho.to/2hrBlXX   Sony also announced two new lenses for their mirrorless E mount. The Sony FE 24-105 f4 G OSS lens is a fairly light and versatile zoom. And the FE 400mm f2.8 GM OSS is still in development and is expected to launch in summer 2018. https://bhpho.to/2Aw4Bk0   Olympus announced two new fast prime lenses from their PRO lineup. According to Scott and some early reviewers the M.ZUIKO Digital ED 17mm F1.2 PRO and M.ZUIKO Digital ED 45mm F1.2 PRO will be game changers for their light gathering and shallow depth of field and bokeh. The lenses can be pre-ordered now. 17mm f1.2: https://bhpho.to/2htbn6z 45mm f1.2: https://bhpho.to/2AvF4aM   Canon introduced the PowerShot G1 X Mark III. It is a fixed zoom lens camera that has a 24 MP APS-C sensor with dual pixel AF and Digic 7 processor and a fixed 24-72mm equivalent zoom lens with the fastest aperture between f2.8-5.6. It shoots bursts of up to 9fps and can record video at 1080/60p video. It weighs only 400g or 14oz and is like a fixed zoom lens version of the EOS M5 interchangeable lens camera. https://bhpho.to/2hs5PJw   Hasselblad adds two new lenses to their lens roadmap. The XCD 80mm (63mm FF equivalent - aperture is still unknown) and the XCD 135mm f2.8 plus a dedicated 1.7x teleconverter. http://www.hasselblad.com/lenses/x-system   Hasselblad has released a firmware update for the X1D.  This FW 1.19  update adds more options to make the camera more overall more customizable. They have also added support for V system lenses.   Leica now offers their 28mm full frame fixed focal length Leica Q camera in a silver edition. https://bhpho.to/2AvDCVQ   Leica has resurrected the old Thambar-M 90mm f2.2 lens. A classic lens from the 1930s that is known for its extremely soft and blurry images and bubbly bokeh wide open. The main difference to the traditional model is that it comes with an M instead of a screw mount. https://bhpho.to/2htvl0O   Fujifilm announced a square format Instax printer. The Share SP-3 SQ prints to the Instax square instant film and can print directly from your Fuji X camera or it can be used as a printer connected to your computer or smartphone. Each print takes about 13 seconds and each battery charge is good for about 160 prints. https://bhpho.to/2Aw2Mnv   Nikon closes its camera and lens factory in China where about 2500 workers are employed. Nikon blames the rise of smartphones for this drastic step. Nikon also seizes their camera sales in Brazil. Mirrorless question of the month: Hi Scott and Marco, I’m a new listener and love your approach to do different topic shows in your feed each month. I am currently a Canon 5D MK III shooter and you guys have convinced me that I can switch to mirrorless cameras without sacrificing IQ. I do mainly portrait and travel photography and I’m wondering if I could get away with buying a less expensive mirrorless camera (i.e. Olympus E-M10 MK II, Fuji X-A3 or Sony a6000) and rather spend extra money on pro-grade lenses? Would I lose AF speed, accuracy, or IQ on those lower end models compared to the higher end ones? Jim from Valdosta, Georgia   We have a PPN Photo Podcast Network group at Flickr (click link) that is open to our listeners and photos taken with all mirrorless camera brands. If you want to join just let us know through the "request invitation" button on the group and drop us a quick line there. We'll add you to the group then. And please ask for the invite via the web browser and not via the Flickr App. The invite process via the app has not been working reliably. You can also submit an image using the Instagram hashtag #WeShootMirrorless   We have picked our monthly featured photographer and image from our Flickr groups. Our monthly We Shoot Mirrorless feature photo and photographer of the month is: Evan Gearing "Sand Falls” (click here) Please support our show by using our B&H affiliate link (click here) that will not cost you a penny more than when you are buying at B&H without our link. And the more this link will be used to buy at B&H, the more giveaways we’ll be able to give back to our listeners through B&H. It really is a “win-win” situation :)   And please share this podcast with your friends and subscribe via iTunes. We would also love to get your feedback. Is there anything that you want us to cover on the show in the future? And we would appreciate if you could take a short moment to rate or post a quick review about our shows on iTunes.   For more information on Scott Bourne follow him on Twitter: @ScottBourne For more information on Marco Larousse follow him on Twitter: @HamburgCam   About this show: On the monthly #WeShootMirrorless episode of the “PPN - Photo Podcast Network” show, Scott and Marco will discuss news from the mirrorless camera world related to innovations, trends, gear and accessories. And they will introduce mirrorless camera brands by interviewing the respective managers of those manufacturers. They will also invite pro photographers who make their living working with mirrorless cameras to share some tips and tricks on their workflow.

Episode 224 of the PetaPixel Photography Podcast. Download MP3 -  Subscribe via iTunes, Google Play, email or RSS! Featured: Dan Watson of Learning Cameras In This Episode If you subscribe to the PetaPixel Photography Podcast in iTunes, please take a moment to rate and review us and help us move up in the rankings so others interested in photography may find us. Show Opener: Dan Watson of Learning Cameras opens the show. Thanks Dan! Sponsors: - Get $150-$200 off a MeVIDEO Globetrotter backing its Kickstarter campaign while supplies last. More deals at LensShark.com/deals. Stories: Sony edges out Nikon again to take the #2 spot. (#) Fujifilm cuts loose some film stock SKUs. Are more on the way? (#) Lightroom 6 users running an update delete it instead. (#) Hasselblad's X1D-50c official takes the top spot from Nikon's D850. (#) Ricoh introduces an 11-18mm f/2.8 and 50mm f/1.4. (#) Olympus unveils 17mm f/1.2 and 45mm f/1.2 lenses. (#) Would you rent a Gulfstream jet for your next shoot? (#) My other podcast with Brian Matiash, the No Name Photo Show. Connect With Us Thank you for listening to the PetaPixel Photography Podcast! Connect with me, Sharky James on Twitter, Instagram and Facebook (all @LensShark) as we build this community. We’d love to answer your question on the show. Leave us an audio question through our voicemail widget, comment below or via social media. But audio questions are awesome! You can also cut a show opener for us to play on the show! As an example: “Hi, this is Matt Smith with Double Heart Photography in Chicago, Illinois, and you’re listening to the PetaPixel Photography Podcast with Sharky James!”

On this episode #6 “We Shoot Mirrorless” podcast episode for September 2017, Scott and Marco discuss these new products and mirrorless topics:   This show is sponsored by B&H: bit.ly/bhphotodeals   Olympus released the new OM-D E-M10 III with mechanical and digital image stabilization even when shooting 4K video. The new camera also gained more AF points, bigger dials and a beginner friendlier user interface. https://bhpho.to/2wJP5Co   Fujifilm released the new X-E3 with a 24 MPix APS-C X-Trans sensor, 4K video, touch LCD and Bluetooth connectivity. But it still does not have a tilt-LCD… https://bhpho.to/2wayq7t Canon upgraded its entry level EOS M10 mirrorless camera with the new Canon EOS M100 model. It gains a 24 MPix APS-C sensor, a Digic 7 processor and 6 fps burst shooting at a very affordable price. https://bhpho.to/2wJEGX9   Ricoh has upgraded its popular and very compact 360° Theta camera with the new Theta V. The new model has a much faster processor to allow for 4K video along with 14MPix stiched still images. And the camera has a cool optional 3D mic (Ricoh TA-1) available for a more realistic 360° audio experience. Theta V 360° 4K camera: https://bhpho.to/2waKLIw Ricoh TA-1 3D Microphone for THETA V 360 camera: https://bhpho.to/2wJJkoh   DJI upgraded the Mavic Pro with a new Mavic Pro Platinum model. According to DJI the upgraded drone has an increased flight time of 11% (from 27 to 30 minutes) and is up to 60% quieter in flight than the previous model! https://bhpho.to/2waQP45   Panasonic announced the promised FW 2.0 update for the Lumix GH5 (https://bhpho.to/2wJtfi8) camera and added a few extra features that were not previously announced. THe FW 2.0 should be ready for download by the end of September 2017.   Hasselblad released a FW 1.17.2 update for their medium format mirrorless X1D-50c camera (https://bhpho.to/2wb3CDl) that adds the option of electronic shutter that operates between 1/10.000s and 68 minutes. They have also added the option to chose between 3 resizable AF points that allow for a focus point grid of 35 AF points for the largest and 117 AF points for the smallest AF point settings. Mirrorless question of the month: Hi Scott / Marco, absolutely love your show. Here is my question: If I want to get into wildlife photography, which entry-level mirrorless camera would you recommend for someone coming from DSLR? Why I'm asking: it's not clear for me if the Olympus E-M10 II as the E-M1's smaller sibling would be up to the task, although it doesn't have the E-M1 Mk II's phase detection AF. Would something like the Fuji X-T20 (which supports PD AF) be a better option? Looking forward to your recommendation! Cheers, Alex Munich / Germany   We have a PPN Photo Podcast Network group at Flickr (click link) that is open to our listeners and photos taken with all mirrorless camera brands. If you want to join just let us know through the "request invitation" button on the group and drop us a quick line there. We'll add you to the group then. And please ask for the invite via the web browser and not via the Flickr App. The invite process via the app has not been working reliably. You can also submit an image using the Instagram hashtag #WeShootMirrorless   We have picked our monthly featured photographer and image from our Flickr groups. Our monthly We Shoot Mirrorless feature photo and photographer of the month is: Nicolas Cazard - “Piscina” (click here) See more of Nicolas great work on his website: www.nicolascazard.com Please support our show by using our B&H affiliate link (click here) that will not cost you a penny more than when you are buying at B&H without our link. And the more this link will be used to buy at B&H, the more giveaways we’ll be able to give back to our listeners through B&H. It really is a “win-win” situation :) And please share this podcast with your friends and subscribe via iTunes. We would also love to get your feedback. Is there anything that you want us to cover on the show in the future? And we would appreciate if you could take a short moment to rate or post a quick review about our shows on iTunes. For more information on Scott Bourne follow him on Twitter: @ScottBourne For more information on Marco Larousse follow him on Twitter: @HamburgCam   About this show: On the monthly #WeShootMirrorless episode of the “PPN - Photo Podcast Network” show, Scott and Marco will discuss news from the mirrorless camera world related to innovations, trends, gear and accessories. And they will introduce mirrorless camera brands by interviewing the respective managers of those manufacturers. They will also invite pro photographers who make their living working with mirrorless cameras to share some tips and tricks on their workflow.

https://www.adorama.com Doug talks to photographer Diana Matar at Photo London, she tells us a bit about her career and her projects some of which investigate issues of history, memory and state sponsored violence. Related Products: Hasselblad X1D-50c 50MP Medium Format Mirrorless Camera Body https://www.adorama.com/hsx1d50c.html?utm_source=youtube&utm_medium=social&utm_campaign=Interview%20with%20Diana%20Matar%3A%20Stay%20Focused%20with%20Doug%20McKinlay&utm_content=video Hasselblad 30mm F/3.5 XCD Lens for X1D https://www.adorama.com/hs3035xcd.html?utm_source=youtube&utm_medium=social&utm_campaign=Interview%20with%20Diana%20Matar%3A%20Stay%20Focused%20with%20Doug%20McKinlay&utm_content=video You can keep up with Diana Matarhttp://www.dianamatar.comhttps://www.instagram.com/dianamatar23/https://twitter.com/dianamatar1?lang=en You can keep up with Doug McKinlayhttp://www.dougmckinlay.comhttps://twitter.com/DougMcKinlay Like, share, and comment on the video below...let's get the conversation started! If you have questions, please share them below.

We tell you the best parts of the world's most prestigious camera company, Hasselblad! Born from a wrecked nazi spy plane, the Swedish company became the #1 choice for commercial photographers & ALSO ASTRONAUTS! Things were going great until the digital era when cash ran low, they got bought, and made some bad choices. But Hasselblad is back on top, making the amazing X1D. http://squarespace.com/tony, coupon code 'portfolio'

Episode 155 of the PetaPixel Photography Podcast. Download MP3 -  Subscribe via iTunes, Google Play, email or RSS! Featured: Automotive photographer, Easton Chang In This Episode If you subscribe to the PetaPixel Photography Podcast in iTunes, please take a moment to rate and review us and help us move up in the rankings so others interested in photography may find us. Automotive photographer Easton Chang opens the show. Thanks Easton! Data from the Camera and Imaging Products Association (CIPA) reveals interesting info about today's camera industry. (#) Rumored specs of the upcoming Nikon D7300 plus firmware updates for the D3400 and D5600's SnapBridge issues. (#) The Godox Witstro Pocket Flash AD200 is a flash that you probably don't want to actually keep in your pocket. (#) Apple's CEO Tim Cook indicates that the company will soon be showing some love for the creative community that largely built it. (#) Hasselblad announces 4 new lenses for its X1D mirrorless medium format system. (#) Nikon celebrates its 100th anniversary with special edition bodies and lenses most can't afford and probably won't use. (#) The Seattle drone owner who lost control of his drone and knocked a woman unconscious is sentenced. (#) Outtake Connect With Us Thank you for listening to the PetaPixel Photography Podcast! Connect with me, Sharky James on Twitter, Instagram and Facebook (all @LensShark) as we build this community. We’d love to answer your question on the show. Leave us an audio question through our voicemail widget, comment below or via social media. But audio questions are awesome! You can also cut a show opener for us to play on the show! As an example: “Hi, this is Matt Smith with Double Heart Photography in Chicago, Illinois, and you’re listening to the PetaPixel Photography Podcast with Sharky James!”

Here’s episode 86 of the PetaPixel Photography Podcast. You can also download the MP3 directly and subscribe via iTunes or RSS! Leave a comment in this post, or use our voicemail widget for feedback/questions for the show. In This Episode If you subscribe to the PetaPixel Photography Podcast in iTunes, please take a moment to rate and review us and help us move up in the rankings so others interested in photography may find us. Sponsor:  FreshBooks. Get your FREE 30 day trial at FreshBooks.com/PetaPixel and enter PetaPixel in the “How Did You Hear About Us?” section. Portrait and fashion photographer Jeff Rojas opens the show. Thanks Jeff! Ted Forbes of "The Art of Photography" talks about how no one cares about our photography and the importance of creating work "that makes a difference". (#) DxOMark rates the Sigma 30mm f/1.4 DN Contemporary tops for Sony E-mount APS-C bodies. (#) Rumors of a Fujifilm mirrorless medium format (MMF) system on the heels of Hasselblad's X1D sparks questions of where this market and the camera business is going. (#) Hasselblad's CEO sets the record straight about their plans for zoom lenses in their new mirrorless medium format system. (#) SanDisk announces the world's fastest 256GB microSD card. (#) DxOMark gives the Canon EOS 1D X Mark II its highest rating among all Canon bodies. (#) Connect With Us Thank you for listening to the PetaPixel Photography Podcast! Connect with me, Sharky James on Twitter, Instagram and Facebook (all @LensShark) as we build this community. We’d love to answer your question on the show. Leave us an audio question through our voicemail widget, comment below or via social media. But audio questions are awesome! You can also cut a show opener for us to play on the show! As an example: “Hi, this is Matt Smith with Double Heart Photography in Chicago, Illinois, and you’re listening to the PetaPixel Photography Podcast with Sharky James!”

This week, a discussion around limited editions and perceived value. Does a false sense of scarcity make people want work more? And how does scarcity affect value if the demand isn't there to begin with? Also, we talk about the notion of creative rivalry using the Pet Sounds and Rubber Soul as a jumping off point. Plus, some gear thoughts around Hasselblad's new X1D medium format mirrorless camera. Bill Cunningham is our Photographer of the Week.

This week, a discussion around limited editions and perceived value. Does a false sense of scarcity make people want work more? And how does scarcity affect value if the demand isn’t there to begin with? Also, we talk about the notion of creative rivalry using the Pet Sounds and Rubber Soul as a jumping off point. Plus, some gear thoughts around Hasselblad’s new X1D medium format mirrorless camera. Bill Cunningham is our Photographer of the Week.

Causa vacanze italiane dei co-conduttori, Lorenzo affronta la prima puntata in solitaria della storia di Radio Eppol e parla del pensionamento dei Thunderbolt Display, pensionati da Apple senza sostituti disponibili, di problemi di brevetti in Cina e delle accese discussioni sulla rimozione del jack cuffie dal prossimo iPhone. Andrea Nepori arriva a supporto da lontano, con un breve intervento sulla nuova X1D di Hasselblad, alla cui presentazione ha assistito in Svezia la scorsa settimana.

Here’s episode 83 of the PetaPixel Photography Podcast. You can also download the MP3 directly and subscribe via iTunes or RSS! Leave a comment in this post, or use our voicemail widget for feedback/questions for the show. In This Episode If you subscribe to the PetaPixel Photography Podcast in iTunes, please take a moment to rate and review us and help us move up in the rankings so others interested in photography may find us. Portrait photographer Neil Kremer opens the show. Thanks Neil! Adobe releases cool new features in Adobe Photoshop CC 2015.15, but promotes them in a really bizarre way. (#) Hasselblad wows with the X1D, a mirrorless medium format camera with a more reasonable, yet still high price tag. (#) Western Digital's My Passport Wireless Pro seeks to help you back up your data by cutting the cord. (#) Eyefi sells it's Cloud service to camera and electronics maker Ricoh. (#) Noted photographer Fan Ho dies at age 84. (#) Connect With Us Thank you for listening to the PetaPixel Photography Podcast! Connect with me, Sharky James on Twitter, Instagram and Facebook (all @LensShark) as we build this community. We’d love to answer your question on the show. Leave us an audio question through our voicemail widget, comment below or via social media. But audio questions are awesome! You can also cut a show opener for us to play on the show! As an example: “Hi, this is Matt Smith with Double Heart Photography in Chicago, Illinois, and you’re listening to the PetaPixel Photography Podcast with Sharky James!”