Podcasts about proust

Recipe Club heads to Paris to revisit ‘Ratatouille.' Justin shares insights from his Disney days. Eugene ranks rats. Chris finds an excellent recipe for Proust-inspired madeleines. We all question YouTubers who try re-creating the movie's signature dish.With Vrbo, what you book is what you get.Host: Chris YingProducers: Noelle Cornelio, Jesse Aron, Magdalena MunaoProducer/Editor: Michael RovzarProduction Support: Donald LoBianco, Michael Delgado, Nikola Stanjevich, Micki Milosevic Learn more about your ad choices. Visit podcastchoices.com/adchoices

La comida forma parte de nuestras vidas de una manera tan cotidiana que a veces olvidamos todo lo que puede contar sobre nosotros. En la literatura, pocas veces aparece solamente como alimento: muchas veces es memoria, identidad, deseo, nostalgia y hasta una forma de decir aquello que las palabras no alcanzan a expresar.En esta nueva edición de “La Sobremesa”, la conversación gira alrededor de esos libros donde los sabores, los aromas y los rituales de la mesa tienen un papel fundamental. Para compartir este recorrido llegan Vero y Virginia, integrantes de “Desenfrenadas por la lectura”, el club de lectura que reúne a lectoras apasionadas y que propone encuentros alrededor de distintas obras literarias.Ambas invitadas son grandes amigas y compañeras de lecturas, una complicidad que promete enriquecer la charla, aunque con una advertencia: habrá que estar atentos para que esa conexión no deje afuera a la audiencia. La recomendación es clara: tener a mano un cuaderno o el bloc de notas del celular, porque las sugerencias de libros serán muchas.Las “Desenfrenadas por la lectura” comparten en sus redes la dinámica de su club, los títulos elegidos y las próximas propuestas para sus socias.Uno de los grandes ejemplos de la relación entre comida y literatura aparece en Marcel Proust y su célebre magdalena en En busca del tiempo perdido. En la primera parte de la obra, Por el camino de Swann, el protagonista moja una magdalena en una taza de té y ese sabor desencadena una serie de recuerdos de su infancia en Combray.De allí surge la conocida expresión “la magdalena de Proust”, utilizada para describir esos momentos en los que un aroma o un sabor nos transportan inmediatamente a otro tiempo de nuestra vida.La literatura latinoamericana también encontró en la cocina una forma de narrar emociones. En Como agua para chocolate, de Laura Esquivel, la protagonista Tita convierte sus sentimientos en parte de sus platos. La comida se transforma en un lenguaje capaz de transmitir amor, tristeza y aquello que no puede decirse abiertamente.En la literatura del Río de la Plata, la comida aparece muchas veces como una expresión de identidad y encuentro.En el Martín Fierro, de José Hernández, el asado representa mucho más que una comida: es un espacio de sociabilidad gaucha, una marca de pertenencia y una expresión de libertad. El asado con cuero y las dificultades que atraviesa el gaucho también muestran las desigualdades y condiciones de vida de la época.En Rayuela, Julio Cortázar construye una relación permanente entre París y el recuerdo del Río de la Plata. Los cafés parisinos donde se encuentran Horacio Oliveira y la Maga conviven con la nostalgia por sabores conocidos, como el café o un buen bife, que aparecen casi como una presencia más dentro de la novela.También Mario Benedetti retrató la relación entre comida y vida cotidiana montevideana. En La Tregua, el café tomado rápidamente en el centro, los almuerzos de oficina y los pequeños rituales diarios reflejan una ciudad y una forma de vivir. Pero también aparece el asado familiar como un momento de conexión, donde los personajes pueden abandonar por un rato sus rutinas.La literatura uruguaya contemporánea también encuentra en la comida una forma de retratar estados de ánimo y personajes. En la obra de Mercedes Estramil, por ejemplo, aparecen la comida, la falta de apetito, el ayuno o los cafés montevideanos como elementos que ayudan a construir mundos interiores con una mirada crítica y ácida.Además, la cocina forma parte de nuestro patrimonio cultural. Desde antiguos recetarios hasta textos de autores como Hugo García Robles, la gastronomía uruguaya aparece ligada a la memoria colectiva: las tortas fritas, el mate amargo y las comidas familiares también forman parte de nuestra forma de contarnos.Cuando un sabor abre la puerta de la memoriaAsados, cafés y rituales rioplatensesLa cocina uruguaya como parte de nuestra identidad

Dr Tim Themi is a PhD in Philosophy & Psychoanalysis from Deakin University. He also holds Honours degrees in Philosophy from La Trobe University and in Chemical Engineering from University of Melbourne. His doctoral dissertation, supervised by leading Lacan translator Prof Russell Grigg, brought together the psychoanalysis of Lacan and the philosophy of Nietzsche on the question of desire and ethics. He is author of the books 'Eroticizing Aesthetics: In the Real with Bataille and Lacan' (Rowman/Bloomsbury 2021); 'Lacan's Ethics and Nietzsche's Critique of Platonism' (SUNY Press 2014); and has taught at Deakin University, Australian Catholic University, Melbourne School of Continental Philosophy, Lacan Circle of Australia, and in the School of Culture & Communication at University of Melbourne.Bryan Counter is the author of Four Moments of Aesthetic Experience: Reading Huysmans, Proust, McCarthy, and Cusk (Anthem Press, 2025) and co-editor, with James Dutton, of Quiet Proust: Aesthetic Experience, Reading the Virtual, and Thinking out of Time (under contract with Bloomsbury). He co-hosts the podcast Authors Die Twice with Nathan Wainstein and is currently working on projects revolving around horror, weird fiction, wonder, and the role of chance and improvisation in 20th century fiction.---Become part of the Hermitix community:Hermitix Twitter - ⁠ / hermitixpodcast ⁠Support Hermitix:Patreon - ⁠ www.patreon.com/hermitix ⁠Donations: - ⁠https://www.paypal.me/hermitixpod⁠Hermitix Merchandise - ⁠http://teespring.com/stores/hermitix-2⁠Bitcoin Donation Address: 3LAGEKBXEuE2pgc4oubExGTWtrKPuXDDLKEthereum Donation Address: 0x31e2a4a31B8563B8d238eC086daE9B75a00D9E74

Today's episode we have a listener question from the Send Voicemail Tab on our website. Kellie asks about how to deal with building anxiety when in a social setting.Stillpoint Fridays is my once-a-week Friday note — a slower, more personal reflection that's different from what I share on the podcast.If you'd like a quiet place to land as the week winds down, you can join here: http://eepurl.com/bR2F9P or on our website anxietycoachespodcast.com and sign up for the newsletter.Please visit our Sponsor Page to find all the links and codes for our awesome sponsors! https://www.theanxietycoachespodcast.com/sponsors/Website https://www.theanxietycoachespodcast.comJoin our community Group Coaching Join our Group Coaching Full or Mini Membership Program1:1 Coaching Learn more about our One-on-One CoachingIf you prefer to listen AD-FREE, try our Supercast premium access membership:Learn more about anxiety What is anxiety?Free Guided Meditation for Calming Your Anxious Mind 10-Minute Body-Scan Meditation for AnxietyQuote:We don't receive wisdom; we must discover it for ourselves after a journey that no one can take for us or spare us. -Marcel ProustChapters0:27 SpeakPipe Question3:31 Social Anxiety Tools7:22 Relax the Body12:46 Stop Adding Fuel16:20 Shake It Out19:06 Proust's WisdomSummaryIn this episode, we speak about a listener question from Kelly, who describes living with long-term anxiety that has affected work, driving, being alone, and social situations. We focus on what to do when anxiety rises in the middle of everyday settings where it is not practical to step away and process it privately.We explain that the main practice is to prepare in quieter moments, especially during meditation or other practice time, so acceptance and “floating” become more familiar. When anxiety shows up in the moment, we suggest noticing the body's signals and using physical relaxation as a cue of safety.We describe simple techniques such as tensing and releasing muscles, relaxing the shoulders, jaw, hands, feet, and legs, and using small movements or shaking out tension when appropriate. The point is to send the brain a message that there is no immediate danger, rather than trying to force away thoughts.We also address the tendency to add a second layer of distress by worrying about how we look, whether others notice, or whether we can get through the situation. We encourage noticing that extra self-criticism and not feeding it, since that can intensify the anxiety.Finally, we emphasize that repeated practice makes these responses easier to access in daily life. The episode closes with a quote about discovering wisdom through our own journey.#Anxiety #AnxietyRelief #SocialAnxiety #AnxietyCoachesPodcast #GinaRyan #StressManagement #MentalHealth #Meditation #Mindfulness #CopingStrategies #RelaxationTechniques #ProgressiveMuscleRelaxation #PettingTheLizard #Amygdala #FightOrFlight #SelfCare #EmotionalWellness #SecondArrow #AnxiousThoughts #CopingWithAnxiety #SocialAnxietyTips #PhysicalRelaxation #Calm #Peace #NervousSystemRegulation #SomaticTracking #PublicAnxiety #GroundingTechniques #MentalHealthAwareness #AnxietySupport #CopingMechanisms #SelfCompassionSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

durée : 00:12:25 - Les Nuits de France Culture - par : Albane Penaranda - Quelles étaient les influences scolaires de Marcel Proust, et notammanet celle de son professeur de philosophie, Alphonse Darlu, au lycée Condorcet ? - équipe : Mathias Le Gargasson, Antoine Dhulster, Rafik Zénine, Vincent Abouchar, Emily Vallat, Hassane M'Béchour, INA Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Qui pousse la porte du restaurant du chef guadeloupéen Jean Rony Leriche à deux pas de l'Arc de Triomphe sourit instantanément car accueilli par une caresse : le parfum du fumé, du boukané. Ce parfum-là vous emporte droit « à la maison » - il est une version caribéenne de la madeleine de Proust - cette odeur familière, réconfortante, vous ramène instantanément aux racines, à ce savoir-faire transmis au fil des générations et savoureux marqueur culturel des Caraïbes à l'Afrique de l'Ouest.   Une cuisine caribéenne gastronomique  Il y a bien d'autres parfums dans la cuisine de Jean Rony Leriche : parce que la maison est aussi dotée d'un jardin créole, d'arbres fruitiers, de fleurs, de plantes. Le jardin créole est « bien plus qu'un jardin », raconte Jean Rony Leriche montrant du doigt un citron caviar tout juste formé, « c'est aussi un garde-manger, une pharmacie, un lieu où faire perdurer ses traditions et savoir-faire, un lieu où se retrouver et partager. » Ce jardin si précieux car gage d'autonomie était parfois le seul bien sur les plantations, ce bout de terre cédé aux esclaves sur lequel des légumes, et des arbres fruitiers pouvaient être cultivés. Un jardin en héritage qui relie le chef à ses racines haïtiennes, à son enfance en Guadeloupe, une richesse partagée dans le quartier de Baie-Mahault. Un Jardin pour soi et sa famille, une continuité et la transmission d'un savoir et d'un lien avec son histoire et ses ancêtres.   Un conte créole et une histoire partagée  Du pâté créole aux bananes pesées et pickles de gombo, à la mousse de lambi sur une feuille de manioc, cajou boucanée, aux veloutés d'igname, feuilleté de féroce d'avocat, la cuisine de Jean Rony Leriche est un voyage sensible et savoureux dans la mémoire et la diversité des cultures des Caraïbes. Le chef a à cœur de raconter et surtout de transmettre cet héritage des îles en allant dans les subtilités et l'immense richesse de la culture des Antilles, du voyage des produits, à la création des langues, des communautés, et à la résistance d'un peuple pour se fonder et exister.   Avec Jean Rony Leriche, chef du restaurant Leriche, 16 rue Brey dans le 17ème arrondissement de Paris  La salle est dirigée par Christine Leriche, la femme du chef.  Instagram. Ma cuisine antillaise, du chef Jean Rony Leriche, Éditions Brigitte Eveno  Cette émission est dédiée à la famille du chef Leriche et à Suzie Zozio, biochimiste et restauratrice, spécialisée en plantes médicinales, décédée en 2026.  ► Pour aller plus loin   - Jaden lhéritaj, du chef Leriche à Baie Mahault inauguré au Printemps 2026.  - Mauro Colagreco, chef du Mirazur à Menton  - Moi Tituba, sorcière noire de Salem, de Maryse Condé  - Boucanage : technique ancestrale utilisée pour conserver en fumant poissons et viandes.    - Autour des jardins créoles    - La cuisine caribéenne transcende les frontières grâce au programme Transcultura Unesco   Programmation musicale : Fruit and flower, Marcus Gad. 

Qui pousse la porte du restaurant du chef guadeloupéen Jean Rony Leriche à deux pas de l'Arc de Triomphe sourit instantanément car accueilli par une caresse : le parfum du fumé, du boukané. Ce parfum-là vous emporte droit « à la maison » - il est une version caribéenne de la madeleine de Proust - cette odeur familière, réconfortante, vous ramène instantanément aux racines, à ce savoir-faire transmis au fil des générations et savoureux marqueur culturel des Caraïbes à l'Afrique de l'Ouest.   Une cuisine caribéenne gastronomique  Il y a bien d'autres parfums dans la cuisine de Jean Rony Leriche : parce que la maison est aussi dotée d'un jardin créole, d'arbres fruitiers, de fleurs, de plantes. Le jardin créole est « bien plus qu'un jardin », raconte Jean Rony Leriche montrant du doigt un citron caviar tout juste formé, « c'est aussi un garde-manger, une pharmacie, un lieu où faire perdurer ses traditions et savoir-faire, un lieu où se retrouver et partager. » Ce jardin si précieux car gage d'autonomie était parfois le seul bien sur les plantations, ce bout de terre cédé aux esclaves sur lequel des légumes, et des arbres fruitiers pouvaient être cultivés. Un jardin en héritage qui relie le chef à ses racines haïtiennes, à son enfance en Guadeloupe, une richesse partagée dans le quartier de Baie-Mahault. Un Jardin pour soi et sa famille, une continuité et la transmission d'un savoir et d'un lien avec son histoire et ses ancêtres.   Un conte créole et une histoire partagée  Du pâté créole aux bananes pesées et pickles de gombo, à la mousse de lambi sur une feuille de manioc, cajou boucanée, aux veloutés d'igname, feuilleté de féroce d'avocat, la cuisine de Jean Rony Leriche est un voyage sensible et savoureux dans la mémoire et la diversité des cultures des Caraïbes. Le chef a à cœur de raconter et surtout de transmettre cet héritage des îles en allant dans les subtilités et l'immense richesse de la culture des Antilles, du voyage des produits, à la création des langues, des communautés, et à la résistance d'un peuple pour se fonder et exister.   Avec Jean Rony Leriche, chef du restaurant Leriche, 16 rue Brey dans le 17ème arrondissement de Paris  La salle est dirigée par Christine Leriche, la femme du chef.  Instagram. Ma cuisine antillaise, du chef Jean Rony Leriche, Éditions Brigitte Eveno  Cette émission est dédiée à la famille du chef Leriche et à Suzie Zozio, biochimiste et restauratrice, spécialisée en plantes médicinales, décédée en 2026.  ► Pour aller plus loin   - Jaden lhéritaj, du chef Leriche à Baie Mahault inauguré au Printemps 2026.  - Mauro Colagreco, chef du Mirazur à Menton  - Moi Tituba, sorcière noire de Salem, de Maryse Condé  - Boucanage : technique ancestrale utilisée pour conserver en fumant poissons et viandes.    - Autour des jardins créoles    - La cuisine caribéenne transcende les frontières grâce au programme Transcultura Unesco   Programmation musicale : Fruit and flower, Marcus Gad. 

Dan, Andy and Anna discuss YOUR facts including pasta, Proust and pencils. Anna shares her secret 'Wheel of Life' game. And we name eight more Friend of the Podcast custodians.Visit nosuchthingasafish.com for news about live shows, merchandise and more episodes.Join Club Fish for ad-free episodes and exclusive bonus content at apple.co/nosuchthingasafish or nosuchthingasafish.com/patreonEdited by James HarkinProduced by Leying LeeTeam includes Tara Dorrell, Joe Mayo and Ethan Ruparelia

Silvia Andreoli"Il cuore della notte"Storie delle ore dopo il tramonto.Prefazione di Roberto DeidierLuiss University Presswww.luissuniversitypress.itÈ capitato a chiunque: una strada deserta popolata da ombre tremolanti, un silenzio scosso dal fruscio delle foglie, il rintocco delle campane che annuncia l'arrivo della notte. Nell'oscurità brillano le stelle e noi, confusi, non sappiamo se il brivido che ci attraversa appartiene a una paura senza età o a un'avventura sul punto di cominciare. Il cuore della notte di Silvia Andreoli è un saggio noire, un'autobiografia onirica, un itinerario delle dodici ore notturne scandito dagli orologi illustrati da Stefano Guerrini. Memoir, critica letteraria e narrazione si contaminano fino a fare del buio la “regione” dell'Essere: siamo fatti della stessa sostanza di cui è fatta l'oscurità. Ma il buio non è assenza di luce; è materia primordiale, desiderio d'infanzia, territorio ancestrale dove il tempo si dissolve e i segreti dell'intimità vengono custoditi. Accostarsi alla notte significa, come Cenerentola, vincere il timore della mezzanotte e raccogliere la promessa di una scarpetta o volare oltre la morte come l'umbratile Peter Pan. La notte ci spoglia dei ruoli sociali e ci restituisce alle nostre tenebre interiori: cadono le maschere, e l'anima, libera dal quotidiano, incontra il silenzio della creazione e la passione del desiderio. Il buio è alambicco alchemico: è Michelangelo che si rifugia nelle segrete di San Lorenzo come in una notte senza fine e popola le pareti di disegni lavorando alla cieca; è Proust che cerca nella sua stanza foderata di sughero la madre-notte per ritrovare le memorie perdute dell'infanzia. Da Nabokov a Kafka, fino ai Nighthawks di Hopper, Andreoli tesse una costellazione letteraria in cui la luna produce miti, illusioni e passioni. Come falene attratte da un chiarore ingannevole, volteggiamo verso ciò che ci attrae e ci consuma: è il sogno di una vita libera.Silvia AndreoliScrittrice, studiosa dell'universo della fiaba, è autrice di romanzi e racconti. Ideatrice di numerosi laboratori su temi della fantasia, dell'infanzia e della poesia, con Luiss University Press ha pubblicato La tana del lupo (2024).Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Une nouvelle comédie drôle et réjouissante qui rend hommage à la plus grande actrice française, par l'auteur à succès du Chien de Madame Halberstadt et de Clara lit Proust . Ce matin-là, la plus célèbre actrice française a le sentiment que quelque chose lui échappe. Chez elle, son employée de maison l'évite. Dans la rue, on ne se retourne pas sur son passage... Et si c'était plus qu'une impression - le début d'une aventure prodigieuse ?

For the 47th episode of Reading the Art World, host Megan Fox Kelly speaks with Ruth Bernard Yeazell, Sterling Professor of English at Yale University, about "Vermeer's Afterlives," published by Princeton University Press.Vermeer's Afterlives traces how Vermeer, who died in 1675 and was largely forgotten within decades, was reconstructed by the critics, forgers, poets, and novelists who encountered his work over the following two centuries. Yeazell argues that the quiet, enigmatic Vermeer we revere was shaped as much by the process of recovery as by the paintings themselves: by the order in which his canvases were reattributed, by the near-absence of biographical record, and by the frameworks critics brought to an artist they were meeting for the first time.The conversation moves through those afterlives in full: Théophile Thoré, the French journalist who encountered Vermeer in The Hague in 1842 and assembled a catalogue—more than three-quarters of which no longer holds—but whose act of naming shaped what Vermeer would become; Han Van Meegeren, whose forged Supper at Emmaus was declared the greatest Vermeer ever painted because it supplied a scholarly gap critics had convinced themselves was waiting to be filled; and the writers who have tried to narrate the stories his paintings leave untold. The conversation closes on Proust, who Yeazell argues grasped what most literary respondents missed: Vermeer's paintings stage acts of looking, not storytelling.For anyone interested in Dutch Golden Age painting, the history of artistic reception, or how a body of work accumulates meaning across time and discipline, this episode is essential listening.ABOUT THE AUTHORRuth Bernard Yeazell is Sterling Professor of English and Director of Graduate Studies at Yale University. Her books include "Picture Titles: How and Why Western Paintings Acquired Their Names" and "Art of the Everyday: Dutch Painting and the Realist Novel," both published by Princeton University Press. Her writing has appeared in the New York Review of Books and the London Review of Books.PURCHASE THE BOOKhttps://press.princeton.edu/books/hardcover/9780691277820/vermeers-afterlivesSUBSCRIBE, FOLLOW AND HEAR INTERVIEWS:For more information, visit meganfoxkelly.com, hear our past interviews, and subscribe at the bottom of our Of Interest page for new posts.Follow us on Instagram: @meganfoxkelly"Reading the Art World" is a podcast featuring live interviews with leading authors and writers on important new art books. Megan Fox Kelly is an art advisor and past President of the Association of Professional Art Advisors who works with collectors, estates and foundations.Music composed by Bob Golden

In this week's episode photographer, filmmaker and artist Roger Ballen takes on our ‘Proust Photo Quiz'… The Proust Questionnaire is a set of questions answered by the French writer Marcel Proust. Proust answered the questionnaire in a confession album, a form of parlour game popular at the end of the 1890s. The album, titled An Album to Record Thoughts, Feelings, etc.was found in 1924 and published in the French literary journal Les Cahiers du Mois. Our ‘Proust Photo Quiz' is an adaption of the original text. Roger Ballen Ballen was born in New York in 1950, but for nearly 40 years he has lived and worked in South Africa. It was his work as a geologist that took him into the countryside with his camera in 1981 to explore the hidden world of small South African towns. At first he explored the empty streets in the glare of the midday sun but, once he made the step of knocking on people's doors, he discovered a world inside these houses which was to have a profound effect on his work. After 1994 he no longer looked to the countryside for his subject matter finding it closer to home in Johannesburg. Over the past thirty-five years his photography has evolved using a simple square format in stark black and white. A style he describes as ‘documentary fiction'. After 2000 the people he first discovered and documented living on the margins of South African society became a cast of actors. Ballen has made a number of short films including the collaborative film I Fink You Freeky in 2012, which has over 125-million hits on YouTube.  He also made an animated film, Theatre of Apparitions, which has been nominated for various awards. In 2017 Thames & Hudson published a volume of his collected photography with extended commentary by Ballen titled Ballenesque Roger Ballen: A Retrospective to accompany an exhibition of his work at Halle Saint Pierre in Paris, which took over the entire space for more than a year. ​In 2020, Hatje Cantz published Roger the Rat in which Ballen creates and documents a part-human, part-rat creature who lives an isolated life outside of mainstream society. Ballen has published over twenty-five books internationally and his works are in more than fifty of the most important international museum collections. He still lives in Johannesburg, South Africa. www.rogerballen.com Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott continues to work as a photographer, writer and filmmaker and is the Subject Coordinator for both undergraduate and post graduate study of photography at Oxford Brookes University, Oxford, England. © Grant Scott 2026

Craving childhood comfort foods? You're not alone—and there's a fascinating reason why certain tastes and memories hit us harder than others.Discover how food nostalgia and emotional anchors shape what we crave, what we remember, and what we mourn when we change our diets. From Swiss rolls that lit up lunchtime to the magic of childhood candies, explore how our food memories aren't just about taste, they're about safety, routine, and identity. We break down the science behind the Proust effect, revealing how smells and flavors trigger emotional memories that can influence your food choices today. You'll discover how nostalgia keeps some foods alive in our hearts (and mouths), even if they no longer serve our health. Plus, learn why your palate evolution, and the changing ingredients in beloved treats, make some foods taste completely different now.This episode is perfect for anyone navigating dietary changes, battling food cravings, or curious about the deep connection between food and emotion. Whether you miss the thrill of a childhood treat or want to understand your ongoing food rituals, you'll leave with a new perspective on the grief, and joy, of eating.Why do we grieve our favorite foods? How do memories shape your current cravings? And what does your food nostalgia say about who you are today? Tune in to explore these questions—and maybe even find the courage to indulge in that nostalgic snack guilt-free.Warning: listening may inspire you to revisit some old favorites, but beware—you might just start craving a Swiss roll or a big bag of Doritos all over again.

Our Special Subject for June is Wong Kar-wai's so-called "Love Trilogy": Days of Being Wild (1990), In the Mood for Love (2000), and 2046 (2004). Our discussion walks a tightrope of abstraction as we consider the philosophical implications of Wong's treatment of the theme of love: whether it can be consummated and how time, secrets, androids, and epistemology are involved. Proust, Tarkovsky, and of course FOTP Henry James get their due mentions.  Time Codes: 0h 00m 25s:     DAYS OF BEING WILD (1990) [dir. Wong Kar Wai] 0h 29m 47s:    IN THE MOOD FOR LOVE (2000) [dir. Wong Kar Wai] 0h 46m 55s:    2046 (2004) [dir. Wong Kar Wai] 1h 05m 06s:      So This Is Sarris (The American Cinema by Andrew Sarris) – Garson Kanin +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: "Sunday" by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – "Making America Strange Again" * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join! 

Dès son premier album, Juliette Brocal frappe un grand coup. Paru aux éditions Rue de Sèvres, La Langue des vipèresdéploie un récit captivant dans un univers foisonnant et remarquablement maîtrisé, où l'imaginaire médiéval se mêle à des décors d'une grande richesse. Un coup d'essai particulièrement impressionnant pour cette jeune autrice, qui a fait ses armes dans l'animation tout en nourrissant depuis toujours une passion pour la bande dessinée. Nous avons donc le plaisir de la recevoir dans ce podcast pour évoquer la genèse de cet album, son parcours et ses inspirations. Elle se prête également à notre traditionnel questionnaire de Proust version BD. Bonne écoute !Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Anna Lisa Wärnlöf, alias Claque, har aldrig fått en framträdande plats i den svenska litteraturen. Men hon är en av våra stora stilister, tycker Ulrika Knutson som hyllar Pella-böckernas skapare. Lyssna på alla avsnitt i Sveriges Radios app. ESSÄ: Detta är en text där skribenten reflekterar över ett ämne eller ett verk. Åsikter som uttrycks är skribentens egna. Essän sändes första gången 2017. Varför är det så svårt att tala om det som betytt allra mest, också böcker? Därför att man är rädd att avslöja sitt innersta, förstås, och finna det banalt. Men om det skulle vara så, så är det inte Anna-Lisa Wärnlöfs fel. Någon sa häromdagen att om Anna-Lisa Wärnlöf, med signaturen Claque, hade varit karl, så hade hon stått ordentligt synlig på klassikerhyllan: avdelningen stilister, mellan Per Rådström och Claes Hylinger. Visst skulle det vara så! Men förklädd till flickbok och kåseri är Claque för alltid utstraffad från den riktiga litteraturen. Ha. På ofattbara sju år, 1958-1965 skriver hon de fyra romanerna om Pella, tre om den buttra Fredrike och hennes krets, och så den märkliga barndomsbiografin ”Boken om Agnes”, 1963. Detta är Claques litterära verk och värld, som nu alltså lever ett rikt liv under klassikerhyllan, under radarn, och älskas hett i hemlighet. Hon går som ett mycel genom bibiotek och antikvariat. Varhelst du minst anar det kan du hitta en läsare flaskmatad med Pella-sentenser. De sitter som slaktstämplar, går aldrig ur. Den som först kom ut ur garderoben som Pella-beroende var Gun-Britt Sundström, ett stilistiskt barn av Sören Kirkegaard – och Claque. Anna-Lisa Wärnlöf – född 1911, död 1987 – var som mest verksam under det tidiga sextiotalet, samtida med miljonprogrammet. Hennes ton gycklar med det andliga rivningsraseriet, den snabba nivelleringen i demokratins namn; en estetisk protest besläktad med Olle Adolphsons visor. Hos Claque finns samma ironiska melankoli, och sinne för ordens poesi. Hos Olle var det "nedisad Volvo med släp", och "kokt kummel med äggsås". Anna-Lisa har samma blick för det konkreta. Majorskan sitter i skymningen och "njuter av att ha två tummar", Pella kräks i duffelkragen vid tanken på att trassla till altaret i tolv meter organza. I fyrtio år övade hon sig som kåsör i Svenska Dagbladet, uppskattad men skygg. På fyrtio år satte hon inte sin fot på redaktionen. Men lilla Pella och farmor Majorskan och tant Signhild levde redan och verkade för fullt i tidningen när Wärnlöf romandebuterade med ”Pellas bok” 1958. När jag mötte Pella i början av sjuttiotalet var de här böckerna bara tio-femton år gamla, ändå speglade de en försvunnen värld, med exotiska inslag av flickskolor, hembiträden och bostadsbrist. Och spridda skurar av borgerlig bildning, som om det hade varit något fullt normalt och ingenting att oroa sig över. Pella själv läste böcker av Proust, Dickens och Cora Sandel – och hon gjorde det med ett självklart välbehag, utan känslor av skam. Detta var inte förenligt med min tonårskultur i början av sjuttiotalet, som utspelade sig i en atmosfär av V-jeans, tristess och symfonisk rock. Om jag hade velat spegla den atmosfären i litteratur så gav Kerstin Thorvall, Sven Wernström och Max Lundgren utmärkta möjligheter, i ungdomsromanens guldålder. Men böckerna om Pella ägnar sig inte bara åt spegling, utan gläntar på kommande liv. De kan man – till stora delar – läsa om, och växa med. Anna-Lisa Wärnlöf låter tonåringens världsbild möta riktigt gamla människors, och mycket små barns. En åtta månaders baby kan vara en stark personlighet hos Claque, som kan väcka dina antipatier också. Att föräldrar och barn, särskilt mödrar och barn, inte självklart finner varandra är en del av Claqueböckernas tidlösa innehåll. Och oavsett ålder får alla inblandade behålla sin integritet – och sina passioner. Passion kan uttryckas av också av det lilla barnet. Som i ”Boken om Agnes”, när småflickorna har skiljts åt och katastrofen ligger i öppen dager. Om hjärtat är krossat spelar det ingen roll om man är sex eller sextio år. Så här uttrycker sig den lilla Anna-Lisa: "Jag var Agneslös, och inte mer med det. Hur gör man när man hänger sig? Jag hade en pilbåge. Kanalen." Humor kan vara hjärtskärande, om den paras med livsinsikt. Att våra personligheter är så oföränderliga, att vi liknar oss själva som barn, är också en drabbande insikt. Inte särskilt behaglig. Det borde vi tänka lite mer på i vår tid, när vi vuxna är så stressade att vi inte står ut med att se barnen ha tråkigt. Eller ens tanken på att de har tråkigt! Hur de egentligen har det orkar vi inte ta reda på. Läste nyss en rubrik om att folk minutplanerar barnkalasen för att för död och pina inte riskera att barnen ser sin egen leda i vitögat. Vad skulle inte Claque kunna ha gjort av det ämnet? Vissa ämnen har hon klokt avstått ifrån – sexualiteten till exempel. Det bidrar till den goda tidlösheten. Erotiken uttrycks mer genom längtan och bilder som man inte glömmer: som Älskar du mig? sa Ulf Jacob. Obetydligt, sa jag, och tänderna mjuknade i min mun. Jag kan inte minnas att jag saknade explicit erotik – den fanns ju att tillgå överallt annars, för den som var läskunnig. Nej, Pella tillfredsställde andra behov. De två avgörande var den moralfilosofiska diskussionen, och stilens narkomani. Anna-Lisa Wärnlöfs stil är beroendeframkallande. Och smittsam. En pretentiös hållning ser jag automatiskt som "ett öde stort som en mössa". Att det inte är min egen bild ha jag glömt för länge sedan. Men ingen når Claques avvägda blandning av under- och överdrifter, och utförda aforismer, som kan rymma en världsbild: "Om ett barn ber om ett snöre, avfärda det inte med en kyss. Ge det ett snöre". Punktens placering är också viktig. Den surt förvärvade slutsatsens markering. Ge det ett snöre. Claque strör gärna ut små hälsningar till egna inspirationskällor. Den märkligaste möter vi i Pellas andra bok, där hon just har blivit kär i Ulf Jacob. På artonårsdagen ger han henne en nött gammal bok: "Läs den tös, du får den. Den är skriven för sådana som du och jag." Den repliken är lömsk, riktad till intellektuella flickstackare med garden nere – den går via trosorna, kan man säga. Men om man ska sublimera den boken får man jobba duktigt. Boken är ”En drömmares dagbok”, av den schweiziske artonhundratalsförfattaren Henri Frederic Amiel. Det blir en ganska rolig effekt när Pella och Ulf Jacob står och smusslar med Amiel, samtidigt som deras kompisar diggar Sinatra och Bill Haley på skivspelaren i rummet intill. Amiels ”En drömmares dagbok” blev på sin tid kult bland hyperkänsliga esteter i hela Europa, kärleksfullt översatt av en av den svenska litteraturens mest ömhudade kritiker, nämligen Klara Johanson; hon som recenserade allt, som inte kunde låta bli att recensera solnedgången. Ett nytt drama varje kväl. Klara Johansons andra stora idol var för övrigt Fredrika Bremer, vars spetsprydliga feminism viftar fram överallt i Pellas farmor Majorskans referenser. Klara Johanson är en av Claques viktiga förebilder bland estetiska ironiker – Oscar Wilde en annan – och så förstås Cora Sandel och Marcel Proust. Anna-Lisa Wärnlöf bakar också Madeleinekakor, med kärlek och smör, och psykiska trauman. En bild som återkommer i flera av böckerna, troligen självupplevd, är när några några clowner fallit i vattnet, och människorna på stranden skrattar av hjärtans lust, men tystnar när en av clownerna bärs bort, drunknad. Barnet grips av en förlamande ödslighet, identiteten brister. Som det står i ”Boken om Agnes”: "Det slog mig att jag kanske inte var någon liten flicka. Kanske var jag en pojke. Kanske var jag ett troll eller möjligen något slags djur." Det är det som alla Claques texter handlar om. Att skrapa ihop de spridda bitarna av sig själv, till ett slags mönster. Ulrika Knutson, journalist och författare Anna Lisa Wärnlöfs bibliografi Kåserier1949 Mans gamman (Bonnier)1954 För läsarens skull (Rabén & Sjögren/Vi, under signaturen Claque)1957 Om Ni behagar (Bonnier, under signaturen Claque)1958 Skaffa julgran (Bonnier, under signaturen Claque)Ungdomsböcker1958 Pellas bok (Svensk läraretidning)1959 Pellas andra bok1960 Pella i praktiken1961 Pojken en trappa upp1962 Fredrikes barn1963 Boken om Agnes1964 Ingkvist1965 Lennerboms: den fjärde boken om PellaÖvrigt"En diktare, en prins och Aldebaran". I: Något att lära av varandra (Relationskonsult, 1974)ÖversättningarElisabeth Janet Gray: Tomi i Tokyo (The cheerful heart) (Svensk läraretidning, 1962)Margaretha Shemin: De små ryttarna (The little riders) (Svensk läraretidning, 1965)Elaine L. Konigsburg: Jennifer och jag (Jennifer, Hecate, Macbeth, William McKinley, and me, Elizabeth) (Svensk läraretidning, 1968)Källa: Wikipedia

¿Y si olvidar fuera necesario para sanar? Memoria, ansiedad y trauma | La teoría de la mente Descripción SEO Únete a nuestra comunidad “El mapa de la ansiedad”: https://www.skool.com/elmapadelaansiedad Un espacio donde encontrarás cursos, recursos y una comunidad para entender mejor tu ansiedad, compartir con personas que viven experiencias parecidas y avanzar paso a paso con más claridad. ¿Y si recordar demasiado no fuera una bendición, sino una condena? En este episodio de La teoría de la mente, exploramos una de las preguntas más profundas de la psicología, la neurociencia y la literatura: ¿qué somos realmente cuando recordamos? Y, sobre todo, ¿qué ocurre cuando el pasado deja de ser pasado y empieza a gobernar nuestro presente? Partimos de Funes el memorioso, el inolvidable personaje de Borges, capaz de recordarlo todo con una precisión casi imposible. A primera vista, podría parecer un superpoder. Pero Borges nos muestra algo más inquietante: una memoria perfecta puede impedirnos pensar, porque pensar también implica olvidar, resumir, seleccionar y dar sentido. No podemos vivir atrapados en cada detalle de lo ocurrido. Necesitamos distancia para comprender. También viajamos hasta Proust y su famosa magdalena, esa imagen maravillosa de cómo un olor, una canción o un sabor pueden devolvernos de golpe a un momento de nuestra vida. La memoria no es solo un archivo mental: a veces es una puerta emocional. Pero no todas las puertas conviene dejarlas abiertas para siempre. En este episodio hablamos de Eric Kandel, Premio Nobel y uno de los grandes científicos de la memoria, que mostró cómo la experiencia cambia físicamente el cerebro. Aprender no es solo adquirir información: es transformarnos. Nuestros recuerdos, nuestros miedos, nuestras heridas y nuestras respuestas de ansiedad están escritos, de algún modo, en nuestra biología. Pero esto también abre una puerta esperanzadora: si la experiencia cambia el cerebro, nuevas experiencias pueden ayudarnos a cambiar. También aparece la historia de Henry Molaison, el famoso paciente H.M., cuya vida permitió entender que no tenemos una sola memoria, sino muchas. Hay memorias conscientes, pero también memorias corporales, emocionales y automáticas. A veces no recordamos algo con claridad, pero lo obedecemos. Nos tensamos, evitamos, nos protegemos o reaccionamos como si el pasado siguiera ocurriendo. Por eso este episodio conecta la memoria con la ansiedad, el pánico y el trauma. En el trauma, el problema no es simplemente recordar mucho, sino que el pasado entra en el presente sin permiso. No se trata de borrar lo ocurrido, sino de colocarlo en otro lugar. De conseguir que el recuerdo no mande siempre. De transformar una herida abierta en una cicatriz: algo que cuenta que dolió, pero también que la piel hizo su trabajo. Si alguna vez has sentido que tu ansiedad repite siempre la misma historia, este episodio puede ayudarte a comprender por qué. La memoria puede castigarnos, pero también puede integrarnos. Recordar no es almacenar. Olvidar no siempre es perder. Y sanar quizá tenga que ver con permitir que algunas escenas dejen de ocupar el centro de nuestra vida. Nuestra escuela de ansiedad: www.escuelaansiedad.com Nuestro nuevo libro: www.elmapadelaansiedad.com Visita nuestra página Web: http://www.amadag.com Facebook: https://www.facebook.com/Asociacion.Agorafobia/ Instagram: https://www.instagram.com/amadag.psico/ ▶️ Youtube Amadag TV: https://www.youtube.com/channel/UC22fPGPhEhgiXCM7PGl68rw Keywords memoria y ansiedad, trauma psicológico, Eric Kandel, Funes el memorioso, Borges memoria, Proust magdalena, Henry Molaison, paciente HM, neurociencia de la memoria, ansiedad y recuerdos, estrés postraumático, recuerdos traumáticos, olvido psicológico, sanar el pasado, memoria emocional, memoria corporal, psicología de la ansiedad, La teoría de la mente, AMADAG TV, mapa de la ansiedad, hipocampo y memoria, aprendizaje y cerebro, ansiedad y trauma, cómo superar la ansiedad, psicología y literatura #️⃣ Hashtags #Ansiedad, #Memoria, #Trauma, #Psicologia, #Neurociencia, #LaTeoriaDeLaMente 5 títulos alternativos 4 hábitos que van a ayudarte a dejar de vivir atrapado en tus recuerdos Llevas haciendo mal esto con tu pasado: intentar recordarlo todo Esta forma de entender la memoria puede cambiar tu ansiedad para siempre 5 cosas que nunca deberías hacer cuando un recuerdo doloroso vuelve Por qué olvidar también puede ser una forma de sanar

In this week's episode documentary photographer and photo editor Cengiz Yar takes on our ‘Proust Photo Quiz'. The Proust Questionnaire is a set of questions answered by the French writer Marcel Proust. Proust answered the questionnaire in a confession album, a form of parlour game popular at the end of the 1890s. The album, titled An Album to Record Thoughts, Feelings, etc. was found in 1924 and published in the French literary journal Les Cahiers du Mois. Our ‘Proust Photo Quiz' is an adaption of the original text. Cengiz Yar Yar is a New Jersey born documentary photographer and editor now based in El Paso, Texas who has worked in visual journalism for over a decade. He currently works as a visuals editor at ProPublica, where he edits, photographs, and art-directs stories across the site focusing on the visual coverage of projects in the US Midwest, Southwest, and Texas. Before joining ProPublica, Yar edited for publications such as Rest of World, Roads & Kingdoms, and the Guardian. As a photographer his work has primarily focused on human migration and the conflicts in Iraq and Syria. He is the inaugural recipient of the James Foley Award for Conflict Reporting, a Pulitzer Prize finalist, and a Dart Center Ochberg Fellow in Journalism and Trauma. His photography clients include Vanity Fair, Rolling Stone, WIRED, The Guardian, The Wall Street Journal, Instagram, Google, UNHCR, and The New York Times among others. He is a HEFAT, RISC, and FAA drone certified pilot and his first monograph, This Alabaster Grave, exploring the overwhelming destruction faced by the Iraqi city of Mosul was published in 2025. Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8 magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006), Crash Happy: A Night at The Bangers (Cafe Royal Books 2012) and Inside Vogue House: One building, seven magazines, sixty years of stories (Orphans Publishing 2024). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. © Grant Scott 2026

On this episode, we dial down the sharpness and celebrate cinematic blurriness.Going against the common assumption that blur is only for backgrounds, a new book by Professor Martine Beugnet explores the power and poetics of the blurred image. Originally published in French in 2017, Blur (2026) is part of the Cutaways series from Fordham University Press, where authors take a close look at one particular cinematic theme or motif.Martine has published widely on film theory and aesthetics since the early 2000s, with highly influential books such as  a monograph on director Claire Denis, Proust at the Movies, Cinema and Sensation: French Cinema and the Art of Transgression and dozens of articles, book chapters and edited collections. She is currently Professor in Visual Studies at Université Paris Cité but she spent more than a decade of the early part of her career teaching here at the University of Edinburgh.Martine tells Pasquale about the process of having her work translated and the appeal of the short format volume. She talks about her choice of film examples which range from mainstream Hollywood cinema to experimental film, silent cinema to contemporary works. Discussion then turns to the many ways in which filmmakers employ blur, whether it's to create ambiguity, to delineate a sense of character subjectivity or to shift back and forth in time.Films mentioned in the discussion include Vertigo (Alfred Hitchcock, 1958), The Ipcress File (Sidney J. Furie, 1965), La captive (Chantal Akerman, 2000), Son of Saul (László Nemes, 2015) and In Water (Hong Sang Soo, 2023).

When the Guardian drops a list of the 100 Greatest Novels in English it's time to drop everything to talk about it. Luckily pod-regular guest, journalist Phil Chaffee and Joseph Dance, host of the Curious Readers podcast, also had views, and were willing to get together on a Sunday evening to share them. You'll hear our hits, our misses, how many we've read, whether we should have read more and much musing on whether a list like this is the way to get people excited about reading. We explore the joys of the sub-lists – the contributor lists – all squirrelled away on a sub-section of the Guardian's website, that arguably provide more excitement and inspiration than the fairly canonical top 100. Which is the best Brontë? Which is the best Austen? Do we age into certain books? If you've read all seven volumes of Proust shouldn't that count for more than one entry? All this and much, much more. Enjoy – this was an absolute delight to make and I hope it makes you smile as much as it did me.Have your say: get in touch on Instagram @bookclubreviewpodcast or email thebookclubreview@gmail.com, or head to our website for full shownotes. What would be in your top-10?Check out the Patreon for all kinds of extras, from our monthly book club to extra shows and Kate's reading diaries. Find it at patreon.com/thebookclubreviewThe Guardian's List of the 100 Greatest Novels published in English, copied below for ease of reference.*underlined – the ones Kate has readMiddlemarchBelovedUlyssesTo the LighthouseIn Search of Lost TimeAnna KareninaWar and PeaceJane EyrePride and PrejudiceMadame BovaryThe Great GatsbyBleak HouseEmmaMrs DallowayMoby-DickNineteen Eighty-FourOne Hundred Years of SolitudePersuasionThe Life and Opinions of Tristram Shandy, GentlemanWuthering HeightsThe Portrait of a LadyThings Fall ApartMidnight's ChildrenThe Remains of the DayLolitaDon QuixoteThe TrialThe Brothers KaramazovPale FireFrankensteinThe Prime of Miss Jean BrodieThe God of Small ThingsDavid CopperfieldWolf HallGreat ExpectationsThe Handmaid's TaleInvisible ManThe Age of InnocenceTheir Eyes Were Watching GodSong of SolomonHeart of DarknessThe Magic MountainHousekeepingGiovanni's RoomThe Golden NotebookThe LeopardVanity FairThe MetamorphosisA Fine BalanceWide Sargasso SeaMy Brilliant FriendThe Golden BowlThe Transit of VenusOrlandoThe WavesMansfield ParkThe Sound and the FuryDisgraceNever Let Me GoHowards EndThe Rings of SaturnHalf of a Yellow SunWhite TeethThe Good SoldierThe Color PurpleThe Master and MargaritaThe Man Without QualitiesBlood MeridianCrime and PunishmentJude the ObscureKindredOur Mutual FriendAusterlitzNervous ConditionsThe Bluest EyeDraculaThe RainbowA House for Mr BiswasGo Tell It on the MountainRebeccaBuddenbrooksThe End of the AffairA Farewell to ArmsThe Talented Mr RipleyThe VegetarianThe Turn of the ScrewThe Line of BeautyRagtimeThe Left Hand of DarknessJacob's RoomLife and FateSentimental EducationInvisible CitiesThe Known WorldThe Return of the NativePedro PáramoCatch-22The RoadThe Go-BetweenMy ÁntoniaParticular books we touch on in the showThings Fall Apart by Chinua AchebeUlysses by James JoyceIn Search of Lost Time by Marcel ProustMy Brilliant Friend by Elena FerranteWuthering Heights by Emily BrontëAs I Lay Dying by William FaulknerVillette by Charlotte BrontëOrlando, The Waves and To the Lighthouse by Virginia WoolfOne Hundred Years of Solitude by Gabriel García MárquezMiddlemarch by George EliotPedro Páramo by Juan RulfoRebecca by Daphne du MaurierThe Leopard by Giuseppe Tomasi di LampedusaNervous Conditions, The Book of Not and This Mournable Body by Tsitsi DangarembgaThe Transit of Venus by Shirley HazzardDon Quixote by Miguel de CervantesThe Magic Mountain by Thomas MannBuddenbrooks by Thomas MannLonesome Dove by Larry McMurtryBlood Meridian by Cormac McCarthyThe Memory Police by Yoko OgawaThe English Understand Wool by Helen DeWittA Season of Migration to the North by Tayeb SalihThe Princess of Clèves by Madame de LafayetteThe Cairo Trilogy by Naguib MahfouzThe Makioka Sisters by Jun'ichirō TanizakiThe Trial and Metamorphosis by Franz KafkaThe Go-Between by L. P. HartleyMoby-Dick by Herman MelvilleA House for Mr Biswas by V. S. NaipaulThe New Life by Tom CreweMiss Marjoribanks by Mrs OliphantThe Palliser novels by Anthony TrollopeThe Warden by Anthony TrollopeThe Man Without Qualities by Robert MusilThe Known World by Edward P. JonesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Stefano Poggi"Il mito dell'istante"I filosofi davanti al tempo: da Schelling a DerridaAnders Solferinowww.solferinolibri.itLa riflessione sul problema del tempo è uno dei temi fondamentali della tradizione filosofica occidentale.Ma gli ultimi due secoli – l'Ottocento e il Novecento – ne hanno visto una profonda trasformazione. Gli sviluppi dell'indagine scientifica si sono intrecciati con la maturazione di una inedita concezione della soggettività e della coscienza. Sono state riprese e affrontate con nuovi occhi questioni antichissime, in primo luogo quella già posta da sant'Agostino («Cos'è davvero il tempo? Lo so, ma non lo so spiegare »). Ci si è interrogati sui modi in cui il tempo viene vissuto, misurato, narrato, condiviso. È così apparso con sempre maggior chiarezza che il tempo è la realtà dello stesso nostro esistere, che il tempo – come scrive Borges – «è la sostanza di cui sono fatto». Per questo, del tempo, parliamo sempre come di un divenire, di un fluire. Un divenire, un fluire apparso non di rado come una successione di istanti. Istanti in cui fermare il tempo, arrestarlo nell'attimo «così bello» del Faust, riuscire in un'impresa che però, di fronte ai nuovi saperi scientifici, appare destinata a ridursi in speranza, a rivelarsi un'illusione. L'istante non esiste. E, se esiste, forse altro non può essere che l'eternità.Partendo da Hegel e Schelling per arrivare a Bergson, Russell, Heidegger e senza dimenticare i grandi «narratori del tempo» come Proust e Joyce, Stefano Poggi racconta gli episodi di una storia che non ci è presente in tutta la sua decisiva importanza perché è spesso sotterranea, ma che ha inciso nel profondo sulla nostra stessa identità di uomini moderni.Stefano Poggi ha insegnato Storia della filosofia all'Università di Firenze, è stato presidente della Società Filosofica Italiana e ha diretto «Intersezioni. Rivista di storia delle idee». Tra i suoi numerosi libri ricordiamo: La logica, la mistica, il nulla (2006), La vera storia della Regina di Biancaneve (2007), I viaggi dei filosofi (2010), L'io dei filosofi e l'io dei narratori (2011), L'anima e il cristallo (2014), Il colore e l'ombra (2019), Individuo e destino (2025).Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Le 10 août 2015, à Locarno, Chantal Akerman présente avec émotion son dernier film, No Home Movie. Cette œuvre intime rend hommage à sa mère Natalia, rescapée d'Auschwitz et figure centrale de sa vie. Le récit revient ensuite sur les débuts d'Akerman à Bruxelles, marqués par Saute ma ville, court-métrage déjà traversé par la mort et la révolte. Inspirée par Godard, New York et le cinéma expérimental, elle impose très vite une voix singulière. En 1975, Jeanne Dielman la fait entrer dans l'histoire du cinéma. Refusant les cases, elle explore ensuite fiction, documentaire, comédie musicale, installations et adaptation de Proust. Toute son œuvre interroge le temps, l'absence, la mémoire, la condition féminine et l'héritage de la Shoah. La mort de sa mère en 2014 la plonge dans un chagrin profond. Malgré l'art, les films et les proches, la douleur devient insurmontable. Chantal Akerman se suicide en 2015, laissant une œuvre immense, libre et imprévisible. Merci pour votre écoute Vous aimez l'Heure H, mais connaissez-vous La Mini Heure H https://audmns.com/YagLLiK , une version pour toute la famille.Retrouvez l'ensemble des épisodes de l'Heure H sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/22750 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : Un jour dans l'Histoire : https://audmns.com/gXJWXoQL'Histoire Continue: https://audmns.com/kSbpELwAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvVous aimez les histoires racontées par Jean-Louis Lahaye ? Connaissez-vous ces podcast?Sous le sable des Pyramides : https://audmns.com/rXfVppv36 Quai des orfèvres : https://audmns.com/eUxNxyFHistoire Criminelle, les enquêtes de Scotland Yard : https://audmns.com/ZuEwXVOUn Crime, une Histoire https://audmns.com/NIhhXpYN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Text Agony Aunt Roz with your Cutflower Questions.In this engaging interview, Milli Proust shares her journey from acting to floral artistry, her passion for seed breeding, and her innovative approach to sustainable flower farming. Discover practical tips on propagation, seed saving, and designing with seasonal flowers, along with insights into her upcoming projects and books.TakeawaysMilli's journey from acting to floral artistrySeed breeding and propagation techniquesDesigning sustainable and seasonal flower bordersYou can purchase Milli's book hereFollow Milli on Instagram here or view her website here First Tunnels, leaders in domestic and commercial product tunnels.  https://fieldgateflowers.kartra.com/page/newslettersThe Growth Club: https://fieldgateflowers.kartra.com/page/thegrowthclubLots of free resources on our website: https://thecutflowercollective.co.uk/cut-flower-resources/ Instagram: https://www.instagram.com/fieldgateflowers   Facebook Group 'Cut Flower Farming  - Growth and Profit in your business' https://www.facebook.com/groups/449543639411874 Facebook Group 'The Cut Flower Collection' https://www.facebook.com/groups/cutflowercollection 

durée : 00:30:49 - Les Nuits de France Culture - par : Albane Penaranda - réalisation : Mathias Le Gargasson, Antoine Dhulster, Rafik Zénine, Vincent Abouchar, Emily Vallat, Hassane M'Béchour, INA Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Plaintes, compliments, interrogations... Cette saison encore, les Grosses Têtes répondent aux différentes questions et messages des auditeurs à l'antenne. Retrouvez tous les jours le meilleur des Grosses Têtes en podcast sur RTL.fr et l'application RTL.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

durée : 00:58:37 - Mauvais genres - par : François Angelier - Pour les troisième volet de sa trilogie des "Démons", Simon Liberati tangue l'Amérique de Wahrol et Capote et l'Europe de Proust et Morand. - réalisation : Laurent Paulré, Claire Poinsignon - invités : Simon Liberati Ecrivain Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:58:37 - Les émissions culturelles de France Culture - par : François Angelier - Pour le troisième volet de sa trilogie des "Démons", Simon Liberati tangue l'Amérique de Warhol et Capote et l'Europe de Proust et Morand. - réalisation : Laurent Paulré, Claire Poinsignon - invités : Simon Liberati Ecrivain Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Cadeau, le premier épisode de la nouvelle émission de Timeline Radio !Farid Bouadla accueille Chérif Ghemmour, grand spécialiste du football des années 70-80, et de Michel Platini en particulier.Pour cette première émission, il fallait commencer par le plus grand, le plus talentueux ... "Allez Michel, oui Michel, Ouii Michel !!"Une discussion sur le ton de la confidence, comme seul Farid sait le faire... Une autre idée du football, une petite madeleine de Proust en somme.L'émission est disponible en vidéo sur TimelineStory : https://www.youtube.com/@TimelineStory2026Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Les Mémoires de Saint-Simon ne sont publiés qu'en 1829, soixante-quinze ans après sa mort. On aime aujourd'hui le citer pour les petites bassesses qu'il révèle. Mais qui était véritablement le duc de Saint-Simon ?Le 2 décembre 1723, le Régent Philippe d'Orléans s'éteint, laissant le jeune roi Louis XV seul aux commandes. C'est la fin d'une époque marquée par les intrigues de la Cour et la montée en puissance d'une figure aussi fascinante qu'énigmatique : le Duc de Saint-Simon.Dans cet épisode passionnant, Franck Ferrand nous plonge dans les derniers jours de la Régence et nous fait découvrir le destin singulier de Saint-Simon, ce courtisan aussi brillant que taciturne qui a laissé une trace indélébile dans l'histoire de France.Nous suivrons le Duc alors qu'il se rend à Versailles pour faire part de ses déceptions à l'ancien Régent, avant d'apprendre avec effroi le décès soudain de ce dernier. Dépossédé de toute influence politique, Saint-Simon se retire alors dans ses domaines pour se consacrer à l'écriture de ses légendaires Mémoires, véritable fresque de la fin du règne de Louis XIV.À travers le portrait au vitriol que trace Saint-Simon de ses contemporains, Franck Ferrand nous dévoile la plume incisive et le regard acéré de cet homme de cour qui, mieux que quiconque, a su saisir les intrigues et les luttes de pouvoir qui agitaient Versailles.

Les Mémoires de Saint-Simon ne sont publiés qu'en 1829, soixante-quinze ans après sa mort. On aime aujourd'hui le citer pour les petites bassesses qu'il révèle. Mais qui était véritablement le duc de Saint-Simon ?Le 2 décembre 1723, le Régent Philippe d'Orléans s'éteint, laissant le jeune roi Louis XV seul aux commandes. C'est la fin d'une époque marquée par les intrigues de la Cour et la montée en puissance d'une figure aussi fascinante qu'énigmatique : le Duc de Saint-Simon.Dans cet épisode passionnant, Franck Ferrand nous plonge dans les derniers jours de la Régence et nous fait découvrir le destin singulier de Saint-Simon, ce courtisan aussi brillant que taciturne qui a laissé une trace indélébile dans l'histoire de France.Nous suivrons le Duc alors qu'il se rend à Versailles pour faire part de ses déceptions à l'ancien Régent, avant d'apprendre avec effroi le décès soudain de ce dernier. Dépossédé de toute influence politique, Saint-Simon se retire alors dans ses domaines pour se consacrer à l'écriture de ses légendaires Mémoires, véritable fresque de la fin du règne de Louis XIV.À travers le portrait au vitriol que trace Saint-Simon de ses contemporains, Franck Ferrand nous dévoile la plume incisive et le regard acéré de cet homme de cour qui, mieux que quiconque, a su saisir les intrigues et les luttes de pouvoir qui agitaient Versailles.

Le metteur en scène Jean Bellorini met en scène le roman du lauréat du Prix Goncourt 2018 « L'ordre du jour » d'Éric Vuillard.  Dans les moindres détails, Éric Vuillard raconte dans son récit L'ordre du jour le rendez-vous entre Hitler et les industriels allemands, le 20 février 1933, mais aussi le diner entre Chamberlain alors Premier ministre britannique et Ribbentrop, ambassadeur d'Allemagne en Angleterre ou encore les préparatifs à l'invasion de l'Autriche par l'Allemagne en mars 1938… Ce roman couronné par le Prix Goncourt en 2017 est aujourd'hui adapté par Jean Bellorini à la Comédie française. Du roman à la scène Ce n'est pas la première fois que Jean Bellorini adapte un roman au théâtre, puisqu'il avait déjà mis en scène Les frères Karamazov de Dostoïevski, À la recherche du temps perdu de Proust ou encore les Misérables de Hugo. « C'est ce qu'il y a de plus théâtral selon moi, le théâtre récit. C'est très important de se retrouver autour d'une oeuvre ».  Rendre hommage au théâtre  Pour incarner les vingt-quatre pardessus noirs inquiétants, ces industriels allemands qui pénètrent dans la résidence officielle du président, Jean Bellorini fait appel à quatre comédiens de la Comédie-Française, affublés de masques rappelant ceux des carnavals du nord de la France. À leurs pieds, vingt-quatre paires de chaussures noires, savamment disposées en carré, complètent ce tableau.  Derrière les masques, les figures de pouvoir paraissent d'autant plus fortes… et d'autant plus inquiétantes. Quant au dîner entre Chamberlain et Ribbentrop, il se métamorphose en cabaret clownesque. Ce dispositif confère aux personnages une dimension grotesque et distanciée, en forme de clin d'œil à Brecht. Il s'agit de « rendre plus intelligent par l'émotion et le rire ». Invité : Jean Bellorini. Né le 18 juin 1981 à Paris, Jean Bellorini est un metteur en scène de théâtre français. Ses mises en scène ont été récompensées par plusieurs prix, notamment le Molière du metteur en scène d'un spectacle du théâtre public en 2014. Il est nommé directeur du Théâtre Gérard-Philipe de Saint-Denis en novembre 2013. Il dirige ensuite le Théâtre national populaire (TNP) de Villeurbanne à partir de 2020. Il dirigera le Théâtre de Carouge en Suisse dès janvier 2027.   Il a mis en scène de nombreux auteurs, classiques comme contemporains : Tchekhov, Victor Hugo, Shakespeare, Novarina.  Programmation musicale : L'artiste le Rat Luciano avec le titre Au nom de...

Le metteur en scène Jean Bellorini met en scène le roman du lauréat du Prix Goncourt 2018 « L'ordre du jour » d'Éric Vuillard.  Dans les moindres détails, Éric Vuillard raconte dans son récit L'ordre du jour le rendez-vous entre Hitler et les industriels allemands, le 20 février 1933, mais aussi le diner entre Chamberlain alors Premier ministre britannique et Ribbentrop, ambassadeur d'Allemagne en Angleterre ou encore les préparatifs à l'invasion de l'Autriche par l'Allemagne en mars 1938… Ce roman couronné par le Prix Goncourt en 2017 est aujourd'hui adapté par Jean Bellorini à la Comédie française. Du roman à la scène Ce n'est pas la première fois que Jean Bellorini adapte un roman au théâtre, puisqu'il avait déjà mis en scène Les frères Karamazov de Dostoïevski, À la recherche du temps perdu de Proust ou encore les Misérables de Hugo. « C'est ce qu'il y a de plus théâtral selon moi, le théâtre récit. C'est très important de se retrouver autour d'une oeuvre ».  Rendre hommage au théâtre  Pour incarner les vingt-quatre pardessus noirs inquiétants, ces industriels allemands qui pénètrent dans la résidence officielle du président, Jean Bellorini fait appel à quatre comédiens de la Comédie-Française, affublés de masques rappelant ceux des carnavals du nord de la France. À leurs pieds, vingt-quatre paires de chaussures noires, savamment disposées en carré, complètent ce tableau.  Derrière les masques, les figures de pouvoir paraissent d'autant plus fortes… et d'autant plus inquiétantes. Quant au dîner entre Chamberlain et Ribbentrop, il se métamorphose en cabaret clownesque. Ce dispositif confère aux personnages une dimension grotesque et distanciée, en forme de clin d'œil à Brecht. Il s'agit de « rendre plus intelligent par l'émotion et le rire ». Invité : Jean Bellorini. Né le 18 juin 1981 à Paris, Jean Bellorini est un metteur en scène de théâtre français. Ses mises en scène ont été récompensées par plusieurs prix, notamment le Molière du metteur en scène d'un spectacle du théâtre public en 2014. Il est nommé directeur du Théâtre Gérard-Philipe de Saint-Denis en novembre 2013. Il dirige ensuite le Théâtre national populaire (TNP) de Villeurbanne à partir de 2020. Il dirigera le Théâtre de Carouge en Suisse dès janvier 2027.   Il a mis en scène de nombreux auteurs, classiques comme contemporains : Tchekhov, Victor Hugo, Shakespeare, Novarina.  Programmation musicale : L'artiste le Rat Luciano avec le titre Au nom de...

durée : 00:19:55 - Les Nuits de France Culture - par : Albane Penaranda - réalisation : Mathias Le Gargasson, Antoine Dhulster, Rafik Zénine, Vincent Abouchar, Emily Vallat, Hassane M'Béchour, INA Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

We discuss the life and work of Marcel Proust and explore his connections with Ireland. Featuring: Dr Max McGuinness, Postdoctoral Fellow at the School of Languages, Literatures and Cultural Studies at Trinity College Dublin, and co-editor of ‘The Irish Proust: Cultural Crossings From Beckett To McGahern'; Prof Patrick ‘Paddy' O'Donovan, Emeritus Professor of French at University College Cork; Prof Barry McCrea, Donald R. Keough Family Professor of Irish Studies, Professor of English, Concurrent Professor of Romance Languages and Literatures and Concurrent Professor of Irish Language and Literature at the University of Notre Dame in the US; and Dr Richard Robinson, Associate Professor in English Literature at Swansea University.

In Books: A Manifesto (Weidenfeld) subtitled How to Build a Library, poet and critic Ian Patterson reflects on a life spent with and formed by books. Now, as he constructs the last of many libraries, he makes an impassioned case for the radical importance of reading in our lives - from Proust to Jilly Cooper, from golden-age detective novels to avant-garde poetry. He talked about books and libraries with the novelist Ali Smith who, in Public Library and Other Stories, explored our many-faceted fascination with the book.

durée : 00:36:39 - Le téléphone sonne - par : Fabienne Sintes - Les premiers Madonna, le moonwalk, "La Boum", le walkman auto-reverse, "Dirty Dancing"… On ne compte plus les madeleines de Proust qui viennent des années 80. Mais c'est aussi l'époque du sida, du chômage de masse, des Restos du cœur et des années fric, du racisme et de la "marche des beurs". - réalisation : Thomas Lenglain, Pierre Dessertenne, Amaury Bocher, Mathias Dubois, Philippe Lefébure - invités : Bertrand Dicale Journaliste. Spécialiste de la chanson française. Directeur général du média numérique d'information News Tank Culture depuis 2017, Claude Serillon Ancien présentateur de JT, Frédéric Dabi Directeur général de l'IFOP Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Few authors have impacted young readers' lives as much as Judy Blume. Her beloved books are frank about puberty, sex and the messiness of growing up. Alicia Cox Thomson and Brian Francis, two lifelong Judy Blume fans join the show to talk about their recent reading of Judy Blume: A Life by Mark Oppenheimer, and the impact Judy Blume has had on their reading lives. Plus, author Janie Chang answers The Next Chapter's Proust questionnaire. Books discussed on this week's show include:Judy Blume: A Life by Mark OppenheimerThe Fourth Princess by Janie Chang Check us out on Instagram @cbcbooks and TikTok @cbcbooks

Episode: 3247 Proust, Turing, and the Measure of Humanity.  Today, we go from Turing to Proust.

This week, Kevin is back to catch up with his friend and cut flower grower Milli Proust. They dive into her new book, How Does Your Garden Grow, and what it really takes to grow 70% of the seed you sell. They explore floral garden design, the quirks of saving flower seeds, plus how to clean, isolate, and store them like a pro. And yes, there's a passionate detour into the prettiest veg around, radicchio, and why it deserves a spot in every garden lineup. Connect with Milli Proust: Milli Proust is one half of ALMA | PROUST, a flower farm and design studio. Milli is a flower-obsessed creative who moved from London to West Sussex nearly a decade ago. Working from a kitchen table HQ, she and her partner, Ted, grow flowers, seeds, and ideas alongside their son, Rex, and two very elegant farm dogs. Forever chasing romance in her work, Milli dreams of fields of roses while happily foraging hedgerows and ditches for overlooked botanical treasures. Find more from Milli at her website: https://www.almaproust.com/ Buy Milli's book: https://www.amazon.com/How-Does-Your-Garden-Grow/dp/1837832250/ Find more from Milli on Instagram: https://www.instagram.com/milliproust/ Support The Beet: → Shop: https://growepic.co/shop → Seeds: https://growepic.co/botanicalinterests Learn More: → All Our Channels: https://growepic.co/youtube → Blog: https://growepic.co/blog → Podcast: https://growepic.co/podcasts → Discord: https://growepic.co/discord → Instagram: https://growepic.co/insta → TikTok: https://growepic.co/tiktok → Pinterest: https://growepic.co/pinterest → Twitter: https://growepic.co/twitter → Facebook: https://growepic.co/facebook → Facebook Group: https://growepic.co/fbgroup → Love our products? Become an Epic affiliate! https://growepic.co/3FjQXqV Learn more about your ad choices. Visit megaphone.fm/adchoices

durée : 00:58:07 - Avec philosophie - par : Géraldine Muhlmann, Nassim El Kabli - De la photographie à la radio, de Proust au polar, du cinéma à l'opéra, Walter Benjamin et Siegfried Kracauer, figures peu académiques, s'illustrèrent par leur extraordinaire curiosité pour les formes culturelles des nouvelles masses démocratiques, alors que guettait la catastrophe du nazisme. - réalisation : Nicolas Berger - invités : Michèle Cohen-Halimi Philosophe, professeure de philosophie à l'université Paris 8; Jean Tain Agrégé et docteur en philosophie de l'École Normale Supérieure de Paris

When you become known for your garden - and what you grow there - what does it mean to up peasticks and move? ⁠Milli Proust⁠ is a gardener, writer and floral designer based in a remote corner of West Sussex. She spent a decade transforming her garden, but when we visited her she was just about to leave it. We met Milli - and her gorgeous whippet Jimmy - under the shade of an enormous oak tree to reflect on what has been, and imagine what is still to come. Milli's latest book, ⁠How Does Your Garden Grow⁠, is available now and shares practical guidance and encouragement for anyone wanting to grow flowers. She can also be found posting wisdom and inspiration on Instagram: @⁠milliproust⁠.This podcast is inspired by my book, ⁠Why Women Grow: Stories of Soil, Sisterhood and Survival⁠, which is available in all good bookshops. We've also been photographing our guests and their gardens and you can see the beautiful images captured by India Hobson ⁠on my website⁠ and instagram account @⁠⁠⁠alicevincentwrites⁠⁠⁠. Thank you to our friends at ⁠Niwaki⁠. You can get 10% off your order with the code WHYWOMENGROW.Next up, we hear from author and columnist India Knight. If you're new to the Why Women Grow podcast, do check out our previous episodes, including guests such as Jamaica Kincaid and Sarah Raven. And if you've enjoyed this episode, it would mean so much if you could rate and review the podcast on whichever platform you're listening in on, or share it with someone you think may enjoy it.This episode was produced by Holly Fisher. The theme music is by Maria Chiara Argiro. 

In this week's episode photographer Perry Ogden takes on our 'Proust Photo Quiz'. The Proust Questionnaire is a set of questions answered by the French writer Marcel Proust. Proust answered the questionnaire in a confession album, a form of parlour game popular at the end of the 1890s. The album, titled An Album to Record Thoughts, Feelings, etc. was found in 1924 and published in the French literary journal Les Cahiers du Mois. Our 'Proust Photo Quiz' is an adaption of the original text. Perry Ogden Perry Ogden was born in Shropshire, England, grew up in London and now lives in Dublin, Ireland. His photographs have appeared in countless magazines worldwide including Italian Vogue, Luomo Vogue, British Vogue, W, The Face and Arena. He has photographed advertising campaigns for Ralph Lauren, Chloe and Calvin Klein amongst many others. These have supplemented his personal projects including his Pony Kids body of work, which was published by Jonathan Cape/Aperture in 1999. His photographs of the artist Francis Bacon's studio,7 Reece Mews, were published by Thames and Hudson in 2001 and exhibited widely at galleries and museums including The Hugh Lane in Dublin, the Fondation Beyeler in Basle and the Fondation van Gogh in Arles. His first film Pavee Lackeen (The Traveller Girl) premiered in 2005 and won numerous awards around the world including the Satyajit Ray award for Best First Film at the London Film Festival and the Irish Film & Television Award for Best Film. Exhibitions of his work since 2010 include: Inspiration at the Sebastian Guinness Gallery, Dublin, 2010. Twenty at the Irish Museum of Modern Art in 2011, a group show celebrating the first twenty-years of the museum and Reined In, 2020, at The National Gallery of Ireland. Ogden's most recent book Paddy & Liam documenting two Traveller brothers Paddy and Liam Doran was published in 2018. In 2019 his 16 minute film FÍ made for the Design and Craft Council of Ireland was screened in Dublin, Paris, Tokyo and New York. A film about Perry's work Skin & Soul:The Life and Work of Perry Ogden was premiered at the Dublin International Film Festival in March 2020. www.perryogden.com and www.ifiinternational.ie/film/skin-soul/ Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8 magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006), Crash Happy: A Night at The Bangers (Cafe Royal Books 2012) and Inside Vogue House: One building, seven magazines, sixty years of stories (Orphans Publishing 2024). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. © Grant Scott 2026

Anna and Geoff discuss the 2026 Women's Prize for Fiction longlist, including Flashlight, The Correspondent and Audition.  Some of the other long-listed books feature writers as characters, which gets us talking about turn-offs in novels.   Our book of the week is DEPARTURE(S) by Julian Barnes. This is the final book by the Booker Prize-winning author. It is a novel about a couple who reunite later in life, with authobiographical elements from Barnes' own life, or it could be a memoir containing a short story.  There is also Proust, philosophy and some observations on memory. Described as 'elegant' (The Times) and 'unmistakably Barnes' (Observer), it got us thinking:   Where is the line between memoir and novel? Is DEPARTURE(S) a love story? Are the memory bits too Oliver Sacksy?   Coming up: SEASCRAPER by Benjamin Wood.   Follow us:   Email: booksonthegopodcast@gmail.com Instagram: @abailliekaras Substack: Books On The Go   Credits   Artwork: Sascha Wilkosz  

The garden is a welcoming place for all, particularly for newcomers when guided by the gentle eye of Milli Proust, and under the instruction of her calming new book.Milli joins us once again, this time to share the inspiring journey that's led up to her most approachable book to date, and some of the easy-to-understand frameworks to create an effortlessly beautiful garden.In this episode, discover:How Milli Proust found floristry, and began creating a deeply loved, biodiverse garden in West SussexA gentle but practical way to think about why we garden focused around connection, memory, and belonging to natureMilli's “plant pyramid” and other simple frameworks for beginner gardeners planning borders Ideas for low-maintenance but beautiful gardens, including orchards underplanted with bulbs, and using local materialsMilli's taster course at Perch Hill on Wednesday 6th May 2026:https://www.sarahraven.com/products/milli-proust-taster-course-beginner-gardeners?srsltid=AfmBOopaQgpAKlaAx724RwtbLXGrmm_NkyOCTWu2N42YnAOUzRlu--wlOrder Milli's Book, ‘How Does Your Garden Grow?':https://www.amazon.co.uk/How-Does-Your-Garden-Grow/dp/1837832250Products mentioned:Aquilegia Vulgaris 'Hensol Harebell'https://www.sarahraven.com/products/aquilegia-hensol-harebellGalanthus nivalis (Common Snowdrop)https://www.sarahraven.com/products/galanthus-nivalisWild Marjoram (Origanum vulgare)https://www.sarahraven.com/products/wild-marjoramSyringa meyeri 'Flowerfesta Pink'https://www.sarahraven.com/products/syringa-meyeri-flowerfesta-pinkViburnum tinushttps://www.sarahraven.com/products/viburnum-tinusDaphne 'Perfume Princess'https://www.sarahraven.com/products/daphne-perfume-princessFollow Sarah: https://www.instagram.com/sarahravenperchhill/Get in touch: info@sarahraven.comShop on the Sarah Raven Website: http://bit.ly/3jvbaeuFollow us on Instagram: https://www.instagram.com/sarahravensgarden/Order Sarah's latest books: https://www.sarahraven.com/gifts/gardening-books?sort=newest

The Philosophy of Translation (Yale UP, 2024) is a fresh, approachable, and convincing account of what translation really is and what translators actually do. As the translator of sixty books from multiple languages, Damion Searls has spent decades grappling with words on the most granular level: nouns and verbs, accents on people's names, rhymes, rhythm, “untranslatable” cultural nuances. In this book, he connects a wealth of specific examples to larger philosophical issues of reading and perception. Translation, he argues, is fundamentally a way of reading—but reading is much more than taking in information, and translating is far from a mechanical process of converting one word to another. This sharp and inviting exploration of the theory and practice of translation is for anyone who has ever marveled at the beauty, force, and movement of language. In this episode, Ibrahim Fawzy sat down with Damion Searls to discuss The Philosophy of Translation, exploring what it truly means to read as a translator, how grammar shapes worldview, and where creativity lives in the space between languages. Damion Searls studied philosophy at Harvard and is a prominent translator from German, Norwegian, French, and Dutch, including books by Nietzsche, Wittgenstein, Rilke, Proust, Kielland, Jelinek, Schwitters, Mann, Modiano, and Fosse. His own books include the novel Analog Days, the poetry volume The Mariner's Mirror, and The Inkblots, a history of the Rorschach test and biography of its creator. Ibrahim Fawzy is an Egyptian literary translator and writer. He is the translator of Hassan Akram's A Plan to Save the World (Sandorf Passage, 2026). His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

S7 E9: Reading and the Brain w/ Dr. Maryanne WolfIn this episode, Alexis and Gerald were honored to be joined by Dr. Maryanne Wolf, one of the leading experts on the science of reading. Dr. Wolf shares a tremendous amount of knowledge and wisdom from her extensive career and experiences, as she continues to advocate for the needs of all students as it pertains to their development of and appreciation for reading.This discussion raises so many questions about our relationship with reading. We address topics such as the evolutionary nature of reading, the impact of technology on our reading brains, the interconnectivity of brain areas related to reading, progressive and effective modes of reading instruction, Dyslexia, and how reading relates to humanity and our relationship with one another.SummaryEvolutionary nature of readingUnderstanding of how reading is learnedImpact of technology on our reading brainsThe interconnectivity of brain areas related to readingEffective modes of reading instructionConnections between reading, empathy, & humanityDr. Maryanna Wolf is a scholar, a teacher, and an advocate for children and literacy around the world. She is the Director of the newly created Center for Dyslexia, Diverse Learners, and Social Justice at the UCLA Graduate School of Education and Information Studies. Previously, she was the John DiBiaggio Professor of Citizenship and Public Service and Director of the Center for Reading and Language Research in the Eliot-Pearson Department of Child Study and Human Development at Tufts University. Dr. Wolf obtained her doctoral degree in Human Development and Psychology at Harvard University. She is the author of Proust and the Squid: The Story and Science of the Reading Brain (2007, HarperCollins), Dyslexia, Fluency, and the Brain (Edited; York, 2001), Tales of Literacy for the 21st Century (2016, Oxford University Press), and Reader, Come Home: The Reading Brain in a Digital World (August, 2018, HarperCollins). Welcome to the Reid Connect-ED podcast, we are honored to have you join us today.The Reid Connect-Ed Podcast is hosted by Siblings Alexis Reid, M.A. and Dr. Gerald Reid, produced by CyberSound Recording Studios, and original music is written and recorded by Gerald Reid (www.Jerapy.com).*Please note that different practitioners may have different opinions- this is our perspective and is intended to educate you on what may be possible.Show notes & Transcripts: https://reidconnect.com/reid-connect-ed-podcastFollow us on Instagram @ReidConnectEdPodcast and X @ReidConnectEdStreaming everywhere (Apple Podcasts, Spotify, YouTube, etc.)Be Curious. Be Open. Be Well.

Jo takes us on a whirlwind tour of their recent reading, including Mary Helen Washington's Paule Marshall: A Writer's Life, and Charlotte explains why Susanna Moore's In the Cut is one of the most thrilling novels she's ever encountered. Then, the profoundly thoughtful Jamie Hood joins to explore the many boyfriends and political disappointments of Doris Lessing's The Golden Notebook. Jamie Hood is the author, most recently, of Trauma Plot: A Life, the hybrid pandemic diary how to be a good girl, the semi-monthly, Proust-infused newsletter, regards, marcel, and a book of love poems, forthcoming in 2026. She has written extensively on books, feminism, #MeToo, and other political matters for many publications, some of them even prestigious. She lives in Brooklyn.Please consider supporting our work on Patreon, where you can access additional materials and send us your guest and book coverage requests! Questions and comments can be directed to readingwriterspod at gmail dot com. Outro music by Marty Sulkow and Joe Valle.Charlotte Shane's most recent book is An Honest Woman. Her essay newsletter, Meant For You, can be subscribed to or read online for free, and her social media handle is @charoshane.  Jo Livingstone is a writer who teaches at Pratt Institute. Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This is a free preview of a paid episode. To hear more, visit andrewsullivan.substack.comMichael is quite simply one of the best nonfiction writers out the planet: a real role model. He's been a contributing writer to the New York Times Magazine since 1987, and he's the bestselling author of many books, including How to Change Your Mind — which I reviewed in 2018 — and its sequel, This Is Your Mind on Plants, which we discussed on the Dishcast in 2021. This week we covered his new book, A World Appears: A Journey Into Consciousness.For two clips of our convo — on the magic of spontaneous thoughts, and the consciousness of kids — head to our YouTube page.Other topics: toasters and other things that don't have consciousness; Thomas Nagel's bat; panpsychism; Francis Crick trying to solve consciousness; the global neuronal workspace theory; how brains are not like computers; AI and consciousness; Proust; James Joyce; Wordsworth and the Romantics; William James and stream of consciousness; Lucy Ellmann's Ducks, Newburyport; words on the tip of your tongue; phenomenology; letting your mind wander; Addison's Walk at Oxford; how smartphones distract from thinking; Trump taking up our headspace; Oakeshott and “the deadliness of doing”; AI and UBI; Allison Gopnik's lantern vs spotlight consciousness; how a child's brain resembles an adult's on psychedelics; ego death; the default mode network; meditation; the flow state of deep reading; the benefits of boredom; habit and ritual; my 10-day silent meditation retreat; the sentience of plants; Buddhism and Matthieu Ricard; the soul; the film Into Great Silence; and the disenchantment of the Enlightenment.Browse the Dishcast archive for an episode you might enjoy. Coming up: Jeffrey Toobin on the pardon power, Derek Thompson on abundance, Matt Goodwin on the earthquake in UK politics, Jonah Goldberg on the state of conservatism, Tom Holland on the Christian roots of liberalism, Tiffany Jenkins on privacy, Adrian Wooldridge on “the lost genius of liberalism,” Tom Junod on his memoir and masculinity, and Kathryn Paige Harden on the genetics of vice and virtue. As always, please send any guest recs, dissents, and other comments to dish@andrewsullivan.com.