Ongoing History of New Music

When someone dies, our first reaction is disbelief...we're stunned...that's immediately followed by a need to know what happened...how?...where?...it's only natural...we need information to help us process the news and the emotion that comes with it... The next stage is might be “could anything have been done to prevent this?”... “Could someone have helped or intervened?”...In some cases, perhaps...in the case of health issues, maybe not... And finally, there's this:... “could what happened to that person happen to me?”...again, totally normal. When it comes to the death of a famous musician, there's an additional aspect to processing the news...chances are we never knew this person as, you know, a person...our only relationship with them has been as a fan...so why does their death affect us? Here's a possible answer...although we never knew them, it was through their music that we learned more about ourselves...and in a way, when they die, a little of us dies, too. This might only cause us to go deeper into what happened...we just need to know, to make sense if it, and to put everything to rest the best we can...yes, some people get very nosey and gossipy and intrusive, but there's always a way to handle what's known through the public record: family statements, doctors' accounts, police reports, coroners' testimony, toxicology examinations, and autopsy results. And we often can't look away because we just need to know...this is “the last moments of, part 2” Learn more about your ad choices. Visit megaphone.fm/adchoices

Ever wonder what really happened in the final hours of some of music's biggest stars? This time, I want to retrace the final hours and days of some of rock's most legendary figures. From heartbreaking health battles to shocking accidents and devastating personal struggles, these are the stories behind the headlines as we piece together the events that led to their final moments and explore the questions, mysteries, and tragedies that still surround them today.  Some stories offer answers. Others leave us with even more questions.  Learn more about your ad choices. Visit megaphone.fm/adchoices

In part two of our series, we continue to figure out why buying concert tickets has become one of the most frustrating consumer experiences…and why it's always been that way. From the evolution of ticketing from physical box offices and early computer systems to the rise of Ticketmaster, we want to understand how service fees, scalping, exclusive venue contracts, and industry power struggles shaped the modern ticket market. Through artists like Pearl Jam and the Grateful Dead, we find out how economics, technology, and demand transformed concerts into a high‑stakes business, setting the stage for today's world of instant sellouts and dynamic pricing. All in the hopes of you getting that concert ticket that you've been waiting for, in the virtual line-up. Learn more about your ad choices. Visit megaphone.fm/adchoices

Buying a concert ticket should be simple and easy...but has it ever been? In this two-part series, we're going to try to unpack the surprisingly long, messy, and often corrupt evolution of ticketing, from ancient Greek theatres to the rise of computerized systems in the late 20th century. We'll dig into how tickets evolved from physical tokens and box-office lineups to early computer-driven services like Ticketron, Select-A-Seat, BASS, and the early days of Ticketmaster. We've seen persistent problems that never seem to go away: scalping, service charges, bribery, counterfeit tickets, unequal access, and frustrated fans. From the very first rock concert disaster in 1952 to the technological growing pains of the 1970s and '80s, there were never any “good old days” when it came to buying tickets. Learn more about your ad choices. Visit megaphone.fm/adchoices

Movie soundtracks once shaped the direction of popular music...and nowhere was that more true than in alternative rock. This week, we go back into the Ongoing History vault to trace the evolution of movie soundtracks from their early, days to their cultural impact in the '80s and '90s. These are albums that helped define, amplify, and sometimes completely redirect alternative music. From the electronic shock of A Clockwork Orange to the cult chaos of The Rocky Horror Picture Show...from the John Hughes films that introduced a generation to British alt‑rock, to era‑defining releases like Singles, Judgement Night, The Crow, and Trainspotting...this is an exploration of how film and music collided at exactly the right moments. Soundtracks may not dominate the charts the way they once did, but their influence is everywhere. Learn more about your ad choices. Visit megaphone.fm/adchoices

There was a time when Canadians didn't believe in Canadian music...unless someone else told us it was good first. To celebrate Canada Day, we're exploring how that mindset changed, and how Canada went from cultural insecurity to producing one of the most influential rock movements of the 1990s. From early radio bias and the “Guess Who?” prank, to CanCon rules, FACTOR funding, the rise of FM radio, and the national impact of MuchMusic, this is the long story of how a domestic music industry was built...piece by piece. We trace the conditions that led to the CanRock explosion of the '90s, spotlighting key artists and moments along the way: Rush, Martha and the Muffins, Blue Rodeo, The Tragically Hip, Sloan, Our Lady Peace, I Mother Earth, and many more. We also dig into the demographics, economics, and cultural shifts that turned Canadian bands into hometown heroes...and international stars. It took decades, smart policy, and a generation ready to embrace its own voice...but the payoff was enormous. This is the story of how Canadian rock found its confidence…and changed everything. Learn more about your ad choices. Visit megaphone.fm/adchoices

Rock music is supposed to belong to the young...but history tells us a different story. This time, we look at artists who refused to quit, even as the years passed and the industry insisted their time was over. From Deborah Harry breaking through with Blondie in her 30s, to James Murphy reinventing himself with LCD Soundsystem at 35, to Leonard Cohen becoming a global icon in his 50s, these are the musicians who proved that success doesn't always come on schedule. They've had to deal with ageism baked into the music business, the realities of grinding it out for decades, and the moments when persistence, timing, and reinvention finally collide. It's a reminder that while breaking through gets harder with age, it's never impossible...and sometimes, the best work comes later. Learn more about your ad choices. Visit megaphone.fm/adchoices

What happens when a band loses its lead singer? Usually, it's the end...but not always. In this episode, we explore 18 bands that survived... and sometimes thrived... after changing singers. From Stone Temple Pilots and Sublime to Alice in Chains, Faith No More, and New Order. Losing your singer doesn't have to mean the end… but surviving it is one of the hardest things a band can do. Learn more about your ad choices. Visit megaphone.fm/adchoices

Distortion was once considered a mistake...now it's a defining force in modern music. This episode explores how broken gear, happy accidents, and fearless artists turned fuzz, feedback, and overdrive into powerful creative tools, shaping everything from early rock to experimental soundscapes. This time, we dive into feedback, overdriven amps, drop-D tuning, and distortion beyond the guitar, touching on organs, synthesizers, experimental music, shoegaze, noise, and drone. From the elegance of controlled sustain to the chaos of Metal Machine Music, this is the story of how musicians learned to embrace imperfection and changed music forever. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, we dive into the Golden Age of Synthesizers, the period from the mid‑'70s to the mid‑'80s when synths became smaller, cheaper, and powerful enough to transform popular music forever. From early experimental machines that filled entire rooms, to the groundbreaking work of innovators like Bob Moog and Don Buchla, we trace how synthesizers moved from academic curiosity to pop‑culture force. Along the way, we hear key moments from artists who helped define the era: Wendy Carlos, Hot Butter, Kraftwerk, Depeche Mode, MGMT, and more. We explore how techno‑pop emerged alongside punk's DIY spirit. Our guides through this electronic frontier are Andy McCluskey and Paul Humphreys of Orchestral Manoeuvres in the Dark (OMD), who were right at the center of the movement. They share insights into the gear, the sounds, and the creative mindset that shaped a generation of music, and still echoes through today's electronic and alternative scenes. From Autobahn to Electricity, from Mellotrons to MIDI, this is the story of how machines rewired music, and how the studio itself became an instrument. Learn more about your ad choices. Visit megaphone.fm/adchoices

One of the many great things about music is that we can enjoy it anywhere…I'm talking about the recorded kind…everyone has a smartphone, and every smartphone has the capability of playing music, whether you're listening to tracks stored in its memory or streaming something from a service like Spotify or apple music…as long as your device has juice, you can enjoy listening to music anywhere you are… Take this program, for example…in its radio show form, it's being heard in homes, cars, offices, and workplaces either over the air or through a stream…if you're listening to the podcast, you might have downloaded it to a phone, a tablet or a laptop which you can fire up anywhere at your convenience… But imagine for moment that you couldn't take your music with you…if you wanted to listen to your favourite songs, you had to be present in a specific place and you couldn't move from it…and that usually meant music inside the home—or perhaps someplace with something like a jukebox… This might sound absolutely awful to you…I mean, we're so used to conjuring up music whenever we want and wherever we are…we take it with us everywhere…it's hard to imagine life without that ability… That's the way it was for most of human history, though…for centuries and centuries, the only way to make music portable was to bring a musical instrument with you and play it yourself… The idea of making recorded music portable—at least in a way that is convenient, cheap, and reliable—is more recent than you might think…and it went through way more incarnations than you may realize… What do you say we take a look at the history of portable music?... Learn more about your ad choices. Visit megaphone.fm/adchoices

Since the dawn of time, humanity has been at war.  Conflict in one form or another has been part of our existence since we first walked the earth.   In this first episode of a four-part series, join military historian David Borys as we travel back in time to Iran, where we chart how a modern monarchy, which was armed, wealthy, and globally backed, lost control. On our journey, we'll be helped by historian Roham Alvandi from the London School of Economics and Political Science. While conflict and armed rebellion have evolved to look very differently over the centuries, if you want to understand the world today, you need to go back because history doesn't just repeat itself; it echoes.   Learn more about your ad choices. Visit megaphone.fm/adchoices

One of the many great things about music is that we can enjoy it anywhere…I'm talking about the recorded kind…everyone has a smartphone, and every smartphone has the capability of playing music, whether you're listening to tracks stored in its memory or streaming something from a service like Spotify or apple music…as long as your device has juice, you can enjoy listening to music anywhere you are… Take this program, for example…in its radio show form, it's being heard in homes, cars, offices, and workplaces either over the air or through a stream…if you're listening to the podcast, you might have downloaded it to a phone, a tablet or a laptop which you can fire up anywhere at your convenience… But imagine for moment that you couldn't take your music with you…if you wanted to listen to your favourite songs, you had to be present in a specific place and you couldn't move from it…and that usually meant music inside the home—or perhaps someplace with something like a jukebox… This might sound absolutely awful to you…I mean, we're so used to conjuring up music whenever we want and wherever we are…we take it with us everywhere…it's hard to imagine life without that ability… That's the way it was for most of human history, though…for centuries and centuries, the only way to make music portable was to bring a musical instrument with you and play it yourself… The idea of making recorded music portable—at least in a way that is convenient, cheap, and reliable—is more recent than you might think…and it went through way more incarnations than you may realize… What do you say we take a look at the history of portable music?... Learn more about your ad choices. Visit megaphone.fm/adchoices

2026 is an important year in Ramones history… The 25th anniversary of Joey's death, the first member of the band to leave us. The 30th anniversary of the last Ramones show. The 50th anniversary of their debut album's release. Let's cover all of that with this triple tribute to one of the greatest and most important bands in the history of rock. Learn more about your ad choices. Visit megaphone.fm/adchoices

This is chapter six of a five-part series on the greatest alt-rock one-hit wonders of the last 50 years…yes, chapter six of five…after going through a ton of data—radio charts, Spotify plays, and YouTube views, mostly—I thought I'd compiled a really solid list…and it was—except for a few things that need some attention: the errata… This means songs that should have been on the original top 50 list but were for whatever reason left out…those omissions need to be addressed—and we will…I've identified five such songs, so if you've been following along and were wondering why a certain favourite one-hit wonder was left out, maybe you'll find some satisfaction… We'll get to those later…first, though, I want to talk about some songs that did not fit the criteria of making international radio charts and fell under the minimum threshold of Spotify plays and YouTube views…at the same time, though, it feels like the stories of these songs should be told…you know what I mean?...they are great but not the biggest… This is a bonus episode on the 50 biggest all-time alt-rock one-hit wonders Learn more about your ad choices. Visit megaphone.fm/adchoices

Through the first four episodes of this Top 50 Biggest Alt-Rock One-Hit Wonders of All Time series, we've gone through songs 50 to 11, so that means we are ready for the top 10 songs. If you've been following along, there may have been a few surprises along the way…and you may have been trying to guess what songs will finish in the upper regions of this list…now we're going to find out. These are the final 10 songs in our countdown. Learn more about your ad choices. Visit megaphone.fm/adchoices

How does an artist become famous forever with just one song and never come close again? We continue the countdown of the "50 Biggest Alt‑Rock One‑Hit Wonders of All Time", using five decades of radio charts, Spotify streams, YouTube views, and a specially designed one‑hit‑wonder power ranking. In part 4, we come across... A one‑hit wonder that's also a cover of another one‑hit wonder Gregorian chants that unexpectedly dominated global charts A "Major Tom" sequel A song built on a 1932 trumpet sample and an Atari computer An anarchist collective that somehow conquered the world Learn more about your ad choices. Visit megaphone.fm/adchoices

This is Part 3 of the 50 Biggest Alt‑Rock One‑Hit Wonders of all time...numbers 30 to 21 featuring Dishwalla, EMF, Spacehog, Harvey Danger, and more. And of course, the stories behind these one-hit wonders. Learn more about your ad choices. Visit megaphone.fm/adchoices

Our countdown of the biggest alt‑rock one‑hit wonders of all time continues as we break down numbers 40 to 31. From K's Choice and Liam Lynch to Animotion, Fun Lovin' Criminals, The Vapours, and more, these are the songs that ruled alternative radio, slipped into pop culture, and forever defined the artists behind them. Using chart history, streaming numbers, and a custom One‑Hit Wonder Power Ranking from our friend Walter the mathematician, we investigate how these songs became massive...and why one moment was all they needed. Learn more about your ad choices. Visit megaphone.fm/adchoices

Something occurred to me the other day: did the person who came up with the term “one-hit wonder” ever come up with anything else that good? I looked it up… the Oxford English Dictionary traces its origin to about 1914, when baseball was starting to become America's pastime… it was given to pitchers who held the opposing team to just one hit. We do know that when Ramon Monzant was pitching for the San Francisco Giants in 1956, he was given that nickname…to be called a “one-hit wonder” was very high praise. But around the same time, “one-hit wonder” migrated over to the music world and acquired a pejorative ring…in musical terms, a one-hit wonder was an artist who could manage one and only one big song…everything else they might have done was a flop, a stiff, a failure, and was ignored. Billboard magazine began to incorporate the phenomenon of the one-hit wonder when it came to its charts…their definition was an artist who released just one song to reach the top 40, the realm of “hits” on the singles charts. But that's pretty narrow and really only considers songs and artists for that one chart…what about all the other non-top 40 artists who achieved fame for one and just one song? The more I went down this rabbit hole, the more intrigued I became…was there a way to look at the history of alternative music to determine the biggest one-hit wonders of all time? There just might be…and after going through a lot of numbers and statistics, I may have cracked it…But I'm going to let you be the judge…This is part one of the 50 biggest all-time alt-rock one-hit wonders of the last 50 years. Learn more about your ad choices. Visit megaphone.fm/adchoices

There's just something fun about learning to play one of your favourite songs for yourself…you know, learning the lyrics, figuring out the chords and the rhythm and deconstructing all the constituent parts… Then you get deeper…you begin to appreciate how everything fits together, the artistic decisions made by songwriter made, what kind of musical skill is required, the sort of production that was employed all that…and by the time you've learned the song, you've learned a whole lot of other things, too…and you're probably a better musician as a result…this is why learning to play other people's music is so important… Now let's look at it from the other side…if a song can be interpreted multiple times by many different people and it still sounds good, then that is a great song… The best compositions not only sound great when played by a full band, but also sound great when performed by one person around a campfire… And finally, there's the fan aspect of all this…people love to hear songs done in different ways by different artists…sometimes the cover is even better than the original—or, at the very least, is revealed to be something more in the hands of someone else… With all this in mind, I've assembled a list of cover songs…and we're going to go through with them to determine what makes them (and the original) great… Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, we're going deep into the Ongoing History of New Music vault to talk about "Definitions". Often in the music world, we hear terms discussed...but where did they come from, and what do they mean? What do "New Rock" and "Alternative" mean? What's a "Major Label" or "Indie"? "Boutique" and "Vanity"? Got that covered too. Learn more about your ad choices. Visit megaphone.fm/adchoices

Blink‑182's story has always been chaotic, inspirational, and a little unbelievable...and the last decade has been no exception. We thought this would be a good time to revisit the band's evolving saga since our original 2017 trilogy on their rise, fall, and rise again. A lot has happened: lineup changes, personal crises, UFO hunting, bestselling side projects, a Grammy nomination, a global pandemic, and even a life‑threatening illness that ultimately brought them back together. We pick up the trail with the Matt Skiba era and the unexpected resurgence brought on by the "California" album. From there, we follow the band through creative experiments, personal struggles...including Mark Hoppus's battle with stage‑4 lymphoma...and the emotional reunion that brought Tom DeLonge back into the fold. The result? A renewed Blink‑182, a triumphant Coachella comeback, and their 2023 album "One More Time". It's a story of fractures, forgiveness, survival, and one of the most resilient bands in modern punk history. Blink‑182 is well into their fourth decade...so how much longer can they run? If history is any clue, never count them out. Learn more about your ad choices. Visit megaphone.fm/adchoices

The music video didn't just shape pop culture…it defined it.  From the glam‑soaked excess of the '80s and '90s to the gritty authenticity of the alt‑rock era, and finally to the algorithm‑driven, globally connected internet age, the music video has lived many lives. In part two of this deep dive, we trace the rise, collapse, and surprising rebirth of the music video that once ruled MTV and MuchMusic. We look at the groundbreaking work of directors like Spike Jonze, the multimillion‑dollar spectacles of superstars like Madonna and Michael Jackson, and the moment YouTube and smartphones permanently rewired how we watch, and make, music videos. From Pearl Jam's refusal to play the game, to viral sensations like OK Go, to the billion‑view world of K‑pop and global micro‑scenes, we discover that the music video isn't dead. It escaped television. And it's thriving. This is Part 2 of the Rise and Fall and Future of the Music Video. Learn more about your ad choices. Visit megaphone.fm/adchoices

For decades, music videos weren't just promotional add‑ons…they were the beating heart of global pop culture.  The music video affected the art of movie-making...it affected the way we look at tv, not to mention fashion, language, politics, gender fluidity, LGBTQ issues, and so much more…videos may have altered our attention spans–which kind of concerns me because this program is an hour long and I need you to hang in there with me... Music videos exported soft power from the West, especially the United States, to the rest of the world. At one point, MTV was one of the most influential creators and disseminators of culture….and by “culture” I mean America. That was then…music videos are still an art form and still necessary (well, mostly necessary) for promoting music…but things just aren't what they used to be… How did we get to this point?...this is the rise and fall and future of the music video…part 1 Learn more about your ad choices. Visit megaphone.fm/adchoices

Music is not only a powerful motivating tool, but it's also a way to get a message out to a vast number of people…and when things hit the fan, music can be used to let the powers-that-be know that we see what you're doing, and we are not happy about it…We wish to protest. Protest songs help coalesce thoughts and feelings about things like social, political, and labour injustice…they help rally people to a cause and sometimes inspire action against oppressors or those who seek to abrogate rights, keep people down, and try to gain power by spreading lies and propaganda.  Sometimes they call out specific people, organizations, and issues…in other cases, they're couched in metaphors and stories…but make no mistake: this music is “us” and “them” and the “them” needs to be addressed.  This kind of music has never gone away and is still very much with us…despite that, a lot of people ask, “Whatever happened to protest songs?” Nothing…they're right here…and they've always been right in front of us…let me explain…this is a brief history of protest music, part 2. Learn more about your ad choices. Visit megaphone.fm/adchoices

This can be a weird, difficult world, filled with injustice, inequality, and bad people doing bad things…we're always up against things like racism, women's rights, labour rights, the plights of marginalized people, class struggle, the disenfranchised, various social movements—the list of righteous causes and grievances is pretty much endless. And sometimes, you just gotta fight back…but how?... Not all occasions called for armed insurrections and assassinations. One way is through music…come up with something topical and specific, put it all to music, and you have a chance of getting your message to a lot of people…and because it's music, you might be able to reach those who might not otherwise be aware of the problem or understand what the problem is. This music isn't confined to a specific people or group or genre or era…you can be loud and angry and filled with the greatest moral virtues screamed at the top of your lungs. But you don't have to be in-your-face about it…your messaging can be subtle while still maintaining all the necessary effectiveness, rage and authenticity. Such songs have a long and fascinating history that goes back way further than you might realize…and these songs are everywhere today, although you may not realize it. This is a brief history of protest music, part 1 Learn more about your ad choices. Visit megaphone.fm/adchoices

Students of classical music know that Johann Sebastian Bach was one of the most important and influential composers of all time…his use of instruments, four-part harmonies, and use of innovative structures in his material were all brilliant… When he was alive, he commanded plenty of respect…but after he died in March 1685, he was almost forgotten…the only reason we talk about him today is that there was a Bach revival in the 19th century…he became a retro hero in the world of classical music… No one knew anything about Robert Johnson when he was alive other than some myths and legends among hardcore fans of Delta Blues…but when his records were reissued in 1961, 23 years after he died, did his reputation explode… Charles Mingus was revered by fellow jazz artists…it was only after he passed away in 1979 that his influence on jazz was celebrated… We can also talk about posthumous praise for Nick Drake, Jeff Buckley, and Elliott Smith…and although Tupac and Biggie were big stars when they were shot, they became even bigger stars in death… I'm going to add another name to this list: Ian Curtis and Joy Division…when Ian took his own life in May 1980, he and the band were so skint that he had to give his dog away because he and his wife couldn't afford to feed him… Today, though, Ian and Joy Division are acknowledged as one of the most important and most influential post-punk bands ever…why?...what was the big deal about Joy Division? And why do they continue to be a big deal?...let's examine this. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Part 2 of our deep dive into Post Rock, we explore the bands and ideas that have shaped this experimental and atmospheric approach to music. From Slint and Mogwai to Sigur Rós and Explosions in the Sky, we look at how these bands create something cinematic...emotional...and entirely unexpected. We also look at how post‑rock influences artists like Radiohead and Broken Social Scene, and why this musical philosophy continues to spread all across the globe. Prepare to discover new bands, new sounds, and a new way of thinking about what rock can be. Learn more about your ad choices. Visit megaphone.fm/adchoices

What exactly is "Post‑Rock"? In this first installment of a two‑part deep dive, we unpack one of the most misunderstood labels in modern music. From its origins in the 1960s to its evolving relationship with rock, ambient, jazz, and experimental traditions...Post-Rock has come to mean different things to different listeners. In part 1, we focus on where the term came from and what it was originally trying to describe. We explore ideas like: The cultural and musical context that gave rise to post‑rock Why the genre resists simple definitions Early artists and scenes that shaped its sound and philosophy How “using rock instruments for non‑rock purposes” became both a manifesto and a limitation Rather than treating post‑rock as a fixed style, we look at it as an idea...one that reflects broader shifts in how music moved away from verse‑chorus structures and toward texture, atmosphere, and long‑form composition. Learn more about your ad choices. Visit megaphone.fm/adchoices

I'll be honest and say that this is not a happy show…in fact, it's probably the saddest episode of the year…then again, it's an opportunity to pay tribute to the musicians we lost in 2025. They're gone, but that's the thing about being a musician…the songs they left behind will remain with us for many, many years.  I'm going to go through a list of deaths…this list isn't comprehensive because we just don't have the time to cover all the “RIP's” that happened...and because there are so many, I'll probably miss a few, and for that, I apologize in advance. This is 2025 in memoriam, a tribute to rock stars who passed. Learn more about your ad choices. Visit megaphone.fm/adchoices

On October 12, 1978, punk's most infamous couple...Sid Vicious of the Sex Pistols and Nancy Spungen...hit rock bottom at New York's Chelsea Hotel. Nancy was found dead from a single stab wound in Room 100. Sid was charged with murder, but was he really the killer? Or was it someone else in their chaotic circle? This is “Uncharted: Crime and Mayhem in the Music Industry”…and this time, it's the wild story of the death of Nancy Spungen and the questions that still remain decades later…Was it a drug-fueled accident, a robbery gone wrong, or something darker? Learn more about your ad choices. Visit megaphone.fm/adchoices

We are going to talk about drummers on this show…i just want you to know right from the start just in case you wanna roll your eyes and go “really? Do we have to?”   Yes, we have to…there have been countless stories told about great guitarists and singers and keyboardists…drummers?... Not so much, unless your name is Dave Grohl. And we will get to him.   So this was going to a profile of my favourite drummers in alt-rock…but then I got to thinking: how much do we know what about drummers play?... How many histories of the electric guitar have been written?... Monographs, coffee table books, books on collectible guitars…   Now think about the books written about keyboards…there's about three linear feet of bookshelf in my office taken up just by books on the history of synthesizers…   But what about the drums today's drummers play?...    No, I think it's time that we not only talked about drummers but also drums…think about it: how did the modern drumkit come into being?...there's a pretty standard sort of set-up…how did that come about?...why do we play drums the way we do?... And who should we thank for making drums into what they are today?...cymbals and foot pedals and snare…where did all that come from?...   See?...you're curious now, aren't you?...well, stand by…the history of the modern drumkit is coming up…this is stuff even most drummers don't know… Learn more about your ad choices. Visit megaphone.fm/adchoices

I once had a conversation with someone about the craziest tours in the history of music…the usual names came up.   The who trashing hotel rooms…led zeppelin's tours with their private jet, groupies, and tons of drugs…that time in Atlanta when Ozzy drank himself into oblivion, passed out in the wrong hotel room for 24 hours, and missed a show as a result.   In 1976, ZZ Top tried to take the entire Texas experience on the road, which involved transporting real live animals to every gig…a buffalo escaped and managed to wreck nine rented limos that were parked at the gig.   Around the same time, there was the disastrous Sex Pistols tour of America…there were also stories about The Rolling Stones, Metallica, Van Halen, and all the usual suspects. But the conversation turned to the subject of the most depraved and dangerous tour of all time…who was responsible for that?... Motley Crue?...Marilyn Manson?...Oasis?   The debate when on for some time—until someone mentioned a road trip in 1993 that nearly killed every member of the group.   We're not talking about any sort of violence…it was a tour featuring so much alcohol, so many drugs, and so much stupid behaviour that members suffered heart attacks, seizures, serious mental illness, and overdoses so serious that one member was clinically dead for two minutes.  That was a summary of something called “The Devotional Tour”…at the centre of it was Depeche Mode…it has gone down in rock history as “the most debauched rock tour ever”.   This is episode 37 of “Uncharted: Crime and Mayhem in the Music Industry,” an inside look at the tour that nearly took down Depeche Mode forever…and it was all their fault. Learn more about your ad choices. Visit megaphone.fm/adchoices

This is my annual data dump featuring music information you didn't know you needed…over the last 12 months, I've collected this material on scraps of paper, post-it notes, on my iPhone's “notes” app, and in various files on my computer…and these are the best 60 mind-blowing facts about music I can offer for 2025.  This is the 11th year that I've been doing this…maybe there's a book in here somewhere…i don't know…maybe…one day… Whatever…a lot of random information is about to come your way…do your best to ingest what you can…ready?....let's go. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this third and final chapter of our look at Why Bowie Still Matters, we explore the last two decades of his life and the innovations that cemented his legacy. From pioneering digital music distribution and launching BowieNet, to creating “Bowie Bonds”...something that changed the music business...Bowie was always ahead of the curve. We revisit his late-career albums, his secret comeback with "The Next Day", and the farewell gift of "Blackstar". Plus, the stories behind his art, his influence on countless genres, and why his impact continues to grow even ten years after his passing. Bowie didn't just make music...he reshaped culture...and this is Why Bowie Still Matters. Learn more about your ad choices. Visit megaphone.fm/adchoices

David Bowie wasn't just a rock star...he was a cultural architect who reinvented music, fashion, and identity. In part 2 of "Why Bowie Still Matters", we explore Bowie's groundbreaking mid-70s to early-80s era: from the cocaine-fueled chaos of Station to Station and the birth of the Thin White Duke, his "Berlin Trilogy" with Brian Eno that shaped post-punk and electronic music. And we'll explore how albums like Low, Heroes, and Lodger influenced everyone from Joy Division to Duran Duran, Depeche Mode, Radiohead and others. Meanwhile, Bowie's constant creativity sparked movements like New Wave and the New Romantics. And then we reach Bowie's bold reinvention...again... in the 90s with Tin Machine and Trent Reznor. Learn more about your ad choices. Visit megaphone.fm/adchoices

It's been nearly a decade since David Bowie left us, and the world hasn't really been the same since. In the first of a three part series, we explore why Bowie's influence goes far beyond music...shaping fashion, art, technology, and even social movements. From his early days writing songs he would really rather forger about...to the birth of Ziggy Stardust...his role in shaping glam rock, gender expression, and even the evolution of punk. Bowie changed everything. David Bowie redefined what it meant to be a rock star...and this is why his legacy matters. Learn more about your ad choices. Visit megaphone.fm/adchoices

If there's an official mission statement for the kind of music we all love, it's “sex, drugs, and rock'n'roll” …these are the three main food groups in this world… All three of these things affect the same portions of the brain:  the amygdala, the nucleus accumbens, and the cerebellum…. All of them are involved in the secretion and regulation of dopamine, the “feel-good” hormone…  Dopamine is a very addictive hormone…whenever our brains squirt it out, the body goes “this is good!  I want more!” …it happens when we hear a great song….it happens with certain drugs and alcohol, which is the basis of addiction…and it happens with an orgasm… Once you're inside this bubble, you may find things rather permissive…as long as you're producing, people will look the other way…there's no one to tell you “no”…and it doesn't take long for some people to get lost in this world, coming to believe that normal rules of polite society don't apply….you're special, meaning that you can do anything… That's when your judgement starts to become suspect…and that's when things start to get strange…how strange?...well… Welcome to a show all about rock'n'roll and weird tales of sex. Learn more about your ad choices. Visit megaphone.fm/adchoices

Going on tour is hard…you're away from home for months at a time…there's little sleep, bad food, too many drugs, a surfeit of alcohol, late nights, temptations into bad behavior, crazy people, and that bass player who refuses to wash his feet, probably because he's on his phone moaning to his girlfriend about how miserable he is…   All that occupies about 22 hours of the day…the best times come when you're at the venue…there's the excitement of the lead-up, the after-show satisfaction, and in between, the gig itself…   But every show is different…a different city…a different place to sleep…vans, buses, and, if you're lucky, airplanes…for that time on the road, your sanctuary becomes the dressing room, the one place over which you have some measure of control—if you know what you're doing…   This brings me to the concert rider, the part of the contract with the promoter that specifies what an act has to be provided with before, during, and after a show…   Once the band arrives, the road manager is the point-person…he or she has to make sure the promoter adheres to the terms of the rider…   Most of the details are pretty mundane because they're basically logistical…the times of the load-in and load-out…electrical requirements and the number of local electricians required to make them happen…how many forklifts and drivers are needed to move gear around…catering for the crew…parking for the tour buses…how merch sales are going to work…that kind of thing…   Where things get interesting are the artist's requirements, the things they need backstage to ensure they're in a good headspace to play a great show…mess up the rider and the promoter runs the risk of having a pouty, petulant, and otherwise pissed off performance…   And i get it…if you're an artist and you don't get what you need before a gig, then you're going to feel disrespected…   Coming up with a list of requests that can be enforced night after night, venue after venue, city after city, and country after country is a delicate and essential thing…and let's just say that some bands are better than others at this sort of thing…   Welcome to the wild work of the backstage rider… Learn more about your ad choices. Visit megaphone.fm/adchoices

Why does music move us so deeply...even when we don't hear it? From brain scans lighting up with musical memories to how songs can fight loneliness, boost productivity, and even repel mosquitoes, this episode dives into the strange science behind sound with another exploration into the medical mysteries of music.

There are plenty of unexplained things in the world of music…these are things that we often don't even question…why do we do these things?...what is this called that?...who came up with that idea? Let's deal with some of that. This is another episode of something I call “The Rock Explainer”. Learn more about your ad choices. Visit megaphone.fm/adchoices