POPULARITY
Categories
355 episodes with CBGB
27 episodes with CBGB
10 episodes with CBGB
9 episodes with CBGB
11 episodes with CBGB
8 episodes with CBGB
10 episodes with CBGB
4 episodes with CBGB
4 episodes with CBGB
5 episodes with CBGB
5 episodes with CBGB
11 episodes with CBGB
3 episodes with CBGB
3 episodes with CBGB
6 episodes with CBGB
5 episodes with CBGB
3 episodes with CBGB
2 episodes with CBGB
4 episodes with CBGB
3 episodes with CBGB
3 episodes with CBGB
4 episodes with CBGB
3 episodes with CBGB
3 episodes with CBGB
9 episodes with CBGB
3 episodes with CBGB
2 episodes with CBGB
3 episodes with CBGB
4 episodes with CBGB
7 episodes with CBGB
3 episodes with CBGB
4 episodes with CBGB
2 episodes with CBGB
4 episodes with CBGB
6 episodes with CBGB
4 episodes with CBGB
Episode #260Josh Todd, lead vocalist from Buckcherry returns for the 3rd time on The Mistress Carrie Podcast, from Nova Scotia on tour with Steel Panther. The band is getting ready to release their 11th studio album 'Roar Like Thunder' on June 13. Josh talks family, tennis, songwriting, working with Marty Frederickson, AC/DC, the Scorpions, his first gig, social media, CBGB's, Woodstock '99, James Brown, The Humpty Dance, Black Sabbath, and so much more! Learn more about your ad choices. Visit megaphone.fm/adchoices
"Dockery Farms is said to be the place where the Delta Blues began. That is a bold statement but once you hear the research I have gathered it will be hard to argue. Robert Johnson did not sell his soul for great musical talent. He went to Dockery Farms which is still open today and welcoming visitors."
Iggy Pop & Jack White will headline the new CBGB festival in New York, Soundgarden will finally release their final album with Chris Cornell's vocals, Alice In Chains have cancelled their tour & festival appearances for the summer due to an undisclosed medical emergency & more! PLUS ‘This Week in Rock & Roll History Trivia', Rock Birthdays, ‘The Best & Worst Rock Album Artwork of the Week' & so much more!Everything is up at www.rocknewsweekly.com Watch us LIVE, chat with us & more…Every Sunday around 2pm PST @ https://www.twitch.tv/rocknewsweeklyWatch all of our videos, interviews & subscribe at Youtube.com/@rocknewsweeklyFollow us online:Instagram.com/rocknewsweeklyFacebook.com/rocknewsweeklyTwitter.com/rocknewsweeklyAll of our links are up at www.rocknewsweekly.com every Monday, where you canCheck it out on 8 different platforms (including Amazon Audible & Apple/Google Podcasts) #Rock #News #RockNews #RockNewsWeekly #RockNewsWeeklyPodcast #Podcast #Podcasts #Metal #HeavyMetal #Alt #Alternative #ClassicRock #70s #80s #90s #Indie #Indie #Trivia #RockBirthdays #BestAndWorstAlbumCovers #AlbumCovers #BadAlbumCovers #soundgarden #cbgb #cbgbfestival #chriscornell #iggypop #jackwhite #aliceinchains #seankinney
What is Evil? Different tradition have different ideas. In this compelling Q & A episode of Wisdom of the Sages, Raghunath and Kaustubha explore how the Bhakti tradition understands darkness, Satan, and the concept of evil. Is it a cosmic force? A personal being? Or simply the absence of divine light? Other questions include how to navigate workplace obligations at bars while maintaining spiritual sobriety, and what pure devotional service looks like in today's world. Key Highlights: • Evil explained Bhakti-style: darkness isn't a rival force—it's what happens when we turn away from the light • What to do when your boss schedules meetings in a bar (spoiler: garlic-soaked pizza may also be involved) • Pure devotion demystified: how love shows up in kirtan, service, and yes, even chicken coop assignments • Lessons from Mussolini to CBGB's: the slippery slope of bad choices and the art of guarding your inner light • It's not about being judgmental—but about choosing clarity over compromise
What is Evil? Different tradition have different ideas. In this compelling Q & A episode of Wisdom of the Sages, Raghunath and Kaustubha explore how the Bhakti tradition understands darkness, Satan, and the concept of evil. Is it a cosmic force? A personal being? Or simply the absence of divine light? Other questions include how to navigate workplace obligations at bars while maintaining spiritual sobriety, and what pure devotional service looks like in today's world. Key Highlights: • Evil explained Bhakti-style: darkness isn't a rival force—it's what happens when we turn away from the light • What to do when your boss schedules meetings in a bar (spoiler: garlic-soaked pizza may also be involved) • Pure devotion demystified: how love shows up in kirtan, service, and yes, even chicken coop assignments • Lessons from Mussolini to CBGB's: the slippery slope of bad choices and the art of guarding your inner light • It's not about being judgmental—but about choosing clarity over compromise
"If you have an extra 12495 dollars lying around then you can be a roadie for Gene Simmons on his solo tour. We will discuss what you must do and if the money is worth it. We will also talk about the average monies paid to real roadies."
The CBGB Festival celebrates New York City's gritty, sticker-covered past through the lens of the modern punk era, with a lineup bridging punk's origins to its future torchbearers.FRUMESS is POWERED by www.riotstickers.com/frumessJOIN THE PATREON FOR LESS THAN A $2 CUP OF COFFEE!!https://www.patreon.com/Frumess
On this very special bonus episode of Lipps Service, Scott sits down with three of the six acts who will perform on June 4 at the historic New York City venue The Bitter End for our first-ever live event – LIPPS SERVICE LIVE! GET YOUR TICKETS NOW! JUNE 4 AT THE BITTER END https://tickets.venuepilot.com/e/lipps-service-live-festival-2025-06-04-the-bitter-end-new-york-e3febc?presaleName=lipps-service-live The live concert will be a reflection of Lipps Service podcast, as the night will bring together past and present NYC-bred music, including three legendary acts – Ed Kowalczyk of LIVE, Hamilton Leithauser of The Walkmen, Eugene Hütz of Gogol Bordello and Casa Gogol – and three of the best up-and-coming bands of the city's contemporary music scene – Jackson Hamm of Telescreens, Thesaurus Rex, and Torture and The Desert Spiders! To get fans excited about the live show, Scott talked with Ed, Eugene, who was accompanied by an artist under his label, Grace Bergere, and Torture in this special bonus episode. Starting with Ed, he discusses his early music days in NYC, shares a crazy story about the band's hit song “Lightning Crashes,” and lists his top 5 most meaningful lyrics and underrated singers. Next up, Eugene and Grace reflect on Gogol Bordello's rise in 1989 in NYC, and list the best punk bands from the city. To close, Torture tells the story of how David Bowie inspired her band name and her favorite artists in the current NYC music scene. Tune into this exciting and insightful episode of Lipps Service, learn about the artists, hear their thoughts on the upcoming live show, and get ready for LIPPS SERVICE LIVE! We hope to see you all there – you don't want to miss it! CREDITS (Instagram handles)Host @scottlippsEdited by @toastycakesMusic by @robby_hoffProduced by @whitakermarisaRecorded at Melrose Podcasts NYC Sonos makes it so easy to fill your home with incredible sound! Check out the new Sonos Ace headphones, which are Bluetooth-enabled and have three buttons. The content key allows you to play, pause, accept calls, and control the volume. Plus, they feature noise cancellation and voice assist!These headphones are exceptionally well done and sound incredible, whether listening to your favorite playlist, chatting on a call, watching a movie, or even recording a podcast like this one. They sound particularly fantastic when listening to Lipps Service!Sonos has great gifts for everyone on your list. Visit sonos.com/Lipps to save 20% on select products. Ed Kowalczyk of LIVE0:04:30 - Getting signed out of NYC 0:05:15 - CBGB 0:07:30 - “Lightning Crashes” story 0:10:00 - College radio 0:11:30 - Early lyrics 0:15:00 - Mixing in a defunct Playboy resort 0:17:00 - Drawing inspiration 0:20:00 - Meeting Kurt Cobain 0:22:35 - Collaborating with Peter Buck 0:24:00 - Top 5 most meaningful lyrics 0:35:45 - Top 5 criminally underrated lead singers 0:38:50 - What does this record mean to you? (The Velvet Underground & Nico)Eugene Hütz of Gogol Bordello and Grace Bergere of Casa Gogol 0:43:13 - The Gogol collective and touring 0:43:28 - Working with Rick Rubin 0:50:24 - 1989 in NYC 0:55:00 - Early punk rock1:02:05 - Top NYC punk bands Torture and The Desert Spiders1:04:52 - Band name story1:09:00 - Beginnings in music 1:16:22 - Top 5 local rock bands
"First you need to know there are no swear words in this show. It was this week back in the 60s when the FBI released a letter stating that there were no curse words in the song Louie Louie. But people keep looking. This is a list of songs that were banned or otherwise maligned because someone was sure the singer was cursing. But there was no curse word. It is a long list."
"This week back in 2007 Sammy Hagar sold an 80 percent stake in his Cabo Wabo tequila for $80 million. Since then it seems every musician or band has their own line of booze. Here is a good long list and where you can buy it."
“Inspirados por los Ramones, lograron tocar en su templo punk: el CBGB de Nueva York. Apasionados de las películas de terror, protagonizaron dos filmes de serie B a las órdenes del director más reconocido del cine de género en España, Jess Franco. Desde un pequeño apartamento en Vigo reconvertido en oficina, hasta el escenario principal de festivales en Japón y Alemania, la historia de Killer Barbies es una vertiginosa carrera nacida en los márgenes del movimiento indie de los años 90, repleta de momentos sorprendentes y asombrosos”. Y están de actualidad porque sacan su octavo disco en mayo con Subterfuge y por un libro hoy protagonista de nuestro viaje: Voy a matarte esta noche. La ruidosa y acelerada historia de Killer Barbies (Ed. Applehead) por nuestro invitado Luís León Luri y con colaboraciones entre otros de Mario Vaquerizo · Alaska · Doctor Gonzo · Valeria Vegas · Carlos Galán · Jesús Ordovás · Santiago Segura y por supuesto nuestros también invitados, los Killer Barbies genuinos Silvia Superstar y Billy King.Con Don Víctor desde el Planeta Segovia conectamos Killer Barbies con los cómics.Escuchar audio
Dopo aver esplorato la NYC anni '70 attraverso la serie tv Vinyl, esploriamo i suoi luoghi iconici con Laura Pezzino attraverso il suo libro dalla copertina fucsia con una chitarra a stelle e strisce: “A New York con Patti Smith, la sciamana del Chelsea hotel”.Dal Max's Kansas City al CBGB al Chelsea Hotel questa puntata è davvero un tuffo nel passato leggendario del Village.Oggi AmericanA compie un anno e questo è il mio regalo per voi che è anche un immenso grazie per tutto il supporto che mi avete sempre dato ❤️Buon Ascolto!Aiutami a crescere..condividi questa pagina, metti mi piace, lasciami un feedback, suggerisci il progetto a chi pensi possa interessare..e se ti va puoi offrimi un buon caffè americano lo apprezzerò molto...grazie di cuore!Seguimi anche sui miei socials!Qua invece trovi il libro di Laura..lettura indispensabile!https://www.giulioperroneditore.com/prodotto/a-new-york-con-patti-smith/
"We all know the stories of the Beatles, Doors, Dylan and Stones on Ed Sullivan. However, there are a few more good stories you might find interesting. They are not as big at the main stories, but interesting nonetheless."
"A story about the Payola Hearings came up in a music history feed and it occurred to me that we have never done a show on Payola. It is a rather interesting story of companies acting in their own interest with the backing of the government. You may think Payola is bad but I believe I can change your mind."
New York Based Horror Punk Band Cut Like This talked about their music and Rose playing with her band at CBGB talked about punk and goth in New York talked about horror films and being circus performers and their upcoming music and projects
The podcast episode features Jesse Rifkin, the owner of Walk on the Wildside Tours NYC, a music history walking tour company in New York City, and the author of the book 'This Must Be the Place: Music, Community, and Vanishing Spaces in New York City.' Rifkin shares his background, including his consultancy roles as a pop music historian and his 12 years as a touring musician. They discuss his first concert experience, watching Bob Dylan with Ani DiFranco as the opening act at the Filene Center in Vienna, Virginia, and the interesting intersections his life has had with notable music historians like Alan Lomax.Rifkin recounts his experience attending a unique U2 concert at the Apollo Theater in Harlem, highlighting how seeing a globally famous band in an intimate venue was a surreal and memorable experience. He emphasizes the different dimensions of enjoying massive arena shows versus small, underground music scenes. He talks about his favorite bands, particularly Akron Family and other experimental groups, often performing at DIY venues like Silent Barn and emphasizing how these experiences felt more personal and impactful.The conversation shifts to Jesse's walking tours, which often focus on the punk and post-punk scenes in NYC, featuring iconic sites like CBGB. He discusses the importance of understanding the human and local context behind legendary music and bands, offering a more tangible and relatable connection to this history. His tours aim to demystify the grandiosity of famous musicians by highlighting their humble beginnings in intimate settings.Finally, Jesse talks about his book and its evolution from his extensive tours and Instagram presence, which caught the attention of his editor in 2019. He details the content of the book, which spans 60 years of music history, categorizing different NYC music scenes, and offers practical insights into creating community-driven music venues. Jesse's mission is to show that music and performance spaces can be accessible and transformative, urging people to see the possibility within DIY approaches to music and community building.BANDS: Akron Family, Bad Brains, Beastie Boys, Blondie, Bob Dylan, Castanets, The Cure, Elephant 6 Recording Company, Grateful Dead, Lynyrd Skynard, Neutral Milk Hotel, New York Dolls, Olivia Tremor Control, Patti Smith, Ramones, Sonic Youth, Talking Heads, U2, Velvet Underground, Wooden Wand and the Vanishing Voice, Woods.VENUES: 171A, Apollo Theater, Bowery Ballroom, CBGB, Death by Audio, Jelly NYC, Silent Barn, Tonic, Uncle Paulie's, Wolf Trap. PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708
Here Comes The Space Cow is more than just a new LP — it's the sound of four musicians overflowing with talent but also bound by something deeper. This group plays like they were born to find each other, blending jazz grooves with just the right dash of funk. It's tight, soulful, and polished in the way only seasoned artists can pull off. Roger Kunkel (in photo) stopped by the studio to give us a taste, spinning a few tracks and gracing us with a couple of mesmerizing live performances on guitar. It was pure magic. Roger Kunkel -- Guitar, vocals. Stoo Odom -- Stand up bass, vocals. Bart VanDer Zeuuw -- Drums. Max Hart -- Hammond organ, pedal steel guitar. Roger spent his 20s touring and recording as the electric guitarist for Thin White Rope, a critically acclaimed Davis band that released five albums and played venues from CBGB to the Soviet Union to the Reading Festival. Though the group disbanded in 1992, their legacy endures, with The Guardian dubbing them cult heroes in 2015 and all five albums reissued in 2018. In the late '90s, Kunkel shifted gears, forming the jazz-surf-rock group Acme Rocket Quartet, which gained a following in the San Francisco Lounge scene. By the early 2000s, he stepped back from live performance to focus on family and study acoustic instruments like bluegrass guitar, mandolin, and fiddle. More recently, he has returned to performing with the retro country band Mike Blanchard and the Californios, released a solo acoustic album, and revived Acme Rocket Quartet.
"At the time of this recording, President Trump has paused the Tariffs but for China. Even so, the tariffs will have a marked effect on the cost of almost everything dealing with music including instruments to records to touring to streaming."
Dragbody and Beyond: Scott White's Musical JourneyJoin us as we dive into the life and music journey of Scott White. Growing up in DeLand, Florida, Scott shares memories of his early days playing in his first punk band, Shutout, and his time with Dragbody, formerly known as Contention of the Orders.He reminisces about playing Central Florida venues like Power Station, Happy Days, Club Nowhere, Sunburst Pub, Sapphire Supper Club, and the beloved D.I.Y. Records. Scott also talks about touring the east coast with notable bands like Cease (Tampa), Assück (St. Pete), and Cream Abdul Babar (Tallahassee), as well as his experiences at various festivals and getting to play the legendary CBGB's in NYC multiple times!One of the highlights of Scott's journey with Dragbody was their 2021 European tour, where he shares stories of playing in Germany, Switzerland, Spain, and more. He also opens up about his time in the studio, recording in Chicago with the late, great Steve Albini, and recording with other talented folks like Dave Michaels at The Difference, Mark Ignaffo at Reel Time Studios, and Steve Heritage at Morrisound.After Dragbody, Scott went on to join southern rock/sludge band Railsplitter and later formed Six Dead Horses, where he took on roles as vocalist, guitarist, and songwriter. We also explore Scott's artistic side, from his early days screen-printing for bands to his work as a tattoo artist and co-owner of Rise Above Tattoos in Orlando.Tune in for an in-depth conversation with Scott White, covering his musical journey, artistic endeavors, and more.
"Tool was just roundly booed off the stage at their own festival. Seems they promised two separate sets over two night and did not deliver. But it is not just them. You will not believe some other bands who were booed off stage as well."
"There are a lot of songs that have famous people in their titles. We wanted to know who some of the lesser known people named in titles are. The internet did not disappoint. We have a good long list."
"We hit a thread that listed some songs that were written for revenge. A single Google Search later and we had a good long list. And it is not just Taylor Swift."
"It seems that lately that are more plane crashes and close calls than we have had in a while. There are many stories of musicians dying in plane crashes but what we have here are stories of survival over multiple crashes and air mishaps."
On this episode of Prisoners of Rock and Roll, we're stepping into the grimy, graffiti-smeared chaos of CBGB—the legendary Bowery dive that became punk's ground zero. A Cathedral of Misfits. Picture this: December 1973, Hilly Kristal, a former Marine, opens a bar at 315 Bowery, dreaming of country, bluegrass, and blues. Instead, the junkies and misfits of New York's underbelly gave him something else—a revolution. CBGB wasn't just a club; it was a musical laboratory for rebels. With a simple rule that bands couldn't play covers, The Ramones hammered out three-chord blitzkriegs, Patti Smith snarled poetry into punk, Blondie strutted to stardom, and Talking Heads turned weird into gold—all while helping change rock forever. The place stank, the bathrooms were a nightmare, but the music? Pure, unpolished fire. By the ‘80s, Sunday matinees flipped it to hardcore—bands like Bad Brains and the Beastie Boys' early thrash days tearing the roof off. From punk's birth to its brutal evolution, CBGB launched a global DIY movement, proving you didn't need polish, just guts. But the story ends ugly—rent wars and gentrification killed it in 2006, turning a punk mecca into a fashion boutique and an airport restaurant. Grab your leather jacket, because we're diving into the birthplace of rebellion, the chaos inside those peeling walls, and how a little club with a country name rewrote rock's rulebook. This is CBGB, unfiltered. Episode Playlist Check out our episode playlist here. Get In Touch Check us out online, on Facebook, Twitter, or YouTube. or drops us an email at show@prisonersofrockandroll.com. Or if you're in Philadelphia, come visit our home base at McCusker's Tavern. Prisoners of Rock and Roll is part of Pantheon Media. We're sponsored by Boldfoot Socks. Learn more about your ad choices. Visit megaphone.fm/adchoices
On this episode of Prisoners of Rock and Roll, we're stepping into the grimy, graffiti-smeared chaos of CBGB—the legendary Bowery dive that became punk's ground zero. A Cathedral of Misfits. Picture this: December 1973, Hilly Kristal, a former Marine, opens a bar at 315 Bowery, dreaming of country, bluegrass, and blues. Instead, the junkies and misfits of New York's underbelly gave him something else—a revolution. CBGB wasn't just a club; it was a musical laboratory for rebels. With a simple rule that bands couldn't play covers, The Ramones hammered out three-chord blitzkriegs, Patti Smith snarled poetry into punk, Blondie strutted to stardom, and Talking Heads turned weird into gold—all while helping change rock forever. The place stank, the bathrooms were a nightmare, but the music? Pure, unpolished fire. By the ‘80s, Sunday matinees flipped it to hardcore—bands like Bad Brains and the Beastie Boys' early thrash days tearing the roof off. From punk's birth to its brutal evolution, CBGB launched a global DIY movement, proving you didn't need polish, just guts. But the story ends ugly—rent wars and gentrification killed it in 2006, turning a punk mecca into a fashion boutique and an airport restaurant. Grab your leather jacket, because we're diving into the birthplace of rebellion, the chaos inside those peeling walls, and how a little club with a country name rewrote rock's rulebook. This is CBGB, unfiltered. Episode Playlist Check out our episode playlist here. Get In Touch Check us out online, on Facebook, Twitter, or YouTube. or drops us an email at show@prisonersofrockandroll.com. Or if you're in Philadelphia, come visit our home base at McCusker's Tavern. Prisoners of Rock and Roll is part of Pantheon Media. We're sponsored by Boldfoot Socks. Learn more about your ad choices. Visit megaphone.fm/adchoices
"This is something we should keep a good eye on. In an effort to become a leading force in AI the government in the UK is strongly considering rewriting their copyright laws to allow all copyrighted material including music to be offered fully to all AI companies. I know it sounds fake but it is not."
In this episode, we riff on The Rat, Boston's answer to CBGB and an essential piece of the city's music history. We're looking back through the lens of "Making a Scene," an exhibit at Harvard's Loeb Music Library. This episode includes a visit to the gallery, which is open to the public through April 18, 2025. Plus, regional accent talk, Boston Monopoly (make your voices heard!), and Irish Potato szn. The Philly Tuxedo The Propeller Product Prop 4-1 reissue (highly recommend!) Boston Groupie News The Rathskeller Suite at Hotel Commonwealth :( Have feedback on this episode or ideas for upcoming topics? DM me on Instagram, email me, or send a voice memo.
Join us as Lenny Kaye of Patti Smith Group and Kevn Kinney of Drivin N Cryin, join us in studio for an insightful conversation. This episode highlights their inspiring friendship between them, showcasing their mutual influence on each other's artistic journeys. • Discover the moments that bonded Kevn and Lenny in the music scene • Reflect on Patti Smith's 'Horses' and its historical significance • Explore the relationship between poetry and rock music • Hear about the spontaneity and magic of live performances • Discuss the importance of versatility in artistic expression • Understand how early experiences shaped their identities as musicians • Learn about their perspectives on musical collaboration • Delve into memories of the legendary CBGB club • Reflect on the journey of understanding and evolving through music "Music in My Shoes" where music and memories intertwine.Learn Something New orRemember Something OldPlease Like and Follow our Facebook and Instagram page at Music In My Shoes. You can contact us at musicinmyshoes@gmail.com.Send us a one-way message. We can't answer you back directly, but it could be part of a future Music In My Shoes Mailbag!!!
"Brian Setzer of the Stray Cats announced he is dealing with an unnamed autoimmune disease that has taken his ability to play guitar. This is certainly not the first time something like this has happened. We have a list of musicians who are in a battle that has taken away their ability to play."
Angela Jaeger in conversation with David Eastaugh https://www.amazon.co.uk/Feel-Famous-Punk-Diaries-1977-1981/dp/1955125570 I Feel Famous: Punk Diaries 1977-1981 is a girl's coming of age story set to the pulse of punk rock. The book tracks 17-year-old Angela Jaeger's exciting discovery of punk music and its accompanying lifestyle in 1977. A music enthusiast living in New York's East Village, Angela's story unfolds chronologically, charting her late adolescence in tandem with her transition from observer of the nascent punk scene to eager participant. Gradually becoming a nightly fixture of her neighborhood's vibrant underground rock milieu at CBGB and Max's Kansas City, by 1978 she had continued to fulfill her punk fantasy abroad. She followed the Clash on a tour across England, finally returning home in 1979 to start her own band. Angela encountered an impressive cast of characters on her adventures, including Lydia Lunch, Joe Strummer, Billy Idol, Klaus Nomi, and Sid Vicious. Laced with humor and wide-eyed curiosity, Angela's daily first-hand accounts take the reader on a personal journey not found in other punk histories. Additional commentary by the author provides context and further anecdotal material. The text is illustrated with the visual expressions of Angela's enthusiasm—her drawings of punk personalities and fans, previously unseen photos and ephemera culled from her personal archive—affording a unique insight into the relationship between the music, the media, and the audience. The diaries touch on a variety of themes including identity politics, downtown NY, anglophilia, fandom, fame, and fashion. Contrasting the stark black and white of 1970s New York with the exuberant beat-up color of a decaying London and its disenchanted youth, a lost era is brought back to life through a dedicated fan's own reportage. Creative, funny and endlessly cool, the result is an unprecedented perspective into an ever-popular moment in contemporary cultural history.
"Fred Durst and the members of Limp Bizkit have brought a rather substantial lawsuit against their record company for unpaid royalties. I know it is Limp Bizkit but the suit goes back to before streaming to when artists had lousy deals and if it is upheld in court, could lay bare much of what was going on in the 90s."
On this episode, Marc talks with Angela Jaeger, author of “I Feel Famous: Punk Diaries 1977-1981,” released on February 4th, 2025. It's a compendium of her diary entries when she was a teenager living in New York and London, going to see punk bands at CBGB's, Max's, Tier 3, and many other places. Jaeger seemingly saw and met every band around, forging friendships with the Cramps, Teenage Jesus and the Jerks, X-Ray Spex, the Raincoats, and the Clash, among many others. Her diary entries rush with the excitement of getting to see new music every night at a time when bands were seemingly forming every minute. As Jaeger writes, "When I see myself jumping back and forth between New York and London, going out all the time to see bands, joining bands, starting college, stopping college, etc, it leaves my head spinning. And yet I see the motivations behind my moves–wanting to figure out who I was on my own terms, not always pleasing my parents or even myself, but curious to grab the moment, tell the story here and now.”You can buy Jaeger's book here: https://hatandbeard.com/products/i-feel-famous-punk-diaries-1977-1981We hope you enjoy Marc's conversation with Angela Jaeger!
"It seems impossible that a judge in Brazil could stop streaming services worldwide from playing a song due to a copyright concern. That is what is happening now to Adele. If other countries stand by the injunction then it could have a rather wide ranging concerns."
"I wrote a book. It is titled We Will Try and Get That On For You. My Life in Personality Radio. It is a memoir of radio in the 80s and 90s when I did it for real. In this show we will tell you where you can get it and play some excerpts from the Audible audio version."
"The LA Wildfires have devastated multiple communities. The number of not only musicians but producers and orchestras and studios and engineers affected is vast. There are some big names but mainly those who simply made their living in music. We will talk about it and how you can help if you wish."
Send us a textIn this episode of Jackalope Tales, Charles & Lisa take a deep dive into the legendary CBGB, the gritty, no-frills New York club that became ground zero for punk and underground rock. From the sweat-drenched walls to the unpredictable crowds, they share firsthand experiences and jaw-dropping stories from the madness that unfolded on and off the stage, including crazy stories about Stiv Bators and the infamous Dead Boys, and the kleptomaniac tendencies of the Jody Foster Army! Whether you're a punk rock historian or just love a good rock 'n' roll war story, this episode is packed with the kind of chaos that made CBGB the stuff of legend!New podcast episodes every Wednesday! Be sure to subscribe, rate and comment!Be sure to buy our official Jackalope Tales merch! So many things available.https://jackalope-tales.printify.me/products Support the showBecome a J-Lope and follow us on social media. You can find us on Facebook, Instagram, Twitter, TikTok, and check out our YouTube page for more exclusive content!Produced by: Charles MooneyExecutive Producers: Charles Mooney and Lisa UmbargerOriginal Music by: Charles Mooney and Lisa UmbargerKazoo Solo by: Courtney Mooney
Before January wraps, let's celebrate that 39 years ago this month on January 18, 1986, the Replacements got banned for life from SNL. In the middle of playing "Bastards of Young" on live TV, singer Paul Westerberg yelled to guitarist Bob Stinson, "Come on, F*cker!" during this guitar solo. In a combo platter of VIDEO and audio featuring one of our favorite guests, Tommy Stinson tells the story of yet another rowdy New York incident when the band played at the legendary CBGB. When the God of Thunder, Gene Simmons from KISS, walked in the Replacements decided that being on their worst behavior was exactly what the occasion called for. WATCH HERE: https://youtube.com/shorts/FbcKOyA7mAA Tommy's on tour! In this episode, the Minneapolis kid who grew up playing bass in one of rock 'n' roll's most notorious bands talks about wearing dresses while opening for Tom Petty; Rock in Rio with Guns N' Roses in front of 500,000 fans and not being able to hear a thing; and the weather-induced fear of encountering a TORDANO on the road. Get tickets for Tommy's 2025 solo shows: https://www.tommystinson.com --- ***http://distrokid.com/vip/tmep*** Too Much Effing Perspective welcomes back DISTROKID as a sponsor in 2025. Musicians, Songwriters, Producers, DJs: You deserve VIP treatment. Get your original music into Spotify, Apple, TikTok, and all the major platforms...AND get 30% OFF your first year subscription to DISTROKID at this special link. ***http://distrokid.com/vip/tmep*** --- Get in touch with Too Much Effing Perspective Contact us: hello@tmepshow.com Website: https://tmepshow.com Social: @tmepshow Learn more about your ad choices. Visit megaphone.fm/adchoices
"If you use Spotify then you know it gives you a year end rundown of the songs you most listened to. It is called Spotify Wrapped and it is more than just a nice way of saying you are being tracked. It is a successful marketing ploy."
"January 1 was the 2025 Public Domain Day but it goes a bit further. It is not only those works of art that are from 1929. This year the Digital Millennium Act went into effect so other years came into the Public Domain. We will explain."
"The US will inaugurate a new president come January 20. We went back as far as we could to get audio and found who performed at each of the Inaugurations. Plus we play a game. Who did the president defeat in the vote and who was his Vice President. See how you do."
"This is our second show celebrating the anniversaries you'll hear about during 2025. Throughout the show we will have some predictions about music from websites and a few from the Rock School hosts."
In this episode Toby sits down with Vinnie Stigma & Roger Miret of Agnostic Front! They chat about their new books, how they met, supporting each other, NYC, pigeons, Agnostic Front's musical influences, Roger's many talents, old tour stories, fishing on tour, all the different parts of Vinnie‘s book, NY ball breaking, CBGB's, writing a new AF record, side projects, sobriety, therapy and playing for a different generation. Please remember to rate, review and subscribe and visit us at https://www.youtube.com/tobymorseonelifeonechance Please visit our sponsors! Athletic Greens https://athleticgreens.com/oloc Removery https://removery.com code TOBYH2O Liquid Death https://liquiddeath.com/toby Refine Recovery https://www.instagram.com/refinerecoverycenter/
"Welcome to 2025! Here is the first of two shows where we look at many of the big music anniversaries of the year ahead."
Australian drummer James Baker chased after punk rock overseas before returning to Perth, forming The Victims, The Scientists, The Beasts of Bourbon and more with an extensive discography of increasingly collectible records. Topics Include: Born in Perth 1954, travelled to US/UK at age 21 in 1976 Saw early Ramones shows at CBGB's in New York Met Sid Vicious on bus while wearing NY Dolls shirt Auditioned as drummer for The Clash in London Formed The Victims in Perth after returning home Pressed 500 then 1000 copies of "Television Addict" single Hand-stamped Victims record sleeves during beer-fueled parties The Victims only lasted eight months as band Joined The Scientists a day after Victims broke up Scientists' "Frantic Romantic" shipped 500 copies to LA Never got paid from BOMP Early punk records now worth hundreds of dollars Reformed The Victims with Ray Ahn of Hard-Ons Beasts of Bourbon formed when Tex needed backup band Recorded The Axe Man's Jazz album in just one day New Beasts album "Ultimo" recently released Planning Sydney and Melbourne tour for new album Released multiple records during 70th year celebration Live Victims album coming soon through In The Red James Baker Experience single produced by John Foy Most recent recordings done in just two days Still actively recording but less live performance Original Victims records now worth thousands of dollars New "James Baker Beat" single on Cheersquad Records Get new music from the Beasts and the James Baker Beat now! Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8
EPISODE #238 Pat Gasperini is a musician, songwriter, and producer who is now a member of Anything But Human who released their first EP 'Push' in 2020. Pat talks about Holiday food and tradition, playing CBGB's, old Boston clubs, The Beatles, Rock Radio, the COUNTRY/ROCK blend, Nashville, songwriting, the bands touring plans in 2025, new music and so much more! Episode Notes Check out the custom playlist for Episode #238 here! Find Anything But Human here: Website Facebook X Instagram Youtube TikTok Find Pat Gasperini Online: Website Facebook Instagram Twitter Youtube Find Mistress Carrie Online: Official Website The Mistress Carrie Backstage Pass on Patreon Twitter Facebook Instagram Bluesky Threads YouTube TikTok Cameo Pantheon Podcast Network Find The Mistress Carrie Podcast online: Instagram Threads Learn more about your ad choices. Visit megaphone.fm/adchoices
Chapter 1 What's No Wave by Thurston Moore"No Wave" by Thurston Moore is a profound exploration of an avant-garde music movement that emerged in New York City during the late 1970s. Characterized by its experimentalism, No Wave rejected the conventions of traditional rock and punk, opting instead for dissonance, noise, and a radical approach to sound. The genre was notably influenced by the harsh urban environment of New York, corresponding with the socio-political turmoil of the time. Artists associated with No Wave, such as Sonic Youth, Swans, and James Chance, embraced elements of free jazz, minimalism, and punk, creating an abrasive and confrontational experience.Throughout the text, Moore illustrates how No Wave was more than just a musical genre; it was also a cultural movement that intertwined visual art, film, and performance. He brings attention to key venues like CBGB and The Kitchen where No Wave artists showcased their work, and mentions the collaborative spirit among musicians, which was essential for the movement's evolution. The book maintains that No Wave's legacy continues to influence contemporary music and art, illustrating its lasting impact on the creative landscape.Chapter 2 No Wave by Thurston Moore Summary"No Wave" is a musical movement and artistic style that emerged in the late 1970s in New York City, characterized by its avant-garde approach to punk rock. It sought to break away from the conventional structures and sounds of typical rock music by incorporating dissonance, noise, and unorthodox performance styles. In his exploration of No Wave, Thurston Moore, the guitarist and vocalist of the iconic band Sonic Youth, reflects on the genre's influence on music and art. Moore emphasizes the genre's raw, experimental nature and its rejection of traditional melodies and harmonies. Bands associated with No Wave, such as Swans, DNA, and Mars, utilized feedback, atonality, and unconventional song structures to challenge listeners and redefine what music could be.The movement was not merely musical; it also encompassed visual art and performance, bringing together artists like Jean-Michel Basquiat and performance artist Laurie Anderson. Moore discusses how No Wave represented a response to both the commercialization of the music industry and the cultural dynamics of New York City during that era, highlighted by tensions around race and politics. In summary, Moore's insights reflect a deep appreciation for the No Wave movement as a pivotal point in the evolution of experimental music, underscoring its legacy as a profound influence on future genres and artists who continue to push the boundaries of sound.Chapter 3 No Wave AuthorThurston Moore is an American musician, songwriter, and author, best known as the guitarist and co-founder of the influential alternative rock band Sonic Youth. He is a prominent figure in the underground music scene and has played a significant role in the development of the No Wave movement, which emerged in downtown New York City in the late 1970s. No Wave Book DetailsRelease Date: Thurston Moore's book, titled "No Wave", was released on August 21, 2018. This book delves into the No Wave music scene, detailing its evolution and significance. Other Books by Thurston Moore"Confusion is Next" (1998) A book that explores the history of Sonic Youth and the underground music scene."The Best Day" (2015) This book captures Moore's thoughts and insights on music and life."Scene History" (2014) A unique exploration of the connections between punk rock, poetry, and art."Sonic Youth: The Very Best of" (2020) This work includes various written pieces about the band's impact and legacy. Best EditionIn terms of editions, "No Wave" is considered particularly significant due to its in-depth analysis and visual documentation of a crucial music movement, making it...
Today, I am thrilled to announce my episode with star of stage and screen Annie Golden. Tune in to hear some of the stories of her legendary career, including being discovered by Milos Forman at CBGB's, how Marc Shaiman played her HAIR audition, why LEADER OF THE PACK didn't work on Broadway, how her role in ASSASSINS was inspired by Kate Bush, learning from Colleen Dewhurst during AH, WILDERNESS!, rehearsing with Kathleen Freeman for THE FULL MONTY, recording demos for HAIRSPRAY, being directed by Howard Ashman in LITTLE SHOP OF HORRORS, workshopping BROADWAY BOUNTY HUNTER at the West Bank Cafe, performing with Veanne Cox in NATIONAL LAMPOON'S CLASS OF '86, and so much more. Don't miss this in-depth conversation with a theater veteran.
"Every year we take the last full week of the year and offer a tip of the hat and a raise of the glass to those in the music world who left us. Here are the names from 2024."
Podcast Overview: In this engaging conversation, Will Clarke sits down with Alex James, co-founder of the streetwear brand Pleasures. They discuss the brand's musical influences, the creative process behind naming the brand, and the evolution of Pleasures from a pop-up shop to a recognized name in fashion. Alex shares insights on the challenges of running a fashion brand, the importance of teamwork, and the impact of collaborations. They also touch on the significance of fashion weeks and the future of Pleasures, including an exciting collaboration with Will's upcoming live tour. In this engaging conversation, Alex and Will delve into the intricacies of building musical and brand communities, the importance of collaboration in the fashion industry, and the freedom of expression in live music. They discuss the significance of inclusivity in brand culture, the challenges of production logistics, and the excitement surrounding upcoming collaborations. The dialogue also touches on the cultural richness of Bristol, the unique experience of Glastonbury, and sustainable practices in fashion. Alex shares insights into his DJing experiences and the potential for future events, emphasizing the importance of connecting with audiences.Who Is Alex James:Alex James is a co-founder of Pleasures, a Los Angeles-based fashion brand known for its edgy designs and strong roots in music subcultures. Born out of James's lifelong love for punk, post-punk, hardcore, goth, and metal music, Pleasures launched in 2015. The brand draws heavily from the aesthetics and ethos of the music and countercultures James grew up immersed in while frequenting iconic venues in New York City, such as CBGB's and ABC No Rio.Join for updates: https://laylo.com/willclarke⏲ Follow Will Clarke ⏱https://djwillclarke.com/https://open.spotify.com/artist/1OmOdgwIzub8DYPxQYbbbi?si=hEx8GCJAR3mhhhWd_iSuewhttps://www.instagram.com/djwillclarkehttps://www.facebook.com/willclarkedjhttps://twitter.com/djwillclarkehttps://www.tiktok.com/@djwillclarke Hosted on Acast. See acast.com/privacy for more information.
In this episode Toby sits down with Jules Massey with Mike Judge as cohost, Mike and Jules have not sat face to face in almost 30 years! They chat about coming back after so long, the merchant Marines, law school, NJ, Alex Brown foundation, discovering this music, what was happening in New York, Side By Side breaking up before the 7" release, tour stories, starting Side By Side at 15 , CBGB's, being a dad in a band, being on stage again at this age and regrets. Please remember to rate, review and subscribe and visit us at https://www.youtube.com/tobymorseonelifeonechance Please visit our sponsors! Athletic Greens https://athleticgreens.com/oloc Removery https://removery.com code TOBYH2O Liquid Death https://liquiddeath.com/toby
© 2020-2025 Ivy Podcast Discovery LLC
