Podcasts about Krautrock

bob Bert in conversation with David Eastaugh  https://therealbobbert.bandcamp.com/album/beach-bongo-bloodbath Many music gourmandizers know the name “Bob Bert” from his stint as drummer for Sonic Youth in their formative years. He also beat car gas tanks for Pussy Galore. In the years since, Bob has recorded albums and toured the world with Bewitched, Action Swingers, Chrome Cranks, Knoxville Girls, Five Dollar Priest, and in more recent times Lydia Lunch Retrovirus, coming full circle playing metal percussion with fellow Pussy Galore alumnus Jon Spencer in his HITmakers.  With Beach Bongo Bloodbath Bob finally steps out under his own name with his first true solo album. For this outing he mixes original material with extensive re-workings of a number of covers to create a veritable soundtrack for the B-movie of his life.  Surprisingly for a guy who has slammed away for some very noisy guitar outfits, this album has absolutely NO guitars; once you hear his beat-centric take on Mountain's "Mississippi Queen," you will never hear that song the same way again. Bob creates a new world of sound utilizing a variety of drums and percussion as well as a diverse array of keyboards and theremin. The results suggest Sandy Nelson playing with the Flying Lizards on their greatest hits collection of Kraut Rock influenced Cramps covers!  The six originals and eight covers play to his love of campy teenage horror flicks, art damaged punk fuk-u-ness and Warholian underground groover vibes. In fact, let's cue up some tracks from the album to help tell the Bob Bert story. 

Irgendwo zwischen Hamsterrad, Midlife-Verdacht und fehlendem Befreiungsschlag landet man beim kroatischen Goldschmied, der einfach nett ist und trotzdem Reichweite hat – das Gegenteil von tattoo tattoo tattoo. Reels brauchen gutes Material, Werbung muss man gern anschauen wollen, und Nischen sind das Einzige, was noch funktioniert. Dazwischen: Porsche-Bauern, Krautrock, Michelangelo, Alien-Material und die leise Erkenntnis, dass das meiste im Leben langsam passiert und nicht mit einem Schnitt.

Ben Cardew spoke to Krautrock / kosmische hero Michael Rother about Neu!, Harmonia, Kraftwerk and his solo career, taking in creative explosions, musical freedom, the perverse advantage of not having gear, the Neu "!" and whether he is a fan of Stereolab. Line Noise comes to you with the support of Cupra.

David Whitaker in conversation with David Eastaugh  https://www.youtube.com/watch?v=SJlsU1DVu30 Music For Pleasure was formed in Leeds, England in 1979, comprising David Whitaker - synths and keyboards, Mark Copson - vocals, Ivor Roberts - bass and Chris Oldroyd - drums. They released several 7'' singles and two albums ("Into The Rain" and "Blacklands"). They were heavily influenced by Punk and Krautrock and are still seen as a very much underrated band of the 80's. "Madness At The Mission" comes from their first 7'' single "The Human Factor    

Ben Cardew spoke to Krautrock / kosmische hero Michael Rother about Neu!, Harmonia, Kraftwerk and his solo career, taking in creative explosions, musical freedom, the perverse advantage of not having gear, the Neu "!" and whether he is a fan of Stereolab. Line Noise comes to you with the support of Cupra.

Seine Markenzeichen sind Hut und Sonnenbrille. Er hat eine schnodderige Aussprache, singt auf Deutsch und seine Texte sind auch ein Stück deutsche Geschichte. Seit 1973 tourt er mit seinem Panikorchester, er wohnt seit Jahrzehnten im Hotel Atlantic in Hamburg und sein erster kommerziell erfolgreicher Hit war „Alles klar auf der Andrea Doria“. Diese Beschreibung dürfte mehr als ausreichen, um erkennbar zu machen, dass es um Udo Lindenberg geht, der jetzt 80 Jahre alt wird. Über diesen außergewöhnlichen Musiker sprechen wir mit der Radio-Ikone Werner Reinke, mit Cornelia Quast, die eine Doku über Udo gemacht hat, mit Marco Schimpke, der schon als kleiner Junge in der DDR ein Fan von Udo war und mit Christoph Jürgensen der sich als Literaturprofessor an der Uni Bamberg mit Protestpop und Krautrock beschäftigt hat. Podcast-Tipp: NDR2 - Udo. Ein Leben an der Grenze Ein kleiner Junge mit großen Träumen bricht aus. Raus aus der grauen Provinz, will er die Musikwelt verändern. Er träumt von Ruhm, Reichtum und den großen Bühnen. Er feiert große Erfolge. Und stürzt immer wieder ab. Begleitet von Ängsten und Alkohol. Und dann gelingt Udo Lindenberg etwas, das ihm niemand mehr zugetraut hätte. Dieser Podcast erzählt von einem Künstler, der Grenzen sprengt: körperlich, seelisch, politisch. Wie wurde Udo zu Udo? Wie wurde aus dem kleinen Jungen mit Ängsten der größte Rockstar Deutschlands? Und wie lebt man ein Leben zwischen Exzess und Erneuerung? https://www.ardsounds.de/sendung/udo-ein-leben-an-der-grenze/urn:ard:show:2c0e4a243b0dd157/

Jungle turning up in the darndest places tonight, as is… saxophone? Jazz stretched to its limits, and electronica during wartime… LISTEN AGAIN in the darndest places – stream on demand from fbi.radio, podcast here. Butthole Surfers – Imbuya [Sunset Blvd] Never thought I’d be playing Butthole Surfers on Utility Fog. Not that they weren’t an impeccably experimental punk/noise band in their earlier days. Not that Gibby Haines didn’t do the greatest impromptu guest spot ever on Ministry’s “Jesus Built My Hotrod“. Not that “Pepper” isn’t a classic ’90s alt.rock/trip-hop crossover hit. But still, they haven’t been active for a long while, so it’s altogether a surprise that they’ve decided to release their “long lost” follow-up to Electric Larryland, the album that featured “Pepper”. For various reasons – label shenanigans etc – it wasn’t released in the form they wanted, with some songs reworked on the eventual next album Weird Revolution. Fans have known about The Last Astronaut, and heard leaked copies for decades, but now we’re getting it proper-like, and whaddayaknow, the second song they give us is alt rock/industrial punk with amen breaks, because jungle will never die. The break gets pretty nicely tweaked in the middle 8, while the guitar chugs along like a sped-up track from that Ministry album. Picastro – Fell The Family Tree [We Are Busy Bodies/Bandcamp] Liz Hysen’s band Picastro has been going for a very long time – since 1998 – with a changeable lineup that’s usually left-of-centre, featuring viola or cello (Hysen herself plays violin), with various luminaries of the Toronto scene involved, including Owen Pallett and Nick Storring. Hysen’s songs are often dark & creepy, often uncomfortably intimate, and the strings may be used atonally as often as they’re beautiful. It’s true to say that while every Picastro song sounds like Picastro, every Picastro album is different, and their forthcoming Double On Time may be more electronic, based on this lovely – and yes, creepy – first single “Fell The Family Tree”. Notable for us here at Utility Fog, the album is co-produced by Tim Condon of Fresh Snow, whose debut as Mirrored Silver Sea was a UFog fave in 2008, and who moved from Melbourne to Toronto not long after it was released. It’s great to hear his many contributions here alongside Liz Hysen’s singular vision. Carl Gari – Swim feat. Polygonia [Molten Moods/Bandcamp] Most of us know German band Carl Gari from their incredibly strong albums made with Egyptian singer/trumpeter/poet/composer Abdullah Miniawy, on AD93 and Amphibian Records. Between those two releases, the band & singer released a live album on Molten Moods, and it’s to that label that Carl Gari now return for their self-titled album, forthcoming in June. This choppy beats of the second single are joined by multi-tracked vocals from Munich-based Polygonia, herself a producer of bass & other dancefloor music. james K – On God (Roza Terenzi Remix) [AD93/Bandcamp] Following her vaporwave-trip-hop album Friend from last year, james K now reaches out for some heavy-duty Friends to remix the album. Roza Terenzi is Katie Campbell, originally from Perth, then Melbourne, now Europe, also one third of trip-hop band trickpony. She takes the jangly indie song “On God” and dubs it out with vocal delays and chunkier beats – one of the best remixes of the set. Lyra Pramuk – Ending (Djrum Endless Rework) [7K/Bandcamp] The remix has in a sense always been at the heart of the work of operatically & classically-trained composer & producer Lyra Pramuk, whether it’s sampling and processing her own voice, or commissioning huge remix compilations as on 2021’s Delta. Last year she started her own label pop.soil, but simultaneously joined 7K (!K7‘s classical/ambient imprint that they’re back-referencing as 7Klassik), releasing the beautiful Hymnal in June. In June this year comes Hymnal (Resung), in which her voice and the strings of Sonar Quartett are remixed by seven of her colleagues – and who better than the classical-tuned beatmaster Djrum as the first to be released? dgoHn – I Couldn’t Remember So I Made Something Up [Planet µ/Bandcamp] Here are two tastes that sure go well together – the first release by drumfunk genius dgoHn (aka John Cunnane) on Planet µ! All signs point to Tessares being vintage dgoHn, with the melodic focus of label boss µ-Ziq – and dgoHn did have an album with Macc on Aphex Twin’s Rephlex label (digital available here), so IDM isn’t exactly foreign to his style of drum’n’bass. I’m certain this will be a joy. SPECIAL REQUEST – Uncanny Valley (gyrofield remix) [Timedance/Bandcamp] When techno/tech house mainstay Paul Woolford unveiled his Special Request alter ego in 2012 with a series of 12″s and remixes, it was revolutionary not just for Woolford but for the nascent jungle revival, representing a new take on the ’90s jungle revolution, and pre-empting the still-current jungle revival by at least a couple of years (well it depends how you count it – Sully’s Blue double EP was 2014, despite the Bandcamp date). As you know, Woolford has used Special Request for all music of the hardcore continuum by now, but for Batu’s Timedance he’s dropped a piece of hardcoreish drum’n’bass. It’s backed by two remixes: Metrist‘s bass heavy slow-fast take and gyrofield‘s more abstracted weird-jungle. Weird dancefloors unite! los pulpitos – ii ii ii [Crammed Discs/Bandcamp] los pulpitos – Archipelago [Crammed Discs/Bandcamp] Since the early ’80s Belgian label Crammed Discs has been the home for postpunk and world music of all sorts as well as quite a lot of electronica. Techno & electronica producer Dirk Leyers here teams up with Felipe Salmon of Peruvian duo Dengue Dengue Dengue under the name los pulpitos (the little octopuses). Their debut EP Octopean Union from last year was a lovely piece of underwater electronica, combining techno & acid vibes with friendly drum’n’bass/jungle and those South & Central American percussive forms that Dengue Dengue Dengue nurtured. The new album Tentacletek is similarly-formed and both are absolutely lovely, just the right combo of dreamy & danceable. Appleblim – Thunderstorm [Sneaker Social Club/Bandcamp] Laurie Osborne as Appleblim was a key figure in the outward dissemination of dubstep with the Skull Disco label he ran with Sam Shackleton, twisting dubstep’s template to include technoid rhythms. Since then both artists’ oeuvres have turned sideways into other realms, but Appleblim’s always cleaved closer to the dancefloor. Here he’s joined with Sneaker Social Club for a third time, with melodic, hardware-driven rave tracks that float somewhere between drum’n’bass, 2-step, dubstep, weightless and some kind of acidic disco. Always brilliant. Rob Smith – Revolve (feat Tony Wrafter) [RSD Bandcamp] Here’s an unusual project for Rob Smith of Bristol trip-hop originals Smith & Mighty and junglists More Rockers. As RSD, Smith has also made forays into dubstep, indeed since early in the genre’s nascence, as well as dub more broadly. The makers of the underground film Urtobēn – Vienna’s illegal Artforms (more about graffiti and parkour activities than music itself) clearly felt RSD’s urban music styles suited the film’s aesthetic, and now he’s released the soundtrack on his Bandcamp, with tracks from many of his projects and a few fellow travellers. The previously-unreleased (I think!) jungle track I played tonight features trumpeter Tony Wrafter, a longtime Smith & Mighty fellow traveller, who’s also worked a lot with the On-U Sound stable. Ital Tek – Kill Switch [Planet µ/Bandcamp] I first played Alan Myson’s music as Ital Tek in 2007, pretty early in the dubstep’s expansion out from East London. He’d made a bit of breakcore/IDM before this, but his dubstep was quickly picked up by Mike Paradinas’ Planet µ, with all four tracks on the Blood Line EP certified bangers. He moved into a more purple phase, and via various other styles – some more ambient, some more industrial – we arrive at Mind Abandon. Here Myson is taking a bit more of a hardware approach, and again is mixing ambient with some more post-industrial expression, not exactly IDM or dubstep but not entirely separate either – especially the track I played tonight goes from punishing industrial bass into cyberpunk ambient synthesis. I’ve found for years now that Ital Tek albums don’t initially grab me, then I come back to them after a bit and I’m like What? This is fucking great. And yeah, this is great. An underrated talent, honestly. Jensen Interceptor – Flux Entrance [Peder Mannerfelt Produktion] Sydney-born producer Jensen Interceptor now finds himself based in Stockholm, so it makes sense that his last couple of EPs have been released by Pedder Mannerfelt‘s Produktion. Synthetic Seduction is definitely “future bass”, aimed squarely at the dancefloor; straightforward enough, but melodic and super bouncy. Rodja – Ajam (Version) [XCPT/Bandcamp] Pietro De Ruggieri is a producer from Mantera in Italy, releasing music as Rodja, which suggests a particularly Aussie pronunciation of “Rodger”, but presumably isn’t. De Ruggieri has spent some time in Tehran, and some of the music on his new album Third Force was produced there. It’s a phenomenal set of dub techno and other dubby bass music, with slippery production but emphatic beats, beautifully textured. Recommended. Paperclip Minimiser – TT A1 [Blank Mind/Bandcamp] Speaking of pitch-perfect updated dub techno, John Howes’ Paperclip Minimiser has the goods. This is far more ascetic than Rodja, a sound that will be familiar if you checked out Howes’ second album on Peak Oil a few weeks ago. Brilliant. Ptastvo – Bowls With Souls [I Shall Sing Until My Land Is Free/Bandcamp] Ukrainian label I Shall Sing Until My Land Is Free (based, with its progenitors, in Berlin since Russia’s war) here brings an album from Volodymyr Ponikarovskyi aka Ptastvo, who uses found sounds along with electronics and musical instruments to evoke the feeling of imbalance and the heightened emotions of living in wartime. It’s impressively varied music, and even at its most electro-acoustic (e.g. the literal metal bowls sampled on “Bowls With Souls”) it retains a connection to dance music, or at least music with beats. Quite an epic journey, one to listen to on a nighttime drive perhaps – or lie back and listen on headphones wherever you are. Bobby Ingham – Easy Mush [Sneaker Social Club/Bandcamp] Bobby Ingham – I Feel So Good I Swear I Could Fly [Sneaker Social Club/Bandcamp] On Angel of the North, released on Low End Activist‘s Sneaker Social Club, Leeds-born interdisciplinary artist Bobby Ingham echoes the label boss’s excavation of his Oxford council estate origins, featuring Ingham’s grandmother and Ingham’s own spoken word, with spookily discordant synths and fragmented rhythms tracing a skeleton of UK bass music, from grime to r’n’b-laced trip-hop. Berndt / Schmidt – Gecko Lazzaro [Thrill Jockey/Bandcamp] Drew Daniel, one half of Matmos, is quite prolific outside of the beloved duo, with a varied solo career as The Soft Pink Truth as well as various collaborations. It’s less common to hear solo or other non-Matmos music from Drew’s partner Martin M.C. Schmidt, so the new album Cloud Machines, which finds Schmidt working with Baltimore experimental mainstay John Berndt, should make us sit up and listen. The humour and weirdness of Matmos is very much present, but its exploratory sound – from the first couple of singles – takes in Krautrock studio experimentation, postpunk out-rock and any other leftfield musical non-traditions. Harrington, Jaffe, Shiroishi – FRACTAL HASH [AKP Recordings/Bandcamp] Via LA label AKP Recordings, Making Colors is the second improvised wonder from three talented musicians who work comfortably across genres. Dave Harrington may be best known for his collaboration with Nicolas Jaar, Darkside, Max Jaffe for the art rock/avant-pop of JOBS and drumming in Amirtha Kidambi’s Elder Ones, and Patrick Shiroishi for his solo saxophone & sound-art as well as hardcore punks The Armed, contemporary music ensemble Wild Up and much more. This spontaneous music can sound like postrock at one time, then free jazz or psychedelic noise, or ambient, all filtered through electronic processing. Rad. Adam Schatz – A Voice Screaming All Aboard (feat. Carmen Quill) [Jealous Butcher Records/Bandcamp] Speaking of jazzers in smudged genres, Adam Schatz is a saxophonist and keyboard player who’s played with prominent indie artists like Japanese Breakfast, This Is The Kit and many others, and his Civil Engineering Vol. 1 is an enjoyable selection of melodic jazz made even better with the double bass of Carmen Quill on most tracks, and Dawn of Midi drummer Qasim Naqvi on a couple too. Purelink & Rainy Miller – Barrons Hotel (I, To, Thee.) [Fixed Abode] Arriving with no fanfare or explanation is this 2-tracker from Manchester producer/singer/iconoclast Rainy Miller, on his Fixed Abode imprint, collaborating with US electronica trio Purelink. Gorgeous smeared electronics with Rainy Miller’s typically morose, yet cutting, work. Listen again — ~222MB

The Fall "U.S. 80s-90s" (Live) Drome "Moon On My Screen" (Dub Version) Autechre "P.I.O.B." (Mix Two) Faust "Right Between Yr Eyes" Stereolab "Percolations" Foetus "Herds" Pumice "Weird Crab Holy Soldier" John Fahey "Ghosts" The Microphones "Mount Eerie" Ksiezyc "Zakopana" Celtic Frost "Caress Into Oblivion" Scott Walker & Sunn O))) "Fetish"

Hallo, liebe Heldinnen und Helden,Episode 130 des Post-Punk-Podcasts dreht sich um David Bowies Berlin-Jahre und seinen Song "Heroes" - seinen wohl wichtigsten Output in dieser Zeit. Viele Post-Punk-Bands beziehen sich auf den Bowie jener Epoche und da soll es uns doch Anlass genug sein, darüber zu schwatzen. Wobei sich herausstellt, dass wir recht unterschiedliche Einstellungen und Verbindungen zur Musik von David Bowie haben. Dennoch sind wir uns einig: Die drei Berlin-Alben von Bowie, "Low", "Heroes" und "Lodger" sind ein wichtiger Wendepunkt in seiner Karriere. Bowie wurde vom "Thin White Duke" zu einem eher avantgardistischen Klangkünstler. Beeinflusst vom deutschen Krautrock und zusammen mit Produzent Brian Eno wandte er sich neuen Sounds zu. Die drei als "Berlin-Trilogie" genannten Alben beeinflussten wenig später Künstler wie Joy Division, Gary Numan oder Ultravox. Empfehlung unseres Hörers Jürgen ist die Bowie Studio Tour in Berlin. https://musictours-berlin.de/de/bowietourMail an: prost-punk@web.deAbonniert diesen Podcast und folgt uns auf ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠und / oder ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Voivod guitarist Chewy and drummer Away join The Pipeman live at Hell's Heroes Festival VIII 2026 on W4CY Radio. The prog metal pioneers discuss their 44-year legacy, paying tribute to Piggy 21 years after his passing, and keeping the fun alive on stage while welcoming a new generation of metalheads to the fold.They also talk about new releases including a symphony orchestra live album, survival in the streaming era and the important of merch, including a Voivod children's book. They also dive into influences from Krautrock to thrash, and sci-fi warnings that feel more relevant than ever these days. Highlights include crowd-surfing moments, Ozzy tour stories, and a nerve-racking experience that became a magic moment opening for Rush, plus a Voivod video game!Featured topics: Voivod interview, Hell's Heroes Festival VIII 2026, Piggy tribute, new Voivod album, Voivod video game, prog metal history, symphony orchestra show, Chewy Voivod, Away Voivod, Ozzy, Rush, young metal fans.Click Here to Subscribe to The Adventures of Pipeman for PERKS, BONUS Content & FREE GIVEWAYS! Take some zany and serious journeys with The Pipeman aka Dean K. Piper, CST on The Adventures of Pipeman also known as Pipeman Radio syndicated globally “Where Who Knows And Anything Goes.”   Would you like to be a sponsor of the show?Would you like to have your business, products, services, merch, programs, books, music or any other professional or artistic endeavors promoted on the show?Would you like interviewed as a professional or music guest on The Adventures of Pipeman, Positively Pipeman and/or Pipeman in the Pit?Would you like to host your own Radio Show, Streaming TV Show, or Podcast?  PipemanRadio Podcasts are heard on Pipeman Radio, Talk 4 Media, iHeartRadio, Pandora, Amazon Music, Audible, Spotify, Apple Podcasts, and over 100 other podcast outlets where you listen to Podcasts.The following are the different podcasts to Follow, Listen, Download, Subscribe:•The Adventures of Pipeman•Pipeman Radio•Pipeman in the Pit – Music Interviews & Festivals•Positively Pipeman – Empowerment, Inspiration, Motivation, Self-Help, Business, Spiritual & Health & WellnessClick Here to Subscribe for PERKS, BONUS Content & FREE GIVEWAYS!Follow @pipemanradio on all socials & Pipeman Radio Requests & Info at www.linktr.ee/pipemanradioStream The Adventures of Pipeman daily & live Mondays, Tuesdays, Wednesdays at 1PM ET on W4CY Radio & Talk 4 TV. Download, Rate & Review the Podcast at The Adventures of Pipeman, Pipeman Radio, Talk 4 Media, iHeartRadio, Apple Podcasts, YouTube & All Podcast Apps.

Voivod guitarist Chewy and drummer Away join The Pipeman live at Hell's Heroes Festival VIII 2026 on W4CY Radio. The prog metal pioneers discuss their 44-year legacy, paying tribute to Piggy 21 years after his passing, and keeping the fun alive on stage while welcoming a new generation of metalheads to the fold.They also talk about new releases including a symphony orchestra live album, survival in the streaming era and the important of merch, including a Voivod children's book. They also dive into influences from Krautrock to thrash, and sci-fi warnings that feel more relevant than ever these days. Highlights include crowd-surfing moments, Ozzy tour stories, and a nerve-racking experience that became a magic moment opening for Rush, plus a Voivod video game!Featured topics: Voivod interview, Hell's Heroes Festival VIII 2026, Piggy tribute, new Voivod album, Voivod video game, prog metal history, symphony orchestra show, Chewy Voivod, Away Voivod, Ozzy, Rush, young metal fans.Click Here to Subscribe to Pipeman in the Pit for PERKS, BONUS Content & FREE GIVEWAYS!  Pipeman in the Pit is a music, festival, and interview segment of The Adventures of Pipeman Radio Show (#pipemanradio) and from The King of All Festivals while on The Pipeman Radio Tour. Pipeman in the Pit features all kinds of music and interviews with bands & music artists especially in the genres of Heavy Metal, Rock, Hard Rock, Classic Rock, Punk Rock, Goth, Industrial, Alternative, Thrash Metal & Indie Music.Pipeman in the Pit also features press coverage of events, concerts, & music festivals.Pipeman Productions is an artist management company that sponsors the show introducing new local & national talent showcasing new artists & indie artists.Then there is The Pipeman Radio Tour where Pipeman travels the country and world doing press coverage for Major Business Events, Conferences, Conventions, Music Festivals, Concerts, Award Shows, and Red Carpets. One of the top publicists in music has named Pipeman the “King of All Festivals.” So join the Pipeman as he brings “The Pipeman Radio Tour” to life right before your ears and eyes.Would you like to be a sponsor of the show?Would you like to have your business, products, services, merch, programs, books, music or any other professional or artistic endeavors promoted on the show?Would you like interviewed as a professional or music guest on The Adventures of Pipeman, Positively Pipeman and/or Pipeman in the Pit?Would you like to host your own Radio Show, Streaming TV Show, or Podcast?  PipemanRadio Podcasts are heard on Pipeman Radio, Talk 4 Media, iHeartRadio, Pandora, Amazon Music, Audible, Spotify, Apple Podcasts, and over 100 other podcast outlets where you listen to Podcasts.The following are the different podcasts to Follow, Listen, Download, Subscribe:•The Adventures of Pipeman•Pipeman Radio•Pipeman in the Pit – Music Interviews & Festivals•Positively Pipeman – Empowerment, Inspiration, Motivation, Self-Help, Business, Spiritual & Health & WellnessBecome a supporter of this podcast: https://www.spreaker.com/podcast/pipeman-in-the-pit--2287932/support.Click Here to Subscribe for PERKS, BONUS Content & FREE GIVEWAYS!Follow @pipemanradio on all socials &  Pipeman Radio Requests & Info at www.linktr.ee/pipemanradioStream The Adventures of Pipeman daily & live Mondays, Tuesdays, Wednesdays at 1PM ET on W4CY Radio & Talk 4 TV. Download, Rate & Review the Podcast at The Adventures of Pipeman, Pipeman Radio, Talk 4 Media, iHeartRadio, Apple Podcasts, YouTube & All Podcast Apps.

SUPPORT THIS PODCAST!Join PatreonGet some merch~~~~Here's yet another BONUS MxTRA for Season 8! It's a PATREON EXCLUSIVE that I'm sharing for TWO reasons: 1. This is a fascinating topic I'd love your opinion on; and 2. This podcast needs your support, and I want you to know what kind of exclusive content you get when you join me on Patreon. In this BONUS MxTRA, I talk about ALL Western music would not be what it is today if not for the contributions & innovations of Germany.If you like these BONUS MxTRAs, you can see the videos, all 60+ MxTRAs, and every future episode if you join me on Patreon. You can get in for as little as ONE DOLLAR A MONTH.Enjoy! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

For our february episode we finally complete the 70s by discussing our favourite songs of 1974! You can expect lots of prog, much more krautrock than expected (particularly from Tracey), some funk classics, sparkly glam bangers, and most of the members of The Byrds.We've each chosen our 10 favourite songs of the year and sent them over to Colin's wife Helen, who put the playlists together and distributed them so we were each given a playlist of the 20 songs from the other two hosts, along with our own 10. We then ranked the playlists in order of preference and sent them back to Helen, who totalled up the points and worked out the order. She also joined us on the episode to read out the countdown, which we found out as we recorded so all reactions are genuine.Now, admittedly, in parts we're a little bit brutal to some of the songs in the list as we're three separate people with differing music tastes, but please remember that to be in this episode at all the songs have to have been in one of our top 10's of that year.Bands featured in this episode include (In alphabetical order, no spoilers here!) - Kevin Ayers, Big Star, David Bowie, James Brown, Captain Beefheart & The Magic Band, Gene Clark, Cluster, Deep Purple, Brian Eno, Focus, Fred Frith, Harmonia, Keith Hudson, King Crimson, Kiss, Kraftwerk, Lynyrd Skynyrd, Curtis Mayfield, Roger McGuinn, Mike Oldfield, Parliament, Gram Parsons, Pilot, Queen, Roxy Music, The Sensational Alex Harvey Band, Sparks, Steely Dan, Tangerine Dream, & Rick Wakeman.Find all songs in alphabetical order here - https://open.spotify.com/playlist/5DIrU8fLeTxerh4wHJTWDq?si=6e2bfca9066b44e2Find our We Dig Music Pollwinners Party playlist (featuring all of the winning songs up until now) here - https://open.spotify.com/playlist/45zfDHo8zm6VqrvoEQSt3z?si=Ivt0oMj6SmitimvumYfFrQIf you want to listen to megalength playlists of all the songs we've individually picked since we started doing best of the year episodes (which need updating but I plan on doing them over the next few months or so), you can listen to Colin's here – https://open.spotify.com/playlist/5x3Vy5Jry2IxG9JNOtabRT?si=HhcVKRCtRhWCK1KucyrDdgIan's here - https://open.spotify.com/playlist/2H0hnxe6WX50QNQdlfRH5T?si=XmEjnRqISNqDwi30p1uLqAand Tracey's here - https://open.spotify.com/playlist/2p3K0n8dKhjHb2nKBSYnKi?si=7a-cyDvSSuugdV1m5md9NwThe playlist of 20 songs from the other two hosts was scored as usual, our favourite song got 20 points, counting down incrementally to our least favourite which got 1 point. The scoring of our own list of 10 is now slightly more complicated in order to give a truer level of points to our own favourites. So rather than them only being able to score as many points as our 10th favourite in the other list, the points in our own list were distributed as follows -1st place - 20 points2nd place - 18 points3rd place – 16 points4th place – 14 points5th place – 12 points6th place – 9 points7th place – 7 points8th place – 5 points9th place – 3 points10th place -1 pointHosts - Ian Clarke, Colin Jackson-Brown & Tracey BGuest starring Helen Jackson-Brown.Playlist compiling/distributing – Helen Jackson-BrownRecorded/Edited/Mixed/Original Music by Colin Jackson-Brown for We Dig PodcastsThanks to Peter Latimer for help with the scoring system.Part of the We Dig Podcasts network along with Free With This Months Issue & Pick A Disc.Bluesky - https://bsky.app/profile/wedigmusic.bsky.socialInstagram - https://www.instagram.com/wedigmusicpcast/Facebook - https://www.facebook.com/wedigpusicpcast/Find our other episodes & podcasts at www.wedigpodcasts.com 

Déi Berliner Band Braake suivéiert selbstsécher e manner bereeste Wee an der däitscher Popszeen. Dëse Wee féiert si op Lëtzebuerg an de Gudde Wëllen, wou si de 17. Februar zesumme mat Autumn Sweater spillen. D'Musek vum Braake kann als eng waarmt, klanglech Tapisserie vu 70er Folk beschriwwe ginn, duerchzu mat Elementer vu Krautrock an New Wave. Dëst weist sech och an hirer neier Single "Scheussliche Stadt". D'Claudia Klasen huet dës Single an de kommende Concert de 17. Februar als Geleeënheet genotzt fir mam Sänger Benno Bings ze schwätzen.

De Pit Steffen ass deen eenzege Lëtzebuerger Member vun der Berliner Band Kresse 3, déi Aflëss aus Krautrock a Postpunk mat wäertvollem Textmaterial verbënnt. No engem EP mam schéinen Titel "Die Mutigen die schlafen", iwwert déi mir och hei um 100,7 bericht haten, an enger Partie Singles ass di villverspriechend Combo grad bei engem neie Label ënnerkomm a bréngt am Mee hiren Debut eraus: "Die Welt ist gestreckt".

Mathias Modica ist ein Mann von Welt. Er wird 1977 in Rom geboren und verbringt dort die ersten drei Jahre seines Lebens, bevor es für drei Jahre nach Paris geht. Pünktlich zur Schulzeit wird die Familie in München sesshaft. Seine Mutter ist Italienerin, sein Vater der Komponist Robert Maximilian Helmschrott. Folglich ist Modica immer von Musik umgeben, schon als Fötus im Mutterleib. Modica bekommt die klassische Ausbildung. Er ist fünf, als er beginnt, Klavier zu spielen. Später studiert er das Instrument, spielt drei Jahre Saxophon und acht Jahre Schlagzeug. Zu Schulzeiten singt er in einer Hardcore-Punk-Band. Sein erstes Konzert spielt er mit 14. Mit seinem Vater bereist er immer wieder die Welt, wenn der Konzerte gibt. "Musik ist für mich so wichtig! Wichtiger als alles andere, außer vielleicht die Luft zum Atmen. Und die Liebe", sagt Modica. Nach dem abgebrochenen Studium arbeitet er beim Privatradio "Jazz Welle Plus", ab 1996 agiert er auch als Veranstalter in München. Zur Jahrtausendwende wird Modica mit Gomma zum Label-Macher für handgemachte Dance-Music. Er selbst tritt mit Munk in Erscheinung, wird zum deutschen Verbündeten von James Murphy und dessen LCD Soundsystem und ist Entdecker von WhoMadeWho. Gomma ist zwar Geschichte, dafür hat Modica 2014 das Dance-Label Toy Tonics gegründet. Neben seiner DJ-Crew wirbt Modica dafür weltweit Künstler*innen und Bands an, die via Soul, Funk, Afro, Italo Disco und mehr wieder Farbe, Freude und das Analoge ins House-Geschehen bringen. Seine Vorliebe für Jazz, Krautrock, Ambient und Artverwandtes lebt Modica außerdem seit 2018 mit dem Label Kryptox aus. Er veranstaltet europaweit regelmäßig Veranstaltungen und Label-Nights. Bei denen tritt er unter seinem DJ-Pseudonym Kapote in Erscheinung. Darunter hat er im März 2025 sein zweites Album "Para Mytho Disco" veröffentlicht. Über das und vieles mehr gibt er ausführlich Auskunft. Kein Gast war musikalisch bisher so breit aufgestellt. Hosted on Acast. See acast.com/privacy for more information.

Après notre numéro spécial du 1er de l'An et pour reprendre le rythme habituel de cette émission, j'avais envie de mettre à l'honneur pour démarrer ce numéro d'AMAROK....AMAROK ☺️. Il semble que le fondateur polonais de cette formation d'inspiration oldfieldienne, Michal Wojtas, et votre serviteur ayons eu la même influence du musicien anglais Mike Oldfield à qui l'on doit l'album du même nom. Mais Michal a su s'émanciper de l'influence du Maestro et nous offrait en 2024 un superbe 7ème album intitulé "Hope", un titre qui en ce début d'année pour le moins instable nous rappelle qu'on en a tellement besoin... A peine 2026 commencée et une première nouveauté de l'année : PETER GABRIEL et un magnifique single intitulé "Been Undone". L'ex-Genesis renouvelle la formule de son précédent opus ("O/I") jusqu' au nom du nouvel album : "I/O" (vous suivez ?

Thomas Leer in conversation with David Eastaugh  http://thomasleer.co.uk/ Leer played in several local experimental pop groups in the early to mid-1970s, moving to London when the punk rock scene was at its height. He formed the punk band Pressure, but by 1978 had moved on to music influenced by synthpop and Krautrock bands such as Can. That year, he self-financed his debut single, "Private Plane". Although it was recorded in his own flat and was only issued in 650 copies on his own label, it gained significant attention, with NME naming it "Single of the Week". In 1979, he released the album The Bridge in collaboration with Robert Rental. In 1981, he signed to Cherry Red, his first release for the label being the 4 Movements EP. After two further releases on the label, he was signed by Arista Records, releasing three further singles and his debut full-length solo album, The Scale of Ten in late 1985.  

In this bonus episode, Jim adds a song to the Desert Island Jukebox from a krautrock band so obscure they didn't even make the cut in the definitive book on the genre he's been reading.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundopsSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Christopher & Jobst im Gespräch mit WestBam. Wir sprechen über den Traum Mittelstürmer zu sein, sein 19-jähriges Ich an die Wand spielen, mit Traditionen brechen, leichter gewordenes DJing, täglich durch den Tiergarten gehen, hin- und hergerissen zu Johnny Rotten sein, ein Lied mit Iggy Pop machen ist wie das 7 zu 1 gegen Brasilien, als junger New Waver ins legendäre Metropol, eine laufende Soundwelle, die Geheimkunst des Mixens, seit Anfang der 90er gen DJ tanzen, auf einer Seite mit Genesis P. Orridge, das Manifest "Was ist Record Art?", musikalischer Spätzünder sein, drei Jahre lang "Oh Mandy" hören, ein späterer Mr. Universum, andere Hardrocker unterhielten sich über Punk-Gesang, ein gutes Hardrock-Album mit komischen Vocals drüber, Gewürze in Hengelo kaufen, Spiky Hair statt lange Haare, Sicherheitsnadel durchs Ohr stechen, Hassliebe auf die Engländer, musikalische Erziehung durch BFBS & John Peel, das Album "Ein Produkt der Deutsch-Amerikanischen Freundschaft", frühe Fad Gadget, "Holidays in Cambodia", in den frühern Achtzigern hatten Bands den technischen Fortschritt mit drin, sich gegen die antiautoritären Eltern widersetzen, Krautrock roch nach Moschus, ein Harlem Globetrotters-Flipper im Odeon, das Hundehalsband von Sally, alles Scheiße in der Provinz, selbstgemacht Batik-Shirts mit Kaninchenfellmänteln und Gummistiefeln, Feuerlegen und Isetta-Fahren, "Wir gegen die Spießer", Kinder sind konservativer als Eltern, ab 11 Kampfsport machen, eisenharte Disziplin, abgefahrene Bilder vom Acid-Freak-Erzieher Peter, rauchend ohne Sicherheitsgurt im Auto, der frühe Tod des Vaters, Kunststudent mit Uniformjacke, Annabelle von Bow Wow Wow lieben, bei Annette Benjamin pennen, Crazy Colors & Bondage-Hosen, der Stern der DJ-Ära, nie im Sounds gewesen sein, "Wir Kinder vom Bahnhof Zoo", Döner in Shibuya, die beiden großen Berlin Smells Döner & U-Bahn, in die Music Hall am Walther-Schreiber-Platz pilgern, "Der Mussolini" & "Papa´s got a brand new pigback", David Bowier: Der schönste Mann im Westen, auf Punk-Urlaub von den Eltern weg, die Groschen sind alle, im Zeichen der Fische geboren, die D-Punks, die Chaos-Tage in Hannover, verfolgt von englischen Soldaten, schnorren für n Kebab, Norbert von VD, Highlander der Jugendkultur sein, für das Recht auf Ungemütlichkeit kämpfen, schon immer erwachsen sein wollen, vom Bassisten vom Stranglers mit ins Konzert genommen, Salomé & Die geilen Tiere, nichts üben aber gleich alles können, die Disco Riot-Reihe auf Low Spirit, Punk war der letzte Versuch von Rock´n´Roll sich gesund zu schrumpfen, Ende der 80er-Jahre im Tempo über DJing schreiben, der Beginn einer neuen Ära, als junger Punk in West-Berlin verliebt sein, das Buch "Schulhorror", der Ober-Punk von Berlin DJ Fetish, Bestellungen fürs World´s End aufgeben, "Temptation" von Heaven 17, Killing Joke im Odeon, zum Dom-Radio aus Münster nicht Nein sagen, religiöse Tiefen im Punk nicht so ausleben können, die Hiltrup-Punks wollten einen knattern, immer alles ausprobieren wollen, William und die Anzüge aus dem Korrekt, mit der Legende DJ Chris überworfen haben, bester Berliner DJ im Tip, von 1 bis 9 Uhr auflegen, 130 BpM High Energy, das Label Trax Records, eine Sehnsucht nach Werken haben, NDW ist nicht an Fräulein Menke gestorben, der sogenannten Ausverkauf, das erste Rave-Erlebnis mit Wick Vaporup & Ectasy, die Macht der Nacht, mit den Stereo MCs in der Werner-Seelenbiner-Halle, nur weil es klein ist ist es auch nicht immer ein gutes Publikum, viele Leute haben ein Dünkel, WestBams eigene Kultur-Theorie, Björk ist Geschmacks-Mittelschicht, der Gönner aller Schnorrer sein, gern mal für 700 Euro essen gehen, westfälisch klug wirtschaften, TikTok-DJs mit 180BpM, süchtig nach YouTube Shorts, der Untergang der Welt, uvm.Zwei Songs für die Playlist1) Ein Lieblings-Punk-Song von Westbam: WIRE - 12XU2) Ein Lied, das den Spirit des frühen Techno am besten vermittelt: DEAD OR ALIVE - You Spin Me Round

Krautrock superstars Motrik have been a driving, pulsing beat at the heart of Portland music for more than a decade. On the eve of their forthcoming album "Earth," Dave, Erik, and Jonah from the band joined us to chat about humane vermin training, the foundational beat at the core of every song in their catalog, the relaxing innovation of mud-themed recording studios, the mechanics of harmonica care, and the evolving interpretations of the Motrik sound that emerged organically from their new songs.Music this week:"Ultimate Drive" by Motrik (22:12)"Polyphemus Beat" by Shitao (40:17)"Weightless" by Motrik (53:25)"Islands"  by Plankton Wat (78:29)"Friday Nights" by  Petty Treason (97:41)

Die Wiener Band Kreisky feiert 2025 ihr 20-jähriges Bestehen – und zeigt mit dem neuen Album "Adieu Unendlichkeit", dass von musikalischer Müdigkeit keine Spur ist. Sänger Franz Adrian Wenzl und seine Mitstreiter verbinden Art-Pop, Krautrock und Math-Rock mit bitterbösen, pointierten Texten über dunkle Wahrheiten und gesellschaftliche Kipppunkte. Kritiker feiern die Band als Speerspitze einer "austrofuturistischen Bewegung", ihr Sound bleibt eigenwillig, fordernd und relevant. Im Interview sprechen Kreisky über ihr neues Werk, und präsentieren live im studioeins einige ihrer neuen Songs.

Support Night Clerk Radio on PatreonIt's time for our August new music episode. This time there's no obvious overarching theme between our picks so no clever episode title, sorry! We're starting off with Master Builder by Xeeland, an album that takes you on an evocative journey through the horrors of brutalist architecture. Then we're heading off to Hawaii for The Molokai Compendium by Nmesh, a richly produced and deeply layered plunderphonic adventure inspired by one of the best bad movies of all time. Join us and check out these albums!Shout OutsThe Painter of the RightDay Shift by Cinematic SequencesLego Castle: 1979-1998 by Dreamcastle™Abiotic Factor on SteamA Small Sample of Flamingo Fest 2025 sets on YouTubeDigital Archive of Computer Entertainer MagazineB O R T mediaAlbums DiscussedThe Molokai Compendium by NmeshMaster Builder by XeelandOther LinksOcean Temple by BrickmasonGood Brews Bad ViewsBandcamp: The Molokai Compendium AotDNmesh's Late-Summer Molokai Mind-Melt PlaylistCreditsMusic by: 2MelloArtwork by: Patsy McDowellNight Clerk Radio on Bluesky

Im südlichen Odenwald existiert ein popmusikalisches Biotop der besonderen Art. Als sich die legendäre Krautrock-Band Guru Guru Mitte der 1970er-Jahre hier als Hippie-Kommune niederließ, gründete Bandboss Mani Neumeier das Finkenbach-Festival – zusammen mit der Freiwilligen Feuerwehr.

The Miracle Seeds I Am the Sherpa 3:54 Nuclear Watermelon 2025 The Miracle Seeds Float Me 4:43 Nuclear Watermelon 2025 The Miracle Seeds What You Know 3:50 Nuclear Watermelon 2025 The Miracle Seeds Ideas 5:35 Inca Missiles 2022 Black Sabbath Symptom of the Universe 6:23 Sabotage 1975 Psychedelic Porn Crumpets Another Reincarnation 2:23 single 2024 […]

My intermittent series on albums, movies or bands that either were denied classic status on release or have been forgotten about since. Though their Krautrock peers, Can, Neu!, Faust and Kraftwerk still get plenty of coverage, these equally brilliant pioneers are rarely mentioned. Their first three album run, Phallus Dei, Yeti and Dance of the Lemmings (two of which are doubles) is one of the finest in rock. In fact this was supposed to be their first FIVE albums but I ran out of time (#5 Wolf City is also a masterpiece). A genuinely wild ride through some of the best proto-metal, prog rock, space rock and krautrock out there.

From Jesus Christ to Krautrock via Julian of Norwich and T.S. Eliot, Simon Critchley's On Mysticism (Profile) brilliantly displays the author's playful, eclectic erudition in an evocation of the phenomenon he defines, after Evelyn Underhill, as ‘experience in its most intense form.' Critchley was in conversation about mysticism East and West with the LRB's James Butler. Find more events at the Bookshop: https://lrb.me/eventspod

This vibrant and energetic edition brings together a diverse range of sounds- from modular and chill-out to Berlin School melodies and innovative collaborations. Karl Schoenberg makes his debut on Sequences with his album “Spectre,” which beautifully moves beyond traditional forms to create sonic textures that flow like living paintings—an inspiring exploration of life and death from Telepath. Ümit Han teams up with legendary Krautrock and Berlin School pioneer Harald Grosskopf on “Magnetfeld,” blending hypnotic techno beats with ambient influences for a truly mesmerising experience. Meanwhile, Martin Stehl, known as Glint, skillfully mixes electronic elements with 80s vibes, contemporary beats, chillout melodies, and ambient sounds to craft a deeply engaging listening experience. Download Bios: https://we.tl/t-Inu5LuJzQ9 Playlist no 272 02.08 Divine Matrix ‘Realm Of Gods' (album Rise Of The Sand Gods) https://admusicshop.bandcamp.com 04.12 Divine Matrix ‘Eye Of Horus' 09.00 Glynn Heppenstall ‘Flowers & files' (album We Live Within A Dream,Tributes To David Lynch) https://auralfilms1.bandcamp.com/album/we-live-within-a-dream-tributes-to-david-lynch 16.11 Harald Grosskopf & Ümit Han ‘Zeitgeber' (Magnetfeld) https://uemithan.bandcamp.com/album/magnetfeld 23.07 Karl Schoenberg 'Sound Sculpture 7' (album Spectre) https://cyclicaldreams.bandcamp.com/album/spectre-cyd-0133 26.25 Karl Schoenberg 'Sound Sculpture 8' 29.33 Lisa Bella Donna 'Final Frontier' (album Counterpoints-2) https://lisabelladonna.bandcamp.com/album/counterpoints-2 32.20 Lisa Bella Donna ‘Myriads Of Ivy' 37.09 Ian Boddy ‘Hildegard' (album Modulations VI) https://dinrecords.bandcamp.com/album/modulations-iv-dinddl34 49.37 Ian Boddy ‘Stars End' 59.00 Fusion Of Elements ‘Theory Of Concept' (album 3MIT-TIME) https://fusionofelements.bandcamp.com/album/bigger-than-us-24-bit 01.07.07 Ian Boddy & Erik Wollo ‘Abeona' (album Transmissions) https://dinrecords.bandcamp.com/album/transmissions-din92 01.17.54 Ole Højer Hansen ‘Carmin Red' (album Turner Blue) https://olehojerhansen.bandcamp.com/album/turner-blue 01.24.16 Glint ‘The Beginning' (album The Beginning) http://www.sine-music.com
01.28.18 Glint ‘Last Train Left' 01.31,20 t e l e p a t h テレパシー能力者 ‘The wings of a white phoenix embrace me as I jump from the edge of fate' (album 夜明けが訪れる: https://geometriclullaby.bandcamp.com/album/--56 01.43.00 Seifert & SteinbÅchel ‘Motion Artefact' (album Softlock ) www.mellowjet.de 01.50.58 Daniel Durwael ‘Dark Future' ( single) *** https://synthasy.bandcamp.com/album/dark-future 02.00.22 Perge ‘Heartbeat From a Crystalline Star' (album A Fleeting Abstraction Of An Evocation In Cryosleep) *** https://perge.bandcamp.com 02.09.41 Thaneco & Romerium ‘Genesis From The Galactic Forge' (album Interstellar Tunnel) https://thaneco.bandcamp.com/album/interstellar-tunnel 02.16.03 Thaneco & Romerium ‘Echoes Of Kinich Ahau' 02.24.11 Anantakara ‘Blossoming Tree Of Life' (album Glimpse Of Change) https://cyclicaldreams.bandcamp.com/album/glimpse-of-changes-cyd-0132 02.31.24 Anantakara ‘The Sacred Pulse Of Gaia Awakening' 02.37.43 Ivan Black ‘The Glass Bead Game' (album Book List ) https://ivanblack.bandcamp.com/album/book-list 02.48.02 m00n ‘Revolution In Space And Time' (album Part2: Dominiation) *** https://m00m.bandcamp.com/album/part-2-domination 02.53.03 fluXus ‘Red Lips and Green Lawns' (album We Live Within A Dream, Tributes To David Lynch) https://auralfilms1.bandcamp.com/album/we-live-within-a-dream-tributes-to-david-lynch Edit***

Künstlernamen sind eine interessante Sache – der unseres heutigen Gastes zum Beispiel lässt bei Erstkontakt vielleicht an eine veraltete Bezeichnung für Elefanten, Rhinozerosse und andere Dickhäuter denken, ist aber offenbar "nur" eine Wortspielerei mit seinem Vornamen. Könnte aber auch mit "dicken Bässen" zu tun haben, denn der gebürtige Puerto-Ricaner Pachy Garcia ist seit über einem Jahrzehnt in Sachen Dub unterwegs. Dabei kombiniert der in Los Angeles lebende Musiker Techniken und Ästhetik dieser Reggae-Spielart mit einer so breiten wie exquisiten Palette anderer Genres; von Funk und "Mutant Disco" über schrägen Synth-Pop und Drum'n'Bass bis hin zu Krautrock und Chillwave. Mit seinem vergangenen Freitag erschienenen neuen Album "Another Place" wird er sicher an vorherige Erfolge anknüpfen können, wie den seiner Single "Trago Coqueto", welche die radioeins-Hörer*innen nicht umsonst auf Platz 53 der "100 beliebtesten Songs des Jahres 2023" wählten. Passenderweise findet sich auf dem neuen Langspieler nicht nur mit "Hard To Part" ein musikalischer Liebesbrief an seine Wahlheimat, sondern ist mit "Berlin" auch seinem derzeitigen Aufenthaltsort ein Track gewidmet.

Today's episode features American musician, writer and acivist Alex Maiolo.Alex composes for modular synthesizer under the monikers Action Group, and TRIPLE X SNAXXX. Both projects are equally influenced by Motorik, aka Krautrock music, Suzanne Ciani, Psychedelia, Detroit techno, ambient music, and Giorgio Moroder.He also is a regular contributor to Louder Than War and The Quietus.Ladies and gentlemen, meet the erudite Alex Maiolo...If you can, please support the Electronically Yours podcast via my Patreon: patreon.com/electronicallyours

After World War II, Germany was destroyed…the country was divided…the east was under the control of the USSR…the west was in democratic Europe…and then there was berlin, sitting in the east but cut into different zones dominated by the Russians, the Americans, the British, and the French.  Most history books look at the political and military side of things…what we don't hear about nearly as much as how Germany society was rebuilt…imagine being a young person who is too young to have been in the military…what prospects did you have growing up in a divided country ruined by war.  This is where art comes in…art is always downstream from whatever is happening in society…and in the case of West Germany, many artists wanted things to be different.  Young German musicians had some very serious ideas of what needed to be done…many were into rock…but they were determined to create rock that was different from what was being made in the UK and America.  And they certainly didn't want anything resembling traditional German music…it had been tainted by the nazi legacy…it was time for something new, different, and away from the status quo.  There were experiments in the 50s that were pretty radical and, frankly, all over the place…but the results of these experiments began to coalesce into something by the end of the 60s.  Within a few years, something distinctly German had emerged…it rocked (in its own way)…it had elements of psychedelic music…things could either be extremely structured or open to wild improvisation…it certainly wasn't from any blues tradition or normal rock conventions upon which British or American rock was built.  The structures of some compositions weren't exactly what you could call normal—at least not in the context of rock…and occasionally, things got political, but not necessarily in a protest sense.  By the middle 70s, we had a new distinctly German sound…the scene was very diverse in terms of sonics, but there was a Teutonic purpose underlying everything.  The Germans just called it “German rock”…the British, however, gave it another name…it was supposed to be a joke, but the name stuck…and looking back, this sound, approach, aesthetic, and name can be found throughout many different corners of the rock.  This is an explanation of thing that has become known as a “Krautrock”…and believe me, you've heard it more than you realize. Learn more about your ad choices. Visit megaphone.fm/adchoices

"Big Dog", Ende März erschienen, mag "offiziell" das Debütalbum von Bria Salmena sein – doch ein Neuling ist die kanadische Musikerin mitnichten: Seit 2013 singt sie in der von ihr mitbegründeten Alternative-Rock/Post-Punk-Band FRIGS und ist zudem Teil der Live-Band des südafrikanischen Country-Grenzgängers Orville Peck. Auch unter eigenem Namen kann sie bereits Veröffentlichungen vorweisen, darunter die beiden wortspielerisch betitelten EPS "Cuntry Covers Vol. 1" bzw. "Vol. 2". Auf diesen interpretierte sie, dem Titel entsprechend aus sozusagen explizit weiblicher Perspektive Lieder, die beispielsweise von Waylon Jennings, Loretta Lynn oder Glen Campbell geschrieben oder bekannt gemacht wurden. Nun also "Big Dog", benannt nach einem Spitznamen, den ihr ein enger Freund in einer Lebenskrise "verpasste": Ein Dutzend eigene Songs, geschrieben mit ihrem langjährigen musikalischen Partner Duncan Jay Jennings, von denen gleich der erste mit seinem an einen heranbrausenden Zug erinnernden Schlagzeug-Intro klar macht, dass es hier jemand ernst meint und etwas zu sagen hat, sagen muss. Einflüsse aus Krautrock, Dark Wave, Shoegaze und elektronischer Musik verarbeitet Salmena in ihren eindringlichen Liedern, mit denen sie "eine Geschichte der Transformation erzählt – eine zutiefst persönliche Erkundung der Resilienz und eine Deklaration künstlerischer Unabhängigkeit."

This podcast may give you an existential crisis when we Marching Dice a John Philip Sousa song on your face and become the best podcast about Kraftwerk and 238th greatest album of all time, Trans-Europe Express.    Before we get to the music, we let our haters become our motivators for some discussion of dominatrix dreams, one-arm pushups, and concert posters. We also celebrate a mental health day with another pack of Boston Baked Beans. Good luck trying to do a carpool karaoke version of this part of the pod with Chicken James Cordon Bleu.   Then, at (1:13:00), these four showroom dummies cover the 1977 electronic album, Trans-Europe Express. We discuss Krautrock music, sequencers, and Kraftwerk's influence on Dr. Dre.   Next week's episode will feature a dope beat as we become the best Boogie Down Production podcast and cover the 1987 hip-hop album, Criminal Minded.

SEQUENCES No270 A brief update on the latest new names for this month's first edition. On the modular front, Anders Jakobsen aims to create a balance between noisy and harmonious sounds. We are in a live session with Danielle Nia. Thierry Holwerk is using a Serge Modular Synth, paired with field samples recorded from his source of inspiration. Mansur's sound journey navigates the realms of musical fantasy and reality, merging traditional instrumentation with contemporary electronica. Nettaiya is a groundbreaking New Age music project that fuses Eastern and Western influences into an ethereal sonic experience. Influences from Kraut Rock emerge on the track ‘Trippin With The Birds', with Stereo Lab and Nurse With Wound contributing to this fusion. After switching labels to Groove, Otarion's latest album release is undoubtedly his best yet, kicking off our session. Downlod bios: https://www.sequencesmagazine.com/podcasts/ Playlist No 270 02.00 OTARION ‘Nebuchadnezzar's Dream' (album Time Of Nations) https://otarionongroove.bandcamp.com/album/time-of-nations 07.59 OTARION 'Jeremiah's Warning' 14.31 Sylvian Carel ‘In the Depths of the Hoggar Mountains' (album Atlantide II-Testament) https://sylvaincarel.bandcamp.com/album/atlantide-ii-testament 24.20 Nettaiya ‘Rising Sunset' (Giuseppe Di Caccamo Jr., Yuko Motoki)' (single) https://soundcloud.com/nettaiya 27.56 Mac Of BIOnighT ‘Instancies Of Reality' (album Radiance Unit Vol1) https://bionight.bandcamp.com 36.25 ToXyGeNeDK ‘Frozen Waves Part 1'(album Frozen Waves) https://toxygenedk.bandcamp.com/album/frozen-waves 45.17 Paul Nagle ‘Lore' (album Lore) *** https://paulnagle.bandcamp.com/album/lore 56.27 Anders Jakobsen ‘Scattered Fields' (album Focal Point Of A Scattered Mind) https://andersjakobsen.bandcamp.com/album/focal-point-of-a-scattered-mind 01.02.13 Thierry Holweck ‘Les Arondes' (album Giraffes) https://thierryholweck.bandcamp.com/album/giraffes 01.08.00 Hélène Vogelsinger 'New Horizon' (album Reappearance) https://helenevogelsinger.bandcamp.com/album/reappearance 01.15.31 Danielle Nia ‘Mots (Live at Mots, Philadelphia 2024) [Pt. 2]' (album Ambient Sessions.Vol 2) https://daniellenia.bandcamp.com/album/ambient-sessions-vol-2 01.25.00 Grand River ‘Petrichor' (all Above) https://grandrivermusic.bandcamp.com/album/all-above 01.29.30 Mansur ‘Szaturnusz' (album Pentatonic Ruins) https://mansur.bandcamp.com/album/pentatonic-ruins 01.34.32 Byron Metcalf & Dashmesh ‘Grandfather' (album Messages) https://wayfarermusicgroup.bandcamp.com 01.42.19 Jarguna ‘Domino' (album The Truth Lies Beyond) https://projektrecords.bandcamp.com/album/the-truth-lies-beyond 01.51.56 Peter Mergener's ‘Earth Voices' (album Secrets And Mystery III) www.bscmusic.com 01.57.12 Art Of Infinity ‘Psychedelic Mushrooms From the Winter Woods' (album Secrets And Mystery III) 01.58.34 Deep Imagination ‘Fogscape' (album Secrets And Mystery III) 02.03.20 Parallel Worlds ‘Partials' (album Modular Stories) https://neoouija.bandcamp.com/album/modular-stories 02.07.18 Parallel Worlds ‘Transcedent' 02.11.27 Robert Schroeder ‘Computer Voice/Galactica' (Album Mosaique) *** www.sphericmusic-shop.de 02.15.00 Stereolab & Nurse With Wound ‘Trippin' With The Birds' (Pulse Of The Early Brain: Switched on Vol5) ***https://stereolab.bandcamp.com/track/trippin-with-the-birds 02.21.27 Harald Gramberg ‘Evening Fog: Avondnevel' (album Sequences) https://cyclicaldreams.bandcamp.com/album/sequences-cyd-0130 02.30.43 Ashok Prema ‘Sunrise' (album Perfect Day) https://admusicshop.bandcamp.com 02.38.09 Paul Ellis ‘Echolocation' (album Warmth From Other Suns) *** https://paulellisspacemusic.bandcamp.com/album/warmth-from-other-suns 02.44.04 Paul Ellis ‘Warmth From Other Suns' *** 02.50.27 ELEON ‘FIKA 05' (album FIKA) https://wayfarermusicgroup.bandcamp.com 02.55.13 ELEON FIKA 06' Edit***

Robert F. Kennedy, Jr., the Secretary of Health and Human Services, has been undermining public trust in vaccines and overseeing crippling cuts to research across American science. And yet his “make America healthy again” highlights themes more familiar in liberal circles: toxins in the environment, biodiversity, healthy eating. Kennedy has put junk food at the center of the political conversation, speaking about ultra-processed foods and their established links to chronic disease—despite President Donald Trump's well-known reverence for fast food of all kinds. Marion Nestle, a leading nutrition researcher and the author of “Food Politics,” has written in depth on how money and politics affect our diet and our health, and about the ways that American science research has been hampered by limited funding. She tells the physician and contributing writer Dhruv Khullar, who's been reporting on the American diet, that “it would be wonderful if R.F.K., Jr., could make the food supply healthier. I just think that in order to do that, he's going to have to take on the food industry, and I don't think Trump has a history of taking on corporations of any kind. . . . I'll believe it when I see it.” Kraftwerk—the pioneering electronic music group that débuted more than half a century ago —has been touring the U.S., with stops planned in Europe this year. The staff writer Kelefa Sanneh calls them one of the most influential bands of all time, playing a formative role in hip-hop, techno, EDM, and much of popular music as we know it. Sanneh picks tracks from Kraftswerk's repertoire and demonstrates how those sounds trickle out through music history, from Afrika Bambaataa to Coldplay. 

Today: In 1979, Nurse With Wound entered a UK recording studio with no musical training whatsoever and created an album called Chance Meeting on a Dissecting Table of a Sewing Machine and an Umbrella, which promptly was awarded a rating of five question marks from Sounds Magazine. Since then, NWW has confounded critics and listeners alike, both pioneering and mining the areas of improvisation, Krautrock-influence, electroacoustic experiments and more, with unparalleled sense of invention and quite often humor. Today, Brian Turner reflects back on the massive body of work by this shifting ensemble, digging out a rare interview he did with its central figure, Steven Stapleton, from his Irish goat farm.NURSE WITH WOUND - Rock N' Roll Station - Rock N' Roll Station (United Dairies, 1994)NURSE WITH WOUND - Fragments I - Who Can I Turn To Stereo Etc. (Jnana, 2011)NURSE WITH WOUND - Yagga Blues - Funeral Music For Perez Prado (United Dairies, 2001)NURSE WITH WOUND - Homotopy For Marie - Homotopy For Marie (United Dairies, 1982)NURSE WITH WOUND - June 3 - Shipwreck Radio Volume One (Seven Sonic Structures From Utvær) (ICR, 2004)NURSE WITH WOUND / FOETUS - Brained By Falling Masonry - The Swinging Reflective (Favourite Moments Of Mutual Ecstasy) (United Dairies, 1999)BT INTERVIEW WITH STEVEN STAPLETON (PART ONE)NURSE WITH WOUND - Strain Crack Break (w/David Tibet) - Chance Meeting On A Dissecting Table Of A Sewing Machine And An Umbrella (1979, Re: United Dirter, 2009)NURSE WITH WOUND - (I Don't Want To Have) Easy Listening Nightmares - Alice The Goon (White Noise, 1995)NURSE WITH WOUND - You Walrus Hurt the One You Love - The Sylvie And Babs Hi-Fi Companion (United Dairies, 1997)NURSE WITH WOUND - Soliloquy For Lilith 7 - Soliloquy For Lilith (Idle Hole/Mirror One, 1988)BT INTERVIEW WITH STEVEN STAPLETON (PART TWO)NURSE WITH WOUND - Thrill of Romance...? - Huffin' Rag Blues (United Dairies/Jnana, 2008)COLIN POTTER - Power - The Scythe (ICR, 1981)ANDREW LILES / GROUNDHOGS - Split 5 - Split - Up (Dirter Promotions, 2016)NURSE WITH WOUND / STEREOLAB - Simple Headphone Mind (Duophonic, 1997)

Sonar//Radar Baksheesh for Imi 6:03 Weak Sun 2025 Caveman & The Banshee Misfit 4:36 Born To Kill 2025 Andromeda Space Ritual Beyond the event horizon 8:11 II 2024 Ash Ra Tempel Amboss 19:29 Ash Ra Tempel 1971 Conflux Coldwell Bower's Bimble 5:14 WF 93 – The Sunshine Miners 2025 Doctors of Space Pinned Codes 8:32 […]

Today on Line Noise, something of a Krautrock special as we speak to Wolfgang Seidel, the former drummer in Eruption, a group founded by (former Tangerine Dream and Kluster member) Conrad Schnitzler, that was once described as “a thinktank for the then explosive Krautrock scene”. Seidel is also the author of a new book: Krautrock Eruption – An Introduction To German Electronic Music 1970-1980, which I thoroughly recommend. Obviously, we spoke about Krautrock, its influences today, about alternative histories, Kraftwerk, capitalism and more. Enjoy it and just remember - Line Noise comes to you with the support of Cupra.

Erster Staatsbesuch 2025 von Sounds!-Botschafter Hanspeter «Düsi» Künzler! Im Aktenkoffer hat er die musikalischen Highlights der letzten Monate: Warum der «Lieblings-Ausserkanton» Australien grad wieder punktet, Kollektive in London regieren und Krautrock ein weiteres Revival feiert? Press Play. +++ PLAYLIST +++ 22:58 - SINI NEUE LIEDER von STAHLBERGER 22:55 - ALL MY FREAKS von DIVORCE 22:52 - SONG TO WOODY von BOB DYLAN 22:50 - 16 TONS von NINA HAGEN 22:45 - DIE UFOS SIND DA von NINA HAGEN 22:42 - UNBESCHREIBLICH WEIBLICH von NINA HAGEN 22:34 - AFRICAN REGGAE von NINA HAGEN 22:31 - DU HAST DEN FARBFILM VERGESSEN von NINA HAGEN 22:25 - TV-GLOTZER von NINA HAGEN 22:21 - NINA HAGEN von ISOLATION BERLIN 22:17 - OCEAN ROAR von HAMILTON LEITHAUSER 22:13 - KNOCKIN' HEART von HAMILTON LEITHAUSER 22:09 - VIRGINIA BEACH von HAMILTON LEITHAUSER & KEVIN MORBY 21:57 - PROMISED LAND von MELIN MELYN 21:52 - TANGLED von ADRIAN CROWLEY 21:48 - AMYLASE von CAJUN DANCE PARTY 21:46 - PENNSYLVANIA von DANIEL BLUMBERG 21:39 - ONE STEP AHEAD von SPLIT ENZ 21:35 - TAKE ME TO YOUR INFINITE GARDEN von MESS ESQUE 21:28 - KEEP ME COMPANY von THE MELODRONES 21:24 - GOON SHOW von TROPICAL FUCK STORM 21:17 - X SAYS von INDEX FOR WORKING MUSIK 21:15 - ACID EAGLES von PRIMITIVE IGNORANT 21:08 - CRO-MAGNON MAN von SQUID 21:04 - ZERO SUN von LITTLE BARRIE/MALCOLM CATTO 20:56 - HALF LIGHT von BLIND YEO 20:50 - AI, ABSOLUTELY! von PAINTING 20:47 - KEEP THE SHARKS FROM YOUR HEART von RIP RIG AND PANIC 20:37 - PAY THE RENT von SNAPPED ANKLES 20:33 - ALL IN THE GAME von MOREISH IDOLS 20:26 - BARABAJAGAL von DONOVAN 20:23 - INVINCIBILITY von ALABASTER DEPLUME 20:17 - HAPPY BIRTHDAY von BLACK COUNTRY, NEW ROAD 20:12 - KING CNUT von MANDRAKE HANDSHAKE 20:04 - HOW LONG IS NOW von PALE BLUE EYES

Cindy Lee "To Heal This Wounded Heart"Motorpsycho "Dead Of Winter"The Limiñanas feat Jon Spencer "Degenerate Star"Crosby, Stills & Nash "I Give You Give Blind"Children Of The Mushroom "Vortex"Ball "Groupies"George Brigman "Easy Stranger"Joe Prichard and Gibraltar "The Machine Is Small"Grateful Dead "Looks Like Rain"King Crimson "Moonchild"Milton Nascimento & Lô Borges "Lilia"

Welcome to Line Noise. Today our guest - on what is the 200th episode of Line Noise (kind of) - is Mr. Wolfgang Voigt one of the most important producers in the history of German electronic music and the cofounder of Kompakt Records. On this episode, though, we are largely taking about GAS, his sublime ambient / psychedelic techno project, under which name Voigt had come to Barcelona to play a live gig. We talked about dub, forests, LSD, Krautrock, gabber hits and so much more. I hope you enjoy it. Line Noise is supported by Cupra.

Aerosmith "Train Kept A Rollin"Aerosmith "Seasons Of Wither"Van Halen "Girl Gone Bad"Ted Nugent "Workin Hard Playin Hard"Scorpions "In Search Of The Peace Of Mind"Black Sabbath "Killing Yourself To Live"Saxon "Rainbow Theme"Saxon "Frozen Rainbow"Thin Lizzy "Cowboy Song (Live)"Thin Lizzy "The Boys Are Back In Town (Live)"Jimi Hendrix "Machine Gun (Live)"Santana "Soul Sacrifice (Live)"

Today, the Spotlight shines On author Christoph Dallach, who joins me to discuss his book Neu Klang: The Definitive History of Krautrock.Christoph has spent years tracking down the pioneers who spent the late 1960s in West Germany's basements and practice rooms, creating sounds unlike anything else in rock and roll.Through conversations with members of bands like Can, Kraftwerk, and Tangerine Dream, Christoph uncovers how these artists shaped a distinctly German sound in the shadow of World War II. It's a story of cultural rebirth told by the musicians who lived it.A veteran music journalist who has interviewed everyone from Bob Dylan to Taylor Swift, Christoph brings fresh insight to this pivotal moment in music history.–Dig DeeperPurchase Neu Klang: The Definitive History of Krautrock from Faber & Faber, Bookshop, Powell's, Barnes and Noble, or AmazonFollow Christoph Dallach on InstagramChristoph Dallach's playlist for his book “Neu Klang: The Definitive History of Krautrock”Krautrock: The 1970s bands which helped post-war Germany overcome its dark historyWhen it comes to krautrock, it's impossible not to mention the warDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Bluesky, Facebook, and Mastodon.• Be sure to bookmark our new online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Join us on the "Autobahn" as we take a ride to Los Angeles to discuss two nights of Kraftwerk's nine-show residency earlier this summer where Mark and Brad got to see Autobahn and Radio-Activity performed in their entirety.  While this episode may seem more suited for Carla and Brad Talk about Krautrock, find out if Carla and Brad won Mark over with these pioneers of electronic music.   Find the Playlist on Spotify + Apple Music and your Extras on Twitter and Instagram.  And if you like what you hear, please share, rate and review us!Credits: Intro — the Februarys, "Does Your Father Know". Outro - Kraftwerk, "Autobahn"

Variety Mix DJ Sean brings a dreamy, synth-heavy vibe to the show with his song choices, including a nod to an influential Krautrock guitarist and a salute to an ‘80s Scottish new wave duo who helped set the standard for his picks. And Associate Music Director Alex Ruder spotlights the latest from a long-running Detroit-based artist/producer/composer whose latest LP is a showcase of masterful collaborations. Songs featured: James K - “Blinkmoth (July Mix)” Alex Kassian - “A Reference to E2-E4 by Manuel Göttsching” Safe Mind - “6' Pole” Maraschino - “Rosy Boas” Shigeto - “Let​'​s Talk (feat. KESSWA and Ahya Simone)” Listen to the full songs on KEXP's "In Our Headphones 2024" playlist on Spotify or the “What's In Our Headphones” playlist on YouTube. Listen to Sean every Monday night from 10pm -1am, or on-demand anytime at KEXP.org or the KEXP App.  Hosted and produced by: Janice Headley and Isabel KhaliliMixed by: Emily FoxMastered by: Jackson LongEditorial director: Larry Mizell Jr. Our theme music is “好吗 (Hao Ma)” by Chinese American Bear Support the podcast: kexp.org/headphonesContact us at headphones@kexp.org.Support the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Rockshow episode 205 Can and FaustCan and Faust are two pioneering bands from the Krautrock movement, a genre that emerged in West Germany in the late 1960s and early 1970s. Krautrock is known for blending rock, electronic music, and avant-garde experimentation, influencing many subsequent genres, including post-punk, new wave, and electronic music.Can:• Origin: Cologne, West Germany (1968) • Members: The classic lineup consisted of Holger Czukay (bass), Irmin Schmidt (keyboards), Jaki Liebezeit (drums), Michael Karoli (guitar), and Damo Suzuki (vocals from 1970 to 1973). • Style: Can's sound is a fusion of psychedelic rock, avant-garde, jazz, and funk with a strong emphasis on improvisation and minimalist rhythms. They often used repetitive grooves and layered textures, creating a hypnotic effect. Their music could range from delicate, ambient passages to wild, chaotic experimentation. • Notable Albums: • Tago Mago (1971): A landmark album known for its experimental sound, long instrumental jams, and Suzuki's unpredictable vocals. • Ege Bamyasi (1972): Featuring more concise and rhythmic songs, with hits like “Vitamin C” and “Spoon.” • Future Days (1973): A more ambient, ethereal record, often seen as a peak of the band's explorative nature. • Influence: Can was highly influential in shaping the experimental rock and electronic scenes, inspiring artists ranging from David Bowie to Radiohead.Faust: • Origin: Wümme, West Germany (1971) • Members: The core lineup included Werner “Zappi” Diermaier (drums), Jean-Hervé Péron (bass), Rudolf Sosna (guitar, keyboards), Arnulf Meifert (drums), and Hans Joachim Irmler (keyboards). • Style: Faust's music is more avant-garde and noise-oriented than Can's. They mixed rock with musique concrète, tape experiments, electronic soundscapes, and dissonant, atonal elements. Their sound often had an anarchic, confrontational edge, pushing the boundaries of what rock music could be. • Notable Albums: • Faust (1971): Their debut, an experimental and highly eclectic album, blending found sounds, noise, and fragmented song structures. • Faust IV (1973): A more accessible but still experimental album, with a mix of rock, ambient soundscapes, and odd time signatures. • The Faust Tapes (1973): Originally sold for a low price, this album was a collage of improvisations, studio experiments, and sound cut-ups. • Influence: Faust is seen as one of the most avant-garde bands of the Krautrock scene, influencing later experimental and industrial music, as well as bands in the post-punk and art-rock genres.Both bands were central to Krautrock's ethos of breaking free from traditional rock structures, emphasizing improvisation, and pushing boundaries with studio technology. While Can leaned more into groove-oriented, hypnotic rhythms, Faust embraced a more radical approach to sound experimentation.For Can:#CanBand #Krautrock #ExperimentalRock #TagoMago #EgeBamyasi #DamoSuzuki #HolgerCzukay #IrminSchmidt #JakiLiebezeit #MichaelKaroli #PsychedelicRock #AvantGarde #MinimalistRock #PostPunkInfluence #FutureDays #GermanRockFor Faust:#FaustBand #Krautrock #AvantGardeRock #ExperimentalMusic #FaustIV #TheFaustTapes #ZappiDiermaier #JeanHervePeron #HansJoachimIrmler #MusiqueConcrete #NoiseRock #GermanUnderground #ArtRock #IndustrialMusicInfluence #FaustExperimentation

We dive into the atmospheric worlds of ambient, krautrock, and folk music released in 1972, including the introspective sounds of Nick Drake, the experimental sonic landscapes of Tangerine Dream and Neu!, along with what might be the first ever folk concept album? Learn more about your ad choices. Visit megaphone.fm/adchoices

It's time for more CAN! This week Carolina and Marcus take us deeper into the formative era of the Krautrock pioneers as the group finally finds a name and parts ways with founding vocalist Malcolm Mooney, only to usher in the most defining era of for the group with the introduction of street busker turned singer Damo Suzuki.

Carolina Hidalgo and Marcus Parks return to the world of Krautrock with the formation of a group whose mix of avante-garde music and jazz would pioneer the genre and help set a precedent for what Krautrock would become, the German Experimental Psychedelic Rock group Can. 

No Dogs is back to continue your musical journey through the vast, winding history of Experimental Rock. This time embarking on a brand new series with the intention to shed some light on an often misunderstood side of the experimental rock world - Krautrock! Beginning first with a band formed out of a collective of musicians who met as members of a West German commune during the late 1960s, and who would go on to, maybe more so than anyone, define the words "experimental rock"... It's time for the one and only, Amon Düül II.Taking us out is Rocket - Normal to MeAs always, Follow Marcus on Spotify to listen to all of the songs heard in this episode.Also be sure to check out Marcus & Carolina 's DJ set! Saturday - Sept. 9th 2023 at Footsies Bar (2640 N Figueroa St, Los Angeles, California), along with James Spooner, where they'll be spinning all kinds of punk music on vinyl from 5-10pm!