Podcasts about Madchester

Hoy en La Gran Travesía nos vuelve a acompañar Dani Pérez para la segunda parte del recorrido por lo más destacado del Pop Rock Underground británico de la década de los años 80. En este especial repasamos desde los sonidos algo más electrónicos y el noise pop hasta el Ska, los New Romantics o el sonido Madchester de finales de los 80. Podréis escuchar a Madness, Echo and the Bunnymen, Sad Lovers and Giants, The Fall, Red Lorry Yellow Lorry, Happy Mondays, Dexy´s Midnight Runners, Smiths, New Order, Stone Roses... También recordaros que ya podéis comprar La gran travesía del rock, un libro interactivo que además contará con 15 programas de radio complementarios, a modo de ficción sonora... con muchas sorpresas y voces conocidas... https://www.ivoox.com/gran-travesia-del-rock-capitulos-del-libro_bk_list_10998115_1.html Jimi y Janis, dos periodistas musicales, vienen de 2027, un mundo distópico y delirante donde el reguetón tiene (casi) todo el poder... pero ellos dos, deciden alistarse al GLP para viajar en el tiempo, salvar el rock, rescatar sus archivos ocultos y combatir la dictadura troyana del FPR. ✨ El libro ya está en diversas webs, en todostuslibros.com Amazon, Fnac y también en La Montaña Mágica, por ejemplo https://www.mdemagica.es/libro/gran-travesia-del-rock-la_53628 ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además podéis acceder a todo el archivo histórico exclusivo. Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Con, Piri, Don T, Gezkurra, Tete García, Jose Angel Tremiño, Marco Landeta Vacas, Oscar García Muñoz, Raquel Parrondo, Javier Gonzar, Eva Arenas, Poncho C, Nacho, Javito, Alberto, Tei, Pilar Escudero, Utxi 73, Blas, Moy, Juan Antonio, Dani Pérez, Santi Oliva, Vicente DC,, Leticia, JBSabe, Huini Juarez, Flor, Melomanic, Noni, Arturo Soriano, Gemma Codina, Raquel Jiménez, Francisco Quintana, Pedro, SGD, Raul Andres, Tomás Pérez, Pablo Pineda, Quim Goday, Enfermerator, María Arán, Joaquín, Horns Up, Victor Bravo, Fonune, Eulogiko, Francisco González, Marcos Paris, Vlado 74, Daniel A, Redneckman, Elliott SF, Guillermo Gutierrez, Sementalex, Jesús Miguel, Miguel Angel Torres, Suibne, Javifer, Matías Ruiz Molina, Noyatan, Estefanía, Iván Menéndez, Niksisley y a los mecenas anónimos.

I discuss the Happy Mondays' 1990 Madchester classic, Pills 'n' Thrills and Bellyaches.

Portada "baggy" la de este Turbo 3 con tres cañonazos de la escena Madchester, firmados por Happy Mondays, The Stone Roses y The Charlatans. Además, novedades de Zahara -escuchamos 'Demasiadas canciones', último avance de su próximo y esperado disco, 'Lento ternura'-, Lucy Dacus -te presentamos 'Best Guess', bonita canción en la que la autora reflexiona sobre las relaciones amorosas y que además funciona como adelanto de su nuevo álbum, 'Forever Is A Feeling'-, y Amaral -escuchamos 'Dolce vita', tema que da título a su nuevo álbum-. Playlist:HAPPY MONDAYS - Kinky AfroTHE STONE ROSES - Fools GoldTHE CHARLATANS - The Only One I KnowBLUR - There's No Other WayOASIS - Champagne SupernovaLUCY DACUS - Best GuessJULIEN BAKER & TORRES - SylviaPHOEBE BRIDGES - KyotoBELLE AND SEBASTIAN - Another Sunny DayISOBEL CAMPBELL & MARK LANEGAN - Come on Over (Turn Me On)MUSE - Feeling GoodMUSE - PsychoMUSE - ReapersTOM MORELLO - Soldier In The Army of Love (feat. Roman Morello)BLACK SABBATH - After ForeverLED ZEPPELIN - Trampled Under FootTUNDE ADEBIMPE - DropZAHARA - Demasiadas cancionesLEÓN BENAVENTE - En el festínJOE CREPÚSCULO - Enamorado de tu reverbMELIFLUO - Los monstruos interioresVIVA SUECIA - Algunos tenemos feLOVE OF LESBIAN - ¿Qué vas a saber? (feat. Amaral)AMARAL - Dolce vitaSLOWLY SLOWLY - HurricaneCIRCA WAVES - Like You Did BeforeEscuchar audio

By 1994, grunge had waned and Madchester had set the table for the next massive wave of British music—the UK was ready for its next big rock band to refocus the global lens back on ol' Blighty. That's when Oasis popped onto the scene fully formed and captured the mantle with their iconic haircuts, perfect clothes, explosive feuds, and of course, their absolute bangers. Join along as Yasi Salek and her Wonderwall, The Ringer's Rob Harvilla, ask each other: where were you while Oasis was getting high? In this part one of two, we cover everything between the band's formation and what led up to the legendary Britpop chart battle.  SKIP AHEAD: 6:48 – Formation: Liam and Noel Gallagher 29:57 – Formation: Other band members 45:15 – Oasis pre-Noel 1:03:06 – Oasis gets signed 1:36:41 – First single “Supersonic”  2:12:49 – “Definitely Maybe”  3:06:48 – Early Britpop Battle EPISODE PLAYLIST: Listen to songs we detail in the episode ⁠HERE⁠ CREDITS: Host: Yasi Salek @yasisalek Guest: Rob Harvilla @robharvilla Producer: Liz Sánchez  Audio Editor: Adrian Bridges Additional Production Supervision: Justin Sayles Theme Song: Bethany Cosentino Buy tickets for the live show HERE Learn more about your ad choices. Visit podcastchoices.com/adchoices

Ok, Yasi and the Scots are back for Madchester part two. We last saw The Stone Roses after they released their celebrated EP Sally Cinnamon, on the brink of a make-or-break decision: should they sign to Jive or Rough Trade? Meanwhile, the Happy Mondays were riding the wave of their debut album Squirrel and G-Man Twenty Four Hour Party People Plastic Face Carnt Smile (White Out), and guess what? They have a new friend: Ecstasy. They're now starting to make music influenced by its heart-opening potency. This is when the rave scene starts to bubble up from the dark Manchester clubs, like the Hacienda. Listen as we trace the back half of both bands' short but very sweet catalog, from Madchester Rave On to the Second Coming. SKIP AHEAD: 22:05 - Happy Mondays release ‘Wrote For Luck' single and later Bummed (1988) 1:04:28 - The Stone Roses drop their self-titled debut album (1989) 1:23:27 - Happy Mondays release Madchester Rave On EP (1989) (featured on Bummed Collector's Edition: Hallelujah / Holy Ghost / Clap Your Hands / Rave On) 1:30:30 - Madchester and “Rave” Origins 2:10:53 - Happy Mondays release Pills 'N' Thrills And Bellyaches (1990) 2:36:00 - Happy Mondays record …Yes Please (1992) 2:47:34 - Happy Mondays break up (1993) 2:51:21 - The Stone Roses release their last album Second Coming (1994) 3:13:05 - The Stone Roses break up (1996) EPISODE PLAYLIST: Listen to songs we detail in the episode ⁠HERE⁠ CREDITS: Host: Yasi Salek Guests: John Niven, Chlöe Walsh Producer: Liz Sánchez Audio Editor: Adrian Bridges Additional Production Supervision: Justin Sayles Theme Song: Bethany Cosentino Learn more about your ad choices. Visit podcastchoices.com/adchoices

Ce 11 novembre, Marjorie Hache revient avec un mélange parfait de classiques et de nouveautés. Parmi les classiques, on retrouve The Beatles avec "You Won't See Me", Rage Against The Machine avec "Renegades of Funk" et Sam & Dave avec "Soul Man". Côté nouveautés, The Horrors nous présentent "Trial By Fire", extrait de leur futur album "Night Life", et Gus Englehorn dévoile "One Eyed Jack Pt. I et Pt. II", un artiste passé du snowboard à la pop psychédélique. L'album de la semaine est "Songs Of A Lost World" de The Cure, avec le titre "Drone" aux accents funk gothiques. Le live du jour est "Walking In My Shoes" de Depeche Mode, enregistré à Berlin en 2014. La reprise de la soirée est "Children of the Revolution" de T-Rex, revisitée par Violent Femmes. En long format, on savoure "Fools Gold" des Stone Roses, emblématique de la scène Madchester. La playlist de l'émission : Jack White - Archbishop Harold Holmes The Heavy - Heavy For You The Beatles - You Won't See Me PJ Harvey - Down By The Water The Horrors - Trial By Fire Rage Against The Machine - Renegades Of Funk Garbage - Stupid Girl The Cure - Drone:Nodrone Elvis Presley - I Got A Feeling In My Body Swani John Reis - Harbor Freight Sam & Dave - Soul Man Sharon Van Etten & The Attachment Theory - Afterlife Violent Femmes - Children Of The Revolution The Black Keys - Sister Massive Attack - Special Cases La Femme - Clover Paradise AC/DC - If You Want Blood Depeche Mode - Walking In My Shoes (Live In Berlin) Stevie Wonder - Higher Ground Nine Inch Nails - Head Like A Hole Gus Englehorn - One Eyed Jack Pt. I And Ii The Breeders - Cannonball The Easybeats - See Saw Eels - Souljacker Stone Roses - Fools Gold

Babe, wake up, the new Bandsplain season just dropped. And what dark alleyways is Yasi leading us down next? This season we're gazing across the pond toward the underground scenes of the 80s and 90s in the UK following the peak of punk music – namely, Madchester, Brit Pop, and shoegaze. For our first episode, music industry savants and known Scots John Niven and Chlöe Walsh look back on “Baggy” and how the Happy Mondays and The Stone Roses revitalized indie music and helped cement the rise of rave culture in the industrial, Dickensian landscape that also birthed The Smiths, Joy Division, and The Buzzcocks, as well as Oasis a decade later. Whether you're a longtime fan or new to the scene, this season is sure to turn you into a 24-hour-podcast person. SKIP AHEAD: 20:43 - Formation of Happy Mondays 1:00:40 - Formation of The Stone Roses 3:12:05 - Squirrel And G-Man Twenty Four Hour Party People Plastic Face Carnt Smile (White Out) (1987) 3:31:21 - Sally Cinnamon EP (1987) 3:48:06 - Arrival of Ecstasy EPISODE PLAYLIST: Listen to songs we detail in the episode HERE CREDITS: Host: Yasi Salek Guests: John Niven, Chlöe Walsh Producer: Liz Sánchez Audio Editor: Adrian Bridges Additional Production Supervision: Justin Sayles Theme Song: Bethany Cosentino Learn more about your ad choices. Visit podcastchoices.com/adchoices

È tornato ospite per la seconda volta Luca De Gennaro di Radio Capital (e altre ottocento belle cose) per parlare del suo nuovo libro intitolato "Generazione Alternativa 1991-1995". E quindi di Grunge, Britpop, ma anche Acid-Jazz, Madchester, Hip Hop, Bristol, Techno, e tutto quanto abbia caratterizzato musicalmente la prima metà degli anni '90: una varietà di generi che convivevano pacificamente in classifica e, anzi, spesso entravano in contatto, mescolandosi in un bellissimo "crossover" musicale... Instagram: https://www.instagram.com/swing_out_faber/Spotify: https://spoti.fi/2yxp5xCApple: https://apple.co/2WAUcjKSpreaker: https://www.spreaker.com/show/suono-ma-nessuno-apreGrafica di Daris Nardini: https://instagram.com/thedarside?igshid=YmMyMTA2M2Y=Sigla iniziale: "Suono Ma Nessuno Apre" by Michele Poggi

CALL THE COPS! We continue our exploration into the year 1990 with the Happy Mondays' genre-defining classic “Pills 'n' Thrills and Bellyaches.” The Mondays were at the forefront of the Madchester music scene, and the revelry of the music was only rivaled by Shaun and Paul Ryder's mischief offstage. This is a longer episode, but it's a fun one. We know you'll enjoy it.    ********************** NEW BONUS CONTENT FOR PATREON SUBSCRIBERS! If you like what we do at Accelerated Culture Podcast, please consider supporting us on Patreon for only $5 a month: https://www.patreon.com/AcceleratedCulturePodcast *********************** Theme music: “Dancing Underwater (Instrumental Version)” by I'MIN, licensed through Epidemic Sound.

"Bummed" by Happy Mondays is a seminal album in the Madchester scene, released in 1988. Infusing elements of funk, psychedelia, and dance music, the album is a sonic journey through the hedonistic world of Manchester's club scene. Shaun Ryder's distinctive vocals, combined with swirling guitars and funky basslines, create a hypnotic atmosphere that captures the energy and spirit of the era. Tracks like "Wrote for Luck" and "Lazyitis" showcase the band's unique blend of alternative rock and dance rhythms, while "Mad Cyril" and "Performance" delve into more experimental territory. "Bummed" is a testament to Happy Mondays' influence on the burgeoning rave culture of the late '80s and remains a classic example of Manchester's musical legacy.Listen to the album: ⁠SpotifyApple MusicLinks:Official websiteContactSupport us on PatreonDISCLAIMER: Due to copyright restrictions, we are unable to play pieces of the songs we cover in these episodes. Playing clips of songs are unfortunately prohibitively expensive to obtain the proper licensing. We strongly encourage you to listen to the album along with us on your preferred format to enhance the listening experience. 

On this award-winning series telling the definitive life story of Happy Mondays founding member and bassist Paul Ryder, we meet the man who championed the Mondays in the music press before they were famous and was part and parcel of the development of the Madchester scene. A international DJ in his own right, a successful author and music critic - it's the legendary Dave Haslam, revealing secrets and telling stories of Shaun Ryder vomiting during an interview, the most disastrous press interview he's ever encountered with the band and the inside scoop on Tony Wilson's take on the Mondays. Hosted on Acast. See acast.com/privacy for more information.

In the latest episode, Al & Andrew breakdown the FA Cup exit, how it came about and what might come from it as well as how the young players have integrated themselves into the first team with such ease Learn more about your ad choices. Visit podcastchoices.com/adchoices

A fab bonus episode where never heard before Mondays stories are told by Philip Shotton - one of the Bailey Brothers who co-directed most of the Mondays' videos. Philip invented the iconic word "Madchester" and introduced the band to Carl Denver when Tony Wilson instigated a Factory night out to a supper club where he was playing. Find out who was made to wear prison uniforms, who wanted to star in a spaghetti western and why the iconic Step On video shot on the roof of a hotel in Spain almost never happened. Hosted on Acast. See acast.com/privacy for more information.

Nach ihrem gemeinsamen «Champagne Supernova» an Liams Mega-Konzert in Knebworth sagten sie «let's fucking go!»: Der Oasis-Sänger und der Stone Roses-Gitarrist starteten ein Album. Darauf gibts weder «Madchester» noch «Brit-Pop,» dafür Classic Rock à la Rolling Stones oder Jimi Hendrix. Das Album mit dem schlichten Namen «Liam Gallagher John Squire» wurde von John Squire komplett geschrieben und getextet - Liam hat die Songs nur eingesungen. «John hatte alles bereit. Es gab keinen Grund mich einzumischen. Ich kann besser singen als schreiben. Less is more, so I've been told, on my department!» Wie ernst es Liam Gallagher meint, wenn er diese Platte mit «Revolver» von den Beatles gleichsetzt, und wie es um den Rock'n'Roll anno 2024 steht, verriet er unseren RTS-Kolleginnen bei 19h30 - und Auszüge aus dem Gespräch gibt's heute im Sounds!

El efecto placebo y el efecto nocebo. Percibir que algo es un daño potencial y colocar todos los sentidos en dirección a corroborarlo. ECDQEMSD podcast El Cyber Talk Show - episodio 5722 Efecto Placebo Conducen: El Pirata y El Sr. Lagartija https://canaltrans.com Noticias Del Mundo: Crece el gasto militar mundial - La viuda de Nalvany - Las memorias de AMLO - Pipas, cámaras y gatos - Canciones de Kurt Cobain en su día  - Madchester y esos Stone Roses. Historias Desintegradas: La tortuga veloz - La expectativa juega - Industria farmacéutica - Placebo en Ciudad de México - El método científico - Una isla para la realeza inglesa - La hermana de la reina - Margarita la oveja negra - Un cantante sexy - Un secreto inglés - La hija no reconocida - Los puntos débiles - En el desayuno - Una comunidad difícil - Relax - Regresen a tiquicia - Solidaridad, igualdad, paz y más... https://www.canaltrans.com/ecdqemsd_podcast_2024/5722_efecto_placebo.html En Caso De Que El Mundo Se Desintegre - Podcast no tiene publicidad, sponsors ni organizaciones que aporten para mantenerlo al aire. Solo el sistema cooperativo de los que aportan a través de las suscripciones hacen posible que todo esto siga siendo una realidad. Gracias Dragones Dorados: https://www.canaltrans.com/radio/suscripciones.html

On this award-winning podcast where Happy Mondays founding member Paul Ryder tells his complete life story to his ex-wife journalist Angela Smith, this bonus episode features the most requested interviewee from the main series - Tuff Gong Studios owner Lee "Latch" Parker. As well as being an enthusiastic participant of the Madchester rave scene, he was there when the Mondays famously reformed with the original line-up in 2012 and tells no-holds-barred stories and gives unique insights with his infectious own brand of humor and heart. Hosted on Acast. See acast.com/privacy for more information.

In the latest episode of Sausage On A Fork, we're joined by Danny Cunningham aka Liam Brady. Danny tells us what it was like to work on a huge movie very early on in his career; what it was like playing the boyfriend of one of Grange Hill's most popular characters and what it was like playing one of the most controversial singers of the Madchester scene!

Rain is back! Having made her way from KCMO all the way to the UK, Rain is hanging out with a different crew these days, even if her buddies Alex and Sam are still kicking around somewhere, and this time the Second Inquisition isn't messing around! After successfully demolishing the infrastructure of the London Kindred and sent them scattering to the four winds, we find our coterie in Manchester... Will they survive the Ascension Night? Stay tuned to find out...You can find Alana at @SpectralCraftDice on social media, and on their website at https://spectralcraft.ca/ where they make all kinds of amazing dice!Cam of the no socials is a new friend of Hammer of the Gods who comes to us through the Even Footing Games discord!Slovenly Lyssa can be found on the Slovenly Trulls podcast wherever you get your podcasts, and @slovenlytrulls on Instagram and Threads where she's one half of the amazing feminist fact checkers who talk about D&D and TTRPG's and back it up with research and citations!Ry can be found on social medias @RockandRy or variations thereof, and GM's the Final Fantasy XIV campaign at https://www.twitch.tv/thevaktare on Thursday evenings, is one of the Krayt Fang crew in Rick's Star Wars: Scum and Villainy mini-campaign on The Vaktare, and plays Ameera in Werewolf: The Apocalypse right here on Hammpod!Music: The Embrace, The Vampire Court, In The Shadows, Wasted Blood, and The Kiss by Ivan Duch (https://ivanduch.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

La bogeria del ball a Madchester, capturada en l'

Well-known upholsterer and TV identity Craig Hughes joins us for a chat about seeing the recording of Filthy Rich & Catflap in 1986, and then Red Dwarf, while living in Manchester. Craig was also a sound engineer and promoter in the Madchester music scene, balancing that with his restoration work which later saw him become a specialist regular on TV's 'Salvage Hunters' and 'Salvage Hunters: The Restorers'. You can follow Craig on Twitter-X, Instagram, Youtube and at his website.  

This award-winning show charts the life of the late Paul Ryder - founding member and bass player of Madchester legends Happy Mondays - as he tells his story to his ex-wife, journalist Angela Smith. This week we have a bonus episode to celebrate the re-release of Paul Ryder's Big Arm album - Radiator - 16 years exactly since its original release. We hear from all of the Big Arm members including Pete Smith, Danny Short, Daz Gilkinson, Lea Mullen and Chris Connelly aka Double Pudding and Chips. Pete talks about pulling Paul out of a drug house, Danny shares a story about mimicking Ian Brown while the band were on tour with him and Daz talks of a celebrity encounter he'd rather forget. Lea reminisces about touring with Paul during their time with the Mondays and Double Pudding drives the band's gear to a gig in Berlin with Paul's dad Derek. The album is out today - Paul Ryder's Big Arm - Radiator - so get yourself a copy!Check out Angela's other podcast, Accidentally Milf - Online Dating Adventures After 50 - the podcast that inspired this one!Please support The Paul Ryder Tapes by becoming a patron at Patreon.com/thepaulrydertapesIf you'd like to rent Paul's Normandy chateau that's featured in the series, (where he recorded the Big Arm album), email chateaudelavallee@gmail.com for a big discount on the airbnb price! Check it out on airbnb at www.francechateauforrent.comVisit the main website at paulryder.tv for links to our socials and please give us a review if you've not already done so!To see all of the podcast episodes on video go to our YouTube channel at https://www.youtube.com/channel/UCgdRdtMEzwjBW8ZE3uc8FBQJoin our Sunday club where at 8pm UK time Angela and Paul's youngest son Chico are live in the chat!Thanks so much for being a part of the series! Hosted on Acast. See acast.com/privacy for more information.

New music from Cheekface, Marnie Stern, some old school Madchester and more!

A principios de década la música de baile dominaba gran parte de la escena y pronto su influencia se notó en muchos artistas procedentes del Pop, del indie e incluso del Rock. En este podcast podréis escuchar algunos ejemplos. 01 - Beats International - Dub Be Good To Me: el ex bajista de The Housemartins (Norman Cook) creó en el 89 este colectivo, formado por una vocalista, un rapero y un teclista. Este fue su gran éxito, un cover de una canción de SOS Band y el cual contaba con un sampler de la línea de bajo de la canción de Los Clash “Guns of Brixton”. Llego al número 1 en el Reino Unido en 1990. 02 - Ace of Base - The Sign (Long Version): Luego del gran suceso mundial que fue “All That She Wants”, en 1993 publican esta canción como single, logrando el número uno en US y Europa. 03 - Soho - Hippychick: El dúo de las hermanas Cuff lograron un solo éxito mundial, y fue este Hippychick en 1990, el cual contenía un sampler de la guitarra de Johnny Marr en la canción de The smiths “How Soon is Now” 04 - Stereo MC's – Connected: Procedentes de la escena del Hip-Hop británico, en 1992 lanzaron todo un revienta pistas como es “Connected”. Hasta mediados de los 2000 siguieron publicando material pero nunca repitieron el éxito, 05 - Lil Louis & The World - Nyce & Slo (Tony Humphries wildlife mix): DJ y productor de Chicago. Famoso por publicar en 1989 “French Kiss”, clásico del House. En 1990 lanza como single “Nyce & Slo” del cual se realizaron decenas de remezclas, la que aquí podéis escuchar fúe publicada originalmente en 12 pulgadas. 06 - Soul II Soul - Get a Life: Luego del gran suceso que fue el disco debut. El combo de Jazzie B lanza su segundo álbum “Volume II (1990 a new decade)”. Del cual se extrae este single. 07 - Saint Etienne - Only Love Can Break Your Heart: El trio británico debutan en mayo de 1990 con el cover de Neil Young “Only Love Can Break Your Heart” convirtiéndose en su single más exitoso hasta la actualidad. Como dato curioso, su vocalista Sarah Cracknell se incorpora al grupo un año más tarde. Por lo que esta canción es interpretada por Moira Lambert. 08 - Banderas - This Is Your Life (Remix by Massimino & Fabio B): Procedentes de The Communards, donde ejercían de coristas, publican su único álbum hasta la fecha “Rape” en 1991. Esta canción fue su primer single y el único que sonó en las radios. 09 - Mantronix feat. Wondress - Got to Have Your Love: Grupo de Hip Hop formado a mediados de los 80s, lograron con esta canción gran éxito en todas las pistas de baile del mundo entre 1989 y 1990. 10 - King Bee - Back By Dope Demand (Funky Bass Mix): Grupo de Hip Hop holandés, tuvieron varios singles de éxito a principios de década. 11 - Adventures of Stevie V - Dirty Cash (Money Talks) (Sold Out Mix 7' Edit): Proyecto británico de Hip-House, famosos por esta canción que sono entre 1989 y 1990. 12 - Primal Scream - Don't Fight It, Feel It (7' edit): Procedentes del Indie Britanico, en 1990 publican su opera prima “Screamadelica”, una fusión de Rock, Psicodelia, House y Balearic Beat. Este fúe su cuarto single. 13 - Stereo MC's - Step It Up: Segundo single de éxito, luego de Connected. Publicado en 1992. 14 - Beats International - For Spacious Lies (12' Version): Originalmente fue piublicado en 1989 por Norman Cook como solista, en 1990 se vuelve a lanzar bajo el nombre de Beats International. 15 - Happy Mondays - Step On (Twisting My Melon mix): Procedentes de la escena de Madchester, en 1990 publican su exitoso álbum “Pills 'N' Thrills And Bellyaches” del que se extrae esta canción como single. 16 - EMF - Unbelievable (Single Version): grupo británico formado en 1989, publican su mega éxito mundial en 1990. Nunca más volvieron a lograr tal asaña.

A principios de década la música de baile dominaba gran parte de la escena y pronto su influencia se notó en muchos artistas procedentes del Pop, del indie e incluso del Rock. En este podcast podréis escuchar algunos ejemplos. 01 - Beats International - Dub Be Good To Me: el ex bajista de The Housemartins (Norman Cook) creó en el 89 este colectivo, formado por una vocalista, un rapero y un teclista. Este fue su gran éxito, un cover de una canción de SOS Band y el cual contaba con un sampler de la línea de bajo de la canción de Los Clash “Guns of Brixton”. Llego al número 1 en el Reino Unido en 1990. 02 - Ace of Base - The Sign (Long Version): Luego del gran suceso mundial que fue “All That She Wants”, en 1993 publican esta canción como single, logrando el número uno en US y Europa. 03 - Soho - Hippychick: El dúo de las hermanas Cuff lograron un solo éxito mundial, y fue este Hippychick en 1990, el cual contenía un sampler de la guitarra de Johnny Marr en la canción de The smiths “How Soon is Now” 04 - Stereo MC's – Connected: Procedentes de la escena del Hip-Hop británico, en 1992 lanzaron todo un revienta pistas como es “Connected”. Hasta mediados de los 2000 siguieron publicando material pero nunca repitieron el éxito, 05 - Lil Louis & The World - Nyce & Slo (Tony Humphries wildlife mix): DJ y productor de Chicago. Famoso por publicar en 1989 “French Kiss”, clásico del House. En 1990 lanza como single “Nyce & Slo” del cual se realizaron decenas de remezclas, la que aquí podéis escuchar fúe publicada originalmente en 12 pulgadas. 06 - Soul II Soul - Get a Life: Luego del gran suceso que fue el disco debut. El combo de Jazzie B lanza su segundo álbum “Volume II (1990 a new decade)”. Del cual se extrae este single. 07 - Saint Etienne - Only Love Can Break Your Heart: El trio británico debutan en mayo de 1990 con el cover de Neil Young “Only Love Can Break Your Heart” convirtiéndose en su single más exitoso hasta la actualidad. Como dato curioso, su vocalista Sarah Cracknell se incorpora al grupo un año más tarde. Por lo que esta canción es interpretada por Moira Lambert. 08 - Banderas - This Is Your Life (Remix by Massimino & Fabio B): Procedentes de The Communards, donde ejercían de coristas, publican su único álbum hasta la fecha “Rape” en 1991. Esta canción fue su primer single y el único que sonó en las radios. 09 - Mantronix feat. Wondress - Got to Have Your Love: Grupo de Hip Hop formado a mediados de los 80s, lograron con esta canción gran éxito en todas las pistas de baile del mundo entre 1989 y 1990. 10 - King Bee - Back By Dope Demand (Funky Bass Mix): Grupo de Hip Hop holandés, tuvieron varios singles de éxito a principios de década. 11 - Adventures of Stevie V - Dirty Cash (Money Talks) (Sold Out Mix 7' Edit): Proyecto británico de Hip-House, famosos por esta canción que sono entre 1989 y 1990. 12 - Primal Scream - Don't Fight It, Feel It (7' edit): Procedentes del Indie Britanico, en 1990 publican su opera prima “Screamadelica”, una fusión de Rock, Psicodelia, House y Balearic Beat. Este fúe su cuarto single. 13 - Stereo MC's - Step It Up: Segundo single de éxito, luego de Connected. Publicado en 1992. 14 - Beats International - For Spacious Lies (12' Version): Originalmente fue piublicado en 1989 por Norman Cook como solista, en 1990 se vuelve a lanzar bajo el nombre de Beats International. 15 - Happy Mondays - Step On (Twisting My Melon mix): Procedentes de la escena de Madchester, en 1990 publican su exitoso álbum “Pills 'N' Thrills And Bellyaches” del que se extrae esta canción como single. 16 - EMF - Unbelievable (Single Version): grupo británico formado en 1989, publican su mega éxito mundial en 1990. Nunca más volvieron a lograr tal asaña.

Who wouldn't want to time-travel back to the electric days of 1989, when the Stone Roses released their iconic self-titled debut album? We're ready to take you back to those heady days, exploring everything from the band's creative process, their diverse influences, and their unique sound. We've even got a deep dive into the band's history, delving into the Manchester subculture and the band's significance in the Brit Pop movement. Get excited as we dust off the vinyl and spin track after track, analyzing the genius behind their use of guitar solos, lyrics, and a vast range of styles. We'll guide you through how the Stone Roses transferred a sound they developed in their Hacienda, Madchester and “Summer of Love” periods to create their distinct sound. We'll wax lyrical over how they used drums and bass to create a dynamic sound and how their songs served as analogies for historical events. To wrap things up, we rank our top three non-hits from the album and discuss their unique mix of classic rock and modern vibes. We'll delve into how their use of reverb and distortion, combined with the layering of guitar parts, created a signature sound that still resonates with music lovers today. So put on your headphones, turn the volume up, and join us on this incredible journey through the Stone Roses' debut album. It's a musical adventure you won't want to miss!Support the show

Ever wondered how embracing a unique blend of post-punk and electronic music could move an entire culture? Join us as we traverse through the realm of music, focusing on the influential post-punk band from Manchester, New Order. Our journey takes us through their unique musical style, the impact of their partnership with Factory Records and Tony Wilson on their success, and how they redefined the music scene with their innovative sound. We also explore the pulsating Madchester scene, relive the summer of love in the 80s, and unmask the influence of DJs and American music on the band.This episode isn't just about music, it's about expressions, transitions and finding beauty in the harshest of environments. We dive into New Order's 2nd studio album, drawing parallels between the band's transition from Joy Division and the evolution of music over the years. Our conversation sways towards the intriguing world of face yoga - a practice that promises to reduce dark circles and facial problems. We also delve into how teenagers and young adults across cultures express themselves, the importance of the 'birds and bees' talk in today's world, and the effect of drugs on the youth.As we wrap up our journey, we reflect on the role celebrities play in our lives and how they could mold our decisions. We also draw conclusions on how New Order's age of consent has shaped their music. Lastly, we take a moment to appreciate the beauty of harsh environments and the remarkable inspiration they offer. Don't miss out on this thrilling exploration!Support the show

This week's Sounds from Within is a Manchester music special! Diggin deep into the vaults that make up the soundscape of the city that has given the world not just one of the greatest Clubs but some of the greatest bands as well.Obvious classics, the odd curve ball, indie dance post-punk are all represented in this week's show and not forgetting the jazz! yes, Manchester does Jazz to! 2 hours of the finest music the city that was dubbed Madchester has to offer!Tune into new broadcasts of Sounds From Within, LIVE, Wednesday from 4- 6 PM EST / 9 - 11 PM GMTFor more info visit: https://thefaceradio.com/sounds-from-within///Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

Con este álbum no sólo llamaron la atención sobre la escena de “Madchester”: también sentaron las bases del brit pop que inundaría la siguiente década.

Estamos en 1990, el muro de Berlín ya era historia, la guerra fría había acabado, Margaret Thatcher dimite, liberan a Nelson Mandela. Era una época feliz en gran parte del mundo y la música Pop fue un reflejo del hype que había en la atmosfera. El House había llegado para quedarse, lo mismo que el éxtasis. Y antes del desenfreno y locura que comenzaron a ser las raves ilegales, música con más BPMs y ritmos agresivos, hubo una época donde había muy buen rollismo en las melodías que sonaban en las discotecas. Veníamos de la explosión del House a finales de los 80s, el movimiento Madchester, el proto CHill-Out procedente de Ibiza con el Balearic Beat, el New Beat belga, el Techno de Detroit, etc. Todo eso hizo que la música Pop y la música de baile se cruzaran en los primeros años de la década y produjera auténticos hits alegres, de muy buen rollo, paz y amor y todo eso.. Como dije antes, con el trascurso de los años la música dance se volvió más rápida y agresiva, llegando a picos de 150BPMs, una locura. Pero en la segunda mitad de los 90s, a finales de década, el House volvió a cambiar, los BPMs bajaron, sonando más fresco como a principios de década. En parte fue gracias a la llegada del French House, que fue un soplo de aire fresco para la música de baile. El En este Podcast Podréis escuchar un breve resumen de aquel sonido que nos hizo bailar a todos y pensar que todo iba mejor. TRACKLIST: 01 - Black Machine - How Gee (Original Sax Mix) 02 - Black Box - Everybody Everybody (Le Freak Mix) 03 - Deee-Lite - Groove Is In The Heart (Meeting Of The Minds Mix) 04 - Lonnie Gordon - Gonna Catch You (Una Mix) 05 - Secchi Feat. Orlando Johnson - I Say Yeah (Extended) 06 - Nomad - (I Wanna Give You) Devotion 07 - Crystal Waters - Gypsy Woman (La Da Dee La Da Da) 08 - FPI Project - Rich in Paradise (Going Back to My Roots) (Original Mix) 09 - Crystal Waters - 100% Pure Love (Radio Mix) 10 - Sandy B - Make The World Go Round (Deep Dish Radio Edit) 11 - Clivillés & Cole - A Deeper Love (A Deeper Love Mix) 12 - Wamdue Project - King Of My Castle (Roy Malone Kings Mix) 13 - Madison Avenue - Don't Call Me Baby 14 - Rozalla - Everybody's Free (To Feel Good) 15 - D:Ream - Things Can Only Get Better (D:Reamix Edit) 16 - M People - Moving On Up (M People Master Edit)

Estamos en 1990, el muro de Berlín ya era historia, la guerra fría había acabado, Margaret Thatcher dimite, liberan a Nelson Mandela. Era una época feliz en gran parte del mundo y la música Pop fue un reflejo del hype que había en la atmosfera. El House había llegado para quedarse, lo mismo que el éxtasis. Y antes del desenfreno y locura que comenzaron a ser las raves ilegales, música con más BPMs y ritmos agresivos, hubo una época donde había muy buen rollismo en las melodías que sonaban en las discotecas. Veníamos de la explosión del House a finales de los 80s, el movimiento Madchester, el proto CHill-Out procedente de Ibiza con el Balearic Beat, el New Beat belga, el Techno de Detroit, etc. Todo eso hizo que la música Pop y la música de baile se cruzaran en los primeros años de la década y produjera auténticos hits alegres, de muy buen rollo, paz y amor y todo eso.. Como dije antes, con el trascurso de los años la música dance se volvió más rápida y agresiva, llegando a picos de 150BPMs, una locura. Pero en la segunda mitad de los 90s, a finales de década, el House volvió a cambiar, los BPMs bajaron, sonando más fresco como a principios de década. En parte fue gracias a la llegada del French House, que fue un soplo de aire fresco para la música de baile. El En este Podcast Podréis escuchar un breve resumen de aquel sonido que nos hizo bailar a todos y pensar que todo iba mejor. TRACKLIST: 01 - Black Machine - How Gee (Original Sax Mix) 02 - Black Box - Everybody Everybody (Le Freak Mix) 03 - Deee-Lite - Groove Is In The Heart (Meeting Of The Minds Mix) 04 - Lonnie Gordon - Gonna Catch You (Una Mix) 05 - Secchi Feat. Orlando Johnson - I Say Yeah (Extended) 06 - Nomad - (I Wanna Give You) Devotion 07 - Crystal Waters - Gypsy Woman (La Da Dee La Da Da) 08 - FPI Project - Rich in Paradise (Going Back to My Roots) (Original Mix) 09 - Crystal Waters - 100% Pure Love (Radio Mix) 10 - Sandy B - Make The World Go Round (Deep Dish Radio Edit) 11 - Clivillés & Cole - A Deeper Love (A Deeper Love Mix) 12 - Wamdue Project - King Of My Castle (Roy Malone Kings Mix) 13 - Madison Avenue - Don't Call Me Baby 14 - Rozalla - Everybody's Free (To Feel Good) 15 - D:Ream - Things Can Only Get Better (D:Reamix Edit) 16 - M People - Moving On Up (M People Master Edit)

An old goal, Madchester, Sam's obituarist, Dave from the Winchester, and fighter pilot footballers, and desperation beer. (Rec: 4/10/22) Join the Iron Filings Society: https://www.patreon.com/topflighttimemachine Hosted on Acast. See acast.com/privacy for more information.

In the '90s, U.K. rock was by Britons, for Britons. The music of the U.K. indie, Madchester and shoegaze scenes fused together into a new wave of guitar bands with punk energy, laddish lyrics and danceable grooves. They called it Britpop. In the motherland, Britpop set the charts alight: Blur faced off against Oasis. Pulp poked fun at the class system. Suede sold androgyny, and Elastica repackaged '70s art-punk as '90s pop. But with rare exception, these hits didn't translate in America. There was no Third British Invasion in the '90s—with the exception of that one inscrutable Oasis song about a “Wonderwall.” Why did Britpop fire up Old Blighty and flop with the Yanks? Join Chris Molanphy as he tries to define Britppop—was it a scene? a sound? a movement?—and explains how the music boomed and busted faster than a cannonball. Podcast production by Kevin Bendis. Make an impact this Asian American & Pacific Islander Heritage Month by helping Macy's on their mission to fund APIA Scholars. Go to macys.com/purpose to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the '90s, U.K. rock was by Britons, for Britons. The music of the U.K. indie, Madchester and shoegaze scenes fused together into a new wave of guitar bands with punk energy, laddish lyrics and danceable grooves. They called it Britpop. In the motherland, Britpop set the charts alight: Blur faced off against Oasis. Pulp poked fun at the class system. Suede sold androgyny, and Elastica repackaged '70s art-punk as '90s pop. But with rare exception, these hits didn't translate in America. There was no Third British Invasion in the '90s—with the exception of that one inscrutable Oasis song about a “Wonderwall.” Why did Britpop fire up Old Blighty and flop with the Yanks? Join Chris Molanphy as he tries to define Britppop—was it a scene? a sound? a movement?—and explains how the music boomed and busted faster than a cannonball. Podcast production by Kevin Bendis. Make an impact this Asian American & Pacific Islander Heritage Month by helping Macy's on their mission to fund APIA Scholars. Go to macys.com/purpose to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the '90s, U.K. rock was by Britons, for Britons. The music of the U.K. indie, Madchester and shoegaze scenes fused together into a new wave of guitar bands with punk energy, laddish lyrics and danceable grooves. They called it Britpop. In the motherland, Britpop set the charts alight: Blur faced off against Oasis. Pulp poked fun at the class system. Suede sold androgyny, and Elastica repackaged '70s art-punk as '90s pop. But with rare exception, these hits didn't translate in America. There was no Third British Invasion in the '90s—with the exception of that one inscrutable Oasis song about a “Wonderwall.” Why did Britpop fire up Old Blighty and flop with the Yanks? Join Chris Molanphy as he tries to define Britppop—was it a scene? a sound? a movement?—and explains how the music boomed and busted faster than a cannonball. Podcast production by Kevin Bendis. Make an impact this Asian American & Pacific Islander Heritage Month by helping Macy's on their mission to fund APIA Scholars. Go to macys.com/purpose to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the '90s, U.K. rock was by Britons, for Britons. The music of the U.K. indie, Madchester and shoegaze scenes fused together into a new wave of guitar bands with punk energy, laddish lyrics and danceable grooves. They called it Britpop. In the motherland, Britpop set the charts alight: Blur faced off against Oasis. Pulp poked fun at the class system. Suede sold androgyny, and Elastica repackaged '70s art-punk as '90s pop. But with rare exception, these hits didn't translate in America. There was no Third British Invasion in the '90s—with the exception of that one inscrutable Oasis song about a “Wonderwall.” Why did Britpop fire up Old Blighty and flop with the Yanks? Join Chris Molanphy as he tries to define Britppop—was it a scene? a sound? a movement?—and explains how the music boomed and busted faster than a cannonball. Podcast production by Kevin Bendis. Make an impact this Asian American & Pacific Islander Heritage Month by helping Macy's on their mission to fund APIA Scholars. Go to macys.com/purpose to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the '90s, U.K. rock was by Britons, for Britons. The music of the U.K. indie, Madchester and shoegaze scenes fused together into a new wave of guitar bands with punk energy, laddish lyrics and danceable grooves. They called it Britpop. In the motherland, Britpop set the charts alight: Blur faced off against Oasis. Pulp poked fun at the class system. Suede sold androgyny, and Elastica repackaged '70s art-punk as '90s pop. But with rare exception, these hits didn't translate in America. There was no Third British Invasion in the '90s—with the exception of that one inscrutable Oasis song about a “Wonderwall.” Why did Britpop fire up Old Blighty and flop with the Yanks? Join Chris Molanphy as he tries to define Britppop—was it a scene? a sound? a movement?—and explains how the music boomed and busted faster than a cannonball. Podcast production by Kevin Bendis. Make an impact this Asian American & Pacific Islander Heritage Month by helping Macy's on their mission to fund APIA Scholars. Go to macys.com/purpose to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the '90s, U.K. rock was by Britons, for Britons. The music of the U.K. indie, Madchester and shoegaze scenes fused together into a new wave of guitar bands with punk energy, laddish lyrics and danceable grooves. They called it Britpop. In the motherland, Britpop set the charts alight: Blur faced off against Oasis. Pulp poked fun at the class system. Suede sold androgyny, and Elastica repackaged '70s art-punk as '90s pop. But with rare exception, these hits didn't translate in America. There was no Third British Invasion in the '90s—with the exception of that one inscrutable Oasis song about a “Wonderwall.” Why did Britpop fire up Old Blighty and flop with the Yanks? Join Chris Molanphy as he tries to define Britppop—was it a scene? a sound? a movement?—and explains how the music boomed and busted faster than a cannonball. Podcast production by Kevin Bendis. Make an impact this Asian American & Pacific Islander Heritage Month by helping Macy's on their mission to fund APIA Scholars. Go to macys.com/purpose to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices

It's Big Sam's coronation weekend! Today, Jules, Jim, and Pete have gathered to celebrate not one but two coronations, as Napoli's party boat officially set sail last night after winning their first Scudetto in 33 years.Elsewhere, Pete fears for the fish, as there was a party in another seaside location after Brighton's late winner against Man United last night. Plus, we asked whether Jack Grealish (aka DJ Grealo) is about to bring back Madchester, and we take a moment to enjoy the prospect of Neymar partying in the Big Market next season. There are parties everywhere you look...Tweet us @FootballRamble and email us here: show@footballramble.com.Sign up for our Patreon for exclusive live events, ad-free Rambles, full video episodes and loads more: patreon.com/footballramble.***Please take the time to rate and review us on Apple Podcasts or wherever you get your pods. It means a great deal to the show and will make it easier for other potential listeners to find us. Thanks!*** Hosted on Acast. See acast.com/privacy for more information.

Today's edgy and exciting Electronically Yours episode features one of the UK's most famous rappers, MC Tunes AKA Nicky Lockett. He was a significant player in the Madchester scene in the 80's and 90's, and his work with 808 State and later with the Dust Junkys brought what was a niche music genre into the UK singles charts and the mainstream. His rapping style is unique and excellent, and he is still highly rated and performing to this day…  Ladies and Gentlemen, creator of the only rhyme that bites, MC Tunes. If you can, please support the Electronically Yours podcast via my Patreon: https://www.patreon.com/electronicallyours

In episode #124 of The XS Noize Podcast, Mark Millar catches up with Graham Lambert from Madchester legends Inspiral Carpets. Inspiral Carpets have released The Complete Singles, a brand new album compiling all of the Manchester band's 24 singles to date. The Complete Singles sees all of the band's singles remastered and available on one album for the first time. From 1988's Keep The Circle Around to their latest single, 2015's Let You Down featuring the unmistakable tones of John Cooper Clarke. In this interview founder member, Graham Lambert talks about the compilation, the early days of the band, meeting Noel Gallagher, upcoming live shows, and lots more. Check out the article on XS Noize - https://bityl.co/HwM1 Please also subscribe and follow XS Noize on the social media links below: Facebook - https://www.facebook.com/xsnoizemusic Twitter - https://twitter.com/xsnoizemusic Instagram - https://www.instagram.com/xsnoizemusic/

We spent last episode Shoegazing and this week we're tripping in our bucket hats all the way to Madchester to talk about The Charlatans 1990 debut.   Known in the States for the bands lone radio hit,  “The Only One I Know,” the band was a smash in their native England where a full blown scene of drug taking, baggy clothes wearing, dancing to the break of dawn Brits was sweeping the nation.  The Charlatans, along with with The Stone Roses, Inspiral Carpets, The Happy Mondays & 808 State were the soundtrack.  But how does this stuff hold up today?  Pretty damn well actually.       Recommended Listening    Inspiral Carpets  https://open.spotify.com/artist/66GWpx9iLxrvvfhDsG9STP?si=MLlUJKyVQpmXOv2qWpi49w   808 State “Cubik" https://open.spotify.com/track/5BxETnZ8Dzm86jcuFAozOa?si=6fb3e5628aa1484c   Happy Monday Bummed  https://open.spotify.com/album/6e6DI3muL90IC1LESBo7wK?si=WmKkVMnSTpGcx7P5YANJOw   Ned's Atomic Dustbin God fodder https://open.spotify.com/album/3jkqrE3ycfEY8088IZXcZZ?si=hOvoDFPYQHiotJMt8Qf9bA   Northside https://open.spotify.com/artist/2gv2g5svhtzsUQhtNZW7Xr?si=Y1HWeS5hTp-HOjWGNh9HrA   Spirea X https://open.spotify.com/artist/05x3cffNhKts722Xv2WQWb?si=8bhCvp54SYCGqm_VjYED0A   huntsmanhill.com huntsmanhillpodcast@gmail.com instagram.com/huntsmanhill https://twitter.com/HuntsmanHill Spotify Playlist:  https://open.spotify.com/user/1298220429/playlist/4gy1wWwypkoFS2lUztvZ44?si=waSq07DBQlq3x9G1_nK0pg   HHPP Amazon Affiliates Store https://huntsmanhill.com/2022/06/09/hhpp-store/   Our Music manhuntsman:  https://open.spotify.com/artist/7tFBWn0UFkdOEMf67TRD6W?si=vzllkbDwSEmfZFlj02GLRw Academy O.C:  https://academyoc.bandcamp.com/album/academy-o-c   Omertà 68:  https://open.spotify.com/artist/6dfiCa0qTlbPQUrqtIkStS?si=6SCjNtXbSO2xRBDuBKJelQ   RIP Bob Nalbandian

Gary “Gaz” Whelan of Happy Mondays and Love and the Family Tree joins CURVA MUNDIAL to talk his love of Manchester United, AC Milan and Serie A. The musician discusses how his passion about Serie A and Italian soccer came about, what has it been like not only being a fan of the league and style from a different country. He also discusses the Madchester music scene and what it means to be from the city and how United, despite their issues these days, have represented the working class heroes of the town. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

The Stone Roses were one of the biggest bands in British pop music history, but their second (and final) release "Second Coming" was widely regarded as a massive disappointment. Michael makes the case that it was, in fact, the second coming of awesomeness.

A track that found fame as part of one of the great Dance Compilations of the early 90's. And I give the highlights of a rather epic weekend I spent in Bathurst.Greater Dub - Severed Heads1991Used with the permission of Tom Ellard

Weird Al spent some downtime in the late '80s and early '90s waiting for the next big thing in popular music, which turned out to be Nirvana. But a lot happened in music in the intervening six years, and as a result, our coverage of his first polka medley of the '90s covers a lot of ground, including new jack swing, Madchester, house music, and the birth of DJ remixes. Tracks:Billy Idol - Cradle of LoveDNA feat. Suzanne Vega - Tom's DinerThe B-52's - Love ShackTechnotronic - Pump Up the JamR.E.M. - Losing My ReligionEMF - UnbelievableBell Biv DeVoe - Do Me!Co-hosts: Rich Bunnell, Dan Watkins, Jennifer CarmanLinks:Get early access to bonus episodes on Patreon! https://www.patreon.com/discordpodSuzanne Vega tells the story behind "Tom's Diner": https://www.youtube.com/watch?v=D99PhzEIWuABarry Michael Cooper on the origins of new jack swing: https://www.njs4ever.com/2020/07/04/the-man-who-named-new-jack-swing-barry-michael-cooper-interview-part-1/Hit Parade podcast on "legacy hits": https://slate.com/podcasts/hit-parade/2022/09/radio-determines-lost-hits-vs-legacy-hitsWeird Al gives the MST3K treatment to the "Losing My Religion" music video: https://www.youtube.com/watch?v=ieHA0BIfs9AOther clips:"Weird Al" Yankovic - The Hot Rocks Polka"Weird Al" Yankovic - Smells Like NirvanaMariah Carey - Vision of LoveGeneration X - King RockerBilly Idol - White WeddingThe Chipmunks - Cradle of LoveStevie B - Because I Love You (The Postman Song)Suzanne Vega - Tom's DinerMark Jonathan Davis feat. Marylin Whitelaw - Jeannie's DinerFatboy Slim - Praise YouBad English - When I See You SmileThe B-52's - Hot Pants ExplosionThe B-52's - Glove SlapMichael Bolton - How Am I Supposed to Live Without YouJesse Saunders - On and OnTechnotronic - The Pro 24sTechnotronic - Get Up! (Before the Night Is Over)Technotronic - Move ThisLil Uzi Vert - Pump Up the JamPaula Abdul - Rush RushColor Me Badd - I Wanna Sex You UpR.E.M. - PilgrimageR.E.M. - It's the End of the World as We Know It (And I Feel Fine)Yoko Takahashi - The Cruel Angel's Thesis"Weird Al" Yankovic - Spam"Weird Al" Yankovic - Frank's 2000" TVAndrew Dice Clay - Mother GooseGorillaz - 19-2000 (Soulchild remix)Bon Jovi - Blaze of GloryKeith Sweat - I Want HerBell Biv DeVoe - PoisonBell Biv DeVoe - Do Me! (Remix)

24 Hour Party People (2002) / The Forest for the Trees (2003) This week we're rolling the tape back to the MiniDV era as we get lost in the proverbial forest with Maren Ade and fly high in Madchester with Michael Winterbottom

On this episode Scott has Mark Smith from the Music Relish Podcast on to discuss the Happy Mondays, the 'Madchester" music scene of the mid 80's to early 90's,  artists re-recording their own music and RocDocs.

The latest episode of the podcast which asks; has anyone ever lost their virginity while listening to a Jive Bunny record?It's the long-awaited return of Our Sarah and Taylor after their encounter with the Spiteful Armoured Bollock, Pop-Crazed Youngsters – and to welcome them back, Al allowed them to pick out an episode. Consequently, we're heading deep into the heart of the Neighties. Your panel are a) being Arthur Seaton in Saturday Night and Sunday Morning without the sex, b) hovering over the pause button during the Top 40, and c) playing Human Frogger on the way to a Blue Boar, while the music scene is awash with flares! Pob faces! That dance where you look like you're walking on a bouncy castle with a pint in each hand! Ridiculously misplaced optimism! And BLEDDEH DRUGS, of course!Musicwise, crikey: we're promised a Rock n' Roll episode by Simon Mayo, who looks absolutely shagged out having been up since 5am, but the overriding theme tonight is British people finally coming to terms with dance music whilst plundering as much of the late Sixties as possible. Wayne Hussey warms up for his date with James Whale with some Pub Goth. New Kids On The Block do something pointless and futile with a basketball. Candy Flip – the Jedward of Madchester – cause the Kids to hysterically scream as if John Lennon had ripped himself from the grave and turned up at the studio to have it out with them. The B-52s have a better night out than you. Big Fun, Fish and Wet Wet Wet get about 20 seconds each. Bobby Omnishake prances like an absolute tit, everyone whoops at an Inspiral Carpets suicide anthem, Jive Bunny throws down some hardcore Dad-Hop, Quentin fancies Lindy I.D.S.T., and we get some actual House music at the end. For about 30 seconds.Sarah Bee and Taylor Parkes join Al Needham for a clinically intensive rummage through the Spring of 1990, veering off on such tangents as a comprehensive drill-down into Mike Read's Heritage Chart, what not to do when cleaning out a Fleshlight, the Stone Roses/New Kids war in the Smash Hits letters page, Showaddywaddy's Bloods/Crips dilemma, how the Martians wisely self-isolated and wore masks for a couple of years, and some remarkably graphic sex talk. And swearing!Video Playlist | Subscribe | Facebook | Twitter | The Chart Music Wiki | Patreon See acast.com/privacy for privacy and opt-out information.

#375 Coolio Versus Mini Me - Richard is furious about the new incarnation of Big Cook Little Cook and is going to be schooled in farts by his audience. His guest is Stewart Lee lookalike and broadcaster Terry Christian. They chat about the professionalism of June Whitfield, being at the centre of the emerging Madchester music scene, the incredible success of the Word, but the disconnect between the posh production team and the working class Christian, arguing with Piers Morgan, an incredible argument in the Big Brother House, stand up comedy as therapy and the tensions around working with Mark Lamarr.Live RHLSTPs coming up in the Leicester Square Theatre. Guest and ticket link info here https://richardherring.com/rhlstpt/tourSUPPORT THE SHOW!Watch our TWITCH CHANNELBecome a badger and see extra content at our WEBSITE See details of the RHLSTP TOUR DATES Buy DVDs and Books from GO FASTER STRIPE See acast.com/privacy for privacy and opt-out information.