Podcasts about proust

durée : 00:03:53 - On va déguster - par : François-Régis Gaudry - Un vrai câlin sucré qui est la madeleine de Proust de nombreux gourmands de Gascogne Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:03:53 - Le marché de François-Régis Gaudry - par : François-Régis Gaudry - Un vrai câlin sucré qui est la madeleine de Proust de nombreux gourmands de Gascogne Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:25:16 - Les Nuits de France Culture - par : Albane Penaranda - En 1953, au micro de Francine Leullier, l'écrivain Raymond Queneau s'exprime sur le roman dans une émission consacrée à l'Académie Goncourt. Il évoque la figure des frères Goncourt et en profite pour citer d'autres écrivains qu'il admire particulièrement comme Proust, Joyce, Faulkner et Huysmans. - équipe : Mathias Le Gargasson, Antoine Dhulster, Rafik Zénine, Vincent Abouchar, Emily Vallat, Hassane M'Béchour, Laurence Jennepin, INA Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Por Yaiza SantosDe cara a las próximas elecciones, el señor Núñez Feijóo no ha de plantear ningún programa político sino moral: su primera obligación como presidente será recobrar la decencia y el asombro. La extinción del asombro, estimó, es una de las principales características de los últimos años.Dijo esto al hilo de las escenas que ha dejado la asamblea de la ONU, especialmente las que atañen a Sánchez, Delcy y Trump. El epítome de la traición, la foto de estos dos. Como quiera que andan los apocalípticos vaticinando nuestra muerte a manos de la inteligencia artificial, quiso mostrar el ingenio de Claudia al respecto: "Delcy ha sido absolutamente fiel al chavismo: ha conservado el poder. Lo demás eran detalles".Se detuvo en todas las tonterías que se dicen sobre la IA, en concreto en la política: "Una redacción descuidada de los discursos dará lugar a una política descuidada", dijo Alan Lockey, que fue redactor de discursos Starmer. ¡Quia! ¿Acaso no se redactaban antes descuidados discursos? Mire, mire las cosas que dice Gepetto, indicó a Santos: "El peligro no es que la máquina escriba clichés. Es que les quite el trabajo a personas que llevan doscientos años haciéndolos artesanalmente", "El Parlamento viene de parler. Como sigamos así acabará viniendo de copier-coller" o "La democracia representativa alcanza su perfección: usted vota a un señor para que lea un texto escrito por alguien que no se presentó a las elecciones y que además no es alguien". Jo, jo, jo.Dos fiskings orales fueron necesarios por exceso de literatura: a Pàmies por la necro de su viejo amigo Marcos Ordóñez y a Millás por esa tontería sobre la frase de Proust.La animadversión de las chicas por Sidney Sweeney quedó explicada en papers sobre tetas y Santos cerró entonando los dos gallos.Y fue así que Espada yiró.Bibliografía:- "Genes y calle", Arcadi Espada, La Lectura.- "Un brindis por Marcos Ordóñez", Sergi Pàmies, La Vanguardia.- "Intento de suicidio", Juan José Millás, El País.- "Ciencia, cerdos y dinero: la carrera entre EE UU y China por hacer viables los trasplantes de animales a humanos", Daniel Mediavilla, El País.- Burning papers: Ray Garza y Farid Pazhoohi, "Intrasexual Competition in Women's Likelihood of Self-Enhancement and Perceptions of Breast Morphology: A Hispanic Sample" (Sexes, 29 de enero de 2023) y "The Role of Breast Morphology in Women's Rival Derogation Tactics" (Sexes, 24 de junio de 2024).- BSO. Hosted on Acast. See acast.com/privacy for more information.

O Museu Carnavalet celebra 160 anos em outubro de 2026 com uma programação que projeta o passado como ferramenta de leitura do presente. Criado em 1866, durante as reformas urbanas conduzidas por Haussmann, que redesenharam Paris no século 19, o museu revisita sua missão ao incorporar novas narrativas, pesquisas emergentes e mediações contemporâneas. O aniversário reúne jovens pesquisadores, visitas temáticas, mediações queer, objetos insólitos e experiências oníricas. O Museu Carnavalet, o mais antigo da capital francesa, completa 160 anos em um momento em que Paris volta a ser discutida como objeto histórico e laboratório urbano. A instituição, que nasceu para registrar as transformações do século 19, organiza uma celebração que busca atualizar essa vocação. A programação de outubro de 2026 não pretende apenas marcar uma data, mas reposicionar o museu diante de debates contemporâneos sobre memória, pesquisa e mediação cultural. O aniversário reúne iniciativas que vão da pesquisa acadêmica à experimentação artística, passando por formatos de visita que deslocam o olhar tradicional sobre a cidade. A escolha por atividades gratuitas e de acesso livre reforça a intenção de ampliar o público e diversificar as formas de aproximação com o acervo. O Carnavalet chega a essa comemoração depois de uma década marcada por mudanças estruturais. A renovação concluída em 2021 reorganizou o percurso expositivo, ampliou a acessibilidade e atualizou a narrativa histórica. A celebração dos 160 anos se insere nesse processo de revisão institucional, que busca integrar temas antes periféricos na história oficial de Paris. O museu ocupa dois edifícios históricos no Marais: o Hôtel Carnavalet, construído entre 1548 e 1560 e ampliado por François Mansart, e o Hôtel Le Peletier Saint-Fargeau, de 1688, incorporado ao conjunto apenas em 1989. A trajetória dos prédios, marcada por usos distintos ao longo dos séculos, reforça a ideia de que a história urbana é feita de camadas que se sobrepõem. Com mais de 640 mil obras, o acervo cobre períodos que vão da Pré-História à atualidade. Desde a reabertura, o museu recebeu mais de 5 milhões de visitantes. Novas formas de ler a cidade O festival “Paris à la loupe”, realizado nos dias 2 e 3 de outubro, é o eixo intelectual da celebração. A iniciativa reúne mais de 40 jovens pesquisadores de 12 áreas distintas, em parceria com instituições municipais de memória e documentação. A proposta é apresentar recortes que ampliem o repertório de temas associados à história de Paris. O evento reforça a ideia de que a história urbana não é estática e depende de revisões constantes. Ao colocar jovens pesquisadores no centro da programação, o museu sinaliza que pretende incorporar novas abordagens ao seu trabalho de mediação. O fim de semana “Rêver Paris” ("Sonhar Paris"), concebido pelo Comitê de Jovens Adultos, propõe uma aproximação menos convencional com as coleções. A escolha do tema onírico não busca criar uma atmosfera fantasiosa, mas testar formas alternativas de circulação pelo acervo. A iniciativa nasceu de um processo participativo desenvolvido pelo museu com jovens entre 18 e 26 anos. “Nós imaginamos uma festa, um fim de semana festivo em vários momentos, pensado e construído para e com um público de jovens adultos. Trabalhamos durante algum tempo para chegar a isso. E um primeiro elemento importante foi ter associado a essa festa o comitê de jovens adultos do museu, para colocar em prática um projeto de participação cidadã no qual 50 jovens de 18 a 26 anos se envolvem e participam das escolhas de orientação da instituição. Durante um ano, eles estiveram conosco em intervalos regulares, e nós os consultamos. Foi muito importante para nós ouvi-los e ver como eles imaginavam o futuro do museu e, de certa forma, o futuro de Paris”, afirma Néguine Matthieux, conservadora de Patrimônio do Museu Carnavalet. Leia tambémMuseu Carnavalet mergulha na relação de Proust com Paris para celebrar os 150 anos do escritor Mais do que um tema festivo, a proposta procura explorar a imaginação como ferramenta de reflexão sobre a cidade. “Nós queríamos introduzir um pouco de sonho, de imaginação. É verdade que o cotidiano e a realidade andam muito presentes, e, às vezes, são um pouco difíceis. E existe essa ideia de que também precisamos escapar um pouco dessa realidade para compreender melhor o presente e a nós mesmos, para conseguir nos projetar no futuro e, talvez, para não nos impor limites. Também precisamos dizer a nós mesmos que podemos imaginar coisas para além dos modelos atuais e das dificuldades do presente, e que precisamos buscar invenção, criatividade e coisas diferentes para nos construirmos individualmente ou coletivamente a Paris de amanhã”, diz. A noite de 3 de outubro inclui um jogo imersivo criado pelo coletivo “Sculpteurs de Rêves” (“Escultores de Sonhos”), que ocupa as salas com intervenções pontuais. Nos jardins, o grupo NODZ apresentará um concerto de inspiração jazzística, acompanhado de performances e DJ set. “Teremos uma experiência ao mesmo tempo imersiva e enigmática. A proposta é viver uma noite que revisita 160 anos de sonhos parisienses, colocando também o universo dos sonhos, da celebração e, talvez, da utopia e da imaginação no centro de tudo. Porque também precisamos disso para nos projetarmos e imaginarmos outras possibilidades. Imaginamos um jogo que reflete isso, que acompanha essa ideia. Teremos noites musicais e visitas inusitadas, singulares, criativas e até divinatórias, sempre de forma divertida”, afirma Matthieux. Leia tambémExposição em Paris revisita Madame de Sévigné e o poder feminino nos salões da França do 'Rei Sol' Narrativas alternativas A celebração inclui visitas que abordam temas pouco explorados na história oficial da cidade. Entre elas, “Paris-ci par-là”, dedicada ao século 19, e “Os objetos insólitos do museu”, que apresentam peças raras e curiosas capazes de revelar aspectos menos conhecidos da vida parisiense. As visitas divinatórias, conduzidas pela cartomante Léone Metayer, utilizam o tarot de Marselha como ferramenta de interpretação simbólica das obras. A proposta não substitui a leitura histórica, mas oferece um percurso que combina jogo e observação. As visitas “Paris Queer”, realizadas pela Queer Tours France, iluminam trajetórias LGBTQIA+ que moldaram a vida cultural e política da capital. O Bingo Drag, animado pela Kings Factory, vai apresentar as práticas das cenas drag king parisienses, reforçando a dimensão comunitária da programação. A abertura do Centro de Recursos, prevista para o primeiro trimestre de 2027, marca uma nova fase para o Carnavalet. O espaço permitirá consultar documentação, biblioteca e arquivos, além de oferecer acesso às coleções em reserva — incluindo artes gráficas, fotografias, numismática e objetos de memória. A iniciativa pretende estimular a pesquisa sobre Paris e facilitar o diálogo entre especialistas, estudantes e público geral, reforçando a ideia de que o museu não é apenas um espaço de exposição, mas também de produção e circulação de conhecimento.

In this week's episode photographer, Alex Majoli takes on our ‘Proust Photo Quiz'… The Proust Questionnaire is a set of questions answered by the French writer Marcel Proust. Proust answered the questionnaire in a confession album, a form of parlour game popular at the end of the 1890s. The album, titled An Album to Record Thoughts, Feelings, etc.was found in 1924 and published in the French literary journal Les Cahiers du Mois. Our ‘Proust Photo Quiz' is an adaption of the original text. Alex Majoli Majoli was born in Ravenna, Italy, in 1971 and attended the Art Institute in Ravenna. His career began to develop after he photographed the closing of the notorious insane asylum on the island of Leros in Greece, which resulted in his first monograph, Leros. Majoli's early interest in psychiatric care led him to Brazil, which marked the beginning of his twenty-year-long, ongoing project, Tudo Bom, a body of work documenting the multi-layered country, and the extremes found in the darker side of its society. The experience of photographing people in all kinds of circumstances led him to explore the idea that everyone is an actor in their own life. This is why he started the ongoing project, Scene in which his images become scenes in which people, through their performances, express themselves in what becomes a film set or a theater stage. Majoli's work is held in various public collections, including the Museum of Fine Arts in Houston, Nelson-Atkins Museum of Art, International Center of Photography, MUFOCO and Mucem. Among many honours, he has received the W. Eugene Smith Memorial Fund Fellowship for Humanistic Photography, a Guggenheim Fellowship, an ICP Infinity Award, a Getty Images Grant. He was NPPA Photographer of the Year and received an OPC Feature Photography Award. His books include One Vote (2004), Libera Me (2010), Congo (2015), Andante (2018), Scene (2019) and Opera Aperta (2021). Majoli joined Magnum Photos in 1996, becoming a full member in 2001 and lives in New York. www.magnumphotos.com/photographer/alex-majoli/ Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott continues to work as a photographer, writer and filmmaker and is the Subject Coordinator for both undergraduate and post graduate study of photography at Oxford Brookes University, Oxford, England. © Grant Scott 2026

Qui ne se souvient pas avec nostalgie des gadgets extraordinaires et des bandes dessinées dénichés chez le marchand de journaux du coin ? Dans cet épisode de La minute Crooner Attitude, l'hôte et chroniqueur Jean-Baptiste Tuzet célèbre le grand retour du mythique magazine Pif Gadget, véritable madeleine de Proust des années pop. Né en 1969 sous le crayon de José Cabrero Arnal et aujourd'hui relancé par Smart Group, le journal de Pif le chien et Hercule s'adapte aux enjeux modernes en abandonnant son ancrage politique d'époque pour se tourner vers l'écologie et la sensibilisation scientifique. Entre son nouveau format trimestriel en kiosque, ses gadgets écoresponsables comme les graines pour les abeilles, et sa déclinaison en série animée sur Canal+ Kids, ce billet d'humeur décrypte la renaissance réussie d'une icône de la presse jeunesse. Une analyse rafraîchissante qui ravivera vos souvenirs d'enfance tout en vous donnant les clés pour transmettre ce patrimoine culturel aux plus jeunes.La Minute Crooner Attitude, le billet d'humeur de Jean-Baptiste Tuzet, tous les jours de la semaine, 9 h 15 et 19 h 15 sur Crooner Radio. Plus d'informations et podcasts www.croonerradio.frHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Bienvenue dans un nouvel épisode de Corps & Esprit, le podcast qui muscle ton corps et renforce ton esprit.Aujourd'hui, Flavio et Meryl reçoivent Romain Bouvet, docteur en psychologie sociale et cognitive, ancien chercheur et expert en neuromarketing, spécialisé dans l'accompagnement des marques de l'économie positive. Sa mission : donner aux entreprises qui font de bons produits les outils pour exister face aux géants de l'industrie agroalimentaire. Un épisode qui change le regard qu'on porte sur chaque rayon de supermarché et sur nos propres choix !  Ebook récapitulatif de l'épisode : https://go.nutripreneur.com/e-book-corps-et-esprit-episode-special-neuromarketing Dans cet épisode, Romain explique :- Comment les couleurs, les polices, les odeurs et la musique d'un magasin influencent nos décisions sans qu'on s'en rende compte- Pourquoi le mot "naturel" sur un packaging est avant tout un déclencheur marketing et ce qu'il ne dit pas- Ce qui se passe vraiment dans notre cerveau quand on choisit un aliment et pourquoi l'état émotionnel est le facteur numéro 1- Pourquoi comparer le sucre à la cocaïne est un mythe scientifique et ce qu'est vraiment l'addiction alimentaire- Comment Uber Eats et la disparition des frictions ont amplifié le phénomène de la malbouffe Un épisode rare, avec quelqu'un qui connaît les deux côtés du miroir et qui choisit d'en parler clairement. Épisode sponsorisé par Nutripreneur : -20% sur l'une de tes commandes avec le code "CORPSETESPRIT20" (valable une seule fois, que ce soit ta première commande ou non !)

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Silki a un parcours incroyable ! Avant de s'installer à Angoulême, où elle fait aujourd'hui partie de la communauté des auteurices, elle est née en Corée, a étudié en Inde, puis a publié plusieurs ouvrages très différents, de Kimchi Baguette (d'abord paru sur Instagram dans Matin, quel journal !) à Je vais bien ou pas, en passant par Malgré tout je suis ici ou, plus récemment, Comme ci comme ça. Des livres dans lesquels elle raconte son parcours avec beaucoup d'humour et de sensibilité, tout en pointant les travers de notre société.Mais en cette rentrée, Silki change de registre en dessinant Flocons, un album scénarisé par Marc Lizano. Une histoire de deuil, de famille et de transmission, qui se déroule entre les montagnes enneigées et l'habitacle d'une voiture. Vous voulez en savoir plus ? Écoutez ce podcast ! Et en bonus, Silki se prête à notre traditionnel questionnaire de Proust version BD. Bonne écoute !Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Valentina Fortichiari"Mi sono conosciuto nel sogno"DiarioGuido MorselliEdizioni Adelphiwww.adelphi.itNuova edizione ampliata a cura di Valentina FortichiariPrefazione di Giuseppe PontiggiaA partire dal 1938, e pressoché sino alla morte, avvenuta nel luglio del 1973, Guido Morselli tenne un diario dove annotava le sue riflessioni sui temi più svariati. Puntigliosamente, da eterno dilettante – dietro il quale si celava un talento ben più saldo di quello di tanti illustri contemporanei –, Morselli prende spunto dalle letture, dagli incontri, dai fatti della vita per chiarire a sé stesso cosa pensare. E spesso pensa con la mente dei personaggi che ha creato, aiutandoci così a penetrare nel suo mondo speculativo e fantastico, e a comprendere i suoi procedimenti narrativi. Non solo: come ha notato Giuseppe Pontiggia, Morselli «rivive scene già descritte, le integra con una memoria visionaria, apprende particolari retrospettivi, conversa con i personaggi» – come se questi abitassero in permanenza il suo io plurimo. C'è difatti, in queste note di diario, una freschezza, un'acutezza, che subito ricolleghiamo al memorabile narratore dei romanzi e al delicato tessuto di pensiero che questi sottintendono. Come anche vi ammiriamo l'agilità mentale e il lucido equilibrio che gli consentono di elaborare posizioni teoriche – per esempio sulla crisi del romanzo – così originali e in anticipo sui tempi da condannarlo alla solitudine e all'emarginazione. Per lui, del resto, la vita spirituale implica due elementi: «una scelta, e la fedeltà a quello che si è scelto. Così nell'amore, così nei nostri rapporti coi luoghi e con le cose (non li possediamo, se non ci dedichiamo a essi con costanza, senza intermittenze); così nel conoscere». I sogni e le annotazioni di carattere più intimo, infine, aprono uno spiraglio prezioso sulla persona Guido Morselli: per usare ancora le parole di Pontiggia, «quando si esamina allo specchio, Morselli ha l'occhio visionario e oggettivo dei maestri dell'autoritratto. Sono le pagine più intense, e più importanti espressivamente, del diario».Guido Morselli nasce a Bologna il 15 agosto 1912 e muore suicida a Varese il 31 luglio 1973. Cresciuto a Milano, si laurea in giurisprudenza nel 1935, ma rinuncia presto a una carriera convenzionale per dedicarsi interamente alla scrittura, vivendo in modo appartato a Gavirate dal 1952 fino alla morte. In vita pubblica solo due saggi, Proust o del sentimento (1943) e Realismo e fantasia (1947), mentre tutti i suoi romanzi vengono rifiutati dagli editori: diventa così l'emblema dello scrittore "inedito" per eccellenza. Solo dopo la morte, grazie soprattutto ad Adelphi, la sua opera narrativa viene pubblicata e rivalutata come una delle voci più originali del Novecento italiano, con titoli come Dissipatio H.G., Il comunista, Divertimento 1889 e Contro-passato prossimo.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

durée : 00:07:40 - Le masque et la plume - par : Rebecca Manzoni - Larmes, Proust convoqué, adieu à l'Amérique d'hier : les critiques du Masque s'enflamment, et sanglotent, sur le dernier McInerney. Entre tendresse nostalgique et déception assumée, un débat aussi savoureux que le roman qu'il dissèque. - équipe : Ilinca Negulesco, Stéphane Le Guennec, Maëlle Couillard - invités : Raphaëlle Leyris Journaliste au Monde, critique littéraire, Arnaud Viviant Critique littéraire (Revue Regards), Philippe Trétiack Journaliste et écrivain, Elisabeth Philippe Critique littéraire (L'Obs) Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

“You can't talk people out of wanting a burger.” — Erin Somers In February, Bruce Friedrich came on the show to explain how lab-grown meat would save the planet. Today's guest is less sanguine about this revolution. Erin Somers — author of the bestselling novel The Ten Year Affair and a twenty-year vegetarian — spent a year exploring our supposedly meatless future. In “Where's the Beef?”, the cover story of this month's Harper's, Somers describes the still-born lab-grown-meat revolution that wasn't. The problem, Somers explains, isn't technological. Having raised $330,000 from Sergey Brin, the Dutch scientist Mark Post grew the first burger from cow shoulder cells back in 2013. What subsequently failed is everything else. The price never fell, VCs lost interest, conservatives legislated against it, and the industry's best hope, Believer Meats, went bankrupt. Above all, the revolution never went mainstream. “You can't talk people out of wanting a burger,” Somers explains. Somers' journey ended at the iconic Berkeley Bowl where she was offered a Sumo orange, a hybrid fruit engineered to be both delicious and resilient. Technology fed her after all. Just not in the way that revolutionaries like Bruce Friedrich predicted. The revolution won't be meatless. Let's hope we can still save the planet. Five Takeaways •       The Woolly Mammoth Meatball. Somers's obsession began around 2022, when the Australian company Vow extracted DNA from a fossil and made a woolly mammoth meatball — which, because no one could be sure meat grown from DNA that old was safe, no one was allowed to eat. A forbidden food, conjured at great expense: to Somers, the perfect emblem of an industry that was always “a microcosm of what is going on culturally” — a gold-rush mentality among investors, a tech product perpetually not-quite-arriving, and a carnival of curiosities around the edges. It speaks, she says, directly to our AI moment: massive hype, cons and bills of goods sold in the meantime, and the actual product arriving years late in a different form. Her quest began with the simplest motive in journalism: “I just really wanna taste it.”•       The Technology Works. Nobody's Clamoring. The scientific story is genuine: Mark Post grew the first lab burger from cow shoulder cells in 2013 — two years' work, $330,000, bankrolled by Sergey Brin, eaten live at London's Riverside Studios — and the field has since scaled from petri dishes to bioreactors the size of a beer brewery. “They can actually do the things that they say.” What's missing is everything downstream: a price point anywhere near conventional meat (two to four times as expensive), a trained workforce, and — the quiet killer — demand. “No one's clamoring for it.” The shuttered North Carolina factory Somers visited stands fully equipped and ready to run; it simply “didn't quite make it over the finish line.” Even MrBeast, blind-testing Upside Foods' cultivated chicken sandwich for millions of viewers, couldn't tell the difference — which made Somers, still untasted at the time, irrationally jealous.•       The Believer Collapse. The piece's centerpiece has a novelist's timing. The day before the industry's trade conference in North Carolina's Research Triangle — the unexpected hub, anchored by the Bezos Center for Sustainable Protein at NC State — Somers drove forty-five minutes into the countryside to check on Believer Meats' multimillion-dollar facility and found it shuttered. The next day, sitting among the assembled scientists and funders, the news broke: the company that was the industry's best hope for reaching the market had gone bankrupt. Gossip filled every conference break; the postmortem was unanimous — they scaled too quickly, pushed by backers to move faster than they were ready to — and the mood sank, with two full days of programming about “the future of the industry” still to run. Andrew's question wrote itself: after The Ten Year Affair, has America's affair with artificial meat ended? She tasted the meat. The affair, they agreed, is concluded.•       The Pincer. Two forces squeezed the industry simultaneously. The venture capitalists “abandoned ship once they saw how hard it was going to be” — no blame assigned, exactly: “they did what they do. They sought to make money. They bailed.” And conservative legislatures turned a tiny industry into a wedge issue, conjuring “the straw man of lab-grown meat enthusiasts who are going to take away your beef burgers” — laughable, Somers argues, since the industry “poses so little threat that it's kind of laughable that it's been legislated against at all. It's almost total theater.” Bezos's $30 million center gets measured credit — real work, smart people, and a drop in the bucket. Her deeper conclusion cuts against food moralism: personal responsibility won't slow climate change. The fix must come from legislation and innovation, “because you can't talk people out of wanting a burger.” The likely future, per past guest George Monbiot's territory: a hybrid — regenerative agriculture plus alternative proteins plus policy.•       The Sumo Orange. Is this an obituary? Somers thinks not — Andrew's analogy: AI survived its own winters in the eighties and nineties, and downturns are chapters, not endings. The scientists are still at work, the innovations will surface elsewhere in food systems and medicine, and “nothing... will go to waste.” Her ending makes the point by indirection: at a Mission Barns tasting at the Berkeley Bowl — Andrew's favorite store on earth — a marketing director walked her through the produce section and pressed two oranges on her. Walking away, she ate a Sumo orange: not naturally occurring, a hybrid born of food science, “engineered to be delicious and... engineered to be resilient.” Look what technology can give us, she concluded — “it's not so dark.” Proust had his madeleine; Somers has her orange. A new novel is begun, two years out; a return visit is promised. About the Guest Erin Somers is a writer, essayist, and critic in Beacon, New York. She is the author of the novels Stay Up with Hugo Best and the bestselling The Ten Year Affair; her journalism and criticism have appeared widely. “Where's the Beef? The Lab-Grown-Meat Revolution That Wasn't” is the cover story of the September 2026 issue of Harper's Magazine. A vegetarian of twenty years, she has now, finally, tasted the meat. Her third novel is underway. References: •       “Where's the Beef? The Lab-Grown-Meat Revolution That Wasn't” by Erin Somers — Harper's Magazine, September 2026. The second piece from this issue on the show this week, after Finn Brunton's “The Chaos Machine.”•       The Ten Year Affair and Stay Up with Hugo Best by Erin Somers — the novels; a third is underway.•    &nbs...

Nous sommes le 22 novembre 1922. Jetons un coup d'œil au Figaro, ce quotidien de droite fondé un peu moins d'un siècle auparavant, on peut y lire : « Les obsèques de M. Marcel Proust ont été célébrées hier, à midi, en l'église Saint-Pierre de Chaillot. (…) Le deuil était représenté par le docteur Robert Proust et Mme R.Proust, frère et belle-sœur de l'écrivain, et Mlle Proust, sa nièce. Les honneurs militaires ont été rendus au chevalier de la Légion d'honneur par un détachement d'officiers de la place de Paris. De belles couronnes étaient adressées par la Nouvelle Revue française, l'Union des Arts, etc. » Ensuite, le journal égrène les très nombreuses personnes présentes dans l'assemblée. Ce sont les grands noms du « tout Paris », il y en a des dizaines… De la présence de la fidèle et dévouée Céleste Albaret : pas un mot. Pourtant, elle était bien là. Comme beaucoup d'admirateurs, elle a suivi le convoi à pied pendant plus de deux heures jusqu'au cimetière du Père-Lachaise. Céleste, « mon amie de toujours » comme la nommait Proust, entrée à son service en août 1914. « Sans vous, je ne pourrai plus écrire » déclarait le Maître. Céleste, la muse et l'inspiratrice qui, une trentaine d'années après la disparition de l'auteur de « La Recherche », deviendra le témoin privilégié, la gardienne de la mémoire de l'une des figures majeures de la littérature du vingtième siècle. Qui était Céleste Albaret ? Retrouvons-la sur son chemiN avec Laure Hillerin, autrice de « À la recherche de Céleste Albaret - L'enquête inédite sur le captive de Marcel Proust » éditions Flammarion. Sujjets traités : Celeste Albaret, servante, muse, Marcel Proust Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Merci à notre commanditaire ProCafetière :  https://tinyurl.com/procafetiere-jerr Pour obtenir le Café Whats Up : https://procafetiere.ca/collections/cafe-vrac/products/espresso-whats-up-cafe-vrac Utilise le code JERR20 pour 20% de rabais sur le sac Whats Up ;) Jordan Proust, journaliste spécialisé dans les conflits armés, était de retour en studio pour nous raconter sa quatrième expédition au cœur de la guerre en Ukraine, où il a frôlé la mort. Il nous offre ce que peu de médias peuvent montrer : un portrait non-manichéenne de l'état actuel du conflit, de la réalité vécue par les soldats sur le terrain et de la transformation radicale du champ de bataille. Il explique comment la révolution des drones redéfinit les stratégies militaires et bouleverse les règles de la guerre moderne… et celles de demain. Enregistré le 06 août 2026. Pour suivre Jordan Proust : https://www.facebook.com/PassionMilitaria/ https://www.instagram.com/passionmilitaria/ https://www.tiktok.com/@passion.militaria https://www.youtube.com/@Passion.Militaria Pour lire l'article de Jordan Proust : https://www.ledevoir.com/auteur/jordan-proust Pour devenir membre et supporter le Whats Up Podcast : https://www.patreon.com/whatsuppodcast  Merci les patreon !!  Site web officiel : https://jerrallain.ca Pour suivre Jerr sur Instagram :  https://www.instagram.com/jerr_allain/  Pour suivre Jerr sur facebook : https://www.facebook.com/JerrAllainofficiel Contact : jerr.production@gmail.com  Pour vous abonner à mon Infolettre :  http://eepurl.com/hvpnhj

Cris llegó a mi vida gracias a su esposo, Tomás Quintero, más conocido como @lisergicos. Un día ellos me invitaron a su casa y pude ser testigo de una pareja que se quiere, se cuida y se cultiva intelectualmente. Lo que pense´fue "con razón". Con razón es tan rico hablar con él. Después descubriría que lo mismo pasaba con ella. Ya verán, la mujer TAN profunda y mísitica que es Cris.Aquí les dejo el listado de los libros mencionados:Un verdor terrible, Benjamín Labatut.Leonora, Elena Poniatowska.En busca del tiempo perdido (y otros), Proust.Maus, Art Spiegelman.Fahrenheit 451, Ray Bradbury.Cien años de soledad, Gabriel García Márquez.Los hermanos Karamazov, Fiodor DostoievskyCrimen y castigo, Fedor Dostoievsky.Lolita, Vladimir Nabokov.El adversario, Emmanuel CarrereLa rebelión de Atlas, Ayn RandLa última piel, Tomás QuinteroMarginalia, Juan Andrés ArangoErmitaños 9, María Clara MesaCementerio de animales, Stephen KingSolenoide, Mircea CartarescuJung y el Tarort, un viaje arquetípico, Salle NichollsBeloved, Tony MorisonCartas a un joven poeta, Rainer Maria RilkeEl acto creativo, Rick Rubin.

Quelle(s) dette(s) avons-nous envers nos professeur.e.s ? En cette rentrée scolaire, l'autrice Geneviève Damas écrit à Monsieur Lits. Sans lui, elle ne serait sans doute pas devenue écrivaine. Merci pour votre écoute Dans quel Monde on vit, c'est également en direct tous les samedi de 10h à 11h sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de Dans quel Monde on vit sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/8524 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

durée : 00:30:36 - Les Nuits de France Culture - par : Albane Penaranda - La lecture à voix haute par sa mère de "François le Champi" était l'un des grands plaisirs de Marcel Proust enfant. Une lecture à deux voix restitue pour les auditeurs ce "Plaisir de la lecture" dans l'émission du même nom, (1ère diffusion : 06/12/1960 Chaîne Nationale). - équipe : Mathias Le Gargasson, Antoine Dhulster, Rafik Zénine, Vincent Abouchar, Emily Vallat, Hassane M'Béchour, INA Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 01:59:53 - Les Matins de France Culture - par : Julie Gacon - À 7h38, Julie Gacon reçoit Tatiana Giraud, biologiste, spécialiste de la biodiversité, pour rendre compte de l'état de notre biodiversité. - équipe : Sam Baquiast, Anouk Milliot, Sarah Masson, Rodi Eken, Léa Capuano, Tina Iung, Salomé Erbs, Romain Rincon Hernandez Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:09:07 - Les Matins de France Culture - par : Julie Gacon - “Ma chère petite maman, veux-tu garder ce petit mot car j'y note en une seconde quelques pensées…” "En grand hâte, 1000 tendres baisers”... Les éditions Honoré Champion-Bibliothèque nationale de France publient cent lettres inédites, issues du fonds Proust de la BNF. - équipe : Sam Baquiast, Anouk Milliot, Sarah Masson, Rodi Eken, Léa Capuano, Romain Rincon Hernandez, Salomé Erbs - invités : Julie André Maîtresse de conférences à l'Ecole polytechnique et coresponsable de l'équipe Proust de l'ITEM (Institut des textes et manuscrits modernes) Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

A taste, a smell, a place, a song — something dormant rises suddenly from the depths. The Vedic tradition calls this Udīpana — stimuli that transport you. But where? Raghunath and Kaustubha explore that question through Proust's famous Madeleine moment and Akrūra finding Krishna's footprints in the cowherd pasture — the footprints whose pure dust the rulers of the planets hold on their crowns. This is a shadow world — it has the imprints of the real world but can't give you what the real world gives. The senses have the power to transport you. The question is always: where are they directed? Srimad Bhagavatam 10.38.15-39 ******************************************************************** LOVE THE PODCAST? WE ARE COMMUNITY SUPPORTED AND WOULD LOVE FOR YOU TO JOIN! Go to https://www.wisdomofthesages.com WATCH ON YOUTUBE: https://youtube.com/@WisdomoftheSages LISTEN ON ITUNES: https://podcasts/apple.com/us/podcast/wisdom-of-the-sages/id1493055485 CONNECT ON FACEBOOK: https://facebook.com/wisdomofthesages108 *********************************************************************

A taste, a smell, a place, a song — something dormant rises suddenly from the depths. The Vedic tradition calls this Udīpana — stimuli that transport you. But where? Raghunath and Kaustubha explore that question through Proust's famous Madeleine moment and Akrūra finding Krishna's footprints in the cowherd pasture — the footprints whose pure dust the rulers of the planets hold on their crowns. This is a shadow world — it has the imprints of the real world but can't give you what the real world gives. The senses have the power to transport you. The question is always: where are they directed? Srimad Bhagavatam 10.38.15-39 ******************************************************************** LOVE THE PODCAST? WE ARE COMMUNITY SUPPORTED AND WOULD LOVE FOR YOU TO JOIN! Go to https://www.wisdomofthesages.com WATCH ON YOUTUBE: https://youtube.com/@WisdomoftheSages LISTEN ON ITUNES: https://podcasts/apple.com/us/podcast/wisdom-of-the-sages/id1493055485 CONNECT ON FACEBOOK: https://facebook.com/wisdomofthesages108 *********************************************************************

Tu connais forcément cette sensation. Tu marches dans la rue et soudain, une odeur te frappe. Un parfum. L'odeur d'un gâteau. De la lessive. Ou même celle d'une vieille maison.Et en une fraction de seconde, tu n'es plus vraiment là. Tu te retrouves dans la cuisine de tes grands-parents. Dans la cour de ton école. Ou dans une maison où tu n'es peut-être pas retourné depuis vingt ans. Hébergé par Audion. Visitez https://www.audion.fm/fr/privacy-policy pour plus d'informations.

Besson might have lured us in with Marcel P., but we stayed for the STORY. Listen in to find out how the prose, the plotting and the TURN (??) in this novel function so well.

Amit Chaudhuri rejoins me to discuss his new novel/memoir/essay, Chateau Rouge. The book is about a writer who finds himself in a region of Paris, Chateau Rouge, filled with immigrants and their small business hustles, not cafes and patisseries. Shocked by how different Chateau Rouge is from the Paris of Hemingway and Proust, the narrator has to find a new way to understand what Paris is and what it means, without reliance on Parisian cliche.Amit and I discuss all of this, and also the broader question of how you find the meaning in the mundane. We also conclude the interview talking a bit about the filmmaker Yasujiro Ozu, whose films were also about the meaning of the mundane. I recommend starting Ozu with his film Good Morning, linked below. Amit recommends I was Born, But... also linked below. And you may be interested to learn that Good Morning is Ozu's own remake of I was Born, But...Chateau Rouge: https://flyleafbooks.com/book/9798896230878Good Morning: https://archive.org/details/good-morning_202012I was Born, But...: https://archive.org/details/i-was-born-but

Writer Naomi Kanakia has spent her adult life reading the so-called “great books,” those classic works of literature which are–depending who you ask–either deeply unfashionable, or a time-honored testament to human accomplishment. With What's So Great About the Great Books: Why You Should Read Classic Literature (Even Though It May Destroy You) (Princeton UP, 2026) Kanakia, a devoted lay reader, unpacks popular anxieties surrounding classic writers like Milton, Tolstoy, and Proust. Using the unpretentious approach she has cultivated on her popular Substack, Woman of Letters, Kanakia addresses common reservations about the great books, questions about why we should bother with literature with dated politics, or books exceedingly difficult to read. For plenty of readers, particularly those who came of age in the last decade, the answers may not be clear. Kanakia offers an intriguing reminder to challenge ourselves, to look beyond the walls of the ideology we have constructed for ourselves. (Just don't ask her about “Leviathan” by Thomas Hobbes.) “What's So Great about the Great Books” is out now with Princeton University Press. Megan Peck Shub (AKA Galley Hag) is a writer, journalist, and a producer who has won Emmy and Peabody awards for her work on Last Week Tonight with John Oliver on HBO. She previously worked on Finding Your Roots with Dr. Henry Louis Gates, Jr., the PBS history docuseries. Megan's eclectic slate runs the gamut from literature to pop culture to politics, with a particular focus where those topics intersect. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Writer Naomi Kanakia has spent her adult life reading the so-called “great books,” those classic works of literature which are–depending who you ask–either deeply unfashionable, or a time-honored testament to human accomplishment. With What's So Great About the Great Books: Why You Should Read Classic Literature (Even Though It May Destroy You) (Princeton UP, 2026) Kanakia, a devoted lay reader, unpacks popular anxieties surrounding classic writers like Milton, Tolstoy, and Proust. Using the unpretentious approach she has cultivated on her popular Substack, Woman of Letters, Kanakia addresses common reservations about the great books, questions about why we should bother with literature with dated politics, or books exceedingly difficult to read. For plenty of readers, particularly those who came of age in the last decade, the answers may not be clear. Kanakia offers an intriguing reminder to challenge ourselves, to look beyond the walls of the ideology we have constructed for ourselves. (Just don't ask her about “Leviathan” by Thomas Hobbes.) “What's So Great about the Great Books” is out now with Princeton University Press. Megan Peck Shub (AKA Galley Hag) is a writer, journalist, and a producer who has won Emmy and Peabody awards for her work on Last Week Tonight with John Oliver on HBO. She previously worked on Finding Your Roots with Dr. Henry Louis Gates, Jr., the PBS history docuseries. Megan's eclectic slate runs the gamut from literature to pop culture to politics, with a particular focus where those topics intersect. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Writer Naomi Kanakia has spent her adult life reading the so-called “great books,” those classic works of literature which are–depending who you ask–either deeply unfashionable, or a time-honored testament to human accomplishment. With What's So Great About the Great Books: Why You Should Read Classic Literature (Even Though It May Destroy You) (Princeton UP, 2026) Kanakia, a devoted lay reader, unpacks popular anxieties surrounding classic writers like Milton, Tolstoy, and Proust. Using the unpretentious approach she has cultivated on her popular Substack, Woman of Letters, Kanakia addresses common reservations about the great books, questions about why we should bother with literature with dated politics, or books exceedingly difficult to read. For plenty of readers, particularly those who came of age in the last decade, the answers may not be clear. Kanakia offers an intriguing reminder to challenge ourselves, to look beyond the walls of the ideology we have constructed for ourselves. (Just don't ask her about “Leviathan” by Thomas Hobbes.) “What's So Great about the Great Books” is out now with Princeton University Press. Megan Peck Shub (AKA Galley Hag) is a writer, journalist, and a producer who has won Emmy and Peabody awards for her work on Last Week Tonight with John Oliver on HBO. She previously worked on Finding Your Roots with Dr. Henry Louis Gates, Jr., the PBS history docuseries. Megan's eclectic slate runs the gamut from literature to pop culture to politics, with a particular focus where those topics intersect.

Writer Naomi Kanakia has spent her adult life reading the so-called “great books,” those classic works of literature which are–depending who you ask–either deeply unfashionable, or a time-honored testament to human accomplishment. With What's So Great About the Great Books: Why You Should Read Classic Literature (Even Though It May Destroy You) (Princeton UP, 2026) Kanakia, a devoted lay reader, unpacks popular anxieties surrounding classic writers like Milton, Tolstoy, and Proust. Using the unpretentious approach she has cultivated on her popular Substack, Woman of Letters, Kanakia addresses common reservations about the great books, questions about why we should bother with literature with dated politics, or books exceedingly difficult to read. For plenty of readers, particularly those who came of age in the last decade, the answers may not be clear. Kanakia offers an intriguing reminder to challenge ourselves, to look beyond the walls of the ideology we have constructed for ourselves. (Just don't ask her about “Leviathan” by Thomas Hobbes.) “What's So Great about the Great Books” is out now with Princeton University Press. Megan Peck Shub (AKA Galley Hag) is a writer, journalist, and a producer who has won Emmy and Peabody awards for her work on Last Week Tonight with John Oliver on HBO. She previously worked on Finding Your Roots with Dr. Henry Louis Gates, Jr., the PBS history docuseries. Megan's eclectic slate runs the gamut from literature to pop culture to politics, with a particular focus where those topics intersect. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Writer Naomi Kanakia has spent her adult life reading the so-called “great books,” those classic works of literature which are–depending who you ask–either deeply unfashionable, or a time-honored testament to human accomplishment. With What's So Great About the Great Books: Why You Should Read Classic Literature (Even Though It May Destroy You) (Princeton UP, 2026) Kanakia, a devoted lay reader, unpacks popular anxieties surrounding classic writers like Milton, Tolstoy, and Proust. Using the unpretentious approach she has cultivated on her popular Substack, Woman of Letters, Kanakia addresses common reservations about the great books, questions about why we should bother with literature with dated politics, or books exceedingly difficult to read. For plenty of readers, particularly those who came of age in the last decade, the answers may not be clear. Kanakia offers an intriguing reminder to challenge ourselves, to look beyond the walls of the ideology we have constructed for ourselves. (Just don't ask her about “Leviathan” by Thomas Hobbes.) “What's So Great about the Great Books” is out now with Princeton University Press. Megan Peck Shub (AKA Galley Hag) is a writer, journalist, and a producer who has won Emmy and Peabody awards for her work on Last Week Tonight with John Oliver on HBO. She previously worked on Finding Your Roots with Dr. Henry Louis Gates, Jr., the PBS history docuseries. Megan's eclectic slate runs the gamut from literature to pop culture to politics, with a particular focus where those topics intersect. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

Vinyles, cassettes audio, appareils photo argentiques, Renault 5 ou encore tournées d'artistes emblématiques... À rebours de la course à l'innovation, les produits et références du passé connaissent un véritable regain d'intérêt. Un phénomène qui dépasse la simple mode pour les entreprises, la nostalgie est devenue un puissant levier marketing et un marché particulièrement rentable. On parle souvent d'innovation, de nouvelles technologies et de produits capables de transformer notre quotidien. Pourtant, un phénomène prend aujourd'hui le contre-pied de cette tendance : le retour en grâce d'objets qui semblaient appartenir au passé. Et si cela peut sembler anecdotique, cette nostalgie est devenue un véritable moteur économique. Les spécialistes du marketing parlent d'un effet « Madeleine de Proust ». Un simple emballage, une musique, un logo ou un objet suffit à faire resurgir des souvenirs heureux. Et ces souvenirs ont une valeur économique. Le secteur de la musique illustre parfaitement cette évolution. Certes, les plates-formes de streaming comme Deezer ou Spotify dominent largement les usages, permettant d'écouter n'importe quel morceau à tout moment. Mais dans le même temps, un produit emblématique du passé retrouve ses lettres de noblesse : le vinyle. Aux États-Unis, il représente désormais un marché de plus d'un milliard de dollars, une première depuis le début des années 1980. La dynamique est similaire, même si elle reste plus modeste, pour les cassettes audio. La génération Z alimente cette demande Le plus étonnant est que ces produits ne séduisent pas principalement les consommateurs qui les ont connus. Les études montrent que ce sont surtout les membres de la génération Z, nés à la fin des années 1990 et au début des années 2000, qui alimentent cette demande. Beaucoup n'ont jamais utilisé de vinyle ou de cassette, mais ils en achètent malgré tout. Le même phénomène s'observe avec les appareils photo argentiques. Kodak a dû relancer certaines lignes de production de pellicules pour répondre à la demande, tandis que les appareils Polaroid ou Fujifilm séduisent à nouveau. Ce qui plaît, c'est autant l'expérience que le résultat : le caractère concret de l'objet, l'attente avant de découvrir les clichés, mais aussi l'imperfection des images. À l'inverse, les smartphones permettent de prendre une infinité de photos, parfois sans véritablement marquer le moment. Les marques misent sur leur patrimoine pour séduire les consommateurs Les entreprises ont parfaitement compris cette évolution des comportements. Plutôt que de créer sans cesse de nouveaux produits, certaines préfèrent valoriser leur patrimoine en modernisant des références déjà connues du grand public. Renault en est une parfaite illustration avec la nouvelle Renault 5. Le constructeur a ressuscité l'un de ses modèles emblématiques des années 1970, tout en l'adaptant aux attentes actuelles. La voiture est désormais électrique et intègre les technologies contemporaines, mais son design rappelle immédiatement un modèle qui a marqué plusieurs générations. Cette stratégie dépasse largement l'automobile. Dans le spectacle vivant, les reformations de groupes comme Oasis ou les Backstreet Boys rencontrent un immense succès. En France, le retour du télé-crochet Star Academy ou la tournée de la chanteuse Lorie témoignent de cette même dynamique. Dans tous les cas, ce n'est pas uniquement un produit ou un spectacle qui est vendu : c'est aussi une émotion, un souvenir et un sentiment de familiarité. Pourquoi la nostalgie est devenue un puissant levier économique Si les entreprises misent autant sur la nostalgie, c'est aussi pour des raisons économiques. Créer une marque ou lancer un produit inédit représente un investissement important et comporte une part de risque. À l'inverse, remettre au goût du jour une marque ou un produit emblématique permet de s'appuyer sur un univers déjà connu des consommateurs. Les marques historiques bénéficient d'un fort capital affectif et émotionnel, deux éléments particulièrement efficaces pour déclencher un achat. Les spécialistes parlent parfois de « rétrofuturisme » : une stratégie qui consiste à utiliser les codes du passé pour rendre les innovations plus rassurantes et plus désirables. Cette approche présente un autre avantage. Elle permet de toucher plusieurs générations simultanément. Les consommateurs les plus âgés retrouvent des objets qui leur rappellent leur jeunesse, tandis que les plus jeunes découvrent un univers qu'ils n'ont jamais connu. Pour eux, le vintage devient finalement... une nouveauté. À l'heure où l'innovation technologique s'accélère, le passé est ainsi devenu une ressource économique à part entière. Les entreprises ne vendent plus seulement un produit ou un service, elles commercialisent aussi une émotion, un souvenir et une part d'histoire.

Massimo Carloni"La sovranità delle cose eterne"Montesquiou, Proust e La RechercheMimesis Edizioniwww.mimesisedizioni.itVincitore del Premio: Prix Robert de Montesquiou 2025L'esprit di Montesquiou e il suo gusto modern style aleggiano ovunque negli ambienti frequentati da Swann, negli arredi orientaleggianti di Odette, negli abiti Fortuny di Albertine, per incarnarsi poi nella figura, a un tempo fantomatica e tragica, del barone di Charlus. Chiunque voglia respirare l'atmosfera in cui è germogliata la Recherche di Proust, coglierne le virtù segrete, dovrà esplorare quel giardino incantato, lussureggiante, esotico e soffuso di malinconia che è stata la vita e l'opera del suo “professore di bellezza”. Il libro ripercorre il connubio amicale e artistico tra Montesquiou e Proust, le rivelazioni folgoranti, i fervori estetici, i duelli, le pene, gli amori, fino all'incontro con l'ultima musa, l'orrenda signora in nero: la morte. Come per incanto risorge tutto un mondo mitologico popolato da personaggi leggendari che hanno ispirato tanto la poetica dell'effimero di Montesquiou, quanto l'apoteosi eterna dell'arte che Proust pone a suggello del Temps retrouvé.Massimo Carloni (1968), saggista, ha curato scritti e carteggi di Antoine Rivaroli, Charles Baudelaire, Marcel Proust, Paul Valéry, Emil Cioran. Ha curato i volumi: Il visitatore della sera di Marcel Proust (2019); Una segreta complicità, corrispondenza tra Emil Cioran e Mircea Eliade (2019) e Il profumo imperituro del tempo. Lettere e scritti (1893-1921) di Marcel Proust e Robert de Montesquiou (2020). È autore dell'opuscolo Kafka. Un destino di solitudine (2020).Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Today's guest is Hyoju Park, pastry chef and co-owner of Madeleine de Proust Pâtisserie in Melbourne, Australia. Her bakery and creative studio specializes in madeleines, the small French sponge cakes known for their shell-like shape. Hyoju's creations are anything but traditional and incorporate unexpected flavors, textures, and designs. She joins host Jessie Sheehan to talk about discovering madeleines for the first time when she was 14 in Korea, training in London, and how she and her business partner, Rong Yao Soh, started Madeleine de Proust as a pop-up before opening a brick-and-mortar. She also talks about their book, “Madeleine: Simple Bakes for Every Mood,” which has recipes ranging from Earl Grey and French toast madeleines to matcha red bean mochi, lemon meringue, and black truffle. Then, Hyoju walks through the Pink Carnation Madeleines recipe from the book, which was inspired by her mom and includes several components: a lemon yuzu ganache, black tea ganache, yuzu syrup and glaze, and pink chocolate enrobage. Click here for Hyoju's Pink Carnation Madeleines recipe.  Subscribe to our Substack for more baking news and recipes. Click here to order The Game Changers Issue of Cherry Bombe Magazine. Visit cherrybombe.com for magazine subscriptions, tickets to upcoming events, and more. More on Hyoju: Instagram, Madeleine de Proust, “Madeleines” More on Jessie: Instagram, Substack, “Salty, Cheesy, Herby, Crispy Snackable Bakes”

durée : 00:58:35 - Concordance des temps - par : Jean-Noël Jeanneney - Le prix Goncourt de Marcel Proust en 1919 fut un événement marquant. Pierre Assouline révèle comment l'écrivain, reclus, a construit sa légende et sa postérité par une correspondance habile et parfois flatteuse. - équipe : Vincent Abouchar, Jeanne Guérout Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

In this week's episode photographer and filmmaker Emily Garthwaite takes on our ‘Proust Photo Quiz'. The Proust Questionnaire is a set of questions answered by the French writer Marcel Proust. Proust answered the questionnaire in a confession album, a form of parlour game popular at the end of the 1890s. The album, titled An Album to Record Thoughts, Feelings, etc. was found in 1924 and published in the French literary journal Les Cahiers du Mois. Our ‘Proust Photo Quiz' is an adaption of the original text. Emily Garthwaite Garthwaite took up photography as a teenager intendeding to pursue painting at Central Saint Martins, but found herself studying Film and Photography. After working in club and fashion photography, she completed a Master of Arts in Photojournalism and Documentary Photography at the University of Westminster in 2016. It was when she visited India for the first time to scatter her grandmother's ashes in Assam, that she decided to work within photojournalism. The photographs from her months of travel through India were exhibited at the Norman Rea Gallery in 2014 under the title Afterlife. During the summer of 2015, Garthwaite worked with the Rațiu Family Charitable Foundation in Romania, where she documented the salt flats of Turda. In 2017, the Iranian Arts Institute invited her to photograph the Arba'een Pilgrimage, which instigated the series Iraq: Road to Arba'een. She co-directed her first feature-length documentary on the subject titled 41 Days in Iraq on Arba'een or The 40th Day, which screened in 2018 at the Chehelcheragh International Festival. In 2019 she spent time in Dearborn, Michigan capturing its local Muslim community and was named in the Forbes 30 Under 30 list. In 2020, she returned to Iraq, visiting the Zagros Mountains and Tigris River accompanying the Bakhtiari people on their Kooch migration. She exhibited A Journey Down the Tigris River at the Visa pour L'Image in Perpignan, where she won the 2023 ICRC Humanitarian Visa d'or Award, and Tears of the Tigris at the Leica Gallery London. Her project Light Between Mountains received a CCFD–Terre Solidaire grant, while her contributions to the Leon McCaron Noema essay The Last of the Marsh Arabs won her the 2022 Covering Climate Now Award for Photography. In 2024, Save the Children commissioned her to photograph the Yazidi community in Iraq 10 years on from the Yazidi genocide. She is a Leica Ambassador. www.emilygarthwaite.com Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8 magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006), Crash Happy: A Night at The Bangers (Cafe Royal Books 2012) and Inside Vogue House: One building, seven magazines, sixty years of stories (Orphans Publishing 2024). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. © Grant Scott 2026

Movie of the Year: 2006Little Miss Sunshine (feat. Don Shanahan from Every Movie Has a Lesson!)Little Miss Sunshine Podcast: The Hoovers Hit the BracketThe Little Miss Sunshine podcast episode has arrived, and the Taste Buds are packing into the VW bus. This week, Movie of the Year puts one of 2006's biggest indie success stories through the tournament. Ryan, Mike, and Greg welcome film critic Don Shanahan to help judge the Hoover family's run at the crown. Together, the panel digs into the family dynamics, the unforgettable ending, the film's surprising philosophical streak, and the husband-and-wife directing team behind it all. Additionally, the crew squares off in a round of Trivia and builds a fashion-themed Rushmore. Can a sunny yellow bus carry this movie deep into the 2006 bracket? Push, hop in, and find out.About the FilmLittle Miss Sunshine follows the Hoover family on an 800-mile road trip from Albuquerque to Redondo Beach. Seven-year-old Olive has qualified for the Little Miss Sunshine beauty pageant, and the whole dysfunctional clan piles into a failing Volkswagen bus to get her there. The passenger list includes a failed motivational speaker, a suicidal Proust scholar, a Nietzsche-obsessed teen who refuses to speak, a heroin-snorting grandpa, and one very determined mom. Directed by Jonathan Dayton and Valerie Faris from Michael Arndt's screenplay, the film premiered at Sundance in January 2006. It became a box office sensation, grossing over $101 million on an $8 million budget. Moreover, it earned four Academy Award nominations, including Best Picture. Alan Arkin won Best Supporting Actor, and Arndt took home Best Original Screenplay. RogerEbert.com called it a gentle family satire in the tradition of the countercultural comedies of the 1970s. Now the film faces its toughest challenge yet: the Movie of the Year 2006 bracket.Guest Panelist: Don ShanahanThe Taste Buds welcome film critic Don Shanahan to the panel. Don is a Chicago-based, Rotten Tomatoes-approved critic and the founder of the long-running review site Every Movie Has a Lesson. He also serves as Editor-in-Chief and Content Supervisor of the film department at Film Obsessive. Furthermore, Don co-hosts the Cinephile Hissy Fit Podcast on the Ruminations Radio Network. A school teacher by day, he writes his reviews with life lessons in mind, from the serious to the farcical. Don is a director and co-founder of the Chicago Indie Critics and a voting member of the Critics Choice Association and the Online Film Critics Society. Consequently, few guests arrive better equipped to grade a movie about winners, losers, and everything in between.The Hoover Family at the Heart of the Little Miss Sunshine PodcastEvery great road movie needs great passengers, and this one has six. The panel starts with the family itself. Richard preaches his nine-step winning program while his own career collapses. Sheryl holds everyone together with fried chicken and sheer will. Frank arrives fresh from a suicide attempt, and Dwayne has taken a vow of silence until he becomes a fighter pilot. Meanwhile, Grandpa coaches Olive's pageant routine with methods no pageant has ever approved. The Little Miss Sunshine podcast crew debates what makes this dysfunction feel so real. Notably, the film establishes the entire family in one legendary twenty-minute dinner scene. The Taste Buds and Don break down how each Hoover carries a private definition of failure. Ultimately, the group asks the big question: is this the best movie family of 2006?Breaking Down the Ending on the Little Miss Sunshine 2006 PodcastYou know the scene. Olive takes the stage at the pageant, "Super Freak" drops, and the movie explodes. The panel dedicates a full segment to one of the most famous endings of the decade. By contrast with the polished pageant contestants, Olive's routine is pure chaos, and the family's response is pure love. The Hoovers stop trying to win and start dancing. Don and the Taste Buds debate whether the finale earns its catharsis or leans on shock value. In addition, the crew discusses how the ending flips the film's winners-and-losers thesis on its head. Does the dance number seal the film's bracket run, or does it divide the panel? The episode holds nothing back.Nietzsche, Proust, and the Philosophy of LosingFew crowd-pleasers smuggle in this much philosophy. Dwayne worships Nietzsche and wears his contempt for conformity on his sleeve, or at least on his t-shirt. Frank, meanwhile, claims the title of preeminent Proust scholar in America. The panel unpacks why Michael Arndt built his comedy on these two thinkers. Frank's hospital-parking-lot speech about suffering becomes the film's secret thesis: the years of struggle are the years that make us. However, the movie never turns into a lecture. Instead, it hides its ideas inside gas station stops and highway breakdowns. The crew debates whether the philosophy holds up or simply decorates the road trip. Specifically, they ask what Nietzsche would think of a nine-step program for winning.The Directors: Jonathan Dayton and Valerie FarisHusband-and-wife team Jonathan Dayton and Valerie Faris spent decades directing music videos before this debut feature. Their work with bands like The Smashing Pumpkins and R.E.M. sharpened an eye for visual storytelling on tight budgets. As a result, Little Miss Sunshine looks sun-bleached, precise, and effortlessly funny. The panel examines how the duo directs comedy through reaction shots rather than punchlines. The famous bus-pushing sequence becomes a masterclass in physical comedy and ensemble blocking. Additionally, the group traces the pair's later career through Ruby Sparks and Battle of the Sexes. Why did two music video veterans wait so long for a second film? The panel has theories, and some of them are even kind.TriviaNo Movie of the Year episode is complete without Trivia. The Taste Buds and Don test each other on all things Little Miss Sunshine. Production history, casting near-misses, pageant facts, and VW bus mechanics are all fair game. The film's six-year development saga and its record-setting Sundance sale provide plenty of ammunition. Who takes the crown this week? Listen and find out.Rushmore: FashionThis week's Rushmore segment tackles fashion. Each panelist carves their personal Mount Rushmore of movie fashion into the mountainside. Little Miss Sunshine gives the category a strong starting point. Olive's oversized glasses and red cowboy boots, Dwayne's brutal statement tees, and Richard's aggressively beige wardrobe all deserve consideration. Nevertheless, the panel ranges across all of film history for their picks. Expect passionate defenses, questionable taste, and at least one choice that starts an argument.Why Little Miss Sunshine Still MattersTwenty years later, Little Miss Sunshine remains the gold standard for the crowd-pleasing indie. It proved a tiny comedy could outgross blockbusters and crash the Best Picture race. Furthermore, its skepticism about hustle culture and toxic winning has only grown more relevant. Richard's nine steps sound like half the internet in 2026. The film also launched Abigail Breslin, revived Alan Arkin, and showed the world Steve Carell could break hearts. Above all, it argues that losing together beats winning alone. That message keeps the Little Miss Sunshine podcast conversation alive two decades after the bus first rolled. For more from the season, check out the Movie of the Year 2006 intro episode and the 2006 Mixtape.Related Episodes from Movie of the Year: 2006Movie of the Year 2006: Intro Part 1Movies of 2006: Bracket Reveal and Sweet 16Tristram Shandy: A Cock and Bull Story2006 Mixtape Part IAll Movie of the Year EpisodesFAQ: Little Miss Sunshine Podcast and FilmWhat is the Little Miss Sunshine podcast episode about?The Taste Buds and guest critic Don Shanahan judge Little Miss Sunshine in the Movie of the Year 2006 bracket. Topics include the Hoover family, the ending, the film's philosophy, and directors Jonathan Dayton and Valerie Faris.What is Little Miss Sunshine about?A dysfunctional family drives a broken-down VW bus from New Mexico to California so young Olive can compete in a beauty pageant. Along the way, every member confronts their own definition of failure.Who directed Little Miss Sunshine?Jonathan Dayton and Valerie Faris directed the film. The married duo made their feature debut after a celebrated career in music videos.Who wrote Little Miss...

« On est très attachés au côté très nature, authentique, du lieu. J'ai toujours dans l'idée qu'il ne faut pas perturber le décor. On est là pour s'y insérer au maximum. »La famille de Myriam est installée sur l'île du Levant depuis 1954. C'est son grand-père, Gaëtan, qui tient un magasin de retouches pour la marine à Toulon, qui découvre pour la première fois l'île en 1954. Sa mère Denise a 14 ans et son oncle 10 ans. Sous le charme de l'île, ses grands-parents décident de reprendre le restaurant la Paillotte jusqu'en 1958. Ils achètent en 1957 la maison des Bouchat qui deviendra, après quelques aménagements, l'Hôtel Gaëtan, et qui ouvre ses portes en 1957. Il fait partie des premiers hôtels implantés sur l'île. C'est donc la 66ème saison de l'hôtel au sein de sa famille. Un établissement dont Myriam et sa famille s'attachent à perpétuer l'esprit authentique et rustique dans la tradition des médecins Durville qui créèrent ici la cité naturiste Héliopolis en 1931.Avec Myriam, on a parlé de transmission, de famille, d'authenticité, d'âme, de madeleine de Proust, de tendance, de naturisme, de nature et de fraternité. L'article complet et toutes les notes et références citées dans l'épisode sont à retrouver sur https://fragileporquerolles.com/levant-myriam-hotelgaetan/

Recipe Club heads to Paris to revisit ‘Ratatouille.' Justin shares insights from his Disney days. Eugene ranks rats. Chris finds an excellent recipe for Proust-inspired madeleines. We all question YouTubers who try re-creating the movie's signature dish.With Vrbo, what you book is what you get.Host: Chris YingProducers: Noelle Cornelio, Jesse Aron, Magdalena MunaoProducer/Editor: Michael RovzarProduction Support: Donald LoBianco, Michael Delgado, Nikola Stanjevich, Micki Milosevic Learn more about your ad choices. Visit podcastchoices.com/adchoices

durée : 01:01:07 - Les émissions culturelles de France Culture - par : Marie Richeux - À l'occasion de la sortie de son documentaire "Splendeurs et misères de la Maison Camondo", nous avons proposé à la cinéaste Ruth Zylberman de dévoiler ses rayonnages. Sur ses étagères, Proust et Isaac Babel côtoient la poésie de Zuzanna Ginczanka et les romans autobiographiques de Peter Kurzeck. - équipe : Jeanne Aléos, Mathilde Wagman, Marianne Chassort, Alexandre Alajbegovic, Cyril Marchan, Vivien Demeyère, Julie Gastal Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

La gastronomie française n'est pas qu'une histoire de grands restaurants et d'étoiles Michelin. C'est un patrimoine appartenant à toute une population et qui en fait bon usage selon une étude Quitoque publiée en 2018. Près de la moitié des Français préparent 9 repas par semaine. Cette tradition vient, comme souvent, avec son lot d'expressions. Vous connaissez sûrement l'adage : “Vous êtes un vrai cordon bleu”. Il désigne quelqu'un comme étant un bon cuisinier. Et même si ce plat nous vient de la frontière suisse, l'expression, elle, est bien française. Et il se pourrait même qu'elle n'ait absolument rien à voir avec cette madeleine de Proust. Et donc, ça vient d'où ? Est-ce que l'expression a un lien avec la cuisine ? Écoutez la suite de cet épisode de "Maintenant vous savez". Un podcast Bababam Originals, écrit et réalisé par Samuel Lumbroso.  Première diffusion : novembre 2023 À écouter aussi : ⁠Qu'est-ce que la méthode 1% ?⁠ ⁠La gale est-elle vraiment liée à un problème d'hygiène ?⁠ ⁠Qu'est-ce que le jeûne sexuel ?⁠ Retrouvez tous les épisodes de ⁠"Maintenant vous savez".⁠ Suivez Bababam sur ⁠Instagram⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

Could you live without your phone for a month?

Welcome to our fifth episode celebrating the centenary of The Sun Also Rises! On today's show, we welcome the always excellent David Wyatt to explore the way Hemingway represents “thinking” in the novel.Although Hemingway may not be as celebrated as Faulkner, Joyce, Proust, and Woolf at depicting human consciousness, in this episode David Wyatt guides us through crucial moments in The Sun Also Rises to show Hemingway's subtle power in dramatizing thought in action.Wyatt takes us from Jake's bedroom to his self-conscious prayer, to his drunken reading of Turgenev in bed, to the excitement of the bullring in order to reveal how the reader gains access to Jake's interiority, making The Sun Also Rises a psychological novel in disguise. As with all of the The Sun Also Rises episodes this year, we enjoy the legendary actor William Hurt reading—in this episode, from Jake's “I thought I had paid for everything” meditation in chapter 14, courtesy of our friends at Simon & Schuster Audio.Audio excerpt courtesy of Simon & Schuster Audio from The Sun Also Rises by Ernest Hemingway, read by William Hurt. Copyright © 1926 by Charles Scribner's Sons. Used with permission of Simon & Schuster, Inc.Consider supporting One True Podcast here: https://members.hemingwaysociety.org/podcast

Dr Tim Themi is a PhD in Philosophy & Psychoanalysis from Deakin University. He also holds Honours degrees in Philosophy from La Trobe University and in Chemical Engineering from University of Melbourne. His doctoral dissertation, supervised by leading Lacan translator Prof Russell Grigg, brought together the psychoanalysis of Lacan and the philosophy of Nietzsche on the question of desire and ethics. He is author of the books 'Eroticizing Aesthetics: In the Real with Bataille and Lacan' (Rowman/Bloomsbury 2021); 'Lacan's Ethics and Nietzsche's Critique of Platonism' (SUNY Press 2014); and has taught at Deakin University, Australian Catholic University, Melbourne School of Continental Philosophy, Lacan Circle of Australia, and in the School of Culture & Communication at University of Melbourne.Bryan Counter is the author of Four Moments of Aesthetic Experience: Reading Huysmans, Proust, McCarthy, and Cusk (Anthem Press, 2025) and co-editor, with James Dutton, of Quiet Proust: Aesthetic Experience, Reading the Virtual, and Thinking out of Time (under contract with Bloomsbury). He co-hosts the podcast Authors Die Twice with Nathan Wainstein and is currently working on projects revolving around horror, weird fiction, wonder, and the role of chance and improvisation in 20th century fiction.---Become part of the Hermitix community:Hermitix Twitter - ⁠ / hermitixpodcast ⁠Support Hermitix:Patreon - ⁠ www.patreon.com/hermitix ⁠Donations: - ⁠https://www.paypal.me/hermitixpod⁠Hermitix Merchandise - ⁠http://teespring.com/stores/hermitix-2⁠Bitcoin Donation Address: 3LAGEKBXEuE2pgc4oubExGTWtrKPuXDDLKEthereum Donation Address: 0x31e2a4a31B8563B8d238eC086daE9B75a00D9E74

Today's episode we have a listener question from the Send Voicemail Tab on our website. Kellie asks about how to deal with building anxiety when in a social setting.Stillpoint Fridays is my once-a-week Friday note — a slower, more personal reflection that's different from what I share on the podcast.If you'd like a quiet place to land as the week winds down, you can join here: http://eepurl.com/bR2F9P or on our website anxietycoachespodcast.com and sign up for the newsletter.Please visit our Sponsor Page to find all the links and codes for our awesome sponsors! https://www.theanxietycoachespodcast.com/sponsors/Website https://www.theanxietycoachespodcast.comJoin our community Group Coaching Join our Group Coaching Full or Mini Membership Program1:1 Coaching Learn more about our One-on-One CoachingIf you prefer to listen AD-FREE, try our Supercast premium access membership:Learn more about anxiety What is anxiety?Free Guided Meditation for Calming Your Anxious Mind 10-Minute Body-Scan Meditation for AnxietyQuote:We don't receive wisdom; we must discover it for ourselves after a journey that no one can take for us or spare us. -Marcel ProustChapters0:27 SpeakPipe Question3:31 Social Anxiety Tools7:22 Relax the Body12:46 Stop Adding Fuel16:20 Shake It Out19:06 Proust's WisdomSummaryIn this episode, we speak about a listener question from Kelly, who describes living with long-term anxiety that has affected work, driving, being alone, and social situations. We focus on what to do when anxiety rises in the middle of everyday settings where it is not practical to step away and process it privately.We explain that the main practice is to prepare in quieter moments, especially during meditation or other practice time, so acceptance and “floating” become more familiar. When anxiety shows up in the moment, we suggest noticing the body's signals and using physical relaxation as a cue of safety.We describe simple techniques such as tensing and releasing muscles, relaxing the shoulders, jaw, hands, feet, and legs, and using small movements or shaking out tension when appropriate. The point is to send the brain a message that there is no immediate danger, rather than trying to force away thoughts.We also address the tendency to add a second layer of distress by worrying about how we look, whether others notice, or whether we can get through the situation. We encourage noticing that extra self-criticism and not feeding it, since that can intensify the anxiety.Finally, we emphasize that repeated practice makes these responses easier to access in daily life. The episode closes with a quote about discovering wisdom through our own journey.#Anxiety #AnxietyRelief #SocialAnxiety #AnxietyCoachesPodcast #GinaRyan #StressManagement #MentalHealth #Meditation #Mindfulness #CopingStrategies #RelaxationTechniques #ProgressiveMuscleRelaxation #PettingTheLizard #Amygdala #FightOrFlight #SelfCare #EmotionalWellness #SecondArrow #AnxiousThoughts #CopingWithAnxiety #SocialAnxietyTips #PhysicalRelaxation #Calm #Peace #NervousSystemRegulation #SomaticTracking #PublicAnxiety #GroundingTechniques #MentalHealthAwareness #AnxietySupport #CopingMechanisms #SelfCompassionSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

durée : 00:12:25 - Les Nuits de France Culture - par : Albane Penaranda - Quelles étaient les influences scolaires de Marcel Proust, et notammanet celle de son professeur de philosophie, Alphonse Darlu, au lycée Condorcet ? - équipe : Mathias Le Gargasson, Antoine Dhulster, Rafik Zénine, Vincent Abouchar, Emily Vallat, Hassane M'Béchour, INA Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Dan, Andy and Anna discuss YOUR facts including pasta, Proust and pencils. Anna shares her secret 'Wheel of Life' game. And we name eight more Friend of the Podcast custodians.Visit nosuchthingasafish.com for news about live shows, merchandise and more episodes.Join Club Fish for ad-free episodes and exclusive bonus content at apple.co/nosuchthingasafish or nosuchthingasafish.com/patreonEdited by James HarkinProduced by Leying LeeTeam includes Tara Dorrell, Joe Mayo and Ethan Ruparelia

For the 47th episode of Reading the Art World, host Megan Fox Kelly speaks with Ruth Bernard Yeazell, Sterling Professor of English at Yale University, about "Vermeer's Afterlives," published by Princeton University Press.Vermeer's Afterlives traces how Vermeer, who died in 1675 and was largely forgotten within decades, was reconstructed by the critics, forgers, poets, and novelists who encountered his work over the following two centuries. Yeazell argues that the quiet, enigmatic Vermeer we revere was shaped as much by the process of recovery as by the paintings themselves: by the order in which his canvases were reattributed, by the near-absence of biographical record, and by the frameworks critics brought to an artist they were meeting for the first time.The conversation moves through those afterlives in full: Théophile Thoré, the French journalist who encountered Vermeer in The Hague in 1842 and assembled a catalogue—more than three-quarters of which no longer holds—but whose act of naming shaped what Vermeer would become; Han Van Meegeren, whose forged Supper at Emmaus was declared the greatest Vermeer ever painted because it supplied a scholarly gap critics had convinced themselves was waiting to be filled; and the writers who have tried to narrate the stories his paintings leave untold. The conversation closes on Proust, who Yeazell argues grasped what most literary respondents missed: Vermeer's paintings stage acts of looking, not storytelling.For anyone interested in Dutch Golden Age painting, the history of artistic reception, or how a body of work accumulates meaning across time and discipline, this episode is essential listening.ABOUT THE AUTHORRuth Bernard Yeazell is Sterling Professor of English and Director of Graduate Studies at Yale University. Her books include "Picture Titles: How and Why Western Paintings Acquired Their Names" and "Art of the Everyday: Dutch Painting and the Realist Novel," both published by Princeton University Press. Her writing has appeared in the New York Review of Books and the London Review of Books.PURCHASE THE BOOKhttps://press.princeton.edu/books/hardcover/9780691277820/vermeers-afterlivesSUBSCRIBE, FOLLOW AND HEAR INTERVIEWS:For more information, visit meganfoxkelly.com, hear our past interviews, and subscribe at the bottom of our Of Interest page for new posts.Follow us on Instagram: @meganfoxkelly"Reading the Art World" is a podcast featuring live interviews with leading authors and writers on important new art books. Megan Fox Kelly is an art advisor and past President of the Association of Professional Art Advisors who works with collectors, estates and foundations.Music composed by Bob Golden

In this week's episode photographer, filmmaker and artist Roger Ballen takes on our ‘Proust Photo Quiz'… The Proust Questionnaire is a set of questions answered by the French writer Marcel Proust. Proust answered the questionnaire in a confession album, a form of parlour game popular at the end of the 1890s. The album, titled An Album to Record Thoughts, Feelings, etc.was found in 1924 and published in the French literary journal Les Cahiers du Mois. Our ‘Proust Photo Quiz' is an adaption of the original text. Roger Ballen Ballen was born in New York in 1950, but for nearly 40 years he has lived and worked in South Africa. It was his work as a geologist that took him into the countryside with his camera in 1981 to explore the hidden world of small South African towns. At first he explored the empty streets in the glare of the midday sun but, once he made the step of knocking on people's doors, he discovered a world inside these houses which was to have a profound effect on his work. After 1994 he no longer looked to the countryside for his subject matter finding it closer to home in Johannesburg. Over the past thirty-five years his photography has evolved using a simple square format in stark black and white. A style he describes as ‘documentary fiction'. After 2000 the people he first discovered and documented living on the margins of South African society became a cast of actors. Ballen has made a number of short films including the collaborative film I Fink You Freeky in 2012, which has over 125-million hits on YouTube.  He also made an animated film, Theatre of Apparitions, which has been nominated for various awards. In 2017 Thames & Hudson published a volume of his collected photography with extended commentary by Ballen titled Ballenesque Roger Ballen: A Retrospective to accompany an exhibition of his work at Halle Saint Pierre in Paris, which took over the entire space for more than a year. ​In 2020, Hatje Cantz published Roger the Rat in which Ballen creates and documents a part-human, part-rat creature who lives an isolated life outside of mainstream society. Ballen has published over twenty-five books internationally and his works are in more than fifty of the most important international museum collections. He still lives in Johannesburg, South Africa. www.rogerballen.com Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott continues to work as a photographer, writer and filmmaker and is the Subject Coordinator for both undergraduate and post graduate study of photography at Oxford Brookes University, Oxford, England. © Grant Scott 2026

Craving childhood comfort foods? You're not alone—and there's a fascinating reason why certain tastes and memories hit us harder than others.Discover how food nostalgia and emotional anchors shape what we crave, what we remember, and what we mourn when we change our diets. From Swiss rolls that lit up lunchtime to the magic of childhood candies, explore how our food memories aren't just about taste, they're about safety, routine, and identity. We break down the science behind the Proust effect, revealing how smells and flavors trigger emotional memories that can influence your food choices today. You'll discover how nostalgia keeps some foods alive in our hearts (and mouths), even if they no longer serve our health. Plus, learn why your palate evolution, and the changing ingredients in beloved treats, make some foods taste completely different now.This episode is perfect for anyone navigating dietary changes, battling food cravings, or curious about the deep connection between food and emotion. Whether you miss the thrill of a childhood treat or want to understand your ongoing food rituals, you'll leave with a new perspective on the grief, and joy, of eating.Why do we grieve our favorite foods? How do memories shape your current cravings? And what does your food nostalgia say about who you are today? Tune in to explore these questions—and maybe even find the courage to indulge in that nostalgic snack guilt-free.Warning: listening may inspire you to revisit some old favorites, but beware—you might just start craving a Swiss roll or a big bag of Doritos all over again.