Podcasts about music podcasts

Our friend Monee is back to give us the lowdown on the final 2025 shows of Kelly Clarkson's Studio Sessions Las Vegas Residency. We'll talk about the changes to the setlist, the differences between seats and the pit, the much more desirable Las Vegas weather, and much more!Support us on Patreon: patreon.com/MissIndepodcastBuy merch from our new merch storeFollow us!Facebook | Twitter/X | InstagramFind more at missindepodcast.com

It's Black Friday at Open Studio! Grab our biggest savings of the year and take your playing to the next level: https://www.openstudiojazz.com/yhi/Songs in the Key of Life stands apart, even next to the other four albums in Stevie Wonder's classic period. It resulted in the most hit singles: "I Wish", "Sir Duke", "As" and "Another Star". Chris Molanphy of the Hit Parade podcast leads us through this album's incredible charts story. Not only did it produce FOUR singles, but it inspired two other chart-topping hits: Coolio's "Gangsta's Paradise" and Will Smith's "Wild Wild West".Plus — Peter and Adam nerd out on the keys, dissecting every track to highlight the musical complexity that makes Songs in the Key of Life a favorite among jazz musicians. You may have heard Songs in the Key of Life ... possibly many times. But you've never heard it quite like this!00:00 - Intro Jam: "As"02:13 - The Chart Story Behind SITKOL05:40 - The Long Wait for Songs in the Key of Life12:45 - "Love's In Need of Love Today"19:40 - Comparing Stevie to Prince20:30 - "I Wish"24:00 - The Ultimate Crossover Hitmaker27:25 - "Sir Duke"32:30 - Making Jazz Fun37:25 - "Passtime Paradise"40:00 - Stevie the Synth Innovator43:50 - How Stevie Commanded the Charts46:40 - How Was This Track Not a Hit Single?52:00 - This Hit Was NOT On an Album56:00 - The SITKOL Jazz Standard1:00:30 - "Another Star"1:04:05 - "As"1:15:00 - How SITKOL Singles Broke Ground1:22:20 - Our Favorite SITKOL Tracks1:25:35 - The Best Moments on SITKOL1:29:50 - Bespoke Spotify Playlists1:32:45 - What to Listen to Next1:35:20 - Quibble Bits1:37:50 - How "Snobby" is This Record?1:40:50 - Is it Better than Kind of Blue?1:42:40 - Packaging Gets a 10/101:45:00 - Outro: "As"

Number one Funkateer Bootsy Collins takes us to Funk University! From his days in James Brown's group, to his work with Parliament/Funkadelic and Booty's Rubber Band, to his recent single that raises awareness about domestic violence, "the world's only rhinestone rock-star doll" tears the roof off the sucker and breaks it all down for us. Songcraft wants the funk!  PART ONE:Paul and Scott discuss particularly recognizable bassists and chat about their expectations of what they thought Bootsy would be like before he landed the mother ship on Songcraft. PART TWO:Our in-depth conversation with the legendary Bootsy CollinsABOUT BOOTSY COLLINS:Named among the top 5 bassists of all time by Rolling Stone magazine, Bootsy Collins is one of funk and R&B's most iconic musicians, singers, frontmen, producers, and characters. He started out playing sessions for King Records in his hometown of Cincinnati, Ohio, then kickstarted his career with James Brown's backup band, The J.B.'s. He was credited as a songwriter on classic J.B.'s songs such as “The Grunt” and “These Are the J.B.'s.” In 1972, he joined George Clinton's Parliament-Funkadelic, and is a co-writer of classics such as “Up for the Down Stroke,” “Chocolate City,” “P-Funk (Wants to Get Funked Up),” “Give Up the Funk (Tear the Roof Off the Sucker),” “Mothership Connection,” “Dr. Funkenstein,” and “Flash Light.” In 1976, Bootsy's Rubber Band captivated audiences with his flashy star-shaped glasses and bass, and hits such as “I'd Rather Be With You” and the chart-topping “Bootzilla.” Since then, Bootsy has launched Bootzilla Productions and Funk University to help mentor younger creatives to reach their full potential. His inescapable influence on pop culture can be heard in the music of Snoop Dogg, Outkast, Dr. Dre, Flea of Red Hot Chili Peppers, Rick James, Prince, Daft Punk, Primus, Thundercat, and in Childish Gambino's Grammy-winning platinum hit “Redbone,” which paid homage to “I'd Rather Be With You.” Bootsy is a member of the Rock and Roll Hall of Fame, and the National Rhythm & Blues Hall of Fame. His latest album is called Album of the Year #1 Funkateer.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Happy 5th Thrashin' Birthday! And to celebrate, we're joined by a legitimate Thrashin' Treasure, Rob Evan! (Say what?! *fan girls*) This week, AW and Steve are joined by this charismatic front man-slash-leading man to reload some Alien Weaponry, before reliving the Last Five Years with Jason Robert Brown's cult two-hander. Plus, besides the incredible stories and conversation with Rob, keep your ears peeled for the post to arrive as past guests join in the festivities to wish the boys a Happy 5th Anniversary!Five years of this craziness?! Jinkies!--SOCIALS--Rob: https://www.instagram.com/robevanmusic/ -- https://www.instagram.com/robevanofficial/Steve: Twitter: https://x.com/MusicRewindPod -- IG: https://www.instagram.com/musicrewindpodcast/Music Rewind Podcast: https://open.spotify.com/show/3iBCPPLvFMP1nXsrPm8O2N?si=ea8a05cea62d4949*****Juxtaposing Metal with Musicals - joined by iconic guests from the worlds of Music, Broadway, Hollywood, and more! https://www.thetonastontales.com/listen -- https://www.patreon.com/bloomingtheatricals - https://twitter.com/thrashntreasurehttps://linktr.ee/thrashntreasure*****Help support Thrash 'n Treasure and keep us on-air, PLUS go on a fantastical adventure at the same time!Grab your copy of The Tonaston Tales by AW, and use the code TNT20 when you check out for 20% off eBooks and Paperbacks!https://www.thetonastontales.com/bookstore - TNT20 *****    ★ Support this podcast on Patreon ★

ABC Music Podcast - November 2025 [Artist] - [Track] - [Label] 1. Joachim Spieth - Chain - Balders Audio 2. Michael Mayer - Brainwave 2.0 (Raxon Mix) - Kompakt 502.1 3. Droneghost - Steam Ritual - Affin 4. Droneghost - Dream Logic - Affin 5. Joachim Spieth - Phantom - Sementica Records 6. Droneghost - Drip Cycle - Affin 7. Mike Parker - Forward (Donato Dozzy Remix) - FIELD38 8. Claudio PRC - Covered In Sin - Delsin Records 9. Anahit Vardanyan - Urartu - Awesome Soundwave 10. Svarog - Symbiotic Dream - Pcylocibina 11. Shinedoe - Gold - MTM - 12. Val Xalino - Dança Dança T'Manché (Acid Pauli's Autowah Dub) - Compost 13. Gene Richards Jr. - Shake Sequence - WRKTRXLTD01 14. Rolando - B Friend - R3 Roland Rocha Records 15. Shinedoe - Stand Up - MTM 16. Efdemin - Aachen - Ostgut Ton 17. Erik Leubs - Riding the Blade - Kompakt Extra 18. Deluka - No Time - NSGQ11 19. Nastia Reigel - Do It, Now - Infrastructure New York 20. Altinbas - Maniola - Observer Station006 21. Phara - Second Skin - TOKEN135 22. Phasic 18 - Dissociation - SOMAG90D 23. Procombo - Be Alive - CLR132 24. Astronomical Telegram - Caldas 04 - Telegrama https://soundcloud.com/abcmusicpodcast http://facebook.com/abcmusicpodcast

Want to request a song? Tell us your rating? Send us a Text Message right now! In this episode of 1001 Songs That Make You Want To Die, the boys take flight—literally and metaphorically—as they dive headfirst into R. Kelly's delusional gospel-ballad-turned-Olympic-theme, “I Believe I Can Fly.”From Space Jam nostalgia to the harsh reality of sex crimes, Chibbs, Bevo, and Dan Southern unravel the bizarre lyrics, ridiculous metaphors, and the twisted irony of a convicted criminal writing about purity, freedom, and everlasting arms.Expect chaotic tangents about flapping mechanics, bird burglaries, and which Matrix movie Neo actually flies in—all while trying to separate one of the world's most infamous “sex perpetrators” from one of the most overplayed anthems of the '90s.It's one part pop-culture therapy session, one part roast, and entirely unhinged.

Here is my music show Bluesland from Thursday Nov. 13, 2025 featuring an interview with Debbie Lyons Simmonds and Robert Schaffner about Debbie's husband Kim Simmonds of The Savoy Brown Blues Bands autobiography "Street Corner Talking-The Autobiography of Kim Simmonds. The Life and Music of The Founder and Guitarist of Savoy Brown. Also the music of Savoy Brown, Stevie Ray Vaughan, Chris Eger, Tinsley Ellis, Samantha Fish and more. 

МУЗГОСТ - это музыкальный подкаст о клубной, популярной и хорошей (по мнению авторов) музыке. Welcome to TG: t.me/muzgost Click this: hipolink.me/wasserman МУЗГОСТ #446 @ Music Podcast [14.11.25] cover @ WASSERMAN

Welcome to Products of Music, where you will hear inside stories and expert insights on product innovation in music technology.In this episode:In this episode host Adam Wakeling speaks with Jamie Stillman, Founder of EarthQuaker Devices about the impact of tariffs on small US businesses; why Jamie is not concerned about the current generation of digital modelers like the Quad Cortex and Helix, as well as how EarthQuaker Devices approaches product development at the company.Watch on YouTube: https://www.youtube.com/watch?v=w_O3xHoxGFwTo learn more about EarthQuaker Devices, visit: https://www.earthquakerdevices.com/Many thanks to this episode's sponsor Chase Bliss. To learn more about Chase Bliss, visit: https://www.chasebliss.com?utm_source=productsofmusic Chapters:00:00 Preview01:15 Intro02:17 EarthQuaker origin story05:00 Catalyst for scaling05:53 Julie's impact06:58 Product development approach09:24 Data-driven development10:48 Trends in the market14:31 Chase Bliss Sponsor15:34 Analog versus digital18:36 Guiding product principles22:50 Every pedal has a song in it24:03 Inspiration for pedal ideas27:39 Ideas thought process29:25 More complex EarthQuaker pedals32:50 Hedgehog concept in business35:19 What EarthQuaker is best at41:45 Getting pedals to be ready47:12 Jamie's concerns for the future49:28 Quick-fire questions52:55 How fans can support55:30 Customisation capabilities56:51 Pedals close to being scrapped59:08 Bright pedal LEDs01:00:03 Outro

Pat welcomes synth wizard and founding member of Toto, Steve Porcaro, to the "Zoom Room" to promote his new solo album "The Very Day."See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Show NotesAs artificial intelligence begins generating music from vast datasets of human art, a fundamental question emerges: who truly owns the sound of AI? This episode of Music Evolves brings together a law student and former musician Chandler Lawn, music industry executive and professor Drew Thurlow, Michael Sheldrick, Co-Founder of Global Citizen, and intellectual property attorney Puya Partow-Navid, alongside hosts Sean Martin and Marco Ciappelli, to examine how AI is reshaping authorship, licensing, and the meaning of originality.The panel explores how AI democratizes creation while exposing deep ethical and economic gaps. Lawn raises the issue of whether artists whose works trained AI models deserve compensation, asking if innovation can be ethical when built on uncompensated labor. Thurlow highlights how, despite fears of automation, generative AI music accounts for less than 1% of streaming royalties—suggesting opportunity, not replacement.Sheldrick connects the conversation to a broader global context, describing how music's economic potential could drive sustainable development if nations modernize copyright frameworks. He views this shift as a rare chance to position creative industries as engines for jobs and growth.Partow-Navid grounds the discussion in legal precedent, pointing to landmark cases—from Two Live Crew to George R. R. Martin—as markers of how courts may interpret fair use, causality, and global jurisdiction in AI-driven creation.Together, the guests agree that the debate extends beyond legality. It's about the emotional authenticity that makes music human. As Chandler notes, “We connect through imperfection.” Marco adds that live performance may ultimately anchor value in a world saturated by digital replication.This conversation captures the tension—and promise—of a future where music, technology, and law must learn to play in harmony.GuestsChandler Lawn, AI Innovation and Law Fellow at The University of Texas School of Law | On LinkedIn: https://www.linkedin.com/in/chandlerlawn/Drew Thurlow, Adjunct Professor at Berklee College of Music | On LinkedIn: https://www.linkedin.com/in/drewthurlow/Michael Sheldrick, Co-Founder and Chief Policy, Impact and Government Affairs Officer at Global Citizen | On LinkedIn: https://www.linkedin.com/in/michael-sheldrick-30364051/Puya Partow-Navid, Partner at Seyfarth Shaw LLP | On LinkedIn: https://www.linkedin.com/in/puyapartow/Marco Ciappelli, Co-Founder, ITSPmagazine and Studio C60 | Website: https://www.marcociappelli.comHostSean Martin, Co-Founder at ITSPmagazine, Studio C60, and Host of Redefining CyberSecurity Podcast & Music Evolves Podcast | Website: https://www.seanmartin.com/ResourcesLegal Publication: You Can't Alway Get What You Want: A Survey of AI-related Copyright Considerations for the Music Industry published in Vol. 32, No. 3 of the Texas State Bar Entertainment and Sports Law Journal.BOOK: Machine Music: How AI Is Transforming Music's Next Act by Drew Thurlow: https://www.routledge.com/Machine-Music-How-AI-is-Transforming-Musics-Next-Act/Thurlow/p/book/9781032425242BOOK: From Ideas to Impact: A Playbook for Influencing and Implementing Change in a Divided World by Michael Sheldrick: https://www.fromideastoimpact.com/AI and Copyright Blogs:https://www.gadgetsgigabytesandgoodwill.com/category/ai/https://www.gadgetsgigabytesandgoodwill.com/2025/11/dr-thaler-is-right-in-part/https://www.gadgetsgigabytesandgoodwill.com/2025/07/californias-ai-law-has-set-rules-for-generative-ai-are-you-ready/https://www.gadgetsgigabytesandgoodwill.com/2025/06/copyright-office-firings-spark-constitutional-concerns-amid-ai-policy-tensions/Newsletter (Article, Video, Podcast): The Human Touch in a Synthetic Age: Why AI-Created Music Raises More Than Just Eyebrows: https://www.linkedin.com/pulse/human-touch-synthetic-age-why-ai-created-music-raises-martin-cissp-s9m7e/Article — Universal and Sony Music partner with new platform to detect AI music copyright theft using ‘groundbreaking neural fingerprinting' technology: https://www.musicbusinessworldwide.com/universal-and-sony-music-partner-with-new-platform-to-detect-ai-music-copyright-theft-using-groundbreaking-neural-fingerprinting-technology/Article: When Virtual Reality Is A Commodity, Will True Reality Come At A Premium: https://sean-martin.medium.com/when-virtual-reality-is-a-commodity-will-true-reality-come-at-a-premium-4a97bccb4d72Global Citizen: https://www.globalcitizen.org/Gallo Music (Gallo Records, South Africa): https://www.gallo.co.za/Global Citizen Festival: https://www.globalcitizen.org/en/festival/Andy Warhol Foundation v. Goldsmith (Shepard Fairey / “Hope” poster context): https://supreme.justia.com/cases/federal/us/598/21-869/case.pdfGeorge R. R. Martin / Authors Guild v. OpenAI (current AI training lawsuit): https://authorsguild.org/news/ag-and-authors-file-class-action-suit-against-openai/Campbell v. Acuff-Rose Music, Inc. (2 Live Crew “Pretty Woman”): https://supreme.justia.com/cases/federal/us/510/569/Vanilla Ice / “Under Pressure” Sampling Case: https://blogs.law.gwu.edu/mcir/case/queen-david-bowie-v-vanilla-ice/MIDiA Research — AI in Music Reports: https://www.midiaresearch.com/reports/ai-and-the-future-of-music-the-future-is-already-hereMerlin (Global Independent Rights Organization): https://www.merlinnetwork.org/Instagram Reel re: Spotify Terms: https://www.instagram.com/reel/DOrgbUNCYj_/ Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Hardtech und Techno Fusion mit einem Hang zu experimentellen Sounds, das gibt es zu hören im Traex Techno House Music Podcast No. 495. Kostenlose Downloads und Sharing der Techno Tracks im Podcast über die Icons unter dem Player. Abonniere den Traex Techno House Music Podcast über die Buttons unter dem… weiterlesen >>>

In this episode of The Bandwich Tapes, I sit down with drummer, singer, and songwriter Alwyn Robinson, whose story travels from East Texas to Boulder, Colorado, and now to Brooklyn, New York.You may know Alwyn from his work with Leftover Salmon or his performances with Billy Strings, but now he's stepping forward with a new solo album called Marshall, out Friday, November 14. The record is a beautiful reflection of what Americana means to him, rooted, soulful, and full of texture.We discuss the importance of process, navigating grief and self-care, learning to be still, and how these inner lessons have shaped his growth as both a musician and a person. We also get into the making of Marshall, his collaboration with Bridget Carney (Lake Street Dive) and Andrew Ibanez, and how he's learning to find his own voice as a frontman.Music from the Episode:Carrying On (Alwyn Robinson)Nose on the Grindstone (Alwyn Robinson)Gentle on My Mind (Alwyn Robinson)Thank you for listening. If you have questions, feedback, or ideas for the show, please email me at brad@thebandwichtapes.com.Theme music: "Playcation" by Mark Mundy

Hardtech und Techno Fusion mit einem Hang zu experimentellen Sounds, das gibt es zu hören im Traex Techno House Music Podcast No. 495. Kostenlose Downloads und Sharing der Techno Tracks im Podcast über die Icons unter dem Player. Abonniere den Traex Techno House Music Podcast über die Buttons unter dem… weiterlesen >>>

We're celebrating our 10th anniversary all year by digging in the vaults to re-present classic episodes with fresh commentary. Today, we're revisiting our 2021 conversation with Richard Marx. ABOUT RICHARD MARX:Grammy-winning performer Richard Marx has sold more than 30 million albums as an artist, but if you only know him from late 1980s ballads such as “Hold on to the Nights” and “Right Here Waiting,” you only know part of the story. A prolific songwriter, Marx has landed fourteen songs at the top of various Billboard charts, and has written a #1 single in each of the last four decades. His genre-crossing songwriting success includes “What About Me” and “Crazy,” which Kenny Rogers carried to the top of the Adult Contemporary and Country charts, respectively; “Edge of a Broken Heart,” a hit for the female metal band Vixen; “This I Promise You,” a Top 5 pop single for NSYNC that stayed at #1 on the Adult Contemporary Chart for 13 weeks; Josh Groban's debut single “To Where You Are,” which also reached #1; and “Dance With My Father,” which Richard wrote with the song's performer, Luther Vandross, and which earned the pair the prestigious Grammy Song of the Year award in 2004. Additionally, Richard has scored three major hits with Keith Urban: the Top 5 “Everybody,” and the #1 singles “Better Life” and “Long Hot Summer.”  Despite all his songwriting success, however, Marx is best known as a singer and performer who today jokes about his 80s hairstyle and of-the-era drum sounds. But the songs are undeniable, all of which Marx wrote and produced himself. His debut self-titled album yielded four Top 5 singles: “Don't Mean Nothing,” “Should've Known Better,” “Endless Summer Nights,” and “Hold on to the Nights.” His follow-up, 1989's Repeat Offender, was even more successful, going quadruple-platinum and earning two number one Billboard pop singles, “Satisfied” and “Right Here Waiting,” in addition to the Top 5 “Angelina.” More hits followed, including “Keep Coming Back,” “Hazard,” “Take This Heart,” “Now and Forever,” and “Until I Find You Again.” In addition, Richard's songs have been integral to a number of successful film soundtracks. He earned a Grammy nomination for his contributions to St. Elmo's Fire; scored a Top 10 pop hit with “Surrender to Me,” which Ann Wilson of Heart and Robin Zander of Cheap Trick recorded for the movie Tequila Sunrise, and wrote “At the Beginning,” a hit duet for the film Anastasia that Richard performed with Donna Lewis. Over the course of his career, Richard's songs have been recorded by Barbra Streisand, The Tubes, Sarah Brightman, Monica, Natalie Cole, Michael Bolton, Paulina Rubio, Emerson Drive, Chicago, Billy Ray Cyrus, Vince Gill, Kenny Loggins, LeAnn Rimes, Celine Dion, Julio Iglesias, Berry Manilow, Daughtry, Vertical Horizon, Lifehouse, Dave Koz, Jennifer Nettles, Ringo Starr, and many others. His memoir, Stories to Tell, is available from Simon & Shuster.   Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Want to request a song? Tell us your rating? Send us a Text Message right now! Hey team — it's Bevo here (yep, that Bevo). We're cooking up a Q&A episode, and we want you to be part of it. Ask us anything: Why do they call him Mad Dog? Which songs have we rated the worst so far? Did Chibbs ever pay Dan that eight grand? (You already know the answer.)Send your questions to https://www.1001songsthatmakeyouwanttodie.com/contact, and you could score yourself a free 1001 Songs t-shirt if we pick yours as our favourite.Fire away — we can't wait to roast your questions on the show.Support the showFollow us on Instagram: https://www.instagram.com/1001songsthatmakeyouwanttodie/Follow us on TikTok: @the1001crew

The fans are taking over this week's episode! We polled you about your favorite Kelly Clarkson duets, preferred genres, and much more.Support us on Patreon: patreon.com/MissIndepodcastBuy merch from our new merch storeFollow us!Facebook | Twitter/X | InstagramFind more at missindepodcast.com

1959 gave us Kind of Blue, Time Out ... and Mingus Ah Um. Adam and Peter dig into Charles Mingus's most adventurous, soulful record: gospel, bebop, and pure Mingus genius. You've never heard it quite like this.Charles Mingus was one of jazz's greatest bass players AND composers. Listen with us as we break down the genius in every track of his best-selling record, and share stories of the brilliant, chaotic, occasionally volatile man behind Mingus Ah Um. Start your free Open Studio trial for ALLLLL your jazz lesson needs: https://osjazz.link/yhi    00:00 — Opening Jam: "Better Git It In Your Soul"01:40 — What's happening at Open Studio3:15 — 1959: What a Great Year!5:40 — Early Mingus10:40 — "All the Things You Can C#" from Mingus at the Bohemia11:40 — "A Foggy Day" from Pithecanthropus Erectus16:15 — "Better Get Hit In Your Soul"23:35 — This One is For the Nerds27:50 — "Goodbye Pork Pie Hat" 34:36 — "Boogie Stop Shuffle"38:30 — "Self-Portrait in Three Colors"40:30 — The Duke Ellington Influence45:10 — "Open Letter to Duke" 48:05 — "Bird Calls"49:00 — "Fables of Faubus"56:40 - "Pussy Cat Dues"58:15 — "Jelly Roll"1:00:15 — Categories1:10:50 — GALA

In this episode, I'm joined by John Mailander, a fearless and lyrical fiddler/violinist whose work bridges bluegrass, jazz, ambient improvisation, and songcraft. We trace his path from San Diego to Berklee (where he studied American Roots with mentor Darol Anger) to Nashville, where he found a close-knit community that's as experimental as it is supportive. John discusses the city's “weirdo music” scene, ambient nights, free improvisation, and oddball collaborations, and how that energy coexists alongside the touring calendar. We dig into his life-changing chair with Bruce Hornsby: the no-setlist ethos, learning the “top 80” deep-cut originals, living on the edge together, and the night Bruce rearranged the stage so John could stand next to John Scofield, then kept tossing them intertwined solos all evening. John shares recent runs with Sam Grisman (with hero Peter Rowan onboard), producing and recording more from Nashville, and the origin of his own band Forecast, a genre-porous collective inspired by Bill Frisell, Brian Blade Fellowship, Pat Metheny/Brad Mehldau, and Joni Mitchell. We talk through the new record Let the World In: how residency nights at Dee's in Madison shaped the tunes, why the drums sound so alive, and why he welcomes rotating lineups to hear the same music through new lenses. Teaching and mentorship thread through the conversation: passing on what was given to him (formally and backstage between songs), honoring influences like Matt Mundy (ARU/Bruce Hampton), and why the point isn't “pushing boundaries” as a goal but playing honestly enough that the music pushes itself. It's a generous, grounded conversation about trust, curiosity, and letting the music lead.To learn more about John, visit his website. Music from the Episode:Let the World In (John Mailander's Forecast)Road (John Mailander's Forecast)Gardener (John Mailander's Forecast)Reprise (John Mailander's Forecast)Thank you for listening. If you have questions, feedback, or ideas for the show, please email me at brad@thebandwichtapes.com.

Want to request a song? Tell us your rating? Send us a Text Message right now! Taylor Swift's new song “Wood” has arrived — and the boys are asking the big questions: Is it about love? Superstition? Or… Travis Kelce's actual wood?

Welcome to TG: t.me/muzgost Click this: hipolink.me/step1

Here is my music podcast of Bluesland November 6, 2025 with the music of William Clarke, John Lee Hooker, George Thorogood, Muddy Waters, Sue Foley, Tinsley Ellis and more. Click on the picture/link and dance up a storm!

The Deadcast explores Bobby Weir's guitar étude, “Sage and Spirit,” speaking with one of the song's namesakes, Sage Scully, before taking an extended trip to legendary Dead show at the Great American Music Hall in August 1975, where the song received its only full live performance.Guests: David Lemieux, Donna Jean Godchaux MacKay, Sage Scully, Ron Rakow, Al Teller, Steve Brown, Roger Lewis, Lee Brenkman, Steve Schuster, Gary Lambert, Deb Trist, Ed Perlstein, Danno Henklein, Joan Miller, Steve Silberman, Michael Parrish, Keith Eaton, Shaugn O'Donnell, Benny LanderSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Pat welcomes Kevin Hartbarger to the "Rock Room East" to play songs from some of his favorite North Carolina bands!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Become a supporter of this podcast: https://www.spreaker.com/podcast/the-good-morning-portugal-podcast-with-carl-munson--2903992/support.Let us help you find YOUR home in Portugal...Whether you are looking to BUY, RENT or SCOUT, reach out to Carl Munson and connect with the biggest and best network of professionals that have come together through Good Morning Portugal! over the last five years that have seen Portugal's meteoric rise in popularity.Simply contact Carl by phone/WhatsApp on (00 351) 913 590 303, email carl@carlmunson.com or enter your details at www.goodmorningportugal.com And join The Portugal Club FREE here - www.theportugalclub.com

“Be a homie & let us know what you think”A beat can cross oceans faster than any plane ticket—this showcase proves it. We're celebrating Filipino producers from Manila to Sacramento with a curated trip through sample alchemy, razor-sharp cuts, and pulse-raising drum and bass. The goal is simple: connect you with artists worth following and give you a map to explore their catalogs, crews, and scenes.We open with a Filipino alchemist from Florida named Soy or Soyisreal then we feature a track with atmosphere and intent—Free The Robots sets a cinematic frame before HeruHeruHeru reminds us not to overthink a great loop. Elijah B raises the stakes with head-twisting arrangements, then Roboplex teams with Hendrik to merge live visuals culture with studio craft. KiNG HYSTERiA, Imaginary Other, Chewy, and IF1 light up the cipher, while D-Styles demonstrates why scratching remains composition, percussion, and storytelling all at once. The energy pivots into TKDPLL's drum and bass, a lane resonating deeply across Filipino circles, and lands on LUSTBASS and Filipino 1990 where feel meets message.From there, Six The NorthStar tightens the groove, Skeematic explores meditative texture, and 4B5ynth out of Marikina turns off-kilter rhythm into a hypnotic flip. Higher Ground's The PHARM brings collective firepower, Dpsht and Tenkousei.'s cool the room with downtempo warmth, and Skeptics and Ize pull dancers to the front with summer color and clever edits. We close with Loopin_iii's high-velocity DnB, then shout Wave Groove and tease that this is only part one of the all-Filipino spotlight.If something moves you, follow the links, grab a tee, buy a coffee, or send us a text directly from the description—we read every messag Support the showEdited, Mixed and Mastered by GldnmndPodcast Website Link: The Rec Show PodcastSubscribe to Our YouTube Channel: Press Here

I recently learned about Dr. Emma Dayhuff's new album, “Innovations & Lineage: The Chicago Project,”, which has been garnering a lot of attention, and I wanted to learn more.When it came to bringing this album to life, she knew exactly who she wanted on board. She assembled a remarkable group of musicians: Dee Alexander on vocals, Isaiah Collier on tenor sax, and Kahil El'Zabar on percussion.Recorded live, the album captures the energy of the performance while presenting a clear, resonant bass sound that anchors the music beautifully. It's both a nod to Chicago's rich jazz tradition and a glimpse into the innovative directions Dr. Dayhuff is exploring in her work.Today, we'll hear about her musical journey, the inspiration behind this album, and what she has planned next. Please join me in welcoming Dr. Emma Dayhuff.This interview first appeared in Bass Musician Magazine in October 2025Go to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.

From "King Tut" to the top of the bluegrass charts! Grammy and IBMA award-winning banjoists and songwriters Steve Martin and Alison Brown join us to chat about their respective careers and their first full-length collaborative album, Safe, Sensible and Sane. PART ONEPaul and Scott chat about how impressed they are with all the various hats Alison Brown and Steve Martin wear, while also trying to wrap their heads around the seeming complexity of the banjo. PART TWOOur in-depth conversation with Steve Martin and Alison BrownABOUT STEVE MARTIN AND ALISON BROWNThough he began his career as a stand-up comedian, Steve Martin has released more musical albums than comedy albums. Between 2009 and 2017 he issued six, many of which were collaborations with Steep Canyon Rangers, Edie Brickell, or both. They all reached number one on the bluegrass chart, and nearly all appeared on the Billboard 200. He has been nominated for 15 Grammy awards and has won five, including Best American Roots Song, Best Bluegrass Album, and Best Country Instrumental Performance for his appearance on “Foggy Mountain Breakdown” alongside Earl Scruggs, Vince Gill, Albert Lee, and Glen Duncan on the 2001 album Earl Scruggs and Friends. Martin's latest album, his seventh bluegrass chart topper, is called Safe, Sensible and Sane, and is a collaboration with fellow banjoist Alison Brown.Brown first came to prominence as a member of Alison Krauss and Union Station and, in 1991, became the first woman to win the International Bluegrass Association's Banjo Player of the Year award. After a stint as Michelle Shocked's band leader she launched a solo career blending bluegrass, jazz, Latin, and Celtic influences. She has received two Grammy nominations for Best Bluegrass Album, and two for Best Country Instrumental Performance, one of which she won for “Leaving Cottondale,” a collaboration with Bela Fleck. In 2015 Alison received the Distinguished Achievement Award from the International Bluegrass Music Association for the furtherance of bluegrass music. She and Martin first collaborated on “Foggy Mountain Breaking” from her 2023 album, On Banjo.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

You loved part 1 so we're back with more! Sometimes-third host Rob joins us as we read your Kelly Clarkson unpopular opinions and confessions!Support us on Patreon: patreon.com/MissIndepodcastBuy merch from our new merch storeFollow us!Facebook | Twitter/X | InstagramFind more at missindepodcast.com

In this episode of The Bandwich Tapes, I sit down with legendary session drummer Paul Leim, whose six-decade career quietly powers a staggering piece of the soundtrack to our lives. Paul has played on more than 12,000 songs across over 2,000 releases, with 1,400+ silver/gold/platinum certifications, and global sales topping 540 million units. His discography encompasses over 150 combined GRAMMY nominations and wins, as well as 40+ major film/TV awards, and credits on more than 150 films and 100 television specials and series. If you've heard Lionel Richie, Shania Twain, Lyle Lovett, Kenny Chesney, Whitney Houston—or cues from Dirty Dancing, Smokey and the Bandit II, The River, or even Return of the Jedi, you've likely heard Paul.We trace the arc from East Texas clubs and Dallas jingle mills to late-'70s Los Angeles, where a “typical” week meant two complete drum rigs leapfrogging between Lionel Richie sessions, network TV soundstages, film dates, and award shows. Paul talks mentors and “angels” (band director Neil Grant, Robin Hood Brians, Doc Severinsen), lifelong friendships with the TCB family (Ron Tutt, Jerry Scheff), and lessons that still anchor his playing—especially dynamic control and “letting the mics work.” We get inside the high-wire reality of studio life. Paul calls it “95% boredom and 5% sheer terror”, including how to read conductors, when to lead the time, and when to ride it, and what it's like to move from live kit to orchestral percussion with John Williams.There are great shop-floor stories: cutting Lionel's “Truly” and counseling Lionel at the fork-in-the-road moment of leaving the Commodores; discovering that Lyle Lovett's “The Blues Walk” was gloriously vocal-free; and a deep dive into the precision world of Mutt Lange and Shania, ending bass notes just before the snare for mix “air,” the chrome-over-brass “important” snare, and the on-the-fly invention of tom “Mutt flaps” for short, open fills. Paul also shares a personal fork he chose differently: turning down a James Taylor tour to be home with his young family, only to hand JT the final serial-numbered Leim signature snare decades later at the White House.Today, Paul is still very much in motion: bandleading the TCB Band in Europe, steering The Tennessee Four with Thomas Gabriel to carry the Cash legacy, and jumping into Million Dollar Quartet shows—proof that the hang, the humility, and the groove endure. It's a conversation about craft, friendship, stewardship of a gift, and the choices that shape both a career and a life.Music from the Episode:Pick it Apart (Mark O'Connor)Truly (Lionel Richie)The Blues Walk (Lyle Lovett)Thank you for listening. If you have questions, feedback, or ideas for the show, please email me at brad@thebandwichtapes.com.Theme music: "Playcation" by Mark Mundy

Ever wonder what really changes when a producer moves from a living room setup to a studio with a door, a sign, and a tax ID? We sit down with Kodi “Phunkiefoot” Owens to unpack the leap to Studio 22 and why that one decision reshapes how clients show up, how money flows, and how a whole city can take itself more seriously as a music market. It's a grounded blueprint for indie artists and producers who want more than streams—they want structure, ownership, and a path that pays.Kodi takes us through his journey from cassette tapes and a budget keyboard to running sessions that keep teens off the streets and point them toward records they actually own. We get real about why Arkansas often gets overlooked in hip hop: too many songs riding unlicensed beats and too little paperwork for labels to engage. The fix isn't glamorous, but it's powerful—original production, clean rights, consistent promotion, and a studio that people can actually find on a map. COVID-19 unexpectedly amplified that mission, bringing more eyes to social media and motivating artists to release, while Kodi doubled down on the back-end steps that turn views into revenue.We also spotlight Pine Bluff's musical backbone—from school bands to UAPB's national showcases—and the community energy behind a Black Lives Matter project featuring local names, live sax, and messages aimed at the youth. Along the way, Kodi shares current collaborations, upcoming releases, and the mentors and peers pushing him to experiment and expand. If you're building an indie career, this conversation gives you practical steps and a mindset shift: treat your art like a business, protect your rights, and make your city part of your strategy.Subscribe for more stories that blend creativity with real-world tactics, share this with an artist who needs the push, and leave a review to help more indie creators find us.Support the show

Techhouse, House Music und alles mit Fusion Elemtenten, das sind die Styles und Genres im Traex Techno House Music Podcast No. 494. Kostenlose Downloads und Sharing der Techno Tracks im Podcast über die Icons unter dem Player. Abonniere den Traex Techno House Music Podcast über die Buttons unter dem Player… weiterlesen >>>

Techhouse, House Music und alles mit Fusion Elemtenten, das sind die Styles und Genres im Traex Techno House Music Podcast No. 494. Kostenlose Downloads und Sharing der Techno Tracks im Podcast über die Icons unter dem Player. Abonniere den Traex Techno House Music Podcast über die Buttons unter dem Player… weiterlesen >>>

Welcome to TG: t.me/muzgost Click this: hipolink.me/step1

On this week's show, we take a deep dive into the Nebraska '82 Expanded Edition box set, and explore the legacy, lore and enduring impact of Bruce Springsteen's Nebraska. All this & much, much less! Debts No Honest Man Can Pay is a podcast that thinks it's a radio show...because it used to be one. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004. It phoenixed into a podcast in 2020, thanks to the fine and fabulously furious folks at NRM Streamcast. 

In this episode, I've got five songs for you with a more laid back feel. I hope you enjoy them. The songs are "Change the Course" by Ari Herstand, "Boje" by Gin Cooler, "Reflect" by The Ventriloquist Mute, "Ya No Pierdo" by Gaby Red, and "It's Been a Long, Long Time" by Harry James and his Orchestra.

SIGGRAPH Spotlight Show Notes: Episode 96 Title: 96 – Live From SIGGRAPH 2025: Impact of SIGGRAPH at All Career Stages ABOUT THE EPISODE In this episode of SIGGRAPH Spotlight, recorded live from Vancouver at SIGGRAPH 2025, Steve Granados Lopez (production assistant, Voyage Productions) sits down with Kevin McNulty, professor of animation at Middle Tennessee State University (MTSU), and Kat Shattuck, an MTSU animation student and SIGGRAPH 2025 Student Volunteer Team Leader. Together, they reflect on how SIGGRAPH has shaped their creative journeys, the impact of building a campus chapter, and the friendships and mentorships that keep the community thriving all year long. MUSIC Podcast theme, "SIGGRAPH," composed by Julius Dobos. || LINKS *Episode* https://www.siggraph.org/ | https://www.siggraph.org/join-a-chapter/ | https://www.siggraph.org/inside-siggraph/find-a-chapter/ | https://www.siggraph.org/committees/education-committee/ | https://mtsu.siggraph.org/ *Social Media* http://blog.siggraph.org/ | https://www.facebook.com/SIGGRAPHConferences | https://twitter.com/siggraph | https://www.youtube.com/user/ACMSIGGRAPH | https://www.instagram.com/acmsiggraph/ | https://www.linkedin.com/company/acm-siggraph/ *Conference Website* https://s2025.siggraph.org/ | https://s2026.siggraph.org/

I've been noticing a lot of buzz around The Big Ol' Nasty Getdown on social media lately, and it definitely caught my attention. Recently, I came across their track “Wrong Side of the Law” featuring rising star bassist Ellen Alaverdyan alongside her dad, Hovak. The energy of the project was so contagious that I felt compelled to dig deeper and find out what it's all about.At the heart of it all is John Heintz, who wears many hats… bassist, producer, and the self-proclaimed “Ringleader” behind this one-of-a-kind concept: a massive, collaborative, big-band-style jam that blends creativity, funk, and sheer musical joy.John graciously took the time to chat with me, and he shared so many fascinating stories… from how he first got started in music and fell in love with the bass, to highlights of his stunning bass collection, to the exciting projects he's currently working on and what's next for The Big Ol' Nasty Getdown.So without further ado… here's John Heintz!Go to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.

We're celebrating our 10th anniversary all year by digging in the vaults to re-present classic episodes with fresh commentary. Today, we're revisiting our 2020 conversation with Stax legend David Porter.ABOUT DAVID PORTER Named one of Rolling Stone magazine's “100 Greatest Songwriters of All Time,” Porter is best known for his songwriting partnership with Isaac Hayes that helped define the sound of Memphis's legendary Stax Records. As the first African American staff songwriter at Stax, Porter, along with his partner, wrote and produced songs such as “B-A-B-Y” for Carla Thomas, “Your Good Thing (Is About to End)”—an R&B hit for Mable John that later became a pop and R&B smash for Lou Rawls, and his own recording of “Can't See You When I Want To.” Hayes and Porter are best known, however, for their work with Sam & Dave, including such classic hits as “You Don't Know Like I Know,” “You Got Me Hummin',” “Hold On! I'm Comin'” (which later became a country hit for Waylon Jennings and Jerry Reed), “Soul Man” (which became a hit a second time thanks to the Blues Brothers), “I Thank You” (which was later covered by ZZ Top), and “When Something is Wrong with My Baby” (which was reimagined as a memorable duet between Otis Redding and Carla Thomas, a country hit for Sonny James, and an adult contemporary hit for Linda Ronstadt and Aaron Neville). The list of artists who've covered Porter's songs includes Aretha Franklin, Bruce Springsteen, William Bell, Melissa Ethridge, Bonnie Raitt, Garth Brooks, Etta James, Celine Dion, Wilson Pickett, George Benson, Dusty Springfield, Jerry Lee Lewis, The Staple Singers, Solomon Burke, James Brown, Eric Clapton, B. B. King, Tina Turner, Jackie Wilson, and more. His songs have been used as samples in countless recordings by artists such as Jay-Z, Eminem, Wu-Tang Clan, The Notorious B.I.G., Justin Bieber, Mariah Carey, and others. A highly celebrated giant among celebrated songwriters, Porter was inducted into the Songwriters Hall of Fame in 2005.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

We're bringing back our series Her Songs, Our Stories, inspired by Songs & Stories from The Kelly Clarkson Show. Tune in to hear fans share stories about why they find Kelly's songs to be meaningful and inspiring.Support us on Patreon: patreon.com/MissIndepodcastBuy merch from our new merch storeFollow us!Facebook | Twitter/X | InstagramFind more at missindepodcast.com

In 1981, Michael Jackson and Quincy Jones set out on one of the most ambitious projects in pop music history: an album where every song was a hit. The result was Thriller. The record-breaking, chart-topping masterpiece produced six top-ten hits, became the best-selling album of all time, and propelled Black American music into global pop dominance.Watch as jazz musicians Peter Martin and Adam Maness react to this iconic '80s pop album. They break it down track-by-track: MJ's timeless ad-libbed melodies, Ndugu Chancler's drum intros (the greatest in pop history?!), Greg Phillinganes's synths, and Rod Temperton's songwriting.Thriller is so much more than "Thriller". Listen with us, and you'll never hear this record the same way again.Michael Jackson unveils the moonwalk at NBC's Motown 25 special: https://www.youtube.com/watch?v=dB7TqzPVt_M&t=538sGreg Phillinganes breaks down the bass line on "Thriller": https://www.youtube.com/watch?v=4UqxOg3M-OM Adam and Peter analyze Off the Wall: https://youtu.be/jR9zxGueeq4 Start your free Open Studio trial for ALLLLL your jazz lesson needs: https://osjazz.link/yhi  

Pat and Pilar play some of the Patreon Supporters favorite "1st singles" by their favorite artists!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In the conclusion of our series, we bring the Babymetal story up to date. Like it our not, these kawaii heroines are here to stay, having upset the Metal Establishment and fostered a fanatically loyal fanbase that follows them through every puzzling career move. But are they in fact "the future of metal"? And if so is that a good or bad thing for the genre as a whole?Other topics of discussion include some bizarre Babymetal collabs, kawaii metal imitators and the mysterious departure of founding member Yui-metal. FOLLOW US:Instagram: polishing.podcast Twitter/X: @polishing_turds email: polishingturdspodcast@gmail.com

On this week's show, we catch up on new singles from Sugar, Courtney Barnett and Margo Price, give it up for our good personal friends The Whiskey Charmers and Boygirl Rising, and give you all a break with a much shorter episode than usual. All this & much, much less! Debts No Honest Man Can Pay is a podcast that thinks it's a radio show...because it used to be one. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004. It phoenixed into a podcast in 2020, thanks to the fine and fabulously furious folks at NRM Streamcast. 

We explore how the dreamy delicacy of Crazy Fingers came about at a time of great tumult in Grateful Dead history, with visits from new record company boss Al Teller of United Artists and Seastones composer Ned Lagin, plus a stop at Winterland for the Bob Fried Memorial Boogie.Guests: David Lemieux, Al Teller, Ron Rakow, Ned Lagin, Gary Lambert, Michael Parrish, Danno Henklein, Ed Perlstein, Geoff Gould, Jay Kerley, Blair Jackson, Shaugn O'Donnell, Chadwick Jenkins, Christopher Coffman, Nicholas MeriwetherSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Pat and Kyle sit down in the "Rock Room East" to discuss the career of Ozzy Osbourne. This was the very first episode ever recorded in the "Rock Room East."See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Grammy-winning singer/songwriter Shawn Camp pulls back the curtain on his varied career, including his latest album of songs that were composed with the legendary Guy Clark.PART ONEScott and Paul talk about how technology is changing the songwriting game, and other old man complaints. PART TWOOur in-depth conversation with Shawn Camp  ABOUT SHAWN CAMPSinger/songwriter Shawn Camp has written chart-topping hits such as “Two Pina Coladas” by Garth Brooks, “How Long Gone” by Brooks & Dunn, “Would You Go With Me” by Josh Turner, and “River of Love” by George Strait. Additionally, he has written charting singles for Blake Shelton, Billy Currington, Hal Kechum, Wade Hayes, the duo of Sammy Kershaw and Lorrie Morgan, and others. With a foundation in bluegrass and roots music, Shawn became a trusted collaborator of legends such as Loretta Lynn, Guy Clark, and John Prine. He wrote two songs, including the title track, of Willie Nelson's 2022 album, A Beautiful Time, which won the Grammy for Country Album of the Year. Camp has also earned Grammy awards for his production work on Guy Clark's final album, My Favorite Picture of You, and for his work as a member of the bluegrass group The Earls of Leicester. Other artists who've recorded Shawn Camp songs include Randy Travis, Patty Loveless, Alan Jackson, Kenny Chesney, Rhett Akins, Gary Allan, John Anderson, Gene Watson, Porter Wagoner, and Emmylou Harris. Shawn's latest album as a solo artist—his first in almost 20 years—is The Ghost of Sis Draper. The theme album is based around a collection of songs co-written with Guy Clark and is available on Truly Handmade Records, which is dedicated to preserving and building upon Clark's legacy.   Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This week, we're sharing some Kelly Clarkson songs that don't sound like much of her catalog. From Whyyawannabringmedown to Tie It Up and more, tune in to see which songs we picked!Support us on Patreon: patreon.com/MissIndepodcastBuy merch from our new merch storeFollow us!Facebook | Twitter/X | InstagramFind more at missindepodcast.com