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"For an experiment, I denoted the last ten generations and attempted to define the song of their generation. Some were easy and some quite difficult. I offer five possibilities first and then pick. See if I made the correct choice."
What if addiction isn't the problem, but the solution to pain you never knew you were carrying? Anita Chellamah looked like she had everything. She appeared on Top of the Pops with Legs & Co, fronted and co-wrote The Cherry Bombz, supported Poison on tour in America, performed at the legendary CBGB in New York and on the Reading Festival Main Stage, was a member of Toto Coelo, who reached No. 6 in the UK charts and No. 4 in Australia, and became one of the first presenters on Sky Television and one of its first presenters of colour, hosting her own shows and performing Sky's 5th Anniversary song. From the outside, it looked like success in every direction. Behind the scenes, however, she was quietly battling addiction. At just 19, while performing in the West End production of Bubbling Brown Sugar, she was prescribed amphetamines by a private doctor who was later struck off. By her late twenties, nights began with champagne, continued with cocaine and ended with Night Nurse. At 29, she stopped. She hasn't had a drink or a drug since.Today, Anita is a trauma, addiction and DBT therapist with nearly four decades of sobriety. Qualified since 1998, she works in private practice, receiving referrals and working with organisations including the Priory, Steps Together and Castle Craig, specialising in addiction, trauma and Dialectical Behaviour Therapy (DBT) with individuals, couples, families and groups. Anita explains why rock bottom rarely looks like the movies, why childhood trauma, shame and emotional pain so often drive addiction, and why recovery is about far more than simply putting down the drink or the drug.We explore the hidden links between trauma, ADHD, binge drinking, cocaine addiction, alcoholism, codependency, self-worth, mental health, emotional regulation and long-term recovery. Anita shares how recovery transformed not only her relationship with alcohol and drugs, but also the way she understands herself, her emotions and the world around her.The conversation also tackles some of the biggest debates in recovery today, including trauma therapy, 12-step fellowships, medication in recovery, antidepressants, ADHD medication, relapse prevention, addictive personality and why there is no single path that works for everyone. Nearly 40 years sober, Anita's humility, honesty and wisdom offer hope to anyone wondering whether lasting recovery from addiction and alcoholism is really possible.Oliver is an ambassador for Alcohol Change UK and you can access support here - https://tinyurl.com/5dt5773eThank you to Gavin Sisters for sponsoring this episode! Visit -www.gavinsisters.co.ukand use promo code SCHOOLOFROCKBOTTOM for 10% off!Podcasting is an expensive passion. To help me keep going, I'd really appreciate it if you could buy me a coffee, thank you!https://buymeacoffee.com/olivermason1Or via PayPal - https://www.paypal.me/olivermason1paypalTopics -0:00 Trailer & Intro2:55 A rock bottom moment 5:25 Binge drinking & progression9:25 Childhood 12:45 ADHD and intrusive thoughts 14:30 Using performing arts as medicine 17:25 Access vs genetics 18:45 Dealing with denial 20:15 Recovery in 198825:35 Do all addicts have trauma?30:35 We are all different 33:35 How therapy helped Anita 38:25 WE ARE NOT DOCTORS!43:50 Still an addict after 38 years?48:20 Humility & labels 51:35 Addictive personality & escape?57:20 Boundaries Follow Anitahttps://www.instagram.com/anitachellamahFollow OliverInstagram - https://tinyurl.com/2vt29sjvFacebook - https://tinyurl.com/34cwz59rTikTok - https://tinyurl.com/ujw4vxn9LinkedIn - https://tinyurl.com/yuemhnd7Threads - https://tinyurl.com/yk7vdeahX - https://tinyurl.com/3u5mnpdsPlease subscribe, follow, like, leave a review and comment!YouTube - https://tinyurl.com/y5bwbcaySpotify - https://tinyurl.com/58jp2jyjApple - https://tinyurl.com/y3n2chk3#Addiction #Recovery #Sobriety
Playlist con música relacionada al episodio: Spotify: https://open.spotify.com/playlist/7fLQZw5kdNGoDGITGmWAQ2 YouTube: https://www.youtube.com/playlist?list=PLNN6YIGRPugY ¿Cómo un bar viejo, sucio y con pésima acústica terminó cambiando la historia del rock? En este episodio de Músicos de Sillón hablamos del legendario CBGB, el pequeño club de Nueva York donde nacieron el punk, el new wave y algunas de las bandas más importantes de todos los tiempos. Descubre cómo un lugar pensado para country y blues terminó siendo la casa de Ramones, Blondie, Talking Heads, Patti Smith, The Police, Green Day, Guns N' Roses y muchas más. Únete a nuestro grupo de Facebook:https://www.facebook.com/groups/1012646383467657 Síguenos:https://www.instagram.com/musicosdesillonpodcast/https://twitter.com/musicosdesillonhttps://www.facebook.com/musicosdesillon/
"I was talking about the Paul is Dead conspiracy theory in class one day and the students began asking me if I knew about THIS theory. And then THIS theory. We went on for 30 minutes and then I did some research. There were so many theories I had never heard of. Hopefully they are new to you as well. We have a long list."
Sintonía: "Tanganyka" - GENE SIKORA AND THE IRRATIONALS 1.- "My Three Sons (Revolve Around The Earth)" - THE INDIVIDUALS 2.- "(Say Not To) Saturday´s Girl" - HUMAN SWITCHBOARD 3.- "Information" - DISTURBED FORNITURE 4.- "Back To You" - THE NECESSARIES 5.- "Open House" - JAMES BLOOD ULMER 6.- "Hinterland" - KHMER ROUGE 7.- "Deception" - GLORIOUS STRANGERS 8.- "Egg Raid On Mojo" - BEASTIE BOYS 9.- "Housewives On Valium" - VATICAN COMMANDOS10.- "Transformation" - NONA HENDRYX11.- "Banned In D.C." - BAD BRAINS12.- "No Class" - REAGAN YOUTH13.- "The World Looks Red" - SONIC YOUTH14.- "Grace" - THE ORDINAIRESTodas las músicas extraídas del CD 4 de la compilación (4xCD) "CBGB & OMFUG - A New York City Soundtrack 1975-1986" (Cherry Red Records, 2026) Relación de fechas de emisión de los 3 programas anteriores de este coleccionable:1.- Selección del CD 1 emitido el 01/04/20262.- Selección del CD 2 emitido el 07/05/20263.- Selección del CD 3 emitido el 10/06/2026Escuchar audio
Detta är ett urklipp från avsnitten 103. New York Cosmos 1977. För att få hela berättelsen. Lyssna på avsnitten i sin helhet. Hosted on Acast. See acast.com/privacy for more information.
Minimalist Music (Bloomsbury, 2026) looks critically into the music's past, shows how the genre thrives across styles, and points the way toward minimalism's ongoing future. Minimalism as a genre is best defined not by any style or flavor but by its means. Certain rhythms and chords in other music may identify things like jazz or bossa nova or reggae; take those same elements and put them through the processes of minimalism and you have minimalism with the hues of other musics. A still young genre with ancient roots, minimalism is much less any kind of style than a practice, a manner of making music. Reviving those means and applying them to contemporary sounds and experiences, the pioneers of minimalism created a new and avant-garde music that immediately communicated its power to listeners of all kinds. The global appeal of minimalism and the way the methods adapt to myriad styles open up a view into how music actually works as an art and an experience, how through time it connects in a fundamental way to how we as humans listen. George Grella, Jr. has written about music and culture for over thirty years for print and online publications, and has contributed to the Grove Dictionary of Music and the Library of Congress' National Recording Registry. He is Music Editor at The Brooklyn Rail, publishes the Kill Yr Idols newsletter, and is the author of Miles Davis' Bitches Brew (Bloomsbury, 2015). He has played jazz, classical, and improvised music from CBGB to Carnegie Hall. George Grella on Bluesky and Kill Yr Idols newsletter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Minimalist Music (Bloomsbury, 2026) looks critically into the music's past, shows how the genre thrives across styles, and points the way toward minimalism's ongoing future. Minimalism as a genre is best defined not by any style or flavor but by its means. Certain rhythms and chords in other music may identify things like jazz or bossa nova or reggae; take those same elements and put them through the processes of minimalism and you have minimalism with the hues of other musics. A still young genre with ancient roots, minimalism is much less any kind of style than a practice, a manner of making music. Reviving those means and applying them to contemporary sounds and experiences, the pioneers of minimalism created a new and avant-garde music that immediately communicated its power to listeners of all kinds. The global appeal of minimalism and the way the methods adapt to myriad styles open up a view into how music actually works as an art and an experience, how through time it connects in a fundamental way to how we as humans listen. George Grella, Jr. has written about music and culture for over thirty years for print and online publications, and has contributed to the Grove Dictionary of Music and the Library of Congress' National Recording Registry. He is Music Editor at The Brooklyn Rail, publishes the Kill Yr Idols newsletter, and is the author of Miles Davis' Bitches Brew (Bloomsbury, 2015). He has played jazz, classical, and improvised music from CBGB to Carnegie Hall. George Grella on Bluesky and Kill Yr Idols newsletter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
"Beach Bongo Bloodbath" Bob Bert's Beach Bongo Bloodbath might be the most alliterative album title of the year, but it also happens to also be one of the year's very best. Before we get to Beach Bongo Bloodbath, let me give you a little Bob Bert Backstory. The alliteration with Bob is seemingly unavoidable. Influenced by the Beatles, the Stones, Andy Warhol and the band's that packed CBGB's, the New Jersey-born Bob Bert started drumming as a kid, but put it down for a while and became a fine art silkscreen printer who, speaking of Mr. Warhol, had a job printing paintings and print editions for the legendary artist. Bert moved from New York City to Hoboken in '81 and perhaps it was the close proximity of the club Maxwell's or the characters that played there that Bert picked up the sticks again and found himself playing drums for Sonic Youth, Pussy Galore, and the Chrome Cranks. Bob's autobiography I'm Just The Drummer tells his story far better than I can, but good luck finding it--it's out of print, so you're stuck with me for the time being to fill in the gaps. Over the course of his career, Bert has recorded and toured with Bewitched, Action Swingers, Chrome Cranks, Knoxville Girls, Five Dollar Priest, Lydia Lunch Retrovirus and Jon Spencer & the HITmakers and in the early 90s he and Linda Wolfe started the awesome fanzine BB gun. Which brings just to Beach Bongo Bloodbath. A joyful sprint of a record that clocks in at under a half hour and has no guitars or bass, Beach Bongo Bloodbath is smoldering collection of covers and originals that's filled with swagger, groove and delicious percussive stomp. From his take on tracks by everyone from the Modern Lovers to Mountain to his electrifying originals, Beach Bongo Bloodbath is impossibly cool--and so is Bob Bert. www.bar-none.com (http://www.bar-none.com) IG: @therealbobbert www.bombshellradio.com (http://www.bombshellradio.com) www.stereoembersmagazine.com (http://www.stereoembersmagazine.com) www.alexgreenbooks.com (http://www.alexgreenbooks.com) Stereo Embers: IG + THREADS + BLUESKY: @emberspodcast Email: editor@stereoembersmagazine.com
"When you listen to Van Halen or Extreme or Steely Dan you expect a great guitar solo. The point of this show is to offer some examples of totally unexpected solos. These are solos in a song or a genre or by an artists that it seems to be coming out of nowhere. "
"Back on May 31st Black Crowes frontman Chris Robinson chided an audience for chanting USA. Much of the audience then walked out. I wondered if this had happened before and it certainly did. We have multiple examples of an audience turning on the performer and vice versa. For many we have the audio from the stage."
"The new owners of Fender since 2020 are attempting to own the copyright on the Stratocaster body. A German court has taken them part of the way but most experts don't believe it will hold up to scrutiny. Nonetheless, Fender has sent Cease and Desist letters to multiple guitar makers telling them to stop production, call back orders and destroy stock. Fender may have just committed brand suicide because history is not on their side."
Sintonía: "Do The Wrong Thing" - The LOUNGE LIZARDS 1.- "I Don´t Wanna Dance (With You)" - THE DOTS 2.- "We Deliver" - THE MIAMIS 3.- "Black and White" - THE dB´s 4.- "Teenage News" - SYLVAIN SYLVAIN 5.- "Loud Fast Rules" - STIMULATORS 6.- "Reduced" - TOT ROCKET AND THE TWINS 7.- "Telephoto Lens" - THE BONGOS 8.- "I´m Searchin´ For You" - OUTSETS 9.- "Teenage Heartbreak" - SORROWS10.- "Wild Moose Party" - THE COSMOPOLITANS11.- "Child Bride" - LENNY KAYE WITH THE LONE WOLVES12.- "Jealousy" - THE COLORS13.- "(Don´t Blame It On The) Weekend14.- "Sherri Goodbye" - THE RUDIES15.- "Blonde Red Head" - DNA16.- "Garbage Man" - THE CRAMPS17.- "Tight Turn" - THE RAYBEATSTodas las músicas extraídas del CD 3 de la compilación (4xCD) "CBGB & OMFUG - A New York City Soundtrack 1975-1986" (Cherry Red Records, 2026)Escuchar audio
Alisyn Camerota is an award-winning journalist, author and former CNN New Day anchor. Before CNN, she was an anchor and correspondent at the FOX News Channel. In her three+ decades in journalism, Alisyn has covered major stories nationally and internationally, earning two Emmy Awards, the Edward R. Murrow Award, and a DuPont-Columbia Award. Alisyn's debut novel, Amanda Wakes Up, was selected by National Public Radio as one of the best books of 2017, and by Oprah Magazine as “a must read.” Her 2024 memoir Combat Love was an instant Amazon bestseller. On her Substack she writes about the process of having to reinvent life after leaving legacy media and the death of her beloved husband Tim. She now hosts a weekly interview show on the Scripps News network called, “Connected with Alisyn Camerota.” Alisyn's had quite the storied life so far, full of incredible highs and lows. She takes us back to her turbulent childhood; her 'badass adjacent' teenage punk-rock period at CBGB's; when she realized she wanted to be a journalist; the tough decision to leave her coveted CNN anchor position; Tim's illness and eventual death; navigating through unfathomable loss and grief; the power of friendship; and reinventing herself professionally. I'm confident you'll find this conversation as engaging and inspiring as I have. Got somethin' to say?! Email us at BackroomAndy@gmail.com Leave us a message: 845-307-7446 Twitter: @AndyOstroy Produced by Andy Ostroy, Matty Rosenberg, and Jennifer Hammoud @ Radio Free Rhiniecliff Design by Cricket Lengyel
"It is no secret that music contracts can be rather brutal on artists. Often the stories focus on not getting paid but there is also the interesting idea of a lawsuit ordering a musician to fill his or her contract and record what we are calling a court ordered album. We have multiple examples plus one where the band was paid NOT to record an album."
"Sony Music Publishing confirmed an agreement to acquire Blackstone's Recognition Music Group catalog for $3.5 billion. The Red Hot Chili Peppers just sold their catalog for $300 million. Other Funds are raising billions to start buying. These buyers are called Music Rights Funds. I became interested in how these Funds actually made money. How does one invest and can I sell my own music. I have the answers for you."
"The New York Times released their 30 Greatest Living American Songwriters list a short while ago. I know online lists usually have some click bait to start conversation but this list was overtly egregious. Not for who was on it. It was who was left off. We will go over the list and play some artists that should have been on there."
The Big Mates discuss classic cities, CBGB's, allergies, and Here Today, Tomorrow Next Week! by The Sugarcubes. Adam, Steve, and Lucas continue the prologue of their deep-dive exploration into the music of Björk by talking about the second album by The Sugarcubes.They discuss how the band reacted to their early success, how the album was made, the expansion of the line-up, and offer analysis, interpretation, and opinion from three differing perspectives on music, from being deeply into music and analysis, to not caring for art or critique, and everything in between!How does the second album stack up to the first? How do bees make honey? When does life begin? Find out on this episode of What Is Music?Our next episode is out next week, Monday June 8th, and we'll continue to tell the story of The Sugarcubes with their third album, Stick Around for Joy!Join the conversation on:Bluesky: https://bsky.app/profile/whatismusicpod.bsky.socialThreads: https://www.threads.net/@whatismusicpodInstagram: https://www.instagram.com/whatismusicpodE-mail: whatismusicpod@gmail.comGet access to more shows, exclusive bonus content, ad-free episodes of this show, and more music discussion by subscribing to our Patreon!Head to patreon.com/whatismusicpod and receive up to two new episodes of our various shows every week (including our album club and monthly themed playlists!), ad-free archives of What Is Music?, and access to our Patron-only Discord server for even more music (and non-music) discussion!Support our show when starting your own podcast!By signing up to Buzzsprout with this link: https://www.buzzsprout.com/?referrer_id=780379Check out our merch!https://whatismusicpod.redbubble.comDonate to our podcast!https://ko-fi.com/whatismusichttp://whatismusic.buzzsprout.com/Support the show
"Many summer tours are having to scale back or cancel altogether. The nickname given to this practice is Blue Dot Fever. It is named after the blue dots that appear on unsold seats when a ticket buyer uses Ticketmaster. It has become indicative of a larger societal and financial concern that is leading to people not being able to attend live music. We will explain."
Our "Summer in the Cities" tour kicks off in New York City, where skyscrapers, subway steam, and street corner speakers shape the soundtrack as much as any studio. From Brooklyn chipmunk soul to CBGB panic attacks, Don and Dude dive into two landmark records that lock NYC's grit, hustle, and humor into permanent groove.The AlbumsJay-Z – The Blueprint (2001)Recorded and released at the height of New York's early 2000s rap power struggles, The Blueprint finds Jay-Z sharpening his legend on a warm bed of soul samples and drum-tight beats, turning his Marcy Projects origin story and luxury-rap persona into a city-sized victory lap. Across confident battle raps, autobiographical flexes, and flashes of vulnerability, the record plays like a mission statement for modern East Coast hip hop and a blueprint for the soulful, producer-driven sound that would dominate the decade.Ramones – Ramones (1976)Captured quickly and cheaply in mid 70s Manhattan, the Ramones' debut blasts through 14 songs in under half an hour, stripping rock back to buzzsaw guitars, sprinting tempos, and chant-ready hooks that feel like CBGB's floorboards turned into sound. Its mix of cartoonish humor, dark street tales, and surf and girl-group influences turns grimy downtown New York into a noisy, funny, slightly dangerous blur that became ground zero for American punk.Diggin' AlbumsRyan Bingham & The Texas Gentlemen – They Call Us The Lucky Ones (2026)Loose, live-sounding Americana that leans on dusty bar-band grooves while Bingham reflects on struggle, endurance, and the strange kind of “luck” you earn the hard way.Wu-Tang Clan – Enter the Wu-Tang (36 Chambers) (1993)Gritty Staten Island mythology and grimy soul loops collide on a ferocious debut that reimagines New York street rap as a martial arts flick scored in a dusty basement.Nine Inch Noize – Nine Inch Noize (2026) A harsh, club-bent collision of Nine Inch Nails and Boys Noize, reworking NIN cuts into pounding electronic workouts that feel like an industrial rave eating itself alive.Olivia Rodrigo – You Seem Pretty Sad for a Girl So in Love (2026) Confessional pop rock pushes into more anxious, experimental territory as Rodrigo unpacks messy, obsessive love through big hooks and jagged, emotionally frayed arrangements.Follow & SupportFollow the show on Instagram, Facebook, Threads, and Bluesky @albumnerds, and support the podcast by subscribing, rating, reviewing, and sharing it with another music obsessive who still loves hearing whole albums front to back.“Once you have lived in New York and it has become your home, no other place is good enough.” – John Steinbeck
"This is a requested topic from a friend. He wondered if we had ever discussed steel drums. We had not so we did a show. We have some history and some discussion of tuning and prices. There are also a lot of songs that use the steel drum you may not have noticed before."
Mark A. Michaels identifies as an uncontrolled experiment. He belongs to the first generation of test tube babies, as so-called sperm donor offspring were known in the 1950s. He has published in a variety of fields, from law to ornithology to self-help, and has written for theater and film. He came of age at CBGB and Max's Kansas City in the 1970s. He is coming of age again at 66. Recent work has appeared or will be appearing in The Brussels Review, The San Antonio Review, Bitter Melon Review, Closed Eye Open, Quarter(ly) Review, and TrashLight. https://instagram.com/markamichaels/
Ramones. Blondie. Television. Talking Heads. Patti Smith. New York Dolls. Everyone knows the big names that made New York City THE epicenter of American punk rock in the 1970s. But that's only a part of the story... For every band that "made it" in some way, there were hundreds of bands who either faded into obscurity or never got the break they deserved. They shared the same stages at legendary clubs like CBGB and Max's Kansas City. And their stories are essential to the NYC punk revolution of the era. One of those bands was Manhattan's The Rousers, whose drummer, Jerid O'Connell, joins us as Third Lad today! Rousers 1979 Sire Session is out now on Left For Dead Records on both black and translucent white individually numbered 12” LP vinyl and 2 x CD set (with bonus tracks). Inspired by the New York Dolls, Ramones and such immortal ‘50s rockers as twangy guitar hero Duane Eddy, the Rousers were woefully under-documented in their prime. A few major labels sniffed around, including RCA and Warner Bros. subdivision Sire. But no one committed them to vinyl until their single “Party Boy” b/w “Don't Let The Band Stop Playing” 45 (produced by Wayne Kramer of the MC5) via Jimboco in 1981. This oversight is corrected with the release of the demos that the original Rousers lineup cut for Sire in the label's basement studio on New York's Upper West Side in 1979. Never before released, the tapes sat shelved in the Rock & Roll Hall of Fame's Sire archives for decades, digitized and restored in 2024. This is not a footnote. It's a rescue mission. Tracked to tape under the sharp ear of Ed Stasium, hot off sessions with the Ramones and Talking Heads, the 1979 Sire demos are raw, radiant, and long overdue for release. They captured the Rousers in full dragstrip ignition mode: dueling Gibson guitars plugged into Fender amps for maximum punk twang, hiccupping Elvis/Buddy Holly vocal inflections, and a rhythm section built for backseat makeouts and beer-splashed dance floors. We celebrate the true underground of NYC punk this week, including Jerid's incredible stories ranging from hanging out with Sid Vicious the week before his death to the Rousers' neighbor Madonna opening for them. Learn more about your ad choices. Visit megaphone.fm/adchoices
"On April 16 2026 A federal jury in Manhattan found that Ticketmaster and its parent company Live Nation have been acting as a monopoly. The case is wide ranging involving 33 states and the District of Columbia. Live Nation will not appeal any of the verdicts. We will discuss what is a monopoly and what these decisions could mean for the future."
Ross Brodar joins The Film Situation for a wide-ranging conversation about filmmaking, New York stories, and the strange overlap between cinema and real life. Ross has worked as a locations manager on acclaimed films including ANORA, MARTY SUPREME, and projects with directors such as Sean Baker, James Gray, and Josh Safdie. In this episode, Ross breaks down the art and logistics of location scouting, transforming real-world environments into cinematic spaces, and collaborating with visionary directors and production designers. The conversation also dives deep into Ross's gripping documentary The Linchpin of Bensonhurst, which chronicles the unbelievable life of Dominic Montiglio, a Vietnam veteran, artist, singer, and former associate of the infamous DeMeo crew tied to the Gambino crime family. Ross shares how he met Dominic by chance, ended up living with him for years, and spent over a decade documenting his life story. Along the way, Zef and Ross discuss New York in the ‘80s and ‘90s, CBGB's, Roseland Ballroom, collecting money for Sicilian fish markets, and why some true stories are ultimately stranger than fiction. Ross also shares one of his favorite movie scenes of all time: the iconic “Tears in Rain” sequence from BLADE RUNNER. Hosted by Zef Cota * Website for Ross' documentary: THE LYNCHPIN OF BENSONHURT: The Dominick Montiglio Story https://www.dominickmontiglio.org
In this installment of Day Drinking on Delmarva, Todd and Tony dive deep into the intersection of music, memory, and media production. They discuss the origins of Todd's business during the 2008 financial crisis and how a passion for capturing live music evolved into a 15-year career in storytelling. From the “Wild West” days of YouTube copyrights to the nuances of using AI-generated tracks versus licensed music, the duo explores how sound defines the atmosphere of everything from social media shorts to local restaurants. Key Discussion Points:* A Throwback to the Roots: Todd introduces the new “GCFL” swag—a logo inspired by the iconic CBGB design—and recounts how his business began by photographing bands in Ocean City around 2008 to stay social during tough economic times.* The Power of Evergreen Content: A look back at the Barrel Room Sessions at Burleigh Oak Brewery and how live music videos, like a decade-old cover at The Starboard, continue to generate views and local SEO value years later.* Music as a Filter: The hosts reflect on how music adapts to our personal moods, whether dealing with loss, a new job, or simply finding the right “Aesthetic Lo-Fi” to write to.* The Evolution of Music Licensing: Tony and Todd discuss the shift from purchasing music to subscription models and the rise of AI tools like Beethoven.ai for creating podcast intros and outros.* Studio Legends: Tony shares a recommendation for the documentary The Wrecking Crew, detailing the anonymous session musicians who played on the biggest hits of the 60s, while Todd mentions the mysterious, mummy-wrapped studio pros of Here Come the Mummies.Links & Resources Mentioned:* Good Clean Fun Life: GoodCleanFunLife.comFavorite Quote:“I saw once somebody say that the reason they became a filmmaker was because they just wanted to share their favorite songs with people... that has kind of been the cornerstone of what we do.” — Todd This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit daydrinkingondelmarva.substack.com
"Just a bit of fun this week. Nobody is perfect so it is pretty easy to hear mistakes in recorded music. Here are some of the big ones in rock and hopefully some you did not know. Once you hear them, you cannot unhear them."
Iron Maiden will not attend their induction into the Rock And Roll Hall Of Fame due to scheduling conflicts with their upcoming Australian Tour, Slayer announce two special shows in the U.S. to celebrate the 40th anniversary of ‘Reign In Blood' by performing the album in its entirety, former Metallica bassist Jason Newstead will embark on his first ever U.S. headlining tour with his Chophouse Band and Blackberry Smoke, the sons of Motorhead's Phil Campbell announce a few memorial shows in the UK to honor their late father with their family-centric ‘Bastard Sons' band, CBGB festival returns to New York for its second year with Patti Smith, Interpol, Morrissey & more… PLUS ‘This Week in Rock & Roll History Trivia', Rock Birthdays, ‘The Best & Worst Rock Album Artwork of the Week' & much more!All of our links are up at www.rocknewsweekly.com every Monday, where you can check out the full episode on 8 different platforms (including Amazon Audible & Apple/Google Podcasts)Watch us LIVE, chat with us & more…Every Sunday around 2pm PST @ https://www.twitch.tv/rocknewsweeklyWatch all of our videos, interviews & subscribe at Youtube.com/@rocknewsweeklyFollow us online:Instagram.com/rocknewsweeklyFacebook.com/rocknewsweeklyTwitter.com/rocknewsweeklyTikTok.com/@rocknewsweekly#IronMaiden #Slayer #JasonNewstead #PhilCampbellsBastardSons #CBGBFest #Rock #News #RockNews #RockNewsWeekly #RockNewsWeeklyPodcast #Podcast #Podcasts #Metal #HeavyMetal #Alt #Alternative #ClassicRock #70s #80s #90s #Indie #Trivia #RockTrivia #RockBirthdays #NewMusic #NewMusicReleases
Gary Lachman in conversation with David Eastaugh https://www.amazon.co.uk/Touched-Presence-Blondies-Bowery-Occult/dp/B0DSV388DQ https://www.gary-lachman.com/ https://garylachman.co.uk/ In this memoir, Lachman recounts how he went from being a successful rock and roller to a writer on consciousness and the Western inner tradition. He shares encounters with rockers such as the Ramones, New York Dolls, Patti Smith, the Rolling Stones, David Bowie, and Iggy Pop and also his time with Timothy Leary, William Burroughs, and Allen Ginsberg. Living with Blondie's Debbie Harry and Chris Stein on New York's Bowery, a block from CBGB, the birthplace of punk rock, Lachman discovered occultism via a follower of Aleister Crowley. Post rock and roll, Lachman's occult studies brought him to the Golden Dawn, Manly P. Hall, Gnosticism, and a stint in Crowley's O.T.O. He details his time in the Fourth Way, including a visit to the site of Gurdjieff 's Institute for the Harmonious Development of Man in France, and his years studying philosophy and literature and working as a science writer while managing a famous metaphysical bookshop at the height of the New Age movement. Excursions to Stonehenge, Avebury, and Glastonbury in search of ley lines and pilgrimages to Colin Wilson's home in Cornwall are a few of the highlights of this introspective, often humorous account of a nascent writer's struggle from rock and roll to individuation.
Continuing our mini-series on post-punk, Jeremy and Tim turn their attention to the pre-history of a crucial NYC venue: The Mudd Club. Given Tim literally wrote the book on this stuff, he's well-placed to tell the story of how three Downtowners got the idea, got the premises, agreed on the name (not without its difficulties) and threw open the doors. We revisit the blending of punk and dance cultures that was emerging in the city at the time, spend a moment in another club - Hurrah - and contemplate the pitfalls of punk. Elsewhere in the episode Jeremy recounts his indie disco escapades, we hear a very early iteration of Psycho Killer, and pour one out for the mighty B52s. Plus: John Wilkes Booth, Molotov cocktails, and Elvis. Produced by Matt Huxley.Become a patron at patreon.com/LoveMessagePodhttps://www.loveisthemessagepod.co.uk/Tracklist:The Rolling Stones - Miss You The Ramones - I Wanna Be Sedated Talking Heads - Psycho Killer (Live at CBGB's)Elvis - Moody Blue The Heartbreakers - Chinese Rocks B52s - 52 Women
"The International Federation of the Phonographic Industry has released its 2026 State of the Industry Report. There are some pretty big take aways including stances on AI and the fact that the music industry is now more profitable than ever before. We will explore the findings."
"The former head of Interscope and Geffen records Jimmie Ivine said that streaming has had its time. Spotify will see its demise soon. Whether you believe that or not, the question is what comes next. After Spotify. Many have suggest this next step in music evolution. We will tell you what Ivine said and offer up some possibilities for after Spotify."
It's ImmaLetYouFinish #245. Our guest Rob Tannenbaum discusses his box set CBGB's: A York Soundtrack, club days of yore... and of course our Knicks. ImmaLetYouFinish... Podcast is a proud member of Pantheon Podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
It's ImmaLetYouFinish #245. Our guest Rob Tannenbaum discusses his box set CBGB's: A York Soundtrack, club days of yore... and of course our Knicks. ImmaLetYouFinish... Podcast is a proud member of Pantheon Podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
"I found a cheeky online piece where the author was using funny put downs to describe some popular bands. Tourist Rock. Ring Tone Rap. Yallternative. So I put it to the Facebook and received a much longer list. I call then Genre Insults and we have a bunch for you."
Gary Lachman - Touched by the Presence: From Blondie's Bowery and Rock and Roll to Magic and the OccultA memoir of magic, rock and roll, and becoming who you are• Traces the author's journey from bassist and founding member of Blondie to writer on consciousness and the esoteric tradition• Explores his involvement in Gurdjieff's Fourth Way, Crowley's Thelema, and his relationship with the bestselling author Colin Wilson• Reveals how an early love of comic books, science fiction, and fantasy led him to the esoteric traditionNot many members of the Rock and Roll Hall of Fame are also recognized authorities on the western inner tradition. Gary Lachman is. In 1978, Blondie released the top-ten hit, “(I am Always Touched by Your) Presence, Dear.” Gary Lachman (then Gary Valentine) had written the song for his girlfriend after the series of shared dreams and telepathic experiences they had. Thus started his life-long obsession with the potentials of consciousness.In this memoir, Gary recounts how he went from being a successful rock and roller to a writer on consciousness and the western inner tradition. He shares encounters with rockers such as the Ramones, New York Dolls, Patti Smith, the Rolling Stones, David Bowie, Iggy Pop and also Timothy Leary, William Burroughs, and Allen Ginsberg. Living with Blondie's Debbie Harry and Chris Stein on New York's Bowery, a block from the birthplace of punk rock, CBGB, Gary discovered occultism via a follower of Aleister Crowley. Post rock and roll, Gary's occult studies brought him to the Golden Dawn, Manly P. Hall, Gnosticism, and a stint in Crowley's O.T.O. He details his time in the Fourth Way, including a visit to the site of Gurdjieff's Institute for the Harmonious Development of Man in France, and his years studying philosophy and literature and working as a Science Writer, while managing a famous metaphysical bookshop at the height of the New Age. Excursions to Stonehenge, Avebury, and Glastonbury in search of ley lines, and pilgrimages to Colin Wilson's home in Cornwall, are a few of the highlights of this introspective, humorous account of a nascent writer's struggle from rock and roll to individuation.BookBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.
Gary Lachman - Touched by the Presence: From Blondie's Bowery and Rock and Roll to Magic and the OccultA memoir of magic, rock and roll, and becoming who you are• Traces the author's journey from bassist and founding member of Blondie to writer on consciousness and the esoteric tradition• Explores his involvement in Gurdjieff's Fourth Way, Crowley's Thelema, and his relationship with the bestselling author Colin Wilson• Reveals how an early love of comic books, science fiction, and fantasy led him to the esoteric traditionNot many members of the Rock and Roll Hall of Fame are also recognized authorities on the western inner tradition. Gary Lachman is. In 1978, Blondie released the top-ten hit, “(I am Always Touched by Your) Presence, Dear.” Gary Lachman (then Gary Valentine) had written the song for his girlfriend after the series of shared dreams and telepathic experiences they had. Thus started his life-long obsession with the potentials of consciousness.In this memoir, Gary recounts how he went from being a successful rock and roller to a writer on consciousness and the western inner tradition. He shares encounters with rockers such as the Ramones, New York Dolls, Patti Smith, the Rolling Stones, David Bowie, Iggy Pop and also Timothy Leary, William Burroughs, and Allen Ginsberg. Living with Blondie's Debbie Harry and Chris Stein on New York's Bowery, a block from the birthplace of punk rock, CBGB, Gary discovered occultism via a follower of Aleister Crowley. Post rock and roll, Gary's occult studies brought him to the Golden Dawn, Manly P. Hall, Gnosticism, and a stint in Crowley's O.T.O. He details his time in the Fourth Way, including a visit to the site of Gurdjieff's Institute for the Harmonious Development of Man in France, and his years studying philosophy and literature and working as a Science Writer, while managing a famous metaphysical bookshop at the height of the New Age. Excursions to Stonehenge, Avebury, and Glastonbury in search of ley lines, and pilgrimages to Colin Wilson's home in Cornwall, are a few of the highlights of this introspective, humorous account of a nascent writer's struggle from rock and roll to individuation.BookBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.
Our Behind the Sound episodes seek to bring us, the concert goer, "backstage" so we can better understand how the iconic sound of a particular band is created. It has become something of a tradition to do this with a tribute band that does such an incredible job re-creating the sound and visuals of a band that has incredible music, and is someone we can no longer catch a live show of. This week we spend time with Start Making Sense, who've become the premier Talking Heads tribute band around.Fronted by Jon Braun, who bears an uncanny resemblance to David Byrne, this gathering of musicians have brought an incredible commitment to creating the quirky and brilliant music of the much-loved band.We'll spend time meeting everyone that makes up Start Making Sense, and see how it all comes together with Load-in and Sound Check, which at times is its own thoroughly enjoyable performance art.And then we'll share some of the songs from a recent performance at the Colonial Theatre in Phoenixville, PA and ask the band members to provide commentary throughout, both about their early stages and their fav moments from the road.The music of Talking Heads has excited, inspired, and healed folks worldwide since their first show at CBGB's in 1975. If David Byrne is one of the geniuses of modern times, then Start Making Sense is a tribute to genius. Start Making Sense celebrates the entire Talking Heads' catalog meticulously executing the sounds and iconic live visual elements in every performance. Together these skilled and dedicated musicians enjoy bringing the unique, infectious energy of a Talking Heads live show that you know and love to the stage.Don't miss this one!Text us your thoughts on this episode, and who should be OUR #NextFavBand...As always, our hope is to bring you "your next favorite band". If you tuned in today because you already knew this musician - thank you very much! We hope that you enjoyed it and would consider following us and subscribing so we can bring you your #nextfavband in the future. And check out nextfavband.com for our entire catalog of interviews!If you have a recommendation on who you think OUR next favorite band should be, hit us up on social media (@nextfavband everywhere) or send us an email at nextfavband@stereophiliastudio.com.Thank you to Carver Commodore, argonaut&wasp, and Blair Crimmins for allowing us to use their music in the show open and close. It makes everything sound so much better!Let's catch a live show together soon!#nextfavband #livemusic #music #musicinterview #musician #singer #guitar #song #newmusic #explorepage #instamusic #bestmusic #musicismylife #musicindustry #musiclife #songwriter #musiclover #musicfestival
"I ran across an article that listed three songs that people listen to only to wait for just that one section. It mentioned the drum break in the Phil Collins song In the Air Tonight. I knew exactly what it was talking about and immediately had five examples from my own collection. I put it to Facebook and now I have a slew of examples."
This guest has just fulfilled a long-term dream. Welcome stalwart of the NYC music scene, George Usher to the podcast. But before moving to New York, he was stealing Beatles songs in Cleveland. He moved to NYC knowing no one and waited a year before playing out. But once he did, he played some legendary venues like CBGB's and Max's Kansas City. He became a hired gun in the 80's and reveals the difficulties of marketing yourself, pre-internet. And's that's when his Stephensonville project began. George explains why it's taken 30 years for the album to come out and the circumstances that gave it life after so long. With it taking so long, it is practically required listening. That means going to bandcamp and buying the limited edition vinyl because it isn't available on streaming services yet. Follow himon Facebook for more information. Go to @PerformanceAnx to follow us. Go to performanceanx.threadless.com for merch or ko-fi.com/performanceanxiety to send us monet, presumably for coffee. And I hope you enjoy this satisfying story of a fulfilled dream with George Usher on Performance Anxiety on the Pantheon Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices
我第一次去纽约的时候，就是要去这几个地方朝圣，纽约朋克的圣地CBGB，迪斯科传奇夜店Studio 54，爵士俱乐部Blue Note和Village Vanguard，Andy Warhol的Factory，还有Chelsea Hotel，虽然很多都已经不复存在，但是还是能够感受到时代的变化，比方说CBGB现在是一个时装店，但是去那个店里的人都是世界各地来的乐迷，进门就问这里就是当年的CBGB吗？服装店的老板也可以留下了一些当年的痕迹，试衣间就是当年的后台休息室，墙上还保留着乐队留下的涂鸦，我去的那年Chelsea Hotel正在装修，Chelsea Hotel是最具传奇色彩的纽约文化地标，被称为文艺青年的乌托邦，收留过无数的落魄艺术家，留下无数摇滚传奇，Bob Bylan, Sid Vicious, Jimi Hendrix, Patti Smith, 尤其是Leonard Cohen把在Chelsea Hotel遇到Janis Joplin的经历写到了歌曲里。节目开始肖容讲述他当年去纽约的经历很有趣，纽约就是一座朋克学院，这里既是天堂也是地狱，肖容提到的在CBGB对面的白宫旅馆非常有意思，相信很多摇滚明星当年都入住过这里，这是一家具有百年历史的传奇廉价酒店，也是纽约最后一家廉价寄宿酒店，它的名字White House其实和华盛顿的美国总统官邸无关，是因为历史上只允许白人入住而得名，The Clash第一次来纽约是1981年5月，演出的场地是时代广场附近的Bond Casino连演8 场，后来因为观众过于热情引起了骚乱，乐队不得不加演，这场史诗级的演出被永久地载入了摇滚史册，被Rolling Stone杂志称为摇滚史上最精彩的时刻，而这场演出的最深远的影响是英国伦敦的街头朋克摇滚遇到了纽约街头的黑人说唱文化，Mike Jones带着手提录音机沉迷于最新的嘻哈文化，Joe Strummer则被涂鸦艺术家们深深吸引，他们结识了纽约嘻哈音乐先驱Grandmaster Flash，并邀请他作为开场嘉宾，The Clash在1980年发表的专辑Sandinista！中的歌曲The Magnificent Seven就是在纽约录制的，被看作是摇滚乐历史上第一首说唱风格的歌曲，比Blonde的Rapture还早六个月。 The Clash - Jimmy JazzTom Petty - Free Fallin'Baozi - TiredSonic Youth - Swimsuit IssueSonic Youth - SchizophreniaSonic Youth - Pink Steam卢凯彤 - 嚣张Billy Joel - Uptown GirlU2 - Van Diemen's LandLeonard Cohen - Waiting For The Miracle Leonard Cohen - Everybody KnowsLana Del Rey - Chelsea HotelThe Clash - The Magnificent Seven
"Major record companies are suing SUNO and Udio over song usage to create AI tunes. The one big thing the companies are looking for is a Walled Garden, the idea that what is created on SUNO will stay on SUNO. It cannot be taken and spread around. One company has already settled but it goes much deeper than that."
Jib Machine Records is pleased to announce that its kicking off 2026 with some exciting news. Signed with Jib Machine since 2021, one of punk music's most notorious bands, Nihilistics, are featured in the new multi-CD release, “CBGB – A New York city Soundtrack 1975-1986”. The project is out now via Cherry Red Records and features their song “You're To Blame”. The four-piece hardcore band, comprised of Ron Rancid, Ajax Lepinksi, Joe Dread and Troy, first took on the New York scene in 1979. Among the band's more notorious live concerts, are their first-ever gig that resulted in Rancid's arrest. The legend grew and from there the band gigged at the famed CBGB and a slew of other Manhattan clubs followed, as did several albums to their name. Additional artists on the Cherry Red Records release include Talking Heads, Mumps, Blondie, Sonic Youth and more. Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.
Michael Jung in conversation with David Eastaugh http://www.alicedonut.com/ Alice Donut formed in 1986 after the demise of the Sea Beasts, a band at Columbia University, the name soon trimmed from the initial Alice Donut Liver Henry Moore, a play on Alice Doesn't Live Here Anymore. Ted Houghton, Tomas Antona, Dave Giffen and Tom Meltzer recruited drummer Stephen Moses and quickly found a substantial audience at CBGB. Guitarist Michael Jung soon replaced Meltzer. The band's first commercial release was the Donut Comes Alive album, released in 1988 on Jello Biafra's Alternative Tentacles label, followed in 1989 with Bucketfulls of Sickness and Horror in an Otherwise Meaningless Life.
New York City, summer of 1977. A city on the edge. Crime is soaring, the Son of Sam is terrorizing the streets, and a massive blackout has pushed Gotham into chaos.In the middle of it all, a young poet in the downtown scene is found dead in his East Village apartment—ruled an accidental overdose. Case closed… or so it seems.But when suspicions of murder begin to surface, an unlikely investigator emerges from the heart of the CBGB scene. What follows is a deep dive into a shadowy world where punk rock, art, fashion, and crime collide—pulling in some of the most iconic names of the era, from Lou Reed and Patti Smith to William S. Burroughs and Andy Warhol's inner circle.At the center of it all: a chilling conspiracy that could explode on the opening night of a brand-new CBGB venue.This episode explores The CBGB Conspiracy, a gripping story that blends real history with fiction—set against one of the most volatile and creatively explosive moments in New York City history.Featuring an interview with Gabriel Rotello, author of The CBGB Conspiracy, who takes us inside the story, the research, and the real-life figures that shaped this unforgettable world.Listen now and step into the chaos of 1977—where the music was loud, the city was crumbling, and nothing was as it seemed.Purchase a copy of The CBGB ConspiracyVisit Gabriel Rotello's website----------
Meg introduces the queen of the clitoris, Shere Hite, and her rough ride in gender politics. Jessica tells of New York's quest to get federal funding by raising the drinking age to 21 and effectively shuttering small rock 'n roll clubs.Please check out our website, follow us on Instagram, on Facebook, and...WRITE US A REVIEW HEREWe'd LOVE to hear from you! Let us know if you have any ideas for stories HEREThank you for listening!Love,Meg and Jessica
Rob Tannenbaum in conversation with David Eastaugh https://www.cherryred.co.uk/various-artists-cbgb-a-new-york-city-soundtrack-1975-1986-4cd?srsltid=AfmBOoohm1glA9ey7r6K1osC9drIJOO4YZT5Q0P6y6vXPapBUTVMN2ig “CBGB was a place for the dirty people.” - Jimmy Destri of Blondie “Afterwards, I took off and went crosstown to CBGB's, the stronghold of the unknown, to be with my own people.” - Patti Smith In December 1973 Hilly Kristal changed the name of his roots music bar from Hilly's on the Bowery to CBGB and altered his musical policy to hire mostly rock bands. He was indifferent to many of them (“No one is going to like you guys, but I'll have you back,” he told Joey Ramone), blissfully unaware of how important his scruffy little club would soon become. In the span of only 15 months, the five groups that comprise the CBGB's pantheon all debuted: Television in March 1974, followed by Ramones in August and Blondie in October, then Patti Smith in February 1975 and Talking Heads four months later. Those five groups all quickly got record deals and became popular enough to outgrow CBGB's. By the fall of 1977, Smith was the only one who was still playing there. What succeeded the Big Five was an array of new and retro styles, all of which feature here: No Wave (Sonic Youth, Mars, DNA, Bush Tetras), post-punk (Ritual Tension, Unknown Gender, Khmer Rouge), mutant funk and R&B (James Chance & The Contortions, Mink DeVille), art-rock bands (R.L. Crutchfield's Dark Day, The Revelons, Erasers, Jeff and Jane Hudson) hardcore punk (Minor Threat, Bad Brains, Vatican Commandos, Beastie Boys), and lots of power pop (Sorrows, The dBs, The Rudies, The Miamis, The Paley Brothers) . The club's best-known bands are present on this compilation but we've also revived interest in dozens of unfairly forgotten acts that, for a moment in time, made an album, EP, 45, or even a demo that crackled with innovation, wit, and joy. CBGB no longer exists, at least not in the physical plane, but what happened between those soot-filled, beer-stinking walls continues to reverberate around the world.
Meg and Jessica discuss The CBGB Conspiracy by Gabriel Rotello, a twisting and turning whodunnit set in the East Village in 1977. Written with meticulous detail about the people, places, and intrigues of the day.Please check out our website, follow us on Instagram, on Facebook, and...WRITE US A REVIEW HEREWe'd LOVE to hear from you! Let us know if you have any ideas for stories HEREThank you for listening!Love,Meg and Jessica
"I ran across an article listing musicians who are in both the Rock and the Country Halls of Fame. There aren't many. When I started looking into it further I found that the people on the list were in multiple other Halls of Fame as well. I wanted to find out what musician is in the most Halls. There is a clear winner."
In this episode Toby sits down with writer/director Patty Jenkins! She chats about Kansas, NYC, DC scene, Bryan Callen, doing camera work on all 90's rap videos, making Monster with Charlize Theron, directing pilots, Wonder Woman and the pressure that went along with it, WW sequel coming out in pandemic, AI, her dream project, Duran Duran, reading, CBGB, the punk scene being ahead of the curve and progressive and more! Please remember to rate, review and subscribe and visit us at https://www.youtube.com/tobymorseonelifeonechance Please visit our sponsors! Rockabilia- use code OLOC10 Rockabilia Athletic Greens https://athleticgreens.com/oloc Removery- code TOBYH2O https://removery.com Liquid Death https://liquiddeath.com/toby Refine Recovery https://www.instagram.com/refinerecoverycenter/
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