Podcasts about geese

The 2026 duck numbers are out, and there are a few surprises.In this special update, Dr. Mike Brasher gives a quick breakdown of the newly released Waterfowl Population Status Report and highlights the most important takeaways for duck hunters. Be sure to click here and check out our website for more information.In this episode:Total duck numbers remained relatively stable. Mallards declined to their lowest estimate in decades. Prairie pond numbers improved from last year. Most other duck species were relatively unchanged. Early signs point to improved duck production this year. For the full breakdown and expert analysis, tune in to the Waterfowl Season Outlook livestream on Wednesday, September 2nd, 2026 @ 6pm CDT.Ducks Unlimited salutes the U.S. Fish and Wildlife Service, Canadian Wildlife Service, and the member agencies of the Atlantic, Mississippi, Central, and Pacific flyway councils for their ongoing leadership in conducting the Waterfowl Breeding Population and Habitat SurveyListen now: www.ducks.org/DUPodcastSend feedback: DUPodcast@ducks.orgSPONSORS:Bird Dog Whiskey and Cocktails:Whether you're winding down with your best friend, or celebrating with your favorite crew, Bird Dog brings award-winning flavor to every moment. Enjoy responsibly.

For rising country artist Maddox Batson, the outdoors isn't just a hobby. It's where he goes to slow down, recharge, and reconnect with what matters most.Recorded live from DUX 2026, hosts Jimbo Robinson & Matt Harrison sit down with Maddox Batson for a conversation about family, music, hunting, and navigating success at a young age. Maddox shares how his grandfather first introduced him to the outdoors, why duck hunting quickly became an obsession, and how hunting remains an important escape from the demands of a rapidly growing music career. The discussion also covers songwriting, social media, Nashville, mentorship, and the values that continue to keep him grounded as his platform continues to grow.Along the way, Maddox talks about the influence of his parents, his appreciation for mentors like Lainey Wilson and Devlin "Duck" Hodges, and why being kind to others is one of the most important lessons he hopes to pass on to the next generation.Topics CoveredGrowing up hunting with his grandfatherHow duck hunting became a passionMoving to Nashville and pursuing musicThe role social media played in his careerSongwriting and creative inspirationMentors in the music and outdoor industriesWhy hunting helps him disconnect and rechargeAdvice for young people navigating life and successListen now: www.ducks.org/DUPodcastSend feedback: DUPodcast@ducks.orgSPONSORS:Bird Dog Whiskey and Cocktails:Whether you're winding down with your best friend, or celebrating with your favorite crew, Bird Dog brings award-winning flavor to every moment. Enjoy responsibly.

DUCKS UNLIMITED NATION TRIP AUCTION!Dan Thiel, Executive Secretary of Ducks Unlimited, Inc. and Chief Operating Officer of Wetlands America Trust, joins podcast host, Katie Burke, in this part of a multiple part series discussing the history and formation of Ducks Unlimited. In this episode the pair talk about Nash Buckingham, the famous sportsman and writer, and the important role he played in the founding of our organization.Listen now: www.ducks.org/DUPodcastSend feedback: DUPodcast@ducks.orgSPONSORS:Bird Dog Whiskey and Cocktails:Whether you're winding down with your best friend, or celebrating with your favorite crew, Bird Dog brings award-winning flavor to every moment. Enjoy responsibly. DUCKS UNLIMITED NATION TRIP AUCTION!

DUCKS UNLIMITED NATION TRIP AUCTION!What makes a wooden decoy worth more than a million dollars?Recorded live at DUX 2026 in Memphis, Tennessee, host Katie Burke sits down with Jon Deeter of Guyette & Deeter, one of the most respected names in the world of sporting collectibles, decoys, and duck calls.The conversation explores the historic sale of the Jim and Diane Cook Collection, which produced the first two decoys in history to sell for more than $1 million at auction. Jon shares behind-the-scenes stories from the landmark sales, discusses the passion that drives serious collectors, and explains why collecting is about much more than prices and records.The discussion also covers the thrill of discovery, including a newly found Victor Glodo duck call that surfaced just days before DUX, proving that important pieces of waterfowling history are still waiting to be found. Along the way, Katie and Jon discuss collector culture, first decoys, waterfowl heritage, and why the friendships built through collecting matter just as much as the artifacts themselves. Topics CoveredThe record-breaking Jim and Diane Cook Collection auctionsThe first decoys to surpass $1 million at auctionWhy collectors remember their first decoy foreverThe history and significance of Victor Glodo duck callsWaterfowl heritage and sporting collectiblesDecoy collecting culture and communityHidden collections still waiting to be discoveredWhy collecting is about more than moneyListen now: www.ducks.org/DUPodcastSend feedback: DUPodcast@ducks.orgSPONSORS:Bird Dog Whiskey and Cocktails:Whether you're winding down with your best friend, or celebrating with your favorite crew, Bird Dog brings award-winning flavor to every moment. Enjoy responsibly. DUCKS UNLIMITED NATION TRIP AUCTION!

FULL SHOW - In this episode of The Other Side of Midnight, astronomer Dr. Sky details the cosmic magic of the sturgeon moon eclipse and the tragic, top-heavy sinking of King Henry VIII's warship, the Mary Rose. NewsNation's Meagan Medick breaks down the dark mysteries of Jeffrey Epstein's Zoro Ranch,while Eddy Aragon tackles the lingering conspiracies surrounding WTC Building 7. From Voyager's discovery of a dense, radioactive "physical wall" at the edge of our solar system to a $24 million postal check-theft ring, the secrets flow freely. Plus, the "Midnight Misfits" call in to share their absolute worst vacation horror stories—featuring rain-soaked in-laws, runaway runway goats, and a family station wagon that literally fell off the delivery truck..

In this episode of The Other Side of Midnight, host Walter Sterling and his community of "Midnight Misfits" dive into the cosmos, historical disasters, and retro scandals. Space expert Dr. Sky joins the mic to explain the upcoming blood-red lunar eclipse, the real (and hilarious) reason King Henry VIII's favorite warship sank, and a bizarre, warning email Walter received from an alleged ex-CIA agent about disclosing UFO secrets. Plus, the crew discusses the true panic behind 1950s rock and roll, celebrates the grand opening of an Arkansas Buc-ee's, rails against corporate snack-room stinginess, and listens to a retired NYPD detective's chilling tale of a mob hit.

I just finished reading my 83rd book of the year, Bernd Heinrich's “The Common Uncommon.” Bernd is the author of many books about the natural world, including Mind of the Raven, Winter World, The Geese at Beaver Bog, A Year in the Maine Woods, and many, many others. Oh—he's also a world record holder for ultra-marathon running: In 1983, he set an American record for a 24-hour run of 156 miles, 1388 yards in a race in Maine. A year later, he set an American record for running 100 miles in a little over 12 hours. And a year after that, he set the American track record of 7:00:12 for running 100 kilometers, in the process becoming the only American man to hold both the road and track American records for the same event. In fact, he wrote a book about running called Why We Run, which is fascinating. “The Common Uncommon,” the book I just finished, is all about curiosity, and it takes place in the woods surrounding his cabin in Maine, where much of his field research takes place. But as I was reading Bernd Heinrich's book, I was also re-reading Karen Bakker's book, “The Sounds of Life: How Digital Technology is Bringing Us Closer to the Worlds of Animals and Plants.” The two books together hit me hard.

Many of us keep a journal, but few of us are able to turn our unvarnished thoughts into cultural moments touching on love, death, and guitars quite like Phoebe Bridgers. Her new album Lost Weekend isn't just throwing the pages of her personal life into song, it's much more than that: A beguiling, hyper-compositional meditation on the last six years of her life. The genres range from bluegrass to electronic, and collaborators pepper the record – from her boygenius bandmates Lucy Dacus and Julien Baker, to Americana outfit Nickel Creek, to a mysterious presence who may or may not be Geese singer Cameron Winter. The end result is one of the most immersive and heartbreaking albums of the year thus far, transforming the specificity of one person's story and observations into a universal reflection on life's fragility. CREDITS  Reanna Cruz: Producer  Iris Gottlieb: Illustrator  Charlie Harding: Host, Executive Producer  Dion Lee: Art Director  Brandon McFarland: Audio Engineer  Nick Ripps: Video Editor  Nate Sloan: Host  Lissa Soep: Editor  Zach Tenorio & Jocie Adams: Theme Composers  Switched On Pop is a co-production of Vox Media Podcast Network, Vulture, and Rock Ridge Productions. Links: ⁠⁠Newsletter⁠⁠  Songs discussed: Phoebe Bridgers – The Outside Phoebe Bridgers – Lost Boys Phoebe Bridgers – Kill Me Phoebe Bridgers – The Governor's Waltz Phoebe Bridgers – Lost Weekend Phoebe Bridgers – Haunted Phoebe Bridgers – Still Standing Phoebe Bridgers – Never Going Back! Phoebe Bridgers – I Can't Wait Phoebe Bridgers – Lost Weekend (Reprise) Paul Lansky and Hannah MacKay – Notjustmoreidlechatter Phoebe Bridgers – I Know The End Phoebe Bridgers – Motion Sickness Learn more about your ad choices. Visit podcastchoices.com/adchoices

DUCKS UNLIMITED NATION TRIP AUCTION!Birds don't recognize borders. Conservation shouldn't either.Host Dr. Mike Brasher sits down with longtime Ducks Unlimited volunteer leaders Rogers Hoyt and Bill Ansell, along with DU Interim Chief Conservation Officer Craig LeSchack, to discuss the critical role of Ducks Unlimited de México (DUMAC) in North American waterfowl conservation. From wintering habitat for millions of ducks to community-based conservation projects that improve wetlands and local livelihoods, DUMAC plays a vital role in sustaining waterfowl populations across the continent. The conversation explores the history of the organization, the influence of legendary conservationists like John e. (Johnny) Walker III, and how conservation efforts in Mexico directly support the ducks that hunters enjoy throughout the United States and Canada. The group also discusses the John E. Walker III Research and Training Center in Celestún, the internationally recognized RESERVA training program, mangrove restoration, wetland science, and the importance of supporting conservation on a continental scale. Topics CoveredThe history and mission of Ducks Unlimited de México (DUMAC)Why birds and conservation ignore political bordersMexico's importance to wintering waterfowl populationsThe legacy of John E. Walker III and DUMAC leadershipCommunity-based conservation projects across MexicoMangrove restoration and wetland managementThe RESERVA conservation training programHow DUMAC benefits both wildlife and local communitiesWhy you should join the John E. Walker III SocietyListen now: www.ducks.org/DUPodcastSend feedback: DUPodcast@ducks.orgSPONSORS:Bird Dog Whiskey and Cocktails:Whether you're winding down with your best friend, or celebrating with your favorite crew, Bird Dog brings award-winning flavor to every moment. Enjoy responsibly. DUCKS UNLIMITED NATION TRIP AUCTION!

DUCKS UNLIMITED NATION TRIP AUCTION!What if saving one species could help protect entire ecosystems and ways of life?Recorded at Ducks Unlimited's 89th National Convention, host Jimbo Robinson sits down with renowned National Geographic photographer Carlton Ward Jr. for a conversation about storytelling, wildlife conservation, and the connections between people, landscapes, and the species that depend on them.Carlton shares how a career that began documenting wildlife in Africa eventually led him back home to Florida, where he became one of the leading voices behind the Florida Wildlife Corridor movement. The discussion explores the role of photography in conservation, the importance of connected habitat, and how species like the Florida panther help tell a larger story about preserving working lands, watersheds, and wildlife for future generations.Along the way, Carlton explains how storytelling helped inspire real conservation policy, why private land conservation matters, and how hunters, landowners, and conservationists can work together to protect landscapes at scale.Topics CoveredCarlton Ward Jr.'s path into conservation photographyThe Florida Wildlife Corridor projectWildlife corridors and habitat connectivityHow photography can influence conservation policyThe story behind Path of the PantherFlorida panthers, bears, and landscape conservationPrivate land conservation and conservation easementsLessons for hunters and conservationists nationwideListen now: www.ducks.org/DUPodcastSend feedback: DUPodcast@ducks.orgSPONSORS:Bird Dog Whiskey and Cocktails:Whether you're winding down with your best friend, or celebrating with your favorite crew, Bird Dog brings award-winning flavor to every moment. Enjoy responsibly. DUCKS UNLIMITED NATION TRIP AUCTION!

Jeremy Gaudet and Brian Murphy from Kiwi Jr. return to discuss Blowin' Up, wondering if your dog Angus is related to another dog you saw on the street, missing PEI occasionally and the time a lobster in PEI grabbed my foot, pondering partying and upping the lyrical danger and tension, the current hype around guitar bands like Geese and Angine de Poitrine, making albums differently than Kiwi usually does, our shared love for the band Hot Snakes, office work and computers, the Michigan/Ontario border, upcoming shows, other future plans, and much more.EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. This one is fine, but if you haven't already, please subscribe now on Patreon so you never miss full episodes. Thanks!Thanks to Blackbyrd Myoozik, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Win You've Changed Records by Fiver and G̱amksimoon in August 2026!Ep. #1121: Born at MidniteEp. #1104: SUNN O)))Ep. #1037: SloanEp. #957: The Burning HellEp. #906: Joel PlaskettEp. #778: ProtomartyrEp. #708: Kiwi Jr.Ep. #620: Tom ScharplingEp. #612: Kiwi Jr.Ep. #473: Kiwi Jr.Ep. #383: Hot Snakes' Rick FrobergSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

DUCKS UNLIMITED NATION TRIP AUCTION!Learn how the survey behind duck population estimates and hunting regulations is being evaluated for the future.Host Dr. Mike Brasher is joined by Dr. John Yeiser of the U.S. Fish and Wildlife Service and Frank Baldwin of the Canadian Wildlife Service to discuss an ongoing review of the Waterfowl Breeding Population and Habitat Survey—one of the most important wildlife monitoring programs in North America.For more than 70 years, the survey has provided the foundation for waterfowl population estimates, conservation planning, and harvest management decisions. Now, agencies and partners are evaluating how new analytical tools, technologies, and datasets can improve efficiency while maintaining the long-term integrity of one of wildlife management's most important data series.Topics Covered:Why the breeding population survey is being reviewedHow duck population estimates influence hunting regulationsThe role of banding, harvest surveys, and breeding surveysPotential future uses of remote sensing and new technologiesChallenges associated with survey timing and changing conditionsWhy long-term datasets remain critical to waterfowl managementHow the U.S. and Canada work together to monitor duck populationsListen now: www.ducks.org/DUPodcastSend feedback: DUPodcast@ducks.orgSPONSORS:Bird Dog Whiskey and Cocktails:Whether you're winding down with your best friend, or celebrating with your favorite crew, Bird Dog brings award-winning flavor to every moment. Enjoy responsibly. DUCKS UNLIMITED NATION TRIP AUCTION!

The 736th of a series of weekly radio programmes created by :zoviet*france: First broadcast 15 August 2026 by CJMP 90.1 FM Thanks to the artists and sound recordist included here for their fine work. track list 00 [anonymous] - Intro 01 Monosounds - Oneshot – Piano – C 02 Fossil Aerosol Mining Project - Ice Falls Study 03 Wahn - Not All Is Lost (Valance Drakes Remix) 04 My Own Cubic Stone - FW23 05 Jonáš Gruska - Old Piece of Metal 06 Philippe Blache - Travelling Dialogue in Cold Blue 07 Stephen Holliger - First Breath 08 Embers Below Zero - White Sunset 09 Stefan Klaverdal - The Haunting 10 Kate Carr - Wyck Gardens as a Train Goes By 11 [unknown sound recordist / BBC] - Birds & Waterfowl – Coot (Winter Early Morning with Geese & Mallard) 12 Julie Berry / SE Trains - stb_not 13 Ben Ponton - Quire B | Shell Rattle 14 Bohdan Stupak - Endless Fields 15 Richard Ranft - Tropical Rainforest at Dawn, Costa Rica, 1985 16 Aron Porteleki - Your Pain ++ [anonymous] - Outro

DUCKS UNLIMITED NATION TRIP AUCTION!Dr. Mike Brasher is joined in studio by a trio of special guests to discuss trends in waterfowl hunter numbers and the importance of recruiting our next generation of hunter-conservationists.  Former DU Chief Scientist Dale Humburg, University of Nebraska PhD student Katherine Graham, and Professor of Human Dimensions Research Dr. Chris Chisznski share their expertise on this subject and provide insights gained from recently completed research.Listen now: www.ducks.org/DUPodcastSend feedback: DUPodcast@ducks.orgSPONSORS:Bird Dog Whiskey and Cocktails:Whether you're winding down with your best friend, or celebrating with your favorite crew, Bird Dog brings award-winning flavor to every moment. Enjoy responsibly. DUCKS UNLIMITED NATION TRIP AUCTION!

This podcast is sponsored by Earn Haus.  More information at www.EarnHaus.com/Bobandtom The BOB & TOM ShowAugust 13, 20266:00 AM 6:00 Invisible Bob6:03 Making changes and drinking coffee — Chick6:06 Letter — Do you fish on Thursday? — Throwback Thursday6:11 Tom discusses an unusual hypothetical6:12 No sound on Tom's TV6:25 Sports6:29 Tom used his windshield screen to keep from getting soaked during a storm6:31 Had a solar eclipse6:32 Letter — Q-tips as ear dusters6:34 Letter — In the Navy, bought inflatable dolls6:34 Letter — Guy hauling pallets in his car6:36 Letter — Transported a dentist chair in his car6:46 Letter from Korea6:50 Letter — I've been shot before — anything but fun; didn't hurt until treated6:52 Letter — Wife called and asked, “Was the blonde in your car?” — A retriever6:54 Flip Wilson was a cross-dresser — Geraldine 7:04 Toothpick wisdom — Never interrupt a man with his salmon and toast7:07 “Smoke on the Water” — Deep Purple7:14 “Tom, you are half cow, Tom” — Chick7:28 Chick is surprised Tom doesn't have his pinkie in the air when talking7:31 Tom explains the shuttlecock7:33 Kristi yells at Tom while repeating what she said yesterday7:36 Pro basketball player had to wear an ankle bracelet during games7:48 A piranha found in a lake in Pennsylvania 8:05 “Smoke on the Water” — Deep Purple8:07 On a dating app — Men can start the conversation first — Kristi8:09 “Return to Tender” — Godwin8:11 Barbie and Ken dolls have changed8:29 Man robbed the restaurant where he worked8:31 Guy tried to steal a car but could not drive a manual transmission8:37 “I have to wipe my dog” — Kristi8:45 In studio — Guest discusses “Breaking Hearts” and a humorous topic8:53 Josh reacts to Tom 9:05 Video call — Al Jackson discusses his shirt9:13 Text — Baseball cap — No lie9:16 Dragon-themed romance novels9:18 “Why are we letting these two talk?” — Josh9:27 Goose saves family from fire9:28 Geese fire joke9:29 Raccoon with jar on head is freed9:32 Dogs can understand human emotions9:45 Naked gardening — Godwin 7:00 AM8:00 AM9:00 AM Learn more about your ad choices. Visit podcastchoices.com/adchoices

The team discussed upcoming plans for their 300th episode, including potentially featuring archived content and a special edition if listeners suggest ideas. Keith shared updates about resolving RSS issues and his upcoming dental surgery, which will require removing eight teeth and potentially getting a partial denture. News of the Week The group shared news stories, including research on giraffes’ mathematical abilities, a goose alerting a family to a barn fire, and current fashion trends. The unusual news continued with an ongoing investigation into a mysterious local odor and the box-office success of the new Spider-Man movie. Jill shared a story about soccer player Hamed Ali, who set a world record by kicking a ball into a basketball hoop from 39.27 feet. Inspired by Chicago’s successful Special Olympics event that raises over $480,000 annually, Keith proposed organizing a similar rubber duck race fundraiser along the Mississippi River for MCAB. Terry concluded the segment with a story about Turbo, a 50-year-old tortoise rescued from train tracks in England following a 10-minute track shutdown. Jill's Trivia Quiz Jill hosted a trivia quiz about the TV show “I Dream of Jeannie,” testing Keith and Terry’s knowledge of the series. They tackled questions about the cast—including Larry Hagman as Tony Nelson and Barbara Eden as Jeannie—along with guest appearances by stars like Milton Berle and Sammy Davis Jr. The quiz proved challenging when it came to lesser-known characters and guest stars, proving that even familiar shows hold surprising details. Terry's Top 10 List Terry presented a top 10 list of humorous aspects of dating a blind person, touching on surprise fashion choices, becoming a designated storyteller, and unexpected room rearrangements. Anchor Topic Keith reviewed a newly delivered digital projector, expressing disappointment over its lack of accessibility features. Although he noted its solid technical performance, its heavy reliance on visual coordination and lack of wireless connectivity made it nearly impossible for him to use. Because of these accessibility barriers, Keith gave it a low rating and mentioned he may gift it to someone who can utilize it. Email and Final Thoughts Keith shared an email from an old Marine Corps buddy regarding a wardrobe malfunction, followed by a listener email about a debate over when life begins overheard at a barbershop. A voicemail submission presented a unique dilemma involving a man who needed one more child to win a radio contest. Finally, the hosts discussed a voicemail regarding a workplace pay dispute that escalated to theft; Keith expressed sympathy for the employee’s situation while maintaining that illegal action wasn’t the right solution. The Final Word From Our AI Companion This transcript captures an episode of a comedy podcast featuring hosts Keith, Jill, and Terry as they share lighthearted stories, personal updates, and clever visual humor. The episode wrapped up with the hosts signing off and providing contact information for future listener submissions. Show notes written by AI, edited is needed by Keith. Sponsored by: Retro Radio Podcast. Bringing you family-friendly entertainment through classic, old-time radio. Episodes are posted daily. Keith and his Retrobots share everything in his collection from the days of vintage radio. Adventure, comedy, detective, westerns, and lots in between. If you don't hear your favorite show? Just ask. Visit the web page today, Retro Radio Podcasts

Sign up for the Culture Translator at axis.org/YGC. The Culture Translator is one of the easiest ways to stay informed and equipped. It's free, arrives every Friday, and gives you practical insight into the world teenagers are growing up in, along with conversation starters you can use right away.This week on Youth Group Chronicles, Sam is joined by Buddy Jenkins and Mackenzie Smolin for an episode packed with youth ministry moments that went completely off the rails. A youth camp's growing goose problem inspires a group of students to take matters into their own hands in “Silence of the Geese,” leading to a solution no leader could have possibly approved. Plus, a worship song gets taken way too literally, a harmless volleyball challenge ends in damage control, a church lock-in leaves behind a disgusting secret, and a staff member's summer camp tradition goes painfully wrong. From an awkward interview answer and a case of mistaken identity to ghosts, Crocs, and a student claiming to be Jesus, this episode is another reminder that you never really know what's going to happen in youth ministry.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Way Out West ve švédském Göteborgu patří mezi nejvýraznější hudební festivaly severní Evropy. Stojí na silném mezinárodním programu, městské atmosféře i důrazu na udržitelnost. Od prvního ročníku hledí vpřed a bez nostalgie vzpomíná na účast Prince nebo Franka Oceana. V letošním programu najdeme jména jako Gorillaz, Lorde, Oklou, Geese nebo Clipse. O esenci samotného festivalu mluvil v rozhovoru jeden z organizátorů Filip Hiltmann.

CLICK HERE TO PROTECT THE DUCK FACTORYEvery decoy has a story, and some of those stories stretch back more than a century.Host Katie Burke sits down with longtime collector, outdoorsman, and former Ducks Unlimited Canada volunteer leader Paul Brisco at the North American Decoy Collectors Show for a conversation about decoy history, waterfowling traditions, and a lifetime spent preserving pieces of North America's hunting heritage.Paul shares how a chance encounter with a $40 decoy sparked a collecting journey that has lasted more than four decades. Along the way, he discusses the regional differences found in Canadian decoys, the connection between hunting and collecting, his long involvement with Ducks Unlimited Canada, and why hands-on learning remains one of the most important parts of the decoy community. The conversation also explores how hunting traditions, conservation efforts, and decoy craftsmanship have evolved over generations while remaining closely tied to waterfowl and wetlands.Topics CoveredHow Paul Brisco got started collecting decoysWaterfowl hunting traditions in OntarioEarly involvement with Ducks Unlimited CanadaRegional differences in Canadian decoy carvingHow form and function shaped decoy designMarket hunting, conservation, and changing waterfowl traditionsThe importance of decoy shows and collector communitiesWhy collecting remains connected to hunting heritageListen now: www.ducks.org/DUPodcastSend feedback: DUPodcast@ducks.orgSPONSORS:Bird Dog Whiskey and Cocktails:Whether you're winding down with your best friend, or celebrating with your favorite crew, Bird Dog brings award-winning flavor to every moment. Enjoy responsibly. CLICK HERE TO PROTECT THE DUCK FACTORY

CLICK HERE TO PROTECT THE DUCK FACTORYHost Chris Jennings is joined by John Pollmann, freelance contributor to Ducks Unlimited magazine and ducks.org, to talk about the excitement of opening day of waterfowl season and ways to avoid making simple mistakes. As opening day continues to creep closer, there are several tactics many duck and goose hunters don't take into account, leaving them open to potential failure. Follow along as these two discuss best practices to make your opening day a success.Listen now: www.ducks.org/DUPodcastSend feedback: DUPodcast@ducks.orgSPONSORS:Bird Dog Whiskey and Cocktails:Whether you're winding down with your best friend, or celebrating with your favorite crew, Bird Dog brings award-winning flavor to every moment. Enjoy responsibly. CLICK HERE TO PROTECT THE DUCK FACTORY

Oscar, Victor, Hector, and (Rod)rigo talk about the best artists and moments of Lollapalooza 2026 (including an aftershow). The squad also discuss Rigo and Oscar's experience at Jack White's phone-less show at Radius.The 4x4 segment also mostly revolves around Lolla artists, with Oscar's picks featuring some of his favorite artists at this year's festival, while Hector and Vic selecting songs from artists they would have liked catching at Lollapalooza. You'll hear songs by artists like Geese, Viagra Boys, bbno$, Los Retros, Die Spitz, Kim Theory, Steve Lacy, and Boy Harsher.Follow along with the monthly 4x4 picks by Liking the YCT Playlist on Spotify & subscribing to the podcast. Listen to all of the music discussed on the latest episode of the show here: https://open.spotify.com/playlist/5jnLdjJ3HBzETWPdHKWHpqYou can also listen to the YCT Playlist on Apple Music: https://apple.co/39CwlaCCheck out our weekly Spotify playlist, I Made This For You, updated on Fridays and featuring our favorite songs released during the current week.IMTFY playlist:- Apple Music: https://music.apple.com/us/playlist/i-made-this-for-you/pl.u-2aoqL3qCDvDB1- Spotify: https://open.spotify.com/playlist/47zdwKFNfoYpJfQxRtXWIS?si=8654e038a0314143

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A live recording from The Big Romance about a 2008 Sub Pop-released classic album of the 2000s. Listen on Apple | Android | Patreon | Pocketcasts | CastBox | Stitcher | Spotify | RSS Feed | Podlink Step into a world of misty melodies and cavernous echoes with Seattle band Fleet Foxes' landmark debut – a defining record of the late-2000s indie folk revival. Led by Robin Pecknold, the album blends the lush, pastoral harmonies of the 1960s with a haunting baroque-pop sensibility and lyrical themes rooted in nature, tradition, and introspection. Like the Bruegel painting on its cover, every track reveals a dense, beautiful world that evokes a timeless – almost mythic Americana sound. This podcast episode is a live recording from our listening party in The Big Romance in April, with guest journalist and Fleet Foxes fan Aoife Barry. Our next Listening Party is Smashing Pumpkins later this month and it's sold out. Listen Closely: Fleet Foxes – Fleet Foxes (2008) A Nialler9 listening party, hosted by Niall Byrne with guest Aoife Barry. Before the album Niall: Hello everyone, how are you? Welcome to the Listen Closely album listening party. I'm Niall, and this is Aoife Barry. Aoife: Hello. Niall: We're here tonight because Aoife picked this album, as she has before. You picked Jeff Buckley last year. Aoife: Yeah, and we ended up doing three of them. Niall: We did, we went to Cork. We did two here and then we went to Cork to talk about Jeff Buckley. And you were at the My Bloody Valentine listening party last year as well, back in October. Aoife: It must have been October, yeah. Niall: Well, obviously we're here for a very different album tonight: Fleet Foxes by Fleet Foxes, from 2008. As you heard there, we played a bit of the Sun Giant EP by the band, which came out a few months before this album, because we want to give the album its full due. They're a little different, and we'll talk about that. But yeah, you picked the record. Aoife: I did. I obviously must like it. And it's such an incredible record. Is there anybody here who hasn't heard it? That's really exciting, if so. I'm excited for you to hear it. You got a sneak peek there of what the vibe is going to be. I picked it because I love this record, but I also had a funny story about how I first heard them. Back in 2008, when this record came out, I'd read about this band called Fleet Foxes in a music magazine. I don't even think I'd heard a song yet, this is back in the day. And I was on holidays in Berlin, and in the tiny little hostel we were staying in, they had a sign up on the wall: "Who's playing tonight? Fleet Foxes, Café Zapata." I said to my boyfriend, "I think that's a band I read about in the magazine, will we go see them?" And he was like, "Grand." So we went, and they were unbelievable. It was so good. Beach House were supporting them. So it was 2008 smacking you in the face. Niall: Come on. Aoife: And I took photos, which I found. I have photos. Artifacts. One is terrible, the other one's not so terrible, taken on one of those little Canon digital cameras. And I still have the ticket, I kept the ticket, I'm one of those hoarders who keeps all their gig tickets. But it was so good: the venue they played in had a dragon that breathed fire out every fifteen minutes. Niall: So they'd be playing and this dragon… Aoife: I'm not even exaggerating. Fire would just shoot out of this mechanical dragon. It was so Berlin. And Fleet Foxes were so stunning, and Beach House were so stunning. I love Crosby, Stills, Nash & Young, I love all those harmony vibes, I wish I was born in the seventies, sadly I was not. So I fell in love with them immediately, and I've been a big fan ever since. Although I'll say I probably dipped a little bit around the Crack-Up era, their third album, but then I saw them when Shore came out, their most recent album, and fell right back in love with them. Niall: We're going to talk about all the albums that come afterwards, but we'll start with this one, because this is presumably your favourite, or one of them. Aoife: Shore is up there as well for me, but yeah. Niall: So what was it about Fleet Foxes at the time? For context: in 2008 there was quite a lot of this kind of music around. We previously did Bon Iver's For Emma, Forever Ago as a listening party, and the funny thing, which I only found out when we did this, is that they have the same origin story in a way. Both songwriters went to a cabin in the woods to pour their heart out and write the songs. Aoife: I think Justin Vernon just got there first in terms of the marketing. Niall: So they must have pulled back on talking about it too much, because it's basically the same thing. They never really talked about Robin Pecknold's writing process in those terms. Aoife: For Emma was such a massive moment, everybody was obsessed with this guy who broke up with a girl and went to a cabin and wrote a record about it. It was the ur indie-folk album. Niall: What was really appealing about Fleet Foxes is that they were so young, between about twenty-two and twenty-seven, and Robin Pecknold was twenty-one when he wrote the record. Which is frankly offensive, you shouldn't be allowed to be so talented at twenty-one. Aoife: I know. And they were clearly these people from Seattle, which we associate with grunge, and then it becomes this place where they're bringing out all the pastoral, outdoorsy, mountain-and-sea vibes of the Washington area. They're obviously really influenced by the seventies too, by Crosby, Stills, Nash & Young, by Laurel Canyon, but also by Appalachian folk. There's a real purity to what they're doing. The harmonies are unbelievable, there's even a bit of a gospel feeling. So these young guys made this album that was being called an iconic American record on release. The Guardian called it a landmark American album, something like that. And that's special, because you don't get that many records immediately being called landmark. Niall: It was a very exciting time for music around then. I actually brought some records. We mentioned Beach House and Teen Dream earlier, that's a bit later, 2010. I wanted to do a listening party for that at some point, that'd be good craic. Around that time you had Animal Collective and Panda Bear, Person Pitch was right there, that was the apex for that very experimental scene. A few years later we had Sufjan, our very first listening party. And Bon Iver, of course. There's also stuff like Neutral Milk Hotel very much of that vibe. Aoife: I've noticed people covering Neutral Milk Hotel more now. Niall: I think when we got to it, it was on its second go-round, and now it's getting a third, which is great. It's a great record. So, the band were from Seattle, they had a bit of the scruffy flannel-shirt look, but obviously didn't sound like that. The album was written in the woods, in the cabin, brought to the band, and recorded with Phil Ek. Aoife: Who did a lot of stuff with Built to Spill. Niall: Yeah, and he worked with The Shins, and Modest Mouse, a really long history. Aoife: Are The Shins from Seattle as well? Niall: I think they might be. Band of Horses is another one. So they recorded it themselves with Phil Ek, paid for it all themselves, and then the local major independent label Sub Pop came calling. Obviously known for a lot of grunge traditionally, but they'd clearly been releasing this kind of music around then too, The Shins had been on the label for a few years, Band of Horses. When it came to it, they signed to Sub Pop. Apparently there was a bidding war. Aoife: They'd become quite popular on MySpace. Anybody remember MySpace? Every time I do one of these I feel older and older, mentioning the top eight, the randomers you'd put in your top eight. Word could spread quite quickly once you got popular on MySpace. Niall: What I thought was really interesting, that I discovered when I was researching, is that recording the album was actually a total pain for them. They didn't have much money, so they ended up recording a lot of it in their houses, or in Robin Pecknold's family home. And he re-did all the vocals right before they mastered the record, because he'd been sick during the initial sessions and his voice wasn't in great shape. They recorded it all in one go, scrapped that, did another version, and kept moving the running order around. I'm always fascinated by albums where the creation was a total pain and they had no idea it would even work out. Robin Pecknold actually said, "I hope nobody cares about this album, because I just want to move on to the next one." And then it becomes this iconic record. Aoife: Isn't every artist sick of their album by the time it's done? You're like, "my paintings." Yeah. Niall: 2008 was an interesting time for it to land. The album draws on the Beach Boys and Brian Wilson, Crosby, Stills, Nash & Young, Nick Drake, Simon & Garfunkel, Fairport Convention, Judee Sill, very much old-timey or sixties folk and pastoral stuff. And in 2008 there's a financial crash. The album was worked on before that, but it was released into that environment, and a lot of this music seemed to catch. When things go bad, we retreat, we dream, we listen to music that's maybe the opposite of what we're feeling. There was a gentleness, an unhurriedness to it that resonated. Aoife: Grizzly Bear is another band from that time. When Jay-Z and Beyoncé went to see Grizzly Bear in Brooklyn, that was kind of where all the indie music peaked. Niall: And the other part of it, which I was involved in, was the MP3 blogs, that's where you'd hear this music. Especially the American and Canadian stuff, no one was promoting it over here yet, so you'd be months ahead. You'd hear Fleet Foxes in these MP3 formats. That was a mad period, it showed how the internet could collapse geography, a song could spread really quickly on the blogs. And in an American context, this came out post-Bush, with the Obama era coming in, a more hopeful tone. You had the Lehman Brothers crash, these global pressures, and then these hopeful times too. It's interesting to wonder whether these albums are a reaction to it, or whether they appeal to us because we want nice, happy things. I feel like Fleet Foxes have so much emotional depth: there's yearning, sadness, hope, nostalgia. Aoife: I loved Yellow House by Grizzly Bear, their first record, a complex, complicated, almost jazzy thing that sounded beautiful but had a lot going on. We weren't going for simplistic music, but we wanted music that gave us depth and beauty. Is art a solution to the world collapsing? Niall: We could be answering that in 2026. We live in a cursed timeline, as I keep saying. That's all I'm going to say. But what else happened in 2008 in the wider circle of music? Portishead returned with Third. TV on the Radio released Dear Science. MGMT released Oracular Spectacular, 'Kids' and all that. Cut Copy released In Ghost Colours, Indie Sleaze night on Saturday, folks, come on. Kanye put out 808s & Heartbreak, that was November that year. Rihanna was at the peak of her powers. Aoife: Katy Perry appeared that year. And 'American Boy'. Niall: 'American Boy', still one of the best pop songs, fire. Iron & Wine was the other one I forgot to mention. So it was a really vibrant, varied year. As you heard, there's the Sun Giant EP too. Aoife: The thing about that is it came out before the album, but was recorded after. The album was done, in the bag. Niall: They decided to go into the studio and record Sun Giant, a collection of songs intended to sell on tour. It ended up being quite popular, and for a lot of people it was their first time discovering Fleet Foxes. Aoife: It wasn't like The Coronas' 'San Diego Song', their summer-holiday anthem, or anything like that. But it came out before the album, and then the album arrives. Niall: So what was the reaction at the time? Was it immediate? Aoife: Things happened really quickly. In January that year they got all the MySpace attention, and by June the album was coming out. Really, really quick. There was so much chatter about them, which is partly why I'd seen the name, and a music blog like yours would have seen it too, and known they were one of the big bands. In a way that's harder now. Niall: These days you see bands like Geese getting a lot of attention because they use companies that help them go viral. You didn't really have that then. Now you'd dress yourself up in some gimmick, polka dots, whatever, and go viral all over the internet for it. I couldn't imagine these lads doing that. Aoife: No. But maybe in a way they were cosplaying living in the forest, on the Puget Sound. Niall: Anyway, when the album came out, people loved them, and it really hit it off. Because they sound so seventies, your parents would love the records and you'd love the records. There's almost a lullaby quality to the folk stuff too. The music is applicable to anybody of any generation, and there's something lovely about nostalgic music that reminds you of a better time. To finish on that point: I think there's something very mysterious about Fleet Foxes, they feel out of time. They're these young, scruffy lads with the beards, but there's a mystery to them. They didn't come across as the hipster end of things, they weren't leaning into anything. They were presented as the kind of band that wouldn't have had phones, would have lived off-grid, which is funny because they were a MySpace band. They're the most un-MySpace band you can imagine. Surprise people, do something a bit different, don't be exactly what people want you to be, and they'll love you for it. And then your songs are unbelievable too, soaring and stunning. Can we talk for a second about the cover? It's an original painting from 1559 by Pieter Bruegel the Elder, Netherlandish Proverbs. It depicts a densely populated Flemish village scene illustrating 126 folk proverbs. There's a lot there. Some on this side are cut off, but for example, this woman here, she's putting the blue cloak on her husband, meaning she deceives him. This guy is casting roses before swine, wasting effort on the unworthy. And right at the top there's a man running through a field with his arse on fire, chasing pigs, "he who eats fire craps sparks," do not be surprised at the outcome if you attempt a dangerous venture. There are 126 of those. Aoife: The interesting thing is that the band managed to get permission to use it. Really unusual to be allowed use it as commercial artwork. Niall: And apparently the museum that holds the artwork were delighted. A lot of stars aligned for them. It's an iconic cover because it's so different from what anybody else was doing, clearly of a particular period, and it has that Where's Wally quality. I have a quote about it. Robin said: "We were trying to figure out what we wanted to do, and my brother had been working some stuff out, when I saw this Bruegel painting in a book my girlfriend had. I liked that it had a really intriguing meaning, there's a story to each little scene, which felt fitting for the record. It was dense but unified, not a collage. It has a Where's Waldo quality, something you could look at for a long time on a vinyl sleeve and keep finding new little things. It was very easy to get the museum in Berlin that has it to say yes, they were super excited the band wanted to use it, and put it in their newsletter. When you open it up, on the inside there's a Paisley pattern traced from the back of a book that Skyler's mum got me. We wanted two very different feelings." So, what to look out for when we press play very shortly? Aoife: When I was going back to this, I had it in my head that every song was one of these big songs, because there are so many big moments. But actually there are two tracks that are pretty much acoustic, so it's interesting to notice how they go from the big sound to the small. And for me they're a real emotion-and-feeling band, so notice how you feel listening to it. I always feel this swell of emotion with Fleet Foxes, I was walking down the road listening to Shore and I was like, my God. So lean back and feel into the emotions they're bringing you. And listen to the lyrics if you can make them out, because they're so out of time, all about pack horses and this amazing imagery. Robin Pecknold said he didn't write about a lot of personal stuff because he didn't have enough life experience yet, so instead he wrote these beautifully poetic narratives about pastoral and rural life. So I'd say the lyrics and the feelings are the two things. Niall: Track two, 'White Winter Hymnal', is probably the biggest one, watch out for that. And a few other people thanked and cited as influences, for some extra context: Brian Wilson, Joanna Newsom, Bob Dylan, Noah Lennox and all the lads from Animal Collective, Levon Helm and Robbie Robertson of The Band, Blitzen Trapper, who they toured with at the time and who were bigger than them then. For some reason Joni Mitchell and Neil Young are listed together, which is fair enough. Marvin Gaye, Damien Jurado, Paul Simon and John Lennon listed together. Townes Van Zandt, a legend. Vashti Bunyan, and Van Morrison. There's a nice quote from Robin Pecknold I'll read afterwards. Let's just open it up and listen. I'll play it at full volume, it's about thirty-nine minutes, two sides. Close your eyes, whatever you want to do, vibe away in your own way. [The album plays: Fleet Foxes – Fleet Foxes, 39 minutes.] After the album Niall: It's quite an economical album, isn't it? It doesn't stick around long, thirty-nine minutes. Aoife: I like an economical album. It's also one of the first fairly short records we've done here. Niall: That's part of why I was thinking about Sun Giant in that context too. I'm going to read a bit from the liner notes, because for an album that's very much about feelings, with only a few direct songs, some of what's written here is interesting: "My first memory has always been of me and my mom on a cold grey day down at some beach in Washington, along the Puget Sound somewhere near Seattle. I would be around two or three years old, and we were with a friend of mine from the neighbourhood and his mom, walking among the driftwood looking for crabs. Even now I can remember the smell and temperature of the air, the feeling of the sand and the swaying tall grass. I can even remember looking over at my friend and how his face looked when he smiled back at me. Another memory I'll sometimes recall as my first is dressing up in the dead of summer as Jack London, with tennis rackets on my feet and wearing my dad's hiking pack, after seeing Disney's terrible version of White Fang. Or the memory of stealing my neighbour's Big Wheel and riding it halfway down the block before getting caught and having to turn around defeated. Or wearing a fireman's outfit while washing my parents' car, or eating an orange popsicle from the ice cream truck. These have always been some of my most distinct and persistent memories of childhood. So it came as a disappointment when, one day as a teenager, I opened up a photo album and found pictures of each and every one of these memories. I didn't have a single memory that didn't belong to, or somehow grow from, those pictures my parents had. I guess I've seen all these photographs at some point, forgotten they were just photographs, and over time made them into my most tangible memories. That's scary to me in a way. This leads me to something weird about the power music has: its transportability. Any time I hear a song or record that meant a lot to me at a certain moment, I'm instantly taken back to that place in full detail. Whenever I hear 'Feel Flows' by the Beach Boys, I'm taken straight to the back of my parents' car on the way to my grandparents' place, with Surf's Up in my Walkman and the Cascade Mountains going by in the window. Any song off Radiohead's Kid A brings back the airport near Seattle, from when we were on the way to Colorado for a wedding and Kid A was the only record I brought or wanted to bring. 'Crayon Angels' by Judee Sill is the whole winter of last year. And Brian Wilson's solo version of 'Surf's Up' takes me back to driving my parents' car around town alone at sixteen, windows down at night. I can't ascribe exact memories to songs by The Microphones, Joni Mitchell, Built to Spill, Dungen, Harry Nilsson and so many others, and it's a form of recall I can actually trust, there's no visual element to complicate things, no chance of a planted memory that wasn't actually supposed to be there. Maybe I should be concerned that I'm alone in almost all of these memories, but I guess I was just a private kid, and music was a private experience for me. Music activates a certain mental freedom in a way nothing else can, and that is so empowering. You can call it escapism if you like, but I see it as connecting to a deeper human feeling than the one found in the day-to-day world." Aoife: That's lovely. It's a nice addendum. And he was only twenty-one. Niall: For some reason it's signed "Warren Gamaliel Bancroft Winnipeg Harding," Warren G. Harding being the 29th president of the United States. I don't know why, he thought it was funny. Dated April 6th, 2008, Chicago, Illinois. So, any particular highlights, anything that stood out? Aoife: I was reminded how much I love 'Blue Ridge Mountains', the second-to-last song. I just love those four- and five-part harmonies so much. There's something that really gets me about beautiful harmonies stacked on each other that sound so natural. My dad was really into Neil Young and all of that era, my mum's really into Simon & Garfunkel, so I feel like I came out of the womb going, this is the music I love. Niall: There was another one I meant to mention. Aoife: I'm really bad at remembering song names, which isn't great for an arts journalist. They go in one ear and out the other. Niall: 'He Doesn't Know Why'. Aoife: That was it. I always forget the name of that one, and it's an absolute banger. It's quite a direct song, the last one on the first side. Niall: He mentions his brother Sean in 'Blue Ridge Mountains', which is interesting. And Oliver James is his younger brother, that's the last song. Aoife: His sister is Aja, after the Steely Dan album. The parents were really into them. Niall: It holds up so well. The harmonies and vocals sound incredible, there are those beautiful little flourishes, a flute on one of the tracks, the guitar is stunning, lovely little bass lines. I love the way Robin Pecknold and the band hear music. There's a really good Song Exploder episode with him talking about a song from Crack-Up, and the way he thinks about translating his thoughts and emotions into music is so illuminating. He has a beautiful melodic flow that's really similar to the flow of water and nature. There are so many nature references, it's almost parody there are so many. Aoife: You could do a Portlandia sketch about it. "Power of nature, man." "Come down from the mountain, you've been gone too long." Niall: In terms of the line-up: alongside Robin Pecknold on vocals there was Skyler Skjelset on lead guitar, his best friend from Nathan Hale High School, later joined by Casey Wescott, Christian Wargo on bass, and Nicholas Peterson on drums, who left after this album. Aoife: And who came in as the drummer? Niall: A man who's been a main character in one of these listening parties himself: Josh Tillman, Father John Misty, played drums with them. Aoife: For how long? Niall: Only a year or two, pretty short. As I said, main character, he was making his own record. Any Father John Misty fans? He writes really good songs and he's handsome, so we all love him, but he's also a bit of a pain, and he didn't get on very well with Robin Pecknold, which isn't surprising. When I was looking back at the Pitchfork interview they did in 2008, a few months after the album came out, it was a big joint interview with Robin and Josh Tillman, and Tillman is answering the questions at the start. That's confidence. Do you want to hear a quote from what Robin Pecknold said? I've written it in my little notebook, so old-school, that's the only way I remember these things. In a 2020 Reddit AMA, Pecknold said that on that tour, the Helplessness Blues tour, Tillman was supposed to bring out his own record, but his label said he could only release it after the tour. So he was on tour thinking, "I want to bring out my own record, I'm tired of Fleet Foxes." Pecknold said he "had to endure being around a lot of substance abuse, sabotaged shows, general ill treatment and shit-talking, all while paying him for songs he didn't have anything to do with. It sucked." And then Tillman left the band. Whereas in that Pitchfork interview he'd said, "I love playing in this band, these are all my friends, I'm having the best time, I'm sorry if that's a corny quote, but that's the best thing about this experience right now." Aoife: So he was lying through his teeth. I think he's the kind of person who really has to be a solo artist, too iconic a personality. You wouldn't want to wrangle him out of bed to get to the next show. Niall: Too big a price. You mentioned Pitchfork, the album was number one on their end-of-year list in 2008, and they listed Sun Giant alongside it, breaking the traditional conventions of end-of-year lists. What they said was: listing Fleet Foxes' debut album and EP together may be awkward, but it just feels right, they're two sides of a coin that equally express the band's mastery, "a catch-all Americana that takes a wide slice of our popular music spectrum and pulls it through a reverse prism to create a gorgeous and focused sound of the band's own. The threads of Brian Wilson's coastal pop, Appalachian folk, modern indie rock, Grateful Dead jams and other influences are masterfully synthesised in the band's harmonies." Robin Pecknold's sense of dynamics, they said, flows like a river, wild and free but logical, filling what needs to be filled and moving on. I swear I didn't rip that off Pitchfork, I came up with something similar on my own. Aoife: Very good. Niall: It was Uncut's album of the year too. But more than anything, and this is a strange accolade, the album was ranked number 36 on Rolling Stone's list of the greatest stoner albums. Aoife: I don't think Robin Pecknold was a stoner. It doesn't really fit. He's a reader. Niall: So what came after? Helplessness Blues, which is really difficult to say, in 2011, then Crack-Up in 2017, then Shore in 2020. Big long gaps, some personnel changes. And Robin Pecknold, as we've established, is a very literary guy, he went to Columbia to do an undergrad in English literature, because he'd left high school early and gone to a community college, and he really wanted that college experience. So that was part of the break. He's also had difficult times, he's spoken about mental health issues and suicidal ideation, many tough experiences that contributed to the gaps too. They haven't released anything since 2020, and he does a lot of cover events. There are two live records. He's actually playing a gig tonight, I think, where he covers Judee Sill. Any Judee Sill fans? Aoife: Oh my gosh, she's amazing. Nobody ever knows Judee Sill. If you listen to anything, listen to Heart Food, it's iconic. He loves her, mentions her on this record. She's the one who does 'The Kiss', people might have seen her perform it on the Old Grey Whistle Test, it's on YouTube. She had a really tragic life. Niall: One of those I've been meaning to listen to properly for years. She only has two records, so it's easy to get into. There's a documentary about her as well, which I haven't seen. Aoife: She's one of those ill-fated seventies musicians, really religious imagery, did a lot of drugs, really interesting. Niall: Did you get to see them again after your first foray in Berlin? Aoife: I saw them when they toured, though it's really bad when you can't remember what you were doing in the 2010s. Niall: Did anybody see them at that Dublin gig, the outdoor one in 2022? Wasn't it amazing. They've played here a fair bit: Vicar Street in 2008, Electric Picnic 2009, The Marquee in Cork 2011, the Iveagh Gardens in 2017. I don't know if I've missed any, maybe you can tell me. So if you were to pick, is there any further listening or reading you'd suggest to somebody, not necessarily Fleet Foxes? Aoife: Some of it is obvious. As I said, I'd definitely check out Judee Sill, because if you really like Fleet Foxes you'd really vibe with her. And he mentions Harry Nilsson, also unbelievable, more well known than Judee Sill, did the cover of 'Everybody's Talkin''. I'd also mention a guy people would have known at one point but isn't very well known now: Richard Swift. He sadly passed away a couple of years ago. He was friends with Robin Pecknold, a hugely talented musician who struggled with addiction. He has an amazing double album from around 2005 or 2006 that's brilliant, and a record called The Hex, which is referenced on 'Sunblind' on Shore, that's the song where Robin name-checks a lot of musicians he loves, like Elliott Smith, David Berman and Richard Swift. It's such a beautiful record for finding new people to listen to, and it's lovely to hear a musician pay tribute to musicians he loves. The imagery is him talking about this beautiful day where he'll go for a swim and listen to all these beautiful bands, an ecstatic kind of song. So check out all of those records, but Richard Swift deserves more fans, and The Hex is really, really good. Niall: Good shout. What we'll do now is play a tune, and then maybe give Sun Giant another go if you want to stick around. Our next listening party is on the 27th of May, and it's an indie-rock album very close to my heart: Broken Social Scene's You Forgot It in People. I've been wanting to do this one on record for a long time. They're playing here later in the year, but I want to give this record its flowers, it's incredible. My niece has just turned seventeen and I bought her a copy, because it's an anthemic record for a seventeen-year-old. I can't believe that band are still going, which is kind of mad, but it's hard to underline what Broken Social Scene meant to a certain segment of indie. Aoife: And there's four hundred of them on stage. They're from Canada, and we were all like, my God, these people are the best. Niall: For me it's the MP3 times again, we'll talk about this next month. I heard about them through the music blogs, and then I got to see them in the Button Factory, which was the Temple Bar Music Centre at the time. It was one of the first things I ever wrote about, back in 2005. A transcendental experience. Aoife: They're so good live. Niall: I once DJ'd in Galway after one of their gigs, and one of the members of the band, I'll leave him nameless, came over and turned off the decks while I was DJing. Aoife: On purpose? Niall: He was that drunk. I can't remember what I was playing, but I was like, great, DJing after Broken Social Scene and then a band member ruins it. I don't think he liked it. No, I think he was just really drunk and thought it was funny. Thumbs down to him. In a way it's surprising a man like that has managed to persist in a band with so many members. Anyway, I digress. We'll talk about it next month, May 27th. Aoife: I cannot wait. I've been listening to it a lot lately again, it's fantastic. Niall: Thank you for being here. Let's play a bit of this and see what happens. Thanks for being here, appreciate it.

CLICK HERE TO PROTECT THE DUCK FACTORYSuccess in the outdoors starts with being yourself and finding ways to share your passion with others.Recorded live from DUX 2026, host Jimbo Robinson sits down with former NFL quarterback and outdoorsman Devlin “Duck” Hodges to discuss the launch of Club Country, his first major brand collaboration, and why authenticity matters more than ever in hunting culture. The conversation covers everything from waterfowl hunting and golf to mentorship, social media, and the importance of introducing new people to the outdoors. Duck shares the story behind Club Country's rapid growth, the inspiration behind his first collaboration with Gunner Kennels, and why his platform is focused on helping the next generation enjoy hunting without feeling pressured by comparison, competition, or online expectations.Topics CoveredThe launch of Club Country at DUX 2026Why golf and hunting naturally fit togetherThe story behind the Gunner Kennels collaborationSocial media, authenticity, and outdoor cultureAdvice for young hunters entering the sportThe importance of mentorship and communityFuture plans for Club CountryWhy enjoying the hunt matters more than the outcomeListen now: www.ducks.org/DUPodcastSend feedback: DUPodcast@ducks.orgSPONSORS:Bird Dog Whiskey and Cocktails:Whether you're winding down with your best friend, or celebrating with your favorite crew, Bird Dog brings award-winning flavor to every moment. Enjoy responsibly. CLICK HERE TO PROTECT THE DUCK FACTORY

The Standard Sportsman Podcast took its show on the road and recorded live at Ducks Unlimited's annual event in Memphis. The show was recorded in DU's new mobile podcast studio with a rotating roster of guests. Radcliff Menge from Tom Beckbe, Karl Gunzer from Purina Pro Plan, Justin Reif from Create the X, Kale Flaspohler from Waterfowl Management Academy, Brett Maffett from Benelli, and finally Mike Brasher from DU updated listeners on the drain-tile setback issue. The show goes well beyond product talk but does include some exciting updates from the guests.>>>Thanks to our sponsors: Tom Beckbe, Sitka Gear, Waterfowl Management Academy, Create the X, Purina Pro Plan, Ducks Unlimited, Lile Real Estate, Perfect Limit Outdoors and Noah Perry. Send us Fan MailAll Rights Reserved. Please subscribe, rate and share The Standard Sportsman podcast.

CLICK HERE TO PROTECT THE DUCK FACTORYDecoy collecting isn't just about objects — it's about history, craftsmanship, and the people who built the tradition.In this episode of the Ducks Unlimited Podcast, host Katie Burke sits down with longtime collector Bill Dodge at the North American Decoy Collectors Association show. Recorded in one of the show's unique “room‑to‑room” dealer spaces, the conversation offers an inside look at the world of vintage decoys and the community behind it.Bill shares how a single purchase at a farm auction sparked a lifetime passion for collecting — eventually leading him to focus on factory-made decoys, particularly those tied to the historic Detroit makers. They also break down what defines a “factory decoy,” the evolution of materials and craftsmanship, and the balance between standardization and hand-finished detail. From early catalog sales to regional styles and grading systems, the episode highlights how these decoys bridged utility and artistry during a critical period in waterfowling history.Beyond the technical side, Bill emphasizes the importance of mentorship, relationships, and shared knowledge within the collecting community — a recurring theme that defines both collectors and conservationists.This episode offers a deeper appreciation for decoys not just as tools, but as artifacts that tell the story of hunting, innovation, and tradition.Listen now: www.ducks.org/DUPodcastSend feedback: DUPodcast@ducks.orgSPONSORS:Bird Dog Whiskey and Cocktails:Whether you're winding down with your best friend, or celebrating with your favorite crew, Bird Dog brings award-winning flavor to every moment. Enjoy responsibly. CLICK HERE TO PROTECT THE DUCK FACTORY

In this week's episode, we spotlight the big and beautiful African Goose, and Lisa Steele returns to the show to chat about the best goose breeds for beginners. We also hare our recipe for easy Curried Eggs and find some retail therapy with water features for geese. Pre-order our book! The Chicken Ladies' Guide to Life with ChickensSponsored by Nutrena Naturewise Feeds.Grubbly Farms - click here for our affiliate link.https://www.anrdoezrs.net/click-100963304-15546963Pre and Probiotic and Vitamin and Electrolyte Powders!Omlet Coops- Use Our Affiliate Link and COFFEE10 code for 10% off!https://tidd.ly/3Uwt8BfBreed Spotlight is sponsored by Murray McMurray Hatcheryhttps://www.mcmurrayhatchery.com/Metzer Farms Waterfowlhttps://www.metzerfarms.com/Eaton Pet and Pasture - Use code COFFEE for a discount on first-time purchases.Nestera UShttps://nestera.us/cwtclUse our affiliate link above for 5% off your purchaseCurried Eggs - https://coffeewiththechickenladies.com/farm-fresh-egg-recipes/curried-eggs/CWTCL Websitehttps://coffeewiththechickenladies.com/CWTCL Etsy Shophttps://www.etsy.com/shop/CoffeeWChickenLadiesAs Amazon Influencers, we may receive a small commission from the sale of some items at no additional cost to consumers.CWTCL Amazon Recommendationshttps://www.amazon.com/shop/coffeewiththechickenladiesSupport the show

Digital Drama 8-4-2026 …And the Winner of the Lawn of the Year is …Stop Feeding the Geese, They are Sh**ing Everywhere!

Will and David discuss new releases by Inland Years, Death Cab For Cutie, and Atmos Bloom, plus a live report, bonus songs, and the passing of Glen Hansard.

CLICK HERE TO PROTECT THE DUCK FACTORYWillie Robertson stopped by the Ducks Unlimited Expo in Memphis to reflect on his family's journey from selling duck calls to building Duck Commander and becoming household names through Duck Dynasty. In this conversation, Willie shares stories about his father Phil, the values of faith and family that shaped their legacy, and the importance of passing down traditions in the outdoors to future generations.Listen now: www.ducks.org/DUPodcastSend feedback: DUPodcast@ducks.orgSPONSORS:Bird Dog Whiskey and Cocktails:Whether you're winding down with your best friend, or celebrating with your favorite crew, Bird Dog brings award-winning flavor to every moment. Enjoy responsibly. CLICK HERE TO PROTECT THE DUCK FACTORY

Hey everyone, this is Nick Statt, senior producer on Decoder. We're taking a brief publishing break while Nilay is out on vacation. We'll resume regular programming next week, and we've got some great episodes in the works.  In the meantime, we wanted to share an episode from the excellent podcast The Gray Area, with host Sean Illing. In this one, Sean sat down with The Atlantic journalist Charlie Warzel to talk specifically about the state of the internet in 2026 — and what it means that it feels increasingly overrun by non-human actors.  Links:  The Gray Area with Sean Illing | Apple Podcasts Galaxy Brain | The Atlantic The internet is all bots now | The Gray Area (YouTube) The feeling of control slipping away | The Atlantic How much of the internet is fake? Turns out, a lot of it, actually| New York Magazine How bots took over our lives | The New Yorker The ‘dead internet theory' is real — and it's killing the web | Fast Company The fanfare around the band Geese actually was a psyop | Wired Credits: Decoder is a production of The Verge and part of the Vox Media Podcast Network. Decoder is produced by Kate Cox and Nick Statt and edited by Ursa Wright. Our editorial director is Kevin McShane.  The Decoder music is by Breakmaster Cylinder. Learn more about your ad choices. Visit podcastchoices.com/adchoices

CLICK HERE TO PROTECT THE DUCK FACTORYDuck season is getting closer, and waterfowl hunters are facing a few big changes—especially when it comes to ammunition.In this final episode of the DUX Series, host Jimbo Robinson and co-host David Schuessler sit down with Nathan Robinson of Winchester Ammunition to discuss the current state of waterfowl loads, rising tungsten prices, new product innovations, and what hunters can expect heading into the upcoming season.The conversation explores everything from the growing popularity of sub-gauge shotguns to the realities of ammunition manufacturing and supply. Nathan explains how changing material costs are impacting the industry, why steel remains the backbone of waterfowl hunting, and what makes Winchester's newer products like Final Pass unique. Along the way, the group also talks shooting sports, shotgun patterning, legendary Winchester history, and the excitement surrounding the upcoming DUX Waterfowl Show.Topics CoveredWhy tungsten prices have increased dramaticallyWinchester's Final Pass blended waterfowl loadThe future of sub-gauge waterfowl huntingWhy shotgun patterning matters more than most hunters realizeWinchester's legacy and role in conservationShooting sports and youth participationWhat visitors can expect at the Winchester booth during DUXUpcoming DU 90th Anniversary collaborationsListen now: www.ducks.org/DUPodcastSend feedback: DUPodcast@ducks.orgSPONSORS:Bird Dog Whiskey and Cocktails:Whether you're winding down with your best friend, or celebrating with your favorite crew, Bird Dog brings award-winning flavor to every moment. Enjoy responsibly. CLICK HERE TO PROTECT THE DUCK FACTORY

JOIN US AT THE 2026 DUCKS UNLIMITED EXPO! July 31 - August 2 at the RENASANT CONVENTION CENTER in Memphis, TN Follow these links!Direct link to petition:  https://ducks.quorum.us/campaign/duckfactory/Link to DU page and federal register link:   https://www.ducks.org/save-the-duck-factoryLearn why Ducks Unlimited is asking waterfowl hunters to take action on one of the most important conservation issues affecting duck production in North America. Host Dr. Mike Brasher is joined by Dr. Scott Stephens for an update on the U.S. Fish and Wildlife Service's ongoing review of regulations related to drain tile setbacks around permanently protected wetland easements in the Prairie Pothole Region. Building on an earlier emergency update, Mike and Scott explain new information regarding the U.S. Fish and Wildlife Services's Request for Information on determining drain tile setbacks for landowners on property where the Service  owns wetland easements. They discuss a newly found document that states the Service's proposal to repeal the 2024 rule. They remind us why these easements matter, how Duck Stamp dollars have helped protect millions of acres of critical waterfowl habitat, and why DU believes maintaining these protections is essential for the future of duck production and wetland conservation. Topics CoveredNew developments regarding the 2024 drain tile setback ruleHow wetland conservation easements workThe role of Duck Stamp dollars in protecting prairie habitatWhy prairie wetlands are known as the Duck FactoryHow drain tile can affect wetlands and duck productionWhat Ducks Unlimited is asking hunters to doThe importance of participating in the federal comment processWhy this issue is considered a top conservation priorityListen now: www.ducks.org/DUPodcastSend feedback: DUPodcast@ducks.orgSPONSORS:Bird Dog Whiskey and Cocktails:Whether you're winding down with your best friend, or celebrating with your favorite crew, Bird Dog brings award-winning flavor to every moment. Enjoy responsibly. CLICK HERE TO PROTECT THE DUCK FACTORY

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This week (and going forward) Allan Williams joins Chad on the podcast. The focus on this episode is Aesop's fable about the Goose and the Golden Egg and how leaders need to keep production and production capacity in balance. Audio Production by Podsworth Media - https://podsworth.com 

JOIN US AT THE 2026 DUCKS UNLIMITED EXPO! July 31 - August 2 at the RENASANT CONVENTION CENTER in Memphis, TN Learn what's driving a new botulism outbreak in the Klamath Basin and what conservation partners are doing to help protect thousands of waterfowl. Host Dr. Mike Brasher is joined by Jeff McCreary, Ducks Unlimited's Director of Operations for the Western Region, and Dr. Dan Smith, DU waterfowl scientist, to discuss deteriorating habitat conditions in one of North America's most important waterfowl landscapes.After a winter of record-low snowpack and a spring that produced exceptional numbers of ducklings, water levels in the Klamath Basin are rapidly declining.  Those conditions have created an elevated risk of avian botulism, threatening young ducks and molting birds concentrated on the region's wetlands. Jeff and Dan explain how the outbreak developed, why the Klamath Basin remains critical to the Pacific Flyway, and how Ducks Unlimited and partners are working to bring additional water into the refuge system before conditions worsen. Topics CoveredWhy botulism outbreaks occur during drought conditionsThe connection between snowpack, water availability, and wetland healthHow more than 100,000 ducklings were produced despite current challengesWhat “flow-through” water management could mean for the Klamath BasinThe importance of Lower Klamath and Tule Lake refugesWhy collaboration is essential to solving long-term water issuesHow DU and partners are responding to current conditionsThe future of waterfowl habitat in the Pacific FlywayListen now: www.ducks.org/DUPodcastSend feedback: DUPodcast@ducks.orgSPONSORS:Bird Dog Whiskey and Cocktails:Whether you're winding down with your best friend, or celebrating with your favorite crew, Bird Dog brings award-winning flavor to every moment. Enjoy responsibly. CLICK HERE TO PROTECT THE DUCK FACTORY

Drain tile setbacks on wetland easements help protect the small wetlands breeding ducks depend on by keeping underground drainage systems farther away. Reducing those setbacks could dry out more wetlands across the Prairie Pothole Region, leaving ducks with fewer places to pair, nest, and raise broods. The USFWS is seeking public input on potentially reducing these setbacks, a red alert for those who care about waterfowl. Ducks Unlimited's Scott Stephens and Mike Brasher join the show to break down why a seemingly technical drainage rule could ultimately mean fewer ducks in the fall flight and how duck hunter/conservationists can act now.>>>Thanks to our sponsors: Tom Beckbe, Sitka Gear, Waterfowl Management Academy, Create the X, Purina Pro Plan, Ducks Unlimited, Lile Real Estate, Perfect Limit Outdoors and Noah Perry. Send us Fan MailAll Rights Reserved. Please subscribe, rate and share The Standard Sportsman podcast.

JOIN US AT THE 2026 DUCKS UNLIMITED EXPO! July 31 - August 2 at the RENASANT CONVENTION CENTER in Memphis, TN Sydnie Wells, Tim Wells, and Nathan Hogg of Dive Bomb Industries join hosts Matt Harrison and Jimbo Robinson live from DUX 2025. From swapping stories about memorable past hunts to sharing their excitement for upcoming seasons, the crew dives into the passion, projects, and plans shaping the year ahead. It's a laid-back, fun conversation straight from the show floor at DUX.Join us this year at DUX 2026!!Listen now: www.ducks.org/DUPodcastSend feedback: DUPodcast@ducks.orgSPONSORS:Bird Dog Whiskey and Cocktails:Whether you're winding down with your best friend, or celebrating with your favorite crew, Bird Dog brings award-winning flavor to every moment. Enjoy responsibly.

JOIN US AT THE 2026 DUCKS UNLIMITED EXPO! July 31 - August 2 at the RENASANT CONVENTION CENTER in Memphis, TN Great gear gets people in the door. Community keeps them coming back.In this episode of the DUX Series, host Jimbo Robinson and co-host David Schuessler sit down with Dennis Zuck and Carter Oliver of Chêne Gear to discuss the company's growth, its people-first philosophy, and how Chêne has become one of the most recognizable brands in waterfowl hunting.What started as a mission to build a better wader has grown into something much larger. Dennis and Carter share the story behind Chêne's rise, the importance of customer service, and why relationships remain at the center of everything they do. The conversation also includes major announcements about new products debuting exclusively at DUX, the continued evolution of ChêneFest, and the growing partnership between Chêne and Ducks Unlimited.Topics CoveredHow Chêne Gear got startedThe philosophy behind building better hunting gearWhy customer service remains a company priorityNew products launching for the first time at DUXThe growth and impact of ChêneFestChêne's partnership with Ducks UnlimitedExpanding the brand beyond waterfowl gearBuilding community in the modern hunting industryListen now: www.ducks.org/DUPodcastSend feedback: DUPodcast@ducks.orgSPONSORS:Bird Dog Whiskey and Cocktails:Whether you're winding down with your best friend, or celebrating with your favorite crew, Bird Dog brings award-winning flavor to every moment. Enjoy responsibly.

Talking season is in full swing, and the waterfowl expo circuit isn't far behind. Cason and Brent preview their upcoming appearance at DUX in Memphis, where they'll record a live podcast, before wading into several hot-button management issues. They break down the new draw system at St. Francis Sunken Lands WMA, weigh the pros and cons of the “three-splash” rule in South Dakota and Nebraska, and unpack the uproar surrounding Arkansas' new one-time fee for non-consumptive WMA users.Send us Fan MailAll Rights Reserved. Please subscribe, rate and share The Standard Sportsman podcast.

Annie and Nick discuss a myriad of topics chosen by Sidetracked listeners, answering questions such as: what's it like to be backstage at big music festivals? Why were Geese accused of being an industry plant? What songs remind them each of each other? Elsewhere, Spotify has some new proposed features, but Annie and Nick have mixed feelings about their merit. Plus, memories of the Beckhams partying late into the night at Glastonbury, how artists get paid for the many parts of their job, and who would Nick rather be - Beyoncé or Lady Gaga? Get in touch with Annie and Nick! You can send a WhatsApp to 07970082700 or email sidetracked@bbc.co.ukAnd you can also stay in touch via our Instagram Channel, which you can find in the BBC Sounds Instagram. SONGS Feeder - Buck Rogers Olive - You're Not Alone Justin Bieber – Boyfriend John Lennon – Imagine Beyoncé - Deja Vu ALBUMS Geese – Getting Killed

JOIN US AT THE 2026 DUCKS UNLIMITED EXPO! July 31 - August 2 at the RENASANT CONVENTION CENTER in Memphis, TN Learn how a speaker built for the outdoors became one of the most recognizable brands in hunting, fishing, and outdoor recreation.Recorded live at Ducks Unlimited's 89th National Convention, Jimbo Robinson sits down with Turtlebox CEO Russell Laeding and newly inducted Ducks Unlimited President Dr. Rex Schulz for a conversation about entrepreneurship, conservation, outdoor culture, and the future of both organizations.Russell shares the unlikely origin story of Turtlebox, which started when four friends built a rugged speaker in a garage for use on the Texas coast. The discussion explores how the company grew into a nationally recognized outdoor brand while staying rooted in community, relationships, and active outdoor lifestyles. Along the way, the group discusses golf, duck hunting, youth sports, conservation, mentorship, and why the best outdoor memories are often about people rather than the hunt itself.Topics Covered:How Turtlebox was started by four friends in a garageWhy outdoor experiences drive the company's missionThe connection between conservation and outdoor recreationHow growing up around Ducks Unlimited shaped Russell's lifeDr. Rex Schulz's vision as Ducks Unlimited's 48th PresidentThe importance of mentorship and the next generationListen now: www.ducks.org/DUPodcastSend feedback: DUPodcast@ducks.orgSPONSORS:Bird Dog Whiskey and Cocktails:Whether you're winding down with your best friend, or celebrating with your favorite crew, Bird Dog brings award-winning flavor to every moment. Enjoy responsibly.

JOIN US AT THE 2026 DUCKS UNLIMITED EXPO! July 31 - August 2 at the RENASANT CONVENTION CENTER in Memphis, TN This episode wraps up our 18 part series. As eastern mallards declined in the early 2000s, waterfowl managers developed a new approach for setting duck harvest frameworks in the Atlantic Flyway. Termed “multi-stock management,” this approach steps away from mallards and relies on 4 species that better capture harvest opportunities for eastern hunters. Dr. Min Huang and Dr. Pat Devers rejoin the podcast to provide details behind this approach and discuss other issues on the horizon for waterfowl management in the U.S. Listen now: www.ducks.org/DUPodcastSend feedback: DUPodcast@ducks.orgSPONSORS:Bird Dog Whiskey and Cocktails:Whether you're winding down with your best friend, or celebrating with your favorite crew, Bird Dog brings award-winning flavor to every moment. Enjoy responsibly.

The authors of The People Are Not One: Socialist Strategy After Left Populism join us to discuss their intervention against the electoral-populist trajectory of the US left, their debate with Geese, and their solutions for reviving a Marxist left. SEE Derick Varn and Tutt on theirFor the full episode, support the show at http://patreon.com/c/thiswreckageBook Tour!Philadelphia — July 20 6:00 PM — RSVP Free Library of PhiladelphiaBaltimore — July 21 7:00 PM — RSVP: Red Emma'sWashington, DC — July 24 6:30 PM — RSVP: People's BookNew York — July 25 7:00 PM — RSVP: Woodbine with This Wreckage New Jersey - July 26 5:00 PM Jersey Shore Arts CenterGeese debate: https://www.geesemag.com/articles/in-defense-of-left-populism-a-response-to-the-people-are-not-one?t=1 https://danieltutt.substack.com/p/the-people-are-not-enough?r=2m9aw&utm_medium=ios&triedRedirect=trueMarcuse essay: https://www.marcuse.org/herbert/pubs/70spubs/Marcuse1979Bahro.pdfSong: The Fall - A New Face in Hell

JOIN US AT THE 2026 DUCKS UNLIMITED EXPO! July 31 - August 2 at the RENASANT CONVENTION CENTER in Memphis, TN The best hunting gear starts with real hunters solving real problems.In this episode of the DUX Series, host Jimbo Robinson and co-host David Schuessler sit down with Brooke Richard of Higdon Outdoors to talk decoys, motion, product development, and what's driving innovation in modern waterfowl hunting.The conversation explores Higdon's history, from the original motion decoys that helped define the brand to the newest products making their debut at DUX. Brooke shares how feedback from hunters influences every stage of development and why the company continues to push improvements in realism, durability, and usability.Whether you're a gear enthusiast, serious waterfowler, or simply curious about what goes into designing products hunters rely on every season, this episode offers a behind-the-scenes look at one of the most recognized names in waterfowl hunting.Topics CoveredThe story behind Higdon Outdoors and its evolutionWhy motion remains one of the biggest innovations in decoyingNew product launches debuting at DUXHow hunter feedback shapes product developmentFavorite waterfowl destinations across North AmericaMentorship, calling culture, and the next generation of huntersListen now: www.ducks.org/DUPodcastSend feedback: DUPodcast@ducks.orgSPONSORS:Bird Dog Whiskey and Cocktails:Whether you're winding down with your best friend, or celebrating with your favorite crew, Bird Dog brings award-winning flavor to every moment. Enjoy responsibly.

JOIN US AT THE 2026 DUCKS UNLIMITED EXPO! July 31 - August 2 at the RENASANT CONVENTION CENTER in Memphis, TN Discover how preserving hunting stories can support firefighter health and cancer prevention.Host Wade Shoemaker talks with Gray Schneider, founder of Season of Stories, a traveling journal project inspired by the loss of his brother-in-law, firefighter Wade Cannon, to occupational cancer.What began as a way to preserve outdoor memories and family stories has grown into a fundraising and awareness effort focused on helping firefighters gain access to life-saving cancer screenings. Along the way, the project has become a unique collection of hunting stories, personal reflections, and outdoor traditions written by hunters from across North America.In this episode:How Season of Stories was inspired by a firefighter's fight against cancerWhy handwritten journals still matter in a digital worldThe connection between storytelling, hunting traditions, and legacyHow the project funds cancer screenings for firefightersThe journey of a traveling journal through the hunting communityPlans to expand beyond waterfowl into other outdoor pursuitsListen now: www.ducks.org/DUPodcastSend feedback: DUPodcast@ducks.orgSPONSORS:Bird Dog Whiskey and Cocktails:Whether you're winding down with your best friend, or celebrating with your favorite crew, Bird Dog brings award-winning flavor to every moment. Enjoy responsibly.

JOIN US AT THE 2026 DUCKS UNLIMITED EXPO! July 31 - August 2 at the RENASANT CONVENTION CENTER in Memphis, TN In the late 1990s, waterfowl harvest managers in the Atlantic Flyway began exploring new approaches to tie harvest regulations for their states to eastern mallards and other duck populations that were the primary source of Atlantic Flyway harvest. Dr. Min Huang, Connecticut Dept. of Energy and Environmental Protection, and Dr. Pat Devers, USFWS, join the podcast to lead a discussion on these early days and eventual implementation of Eastern Mallard AHM.Listen now: www.ducks.org/DUPodcastSend feedback: DUPodcast@ducks.orgSPONSORS:Bird Dog Whiskey and Cocktails:Whether you're winding down with your best friend, or celebrating with your favorite crew, Bird Dog brings award-winning flavor to every moment. Enjoy responsibly.

JOIN US AT THE 2026 DUCKS UNLIMITED EXPO! July 31 - August 2 at the RENASANT CONVENTION CENTER in Memphis, TN What happens when a hunting brand focuses on people first?In this episode of the Ducks Unlimited Podcast, host Wade Shoemaker sits down with Dennis Zuck, CEO of Chêne Gear, and Grayson Morris, Chêne's Community Marketing Manager, for a conversation about community, innovation, conservation, and the future of waterfowl hunting.The discussion begins with Chêne's growth within the hunting industry and how the company has blended heritage-inspired design with modern technology to create products that resonate with hunters. But as Dennis explains, the company's true mission extends beyond gear—it's about creating a place where people feel connected, welcomed, and valued.Along the way, the group shares hunting stories from Arkansas and Montana, discusses memorable product-testing experiences, and reflects on the realities of duck hunting in different regions of the country. They also reveal some of their favorite pieces of Chêne gear and provide a glimpse into upcoming product development and future innovations.The conversation also explores leadership within the hunting industry, the importance of collaboration over competition, and how brands can help create a more welcoming culture for future generations of hunters. From conservation commitments to community events and public-land stewardship, the guests emphasize that healthy hunting traditions require more than great gear—they require intentional investment in people.This episode offers an honest look at what it means to build a brand around relationships, service, and conservation while helping shape the future of the outdoors.Listen now: www.ducks.org/DUPodcastSend feedback: DUPodcast@ducks.orgSPONSORS:Bird Dog Whiskey and Cocktails:Whether you're winding down with your best friend, or celebrating with your favorite crew, Bird Dog brings award-winning flavor to every moment. Enjoy responsibly.

JOIN US AT THE 2026 DUCKS UNLIMITED EXPO! July 31 - August 2 at the RENASANT CONVENTION CENTER in Memphis, TN Great hunts depend on great gear — and the details behind that gear matter more than most people realize.In this episode of the DUX Series, host Jimbo Robinson and co‑host Logan Nevins sit down with Zach Scheidegger and Joe Schroeder of ALPS Outdoors to talk product innovation, design challenges, and what it takes to build gear for serious hunters.The conversation dives into ALPS' evolution from mountaineering equipment into a full outdoor brand with thousands of products spanning hunting, camping, and beyond. From layout blinds to blind bags to unexpected hits like their collapsible fire pit, Zach and Joe share how ideas move from concept to finished product — often through years of testing and refinement.A major focus is their partnership with Ducks Unlimited, including the growing line of DU‑branded gear and how those products help connect customers with conservation. The discussion also highlights the importance of direct feedback from hunters, with events like DUX giving the ALPS team valuable insight into how their gear is used in real-world conditions.This episode is a behind-the-scenes look at how modern waterfowl gear is built — and why thoughtful design makes all the difference when it matters most.Listen now: www.ducks.org/DUPodcastSend feedback: DUPodcast@ducks.orgSPONSORS:Bird Dog Whiskey and Cocktails:Whether you're winding down with your best friend, or celebrating with your favorite crew, Bird Dog brings award-winning flavor to every moment. Enjoy responsibly.

SPONSORS: Look for American Dew limited-time packaging or find it in stores near you at https://mountaindew.com Sign up for your one-dollar-per-month trial and start selling today at https://shopify.com/bears For simple, online access to personalized and affordable care for Hair Loss, Weight Loss, and more, visit https://Hims.com/BEARS Sponsored by BetterHelp. Sign up and get 10% off at https://betterhelp.com/bears If your revenues are at least in the seven figures, get our free business guide, Demystifying AI, at https://www.netsuite.com/bears New DraftKings customers, sign up with code BEARS spend five bucks to get two hundred in rewards within 21 days. https://dkng.co/bears This week on 2 Bears, 1 Cave, Tom Segura and Bert Kreischer celebrate Por Osos landing in Publix just in time for the 4th of July, which sends Bert into a full nostalgic spiral about pub subs, boat days, and taking his daughters into "international waters." From there, things get unexpectedly historical: Tom breaks down the story of the guy who invented the meter and got guillotined for it, which leads them down a rabbit hole of people killed for their big ideas, the French Revolution as the original cancel culture, and Martin Luther versus the Catholic Church. Then it gets personal — Bert tells the full Patrice O'Neal story: getting destroyed at his first open mic, the Edinburgh trip where they lived together for 29 days watching Bruce Lee movies and Bert getting his feelings systematically demolished, and the moment he found out Patrice had tweeted something kind about him right before the stroke. Tom and Bert also spiral deep into funeral planning — who's required to show up, who gets a Sandler video instead of a live appearance, why Ari's funeral is going to involve hardcore Brooklyn relatives and a lot of confusion, the Andrew Schultz balloon clown apology Bert wants delivered posthumously, and whether or not to get cremated when science might figure something out. Plus: horror movies vs. comedy movies as investments, the film Obsession and its director Curry Baker, Bert's dad crashing the podcast mid-funeral conversation, the band Goose vs. the band Geese, and Mount Joy watching Passion of the Christ on the tour bus. 2 Bears, 1 Cave Ep. 331 https://tomsegura.com/tourhttps://www.bertbertbert.com/tourhttps://store.ymhstudios.com In Partnership with DraftKings. The Crown Is Yours. Bet with DK Sportsbook: Gambling Problem? Call 1-800-GAMBLER, 1-800-MY-RESET. New York: call 8778-HOPENY, text HOPENY. Connecticut: call 888-789-7777, visit https://CCPG.org . On behalf of Boot Hill Casino in Kansas. Bet tax pass-through may apply in Illinois. Twenty one plus. Void in Ontario. Event contract trading with DraftKings Predictions involves risk of loss. Sportsbook Bonus bets expire in seven days. $50 in Predictions Dollars issued weekly for three weeks, expire in one year. Redeem one non-withdrawable reward. Availability varies. Predictions offer void in New York. Ends June 28th. Terms at http://dkng.co/audio Chapters00:00:00 - Intro00:02:21 - Por Osos in Publix & Florida Pub Sub Gospel00:08:45 - The Daniel Boone Documentary00:18:51 - The Guy Who Invented the Meter Got Killed for It00:24:59 - People Executed for Big Ideas00:33:46 - Patrice O'Neal Destroys Bert at His First Open Mic00:41:27 - Showtime Special, Party Bus, & Patrice's Funeral00:48:31 - Funerals Vs Celebration Of Life00:57:00 - Nick Kroll, Andrew Schultz & the Balloon Clown Apology01:04:11 - Bert's Dad Chimes In01:05:54 - Noga Erez, Goose Vs. Geese & Mount Joy01:09:02 - Curry Barker's Obsession & Horror vs. Comedy Movies01:15:10 - Wrap Learn more about your ad choices. Visit megaphone.fm/adchoices