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Send us a textIn this episode, Marty gives Clif the movie The Fabelmans to watch and Clif gives Marty the movie CBGB to watch. Support the showFind our films here: The Love Song of William H Shaw Revenge of Zoe Writing Fren-ZeeMaking Pondo on Facebookhttps://www.facebook.com/profile.php?id=100087139659233X (formerly Twitter):@MakingPondoInstagram:https://www.instagram.com/makingpondo/Making Pondo on Letterboxd:Season Onehttps://letterboxd.com/marty_ketola/list/talking-pondo/Season Twohttps://letterboxd.com/marty_ketola/list/talking-pondo-season-2/Season Threehttps://letterboxd.com/marty_ketola/list/talking-pondo-season-3/ Theme Song "The Rain" by Russ PacePhotos by Geoff Notkin
In the eighth episode of Soundscapes NYC, host Ryan Purcell talks with music history professor Steve Waksman about the social and stylistic transformation of the New York rock scene during the mid-1970s. The introduction of new bands clashed with the old guard, culminating with a violent altercation between artists in CBGB in March 1976. In 2024, Waksman accepted the Leverhulme International Professorship in Music in the Department of Media, Humanities, and the Arts at the University of Huddersfield (UK) where for the next five years he will conduct a comprehensive study of how music and culture have developed since the invention of sound amplification. Waksman is the former Elsie Irwin Sweeney Professor of Music and American Studies at Smith College, and the author of numerous books on music history including Instruments of Desire: The Electric Guitar and the Shaping of Musical Experience (Harvard University Press, 1999), This Ain't the Summer of Love: Conflict and Crossover in Heavy Metal and Punk (University of California Press, 2009), and Live Music in America: A History from Jenny Lind to Beyoncé (Oxford University Press, 2022). Contact Soundscapes NYC Here Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
In the eighth episode of Soundscapes NYC, host Ryan Purcell talks with music history professor Steve Waksman about the social and stylistic transformation of the New York rock scene during the mid-1970s. The introduction of new bands clashed with the old guard, culminating with a violent altercation between artists in CBGB in March 1976. In 2024, Waksman accepted the Leverhulme International Professorship in Music in the Department of Media, Humanities, and the Arts at the University of Huddersfield (UK) where for the next five years he will conduct a comprehensive study of how music and culture have developed since the invention of sound amplification. Waksman is the former Elsie Irwin Sweeney Professor of Music and American Studies at Smith College, and the author of numerous books on music history including Instruments of Desire: The Electric Guitar and the Shaping of Musical Experience (Harvard University Press, 1999), This Ain't the Summer of Love: Conflict and Crossover in Heavy Metal and Punk (University of California Press, 2009), and Live Music in America: A History from Jenny Lind to Beyoncé (Oxford University Press, 2022). Contact Soundscapes NYC Here Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture
This week Angela Jaeger (Author of I FEEL FAMOUS Punk Diaries 1977-1981 and member of bands such as PIGBAG, THE MONOCHROME SET, THE BUSH TETRAS & THE STARE KITS) joins me to discuss THE PUNK ROCK MOVIE.We talk about Angela's feelings about publishing her personal diaries & how Thurston Moore and Byron Coley encouraged her to release them for everyone, being a teenage roadie and friend of Teenage Jesus & The Jerks, experiencing CBGB's and Max's Kansas City as a teen, heading overseas to be part of the 1978 punk movement, writing your diary in code (in case your Mom finds and reads it!), performing in Japan with Pigbag, finding your fellow weirdos as a kid, getting up the nerve to go alone to your first club shows, hanging with The Cramps more than any other band, The Dead Boys, wearing garbage bags to rock shows, how Angela's mom would let bands like The Raincoats, The Slits and Young Marble Giants crash at her home when they were touring, insights into Tier 3, the club her sister ran, the director Don Letts, The Roxy's 100 days of punk, how the film might have the best ever footage of The Sex Pistols, singing and speaking with a fake British accent, having to grow up quick and the darker sides of the punk scenes, the incredible footage of The Slits and The Clash on the White Riot tour and so much more.So let's put on a garbage bag dress and dance in front of our mirrors on this week's episode of Revolutions Per Movie!BOOK: https://hatandbeard.com/collections/music/products/i-feel-famous-punk-diaries-1977-1981PIGBAG ON IRS CUTTING EDGE: https://tinyurl.com/3x7xbbzbREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
"Here is the second show where we play songs you might not know were covers. Often the cover version of a song becomes a bigger hit. And even if you did know the hit was a cover you may not know the original. We will play you a few."
Interview with Chris Stamey. Chris Stamey began writing and playing music in grade school in Winston-Salem, NC, in the mid 1960s, in what is known now as the Combo Corner scene. In 1976, while studying music composition at UNC-Chapel Hill, he self-released Sneakers, one of the very first American “indie” records. The following year, he relocated to Manhattan to play and record with Alex Chilton in the burgeoning CBGB rock scene, then formed The dB's with fellow Carolinians Will Rigby, Gene Holder, and Peter Holsapple, with whom he made several acclaimed records of original material, including Stands for deciBels (self-produced with Alan Betrock) and Repercussion (produced by Scott Litt). During the next decade and a half in New York, Stamey worked with a wide variety of musicians. He recorded well-received solo records for A&M and Warners and was a part of Anton Fier's Golden Palominos project, alongside an international touring cast that included Michael Stipe (R.E.M.), Jack Bruce (Cream), Carla Bley, and Bernie Worrell (Talking Heads, George Clinton). He continued recording and producing upon returning to NC in 1993. His recent releases include The Great Escape, Lovesick Blues and Euphoria, as well as Falling Off the Sky with The dB's and A Brand-New Shade of Blue with the Fellow Travelers. As a producer and a featured singer/songwriter with the Paris-based Salt Collective project, he collaborated with Matthew Caws (Nada Surf), Juliana Hatfield, Richard Lloyd (Television), Matthew Sweet, Peter Holsapple, and Susan Cowsill, among others. As a producer, arranger, and mixer, he has worked with over a hundred artists, including Ryan Adams, Alejandro Escovedo, Kronos Quartet, Flat Duo Jets, Skylar Gudasz, Branford Marsalis, Tift Merritt, Le Tigre, Those Pretty Wrongs, and Yo La Tengo. From 2010-2018, Stamey was orchestrator and musical director for an international series of concert performances of Big Star's classic album Third, alongside Big Star's Jody Stephens, Ray Davies, members of the Posies, R.E.M., Teenage Fanclub, Wilco, and Yo La Tengo; Thank You, Friends, a concert film of these arrangements, was released by Concord in March 2017. He currently tours as a member of Jody Stephens's Big Star Quintet, whose line-up includes Mike Mills (R.E.M), Pat Sansone (Wilco), and Jon Auer (Posies). His original radio musical about the early '60s in Manhattan, Occasional Shivers, premiered nationwide on Christmas Day 2016. A “songwriting memoir,” A Spy in the House of Loud (Univ. of Texas Press), was published in 2018, followed in 2019 by his first printed collection, New Songs for the 20th Century, with a companion two-disc CD (Omnivore Recordings). open.spotify.com/artist/1i7YYagcULgnW5Qilsto1d music.apple.com/us/artist/chris-stamey/4034250 youtube.com/channel/UCG3O3S8Zg_WJoz2uTt_duig# instagram.com/mrstamey/?hl=en facebook.com/chrisstameymusic/ twitter.com/chrisstamey songkick.com/artists/186319-chris-stamey bandsintown.com/a/78299-chris-stamey deezer.com/us/artist/1279457 tidal.com/browse/artist/3611403 qobuz.com/us-en/interpreter/chris-stamey/515742 audiomack.com/chris-stamey music.amazon.com/artists/B008LPNC4M @chris-stamey.bsky.social
In this electric episode, Brad Zerbo and Jaytriot take you on a guided tour of New York's punk revolution, from the grimy floorboards of CBGB to the thunderous rise of hardcore. They celebrate the Ramones' groundbreaking speed and raw down-picking that inspired Metallica's Kirk Hammett, while recounting personal stories of brushing shoulders with Joey and Johnny Ramone. The hosts spin tracks from Richard Hell, Television, Patti Smith, Blondie, Talking Heads, the Dead Boys, and the Dictators, showcasing how each band shaped punk's sound and look. Jay shares memories of CBGB shows in the late ‘90s and near visits to the Twin Towers days before 9/11, adding a poignant edge to the nostalgia. They wrap up with a nod to Agnostic Front and the hardcore scene that followed. From anecdotes about infamous CBGB bathrooms to the heartbreak of its closure, this episode is a loving tribute to a cultural movement that was loud, fast, and defiantly real.
Harley Flanagan has been kicking out punk music since he was in grade school. Literally. Cro-Mags, Harley's band, has been a big part of the NYC punk scene since the 80s and Harley has been making the rounds lately promoting his documentary called "Harley Flanagan: Wired for Chaos."Probably should have known by the documentary title that this episode would be anything but our typical format. Plenty of other discussion including downtuning guitars, "Medusa" from Trapeze, Ozzy's voice being unrecognizable, NYC punk scene in the 70s and 80s, CBGB, the Beastie Boys, and more. Check out Harley Flanagan at: https://harleyflanagan.com/ Check out other episodes at RecordsRevisitedPodcast.com or one all your favorite podcast providers like Apple Podcasts, Castbox, iHeartMedia, and Spotify. Additional content is found at: Facebook.com/recordsrevisitedpodcast or twitter @podcastrecords or IG at instagram.com/recordsrevisitedpodcast/ or join our Patreon at patreon.com/RecordsRevisitedPodcast
In the fourth episode of Soundscapes NYC, host Ryan Purcell and music historian Jesse Rifkin tour a constellation of seedy bars and venues in the 1970s that nurtured bands during the early days of punk rock. These spaces include well-known clubs like CBGBs and Max's Kansas City and lesser-known haunts like the Mercer Arts Center and Mother's that shed light on hidden meanings behind punk rock. These stories illuminate echoes of the trans liberation struggle, and how punk rock embodied the sounds of the city collapsing in a literal sense. Jesse Rifkin is the owner and operator of Walk on the Wild Side Tours NYC, a music history walking tour company in New York City, and consults as a pop music historian for the Association for Cultural Equity. His work has been featured in the New York Times, Conde Nast Traveller, and Vice among other venues. Before his work as a historian, he spent twelve years touring the country as a working musician, playing at CBGB, Lincoln Center, and venues of every size and shape in between. In 2023, Rifkin published his debut book, This Must be the Place: Music, Community and Vanished Spaces in New York City (Harper Collins, 2023). Contact Soundscapes NYC Here Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
In the fourth episode of Soundscapes NYC, host Ryan Purcell and music historian Jesse Rifkin tour a constellation of seedy bars and venues in the 1970s that nurtured bands during the early days of punk rock. These spaces include well-known clubs like CBGBs and Max's Kansas City and lesser-known haunts like the Mercer Arts Center and Mother's that shed light on hidden meanings behind punk rock. These stories illuminate echoes of the trans liberation struggle, and how punk rock embodied the sounds of the city collapsing in a literal sense. Jesse Rifkin is the owner and operator of Walk on the Wild Side Tours NYC, a music history walking tour company in New York City, and consults as a pop music historian for the Association for Cultural Equity. His work has been featured in the New York Times, Conde Nast Traveller, and Vice among other venues. Before his work as a historian, he spent twelve years touring the country as a working musician, playing at CBGB, Lincoln Center, and venues of every size and shape in between. In 2023, Rifkin published his debut book, This Must be the Place: Music, Community and Vanished Spaces in New York City (Harper Collins, 2023). Contact Soundscapes NYC Here Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
In the fourth episode of Soundscapes NYC, host Ryan Purcell and music historian Jesse Rifkin tour a constellation of seedy bars and venues in the 1970s that nurtured bands during the early days of punk rock. These spaces include well-known clubs like CBGBs and Max's Kansas City and lesser-known haunts like the Mercer Arts Center and Mother's that shed light on hidden meanings behind punk rock. These stories illuminate echoes of the trans liberation struggle, and how punk rock embodied the sounds of the city collapsing in a literal sense. Jesse Rifkin is the owner and operator of Walk on the Wild Side Tours NYC, a music history walking tour company in New York City, and consults as a pop music historian for the Association for Cultural Equity. His work has been featured in the New York Times, Conde Nast Traveller, and Vice among other venues. Before his work as a historian, he spent twelve years touring the country as a working musician, playing at CBGB, Lincoln Center, and venues of every size and shape in between. In 2023, Rifkin published his debut book, This Must be the Place: Music, Community and Vanished Spaces in New York City (Harper Collins, 2023). Contact Soundscapes NYC Here Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies
In the fourth episode of Soundscapes NYC, host Ryan Purcell and music historian Jesse Rifkin tour a constellation of seedy bars and venues in the 1970s that nurtured bands during the early days of punk rock. These spaces include well-known clubs like CBGBs and Max's Kansas City and lesser-known haunts like the Mercer Arts Center and Mother's that shed light on hidden meanings behind punk rock. These stories illuminate echoes of the trans liberation struggle, and how punk rock embodied the sounds of the city collapsing in a literal sense. Jesse Rifkin is the owner and operator of Walk on the Wild Side Tours NYC, a music history walking tour company in New York City, and consults as a pop music historian for the Association for Cultural Equity. His work has been featured in the New York Times, Conde Nast Traveller, and Vice among other venues. Before his work as a historian, he spent twelve years touring the country as a working musician, playing at CBGB, Lincoln Center, and venues of every size and shape in between. In 2023, Rifkin published his debut book, This Must be the Place: Music, Community and Vanished Spaces in New York City (Harper Collins, 2023). Contact Soundscapes NYC Here Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices
In the fourth episode of Soundscapes NYC, host Ryan Purcell and music historian Jesse Rifkin tour a constellation of seedy bars and venues in the 1970s that nurtured bands during the early days of punk rock. These spaces include well-known clubs like CBGBs and Max's Kansas City and lesser-known haunts like the Mercer Arts Center and Mother's that shed light on hidden meanings behind punk rock. These stories illuminate echoes of the trans liberation struggle, and how punk rock embodied the sounds of the city collapsing in a literal sense. Jesse Rifkin is the owner and operator of Walk on the Wild Side Tours NYC, a music history walking tour company in New York City, and consults as a pop music historian for the Association for Cultural Equity. His work has been featured in the New York Times, Conde Nast Traveller, and Vice among other venues. Before his work as a historian, he spent twelve years touring the country as a working musician, playing at CBGB, Lincoln Center, and venues of every size and shape in between. In 2023, Rifkin published his debut book, This Must be the Place: Music, Community and Vanished Spaces in New York City (Harper Collins, 2023). Contact Soundscapes NYC Here Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture
When singer Debbie Harry helped form Blondie in 1974 she developed a unique stage persona to front the band. Though she may have appeared to fans as a hyper-femme caricature, Harry recalls her role as androgynous or "transexual" in her 2019 memoir Face It. In the third episode of Soundscapes N.Y.C., host Ryan Purcell talks with Cornell University professor of music Judith Peraino, and University of Iowa cultural studies professor Kembrew McLeod about the stylistic and social forces that shaped gender-bending bands like Blondie and others in the early “punk” scene in 1970s New York. Judith Peraino is the author of multiple publications on rock music and constructions of gender. This includes We're Having Much More Fun: Punk Archives for the Present from CBGB to Gilman and Beyond (Cornell University Press, 2025) co-edited with Tom McEnaney, professor of comparative literature at the University of California, Berkley. McLeod is a cultural critic and documentary filmmaker. He is the author of Parallel Lines in Bloomsbury's 33 1/3 Series (2016) and the critically acclaimed history The Downtown Pop Underground: New York City and the Literary Punks, Renegade Artists, DIY Filmmakers, Mad Playwrights, and Rock 'N' Roll Glitter Queens Who Revolutionized Culture. (Abrams Press, 2018) Contact Soundscapes NYC Here Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
When singer Debbie Harry helped form Blondie in 1974 she developed a unique stage persona to front the band. Though she may have appeared to fans as a hyper-femme caricature, Harry recalls her role as androgynous or "transexual" in her 2019 memoir Face It. In the third episode of Soundscapes N.Y.C., host Ryan Purcell talks with Cornell University professor of music Judith Peraino, and University of Iowa cultural studies professor Kembrew McLeod about the stylistic and social forces that shaped gender-bending bands like Blondie and others in the early “punk” scene in 1970s New York. Judith Peraino is the author of multiple publications on rock music and constructions of gender. This includes We're Having Much More Fun: Punk Archives for the Present from CBGB to Gilman and Beyond (Cornell University Press, 2025) co-edited with Tom McEnaney, professor of comparative literature at the University of California, Berkley. McLeod is a cultural critic and documentary filmmaker. He is the author of Parallel Lines in Bloomsbury's 33 1/3 Series (2016) and the critically acclaimed history The Downtown Pop Underground: New York City and the Literary Punks, Renegade Artists, DIY Filmmakers, Mad Playwrights, and Rock 'N' Roll Glitter Queens Who Revolutionized Culture. (Abrams Press, 2018) Contact Soundscapes NYC Here Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies
"This is the first of a two show set. Often people are shocked to hear that a hit song is a cover. We have put together a long list of hit songs that are covers and we will play the original to you can hear where the hit you know came from."
When singer Debbie Harry helped form Blondie in 1974 she developed a unique stage persona to front the band. Though she may have appeared to fans as a hyper-femme caricature, Harry recalls her role as androgynous or "transexual" in her 2019 memoir Face It. In the third episode of Soundscapes N.Y.C., host Ryan Purcell talks with Cornell University professor of music Judith Peraino, and University of Iowa cultural studies professor Kembrew McLeod about the stylistic and social forces that shaped gender-bending bands like Blondie and others in the early “punk” scene in 1970s New York. Judith Peraino is the author of multiple publications on rock music and constructions of gender. This includes We're Having Much More Fun: Punk Archives for the Present from CBGB to Gilman and Beyond (Cornell University Press, 2025) co-edited with Tom McEnaney, professor of comparative literature at the University of California, Berkley. McLeod is a cultural critic and documentary filmmaker. He is the author of Parallel Lines in Bloomsbury's 33 1/3 Series (2016) and the critically acclaimed history The Downtown Pop Underground: New York City and the Literary Punks, Renegade Artists, DIY Filmmakers, Mad Playwrights, and Rock 'N' Roll Glitter Queens Who Revolutionized Culture. (Abrams Press, 2018) Contact Soundscapes NYC Here Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
When singer Debbie Harry helped form Blondie in 1974 she developed a unique stage persona to front the band. Though she may have appeared to fans as a hyper-femme caricature, Harry recalls her role as androgynous or "transexual" in her 2019 memoir Face It. In the third episode of Soundscapes N.Y.C., host Ryan Purcell talks with Cornell University professor of music Judith Peraino, and University of Iowa cultural studies professor Kembrew McLeod about the stylistic and social forces that shaped gender-bending bands like Blondie and others in the early “punk” scene in 1970s New York. Judith Peraino is the author of multiple publications on rock music and constructions of gender. This includes We're Having Much More Fun: Punk Archives for the Present from CBGB to Gilman and Beyond (Cornell University Press, 2025) co-edited with Tom McEnaney, professor of comparative literature at the University of California, Berkley. McLeod is a cultural critic and documentary filmmaker. He is the author of Parallel Lines in Bloomsbury's 33 1/3 Series (2016) and the critically acclaimed history The Downtown Pop Underground: New York City and the Literary Punks, Renegade Artists, DIY Filmmakers, Mad Playwrights, and Rock 'N' Roll Glitter Queens Who Revolutionized Culture. (Abrams Press, 2018) Contact Soundscapes NYC Here Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture
On June 5, 1975, on the seedy stage of CBGB on the Lower East Side of Manhattan, a band named Talking Heads took the stage for the first time. Unlike the Ramones, for whom they were opening, they weren't sporting black leather jackets or edgy haircuts. David Byrne and Chris Frantz had met at art school a few years before, and the bassist, Tina Weymouth, had only learned to play her instrument six months prior. But within a few weeks, Talking Heads would be plastered on the cover of the Village Voice, well on their way to utterly transforming the downtown New York music scene. After Jerry Harrison joined Talking Heads in 1977, the band would go on to radically alter rock music's relationship to avant-garde art and performance. In his new book, Burning Down the House, Jonathan Gould tells the story of how Talking Heads experimented their way to a singular musical style over the course of eight studio albums and one incredible concert film, Stop Making Sense, and he discusses their enduring influence despite having disbanded more than 30 years ago.Go beyond the episode:Jonathan Gould's Burning Down the House: Talking Heads and the New York Scene That Transformed RockRead about the origin of Stop Making Sense—and then watch it, of courseCheck out the new “Psycho Killer” music video starring Saoirse Ronan, made in honor of the 40th anniversary of the first Talking Heads performanceTune in every (other) week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek and sponsored by the Phi Beta Kappa Society.Subscribe: iTunes/Apple • Amazon • Google • Acast • Pandora • RSS FeedHave suggestions for projects you'd like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Hosted on Acast. See acast.com/privacy for more information.
Today, the Spotlight shines On guitarist Knox Chandler.Knox's name might ring a bell from his work with The Psychedelic Furs, Siouxsie and the Banshees, or maybe from his string arrangements on Depeche Mode's Exciter. However, his latest project takes an entirely different turn. After decades in the music business bouncing between New York, Berlin, and stages around the world, Knox found himself back in his Connecticut hometown caring for his aging mother.What started as a personal necessity became an artistic revelation. His new project, The Sound, is a collection of guitar-driven soundscapes and a book of paintings, photographs, and written meditations, all capturing his rediscovery of the Long Island Sound shoreline where he grew up. It's part memoir, part nature journal, and completely unlike anything else you'll hear this year.Knox is here to walk us through this ambitious multimedia project and share how returning home can lead to your most honest and creative work.(The musical excerpts heard in the interview are from Knox Chandler's album The Sound)–Dig DeeperVisit Knox Chandler at knoxchandlermusic.com and follow him on Instagram, Facebook, and YouTubePurchase Knox Chandler's The Sound book/album from Blue Elastic or Bandcamp and listen on your streaming platform of choice“I was playing a gig at CBGB's Canteen, and Cyndi showed up. She heckled me throughout the show”Guitar, Technology, and Nature Converge in Knox Chandler's Solo DebutDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our new online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.
"In July of 1962, the Rolling Stones play their first gig in the Marquee Club. The Marquee Club was one of the main venues for 1960s British rock. This week we will discuss the rather interesting history of the Marquee Club."
Jonathan Gould's latest book is "Burning Down the House: Talking Heads and the New York Scene That Transformed Rock" (Meridian Books 2025). Gould has previously written books about The Beatles and Otis Redding -- his shorter works appear in The New Yorker. Gould is a New York City native; he attended ballgames at The Polo Grounds as a child and is a Mets fan.Jonathan Gould's Website - https://www.jonathangouldauthor.com/You can support Hooks & Runs by purchasing books, including those featured in this episode (if any were), through our store at Bookshop.org. Here's the link. https://bookshop.org/shop/hooksandruns Hooks & Runs - https://hooksandruns.buzzsprout.comEmail: hooksandruns@protonmail.com Craig on Bluesky (@craigest.bsky.social)Rex (Krazy Karl's Music Emporium) on Facebookhttps://www.facebook.com/people/Krazy-Karlz-Music-Emporium/100063801500293/ Hosts Emeriti:Andrew Eckhoff on Tik TokEric on FacebookMusic: "Warrior of Light" by ikolics (via Premium Beat) This podcast and this episode are copyright Craig Estlinbaum, 2025.
Today, the Spotlight shines On guitarist Knox Chandler.Knox's name might ring a bell from his work with The Psychedelic Furs, Siouxsie and the Banshees, or maybe from his string arrangements on Depeche Mode's Exciter. However, his latest project takes an entirely different turn. After decades in the music business bouncing between New York, Berlin, and stages around the world, Knox found himself back in his Connecticut hometown caring for his aging mother.What started as a personal necessity became an artistic revelation. His new project, The Sound, is a collection of guitar-driven soundscapes and a book of paintings, photographs, and written meditations, all capturing his rediscovery of the Long Island Sound shoreline where he grew up. It's part memoir, part nature journal, and completely unlike anything else you'll hear this year.Knox is here to walk us through this ambitious multimedia project and share how returning home can lead to your most honest and creative work.(The musical excerpts heard in the interview are from Knox Chandler's album The Sound)–Dig DeeperVisit Knox Chandler at knoxchandlermusic.com and follow him on Instagram, Facebook, and YouTubePurchase Knox Chandler's The Sound book/album from Blue Elastic or Bandcamp and listen on your streaming platform of choice“I was playing a gig at CBGB's Canteen, and Cyndi showed up. She heckled me throughout the show”Guitar, Technology, and Nature Converge in Knox Chandler's Solo DebutDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our new online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.
Green Noise Records is proud to present Prime Primitive: 1976–1977, a vital archival release from legendary New York City punk band Testors, available May 30, 2025. Capturing the essence of the band's earliest studio and live recordings, this LP offers a long-overdue look at one of the rawest and most uncompromising acts to emerge from the original NYC punk underground. Founded by Sonny Vincent in 1975, Testors took shape in the grimy backrooms and sweat-soaked stages of Max's Kansas City and CBGB—two epicenters of the East Village scene that gave rise to the Ramones, Richard Hell, the Heartbreakers, and Television. Testors stayed firmly committed to the fire and fury of pure rock'n'roll, leaving behind a trail of scorched earth and unforgettable shows—including a tour with the Dead Boys that spread their chaotic energy nationwide. Far from lacking recorded material, Testors had a wealth of songs and studio sessions, but due to their fiery temperament and their desire to burn every bridge in sight they simply rejected the compromises demanded by record companies. Their often violent, stripped-down sound helped shape the American punk blueprint that thousands of bands would follow. Testors erupted on the New York scene at the epicenter of the punk rock explosion. Absolutely one of the best raw, catastrophic, and shocking bands to ever grace the stages of Max's Kansas City and CBGB's during the mid-70's punk heyday, Their incendiary sound consisted of dueling guitar noise and Sonny Vincent's street poetry. Testors created music that stands the test of time. Painfully delicate, unabashed, unrepentant, explosive, and savagely persuasive. Their earliest recordings are considerably tougher, louder and more desperate than any other music made at that time (or since) and after you let it latch onto your soul, you're forever indebted to New York's toughest, rawest, REALest punk band for the rest of your fucking life. It's a crime against history that the Testors never got their due: a band like this could and should have changed everything. Prime Primitive captures Testors the way they were meant to be heard—on vinyl, no CDs, no digital downloads, no AI. Just the real-deal slab, in an exclusive silver foil jacket for true believers to have and to hold. Adding to the celebration, a newly unearthed video titled Testors – 1979—featuring rare 16mm footage of the band and candid backstage moments with Testors, the Dead Boys, and Johnny Thunders at Irving Plaza—will be available via the Green Noise Records YouTube channel. Directed and edited by Robert Luttrell, with words and music by Sonny Vincent, the video offers a raw visual snapshot of an era that refuses to fade. Prime Primitive is a sonic time capsule of Testors at their most volatile and vital. Side A compiles nine of their early studio recordings from 1976–77—taut, feral tracks that hiss with desperation and attitude—while Side B delivers five ferocious live cuts that find the band tearing through their set with unhinged intensity. All tracks were newly remastered for this release by Timothy Stollenwerk (Stereophonic Mastering) in close collaboration with Sonny Vincent, ensuring maximum punch, grit, and clarity. Every song was written, arranged, and produced by Vincent, whose compositions and streetwise lyrics remain as bracing now as they were nearly fifty years ago. These aren't just recordings—they're artifacts of a cultural explosion, finally given the fidelity and sequencing they always deserved. D I S C O V E R Bandcamp:https://sonnyvincenttestors.bandcamp.com/Instagram:https://www.instagram.com/sonnyvincent77/Label:https://store.greennoiserecords.com/products/testors-prime-primitive-1976-1977-new-lpFacebook 1:https://www.facebook.com/sonnyvincentprivatepage.1?mibextid=ZbWKwLFacebook 2:https://www.facebook.com/p/Sonny-Vincent-100057660871484 Checkout my YouTube Channel with long form interviews from the Subversives | the History of Lowest of the Low.
"Punk music has produced some of the greatest performers and some of the greatest musician nicknames. Here is a list of the best names and where they came form."
Keith welcomes Tim Singer back to the show and we discuss his very early life in the Netherlands, his family's immigration to the US, Tim's intro to the world of hardcore and punk via New York hardcore and CBGB's, his fanzine Boiling Point and his early band No Escape. We also discuss Deadguy history, their reunion, the making of their new LP "Near Death Travel Services" and more. Keith also welcomes Dave Rosenberg to the show and we discuss his early history with music, discovering punk and hardcore shows at City Gardens, the formation of Deadguy, how the band carried on after the split of the original lineup, the reunion which was prompted by Decibel Magazine and the Deadguy Documentary film, a deep dive look into the new Deadguy LP "Near Death Travel Services" and more.
"Back in 1973 Muhammad Ali knocks out George Foreman in what was called The Rumble in the Jungle. This victory inspires Johnny Wakelin to write the song Black Superman. He gets a hit with it. So what other songs are written for or about athletes. We have a list."
Harley probably played CBGB more than anyone else alive. His impact on New York City music and the hardcore scene can't be overstated. And neither can how difficult his life was. He was a kid living a brutal adult life, but music got him through it. Just like it gets so many through it.I truly think after hearing about his journey, in his words, you'll love music more. Because it's everything, or, “almost everything.”For 30% off your first year of DistroKid to share your music with the world click DistroKid.com/vip/lovemusicmoreSubscribe to this pod's blog on Substack to receive deeper dives on the regular
Friday, August 16, 1974, was a hot summer day in New York City…it was 31 degrees, but the humidity made it feel a lot hotter…and if you were down in the Bowery amidst all the concrete, it was hotter still...and it smelled. But what happened that night, when a bunch of punks took the stage at a scussy dive bar called "CBGB's", would change music forever. This is the story of the original Ramones. Learn more about your ad choices. Visit megaphone.fm/adchoices
"Last week we spoke of Dockery Farms which the birthplace of The Blues. As all music does it was expanded and taken to different places by the musicians who played it. Here is a run down and description of the most popular forms of The Blues."
"Back in March of 1979 the movie The China Syndrome came out. Weeks later the Three Mile Island nuclear disaster occurred. This lead to musicians setting up MUSE and holding the NO Nukes concerts, albums and film. We have the entire story including the first time Bruce Springsteen was recorded live."
Episode #260Josh Todd, lead vocalist from Buckcherry returns for the 3rd time on The Mistress Carrie Podcast, from Nova Scotia on tour with Steel Panther. The band is getting ready to release their 11th studio album 'Roar Like Thunder' on June 13. Josh talks family, tennis, songwriting, working with Marty Frederickson, AC/DC, the Scorpions, his first gig, social media, CBGB's, Woodstock '99, James Brown, The Humpty Dance, Black Sabbath, and so much more! Learn more about your ad choices. Visit megaphone.fm/adchoices
This is the way Wikipedia describes Machine Dazzle: "(born 1972) is the stage name of Matthew Flower, an American costume designer, set designer, performance artist and drag queen known for his excessive and fantastical camp, surrealist, queer and maximalist approach."This description doesn't do this creative person justice because his talent, skills and accomplishments are too vast and varied to describe. Pulitzer prize winning theater critic Hilton Als puts it this way in the New Yorker, "...a true theatrical genius, who, under his professional name, Machine Dazzle, has created some of the most inventive costumes and sets I have ever seen. " In this Dr. Lisa session we delve into Machine's immersive process as well as what it was like for him, growing up in a series of small towns as a queer person, how creative problem solving is part of his DNA plus why he doesn't go to therapy. Machine Dazzle was born Matthew Flower, in 1972 in Upper Darby Township, Pennsylvania. The middle child of three sons, Matthew was mostly raised by his mother Deborah, while his father James was away working as an engineer on oil tankers. The family moved to Houston, Texas and then eventually to Idaho Falls, where Matthew felt alienated amongst the predominantly Mormon community. “I was always the tallest and the gayest” Machine Dazzle told Hilton Als when speaking about this period of his life for a piece in The New Yorker. Machine cites seeing the 1980 Olivia Newton-John film Xanadu at the age of 8 as a defining moment that helped shape his view of himself. At the age of 19, he came out as gay to his conservative parents.[2] Machine Dazzle attended and graduated from the University of Colorado, Boulder, earning a degree in art. In 1994 he moved to New York City and joined the Dazzle Dancers. Machine Dazzle spent this time working a myriad of day jobs, including a position as a jewelry designer and at the non-profit cultural center Exit Art, to support his growing fascination with designing extravagant costumes to wear at night in New York City's clubs such as CBGB and Jackie 60. The origin of the name Machine Dazzle came from dancing in costume at one such club as a Dazzle Dancer. A friend referred to him as a dancing machine, which quickly morphed into Machine Dazzle. As Machine's costumes began to catch the attention of other club kids and eventually he began taking commissions from drag queens and dancers. Julie Atlas Muz asked Machine to design a full show in 2004. In 2008, Machine Dazzle designed the sets and costumes for Lustre, a Midwinter Trans-Fest, starring Justin Vivian Bond. In 2009, he designed Taylor Mac's five hour long The Lily's Revenge. Mac and Machine Dazzle would go on to collaborate extensively throughout their careers.[3]
"Dockery Farms is said to be the place where the Delta Blues began. That is a bold statement but once you hear the research I have gathered it will be hard to argue. Robert Johnson did not sell his soul for great musical talent. He went to Dockery Farms which is still open today and welcoming visitors."
Iggy Pop & Jack White will headline the new CBGB festival in New York, Soundgarden will finally release their final album with Chris Cornell's vocals, Alice In Chains have cancelled their tour & festival appearances for the summer due to an undisclosed medical emergency & more! PLUS ‘This Week in Rock & Roll History Trivia', Rock Birthdays, ‘The Best & Worst Rock Album Artwork of the Week' & so much more!Everything is up at www.rocknewsweekly.com Watch us LIVE, chat with us & more…Every Sunday around 2pm PST @ https://www.twitch.tv/rocknewsweeklyWatch all of our videos, interviews & subscribe at Youtube.com/@rocknewsweeklyFollow us online:Instagram.com/rocknewsweeklyFacebook.com/rocknewsweeklyTwitter.com/rocknewsweeklyAll of our links are up at www.rocknewsweekly.com every Monday, where you canCheck it out on 8 different platforms (including Amazon Audible & Apple/Google Podcasts) #Rock #News #RockNews #RockNewsWeekly #RockNewsWeeklyPodcast #Podcast #Podcasts #Metal #HeavyMetal #Alt #Alternative #ClassicRock #70s #80s #90s #Indie #Indie #Trivia #RockBirthdays #BestAndWorstAlbumCovers #AlbumCovers #BadAlbumCovers #soundgarden #cbgb #cbgbfestival #chriscornell #iggypop #jackwhite #aliceinchains #seankinney
What is Evil? Different tradition have different ideas. In this compelling Q & A episode of Wisdom of the Sages, Raghunath and Kaustubha explore how the Bhakti tradition understands darkness, Satan, and the concept of evil. Is it a cosmic force? A personal being? Or simply the absence of divine light? Other questions include how to navigate workplace obligations at bars while maintaining spiritual sobriety, and what pure devotional service looks like in today's world. Key Highlights: • Evil explained Bhakti-style: darkness isn't a rival force—it's what happens when we turn away from the light • What to do when your boss schedules meetings in a bar (spoiler: garlic-soaked pizza may also be involved) • Pure devotion demystified: how love shows up in kirtan, service, and yes, even chicken coop assignments • Lessons from Mussolini to CBGB's: the slippery slope of bad choices and the art of guarding your inner light • It's not about being judgmental—but about choosing clarity over compromise
What is Evil? Different tradition have different ideas. In this compelling Q & A episode of Wisdom of the Sages, Raghunath and Kaustubha explore how the Bhakti tradition understands darkness, Satan, and the concept of evil. Is it a cosmic force? A personal being? Or simply the absence of divine light? Other questions include how to navigate workplace obligations at bars while maintaining spiritual sobriety, and what pure devotional service looks like in today's world. Key Highlights: • Evil explained Bhakti-style: darkness isn't a rival force—it's what happens when we turn away from the light • What to do when your boss schedules meetings in a bar (spoiler: garlic-soaked pizza may also be involved) • Pure devotion demystified: how love shows up in kirtan, service, and yes, even chicken coop assignments • Lessons from Mussolini to CBGB's: the slippery slope of bad choices and the art of guarding your inner light • It's not about being judgmental—but about choosing clarity over compromise
"If you have an extra 12495 dollars lying around then you can be a roadie for Gene Simmons on his solo tour. We will discuss what you must do and if the money is worth it. We will also talk about the average monies paid to real roadies."
The CBGB Festival celebrates New York City's gritty, sticker-covered past through the lens of the modern punk era, with a lineup bridging punk's origins to its future torchbearers.FRUMESS is POWERED by www.riotstickers.com/frumessJOIN THE PATREON FOR LESS THAN A $2 CUP OF COFFEE!!https://www.patreon.com/Frumess
On this very special bonus episode of Lipps Service, Scott sits down with three of the six acts who will perform on June 4 at the historic New York City venue The Bitter End for our first-ever live event – LIPPS SERVICE LIVE! GET YOUR TICKETS NOW! JUNE 4 AT THE BITTER END https://tickets.venuepilot.com/e/lipps-service-live-festival-2025-06-04-the-bitter-end-new-york-e3febc?presaleName=lipps-service-live The live concert will be a reflection of Lipps Service podcast, as the night will bring together past and present NYC-bred music, including three legendary acts – Ed Kowalczyk of LIVE, Hamilton Leithauser of The Walkmen, Eugene Hütz of Gogol Bordello and Casa Gogol – and three of the best up-and-coming bands of the city's contemporary music scene – Jackson Hamm of Telescreens, Thesaurus Rex, and Torture and The Desert Spiders! To get fans excited about the live show, Scott talked with Ed, Eugene, who was accompanied by an artist under his label, Grace Bergere, and Torture in this special bonus episode. Starting with Ed, he discusses his early music days in NYC, shares a crazy story about the band's hit song “Lightning Crashes,” and lists his top 5 most meaningful lyrics and underrated singers. Next up, Eugene and Grace reflect on Gogol Bordello's rise in 1989 in NYC, and list the best punk bands from the city. To close, Torture tells the story of how David Bowie inspired her band name and her favorite artists in the current NYC music scene. Tune into this exciting and insightful episode of Lipps Service, learn about the artists, hear their thoughts on the upcoming live show, and get ready for LIPPS SERVICE LIVE! We hope to see you all there – you don't want to miss it! CREDITS (Instagram handles)Host @scottlippsEdited by @toastycakesMusic by @robby_hoffProduced by @whitakermarisaRecorded at Melrose Podcasts NYC Sonos makes it so easy to fill your home with incredible sound! Check out the new Sonos Ace headphones, which are Bluetooth-enabled and have three buttons. The content key allows you to play, pause, accept calls, and control the volume. Plus, they feature noise cancellation and voice assist!These headphones are exceptionally well done and sound incredible, whether listening to your favorite playlist, chatting on a call, watching a movie, or even recording a podcast like this one. They sound particularly fantastic when listening to Lipps Service!Sonos has great gifts for everyone on your list. Visit sonos.com/Lipps to save 20% on select products. Ed Kowalczyk of LIVE0:04:30 - Getting signed out of NYC 0:05:15 - CBGB 0:07:30 - “Lightning Crashes” story 0:10:00 - College radio 0:11:30 - Early lyrics 0:15:00 - Mixing in a defunct Playboy resort 0:17:00 - Drawing inspiration 0:20:00 - Meeting Kurt Cobain 0:22:35 - Collaborating with Peter Buck 0:24:00 - Top 5 most meaningful lyrics 0:35:45 - Top 5 criminally underrated lead singers 0:38:50 - What does this record mean to you? (The Velvet Underground & Nico)Eugene Hütz of Gogol Bordello and Grace Bergere of Casa Gogol 0:43:13 - The Gogol collective and touring 0:43:28 - Working with Rick Rubin 0:50:24 - 1989 in NYC 0:55:00 - Early punk rock1:02:05 - Top NYC punk bands Torture and The Desert Spiders1:04:52 - Band name story1:09:00 - Beginnings in music 1:16:22 - Top 5 local rock bands
"First you need to know there are no swear words in this show. It was this week back in the 60s when the FBI released a letter stating that there were no curse words in the song Louie Louie. But people keep looking. This is a list of songs that were banned or otherwise maligned because someone was sure the singer was cursing. But there was no curse word. It is a long list."
"This week back in 2007 Sammy Hagar sold an 80 percent stake in his Cabo Wabo tequila for $80 million. Since then it seems every musician or band has their own line of booze. Here is a good long list and where you can buy it."
“Inspirados por los Ramones, lograron tocar en su templo punk: el CBGB de Nueva York. Apasionados de las películas de terror, protagonizaron dos filmes de serie B a las órdenes del director más reconocido del cine de género en España, Jess Franco. Desde un pequeño apartamento en Vigo reconvertido en oficina, hasta el escenario principal de festivales en Japón y Alemania, la historia de Killer Barbies es una vertiginosa carrera nacida en los márgenes del movimiento indie de los años 90, repleta de momentos sorprendentes y asombrosos”. Y están de actualidad porque sacan su octavo disco en mayo con Subterfuge y por un libro hoy protagonista de nuestro viaje: Voy a matarte esta noche. La ruidosa y acelerada historia de Killer Barbies (Ed. Applehead) por nuestro invitado Luís León Luri y con colaboraciones entre otros de Mario Vaquerizo · Alaska · Doctor Gonzo · Valeria Vegas · Carlos Galán · Jesús Ordovás · Santiago Segura y por supuesto nuestros también invitados, los Killer Barbies genuinos Silvia Superstar y Billy King.Con Don Víctor desde el Planeta Segovia conectamos Killer Barbies con los cómics.Escuchar audio
"We all know the stories of the Beatles, Doors, Dylan and Stones on Ed Sullivan. However, there are a few more good stories you might find interesting. They are not as big at the main stories, but interesting nonetheless."
"A story about the Payola Hearings came up in a music history feed and it occurred to me that we have never done a show on Payola. It is a rather interesting story of companies acting in their own interest with the backing of the government. You may think Payola is bad but I believe I can change your mind."
The podcast episode features Jesse Rifkin, the owner of Walk on the Wildside Tours NYC, a music history walking tour company in New York City, and the author of the book 'This Must Be the Place: Music, Community, and Vanishing Spaces in New York City.' Rifkin shares his background, including his consultancy roles as a pop music historian and his 12 years as a touring musician. They discuss his first concert experience, watching Bob Dylan with Ani DiFranco as the opening act at the Filene Center in Vienna, Virginia, and the interesting intersections his life has had with notable music historians like Alan Lomax.Rifkin recounts his experience attending a unique U2 concert at the Apollo Theater in Harlem, highlighting how seeing a globally famous band in an intimate venue was a surreal and memorable experience. He emphasizes the different dimensions of enjoying massive arena shows versus small, underground music scenes. He talks about his favorite bands, particularly Akron Family and other experimental groups, often performing at DIY venues like Silent Barn and emphasizing how these experiences felt more personal and impactful.The conversation shifts to Jesse's walking tours, which often focus on the punk and post-punk scenes in NYC, featuring iconic sites like CBGB. He discusses the importance of understanding the human and local context behind legendary music and bands, offering a more tangible and relatable connection to this history. His tours aim to demystify the grandiosity of famous musicians by highlighting their humble beginnings in intimate settings.Finally, Jesse talks about his book and its evolution from his extensive tours and Instagram presence, which caught the attention of his editor in 2019. He details the content of the book, which spans 60 years of music history, categorizing different NYC music scenes, and offers practical insights into creating community-driven music venues. Jesse's mission is to show that music and performance spaces can be accessible and transformative, urging people to see the possibility within DIY approaches to music and community building.BANDS: Akron Family, Bad Brains, Beastie Boys, Blondie, Bob Dylan, Castanets, The Cure, Elephant 6 Recording Company, Grateful Dead, Lynyrd Skynard, Neutral Milk Hotel, New York Dolls, Olivia Tremor Control, Patti Smith, Ramones, Sonic Youth, Talking Heads, U2, Velvet Underground, Wooden Wand and the Vanishing Voice, Woods.VENUES: 171A, Apollo Theater, Bowery Ballroom, CBGB, Death by Audio, Jelly NYC, Silent Barn, Tonic, Uncle Paulie's, Wolf Trap. PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708
Here Comes The Space Cow is more than just a new LP — it's the sound of four musicians overflowing with talent but also bound by something deeper. This group plays like they were born to find each other, blending jazz grooves with just the right dash of funk. It's tight, soulful, and polished in the way only seasoned artists can pull off. Roger Kunkel (in photo) stopped by the studio to give us a taste, spinning a few tracks and gracing us with a couple of mesmerizing live performances on guitar. It was pure magic. Roger Kunkel -- Guitar, vocals. Stoo Odom -- Stand up bass, vocals. Bart VanDer Zeuuw -- Drums. Max Hart -- Hammond organ, pedal steel guitar. Roger spent his 20s touring and recording as the electric guitarist for Thin White Rope, a critically acclaimed Davis band that released five albums and played venues from CBGB to the Soviet Union to the Reading Festival. Though the group disbanded in 1992, their legacy endures, with The Guardian dubbing them cult heroes in 2015 and all five albums reissued in 2018. In the late '90s, Kunkel shifted gears, forming the jazz-surf-rock group Acme Rocket Quartet, which gained a following in the San Francisco Lounge scene. By the early 2000s, he stepped back from live performance to focus on family and study acoustic instruments like bluegrass guitar, mandolin, and fiddle. More recently, he has returned to performing with the retro country band Mike Blanchard and the Californios, released a solo acoustic album, and revived Acme Rocket Quartet.
"At the time of this recording, President Trump has paused the Tariffs but for China. Even so, the tariffs will have a marked effect on the cost of almost everything dealing with music including instruments to records to touring to streaming."
"Tool was just roundly booed off the stage at their own festival. Seems they promised two separate sets over two night and did not deliver. But it is not just them. You will not believe some other bands who were booed off stage as well."