Podcasts about The Tragically Hip

One night in El Paso, the cops go into the crowd - and somehow, 32 years later, we're still unpacking what that means.This week on The Tragically Hip On Shuffle - Live Stream, the shuffle landed on 'Yawning or Snarling' from "Day for Night" - and it pulled 76% Love It in the community poll. Add in the Like Its and you're sitting at 95%. Not bad for track four on a record that doesn't exactly hand you easy entry points.jD was joined by the most international panel the show has ever assembled: Andy from St. Thomas, Glynn from Melbourne, and Thomas from Oxford - who tuned in at 1 a.m. on his birthday, which is exactly the kind of dedication this community runs on.The conversation went deep. Bass as MVP. The panning of that slide guitar in headphones. The way Gord built entire worlds by changing two words between verses - glaring to throbbing, day to night - and what that does to the light in El Paso, literally and otherwise. Glynn brought a photographer's eye to 'the bladder of light' and the science of bat sonar. Thomas picked up his guitar mid-episode to demonstrate what makes those interplaying guitar parts so quietly unusual. Andy connected the border tension of early 90s El Paso to the cop-into-crowd imagery and made it land differently than it did before. And the chat surfaced a connection between this bass line and REM's 'Undertow' that is frankly hard to unhear.Oh, and the wheel spin at the end? Next week we're talking 'Bobcaygeon.' At the start of summer. So there's that.About the PanelistsAndy from St. Thomas is a Tragically Hip fan whose entry into 'Yawning or Snarling' was sonic first - the vibe of "Day for Night" as a full atmospheric world - before digging into the lyric's snapshots of border tension and hollow men making purchases.Glynn from Melbourne is a travel photographer and educator who leads international photo tours through his company Creative Photo Workshops (creativephotoworkshops.com.au). His visual brain is genuinely one of the great instruments for decoding a Gord Downie lyric. He came to 'Yawning or Snarling' bass-first, and he left having delivered the definitive explanation of Club 101 in El Paso. Find him on Instagram and Facebook.Thomas from Oxford has a YouTube channel (Tommy KL) and a SoundCloud under his name, Thomas De Bock, featuring three Hip covers - including a recording of 'Cordelia' that predates the pandemic. He also plays guitar, and he used it. His breakdown of the interplay between the guitars - and why the slightly-off notes are the whole point - is the kind of thing that makes you want to listen to the song again the second it's done.Tale of the Tape: 'Yawning or Snarling'Album: "Day for Night" (released September 19, 1994)Track: 4Times played live: 56First played: July 1, 1994 - Molson Park, BarrieLast played: August 1, 2016 - Calgary (Man Machine Poem Tour, twice as encore)Resources & ReferencesSetlist data sourced from Hipbase - the essential Tragically Hip discography and setlist resourceLive recording: Brussels, 1994 (Live from the Vault, Vol. 4) - sourced from The Tragically Hip Archive. Hat tip to the archivists who record, preserve, and seed these recordings. That work matters.Bass stem isolation performed by jD using stem separation tools - with a hat tip to Craig for the tutorialListen & ConnectNew episodes drop every Wednesday at 8 p.m. Eastern. Find the full show at home.tthpods.com. Join the community at community.tthpods.com. Subscribe to Yer Letter at subscribe.tthpods.com. Email jD directly at jd@tthpods.com.Follow on Instagram: @tthpods | YouTube: youtube.com/@tthpodsNext week: 'Bobcaygeon.' The wheel has spoken. See you Wednesday.Support this podcast at — https://redcircle.com/tthtop40/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Boi-1da is a Canadian producer who has found massive success all over the world crafting hits for the likes of Drake, Beyoncé, Rihanna, Eminem and so many more. He talks to Tom Power about teaming up with Nelly Furtado, The Tragically Hip, Alessia Cara, AP Dhillon and more Canadian icons for What If It All Goes Right, a collaborative record to support the youth organization, Canada Soccer.

The Tragically Hip On Shuffle - Live Stream: Country DayOne random shuffle lands on the last song on "We Are the Same," and the panel ends up arguing about Bob Rock, Canada Day, and whether Gord wrote a love letter to his producer.Episode Summary On this week's The Tragically Hip On Shuffle live stream, jD and the panel pull 'Country Day', the closing track from 2009's "We Are the Same," and dig into one of the most debated records in the catalogue. The conversation circles the Bob Rock production question first: the smooth backing vocals, the strings, the sense that the band got pushed to the edges of their own album. From there it opens up into three competing readings of the song itself. One hears a straight-up love story. One builds a detailed Indigenous and Canada Day interpretation, rooted in life beside the Alderville First Nation. One reads the whole thing as a coded note from Gord Downie to Bob Rock, threaded through to 'Something More' on "Lustre Parfait." Along the way the group gets into Gord's live vocal in the aired Artpark performance, the band's later run through "Now for Plan A" and "Man Machine Poem," and why a record some fans skip rewards the people who stay. It is a fan-first look at Tragically Hip song meanings, the kind of close listening this community does best. The episode closes with poll results, a spin for next week, and the full version of 'Last of the Unplugged Gems' on the way out.GuestsMike from Haslett, Michigan. A restaurant owner who found The Tragically Hip through a 1996 newspaper clipping his dad mailed him, started at "Day for Night," and has been to 20-plus shows. He hears 'Country Day' as a love song tied to meeting his wife.Jeff from Belleville, Ontario. Lives right beside the Alderville First Nation, which anchors his reading of the song's Indigenous and Canada Day threads. This is his second pass at a track from "We Are the Same" on the show.Greg from Tacoma, Washington. The panel's resident music guy and the one who sourced the live version aired on the episode. Calls "We Are the Same" his least favourite Hip record, then makes the case for why this song still kicks.Resources, Links, and References'Country Day' live, sourced by Greg from Tacoma: Artpark, Lewiston, New York, June 4, 2009. [add archive or source link]"Battle of the Nudes," Gord Downie solo record referenced on its anniversary. [add link]"Lustre Parfait," the Bob Rock and Gord Downie record, and the track 'Something More'. [add link]The band documentary referenced during the production discussion. [confirm title, add link]The MuchMusic and Strombo interview era discussed by Mike. [add link if available]The Tragically Hip Handbook, jD's lyric word-search tool. [confirm product name, add link]Source credit standards: Hipbase, HipMuseum, setlist.fm, The Tragically Hip Archive, This Is Our Life. [add the specific links used for this episode's facts]Calls to ActionWant a seat at the table? Sign up to be a panelist at panel.tthpods.com.Closing Thanks to Mike from Haslett, Jeff from Belleville, and Greg from Tacoma for peeling this one all the way back. The takeaway lands where the best of these conversations always do: a record some fans wrote off turns out to be full of beauty for anyone willing to sit with it. Next week the shuffle points at 'Yawning or Snarling' from "Day for Night," so there is plenty more to get after.Promos and CrosslinksRelated: the panel's earlier On Shuffle take on 'Honey, Please' from "We Are the Same."The Hip Compendium, the free fan archive of the full discography, lyrics, and mapped live shows, at compendium.tthpods.com.Social and Community Facebook group: community.tthpods.com | Instagram: @tthpods | YouTube: youtube.com/@tthpods | Email: jd@tthpods.com#WeAreTheSame #TheTragicallyHip #GordDownie #TheHip #TTHOnShuffle #DayForNightAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Former Blue Rodeo/Wilco's Bob Egan talks about forsaking corporate riches to jump on Wilco's tour bus at age 38 (on the advice of Johnny Cash and at the request of Jeff Tweedy), touring Norway with Bazil Donovan before joining Blue Rodeo for 17 years, bonding with Gord Downie while playing on the Tragically Hip's Juno-award winning Bobcaygeon, his upclose and personal interactions with Keith Richards Sheryl Crow Gary Oldman William Shatner, playing on Austin City Limits with both Billy Bragg and Blue Rodeo, playing 2003's SARSstock in front of half a million fans, and Jim Cuddy's lessons on fan dedication along with the importance of Blue Rodeo playing absolutely EVERYWHERE! For all things Bob Egan, please go to https://www.bobegan.com/ TORONTO LEGENDS is hosted by Andrew Applebaum at andrew.applebaum@gmail.com All episodes available at https://www.torontolegends.ca/episodes/ Learn more about your ad choices. Visit megaphone.fm/adchoices

The Tragically Hip On Shuffle - Live Stream: Wheat KingsA campfire singalong that's secretly about a wrongful conviction, a cassette thrown out a car window, and a tiny Eiffel Tower in Saskatchewan.EPISODE SUMMARY This week on The Tragically Hip On Shuffle - Live Stream, the wheel landed on 'Wheat Kings', and I had a couple of Andrews riding shotgun to break it down. This is the song the whole country sings around a campfire without ever clocking that it's about David Milgaard, wrongfully convicted of the murder of Gail Miller and imprisoned for a crime he didn't commit.Andrew from Winnipeg brought the timeline receipts (Kim Campbell, the CBC, the wild detail that Milgaard walked free in April 1992, months before "Fully Completely" even dropped) plus a story about his mom chucking the cassette out the car window somewhere in the Alberta mountains. Andrew from Tampa brought the live recording from The Fillmore, October 24, 2000, and the case for 'Wheat Kings' as a pure summertime staple. We get into the loon that cost the band a donation to Ducks Unlimited, the Zippo lighter, Paris of the Prairies (and the 28-foot Eiffel Tower in Montmartre, Saskatchewan). If you love The Tragically Hip, Gord Downie, and a Canadian rock podcast that treats a deep cut like it earns the attention, this one runs deep.GUESTSAndrew from Tampa joined by audio through a Florida thunderstorm and came armed with the Fillmore recording that scored tonight's listen. A devoted Hip fan stateside, he makes the case for the band as a summertime constant and named 'Emperor Penguin' as his favourite album-closer, a song he rations for the days he really needs it.Andrew from Winnipeg is a setlist.fm obsessive, a Crooked Ice bandmate (their album release show is June 4), and host of the weekly Radiohead deep-dive podcast Head Full of Radio. He also runs a weekly show on UMFM. His favourite Hip closer is 'Put It Off', and 'Wheat Kings' carries a complicated, personal weight he opened up about on air.Andrew from Tampa: "Is it about what it's talking about, or is it the way it's made millions of people feel?"RESOURCES, LINKS & REFERENCESThe Hip Handbook, used live to pull the tracking numbers (around 1,350 shows logged, 332 'Wheat Kings'performances). thehiphandbook.tthpods.comSetlist history via Hipbase (primary) and setlist.fm (secondary): first played in Saskatoon, July 27, 1991. The Fillmore, October 24, 2000 performance, shared by Andrew from Tampa from a YouTube upload. Hat tip to the tapers and seeders who preserve this stuff, and to The Tragically Hip Archive for the broader live-recording work.David Milgaard case timeline referenced on air via CBC and Wikipedia.The 'Heksenketel' tour video, which shipped with one of the box sets.The loon and the Ducks Unlimited donation: traced on air to the documentary and a Robby Baker radio interview (see verification note below).YOUTUBE CHAPTERS 00:00 - Welcome, and tonight's imaginary sponsors 02:15 - Weird Winnipeg bylaws 03:13 - The tale of the tape: 'Wheat Kings' by the numbers 05:26 - This week's poll: the 5% who tolerate it 07:31 - The Fillmore, October 24, 2000 09:01 - 'Wheat Kings' 12:56 - Your favourite last-song-on-an-album 17:56 - Hearing it the first time, and the cassette out the car window 19:45 - The ultimate campfire song 22:42 - The loon, and a cheque to Ducks Unlimited 24:06 - Museums, prime ministers, and vivid visuals 25:30 - The Pretty Things and a Copperpenny cover 26:51 - David Milgaard, Gail Miller, and the timeline 32:48 - First played in Saskatoon, 1991 37:11 - Paris of the Prairies (and a tiny Eiffel Tower) 40:55 - Don't forget Gail Miller 43:19 - The killer's face in the Zippo 45:23 - The 'Heksenketel' video and the box sets 46:37 - A complicated, personal love for the song 50:28 - Thanking the Andrews, and next week's shuffle: 'Country Day' 54:05 - Plugs: Crooked Ice and Head Full of Radio 56:37 - Outro and creditsHey There!Want a seat at the table on a Wednesday night? Sign up to be a panelist. Explore 1,358 mapped shows and search every lyric in the Hip Handbook.CLOSING Huge thanks to Andrew from Tampa for digging up that Fillmore recording, and to Andrew from Winnipeg for the timeline work and for trusting us with something personal. Next Wednesday the wheel spins again and lands on 'Country Day', the closer from "We Are the Same", keeping our accidental run of great last-songs alive. The takeaway from this one: a song can outgrow the tragedy that made it, but it should never outrun the people inside it.PROMOS & CROSSLINKSTTHTop40 Countdown #17 - 'Wheat Kings' (with Jillian), the countdown episode that ranked this one. Fully & Completely: Redux - "Fully Completely", the track-by-track on the whole record. Get Yer Letter in your inbox.  → subscribe.tthpods.comSOCIAL & COMMUNITY Facebook group: community.tthpods.com | Instagram: @tthpods | YouTube: youtube.com/@tthpods | Email: jd@tthpods.com #TheTragicallyHip #TheHip #FullyCompletely #GordDownie #TTHOnShuffle #InGordWeTrustAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Welcome back to the 286th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 286th episode we have a new artist interview. This particular conversation is between our Associate Artistic Producer Jillian Robinson and Ahmed Moneka and Jesse LaVercombe, the book writers of the new The Tragically Hip musical, It's A Good Life If You Don't Weaken, happening now at Theatre Aquarius and remounting in October at Thousand Islands Playhouse. Join this trio as they talk about cohesive collective collaboration, launching Canadian legacy, and their brotherly bond for book-writing and beyond. It's A Good Life If You Don't Weaken plays at Theatre Aquarius (190 King William St., Hamilton, ON) from April 26 - May 24, 2026. Tickets can be purchased at the following link : https://purchasing.theatreaquarius.org/EventAvailability?EventId=9001&ref=bookNow&scroll=timeAndDatesFollow Ahmed - Ahmed Moneka on Apple Spotify or SpotifyFollow Jesse - Instagram : @jesselavercombeFollow Theatre Aquarius - @theatreaquarius Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatreIf you'd like us to review your upcoming show in Toronto, please send press invites/inquiries to coh.theatre.MM@gmail.com.

in which multidisciplinary artist Laurier Tiernan and i talk Fifty-Five Ways to Survive, Laurier's first bilingual collection, as well as the unadornment of poetry, existing in mysteries, and poetry as a spiritual practice where to find Laurier: insta - @laurier_tiernan_writer Fifty-Five Ways to Survive - https://durvile.com/books/Fiftyfive.html other things referenced: Tiernan - https://www.youtube.com/c/TiernanSongs Nature Airliner - https://natureairliner.com/ Leonard Cohen - https://www.leonardcohen.com/ One Night in Tokyo - https://onenightintokyo.com/ John lennon - https://www.johnlennon.com/ Thom Yorke - https://en.wikipedia.org/wiki/Thom_Yorke Marfan syndrome - https://www.mayoclinic.org/diseases-conditions/marfan-syndrome/symptoms-causes/syc-20350782 The Arthur Findlay College - https://www.arthurfindlaycollege.org/ Letters to a Young Poet by Rainer Maria Rilke - https://ia902903.us.archive.org/13/items/letterstoayoungpoetpdfdrive.com/Letters%20to%20a%20Young%20Poet%20%28%20PDFDrive.com%20%29.pdf My Chemical Romance - https://en.wikipedia.org/wiki/My_Chemical_Romance Downton Abbey - https://en.wikipedia.org/wiki/Downton_Abbey The Tragically Hip - https://en.wikipedia.org/wiki/The_Tragically_Hip

Craig's holding out for management. #Celebstuff #JustStuff #RIPClaudeLemieux The Grass is literally greener. Fresca, Religion, The Tragically Hip and more. #RockMornings Craig & Lucky, Mon-Fri 5-9a OR On Demand ANYTIME here:

This week on The Tragically Hip On Shuffle, we cracked open 'Coffee Girl' - the fourth track and second single off "We Are the Same" (2009), produced by Bob Rock. On the TTHTop40 Countdown, it clocks in at number 53. It's been played live 78 times, last appearing on the final tour on July 30, 2016.Joining me for this one were two members of west coast tribute act Gift Shop - Craig from Langley and Ian from Maple Ridge - plus returning guest Tim from Columbus, host of the Dig Me Out Podcast. Two-fifths of Gift Shop, for the record. You can't reduce that fraction without going to decimal points, and you just can't do that.What we got into:The pre-release Bathhouse recording - recorded April 6, 2009, the day before the album dropped - was our jumping-off point, and it unlocked a lot. Organ instead of trumpet. A looser, jammier feel. Multiple gaffes and weirdness. And somehow, the bones of the song were all already there.From there the conversation ranged wide. Tim came in with a clear-eyed critique - the drum loop feels mechanical, the melody doesn't shift from verse to chorus, and he wishes Robbie Robertson had gone slide guitar instead of brass. It's a good song for most bands, he said. For The Hip, it's below average. Gauntlet dropped.Craig pushed back from a different angle - the musicality. He broke down why 'Coffee Girl' is so easy to listen to: it's in C major, four chords (F, C, Am, G), and it never deviates once. The chorus just drops the C. The fade-out isn't laziness - it's because there's no satisfying harmonic resolution to this story, and Craig walked through why Gift Shop ends it on a G (a half cadence) while The Hip's Abbotsford version lands on an A minor (a deceptive cadence). Genuinely great music nerd territory.Ian brought the emotional case for the album as a whole - the deliberate smoothness of the production, the loss of grit that divided fans, and why he thinks people owe "We Are the Same" a deeper listen than most gave it. He also flagged Derry Byrne - the trumpet player on the track - as a Kitsilano local who plays with the Jill Townsend Jazz Orchestra. And he introduced a darker reading of the lyrics: is the coffee girl cautious for a reason? Is there something more unsettling running beneath the surface of an otherwise easy, sunny song?That lyric conversation went deep. We talked about Gord's love of people-watching - including jD's two separate sightings of Gord at a Timothy's on the Danforth with his MacBook, pecking away at the window. We talked about Craig's memory of seeing the album's theatre release the night before it came out, seven months after his first kid was born, and how that version of 'Coffee Girl' was the first time he ever heard the song. And we talked about whether the mixtape-with-classic-Beck line ages anyone else as hard as it aged us.The poll results this week showed about 25% of Hip fans in the Facebook group feeling negative or indifferent about 'Coffee Girl.' Not surprising - but Ian made the case for patience, and he made it well.Next week: 'Wheat Kings.' Top 10 on the countdown. If there was ever a song that screams Canadiana - and there never is a time to wave a flag at a Hip show, but if there were - it's that one.Guests this week:Gift Shop - West coast Tragically Hip tribute act featuring Craig and Ian. Catch them live on August 20, 2026 at the Hollywood Theatre in Kitsilano, BC - the ten-year anniversary of the final show. Deep cuts guaranteed. At least one song off "We Are the Same." Possibly with Derry Byrne sitting in on trumpet. Tickets on Eventbrite (search "Gift Shop") or at giftshiphipband.caDig Me Out Podcast (Tim) - Weekly album reviews of obscure and overlooked records from the 70s, 80s, 90s, and 2000s. Guest episodes, round tables, and a genuinely deep love of the format. Find them at digmeoutpodcast.comThe Tragically Hip On Shuffle streams live every Wednesday at 8PM.home.tthpods.com · jd@tthpods.com · @tthpodsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

(00:00) Shams was on McAfee. Plus, Tragically Hip: Could they become Fred's favorite band???(20:55.387) The Email Bit (Proudly brought to you by Jeffrey Glassman Injury Lawyers)(31:07.821) THE STACKPlease note: Timecodes may shift by a few minutes due to inserted ads. Because of copyright restrictions, portions—or entire segments—may not be included in the podcast.CONNECT WITH TOUCHER & HARDY: linktr.ee/ToucherandHardyFor the latest updates, visit the show page on 985thesportshub.com. Follow 98.5 The Sports Hub on Twitter, Facebook and Instagram. Watch the show every morning on YouTube, and subscribe to stay up-to-date with all the best moments from Boston's home for sports!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Tragically Hip On Shuffle - Live Stream: 'Let's Stay Engaged'The Tragically Hip On Shuffle - Live Stream: 'Let's Stay Engaged'jD, Alan from Federal Way, and Justin from Bridport unpack 'Let's Stay Engaged' from "Trouble at the Hen House" - and the band's new live album announcement.Episode SummaryThe shuffle lands on 'Let's Stay Engaged', track 10 from The Tragically Hip's 1996 record "Trouble at the Hen House" - a non-single that lived almost exclusively as an encore (19 of 25 live plays). jD welcomes Alan from Federal Way and Justin from Bridport for a wide-ranging live stream that travels well past the song itself.The panel opens on favourite last tracks across the discography, with Alan championing 'Country Day' and Justin making the case for 'Machine' as the band's final gift. The conversation moves through the Hip Handbook - the newly-launched free fan resource at thehiphandbook.tthpods.com - and into a wider question about why American audiences took so long to catch on. Alan, a self-described one-of-the-few who got it from his first SNL viewing, offers a heartfelt thesis on the band's pull.The hour also covers the band's just-announced 10-year anniversary live album (July 22 - August 20), the missing 'Grace, Too' from that tracklist, the Seattle studio where "In Between Evolution" was recorded, and the upcoming 'Gift Shop' concert event in Vancouver on August 20. Next week's shuffle lands on 'Coffee Girl' from "We Are The Same."Guest InformationAlan from Federal Way is a longtime Tragically Hip fan in the Seattle area who works at a cable company in West Seattle. A self-professed American superfan since the band's SNL appearance, Alan brings 63 years of music listening and a 24,000-song iPhone to the conversation. Find him on Twitter @AlanKCarver.Justin from Bridport is the host of his own corner of the TTH community and a sprint car racer with the Sprint Cars of New England. His season opener runs May 24 at Glen Ridge Motorsports Park in Fultonville, NY. Find the series at nesprintcars.com.Resources and LinksThe Hip Handbook - thehiphandbook.tthpods.comTTHTop40 Countdown - the full 169-song rankingHipbase - hipbase.comHipMuseum - hipmuseum.comThis Is Our Life - the TTH Archivesetlist.fm - tour and setlist historySprint Cars of New England - nesprintcars.comJoin the panel - submit at panel.tthtop40.com to take a seat at a future On Shuffle live stream.CloseA fan-first conversation, a song that lived in the encore slot, and a panel that proved Tragically Hip community knows no border. Tune in next week for 'Coffee Girl'.CrosslinksGetting Hip to The Hip - the entry point for new fansTTHTop40 Countdown - the SiriusXM Tragically Hip Radio showA Forest Of Whispering Speakers - the new documentary series on the musical "It's a Good Life If You Don't Weaken"The Tragically Hip Podcast Series - home.tthpods.comSocials and HashtagsFind The Tragically Hip Podcast Series on Facebook, Instagram, X, and Bluesky. Tag posts with: #TheTragicallyHip #TTHPods #OnShuffle #TroubleAtTheHenHouse #LetsStayEngaged #HipHandbookAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

podList 7: The Classics - ShownotespodList 7: The Classics - 18 Hip Covers from 1987 Through "Day for Night"podList 7 is here. 18 tribute artists tackle The Tragically Hip's earliest era - from the 1987 EP through "Day for Night."Summary:The seventh installment of podList drops with a focus on the foundational years of The Tragically Hip's catalogue - the 1987 self-titled EP through 1994's "Day for Night." 18 tribute acts and solo artists from across the Hip cover community contributed tracks, spanning deep cuts and signature songs alike.The lineup includes Jay Hubbard on 'Little Bones,' Duxoop Douglas on 'Courage,' The Gracefully Hip on 'Grace, Too,' Forever Hip on '38 Years Old,' and Tragically Al closing things out with 'Opiated.' Two tracks each appear for 'Nautical Disaster' and 'Fiddler's Green' - a happy accident of the open submission format that lets listeners hear how different artists approach the same source material.podList exists because tribute bands and solo Hip interpreters keep the catalogue alive in rooms across Canada and beyond. This volume zeroes in on the classics - the era that built the foundation everything else stands on.Track Listing:Jay Hubbard - 'Little Bones'Duxoop Douglas - 'Courage'The Gracefully Hip - 'Grace, Too'Forever Hip - '38 Years Old'Urban Hip - 'Fiddler's Green'Little Bones - 'Scared'Shaun Robertson - 'Nautical Disaster'Trickle Down - 'Twist My Arm'Thomas De Bock - 'Cordelia'Gift Shop - 'Pigeon Camera'50 Mission - 'Fully, Completely'Evil Tom Bosely - 'Long Time Running'Nautical Disaster - 'Blow At High Dough'Hip Check - 'On The Verge'The Fabulously Rich - 'Looking For A Place To Happen'Tim Clark & Ben Wallace - 'Nautical Disaster'Christian White - 'Fiddler's Green'Tragically Al - 'Opiated'Guest Info:18 contributing artists: Jay Hubbard, Duxoop Douglas, The Gracefully Hip, Forever Hip, Urban Hip, Little Bones, Shaun Robertson, Trickle Down, Thomas De Bock, Gift Shop, 50 Mission, Evil Tom Bosely, Nautical Disaster, Hip Check, The Fabulously Rich, Tim Clark & Ben Wallace, Christian White, and Tragically Al.Resources:The Hip Compendium: compendium.tthpods.compodList submissions: podlist.tthpods.comThe Tragically Hip Podcast Series: tthpods.comLinks - Tribute Bands:Forever Hip (Toronto, ON): foreverhip.caThe Gracefully Hip (Quebec City, QC): sites.google.com/view/thegracefullyhip | facebook.com/thegracefullyhipUrban Hip (Thunder Bay, ON): urbanhip.ca | facebook.com/p/Urban-Hip-100063907241104Little Bones (Ottawa, ON): sites.google.com/view/littlebones-ca/home | facebook.com/littlebonesottawaTrickle Down (Calgary, AB): trickledownband.comGift Shop (Vancouver, BC): giftshophipband.ca | facebook.com/giftshophipband50 Mission (Southern Ontario): 50missionband.com | facebook.com/50mission | instagram.com/50missionhipNautical Disaster (Victoria, BC): nauticaldisaster.com | facebook.com/NauticalDisasterbandHip Check (Ontario): hipcheck.bandThe Fabulously Rich (Charlottetown, PE): thefabulouslyrich.com | instagram.com/thefabrichClose:podList 7 is a celebration of the artists who keep "The Tragically Hip," "Up to Here," "Road Apples," "Fully Completely," and "Day for Night" alive through their own interpretations. Eighteen takes on the classics. One catalogue. The fans always show up.Crosslinks:Fully & Completely: track-by-track album walkthroughs of the same era covered hereThe Tragically Hip On Shuffle: weekly live stream covering the full catalogueA Forest Of Whispering Speakers: now airing weekly through June 8Socials: Follow The Tragically Hip Podcast Series across all platforms.#TheTragicallyHip #TTHPods #podList #HipTribute #CanadianMusic #FullyCompletelyAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

A Forest Of Whispering Speakers - The BookTwo writers. Ten years of trust. One Tragically Hip catalogue. Episode two is the story of how the book got written without flattening the band.Episode SummaryA Forest Of Whispering Speakers is the oral history of the Theatre Aquarius world premiere of It's a Good Life If You Don't Weaken, the new musical built on the music of The Tragically Hip. Act II: The Book is the writers' room episode — how an exile's journey gets shaped into a story, and how Hip songs become the emotional grammar of that story without ever turning it into a band biography or a jukebox musical.Host jD sits down with co-writers Ahmed Moneka and Jesse LaVercombe, with producer Michael Rubinoff and Tragically Hip manager Jake Gold stepping in to frame the bigger picture. The episode opens at a campfire in Prince Edward County in 2015, traces the ten-year partnership that built King Gilgamesh and the Man of the Wild at Soulpepper, and lands on the two different doors each writer walked through to find The Hip — one across a bridge in Bobcaygeon, the other watching Gord say goodbye from south of the border.Inside the episode: the load-bearing wall of a decade-long friendship, the yin-yang of Ahmed's exile and Jesse's grief, a Thornton Wilder quote about platitudes, and a working theory that 700 people in a theatre cannot lie to you at once.Guest InfoAhmed Moneka (Toronto, via Baghdad) — Co-writer of It's a Good Life If You Don't Weaken. Iraqi-Canadian actor, singer, and writer. Co-creator of King Gilgamesh and the Man of the Wild.Jesse LaVercombe (Toronto, via the United States) — Co-writer of It's a Good Life If You Don't Weaken. Writer and performer. Co-creator of King Gilgamesh and the Man of the Wild.Michael Rubinoff — Producer, It's a Good Life If You Don't Weaken. Originating producer of Come From Away.Jake Gold — Manager, The Tragically Hip.Resources & LinksTheatre Aquarius — It's a Good Life If You Don't WeakenKing Gilgamesh and the Man of the Wild — Soulpepper TheatreDriftwood Theatre — Shakespeare in the Park, Southern OntarioThe Hip Compendium - compendium.tthpods.comHipbaseHipMuseumThis Is Our LifeThe Tragically Hip ArchiveCalls to ActionSee the show. It's a Good Life If You Don't Weaken runs at Theatre Aquarius in Hamilton through May 16, 2026. Tickets at tickets.tthpods.com.Explore The Hip Compendium — 1,358 mapped live shows, full discography, On This Day, and more at compendium.tthpods.com.Closing ParagraphThanks to Ahmed Moneka and Jesse LaVercombe for the time, the candour, and the campfire story. Thanks to Michael Rubinoff and Jake Gold for the framing. Act II is the writers' room. Act III: The Craft drops Monday, May 18 — the design team, the orchestrator, the choreographer, and the people who turn the page into a stage. So there's that.Promos & CrosslinkspodList 7 - "the classics" drops Friday, May 15. Eighteen tracks of 1987–1995 era covers, including intentional duplicate covers of 'Nautical Disaster' and 'Fiddler's Green'.Previous episode: A Forest Of Whispering Speakers - Act I: The IdeaCompanion listening: The Tragically Hip On Shuffle - Live Stream, Wednesdays 8 PM ETSocials & CommunityFacebook group: community.tthpods.comInstagram: @tthpodsYouTube: youtube.com/@tthpodsEmail: jd@tthpods.com #TheTragicallyHip #TheHip #ItsAGoodLifeIfYouDontWeaken #TheatreAquarius #AhmedMoneka #JesseLaVercombeAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

A new report on Ontario hospitals says admission wait times at Windsor Regional Hospital are way up and The Tragically Hip is coming out with a new album. These stories and more are in your noon news on the go.

The Tragically Hip On Shuffle - Live Stream: Looking For A Place To HappenA Halifax 2015 live cut, a 40-person Off Ramp show in 1991, and a panel that pulls the deep American Hipstory out of "Fully Completely."Episode OverviewThis week on The Tragically Hip On Shuffle, host jD spins 'Looking For A Place To Happen' - track two from the 1992 Chris Tsangarides-produced "Fully Completely." It is the sequencer's burden to live between 'Courage' and 'At The Hundredth Meridian,' and the panel is here to figure out what it's hauling.The roundtable is a North American one this time. Dave from Montreal joins jD alongside two lifelong friends and bandmates, Greg from Tacoma and Chris from Seattle, who have been playing music together since 1981 and watching The Tragically Hip every chance they got. Greg's first Hip show was a 40-person night at The Off Ramp in 1991, opening for The Sundays, where Gord opened 'Looking For A Place To Happen' with a frogman-for-the-cops story instead of a killer-whale-tank one. Chris saw The Hip up close at the Under The Rail and watched Gord catch a flying beer mid-line without missing a beat.The conversation runs deep. The panel reads the song as a great Canadian travelogue working on multiple levels at once - the Jacques Cartier exterior, the interior landscape of a songwriter and a touring band looking for places to happen, and the foreshadowing of what would later become Gord's most public work around indigenous rights. There is talk of bootleg pre-shows, the legendary monologues that never made the record, the 'plaintive plaintive whale' outro that lives only in old recordings, and the beautiful curse of being the eleventh-best song on a record this good.The opener question this week was favourite last song on a Hip album. Dave goes with 'Emperor Penguin' from "Phantom Power" - heard on Saint Laurent at midnight after grabbing a tape from Sam The Record Man, and only ever heard live once, in Quebec City on the We Are The Same tour. Chris picks 'The Wherewithal' from "Live Between Us," recorded at Cobo Arena in Detroit, where he could throw a rock and hit Windsor as a kid. Greg represents the Northwest with 'Goodnight Josephine' from "In Between Evolution," recorded in his rainy hometown.Songs come up for a reason.Quick Facts: Looking For A Place To HappenAlbum: "Fully Completely" (1992)Track: 2 of 12Producer: Chris TsangaridesFirst live performance: February 4, 1991Last live performance: October 15, 2015TTHTop40 Countdown ranking: #35 (of 169 tracks)Live version featured on the stream: Halifax, 2015 (Fully And Completely tour)PanelistsDave from Montreal A Tragically Hip fan since the band came calling on much music. Quebec City regular, lifelong Stones fan, and the writer of a viral 2016 National Post piece on The Hip's final tour. Find him on Instagram and Bluesky as dave.kaufman (spelled like Andy), and read his work at therover.ca, including a feature on Buffalo's Strictly Hip and Quebec City's francophone tribute band, Gracefully Hip.Greg from Tacoma Lifelong Pacific Northwest musician and one half of Hades Market alongside his wife Liz. The band is named after his grandparents' grocery store in Mud Bay, Olympia. Find Hades Market on all the streaming services.Chris from Seattle Singer, songwriter, and guitarist with Seattle band Loud Flowers, who released two new EPs in April plus a 2024 full-length. Previously fronted Shadow Band The Civilians, which featured Steve Nieve from Elvis Costello's band. Visit loudflowers.band.Resources & ReferencesHipbase: hipbase.comThe Hip Museum: thehipmuseum.comThis Is Our Life: thisisourlife.caSetlist.fm: setlist.fmThe Tragically Hip Archive: archive.thehip.comThe Hip Compendium: compendium.tthpods.comTimestamps00:00 - Welcome to The Tragically Hip On Shuffle live stream02:24 - Meet the panel: Dave from Montreal, Greg from Tacoma, Chris from Seattle06:18 - Tale of the tape: 'Looking For A Place To Happen,' "Fully Completely," Chris Tsangarides07:47 - Listening session: Halifax 2015 live version13:39 - The plaintive whale outro and the dual lead vocal with Gord Sinclair14:41 - Greg's compliment for jD and the eight-show podcast network16:14 - Favourite last song on an album: Dave picks 'Emperor Penguin'18:50 - Chris picks 'The Wherewithal' from "Live Between Us" at Cobo Arena24:35 - Greg picks 'Goodnight Josephine' from "World Container"25:39 - First impressions of 'Looking For A Place To Happen'29:46 - Dave on the burden of living between 'Courage' and 'Hundredth Meridian'33:43 - Greg's 1991 Off Ramp show and the frogman-for-the-cops monologue36:32 - Bootleg memories and the porter-on-a-steamship monologue37:50 - The double suicide cassette and Gord as improviser40:40 - The eye contact, the ebb and flow, and being in the show45:43 - The exploration reading: a band becoming a great touring band47:38 - Putting Down, indigenous Canada, and reading Gord in retrospect49:38 - The notebook, the four coloured pens, and the Rosetta Stone51:08 - Dave's Quebec City night with Gord at the bar55:00 - Songs that grow with you, eight years of podcasts, and the headroom in The Hip's catalogue1:02:38 - Next week's shuffle: 'Game Day' from "Trouble At The Henhouse"1:03:33 - Plugs: Dave Kaufman, Hades Market, Loud FlowersComing UpNext week, the shuffle machine spins 'Let's Stay Engaged' from "Trouble At The Henhouse." Cast a vote in the community group, and come hang in the chat live next Wednesday.Stay ConnectedFacebook Community: community.tthpods.comInstagram: instagram.com/tthpodsYouTube: youtube.com/@tthpodsTickets & Events: tickets.tthpods.comThe Hip Compendium: compendium.tthpods.comGet Yer LetterHip news, album anniversaries, episode recaps, and early previews delivered every month. Subscribe and get a free copy of The Complete Hip Discography v6.0.Subscribe: subscribe.tthpods.com#TheTragicallyHip #TTHOnShuffle #FullyCompletely #GordDownie #CanadianRock #TragicallyHipPodcastThe Tragically Hip On Shuffle is part of The Tragically Hip Podcast Series - Est. 2018. New episodes every Wednesday at 8 PM ET, live on YouTube.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The panel digs into a quiet, jammy deep cut from "In Violet Light" - and finds a father-daughter scene, a Bahamas-recorded slow burn, and one of the most conversational lyrics in the catalogue.Episode OverviewThis week on The Tragically Hip On Shuffle, host jD pulls 'Throwing Off Glass' - track six from the 2002 Hugh Padgham-produced "In Violet Light." Joining the virtual campfire are returning panelists Adam from Tampa, Andrew from Winnipeg, and Tyler from Etobicoke, who bring opening picks for favourite last song on a Hip album: 'Opiated,' 'The New Maybe,' and a tie between 'Impossibility' and 'Machine.'The conversation lands on a song that rewards a closer listen. The panel reads it as Gord in the car with his daughter, watching stoop-shouldered teens on a corner, trading new vocabulary back and forth - exquisite, iridescent, barbarous threats. Andrew points out the song feels jammed into existence rather than written, with the title phrase landing like a riff Gord caught on the fly. Adam zeroes in on the heartbreak underneath the scene: a dad clocking that his kid is on her way to a world he can't shield her from.Key Discussion PointsSequencing on vinyl versus streaming, and why the song lands differently as the closer of side AThe "Coke Machine Glow" connection: 'Trick Rider' as a possible companion piece, and the broader fatherhood thread running through Gord's writing in this eraHugh Padgham's production approach and the band's decision to record the album in The Bahamas after the workshopped sessions of "Music @ Work"The song's life on the "Men with Brooms" soundtrack alongside Sarah Harmer, Kathleen Edwards, Our Lady Peace, and Big SugarLive history: first played at the "In Violet Light" release party at the Hard Rock Cafe on Yonge Street, retired August 12, 2016 in Toronto on the Man Machine Poem tourPaul's understated electric work on the final tour performance, and Gord's whispered "true story" tag at the endSong of the Week ResultsOf 500 votes cast on 'Throwing Off Glass':56% loved it28% liked it9% tolerated it5% skipped it2% had never heard itComing Up Next WeekThe shuffle landed on 'Looking For a Place to Happen' for the next episode.A new podcast in The Tragically Hip Podcast Series, A Forest Of Whispering Speakers, premieres April 30th. The 6-episode series goes inside the Theatre Aquarius world premiere of The Tragically Hip musical "It's a Good Life If You Don't Weaken." Subscribe wherever you get your podcasts.podList 7: The ClassicsSubmissions are open for podList 7 - "The Classics," a fan cover compilation of TTH songs from 1987-1995 spanning the EP through "Day for Night." The submission deadline is April 30, with the compilation dropping May 15. Send tracks to jd@tthpods.com or submit via podlist.tthpods.com.ConnectWebsite: tthpods.comNewsletter: Yer Letter at tthpods.comForum: forum.tthpods.comHip Compendium: compendium.tthpods.comEmail: jd@tthpods.comCreditsHosted by jD. Panelists: Adam from Tampa, Andrew from Winnipeg, Tyler from Etobicoke. Part of The Tragically Hip Podcast Series.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

A Forest Of Whispering Speakers - The IdeaA new musical featuring the music of The Tragically Hip is about to open in Hamilton. Episode one is the story of how it got there - from one phone call to a world premiere.Episode summaryA Forest Of Whispering Speakers is the brand new podcast from The Tragically Hip Podcast Series, charting the world premiere of "It's a Good Life If You Don't Weaken" at Theatre Aquarius. The musical is built on the music of The Tragically Hip and tells the story of an exiled Iraqi journalist building a new life in Kingston, Ontario. Act I: The Idea is the origin episode - the cold-call, the pitch, the band Zoom, the moment a single CBC story unlocked the whole concept.Host jD sits down with manager Jake Gold and producer Michael Rubinoff ("Come From Away") to trace how a Tragically Hip musical went from a polite email to a full production. Along the way, three lifelong theatre fans - Jen Towndrow, Armand Baksh-Zarate, and Autumn Tuffin-McDonald - help frame what makes a jukebox musical actually work, and what happens when the source material is a band that means this much to this many people.This is a spoiler-free, behind-the-scenes podcast. The production is the hero. The musical is the subject. jD is the listener in the room.Featured voicesJake Gold - Manager, The Tragically HipMichael Rubinoff - Producer, "It's a Good Life If You Don't Weaken" ("Come From Away")Jen Townrow - Lifelong musical theatre fanArmand - Musical theatre devoteeAutumn Teffen-McDonald - Theatre fan, seven shows deep into 2026 alreadyWhat's covered in Act IThe original pitch (and the original story - which wasn't Iraq)The Zoom call with the band that started it allLindsay Perigoe's viral 2020 CBC piece on Gord Downie, 'Wheat Kings,' and discovering Canada through The HipHow the title "It's a Good Life If You Don't Weaken" landedWhy The Tragically Hip do not exist inside the world of the show (and where the Easter eggs live)The difference between previews and an official opening nightAbout the showA Forest Of Whispering Speakers is a six-episode oral history of the Theatre Aquarius world premiere of "It's a Good Life If You Don't Weaken." New episodes drop weekly on Thursdays.Resources & referencesTheatre Aquarius - theatreaquarius.orgLindsay Perigoe's 2020 CBC piece on The Tragically Hip and discovering CanadaHipbase, HipMuseum, This Is Our Life - the standing TTH Podcast Series sourcesListen & followApple Podcasts, Spotify, and wherever fine podcasts are foundNetwork home: home.tthpods.comCommunity: community.tthpods.comEmail jD: jd@tthpods.comAlso happening - podList 7: the classicsSubmissions for podList 7 - a fan cover compilation of Tragically Hip songs from the 1987-1995 catalogue, EP through "Day for Night" - close April 30. Drop date is May 15. Submit at podlist.tthpods.com or email jd@tthpods.com.Tip jarIf the work hits, throw a couple bucks at the battery: buymeacoffee.com/tthtop40. Editing is hard. Coffee helps.SocialsFacebook: community.tthpods.com | Instagram: @tthpods | YouTube: youtube.com/@tthpods#TheTragicallyHip #TheHip #GordDownie #AForestOfWhisperingSpeakers #ItsAGoodLifeIfYouDontWeaken #TragicallyHipAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This week on the Yellow Brit Road, we bring you reviews from seeing The Last Dinner Party live, pay tribute to the Grad Club that has announced its closure, dealing another major blow to Kingston's live music scene. (PS I Love You's iconic music video for 'Get Over' was in fact shot there... and at CFRC!) We remember some beloved shows there - Death From Above 1979, Arcade Fire, The Tragically Hip (before my time). Here's the article I mentioned in the show that I wrote for Sounds Live! Magazine when the BLU Martini shut in 2024. You've no doubt heard about Geese's "psyop" to reach fans online. What does marketing look like in the age of social media? (I'm not clickbaiting, you can guess what my thoughts on this are, but listen on anyway because I got Things to say.) Music byThe Charlatans, Skindred, Jessie Ware, Man/Woman/Chainsaw, LIFE, Nxdia, The Last Dinner Party, Florence Road, Tooth, unpeople, The Astros (one of my favourite Grad Club shows), Evan Jackson (my last Grad Club show), Dry Cleaning (in Canada this week), Rosellas, Sons of Rick.Sorry about my throat. I'm gonna say I lost my voice at shows last week, because that's cooler to say.Find this week's playlist here. Try and support artists independently through buying their music, merch, going to shows! Bandcamps/websites linked above.Cover shot: The Last Dinner Party by Sam Ciampa @ Massey Hall, Toronto. 23 April 2026.Touch that dial and tune in live! CFRC 101.9 FM in Kingston or cfrc.ca⁠, Sundays 8-9:30 PM! Full shows in the linked archive for 3 months from broadcast.Like what we do? ⁠Donate⁠ to help keep our 102-year old radio station going!Get in touch with the show: email ⁠yellowbritroad@gmail.com⁠, IG @⁠⁠yellowbritroad⁠⁠.PS: submissions, cc ⁠music@cfrc.ca⁠ if you'd like other CFRC DJs to spin your music on their shows as well.

Who is behind all these fake Alberta separatists on YouTube? They can't even pronounce “Regina” correctly. The Tragically Hip is now a musical and there's a real connection to Because News. With soaring fuel prices more fees are being added to our flights. Thanks, America. Try a new nightly ritual that will make you feel alive: mortality check-ins. Or try a new nightly ritual that will make you fall asleep: bedtime stacking. Gavin Crawford hosts the news quiz with comedians Jan Caruana, Kris Siddiqi, and Alice Moran.

Enjoying Frets? Send me an email.India Ramey has been referred to as “The Woman in Black” and “The Wednesday Addams of Country Music”. India's 2017 album Snake Handler landed her in Rolling Stone's 10 New Country Artists You Need to Know. Her 2020 album Shallow Graves debuted at number six on the Euro Americana chart.That was followed by 2024's fiery Baptized by the Blaze, another great album where she confronts her journey through the fire toward healing and empowerment. [00:21:00] And on May 8, we'll see the release of her new record, Villain Era. You're hearing a track from it now. Stay tuned for my talk with India Ramey.Photo by Adrienne Cohen-Isom – @adrienneisomOrder India Ramey's new album Villain Era at Blue Élan Records here.Save on Certified Pre-Owned ElectronicsPlug has great prices on refurbished electronics. Up to 70% off with a 30-day money back guarantee!Euclid Records – Buy and sell records.A gigantic selection of vinyl & CDs. We're in St. Louis & New Orleans, but are loved worldwide!Subscribe for FREE at YouTubeFind extras like Frets YouTube Shorts & videos. Your FREE subscription helps keep the podcast going.Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Thanks for listening to Frets with DJ Fey. You can follow or subscribe for FREE at most podcast platforms.And now, Frets is available on YouTube. There are a lot of fun extras like videos and shorts and audio of all episodes. Subscribing for FREE at YouTube helps support the show tremendously, so hit that subscribe button! https://www.youtube.com/@DJFey39 You can also find information about guitarists, bands and more at the Frets with DJ Fey Facebook page. Give it a like! And – stay tuned…Contact Dave Fey at davefey@me.com or call 314-229-8033

Fully & Completely: Redux Man Machine PoemThe last record. "Man Machine Poem" arrived in June 2016 wrapped in the worst news imaginable - and somehow it was still everything. Episode Summary: jD and Greg LeGros sit under a pear tree - bees and all - for the final entry in Fully & Completely's full Tragically Hip discography run. The album in question is "Man Machine Poem", the Hip's fourteenth and last studio record, released June 17th, 2016. Produced by Kevin Drew and Dave Hamelin, it arrived weeks after the band announced Gord Downie's glioblastoma diagnosis - though almost everything on it was written before that news broke. What jD and Greg dig into here is not just a final album. It's a listen to a band that sounds revitalized. That sounds, somehow, free. Track by track they work through all ten songs - 'Man', 'In a World Possessed by the Human Mind', 'What Blue', 'In Sarnia', 'Here, in the Dark', 'Great Soul', 'Tired as Fuck', 'Hot Mic', 'Ocean Next', and 'Machine' - unpacking the lyrical weight, the production choices, the thematic through lines, and the heartbreak of knowing this was the last one. There's also conversation about the musical landscape of 2016 - "Blackstar", "Blonde", "A Moon Shaped Pool", "We Got It from Here" - and the news, announced in the episode, that a new Gord Downie solo double album was coming. A heavy, funny, essential listen. “This is the most complete and well-written and natural sounding that they've sounded since ‘Phantom Power'. You could not ask for more.” - Greg LeGros What They Covered Track 1 - 'Man' • Psychedelic opener. Gord's vocal sounds ageless. jD hears the melody of 'Machine' hiding in the first 30 seconds - a bookend hiding in plain sight. Track 2 - 'In a World Possessed by the Human Mind' • Written about Laura Downie's illness. Greg reads it three ways simultaneously - personal, political, about the post-truth media cycle. 'Exciting over fair.' It lands every time. Track 3 - 'What Blue' • Greg cracks the code mid-episode: those eyes in the grey of everything falling apart. A marriage ending, quietly, inside a great song. Track 4 - 'In Sarnia' Fully & Completely: Redux Man Machine Poem tthpods.com 2 • Originally titled 'Insomnia'. Greg's go-to on the album. jD calls the guitar intro and vocal entry 'spectacular.' A love song to sleeplessness, or to a city, or to both. Track 5 - 'Here, in the Dark' • Seasonal affective disorder as a rock song. The last lyric - 'Me, I'm as happy as my least-happy kid' - hits like a gut punch. Both of them feel it. Track 6 - 'Great Soul' • Jammy and psychedelic and soaring. Greg reads the lyric run - 'I want to enchant you, I want you to enchant my days' - like a poem, and it sounds stunning that way. Track 7 - 'Tired as Fuck' • The campfire song that isn't. Tragic and hopeful at the same time. Greg's favourite line on the whole record: 'Tired as fuck, I want to stop so much, I almost don't want to stop.' Track 8 - 'Hot Mic' • Big, ballsy, stompy. Possible commentary on celebrity, patriotism, or Canada overhearing the wreck next door. Probably all three. Track 9 - 'Ocean Next' • Sounds recorded underwater. Feels like moving. Transition and mournfulness, wrapped in something that sounds straight off 'Day for Night'. Track 10 - 'Machine' • The album closes funky and light. The groove catches you off guard after everything that came before. 'I'm a real machine. It follows.' A stadium-sized song that most people only heard in arenas. Stadium-sized, Greg says. He's right. Also In This Episode The context of 2016: jD and Greg run through the musical landscape - David Bowie's "Blackstar", Frank Ocean's "Blonde", Beyoncé's "Lemonade", Radiohead's "A Moon Shaped Pool", A Tribe Called Quest's "We Got It from Here". A year of established artists making career-best work. The Hip fit right in. Greg's daughter was born in January 2016. He heard the news about Gord standing in a coffee shop with her in a stroller. He heard 'Tired as Fuck' that same afternoon. "A mixture of emotions" doesn't cover it. Album lore: the record was almost called "Dougie Stardust". When David Bowie passed away, they changed the title. The original cover would have stayed the same. jD notes he cannot imagine this collection of songs under that name. Gord Downie solo news: announced during the recording of this episode - a new double album, "Away Is Mine", ten songs in electric and acoustic versions. Josh Finlayson asked for the acoustic takes as a memento. Gord was recording this in July 2017 - three months before he passed. "Getting the shit done for us. Colossal output." Fully & Completely: Redux Man Machine Poem tthpods.com 3 Sports: 2016 Stanley Cup (Penguins over Sharks, Metallica sang the anthem), Grey Cup upset (Ottawa over Calgary in OT), Kyle Lowry at Momofuku, salt-and-vinegar chips, a bootleg DVD incident that nearly ended a marriage before it started. SEO Keywords (Platform Use) Primary: The Tragically Hip, Gord Downie, Man Machine Poem album, Tragically Hip Podcast, The Tragically Hip Podcast Series, Canadian rock podcast Secondary: Fully & Completely Redux, Man Machine Poem review, Tragically Hip discography, Gord Downie legacy, Tragically Hip 2016 album, Kevin Drew, Dave Hamelin Long-tail: Man Machine Poem track by track, Tired as Fuck Tragically Hip, In Sarnia Tragically Hip, what is Man Machine Poem about, Gord Downie final album Away Is Mine (Platform Format) Fully & Completely: Redux - Man Machine Poem Meta description (150–160 characters): jD and Greg LeGros go track by track through 'Man Machine Poem' - the Tragically Hip's final album, released June 2016, produced by Kevin Drew and Dave Hamelin. • Listen to the full episode at home.tthpods.com • Subscribe to Yer Letter - the monthly newsletter from jD - at subscribe.tthpods.com • Join the community at community.tthpods.com Closing "Man Machine Poem" arrived in the worst possible context and still managed to be exactly what it needed to be. jD and Greg land there, eventually, after all the bees and all the detours and all the gut-punch lyrics. The final Hip album deserved a final Fully & Completely episode that matched its weight. This one does. Fully & Completely is part of The Tragically Hip Podcast Series. Subscribe, share, rate, and review at home.tthpods.com. Email: jd@tthpods.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The Tragically Hip On Shuffle - Live Stream: An Inch an HourWhat does a song about slow-moving things sound like at 150 BPMs? Apparently, it sounds like this. jD and the panel dig deep into 'An Inch an Hour' — track 11 from "Day for Night," one of the most layered records The Tragically Hip ever made, and one that keeps revealing new angles the harder you look.This week's panel is three returning panelists who somehow decided it was okay to come back: Ian from Maple Ridge, Duxoop from Toledo, and Tom from New York. Together they pull apart the glacier metaphor hidden inside a riff that rips, chase down the Springside Park reference (the water there is the colour of tea, and yes, that matters), debate whether the f-bomb in verse two is the reason this song never cracked radio, and reckon with what it means to let a record this good gather dust at the back of the shelf.Duxoop brought the research. Tom did the math — and the math checks out. Ian brought the imagery of Gord on a tour bus, watching the world fly past at highway speed, throwing a finished book over his shoulder. There's a Trudeau reference in there, a possible Mr. Dressup callback, and a punk rock moment in the second line that you'll never unhear once it's pointed out.This one also opened with a shoutout to everyone who showed up — virtually, physically, spiritually — for An Evening for Sara J. The $5,000 goal was set. By all accounts, it was cleared. The abacus is back from the shop. More on that as the numbers land.Also: Ian's tribute band, Gift Shop, has four shows coming up in BC this spring and summer — including an August 20th night in Vancouver marking ten years since the final show. Worth your time. Worth the ticket.PanelistsIan from Maple Ridge, BC — Frontman of Gift Shop, a Tragically Hip tribute band based in British Columbia. Catch them at Club 240 in Crescent Beach (April 18), the Roxy in Vancouver (May 1), Shaw Deep Cove Theatre in North Van (June 27), and the Hollywood Theatre in Vancouver (August 20). Tickets and info at giftshophipband.ca.Duxoop from Toledo, OH — A founding member of this community who found the TTH Podcast Series by typing 'Tragically Hip' into a podcast app and stumbling onto Fully & Completely. He rebuilt his YouTube playlist from scratch — over 500 songs, every solo project, every side door into the catalogue. Find it at Chronologically Hip.Tom from New York — Two for two on "Day for Night" episodes, and deeply committed to sitting with a record properly before showing up. He owns the half-speed remaster and he'll tell you why that matters.Song DetailsAn Inch an Hour — Track 11, "Day for Night" (1994)Produced by Mark Howard, Mark Regan, and The Tragically HipReleased September 19, 1994Live debut: Molson Park, July 1, 1994 (jD was there)Last played: January 20, 2013Ended at #57 on the TTHTop40 CountdownPlayed approximately 43 times total over the band's career — tied for 98th with 'Pretend'Tonight's version came from the "We Are the Same" tour acoustic setSource: setlist data and catalogue info drawn from Hipbase and HipMuseum. Hat tip to both.Next WeekPush shuffle. We're talking Throwing off Glass from "In Violet Light," 2002. A record that is — by all available evidence — having a genuine second life right now. We'll get into it.podList 7 — The Classics — Submissions Open NowpodList 7 is underway. The theme is the classics — songs from the 1987–1995 era, spanning the debut EP through "Day for Night." Send your submission (your pick, your reason) to jd@tthpods.com. Drop date is May 15, 2026. Submission form at podlist.tthpods.com.Subscribe to Yer LetterYer Letter is jD's monthly letter to the community. Not a newsletter. A letter. If you want to know what's happening at the network before it goes anywhere else — episodes, events, fundraising milestones, the stuff that doesn't make it to the feed — this is the place. Sign up at subscribe.tthpods.com.Support the CauseAn Evening for Sara J raised money for Sara J's fight with breast cancer. The GoFundMe is still live. If you've got it to give, give it. Link at fundraising.tthpods.com.The TTH Podcast Series has raised almost $40,000 for the Downie Wenjack Fund, The Gord Downie Fund for Brain Cancer Research, and CAMH. This community is the reason.Find UsSubscribe, share, rate, and review at home.tthpods.com. Join the community at community.tthpods.com. Drop jD a line at jd@tthpods.com.#TheTragicallyHip #DayForNight #TTHOnShuffle #GordDownie #TragicallyHip #TheHipAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Mike Belitsky and Travis Good from the Sadies and Dave ‘Billy Ray' Koster are here to discuss Live at 6 O'Clock by Gord Downie, The Sadies, and the Conquering Sun, Billy's long and all-encompassing tenure in the working lives of Downie and the Tragically Hip as a technical director and confidante, how the Sadies and Downie connected and why he was so fond of playing with them, a look back at Downie's first solo album Coke Machine Glow and him asking Travis to play on it, Downie's deep love for artists like Fucked Up and Daniel Romano, insights about this collaboration and what the late Gord Downie and Dallas Good may have felt about it, when Downie planned to run the stage light show himself, poignant reasons for picking songs about ghosts and sadness for this live record primarily consisting of songs by other artists, further insights into how the Tragically Hip viewed Downie's work outside of the band, Downie's penchant for incorporating conversations and experiences he shared with Billy into his lyrics, the story behind “Introduce Yerself,” whether we may hear more unreleased music by Downie and the potential for Sadie to make a new album, upcoming tour dates, other future plans, and much more.EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. This one is fine, but if you haven't already, please subscribe now on Patreon so you never miss full episodes. Thanks!Thanks to Blackbyrd Myoozik, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Win a Gord Downie Vinyl Bundle in April 2026!Ep. #1085: Richard Reed ParryEp. #1083: RheostaticsEp. #1082: Joe PerniceEp. #1071: Buck 65Ep. #971: Change of HeartEp. #892: Fucked UpEp. #889: Rick White and The SadiesEp. #880: Guided By VoicesEp. #842: Daniel Romano's OutfitEp. #821: Kurt VileEp. #744: Don PyleEp. #590: Bob YoungEp. #496: Iggy PopSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

It started as a punishment.In 2016, jD heard Greg LeGros pitch "Now For Plan A" on See You Next Wednesday - not as a bad pick, but as something deeply underappreciated that deserved a real listen. jD listened. Came back. And somehow, without either of them knowing it yet, that was the moment Fully & Completely was born.Full circle, ten years later. Here we are.About This EpisodejD and Greg LeGros return to the record that, in a weird and fortuitous way, started everything - The Tragically Hip's 2012 album "Now For Plan A." It's the most overlooked record in the catalogue. It's also, when you know what you're listening to, one of the most emotionally devastating.The Hip recorded "Now For Plan A" while Gord Downie's wife was fighting cancer. Not every track maps directly to that experience - but enough of them do that, once you know, the whole album reorients. The desperation in the vocals. The urgency in the hooks. The tenderness buried inside songs that, on the surface, just cook.jD and Greg go track by track through the full record, unpacking every song with the weight of that context - and without it, for the songs that stand on their own terms. They talk about what it means to watch a chemotherapy drip and write a lyric. About Gord's wife being "the look ahead." About a title that works on at least three different levels simultaneously. About why 'Goodnight Attawapiskat' is a precis for the last six years of the band.They also set the scene for 2012 - the 100th Grey Cup in Toronto, the beginning of streaming, the vinyl comeback, Kendrick Lamar's arrival, and how Bruce Springsteen's "Wrecking Ball" tour changed at least one life in Hamilton that year.This is a big one.Why This Record MattersjD puts it plainly near the end: "This is almost like a precis for the last six years of this band." The journey through cancer. The band songs. The Indigenous reckoning with a thousand mile suit and a community named out loud. "Now For Plan A" was released in 2012 with no context - and it quietly contained everything that was coming.Greg's take is maybe the sharpest thing said in the episode: "How weird is it that he didn't get to release a record about his illness, and yet we've got track after track of him explaining how he feels about this illness."You've got to love it. We've got to love it. Because they fucking loved it.Also in This EpisodeThe 100th Grey Cup: nine-and-nine Toronto Argonauts, Burton Cummings on the National Anthem, Justin Bieber and Gordon Lightfoot sharing a halftime showWhy you should follow Burton Cummings on Facebook immediatelyThe streaming-meets-vinyl moment of 2012, and why download codes were a genius moveGreg's Springsteen conversion in Hamilton (it took three hours and he knew 15% of the songs)Greg's CanRock playlist on Spotify - four hours, search Greg LeGrosThe return of Time Bandits, Greg's other podcast - starting with 1980's "Battle Beyond the Stars"Resources & ReferencesThe Hip Compendium - Setlists, song history, full discography: compendium.tthpods.comHipbase - Tragically Hip discography and catalogue data: hipbase.comThis Is Our Life by Michael Barclay - the definitive Hip biographyThe Tragically Hip Archive - Live recordings and preservation archiveGreg LeGros on Spotify - CanRock playlist + Time Bandits episodes (search: Greg LeGros)Yer Letter - Sign up for the TTH Podcast Series newsletter: subscribe.tthpods.comFacebook Community - community.tthpods.comListen & FollowListen now via home.tthpods.com | Follow on Instagram and Facebook @tthpods | Reach jD at jd@tthpods.com#TheTragicallyHip #FullyCompletely #GordDownie #NowForPlanA #CanadianRock #TragicallyHipPodcastAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The Tragically Hip On Shuffle - Live Stream: 'The Luxury''The Luxury' sits in the middle third of "Road Apples" and somehow that's exactly where it belongs. Track four of twelve. It doesn't announce itself. It doesn't demand anything from you. It just settles in - dark, jazzy, a little snarling - and waits to see if you're paying attention. Turns out, a lot of people are.This week on The Tragically Hip On Shuffle, jD is joined by three first-timers - Paul from Columbus, Jamie from LA (by way of Montreal, for the record), and Eric from Toronto, who also happens to shred guitar in Forever Hip. Three rookies. One song. Zero consensus on where it ranks on "Road Apples." All the consensus in the world on 'The Last Recluse.' So there's that.The tale of the tape: 'The Luxury' comes from "Road Apples," released February 18th, 1991, and recorded at Kingsway Studios in New Orleans - Daniel Lanois' personal studio. Produced by Don Smith. Live debut: March 1st, 1991 at the Town Pump in Vancouver. Final performance: August 10th at the Air Canada Centre - the middle show of the Man Machine Poem Tour. It ranked #67 out of 169 songs on the TTHTop40 Countdown.The conversation goes deep:Jamie breaks down a single melodic note change Gord made on the chorus - from the studio recording through the Roxy in May '91 all the way to "Live Between Us" in '96 - and how that one shift changed the song's emotional register entirely. Eric reads the lyrics as a vignette: a man fresh out of prison, hiring company for the night, seeing a colour TV and soft water as genuine luxuries. Paul connects the song to the fire at his cottage near Tobermory, a Crown Royal in hand, just letting it sit. They get into the "fleur-de-lis" line, the Playboy reference, the lyric flip on "why are you partial to that Playboy con," and Gord's famous "song about a man walking down the street shaking a banana" intro on "Live Between Us." There's also a live chat shoutout to Duxoop Douglas for the New Orleans connection. Very good, yeah.The live shuffle at the end of the episode lands on 'An Inch, An Hour' from "Day for Night." Next week.Paul from Columbus is a lifelong Hip fan from Columbus, Ohio - and the guy who connected the July 1st, 1992 Molson Park poster to the raffle happening this Saturday at An Evening for Sara J. Bada bing.Jamie from LA - originally from Montreal, where his love for The Hip was first forged at camp in '89 via a mixtape with 'New Orleans Is Sinking' and '38 Years Old' on it - is heading to Toronto at the end of the month to perform in the cast of Fiddler on the Roof in Yiddish with English supertitles at the Elgin Theatre. May 25th to June 7th. Go see it.Eric from Toronto plays guitar in Forever Hip, who are performing this Saturday at An Evening for Sara J at the Firkin on Yonge. Patrick Downie will be there. Two sets of all your favourites and that song you're thinking of right now. Yes, that one.Resources & References'The Luxury' - "Road Apples" (1991), Kingsway Studios, New OrleansProduced by Don Smith | Released February 18th, 1991Live debut: March 1st, 1991 - Town Pump, VancouverFinal performance: August 10th - Air Canada Centre (Man Machine Poem Tour)TTHTop40 ranking: #67 of 169 (source: TTHTop40 Countdown, 2025)"Live Between Us" (1996) - the version that changed the song for JamieLive at the Roxy, May 1991 - early live recording referencedLive at Metropole, October 1998 - referenced in conversationSetlist data: Hipbase | setlist.fmAn Evening for Sara J - This Saturday, April 11th The Firkin on Yonge, 207 Yonge St, Toronto. Doors 7 PM. Featuring Patrick Downie and Forever Hip. Tickets at tickets.tthpods.com. Every dollar raised goes directly to the cause.Next episode: 'An Inch, An Hour' from "Day for Night." Live stream, 8 PM. Be there.Join the community at home.tthpod.com @tthpods | youtube.com/@tthpods | jd@tthpods.com#TheTragicallyHip #TTHOnShuffle #RoadApples #GordDownie #TheHip #CanadianRockPodcastAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Getting Hip to the Hip - "We Are the Same"Pete and Tim hear "We Are the Same" for the first time. Bob Rock, big strings, and a campfire album that divides fans right down the middle.EPISODE SUMMARYReleased in 2009 and produced by Bob Rock, "We Are the Same" was the first record in over 20 years that made Tragically Hip fans wait longer than two years for new material. It debuted at number one. And it is, to put it diplomatically, a record that asks something of you.Pete Marchica and Tim Lyden sit down with jD for their first full listen, and neither of them is ready for what they get. The conversation covers every track - from the country-laced AM radio chorus of 'Morning Moon' to the sprawling, emotionally devastating nine-plus minutes of 'Depression Suite,' which Pete calls fucking magnificent. There are Pink Floyd comparisons, David Gilmour guitar tributes, a detour into the agricultural meaning of 'Queen of the Furrows,' and a story about how Gord heard a CBC news correspondent's name as "Honey Watson" mid-song and just... went with it.The residential school system, the weight of Gord's legacy as a voice for people who needed one, and the question of where that voice has gone in music today - those threads run through the episode too. Pete says it plainly. Tim agrees. jD doesn't argue.Bob Rock takes some heat. The drum mixing takes some heat. The strings - which show up on approximately every song - take some heat. And yet, somehow, this episode ends with three grown men picking their MVPs and meaning every word.'Depression Suite' is jD's. 'Frozen in My Tracks' is Tim's. Pete's? Listen and find out. Some things you've got to earn.ABOUT THE HOSTSjD is the founder and host of The Tragically Hip Podcast Series, a seven-show podcast network built out of love for a band and a community. He has raised over $35,000 for causes including the Downie Wenjack Fund, the Gord Downie Fund for Brain Cancer Research, and CAMH.Pete Marchica is coming to you from Spain. He showed up this week with notes, opinions, and a strip club analogy that somehow makes complete sense in context.Tim Lyden listened to this album later than he would like to admit, did a deep dive on Honey Watson's true identity the day before recording, and watched a crow destroy something in his backyard mid-episode.RESOURCES & REFERENCESTragically Hip discography and setlist data: HipbaseLive performance history: setlist.fmBand biography: This Is Our Life by Michael BarclayThe Tragically Hip Archive - source for live recordingsIN THIS EPISODEOpening: jD on "We Are the Same" and the three-year waitThe Italian fan translating Hip lyrics into his own melodic structureTrack-by-track: 'Morning Moon,' 'Honey Please,' 'Wheat Kings,' 'Coffee Girl,' 'Exact Feeling,' 'Queen of the Furrows,' 'Speed River,' 'Depression Suite,' 'Love Is a First,' 'Country Day'The Bob Rock debate: production genius or too much Kool-Aid?Gord Downie, residential schools, and the question of who speaks for the people nowMVPs, playlist picks, and a poodle skirt fundraising pledgeCALLS TO ACTIONListen to Getting Hip to the Hip and subscribe wherever you get your podcasts.Join the community: community.tthpods.comCONNECT

Fully & Completely: redux - We Are the SameThe Hip's most divisive record. The one that feels beige on first listen and breaks your heart on the fifth. jD and Greg LeGros go track by track through "We Are the Same" - and they don't hold back.jD and Greg LeGros return for the 17th anniversary episode of the "We Are the Same" deep dive. The album nobody fully agreed on when it dropped in 2009, and the one that keeps climbing anyway. The production is neutered, Bob Rock wanted to sell records out of Starbucks, and yet - 'Depression Suite' is sitting right there in the middle of it, ten minutes long, and it is a monster.They go track by track. 'Morning Moon.' 'Honey Please.' 'The Last Recluse.' 'Coffee Girl' (controversial, stay with them). 'Now the Struggle Has a Name' - which turns out to be about something much bigger than the melody suggests. And 'The Depression Suite,' which gets called hookless by critics in 2009 and is, in fact, enormously hooky.Greg lands on 'The Last Recluse' as his takeaway song. jD goes with 'Depression Suite' but admits he's going to listen to 'The Struggle Has a Name' twice on the drive home with a different set of ears. There's a Sobeys story. There's a Gandharvas rabbit hole. There's a Honey Watson correction that opens the whole album up.This is Fully & Completely: Redux. It's the same DNA as the original run. Not a sequel - a reunion. Start at the start.What We Get Into'Morning Moon' - The most complete recording on the album. Neil Young-adjacent, not in a bad way. Should have been the first single. Greg connects it to listening out a charter bus window watching Ontario roll by, and it clicks. The plume of smoke across the lake from Bath studio. Labour Day. Makes sense.'Honey Please' - The Springsteen opening that the production keeps from becoming what it should be. Mission statement buried in the first verse: I don't want to look for words, I don't want to work that hard. jD reads it as Gord's note to himself - and maybe Bob Rock's - for this entire record.'The Last Recluse' - Tragically Hip at their most Radiohead-adjacent, which is not a sentence you write about many Hip songs. A Springsteen-y tragic love story. The Radiohead gang vocal at the end earns its place. Who is the last recluse? Greg has a read. It lands.'Coffee Girl' - The most contentious track. Greg calls it the basement for this band. jD goes to bat for it from the barista's point of view - working the early shift, knowing her name, getting off the bus stop north just to walk past. He doesn't fully win the argument. But he makes a run at it.'Now the Struggle Has a Name' - This is where the episode opens up. Residential schools. Reconciliation. The first time Gord openly dedicates a full song to something this specific and this political. The applause can begin for the apology. That is a stinging line. And Honey Watson, it turns out, is Connie Watson - he misheard the name on the news, wrote it down, realized the mistake, and kept it anyway. Of course he did.'The Depression Suite' - Nearly ten minutes. Three movements. Called hookless by people who weren't listening. Are you going through something? Because I am too is one of the great hooks in this catalogue - F sharp minor, Greg can't stretch his hand to play it, it still lands. 2009 was early to be this direct about mental health. The Hip were early, as usual.'The Exact Feeling,' 'Queen of the Furrows,' 'Speed River,' 'Frozen in My Tracks,' 'Love Is a First,' 'Country Day'- The back half of the record gets a harder look. Some of it holds up better than they expected. Some of it still suffers from production that cuts the band off at the knees right when they should be rocking. 'Skeleton Park' - the bonus track, Apple Music Extra only, not on every format - is brought up as the song that should have been the closer. Never heard it? Go find it.The VerdictGreg's takeaway song: 'The Last Recluse' jD's takeaway song: 'The Depression Suite' The song to play someone to introduce them to this album: 'Morning Moon' - impossible not to like Does anything crack jD's personal top 25 Hip songs? No. He says so plainly. Is it still a good album? Yeah. It is. Greg likes 65% of it. He says so plainly too.Coming UpNext time out - a Hipstories episode with a very interesting guest. A Gord solo episode follows that. They'll get it to you as they get it to you. Life happens.Resources & References"We Are the Same" - The Tragically Hip, 2009. Produced by Bob Rock. Recorded at Bath Studios (Ontario) and Hana, Hawaii.'Depression Suite' - Track six on "We Are the Same." Nearly ten minutes. Three movements. The centrepiece.'Now the Struggle Has a Name' - References residential schools and Canadian reconciliation. Among Gord Downie's earliest and most direct political statements on record.The Downie Wenjack Fund - Gord's commitment to reconciliation didn't stop with this song. It became the foundation for everything that followed, including "Secret Path." Learn more at downiewenjack.ca"The Ecstasy of Rita Joe" - Play by George Ryga, referenced in the Athabasca section of 'Depression Suite.' If you know the connection, tell them.The Gandharvas - Canadian band, not on Spotify in original form. Go find Kicking in the Water on YouTube. Start with 'The First Day of Spring.' You're welcome.Hipbase - Primary source for setlists, catalogue data, and discography information used throughout. hipbase.comThis Is Our Life - Michael Barclay's biography of The Tragically Hip. The definitive source.Support the CauseThe TTH Podcast Series has raised over $35,000 for causes including the Downie Wenjack Fund, The Gord Downie Fund for Brain Cancer Research, and CAMH. If this community has given you something, give something back.Learn more and giveStay ConnectedCommunity: community.tthpods.com Subscribe to Yer Letter: subscribe.tthpods.com Instagram: @tthpods YouTube:youtube.com/@tthpods Email: tthpodcastseries@gmail.comTranscript available above. If you have information about the Athabasca / George Ryga connection in 'Depression Suite' - seriously, tell them. The forum is open.#TheTragicallyHip #FullyCompletely #WeAreTheSame #GordDownie #CanadianRock #TragicallyHipPodcastAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Eight songs. One vinyl pressing so rare most fans have never held it. And a song that — based on all available evidence — was played live maybe three times before The Hip quietly let it go. jD, Joe from Toronto, Andy from St. Thomas, and Justin from Bridport dug into the self-titled EP and found something they weren't expecting.Episode Summary'I'm a Werewolf Baby' clocks in at number 140 out of 169 songs in the TTH Podcast Series community poll. And yet. Pull it up right now and try not to move. You can't. You will fail. That's the thing about this song — it doesn't care where it ranks. It just rips.The song comes from the self-titled Tragically Hip EP, released in the Kingston area in late 1987 and distributed more widely in 1988. It was produced by Red Ryder guitarist Ken Greer. Lyrics by Gord Downie. Music by Robbie, Johnny, and Gord Sinclair. That songwriting credit breakdown — individual, named, specific — is one of the things that makes the EP a genuinely interesting document. That, and the fact that it pre-dates Paul Langlois on guitar. He played shaker on this one. And during the breakdown, apparently, Gord picked him up and carried him around the stage. So there's that.Based on what setlist.fm and Hipbase can confirm, the song was performed live only three known times — debuting in 1987 at the Alma Combo in Toronto and last appearing April 11, 1990 at the Spectrum in Montreal. Why did they stop? The panel had opinions. Some of it comes down to New Orleans Is Sinking absorbing the sonic real estate. Some of it comes down to werewolves being out of fashion by 1990. Some of it, jD suspects, is that they just didn't love it anymore — and when your setlist is building toward "Nautical Disaster" and "Fifty-Mission Cap," this one starts to look like the eight-crayon box sitting beside the 128-count set with the built-in sharpener.What the panel kept coming back to is the foreshadowing. The howl in this song, Andy from St. Thomas points out, is the same howl Gord would use between songs on the 2016 Man Machine Poem Tour — the final tour — with the mic pressed to his belly button. Nearly thirty years apart. Same sound. The embryo and the elegy.Justin from Bridport came in having re-watched the docuseries specifically to prepare. He surfaced the detail that the song predates Paul's addition to the band — this was a holdover from the Davis Manning era, a relic that got dusted off and recorded because they needed one more song. That reframe matters. This wasn't a proud showcase. It was a polished demo. It was the bar band phase. It was fresh-out-of-high-school energy — and Johnny Fay was literally still a teenager when they tracked it.Joe from Toronto, frontman of Forever Hip, put it plainly: the lyrics read like Paul Stanley wrote them. Which is not an insult, actually. It's just that from Gord Downie, knowing what came after, it reads like a deal with the devil got made sometime between this and "Locked in the Trunk of a Car." The growth from 1987 to 1989 is almost impossible to reconcile when you hear them back to back. Justin confirmed it — his algorithm served him 'I'm a Werewolf Baby' and then, immediately after, 'Blow at High Dough' from "Up to Here." Same band. Two years later. How.Community poll results from the Facebook group (approaching 5,000 members - now there's a number): 58% love this tune, 26% tolerate it, 11% skip it, and 5% had never heard it before tonight. That 5% number surprised everyone. It probably shouldn't. If you came to The Hip through "Phantom Power," this EP is a different country.Next week on The Tragically Hip On Shuffle: 'The Luxury' from "Road Apples." Three new panelists. One random song. Same deal.The GuestsJoe from Toronto is the frontman of Forever Hip, the Tragically Hip tribute band playing live at An Evening for Sara J - April 11 at the Firkin on Yonge. This is his second appearance on The Tragically Hip On Shuffle.Andy from St. Thomas is a lifelong Hip fan making his first appearance on the show. He came prepared, he admitted the EP was one he'd slept on, and his insight about Gord's 2016 howl being traceable all the way back to this song was the best moment of the night. He's a good dad. His daughter knew the Blue Album better than he did.Justin from Bridport - the only Bridport in America, and a returning panelist working his way toward the five-timers sash. He re-watched the full Hip docuseries this week specifically to prep for this episode. It showed.Resources & Referencessetlist.fm - setlist and live performance data for 'I'm a Werewolf Baby'Hipbase - discography and catalogue reference. Thank you to Lance Robinson and the Hipbase team.The Tragically Hip Archive - for live recordings referenced in discussionThe Tragically Hip Reddit community - Rico Borrega's song-by-song breakdowns of the full catalogue are worth your time. jD avoids reading them before recording. You shouldn't have to.An Evening for Sara J - April 11, Firkin on YongeHip fans in Toronto - this is the one. Live episode recording with Patrick Downie. Forever Hip on stage. Six Hip concert posters and a numbered Richard Beland fine art print of Chris Cornell up for raffle. All for a great cause. Tickets at tickets.tthpods.com.ConnectFacebook community: community.tthpods.com | Instagram: @tthpods | YouTube: youtube.com/@tthpods | Email: tthpodcastseries@gmail.com#TheTragicallyHip #TTHOnShuffle #TheHip #GordDownie #TragicallyHip #UpToHereAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

"Obviously Five Believers" Formed in 1980 by the Kentucky-born former roadie for X, Top Jimmy, his band Top Jimmy and the Rhythm Pigs were local L.A. heroes. Playing a wicked blend of American roots music and scrappy R&B, Top Jimmy and the Rhythm Pigs were a band that sizzled with equal parts howl and groove. Top Jimmy was a wildly charismatic frontman once described as an unholy combination of Howlin' Wolf and Shakespeare's Falstaff and he was such a ubiquitous presence in L.A. his outfit was once dubbed the scene's punk house band. The live show, which was a sweaty, frenetic blast of sweaty, rootsy bliss, found everyone from Tom Waits to Stevie Ray Vaughn joining them onstage. By the way, if you're wondering if the Van Halen track "Top Jimmy" is about the Top Jimmy I'm speaking of, let me just say this: there could only be one Top Jimmy. So: yes. The band's only album Pigus Drunkus Maximus which came out in 1987 on Steve Wynn of the Dream Syndicate's Down There label, was just reissued for the first time ever on CD and on pig pink colored vinyl and it's an essential addition to your record collection. Top Jimmy sang with Maria McKee and Phil Alvin, was seen getting a tattoo from John Doe in the Decline of Western Civilization and hung out with David Lee Roth. The guy was everywhere and remains, to this day, one of the most charismatic characters in rock and roll history. As for his sax player Steve Berlin, well, Mr. Berlin after leaving the band, went on to become one of the greatest rock and roll sax players ever. The Philadelphia born Berlin is a full time member of Los Lobos, and the list of people he's played with and produced is just ridiculous. Let me give you a partial list: The Tragically Hip, R.E.M., Faith No More, the Go-Go's, Great Big Sea, The Replacements, Rickie Lee Jones and the Beat Farmers. And believe me, I could go on. An unbelievable player of steady finesse and power, Steve Berlin is an absolute legend and I wish this conversation could have gone on for hours. www.topjimmyandtherhythmpigs.bandcamp.com (http://www.topjimmyandtherhythmpigs.bandcamp.com) www.bombshellradio.com (http://www.bombshellradio.com) www.stereoembersmagazine.com (http://www.stereoembersmagazine.com) www.alexgreenbooks.com (http://www.alexgreenbooks.com) Threads + Bluesky + Instagram: @emberspodcast Email: editor@stereoembersmagazine.com

This Team USA standout won a gold medal, played baseball in five countries, married a cheerleader, and became a stock broker. No chagrin to be found. Card #130T on ebay - https://www.ebay.com/itm/197023560084Randy from PeeWee's playhouse - https://youtu.be/tjlFMKQ2UiE?si=Y4p1gSbTuK2tP-QM Greatest 21 Days blog about Traxler - https://www.greatest21days.com/2025/10/brian-traxler-took-fundamentals-to-9.htmlGreatest 21 Days blog about Wood - https://www.greatest21days.com/2020/04/ted-wood-added-strength-in-minors.htmlTed Wood SABR bio by Rory Costello - https://sabr.org/bioproj/person/Ted-Wood/ Chagrin Falls by the Tragically Hip - https://www.youtube.com/watch?v=40zlzmXvkpw

Leading up to the 55th Juno Awards in Hamilton, Ont., host Tom Power hosted a special live audience taping of Q at the historic Theatre Aquarius in Hamilton. Yesterday's show featured live on-stage interviews and performances with Begonia, Jade LeMac, Sister Ray, and comedian Adam Christie. TOBi, Jully Black and Saukrates also performed their Juno-nominated single Who's Driving You? together for the first time, followed by a chat. Plus, the cast of It's a Good Life if You Don't Weaken, a new musical based on the music of The Tragically Hip, performed a song from the show in a special world premiere.

The Tragically Hip On Shuffle - Live Stream: Train OvernightThis week on The Tragically Hip On Shuffle, jD pulls 'Train Overnight' from "Music @ Work" - the twelfth track on the eighth album, a deep cut that earned exactly zero votes in the TTHTop40 fan-sourced countdown, landing in the company of only four other songs in The Hip's entire catalogue with the same distinction. 'Luv, sic,' 'Goodnight Josephine,' 'Sherpa,' and 'Are We Family.' That's the list. Five songs. Out of everything they ever recorded.The panel doesn't agree on what to make of 'Train Overnight.' And that's exactly what makes this episode worth an hour of your time.Kirk from Chino is the only panelist who saw it live - twice, in San Francisco and LA on the same tour. He noticed seven people on stage his first time seeing The Hip. A keyboard player, a female vocalist who occasionally played percussion. That was his frame of reference for what this band was. Greg from Tacoma - who first heard The Hip on the same Seattle radio station that broke Nirvana, spent two years thinking the song was NRBQ, then proceeded to do guerrilla marketing for the band across the Pacific Northwest for the better part of a decade - brings the long-distance devotion that makes American Hip fans a particular breed of formidable. Mike from Toronto was there from the very beginning. Jake Gold handed him a wristband at a Day for Night-era surprise show at the Horseshoe. Queen and Spadina. Nine in the morning. 300 people that night. He asks the question the whole panel keeps circling back to: if 'Train Overnight' had been on the first record, would The Hip have been The Hip?The conversation moves through Gord's lyrical genius - specifically the line about apologizing like an old dictator might, which Greg calls one of those Gordism nuggets just buried in the song - through the bass work of Gord Sinclair (part McCartney, part Geezer Butler, all chug), through what it meant to be an American doing guerrilla marketing for a band most of your country had never heard of, and through the generational divide the Shuffle keeps surfacing: "Music @ Work" as exit point for one wave of fans and as entry point for another. Kirk came in through this record. Mike came in at the Horseshoe in '87. Greg found them in 1989. Same band. Three completely different doors.Greg puts the whole arc into something sharp near the end: Day for Night as the blue period, the hangover after the nineties. Trouble at the Henhouse as the rosy-fingered dawn coming up the next morning. Phantom Power as the bright of day. And "Music @ Work" as a prism - every colour at once. The first record where they had 5,000 crayons instead of 64. You've got to love it.Next week on The Tragically Hip On Shuffle: 'I'm a Werewolf Baby.'GuestsKirk from Chino - A returning Shuffle panelist and musician, Kirk came to The Hip through the later catalogue and has been going back to the beginning ever since. He saw 'Train Overnight' live twice on the same tour - San Francisco and LA. He's a co-host on Discovering Downie and plays in a cover band called The Darryls (his name is Larry). He has a solo album in the works and a debut live performance booked in San Diego, May 2. Follow him at Kirk Lane Music on Facebook and Instagram.Mike from Toronto - A first-timer on the Shuffle and a lifelong Hip fan who was there from the very beginning - the Horseshoe, the Alma Combo in '87, a Day for Night-era surprise show where Jake Gold gave him the wristband. His go-to record is "Day for Night." He listens to every album start to finish on long drives. He also recommends Ryan Davis Roadhouse Band - playing the Horseshoe in June.Greg from Tacoma - Another first-timer, Greg has been a Hip devotee since he heard them on the radio in 1989 - or thought he did, until he spent two years believing the song was NRBQ. His go-to record is "In Between Evolution," and Tacoma is name-checked in the 'Tacoma Narrows Bridge' lyric, which he notes with appropriate pride. He put a record out at 60. He is in the Tacoma, Washington area and has a crew of five who all attend Hip shows and all play in bands at least partially influenced by The Hip.Links & ResourcesSubmit to podList 7 - covers from The Tragically Hip EP through Day for Night: podlist.tthpods.comAn Evening for Sara J - Saturday, April 11, Firkin on Yonge, Toronto: tickets.tthpods.comDiscovering Downie (referenced by Kirk): available on all podcast platformsKirk Lane Music: Facebook and Instagram https://hadeesmarket.bandcamp.com/album/missives-at-the-turnhttps://www.youtube.com/@HadeesMarketTimestamps00:00 - Pre-show promo: Joe from Forever Hip on An Evening for Sara J 01:37 - jD opens The Tragically Hip On Shuffle 02:27 - Introducing Kirk from Chino, Mike from Toronto, Greg from Tacoma 04:32 - Go-to Hip records: "Live Between Us," "In Between Evolution," "Day for Night" 09:05 - Mike's Horseshoe stories - from '87 to the Day for Night surprise show 12:26 - The reveal: tonight's song is 'Train Overnight' from "Music @ Work" 16:32 - Panel reacts after listening 17:02 - Greg on the Gordism nugget - apologizing like an old dictator might 23:51 - Mike: was "Music @ Work" a chapter closing or a door opening? 27:40 - The zero-votes revelation: only five songs in the entire catalogue 31:52 - Kirk saw it live. Twice. San Francisco and LA. 32:04 - jD on Paul Sinclair's bass line sounding like a chugging train 32:15 - Greg: McCartney, Geezer Butler, all over the song 34:01 - Kirk on guerrilla marketing for The Hip in California 37:00 - Mike: the only time he saw The Hip in the US was New York, 2012, NHL lockout 48:16 - Greg: the colour palette theory - 64 crayons to 5,000 49:55 - jD calls shuffle for next week 54:10 - Next week: 'I'm a Werewolf Baby'

The Tragically Hip Podcast Series presents - "March 25th, 1995" (A podUMENTARY)The Tragically Hip Podcast Series - TTHTop40 CountdownMarch 25th, 1995. Saturday Night Live. Dan Aykroyd walks out, the band plugs in, and Canada holds its breath. Thirty years later, we went and found the people who were watching."I finally felt like we - maybe as a nation, as a people, as a culture - arrived."About This EpisodeHey, it's jD here. This one is different.March 25th, 1995 is a date that lives in the muscle memory of every Canadian Hip fan. The Tragically Hip on Saturday Night Live - introduced by Dan Aykroyd, two songs that weren't exactly designed for a mass American audience, and a performance that has been debated, replayed, and treasured ever since.This is a poduMENTARY, not a regular episode - something else entirely. We went out to the community and asked a simple question: where were you? What we got back was something formidable. Seventeen voices. Seventeen Hipstories. Basement house parties, university bars, dorm rooms, living rooms, a bar in St. Catharines, a campus pub at Queen's. Some people were jumping on their beds. Some were pretty sure they cried. One person was at the actual afterparty and watched David Spade walk away confused.We also hear from Bill Kenny of the SNL Hall of Fame and Saturday Night Network Podcasts, who puts the episode in full context - what kind of season it was, how Dan Aykroyd ended up hosting, and why this one still holds up.The songs were 'Grace Too' and 'Nautical Disaster.' The debate about whether those were the right choices has apparently never stopped. We get into that too.So there's that."I remember Dan Aykroyd coming out wearing a shirt that looks like something a snowboarder would wear on Laundry Day and thinking, as a country, we deserve better swag than that."Voices in This EpisodeCommunity members and contributors, in no particular order:Alan CarverBill Kenny - SNL Hall of Fame and Saturday Night Network PodcastsChristy MiskellyDean RaineyDevon LawErin RizokJason KirbyJessica NovakJeremy SchultzKim GillMark GordonMike FosterPaul Do FornoRich RaczelowskiRyan McNeilSara JScott McRaeResources & LinksMentioned in This EpisodeSNL Hall of Fame and Saturday Night Network PodcastsThis Is Our Life - The Tragically Hip (Michael Barclay)Hipbase - The Tragically Hip Discography & SetlistsThe Tragically Hip ArchiveConnect & ListenAll TTH Podcast Series links - home.tthpods.comThe Tragically Hip On Shuffle - Live every weekEmail jD - tthpodcastseries@gmail.comJoin Us Live - The Tragically Hip On ShuffleEvery week we pull a random Hip song and unpack it live with a rotating panel. No prep. No script. Just the song, the room, and whatever comes up. Join us - details and links at home.tthpods.com.A Note From jDThank you to every single person who sent in a voice memo for this one. Seventeen people trusted us with a memory - a real one, the kind that lives in your chest - and that is not a small thing. This community is the whole point. Every time.Get after it.- jD / Host / Producer / The Tragically Hip Podcast Series - Est. 2018#TTHTop40 #TheTragicallyHip #GordDownie #TheHip #CanadianRockPodcast #TragicallyHipAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Fully & Completely: Redux - World ContainerBob Rock, a divisive record, and the Tragically Hip song that might just be their best. jD and Greg came around. Hard.October 17th, 2006. The Tragically Hip released "World Container" - their first of two records with producer Bob Rock, and one of the most divisive albums in the band's catalog. Twenty years later, jD and Greg LeGros are back for Season 2 of Fully & Completely: Redux, and the verdict is in: this record is better than you remember.In this episode, jD and Greg dig into the landscape of 2006 - the Wild West of music piracy, the indie pop boom, Arctic Monkeys blowing up on MySpace, and a straight-ahead Canadian rock band trying to stay relevant without chasing a trend. Then they get into the album itself, track by track: the stadium-sized riff of 'You're Not the Ocean', the disco-beat weirdness of 'The Lonely End of the Rink', the complicated love letter that is 'In View', the cool-as-hell swagger of 'Fly', and the title track 'World Container' - which gets called one of the best Tragically Hip songs of all time. No argument here.Greg also quit coffee. It almost killed him. We talk about that too.This is Fully & Completely: Redux. Season 2. We're back."I missed the boat completely. Because this song is just perfect."Greg LeGros from Toronto - co-host of Fully & Completely and the person most likely to make you reconsider a record you wrote off. Musician, music obsessive, and the only person jD trusts to go track by track through a Tragically Hip album for hours without losing the thread. This is their reunion after a longer-than-expected break - and it picks up exactly where it left off.Mentioned or referenced in this episode:"World Container" (2006) - The Tragically Hip - produced by Bob Rock"Hipeponymous" (2005) - The Tragically Hip box set collectionA Stranger to Myself: The Inhumanity of War, Russia, 1941-1944 by Willy Peter Reese - referenced in the 'You're Not the Ocean' discussion (Gord Downie connection)Hipbase - discography and catalogue referenceHipMuseum - band history and archival referenceRelated episodes:Fully & Completely: Redux - In Violet LightFully & Completely: Redux - We Are The Same (up next)00:00 - Cold Open: October 17th, 2006 01:45 - Intro & Season 2 is back 04:00 - Greg quit coffee (the dark side of a cleanse) 14:30 - The World Container year: 2006 in music and sports 28:00 - Bob Rock: the man, the myth, the Black Album 38:00 - Track by track: 'You're Not the Ocean' 48:30 - 'The Lonely End of the Rink' 57:00 - 'In View' - call your mom 1:06:00 - 'Fly' - Moonbeam, Ontario 1:14:00 - 'Luv (Sic)' and 'Kids Don't Get It' (recording gap at 1:03 - see production note) 1:22:00 - 'Pretend' 1:29:00 - 'Last Night I Dreamed You Didn't Love Me' 1:37:00 - 'The Drop Off' 1:43:00 - 'Family Band' 1:52:00 - 'World Container' - all songs are one song 2:02:00 - Final diagnosis & favourite track picksGot a take on "World Container"? A song that still hits you different? Drop it in the comments or bring it to the community - we want to hear what you think.

The Tragically Hip On Shuffle - Live Stream: 'Vapour Trails'Episode Date: March 19, 2026Panel: Ryan from Toronto • Patrick from Toronto • Adam from TampaIntroThere's nothing uglier than a man hitting his stride - and there's nothing better than a panel that doesn't agree on what that line even means.This week on The Tragically Hip On Shuffle, jD pulled ‘Vapour Trails' from “Phantom Power” - track eight of twelve from The Tragically Hip's sixth studio record, produced by Steve Berlin, recorded at The Bathhouse in Bath, Ontario, and released July 14, 1998. It was a promo CD single that never got a video. It ranked #72 on the TTHTop40 Countdown. And for a song that lives in the shadow of ‘Bobcaygeon' and ‘Poets' on the same record, it had absolutely no problem holding its own for an hour of live discussion.So there's that.About This Episode‘Vapour Trails' is a road song. Or a loneliness song. Or a song about Gord watching Mexican farmworkers from a highway somewhere in rural Ontario and being moved enough to write it down. It might be all three at once - which is, of course, exactly how Gord Downie worked.jD is joined this week by Ryan from Toronto - a first-timer on the show and a veteran podcaster whose ear for music analysis makes itself known immediately - alongside returning panelists Patrick from Toronto and Adam from Tampa, both of whom came loaded with research, opinions, and very strong feelings about the back half of the “Phantom Power” discography.What followed was one of those conversations that starts with bass and drums and ends somewhere near ephemeral, the Canadian spelling of vapour, and whether Rob Baker was playing a Rickenbacker. Coming UpNext week on The Tragically Hip On Shuffle, jD hits shuffle again - and this time it landed on ‘Train Overnight.' Three new panelists. Wednesday night. 8 PM. You know the drill.An Evening for Sara JBefore you go - An Evening for Sara J is happening Saturday, April 11, 2026 at Firkin on Yonge, 207 Yonge Street, Toronto. Doors at 7:30 PM, live podcast at 8, Forever Hip takes the stage at 9.Sara is one of our own, and this whole night is for her. There's a live podcast with Patrick Downie, a 50/50 draw, a raffle, and every dollar raised goes to Sara's GoFundMe. Go to tickets.tthpods.com to get yers now!Early Bird tickets are $20 - and they won't last. After March 25, it's $25 general admission or $30 at the door.Stay ConnectedFacebook Community: community.tthpods.comInstagram: instagram.com/tthpodsYouTube: youtube.com/@tthpodsEmail: jd@tthpods.comGet Yer LetterWant Hip news, album anniversaries, episode recaps, fundraising updates, and early previews delivered straight to your inbox every month? Subscribe to Yer Letter - the official community newsletter of The Tragically Hip Podcast Series. When you sign up, you'll also get a free copy of The Complete Hip Discography v6.0 - every studio album, every solo record, every side project across all five members of the band.Subscribe here: subscribe.tthpods.comThe Tragically Hip On Shuffle is part of The Tragically Hip Podcast Series - Est. 2018. New episodes every Wednesday at 8 PM ET, live on YouTube and Facebook!Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Fully & Completely: Redux"In Between Evolution"Hosts: jD & Greg LeGros | Guest: Toronto Mike | Fully & Completely: ReduxThe EpisodeThere are records you fall into immediately - and then there are the ones that sneak up on you. "In Between Evolution" is absolutely the second kind. The Tragically Hip's 2004 record is one of their most slept-on, most politically charged, and - depending on who you ask - one of their very best. jD and Greg LeGros dig in track by track, joined by Toronto's favourite podcast man, Toronto Mike.It's feisty. It's got punk energy. And for a record that got passed over in 2004, it holds up like an absolute bruiser. So there's that.Guest SpotlightToronto Mike from Toronto, OntarioToronto Mike is the podcaster and blogger behind torontomic.com and Toronto Miked - a fiercely independent Toronto-centric podcast that's been going longer than most people can remember. He's a passionate Hip fan who - full disclosure - once had serious plans to launch his own Tragically Hip album-by-album podcast series. He abandoned those plans specifically because jD and Greg were doing it too well. That's not spin. That's what he said on mic."I went into the podcast kind of tiny bit hoping it would suck."- Toronto Mike, on hearing Fully & Completely for the first timeWhat's In This OneA full track-by-track of "In Between Evolution" plus the cultural context of June 2004 - which, as it turns out, is a lot. Here's some of what you're getting into:Why this is probably The Tragically Hip's most overtly political record - and why it had no choice but to be (they recorded it in Seattle, surrounded by American media, one year after the U.S. went into Iraq)'Heaven Is a Better Place Today' - a tribute to Dan Snyder built on funeral clichés and sports colloquialisms that somehow makes you cry. Every time.'Summer's Killing Us' - the song Greg would play for anyone who's never heard of this band. Not even officially released as a single. Absolutely should have been.'Gus the Polar Bear from Central Park' - a slow burn. Toronto Mike did not like it at first. He's come around. We dig into why.'Vaccination Scar' - the actual lead single, and a song that gets a bit more complicated the more you think about it'It Can't Be Nashville Every Night' - the one with the la-la-oos in the chorus that should not work, and absolutely does. Possibly a Toby Keith thing. Possibly a Dixie Chicks thing. Definitely a great song.'One Night in Copenhagen' - band turmoil, Gord's solo career pulling on the seams, and that one line about a payphone in the snow that Greg still talks about'Goodnight Josephine' - the closer that sounds like late-period Springsteen and contains some of the most beautiful lyrics Gord ever put down on tapeThe Stanley Cup Final, the Grey Cup halftime show (yes, The Hip played it), a commemorative Tragically Hip CD, and how the 2004 Leafs playoff run ended a sketch troupe's road trip to LAThe Cultural Climate: June 2004Greg always brings the goods on context, and June 2004 is a rich one. "In Between Evolution" landed in the middle of a musical year that included American Idiot, College Dropout, Funeral, Hot Fuss, and Songs for the Deaf. Commercially, the charts were a very different story - Usher, Evanescence, Josh Groban, and a lot of stuff these three would rather forget. It's a great time to be a music fan if you knew where to look. This was a record that knew exactly where it was looking.Pocket SongsAt the end of every record, we each pull one track to carry forward to the playlist.jD: 'Goodnight Josephine'Greg: 'It Can't Be Nashville Every Night'Toronto Mike: 'Are We Family'Why This Record MattersBecause it got slept on. Even in the band's own documentary, this one gets two seconds. And that's bananas - because it is a deep, huge favourite, and it is one of their very best. It's a hard rocker. It's a protest record. It's a record about loss, and change, and what happens when the things you love don't get to stay the same. It's the most guitar-forward record they ever made, and it has the audacity to rhyme its chorus with la-la-oos.Spend time with this album. This album is waiting for you.About Fully & Completely: ReduxFully & Completely: Redux is the reunion of the original Fully & Completely podcast - the show that started it all in 2018. jD and Greg LeGros go back through The Tragically Hip's full catalogue, album by album, track by track. Same DNA. Same chemistry. Not a sequel - a reunion.Part of The Tragically Hip Podcast Series, a network raising funds for the Downie Wenjack Fund, The Gord Downie Fund for Brain Cancer Research, and CAMH. Over $35,000 raised and counting.Find UsFacebook: facebook.com/groups/tthpodsInstagram: @tthpodsYouTube: youtube.com/@tthpodsEmail: tthpodcastseries@gmail.comListen via your podcast app of choice. Search: Fully & Completely Redux.#TheTragicallyHip #InBetweenEvolution #GordDownie #FullyCompletely #TragicallyHip #CanadianRockPodcastMeta Description (for podcast platforms)jD, Greg LeGros & Toronto Mike go track by track on The Tragically Hip's "In Between Evolution." Hipstories, fandom, and Canadian rock - TTH Podcast Series.Support this podcast at — https://redcircle.com/tthtop40/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The Tragically Hip On Shuffle - Live Stream: 'We Want To Be It'Hey, it's jD here.Every once in a while, the shuffle lands on a song that feels like it found you on purpose. This was one of those weeks.'We Want To Be It' - track four off "Now For Plan A" - doesn't get talked about the way'Bobcaygeon' does. It doesn't get the bar rock reverence of the early records. But spend a week with it, really spend a week with it, and something starts to happen. Layers. Lots of them.This week, jD is joined by Steph from Winnipeg, Andrew from Tampa, and Tyler from Etobicoke for what turned into one of the more surprising discussions the show has had. The song is three minutes and twenty-nine seconds. The conversation ran nearly an hour. That ratio should tell you everything.We dig into what "Now For Plan A" actually is as a record - the shortest album in The Hip's catalog, a band quietly fracturing while somehow still playing out of their minds, produced by Gavin Brown under conditions that, as Tyler points out, sound a lot like band therapy. Andrew came in with ten shows under his belt from that tour. Tyler revisited the record for the first time in years and kept finding new things. Steph brought the kind of insight that makes you stop mid-sentence and say yes, exactly that.And then there's the drip, drip, drip.Is the song about Laura Downie? About the band itself? About wanting to dissolve into the music instead of having to manufacture it over and over? Tyler brings a genuinely hot take - sourced from an Alan Gregg interview on Toronto Mike's podcast and Michael Barclay's book - that reframes the whole thing. Andrew adds the Alan Arkin connection Gord himself referenced in early live intros of the song. And jD talks about the three layers of crust this song has developed for him personally over the years.It's a choose your own adventure lyric written by a guy who never gave you the map. That's the feature. Big thanks to Steph, Andrew, and Tyler for bringing the goods on this one. Next week, we hit shuffle again - no idea what's coming, and that's exactly the point.From Our Guests"I'm in season three of Pocket Full of Mojo - wherever you enjoy your podcasts. I help recovering people pleasers like me remember how to get out of our own way and figure out that there's way fewer rules in this life than we're told."- Steph from Winnipeg | Pocket Full of Mojo Podcast"If you can't make it out to the event, get on the page and get into the GoFundMe for Sarah. And you don't have to be in Toronto - you can always fly in."- Andrew from Tampa"I'll be appearing on Toronto Mike's podcast in early April to do a Q1 recap. Other than that, just keeping my head down and trying to stay out of trouble."- Tyler from Etobicoke | Toronto Mike'd Podcast• Subscribe, share, and leave a review if this landed for you.• Find us on Facebook: facebook.com/groups/tthpods• Instagram: @tthpods• YouTube: youtube.com/@tthpods• Email: tthpodcastseries@gmail.com#TheTragicallyHip #TheHip #TTHOnShuffle #NowForPlanA #GordDownie #TragicallyHipSupport this podcast at — https://redcircle.com/tthtop40/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Steve Berlin has been a member of L.A. band Los Lobos since 1984, but in the interim he has split his career between playing saxophone for that band (and The Blasters) and becoming an in-demand record producer for a host of bands including Los Lobos, Faith No More, Crash Test Dummies, and Canada's biggest band, The Tragically Hip. But in 1981, he began his production career working on an album for L.A. local legends, Top Jimmy & The Rhythm Pigs. The album, Pigus Drunkus Maximus, was initially released on the vanity label of another L.A. legend, Steve Wynn, before practically vanishing into the mists of L.A. musical history. This year, the album received a deluxe remastered reissue, with liner notes by Chris Morris, and archival photography by Gary Leonard. Steve tells us the legend of Top Jimmy, and shares some exciting Los Lobos news. And Paul (always the Canadian) asks him about producing The Tragically Hip.    The Record Store Day Podcast is a weekly music chat show written, produced, engineered, and hosted by Paul Myers, who also composed the theme music and selected interstitial music. Executive Producers (for Record Store Day) Michael Kurtz and Carrie Colliton. RECORD STORE DAY IS APRIL 18th. For the most up-to-date news about all things RSD, visit RecordStoreDay.com   Didn't find everything on your RSD lists? Maybe you'll still find it on RSDMRKT.com.    Please consider subscribing to our podcast wherever you get podcasts, and tell your friends, we're here every week and we love making new friends!

FULLY & COMPLETELY: REDUX"In Violet Light" - The Tragically HipEpisode Show Notes——————————————————————————————————Fully & Completely: Redux | "In Violet Light" - The Tragically Hip (2002)——————————————————————————————————Hey, it's jD here.Some albums don't just meet you where you are - they find you exactly when you need them. **"In Violet Light" is that record.** Released in June 2002, it's the one that pulled jD hard back into The Tragically Hip after a stretch of distance. And if you listen closely, it makes total sense why. This isn't a band trying to hold on - it's a band that has let go of every obligation and is just making music for themselves. **The result is one of the most quietly assured records of The Hip's entire career.**This week on Fully & Completely: redux, jD and Greg LeGros go track by track through "In Violet Light" - the eighth studio album from The Tragically Hip, recorded in the Bahamas with legendary producer Hugh Padham - and make the case that this record has no business being this good, this far into a career.——————————————————————————————————EPISODE OVERVIEW"In Violet Light" landed in a 2002 music landscape that included Coldplay's "A Rush of Blood to the Head," Queens of the Stone Age's "Songs for the Deaf," Beck's "Sea Change," and Broken Social Scene's "You Forgot It in People." The indie pop explosion was just beginning to blow the roof off Canadian music. The Hip were eight albums deep, the mainstream had largely written them off, and **they responded by making one of their best records.** No fat. No filler. Eleven tracks of lean, confident, beautiful rock and roll.The album was recorded at Compass Point Studios in the Bahamas - the same studio where AC/DC recorded "Back in Black" and Bob Marley cut some of his most enduring work - with Hugh Padham, the producer behind the gated drum sound that defined the 1980s (Phil Collins' "In the Air Tonight," Sting's solo catalogue, The Police's "Synchronicity"). **jD and Greg break down why that combination - this band, this producer, this place - produced something genuinely special.**——————————————————————————————————TRACK BY TRACK HIGHLIGHTS**'Are You Ready to Love'** - The opener sets the whole album's thesis. jD hears the first verse as a direct response to the critics and mainstream fans who had written The Hip off. **"They're pulling the plug. They've got our whole dug." And then - the chorus arrives like a shrug and a fist at the same time: are you ready for love?** A great rock and roll song that doubles as a mission statement.**'Use It Up'** - Built on a lyric attributed to the booklet of a Raymond Carver collection, this is a track about seizing everything, wasting nothing, and making music for the love of it. Greg hears Radiohead's "OK Computer" in the verses and the Georgia Satellites in the chorus - **and somehow The Tragically Hip pull both of those things off in the same song.** A slow burn that rewards headphones.**'The Darkest One'** - jD turns up whatever he's listening to every single time this song starts. **"The wild are strong and the strong are the darkest ones - and you're the darkest one."** Greg calls it a safe place. A song about freedom of expression, comfort, and the strange intimacy of being fully understood. Don't let the Trailer Park Boys video fool you - this song could have broken them wide open.**'It's a Good Life If You Don't Weaken'** - The centrepiece. The lead single. **Both jD and Greg pick this as their track of the record - the first time in the history of Fully & Completely that hosts have landed on the same song.** Named for a Canadian graphic novel by Seth and a phrase used by band staffer Molly Lorimer to describe life on the road, it's a song about mortality, aging, and the strange grace that comes when you stop fighting. Death is swirling all around it - and it's still one of the most uplifting things The Tragically Hip ever made.**'Silver Jet'** - The one that changes gears just right. Greg connects this song personally to the empty skies over the Danforth in the days after 9/11, and the feeling of the first plane cutting back through the silence. **A song about hope, fear, and the things that pull your gaze forward.** The wolves of Northumberland. An archipelago. A green star. Only Gord.**'Throwing Off Glass'** - Companion piece to 'Trick Rider' from "Phantom Power" - if that song is about his son, this one is about his daughter. A slow builder that rewards patience. **A soundscape that would fit comfortably on "Coke Machine Glow."****'All Tore Up'** - A great drinking rock and roll song. Dottie the bluegrass singer. Open concept. Getting a little happening with old friends. **No one else writes a lyric like this and makes it fit inside a song this well.** Turn it up.**'Leave'** - A waltz in 3/4 time. Beautiful backup vocals. A late-night phone call at three in the morning. **"You better be dying." And they were.** An emotional gut-punch that doubles as a permission slip - to leave a job, a relationship, a place that no longer fits.**'The Dire Wolf'** - A pseudo-history lesson disguised as a rock song. Tallulah Bankhead and Canada Lee, stars of Hitchcock's "The Lifeboat." Ann Harvey of Isle of Morts, Newfoundland, who rescued 163 shipwrecked souls in 1828. A poem called "Sea Surface Full of Clouds" by Wallace Stevens. **Greg pulls all of this from memory. It's an entire university lecture wrapped in six minutes of music that absolutely slaps.****'The Dark Canuck'** - The closer. Possibly the longest Tragically Hip song ever recorded at six and a half minutes. A time signature change halfway through. **Canadian soldiers as peacekeepers. Apple, Zippo, and Metronome as record labels. Jaws at the drive-in. The Dark Canuck playing second on the double bill.** Nobody at the drive-in is staying for it. And that's sort of the whole point.——————————————————————————————————WHY THIS EPISODE MATTERSThis is the album that brought jD back to The Hip in earnest - **the record that cracked open the second half of his relationship with this band.** It's also the episode where he and Greg pick the same song for the first time. And it's the one where jD, partway through discussing 'Leave,' pauses to talk about his mother. **Listen for that moment. It's what this podcast is for.**"In Violet Light" is a masterpiece with no business being this good eight albums in. And this episode earns every minute of its runtime.So there's that.——————————————————————————————————SOURCES & CREDITS• HipMuseum.com• This Is Our Life: The Tragically Hip in the 1990s (Michael Barclay)• "It's a Good Life If You Don't Weaken" - graphic novel by Seth• "Sea Surface Full of Clouds" - poem by Wallace Stevens• Ann Harvey of Isle of Morts, Newfoundland - historical record• Compass Point Studios, Nassau, Bahamas - production history• Raymond Carver - attributed quote in "Use It Up"——————————————————————————————————CONNECT WITH THE SHOW• Facebook: facebook.com/groups/tthpods• Instagram: @tthpods• YouTube: youtube.com/@tthpods• Email: tthpodcastseries@gmail.comThe Tragically Hip Podcast Series - Est. 2018#TheTragicallyHip #TheHip #InVioletLight #FullyCompletely #GordDownie #TragicallyHip #CanadianRock——————————————————————————————————Support this podcast at — https://redcircle.com/tthtop40/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Honey, Please — Deep Cut or Hidden Gem?Sometimes the Shuffle Gods reach deep into the catalogue.And sometimes what they pull out sparks a conversation you didn't see coming.This week on The Tragically Hip On Shuffle, we landed on “Honey, Please”, the second track from We Are the Same — The Tragically Hip's 2009 album produced by Bob Rock. Clocking in at four minutes even, it's one of those songs that quietly sits in the album's early stretch and doesn't always get the spotlight when people talk about the band's catalogue. But that's exactly the point of this show.Because when you put a few fans in a room and really dig into a track — the lyrics, the production choices, the album context, the cultural references — sometimes a song that felt like a bridge suddenly starts revealing its layers.And “Honey, Please” might just be one of those songs.On paper, the track finished #162 in the fan-voted Road to the Top 40, placing it surprisingly close to the bottom of the list of Tragically Hip songs ranked by listeners. Yet when fans were polled again ahead of the episode, many described it as an “underrated gem.” So what gives?That's the question we explore in this episode.Along the way we talk about:where the song fits within the We Are the Same album flowwhether “Honey, Please” functions as a bridge track between songsthe role of keys and arrangement compared to other Hip songslyrical interpretations and what Gord Downie might be reaching forpossible cultural references in the title and phrasingand how deep-cut Hip songs often reveal more when fans start connecting the dots togetherAt one point the conversation turns to the phrase itself — “Honey, Please” — and how it echoes similar titles across music history, from soul influences like Barry White to indie and punk songs with the same name. Because with Gord Downie's writing, nothing ever lives in a vacuum.And that's where the fun begins.As we talk through the track, one idea keeps coming up: even songs that seem modest on first listen can open up when fans start doing the homework — digging into the lyrics, the context, and the emotional throughline of the album.Sometimes what sounds simple is anything but.Or as we discover here, a deep cut can still be a gem once you look under the hood. Pull Quote“Even a song that feels like a deep cut can turn out to be a gem once you start digging into it.”In This EpisodeA closer look at “Honey, Please” from We Are the Same (2009)How the track fits within the album's narrative flowLyrics, references, and fan interpretationsProduction touches from Bob RockWhy some Tragically Hip songs reveal themselves slowly over timeAbout The Tragically Hip On ShuffleHosted by jD, The Tragically Hip On Shuffle randomly selects a song from the band's catalogue and explores it in conversation with fellow fans.No scripts.No predetermined rankings.Just a deep dive into whatever the Shuffle Gods decide we're listening to that night.The result is part conversation, part discovery — and a reminder that the music of The Tragically Hip always has more to uncover.Get InvolvedWant to join a future episode?Follow along in the community and keep an eye out for opportunities to participate in upcoming recordings of:The Tragically Hip On ShuffleThe Tragically Hip Top Forty CountdownDiscovering DownieFollow + ListenIf you enjoy this episode, make sure you're subscribed to the show and share it with a fellow Hip fan.And if you'd like occasional updates about episodes, events, and opportunities to join the conversation, you can sign up for Yer Letters here:https://mailchi.mp/8fca809e6a92/join-the-communitySEO KeywordsThe Tragically Hip podcast, Honey Please Tragically Hip, We Are the Same album analysis, Gord Downie lyrics meaning, Tragically Hip deep cuts, Canadian rock podcast, Tragically Hip song discussion, Bob Rock production Tragically Hip, Hip fandom podcast, Tragically Hip fan community.Support this podcast at — https://redcircle.com/tthtop40/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Fully & Completely: redux – Music @ Work Guest: Rob Johannes

(00:00:00) Sleepytime Gorilla Museum - of the Last Human Being / 2024 (00:29:16) The Tragically Hip - Day for Night / 1994 (01:04:13) Spellling - The Turning Wheel / 2021

On this episode of The Tragically Hip On Shuffle, we landed on “Fully Completely,” the title track from The Tragically Hip's landmark 1992 album Fully Completely, and brought together Toronto Mike, Joe Cad of Forever Hip, and Duxoop Douglas to unpack it properly. This is a song that finished #13 in the fan-voted Top Forty Countdown and continues to hold a unique place in the Hip catalogue — not the loudest track on the record, but one that reveals itself more the longer you live with it. With Fully Completely sitting among some of the band's most iconic songs, this conversation digs into what makes the title track endure — structurally, emotionally, and personally — decades laterEpisode SummaryFrom the jump, the panel keeps circling back to how much weight “Fully Completely” carries in such a compact frame. jD points out the song's efficiency — how there's nothing wasted in its structure, lyrically or musically. It moves quickly but never feels slight. Instead, it builds tension through groove and restraint, creating something that feels dense despite its relatively short runtime.Toronto Mike situates the track within the broader context of the Fully Completely album, a record stacked with defining Tragically Hip songs like “Locked in the Trunk of a Car,” “Courage,” and “50 Mission Cap.” In that company, the title track can sometimes feel overshadowed, but he emphasizes how it stands on its own — particularly in live settings, where its emotional and musical arc becomes even more apparent.Joe Cad brings a performer's lens to the discussion, describing “Fully Completely” as his personal favorite Hip song. As the frontman of Forever Hip, he speaks to the physical and emotional experience of performing it, highlighting its gradual build and payoff. He describes it as a kind of musical ascent, where every section contributes to a sense of lift and release by the end.Duxoop Douglas reflects on discovering the song in a different way — through individual listens rather than as part of the original album rollout. His experience mirrors the premise of the show itself: rediscovering The Tragically Hip one song at a time. Over time, “Fully Completely” earned its place as a standout, not because it demanded attention immediately, but because it rewarded repeated listening.Interpretation becomes another thread running through the episode. The panel explores different readings of Gord Downie's lyrics, reinforcing how the song's meaning remains open and personal. Like many Hip songs, “Fully Completely” doesn't hand you a single answer — it leaves space for listeners to find themselves inside it.Topics Discussed• Why “Fully Completely” feels dense and efficient despite its short runtime• The song's place within the Fully Completely album and the Tragically Hip catalogue• Differences between studio and live performances of the track• Joe Cad's experience performing the song with Forever Hip• How listeners discover Hip songs outside of traditional album listening• The interpretive openness of Gord Downie's lyrics• The song's placement at #13 in the fan-voted Top Forty CountdownPull Quote“It's very economical. I don't know that there's 150 words in it. And yet it feels fucking dense, pound for pound.”About Our Guest(s)Toronto MikeToronto Mike is the host of Toronto Mike'd, a long-running podcast featuring interviews with musicians, media personalities, and cultural figures. A lifelong music fan, he brings historical context and deep personal experience with The Tragically Hip's albums and live performances.Joe CadJoe Cad is the frontman of Forever Hip, a Tragically Hip tribute band dedicated to performing the band's catalogue for audiences who continue to connect with the music. His perspective combines fandom with the lived experience of performing these songs.Duxoop DouglasDuxoop Douglas is a dedicated Tragically Hip listener whose discovery of the band unfolded gradually through individual tracks and repeated listening. His perspective reflects the personal and evolving nature of connecting with the Hip's catalogue.Guest LinksToronto Mike• torontomike.comJoe Cad• foreverhip.caDuxoop Douglas• No link providedSubscribeNever miss an episode. Follow and subscribe wherever you get your podcasts.FollowInstagram: @tthtpodsFacebook: The Tragically Hip Podcast SeriesSupportIf you value this work and want to help keep it going:buymeacoffee.com/tthtop40Support this podcast at — https://redcircle.com/tthtop40/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Live Between Us – Essential Tracks, Layered Lyrics & Hip ObsessionFully & Completely – The Tragically Hip Podcast SeriesThis week on Fully & Completely, jD and Greg dive into Live Between Us, The Tragically Hip's electrifying 1997 live album — and they're joined by music publicist, historian, and walking encyclopedia Eric Alper.Together, they unpack what makes these tracks “stone cold classics,” how Gord Downie's lyrics evolve over time, and why some songs reveal entirely new meaning decades after first listen.If you've ever sung a Hip lyric confidently… only to realize years later you completely misunderstood it — this episode is for you.

The Tragically Hip On ShuffleThis week on The Tragically Hip On Shuffle, we pull “At Transformation” from Now For Plan A and let it breathe.Is it about Gord Downie's wife's cancer battle? A marriage unraveling? The band's own evolution? Or something more universal — the moment when life tilts and you realize you're different now?jD is joined by Tim (Columbus), Shawn (Edmonton), and Jeff (Vaughan) for a layered, passionate, and occasionally chaotic deep dive into one of the most emotionally charged songs from the later Hip catalogue.

Fully & Completely: ReduxEpisode 6 — Trouble at the Henhouse (1996)In this episode of Fully & Completely: Redux, we land in 1996 and crack open Trouble at the Henhouse — one of the most misunderstood, emotionally loaded, and quietly radical albums in the catalogue of The Tragically Hip.What should have been a victory-lap record turns into something stranger and braver: stripped-back, red-toned, reflective, and full of songs that don't explain themselves — they linger. This is the sound of a band surviving the 90s, refusing to coast, and accidentally making one of the era's most enduring records.Hosts jD and Greg LeGros dig into the album track by track, placing it inside the cultural hangover of the mid-90s: the end of high school, the death of grunge's innocence, shifting radio formats, CanCon realities, and the moment when everything felt like it was changing — whether you were ready or not.What We Talk AboutWhy Trouble at the Henhouse feels like the hangover to Day for NightThe opening five-song run (Gift Shop → Flamenco) as one of the strongest stretches in the Hip's careerRobbie Baker's guitar finally stepping out of the shadowsThe sequencing controversy (yes, we're talking 700 Foot Ceiling and Butts Wiggling)“Ahead by a Century” as a once-in-a-generation song — and why it had to be the oneGord Downie's writing shift: misdirection, restraint, and devastating clarityDon't Wake Daddy as the emotional centre of the record (and the 90s)Sonic Youth, PJ Harvey, Eric's Trip, and the ghosts living between the groovesWhy this album was divisive then — and why it's essential nowStandout MomentsThe bleed from Gift Shop into Springtime in Vienna as a mission statementThe Kurt Cobain reference that somehow lands with graceFlamenco as both comfort and confrontationSherpa as pure atmosphere — the quiet psychedelic cousin of Day for NightPut It Off as an ending that feels like everything slowly going darkWhy This Album Still HitsTrouble at the Henhouse isn't flashy. It doesn't chase hits. It doesn't hold your hand.It sits with you.This episode makes the case that the record's power lies in its restraint, its refusal to repeat past triumphs, and its willingness to capture a moment when music — and life — felt heavier, stranger, and more complicated.Red instead of blue.Morning instead of night.The hangover instead of the party.Listen & Follow

Fully & Completely: Redux — Day for Night (1994)A presentation of The Tragically Hip Podcast SeriesHosted by: jD & Greg LeGrosRelease: MondayFormat: Album deep dive (Redux edition)Runtime: ~1h 45mIn this episode of Fully & Completely: Redux, we turn our full attention to Day for Night — the record many fans point to as the moment The Tragically Hip stopped chasing expectations and fully committed to the dark, patient, cinematic version of themselves.Released in September 1994, Day for Night arrived at a cultural moment when the '90s were no longer new, no longer shiny, and no longer pretending everything was okay. What followed was an album that broke rules quietly: hit singles with no choruses, stories without resolutions, grooves that crept instead of charged.In this Redux episode, jD and Greg revisit the album with fresh perspective — tracing its creation, its reception, and why it remains one of the most singular statements in the Hip's catalogue.What We CoverWhy Day for Night felt like a deliberate pivot after Fully CompletelyHow “Grace, Too” announced a darker, stranger Hip — visually and sonicallyThe improbability of “Nautical Disaster” becoming a massive hit with no chorusGord Downie's leap into fully cinematic, image-driven lyricismJohnny Fay and Gord Sinclair quietly redefining the band's rhythmic identityThe patience, restraint, and atmosphere that hold the album togetherWhy this record feels less like a collection of songs and more like a journeyTrack-by-Track HighlightsGrace, Too – A career-defining opener and tonal manifestoDaredevil – A tumbling, vertigo-inducing rock song hiding in plain sightGreasy Jungle – Off-kilter, playful darkness with a smirkYawning or Snarling – Menace, crowd imagery, and creeping tensionFire in the Hole – Nuance over catharsis, patience over payoffSo Hard Done By – A mid-tempo, grimy, cinematic standoutNautical Disaster – One of the boldest hit singles of the decadeThugs – Swampy groove, film references, and one of Downie's greatest opening linesScared – Beauty, menace, and the illusion of safetyAn Inch an Hour / Emergency / Titanic Terrarium – The album's final descent into reflection and uneaseWhy Day for Night EnduresMore than any other Hip album, Day for Night rewards patience. It doesn't rush you. It doesn't explain itself. It invites you into the fog and trusts you to stay there. For many fans — including jD and Greg — this wasn't just another release. It was the album that turned admiration into devotion.About the PodcastFully & Completely is a chronological, album-by-album exploration of The Tragically Hip's studio catalogue. Hosted by jD and Greg LeGros, the series blends music history, personal memory, cultural context, and deep fandom — without myth-making or nostalgia goggles. Redux episodes revisit classic installments with improved audio, tighter edits, and the benefit of distance.Follow, Join, Support