Podcast appearances and mentions of Margaret Glaspy

Mike and Jared are joined by Kevin M. Kruse, a professor of history at Princeton University, to discuss historical parallels to the modern MAGA movement and whether today's political perils really are as “unprecedented” as some people claim. They also revisit some of the first Trump era's often-forgotten history.Check out Kevin Kruse's SubstackTransition music is “Get Back” by Margaret Glaspy. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit postthroughit.substack.com

A conversation with Margaret Glaspy - singer/songwriter inspired by a wide range of American music including blues and folk, and stories inspired by life experiences who has released a number of critically acclaimed self-produced solo albums and EP's. Backstage at Blue Note Tokyo before two live shows in June 2024 Glaspy shares stories about writing music that takes her to a vulnerable place, enjoying music from different angles as a musician and a fan, and discovering macrobiotic food in Japan.

Margaret Glaspy joins me on the show this week. Her album from last year “Echo The DIamond” was one of my favorite records of the year. Margaret started out as a fiddle player, and played pretty seriously around California as a youngster before dedicating herself to the guitar and eventually going to Berklee for a short time to study. She played around Boston and then moved to New York where she found her way into the creative music scene in Brooklyn in the mid 2000's. She started making EP's and then full-legth albums in around 2016. I first heard her “Emotions and Math” LP and was really intrigued by her approach to writing, and especially how she seemed to build intricate, angular guitar parts that would weave through her songs. “Devotion” came next in 2020, and then “Echo The Diamond” in 2023. On “Echo”, her songwriting is incredible, her guitar playing is intense and jagged, the band is stellar (she's working with Chris Morrissey who has played with Andrew Bird and Ben Kweller, and David King, the drummer for The Bad Plus). It's a co-production with her husband, Julian Lage, and Margaret has also produced several of Julian's recent releases. She just released a solo acoustic record called “The Sun Doesn't Think” and we talk about all of these projects here today.Check out all of Margaret's amazing music and find out where she's playing over at margaretglaspy.com - Enjoy my conversation with Margaret Glaspy!This season is brought to you by our sponsors Larivée Guitars and Fishman AmplificationYou can join our Patreon here to get all episodes ad-free, as well as access to all early episodesThe show's website can be found at www.makersandshakerspodcast.com Get ad-free episodes and access to all early episodes by subscribing to Patreon. Hosted on Acast. See acast.com/privacy for more information.

Meet Sofia Wolfson, a Brooklyn-based singer-songwriter, writer, and Fretboard Journal contributor who just released an incredible album called 'Imposing on a Hometown.' This project features a bunch of former Fretboard Journal subjects and contributors, including Meg Duffy of Hand Habits, Mason Stoops, and Harrison Whitford. Mostly though, it's a collection of great songs by an incredibly talented guitar fanatic.  During our chat, we talk about growing up in LA (and the unique venues that helped shape Sofia's music community), the beauty of the Gibson J-45, working at LA's famed Old Style Guitar Shop (where Reuben Cox famously makes rubber bridge guitar mods and started a mini-movement), the making of 'Imposing,' the influence of Margaret Glaspy and so much more. We also talk about Sofia's soon-to-be-published interview with Big Thief's Adrianne Lenker in the Fretboard Journal.  http://www.sofiawolfson.com/ https://sofiawolfson.bandcamp.com/album/imposing-on-a-hometown Give 'Imposing on a Hometown' a listen and then sit back and hear the story behind it here. It's a good one. Fretboard Summit 2024 Registration:  https://fretboardsummit.org Subscribe to the Fretboard Journal print edition and reserve your copy of Fretboard Journal 54:  https://shop.fretboardjournal.com/products/fretboard-journal-annual-subscription This week's show is sponsored by: StewMac: https://stewmac.sjv.io/R5jvRR (Affiliate link) Izotope: https://www.izotope.com (Use the code FRET10 to save 10%) Stringjoy Strings: https://stringjoy.com (Use the code FRETBOARD to save 10% off your first order) Peghead Nation: https://www.pegheadnation.com (Get your first month free or $20 off any annual subscription with the promo code FRETBOARD at checkout). Love the podcast and want to support it? We have a Patreon page just for Fretboard Journal fans and loaded with bonus content. https://www.patreon.com/Fretboard_Journal

Benjamin Lazar Davis joins the pod to discuss production, songwriting, multi-instrumentalism, cross-cultural collaboration, and the artist's journey. Be sure to stream his new single with Monica Martin "No Need To Reply" when it's released on Friday, Jan 12, 2024! And follow Ben on IG here You can find my music at: https://scoobertdoobert.pizza Benjamin Lazar Davis is an American multi-instrumentalist, singer-songwriter, arranger, composer and record producer. He is a member of several bands, including Okkervil River and Cuddle Magic. Davis attended New England Conservatory of Music. Davis's father Peter started being a musician at the age of five. Peter toured nationally and internationally with several groups, including a brief time with the Mamas and Papas. Like his son, Peter can play a variety of instruments ranging from banjo to clarinet to trombone. Davis's interest in Africa came through his father who spent three years in Malawi as a school music director. Davis has a brother and two sisters. He collaborates with his brother Tim on songs. In 2006 while students at The New England Conservatory of Music Davis, Alec Spiegelman, Christopher McDonald, Kristin Slipp, Cole Kamen-Green, and David Flaherty founded Cuddle Magic in 2006. The band is known for collaborations with many artists including Fred Frith, Ran Blake, the David Wax Museum, Larkin Grimm, Mike & Ruthy (formerly of the Mammals), Phyllis Chen, Joy Kills Sorrow. Individuals from Cuddle Magic have also performed with Bridget Kearney, Railbird, Sister Sparrow and the Dirty Birds, Baby States, Ronald Reagan, Bird Fly Yellow, Margaret Glaspy, The People's Champs, Girls Guns and Glory, Lake Street Dive, Petal Shield, Split Red, Yapp! and The Superpowers Horns. Davis went to West Africa in 2009 and 2014 to study music. "The first time I went ...., I was studying awa drumming, which is like drum ensemble music for a bunch of different instruments." Davis is referring to a music tradition involving the djembe and dunun style of drums. In his first visit he heard of northern Ghanaian tradition of music called Bawa. In 2014 Davis traveled to Ghana with Bridget Kearney of Lake Street Dive and a former member of Cuddle Magic. They spent just over two weeks in the capital Accra, studying the traditional music of Northwest Ghana with master gyil player Aaron Bebe. They subsequently co-released an EP, BAWA, incorporating gyil music as source material. After leaving Ghana, Davis came down with typhoid and was very sick. When Davis and Joan Wasser (Joan As Police Woman) met in 2013, they found they both had an interest in Central African Republic Pygmy music. Davis co-wrote, recorded, co-produced and toured for the album Let It Be You (Reveal Records 2016) with Wasser. Ben is currently based in LA. Leave the studio to like, let everything happen. Close a door open a window kinda thing. Set Design by Max Horwich Podcast Produced by Beformer --- Send in a voice message: https://podcasters.spotify.com/pod/show/scoobertdoobert/message

Cory Wong sits down with indie-rock bandleader Margaret Glaspy for an in-depth dialogue on artistry, celebrity, and the wisdom of Bruce Lee.Glaspy shares how she cut her latest record, Echo The Diamond, live off the floor, with most of the “homework” happening beforehand and studio performances happening in-the-moment. “It really felt like air blew through the studio and then the record was made,” she says. “What you're hearing is mostly what happening.” The songs are like photographs of a particular moment, rather than an essential, unchanging thing; Glaspy says she values the “dying art” of taking risks in music.Glaspy runs down how she and husband Julian Lage work on each other's projects, and highlights one of their key criteria in assessing performances: are you your best guitar player right now? “Would you hire yourself or fire yourself?” poses Glaspy.The conversation turns to Glaspy's rig on the record—she played through a Magic Amps rendition of a black-panel Fender Princeton, plus a Fender Champ combo—before revealing that these days, she's bypassing her tuner pedal and letting the audience hear the process between songs. “Let's not hide what's needed to make this actually go,” she laughs.Wong and Glaspy swap notes on Bruce Lee's winning combo of talent and work ethic (and how one of his quotes inspired Glaspy's record) before finishing with a fascinating philosophical dissection of artistry, pop culture, and celebrity. “The business of celebrity intertwines them in a way that's hard to escape,” says Glaspy, who sees a clash between surface-level fantasy and bone-deep darkness in pop culture.Tune in to the episode to learn all the gems from Echo The Diamond.Listen to the full episode here: https://bit.ly/WongNotesGet 30% off your first year of DistroKid by going here: http://distrokid.com/vip/corywongVisit Margaret Glaspy: https://margaretglaspy.com/Hit us up: wongnotes@premierguitar.comVisit Cory: https://www.corywongmusic.comVisit Premier Guitar: http://premierguitar.comTwitter:

Nascuda a Sacramento i resident a Brooklyn des de fa molts anys, aquesta jove cantant i guitarrista acaba de publicar "Echo the diamond", un disc molt rocker que us espolsar

Nascuda a Sacramento i resident a Brooklyn des de fa molts anys, aquesta jove cantant i guitarrista acaba de publicar "Echo the diamond", un disc molt rocker que us espolsar

On this week's Talkhouse Podcast we've got a pair of talented songwriter/performers who've known each other for years, and who've both had busy years: Margaret Glaspy and Bridget Kearney. Margaret Glaspy has quietly built an impressive catalog of songs over the past decade, putting her sharp lyrics front and center. Her third album, Echo The Diamond, came out earlier this year, and it takes a turn back toward more organic sounds after 2020's Devotion. You may have seen Glaspy on tour over the years with the likes of the Lumineers and Neko Case, and she just finished her first post-pandemic solo run throughout the U.S.—she's an amazing live performer. Chicagoans will have a chance to see her this December when Glaspy opens Andrew Bird's yearly holiday concerts there. In the meantime, check out the bluesy, scrappy “Act Natural” from Echo the Diamond. The other half of today's conversation, Bridget Kearney, is best known as a member of the band Lake Street Dive, the soulful indie-pop outfit that's been kicking around for the past 20 or so years—and probably playing a big theater in your town sometime soon. In addition to holding down the low end for that band, Kearney makes slightly more somber music as a solo artist and more groove-oriented songs in a trio called BB Wisely. In other words, she's not that into sitting still, musically or physically, it seems. Check out the great “I Bet UR,” from Kearney's 2023 solo album Snakes of Paradise. In this lively chat, Glaspy and Kearney talk about their long friendship, which leads to… powerful microscopes. They talk about Kearney's three musical lanes, and how you should trust your gut when the recording vibe is off. And then they get into some powerful advice about exactly how many fucks one should give in a day—it seems like a great system to me, so check it out. Thanks for listening to the Talkhouse Podcast, and thanks to Margaret Glaspy and Bridget Kearney for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform, and check out all the goodness at Talkhouse.com. This episode was produced by Myron Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time!

had a very full week! feeling content and sleepy.DOWNLOAD/STREAM RECORDING00:00 (intro by omar)00:20 Deeper "Run" Auto-Pain02:40 Boys Age "Divergence" Mugen-Entei04:57 The Beauticians "Donna" Beauticians08:10 Jordana "Jackie’s 15" Classical Notions of Happiness11:27 nervesandgel "all alone" until the end of time15:12 Snowy Band "Never Change" Audio Commentary19:50 Flexure "Honey Eyes" World Alone21:34 DOOMSQUAD "Sleeping Buffalo" Spandrels Vol 225:52 Private Life "Deign Cook" Demo 202028:02 coastal car "acrobat" four/fore/for32:02 Half Waif "Siren" The Caretaker35:16 Kolb "To Hear It From You" Creative Destruction37:25 Margaret Glaspy "So Wrong It’s Right" Devotion40:41 Gentleman Surfer "Herc Bags" Point Bag44:22 Liquids "Goin Down The Tubes" nervous sessions45:49 Eminem "crawl space" football47:01 Dirty Limbs "Space Re-entry" 248:33 Grendel’s Mother "The Savoy" Grendel’s Mother51:19 Ronnie Rogers "Lil Peep" Won’t Make It Out53:48 big blood "Pox" Do You Wanna Have A Skeleton Dream?

Aaron spotlights music from a New York City-based singer/songwriter who just released her third album in August while Brent highlights a musician who, throughout her career, has performed as a solo artist, a member of The Lemonheads, and as the front woman of her own band.Starting out as a student at Boston's prestigious Berklee College of Music before dropping out to fine-tune her songwriting skills, Aaron picks out three songs from Margaret Glaspy.Forming her first band, Blake Babies, while also a student at the Berklee College of Music, Brent picks out three songs from the career of Juliana Hatfield.

Margaret Glaspy is a stellar singer-songwriter whose distinct approach has drawn in listeners far and wide. With her evocative lyrics, magnetic guitar playing, and unshakable vocals, Margaret's performances are always inspiring and this episode is no exception! Listen in as Norah and Margaret rock out on her new singles, standouts from her catalogue, a powerful Lucinda Williams cover, and chat about the evolution from competitive fiddler to her bold new album, Echo The Diamond. Recorded 6/16/23 Learn more about your ad choices. Visit megaphone.fm/adchoices

Paul Hayden and Scott Johnson arrive on the August 2023 new music scene and deliver new work from the Ratboys (it's just more!), Harold López-Nussa and Margaret Glaspy.  Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Twitter, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, covered by Frank Muffin. Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.

Glaspy talks about the influences behind her fourth record, from Alanis Morissette to Bruce Lee.

Margaret Glaspy began writing music as a teenager in Northern California and soon began to sculpt songs that were sensitive yet concise. Her third album, Echo The Diamond, strips away at artifice to expose life in real terms instead of looking for a happy ending. We are keen on “Get Back.”  “That song speaks to many things that have accumulated over the last few years for me, including grief and loss and finding myself again through all of it,” says Glaspy. “Playing that song sets me free.” 

On her new album, Margaret Glaspy pairs powerhouse vocals with emotive guitar and a stripped-down sound. We discuss "Echo the Diamond" in episode #194 of "For the Record." For all the past episodes, visit ForTheRecordPodcast.com.

„Don't be a dick!“, rät Margaret Glaspy auf ihrem neuen Album. Nach einem Ausflug in die Pop-Welt ist die New Yorkerin back to basics gegangen und hat mit „Echo the Diamond“ eine Alt-Rock-Platte gemacht, die ihr bisheriger Karriere-Höhepunkt ist. Warum dieses Album wirklich besonders ist, erzählen Jan und Birgit. Zudem sprechen sie über die Konzerte von Peter Fox und Element of Crime, die sie gesehen haben, und geben einen Ausblick auf die Live-Events des Herbsts, die man nicht verpassen sollte. Viel Spaß beim Hören! Impressum: https://www.mediahouse-berlin.de/impressum/ Musik: Positive Hip-Hop by MaxKoMusic | https://maxkomusic.com/ (CC BY-SA 3.0)

Nachdem die in New York wohnhafte Musikerin auf ihrem zweiten Album ein bisschen gar viele Stile unter den gleichen Songwriting-Hut bringen wollte, geht es für das dritte Album «Echo the Diamond» nun back to Basics – mit vollem Erfolg! Das neue Album von Margaret Glaspy ist eine hinreissende Platte voll von Indie-Rock-Rohdiamanten und liebevollen Folk-Balladen geworden... ...und in dieser Woche das «Sounds! Album der Woche»! CDs und Vinyl daily, nur live in der Sendung. Aus dem Sounds!-Archiv: * Margaret Glaspy: Ein Folkie auf Abwegen (2020)

Recently on the show, we've featured live performances from jazz singer Roxana Amed and pianist Frank Carlberg, as well as singer-songwriter Margaret Glaspy. Both groups recorded more live performances with us off the air, so here you can listen to Margaret's new song "Memories" from her album Echo the Diamond and Roxana's "Pido El Silencio."   This segment is guest-hosted by Kerry Nolan.

New York-based singer-songwriter Margaret Glaspy Returns with her third album, Echo The Diamond, this Friday. She joins us in the studio to perform live ahead of the album's release and a concert at Rough Trade on Friday. *This segment is guest-hosted by Kerry Nolan.

Before her new record Echo the Diamond comes out, Margaret Glaspy tells me about her completist nature, working as a nanny and guitar teacher, Courtney Dauwalter and finding the joypoint. Echo the Diamond is out next Friday Learn more about your ad choices. Visit megaphone.fm/adchoices

Today's Song of the Day is "Act Natural” from Margaret Glaspy's album, Echo The Diamond, out August 18th.Margaret Glaspy will be performing at the Fine Line on Friday, October 6th.

My guest is Producer / Mixer Brett Bullion, who has worked with The Bad Plus, Margaret Glaspy, Low, and Bad Bad Hats. This is Brett's second appearance on the show; he originally appeared on WCA #147.  In this episode, we discuss Home Mix Room Before Covid/After Covid (BC/AC) Acoustics Treatment vs. Sound Proofing Getting Work Max MSP Playing Games The Finances of Audio Career  Management Minneapolis Music Scene Traveling for Work MWTM Emulation Budgets Expectations Remote Mixing Deep Glenns In the Box vs. Out of the Box Buying Habits Matt's Rant: Transparency Links and Show Notes Brett's Deep Glenns Project The Money Book Brett's Site Credits Guest: Brett Bullion Host: Matt Boudreau Engineer: Matt Boudreau Producer: Matt Boudreau Editing: Anne-Marie Pleau  WCA Theme Music: Cliff Truesdell  Announcer: Chuck Smith

Tyler Graham Chester is a multiple Grammy nominated producer, session musician, multi-instrumentalist, and composer, who spends most of his time nowadays in the studio producing and playing on records.Tyler's production credits include Madison Cunningham, Sara Bareilles, Sara Watkins, Watkins Family Hour, Apple TVs “little Voice”, Margaret Glaspy, Carsie Blanton, Sandra McCracken, Tyson Motsenbocker, Laura Jean Anderson, Sam Weber, James Henry Jr, Lovelite, Jon Foreman, Switchfoot, Andrew Belle, to name a few. He's also toured with Jackson Browne, Blake Mills, Sara Watkins, Andrew Bird, George Ezra, Margaret Glaspy, and many others, and has appeared on television with Rufus Wainwright, Foy Vance, and Mandy Moore.Tyler has played on records with many artists including Joan Baez, Jackson Browne, Andrew Bird, Amy Helm, Sara Watkins, Margaret Glaspy, Julian Lage, Hayes Carll, and Christina Aguilera.His compositions have been licensed far and wide for documentaries, television ads, and podcasts, including the music for the award-winning Liturgists Podcast, which boasts millions of monthly listeners.

Our Three Albums: Emotions and Math by Margaret Glaspy; Malibu by Anderson .Paak; Teens of Denial by Car Seat Headrest Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode was recorded on April 10th, 2022 in Charleston, WV. The lineup includes River Whyless, Margaret Glaspy, Kat Edmonson, Lakou Mizik, and Neal Francis. Podcast support is provided by Digital Relativity. https://bit.ly/3M7DssW

This week, Alan, Quinta and Scott talked amongst themselves about some of the week's big national security news stories, including:“What's in a Name?” Observers of the war in Ukraine are increasingly turning to a controversial term to describe the actions of Russian forces: genocide. Why are people suddenly using this word? Is its use appropriate here?“Who's Afraid of Going Dark?” A recent expose has gone deep into the struggle between big tech companies and NSO Group, the Israeli hacking company that has provided various governments around the world with the ability to access users' phones and other protected communications. What does this tell us about the future of communications security and the role of companies like NSO Group in it.“Florida Woman Disputes Sanitation Standards.” A federal judge in the Middle District of Florida has adopted an extremely narrow reading of federal law to hold that the Biden administration lacks the legal authority to require individuals to wear masks on airplanes and other transportation systems. What does this holding tell us about where the legal debate around pandemic measures is headed?For object lessons, Alan endorsed his new favorite Norwegian time travel cop show. Quinta shouted out a piece in G. Elliot Morris's substack on why the Democrats are screwed and what can (and can't) be done about it. And Scott urged listeners to check out musician Margaret Glaspy, who he recently saw live and brings a rocky vibe and charmingly awkward dance moves to the singer-songwriter motif.Here are a few other articles and items we discussed, in no particular order:Alan's recent Lawfare Podcast interview with law professors Orin Kerr and Asaf Lubin regarding the WhatsApp v. NSO Group lawsuit;Hersch Lauterpacht's 1947 treatise “Recognition in International Law,” which is currently living on Scott's bedside table. Be sure to visit our show page at www.lawfareblog.com and to follow us on Twitter at @RatlSecurity. And Rational Security listeners can get a committed ad-free feed by becoming a Lawfare material supporter at www.patreon.com/lawfare! See acast.com/privacy for privacy and opt-out information.

(This interview is from February 2021.) Listen to old friends Sarah Jarosz and Margaret Glaspy talk about their songwriting process! Four-time GRAMMY winner Jarosz and Glaspy have known each other since they were teenagers, so this was a fun conversation. But we did this in the middle of the first COVID winter, so it's a stark reminder that songwriters are only now beginning to emerge from a long spell of unemployment. You'll hear phrases like "when you lose your job, it's stressful" and "the reality of losing my job really got me down."

柔软的声音，呼吸的空间。不用说话，任由音乐填满空气就好。 一些新歌：总是忧郁得有些严肃的 Jordan Rakei, 一直漂浮在人们注意力边缘的白水，回归民谣述说的 Margaret Glaspy, 安静得让人屏住呼吸的 Lucinda Chua; Anjimile 在变性手术之后重新审视自我身份的感人之歌 "Stranger", 以及 Bartees Strange 笔触细腻的新单曲 "Heavy Heart", 颇有 Bloc Party 早年的风范。 一些过往：过于低调的 Slowdive 吉他手 Neil Halstead, 在2001年发表的专辑 "Sleeping on Roads" 曾经是我在黄标 CD 的年代经常听的专辑。前几个星期重听，那种质朴却总有小心思的歌曲创作依然让人耳边一亮；以及 The Gloria Record 和 Death Cab for Cutie 两首来自早年 emo rock 场景的作品——在 My Chemical Romance 重新定义 emo 这个词之前，他们是闪亮的忧伤的世纪之交的青春期的落寞与哀婉。 曲目单: (00:43) Anjimile - Stranger (04:17) Jordan Rakei - The Flood (Live at Maida Vale) (08:57) Margaret Glaspy - Love Is Real (12:24) 白水 - 十个冬天里的爱人 (20:57) Neil Halstead - See You on Rooftops (27:29) Bartees Strange - Heavy Heart (32:50) Lost Horse Mine - Lakeshore (35:31) The Gloria Record - Ambulance (42:57) Death Cab for Cutie - Styrofoam Plates (48:07) Lucinda Chua - Feel Something (51:54) Pedro Puppe - No Meu Caminho (55:54) You Can't Win, Charlie Brown - An Ending → 选曲/撰稿/配音/制作/包装：方舟 → Key Change 主题音乐：Yu Su → 题图作者：Kolya Korzh, 来自 Unsplash → 题图版式：六花 → 私信/合作联络： 微博/网易云/小宇宙/汽水儿 @线性方舟 → Key Change 随便听歌的分号《KC Jukebox》 → 《周末变奏》WX听友群敲门群主：aharddaysnight

Episode 460 also includes an E.W. Essay titled "Yin Eggs, Yang Kin." We share actual Facts & Figures gathered by Harper's Magazine for their February 2020 issue. We have a E.W. poem called Sternum." Our music this go round is provided by these wonderful artists: Thelonious Monk, Anna Fox Rochinski, John Prine, TV Priest, Margaret Glaspy, the Nude Party, Branford Marsalis and Terence Blanchard. Commercial Free, Small Batch Radio Crafted in the West Mountains of Northeastern Pennsylvania... Heard All Over The World. Tell Your Friends and Neighbors... 

This week, Jamie sits down with musicians Margaret Glaspy and Emily King. Yes -- the Emily King responsible for the Good Friend theme song! They discuss the meaning of the song ‘Good Friend', the loneliness of making art and their favorite songs about friendship. Learn more about your ad-choices at https://www.iheartpodcastnetwork.com See omnystudio.com/listener for privacy information.

Guitarist and singer Margaret Glaspy released her album Emotions and Math in 2016, and promptly found herself on a whole bunch of year-end lists of the best albums of the year, including those of the New York Times and NPR. It's not hard to hear why – at times Glaspy snarls her way through love's trials and travails, while her guitar snarls and thunders right along with her. At others, she offers something a little more subdued, even melancholy. Glaspy and her trio join us to play songs from Emotions and Math, in-studio. (From the Archives, 2017.)  

sent $$$ this week to Norcal Resist’s Bail Fund.tinyurl.com/ncrbail“We bonded two people out of detention this week - migrants from Togo and Honduras. People fleeing to the US for safety deserve dignity. End detention now! You can be part of this work by donating to our bond & bail fund!The person from Togo is a political activist fleeing state violence and repression. We are proud to stand in solidarity with activists around the world who put their lives on the line, and it’s a privilege to post this individual’s ICE bond.The person from Honduras was recently beaten at the hands of police in Louisiana, and was then put into ICE custody. He will be safer and healthier with his family.”DOWNLOAD RECORDINGsubscribe to the podcast here: http://feeds.feedburner.com/5432fun(intro by omar)Half Shadow “Hunting For Me” Dust / Hunting For MeYazan “Penetrate My Mind” HahahaFake Awake “Recycling Schedule” ClaimJaala “Dogs” Joonya SpiritSpecial Moves “Show Means Gig” MarchLittle star “white roses” waltzing with tears in my eyesBig Ups “Tell Them” Two Parts TogetherOceanator “Not Around” LowsCasual Hex “STILL LIFE” ZIG ZAG LADY ILLUSIONCoping Skills “Man, It’s A Hot One” Worst New MusicThe Channels “See No Reason” Double NegativeLand N Sea “How They Say” Sea TrialsSamara Lubelski “Circles Bend” Flickers At The StationEternal Summers “Master Of It All” Every Day It Feels Like I’m Dying…Wussy “Skip” What Heaven Is LikeThe Submissives “Only Betty” Pining For A BoyVACATIONS “Honey” Changescoastal car “ode to the shed” silent moons, silent roomsMargaret Glaspy “Before We Were Together” Born Yesterday

When Julian Lage plays guitar, it's hard not to get swept up in it. His relationship with the instrument is natural and contagious. Maybe that's because it's been with him for most of his life. When he was just 8 years old, Julian was the subject of an Academy Award nominated documentary film called Jules at Eight. Before he entered his teens, he had already performed with Carlos Santana and jazz vibraphonist Gary Burton. While still in highschool he was a faculty member of the Stanford Jazz Workshop. So he was undoubtedly a child prodigy. Lage plays like someone in love. Despite his productive personal relationship with singer-songwriter Margaret Glaspy (she co-produces his new record, Squint along with Armand Hirsch), perhaps the deepest love affair of his life may in fact be with the guitar itself.  We talked recently about his new record - his first on Blue Note, which he recorded with drummer Dave King and bassist Jorge Roeder. He told me his story, how he traversed those murky waters of youthful exceptionalism and came out on the other side with more sensitivity, to the music, to his audience, and to himself. During the course of the conversation, Julian also described  the connection between the artist and the audience and how he thinks about notes as having the weight of speech. “I want it to feel like I'm talking to you when I play.” www.third-story.com www.patreon.com/thirdstorypodcast www.julianlage.com/  

Her unique sound and gorgeous musical style left us begging for more, so we asked Helena a few more questions: You said your father was a major musical influence in your life.  Was he your main teacher?Yes actually, my mother too. My dad is a guitar player and my mom plays piano. I got more of 60’s & 70’s rock n roll/folk/latin influence from my father, and my soul/jazz/funk influence from my mothers musical palette. They both were very busy growing up so my main musical teacher became the internet, mainly youtube.How long have you been playing guitar and do you play any other instruments?I have been playing guitar for almost 10 years now. I also enjoy playing a bit of piano.How old were you when you wrote your first song?I was around 12 years old when I wrote my first song. No recordings exist but I have the lyrics written and saved on paper. It’s interesting to me to read my 12 year old perspective on friendship & loss. The song is titled Mind Games.What do you love about being a musician?I love the freedom to express myself the most. Writing music, performing it, recording it, & releasing it, is the way I process my life experiences. It is extremely cathartic for me to set my music free. It’s most natural for me to sing what I feel rather than saying what I feel, and it is exceptionally beautiful when a listener can relate or draw their own personal interpretation from the music I have shared.You have played in so many great venues including the House of Blues and the Lightning in a Bottle Music Festival.  What has been your favorite and why?My favorite has to be Lightning in a Bottle Music Festival. I was performing at a small tent there called the Tea Tent where people sit on the floor and share cups of tea and conversations. I was performing with around 10 musicians & close friends of mine. The energy from them and the unexpectedly large crowd we drew is hard to put into words. It was a great example of how music can bring people together in the most positive way.What is your dream gig?My dream gig is opening for or sharing the stage with any one of my musical heroes who are still alive. To name a few: Lianne La Havas, Margaret Glaspy, Esperanza Spalding, Alice Phoebe Lou, Andy Shauf, The California Honeydrops, Paul Simon, & Joni Mitchell.For More Information:helenaholleranmusic.comInstagram: helenaholleranFacebook: helenaholleranSpotify: helenaholleranTo watch this week’s entire episode of Living 757, click here!And if you would like to see someone featured on the show, please send a message to Share@Living757.com and you may just see them here soon!

This episode was originally recorded live on https://twitch.tv/conorsbasement! In this episode, Jesse and Chris discuss their thoughts on Bright Eyes' 2004 EP, Lua, along with two other non-Bright Eyes songs: Heartbreak by Margaret Glaspy and Rainbow Signs by mewithoutYou---------------@conorsbasement on InstagramSupport the show (https://www.patreon.com/conorsbasement)

My guest today is Shawn Èverett, a Juno and Grammy-winning Canadian producer, engineer, previously a guest on episode RSR137. In that interview, we talked with Shawn about his background schooling and his production and mixing philosophies.  He has worked with many great artists including Grammy-winning Alabama Shakes, Weezer, Margaret Glaspy, Pete Yorn, Warpaint, John Legend, The Killers, Julian Casablancas, and The Voidz, Kesha, Har Mar Superstar, Local Natives, and many many others. In 2019 he won his fifth Grammy for mixing Kacey Musgraves Golden Hour which included songwriting and production from Daniel Tashian and engineering from Craig Alvin both previous guests on the show as well. You can hear their episodes at RSR176 and RSR232. I’ll have these links in the show notes. I have also become a huge fan of Sound & Color by the Alabama Shakes which Shawn engineered and mixed winning a Grammy in 2015. I feel like this record has set the bar pretty high for my own mixes. Thanks to our sponsors! JZ Microphones: https://usashop.jzmic.com PreSonus Studio One: https://www.presonus.com Spectra1964: https://www.spectra1964.com OWC: Other World Computing: https://www.OWC.com iZotope: iZotope.com/Rockstars code ROCK10 10% off API Audio: http://www.apiaudio.com Soundporter Mastering: https://www.soundporter.com RSR Academy: http://RSRockstars.com/Academy Want to learn more about mixing? Get Free mix training with Lij at: http://MixMasterBundle.com Hear more on Youtube If you love the podcast, then please Leave a review on iTunes here CLICK HERE FOR SHOW NOTES AT: http://RSRockstars.com/270

Tom talks to the singer songwriter, Margaret Glaspy, about her influences, her musical journey so far and how she has been affected by the coronavirus pandemic.

Join us this week when we discuss Saint Cloud by Waxahatchee and Devotion by Margaret Glaspy. Andy also gets sentimental about Travis and there's chat about the latest releases from Whitney and Matt Berninger. Plus the controversy of Chris's worst Beatles song feature rumbles on...Be sure to follow us on instagram and if you like to drop us any comments or recommendations you can do so at adventuresinnewmusic@gmail.com

Margaret Glaspy stammt aus Kalifornien und lebt heute in Brooklyn. Sie schreibt Songs, spielt vorzugsweise Gitarre und singt. 2016 erscheint ihr Debütalbum „Emotions and Math“, ein introspektives Werk, intim und rau zugleich, und fast im Alleingang aufgenommen. Mit den Songs geht sie anschließend drei Jahre lang auf Tour, erst dann nimmt sie sich Zeit für ein neues Album. 2020 endlich erscheint „Devotion“. Die kargen, lässigen Gitarrensounds rücken nach hinten. Margaret Glaspy öffnet sich musikalisch für Pop, und textlich für die Freuden der Liebe. Hemmunglos romantisch empfiehlt die 31jährige: Lass sie rein, die Liebe, auch wenn du nie genau weißt, was sie mit dir macht.

Lori Meyers nos tenían guardado un regalo: la versión acústica de 'Siempre Brilla El Sol', una cancion que les habían pedido muchos de sus fans por el mensaje esperanzador que conlleva y que ellos han convertido también en un homenaje para todos los afectados por la pandemia. Aparte, escuchamos a Alex Lahey, a Kamaiyah, a Margaret Glaspy con 'By Your Side', de Sade y las canciones que han surgido esta semana como consecuencia del asesinato de George Floyd en Estados Unidos: 'Pig Feet' de Terrace Martin con Denzel Curry y Kamasi Washington y 'Front Lines' de Conway The Machine. ALEX LAHEY - Every Day's The Weekend (Laundry Version), ANDREYA CASABLANCA - Talk About It, TERRACE MARTIN feat. DENZEL CURRY, KAMASI WASHINGTON, G, PERICO & DAYLYT - Pig Feet, KAMAIYAH - Extravagant, MARGARET GLASPY - By Your Side, BLOSSOMS -Lost, SPORTS TEAM - Here’s The Thing, VENTURI - Sigo El Plan, BRUNO MAJOR - Figment Of My Mind, LORI MEYERS - Siempre Brilla El Sol (Acústico), BOY PABLO - Hey Girl, BENJAMIN BIOLAY - Comment Est Ta Peine?, 8AD - Cosmonauta, VISTAS - Everything Changes In The End, THE KILLERS - Mr Brightside, CONWAY THE MACHINE - Front Lines, PAVVLA - Todo Está Escrito (menos tú) Escuchar audio

David Bowie : The Jean Genie La reprise l'original Primus : Making Plans For Nigel XTC : Making Plans For Nigel Margaret Glaspy : You've Got My Number (nouveauté) Lykke Li : I Follows Rivers Kate Bush : Cloudbusting The Rolling Stones : Gimme Shelter The White Buffalo : The Rapture (nouveauté) Steve Miller Band : Fly Like An Eagle Me And That Man : By The River (nouveauté) Neil Young : Hey, Hey My, My (Into the Black) Guns N' Roses : Civil War Pearl Jam : Who Ever Said (nouveauté) INXS : Never Tear Us Apart La reprise l'original Julia Stone : Beds Are Burning Midnight Oil : Beds Are Burning Jonathan Bree : Waiting On The Moment (nouveauté) The Killers : Shadowplay The Psychedelic Furs : You'll Be Mine (nouveauté) Metallica : For Whom The Bell Tolls My Dying Bride : To Outlive The Gods (nouveauté) Black Sabbath : War Pigs Tom Waits : Blue Valentines Nick Cave & The Bad Seeds : Sun Forest (nouveauté)

Overcoats And Friends Benefit on Tiltify (Live Stream) on May 21Benefit for Association to Benefit Children7PM EDT via Amazon-music's Twitch channel The indie-pop duo Overcoats is curating and performing in a live music festival on Thursday evening, May 21, which they’re calling “The Fight For NYC.” The NY-based band consists Hana Elion and JJ Mitchell, and they – like almost all musicians – have been struggling with the idea of not being able to do the single, most basic thing that musicians do: play music for people.  “We were devastated to not be able to play our Music Hall of Williamsburg show,” says Elion; “our big hometown album show which was meant to happen just a couple of weeks ago. So we wanted to do something for NY where we could donate money to an organization that’s doing good work in the city right now – and get our artist community back together.”  The Thursday night lineup includes such notable figures on the Brooklyn indie scene as Torres, Margaret Glaspy, and Porches – all of whom have recent albums and would normally be touring around to support them now. The organization they’ve chosen to partner with is the Association To Benefit Children, which provides in-person support to families at risk of child abuse and domestic violence, and which also provides childcare to front-line workers in the fight against COVID19.  “It was a NY-centric idea from the beginning,” Mitchell explains. She points to the nightly tradition of clapping at 7pm for health care and other front-line workers as a source of inspiration: “we wanted to dedicate more than just two minutes of clapping to organizations working on the front line. And so it was always the plan for us to really focused and rallying around a New York City cause, and the ABC does really important work.” She adds that they felt the lineup of musicians had to be NYC-based as well. “We have a lot of musicians who are friends and we’ve toured with who are not based in New York, and it would’ve been amazing to have them, but we wanted the whole lineup to be performing as a love letter to New York.”  Overcoats’ new album is called The Fight, and although it was recorded before the pandemic, its theme of resistance and perseverance has taken on new levels of meaning. Hana Elion points to the song called “Fire and Fury”: “it has a line that says ‘the world as I know it is coming to an end’.” As JJ Mitchell observes, “there are a few songs that are ‘we’ll get through it’-type ballads. One is ‘Fire and Fury’ and another is ‘I'll Be There.’ And those have taken on a much more powerful and different meaning for us. It’s sad that we can’t tour now because so much of the joy of putting out a record is the experience of singing it for people in a room and feeling how the words are helping people. But songs are always taking on new meanings as the world around us changes.” The Fight also represents a new sound for Overcoats.  Their well-received debut LP featured glowing, almost folk-style vocal harmonies set in a wash of electronic pop. This new LP hits harder, with more of a rock sound. In the intervening two-plus years, the duo graduated from college, started living on their own, lost family and friends to what Elion refers to as “mental health complications and gun violence,” and came to the realization that, as she says, “life doesn’t get any easier when you grow up, and you don’t really understand much more; you just have to fight harder.” And so the live streaming festival is called The Fight For NYC. Elion, who is actually quarantining in Maryland, says “it’s been heartbreaking to see the struggles it’s gone through – uniquely, because it is New York and because there are so many people there and the rent costs and all the things that makes it an amazing place and also a difficult place. So we really wanted to do something that was centered around our hometown.”   As JJ Mitchell points out, most people know that musicians have been financially impacted by the loss of touring income; what they may not know is that musicians are feeling an emotional loss as well.  “It is a really crucial part of the album cycle,” she explains. “You hole up for two years, and then so much of our emotional rebuilding after having birthed this ‘album/child’ is from connecting with fans. And that’s gone now.” Mitchell admits to feeling nervous about Overcoats’ upcoming online appearance, but Elion is looking forward to the duo curating the whole event.  “I hope people come and watch and donate,” she says, “but what I’m most excited about is just to talk to the other artists and really feel a part of a community. Because that’s the part that we really need.”  

While everything else is in turmoil - the AHA membership elected 5 new members to the Governing Committee. Drew sits down and talks with Amy, Annie, Cassie, Chris and Gail about what makes them tick as homebrewers. We also talk with Gary Glass, who might need to be promoted to co-host, about the online version of HomebrewCon now that we know Nashville can't happen (yet!) Episode Links: Monday Night's Re-Opening Survey - https://mondaynightbrewing.com/survey-results-what-do-taproom-visitors-e... Is Mild Coming Back - https://vinepair.com/articles/britains-dark-mild-beer-style-is-making-a-... South Africa's Warning About "Home Brewing" (boy did they mess this up) - https://www.iol.co.za/lifestyle/food-drink/drink/brewing-your-own-beer-b... HomeBrewCon Online - https://www.homebrewcon.org/ Margaret Glaspy "Stay With Me" - https://www.youtube.com/watch?v=asz293P84R4 "Gideon the Ninth" by Tamsyn Muir - https://www.amazon.com/Gideon-Ninth-Tamsyn-Muir-ebook/dp/B07J6HWLPR/ Not One More Vet - http://www.nomv.org/ Patreon Remember even a buck is good for charity: http://www.patreon.com/experimentalbrewing Experimental Brew Store - https://www.experimentalbrew.com/store Episode Contents: 00:00:00 Opening & Our Sponsors 00:02:52 Announcements & Feedback 00:09:39 The Pub 00:37:07 The Brewery 00:50:27 The Lounge - The New Squad 01:25:35 Q&A 01:38:15 Quick Tip & Something Other Than Beer This episode is brought to you by: American Homebrewers Association BrewCraft USA Brewing America Craftmeister Jaded Brewing Mecca Grade Estate Malt Wyeast Labs YCH Hops Interested in helping Denny and Drew with the IGOR program (aka help us run experiments!) - contact them at igor@experimentalbrew.com. We want more Citizen Science! In the meanwhile, subscribe via your favorite podcasting service (iTunes, etc). Like our podcast, review it - talk it up! If you have comments, feedbacks, harassments, etc, feel free to drop us a line at podcast@experimentalbrew.com. Follow us on Facebook (ExperimentalHomebrewing) or Twitter (@ExpBrewing). If you have questions you'd like answered in our Q&A segment, send an email to questions@experimntalbrew.com! Don't forget you can support the podcast on Patreon by going to http://patreon.com/experimentalbrewing This episode can be downloaded directly at https://www.experimentalbrew.com/sites/d... Podcast RSS Url: http://www.experimentalbrew.com/podcast.rss

While everything else is in turmoil - the AHA membership elected 5 new members to the Governing Committee. Drew sits down and talks with Amy, Annie, Cassie, Chris and Gail about what makes them tick as homebrewers. We also talk with Gary Glass, who might need to be promoted to co-host, about the online version of HomebrewCon now that we know Nashville can't happen (yet!) Episode Links: Monday Night's Re-Opening Survey - https://mondaynightbrewing.com/survey-results-what-do-taproom-visitors-e... Is Mild Coming Back - https://vinepair.com/articles/britains-dark-mild-beer-style-is-making-a-... South Africa's Warning About "Home Brewing" (boy did they mess this up) - https://www.iol.co.za/lifestyle/food-drink/drink/brewing-your-own-beer-b... HomeBrewCon Online - https://www.homebrewcon.org/ Margaret Glaspy "Stay With Me" - https://www.youtube.com/watch?v=asz293P84R4 "Gideon the Ninth" by Tamsyn Muir - https://www.amazon.com/Gideon-Ninth-Tamsyn-Muir-ebook/dp/B07J6HWLPR/ Not One More Vet - http://www.nomv.org/ Patreon Remember even a buck is good for charity: http://www.patreon.com/experimentalbrewing Experimental Brew Store - https://www.experimentalbrew.com/store Episode Contents: 00:00:00 Opening & Our Sponsors 00:02:52 Announcements & Feedback 00:09:39 The Pub 00:37:07 The Brewery 00:50:27 The Lounge - The New Squad 01:25:35 Q&A 01:38:15 Quick Tip & Something Other Than Beer This episode is brought to you by: American Homebrewers Association BrewCraft USA Brewing America Craftmeister Jaded Brewing Mecca Grade Estate Malt Wyeast Labs YCH Hops Interested in helping Denny and Drew with the IGOR program (aka help us run experiments!) - contact them at igor@experimentalbrew.com. We want more Citizen Science! In the meanwhile, subscribe via your favorite podcasting service (iTunes, etc). Like our podcast, review it - talk it up! If you have comments, feedbacks, harassments, etc, feel free to drop us a line at podcast@experimentalbrew.com. Follow us on Facebook (ExperimentalHomebrewing) or Twitter (@ExpBrewing). If you have questions you'd like answered in our Q&A segment, send an email to questions@experimntalbrew.com! Don't forget you can support the podcast on Patreon by going to http://patreon.com/experimentalbrewing This episode can be downloaded directly at http://www.podtrac.com/pts/redirect.mp3/www.experimentalbrew.com/sites/d... Podcast RSS Url: http://www.experimentalbrew.com/podcast.rss

Seven years and 300 episodes of the podcast in, we are marking the occasion with an epic three part celebration of my favorite albums of the past decade. Music journalist Caitlin Welsh joins me to criticise my taste and banter about the first three records on my list, and I'm joined by the artists behind those records - Dan Kelly on the rollercoaster of Dan Kelly's Dream, Margaret Glaspy on her undeniable Emotions and Math and Gang of Youth's frontman Dave Le'aupepe on their life-affirming masterwork Go Farther in Lightness. Plus we check the voicemail to hear from friends of the show Jim Lauderdale, Holiday Sidewinder, Kristina Murray, Chris Hewitt and Jeff Greenstein on what their favorite albums of the past ten years have been, and debut our special new theme song by the genius Matt Farley. Check back soon for part 2 of our 300th Episode Spectacular!

The latest album releases from Childish Gambino, Dua Lipa, Margaret Glaspy and Sufjan Stevens are reviewed. Adrian Duncan author of 'A Sabbatical in Leipzig' discusses his second novel...James Shapiro the acclaimed author of 'Shakespeare in a Divided America' and several books on Shakespeare.

Ep 2 - Margaret Glaspy, IT Crowd, Mister Miracle by Tyler Swinford

My guest this week is singer songwriter Beth Monzo. We talked about figuring out that music can be a career, the right number of beers to have before a gig and women in music. Beth's music recommendation is Somebody to Anybody by Margaret Glaspy.

Ruby was a music finalist in the 2019 Good Stuff awards, impressing the frankie team with a gritty, heart-wrenching tune called “Your Mum”. The South African native (who now calls Australia home) plays a bunch of instruments, including classical piano and guitar, and her dark, moody folk sound has been compared to musicians like Regina Spektor, Margaret Glaspy and Joni Mitchell, no less. She's also a pretty top-notch chick to chat to, as it turns out – have a listen to see for yourself. See omnystudio.com/listener for privacy information.

Margaret Glaspy is a singer and songwriter that has toured worldwide. She has notably performed on Conan O'Brien's late show and NPR's Music Tiny Desk Concert series. Glaspy has released multiple EP's and is currently signed under ATO records.

If Scott Fitzgerald had heard Emotions And Math, his book might’ve had an entirely different heroine. We have...so we do. Margaret Glaspy is simply fucking amazing and we spend a podcast talking about just that.

This week's episode features an interview with Lynette Salazar of Brother Be and Betty Alto. Nettie's recommendations are Margaret Glaspy and The War and Treaty - particularly their song Love Like There's No Tomorrow.We also talked about:Kacey MusgravesKaty PerryBasement JaxxClare BowditchMr. Big - and specifically the bass player, Billy SheehanBob Marley

Episode 142 of Suburban Underground, WBNH-LP Bedford 105.1 FM's award-winning alternative mixtape show with hosts Drew Cline and Steve Poschmann. This week's eclectic mix features Martha & The Muffins, Wyldlife, Marmozets, The Damned, The Lords of the New Church, Wolfmother, New Order, The Smiths, Tanya Donnelly, Arctic Monkeys, Caroline Rose, Japanese Breakfast, Modest Mouse, Margaret Glaspy, and Aimee Mann. Originally aired January 18, 2019. 

I could tell you all sorts of stuff about how we feature Stephen Kellogg’s new album this week plus more Margaret Glaspy and Phoebe Bridgers and some of Amy Vachal’s Garden Session...but it’s Noelle’s b’day so Happy Birthday Noelle!

If you've seen Jess Croft's professional work, or visited her LinkedIn page, you'll know she's a graphic designer at Hasbro on a team that quickly brings great toys to market. What you may not know is that she's also a talented musician and one half of a band called NGHTSWM. Show Notes Is it still easy to get discovered? Do people really need live music anymore? What artists are you guilty for not liking? Music on repeat? What advice would you give your younger self? Links Check out: San Holo (http://sanholo.com), Porter Robinson (http://porterrobinson.com), Madeon (http://www.madeon.fr), Phoebe Bridgers (http://www.phoebefuckingbridgers.com), Margaret Glaspy (http://margaretglaspy.com) Avril Lavigne — does she even play guitar? (https://www.youtube.com/watch?v=Q2DcmyoqjDc) NGHTSWM: Apple Music (https://itunes.apple.com/us/artist/nghtswm/1316607579), Spotify (https://open.spotify.com/artist/2LnAeAxxxro0h0N7ddSkWO), SoundCloud (https://soundcloud.com/nghtswmmusic), Instagram (https://www.instagram.com/nghtswm/) Teenage Engineering: Pocket Operator (https://www.amazon.com/Teenage-Engineering-TE010AS012-Machine-Sequencer/dp/B00X6EYNQE) Follow Jess: Instagram (https://www.instagram.com/jess__croft/) Thanks to NGHTSWM for the use of their song, Fiji, for this show's theme song.

We talked about pushing creativity beyond the edge, creating 3d space around your mix, capturing incredible vocals, and lots more! My guest today is Shawn Èverett, a Juno and Grammy winning Canadian producer, engineer, and mixer living and working in Los Angeles. Shawn has a long discography of really cool sounding records! He has worked with many great artists including Grammy winning Alabama Shakes, Weezer, Margaret Glaspy, Pete Yorn, Warpaint, John Legend, The Killers, Julian Casablancas and The Voidz, Kesha, Har Mar Superstar, Local Natives, and many many others. And in 2018 he won a Grammy for engineering and mixing War On Drugs, A Deeper Understanding. And you may remember we have also had Nick Krill on the podcast who did some engineering on this record as well. Thanks to our sponsors! Roswell Pro Audio: https://RoswellProAudio.com Tegeler Audio Manufaktur: https://www.tegeler-audio-manufaktur.de/ Hear more from Shawn:  https://www.youtube.com/watch?v=rwooIW__BQc&list=PLbJhbD1bWQsz0VP2i2bNWIRQ4g6P5U5bc Website: http://subtlemcnugget.com/   If you love the podcast then please Leave a review on iTunes here Want to learn more about mixing? Get Free mix training with Lij at: http://MixMasterBundle.com CLICK HERE FOR SHOW NOTES AT: http://RSRockstars.com/137

Margaret Glaspy has just surprised fans with three new songs on a brand new EP called Born Yesterday. She describes it as a bookend to Emotions And Math — the stunning, 2016 debut full-length that launched her career, a world tour and landed on many top 10 lists for the year, including mine.I spoke with Margaret Glaspy about these new songs, how they end one chapter of her life but also lead to the next adventure.

Recent stuff from Margo Price, Margaret Glaspy, and Bully, plus throwbacks from Throbbing Gristle, Bobby Byrd, Red Guitars, The Elevators, Mazzy Star get played and discussed by Bob and Mike.

The folk-rock singer performed songs from her acclaimed debut album — plus some new tracks — at Newport.

Jen and Erin are at Folk Fest! This week, New York musician Margaret Glaspy -- a folk fest performer -- co-hosts the pod and discusses her festival experiences. Toronto roots-rock band Sun K also plays a couple tunes. This is Jen and Erin's first try recording remotely, so be kind about janky transitions and auxiliary noise.

Athens County Commission President Lenny Eliason joins the WOUB news team for this episode of #457SEO. He talks about infrastructure and education being two of the keys to building up one of the poorest counties in the state. WOUB Culture reporter Emily Votaw is back to help you get ready for this year’s Nelsonville Music Festival, which runs June 1-4. She introduces us to Margaret Glaspy and Parquet Courts, two of the acts that will be taking the stage this year.

On the latest episode of My Favorite Album, bullshit-destroying Californian singer-songwriter and Telecaster-slinger Margaret Glaspy battles migraines to talk about the balance of (*cough*) emotion and math involved in the intricate and emotional Bjork classic ‘Vespertine'. Also, we talk about how she took apart Bjork's song ‘Who Is It' and made it her own, the different responsibilities of being a support act and a headliner, making deliberate craft seem spontaneous, being compared to Liz Phair and whether she's got enough credit for her role as producer on her debut album ‘Emotions and Math'. My Favorite Album is a podcast unpacking the great works of pop music. Each episode features a different songwriter or musician discussing their favorite album of all time - their history with it, the making of the album, individual songs and the album's influence on their own music. Jeremy Dylan is a filmmaker, journalist and photographer from Sydney, Australia who has worked in the music industry since 2007. He directed the the feature music documentary Jim Lauderdale: The King of Broken Hearts (out now!) and the feature film Benjamin Sniddlegrass and the Cauldron of Penguins, in addition to many commercials and music videos. If you've got any feedback or suggestions, drop us a line at myfavoritealbumpodcast@gmail.com.

Singer-songwriter Margaret Glaspy came by the studio to perform her own 'You And I' before covering the DJ Snake track (feat. Justin Bieber) 'Let Me Love You' for Like A Version.

Singer-songwriter Margaret Glaspy came by the studio to perform her own 'You And I' before covering the DJ Snake track (feat. Justin Bieber) 'Let Me Love You' for Like A Version.

Jack Black talks about meeting Elliott Smith and embarrassing himself at a tribute concert in front of Elliott's family. Amy Roberts connects the dots between Frank Ocean and Elliott Smith. Open Mike Eagle brings some fresh ears to "Either/Or." Margaret Glaspy decides to call her brother for a very special reason.

It's the folkiest season of all...Lineup Announcements have begun! To celebrate, we're turning this podcast into the ultimate lineup preview show. Every two weeks, we'll have a new guest on the show to discuss the artists we've announced. That way, you - the folk - get to know these artists and their music. To kick things off, we invited NPR's Tori Bedford and Jason Turesky to join podcast host, Dan Swain to discuss and play music from The Fleet Foxes, Margaret Glaspy, Big Thief, Marlon Williams, Drive-By Truckers and Choir! Choir! Choir! ....oh, and stay tuned until the end of the episode, we've got a clue for the next artist we're going to announce on the lineup.

Margaret Glaspy on "The Miseducation of Lauryn Hill."

Lucius, Rachael Yamagata, Margaret Glaspy, Adia Victoria and William Matheny on Mountain Stage. Episode 873, with special guest host Joni Deutsch.

A native of Red Bluff, California, Margaret Glaspy moved across the country to Boston, where she cut her teeth with master classes at Berklee (regardless of whether or not she was a student at the time) and local gigs. A few years – and one set of studio sessions redoing her original, iPad-recorded version of the album – after her cross-coastal move, Glaspy's ragged, blues-affected guitar playing and sharp, watertight songwriting is at the forefront of her debut LP, this year's Emotions and Math. Joined by a two-piece band, Glaspy joins Cheryl Waters in KEXP's studios to play songs from her debut and tell the story of how her songs went from bedroom sketches to full band recordings. Recorded 07/13/16 - 4 songs: Emotions and Math, You and I, No Matter Who, Memory StreetSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Preview some of the best rockers, folkers & retro crooners from Mountain Stage's upcoming September broadcasts including Seratones, Margaret Glaspy, William Matheny, Lake Street Dive, Qiet, Lera Lynn, Jerry Douglas presents The Earls of Leicester, and Lucius. Hosted by Assistant Producer Joni Deutsch.

Kevin Morby expounds on how the raw beauty of the Mountain Goats made making folk music seem both accessible and punk. Then Margaret Glaspy explains how Vic Chestnut's unflinching take on life and and Elliot Smith's use of metaphor influence her as a writer.

Kevin Morby expounds on how the raw beauty of the Mountain Goats made making folk music seem both accessible and punk. Then Margaret Glaspy explains how Vic Chestnut's unflinching take on life and and Elliot Smith's use of metaphor influence her as a writer.

In this week's episode Vass and Allison discuss sexist broadcasting at the Rio Summer Olympic Games with Toronto Star sports reporter Laura Armstrong. Does Cosmo Magazine’s "36 Best Olympic Bulges" make up for it? (Answer: No). In our second segment, we talk about the ongoing craft beer craze in Toronto with blogger The Thirsty Wench. She can’t wait until craft beer become “basic.” Lastly, we discuss a new Canadian web series called Babes, which Buzzfeed Canada just ranked Number 1 on its list of “7 Queer Web Series You Should Be Watching Right Now.” We talk to the show’s creator AJ Ripley and director Victoria Clowater. Allison is reading The Handmaid’s Tale by Margaret Atwood. Vass is reading The Underground Railroad by Colson Whitehead. TUNES: Emotions and Math by Margaret Glaspy, Everybody Wants to Love You by Japanese Breakfast and Ode to Viceroy by Mac DeMarco. 

When NPR Music asked listeners to tell them their favorite new music artist of 2016, singer-songwriter Margaret Glaspy received the second most votes. Glaspy released the album “Emotions And Math” this year. It's a strong debut LP for the New York City-based singer-songwriter, featuring her crunchy guitar riffs and hard-nosed confessional lyrics. Prior to a Denver show at Larimer Lounge, Glaspy stopped into the CPR Performance Studio to play four songs from "Emotions And Math." She also spoke with Alisha Sweeney about recording the album multiple times, performing on "Conan" and staying quiet on the meaning of her lyrics.

The singer-songwriter recorded her debut album multiple times before settling on an guitar-driven rock sound.

Raised in Northern California, Margaret Glaspy has brought her indescribable voice to the east coast and New York City couldn’t be happier. A committed student to the music around her, her influences include Oumou Sangare, Feist, Jeff Buckley, and Nina Simone while she’s shared the stage with the likes of Rachael Yamagata, Ricky Skaggs, Tim O’Brien, Jon Scofield, among others. She’s got a sound and a writing style that is undeniable and well beyond her 25 years.  For more on Margaret, go to www.mglaspy.com. Photo courtesy of Howard Greenberg

By Nick Balkin June 18, 2012 No other artist in history understood the connections between America's great musical styles—blues, jazz, gospel, and country—better than Ray Charles. On September 21–23, the Berklee American Roots Music Program presents Inspired by Ray: The Ray Charles Symposium, an artistic and academic conference that will study Charles's singular genius and his contributions to American music. The event concludes September 23 on what would have been Charles's 82nd birthday. On Saturday, September 22, a concert celebrating Charles's music will be held at the Berklee Performance Center featuring bluegrass legend Ricky Skaggs; jazz guitarist John Scofield; blind singer-songwriter Raul Midón; Grammy-winning composer and Charles's former music director Victor Vanacore; guitarist/songwriter Doug Wamble; and Tracy Bonham and Margaret Glaspy with the Wayfaring Strangers. Though a series of panels, presentations, and concerts, the conference will explore a variety of topics that any serious consideration of Charles raises: his singing, piano playing, and arranging; the songs he performed; the relationship between jazz, blues, gospel, and country music in the U.S.; his business savvy (he was the first artist to negotiate the right to own his master recordings); and his identity as a blind artist. For the full schedule of events, visit berklee.edu/events/inspired-by-ray/schedule. Inspired by Ray: The Ray Charles Symposium is presented by the Berklee American Roots Music Program in collaboration with the Ray Charles Foundation. Registration, opening Friday, June 21, is $100 and includes access to all panels and the concert at the Berklee Performance Center. To register, visit berklee.edu/events/inspired-by-ray/registration.