Podcasts about CBGB

"The new owners of Fender since 2020 are attempting to own the copyright on the Stratocaster body. A German court has taken them part of the way but most experts don't believe it will hold up to scrutiny. Nonetheless, Fender has sent Cease and Desist letters to multiple guitar makers telling them to stop production, call back orders and destroy stock. Fender may have just committed brand suicide because history is not on their side."

Sintonía: "Do The Wrong Thing" - The LOUNGE LIZARDS 1.- "I Don´t Wanna Dance (With You)" - THE DOTS 2.- "We Deliver" - THE MIAMIS 3.- "Black and White" - THE dB´s 4.- "Teenage News" - SYLVAIN SYLVAIN 5.- "Loud Fast Rules" - STIMULATORS 6.- "Reduced" - TOT ROCKET AND THE TWINS 7.- "Telephoto Lens" - THE BONGOS 8.- "I´m Searchin´ For You" - OUTSETS 9.- "Teenage Heartbreak" - SORROWS10.- "Wild Moose Party" - THE COSMOPOLITANS11.- "Child Bride" - LENNY KAYE WITH THE LONE WOLVES12.- "Jealousy" - THE COLORS13.- "(Don´t Blame It On The) Weekend14.- "Sherri Goodbye" - THE RUDIES15.- "Blonde Red Head" - DNA16.- "Garbage Man" - THE CRAMPS17.- "Tight Turn" - THE RAYBEATSTodas las músicas extraídas del CD 3 de la compilación (4xCD) "CBGB & OMFUG - A New York City Soundtrack 1975-1986" (Cherry Red Records, 2026)Escuchar audio

Alisyn Camerota is an award-winning journalist, author and former CNN New Day anchor. Before CNN, she was an anchor and correspondent at the FOX News Channel. In her three+ decades in journalism, Alisyn has covered major stories nationally and internationally, earning two Emmy Awards, the Edward R. Murrow Award, and a DuPont-Columbia Award. Alisyn's debut novel, Amanda Wakes Up, was selected by National Public Radio as one of the best books of 2017, and by Oprah Magazine as “a must read.” Her 2024 memoir Combat Love was an instant Amazon bestseller. On her Substack she writes about the process of having to reinvent life after leaving legacy media and the death of her beloved husband Tim. She now hosts a weekly interview show on the Scripps News network called, “Connected with Alisyn Camerota.” Alisyn's had quite the storied life so far, full of incredible highs and lows. She takes us back to her turbulent childhood; her 'badass adjacent' teenage punk-rock period at CBGB's; when she realized she wanted to be a journalist; the tough decision to leave her coveted CNN anchor position; Tim's illness and eventual death; navigating through unfathomable loss and grief; the power of friendship; and reinventing herself professionally. I'm confident you'll find this conversation as engaging and inspiring as I have. Got somethin' to say?! Email us at BackroomAndy@gmail.com Leave us a message: 845-307-7446 Twitter: @AndyOstroy Produced by Andy Ostroy, Matty Rosenberg, and Jennifer Hammoud @ Radio Free Rhiniecliff Design by Cricket Lengyel

"It is no secret that music contracts can be rather brutal on artists. Often the stories focus on not getting paid but there is also the interesting idea of a lawsuit ordering a musician to fill his or her contract and record what we are calling a court ordered album. We have multiple examples plus one where the band was paid NOT to record an album."

"Sony Music Publishing confirmed an agreement to acquire Blackstone's Recognition Music Group catalog for $3.5 billion. The Red Hot Chili Peppers just sold their catalog for $300 million. Other Funds are raising billions to start buying. These buyers are called Music Rights Funds. I became interested in how these Funds actually made money. How does one invest and can I sell my own music. I have the answers for you."

"The New York Times released their 30 Greatest Living American Songwriters list a short while ago. I know online lists usually have some click bait to start conversation but this list was overtly egregious. Not for who was on it. It was who was left off. We will go over the list and play some artists that should have been on there."

The Big Mates discuss classic cities, CBGB's, allergies, and Here Today, Tomorrow Next Week! by The Sugarcubes. Adam, Steve, and Lucas continue the prologue of their deep-dive exploration into the music of Björk by talking about the second album by The Sugarcubes.They discuss how the band reacted to their early success, how the album was made, the expansion of the line-up, and offer analysis, interpretation, and opinion from three differing perspectives on music, from being deeply into music and analysis, to not caring for art or critique, and everything in between!How does the second album stack up to the first? How do bees make honey? When does life begin? Find out on this episode of What Is Music?Our next episode is out next week, Monday June 8th, and we'll continue to tell the story of The Sugarcubes with their third album, Stick Around for Joy!Join the conversation on:Bluesky: https://bsky.app/profile/whatismusicpod.bsky.socialThreads: https://www.threads.net/@whatismusicpodInstagram: https://www.instagram.com/whatismusicpodE-mail: whatismusicpod@gmail.comGet access to more shows, exclusive bonus content, ad-free episodes of this show, and more music discussion by subscribing to our Patreon!Head to patreon.com/whatismusicpod and receive up to two new episodes of our various shows every week (including our album club and monthly themed playlists!), ad-free archives of What Is Music?, and access to our Patron-only Discord server for even more music (and non-music) discussion!Support our show when starting your own podcast!By signing up to Buzzsprout with this link: https://www.buzzsprout.com/?referrer_id=780379Check out our merch!https://whatismusicpod.redbubble.comDonate to our podcast!https://ko-fi.com/whatismusichttp://whatismusic.buzzsprout.com/Support the show

"Many summer tours are having to scale back or cancel altogether. The nickname given to this practice is Blue Dot Fever. It is named after the blue dots that appear on unsold seats when a ticket buyer uses Ticketmaster. It has become indicative of a larger societal and financial concern that is leading to people not being able to attend live music. We will explain."

Our "Summer in the Cities" tour kicks off in New York City, where skyscrapers, subway steam, and street corner speakers shape the soundtrack as much as any studio. From Brooklyn chipmunk soul to CBGB panic attacks, Don and Dude dive into two landmark records that lock NYC's grit, hustle, and humor into permanent groove.The AlbumsJay-Z – The Blueprint (2001)Recorded and released at the height of New York's early 2000s rap power struggles, The Blueprint finds Jay-Z sharpening his legend on a warm bed of soul samples and drum-tight beats, turning his Marcy Projects origin story and luxury-rap persona into a city-sized victory lap. Across confident battle raps, autobiographical flexes, and flashes of vulnerability, the record plays like a mission statement for modern East Coast hip hop and a blueprint for the soulful, producer-driven sound that would dominate the decade.Ramones – Ramones (1976)Captured quickly and cheaply in mid 70s Manhattan, the Ramones' debut blasts through 14 songs in under half an hour, stripping rock back to buzzsaw guitars, sprinting tempos, and chant-ready hooks that feel like CBGB's floorboards turned into sound. Its mix of cartoonish humor, dark street tales, and surf and girl-group influences turns grimy downtown New York into a noisy, funny, slightly dangerous blur that became ground zero for American punk.Diggin' AlbumsRyan Bingham & The Texas Gentlemen – They Call Us The Lucky Ones (2026)Loose, live-sounding Americana that leans on dusty bar-band grooves while Bingham reflects on struggle, endurance, and the strange kind of “luck” you earn the hard way.Wu-Tang Clan – Enter the Wu-Tang (36 Chambers) (1993)Gritty Staten Island mythology and grimy soul loops collide on a ferocious debut that reimagines New York street rap as a martial arts flick scored in a dusty basement.Nine Inch Noize – Nine Inch Noize (2026) A harsh, club-bent collision of Nine Inch Nails and Boys Noize, reworking NIN cuts into pounding electronic workouts that feel like an industrial rave eating itself alive.Olivia Rodrigo – You Seem Pretty Sad for a Girl So in Love (2026) Confessional pop rock pushes into more anxious, experimental territory as Rodrigo unpacks messy, obsessive love through big hooks and jagged, emotionally frayed arrangements.Follow & SupportFollow the show on Instagram, Facebook, Threads, and Bluesky @albumnerds, and support the podcast by subscribing, rating, reviewing, and sharing it with another music obsessive who still loves hearing whole albums front to back.“Once you have lived in New York and it has become your home, no other place is good enough.” – John Steinbeck

"This is a requested topic from a friend. He wondered if we had ever discussed steel drums. We had not so we did a show. We have some history and some discussion of tuning and prices. There are also a lot of songs that use the steel drum you may not have noticed before."

Mark A. Michaels identifies as an uncontrolled experiment. He belongs to the first generation of test tube babies, as so-called sperm donor offspring were known in the 1950s. He has published in a variety of fields, from law to ornithology to self-help, and has written for theater and film. He came of age at CBGB and Max's Kansas City in the 1970s. He is coming of age again at 66. Recent work has appeared or will be appearing in The Brussels Review, The San Antonio Review, Bitter Melon Review, Closed Eye Open, Quarter(ly) Review, and TrashLight. https://instagram.com/markamichaels/

Ramones. Blondie. Television. Talking Heads. Patti Smith. New York Dolls. Everyone knows the big names that made New York City THE epicenter of American punk rock in the 1970s. But that's only a part of the story... For every band that "made it" in some way, there were hundreds of bands who either faded into obscurity or never got the break they deserved. They shared the same stages at legendary clubs like CBGB and Max's Kansas City. And their stories are essential to the NYC punk revolution of the era. One of those bands was Manhattan's The Rousers, whose drummer, Jerid O'Connell, joins us as Third Lad today!  Rousers 1979 Sire Session is out now on Left For Dead Records on both black and translucent white individually numbered 12” LP vinyl and 2 x CD set (with bonus tracks). Inspired by the New York Dolls, Ramones and such immortal ‘50s rockers as twangy guitar hero Duane Eddy, the Rousers were woefully under-documented in their prime. A few major labels sniffed around, including RCA and Warner Bros. subdi­vision Sire. But no one committed them to vinyl until their single “Party Boy” b/w “Don't Let The Band Stop Playing” 45 (produced by Wayne Kramer of the MC5) via Jimboco in 1981.  This oversight is corrected with the release of the demos that the original Rousers lineup cut for Sire in the label's basement studio on New York's Upper West Side in 1979.  Never before released, the tapes sat shelved in the Rock & Roll Hall of Fame's Sire archives for decades, digitized and re­stored in 2024. This is not a footnote. It's a rescue mission. Tracked to tape under the sharp ear of Ed Stasium, hot off sessions with the Ramones and Talking Heads, the 1979 Sire demos are raw, radiant, and long overdue for release. They captured the Rousers in full dragstrip ignition mode: dueling Gibson guitars plugged into Fender amps for maximum punk twang, hiccupping Elvis/Buddy Holly vocal inflections, and a rhythm section built for backseat makeouts and beer-splashed dance floors.  We celebrate the true underground of NYC punk this week, including Jerid's incredible stories ranging from hanging out with Sid Vicious the week before his death to the Rousers' neighbor Madonna opening for them. Learn more about your ad choices. Visit megaphone.fm/adchoices

"On April 16 2026 A federal jury in Manhattan found that Ticketmaster and its parent company Live Nation have been acting as a monopoly. The case is wide ranging involving 33 states and the District of Columbia. Live Nation will not appeal any of the verdicts. We will discuss what is a monopoly and what these decisions could mean for the future."

Ross Brodar joins The Film Situation for a wide-ranging conversation about filmmaking, New York stories, and the strange overlap between cinema and real life. Ross has worked as a locations manager on acclaimed films including ANORA, MARTY SUPREME, and projects with directors such as Sean Baker, James Gray, and Josh Safdie. In this episode, Ross breaks down the art and logistics of location scouting, transforming real-world environments into cinematic spaces, and collaborating with visionary directors and production designers. The conversation also dives deep into Ross's gripping documentary The Linchpin of Bensonhurst, which chronicles the unbelievable life of Dominic Montiglio, a Vietnam veteran, artist, singer, and former associate of the infamous DeMeo crew tied to the Gambino crime family. Ross shares how he met Dominic by chance, ended up living with him for years, and spent over a decade documenting his life story. Along the way, Zef and Ross discuss New York in the ‘80s and ‘90s, CBGB's, Roseland Ballroom, collecting money for Sicilian fish markets, and why some true stories are ultimately stranger than fiction. Ross also shares one of his favorite movie scenes of all time: the iconic “Tears in Rain” sequence from BLADE RUNNER.   Hosted by Zef Cota * Website for Ross' documentary: THE LYNCHPIN OF BENSONHURT: The Dominick Montiglio Story https://www.dominickmontiglio.org

In this installment of Day Drinking on Delmarva, Todd and Tony dive deep into the intersection of music, memory, and media production. They discuss the origins of Todd's business during the 2008 financial crisis and how a passion for capturing live music evolved into a 15-year career in storytelling. From the “Wild West” days of YouTube copyrights to the nuances of using AI-generated tracks versus licensed music, the duo explores how sound defines the atmosphere of everything from social media shorts to local restaurants. Key Discussion Points:* A Throwback to the Roots: Todd introduces the new “GCFL” swag—a logo inspired by the iconic CBGB design—and recounts how his business began by photographing bands in Ocean City around 2008 to stay social during tough economic times.* The Power of Evergreen Content: A look back at the Barrel Room Sessions at Burleigh Oak Brewery and how live music videos, like a decade-old cover at The Starboard, continue to generate views and local SEO value years later.* Music as a Filter: The hosts reflect on how music adapts to our personal moods, whether dealing with loss, a new job, or simply finding the right “Aesthetic Lo-Fi” to write to.* The Evolution of Music Licensing: Tony and Todd discuss the shift from purchasing music to subscription models and the rise of AI tools like Beethoven.ai for creating podcast intros and outros.* Studio Legends: Tony shares a recommendation for the documentary The Wrecking Crew, detailing the anonymous session musicians who played on the biggest hits of the 60s, while Todd mentions the mysterious, mummy-wrapped studio pros of Here Come the Mummies.Links & Resources Mentioned:* Good Clean Fun Life: GoodCleanFunLife.comFavorite Quote:“I saw once somebody say that the reason they became a filmmaker was because they just wanted to share their favorite songs with people... that has kind of been the cornerstone of what we do.” — Todd This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit daydrinkingondelmarva.substack.com

"Just a bit of fun this week. Nobody is perfect so it is pretty easy to hear mistakes in recorded music. Here are some of the big ones in rock and hopefully some you did not know. Once you hear them, you cannot unhear them."

Iron Maiden will not attend their induction into the Rock And Roll Hall Of Fame due to scheduling conflicts with their upcoming Australian Tour, Slayer announce two special shows in the U.S. to celebrate the 40th anniversary of ‘Reign In Blood' by performing the album in its entirety,  former Metallica bassist Jason Newstead will embark on his first ever U.S. headlining tour with his Chophouse Band and Blackberry Smoke, the sons of Motorhead's Phil Campbell announce a few memorial shows in the UK to honor their late father with their family-centric ‘Bastard Sons' band, CBGB festival returns to New York for its second year with Patti Smith, Interpol, Morrissey & more… PLUS ‘This Week in Rock & Roll History Trivia', Rock Birthdays, ‘The Best & Worst Rock Album Artwork of the Week' & much more!All of our links are up at www.rocknewsweekly.com every Monday, where you can check out the full episode on 8 different platforms (including Amazon Audible & Apple/Google Podcasts)Watch us LIVE, chat with us & more…Every Sunday around 2pm PST @ https://www.twitch.tv/rocknewsweeklyWatch all of our videos, interviews & subscribe at Youtube.com/@rocknewsweeklyFollow us online:Instagram.com/rocknewsweeklyFacebook.com/rocknewsweeklyTwitter.com/rocknewsweeklyTikTok.com/@rocknewsweekly#IronMaiden #Slayer #JasonNewstead #PhilCampbellsBastardSons #CBGBFest #Rock #News #RockNews #RockNewsWeekly #RockNewsWeeklyPodcast #Podcast #Podcasts #Metal #HeavyMetal #Alt #Alternative #ClassicRock #70s #80s #90s #Indie #Trivia #RockTrivia #RockBirthdays #NewMusic #NewMusicReleases

Gary Lachman in conversation with David Eastaugh https://www.amazon.co.uk/Touched-Presence-Blondies-Bowery-Occult/dp/B0DSV388DQ https://www.gary-lachman.com/ https://garylachman.co.uk/ In this memoir, Lachman recounts how he went from being a successful rock and roller to a writer on consciousness and the Western inner tradition. He shares encounters with rockers such as the Ramones, New York Dolls, Patti Smith, the Rolling Stones, David Bowie, and Iggy Pop and also his time with Timothy Leary, William Burroughs, and Allen Ginsberg. Living with Blondie's Debbie Harry and Chris Stein on New York's Bowery, a block from CBGB, the birthplace of punk rock, Lachman discovered occultism via a follower of Aleister Crowley. Post rock and roll, Lachman's occult studies brought him to the Golden Dawn, Manly P. Hall, Gnosticism, and a stint in Crowley's O.T.O. He details his time in the Fourth Way, including a visit to the site of Gurdjieff 's Institute for the Harmonious Development of Man in France, and his years studying philosophy and literature and working as a science writer while managing a famous metaphysical bookshop at the height of the New Age movement. Excursions to Stonehenge, Avebury, and Glastonbury in search of ley lines and pilgrimages to Colin Wilson's home in Cornwall are a few of the highlights of this introspective, often humorous account of a nascent writer's struggle from rock and roll to individuation.

Continuing our mini-series on post-punk, Jeremy and Tim turn their attention to the pre-history of a crucial NYC venue: The Mudd Club. Given Tim literally wrote the book on this stuff, he's well-placed to tell the story of how three Downtowners got the idea, got the premises, agreed on the name (not without its difficulties) and threw open the doors. We revisit the blending of punk and dance cultures that was emerging in the city at the time, spend a moment in another club - Hurrah - and contemplate the pitfalls of punk. Elsewhere in the episode Jeremy recounts his indie disco escapades, we hear a very early iteration of Psycho Killer, and pour one out for the mighty B52s. Plus: John Wilkes Booth, Molotov cocktails, and Elvis. Produced by Matt Huxley.Become a patron at patreon.com/LoveMessagePodhttps://www.loveisthemessagepod.co.uk/Tracklist:The Rolling Stones - Miss You The Ramones - I Wanna Be Sedated Talking Heads - Psycho Killer (Live at CBGB's)Elvis - Moody Blue The Heartbreakers - Chinese Rocks B52s - 52 Women 

"The International Federation of the Phonographic Industry has released its 2026 State of the Industry Report. There are some pretty big take aways including stances on AI and the fact that the music industry is now more profitable than ever before. We will explore the findings."