Podcasts about caf society

Célébrez le 110e anniversaire de la naissance de Billie Holiday, l'une des plus grandes voix de l'histoire du jazz, avec cet épisode passionnant. Découvrez le parcours exceptionnel et tourmenté de cette artiste hors-norme, qui a marqué la musique du 20e siècle de son empreinte indélébile.Plongez dans l'histoire d'Eleanora Fagan, devenue Billie Holiday, cette enfant des rues de Baltimore qui a su s'imposer sur la scène jazz new-yorkaise des années 30. Malgré une vie marquée par la pauvreté, le racisme et la violence, Billie Holiday a su développer un style vocal unique, mêlant blues, improvisation et puissance émotionnelle.Suivez son ascension fulgurante, de ses débuts dans les clubs de Harlem à ses triomphes au légendaire Café Society de New York. Mais derrière la gloire se cache un destin tragique, rongé par l'alcool, la drogue et des relations amoureuses tumultueuses.

Jazz singer Billie Holiday discovered “Strange Fruit,” Abel Meropol's protest song against lynching In 1939. It became her closing number at all of her performances at Café Society and the best selling record of her career. Find out more in the ‘Rhapsody in Black' podcast.

Send us a textStep into the glamorous yet deadly world of 1940s New York, where the murder of socialite Patricia Lonergan sent shockwaves through high society. Uncover the dark undercurrents behind her tragic death and the scandalous trial of her husband, Wayne Lonergan. Was this a case of jealousy and revenge, or something far more sinister? In this episode, we dissect the lies, luxury, and lasting mysteries of the infamous Cafe Society Murder—and question whether the truth was ever fully revealed.Watch the video version here: https://youtube.com/live/W4EeSmTj-tMDon't forget, you can watch us live on Tuesday nights at 8PM CST - U.S. on YouTube and Facebook! Support the Show: Patreon (Bonus Content)Follow us on Social Media: YouTube ChannelFacebook Fan PageInstagram Fan Page X (formerly Twitter)TikTok Fan Page"After Dark with EVP" (Use code "AFTERDARK25" for 25% off an annual subscription)https://bit.ly/46GOmAzSubmit Your Story, Comments, or Questions: theevppod@gmail.com

Episode Summary:In this episode of Backstage Bay Area, host Steven Roby interviews award-winning singer-songwriter Kat Edmonson. Known for her enchanting blend of jazz, pop, and vintage charm, Kat shares the deeply personal stories behind her music, including her latest single, “Keep Movin',” inspired by her late mother. From her Houston roots to standout performances at Carnegie Hall and the Montreux Jazz Festival, Kat's career is a fascinating journey of artistic exploration and heartfelt connection. We dive into her songwriting process, the inspiration behind her hits like “Lucky,” and what fans can expect from her upcoming shows at Blue Note Napa. Kat also reflects on her collaborations with legends like Willie Nelson and Lyle Lovett, and how these experiences have shaped her artistry. What to Expect: Kat Edmonson discusses the emotional inspiration behind “Keep Movin'” and her songwriting process. Insights into her early influences and how they shaped her distinctive sound. The backstory of her hit song “Lucky” and its unexpected journey into global recognition. Reflections on career highlights, including performing at Carnegie Hall and appearing in Café Society. A sneak peek at her upcoming performances at Blue Note Napa and what fans can look forward to. Featured Songs: “What Else Can I Do” “Keep Movin'” “Lucky” Show Info: Event: Kat Edmonson at Blue Note Napa Date: Sunday, February 2, 2025 Showtimes: 2 p.m. and 6:30 p.m. Doors Open: 12:30 p.m. and 5 p.m. Tickets: Available now at Blue Note Napa. Where to Find Kat Edmonson: Music available on all major streaming platforms. Tour dates and updates: Kat Edmonson Official Website. Hashtags:#KatEdmonson #BackstageBayArea #BlueNoteNapa #KeepMovin #JazzMusic #SingerSongwriter #LiveMusic #MusicPodcast Photo credit: Glynis Carpenter

 Au début des années 1950, un membre éminent de la Café Society, Charles de Beistegui, organise à Venise un bal qu'il veut inoubliable.     Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Min 5: “BETTER MAN”: el primer sorpresón de 2025 Ni “Heretic”, ni “Queer”, ni “Vivie el momento”, el título sorpresa que ha dejado locos a nuestros críticos en el arranque del año ha sido “Better Man”. Esta suerte de biopic de Robbie Williams dirigido por Michael Gracey convierte a la estrella pop británica en un chimpancé sin límites. Albertop Luchini y Raquel Hernández nos desvelan qué tiene de especial "Better Man" para cruzar la líunea del biopic musical y convertirse en el mejor estreno del inicio de 2025. CALIFICACIÓN EDC: 4 ESTRELLAS Min 10: LA PELI DE LAS NAVIDADES ¿"Mufasa"? ¿"Sonic 3"? ¿"Vaiana 2"? "¿"Cónclave"? ¿"Nosferatu"? ¿"Heretic"? El equipo del Filtro Luchini mete en la coctelera los resultados en taquilla y la calidad cinematográfica para elegir cuál ha sido la película de las Navidades 24/25. ¿Coincidirá con tu favorita? Min 13: A REAL PAIN: El Globo de Oro de Kieran Culkin El debú en la dirección de Jesse Eisenberg (La red social, Café Society) le ha supuesto al efervescente Kieran Culkin (Succession) el Globo de OPro al mejor actor de reparto. Una película sencilla pero emotiva que sigue la historia de dos primos que viajan a Polonia para revivir la historia de su abuela fallecida y el recuerdo del holocausto nazi. CALIFICACIÓN EDC: 3'5 estrellas Min 19: CIUDAD DE ASFALTO: Sean Penn en modo salvavidas Un joven paramédico llamado Ollie Cross (Tye Sheridan) decide asociarse en su primer año de trabajo con un médico con experiencia llamado Rutkovsky (Sean Peann) El mayor de ambos mostrará al joven aprendiz lo que ocurre en las calles de Nueva York y la dureza de la realidad será tal que tendrá que aprender a soportarla. Una apuesta demasiado cruda de Jean-Stéphane Sauvaire que ha dejado fría a Raquel Hernández pese al eficaz papel de Penn. CALIFICACIÓN EDC: 3 estrellas Min 24: LAS VIDAS DE SING SING: El Teatro como terapia real Divine G, (Colman Domingo) un hombre injustamente condenado por un crimen que no cometió, se encuentra recluido en el temido centro penitenciario de máxima seguridad de Sing Sing, donde la esperanza parece haberse desvanecido para la mayoría de los prisioneros. Sin embargo, en medio de la desesperanza y la rutina diaria de su encarcelamiento, Divine G descubre una fuente de redención y un propósito en un lugar inesperado: un taller de teatro. La película dirigida por Greg Kwedar está basada en hechos reales, cuenta con umno de los auténtricos protagonistas de la historia y se convierte en una de nuestras recomendaciones de la semana. CALIFICACIÓN EDC: 3'5 estrellas Min 28: EL OTRO CINE ESPAÑOL Dos películas pequeñas e intimistas cargadas de feminidad se cuelan en el cajón de cine club de la nueva cartelera. Aitor Echevarría dirige a Emma Suárez y a Natalia de Molina en "Desmontando un elefante" (2,5 estrellas) y Marta Nieto debuta en la dirección con "La Mitad de Ana" (2,5 estrellas) Min 34. CERTEZAS Y SORPRESAS EN LOS GLOBOS DE ORO "Emilia Pérez", el narcomusical franco latino que se ha convertido en una de las pelis favoritas de Alberto Luchini dio la sorpresa en unos Globos de Oro que aninam a pensar en una imprevisible Gala de los Oscar. Encantados con el premio a Demi Moore por "La sustancia". Min 40: ESPECIAL BSO CÓNCLAVE o el equilibrio perfecto entre cine y música Lo que han hecho Edward Berger desde la dirección y Volker Bertelmann desde la composición en 'Cónclave' es un ejemplo enciclopédico de cómo se debe sacar partido a una excelenbte banda sonora en una gran película. Ángel Luque se propone hacernos disfrutar de temas que habría aplaudido el gran maestro de la cuerda y el suspense, el mismísimo Bernard Hermmann.

Our tribute to the "King of Café Society" includes indelible performances of material by Cole Porter, Rodgers and Hart, Noël Coward and more.

Au début des années 1950, un membre éminent de la Café Society, Charles de Beistegui, organise à Venise un bal qu'il veut inoubliable. Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

durée : 00:54:05 - Autant en emporte l'Histoire - par : Stéphanie Duncan - New York, un soir de mars 1939, dans le quartier de Greenwich Village, une foule bohème se presse au sous-sol du Café Society, un nouveau club de jazz une bulle de liberté dans l'Amérique ségrégationniste de Roosevelt. Ce soir, ils sont venus écouter la star du jazz new-yorkais : Billie Holiday... - invités : Sarah Fila-Bakabadio - Sarah Fila-Bakabadio : Historienne en études américaines et afro-américaines, maîtresse de conférences à CY Cergy Paris Université - réalisé par : Audrey RIPOULL

Actor, author, and director Jesse Eisenberg demystifies the role of anxiety and self-doubt in leadership. In a candid exploration of the forces that drive creativity and success, Jesse Eisenberg delves into the paradoxes of the creative process and leadership. With striking honesty, Eisenberg reveals how anxiety, self-doubt, and fear have been unlikely catalysts in his multifaceted career as an actor, writer, and director. Beyond the glare of Hollywood, he shares personal anecdotes that shed light on the complexities of navigating public perception, criticism, and the relentless pursuit of excellence. Eisenberg's journey is a testament to the transformative power of reframing vulnerability as a source of strength, offering profound insights into the art of leadership. Through a lens of empathy and humility, he challenges conventional notions of authority, showcasing how leading with a quiet confidence can inspire innovation and collaboration. This dialogue invites a deeper understanding of how emotional intelligence and a willingness to embrace the unknown are pivotal in cultivating a culture of creativity and resilience in any field. -------------------------------------------------------------------------------------------------------------------------------------------------------------------- Go Deeper with Big Think: ►Become a Big Think Member Get exclusive access to full interviews, early access to new releases, Big Think merch and more ►Get Big Think+ for Business Guide, inspire and accelerate leaders at all levels of your company with the biggest minds in business -------------------------------------------------------------------------------------------------------------------------------------------------------------------- About Jesse Eisenberg: Jesse Eisenberg is an Academy Award nominated actor and an acclaimed playwright and author. Eisenberg's film credits include Roger Dodger, The Squid and the Whale, Adventureland, Zombieland, The Social Network, Now You See Me, The Double, Night Moves, The End of Tour, American Ultra, Louder Than Bombs, Batman v. Superman, Now You See Me 2, Café Society, Justice League, The Hummingbird Project, The Art of Self Defense, Zombieland: Double Tap, Resistance, Vivarium,Wild Indian, Manodrome, and Sasquatch Sunset which sees him play the urban legend Sasquatch. -------------------------------------------------------------------------------------------------------------------------------------------------------------------- About Big Think | Smarter Faster™ ► Big Think The leading source of expert-driven, educational content. With thousands of videos, featuring experts ranging from Bill Clinton to Bill Nye, Big Think helps you get smarter, faster by exploring the big ideas and core skills that define knowledge in the 21st century. Get Smarter, Faster. With Episodes From The Worlds Biggest Thinkers. Follow The Podcast And Turn On The Notifications!! Share This Episode If You Found It Valuable Leave A 5 Star Review... Learn more about your ad choices. Visit megaphone.fm/adchoices

Junai Lima e Roger Marques fazem do início da sua semana sair um pouco da rotina com esse delírio libertário cheio de aleatoriedades e aquele bate-papo informal e irreverente. --- Send in a voice message: https://podcasters.spotify.com/pod/show/radarpiratapdc/message

Pianist Hazel Scott was billed as “The Darling of Café Society” due to the her ability to sell out shows with her masterful improvisations. But her music was heavily intertwined with politics as she spoke up time and time again against segregation. Find out more in the 'Rhapsody in Black' podcast.

Esta semana temos uma bela adaptação à creche e a preparação psicológica para um viagem de avião no fim do mês. Sugestão da semana: "Café Society", filme de Woody Allen, na Amazon.

Junai Lima e Roger Marques fazem do início da sua semana sair um pouco da rotina com esse delírio libertário cheio de aleatoriedades e aquele bate-papo informal e irreverente. --- Send in a voice message: https://podcasters.spotify.com/pod/show/radarpiratapdc/message

Send us a Text Message.She could play the piano by ear at the age of 3 and was accepted into the prestigious Julliard school of music at age 8. By 19 she was headlining at Café Society, the first racially integrated club in New York City. She went on to become a successful Hollywood film star, fierce Civil Rights activist, and the first Black woman to host her own television show. She counted Frank Sinatra, Billie Holiday, and Dizzy Gillespie as close friends, dominating the jazz scene as a piano virtuoso who put her own spin on the classics. Her rise to the top was nothing short of inspirational, the American dream at its finest, loved by all, glowing, electric. But did you know, you've probably never even heard of her? Let's fix that. Sources: WNYC Archives 1951 Hazel Scott Radio Interview (full)The Hazel Scott Show 1950 video clipLibrary of Congress Magazine "Jazz's Lost Star"National Women's History Museum "Hazel Scott"The Washington Post "McCarthyism silenced this Black icon. Now dancers are making noise."Library of Congress Blogs "Hazel Scott: The Gorgeous Face of Jazz at the Mid-Century"Smithsonian Magazine "Hazel Scott's Lifetime of High Notes"Encyclopedia Britannica "House Un-American Activities Committee" The New Yorker "Joseph McCarthy and the Force of Political Falsehoods"The National WWII Museum of New Orleans "Cold Conflict"Support the show! Buy Me a CoffeeVenmo @Shea-LaFountaine

The most diverse Café Society in all of San Francisco it's getting beaten down, have a dystopian elements shoplifting vandalism at extortion. The owner is taking a little break when she comes back let's show her some love. Cafe International 508 Haight at Fillmore, San Francisco. https://hoodline.com/2015/09/meet-zahra-saleh-the-vibrant-owner-of-cafe-international/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/sanfranciscodamn/message Support this podcast: https://podcasters.spotify.com/pod/show/sanfranciscodamn/support

Junai Lima e Roger Marques fazem do início da sua semana sair um pouco da rotina com esse delírio libertário cheio de aleatoriedades e aquele bate-papo informal e irreverente. --- Send in a voice message: https://podcasters.spotify.com/pod/show/radarpiratapdc/message

Junai Lima e Roger Marques fazem do início da sua semana sair um pouco da rotina com esse delírio libertário cheio de aleatoriedades e aquele bate-papo informal e irreverente. --- Send in a voice message: https://podcasters.spotify.com/pod/show/radarpiratapdc/message

 Au début des années 1950, un membre éminent de la Café Society, Charles de Beistegui, organise à Venise un bal qu'il veut inoubliable.     Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.

The Humble King of Café Society gets the full treatment; choice cuts, some rare, all well-done, from the likes of Stephen Sondheim, Cy Coleman, and Burt Bacharach.  

Today, Alicia takes us back to wartime New York, for the scandal that rocked 1940s cafe society. Our man Nick described the case this way in his July 2000 Vanity Fair story: A young, attractive socialite, Patricia Lonergan, is found naked in her bedroom, bludgeoned and strangled to death. The accused: her wildly handsome, devastatingly charming husband, Wayne, a fortune hunter whose lurid alibi shocks even New York's toughest police officers and tabloid reporters. The murder and subsequent trial were the media sensation of 1943 and '44, played out against the cafe-society backdrop of the Stork Club and El Morocco. Let's investigate! Sources Justice: Crimes, Trials, and Punishments, by Dominick Dunne (Amazon affiliate link) The Talented Mr. Lonergan, by Dominick Dunne (archive.vanityfair.com) The Stork Club | Walter Winchell: The Power of Gossip | American Masters | PBS (YouTube link) Advertise with us! Learn more about your ad choices. Visit megaphone.fm/adchoices

Projector Room Show Notes Show 94 Ted Salmon, Gareth Myles and Allan Gildea Projector Room Community The Projector Room Group on MeWe - https://mewe.com/join/projector_room Feedback and Recommendations Chris Clayton on The Next Three Days Gareth Myles on Bruce Willis Now Starring In Film He Isn't In Chris Clayton on Nightcrawler Harry Myhre on Café Society, Midnight in Paris and To Rome, with Love Irfan Ali on G.I. Joe: Snake Eyes Irfan Ali on Theo James in The Witcher: Nightmare of the Wolf Flop of the Fortnight Robert MacRowan on The Green Knight Private Screening: Gareth The Night Clerk Next Show: Bad Man's River Themed Treats Cujo Turner and Hooch Top Dog Irfan Ali on Zoltan: Hound of Dracula Adrian Brain on Dog Soldiers Duncan Robertson on Isle of Dogs The Main Feature Jungle Cruise Boss Level - Trailer Zombies O Soldados - Trailer The Handmaid's Tale Deceit Coming Soon Best Sellers - Trailer Sinkhole - Trailer Foundation - Trailer Maid - Trailer Seeds Of Innocence The Final Curtain Una Stubbs Sonny Chiba Sean Lock Links of Interest PodHubUK - Twitter - MeWe PSC Group - PSC Photos - PSC Classifieds - WhateverWorks - Camera Creations - TechAddictsUK - The TechBox - AAM - AAWP - Chewing Gum for the Ears - Projector Room - Coffee Time - Ted's Salmagundi - Steve's Rants'n'Raves - Ted's Amazon - Steve's Amazon - Buy Ted a Coffee

Such An iconic singer, Billie Holiday , such an iconic song, Strange Fruit.First performed in 1939 at the Café Society of NY( Americas first integrated nightclub), this episode takes a closer look and listen to Billie Holiday's landmark song about racist lynchings, which stunned audiences and redefined popular music. Voted in 1999 by Time magazine as “the song of the Century”, the macabre and haunting protest song “Strange Fruit” deals with the inhumanity, violence, fear, and terror of American racism.Dara Hession performs his own acoustic version of Strange Fruit for the podcast.

In this week's Special Episode, we're counting down the Best Things We've Seen from Kristen Stewart! From The Flinstones in Viva Rock Vegas to Personal Shopper to Happiest Season, from David Fincher to Jessica Sharzer to Olivier Assayas, Kristen Stewart has established herself as one of the best young actors working today. We hope our lists (which can include movies, shows or even YouTube videos) will give you some interesting and maybe underrated/underseen recommendations to check out - her filmography is certainly worthy of doing that! As always, thanks for tuning in & we hope you enjoy the show! Things discussed in this episode (Spoiler-Free!): Panic Room, Speak, Zathura: A Space Adventure, Into the Wild, Jumper, Twilight, Adventureland, Welcome to the Rileys, Snow White and the Huntsman, Camp X-Ray, Clouds of Sils Maria, Still Alice, American Ultra, Certain Women, Café Society, Personal Shopper, Seberg, Charlie's Angels, Underwater, Happiest Season and more! Apologies for the short (upload-)delay this week. Timecodes: 0:00 - Kristen Stewart Intro 0:55 - Introduction/Banter 8:06 - Flo's Nr. 10 14:12 - Gabe's Nr. 10 17:46 - Flo's Nr. 9 18:01 - Gabe's Nr. 9 18:31 - Flo's Nr. 8 22:40 - Gabe's Nr. 8 & Flo's Nr. 6 27:03 - Flo's Nr. 7 27:16 - Gabe's Nr. 7 27:53 - Gabe's Nr. 6 32:57 - Flo's Nr. 5 37:59 - Gabe's Nr. 5 (Flo's Nr. 9) 44:33 - Flo's Nr. 4 (Gabe's Nr. 9) 51:03 - Gabe's Nr. 4 & Flo's Nr. 3 58:22 - Gabe's Nr. 3 58:59 - Flo's Nr. 2 (Gabe's Nr. 7) 1:04:59 - Gabe's Nr. 2 1:12:57 - The Best Thing Flo has seen from Kristen Stewart (Gabe's Nr. 3) 1:22:05 - The Best Thing Gabe has seen from Kristen Stewart (Flo's Nr. 7) 1:29:02 - Honorable Mentions & Omissions 1:34:50 - After Show Banter _____________________________________________________________________ Apple Podcasts: https://podcasts.apple.com/us/podcast/best-thing-weve-seen/id1500489681?ign-mpt=uo%3D4 Spotify: https://open.spotify.com/show/5jocmR3kfsm1t8kdrE9LuF Google Podcasts: https://podcasts.google.com/feed/aHR0cHM6Ly9hbmNob3IuZm0vcy8xMzc5ODQ5NC9wb2RjYXN0L3Jzcw== This episode on YouTube: https://www.youtube.com/watch?v=FPS-JTZ5dSw --- Send in a voice message: https://anchor.fm/bestthingpodcast/message

How does a successful TV and Film actress become an inspired Director/Producer of a powerful documentary that breaks through. Magi Avila is best known for her rolls in "My American Family" and with Nicholas Cage and William Defoe in "Dog Eat Dog", but turned her sights on becoming a filmmaker after a chance meeting with a man in a wheelchair who has an incredible story to tell.  This episode is fun, inspired and filled with great information about film festivals and distribution for Independent Filmmakers.After a rewarding career in Mexican films, television and theatrical productions, Magi Avila made her way to the Mecca of EntertainmentHollywood.Magi Avila can be seen in a pivotal role in the feature Film "Dog Eat Dog" with Oscar winner, Nicolas Cage, and 4 times Oscar nominee Willem Dafoe, directed by Paul Schrader. Dog Eat Dog premiered at the Cannes Film Festival, obtaining a long standing ovation. She also has a pivotal role in "First Kill" with Mr. Bruce Willis and Hayden Christensen. Magi Avila also appears in "A Better Life" with Oscar nominee Demian Bichir, directed by Chris Weitz (Twilight Saga "New Moon"), and in "Café Society" with Blake Lively and Steve Carrel, directed by Woody Allen. On US Television, Magi guest-starred on Jerry Bruckheimer's "Training Day" with Bill Paxton. She also worked in the final episode of the acclaimed AFI Award winning drama television series "The Shield", from Shawn Ryan.Magi Avila has performed as a lead and co-starred in US Theater Productions such as "Nuevo California" with the San Diego Repertory Theater and "Little Red", with the Josefina López' Los Angeles based Casa 0101 organization, among others. Magi has also directed many theater productions herself. Magi has already made her indelible mark as the co-writer, producer and lead performer of the Musical Theater production of "Carmen Miranda - The Lady In The Tutti Frutti Hat". She brought to life the yesteryear famous Brazilian Broadway actress with her singing and Samba performances.In the beginning of her professional career in her native Ensenada, Mexico, Magi presented as an opera singer and with a choral group known as "Voces De Primavera", under the direction of Maestro Jesus Veliz, performing for celebrities, dignitaries and the then president of Mexico, Ernesto Zedillo. Her teen charm and innate talent won her modeling jobs. Magi Avila soon started to appear in print ads and popular television commercials. Magi also served a short stint as a News Reporter and on-camera talent for the Mexican television network, Televisa.Magi studied her 4 years of theater and arts at the Autonomous University of Baja California Extension, her M.D. at the University Guadalajara A.K.A. UDG. She then moved to the USA to study at the prestigious Lee Strasberg Theater and Film Institute, for 3 more years. Miss Avila has continued sharpening her acting skills with several acting coaches in Hollywood.She now lives in Los Angeles, CA. Magi Avila is immensely grateful for all the people she has had the pleasure of collaborating with, throughout her career in the USA and Mexico.

What's a trust fund baby to do when his trust fund isn't accessible yet? Why, coerce some ladies into prostitution to pay his bills, of course! Welcome to the twilight of Manhattan's Café Society, where being rich meant being famous in the papers. And enter Mickey Jelke, an oleomargarine heir who went on trial twice. Along the way we learn about why Peter Pan collars had a brief moment of being considered sexy, why learning Joyce Kilmer's “Trees” was once considered a suitable punishment by a judge, and the war between butter and margarine. Sources: https://www.oleoheir.com/another-oleo-heir --- Support this podcast: https://anchor.fm/american-scandals/support

Quando Woody Allen è Woody Allen La clip è tratta dal film "Café Society" (scritto e diretto da Woody Allen-produzione Gravier Productions-distribuzione Warner-2016 all rights reserved). L'immagine è un particolare della sua autobiografia "A proposito di niente" edizione La Nave di Teseso all rights reserved

We’re all getting ready for a new normal and in terms of eating and drinking it’s going to involve a lot of outdoor dining. A number of weeks ago the government launched the Outdoor Dining Enhancement Scheme and a move is on to encourage a lot more outdoor life. But does this Café Society present any problems? Bobby was joined by Conor Skehan Planning and Environment Advisor and Former Planning Lecturer at TU Dublin & Clare Nash of 'Nash 19' in Cork to discuss. Listen and subscribe to Down to Business with Bobby Kerr on Apple Podcasts and Spotify.    Download, listen and subscribe on the Newstalk App.    You can also listen to Newstalk live on newstalk.com or on Alexa, by adding the Newstalk skill and asking: 'Alexa, play Newstalk'.

We all know Betty White from her years on The Mary Tyler Moore Show and The Golden Girls. But decades before she was making us laugh in primetime, White was hosting a daytime TV talk show that saw her improvising more than five hours of programming every day. Yep, she’s not only one of our most beloved funny ladies, she’s also a TV pioneer. She is one of the superstars from the era When Women Invented Television, as Pop Literacy co-host Jennifer Keishin Armstrong chronicles in her fantastic new book of the same name. From White and Gertrude Berg, the radio star who brought her long-running radio comedy The Goldbergs to television, to Hazel Scott, the singer and piano player who was also the first Black entertainer to host a national variety TV show, and Irna Phillips, another radio alum, who created the television soap opera, there’s a lineup of women who truly set up the future of TV. This week, Jennifer shares not only the fascinating details of how these extraordinary women shaped the medium that helps shape our culture more than ever, but the sad forces that prevented most of them from being the household names they should be. Until now, that is, thanks to When Women Invented Television.  Resource links: When Women Invented Television Here We Go Again by Betty White The Betty White Show Hazel Scott: The Pioneering Journey of a Jazz Pianist, from Café Society to Hollywood to HUAC by Karen Chilton Hazel Scott at the piano Irna Phillips's The Guiding Light, 1953 Something on My Own, a Gertrude Berg biography by Glenn D. Smith Jr. Gertrude Berg's The Goldbergs, 1954

Films Mentioned: Chaos Walking (2021), Bad Trip (2021), Irrational Man (2015), Café Society (2016), Grey Garden (1975), Blue Jasmine (2013), Scoop (2006), The Apartment (1960), etc. Film News Gathered from Empire. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Vonnie is an assistant at a Hollywood talent agency, where she is secretly dating her boss, Phil. One day she’s tasked with showing Bobby, her boss’ nephew from New York City, around town. They hit it off and begin to hang out regularly. A romance then blossoms after Vonnie and Phil break up. Soon, Vonnie is […]

Hoy queremos recordar la cápsula 41 donde descubrirás ... En esta ocasión Juan nos cuenta de su primer experiencia de ventas.  Hace alguno años Juan estuvo en Techo, organización presente en 19 países de América Latina que busca que millones de personas en asentamientos populares superen la situación de pobreza, a través de la acción conjunta de sus habitantes y jóvenes voluntarios. Al terminar una capacitación, Juan descubrió que era el momento de intentar conseguir fondos, entre su búsqueda de opciones encontró a Café Society y decidió realizar un scrip con las cosas que quería comunicar. Emprendimiento social, innovación, startups y negocios. En este enlace puedes acceder a los beneficios de Doppler:  bit.ly/dopplerdisruptivo

Piccolo spunto su cafe society e The social network

Notes From Her is the podcast that encourages women and others to embrace their inner multicultural melody and will be having an interruption in its normal podcast style to report on the Black Lives Matter movement and revolution. The series is entitled Voices From the Streets of the Black Lives Matter Movement. This is a special episode of the series because it mixes #BlackLivesMatter and Notes From Her’s women MOC theme into one! Meet MOC number 10, jazz legend, virtuoso pianist, and historical trailblazer the late Hazel Dorothy Scott. This is a special blast from the past episode honoring what would have been Scott’s 100th birthday celebration! The soundbites are taken from an interview she did with a Philadelphia WFIL entitled “Say it Loud: Black, Immigrant and Proud.” Hazel Dorothy Scott, was a Trinidad-born Black woman. Scott, referred to as the “Darling of Café Society” was a multi-talented woman. Her success fusing jazz, classical, and boogie music made her a jazz music legend. The virtuoso pianist was also a singer, actress, and radio personality. She was the first Black woman to host her own television show, The Hazel Scott Show. Her album Relaxed Piano Moods is considered one jazz’s most important and famous twentieth century work. She was married to the high profile congressman Adam Clayton Powell II and was a Civil Rights/Social Justice activist before her time who refused to play for segregated audiences, organized a march in Paris to the US Embassy in solidarity with Dr. King’s march in Washington DC, and also demanded she be paid as much as her white counterparts.For more information on Hazel Scott go to hazelscott.comMusic used in this episode is Hazel Scott’s playing “Black and White” on two pianos! Video can be found here https://www.youtube.com/watch?time_continue=249&v=4s7nqIYy4iE&feature=emb_logoClick on this link https://xochitlhernandez.home.blog/2020/05/30/beyond-anti-racism-what-we-can-do-to-help-blacklivesmatter-2/ to access my blog post providing a list of resources and action steps to support Black Lives Matter including:-educational resources (books, shows, documentaries, podcasts)-links to donate to orgs & GoFundMe’s (Bail funds, non-profits, grass roots organization, fundraisers for protestor supplies, fundraisers for damaged small business)-links to demonstrations, town hall meetings-links to call representatives, including scripts

Hoping to infuse a little whimsy into their days, Jen and Sarah review Cafe Society in this episode of The Strategic Whimsy Experiment. They discuss the strange narrative structure and unusual casting choices in the film. Comparing this to some of his other work, they wonder what Woody Allen was trying to communicate through this plot. What did you think of Cafe Society? Did all of the pieces come together or leave you wanting more? Follow us on Instagram @strategicwhimsyexperiment. Contact us with any questions or comments at strategicwhimsyexperiment@gmail.com.

A Nazi rally in Madison Square Garden. A public concert by opera singer Marian Anderson at Lincoln Memorial on Easter Sunday. The World’s Fair in New York. All three events took place in 1939 and are at the center of crime novelist Frankie Bailey’s next novel.The historical thriller, “A Penny Struck by Lightning,” takes the reader into the world of jazz in New York City at the height of the Great Depression and on the cusp of World War II. The protagonist, a Pullman porter, is an undercover FBI agent whose investigation leads him into the city’s speakeasies and nightclubs (where he eventually bumps into Billie Holiday at the Café Society).Bailey is the author of the Lizzie Stuart mystery series as well as of several police procedural novels that feature detective Hannah McCabe. She is also a professor of criminal justice at the University at Albany, SUNY.Learn more about Bailey’s work.Music: "The Best Thing for You," by Colleen Pratt with the Empire Jazz Orchestra.Photo credit: "Portrait of Billie Holiday and Mister, Downbeat, New York, N.Y., ca. June 1946," by William P. Gottlieb. Source: The Library of CongressThank you for listening to Six Count. This show, hosted and produced by Xara Wilde, seeks to promote and preserve the jazz and swing scene in the Capital Region of New York.Six Count is a listener-supported, independent project. Contribute to the series.Have a comment, question or suggestion for who to feature next? Contact Six Count by email at sixcountpodcast@gmail.com or you can find the show on Twitter @SixCountPodcast.  

En esta ocasión Juan nos cuenta de su primer experiencia de ventas.  Hace alguno años Juan estuvo en Techo, organización presente en 19 países de América Latina que busca que millones de personas en asentamientos populares superen la situación de pobreza, a través de la acción conjunta de sus habitantes y jóvenes voluntarios. Al terminar una capacitación, Juan descubrió que era el momento de intentar conseguir fondos, entre su búsqueda de opciones encontró a Café Society y decidió realizar un scrip con las cosas que quería comunicar. Emprendimiento social, innovación, startups y negocios. En este enlace puedes acceder a los beneficios de Doppler:  bit.ly/dopplerdisruptivo

Site: https://cafesocietypodcast.blogspot.com/ Facebook: https://www.facebook.com/ocafesociety/ Twitter: https://twitter.com/ocafesociety YouTube: https://www.youtube.com/channel/UCI-Vscd0MIECXEaPwYWzL3A E-mail: ocafesociety@gmail.com

Site: https://cafesocietypodcast.blogspot.com/ Facebook: https://www.facebook.com/ocafesociety/ Twitter: https://twitter.com/ocafesociety YouTube: https://www.youtube.com/channel/UCI-Vscd0MIECXEaPwYWzL3A E-mail: ocafesociety@gmail.com

Finn & Thomas review Perfect Strangers, Café Society, Indignation, & The Navigator

Kveldens foredragsholder har i en årrekke forsket på ulike former for fellesskap og hvordan hverdagslig teknologibruk bidrar til å endre disse formene. Hans perspektiv på fellesskap inkluderer interaksjon, kommunikasjon og identifikasjon, og han stiller spørsmål om hvordan slike aspekter er i endring i dagens samfunn. Han vil også lansere forslag til hvordan vi alle kan ta vare på og videreutvikle både analoge og digitale fellesskap. Aksel Tjora er professor i sosiologi ved NTNU. Hans forskning er rettet mot randsonene mellom kunnskap og ansvar, mellom privat og offentlig, mellom syk og frisk, mellom fellesskap og ensomhet, mellom kreativitet og teknologi. Han er eier og stifter av «Sosiologisk poliklinikk», som driver praktisk og utadrettet arbeid. Ett av hans interesseområder er musikk; han er selv perkusjonist og spiller i flere band, med flere plateutgivelser. Fra forfatterskapet kan nevnes Festival! Mellom rølp, kultur og næring (2013), Café Society (2013, med Graham Scambler), Hva er felleskap (2018) og Bysamfunn (2019, med Ida Marie Arrangementet er et innslag i serien «Hva er da et menneske?» Det inngår også i programmet til Hannah Ryggen Triennale 2019: Nytt land, som arrangeres av Nordenfjeldske Kunstindustrimuseum og Ørland/Bjugn Kunstforening. Sted: Kulturtorget, Trondheim folkebibliotek

Shae D'lyn is a multi-talented actor, producer, writer and director. Since making her small screen debut with a guest role on Quantum Leap, she has gone on to have a varied career on stage and screen – both in front of and behind the camera. Shae was a cast regular on the hit network comedy “Dharma and Greg.” Her other television work includes guest spots on “Law & Order,” “Ellen,” “Boardwalk Empire” and the Netflix drama “Orange is the New Black.” She also appeared on the big screen in the cult hit film “Vegas Vacation,” Woody Allen's “Café Society” and most recently in the Academy Award nominated “Can You Ever Forgive Me” with Melissa McCarthy. Shae also directs and produces theater, film, and television productions. She is founder of the production company Shot in the Dark Films and the Independent Artists' Cooperative in Los Angeles, New York, Vancouver, and Toronto, which has more than 600 members But Leapers will know Shae best from her role as Lady Alexandra Corrington in the Quantum Leap episode “Blood Moon.” Quantum Leap Podcast Creator and Executive Producer Albie Burdge recently sat down with Shae to discuss her time on Quantum Leap, and what it was like to be on set with Scott and Dean for her very first television acting role. Please enjoy our interview with Shae D'lyn. Tell us what you think: Leave us a voicemail by calling (707)847-6682. Send feedback and MP3s to quantumleappodcast@gmail.com. Join us on Facebook.com/QuantumLeapPodcast and Twitter.com/QuantumLeapPod. Support the show on Patreon at www.patreon.com/QuantumLeapPodcast

At the club Café Society in 1939, Billie Holiday would regularly send a hushed chill through the crowd with her celebrated rendition of a controversial song about lynching. In honor of the recent opening of the Legacy Museum in Alabama, highlighting slavery and lynching: this archival Fishko Files - with Lena Horne and others on the historic song "Strange Fruit." (Produced in 2000) Billie Holiday - Strange Fruit (1939)   Fishko Files with Sara Fishko Assistant Producer: Olivia BrileyMix Engineer: Wayne ShulmisterEditor: Karen Frillmann

País Estados Unidos Director Woody Allen Guion Woody Allen Música Varios Fotografía Vittorio Storaro Reparto Jesse Eisenberg, Kristen Stewart, Steve Carell, Blake Lively, Parker Posey, Corey Stoll, Jeannie Berlin, Ken Stott, Anna Camp, Gregg Binkley, Paul Schneider, Sari Lennick, Stephen Kunken, Sheryl Lee Sinopsis Los Ángeles, años 30. En la meca del cine, el joven recién llegado Bobby Dorfman (Jesse Eisenberg), sobrino de un poderoso agente y productor de Hollywood (Steve Carrell), se enamora de Vonnie (Kristen Stewart), la guapa secretaria de su tío Phil.

La présentation de "Café Society" en présence de Antonin Ligne, Océane, Marie Diche, Ambassadeurs du Cinéma.

This week, we’re offering our thoughts, opinions and all that jazz on Damien Chazelle’s La La Land (Spoilers: 31:49 – 46:41). Plus, we’re writing either a love letter or hate mail to Julieta. Other topics to discuss include Passengers, Tenacious D in The Pick of Destiny, Shaun of the Dead, Café Society, The Man in the […]

The Filmspotting: Streaming Video Unit podcast kicks off the new year with Matt and Alison trying to take refuge in the nostalgic vision of the past offered in Café Society — but Woody Allen doesn't make this easy. Then they take a look at some other movies featuring love triangles, all available to be streamed or rented right now. Opening Break: "American Honey" "Sully" "Operation Avalanche" Listener's Choice Review: "Café Society" Queue Shots: Films Featuring Love Triangles Behind the 8-Ball:  3 New Releases 2 Listener Recommendations 1 Random Film From Our Netflix "My Lists" Learn more about your ad choices. Visit megaphone.fm/adchoices

17.11.2016 Episode 21 unseres Podcasts gefüllt mit jeder Menge Infos rund um aktuelle Filme (Jack Reacher: Never Go Back, Café Society), News, Box Office u.v.m. Mit Johannes & Colin Segmente: 00:00 Begrüßung 01:54 News 16:05 Challenge 25:01 Kino der Woche 36:00 Box Office 38:16 Vorschau & Vorhersage 42:33 Bad Movie Synopsis 47:02 Verabschiedung https://facebook.com/PlanetFilmGeek/ https://twitter.com/PlanetFilmGeek https://twitter.com/movieschmidt http://letterboxd.com/movieschmidt Links zu News Stories: "Nosferatu" Remake: http://collider.com/nosferatu-remake-robert-eggers/ Harley Quinn / "Birds of Prey" Film: http://collider.com/birds-of-prey-harley-quinn-movie-screenwriter/#images Robert Redford: http://collider.com/robert-redford-retires/#career "American Werewolf in London" Remake: http://collider.com/an-american-werewolf-in-london-remake-max-landis/#images Music by Kevin MacLeod "Volatile Reaction" "Exhilarate" "Motherlode" www.incompetech.com Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/

Vi går fra den ene yderlighed til den anden i dagens show, lidt ligesom USA gør med deres præsidenter. Vi har kæmpe, fantastisk Hollywood big budget film, og vi har pinlig dansk film. Vi har klassisk, ikonisk horror og hjælpeløst moderne direct-to-video gys. Og så en masse andet crap, der ligger og roder et sted mellem yderlighederne! Denne episode er EXPLICIT. Følgende titler omtales: 0:06:47 Halloween (1978) 0:17:06 Innocent Blood 0:31:29 Wake in Fright Bluray 0:42:52 The Rocker Bluray 0:55:14 Chuck Norris vs. Communism 1:05:38 Over kanten 1:25:23 Café Society 1:35:57 Abattoir film Bluray 1:48:50 Doctor Strange

Sun, 13 Nov 2016 22:12:03 +0000 https://pengcast.podigee.io/147-127-cafe-society-doctor-strange-der-nachtmahr 59fa19456228250199936b44915ead3d Wir sprechen über die neue Komödie von Woody Allen Café Society, den aktuellen Marvel-Schinken Doctor Strange, sowie den deutschen Indiehit Der Nachtmahr. Vom Nachtmahr verlosen wir außerdem eine DVD und eine Blu-Ray! Musik: Poddington Bear - Starling 00:00:00 Intro 00:03:52 Café Society 00:23:36 Doctor Strange 00:40:19 Der Nachtmahr 00:54:30 Abschlussrunde: Shindys Rucksackgate, Car Seat Headrest - Teens of Denial, Before the Flood, Update zu Westworld, Pergamonmuseum Berlin, Taylor-Gitarren Wir freuen uns über Bewertungen auf iTunes! Unterstützt uns gerne auf Patreon! Feedback? Schreibt uns! podcast@doktorpeng.de 147 full no Filme, Film, Filmpodcast, aktuell, aktuelle, Comedy, deutsch, Rezensionen, Reviews, Pengcast, Christian Eichler, Lukas Diestel, Malte Springer, Max von Raison, Off Duty, witzig, lustig, intelligent, Hintergrund Christian Eichler, Lukas Diestel, Malte Springer, Max-Ole von Raison

Llegó la invasión marciana y, antes de que empiecen a bailar ricachá, Penny, Alex y Josué polemizan por Arrival, una de las cintas de ciencia ficción más interesantes de los últimos años (quien la odia, la odia mucho... y a quien le gusta, le encantó): se pone buena la cosa. En contraste, otro estreno no genera polémica... y eso habla de su interés. Además, le entran a la expectativa por Trainspotting 2 y a la 61 Muestra Internacional de Cine de la Cineteca; que trae una notable selección de cine, incluyendo a Woody Allen y una gran historia de amor que competirá fuerte en los Oscares. Hablan de La chica del tren, Arrival, Trainspotting 2, Loving, Café Society, La tempestad, Storybots. See acast.com/privacy for privacy and opt-out information.

Popcorn geschnappt und Film ab: Hier gibt’s die neusten Streifen, Trends und Trailer! Eddy und Schröck streiten über den Sinn und Unsinn von Filmen und talken mit Gästen aus der Filmbranche über coole Projekte und Events. Für alle, die Film leben, atmen, schmecken, schlicht weg lieben und begehren gibts hier die beste Kinosendung Deutschlands! Punkt!

Diese Woche beweisen uns als Virtuosen an der Shamisen und komponieren eine Diskussion zu Laikas neuem Stop-Motion-Film 'Kubo, der tapfere Samurai'. Außerdem werden wir von Woody Allen in die 'Café Society' eingeladen und streiten darüber, ob man nicht doch besser hätte zuhause bleiben sollen. Für Feedback oder Fragen schreibt eine Mail an feedback@longtake.de. Wir freuen uns sehr über jegliches Feedback via Mail, Kommentarfunktion oder Facebook und Twitter (@longtakede) und auch über jegliche andersartige Unterstützung, vielen Dank fürs Zuhören! An den Mikrofonen: Johannes (@joukoda) Lucas B. (@Kinomensch) Lukas M. (@cinedrifter) SHOWNOTES 0:00 - Begrüßung 3:13 - Filmdiskussion: Kubo, der tapfere Samurai 35:44 - Filmdiskussion: Café Society 1:19:10 - Verabschiedung + Filme der nächsten Woche + Social Media (Ausschnitte aus den Filmen unterliegen dem Copyright des entsprechenden Filmverleihs und werden aus rein journalistischer Intention unkommerziell genutzt.)

Destaque esta semana no PBX (parceria Expresso / Radar) a dois octogenários cheios de vitalidade: Leonard Cohen com o novo álbum You Want It Darker e Woody Allen com o seu novo filme, Café Society

On At The Movies, Simon Morris reviews three more films from the Spring Clearout season - Jack Reacher Never Go Back, starring Tom Cruise; Café Society, Woody Allen's new comedy, set in 1930s Hollywood and spy spoof Keeping Up With The Joneses, starring Zach Galifianakis and Jon Hamm.

Café Society, The Neon Demon and Heart of a Dog are discussed. With Thomas Caldwell, Cerise Howard, Alexandra Heller-Nicholas and Emma Westwood.

If you’re fan of that strange nostalgia that comes from witnessing old Hollywood glamour, Café Society might just be for you. Complete with a backdrop of wonderfully detailed fashions, an upbeat jazzy soundtrack and in the company of presumably rich, carefree socialites, Woody Allen’s latest venture is a rabbit hole into that bygone era of Hollywood romanticism. Set in the late 1930s, Café Society details the life of the young and naïve Bobby Dorfman, as he sets foot in Hollywood, eager to make a name for himself. Using the connections of his powerful uncle, he is given a front seat to the glitz and glam of Hollywood life. However, for all it’s glory and lavishness, Bobby finds himself more infatuated with his uncle’s secretary, Veronica, or rather, Vonnie, as she’s called. From here, a messy and bittersweet romance unfolds itself and brings Bobby back to New York, where he runs a high society night club with the support of his colourful and eccentric family. The film is delivered with a light-hearted playfulness and charming sense of humour. And through this whimsical setting, Café Society departs a rather sympathetic view towards the fickle and impulsive nature of love and its effect on relationships. Whether or not you agree with the character’s choices throughout the film, it’s clear that Allen isn’t afraid to have them dwell on their feelings and in many cases explain their positions in the form of conversation and argument. There are numerous scenes throughout this film where characters unabashedly proclaim their different ideals and philosophies on life, on relationships and whatever else. It’s here that Allen really shines, able to create incredibly natural dialogue full of conflict and energy, yet never loses its sense of wit. In this sense, the constant shifting from party, to restaurant, to dinner table really sells the heart of this film: A Café Society obsessed with itself, full of moral ambiguity, mindless gossip – all drenched in a layer of pretention. And what’s not to love? It’s difficult to resist the allure of it all, especially with the detail they have put into the setting. Here, many of the background characters spring to life. Just through little snippets of dialogue and interaction with the main cast, Allen manages to carefully construct many vibrant set pieces that suck you in. In terms of the performances, Jesse Eisenberg plays, well, Jesse Eisenberg. His stuttery and seemingly perpetually-nervous performance of Bobby is to be expected at this point, and save for a few scenes, it’s acceptable for the most part. Surprisingly, Kristen Stewart sets the bar as the mysterious and ever down-to-earth Vonnie. Though I never thought I’d say this, the muted and generally stoic demeanour that has copped her criticism in the past actually comes off quite refreshing in a sea of endlessly flamboyant characters with rapid-fire speech patterns. In concluding this review, I’d like to make a somewhat embarrassing and shameful confession: I have not seen a Woody Allen film. There, I said it. Now, whether this discredits my authority on the quality of this film or perhaps, leaves me unclouded to whatever preconceptions his previous works may given me, that is up for you to decide. But I will say for sure, from what I’ve seen so far, I’d like to see more. Café Society opens to cinemas everywhere on the 20th of October. Written by Victor Cai

If you’re fan of that strange nostalgia that comes from witnessing old Hollywood glamour, Café Society might just be for you. Complete with a backdrop of wonderfully detailed fashions, an upbeat jazzy soundtrack and in the company of presumably rich, carefree socialites, Woody Allen’s latest venture is a rabbit hole into that bygone era of Hollywood romanticism. Set in the late 1930s, Café Society details the life of the young and naïve Bobby Dorfman, as he sets foot in Hollywood, eager to make a name for himself. Using the connections of his powerful uncle, he is given a front seat to the glitz and glam of Hollywood life. However, for all it’s glory and lavishness, Bobby finds himself more infatuated with his uncle’s secretary, Veronica, or rather, Vonnie, as she’s called. From here, a messy and bittersweet romance unfolds itself and brings Bobby back to New York, where he runs a high society night club with the support of his colourful and eccentric family. The film is delivered with a light-hearted playfulness and charming sense of humour. And through this whimsical setting, Café Society departs a rather sympathetic view towards the fickle and impulsive nature of love and its effect on relationships. Whether or not you agree with the character’s choices throughout the film, it’s clear that Allen isn’t afraid to have them dwell on their feelings and in many cases explain their positions in the form of conversation and argument. There are numerous scenes throughout this film where characters unabashedly proclaim their different ideals and philosophies on life, on relationships and whatever else. It’s here that Allen really shines, able to create incredibly natural dialogue full of conflict and energy, yet never loses its sense of wit. In this sense, the constant shifting from party, to restaurant, to dinner table really sells the heart of this film: A Café Society obsessed with itself, full of moral ambiguity, mindless gossip – all drenched in a layer of pretention. And what’s not to love? It’s difficult to resist the allure of it all, especially with the detail they have put into the setting. Here, many of the background characters spring to life. Just through little snippets of dialogue and interaction with the main cast, Allen manages to carefully construct many vibrant set pieces that suck you in. In terms of the performances, Jesse Eisenberg plays, well, Jesse Eisenberg. His stuttery and seemingly perpetually-nervous performance of Bobby is to be expected at this point, and save for a few scenes, it’s acceptable for the most part. Surprisingly, Kristen Stewart sets the bar as the mysterious and ever down-to-earth Vonnie. Though I never thought I’d say this, the muted and generally stoic demeanour that has copped her criticism in the past actually comes off quite refreshing in a sea of endlessly flamboyant characters with rapid-fire speech patterns. In concluding this review, I’d like to make a somewhat embarrassing and shameful confession: I have not seen a Woody Allen film. There, I said it. Now, whether this discredits my authority on the quality of this film or perhaps, leaves me unclouded to whatever preconceptions his previous works may given me, that is up for you to decide. But I will say for sure, from what I’ve seen so far, I’d like to see more. Café Society opens to cinemas everywhere on the 20th of October.Written by Victor CaiSee omnystudio.com/listener for privacy information.

Our discussion of these two Woody Allen films touches on Allen’s films touring around the world, female characters used as a trope to motivate the male characters, the laws of relationships in Allen’s films, bad use of voiceover, quantity producing quality, Allen’s storytelling style, the beautiful photography in both films, the complication of reading a film in a disconnected way from the director’s private life, our commitment as teachers to young people and how that impacts on our reading of the films, the different expectations of relationships from the 1970s to now, whether or not Allen’s characters are designed to be likeable, the manic-pixie-dream-girl trope, and the endings of both films. William Chen, Jeremy Downing, Max Tarrant and Sarah Watt discuss the films Café Society (2016) and Manhattan (1979).

Woody Allenin tuorein uutuus saapui teattereihin viime perjantaina. Sen kautta podcastaajat päätyvät keskustelemaan myös auteur-ohjaajan vaikuttavasta ja tuotteliaasta urasta sekä hänen maneereistaan. Keskustelijoina Joonas Alanne, Jouni Vikman ja Jussi Huhtala.

Tim Burton viser seg igjen som en visuell eventyrforteller i premiereklare «Miss Peregrine's Home for Peculiar Children». Jeg anmelder filmen, Burton skal fortelle hvorfor han falt for boka den er basert på, og skuespillerne Eva Green, Asa Butterfield og Ella Purnell skal fortelle hvorfor de elsket å jobbe med den legendariske regissøren. Ellers anmeldes den norske dokumentaren «Med hjertet i dansen», den amerikanske dokumentaren «Weiner», den franske filmen «Marguerite» og Woody Allens siste verk, «Café Society», samt Sarah Jessica Parker-serien «Divorce» som starter på HBO Nordic på mandag.

A 80 anni Woody Allen fa un film che si salva grazie a un colpo di coda, secondo Aldo Fresia. Sarebbe un bel colpo di coda.

Hjørnet er tilbage efter en laaaaaaaang sommerpause, der egentlig blev en snas længere end planlagt. Til gengæld har vi fået ladet batterierne godt op og er klar til endnu en sæson med ugentlige podcastudgivelser. Således skyder vi sagerne i gang med en spækket Cinemajour, hvor Casper, Jesper og Niels anmelder flere af tidens aktuelle film: Snowden, Kubo, Café Society, Suburra, Klassefesten 3, Miss Peregrine's Home For Peculiar Children, Swinger og The Magnificent Seven. Der er altså tre sværvægtere i spil denne gang, med film fra henholdvis Woody Allen, Oliver Stone og Tim Burton. Derudover vender den originale Mr. Filmnews tilbage i form af Brian 'Brie' Iskov, der har samlet en god stak nyheder, der ved et tilfælde alle handler om kvinder. Og så ser Niels lidt nærmere på, hvad der er sket i Filmnørdens Hjørnes Forum på Facebook, hvilket leder til en diskussion om Tim Burton. Alt i alt en ret juicy Cinemajour-episode, så rigtig god fornøjelse og vi høres ved allerede om en uge. Med venlig hilsen, Casper, Jesper, Niels og Mr. Filmnews

A 80 anni Woody Allen fa un film che si salva grazie a un colpo di coda, secondo Aldo Fresia. Sarebbe un bel colpo di coda.

Arranca la decimoctava temporada del programa con un repaso a la semana cinematográfica. Comentamos las novedades con especial atención a SING STREET, LA RECONQUISTA, MISS PEREGRINE y ELLE. Además tenemos las habituales pis-tas, taquillas y un repaso a algunas otras películas del verano como Café Society, Kubo y las dos cuerdas mágicas o El hombre de las mil caras.

I denne ukens sending av Nova Noir anmelder vi bl.a. Don't Breathe, The Girl With All The Gifts, Storkene (3D)og Café Society, samt diskuterer kredibiliteten til Woody Allen.

I denne ukens sending av Nova Noir anmelder vi bl.a. Don't Breathe, The Girl With All The Gifts, Storkene (3D)og Café Society, samt diskuterer kredibiliteten til Woody Allen.

Karen, Phuong og Marie tar for seg Bergen Internasjonale Filmfestival (BIFF), Woody Allen-filmen Café Society og filmen Swiss Army Man. Taume har intervjuet filmskaperne bak Arctic Superstar I studio: Karen Torp Maaseide, Phuong Pham og Marie Lie Jensen

All the awesome people are dying, the economy has tanked, hate crime is on the rise and Bake Off is leaving the Beeb.....but Film Chat is....very late BUT still here. We try and divert you from this cluster fuck of a year by discussing whether Will Smith's latest film will be his most powerful yet, whether Woody Allen's new film is his laziest yet and whether Johnny Depp is capable of playing man who isn't drunk or weird. See acast.com/privacy for privacy and opt-out information.

EL SEPTIMO PODCAST S02 E18 – Infiltrados en Blair Esta semana vino muy cinéfila; vimos dos estrenos, la nueva Blair Witch y The Infiltrator. Además, Café Society, The Neon Demon, Popstar y las nuevas Star Trek. A escuchar amigos! Con Tomás Miccino y Tomás Fenili.

Wir haben uns für diese Folge einen ganz besonderen Gast in die Gesprächsrunde eingeladen: Der einzigartige Philipp Jordan hat uns einen Besuch abgestattet und redet über Filme wie Café Society, War Dogs oder Sully, die in Deutschland noch gar nicht gestartet sind. Außerdem geht es um ein Paar Filme vom Fantasy Filmfest (Train to Busan / Under the Shadow) und weitere brandheiße Themen. Wir freuen uns über jegliches Feedback, das ihr uns zukommen lasst, schreibt uns doch zum Beispiel eine Mail an kontakt@filmtastisch.com oder schaut mal auf Facebook (@FilmtastischPodcast) oder Twitter (@filmtastischde) vorbei. Unseren Gast Philipp Jordan könnt ihr in vielen weiteren Podcasts hören: Celluleute (http://celluleute.de), Happy Day (http://happydaypodcast.de), Fat Boys Run (http://fatboysrun.de), Themenwechsel (@Themenwechsel), Läuft bei mir (http://www.podcast.de/podcast/614116). Außerdem möchten wir sehr gerne darauf hinweisen, dass er demnächst mit seinem Happy Day-Podcast auch auf Tournee durch Deutschland ist: http://www.eventbrite.de/o/happy-day-podcast-11308859736 Hinter den Mikrofonen sind heute: Maxim (@MrMaximmator) Niklas Gast: Philipp Jordan (@teddiesinspace) Shownotes: 0:00:00 Vorgespräch: Jackie Chan bekommt Oscar, Gene Wilder ist tot (Das Video, über das Philipp spricht findet ihr hier: https//www.youtube.com/watch?v=Z1PCtIaM_GQ) 0:26:10 Toll oder Boll (mit War Dogs, Sully, Beyond the Gates) | 0:47:10 Captain Fantastic 0:58:40 Demolition 1:06:45 Train to Busan 1:15:02 Café Society 1:26:45 La isla Minima - Mörderland 1:34:10 Under the Shadow

It's our final ever episode! To celebrate we'll be raise a cup to Woody Allen's Café Society, munch on the illicit goodies of Seth Rogen's rude, brave adult animation Sausage Party, before wilting into the inevitable with Mia Hansen-Løve's late-life crisis drama Things to Come. Thanks very much to everyone who watched and listened over the years. The full archive of the Guardian film show, the Dailies and Film Weekly will remain available online Follow us on Twitter ( GuardianFilm, Henry, Ben, Catherine, Andrew, Peter and producer Rowan) and check out our Facebook page. Comment on the show below. Further reading: Café Society review Sausage Party review Things to Come review

The guys stretch out for a look at Sausage Party, sci-fi thriller Morgan, Woody Allen romp Café Society, supernatural mystery The 9th Life Of Louis Drax, and Britcom ChickLit. See acast.com/privacy for privacy and opt-out information.

Patrik och Viktor har varit i Malmö under årets traditionsenliga Malmö filmdagar och kollat in en drös filmer som har biopremiär under hösten. Allt från animerade uppföljaren FINDING DORY och Woody Allens nostalgiska CAFÉ SOCIETY till Philip Roth-adaptionen INDIGNATION och det italienska gangsterdramat SUBURRA diskuteras. Medverkande: Patrik Linderholm och Viktor Jerner Kontakt: filmmixern@gmail.com

44º Festival de Cinema de Gramado: saiba quais são os destaques da programação, os filmes em competição e os homenageados de um dos mais tradicionais eventos cinematográficos do país. Você também confere a Resenha do novo filme de Woody Allen, “Café Society”. No quadro Mulheres no Cinema, Adilson Marcelino destaca a carreira da cineasta Petra Costa, diretora de “Elena” e “Olmo e a Gaivota”. E no quadro Perfil, você descobre um pouco mais sobre a carreira da atriz Kate Beckinsale, em cartaz nos cinemas com o romance de época “Amor & Amizade”. Você conhece ainda o projeto Cinema no Rio e fica por dentro das principais estreias da semana e das notícias que têm movimentado os bastidores do universo cinematográfico. Tudo no embalo do melhor das trilhas sonoras do cinema brasileiro. O post CINEFONIA – Edição #73 apareceu primeiro em cinematório.

Começamos a semana com toda a polêmica envolvendo o filme Aquarius (3:52). Damos uma prévia do filme, com os varandeiros que já o viram. A confusão na comissão que escolherá o indicado a Filme Estrangeiro pelo Brasil, os protestos da censura 18 anos, e o engajamento politico de KMF causando mais publicidade a seu filme que terá estreia esta semana. Mas o grande assunto é Woody Allen (48:30), partimos de seu novo filme Café Society (26:58), sem esquecer de uma geral na carreira e o top 5 do diretor. E na nova sessão Vapt Vupt, cada um dos varandeiros tem 1 minuto para falar de dois filmes: Águas Rasas (1:28:45) de Jaume Collet-Serra e a animação Pets - A Vida Secreta dos Bichos (1:23:18). Bom Podcast!

Programa nº 24 de El podcast de Cinoscar & Rarities. Repasamos en 75 minutos la biografía, la carrera, los films, los premios y las bandas sonoras del cineasta WOODY ALLEN. Incluye crítica sin spoilers de "CAFÉ SOCIETY", su último estreno. Guía del programa: Presentación - Allen: Biografía - Allen y Nueva York - Allen: Filmografía - Allen y España - Crítica de CAFÉ SOCIETY - Despedida y canción: "My Baby Just Cares for Me", del film TODOS DICEN I LOVE YOU Podcast de @CinoscaRarities y @CineAmateur para Cinoscar & Rarities. Blog: http://cachecine.blogspot.com.es/ Correo: cinoscararities@gmail.com Itunes: https://itunes.apple.com/ec/podcast/podcast-cinoscar-rarities/id1085302751?mt=2

L'été 2016 est en marche, et avant de s'attarder plus en détails sur quelques blockbusters, 24FPS passe d'abord en revue la majorité des films vus depuis le mois de juin dans un épisode comprenant 17 films évoqués sans spoilers.Voici la liste des films évoqués dans l'émission : Café Society de Woody Allen (à partir de 00h03m05) Un Traitre Idéal de Susanna White (à partir de 00h08m15) Alice - De L'Autre Côté Du Miroir de James Bobin (à partir de 00h11m04) High-Rise de Ben Wheatley (à partir de 00h22m05) Agents Presque Secrets de Rawson Marshall Thurber (à partir de 00h31m40) Le Monde De Dory de Andrew Stanton (à partir de 00h35m07) The Witch de Robert Eggers (à partir de 01h02m34) L'Économie Du Couple de Joachim Lafosse (à partir de 01h18m23) American Hero de Nick Love (à partir de 01h23m07) L'Outsider de Christophe Barratier (à partir de 01h33m35) Tarzan de David Yates (à partir de 01h38m37) American Nightmare 3 : Elections de James DeMonaco (à partir de 02h06m45) The Man Who Knew Infinity de Matt Brown (à partir de 02h15m27) Elvis & Nixon de Liza Johnson (à partir de 02h20m05) Ninja Turtles 2 de Dave Green (à partir de 02h37m45) Insaisissables 2 de John M. Chu (à partir de 02h43m37) Independence Day : Resurgence de Roland Emmerich (à partir de 02h55m16)Bonne écoute, et n'hésitez pas à partager vos avis sur les films évoqués !Crédits musicaux : ID4 Reprise de David Arnold, issu de l'album Independence Day: Resurgence - Original Motion Picture Soundtrack de Thomas Wanker et Harald Kloser (2016, mais il s'agit en fait du thème principal issu de la bande-originale du premier film sorti en 1996), et Suzie Q de Creedence Clearwater Revival, issu de l'album Creedence Clearwater Revival (1968)

Another chance to discuss life and the choices we make through the medium of film... Ideals and dreams of jobs, career, marriage, money, and love are the stars of this film offering the audience multi-layers and many meanings from director, Woody Allen. Join me to hear my thoughts about this latest New York to Hollywood and return to New York romp shining a light on all that glitters and exposing that is truly, not gold!

Is Woody Allen’s latest movie among his best? The story involves a young New Yorker (Jesse Eisenberg) who goes to Hollywood in the 1930s to work with his uncle (Steve […] The post TAKE TWO: “Café Society” appeared first on KKFI.

This week on the InSession Film Podcast: Extra Film segment, we discuss Woody Allen's latest in Café Society as well as the new indie film from Netflix, Tallulah, starring Ellen Page.   - Café Society review (7:12)   - Tallulah review (34:59)   Thanks for listening and be sure to subscribe on iTunes, Jabbercast, Stitcher, Soundcloud or TuneIn Radio!   iTunes: https://itunes.apple.com/us/podcast/insession-film-podcast/id605634337   Jabbercast: https://insessionfilm.jabbercast.com   Stitcher: http://www.stitcher.com/podcast/insession-film   Soundcloud: https://soundcloud.com/insession-film   TuneIn Radio: http://tunein.com/radio/The-InSession-Film-Podcast-p522717/   Listen Now: http://insessionfilm.com/insession-film-podcasts-listen-now/

Hollister and O’Toole discuss Woody Allen's 46th film, Café Society, which opened this year's Cannes Film Festival (but was not in competition - as Woody Allen puts it, competition is fine when it comes to sports, but he doesn't believe in it when it comes to the arts). Starring Jesse Eisenberg (The End of the Tour), Kristen Stewart (Still Alice), Blake Lively (The Shallows), Steve Carell, Corey Stoll (House of Cards), and Parker Posey.

A discussion of Suicide Squad naturally leads to Woody Allen and his Café Society in this week's Little Gold Men.

A discussion of Suicide Squad naturally leads to Woody Allen and his Café Society in this week’s Little Gold Men. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sean Burns joins Evan and Dave to discuss why Wesley Snipes movies have the best one-liners in their trailers. Since Sean hasn’t seen the week’s big movie JASON BOURNE (at 3:12), he plays a fun game where he tries to guess its plot while Evan and Dave tell him what he got right. Following some jokes about THE BOURNE LEGACY (or THE BOURNE LAZENBY as Sean calls it), some questions about why we got another Bourne movie, and a tangent on Michael Douglas, Sean covers Woody Allen’s CAFÉ SOCIETY (at 34:10). Listeners know that Dave normally hates Woody Allen, however Sean manages to spoilerpiece him into tolerating the movie by sharing how much Allen gives a shit visually in this 1930s outing. After Sean explores its message that “It ain’t like it used to be, and it never was,” he reviews Sian Heder’s TALLULAH (at 48:52), a strong first effort starring Ellen Page and Allison Janney. From there, they all descend into tangents about the Coolidge’s upcoming horror movie marathon and differing opinions on various De Palma films (mainly Sean and Dave’s).   

Nathan and Scotty discuss Café Society, written and directed by Woody Allen. Say what you will about Woody Allen, but the man is a full-on auteur. Ostensibly, he has released a film every year for forty years. Café Society, set during the Golden Age of Hollywood, is everything you want from a good Woody Allen film. It's funny, romantic, and doesn't overstay it's welcome. In all actuality, we could have stayed in this universe for another hour. Check it out at your local cinema and tell 'em who sent ya. Plus, on tonight's episode @Andydrogynous reviews Star Trek Beyond. This episode is sponsored by Philz Coffee. 

In which we celebrate the appropriately messy return of Edina and Patsy in ABSOLUTELY FABULOUS: THE MOVIE, disagree over where CAFÉ SOCIETY fits into Woody Allen's filmography, tremble fearfully at LIGHTS OUT's expert combination of horror and heart, and are nearly as frightened by the maddening picture of the music industry in BREAKING A MONSTER.

With Outfest behind them, Dave and Alonso can dig back into the new movies, including a Kristen Stewart vehicle so forgettable that it sets off perhaps a record number of tangents and digressions. Subscribe (and review us) on iTunes, follow us @linoleumcast on Facebook, Twitter and Instagram, it gets better, that's for sure. Join our club, won't you? Dave's DVD pick of the week: CLOSE-UP Alonso's DVD pick of the week: HEAVEN'S GATE

Ghostbusters Following a ghost invasion of Manhattan, paranormal enthusiasts Erin Gilbert and Abby Yates, nuclear engineer Jillian Holtzmann, and subway worker Patty Tolan band together to stop the otherworldly threat. Café Society Set in the 1930s, a young Bronx native moves to Hollywood where he falls in love with the secretary of his powerful uncle, an agent to the stars. After returning to New York he is swept up in the vibrant world of high society nightclub life. For full reviews go to: themovieminute.com

De laatste aflevering voor onze zomerbreak. Maarten bekent dat hij geen kloten aan zijn lijf heeft, Sven is boos omwille van een JarJar Binks grap en Bart heeft nieuws over Taylor Swift. We bespreken ook 3 films van 2016 en geven onze favoriete zomerfilms mee.

[MINISODE] Spotted, Andy and Aaron argue over Woody Allen's "Café Society" as the #SummerofSerena continues. Following "The Shallows," the dreaming duo bicker over Blake Lively's range, her career, what's next for the star and Jewish delis. The duo tackle the big questions: Blake Lively or Kristen Stewart? LA or Hollywood? Can people change, can they be "fixed"? Will Aaron ever be ready for love again? Expect this and more as the #LivelySummer continues. XOXO.

La table ronde cinéphile du Passeur Critique est à nouveau ouverte. Olivier Grinnaert, Manuel Haas et Lucien Halflants s’y entretiennent avec passion des grands films du printemps: Elle de Paul Verhoeven, Café Society de Woody Allen, Julieta de Pedra Almodovar et The Nice Guys de Shane Black. Et quand la collation tourne à l’orgie, c’est l’inénarrable Docteur Rezzo qui ajoute son grain de sel, détaillant ses lectures gloutonnes des fanzines Videotopsie et Medusa.

Three time Oscar Winning Cinematographer Vittorio Storaro (APOCALYPSE NOW, THE LAST EMPEROR, REDS) sits in the green room of the Paramount Theater about to speak before the first US screening of Woody Allen's new film, Café Society. Storaro not only brought his genius to the film as Cinematographer, he accomplished something no one else had done thus far -- got Woody Allen to go digital. Café Society was both Allen and Storaro's first full-length feature film shot on digital. Storaro, who in 1983 had tested early HD camera technology from Sony Professional, saw their vision for the future and believed they were creatively aligned. After much conversation Storaro and Allen decided the Sony F65 CineAlta 4K camera was the way to go. We were privileged to sit down with Storaro before the first US screening of Café Society at the Paramount Theater as part of the Cine Gear Expo. Storaro who has been known for his genius for manipulating light and shadow, details his passion for the great painters, architects, sculptors and photographers throughout the ages who have influenced his craft and warns of the dangers of not striking the "balance between Technology and Art". He refers to his method as "writing with light", an art that is quickly becoming endangered. His breadth of knowledge of both art and technology is astounding yet he insists "How wonderful it was to be a student. I was doing what I love without any pressure. Catch that moment and take it with you in your pocket. Never stop learning." Café Society opens in the US on July 15, 2016. Stay tuned for our full review. For more information about Sony Professional and the F65 visit http://pro.sony.com/

Arezki et Arnaud discutent du dernier film de Woody Allen : Café Society.Un film drôle et sympathique, comme nous.SPOILER ALERT : Niveau 4Note : 3

Cannes giorno1: Cafè Society di W. Allen e L'ultima spiaggia

LOTL The Comfort Zone  Welcomes , Soulful Jazz Vocalist CHARENEE WADE. Releases Her Interpretation of The Revolutionary Music of Gil Scott-Heron  & Brian Jackson ..Offering: The Music of Gil Scott-Heron and Brian Jackson . Charenee Wade is not one to hold back or let fear stand in her way. The first artist ever to enter two Thelonious Monk Vocal competitions, she walked away from the second one in 2010 with instant buzz and second place to her new friend Cecilé McLorin Salvant. Now is the time for Wade's star to rise. Known for expert vocal improvisational ability and her seriously swinging groove, Wade evokes a classic jazz sound akin to Betty Carter and Sarah Vaughan, two of her musical touchstones. With her Motéma debut, Offering: The Music of Gil Scott-Heron and Brian Jackson (June 23), she pays tribute to another inspiration, the socially conscious poet and musician Gil Scott-Heron, and confirms that she too plans to use her artist platform thoughtfully. The first full-length album tribute to Scott-Heron and his musical collaborator Brian Jackson by a woman artist, Offering is arresting in just how timely Scott-Heron's messages are today and how perfectly Wade delivers them through her savvy arrangements and intimate jazz interpretations. While she has earned many accolades – first runner-up in New York's Jazzmobile Vocal competition; a participant in Betty Carter's Jazz Ahead program; a feature on NPR's Song Travels; a starring role in the off-Broadway show Café Society and in Jazz at Lincoln Center's Salute to Betty Carter – she may surprise people with this authentic tour de force. Wade embodies Scott-Heron's poems deeply and with a pathos that belies her age.  

Banter's ongoing 'Living for the City' series on living, working and playing in the capital continues to produce some great discussions, including this look at the growth in the city’s new-school cafés. We gathered together a panel of café fanatics - namely Maisha Lenehan from Bibis, Barry Stephens from 147, Aisling Rogerson from The Fumbally and Ketty Elisabeth from the French Foodie In Dublin blog - to talk about where this growth has come from, what’s behind it and what’s next as taste buds get more adventurous.