Podcasts about music podcasts

Multi-Grammy-nominated and international multi-platinum artist Lukas Graham chats about his evolution as a writer, from his breakthrough with "7 Years" up through his latest album, Good Times. PART ONE The latest chapter in Paul and Scott's fierce disagreement over perfect rhyme versus slant rhyme in lyrics PART TWO Our in-depth conversation with Lukas Graham ABOUT LUKAS GRAHAM The multi-Grammy-nominated artist Lukas Graham came to international prominence in 2016 with the song “7 Years,” an anthemic piano ballad that topped the charts in multiple countries and was certified 12-times platinum by the RIAA in the United States. The self-titled album on which it appeared, known to fans as the Blue Album, was also certified Platinum. The Danish artist has built a career spanning five albums, with hits including “Love Someone,” which was certified platinum in 18 countries. His work blends soul, pop, and deeply personal storytelling, exploring themes of family, love, and resilience — from the loss of his father to becoming one himself. Lukas's latest album, Good Times, finds him reconnecting with the Celtic, acoustic, and folk roots of his Irish father while blending them with his unique pop sensibilities. You can catch Lukas on the road now as he tours with Ed Sheeran. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Show Notes The premise sounds like a stunt. Five strangers, one room, six hours, one original song. Meanwhile the show's host sits at a keyboard with a text prompt and half an hour. Grégoire Gensollen, Producer and Chief Operating Officer at Tucker Tooley Entertainment, built that episode of Band of Strangers knowing he could not predict the outcome, which is precisely why he made it. Gensollen comes to this from the traditional side of the business. He grew up in Marseille, trained as an industrial engineer, moved into management consulting, then rerouted through business school at UCLA Anderson into Lionsgate and later FilmNation, where he ran distribution strategy and film finance across a run that included The King's Speech, The Imitation Game, Nebraska, Mud, and Looper. Ten years ago he partnered with Tucker Tooley. What he says he remembers from two decades of that work is not the tooling. It is who was in the room. The origin of Band of Strangers is a documentary called The Unknown Tour, made by two filmmakers who outfitted a bus with a recording studio and drove across the country finding musicians on street corners, in dive bars, and in gospel churches. The pandemic put the idea on hold. When Gensollen and his team picked it up again, they made a decision that would have been unthinkable inside the studio system: skip the networks entirely and release directly on YouTube. Not for reach, but for control of the entire chain, and to protect a show about collaboration from the unscripted television reflex that turns every format into a competition with prize money and manufactured conflict. The constraint that holds it together is the song. Every episode has to produce one, on a clock, or there is no episode. What varies is the entry point. A mariachi band at El Pueblo on Olvera Street laying a first track that hip hop artists in Leimert Park then struggle to find the rhythm inside. Buskers on the Venice boardwalk writing separately. Artists displaced by the Altadena fires building an anthem about rebuilding rather than grieving. Gensollen is candid that the stumbles stay in the cut, because the friction is the story. On AI, he is neither evangelist nor holdout. He describes it as a tool his company will have to use to stay competitive, not against other producers but against creators working alone in their kitchens with the full chain in hand. He also draws a line: optimization, yes. Creative engine, no. His argument is structural rather than sentimental. Prediction models and comparables, the benchmarking method he learned at Lionsgate, tell you where the ceiling is on a category that already exists. A producer's job is to make the thing that does not exist yet. That distinction is the real subject of this conversation. The question is not whether a machine can produce a competent song in thirty minutes. It clearly can. The question is who decides what is worth making, and whether an industry trained on comparables still knows how to recognize the thing it has no comparable for. Host Sean Martin, Co-Founder at ITSPmagazine, Studio C60, and Host of Redefining CyberSecurity Podcast & Music Evolves Podcast | Website: https://www.seanmartin.com/ Guest Grégoire Gensollen, Producer and Chief Operating Officer at Tucker Tooley Entertainment | On LinkedIn: https://www.linkedin.com/in/gregoire-gensollen/ Resources Tucker Tooley Entertainment | https://www.tooleyentertainment.com/ Band of Strangers | https://www.bandofstrangers.com/ Band of Strangers, Can AI beat REAL musicians? [Blind Test], the episode discussed in this conversation | https://www.youtube.com/watch?v=Gi0nadrsK8Y Band of Strangers: Angelenos from different communities make music together from scratch, Los Angeles Downtown News | https://www.ladowntownnews.com/arts_and_entertainment/band-of-strangers-angelenos-from-different-communities-make-music-together-from-scratch/article_7f9978b0-18c2-4330-b160-b167c10e8856.html Music Evolves: Sonic Frontiers Newsletter | https://www.linkedin.com/newsletters/7290890771828719616/ Keywords gregoire gensollen, tucker tooley entertainment, band of strangers, sean martin, ai music, creator economy, youtube original series, music collaboration, songwriting process, unscripted television, film production, generative ai, artist discovery, independent distribution, music, creativity, art, artist, musician, music evolves, music podcast, music and technology podcast

Concluding the Deadcast's Summer Magic 1985 run, we pull into Maryland for 2 over-the-top shows, explore the band's ‘80s gear, the Dead Heads' ‘80s pipecraft, & the enthralling scene around the Dead.Guests: David Lemieux, Peter Miller, Dennis McNally, Dan English, Nick Paumgarten, Jeffrey Alexander, Christian Crumlish, Nicholas G. Meriwether, David Leopold, Will Backstrom, Andy Perrine, Geoff Mockbee, Harry Clark, Mike SmartSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Pat, Pilar and the Patreon Supporters play their favorite songs that taught them something!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week, we're going back to review one of the busiest years in Kelly Clarkson's career: 2019. Kelly was all over the media landscape from movies to television to concert stages and more. We'll recap all the highs and a couple emergency room lows and much more! Plus, we're joined by our friend Monee to help us remember all that was the year 2019 in Kelly history!Support us on Patreon: patreon.com/MissIndepodcastBuy merch from our new merch storeFollow us!Facebook | Twitter/X | InstagramFind more at missindepodcast.com

Communion After Dark features the latest and best in Dark Alternative-Electronic Music. This week's show features music from Combichrist, Peter Murphy, Chris Harms, Mental Discipline, Pixel Grip, and many more artists from around the world.

Blue October's Matt Noveskey | 20 Years of Foiled, 1.5 Billion Streams & a Full-Circle JourneySome interviews are about meeting someone for the first time. This one is about reconnecting with a story that has been part of mine for more than 25 years.I first saw Blue October at Rock Fest 2000 in Omaha, Nebraska—a legendary lineup featuring 311, Stone Temple Pilots, Incubus, Papa Roach, Nickelback and more. Months later, I opened for Blue October at the Ranch Bowl and eventually several more times, including at the Music Box. There was even a day spent hanging out at Fun-Plex before one of their Omaha shows.Then, in 2006, Justin Furstenfeld unexpectedly showed up at my band's show at Knickerbockers in Lincoln. He loved our set, gave us Blue October's manager's number, and asked if we wanted to tour. That opportunity ultimately became one of the moments that changed the trajectory of my band.Years later, I found myself working security when Blue October returned to Lincoln.Now, more than 25 years after I first saw the band, I sit down with bassist Matt Noveskey.We talk about Blue October's early days, the road to Foiled, the explosive success of “Hate Me” and “Into the Ocean,” the challenges that came with that success, and what has allowed the band to remain creatively relevant nearly three decades later.We also dive into the 20th anniversary of Foiled, the album's lasting impact, Blue October's connection with generations of fans, and the incredible milestone of their catalog surpassing 1.5 billion streams.For me, this conversation is more than an interview. It's a full-circle moment with a band whose story has intersected with mine in ways I never could have predicted back in 2000.Listen. Watch. Subscribe. Follow Caught on the Mike.Find everything Caught on the Mike:https://linktr.ee/CaughtontheMikewww.caughtonthemike.comcaughtonthemike@gmail.com 

We're baaack! After an extended hiatus, we're dragging Priscilla icon Tony Sheldon back onto our torture bus for another round of Metal Vs Musicals fun!In this glorious return, we're Within Temptation for 'The Heart of Everything', before counting 70, Girls, 70 after being shamed by our legendary guest!Plus we chat the Stigma around Nepobabies, Falsettos, Missing NYC Friends- and hitching a ride back to NYC with them, Meeting Royals, Jumping in Puddles, and so-much more in this warm yet hilarious episode!-SOCIALS-Tony: https://www.instagram.com/aldonzamudd/Dave the New Kid: https://www.instagram.com/1_of_the_daves_you_know/Spencer the Old Kid: Spencer: https://twitter.com/SpencerSher_*****Juxtaposing Metal with Musicals - joined by iconic guests from the worlds of Music, Broadway, Hollywood, and more! -- https://www.patreon.com/bloomingtheatricals - https://twitter.com/thrashntreasurehttps://linktr.ee/thrashntreasure***** ★ Support this podcast on Patreon ★

This week the guys from V!ViD stopped by the studio and had a great chat with us about the stories that underpin their lyrics, their music, and how they became, and now create as, a band. . can be found at the following links: Instagram: https://www.instagram.com/vivid_theband?igsi=MWY2c2w3M3NpOWZtdA%3D%3D&utm_source=qr Enjoy their music on Spotify, or you can find them on the new 561 Music Playlist we created of various local artists that we will be continually updating. on Spotify: https://open.spotify.com/track/6cvHgYRXs9tA9CbSwQrqQs?si=e4937e9aa4734b39 561 Music Playlist: https://open.spotify.com/playlist/7y2i0AgJTGRMtxMADgZ7AZ?si=Zp77sq_BTue_wWTDouxH2g 561 Music Links: Facebook: https://www.facebook.com/561musicpodcast Instagram: https://www.instagram.com/561musicpodcast Twitter: https://twitter.com/561musicpodcast YouTube: https://www.youtube.com/c/561musicpodcast A huge thank you to our sponsors this week. JUPITER INLET BOAT RENTALS Jupiter Inlet Boat Rentals is Palm Beach County's Premier Boat Rental Company and Boat Rental Club. As an alternative to boat ownership, our membership club ranks number #1 in boat quality, availability and customer satisfaction. OASIS ROOT COFFEE AND KAVA LOUNGE Oasis Root Coffee and Kava Lounge in Jupiter is a fun, relaxing place to come by drink kava, java, or tea, and hang out… South Pacific Style! Open daily from 8am-1am. Located at 185 E. Indiantown Rd., Suite 111, Jupiter, FL 33477. 561 MUSIC SCHOOL AND STUDIO Thank you to Justin and 561 MUSIC SCHOOL AND STUDIO for all they do to make our podcasts as professional as possible. If you are looking to do a podcast, record an album, do a live stream, or anything of that type, Live Music Community is the place to go. 561 MUSIC SCHOOL AND STUDIO is also a music school that takes it up a notch by not only teaching the foundations of music theory and songs on instruments and vocals but also teaches the students the full band experience. They team your child up with like-minded individuals who then go on to play shows, do live streams, and learn the dos and don'ts of being in a successful working band. You can find them online at https://www.561musicstudio.com and on Facebook and Instagram. 561 Music Podcast was recorded by our producer Justin Hucker at 561 Music School and Studio, which offers podcasting, video production, live stream, music lessons, recording and so much more. Check them out and take a virtual studio tour here: Thank you to Justin and 561 MUSIC SCHOOL AND STUDIO for all they do to make our podcasts as professional as possible. If you are looking to do a podcast, record an album, do a live stream, or anything of that type, Live Music Community is the place to go. 561 MUSIC SCHOOL AND STUDIO is also a music school that takes it up a notch by not only teaching the foundations of music theory and songs on instruments and vocals but also teaches the students the full band experience. They team your child up with like-minded individuals who then go on to play shows, do live streams, and learn the dos and don'ts of being in a successful working band. You can find them online at https://www.561musicstudio.com and on Facebook and Instagram.

Pat welcomes Gwyn Ashley back to the Zoom Room to go track by track through Paul McCartney's new album "The Boys of Dungeon Lane." See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We're all together for the final weekend of Kelly Clarkson's Studio Sessions Las Vegas Residency at the Colosseum at Caesar's Palace! You'll hear our thoughts on the show, some thoughts about what's next, and the difficulties we faced just getting to Vegas! Support us on Patreon: patreon.com/MissIndepodcastBuy merch from our new merch storeFollow us!Facebook | Twitter/X | InstagramFind more at missindepodcast.com

Communion After Dark features the latest and best in Dark Alternative-Electronic Music. This week's show features music from KMFDM, Pixel Grip, Mildreda, NNHMN, L'âme Immortelle, and many more artists from around the world.

On this week's show, we pour one out for Kavinsky and Glen Hansard, catch up on a smokin' boatload o' singles that have been piling up over the past several weeks, and spin fresh tracks from Boards of Canada, Mitch Easter, The Womack Sisters, Tom Waits, and the long-awaited collab of Steve Earle & Los Lobos.All this & much, much less! Debts No Honest Man Can Pay started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

Two-time GRAMMY nominee and Americana Music Association Award nominee Maggie Rose joins us to chat about the development of her creative voice and her excellent new album, Half Moon.  PART ONE Paul and Scott discuss Brandie Carlile's recent live cover of Alanis Morissette's "Uninvited," which leads to a conversation about cover songs before spiraling out of control into despair about aging. PART TWO Our in-depth conversation with Maggie RoseABOUT MAGGIE ROSE Maggie Rose earned her first GRAMMY nomination, for Best Americana Album for her No One Gets Out Alive LP, in 2025. Later that year, the Americana Music Association nominated her for Emerging Act of the Year. The recognition was hard won. After moving to Nashville in 2009, Rose released her debut album, Cut to Impress, in 2013, which yielded the Top 40 country single “I Ain't Your Mama.” She went on to release a handful of EPs, albums, and singles that explored a broader sonic landscape, including original songs such as “Body on Fire,” “Change the Whole Thing,” “Saint,” and “Poison in My Well,” a duet with Grace Potter than earned Rose her second GRAMMY nomination in 2026. Maggie's fifth studio album, which was just released, is called Half Moon. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

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This week Hector and Ben recollect the amazing 561 Music Festival weekend with thoughts on the experience, Band interview and footage from the fest.Many thanks to Danelle and Justin for all their hard wro and James, Ricky, Keath, the Diaz family, to name only a few, for their hard work to make this happen. A huge shout out to all the sponsors. Lastly Big Up Punk Rock saves lives. On to the next one! 561 Music Festival can be found at the following links: Instagram: https://www.instagram.com/561musicfestival/ facebook: https://www.facebook.com/561musicfestival Website: www.561musicfestival.com Check out this playlist from the event!. 561 Music Playlist: https://open.spotify.com/playlist/7y2i0AgJTGRMtxMADgZ7AZ?si=Zp77sq_BTue_wWTDouxH2g 561 Music Links: Facebook: https://www.facebook.com/561musicpodcast Instagram: https://www.instagram.com/561musicpodcast Twitter: https://twitter.com/561musicpodcast YouTube: https://www.youtube.com/c/561musicpodcast A huge thank you to our sponsors this week. JUPITER INLET BOAT RENTALS Jupiter Inlet Boat Rentals is Palm Beach County's Premier Boat Rental Company and Boat Rental Club. As an alternative to boat ownership, our membership club ranks number #1 in boat quality, availability and customer satisfaction. OASIS ROOT COFFEE AND KAVA LOUNGE Oasis Root Coffee and Kava Lounge in Jupiter is a fun, relaxing place to come by drink kava, java, or tea, and hang out… South Pacific Style! Open daily from 8am-1am. Located at 185 E. Indiantown Rd., Suite 111, Jupiter, FL 33477. 561 MUSIC SCHOOL AND STUDIO Thank you to Justin and 561 MUSIC SCHOOL AND STUDIO for all they do to make our podcasts as professional as possible. If you are looking to do a podcast, record an album, do a live stream, or anything of that type, Live Music Community is the place to go. 561 MUSIC SCHOOL AND STUDIO is also a music school that takes it up a notch by not only teaching the foundations of music theory and songs on instruments and vocals but also teaches the students the full band experience. They team your child up with like-minded individuals who then go on to play shows, do live streams, and learn the dos and don'ts of being in a successful working band. You can find them online at https://www.561musicstudio.com and on Facebook and Instagram. 561 Music Podcast was recorded by our producer Justin Hucker at 561 Music School and Studio, which offers podcasting, video production, live stream, music lessons, recording and so much more. Check them out and take a virtual studio tour here: Thank you to Justin and 561 MUSIC SCHOOL AND STUDIO for all they do to make our podcasts as professional as possible. If you are looking to do a podcast, record an album, do a live stream, or anything of that type, Live Music Community is the place to go. 561 MUSIC SCHOOL AND STUDIO is also a music school that takes it up a notch by not only teaching the foundations of music theory and songs on instruments and vocals but also teaches the students the full band experience. They team your child up with like-minded individuals who then go on to play shows, do live streams, and learn the dos and don'ts of being in a successful working band. You can find them online at https://www.561musicstudio.com and on Facebook and Instagram.

Click on the link and hear Rick Estrin and The Nightcats, Freddie King, War, Buddy Guy, The Mannish Boys and more. Also a feature presentation of Ike and Tina Turner with history, music stories and more. 

The Grateful Dead made their only visit to the land of chocolate on a rainy night in summer 1985, a pivotal show for different reasons for lighting crew member Dan English and longtime Dead Head photographer Bob MinkinGuests: David Lemieux, Dennis McNally, Dan English, Bob Minkin, Hawk, Dave Leopold, John Leopold, James Williamson, DNA, Johnny Dwork, Andy Perrine, Tom Storrer, Joe Noce, Joe StevanoffSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Pat welcomes Dave Festini and Dave Schneier back to the "Rock Room East" to referee the battle between Genesis's "Genesis" and Peter Gabriel's "So." This one was recorded LIVE and In PersonSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

For more than six decades, the sound of the upright bass in modern jazz has carried the unmistakable authority, elegance, and intelligence of Ron Carter.Recognized as the most recorded jazz bassist in history, Maestro Carter's tone has become part of the very architecture of the genre.From shaping the harmonic foundation behind countless landmark sessions to collaborating with many of the greatest jazz artists of our time, his artistry has both defined and expanded what the bass can be.But beyond the staggering discography lies something even more enduring: dedication.Maestro Carter has never stopped learning, never stopped refining, and never stopped listening. His commitment to excellence extends well beyond the stage and studio. As an educator and mentor, he has invested deeply in the next generation of bassists, setting a living example of discipline, curiosity, and musical integrity.Now, in yet another inspired chapter of his extraordinary career, Maestro Carter joins forces with renowned choirmaster Ricky Dillard for a powerful gospel–jazz collaboration, Sweet Sweet Spirit, released February 6, 2026.This project beautifully bridges sanctified soul and sophisticated swing, blending Carter's masterful touch with Dillard's uplifting choral brilliance.The result is music that feels both reverent and rhythmically alive, deeply rooted, yet refreshingly expansive.It is truly an honor to share this conversation with a living legend whose work continues to inspire musicians across genres and generations.Here is Maestro Ron Carter.This interview first appeared in Bass Musician Magazine in June 2026Go to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.

Send us Fan MailCam Allen returns to the Star Volta Podcast for the second time. The Oklahoma native was a featured artist in Season 1 - Episode 10 back in 2023. Later that year we filmed Cam's Grand Theater debut at Choctaw Casino when he opened up for country headliner Carly Pearce. Since then Cam signed with the talent agency CAA, collaborated with country writers in Nashville and opened up for Redferrin, Koe Wetzel, Wade Bowen, Dwight Yoakam, Huser Brothers, and Whiskey Myers.    

This week, we talk about the fourth track from every Kelly Clarkson album and share our favorites!Support us on Patreon: patreon.com/MissIndepodcastBuy merch from our new merch storeFollow us!Facebook | Twitter/X | InstagramFind more at missindepodcast.com

Show Notes There is a version of the music career that gets written about, and there is the version that gets played. Frankie Raye lives in the second one. She performs six or seven nights a week across the greater Tampa Bay area, mixes covers with originals depending on what the room wants, and treats the gig itself as the practice session. She points at old video of herself and measures the distance she has traveled, not against a chart position, but against her own playing. That volume changes how craft works. Frankie Raye does not describe herself as a guitar player. She describes herself as a singer whose guitar carries her voice, and she is direct about the shortcuts that make a set possible: capo up, transpose on the phone, skip the bridge if the chords are ugly, come back to the chorus. The room is singing along to the chorus anyway. What sounds like a confession is closer to a working method, and the results are visible over 12 years of professional performing. Her songwriting has flipped in the past few years. Frankie Raye used to build the music first and squeeze lyrics into it. Now the hook arrives first, often from a conversation or a road sign, and lives in her phone until a riff comes along that fits. A song she is recording this year began as a complaint about venues that want maximum energy on a minimum budget. Another began as a poem written from the passenger seat on a drive south. She performs that one, "Wasting Time," live during the episode. On artificial intelligence she is unambiguous. Frankie Raye does not use it for music, and her objection is not about quality but about origin and consequence: the material was written by people, and the person who could have been hired to write a song for a friend was not hired. That position leads somewhere unexpected. If machine-generated tracks are charting, she reasons, then chasing that sound is chasing something that no longer rewards a human for reaching it. So she stopped. She writes what she wants and releases what she wants, and she has decided against the label path she once wanted, choosing instead a following small enough to know by name. The measure she offers at the end of the conversation is not streams or signings. It is 50 people who bought tickets because they wanted to be in the room. That is a quieter ambition than the industry usually rewards, and it may be the only one currently under an artist's own control. Host Sean Martin, Co-Founder at ITSPmagazine, Studio C60, and Host of Redefining CyberSecurity Podcast & Music Evolves Podcast | Website: https://www.seanmartin.com/ Guest Frankie Raye, Singer-Songwriter | Website: https://frankieraye.com/ Resources Frankie Raye Official Website: https://frankieraye.com/ Frankie Raye Live Show Schedule: https://frankieraye.com/live-show-schedule Frankie Raye Electronic Press Kit: https://frankieraye.com/electronic-press-kit Frankie Raye on Instagram: https://www.instagram.com/frankierayemusic/ Myrtle Beach Songwriters Festival, November 13-14, 2026: https://myrtlebeachsongwritersfestival.com/ Music Evolves: Sonic Frontiers Newsletter: https://www.linkedin.com/newsletters/7290890771828719616/ Keywords frankie raye, sean martin, independent artist, singer songwriter, songwriting process, working musician, live music economy, ai in music, cover songs, gigging, tampa bay music scene, independent music career, hook writing, music, creativity, art, artist, musician, music evolves, music podcast, music and technology podcast More From Sean Martin on ITSPmagazine More from Music Evolves: https://www.seanmartin.com/music-evolves-podcast Music Evolves on YouTube: https://www.youtube.com/playlist?list=PLnYu0psdcllTRJ5du7hFDXjiugu-uNPtW On Location with Sean and Marco: https://www.itspmagazine.com/on-location ITSPmagazine YouTube Channel: https://www.youtube.com/@itspmagazine Be sure to share and subscribe! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Click on the link/picture and hear the music of The Grateful Dead, Arlo Guthrie, Tedeschi Trucks Band, Moby Grape, and more Grateful Dead. Thanks for tuning in and tell all your friends about this show. Hope to see you on the air next Monday 7-8 PM on KMRE 88.3 FM.

Dancefloor Memories with Patrick Hawkins, over 60 Minutes of Disco, Soul and Funk Podcast. Classic tracks, Dancefloor fillers from, George McCrae, Peaches and Herb, Gene Chandler, Rodney Franklin, Shakatak, Kenny Thomas and new tracks from, McKenzie and Gardiner, Georgie B and the Groove Association, Lance Vantile Whitfield, Just Groove Experience, and the Tune of The Week from The New Jersey Connection, more classic tracks from Larry Wu, and Change. Just settle down with a long drink and chill or boogie around your kitchen to tracks others would never dream of playing! Spread the word, give me a like and follow my Podcasts. Much Love Pat

Communion After Dark features the latest and best in Dark Alternative-Electronic Music. This week's show features music from Priest, Aesthetic Perfection, Ayria, ES23, and many more artists from around the world.

Presha b2b Aerae recorded live at Parameter Festival 2026 closing night with Endzeit and Samurai Music - Public Works, San Francisco, USA, 17.05.2026

On this episode of The Bandwich Tapes, I sit down with pianist Floyd Domino for a conversation about Western swing, boogie-woogie, jazz, musical identity, and a career spent supporting some of the most important artists in music.Floyd talks about beginning piano lessons at five years old, moving from classical study into jazz, and developing the unusual independence that allows his left hand to establish the foundation while his right hand tells the story. We discuss the pianists who influenced him, including Count Basie, Oscar Peterson, Moon Mullican, Jerry Lee Lewis, Al Stricklin, Pete Johnson, Jay McShann, Hank Jones, Ralph Sutton, and Kenny Barron.We also trace Floyd's path into Asleep at the Wheel, which began with an unexpected audition after a period of playing bars in Montana. Floyd explains how his jazz background helped move the band further toward Western swing and how musicians including Al Stricklin, Eldon Shamblin, Johnny Gimble, Ralph Mooney, and other pioneers taught his generation to respect tradition while still developing an individual voice.Floyd shares stories from his work with Waylon Jennings and George Strait, including his decision not to study George Strait's earlier records before entering the studio. Instead, he chose to trust the reason he had been hired and bring his own musical personality to the sessions. We talk about the responsibility of a sideman, the challenge of staying out of the bass player's range, and the advice he received that a musician's real job is to make everyone else in the band sound better.Our conversation also explores Floyd's children's recordings, beginning with the Beatles-inspired Baby Road. He recalls recording at Jack Clement's Cowboy Arms Hotel and Recording Spa, being told that the project needed a bass player, and discovering that the available musician was Edgar Meyer. Floyd also discusses working with members of The Crickets and forming the Floyd Domino All-Stars with musicians including Emily Gimble and Danny Levin.Key TakeawaysFloyd believes the first requirement of Western swing is that it must genuinely swing.Musical identity matters as much as technical accuracy; the pioneers encouraged younger players to absorb the tradition without becoming imitations.Floyd's two-handed piano style depends on watching the patterns in his left hand while listening closely to the melodic ideas in his right.His jazz background helped bring a stronger swing influence into Asleep at the Wheel.Floyd entered his George Strait sessions determined to sound like himself rather than copy the pianist from an earlier record.A good sideman listens for what is missing, stays out of other musicians' way, and works to make the entire band sound better.The children's album Baby Road began as a way to present strong melodies simply, without allowing arrangement or ego to overwhelm the songs.Music from the EpisodeThe Mess Around - Floyd DominoBob's Breakdown - Asleep at the WheelHouse of Blue Lights - Asleep at the WheelAce in the Hole - George StraitI Will - Floyd DominoAbout the PodcastThe Bandwich Tapes is a music interview podcast hosted by Brad Williams. Each episode features thoughtful conversations with musicians, songwriters, producers, and other creative artists about their careers, influences, collaborations, musical craft, and the experiences that shape their work.Connect with the ShowQuestions, comments, or guest suggestions:contact@thebandwichtapes.com

ABOUT THE EPISODE In this episode of SIGGRAPH Spotlight, host Alex Bryant speaks with June Kim, ACM SIGGRAPH Chair-Elect, longtime volunteer, educator, researcher, and creative technologist. June reflects on her journey from Student Volunteer at SIGGRAPH Asia to global SIGGRAPH leadership, sharing insights on mentorship, community-building, creative technology, and the value of staying connected with ACM SIGGRAPH year-round. MUSIC Podcast theme, "SIGGRAPH," composed by Julius Dobos. || LINKS *Episode* https://s2026.siggraph.org/ | https://www.siggraph.org/ | https://www.acm.org/elections/sigs/acm-siggraph *Social Media* http://blog.siggraph.org/ | https://www.facebook.com/SIGGRAPHConferences | https://twitter.com/siggraph | https://www.youtube.com/user/ACMSIGGRAPH | https://www.instagram.com/acmsiggraph/ | https://www.linkedin.com/company/acm-siggraph/ *Conference Website* https://s2026.siggraph.org/

He's one of the biggest rock stars of our time. He's talented, influential, he works tirelessly to help people in need, and he and his band U2 had the audacity to give one of their albums away for free. Out of all the famous icons in the world, Bono has to be one of the worst right? Wait, why's that again? We are joined by Danny's original podcast cohost Bobby Kennedy to dig into the subject.whatdoweknow.co.nzhttps://buymeacoffee.com/whatdoweknowshowFaceBook Page: https://www.facebook.com/whatdoweknowshow/FaceBook Group: https://www.facebook.com/groups/996177092759495Instagram: https://www.instagram.com/whatdoweknowshow/Send us Fan MailSupport the show

Somebody left Casia unattended with the aux cord, and honestly? That feels like a poor decision.

On this episode of The Karol Markowicz Show, Karol sits down with National Review staff writer Jeffrey Blehar for a wide-ranging conversation about politics, music, media, and the future of American culture. Blehar shares his unconventional path from practicing law to political commentary, explains why authenticity matters more than partisan loyalty, and discusses the philosophy that guides his writing. The conversation also explores Blehar's popular Political Beats podcast, where political personalities leave politics behind to discuss their favorite music. Together, Karol and Jeff examine whether it's possible to separate artists from their political beliefs and why music can transcend ideology. Finally, Blehar offers his predictions for America's future, warning about increasing political polarization, the erosion of reading and literacy, and a culture increasingly driven by podcasts, video, and social media instead of books. He closes with a reminder not to make politics your religion—a lesson he believes is essential for preserving perspective in today's polarized world.See omnystudio.com/listener for privacy information.

Welcome to TG: t.me/muzgost Click this: hipolink.me/step1

Weiter geht es mit harten Techno Beats, Techhouse und Hardcore, zu hören im Techno House Music Podcast No. 514. Kostenlose Downloads und Sharing der Techno Tracks im Podcast über die Icons unter dem Player. Abonniere den Traex Techno House Music Podcast über die Buttons unter dem Player oder abonniere den… weiterlesen >>>

This week At The Starlight stopped by the studio and had a great chat with us about the changing face of the band, life as a creative person, what it means to be in a band, ProTools Vs Logic, and how they wrote and recorded their sick new single!. can be found at the following links: Instagram: https://www.instagram.com/at_thestarlight/ Enjoy their music on Spotify, or you can find them on the new 561 Music Playlist we created of various local artists that we will be continually updating. on Spotify: https://open.spotify.com/artist/7fs7pbVICTIWpa80ExiaRS?si=zcBrRwXPTjGgUl2f9c9jTg 561 Music Playlist: https://open.spotify.com/playlist/7y2i0AgJTGRMtxMADgZ7AZ?si=Zp77sq_BTue_wWTDouxH2g 561 Music Links: Facebook: https://www.facebook.com/561musicpodcast Instagram: https://www.instagram.com/561musicpodcast Twitter: https://twitter.com/561musicpodcast YouTube: https://www.youtube.com/c/561musicpodcast A huge thank you to our sponsors this week. JUPITER INLET BOAT RENTALS Jupiter Inlet Boat Rentals is Palm Beach County's Premier Boat Rental Company and Boat Rental Club. As an alternative to boat ownership, our membership club ranks number #1 in boat quality, availability and customer satisfaction. OASIS ROOT COFFEE AND KAVA LOUNGE Oasis Root Coffee and Kava Lounge in Jupiter is a fun, relaxing place to come by drink kava, java, or tea, and hang out… South Pacific Style! Open daily from 8am-1am. Located at 185 E. Indiantown Rd., Suite 111, Jupiter, FL 33477. 561 MUSIC SCHOOL AND STUDIO Thank you to Justin and 561 MUSIC SCHOOL AND STUDIO for all they do to make our podcasts as professional as possible. If you are looking to do a podcast, record an album, do a live stream, or anything of that type, Live Music Community is the place to go. 561 MUSIC SCHOOL AND STUDIO is also a music school that takes it up a notch by not only teaching the foundations of music theory and songs on instruments and vocals but also teaches the students the full band experience. They team your child up with like-minded individuals who then go on to play shows, do live streams, and learn the dos and don'ts of being in a successful working band. You can find them online at https://www.561musicstudio.com and on Facebook and Instagram. 561 Music Podcast was recorded by our producer Justin Hucker at 561 Music School and Studio, which offers podcasting, video production, live stream, music lessons, recording and so much more. Check them out and take a virtual studio tour here: Thank you to Justin and 561 MUSIC SCHOOL AND STUDIO for all they do to make our podcasts as professional as possible. If you are looking to do a podcast, record an album, do a live stream, or anything of that type, Live Music Community is the place to go. 561 MUSIC SCHOOL AND STUDIO is also a music school that takes it up a notch by not only teaching the foundations of music theory and songs on instruments and vocals but also teaches the students the full band experience. They team your child up with like-minded individuals who then go on to play shows, do live streams, and learn the dos and don'ts of being in a successful working band. You can find them online at https://www.561musicstudio.com and on Facebook and Instagram.Special Guest: At The Starlight.

Click on the picture/link and hear blues, soul and rock n roll music. Also my interview with Sue Foley about her music and her book Guitar Women-Conversations & Life Lessons with Six String Heroines. I enjoyed our talk and learned about musicians that are important to our history. Go to www.suefoley.com for more information on Sue, tour and book. 

PJ finds out more about RCN in the heart of Cork City and the three lads behind it from Adam Raymond Hosted on Acast. See acast.com/privacy for more information.

Pat welcomes Rock Solid favorite Ian Beresford to the Zoom Room to discuss the concerts he's seen all over the world!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We're bringing back our series Her Songs, Our Stories, inspired by Songs & Stories from The Kelly Clarkson Show. Tune in to hear fans share stories about why they find songs like Because of You, Hear Me, and Breakaway to be meaningful and inspiring.Support us on Patreon: patreon.com/MissIndepodcastBuy merch from our new merch storeFollow us!Facebook | Twitter/X | InstagramFind more at missindepodcast.com

Stevie Wonder's Songs in the Key of Life is all killer, no filler. Every track is a masterpiece. It's almost TOO easy for two jazz pianists in the business of reviewing history's greatest albums. So we're upping the stakes ... with a draft. Adam and Peter each present their top tracks from Songs in the Key of Life, compare and contrast, and see who comes out on top with the best lineup.Along the way, they reveal why Stevie Wonder is the master of harmony, how he (and only he) can get away with flourishes that would sound "corny" anywhere else, and the production details you'll never unhear.----------------Learn to play "Isn't She Lovely", even if you've never played a note. Led by You'll Hear It co-host Adam Maness, this special lesson is simple enough to follow, even for absolute beginners. You've spent an hour listening to Adam and Peter take the album apart. Now, you can sit down and play it in the Players Club: https://yhi.link/stevie-sitkol----------------Learn to talk like a jazz musician. Download the Liner Notes today: https://yhi.link/linerNotes-1 ----------------Open Studio plays Stevie Wonder's "If It's Magic": https://youtu.be/hY21yVJhOck----------------00:00 Songs in the Key of Life - Stevie Wonder01:24 New rules: we're drafting the album02:57 Love's in Need of Love Today05:55 If It's Magic06:57 As10:00 Summer Soft11:15 I Wish12:30 Knocks Me Off My Feet14:08 Isn't She Lovely16:48 Pastime Paradise18:30 Sir Duke20:55 Ebony Eyes22:09 Have a Talk with God24:09 Contusion26:05 Village Ghetto Land27:18 Ordinary Pain28:47 Joy Inside My Tears30:50 Another Star31:55 Black Man33:30 Ngiculela - Es Una Historia - I Am Singing35:05 All Day Sucker36:23 Saturn39:55 Easy Goin' Evening41:35 The final lineups - Who won the draft

This week we present a Bonus episode featuring the full uncut recording of our score analysis for Jurassic Park 3 with Caleb Burnett in Dino-Score: The Music of the Jurassic Park Franchise. Enjoy!

Communion After Dark features the latest and best in Dark Alternative-Electronic Music. This week's show features music from Combichrist, Boy Harsher, Ultra Sunn, Extize, Alex Braun, and many more artists from around the world.

Join me as I talk to Caitlin Cary about her life, Whiskeytown, solo career, visual art and so much more. Really enjoyable chat.https://www.caitlincary.com

On this episode of The Bandwich Tapes, I sit down with multi-instrumentalist, singer, songwriter, and producer Eliot Lewis for a conversation about rhythm, versatility, technology, and the experiences that shaped his remarkable career.Eliot began as a drummer and still considers rhythm the foundation of everything he does. We talk about how that early connection to the drums influenced his work as a guitarist, bassist, keyboardist, singer, and songwriter, as well as the unspoken communication that develops when musicians spend years learning how to play together.We also explore Eliot's years with Average White Band, where he grew as a performer and lead vocalist while sharing stages with artists including Earth, Wind & Fire, B.B. King, Buddy Guy, War, and the Ohio Players. Eliot discusses his work with producer and songwriter Dan Hartman, playing on Tina Turner's “The Best,” and learning the value of becoming a musical chameleon who can understand and support many different artists.A large part of our conversation focuses on Eliot's time with Hall & Oates and Live from Daryl's House. He explains how the musicians learned and recorded new material with very little rehearsal, why Daryl Hall wanted the performances to remain spontaneous, and what Eliot learned from working with guests such as Robert Fripp, CeeLo Green, Booker T. Jones, Grace Potter, and KT Tunstall.Eliot also takes us inside his current solo live-looping show. He describes the technical and musical challenge of creating the sound and dynamics of a full band by himself, the importance of remaining in the moment, and why technology should always serve the song rather than replace the musicianship underneath it.Key TakeawaysEliot still considers himself a drummer first, and rhythm remains the foundation of his work on every instrument.His live-looping show is designed to create the feeling and dynamics of a three- or four-piece band rather than simply repeat accompaniment.Learning several instruments helped Eliot understand how each musical role fits into an arrangement without competing for space.His years with Average White Band developed his confidence as a singer, songwriter, performer, and collaborative band member.Working on Live from Daryl's House required strong ears, quick preparation, trust between musicians, and an ability to respond in the moment.Eliot believes technology is most effective when it supports the song, but a performer must still be able to play and communicate when the technology fails.Running a solo career means balancing music with booking, travel, marketing, arranging, production, and the many other responsibilities that happen away from the stage.Music from the EpisodeRetroactive - Eliot LewisJetstream - Eliot LewisSonic Soldier - Eliot LewisHelpless - Eliot LewisAbout the PodcastThe Bandwich Tapes is a music interview podcast hosted by Brad Williams. Each episode features thoughtful conversations with musicians, songwriters, producers, and other creative artists about their careers, influences, collaborations, musical craft, and the experiences that shape their work.Connect with the ShowQuestions, comments, or guest suggestions:contact@thebandwichtapes.com

The Deadcast points to the Saratoga Performing Arts Center in New York, set inside the lush green of a state park & home to some of the wildest Grateful Dead shows of the mid-1980s, with a look at the 1985 parking lot scene.Guests: David Lemieux, David Leopold, Johnny Dwork, DNA, Ken Schneider, Andy Perrine, David Moran, Corry Arnold, Nicholas Meriwether, Annabelle Walsh, Donick CarrySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Pat, Pilar and the Patreon Supporters play their favorite songs to listen to on a road trip! See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Kelly Clarkson has given us powerful vocals, emotional ballads, huge pop anthems... and some truly unforgettable noises. This week, we're highlighting the funniest, strangest, and most unexpected sounds hidden throughout Kelly's catalog. From grunts and growls to laughs, yelps, ad-libs, and moments that are impossible to describe without actually hearing them. Consider this the unofficial guide to every “AHH,” “UH,” “HEY,” and whatever-that-was in Kelly's discography.Support us on Patreon: patreon.com/MissIndepodcastBuy merch from our new merch storeFollow us!Facebook | Twitter/X | InstagramFind more at missindepodcast.com

In today's episode, we present PART THREE of our look at Don Davis' score for Jurassic Park 3. Caleb Burnett is back for another series of Dino-Score: The Music of the Jurassic Park Franchise episodes focusing in on one of the more interesting scores in the Jurassic franchise. Sit back, relax and ENJOY this episode of The Jurassic Park Podcast!Please check out my Newsletter featured on Substack! You can sign up for the newsletter featuring the latest from Jurassic Park Podcast and other shows I'm featured on - plus other thoughts and feelings towards film, theme parks and more!FOLLOW USWebsite: https://www.jurassicparkpodcast.com/YouTube: https://www.youtube.com/@JurassicParkPodcastInstagram: https://www.instagram.com/jurassicparkpodcast/Bluesky: https://bsky.app/profile/jurassicparkpod.bsky.socialThreads: https://www.threads.net/@jurassicparkpodcastFacebook: https://www.facebook.com/jurassicparkpodcastApple Podcasts: https://apple.co/2VAITXfSpotify:  https://spoti.fi/2Gfl41TDon't forget to give our voicemail line a call at 732-825-7763!Catch us on YouTube with Wednesday night LIVE STREAMS, Toy Hunts, Toy Unboxing and Reviews, Theme Park trips, Jurassic Discussion, Analysis and so much more.

Pat welcomes his age appropriate work bestie, Michael Johnson, to the Rock Room East to play songs from bands you may never have heard of! See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Listen without ads at 8$ a month or up on patreon: www.patreon.com/dopeypodcast SUMMARY This week on Dopey Greatest Hits, Dave officially declares July to be Allman Brothers Month and revisits one of his favorite interviews—with Duane Betts, guitarist, songwriter and son of the legendary Dickey Betts. Before the interview, Dave talks about his lifelong love of “Blue Sky,” reflects on a difficult Patreon Zoom and reminds himself of one of recovery's hardest lessons: restraint of pen and tongue. Papa Smurf contributes an incredible story about selling mushrooms in an Allman Brothers parking lot, getting grabbed by undercover cops and escaping after an oblivious hippie accidentally distracts them. A listener named Jeff also shares a disastrous Phish adventure involving craft beer, moonshine, cocaine, getting lost outside the venue while “Maze” played in the distance, wandering through a locked campground and receiving a possession charge that ultimately introduced him to AA. Then Dave sits down with Duane Betts for an intimate and wide-ranging conversation about growing up inside the Allman Brothers family, touring with his father, living at Cher's Malibu home, learning guitar on the road and finding his own musical identity. Duane opens up about Hodgkin lymphoma, discovering Dilaudid after surgery, the Malibu party scene, Molly, cocaine, crack, black tar heroin and a gram-a-day opiate habit. He recalls smoking heroin-and-cocaine speedballs, flipping a car after scoring drugs, waking up beside a friend who had overdosed and nearly dying after a massive cocaine hit. He also describes arrests, drug court, treatment, Suboxone, relapse, touring with Dawes and eventually finding lasting recovery. Now more than seven years sober, Duane talks about meeting his wife in Jackson Hole, staying grounded through music, hiking, yoga and connection, and continuing the Allman Brothers legacy through his solo work, Palmetto Motel and the Allman Betts Family Revival. It is a story about rock-and-roll history, inherited addiction, devastating loss, recovery and finding a life filled with music, gratitude and purpose. Allman Brothers month continues!   Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.