Podcasts about beistegui

After a pause, The Philosopher & The News is back! In fact, we have been back since last September of 2024, in the form of a series of live online events in partnership with The Philosopher journal that have then featured in The Philosopher's YouTube Channel. But  we thought it's about time we updated our usual podcast channel too. The term "crisis" gets banded about with ease these days, in fact some have argues that we are living through an era of polycrisis, with more than one crisis going on simultaneously. But with its origins in Ancient Greek medicin, what does the term "crisis" really mean today? How can philosophy help us understand the different types of crisis, from the arena of science to that of politics? And what kind of political crisis yields a President like Donald Trump? This conversation took place on the day of the US election. Miguel de Beistegui is ICREA Research Professor of Philosophy at the Universitat Pompeu Fabra, Barcelona. He is a philosopher with a broad range of interests from ontology and aesthetics to ethics and political philosophy. He has written monographs on Heidegger, Deleuze, Proust, Chillida, and Lacan. His forthcoming book, A Philosophy of Crisis, aims to construct a rigorous concept of crisis.If you enjoyed the episode, please leave us a rating and a review on Apple Podcasts.This podcast is created in partnership with The Philosopher, the UK's longest running public philosophy journalm founded in 1923. Check out the latest issue of The Philosopher and its online events series: https://www.thephilosopher1923.org Artwork by Nick HallidayMusic by Rowan Mcilvride

 Au début des années 1950, un membre éminent de la Café Society, Charles de Beistegui, organise à Venise un bal qu'il veut inoubliable.     Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Au début des années 1950, un membre éminent de la Café Society, Charles de Beistegui, organise à Venise un bal qu'il veut inoubliable. Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

El proyecto ‘El Juego Responsable’, presentado por Claudia Gómez, Carmen García, Cécile de Beistegui y Mattijs Bastijns, todos ellos alumnos de la Facultad de Comunicación de la Universidad Pontificia de Salamanca, ha resultado ganador de la primera edición del Hackathon ‘Practica el Juego Responsable’ .Escuchar audio

Hacer comunidad es algo que deberíamos hacer todos los días, ya sabes, quitándole el halo romántico al negocio, la verdad es que el simple intercambio de mercancías por dinero es algo inerte, es la experiencia de cada uno la que le da vida a esto que nos empeñamos en llamar “El Juego de los Sneakers” y cuando las tiendas establecidas quizás están fallando en ofrecer algo más que ir al local o comprar en línea, son los proyectos emergentes lo que alzan la mano para tratar de brindar un concepto distinto. Como su nombre lo dice: The Amazing Concepts quiere ir un poco más allá de lo que ya topamos, es un espacio casi multidisciplinario y multiproducto impulsado por tres viejos lobos de mar del Street Culture en la Ciudad de México, que vieron que separados podían funcionar bastante bien, pero que juntos pueden ofrecer la experiencia completa. Amazing Concepts no es sólo una tiendas runners, hype, coleccionables o un servicio especializado en limpieza y restauración, es un spot en donde puedes ir a echar un café, cotorrear con la gente que atiende, armar la carnita asada y chance hasta salir en alguna de sus producciones originales de Tik Tok. A nadie se le olvida que este es un negocio, pero hasta en los negocios, pasarla chido es parte esencial.Vayan a Concepción Beistegui 609 en la Del Valle Centro, sigan a The Amazing Concepts en Instagram y Tik Tok y en las redes sociales de cada uno de los socios, todos tienen algo chido que ofrecer.

Coucou everyone! In September 1951, 2,000 of the world's richest, most beautiful, and innovative aesthetes flocked to Venice for the "ball of the century," which cost ~$20 million in today's money. Cat tells Kate all about the ball, and the eccentric man who threw it - Count Don Carlos de Beistegui y de Yturbe. Then, Kate tells Cat about a delicious little liqueur - amaro. Andiamo! Don't forget to follow us on Instagram :) Main topic sources: BIG-TIME CHARLIE: THE BEISTEGUI BALL ALL THAT GLITTERED When Venice Threw The ‘Ball of the Century' Venice 1951, when Dior's legendary elegance was born Minitopic sources: Amaro Recommendations: Kate's recommendation - Angeleno Spritz Cat's recommendation - "The Worst Person In the World" (2021) directed by Joachim Trier Cover art and logo by Kate Walker Mixed and edited by Catherine Roehre Theme song by Lumehill Thank you all - ciao!

 Au début des années 1950, un membre éminent de la Café Society, Charles de Beistegui, organise à Venise un bal qu'il veut inoubliable.     Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.

¿Qué es la Fundación Herdez? 01:58 ¿Por qué su sal de consultas lleva el nombre de Diana Kennedy? 07:24 ¿Su biblioteca está digitalizada? 19:00 --- Send in a voice message: https://anchor.fm/frecuencianutricional/message

10 Embajadas y México celebran la unión a través de la exposición “Lazos de Navidad” en PAPALOTE Museo del Niño.

Reabre mañana el Papalote, Museo del Niño.

Back from a hiatus in western Massachusetts, B joins John and special guest co-host Alyssa Ruth Mazer to discuss Miguel de Beistegui's book The Government of Desire: A Genealogy of the Liberal Subject. What is a liberal subject and how does desire open up its discourses and genealogy and governmentalities? Did Beistegui try to out-Foucault…Foucault, […]

In this episode, the stars of the show are the bits of the human body - from heads down to toes – that tend to get neglected in our daily clothing, but which take on new prominence and meaning when dressed creatively and fantastically in costume. Think diamond studded stag's head and curled shoes, and you get the idea. Join Lucy and Ben as they talk about the possibilities and problems of dressing the body's periphery. References V&A Shoe Timeline Lucy's book, How to Go to Work McQueen Armadillo Boot Schiaparelli Couture Linked archive episodes Episode 2 – Barbaric Splendour: The Devonshire House Ball of 1897 Episode 18 – Ethereal Excess: Carlos de Beistegui's Venetian Ball Episode 29 – Still Standing: The Costumes and Curation of Elton John Episode 52 – Is This The Real Life? Is This Just Fantasy?

Daniel Tello, fundador de Oxígeno CDMX explica la funcionalidad y fuente de datos de la plataforma que ayuda a la ciudadanía suministrarse de este gas vital. Issa Plancarte recomienda los mejores tamales.

Requerimos 50 millones de pesos en este 2021 para evitar el cierre, afirma su directora.

La conversación de hoy va de qué hace falta para que las mujeres dejemos de tener miedo, al enojo que nos provoca que se termine con proyectos para la sociedad y la infancia. Una plática con @LolitaBeistegui, Directora de Papalote Museo del Niño. Súmate con nosotros y ayuda a salvar al Museo. #AmoPapalote @Papalote_Museo Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

La conversación de hoy va de qué hace falta para que las mujeres dejemos de tener miedo, al enojo que nos provoca que se termine con proyectos para la sociedad y la infancia. Una plática con @LolitaBeistegui, Directora de Papalote Museo del Niño. Súmate con nosotros y ayuda a salvar al Museo. #AmoPapalote @Papalote_Museo Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

undefined Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

Described, in all seriousness, as the ‘Ball of the Century’, the Beistegui Ball of 1951 was a fancy dress event like no other: the guest list, the costumes, the late-running pre-party rehearsal – everything was taken to an extreme. But at what cost? As guests partied, they also pondered: ‘memorable’ the event certainly was; ‘merry’, perhaps not. Join Lucy and Ben as they discuss the enigmatic host and why his legendary entertainment may not, in fact, have been the party of all parties. Notes Nicholas Foulkes, ‘Don Carlos de Beistegui’, The Rake (March 2016). https://therake.com/stories/icons/don-carlos-de-beistegui/. Nicholas Foulkes, Bals: Legendary Balls of the Twentieth Century (2011). ‘The Beistegui Ball’, Scala Regia (January 2009). http://scalaregia.blogspot.com/2009/01/was-in-late-summer-of-1951-that-charles.html. ‘Ball of the Century’, British Pathé news clip. www.britishpathe.com/video/ball-of-the-century/query/Orson.

In this Season’s finale, Lucy and Ben talk with Levi Higgs about the jewellery worn at three of the twentieth-century’s most lavish and exclusive costume balls. Following Dress: Fancy’s patron saint, Cecil Beaton, who attended each of these events, this episode examines the significance of haute joaillerie and costume jewellery worn by the likes of Daisy Fellowes, Gloria Guiness and the inimitable Elizabeth Taylor.   Links Nick Foulkes, Bals: Legendary Balls of the Twentieth Century (2011) Nick Foulkes, ‘Don Carlos de Beistegui’, The Rake (March 2016): https://therake.com/stories/icons/don-carlos-de-beistegui/  Deborah Davis, Party of the Century: The Fabulous Story of Truman Capote and His Black and White Ball (2006). Guy Trebay, ’50 Years Ago, Truman Capote Hosted the Best Party Ever’, The New York Times (21 November 2016): https://www.nytimes.com/2016/11/21/fashion/black-and-white-ball-anniversary-truman-capote.html  Kenzie Bryant, ‘The Most Lavish High-Society Parties of the Last Half-Century’, Vanity Fair (24 November 2016): https://www.vanityfair.com/style/photos/2016/11/most-lavish-parties-black-and-white-surrealist-proust-ball  Patricia Corbett, Verdura: The life and work of a master jeweler (2002) Cecil Beaton: A Retrospective, ed. David Mellor (1986). Elizabeth Taylor, Elizabeth Taylor: My Love Affair with Jewellery (2002). Kenneth Jay Lane, Faking It (1996).

Taking his point of departure in Foucault’s work from the mid to late 1970s, Professor de Beistegui will argue that the lecture courses and books from that period lay the ground for a genealogy of the western subject as a subject of desire. Beyond Foucault’s own genealogy, he’ll ask about the connections and tensions between the rationalities of the sexual instinct and economic interest , and suggest that they require a third rationality, and a third sense of desire, which involves the Law and the symbolic order, the significance of which Foucault recognizes, but doesn’t explore.

Simona Forti will discuss issues that arise from her new book The New Demons. Rethinking Evil and Power Today (Stanford University Press, 2014). She will be in conversation with Adriana Cavarero, Professor of Political Philosophy at the Università degli studi di Verona and Miguel de Beistegui, Professor of Philosophy at University of Warwick.

What is the nature of art? The question involves understanding the relation between art and reality and what we are expressing in art. Miguel de Beistegui, professor of philosophy at the University of Warwick, addresses these questions in his latest book, Aesthetics after Metaphysics: From Mimesis to Metaphor (Routledge, 2012). De Beistegui’s framework for understanding art stands in contrast to a metaphysics that posits a sensible world of experience and a supersensible world of forms or essences, in which art – even non-representational and conceptual art, in some cases – exists as a mimetic go-between. De Beistegui suggests instead that art captures an aspect of reality that is literally there – an excess of the sensible, “the hypersensible”, that is typically hidden by our everyday practical ways of interacting with and experiencing reality. Our grasp of these features is metaphorical in that they are shared by things that are usually put in distinct categories, but it is the sensible/supersensible distinction that gives rise to an impoverished notion of metaphor that prompts us to think that what is metaphorical is not literally true. In this richly suggestive and provocative volume, de Beistegui draws on thinkers from Plato and Nietzsche to Merleau-Ponty and Danto, and discusses works by a wide range of artists, including Proust, Holderlin, de Koonig and Chillida, to elaborate his view. Learn more about your ad choices. Visit megaphone.fm/adchoices

What is the nature of art? The question involves understanding the relation between art and reality and what we are expressing in art. Miguel de Beistegui, professor of philosophy at the University of Warwick, addresses these questions in his latest book, Aesthetics after Metaphysics: From Mimesis to Metaphor (Routledge, 2012). De Beistegui’s framework for understanding art stands in contrast to a metaphysics that posits a sensible world of experience and a supersensible world of forms or essences, in which art – even non-representational and conceptual art, in some cases – exists as a mimetic go-between. De Beistegui suggests instead that art captures an aspect of reality that is literally there – an excess of the sensible, “the hypersensible”, that is typically hidden by our everyday practical ways of interacting with and experiencing reality. Our grasp of these features is metaphorical in that they are shared by things that are usually put in distinct categories, but it is the sensible/supersensible distinction that gives rise to an impoverished notion of metaphor that prompts us to think that what is metaphorical is not literally true. In this richly suggestive and provocative volume, de Beistegui draws on thinkers from Plato and Nietzsche to Merleau-Ponty and Danto, and discusses works by a wide range of artists, including Proust, Holderlin, de Koonig and Chillida, to elaborate his view. Learn more about your ad choices. Visit megaphone.fm/adchoices

Maskeradbaler, stora fester som gav möjlighet att visa upp sig i sensationella dräkter och spektakulära aftonkläder, var extra populärt under mellankrigstiden. Många av dem arrangerades av kända personer i dåtidens societet, som då rymde en typ av excentriskt utlevande människor som pressen var omåttligt intresserad av att följa, och skriva om. Inbjudna gäster skulle förhålla sig till teman som cirkus, sagor, vilda västern och lantlig idyll. Men att klä ut sig har man förstås gjort under alla tider. I veckans STIL berättar vi mer om detta seglivade nöje. Under 1920- och 30-talet nådde maskeradbalerna en sorts formtopp då gamla pengar och nya talanger möttes och mixades, under masker och förklädnader. Tillhörde man de rätta sociala kretsarna – eller hade kvalat in genom att vara hip författare, poet, konstnär, musiker eller modeskapare i tiden – så kunde man resa runt Europa och gå på den ena storslagna och glamorösa maskeradbalen efter den andra. Under våren och sommaren arrangerades baler nästan varje månad. Men strax före, under och efter, andra världskriget dalade intresset. Man hade lite annat att tänka på. Men det kom tillbaka. I slutet av 60-talet fick den amerikanske författaren Truman Capote en sorts snilleblixt. Han skulle arrangera en bal, och inte vilken som helst. Den 28 november 1966 arrangerade han The Black and White Ball, en maskeradbal som skulle komma att kallas för århundradets fest. Mer om den, och varför den blev så omtalad, berättar skribenten Stefan Ingvarsson. Men femton år före den festen så var det en helt annan maskeradbal som kallades för ”århundradets fest”. Den arrangerades i Venedig av en excentrisk man vid namn Carlos de Beistegui, arvtagare till en enorm förmögenhet. Många av dåtidens modeskapare var inblandade, på ett eller annat vis. Den franske modeskaparen Jacques Fath klädde sig som Ludvig den 14:e. Pierre Cardin, som hade startat eget året innan efter att ha jobbat för Christian Dior, hade fått beställningar från trettio gäster. Det satte fart på hans framtida karriär. Men dagens maskerader är snarare ett mischmasch av gamla traditioner, och nya påfund. Och i modevärlden fortsätter de att vara populära. Vi har ringt upp den svenske modeskaparen Lars Nilsson i Paris som berättar om en av hans mest minnesvärda maskeradfester där temat var Frukost på Tiffany's. Denna höst kan man dessutom se den italienska kompositören Giuseppe Verdis opera Maskeradbalen på två olika scener i Stockholm. Både Folkoperan och den kungliga Operan sätter upp denna föreställning om mordet på den svenske kungen Gustav III. Och vill man spåra en svensk maskeradtradition, eller kanske snarare den tid då utrymme gavs till färgstarka fester med möjlighet till modeexcesser, är det till Gustav III som man ska gå. Det berättar vi också om. Och så tar vi upp det provocerande (och befriande) i crossdressing, ett populärt inslag på maskeradbaler då, och nu. Veckans gäst är Christopher O'Regan, författare och specialist på 1700-talskultur.