Podcasts about CBGB

NYC legend Tommy Victor returns to Getting It Out Podcast for the third time to discuss PRONG and their upcoming self-titled album. He discusses the new record, but also digs deep into his history, including reminiscing on the recording of the seminal Agnostic Front "Live at CBGB" record, and more.Music by:Cro-MagsProngForeign BodyIntro music by:Hot ZonePatreon: https://www.patreon.com/GettingitoutpodcastEmail: dan@gettingitout.netWebsite: http://gettingitout.net/Instagram: @getting_it_out_podcastFacebook: www.facebook.com/gettingitoutpodcastX: @GettingItOutPodSupport this show http://supporter.acast.com/getting-it-out. Hosted on Acast. See acast.com/privacy for more information.

This week on Dem Vinyl Boyz, we head straight into the grimy clubs of 1970s New York City and drop the needle on one of the most important punk rock albums ever recorded: the Ramones’ self-titled debut, Ramones. Released in 1976, Ramones was fast, loud, stripped down, and completely different from the elaborate progressive rock and polished arena rock dominating much of the era. Joey Ramone, Johnny Ramone, Dee Dee Ramone, and Tommy Ramone took rock and roll back to its most basic ingredients: distorted guitars, pounding drums, unforgettable hooks, and songs that often came and went before you had time to catch your breath. The album explodes out of the gate with “Blitzkrieg Bop” and its legendary “Hey! Ho! Let’s Go!” chant before tearing through tracks like “Beat on the Brat,” “Judy Is a Punk,” “I Wanna Be Your Boyfriend,” and “53rd & 3rd.” The songs were funny, rebellious, strange, catchy, and unapologetically raw. Although Ramones wasn't a massive commercial success when it was originally released, its influence became enormous. The album helped establish the blueprint for punk rock and inspired countless musicians in America and abroad. Its impact can be heard in everything from hardcore and alternative rock to grunge and the pop-punk explosion that arrived decades later. We’ll also dive into the Ramones’ connection to New York’s legendary CBGB scene, their leather-jacket-and-ripped-jeans image, the simplicity that made Johnny Ramone’s guitar playing so influential, and how four guys pretending to be brothers helped change the direction of rock music. Join Dem Vinyl Boyz as we spin Ramones, an album that proved you didn't need ten-minute guitar solos or million-dollar production to make history. Sometimes all you need is three chords, two minutes, a leather jacket, and a loud enough amplifier. Hey! Ho! Let’s Go!

"This is the second to last Rock School show and I'm using it to pitch my 4th album, Widow Maker, which went live last week on Spotify and Apple Music. I hope you enjoy it and I hope to see you all next week for the final Rock School Show."

Interview with Stephen Hunking of Hypnolovewheel ! Hypnolovewheel was founded in 1986 in New York City by guitarists Dave Ramirez and Stephen Hunking and bassist Dan Cuddy, already old-time friends and veterans of Long Island garage-rock prodigies Plastic Device. They were quickly joined by Peter Walsh, a Connecticut garage-rock prodigy and the sole respondent to an esoteric “Wanted Drummers” flyer that sought a percussionist in the mold of: 1. Moe Tucker 2. Chris Partridge 3. Micky Dolenz 4. Molty (hope I Spelled That Right) [NB: He did not.] 5. Jughead 6. Charlie Watts 7. Simon (Alvin's Brother)”   A perplexed Walsh mistook the plural “Drummers” as an indication that he was enlisting in some sort of drum corps, but the situation was quickly clarified, and with that magic connection made, the quirky quartet were off to the races, playing at CBGB in the midnight Sunday slot and at the Lismar Lounge way too many times. In 1987, the band released a 4-track, 7-inch EP on their own Snatch-O-Matic imprint and contributed a theme song to Pat Bishow's psychotronic film classic Soultangler.   A debut album, Turn! Turn! Burn! (produced by Albert Garzon) followed the next year on the boutique Fabian Aural Products label to high-profile accolades: It was a “real gem,” per David Browne in the New York Daily News. In The Village Voice, R. J. Smith praised “the heel-in-amp feedback fuzz, the raga goo-goo gaga . . . they want to howl, and this record makes you listen.” And it was onward and upward from there, with local shows, regional tours, and a follow-up album, Candy Mantra, released in 1989. By this auspicious point, the group was garnering attention from underground tastemakers Conflict and 18 Wheeler, not to mention the lofty likes of The New York Times. (According to the Grey Lady, Hypnolovewheel played “slightly cockeyed, 1960's-style pop-rock, layered with 1980's fuzz, noise, and irony.”)   All the critical hubbub and CMJ chart success attracted the interest of larger labels, and Hypnolovewheel signed with California's Alias Records for a trilogy of acclaimed albums: Space Mountain (1991), Angel Food (1992), and Altered States (1993), all created in collaboration with producer/engineer Lou Giordano.   Hypnolovewheel's four songwriters and vocalists gave them an eclectic range that encompassed the driving noise rock of “I Dream of Jeannie” and jangling pop of “Bridget Because,” both college radio hits with videos directed by Walsh featured on MTV's 120 Minutes. That versatility may not have served them particularly well in the commercial realm, but it allowed them to successfully share stages with acts ranging from the Fleshtones to the Jesus Lizard to fIREHOSE to Widespread Panic. They toured the US with NYC smart-alecks King Missile, featuring Plastic Device colleague and Hypno coproducer Chris Xefos and Ramirez on drums. They toured some more with UK shoegazers Kitchens of Distinction and power-pop poohbahs The Posies. They toured a lotby themselves, and they rubbed elbows with iconic rock heroes Moe Tucker and Arthur Lee and indie all-stars Galaxie 500, Pavement, Bongwater, Unrest, Superchunk, Brainiac, and Scrawl, among many others. Thanks to Cuddy's day job, they were featured multiple times in Marvel's Spider-Man comics.   At a certain point they stopped playing and did a lot of other things. Then they got back together in 2001 for one of Yo La Tengo's inaugural Hanukkah shows at Maxwell's. Then they stopped again and did some more things, including such notable musical projects as Dew Claw, High Tunnels, The Special Pillow, Sleepyhead, Electostim, Grand Union, XL Kings, and the revivified, superannuated Plastic Device.   Peter Walsh died too young in 2021. Not all stories have happy endings. But not all stories are over when you think they are. Eventually, Hypnolovewheel got the rights to their music back, and it will all be streaming to you in the near future. Starting now!   https://open.spotify.com/artist/54TWW2ZcDuyn8KxnpwtUaf?si=HLp1f0U-QKaJecudDh6Gqw https://www.instagram.com/hypnolovewheel/

"Every list of the best bands contains the same bands in the top 20 so I made a new list. I looked at several best band lists and eliminated those top 20 bands. My list gets rid of the obvious choices and gives many lesser known bands a chance. See what you think."

"Tammy and I have decided to retire from our jobs and also from creating the Rock School Radio show. I know this is the 744th show on PRX but it's actually our 997th show overall. We will do this show and three more, ending on our 1000th show. To that end, in this show we will announce some musicians who might be retiring soon themselves. We will list the oldest people touring this summer."

"For an experiment, I denoted the last ten generations and attempted to define the song of their generation. Some were easy and some quite difficult. I offer five possibilities first and then pick. See if I made the correct choice."

In this Episode, Kelly is joined by writer Gabriel Rotello! He is the author of two books: Sexual Ecology: AIDS and the Destiny of Gay Men and The CBGB Conspiracy. He became the first openly gay op-ed columnist for a major American newspaper and is the founder of Out Week Magazine. He has also written, directed, and produced dozens of TV documentaries for major networks like HBO, Netflix, and the History Channel. Gabriel talks about growing up in Danbury, Connecticut, and traveling into the city with his older brother when he was 13! Even at that age, he knew he wanted to move to New York when he grew up. Kelly asks him what life was like in New York in the 1970s. Gabriel talks about how Manhattan was a playground for young adults in their early 20s. He tells us how cheap his rent was, describes the decay of the Bowery in great detail, and talks about how wonderful it was to play music at CBGB.  Kelly asks Gabriel about CBGB. Gabriel tells us that in the beginning, no one wanted to go there. He describes the "Bowery Bums", the mismanagement of the venue, and its terrible location. He then talks about how it became one of the most famous punk venues in the world.  Gabriel talks a bit about his book: The CBGB Conspiracy. He tells Kelly that he actually did not want to write a book about his time in the 70s at first. With the aids epidemic looming over it, he thought it too depressing. But when inspiration struck, while walking along the street one day, he came up with the idea of creating a murder mystery, with CBGB as the background and weaving in famous people of the era, along with his personal experiences. Kelly asks Gabriel a bit about the process of writing, and Gabriel talks about how he was inspired by a past guest of our show, Jonathan Mahler! He talks about reading Ladies and Gentlemen, The Bronx Is Burning... and being transported back into that time in his life.  Kelly then asks Gabriel what gay life was like back in the day. Gabriel describes the streets of the West Village being filled with shirtless gay men dancing and having the best time on a random Tuesday night. He talks about how there was a feud between the East Village gay community and the West Village gay community. He talks about their differences, what it was like to have one foot in both, and he reflects on how his perception has changed since then.   Gabriel then talks a bit about his partner Hap, who passed during the Aids Epidemic. Gabriel had met Hap when he was studying abroad and just happened to run into each other when he moved to New York. Gabriel talked about how Hap showed him the ropes as a newly out man. He talks about how they dated until Hap's passing. Kelly talks about marching on Washington in support of the movement. Gabriel talks about how it inspired him to start Out Week Magazine, and how he invited outing! But above all else; Gabriel Rotello is a New Yorker! Kelly Kopp's Social Media:@NewYorkCityKopp on all platforms Buy Gabriel's Book! Gabriel's Social Media: @GabeRotello  Jae's Social Media @Studiojae170    Chapters (00:00:00) - New Yorkers: Gabriel Rotello on the Podcast(00:01:57) - Phil Collins on Coming Out in NYC(00:06:02) - Living in the East Village in the 60s(00:09:51) - Punishment for Bowery Bums(00:14:57) - The Talking Heads on Hilly Hill's Death(00:19:50) - Madonna's First Public Gig(00:20:32) - CBGB's Conspiracy is a Novel(00:26:00) - The Making of A Time to Win(00:26:33) - In the Elevator With Steven Spielberg(00:31:42) - Inside The Bowery(00:32:24) - How To Write a Novel(00:33:03) - In the Elevator With Jonathan Harris(00:37:07) - How a dime changed the phone(00:37:24) - Adam Levine on the Gay Scene in New York(00:41:18) - Punk and Disco in the East Village(00:44:13) - In the Elevator With Out Week(00:47:12) - Gabriel on ACT UP and the Gay Community(00:50:54) - What It Means to Be a New Yorker(00:52:47) - How To Find Gabriel Ortello On Social Media

Part 2 of my conversation with guest Phil Stacey as we discuss our favorite American artists. Show notes: Jay's take after seeing Goose Took us a while to get into the show Phil's #6: Phish took over the jam band crown from the Dead Jay briefly met Trey Anastasio at UNH before they got famous Goose hasn't been accepted by the entire jam band audience Jay's #6: Originally had Van Halen ranked higher, but dropped them because of the Hagar years Combined Eddie VH's revolutionary guitar work with DLR's showmanship Eddie inspired a generation of guitarists and Dave inspired a generation of hard rock singers Phil's #5: Steely Dan spits in the face of being called "yacht rock" Went from a live act to a studio perfectionist act to a live act again Fagen and Becker were demanding taskmasters Jay's #5: The imperfect perfection of the Replacements They self-sabotaged whenever things were about to break for them Never got to see them live Phil's #4 and Jay's #3: The singular genius of Jimi Hendrix Hugely influential guitarist and performer Must have blown a lot of minds when he was around Jay's #4: Pixies were a major influence on the alternative rock sound that shaped the '90s The band's first stint (1986-93) was epic Introduced weirdness into indie rock Still touring behind their classic material but making new music as well Phil's #3 and Jay's #10: Talking Heads were art school kids who became big Part of the CBGB scene of the '70s that went in a lot of different directions Explored a lot of sounds and influences Phil's #2: The Allman Brothers Band invented and transcended Southern rock Persevered through deaths and changing trends Jay's #2: No arguing with the greatness of Prince Hundreds of hours of unreleased music Was super talented at multiple instruments Was Prince the best all-around musician of the 20th century? Phil's #1: Duh, it's the Dead Inspired an entire subculture There are literally hundreds of Dead cover bands Jay's #1: The pride of Athens, GA, R.E.M. Helped create the "college rock" scene that grew into alternative rock Blew up in the early '90s Distinct career phases Michael Shannon and Jason Narducy have been covering R.E.M. albums in their entirety the last three years To be continued Completely Conspicuous is available through Apple Podcasts. Subscribe and write a review! The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

What if addiction isn't the problem, but the solution to pain you never knew you were carrying? Anita Chellamah looked like she had everything. She appeared on Top of the Pops with Legs & Co, fronted and co-wrote The Cherry Bombz, supported Poison on tour in America, performed at the legendary CBGB in New York and on the Reading Festival Main Stage, was a member of Toto Coelo, who reached No. 6 in the UK charts and No. 4 in Australia, and became one of the first presenters on Sky Television and one of its first presenters of colour, hosting her own shows and performing Sky's 5th Anniversary song. From the outside, it looked like success in every direction. Behind the scenes, however, she was quietly battling addiction. At just 19, while performing in the West End production of Bubbling Brown Sugar, she was prescribed amphetamines by a private doctor who was later struck off. By her late twenties, nights began with champagne, continued with cocaine and ended with Night Nurse. At 29, she stopped. She hasn't had a drink or a drug since.Today, Anita is a trauma, addiction and DBT therapist with nearly four decades of sobriety. Qualified since 1998, she works in private practice, receiving referrals and working with organisations including the Priory, Steps Together and Castle Craig, specialising in addiction, trauma and Dialectical Behaviour Therapy (DBT) with individuals, couples, families and groups. Anita explains why rock bottom rarely looks like the movies, why childhood trauma, shame and emotional pain so often drive addiction, and why recovery is about far more than simply putting down the drink or the drug.We explore the hidden links between trauma, ADHD, binge drinking, cocaine addiction, alcoholism, codependency, self-worth, mental health, emotional regulation and long-term recovery. Anita shares how recovery transformed not only her relationship with alcohol and drugs, but also the way she understands herself, her emotions and the world around her.The conversation also tackles some of the biggest debates in recovery today, including trauma therapy, 12-step fellowships, medication in recovery, antidepressants, ADHD medication, relapse prevention, addictive personality and why there is no single path that works for everyone. Nearly 40 years sober, Anita's humility, honesty and wisdom offer hope to anyone wondering whether lasting recovery from addiction and alcoholism is really possible.Oliver is an ambassador for Alcohol Change UK and you can access support here - https://tinyurl.com/5dt5773eThank you to Gavin Sisters for sponsoring this episode! Visit -www.gavinsisters.co.ukand use promo code SCHOOLOFROCKBOTTOM for 10% off!Podcasting is an expensive passion. To help me keep going, I'd really appreciate it if you could buy me a coffee, thank you!https://buymeacoffee.com/olivermason1Or via PayPal - https://www.paypal.me/olivermason1paypalTopics -0:00 Trailer & Intro2:55 A rock bottom moment 5:25 Binge drinking & progression9:25 Childhood 12:45 ADHD and intrusive thoughts 14:30 Using performing arts as medicine 17:25 Access vs genetics 18:45 Dealing with denial 20:15 Recovery in 198825:35 Do all addicts have trauma?30:35 We are all different 33:35 How therapy helped Anita 38:25 WE ARE NOT DOCTORS!43:50 Still an addict after 38 years?48:20 Humility & labels 51:35 Addictive personality & escape?57:20 Boundaries Follow Anitahttps://www.instagram.com/anitachellamahFollow OliverInstagram - https://tinyurl.com/2vt29sjvFacebook - https://tinyurl.com/34cwz59rTikTok - https://tinyurl.com/ujw4vxn9LinkedIn - https://tinyurl.com/yuemhnd7Threads - https://tinyurl.com/yk7vdeahX - https://tinyurl.com/3u5mnpdsPlease subscribe, follow, like, leave a review and comment!YouTube - https://tinyurl.com/y5bwbcaySpotify - https://tinyurl.com/58jp2jyjApple - https://tinyurl.com/y3n2chk3#Addiction #Recovery #Sobriety

Playlist con música relacionada al episodio: Spotify: https://open.spotify.com/playlist/7fLQZw5kdNGoDGITGmWAQ2 YouTube: https://www.youtube.com/playlist?list=PLNN6YIGRPugY ¿Cómo un bar viejo, sucio y con pésima acústica terminó cambiando la historia del rock? En este episodio de Músicos de Sillón hablamos del legendario CBGB, el pequeño club de Nueva York donde nacieron el punk, el new wave y algunas de las bandas más importantes de todos los tiempos. Descubre cómo un lugar pensado para country y blues terminó siendo la casa de Ramones, Blondie, Talking Heads, Patti Smith, The Police, Green Day, Guns N' Roses y muchas más. Únete a nuestro grupo de Facebook:https://www.facebook.com/groups/1012646383467657 Síguenos:https://www.instagram.com/musicosdesillonpodcast/https://twitter.com/musicosdesillonhttps://www.facebook.com/musicosdesillon/

"I was talking about the Paul is Dead conspiracy theory in class one day and the students began asking me if I knew about THIS theory. And then THIS theory. We went on for 30 minutes and then I did some research. There were so many theories I had never heard of. Hopefully they are new to you as well. We have a long list."

Sintonía: "Tanganyka" - GENE SIKORA AND THE IRRATIONALS 1.- "My Three Sons (Revolve Around The Earth)" - THE INDIVIDUALS 2.- "(Say Not To) Saturday´s Girl" - HUMAN SWITCHBOARD 3.- "Information" - DISTURBED FORNITURE 4.- "Back To You" - THE NECESSARIES 5.- "Open House" - JAMES BLOOD ULMER 6.- "Hinterland" - KHMER ROUGE 7.- "Deception" - GLORIOUS STRANGERS 8.- "Egg Raid On Mojo" - BEASTIE BOYS 9.- "Housewives On Valium" - VATICAN COMMANDOS10.- "Transformation" - NONA HENDRYX11.- "Banned In D.C." - BAD BRAINS12.- "No Class" - REAGAN YOUTH13.- "The World Looks Red" - SONIC YOUTH14.- "Grace" - THE ORDINAIRESTodas las músicas extraídas del CD 4 de la compilación (4xCD) "CBGB & OMFUG - A New York City Soundtrack 1975-1986" (Cherry Red Records, 2026) Relación de fechas de emisión de los 3 programas anteriores de este coleccionable:1.- Selección del CD 1 emitido el 01/04/20262.- Selección del CD 2 emitido el 07/05/20263.- Selección del CD 3 emitido el 10/06/2026Escuchar audio

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Minimalist Music (Bloomsbury, 2026) looks critically into the music's past, shows how the genre thrives across styles, and points the way toward minimalism's ongoing future. Minimalism as a genre is best defined not by any style or flavor but by its means. Certain rhythms and chords in other music may identify things like jazz or bossa nova or reggae; take those same elements and put them through the processes of minimalism and you have minimalism with the hues of other musics. A still young genre with ancient roots, minimalism is much less any kind of style than a practice, a manner of making music. Reviving those means and applying them to contemporary sounds and experiences, the pioneers of minimalism created a new and avant-garde music that immediately communicated its power to listeners of all kinds. The global appeal of minimalism and the way the methods adapt to myriad styles open up a view into how music actually works as an art and an experience, how through time it connects in a fundamental way to how we as humans listen. George Grella, Jr. has written about music and culture for over thirty years for print and online publications, and has contributed to the Grove Dictionary of Music and the Library of Congress' National Recording Registry. He is Music Editor at The Brooklyn Rail, publishes the Kill Yr Idols newsletter, and is the author of Miles Davis' Bitches Brew (Bloomsbury, 2015). He has played jazz, classical, and improvised music from CBGB to Carnegie Hall. George Grella on Bluesky and Kill Yr Idols newsletter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Minimalist Music (Bloomsbury, 2026) looks critically into the music's past, shows how the genre thrives across styles, and points the way toward minimalism's ongoing future. Minimalism as a genre is best defined not by any style or flavor but by its means. Certain rhythms and chords in other music may identify things like jazz or bossa nova or reggae; take those same elements and put them through the processes of minimalism and you have minimalism with the hues of other musics. A still young genre with ancient roots, minimalism is much less any kind of style than a practice, a manner of making music. Reviving those means and applying them to contemporary sounds and experiences, the pioneers of minimalism created a new and avant-garde music that immediately communicated its power to listeners of all kinds. The global appeal of minimalism and the way the methods adapt to myriad styles open up a view into how music actually works as an art and an experience, how through time it connects in a fundamental way to how we as humans listen. George Grella, Jr. has written about music and culture for over thirty years for print and online publications, and has contributed to the Grove Dictionary of Music and the Library of Congress' National Recording Registry. He is Music Editor at The Brooklyn Rail, publishes the Kill Yr Idols newsletter, and is the author of Miles Davis' Bitches Brew (Bloomsbury, 2015). He has played jazz, classical, and improvised music from CBGB to Carnegie Hall. George Grella on Bluesky and Kill Yr Idols newsletter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Steven Lee Beeber is a freelance journalist and author of The Heebie-Jeebies at CBGB's: A Secret History of Jewish Punk. Co-hosts: Jonathan Friedmann & Joey Angel-Field Producer-engineer: Mike Tomren The Heebie-Jeebies at CBGBhttps://www.chicagoreviewpress.com/the-heebie-jeebies-at-cbgb-s-products-9781556527616.php Steven's websitehttp://www.jewpunk.com/ Amusing Jews Merch Storehttps://www.amusingjews.com/merch#!/ Subscribe to the Amusing Jews podcasthttps://www.spreaker.com/show/amusing-jews Adat Chaverim – Congregation for Humanistic Judaism, Los Angeleshttps://www.humanisticjudaismla.org/ Jewish Museum of the American Westhttps://www.jmawest.org Atheists United Studioshttps://www.atheistsunited.org/au-studios

"Beach Bongo Bloodbath" Bob Bert's Beach Bongo Bloodbath might be the most alliterative album title of the year, but it also happens to also be one of the year's very best. Before we get to Beach Bongo Bloodbath, let me give you a little Bob Bert Backstory. The alliteration with Bob is seemingly unavoidable. Influenced by the Beatles, the Stones, Andy Warhol and the band's that packed CBGB's, the New Jersey-born Bob Bert started drumming as a kid, but put it down for a while and became a fine art silkscreen printer who, speaking of Mr. Warhol, had a job printing paintings and print editions for the legendary artist. Bert moved from New York City to Hoboken in '81 and perhaps it was the close proximity of the club Maxwell's or the characters that played there that Bert picked up the sticks again and found himself playing drums for Sonic Youth, Pussy Galore, and the Chrome Cranks. Bob's autobiography I'm Just The Drummer tells his story far better than I can, but good luck finding it--it's out of print, so you're stuck with me for the time being to fill in the gaps. Over the course of his career, Bert has recorded and toured with Bewitched, Action Swingers, Chrome Cranks, Knoxville Girls, Five Dollar Priest, Lydia Lunch Retrovirus and Jon Spencer & the HITmakers and in the early 90s he and Linda Wolfe started the awesome fanzine BB gun. Which brings just to Beach Bongo Bloodbath. A joyful sprint of a record that clocks in at under a half hour and has no guitars or bass, Beach Bongo Bloodbath is smoldering collection of covers and originals that's filled with swagger, groove and delicious percussive stomp. From his take on tracks by everyone from the Modern Lovers to Mountain to his electrifying originals, Beach Bongo Bloodbath is impossibly cool--and so is Bob Bert. www.bar-none.com (http://www.bar-none.com) IG: @therealbobbert www.bombshellradio.com (http://www.bombshellradio.com) www.stereoembersmagazine.com (http://www.stereoembersmagazine.com) www.alexgreenbooks.com (http://www.alexgreenbooks.com) Stereo Embers: IG + THREADS + BLUESKY: @emberspodcast Email: editor@stereoembersmagazine.com

"When you listen to Van Halen or Extreme or Steely Dan you expect a great guitar solo. The point of this show is to offer some examples of totally unexpected solos. These are solos in a song or a genre or by an artists that it seems to be coming out of nowhere. "

"Back on May 31st Black Crowes frontman Chris Robinson chided an audience for chanting USA. Much of the audience then walked out. I wondered if this had happened before and it certainly did. We have multiple examples of an audience turning on the performer and vice versa. For many we have the audio from the stage."

"The new owners of Fender since 2020 are attempting to own the copyright on the Stratocaster body. A German court has taken them part of the way but most experts don't believe it will hold up to scrutiny. Nonetheless, Fender has sent Cease and Desist letters to multiple guitar makers telling them to stop production, call back orders and destroy stock. Fender may have just committed brand suicide because history is not on their side."

Alisyn Camerota is an award-winning journalist, author and former CNN New Day anchor. Before CNN, she was an anchor and correspondent at the FOX News Channel. In her three+ decades in journalism, Alisyn has covered major stories nationally and internationally, earning two Emmy Awards, the Edward R. Murrow Award, and a DuPont-Columbia Award. Alisyn's debut novel, Amanda Wakes Up, was selected by National Public Radio as one of the best books of 2017, and by Oprah Magazine as “a must read.” Her 2024 memoir Combat Love was an instant Amazon bestseller. On her Substack she writes about the process of having to reinvent life after leaving legacy media and the death of her beloved husband Tim. She now hosts a weekly interview show on the Scripps News network called, “Connected with Alisyn Camerota.” Alisyn's had quite the storied life so far, full of incredible highs and lows. She takes us back to her turbulent childhood; her 'badass adjacent' teenage punk-rock period at CBGB's; when she realized she wanted to be a journalist; the tough decision to leave her coveted CNN anchor position; Tim's illness and eventual death; navigating through unfathomable loss and grief; the power of friendship; and reinventing herself professionally. I'm confident you'll find this conversation as engaging and inspiring as I have. Got somethin' to say?! Email us at BackroomAndy@gmail.com Leave us a message: 845-307-7446 Twitter: @AndyOstroy Produced by Andy Ostroy, Matty Rosenberg, and Jennifer Hammoud @ Radio Free Rhiniecliff Design by Cricket Lengyel

"Sony Music Publishing confirmed an agreement to acquire Blackstone's Recognition Music Group catalog for $3.5 billion. The Red Hot Chili Peppers just sold their catalog for $300 million. Other Funds are raising billions to start buying. These buyers are called Music Rights Funds. I became interested in how these Funds actually made money. How does one invest and can I sell my own music. I have the answers for you."