Podcasts about Krautrock

In this bonus episode, Jim adds a song to the Desert Island Jukebox from a krautrock band so obscure they didn't even make the cut in the definitive book on the genre he's been reading.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundopsSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Christopher & Jobst im Gespräch mit WestBam. Wir sprechen über den Traum Mittelstürmer zu sein, sein 19-jähriges Ich an die Wand spielen, mit Traditionen brechen, leichter gewordenes DJing, täglich durch den Tiergarten gehen, hin- und hergerissen zu Johnny Rotten sein, ein Lied mit Iggy Pop machen ist wie das 7 zu 1 gegen Brasilien, als junger New Waver ins legendäre Metropol, eine laufende Soundwelle, die Geheimkunst des Mixens, seit Anfang der 90er gen DJ tanzen, auf einer Seite mit Genesis P. Orridge, das Manifest "Was ist Record Art?", musikalischer Spätzünder sein, drei Jahre lang "Oh Mandy" hören, ein späterer Mr. Universum, andere Hardrocker unterhielten sich über Punk-Gesang, ein gutes Hardrock-Album mit komischen Vocals drüber, Gewürze in Hengelo kaufen, Spiky Hair statt lange Haare, Sicherheitsnadel durchs Ohr stechen, Hassliebe auf die Engländer, musikalische Erziehung durch BFBS & John Peel, das Album "Ein Produkt der Deutsch-Amerikanischen Freundschaft", frühe Fad Gadget, "Holidays in Cambodia", in den frühern Achtzigern hatten Bands den technischen Fortschritt mit drin, sich gegen die antiautoritären Eltern widersetzen, Krautrock roch nach Moschus, ein Harlem Globetrotters-Flipper im Odeon, das Hundehalsband von Sally, alles Scheiße in der Provinz, selbstgemacht Batik-Shirts mit Kaninchenfellmänteln und Gummistiefeln, Feuerlegen und Isetta-Fahren, "Wir gegen die Spießer", Kinder sind konservativer als Eltern, ab 11 Kampfsport machen, eisenharte Disziplin, abgefahrene Bilder vom Acid-Freak-Erzieher Peter, rauchend ohne Sicherheitsgurt im Auto, der frühe Tod des Vaters, Kunststudent mit Uniformjacke, Annabelle von Bow Wow Wow lieben, bei Annette Benjamin pennen, Crazy Colors & Bondage-Hosen, der Stern der DJ-Ära, nie im Sounds gewesen sein, "Wir Kinder vom Bahnhof Zoo", Döner in Shibuya, die beiden großen Berlin Smells Döner & U-Bahn, in die Music Hall am Walther-Schreiber-Platz pilgern, "Der Mussolini" & "Papa´s got a brand new pigback", David Bowier: Der schönste Mann im Westen, auf Punk-Urlaub von den Eltern weg, die Groschen sind alle, im Zeichen der Fische geboren, die D-Punks, die Chaos-Tage in Hannover, verfolgt von englischen Soldaten, schnorren für n Kebab, Norbert von VD, Highlander der Jugendkultur sein, für das Recht auf Ungemütlichkeit kämpfen, schon immer erwachsen sein wollen, vom Bassisten vom Stranglers mit ins Konzert genommen, Salomé & Die geilen Tiere, nichts üben aber gleich alles können, die Disco Riot-Reihe auf Low Spirit, Punk war der letzte Versuch von Rock´n´Roll sich gesund zu schrumpfen, Ende der 80er-Jahre im Tempo über DJing schreiben, der Beginn einer neuen Ära, als junger Punk in West-Berlin verliebt sein, das Buch "Schulhorror", der Ober-Punk von Berlin DJ Fetish, Bestellungen fürs World´s End aufgeben, "Temptation" von Heaven 17, Killing Joke im Odeon, zum Dom-Radio aus Münster nicht Nein sagen, religiöse Tiefen im Punk nicht so ausleben können, die Hiltrup-Punks wollten einen knattern, immer alles ausprobieren wollen, William und die Anzüge aus dem Korrekt, mit der Legende DJ Chris überworfen haben, bester Berliner DJ im Tip, von 1 bis 9 Uhr auflegen, 130 BpM High Energy, das Label Trax Records, eine Sehnsucht nach Werken haben, NDW ist nicht an Fräulein Menke gestorben, der sogenannten Ausverkauf, das erste Rave-Erlebnis mit Wick Vaporup & Ectasy, die Macht der Nacht, mit den Stereo MCs in der Werner-Seelenbiner-Halle, nur weil es klein ist ist es auch nicht immer ein gutes Publikum, viele Leute haben ein Dünkel, WestBams eigene Kultur-Theorie, Björk ist Geschmacks-Mittelschicht, der Gönner aller Schnorrer sein, gern mal für 700 Euro essen gehen, westfälisch klug wirtschaften, TikTok-DJs mit 180BpM, süchtig nach YouTube Shorts, der Untergang der Welt, uvm.Zwei Songs für die Playlist1) Ein Lieblings-Punk-Song von Westbam: WIRE - 12XU2) Ein Lied, das den Spirit des frühen Techno am besten vermittelt: DEAD OR ALIVE - You Spin Me Round

Ende der 60er Jahre sorgte die deutsche Musikszene mit unerhörten Sounds weltweit für Aufsehen: "Krautrock". Ralf bei der Kellen über ein legendäres Musikgenre.

Krautrock superstars Motrik have been a driving, pulsing beat at the heart of Portland music for more than a decade. On the eve of their forthcoming album "Earth," Dave, Erik, and Jonah from the band joined us to chat about humane vermin training, the foundational beat at the core of every song in their catalog, the relaxing innovation of mud-themed recording studios, the mechanics of harmonica care, and the evolving interpretations of the Motrik sound that emerged organically from their new songs.Music this week:"Ultimate Drive" by Motrik (22:12)"Polyphemus Beat" by Shitao (40:17)"Weightless" by Motrik (53:25)"Islands"  by Plankton Wat (78:29)"Friday Nights" by  Petty Treason (97:41)

Especial dedicado a la evolución del thrash metal progresivo alemán por medio de la banda Secrecy. Les Ter y Kikemaiden contarán como va dando forma desde el progresivo setentero y el Krautrock alemán por medio de muchas bandas desconocidas, semidesconocidas, y algunos popes del genero, hasta llegar a la creación de dos obras de culto como son las que los alemanes Secrecy dieron vida a inicios de los 90. Un recorrido que nos lleva hasta la actulidad, y donde el punto culmen y central es Secrecy justo en el ecuador de la evolución del rock progresivo. Un REA con mucha mandanga que vuelve a estar creado para la gente muy inquieta, Guion y edición Les Ter. Cover Les Ter. Algunos de los temas no están completos. KANSAS-What’s on my mind. TANGERINE DREAM - Stratosfear SECRECY – Maniac PHARAOH - By the Night Sky THE LORD WEIRD SLOUGH FEG - Vargr Moon En Memoria de Gonzalo Mora: SAVATAGE – Believe FAITHFUL BREATH – FadingBeauty PARADOX – Heresy FAITHFUL BREATH – FadingBeauty RUSH – Red Barchetta KRAFTWERK – The Robots KRAUTROCK – The Rebirth of Germany (Youtube) RAMMSTEIN – Links 2 3 4 ELOY - Castle in the air JAIL – House Frog NEKTAR - Remember the future, Pt.1 DAVID BOWIE – Heroes GROBSCH NITT - Travelling ACCEPT - I wanna be no hero FAITHFUL BREATH – Back on my Hill FAITHFUL BREATH – Hurricane FAITHFUL BREATH – Killers on the Loose FAITHFUL BREATH – King of the Rock SCORPIONS – Blackout RAGE – Deciver RAMMSTEIN – Herzeleid HELLOWEEN – Victim of Fate KREATOR – Living in Fear SODOM - Traitor HOLY MOSES – Panic DEATHROW – Narcotic VENDETTA – War MEKONG DELTA – True Lies SWEET CHEATER – Secret Passenger BELIEVER – Dies Irae LUCIFER’S HERITAGE – Battalions of Fear PSYCHOTIC WALTZ – And The Devil Cried YELLOW MAGIC ORCHESTRA – Rap Phenomena SECRECY – Last of Dynasty SECRECY – The Fear to Feal SECRECY – Himitsu PARADISE LOST – Forging Sympathy GRINDER – Dead End SECRECY – Observer from Above SECRECY – Through Clouds of Doubt RISK – Arise – Last Warning SECRECY – This World’s Wisdom SECRECY – Guitarian JESTER’S MARCH – News – Paralized SIEGES EVEN - Apocalyptic Dispocition SECRECY – Nº¿Nº! SECRECY – Set Sails HOUSE OF SPIRITS - History is repeating DEPRESSIVE AGE – Eternal Twins END AMEN – A New Day’s Absurdity PYRACANDA – Don’t Get Infected HEAVEN’S GATE – Livin’ in Hysteria SOUL CAGES – My Spiritual Home VANDEN PLAS – My Icarian Flight AVALON – Burning Souls LIFE ARTIST – Of Lambs and Lions SECRECY – Maniac Un último Secreto…………

Die Wiener Band Kreisky feiert 2025 ihr 20-jähriges Bestehen – und zeigt mit dem neuen Album "Adieu Unendlichkeit", dass von musikalischer Müdigkeit keine Spur ist. Sänger Franz Adrian Wenzl und seine Mitstreiter verbinden Art-Pop, Krautrock und Math-Rock mit bitterbösen, pointierten Texten über dunkle Wahrheiten und gesellschaftliche Kipppunkte. Kritiker feiern die Band als Speerspitze einer "austrofuturistischen Bewegung", ihr Sound bleibt eigenwillig, fordernd und relevant. Im Interview sprechen Kreisky über ihr neues Werk, und präsentieren live im studioeins einige ihrer neuen Songs.

Die Wiener Band Kreisky feiert 2025 ihr 20-jähriges Bestehen – und zeigt mit dem neuen Album "Adieu Unendlichkeit", dass von musikalischer Müdigkeit keine Spur ist. Sänger Franz Adrian Wenzl und seine Mitstreiter verbinden Art-Pop, Krautrock und Math-Rock mit bitterbösen, pointierten Texten über dunkle Wahrheiten und gesellschaftliche Kipppunkte. Kritiker feiern die Band als Speerspitze einer "austrofuturistischen Bewegung", ihr Sound bleibt eigenwillig, fordernd und relevant. Im Interview sprechen Kreisky über ihr neues Werk, und präsentieren live im studioeins einige ihrer neuen Songs.

Die Wiener Band Kreisky feiert 2025 ihr 20-jähriges Bestehen – und zeigt mit dem neuen Album "Adieu Unendlichkeit", dass von musikalischer Müdigkeit keine Spur ist. Sänger Franz Adrian Wenzl und seine Mitstreiter verbinden Art-Pop, Krautrock und Math-Rock mit bitterbösen, pointierten Texten über dunkle Wahrheiten und gesellschaftliche Kipppunkte. Kritiker feiern die Band als Speerspitze einer "austrofuturistischen Bewegung", ihr Sound bleibt eigenwillig, fordernd und relevant. Im Interview sprechen Kreisky über ihr neues Werk, und präsentieren live im studioeins einige ihrer neuen Songs.

Die Wiener Band Kreisky feiert 2025 ihr 20-jähriges Bestehen – und zeigt mit dem neuen Album "Adieu Unendlichkeit", dass von musikalischer Müdigkeit keine Spur ist. Sänger Franz Adrian Wenzl und seine Mitstreiter verbinden Art-Pop, Krautrock und Math-Rock mit bitterbösen, pointierten Texten über dunkle Wahrheiten und gesellschaftliche Kipppunkte. Kritiker feiern die Band als Speerspitze einer "austrofuturistischen Bewegung", ihr Sound bleibt eigenwillig, fordernd und relevant. Im Interview sprechen Kreisky über ihr neues Werk, und präsentieren live im studioeins einige ihrer neuen Songs.

Support Night Clerk Radio on PatreonIt's time for our August new music episode. This time there's no obvious overarching theme between our picks so no clever episode title, sorry! We're starting off with Master Builder by Xeeland, an album that takes you on an evocative journey through the horrors of brutalist architecture. Then we're heading off to Hawaii for The Molokai Compendium by Nmesh, a richly produced and deeply layered plunderphonic adventure inspired by one of the best bad movies of all time. Join us and check out these albums!Shout OutsThe Painter of the RightDay Shift by Cinematic SequencesLego Castle: 1979-1998 by Dreamcastle™Abiotic Factor on SteamA Small Sample of Flamingo Fest 2025 sets on YouTubeDigital Archive of Computer Entertainer MagazineB O R T mediaAlbums DiscussedThe Molokai Compendium by NmeshMaster Builder by XeelandOther LinksOcean Temple by BrickmasonGood Brews Bad ViewsBandcamp: The Molokai Compendium AotDNmesh's Late-Summer Molokai Mind-Melt PlaylistCreditsMusic by: 2MelloArtwork by: Patsy McDowellNight Clerk Radio on Bluesky

Original-Tracklist: Alle Songs, die nicht von David Nesselhauf sind, fehlen leider aus rechtlichen Gründen im Podcast. Die gesamte Sendung könnt Ihr auf radiobrennt.de streamen inkl. aller Songs! 1. David Bowie - Space oddity (The „Mercury“ Demos, with John „Hitch“ Hutchinson) 2. David Nesselhauf - Später Besuch 3. David Nesselhauf - Brotdosentag 4. Kraftwerk - Autobahn 5. Brian Eno & Cluster - Schöne Hände 6. Jeremiah Chiu - Transparent spheres 7. David Nesselhauf - Juli 8. Air - Sexy boy 9. David Nesselhauf - Das Turmzimmer 10. Charles Aznavour - Du läßt dich gehn David Nesselhauf läd zum Geräuschebad ein. Mit seinem neuen Tonträger „Das Hölderlin - Protokoll“ begeistert er Moderator Stefan und Schnittdame Elena im Tide Radio Studio. Wie viel Euphorie die Kompaktkassette auslöst wird spätestens klar als Stefan sein 1980er Reporterkassettengerät aus der Tasche holt und ans Mischpult anstöpselt. Im Interview besprechen wir „Demoites“ (= das krampfhafte Festhalten an Demo-Aufnahmen bzw. den Versuch Songs im Studio aufzunehmen, die am Ende nie besser klingen als das eigentliche Demo), was David und Hölderlin verbindet und was ein 4 Spuren Tascam Recorder damit zu tun hat. Wir reisen von Krautrock, zu Punk und begeben uns auf eine klangvolle Reise in die Retro-Elektro-Welt und wieder zurück. Die ganze Sendung hört ihr am Dienstag, den 19.08.2025 um 18 Uhr auf Tide Radio. „Der Juli ist warm und weich. Man will eigentlich nix außer ein Eis. Und das ist schön.“ - David Nesselhauf über den Juli in unserer Augustausgabe Radio Brennt!

Im südlichen Odenwald existiert ein popmusikalisches Biotop der besonderen Art. Als sich die legendäre Krautrock-Band Guru Guru Mitte der 1970er-Jahre hier als Hippie-Kommune niederließ, gründete Bandboss Mani Neumeier das Finkenbach-Festival – zusammen mit der Freiwilligen Feuerwehr.

The Miracle Seeds I Am the Sherpa 3:54 Nuclear Watermelon 2025 The Miracle Seeds Float Me 4:43 Nuclear Watermelon 2025 The Miracle Seeds What You Know 3:50 Nuclear Watermelon 2025 The Miracle Seeds Ideas 5:35 Inca Missiles 2022 Black Sabbath Symptom of the Universe 6:23 Sabotage 1975 Psychedelic Porn Crumpets Another Reincarnation 2:23 single 2024 […]

A (relatively) in-depth analysis of German electronic band Kraftwerk and in particular, their performance at the Forever Now festival in (just over) twenty minutesKraftwerk were formed in Düsseldorf in 1970 by Ralf Hütter and Florian Schneider. They are widely considered innovators and pioneers of electronic music. The band's work has influenced a diverse range of artists and many genres of modern music, including synth-pop, hip hop, post-punk, techno, house and ambient music.On 22 June 2025, Kraftwerk headlined at Forever Now, a new, one-day festival at The National Bowl, Milton Keynes, Buckinghamshire (all other acts ran late, but Kraftwerk appeared behind their four onstage control centres at the exact time they were due).In this episode I am in discussion with Dr. Andrew Webber.Mathew Woodallhttps://www.facebook.com/share/1F15mx4ea3/https://buymeacoffee.com/lownoiseWhy buy me a coffee?Low Noise is proudly ad-free. If you would like to to say thank you for any of the content you have enjoyed (and help support the continuation of creating more), the above link provides a way to make a small donation of your choice (I also function on coffee!).Feel free to leave a note with your donation to let me know what you enjoy about the podcast or any topics you would like me to discuss in the future.

My intermittent series on albums, movies or bands that either were denied classic status on release or have been forgotten about since. Though their Krautrock peers, Can, Neu!, Faust and Kraftwerk still get plenty of coverage, these equally brilliant pioneers are rarely mentioned. Their first three album run, Phallus Dei, Yeti and Dance of the Lemmings (two of which are doubles) is one of the finest in rock. In fact this was supposed to be their first FIVE albums but I ran out of time (#5 Wolf City is also a masterpiece). A genuinely wild ride through some of the best proto-metal, prog rock, space rock and krautrock out there.

From Jesus Christ to Krautrock via Julian of Norwich and T.S. Eliot, Simon Critchley's On Mysticism (Profile) brilliantly displays the author's playful, eclectic erudition in an evocation of the phenomenon he defines, after Evelyn Underhill, as ‘experience in its most intense form.' Critchley was in conversation about mysticism East and West with the LRB's James Butler. Find more events at the Bookshop: https://lrb.me/eventspod

This vibrant and energetic edition brings together a diverse range of sounds- from modular and chill-out to Berlin School melodies and innovative collaborations. Karl Schoenberg makes his debut on Sequences with his album “Spectre,” which beautifully moves beyond traditional forms to create sonic textures that flow like living paintings—an inspiring exploration of life and death from Telepath. Ümit Han teams up with legendary Krautrock and Berlin School pioneer Harald Grosskopf on “Magnetfeld,” blending hypnotic techno beats with ambient influences for a truly mesmerising experience. Meanwhile, Martin Stehl, known as Glint, skillfully mixes electronic elements with 80s vibes, contemporary beats, chillout melodies, and ambient sounds to craft a deeply engaging listening experience. Download Bios: https://we.tl/t-Inu5LuJzQ9 Playlist no 272 02.08 Divine Matrix ‘Realm Of Gods' (album Rise Of The Sand Gods) https://admusicshop.bandcamp.com 04.12 Divine Matrix ‘Eye Of Horus' 09.00 Glynn Heppenstall ‘Flowers & files' (album We Live Within A Dream,Tributes To David Lynch) https://auralfilms1.bandcamp.com/album/we-live-within-a-dream-tributes-to-david-lynch 16.11 Harald Grosskopf & Ümit Han ‘Zeitgeber' (Magnetfeld) https://uemithan.bandcamp.com/album/magnetfeld 23.07 Karl Schoenberg 'Sound Sculpture 7' (album Spectre) https://cyclicaldreams.bandcamp.com/album/spectre-cyd-0133 26.25 Karl Schoenberg 'Sound Sculpture 8' 29.33 Lisa Bella Donna 'Final Frontier' (album Counterpoints-2) https://lisabelladonna.bandcamp.com/album/counterpoints-2 32.20 Lisa Bella Donna ‘Myriads Of Ivy' 37.09 Ian Boddy ‘Hildegard' (album Modulations VI) https://dinrecords.bandcamp.com/album/modulations-iv-dinddl34 49.37 Ian Boddy ‘Stars End' 59.00 Fusion Of Elements ‘Theory Of Concept' (album 3MIT-TIME) https://fusionofelements.bandcamp.com/album/bigger-than-us-24-bit 01.07.07 Ian Boddy & Erik Wollo ‘Abeona' (album Transmissions) https://dinrecords.bandcamp.com/album/transmissions-din92 01.17.54 Ole Højer Hansen ‘Carmin Red' (album Turner Blue) https://olehojerhansen.bandcamp.com/album/turner-blue 01.24.16 Glint ‘The Beginning' (album The Beginning) http://www.sine-music.com
01.28.18 Glint ‘Last Train Left' 01.31,20 t e l e p a t h テレパシー能力者 ‘The wings of a white phoenix embrace me as I jump from the edge of fate' (album 夜明けが訪れる: https://geometriclullaby.bandcamp.com/album/--56 01.43.00 Seifert & SteinbÅchel ‘Motion Artefact' (album Softlock ) www.mellowjet.de 01.50.58 Daniel Durwael ‘Dark Future' ( single) *** https://synthasy.bandcamp.com/album/dark-future 02.00.22 Perge ‘Heartbeat From a Crystalline Star' (album A Fleeting Abstraction Of An Evocation In Cryosleep) *** https://perge.bandcamp.com 02.09.41 Thaneco & Romerium ‘Genesis From The Galactic Forge' (album Interstellar Tunnel) https://thaneco.bandcamp.com/album/interstellar-tunnel 02.16.03 Thaneco & Romerium ‘Echoes Of Kinich Ahau' 02.24.11 Anantakara ‘Blossoming Tree Of Life' (album Glimpse Of Change) https://cyclicaldreams.bandcamp.com/album/glimpse-of-changes-cyd-0132 02.31.24 Anantakara ‘The Sacred Pulse Of Gaia Awakening' 02.37.43 Ivan Black ‘The Glass Bead Game' (album Book List ) https://ivanblack.bandcamp.com/album/book-list 02.48.02 m00n ‘Revolution In Space And Time' (album Part2: Dominiation) *** https://m00m.bandcamp.com/album/part-2-domination 02.53.03 fluXus ‘Red Lips and Green Lawns' (album We Live Within A Dream, Tributes To David Lynch) https://auralfilms1.bandcamp.com/album/we-live-within-a-dream-tributes-to-david-lynch Edit***

Künstlernamen sind eine interessante Sache – der unseres heutigen Gastes zum Beispiel lässt bei Erstkontakt vielleicht an eine veraltete Bezeichnung für Elefanten, Rhinozerosse und andere Dickhäuter denken, ist aber offenbar "nur" eine Wortspielerei mit seinem Vornamen. Könnte aber auch mit "dicken Bässen" zu tun haben, denn der gebürtige Puerto-Ricaner Pachy Garcia ist seit über einem Jahrzehnt in Sachen Dub unterwegs. Dabei kombiniert der in Los Angeles lebende Musiker Techniken und Ästhetik dieser Reggae-Spielart mit einer so breiten wie exquisiten Palette anderer Genres; von Funk und "Mutant Disco" über schrägen Synth-Pop und Drum'n'Bass bis hin zu Krautrock und Chillwave. Mit seinem vergangenen Freitag erschienenen neuen Album "Another Place" wird er sicher an vorherige Erfolge anknüpfen können, wie den seiner Single "Trago Coqueto", welche die radioeins-Hörer*innen nicht umsonst auf Platz 53 der "100 beliebtesten Songs des Jahres 2023" wählten. Passenderweise findet sich auf dem neuen Langspieler nicht nur mit "Hard To Part" ein musikalischer Liebesbrief an seine Wahlheimat, sondern ist mit "Berlin" auch seinem derzeitigen Aufenthaltsort ein Track gewidmet.

Künstlernamen sind eine interessante Sache – der unseres heutigen Gastes zum Beispiel lässt bei Erstkontakt vielleicht an eine veraltete Bezeichnung für Elefanten, Rhinozerosse und andere Dickhäuter denken, ist aber offenbar "nur" eine Wortspielerei mit seinem Vornamen. Könnte aber auch mit "dicken Bässen" zu tun haben, denn der gebürtige Puerto-Ricaner Pachy Garcia ist seit über einem Jahrzehnt in Sachen Dub unterwegs. Dabei kombiniert der in Los Angeles lebende Musiker Techniken und Ästhetik dieser Reggae-Spielart mit einer so breiten wie exquisiten Palette anderer Genres; von Funk und "Mutant Disco" über schrägen Synth-Pop und Drum'n'Bass bis hin zu Krautrock und Chillwave. Mit seinem vergangenen Freitag erschienenen neuen Album "Another Place" wird er sicher an vorherige Erfolge anknüpfen können, wie den seiner Single "Trago Coqueto", welche die radioeins-Hörer*innen nicht umsonst auf Platz 53 der "100 beliebtesten Songs des Jahres 2023" wählten. Passenderweise findet sich auf dem neuen Langspieler nicht nur mit "Hard To Part" ein musikalischer Liebesbrief an seine Wahlheimat, sondern ist mit "Berlin" auch seinem derzeitigen Aufenthaltsort ein Track gewidmet.

Today's episode features American musician, writer and acivist Alex Maiolo.Alex composes for modular synthesizer under the monikers Action Group, and TRIPLE X SNAXXX. Both projects are equally influenced by Motorik, aka Krautrock music, Suzanne Ciani, Psychedelia, Detroit techno, ambient music, and Giorgio Moroder.He also is a regular contributor to Louder Than War and The Quietus.Ladies and gentlemen, meet the erudite Alex Maiolo...If you can, please support the Electronically Yours podcast via my Patreon: patreon.com/electronicallyours

After World War II, Germany was destroyed…the country was divided…the east was under the control of the USSR…the west was in democratic Europe…and then there was berlin, sitting in the east but cut into different zones dominated by the Russians, the Americans, the British, and the French.  Most history books look at the political and military side of things…what we don't hear about nearly as much as how Germany society was rebuilt…imagine being a young person who is too young to have been in the military…what prospects did you have growing up in a divided country ruined by war.  This is where art comes in…art is always downstream from whatever is happening in society…and in the case of West Germany, many artists wanted things to be different.  Young German musicians had some very serious ideas of what needed to be done…many were into rock…but they were determined to create rock that was different from what was being made in the UK and America.  And they certainly didn't want anything resembling traditional German music…it had been tainted by the nazi legacy…it was time for something new, different, and away from the status quo.  There were experiments in the 50s that were pretty radical and, frankly, all over the place…but the results of these experiments began to coalesce into something by the end of the 60s.  Within a few years, something distinctly German had emerged…it rocked (in its own way)…it had elements of psychedelic music…things could either be extremely structured or open to wild improvisation…it certainly wasn't from any blues tradition or normal rock conventions upon which British or American rock was built.  The structures of some compositions weren't exactly what you could call normal—at least not in the context of rock…and occasionally, things got political, but not necessarily in a protest sense.  By the middle 70s, we had a new distinctly German sound…the scene was very diverse in terms of sonics, but there was a Teutonic purpose underlying everything.  The Germans just called it “German rock”…the British, however, gave it another name…it was supposed to be a joke, but the name stuck…and looking back, this sound, approach, aesthetic, and name can be found throughout many different corners of the rock.  This is an explanation of thing that has become known as a “Krautrock”…and believe me, you've heard it more than you realize. Learn more about your ad choices. Visit megaphone.fm/adchoices

"Big Dog", Ende März erschienen, mag "offiziell" das Debütalbum von Bria Salmena sein – doch ein Neuling ist die kanadische Musikerin mitnichten: Seit 2013 singt sie in der von ihr mitbegründeten Alternative-Rock/Post-Punk-Band FRIGS und ist zudem Teil der Live-Band des südafrikanischen Country-Grenzgängers Orville Peck. Auch unter eigenem Namen kann sie bereits Veröffentlichungen vorweisen, darunter die beiden wortspielerisch betitelten EPS "Cuntry Covers Vol. 1" bzw. "Vol. 2". Auf diesen interpretierte sie, dem Titel entsprechend aus sozusagen explizit weiblicher Perspektive Lieder, die beispielsweise von Waylon Jennings, Loretta Lynn oder Glen Campbell geschrieben oder bekannt gemacht wurden. Nun also "Big Dog", benannt nach einem Spitznamen, den ihr ein enger Freund in einer Lebenskrise "verpasste": Ein Dutzend eigene Songs, geschrieben mit ihrem langjährigen musikalischen Partner Duncan Jay Jennings, von denen gleich der erste mit seinem an einen heranbrausenden Zug erinnernden Schlagzeug-Intro klar macht, dass es hier jemand ernst meint und etwas zu sagen hat, sagen muss. Einflüsse aus Krautrock, Dark Wave, Shoegaze und elektronischer Musik verarbeitet Salmena in ihren eindringlichen Liedern, mit denen sie "eine Geschichte der Transformation erzählt – eine zutiefst persönliche Erkundung der Resilienz und eine Deklaration künstlerischer Unabhängigkeit."

"Big Dog", Ende März erschienen, mag "offiziell" das Debütalbum von Bria Salmena sein – doch ein Neuling ist die kanadische Musikerin mitnichten: Seit 2013 singt sie in der von ihr mitbegründeten Alternative-Rock/Post-Punk-Band FRIGS und ist zudem Teil der Live-Band des südafrikanischen Country-Grenzgängers Orville Peck. Auch unter eigenem Namen kann sie bereits Veröffentlichungen vorweisen, darunter die beiden wortspielerisch betitelten EPS "Cuntry Covers Vol. 1" bzw. "Vol. 2". Auf diesen interpretierte sie, dem Titel entsprechend aus sozusagen explizit weiblicher Perspektive Lieder, die beispielsweise von Waylon Jennings, Loretta Lynn oder Glen Campbell geschrieben oder bekannt gemacht wurden. Nun also "Big Dog", benannt nach einem Spitznamen, den ihr ein enger Freund in einer Lebenskrise "verpasste": Ein Dutzend eigene Songs, geschrieben mit ihrem langjährigen musikalischen Partner Duncan Jay Jennings, von denen gleich der erste mit seinem an einen heranbrausenden Zug erinnernden Schlagzeug-Intro klar macht, dass es hier jemand ernst meint und etwas zu sagen hat, sagen muss. Einflüsse aus Krautrock, Dark Wave, Shoegaze und elektronischer Musik verarbeitet Salmena in ihren eindringlichen Liedern, mit denen sie "eine Geschichte der Transformation erzählt – eine zutiefst persönliche Erkundung der Resilienz und eine Deklaration künstlerischer Unabhängigkeit."

This podcast may give you an existential crisis when we Marching Dice a John Philip Sousa song on your face and become the best podcast about Kraftwerk and 238th greatest album of all time, Trans-Europe Express.    Before we get to the music, we let our haters become our motivators for some discussion of dominatrix dreams, one-arm pushups, and concert posters. We also celebrate a mental health day with another pack of Boston Baked Beans. Good luck trying to do a carpool karaoke version of this part of the pod with Chicken James Cordon Bleu.   Then, at (1:13:00), these four showroom dummies cover the 1977 electronic album, Trans-Europe Express. We discuss Krautrock music, sequencers, and Kraftwerk's influence on Dr. Dre.   Next week's episode will feature a dope beat as we become the best Boogie Down Production podcast and cover the 1987 hip-hop album, Criminal Minded.

SEQUENCES No270 A brief update on the latest new names for this month's first edition. On the modular front, Anders Jakobsen aims to create a balance between noisy and harmonious sounds. We are in a live session with Danielle Nia. Thierry Holwerk is using a Serge Modular Synth, paired with field samples recorded from his source of inspiration. Mansur's sound journey navigates the realms of musical fantasy and reality, merging traditional instrumentation with contemporary electronica. Nettaiya is a groundbreaking New Age music project that fuses Eastern and Western influences into an ethereal sonic experience. Influences from Kraut Rock emerge on the track ‘Trippin With The Birds', with Stereo Lab and Nurse With Wound contributing to this fusion. After switching labels to Groove, Otarion's latest album release is undoubtedly his best yet, kicking off our session. Downlod bios: https://www.sequencesmagazine.com/podcasts/ Playlist No 270 02.00 OTARION ‘Nebuchadnezzar's Dream' (album Time Of Nations) https://otarionongroove.bandcamp.com/album/time-of-nations 07.59 OTARION 'Jeremiah's Warning' 14.31 Sylvian Carel ‘In the Depths of the Hoggar Mountains' (album Atlantide II-Testament) https://sylvaincarel.bandcamp.com/album/atlantide-ii-testament 24.20 Nettaiya ‘Rising Sunset' (Giuseppe Di Caccamo Jr., Yuko Motoki)' (single) https://soundcloud.com/nettaiya 27.56 Mac Of BIOnighT ‘Instancies Of Reality' (album Radiance Unit Vol1) https://bionight.bandcamp.com 36.25 ToXyGeNeDK ‘Frozen Waves Part 1'(album Frozen Waves) https://toxygenedk.bandcamp.com/album/frozen-waves 45.17 Paul Nagle ‘Lore' (album Lore) *** https://paulnagle.bandcamp.com/album/lore 56.27 Anders Jakobsen ‘Scattered Fields' (album Focal Point Of A Scattered Mind) https://andersjakobsen.bandcamp.com/album/focal-point-of-a-scattered-mind 01.02.13 Thierry Holweck ‘Les Arondes' (album Giraffes) https://thierryholweck.bandcamp.com/album/giraffes 01.08.00 Hélène Vogelsinger 'New Horizon' (album Reappearance) https://helenevogelsinger.bandcamp.com/album/reappearance 01.15.31 Danielle Nia ‘Mots (Live at Mots, Philadelphia 2024) [Pt. 2]' (album Ambient Sessions.Vol 2) https://daniellenia.bandcamp.com/album/ambient-sessions-vol-2 01.25.00 Grand River ‘Petrichor' (all Above) https://grandrivermusic.bandcamp.com/album/all-above 01.29.30 Mansur ‘Szaturnusz' (album Pentatonic Ruins) https://mansur.bandcamp.com/album/pentatonic-ruins 01.34.32 Byron Metcalf & Dashmesh ‘Grandfather' (album Messages) https://wayfarermusicgroup.bandcamp.com 01.42.19 Jarguna ‘Domino' (album The Truth Lies Beyond) https://projektrecords.bandcamp.com/album/the-truth-lies-beyond 01.51.56 Peter Mergener's ‘Earth Voices' (album Secrets And Mystery III) www.bscmusic.com 01.57.12 Art Of Infinity ‘Psychedelic Mushrooms From the Winter Woods' (album Secrets And Mystery III) 01.58.34 Deep Imagination ‘Fogscape' (album Secrets And Mystery III) 02.03.20 Parallel Worlds ‘Partials' (album Modular Stories) https://neoouija.bandcamp.com/album/modular-stories 02.07.18 Parallel Worlds ‘Transcedent' 02.11.27 Robert Schroeder ‘Computer Voice/Galactica' (Album Mosaique) *** www.sphericmusic-shop.de 02.15.00 Stereolab & Nurse With Wound ‘Trippin' With The Birds' (Pulse Of The Early Brain: Switched on Vol5) ***https://stereolab.bandcamp.com/track/trippin-with-the-birds 02.21.27 Harald Gramberg ‘Evening Fog: Avondnevel' (album Sequences) https://cyclicaldreams.bandcamp.com/album/sequences-cyd-0130 02.30.43 Ashok Prema ‘Sunrise' (album Perfect Day) https://admusicshop.bandcamp.com 02.38.09 Paul Ellis ‘Echolocation' (album Warmth From Other Suns) *** https://paulellisspacemusic.bandcamp.com/album/warmth-from-other-suns 02.44.04 Paul Ellis ‘Warmth From Other Suns' *** 02.50.27 ELEON ‘FIKA 05' (album FIKA) https://wayfarermusicgroup.bandcamp.com 02.55.13 ELEON FIKA 06' Edit***

Robert F. Kennedy, Jr., the Secretary of Health and Human Services, has been undermining public trust in vaccines and overseeing crippling cuts to research across American science. And yet his “make America healthy again” highlights themes more familiar in liberal circles: toxins in the environment, biodiversity, healthy eating. Kennedy has put junk food at the center of the political conversation, speaking about ultra-processed foods and their established links to chronic disease—despite President Donald Trump's well-known reverence for fast food of all kinds. Marion Nestle, a leading nutrition researcher and the author of “Food Politics,” has written in depth on how money and politics affect our diet and our health, and about the ways that American science research has been hampered by limited funding. She tells the physician and contributing writer Dhruv Khullar, who's been reporting on the American diet, that “it would be wonderful if R.F.K., Jr., could make the food supply healthier. I just think that in order to do that, he's going to have to take on the food industry, and I don't think Trump has a history of taking on corporations of any kind. . . . I'll believe it when I see it.” Kraftwerk—the pioneering electronic music group that débuted more than half a century ago —has been touring the U.S., with stops planned in Europe this year. The staff writer Kelefa Sanneh calls them one of the most influential bands of all time, playing a formative role in hip-hop, techno, EDM, and much of popular music as we know it. Sanneh picks tracks from Kraftswerk's repertoire and demonstrates how those sounds trickle out through music history, from Afrika Bambaataa to Coldplay. 

Today: In 1979, Nurse With Wound entered a UK recording studio with no musical training whatsoever and created an album called Chance Meeting on a Dissecting Table of a Sewing Machine and an Umbrella, which promptly was awarded a rating of five question marks from Sounds Magazine. Since then, NWW has confounded critics and listeners alike, both pioneering and mining the areas of improvisation, Krautrock-influence, electroacoustic experiments and more, with unparalleled sense of invention and quite often humor. Today, Brian Turner reflects back on the massive body of work by this shifting ensemble, digging out a rare interview he did with its central figure, Steven Stapleton, from his Irish goat farm.NURSE WITH WOUND - Rock N' Roll Station - Rock N' Roll Station (United Dairies, 1994)NURSE WITH WOUND - Fragments I - Who Can I Turn To Stereo Etc. (Jnana, 2011)NURSE WITH WOUND - Yagga Blues - Funeral Music For Perez Prado (United Dairies, 2001)NURSE WITH WOUND - Homotopy For Marie - Homotopy For Marie (United Dairies, 1982)NURSE WITH WOUND - June 3 - Shipwreck Radio Volume One (Seven Sonic Structures From Utvær) (ICR, 2004)NURSE WITH WOUND / FOETUS - Brained By Falling Masonry - The Swinging Reflective (Favourite Moments Of Mutual Ecstasy) (United Dairies, 1999)BT INTERVIEW WITH STEVEN STAPLETON (PART ONE)NURSE WITH WOUND - Strain Crack Break (w/David Tibet) - Chance Meeting On A Dissecting Table Of A Sewing Machine And An Umbrella (1979, Re: United Dirter, 2009)NURSE WITH WOUND - (I Don't Want To Have) Easy Listening Nightmares - Alice The Goon (White Noise, 1995)NURSE WITH WOUND - You Walrus Hurt the One You Love - The Sylvie And Babs Hi-Fi Companion (United Dairies, 1997)NURSE WITH WOUND - Soliloquy For Lilith 7 - Soliloquy For Lilith (Idle Hole/Mirror One, 1988)BT INTERVIEW WITH STEVEN STAPLETON (PART TWO)NURSE WITH WOUND - Thrill of Romance...? - Huffin' Rag Blues (United Dairies/Jnana, 2008)COLIN POTTER - Power - The Scythe (ICR, 1981)ANDREW LILES / GROUNDHOGS - Split 5 - Split - Up (Dirter Promotions, 2016)NURSE WITH WOUND / STEREOLAB - Simple Headphone Mind (Duophonic, 1997)

Sonar//Radar Baksheesh for Imi 6:03 Weak Sun 2025 Caveman & The Banshee Misfit 4:36 Born To Kill 2025 Andromeda Space Ritual Beyond the event horizon 8:11 II 2024 Ash Ra Tempel Amboss 19:29 Ash Ra Tempel 1971 Conflux Coldwell Bower's Bimble 5:14 WF 93 – The Sunshine Miners 2025 Doctors of Space Pinned Codes 8:32 […]

Today on Line Noise, something of a Krautrock special as we speak to Wolfgang Seidel, the former drummer in Eruption, a group founded by (former Tangerine Dream and Kluster member) Conrad Schnitzler, that was once described as “a thinktank for the then explosive Krautrock scene”. Seidel is also the author of a new book: Krautrock Eruption – An Introduction To German Electronic Music 1970-1980, which I thoroughly recommend. Obviously, we spoke about Krautrock, its influences today, about alternative histories, Kraftwerk, capitalism and more. Enjoy it and just remember - Line Noise comes to you with the support of Cupra.

Erster Staatsbesuch 2025 von Sounds!-Botschafter Hanspeter «Düsi» Künzler! Im Aktenkoffer hat er die musikalischen Highlights der letzten Monate: Warum der «Lieblings-Ausserkanton» Australien grad wieder punktet, Kollektive in London regieren und Krautrock ein weiteres Revival feiert? Press Play. +++ PLAYLIST +++ 22:58 - SINI NEUE LIEDER von STAHLBERGER 22:55 - ALL MY FREAKS von DIVORCE 22:52 - SONG TO WOODY von BOB DYLAN 22:50 - 16 TONS von NINA HAGEN 22:45 - DIE UFOS SIND DA von NINA HAGEN 22:42 - UNBESCHREIBLICH WEIBLICH von NINA HAGEN 22:34 - AFRICAN REGGAE von NINA HAGEN 22:31 - DU HAST DEN FARBFILM VERGESSEN von NINA HAGEN 22:25 - TV-GLOTZER von NINA HAGEN 22:21 - NINA HAGEN von ISOLATION BERLIN 22:17 - OCEAN ROAR von HAMILTON LEITHAUSER 22:13 - KNOCKIN' HEART von HAMILTON LEITHAUSER 22:09 - VIRGINIA BEACH von HAMILTON LEITHAUSER & KEVIN MORBY 21:57 - PROMISED LAND von MELIN MELYN 21:52 - TANGLED von ADRIAN CROWLEY 21:48 - AMYLASE von CAJUN DANCE PARTY 21:46 - PENNSYLVANIA von DANIEL BLUMBERG 21:39 - ONE STEP AHEAD von SPLIT ENZ 21:35 - TAKE ME TO YOUR INFINITE GARDEN von MESS ESQUE 21:28 - KEEP ME COMPANY von THE MELODRONES 21:24 - GOON SHOW von TROPICAL FUCK STORM 21:17 - X SAYS von INDEX FOR WORKING MUSIK 21:15 - ACID EAGLES von PRIMITIVE IGNORANT 21:08 - CRO-MAGNON MAN von SQUID 21:04 - ZERO SUN von LITTLE BARRIE/MALCOLM CATTO 20:56 - HALF LIGHT von BLIND YEO 20:50 - AI, ABSOLUTELY! von PAINTING 20:47 - KEEP THE SHARKS FROM YOUR HEART von RIP RIG AND PANIC 20:37 - PAY THE RENT von SNAPPED ANKLES 20:33 - ALL IN THE GAME von MOREISH IDOLS 20:26 - BARABAJAGAL von DONOVAN 20:23 - INVINCIBILITY von ALABASTER DEPLUME 20:17 - HAPPY BIRTHDAY von BLACK COUNTRY, NEW ROAD 20:12 - KING CNUT von MANDRAKE HANDSHAKE 20:04 - HOW LONG IS NOW von PALE BLUE EYES

Cindy Lee "To Heal This Wounded Heart"Motorpsycho "Dead Of Winter"The Limiñanas feat Jon Spencer "Degenerate Star"Crosby, Stills & Nash "I Give You Give Blind"Children Of The Mushroom "Vortex"Ball "Groupies"George Brigman "Easy Stranger"Joe Prichard and Gibraltar "The Machine Is Small"Grateful Dead "Looks Like Rain"King Crimson "Moonchild"Milton Nascimento & Lô Borges "Lilia"

Mani Neumeier ist ein Urgestein der deutschen Popmusik. Mit seiner Band Guru Guru tourt er seit 1968 ununterbrochen durch die Lande und verbreitet das, was einmal mehr oder minder respektvoll Krautrock genannt wurde. (Wdh. vom 02.12.2024)

Welcome to Line Noise. Today our guest - on what is the 200th episode of Line Noise (kind of) - is Mr. Wolfgang Voigt one of the most important producers in the history of German electronic music and the cofounder of Kompakt Records. On this episode, though, we are largely taking about GAS, his sublime ambient / psychedelic techno project, under which name Voigt had come to Barcelona to play a live gig. We talked about dub, forests, LSD, Krautrock, gabber hits and so much more. I hope you enjoy it. Line Noise is supported by Cupra.

Der braune Bär, Ed von Schleck, Flutschfinger – das waren keine 70er Softerotikfilme, obwohl es so klingt. „Nogger dir einen“ klang zwar wie Selbstbefriedigung, aber auch ein „Nogger“ war wie die drei anderen o.g. Namen nur ein Speiseeis von Langnese. Die 70er, das Jahrzehnt des Hedonismus. Und der überbordenden Vielfalt der Musik: Punk, Heavy Metal, Krautrock, Elektronik, Soul, Disco, Prog-Rock, Folk, Deutschrock, Reggae, Jazzrock, Fusion, Liedermacher, Comedy, Glam-Rock, Latin-Rock…unfassbar, was alles nebeneinander veröffentlich wurde. Henning & Till machen aus Musik ist Trumpf eine Creme21-Dose mit Schlaghose und erzählen, wie sie die 70er erlebt haben. Die Songs der Sendung: 1) Paranoid / Black Sabbath2) New York Groove / Hello3) Stairway to heaven / Led Zeppelin 4) Sultans of Swing / Dire Straits5) Dancing Queen / Abba6) Ooh la la / The Faces7) School days / Stanley Clarke8) Time Passages / Al Stewart Hosted on Acast. See acast.com/privacy for more information.

Aerosmith "Train Kept A Rollin"Aerosmith "Seasons Of Wither"Van Halen "Girl Gone Bad"Ted Nugent "Workin Hard Playin Hard"Scorpions "In Search Of The Peace Of Mind"Black Sabbath "Killing Yourself To Live"Saxon "Rainbow Theme"Saxon "Frozen Rainbow"Thin Lizzy "Cowboy Song (Live)"Thin Lizzy "The Boys Are Back In Town (Live)"Jimi Hendrix "Machine Gun (Live)"Santana "Soul Sacrifice (Live)"

Smooth...chilled...and mysterious: the electronic orchestrations of the late German electronic music pioneer KLAUS SCHULZE — just one of the new styles to emerge from the hyper-creative incubator that was Berlin in the 1960s and 70s. Electronic synthesizers ultimately fueled dozens of new genres, the most famous being “Kraut Rock.” But the confluence of cosmic electronic soundscapes and the classical music of Europe led to a widely popular genre that came to be known as “spacemusic.” It was well-suited to the winter months, when listeners could easily make the perceptual leap from the new sound to the frigid vacuum of interstellar space—a natural conjunction that was recognized by the first generation of academic electronic musicians, like German composer KARLHEINZ STOCKHAUSEN. On this transmission of Hearts of Space, another interstellar flight on electronic wings, on a program called WINTERTRONIC 4. Music is by KLAUS SCHULZE, MARK DWANE, ANDREW LAHIFF, DREAMSTATE LOGIC, ISOSTATIC, OXIA PALACE, and HOLLAN HOLMES. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

Today, the Spotlight shines On author Christoph Dallach, who joins me to discuss his book Neu Klang: The Definitive History of Krautrock.Christoph has spent years tracking down the pioneers who spent the late 1960s in West Germany's basements and practice rooms, creating sounds unlike anything else in rock and roll.Through conversations with members of bands like Can, Kraftwerk, and Tangerine Dream, Christoph uncovers how these artists shaped a distinctly German sound in the shadow of World War II. It's a story of cultural rebirth told by the musicians who lived it.A veteran music journalist who has interviewed everyone from Bob Dylan to Taylor Swift, Christoph brings fresh insight to this pivotal moment in music history.–Dig DeeperPurchase Neu Klang: The Definitive History of Krautrock from Faber & Faber, Bookshop, Powell's, Barnes and Noble, or AmazonFollow Christoph Dallach on InstagramChristoph Dallach's playlist for his book “Neu Klang: The Definitive History of Krautrock”Krautrock: The 1970s bands which helped post-war Germany overcome its dark historyWhen it comes to krautrock, it's impossible not to mention the warDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Bluesky, Facebook, and Mastodon.• Be sure to bookmark our new online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On author Christoph Dallach, who joins me to discuss his book Neu Klang: The Definitive History of Krautrock.Christoph has spent years tracking down the pioneers who spent the late 1960s in West Germany's basements and practice rooms, creating sounds unlike anything else in rock and roll.Through conversations with members of bands like Can, Kraftwerk, and Tangerine Dream, Christoph uncovers how these artists shaped a distinctly German sound in the shadow of World War II. It's a story of cultural rebirth told by the musicians who lived it.A veteran music journalist who has interviewed everyone from Bob Dylan to Taylor Swift, Christoph brings fresh insight to this pivotal moment in music history.–Dig DeeperPurchase Neu Klang: The Definitive History of Krautrock from Faber & Faber, Bookshop, Powell's, Barnes and Noble, or AmazonFollow Christoph Dallach on InstagramChristoph Dallach's playlist for his book “Neu Klang: The Definitive History of Krautrock”Krautrock: The 1970s bands which helped post-war Germany overcome its dark historyWhen it comes to krautrock, it's impossible not to mention the warDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Bluesky, Facebook, and Mastodon.• Be sure to bookmark our new online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Join us on the "Autobahn" as we take a ride to Los Angeles to discuss two nights of Kraftwerk's nine-show residency earlier this summer where Mark and Brad got to see Autobahn and Radio-Activity performed in their entirety.  While this episode may seem more suited for Carla and Brad Talk about Krautrock, find out if Carla and Brad won Mark over with these pioneers of electronic music.   Find the Playlist on Spotify + Apple Music and your Extras on Twitter and Instagram.  And if you like what you hear, please share, rate and review us!Credits: Intro — the Februarys, "Does Your Father Know". Outro - Kraftwerk, "Autobahn"

This week's pick is the 1976 martial arts movie Master of the Flying Guillotine. The titular character seeks revenge against the One-Armed Boxer for killing two of his disciples, laying waste along the way to any one-armed man he encounters with his flying guillotine. Featuring a man with very long arms and a Krautrock soundtrack.

Back in the helm, without a guest this time, navigating favorite songs over the last 2 weeks.Playlist: https://spinitron.com/WRFI/pl/19546358/Threading-The-Needle

Variety Mix DJ Sean brings a dreamy, synth-heavy vibe to the show with his song choices, including a nod to an influential Krautrock guitarist and a salute to an ‘80s Scottish new wave duo who helped set the standard for his picks. And Associate Music Director Alex Ruder spotlights the latest from a long-running Detroit-based artist/producer/composer whose latest LP is a showcase of masterful collaborations. Songs featured: James K - “Blinkmoth (July Mix)” Alex Kassian - “A Reference to E2-E4 by Manuel Göttsching” Safe Mind - “6' Pole” Maraschino - “Rosy Boas” Shigeto - “Let​'​s Talk (feat. KESSWA and Ahya Simone)” Listen to the full songs on KEXP's "In Our Headphones 2024" playlist on Spotify or the “What's In Our Headphones” playlist on YouTube. Listen to Sean every Monday night from 10pm -1am, or on-demand anytime at KEXP.org or the KEXP App.  Hosted and produced by: Janice Headley and Isabel KhaliliMixed by: Emily FoxMastered by: Jackson LongEditorial director: Larry Mizell Jr. Our theme music is “好吗 (Hao Ma)” by Chinese American Bear Support the podcast: kexp.org/headphonesContact us at headphones@kexp.org.Support the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

We had to take a few weeks off, but we are back with an episode that is almost as good as the music featured in it - AND THE MUSIC IS VERY GOOD!The idea was to pitch songs that should be used in a sample. Such a fun thought experiment that we thought we should focus on a specific instrument so we could make this a series. So today we present the drums edition of this playlist-based concept.First we'll get into Danny's playlist, featuring 8 songs made up of 2-song pairings that exist in similar spaces. We'll cover country, gritty rock, swampy soulful country funk, and then a random pairing of songs that happen to work fantastic together.Then we'll get into Julius's playlist which covers grunge, Krautrock, and soul - a mix of songs that will have you dancing along while craving buttery chicken. With the last minute addition of a Bjork song it rounds out to 8 classic songs, old and new, that you can jam out to in any setting.Songs featured in this episode:Gettin' HappyHang You From the HeavensTulsa Turnaround (Tyler Childers Live at Farm-Aid)Melt Not My Igloo (Common Remix)Vitamin CTerrapin (Conductor Williams Remix)Links to our Playlists:Danny: Spotify - Apple Music - YoutubeJulius: Spotify - Apple Music - YoutubeCheck our Season 2 preview episode description to see what music we'll be discussing next!Send us a text message!You can follow us here: Instagram Twitter Tiktok Send us a message, we'd love to hear from you! Email is thegmspod at gmailLeave us a rating and review if you want to!Thanks for listening!

Send us a textAuthor Cristoph Dallach Discusses New Klang: The Definitive History of Kraut RockHosts/bassists, David C. Gross and Tom Semioli talk all things "Kraut Rock" with Christoph Dalach author of an oral history out now on Faber & Faber Books. New Klang: The Definitive History of Kraut Rock Playlist

Rockshow episode 205 Can and FaustCan and Faust are two pioneering bands from the Krautrock movement, a genre that emerged in West Germany in the late 1960s and early 1970s. Krautrock is known for blending rock, electronic music, and avant-garde experimentation, influencing many subsequent genres, including post-punk, new wave, and electronic music.Can:• Origin: Cologne, West Germany (1968) • Members: The classic lineup consisted of Holger Czukay (bass), Irmin Schmidt (keyboards), Jaki Liebezeit (drums), Michael Karoli (guitar), and Damo Suzuki (vocals from 1970 to 1973). • Style: Can's sound is a fusion of psychedelic rock, avant-garde, jazz, and funk with a strong emphasis on improvisation and minimalist rhythms. They often used repetitive grooves and layered textures, creating a hypnotic effect. Their music could range from delicate, ambient passages to wild, chaotic experimentation. • Notable Albums: • Tago Mago (1971): A landmark album known for its experimental sound, long instrumental jams, and Suzuki's unpredictable vocals. • Ege Bamyasi (1972): Featuring more concise and rhythmic songs, with hits like “Vitamin C” and “Spoon.” • Future Days (1973): A more ambient, ethereal record, often seen as a peak of the band's explorative nature. • Influence: Can was highly influential in shaping the experimental rock and electronic scenes, inspiring artists ranging from David Bowie to Radiohead.Faust: • Origin: Wümme, West Germany (1971) • Members: The core lineup included Werner “Zappi” Diermaier (drums), Jean-Hervé Péron (bass), Rudolf Sosna (guitar, keyboards), Arnulf Meifert (drums), and Hans Joachim Irmler (keyboards). • Style: Faust's music is more avant-garde and noise-oriented than Can's. They mixed rock with musique concrète, tape experiments, electronic soundscapes, and dissonant, atonal elements. Their sound often had an anarchic, confrontational edge, pushing the boundaries of what rock music could be. • Notable Albums: • Faust (1971): Their debut, an experimental and highly eclectic album, blending found sounds, noise, and fragmented song structures. • Faust IV (1973): A more accessible but still experimental album, with a mix of rock, ambient soundscapes, and odd time signatures. • The Faust Tapes (1973): Originally sold for a low price, this album was a collage of improvisations, studio experiments, and sound cut-ups. • Influence: Faust is seen as one of the most avant-garde bands of the Krautrock scene, influencing later experimental and industrial music, as well as bands in the post-punk and art-rock genres.Both bands were central to Krautrock's ethos of breaking free from traditional rock structures, emphasizing improvisation, and pushing boundaries with studio technology. While Can leaned more into groove-oriented, hypnotic rhythms, Faust embraced a more radical approach to sound experimentation.For Can:#CanBand #Krautrock #ExperimentalRock #TagoMago #EgeBamyasi #DamoSuzuki #HolgerCzukay #IrminSchmidt #JakiLiebezeit #MichaelKaroli #PsychedelicRock #AvantGarde #MinimalistRock #PostPunkInfluence #FutureDays #GermanRockFor Faust:#FaustBand #Krautrock #AvantGardeRock #ExperimentalMusic #FaustIV #TheFaustTapes #ZappiDiermaier #JeanHervePeron #HansJoachimIrmler #MusiqueConcrete #NoiseRock #GermanUnderground #ArtRock #IndustrialMusicInfluence #FaustExperimentation

Welcome to your next dose of Awareness with Amandolin on this episode I spoke with Frankie Sunswept + Kimberly Haven about "Nostalgia" their upcoming record you can preorder a c copy of now! The record is exactly the kinda thing that keeps me fiery for the music scene. It combines the band's love of Ethio-jazz, Krautrock, 60s psychedelia, garage rock, African rock, South American folk music, prog, and even proto-metal into a distinctive time capsule dealing with themes of collective memory, climate change, mythology, science fiction, and loving kindness. Each song flows seamlessly into the next creating an infinite loop that echoes the album's theme of the circular nature of time.Watch the triple music video!Feels like a record made for me and likely you too listeners! Stay connected with the show and I on my instagram.Book a meditation session if you feel called. Until next time xoxo Amandolin www.awarenesswithamandolin.com

We dive into the atmospheric worlds of ambient, krautrock, and folk music released in 1972, including the introspective sounds of Nick Drake, the experimental sonic landscapes of Tangerine Dream and Neu!, along with what might be the first ever folk concept album? Learn more about your ad choices. Visit megaphone.fm/adchoices

It's time for more CAN! This week Carolina and Marcus take us deeper into the formative era of the Krautrock pioneers as the group finally finds a name and parts ways with founding vocalist Malcolm Mooney, only to usher in the most defining era of for the group with the introduction of street busker turned singer Damo Suzuki.

Carolina Hidalgo and Marcus Parks return to the world of Krautrock with the formation of a group whose mix of avante-garde music and jazz would pioneer the genre and help set a precedent for what Krautrock would become, the German Experimental Psychedelic Rock group Can. 

No Dogs is back to continue your musical journey through the vast, winding history of Experimental Rock. This time embarking on a brand new series with the intention to shed some light on an often misunderstood side of the experimental rock world - Krautrock! Beginning first with a band formed out of a collective of musicians who met as members of a West German commune during the late 1960s, and who would go on to, maybe more so than anyone, define the words "experimental rock"... It's time for the one and only, Amon Düül II.Taking us out is Rocket - Normal to MeAs always, Follow Marcus on Spotify to listen to all of the songs heard in this episode.Also be sure to check out Marcus & Carolina 's DJ set! Saturday - Sept. 9th 2023 at Footsies Bar (2640 N Figueroa St, Los Angeles, California), along with James Spooner, where they'll be spinning all kinds of punk music on vinyl from 5-10pm!