Podcasts about proust

Cris llegó a mi vida gracias a su esposo, Tomás Quintero, más conocido como @lisergicos. Un día ellos me invitaron a su casa y pude ser testigo de una pareja que se quiere, se cuida y se cultiva intelectualmente. Lo que pense´fue "con razón". Con razón es tan rico hablar con él. Después descubriría que lo mismo pasaba con ella. Ya verán, la mujer TAN profunda y mísitica que es Cris.Aquí les dejo el listado de los libros mencionados:Un verdor terrible, Benjamín Labatut.Leonora, Elena Poniatowska.En busca del tiempo perdido (y otros), Proust.Maus, Art Spiegelman.Fahrenheit 451, Ray Bradbury.Cien años de soledad, Gabriel García Márquez.Los hermanos Karamazov, Fiodor DostoievskyCrimen y castigo, Fedor Dostoievsky.Lolita, Vladimir Nabokov.El adversario, Emmanuel CarrereLa rebelión de Atlas, Ayn RandLa última piel, Tomás QuinteroMarginalia, Juan Andrés ArangoErmitaños 9, María Clara MesaCementerio de animales, Stephen KingSolenoide, Mircea CartarescuJung y el Tarort, un viaje arquetípico, Salle NichollsBeloved, Tony MorisonCartas a un joven poeta, Rainer Maria RilkeEl acto creativo, Rick Rubin.

A taste, a smell, a place, a song — something dormant rises suddenly from the depths. The Vedic tradition calls this Udīpana — stimuli that transport you. But where? Raghunath and Kaustubha explore that question through Proust's famous Madeleine moment and Akrūra finding Krishna's footprints in the cowherd pasture — the footprints whose pure dust the rulers of the planets hold on their crowns. This is a shadow world — it has the imprints of the real world but can't give you what the real world gives. The senses have the power to transport you. The question is always: where are they directed? Srimad Bhagavatam 10.38.15-39 ******************************************************************** LOVE THE PODCAST? WE ARE COMMUNITY SUPPORTED AND WOULD LOVE FOR YOU TO JOIN! Go to https://www.wisdomofthesages.com WATCH ON YOUTUBE: https://youtube.com/@WisdomoftheSages LISTEN ON ITUNES: https://podcasts/apple.com/us/podcast/wisdom-of-the-sages/id1493055485 CONNECT ON FACEBOOK: https://facebook.com/wisdomofthesages108 *********************************************************************

Besson might have lured us in with Marcel P., but we stayed for the STORY. Listen in to find out how the prose, the plotting and the TURN (??) in this novel function so well.

Il y a deux ans Alessandra Pierini nous emmenait en voyage à travers les saveurs et les secrets du « Natale Italiano ». Cette italienne, chroniqueuse de François-Régis Gaudry dans « On va déguster » sur France Inter, a été adoptée par la France il y a près de 40 ans. Dès lors, elle s'est sentie investie d'une mission : celle de partager son amour pour la gastronomie Italienne. Après avoir dédié 30 ans de sa vie à des épiceries aux mille et une saveurs nous venant de la botte, d'abord à Marseille, puis à Paris, elle est devenue autrice culinaire ! Elle est l'une des plumes du best-seller « On va déguster l'Italie », et elle publie chaque année des ouvrages aux Editions de l'Epure. En 2023, elle publiait justement avec Stéphane Solier « Artusi : La science en cuisine et l'art de bien manger », la bible de la gastronomie italienne, datant de 1891, qu'ils ont remis au goût du jour à quatre mains.Un parcours au féminin puissamment inspirant, une leçon d'audace et un éveil des papilles à l'italienne, puisqu'elle nous entraine sur ses pas en Ligurie, et en Émilie-Romagne, les terres de ses origines... Bell'ascolto !· À lire cet été :Son dernier ouvrage « Cucina Kitch », un voyage gourmand et intime dans la gastronomie italienne des années 1960 à 1990, ainsi que « La pêche, dix façons de la préparer » aux Éditions de l'Épure.· Les inspirations italiennes d'Alessandra :Le célèbre magazine de cuisine italienne « La Cucina Italiana » créé en 1929.Sa madeleine de Proust à l'italienne, les tortelli, ces raviolis contenant une farce à base de ricotta, pommes de terre, blettes, assaisonnés de beurre fondu et de parmesan.Le tableau « Mangiatori di ricotta » de Vincenzo Campi, conservé au Musée des Beaux-Arts de Lyon.L'art de cuisiner à l'italienne selon Artusi, et la Casa Artusi transformée en musée, école de cuisine et restaurant, à Forlimpopoli en Romagne, son village natal désormais connu partout dans le monde !Le roman autobiographique « Il diavolo e la rossumata » de Sveva Casati Modignani.Ses adresses italiennes coups de cœur à Paris l'Osteria Ferrara et Le Caffè Stern, mais aussi La Merenda à Nice, et l'Epicerie L'idéal à Marseille.La chanson italienne « Caruso » de et par Lucio Dalla.Conçu, réalisé et présenté par Claire PlantinetMontage Générique : François PraudMixage épisode : Alice Krief - Les belles fréquencesMusique : Happy Clapping Cinematic Score / PaBlikMM / Envato ElementsCréation visuelle : Thomas Jouffrit© Portrait Cover par Marielle GaudryRetrouvez Alessandra Pierini sur Instagram @_alessandra.pierini et du 8 au 11 octobre 2026 au Festival Saveurs & Savoirs d'Uzès.Retrouvez allora sur Instagram @allora.lepodcast ! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Amit Chaudhuri rejoins me to discuss his new novel/memoir/essay, Chateau Rouge. The book is about a writer who finds himself in a region of Paris, Chateau Rouge, filled with immigrants and their small business hustles, not cafes and patisseries. Shocked by how different Chateau Rouge is from the Paris of Hemingway and Proust, the narrator has to find a new way to understand what Paris is and what it means, without reliance on Parisian cliche.Amit and I discuss all of this, and also the broader question of how you find the meaning in the mundane. We also conclude the interview talking a bit about the filmmaker Yasujiro Ozu, whose films were also about the meaning of the mundane. I recommend starting Ozu with his film Good Morning, linked below. Amit recommends I was Born, But... also linked below. And you may be interested to learn that Good Morning is Ozu's own remake of I was Born, But...Chateau Rouge: https://flyleafbooks.com/book/9798896230878Good Morning: https://archive.org/details/good-morning_202012I was Born, But...: https://archive.org/details/i-was-born-but

Writer Naomi Kanakia has spent her adult life reading the so-called “great books,” those classic works of literature which are–depending who you ask–either deeply unfashionable, or a time-honored testament to human accomplishment. With What's So Great About the Great Books: Why You Should Read Classic Literature (Even Though It May Destroy You) (Princeton UP, 2026) Kanakia, a devoted lay reader, unpacks popular anxieties surrounding classic writers like Milton, Tolstoy, and Proust. Using the unpretentious approach she has cultivated on her popular Substack, Woman of Letters, Kanakia addresses common reservations about the great books, questions about why we should bother with literature with dated politics, or books exceedingly difficult to read. For plenty of readers, particularly those who came of age in the last decade, the answers may not be clear. Kanakia offers an intriguing reminder to challenge ourselves, to look beyond the walls of the ideology we have constructed for ourselves. (Just don't ask her about “Leviathan” by Thomas Hobbes.) “What's So Great about the Great Books” is out now with Princeton University Press. Megan Peck Shub (AKA Galley Hag) is a writer, journalist, and a producer who has won Emmy and Peabody awards for her work on Last Week Tonight with John Oliver on HBO. She previously worked on Finding Your Roots with Dr. Henry Louis Gates, Jr., the PBS history docuseries. Megan's eclectic slate runs the gamut from literature to pop culture to politics, with a particular focus where those topics intersect. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Writer Naomi Kanakia has spent her adult life reading the so-called “great books,” those classic works of literature which are–depending who you ask–either deeply unfashionable, or a time-honored testament to human accomplishment. With What's So Great About the Great Books: Why You Should Read Classic Literature (Even Though It May Destroy You) (Princeton UP, 2026) Kanakia, a devoted lay reader, unpacks popular anxieties surrounding classic writers like Milton, Tolstoy, and Proust. Using the unpretentious approach she has cultivated on her popular Substack, Woman of Letters, Kanakia addresses common reservations about the great books, questions about why we should bother with literature with dated politics, or books exceedingly difficult to read. For plenty of readers, particularly those who came of age in the last decade, the answers may not be clear. Kanakia offers an intriguing reminder to challenge ourselves, to look beyond the walls of the ideology we have constructed for ourselves. (Just don't ask her about “Leviathan” by Thomas Hobbes.) “What's So Great about the Great Books” is out now with Princeton University Press. Megan Peck Shub (AKA Galley Hag) is a writer, journalist, and a producer who has won Emmy and Peabody awards for her work on Last Week Tonight with John Oliver on HBO. She previously worked on Finding Your Roots with Dr. Henry Louis Gates, Jr., the PBS history docuseries. Megan's eclectic slate runs the gamut from literature to pop culture to politics, with a particular focus where those topics intersect. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Writer Naomi Kanakia has spent her adult life reading the so-called “great books,” those classic works of literature which are–depending who you ask–either deeply unfashionable, or a time-honored testament to human accomplishment. With What's So Great About the Great Books: Why You Should Read Classic Literature (Even Though It May Destroy You) (Princeton UP, 2026) Kanakia, a devoted lay reader, unpacks popular anxieties surrounding classic writers like Milton, Tolstoy, and Proust. Using the unpretentious approach she has cultivated on her popular Substack, Woman of Letters, Kanakia addresses common reservations about the great books, questions about why we should bother with literature with dated politics, or books exceedingly difficult to read. For plenty of readers, particularly those who came of age in the last decade, the answers may not be clear. Kanakia offers an intriguing reminder to challenge ourselves, to look beyond the walls of the ideology we have constructed for ourselves. (Just don't ask her about “Leviathan” by Thomas Hobbes.) “What's So Great about the Great Books” is out now with Princeton University Press. Megan Peck Shub (AKA Galley Hag) is a writer, journalist, and a producer who has won Emmy and Peabody awards for her work on Last Week Tonight with John Oliver on HBO. She previously worked on Finding Your Roots with Dr. Henry Louis Gates, Jr., the PBS history docuseries. Megan's eclectic slate runs the gamut from literature to pop culture to politics, with a particular focus where those topics intersect.

Writer Naomi Kanakia has spent her adult life reading the so-called “great books,” those classic works of literature which are–depending who you ask–either deeply unfashionable, or a time-honored testament to human accomplishment. With What's So Great About the Great Books: Why You Should Read Classic Literature (Even Though It May Destroy You) (Princeton UP, 2026) Kanakia, a devoted lay reader, unpacks popular anxieties surrounding classic writers like Milton, Tolstoy, and Proust. Using the unpretentious approach she has cultivated on her popular Substack, Woman of Letters, Kanakia addresses common reservations about the great books, questions about why we should bother with literature with dated politics, or books exceedingly difficult to read. For plenty of readers, particularly those who came of age in the last decade, the answers may not be clear. Kanakia offers an intriguing reminder to challenge ourselves, to look beyond the walls of the ideology we have constructed for ourselves. (Just don't ask her about “Leviathan” by Thomas Hobbes.) “What's So Great about the Great Books” is out now with Princeton University Press. Megan Peck Shub (AKA Galley Hag) is a writer, journalist, and a producer who has won Emmy and Peabody awards for her work on Last Week Tonight with John Oliver on HBO. She previously worked on Finding Your Roots with Dr. Henry Louis Gates, Jr., the PBS history docuseries. Megan's eclectic slate runs the gamut from literature to pop culture to politics, with a particular focus where those topics intersect. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Writer Naomi Kanakia has spent her adult life reading the so-called “great books,” those classic works of literature which are–depending who you ask–either deeply unfashionable, or a time-honored testament to human accomplishment. With What's So Great About the Great Books: Why You Should Read Classic Literature (Even Though It May Destroy You) (Princeton UP, 2026) Kanakia, a devoted lay reader, unpacks popular anxieties surrounding classic writers like Milton, Tolstoy, and Proust. Using the unpretentious approach she has cultivated on her popular Substack, Woman of Letters, Kanakia addresses common reservations about the great books, questions about why we should bother with literature with dated politics, or books exceedingly difficult to read. For plenty of readers, particularly those who came of age in the last decade, the answers may not be clear. Kanakia offers an intriguing reminder to challenge ourselves, to look beyond the walls of the ideology we have constructed for ourselves. (Just don't ask her about “Leviathan” by Thomas Hobbes.) “What's So Great about the Great Books” is out now with Princeton University Press. Megan Peck Shub (AKA Galley Hag) is a writer, journalist, and a producer who has won Emmy and Peabody awards for her work on Last Week Tonight with John Oliver on HBO. She previously worked on Finding Your Roots with Dr. Henry Louis Gates, Jr., the PBS history docuseries. Megan's eclectic slate runs the gamut from literature to pop culture to politics, with a particular focus where those topics intersect. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

Vinyles, cassettes audio, appareils photo argentiques, Renault 5 ou encore tournées d'artistes emblématiques... À rebours de la course à l'innovation, les produits et références du passé connaissent un véritable regain d'intérêt. Un phénomène qui dépasse la simple mode pour les entreprises, la nostalgie est devenue un puissant levier marketing et un marché particulièrement rentable. On parle souvent d'innovation, de nouvelles technologies et de produits capables de transformer notre quotidien. Pourtant, un phénomène prend aujourd'hui le contre-pied de cette tendance : le retour en grâce d'objets qui semblaient appartenir au passé. Et si cela peut sembler anecdotique, cette nostalgie est devenue un véritable moteur économique. Les spécialistes du marketing parlent d'un effet « Madeleine de Proust ». Un simple emballage, une musique, un logo ou un objet suffit à faire resurgir des souvenirs heureux. Et ces souvenirs ont une valeur économique. Le secteur de la musique illustre parfaitement cette évolution. Certes, les plates-formes de streaming comme Deezer ou Spotify dominent largement les usages, permettant d'écouter n'importe quel morceau à tout moment. Mais dans le même temps, un produit emblématique du passé retrouve ses lettres de noblesse : le vinyle. Aux États-Unis, il représente désormais un marché de plus d'un milliard de dollars, une première depuis le début des années 1980. La dynamique est similaire, même si elle reste plus modeste, pour les cassettes audio. La génération Z alimente cette demande Le plus étonnant est que ces produits ne séduisent pas principalement les consommateurs qui les ont connus. Les études montrent que ce sont surtout les membres de la génération Z, nés à la fin des années 1990 et au début des années 2000, qui alimentent cette demande. Beaucoup n'ont jamais utilisé de vinyle ou de cassette, mais ils en achètent malgré tout. Le même phénomène s'observe avec les appareils photo argentiques. Kodak a dû relancer certaines lignes de production de pellicules pour répondre à la demande, tandis que les appareils Polaroid ou Fujifilm séduisent à nouveau. Ce qui plaît, c'est autant l'expérience que le résultat : le caractère concret de l'objet, l'attente avant de découvrir les clichés, mais aussi l'imperfection des images. À l'inverse, les smartphones permettent de prendre une infinité de photos, parfois sans véritablement marquer le moment. Les marques misent sur leur patrimoine pour séduire les consommateurs Les entreprises ont parfaitement compris cette évolution des comportements. Plutôt que de créer sans cesse de nouveaux produits, certaines préfèrent valoriser leur patrimoine en modernisant des références déjà connues du grand public. Renault en est une parfaite illustration avec la nouvelle Renault 5. Le constructeur a ressuscité l'un de ses modèles emblématiques des années 1970, tout en l'adaptant aux attentes actuelles. La voiture est désormais électrique et intègre les technologies contemporaines, mais son design rappelle immédiatement un modèle qui a marqué plusieurs générations. Cette stratégie dépasse largement l'automobile. Dans le spectacle vivant, les reformations de groupes comme Oasis ou les Backstreet Boys rencontrent un immense succès. En France, le retour du télé-crochet Star Academy ou la tournée de la chanteuse Lorie témoignent de cette même dynamique. Dans tous les cas, ce n'est pas uniquement un produit ou un spectacle qui est vendu : c'est aussi une émotion, un souvenir et un sentiment de familiarité. Pourquoi la nostalgie est devenue un puissant levier économique Si les entreprises misent autant sur la nostalgie, c'est aussi pour des raisons économiques. Créer une marque ou lancer un produit inédit représente un investissement important et comporte une part de risque. À l'inverse, remettre au goût du jour une marque ou un produit emblématique permet de s'appuyer sur un univers déjà connu des consommateurs. Les marques historiques bénéficient d'un fort capital affectif et émotionnel, deux éléments particulièrement efficaces pour déclencher un achat. Les spécialistes parlent parfois de « rétrofuturisme » : une stratégie qui consiste à utiliser les codes du passé pour rendre les innovations plus rassurantes et plus désirables. Cette approche présente un autre avantage. Elle permet de toucher plusieurs générations simultanément. Les consommateurs les plus âgés retrouvent des objets qui leur rappellent leur jeunesse, tandis que les plus jeunes découvrent un univers qu'ils n'ont jamais connu. Pour eux, le vintage devient finalement... une nouveauté. À l'heure où l'innovation technologique s'accélère, le passé est ainsi devenu une ressource économique à part entière. Les entreprises ne vendent plus seulement un produit ou un service, elles commercialisent aussi une émotion, un souvenir et une part d'histoire.

Massimo Carloni"La sovranità delle cose eterne"Montesquiou, Proust e La RechercheMimesis Edizioniwww.mimesisedizioni.itVincitore del Premio: Prix Robert de Montesquiou 2025L'esprit di Montesquiou e il suo gusto modern style aleggiano ovunque negli ambienti frequentati da Swann, negli arredi orientaleggianti di Odette, negli abiti Fortuny di Albertine, per incarnarsi poi nella figura, a un tempo fantomatica e tragica, del barone di Charlus. Chiunque voglia respirare l'atmosfera in cui è germogliata la Recherche di Proust, coglierne le virtù segrete, dovrà esplorare quel giardino incantato, lussureggiante, esotico e soffuso di malinconia che è stata la vita e l'opera del suo “professore di bellezza”. Il libro ripercorre il connubio amicale e artistico tra Montesquiou e Proust, le rivelazioni folgoranti, i fervori estetici, i duelli, le pene, gli amori, fino all'incontro con l'ultima musa, l'orrenda signora in nero: la morte. Come per incanto risorge tutto un mondo mitologico popolato da personaggi leggendari che hanno ispirato tanto la poetica dell'effimero di Montesquiou, quanto l'apoteosi eterna dell'arte che Proust pone a suggello del Temps retrouvé.Massimo Carloni (1968), saggista, ha curato scritti e carteggi di Antoine Rivaroli, Charles Baudelaire, Marcel Proust, Paul Valéry, Emil Cioran. Ha curato i volumi: Il visitatore della sera di Marcel Proust (2019); Una segreta complicità, corrispondenza tra Emil Cioran e Mircea Eliade (2019) e Il profumo imperituro del tempo. Lettere e scritti (1893-1921) di Marcel Proust e Robert de Montesquiou (2020). È autore dell'opuscolo Kafka. Un destino di solitudine (2020).Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Au sommaire :Les derniers habitants évacués à cause des incendies en Gironde vont pouvoir rentrer chez eux cet après-midi, mais les professionnels du tourisme restent inquiets face aux importantes pertes économiques.Plus de 60 000 migrants sont entrés illégalement dans l'enclave espagnole de Ceuta, suscitant une crise migratoire sans précédent, le Maroc étant soupçonné d'avoir laissé faire pour faire pression sur l'Espagne.5 000 médecins alertent sur l'urgence de lutter contre les injections de Botox réalisées par des amateurs, deux femmes en étant mortes en moins de 4 mois.L'Union européenne franchit un cap dans l'encadrement de l'intelligence artificielle, avec de nouvelles obligations de transparence pour les contenus générés.Des scientifiques ont percé le mystère des "Madeleines de Proust", ces odeurs qui nous replongent dans nos souvenirs d'enfance, grâce à l'étude du bulbe olfactif.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Today's guest is Hyoju Park, pastry chef and co-owner of Madeleine de Proust Pâtisserie in Melbourne, Australia. Her bakery and creative studio specializes in madeleines, the small French sponge cakes known for their shell-like shape. Hyoju's creations are anything but traditional and incorporate unexpected flavors, textures, and designs. She joins host Jessie Sheehan to talk about discovering madeleines for the first time when she was 14 in Korea, training in London, and how she and her business partner, Rong Yao Soh, started Madeleine de Proust as a pop-up before opening a brick-and-mortar. She also talks about their book, “Madeleine: Simple Bakes for Every Mood,” which has recipes ranging from Earl Grey and French toast madeleines to matcha red bean mochi, lemon meringue, and black truffle. Then, Hyoju walks through the Pink Carnation Madeleines recipe from the book, which was inspired by her mom and includes several components: a lemon yuzu ganache, black tea ganache, yuzu syrup and glaze, and pink chocolate enrobage. Click here for Hyoju's Pink Carnation Madeleines recipe.  Subscribe to our Substack for more baking news and recipes. Click here to order The Game Changers Issue of Cherry Bombe Magazine. Visit cherrybombe.com for magazine subscriptions, tickets to upcoming events, and more. More on Hyoju: Instagram, Madeleine de Proust, “Madeleines” More on Jessie: Instagram, Substack, “Salty, Cheesy, Herby, Crispy Snackable Bakes”

durée : 00:58:35 - Concordance des temps - par : Jean-Noël Jeanneney - Le prix Goncourt de Marcel Proust en 1919 fut un événement marquant. Pierre Assouline révèle comment l'écrivain, reclus, a construit sa légende et sa postérité par une correspondance habile et parfois flatteuse. - équipe : Vincent Abouchar, Jeanne Guérout Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

In this week's episode photographer and filmmaker Emily Garthwaite takes on our ‘Proust Photo Quiz'. The Proust Questionnaire is a set of questions answered by the French writer Marcel Proust. Proust answered the questionnaire in a confession album, a form of parlour game popular at the end of the 1890s. The album, titled An Album to Record Thoughts, Feelings, etc. was found in 1924 and published in the French literary journal Les Cahiers du Mois. Our ‘Proust Photo Quiz' is an adaption of the original text. Emily Garthwaite Garthwaite took up photography as a teenager intendeding to pursue painting at Central Saint Martins, but found herself studying Film and Photography. After working in club and fashion photography, she completed a Master of Arts in Photojournalism and Documentary Photography at the University of Westminster in 2016. It was when she visited India for the first time to scatter her grandmother's ashes in Assam, that she decided to work within photojournalism. The photographs from her months of travel through India were exhibited at the Norman Rea Gallery in 2014 under the title Afterlife. During the summer of 2015, Garthwaite worked with the Rațiu Family Charitable Foundation in Romania, where she documented the salt flats of Turda. In 2017, the Iranian Arts Institute invited her to photograph the Arba'een Pilgrimage, which instigated the series Iraq: Road to Arba'een. She co-directed her first feature-length documentary on the subject titled 41 Days in Iraq on Arba'een or The 40th Day, which screened in 2018 at the Chehelcheragh International Festival. In 2019 she spent time in Dearborn, Michigan capturing its local Muslim community and was named in the Forbes 30 Under 30 list. In 2020, she returned to Iraq, visiting the Zagros Mountains and Tigris River accompanying the Bakhtiari people on their Kooch migration. She exhibited A Journey Down the Tigris River at the Visa pour L'Image in Perpignan, where she won the 2023 ICRC Humanitarian Visa d'or Award, and Tears of the Tigris at the Leica Gallery London. Her project Light Between Mountains received a CCFD–Terre Solidaire grant, while her contributions to the Leon McCaron Noema essay The Last of the Marsh Arabs won her the 2022 Covering Climate Now Award for Photography. In 2024, Save the Children commissioned her to photograph the Yazidi community in Iraq 10 years on from the Yazidi genocide. She is a Leica Ambassador. www.emilygarthwaite.com Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8 magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006), Crash Happy: A Night at The Bangers (Cafe Royal Books 2012) and Inside Vogue House: One building, seven magazines, sixty years of stories (Orphans Publishing 2024). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. © Grant Scott 2026

Die siebenjährige Olive hat eine Obsession für Schönheitswettbewerbe. Vor dem Fernseher ahmt sie die weinenden Gewinnerinnen nach und arbeitet selbst hart an einer Choreographie, die ihr bei Wettbewerben die Trophäe sichern soll. Ihr Opa Edwin hat sich des Kindes angenommen und verbringt viel Zeit damit, mit ihr im Keller zu üben und zu choreografieren. Dann kommt der unverhoffte Anruf: Olive kann als Zweitplazierte nachrücken, weil die Gewinnerin mit Diätpillen betrogen hat. Damit ist sie berechtigt, am bundesweiten Wettbewerb in JWD teilzunehmen. Da die Familie sich keinen Flug leisten kann, fahren sie mit ihrem klapprigen VW-Bus los, um auf einem Roadtrip allerlei Scheiße mitzunehmen: die Kupplung gibt den Geist auf, was bedeutet dass alle anschieben und aufspringen müssen, der Buchdeal des Vaters platzt, der Sohn entdeckt seine Farbenblindheit und muss seinen Traum als Jetpilot begraben - und der Großvater der Familie stirbt an Drogenmissbrauch. Von all dem will sich die Familie nicht abhalten lassen. Sie wollen Olive unbedingt den Wunsch erfüllen und schaffen es gerade so, sich in den Wettbewerb einzuschreiben. Die Bühnenperformances der Kinder allerdings schlagen bei den Familienmitgliedern Alarm. Viel zu professionalisiert, viel zu perfektioniert und aufgehübscht ist die Welt der Kinderschönheitswettbewerbe. Olive ist keinem der bis zur Traumatisierung hochgezüchteten Kinder gewachsen. Olive will trotzdem auf die Bühne, und nun zeigt sich das Erbe des Großvaters: der Tanz des Mädchens gleicht der Stripshow eines billigen Sex-Schuppens. Das Publikum ist entsetzt, die Familie völlig überrascht. Aber in einem Akt der Solidarität kommen Vater, Mutter, Bruder und suizidaler Freund der Familie auf die Bühne und tanzen mit. Ein gemeinschaftlicher Mittelfinger an die toxische Professionalität der Wettbewerbsmaschinerie. Zwar ist der Schönheitswettbewerb der Aufhänger, aber eigentlich sehen wir einer vermeintlich dysfunktionalen Familie dabei zu, wie sie zusammenwachsen und als Individuen zueinander finden. Plor, ich habe unter massiven Schmerzen recherchiert, wie Schönheitswettbewerbe für Kinder und auch Erwachsene in Amerika und auch anderen Teilen der Welt aussehen. Bist du bereit, den amerikanischen Traum rituell auf dem Schlachtfeld der Beauty Pageants zu töten und deren Reste an die Proust und Nietzsche Fans dieser Welt zu verfüttern? Wenn euch dieser Podcast gefällt, unterstützt uns gerne auf: https://buymeacoffee.com/mussmansehen

Movie of the Year: 2006Little Miss Sunshine (feat. Don Shanahan from Every Movie Has a Lesson!)Little Miss Sunshine Podcast: The Hoovers Hit the BracketThe Little Miss Sunshine podcast episode has arrived, and the Taste Buds are packing into the VW bus. This week, Movie of the Year puts one of 2006's biggest indie success stories through the tournament. Ryan, Mike, and Greg welcome film critic Don Shanahan to help judge the Hoover family's run at the crown. Together, the panel digs into the family dynamics, the unforgettable ending, the film's surprising philosophical streak, and the husband-and-wife directing team behind it all. Additionally, the crew squares off in a round of Trivia and builds a fashion-themed Rushmore. Can a sunny yellow bus carry this movie deep into the 2006 bracket? Push, hop in, and find out.About the FilmLittle Miss Sunshine follows the Hoover family on an 800-mile road trip from Albuquerque to Redondo Beach. Seven-year-old Olive has qualified for the Little Miss Sunshine beauty pageant, and the whole dysfunctional clan piles into a failing Volkswagen bus to get her there. The passenger list includes a failed motivational speaker, a suicidal Proust scholar, a Nietzsche-obsessed teen who refuses to speak, a heroin-snorting grandpa, and one very determined mom. Directed by Jonathan Dayton and Valerie Faris from Michael Arndt's screenplay, the film premiered at Sundance in January 2006. It became a box office sensation, grossing over $101 million on an $8 million budget. Moreover, it earned four Academy Award nominations, including Best Picture. Alan Arkin won Best Supporting Actor, and Arndt took home Best Original Screenplay. RogerEbert.com called it a gentle family satire in the tradition of the countercultural comedies of the 1970s. Now the film faces its toughest challenge yet: the Movie of the Year 2006 bracket.Guest Panelist: Don ShanahanThe Taste Buds welcome film critic Don Shanahan to the panel. Don is a Chicago-based, Rotten Tomatoes-approved critic and the founder of the long-running review site Every Movie Has a Lesson. He also serves as Editor-in-Chief and Content Supervisor of the film department at Film Obsessive. Furthermore, Don co-hosts the Cinephile Hissy Fit Podcast on the Ruminations Radio Network. A school teacher by day, he writes his reviews with life lessons in mind, from the serious to the farcical. Don is a director and co-founder of the Chicago Indie Critics and a voting member of the Critics Choice Association and the Online Film Critics Society. Consequently, few guests arrive better equipped to grade a movie about winners, losers, and everything in between.The Hoover Family at the Heart of the Little Miss Sunshine PodcastEvery great road movie needs great passengers, and this one has six. The panel starts with the family itself. Richard preaches his nine-step winning program while his own career collapses. Sheryl holds everyone together with fried chicken and sheer will. Frank arrives fresh from a suicide attempt, and Dwayne has taken a vow of silence until he becomes a fighter pilot. Meanwhile, Grandpa coaches Olive's pageant routine with methods no pageant has ever approved. The Little Miss Sunshine podcast crew debates what makes this dysfunction feel so real. Notably, the film establishes the entire family in one legendary twenty-minute dinner scene. The Taste Buds and Don break down how each Hoover carries a private definition of failure. Ultimately, the group asks the big question: is this the best movie family of 2006?Breaking Down the Ending on the Little Miss Sunshine 2006 PodcastYou know the scene. Olive takes the stage at the pageant, "Super Freak" drops, and the movie explodes. The panel dedicates a full segment to one of the most famous endings of the decade. By contrast with the polished pageant contestants, Olive's routine is pure chaos, and the family's response is pure love. The Hoovers stop trying to win and start dancing. Don and the Taste Buds debate whether the finale earns its catharsis or leans on shock value. In addition, the crew discusses how the ending flips the film's winners-and-losers thesis on its head. Does the dance number seal the film's bracket run, or does it divide the panel? The episode holds nothing back.Nietzsche, Proust, and the Philosophy of LosingFew crowd-pleasers smuggle in this much philosophy. Dwayne worships Nietzsche and wears his contempt for conformity on his sleeve, or at least on his t-shirt. Frank, meanwhile, claims the title of preeminent Proust scholar in America. The panel unpacks why Michael Arndt built his comedy on these two thinkers. Frank's hospital-parking-lot speech about suffering becomes the film's secret thesis: the years of struggle are the years that make us. However, the movie never turns into a lecture. Instead, it hides its ideas inside gas station stops and highway breakdowns. The crew debates whether the philosophy holds up or simply decorates the road trip. Specifically, they ask what Nietzsche would think of a nine-step program for winning.The Directors: Jonathan Dayton and Valerie FarisHusband-and-wife team Jonathan Dayton and Valerie Faris spent decades directing music videos before this debut feature. Their work with bands like The Smashing Pumpkins and R.E.M. sharpened an eye for visual storytelling on tight budgets. As a result, Little Miss Sunshine looks sun-bleached, precise, and effortlessly funny. The panel examines how the duo directs comedy through reaction shots rather than punchlines. The famous bus-pushing sequence becomes a masterclass in physical comedy and ensemble blocking. Additionally, the group traces the pair's later career through Ruby Sparks and Battle of the Sexes. Why did two music video veterans wait so long for a second film? The panel has theories, and some of them are even kind.TriviaNo Movie of the Year episode is complete without Trivia. The Taste Buds and Don test each other on all things Little Miss Sunshine. Production history, casting near-misses, pageant facts, and VW bus mechanics are all fair game. The film's six-year development saga and its record-setting Sundance sale provide plenty of ammunition. Who takes the crown this week? Listen and find out.Rushmore: FashionThis week's Rushmore segment tackles fashion. Each panelist carves their personal Mount Rushmore of movie fashion into the mountainside. Little Miss Sunshine gives the category a strong starting point. Olive's oversized glasses and red cowboy boots, Dwayne's brutal statement tees, and Richard's aggressively beige wardrobe all deserve consideration. Nevertheless, the panel ranges across all of film history for their picks. Expect passionate defenses, questionable taste, and at least one choice that starts an argument.Why Little Miss Sunshine Still MattersTwenty years later, Little Miss Sunshine remains the gold standard for the crowd-pleasing indie. It proved a tiny comedy could outgross blockbusters and crash the Best Picture race. Furthermore, its skepticism about hustle culture and toxic winning has only grown more relevant. Richard's nine steps sound like half the internet in 2026. The film also launched Abigail Breslin, revived Alan Arkin, and showed the world Steve Carell could break hearts. Above all, it argues that losing together beats winning alone. That message keeps the Little Miss Sunshine podcast conversation alive two decades after the bus first rolled. For more from the season, check out the Movie of the Year 2006 intro episode and the 2006 Mixtape.Related Episodes from Movie of the Year: 2006Movie of the Year 2006: Intro Part 1Movies of 2006: Bracket Reveal and Sweet 16Tristram Shandy: A Cock and Bull Story2006 Mixtape Part IAll Movie of the Year EpisodesFAQ: Little Miss Sunshine Podcast and FilmWhat is the Little Miss Sunshine podcast episode about?The Taste Buds and guest critic Don Shanahan judge Little Miss Sunshine in the Movie of the Year 2006 bracket. Topics include the Hoover family, the ending, the film's philosophy, and directors Jonathan Dayton and Valerie Faris.What is Little Miss Sunshine about?A dysfunctional family drives a broken-down VW bus from New Mexico to California so young Olive can compete in a beauty pageant. Along the way, every member confronts their own definition of failure.Who directed Little Miss Sunshine?Jonathan Dayton and Valerie Faris directed the film. The married duo made their feature debut after a celebrated career in music videos.Who wrote Little Miss...

« On est très attachés au côté très nature, authentique, du lieu. J'ai toujours dans l'idée qu'il ne faut pas perturber le décor. On est là pour s'y insérer au maximum. »La famille de Myriam est installée sur l'île du Levant depuis 1954. C'est son grand-père, Gaëtan, qui tient un magasin de retouches pour la marine à Toulon, qui découvre pour la première fois l'île en 1954. Sa mère Denise a 14 ans et son oncle 10 ans. Sous le charme de l'île, ses grands-parents décident de reprendre le restaurant la Paillotte jusqu'en 1958. Ils achètent en 1957 la maison des Bouchat qui deviendra, après quelques aménagements, l'Hôtel Gaëtan, et qui ouvre ses portes en 1957. Il fait partie des premiers hôtels implantés sur l'île. C'est donc la 66ème saison de l'hôtel au sein de sa famille. Un établissement dont Myriam et sa famille s'attachent à perpétuer l'esprit authentique et rustique dans la tradition des médecins Durville qui créèrent ici la cité naturiste Héliopolis en 1931.Avec Myriam, on a parlé de transmission, de famille, d'authenticité, d'âme, de madeleine de Proust, de tendance, de naturisme, de nature et de fraternité. L'article complet et toutes les notes et références citées dans l'épisode sont à retrouver sur https://fragileporquerolles.com/levant-myriam-hotelgaetan/

durée : 00:06:01 - par : Max Dozolme - C'est un poème étrange. C'est une des chansons les plus célèbres du monde. C'est une succession de madeleines de Proust sans couplets ni refrain. Une suite d'images sans âges où la tristesse se mêle à l'espoir. C'est un des chefs-d'œuvre d'Antonio Carlos Jobim. Ce sont les Eaux de Mars. - équipe : Yassine Bouzar Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Recipe Club heads to Paris to revisit ‘Ratatouille.' Justin shares insights from his Disney days. Eugene ranks rats. Chris finds an excellent recipe for Proust-inspired madeleines. We all question YouTubers who try re-creating the movie's signature dish.With Vrbo, what you book is what you get.Host: Chris YingProducers: Noelle Cornelio, Jesse Aron, Magdalena MunaoProducer/Editor: Michael RovzarProduction Support: Donald LoBianco, Michael Delgado, Nikola Stanjevich, Micki Milosevic Learn more about your ad choices. Visit podcastchoices.com/adchoices

La gastronomie française n'est pas qu'une histoire de grands restaurants et d'étoiles Michelin. C'est un patrimoine appartenant à toute une population et qui en fait bon usage selon une étude Quitoque publiée en 2018. Près de la moitié des Français préparent 9 repas par semaine. Cette tradition vient, comme souvent, avec son lot d'expressions. Vous connaissez sûrement l'adage : “Vous êtes un vrai cordon bleu”. Il désigne quelqu'un comme étant un bon cuisinier. Et même si ce plat nous vient de la frontière suisse, l'expression, elle, est bien française. Et il se pourrait même qu'elle n'ait absolument rien à voir avec cette madeleine de Proust. Et donc, ça vient d'où ? Est-ce que l'expression a un lien avec la cuisine ? Écoutez la suite de cet épisode de "Maintenant vous savez". Un podcast Bababam Originals, écrit et réalisé par Samuel Lumbroso.  Première diffusion : novembre 2023 À écouter aussi : ⁠Qu'est-ce que la méthode 1% ?⁠ ⁠La gale est-elle vraiment liée à un problème d'hygiène ?⁠ ⁠Qu'est-ce que le jeûne sexuel ?⁠ Retrouvez tous les épisodes de ⁠"Maintenant vous savez".⁠ Suivez Bababam sur ⁠Instagram⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

durée : 01:01:07 - Les émissions culturelles de France Culture - par : Marie Richeux - À l'occasion de la sortie de son documentaire "Splendeurs et misères de la Maison Camondo", nous avons proposé à la cinéaste Ruth Zylberman de dévoiler ses rayonnages. Sur ses étagères, Proust et Isaac Babel côtoient la poésie de Zuzanna Ginczanka et les romans autobiographiques de Peter Kurzeck. - équipe : Jeanne Aléos, Mathilde Wagman, Marianne Chassort, Alexandre Alajbegovic, Cyril Marchan, Vivien Demeyère, Julie Gastal Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Could you live without your phone for a month?

Welcome to our fifth episode celebrating the centenary of The Sun Also Rises! On today's show, we welcome the always excellent David Wyatt to explore the way Hemingway represents “thinking” in the novel.Although Hemingway may not be as celebrated as Faulkner, Joyce, Proust, and Woolf at depicting human consciousness, in this episode David Wyatt guides us through crucial moments in The Sun Also Rises to show Hemingway's subtle power in dramatizing thought in action.Wyatt takes us from Jake's bedroom to his self-conscious prayer, to his drunken reading of Turgenev in bed, to the excitement of the bullring in order to reveal how the reader gains access to Jake's interiority, making The Sun Also Rises a psychological novel in disguise. As with all of the The Sun Also Rises episodes this year, we enjoy the legendary actor William Hurt reading—in this episode, from Jake's “I thought I had paid for everything” meditation in chapter 14, courtesy of our friends at Simon & Schuster Audio.Audio excerpt courtesy of Simon & Schuster Audio from The Sun Also Rises by Ernest Hemingway, read by William Hurt. Copyright © 1926 by Charles Scribner's Sons. Used with permission of Simon & Schuster, Inc.Consider supporting One True Podcast here: https://members.hemingwaysociety.org/podcast

Dr Tim Themi is a PhD in Philosophy & Psychoanalysis from Deakin University. He also holds Honours degrees in Philosophy from La Trobe University and in Chemical Engineering from University of Melbourne. His doctoral dissertation, supervised by leading Lacan translator Prof Russell Grigg, brought together the psychoanalysis of Lacan and the philosophy of Nietzsche on the question of desire and ethics. He is author of the books 'Eroticizing Aesthetics: In the Real with Bataille and Lacan' (Rowman/Bloomsbury 2021); 'Lacan's Ethics and Nietzsche's Critique of Platonism' (SUNY Press 2014); and has taught at Deakin University, Australian Catholic University, Melbourne School of Continental Philosophy, Lacan Circle of Australia, and in the School of Culture & Communication at University of Melbourne.Bryan Counter is the author of Four Moments of Aesthetic Experience: Reading Huysmans, Proust, McCarthy, and Cusk (Anthem Press, 2025) and co-editor, with James Dutton, of Quiet Proust: Aesthetic Experience, Reading the Virtual, and Thinking out of Time (under contract with Bloomsbury). He co-hosts the podcast Authors Die Twice with Nathan Wainstein and is currently working on projects revolving around horror, weird fiction, wonder, and the role of chance and improvisation in 20th century fiction.---Become part of the Hermitix community:Hermitix Twitter - ⁠ / hermitixpodcast ⁠Support Hermitix:Patreon - ⁠ www.patreon.com/hermitix ⁠Donations: - ⁠https://www.paypal.me/hermitixpod⁠Hermitix Merchandise - ⁠http://teespring.com/stores/hermitix-2⁠Bitcoin Donation Address: 3LAGEKBXEuE2pgc4oubExGTWtrKPuXDDLKEthereum Donation Address: 0x31e2a4a31B8563B8d238eC086daE9B75a00D9E74

Today's episode we have a listener question from the Send Voicemail Tab on our website. Kellie asks about how to deal with building anxiety when in a social setting.Stillpoint Fridays is my once-a-week Friday note — a slower, more personal reflection that's different from what I share on the podcast.If you'd like a quiet place to land as the week winds down, you can join here: http://eepurl.com/bR2F9P or on our website anxietycoachespodcast.com and sign up for the newsletter.Please visit our Sponsor Page to find all the links and codes for our awesome sponsors! https://www.theanxietycoachespodcast.com/sponsors/Website https://www.theanxietycoachespodcast.comJoin our community Group Coaching Join our Group Coaching Full or Mini Membership Program1:1 Coaching Learn more about our One-on-One CoachingIf you prefer to listen AD-FREE, try our Supercast premium access membership:Learn more about anxiety What is anxiety?Free Guided Meditation for Calming Your Anxious Mind 10-Minute Body-Scan Meditation for AnxietyQuote:We don't receive wisdom; we must discover it for ourselves after a journey that no one can take for us or spare us. -Marcel ProustChapters0:27 SpeakPipe Question3:31 Social Anxiety Tools7:22 Relax the Body12:46 Stop Adding Fuel16:20 Shake It Out19:06 Proust's WisdomSummaryIn this episode, we speak about a listener question from Kelly, who describes living with long-term anxiety that has affected work, driving, being alone, and social situations. We focus on what to do when anxiety rises in the middle of everyday settings where it is not practical to step away and process it privately.We explain that the main practice is to prepare in quieter moments, especially during meditation or other practice time, so acceptance and “floating” become more familiar. When anxiety shows up in the moment, we suggest noticing the body's signals and using physical relaxation as a cue of safety.We describe simple techniques such as tensing and releasing muscles, relaxing the shoulders, jaw, hands, feet, and legs, and using small movements or shaking out tension when appropriate. The point is to send the brain a message that there is no immediate danger, rather than trying to force away thoughts.We also address the tendency to add a second layer of distress by worrying about how we look, whether others notice, or whether we can get through the situation. We encourage noticing that extra self-criticism and not feeding it, since that can intensify the anxiety.Finally, we emphasize that repeated practice makes these responses easier to access in daily life. The episode closes with a quote about discovering wisdom through our own journey.#Anxiety #AnxietyRelief #SocialAnxiety #AnxietyCoachesPodcast #GinaRyan #StressManagement #MentalHealth #Meditation #Mindfulness #CopingStrategies #RelaxationTechniques #ProgressiveMuscleRelaxation #PettingTheLizard #Amygdala #FightOrFlight #SelfCare #EmotionalWellness #SecondArrow #AnxiousThoughts #CopingWithAnxiety #SocialAnxietyTips #PhysicalRelaxation #Calm #Peace #NervousSystemRegulation #SomaticTracking #PublicAnxiety #GroundingTechniques #MentalHealthAwareness #AnxietySupport #CopingMechanisms #SelfCompassionSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Was verdient eigentlich unsere Aufmerksamkeit – und warum? Ivo Wessel hat darauf eine ungewöhnliche Antwort. Als einer der ersten deutschen App-Entwickler bewegt er sich seit Jahrzehnten in der digitalen Welt und baut gleichzeitig seit seiner Schulzeit eine umfangreiche Sammlung aus Büchern und Konzeptkunst auf. Für ihn zählt dabei nie der Preis einer Sache, sondern ihr Wert. Wir schlagen die Brücke zwischen Bytes und Buchseiten, Kulturgeschichte und digitaler Gegenwart. Das Gespräch springt dabei munter durch Ivos Welt: Warum Marcel Proust heute vermutlich ein erfolgreicher Influencer wäre, wie Ivo den Regisseur Wim Wenders kennenlernte und was es mit Karl Lagerfelds Duftkreation auf sich hat, die nach alten Büchern riechen sollte. Am Ende kommen wir aber immer wieder zur fundamentalen Frage, was eigentlich von uns bleibt, wenn man uns alles wegnimmt. Birgit Eller Krumm ist Kapitän der Folge 122 von KAP Podcast. Ivo Wessel (*1965) studierte Informatik und Psychologie in Braunschweig und lebt seit 2000 in Berlin. Als Softwareentwickler kreiert er Anwendungen für Künstlerinnen, Künstler und Kulturinstitutionen. Schon als Jugendlicher sammelt er zeitgenössische Kunst und Literatur und verbindet bis heute seine drei großen Leidenschaften: Bücher, Kunst und Computer. Gemeinsam mit dem Galeristen Olaf Stüber gründete er 2008 das Videokunstformat „Videoart at Midnight“ im Berliner Kino Babylon. Seine Sammlung kann auf Nachfrage besucht werden; während der Berlin Art Week öffnet er sie jedes Jahr im Rahmen eines „Tags der offenen Tür“. Webseite von Ivo Wessel: www.ivo-wessel.de Ivos derzeitige Lieblings-Apps: „Kunst Collection“ (zur Verwaltung einer Kunstsammlung) und „Folder Rack“ (Datei-Manager und Finder-Alternative für den Mac). KAP ist jetzt auf Substack - hier anmelden https://substack.com/@kappodcast KAP unterstützen - hier geht's zum Link patreon.com/kap_podcast Apply to be a KAP guest: https://www.kapture.ch/contact Get in touch with KAP: https://www.kapture.ch/contact Foto Credits: Michael Wesely

durée : 00:12:25 - Les Nuits de France Culture - par : Albane Penaranda - Quelles étaient les influences scolaires de Marcel Proust, et notammanet celle de son professeur de philosophie, Alphonse Darlu, au lycée Condorcet ? - équipe : Mathias Le Gargasson, Antoine Dhulster, Rafik Zénine, Vincent Abouchar, Emily Vallat, Hassane M'Béchour, INA Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Qui pousse la porte du restaurant du chef guadeloupéen Jean Rony Leriche à deux pas de l'Arc de Triomphe sourit instantanément car accueilli par une caresse : le parfum du fumé, du boukané. Ce parfum-là vous emporte droit « à la maison » - il est une version caribéenne de la madeleine de Proust - cette odeur familière, réconfortante, vous ramène instantanément aux racines, à ce savoir-faire transmis au fil des générations et savoureux marqueur culturel des Caraïbes à l'Afrique de l'Ouest.   Une cuisine caribéenne gastronomique  Il y a bien d'autres parfums dans la cuisine de Jean Rony Leriche : parce que la maison est aussi dotée d'un jardin créole, d'arbres fruitiers, de fleurs, de plantes. Le jardin créole est « bien plus qu'un jardin », raconte Jean Rony Leriche montrant du doigt un citron caviar tout juste formé, « c'est aussi un garde-manger, une pharmacie, un lieu où faire perdurer ses traditions et savoir-faire, un lieu où se retrouver et partager. » Ce jardin si précieux car gage d'autonomie était parfois le seul bien sur les plantations, ce bout de terre cédé aux esclaves sur lequel des légumes, et des arbres fruitiers pouvaient être cultivés. Un jardin en héritage qui relie le chef à ses racines haïtiennes, à son enfance en Guadeloupe, une richesse partagée dans le quartier de Baie-Mahault. Un Jardin pour soi et sa famille, une continuité et la transmission d'un savoir et d'un lien avec son histoire et ses ancêtres.   Un conte créole et une histoire partagée  Du pâté créole aux bananes pesées et pickles de gombo, à la mousse de lambi sur une feuille de manioc, cajou boucanée, aux veloutés d'igname, feuilleté de féroce d'avocat, la cuisine de Jean Rony Leriche est un voyage sensible et savoureux dans la mémoire et la diversité des cultures des Caraïbes. Le chef a à cœur de raconter et surtout de transmettre cet héritage des îles en allant dans les subtilités et l'immense richesse de la culture des Antilles, du voyage des produits, à la création des langues, des communautés, et à la résistance d'un peuple pour se fonder et exister.   Avec Jean Rony Leriche, chef du restaurant Leriche, 16 rue Brey dans le 17ème arrondissement de Paris  La salle est dirigée par Christine Leriche, la femme du chef.  Instagram. Ma cuisine antillaise, du chef Jean Rony Leriche, Éditions Brigitte Eveno  Cette émission est dédiée à la famille du chef Leriche et à Suzie Zozio, biochimiste et restauratrice, spécialisée en plantes médicinales, décédée en 2026.  ► Pour aller plus loin   - Jaden lhéritaj, du chef Leriche à Baie Mahault inauguré au Printemps 2026.  - Mauro Colagreco, chef du Mirazur à Menton  - Moi Tituba, sorcière noire de Salem, de Maryse Condé  - Boucanage : technique ancestrale utilisée pour conserver en fumant poissons et viandes.    - Autour des jardins créoles    - La cuisine caribéenne transcende les frontières grâce au programme Transcultura Unesco   Programmation musicale : Fruit and flower, Marcus Gad. 

Dan, Andy and Anna discuss YOUR facts including pasta, Proust and pencils. Anna shares her secret 'Wheel of Life' game. And we name eight more Friend of the Podcast custodians.Visit nosuchthingasafish.com for news about live shows, merchandise and more episodes.Join Club Fish for ad-free episodes and exclusive bonus content at apple.co/nosuchthingasafish or nosuchthingasafish.com/patreonEdited by James HarkinProduced by Leying LeeTeam includes Tara Dorrell, Joe Mayo and Ethan Ruparelia

Silvia Andreoli"Il cuore della notte"Storie delle ore dopo il tramonto.Prefazione di Roberto DeidierLuiss University Presswww.luissuniversitypress.itÈ capitato a chiunque: una strada deserta popolata da ombre tremolanti, un silenzio scosso dal fruscio delle foglie, il rintocco delle campane che annuncia l'arrivo della notte. Nell'oscurità brillano le stelle e noi, confusi, non sappiamo se il brivido che ci attraversa appartiene a una paura senza età o a un'avventura sul punto di cominciare. Il cuore della notte di Silvia Andreoli è un saggio noire, un'autobiografia onirica, un itinerario delle dodici ore notturne scandito dagli orologi illustrati da Stefano Guerrini. Memoir, critica letteraria e narrazione si contaminano fino a fare del buio la “regione” dell'Essere: siamo fatti della stessa sostanza di cui è fatta l'oscurità. Ma il buio non è assenza di luce; è materia primordiale, desiderio d'infanzia, territorio ancestrale dove il tempo si dissolve e i segreti dell'intimità vengono custoditi. Accostarsi alla notte significa, come Cenerentola, vincere il timore della mezzanotte e raccogliere la promessa di una scarpetta o volare oltre la morte come l'umbratile Peter Pan. La notte ci spoglia dei ruoli sociali e ci restituisce alle nostre tenebre interiori: cadono le maschere, e l'anima, libera dal quotidiano, incontra il silenzio della creazione e la passione del desiderio. Il buio è alambicco alchemico: è Michelangelo che si rifugia nelle segrete di San Lorenzo come in una notte senza fine e popola le pareti di disegni lavorando alla cieca; è Proust che cerca nella sua stanza foderata di sughero la madre-notte per ritrovare le memorie perdute dell'infanzia. Da Nabokov a Kafka, fino ai Nighthawks di Hopper, Andreoli tesse una costellazione letteraria in cui la luna produce miti, illusioni e passioni. Come falene attratte da un chiarore ingannevole, volteggiamo verso ciò che ci attrae e ci consuma: è il sogno di una vita libera.Silvia AndreoliScrittrice, studiosa dell'universo della fiaba, è autrice di romanzi e racconti. Ideatrice di numerosi laboratori su temi della fantasia, dell'infanzia e della poesia, con Luiss University Press ha pubblicato La tana del lupo (2024).Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

For the 47th episode of Reading the Art World, host Megan Fox Kelly speaks with Ruth Bernard Yeazell, Sterling Professor of English at Yale University, about "Vermeer's Afterlives," published by Princeton University Press.Vermeer's Afterlives traces how Vermeer, who died in 1675 and was largely forgotten within decades, was reconstructed by the critics, forgers, poets, and novelists who encountered his work over the following two centuries. Yeazell argues that the quiet, enigmatic Vermeer we revere was shaped as much by the process of recovery as by the paintings themselves: by the order in which his canvases were reattributed, by the near-absence of biographical record, and by the frameworks critics brought to an artist they were meeting for the first time.The conversation moves through those afterlives in full: Théophile Thoré, the French journalist who encountered Vermeer in The Hague in 1842 and assembled a catalogue—more than three-quarters of which no longer holds—but whose act of naming shaped what Vermeer would become; Han Van Meegeren, whose forged Supper at Emmaus was declared the greatest Vermeer ever painted because it supplied a scholarly gap critics had convinced themselves was waiting to be filled; and the writers who have tried to narrate the stories his paintings leave untold. The conversation closes on Proust, who Yeazell argues grasped what most literary respondents missed: Vermeer's paintings stage acts of looking, not storytelling.For anyone interested in Dutch Golden Age painting, the history of artistic reception, or how a body of work accumulates meaning across time and discipline, this episode is essential listening.ABOUT THE AUTHORRuth Bernard Yeazell is Sterling Professor of English and Director of Graduate Studies at Yale University. Her books include "Picture Titles: How and Why Western Paintings Acquired Their Names" and "Art of the Everyday: Dutch Painting and the Realist Novel," both published by Princeton University Press. Her writing has appeared in the New York Review of Books and the London Review of Books.PURCHASE THE BOOKhttps://press.princeton.edu/books/hardcover/9780691277820/vermeers-afterlivesSUBSCRIBE, FOLLOW AND HEAR INTERVIEWS:For more information, visit meganfoxkelly.com, hear our past interviews, and subscribe at the bottom of our Of Interest page for new posts.Follow us on Instagram: @meganfoxkelly"Reading the Art World" is a podcast featuring live interviews with leading authors and writers on important new art books. Megan Fox Kelly is an art advisor and past President of the Association of Professional Art Advisors who works with collectors, estates and foundations.Music composed by Bob Golden

In this week's episode photographer, filmmaker and artist Roger Ballen takes on our ‘Proust Photo Quiz'… The Proust Questionnaire is a set of questions answered by the French writer Marcel Proust. Proust answered the questionnaire in a confession album, a form of parlour game popular at the end of the 1890s. The album, titled An Album to Record Thoughts, Feelings, etc.was found in 1924 and published in the French literary journal Les Cahiers du Mois. Our ‘Proust Photo Quiz' is an adaption of the original text. Roger Ballen Ballen was born in New York in 1950, but for nearly 40 years he has lived and worked in South Africa. It was his work as a geologist that took him into the countryside with his camera in 1981 to explore the hidden world of small South African towns. At first he explored the empty streets in the glare of the midday sun but, once he made the step of knocking on people's doors, he discovered a world inside these houses which was to have a profound effect on his work. After 1994 he no longer looked to the countryside for his subject matter finding it closer to home in Johannesburg. Over the past thirty-five years his photography has evolved using a simple square format in stark black and white. A style he describes as ‘documentary fiction'. After 2000 the people he first discovered and documented living on the margins of South African society became a cast of actors. Ballen has made a number of short films including the collaborative film I Fink You Freeky in 2012, which has over 125-million hits on YouTube.  He also made an animated film, Theatre of Apparitions, which has been nominated for various awards. In 2017 Thames & Hudson published a volume of his collected photography with extended commentary by Ballen titled Ballenesque Roger Ballen: A Retrospective to accompany an exhibition of his work at Halle Saint Pierre in Paris, which took over the entire space for more than a year. ​In 2020, Hatje Cantz published Roger the Rat in which Ballen creates and documents a part-human, part-rat creature who lives an isolated life outside of mainstream society. Ballen has published over twenty-five books internationally and his works are in more than fifty of the most important international museum collections. He still lives in Johannesburg, South Africa. www.rogerballen.com Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott continues to work as a photographer, writer and filmmaker and is the Subject Coordinator for both undergraduate and post graduate study of photography at Oxford Brookes University, Oxford, England. © Grant Scott 2026

Craving childhood comfort foods? You're not alone—and there's a fascinating reason why certain tastes and memories hit us harder than others.Discover how food nostalgia and emotional anchors shape what we crave, what we remember, and what we mourn when we change our diets. From Swiss rolls that lit up lunchtime to the magic of childhood candies, explore how our food memories aren't just about taste, they're about safety, routine, and identity. We break down the science behind the Proust effect, revealing how smells and flavors trigger emotional memories that can influence your food choices today. You'll discover how nostalgia keeps some foods alive in our hearts (and mouths), even if they no longer serve our health. Plus, learn why your palate evolution, and the changing ingredients in beloved treats, make some foods taste completely different now.This episode is perfect for anyone navigating dietary changes, battling food cravings, or curious about the deep connection between food and emotion. Whether you miss the thrill of a childhood treat or want to understand your ongoing food rituals, you'll leave with a new perspective on the grief, and joy, of eating.Why do we grieve our favorite foods? How do memories shape your current cravings? And what does your food nostalgia say about who you are today? Tune in to explore these questions—and maybe even find the courage to indulge in that nostalgic snack guilt-free.Warning: listening may inspire you to revisit some old favorites, but beware—you might just start craving a Swiss roll or a big bag of Doritos all over again.

Our Special Subject for June is Wong Kar-wai's so-called "Love Trilogy": Days of Being Wild (1990), In the Mood for Love (2000), and 2046 (2004). Our discussion walks a tightrope of abstraction as we consider the philosophical implications of Wong's treatment of the theme of love: whether it can be consummated and how time, secrets, androids, and epistemology are involved. Proust, Tarkovsky, and of course FOTP Henry James get their due mentions.  Time Codes: 0h 00m 25s:     DAYS OF BEING WILD (1990) [dir. Wong Kar Wai] 0h 29m 47s:    IN THE MOOD FOR LOVE (2000) [dir. Wong Kar Wai] 0h 46m 55s:    2046 (2004) [dir. Wong Kar Wai] 1h 05m 06s:      So This Is Sarris (The American Cinema by Andrew Sarris) – Garson Kanin +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: "Sunday" by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – "Making America Strange Again" * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join! 

¿Y si olvidar fuera necesario para sanar? Memoria, ansiedad y trauma | La teoría de la mente Descripción SEO Únete a nuestra comunidad “El mapa de la ansiedad”: https://www.skool.com/elmapadelaansiedad Un espacio donde encontrarás cursos, recursos y una comunidad para entender mejor tu ansiedad, compartir con personas que viven experiencias parecidas y avanzar paso a paso con más claridad. ¿Y si recordar demasiado no fuera una bendición, sino una condena? En este episodio de La teoría de la mente, exploramos una de las preguntas más profundas de la psicología, la neurociencia y la literatura: ¿qué somos realmente cuando recordamos? Y, sobre todo, ¿qué ocurre cuando el pasado deja de ser pasado y empieza a gobernar nuestro presente? Partimos de Funes el memorioso, el inolvidable personaje de Borges, capaz de recordarlo todo con una precisión casi imposible. A primera vista, podría parecer un superpoder. Pero Borges nos muestra algo más inquietante: una memoria perfecta puede impedirnos pensar, porque pensar también implica olvidar, resumir, seleccionar y dar sentido. No podemos vivir atrapados en cada detalle de lo ocurrido. Necesitamos distancia para comprender. También viajamos hasta Proust y su famosa magdalena, esa imagen maravillosa de cómo un olor, una canción o un sabor pueden devolvernos de golpe a un momento de nuestra vida. La memoria no es solo un archivo mental: a veces es una puerta emocional. Pero no todas las puertas conviene dejarlas abiertas para siempre. En este episodio hablamos de Eric Kandel, Premio Nobel y uno de los grandes científicos de la memoria, que mostró cómo la experiencia cambia físicamente el cerebro. Aprender no es solo adquirir información: es transformarnos. Nuestros recuerdos, nuestros miedos, nuestras heridas y nuestras respuestas de ansiedad están escritos, de algún modo, en nuestra biología. Pero esto también abre una puerta esperanzadora: si la experiencia cambia el cerebro, nuevas experiencias pueden ayudarnos a cambiar. También aparece la historia de Henry Molaison, el famoso paciente H.M., cuya vida permitió entender que no tenemos una sola memoria, sino muchas. Hay memorias conscientes, pero también memorias corporales, emocionales y automáticas. A veces no recordamos algo con claridad, pero lo obedecemos. Nos tensamos, evitamos, nos protegemos o reaccionamos como si el pasado siguiera ocurriendo. Por eso este episodio conecta la memoria con la ansiedad, el pánico y el trauma. En el trauma, el problema no es simplemente recordar mucho, sino que el pasado entra en el presente sin permiso. No se trata de borrar lo ocurrido, sino de colocarlo en otro lugar. De conseguir que el recuerdo no mande siempre. De transformar una herida abierta en una cicatriz: algo que cuenta que dolió, pero también que la piel hizo su trabajo. Si alguna vez has sentido que tu ansiedad repite siempre la misma historia, este episodio puede ayudarte a comprender por qué. La memoria puede castigarnos, pero también puede integrarnos. Recordar no es almacenar. Olvidar no siempre es perder. Y sanar quizá tenga que ver con permitir que algunas escenas dejen de ocupar el centro de nuestra vida. Nuestra escuela de ansiedad: www.escuelaansiedad.com Nuestro nuevo libro: www.elmapadelaansiedad.com Visita nuestra página Web: http://www.amadag.com Facebook: https://www.facebook.com/Asociacion.Agorafobia/ Instagram: https://www.instagram.com/amadag.psico/ ▶️ Youtube Amadag TV: https://www.youtube.com/channel/UC22fPGPhEhgiXCM7PGl68rw Keywords memoria y ansiedad, trauma psicológico, Eric Kandel, Funes el memorioso, Borges memoria, Proust magdalena, Henry Molaison, paciente HM, neurociencia de la memoria, ansiedad y recuerdos, estrés postraumático, recuerdos traumáticos, olvido psicológico, sanar el pasado, memoria emocional, memoria corporal, psicología de la ansiedad, La teoría de la mente, AMADAG TV, mapa de la ansiedad, hipocampo y memoria, aprendizaje y cerebro, ansiedad y trauma, cómo superar la ansiedad, psicología y literatura #️⃣ Hashtags #Ansiedad, #Memoria, #Trauma, #Psicologia, #Neurociencia, #LaTeoriaDeLaMente 5 títulos alternativos 4 hábitos que van a ayudarte a dejar de vivir atrapado en tus recuerdos Llevas haciendo mal esto con tu pasado: intentar recordarlo todo Esta forma de entender la memoria puede cambiar tu ansiedad para siempre 5 cosas que nunca deberías hacer cuando un recuerdo doloroso vuelve Por qué olvidar también puede ser una forma de sanar

In this week's episode documentary photographer and photo editor Cengiz Yar takes on our ‘Proust Photo Quiz'. The Proust Questionnaire is a set of questions answered by the French writer Marcel Proust. Proust answered the questionnaire in a confession album, a form of parlour game popular at the end of the 1890s. The album, titled An Album to Record Thoughts, Feelings, etc. was found in 1924 and published in the French literary journal Les Cahiers du Mois. Our ‘Proust Photo Quiz' is an adaption of the original text. Cengiz Yar Yar is a New Jersey born documentary photographer and editor now based in El Paso, Texas who has worked in visual journalism for over a decade. He currently works as a visuals editor at ProPublica, where he edits, photographs, and art-directs stories across the site focusing on the visual coverage of projects in the US Midwest, Southwest, and Texas. Before joining ProPublica, Yar edited for publications such as Rest of World, Roads & Kingdoms, and the Guardian. As a photographer his work has primarily focused on human migration and the conflicts in Iraq and Syria. He is the inaugural recipient of the James Foley Award for Conflict Reporting, a Pulitzer Prize finalist, and a Dart Center Ochberg Fellow in Journalism and Trauma. His photography clients include Vanity Fair, Rolling Stone, WIRED, The Guardian, The Wall Street Journal, Instagram, Google, UNHCR, and The New York Times among others. He is a HEFAT, RISC, and FAA drone certified pilot and his first monograph, This Alabaster Grave, exploring the overwhelming destruction faced by the Iraqi city of Mosul was published in 2025. Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8 magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006), Crash Happy: A Night at The Bangers (Cafe Royal Books 2012) and Inside Vogue House: One building, seven magazines, sixty years of stories (Orphans Publishing 2024). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. © Grant Scott 2026

When the Guardian drops a list of the 100 Greatest Novels in English it's time to drop everything to talk about it. Luckily pod-regular guest, journalist Phil Chaffee and Joseph Dance, host of the Curious Readers podcast, also had views, and were willing to get together on a Sunday evening to share them. You'll hear our hits, our misses, how many we've read, whether we should have read more and much musing on whether a list like this is the way to get people excited about reading. We explore the joys of the sub-lists – the contributor lists – all squirrelled away on a sub-section of the Guardian's website, that arguably provide more excitement and inspiration than the fairly canonical top 100. Which is the best Brontë? Which is the best Austen? Do we age into certain books? If you've read all seven volumes of Proust shouldn't that count for more than one entry? All this and much, much more. Enjoy – this was an absolute delight to make and I hope it makes you smile as much as it did me.Have your say: get in touch on Instagram @bookclubreviewpodcast or email thebookclubreview@gmail.com, or head to our website for full shownotes. What would be in your top-10?Check out the Patreon for all kinds of extras, from our monthly book club to extra shows and Kate's reading diaries. Find it at patreon.com/thebookclubreviewThe Guardian's List of the 100 Greatest Novels published in English, copied below for ease of reference.*underlined – the ones Kate has readMiddlemarchBelovedUlyssesTo the LighthouseIn Search of Lost TimeAnna KareninaWar and PeaceJane EyrePride and PrejudiceMadame BovaryThe Great GatsbyBleak HouseEmmaMrs DallowayMoby-DickNineteen Eighty-FourOne Hundred Years of SolitudePersuasionThe Life and Opinions of Tristram Shandy, GentlemanWuthering HeightsThe Portrait of a LadyThings Fall ApartMidnight's ChildrenThe Remains of the DayLolitaDon QuixoteThe TrialThe Brothers KaramazovPale FireFrankensteinThe Prime of Miss Jean BrodieThe God of Small ThingsDavid CopperfieldWolf HallGreat ExpectationsThe Handmaid's TaleInvisible ManThe Age of InnocenceTheir Eyes Were Watching GodSong of SolomonHeart of DarknessThe Magic MountainHousekeepingGiovanni's RoomThe Golden NotebookThe LeopardVanity FairThe MetamorphosisA Fine BalanceWide Sargasso SeaMy Brilliant FriendThe Golden BowlThe Transit of VenusOrlandoThe WavesMansfield ParkThe Sound and the FuryDisgraceNever Let Me GoHowards EndThe Rings of SaturnHalf of a Yellow SunWhite TeethThe Good SoldierThe Color PurpleThe Master and MargaritaThe Man Without QualitiesBlood MeridianCrime and PunishmentJude the ObscureKindredOur Mutual FriendAusterlitzNervous ConditionsThe Bluest EyeDraculaThe RainbowA House for Mr BiswasGo Tell It on the MountainRebeccaBuddenbrooksThe End of the AffairA Farewell to ArmsThe Talented Mr RipleyThe VegetarianThe Turn of the ScrewThe Line of BeautyRagtimeThe Left Hand of DarknessJacob's RoomLife and FateSentimental EducationInvisible CitiesThe Known WorldThe Return of the NativePedro PáramoCatch-22The RoadThe Go-BetweenMy ÁntoniaParticular books we touch on in the showThings Fall Apart by Chinua AchebeUlysses by James JoyceIn Search of Lost Time by Marcel ProustMy Brilliant Friend by Elena FerranteWuthering Heights by Emily BrontëAs I Lay Dying by William FaulknerVillette by Charlotte BrontëOrlando, The Waves and To the Lighthouse by Virginia WoolfOne Hundred Years of Solitude by Gabriel García MárquezMiddlemarch by George EliotPedro Páramo by Juan RulfoRebecca by Daphne du MaurierThe Leopard by Giuseppe Tomasi di LampedusaNervous Conditions, The Book of Not and This Mournable Body by Tsitsi DangarembgaThe Transit of Venus by Shirley HazzardDon Quixote by Miguel de CervantesThe Magic Mountain by Thomas MannBuddenbrooks by Thomas MannLonesome Dove by Larry McMurtryBlood Meridian by Cormac McCarthyThe Memory Police by Yoko OgawaThe English Understand Wool by Helen DeWittA Season of Migration to the North by Tayeb SalihThe Princess of Clèves by Madame de LafayetteThe Cairo Trilogy by Naguib MahfouzThe Makioka Sisters by Jun'ichirō TanizakiThe Trial and Metamorphosis by Franz KafkaThe Go-Between by L. P. HartleyMoby-Dick by Herman MelvilleA House for Mr Biswas by V. S. NaipaulThe New Life by Tom CreweMiss Marjoribanks by Mrs OliphantThe Palliser novels by Anthony TrollopeThe Warden by Anthony TrollopeThe Man Without Qualities by Robert MusilThe Known World by Edward P. JonesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

durée : 00:30:49 - Les Nuits de France Culture - par : Albane Penaranda - réalisation : Mathias Le Gargasson, Antoine Dhulster, Rafik Zénine, Vincent Abouchar, Emily Vallat, Hassane M'Béchour, INA Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Plaintes, compliments, interrogations... Cette saison encore, les Grosses Têtes répondent aux différentes questions et messages des auditeurs à l'antenne. Retrouvez tous les jours le meilleur des Grosses Têtes en podcast sur RTL.fr et l'application RTL.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

durée : 00:58:37 - Mauvais genres - par : François Angelier - Pour les troisième volet de sa trilogie des "Démons", Simon Liberati tangue l'Amérique de Wahrol et Capote et l'Europe de Proust et Morand. - réalisation : Laurent Paulré, Claire Poinsignon - invités : Simon Liberati Ecrivain Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Cadeau, le premier épisode de la nouvelle émission de Timeline Radio !Farid Bouadla accueille Chérif Ghemmour, grand spécialiste du football des années 70-80, et de Michel Platini en particulier.Pour cette première émission, il fallait commencer par le plus grand, le plus talentueux ... "Allez Michel, oui Michel, Ouii Michel !!"Une discussion sur le ton de la confidence, comme seul Farid sait le faire... Une autre idée du football, une petite madeleine de Proust en somme.L'émission est disponible en vidéo sur TimelineStory : https://www.youtube.com/@TimelineStory2026Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Les Mémoires de Saint-Simon ne sont publiés qu'en 1829, soixante-quinze ans après sa mort. On aime aujourd'hui le citer pour les petites bassesses qu'il révèle. Mais qui était véritablement le duc de Saint-Simon ?Le 2 décembre 1723, le Régent Philippe d'Orléans s'éteint, laissant le jeune roi Louis XV seul aux commandes. C'est la fin d'une époque marquée par les intrigues de la Cour et la montée en puissance d'une figure aussi fascinante qu'énigmatique : le Duc de Saint-Simon.Dans cet épisode passionnant, Franck Ferrand nous plonge dans les derniers jours de la Régence et nous fait découvrir le destin singulier de Saint-Simon, ce courtisan aussi brillant que taciturne qui a laissé une trace indélébile dans l'histoire de France.Nous suivrons le Duc alors qu'il se rend à Versailles pour faire part de ses déceptions à l'ancien Régent, avant d'apprendre avec effroi le décès soudain de ce dernier. Dépossédé de toute influence politique, Saint-Simon se retire alors dans ses domaines pour se consacrer à l'écriture de ses légendaires Mémoires, véritable fresque de la fin du règne de Louis XIV.À travers le portrait au vitriol que trace Saint-Simon de ses contemporains, Franck Ferrand nous dévoile la plume incisive et le regard acéré de cet homme de cour qui, mieux que quiconque, a su saisir les intrigues et les luttes de pouvoir qui agitaient Versailles.

Les Mémoires de Saint-Simon ne sont publiés qu'en 1829, soixante-quinze ans après sa mort. On aime aujourd'hui le citer pour les petites bassesses qu'il révèle. Mais qui était véritablement le duc de Saint-Simon ?Le 2 décembre 1723, le Régent Philippe d'Orléans s'éteint, laissant le jeune roi Louis XV seul aux commandes. C'est la fin d'une époque marquée par les intrigues de la Cour et la montée en puissance d'une figure aussi fascinante qu'énigmatique : le Duc de Saint-Simon.Dans cet épisode passionnant, Franck Ferrand nous plonge dans les derniers jours de la Régence et nous fait découvrir le destin singulier de Saint-Simon, ce courtisan aussi brillant que taciturne qui a laissé une trace indélébile dans l'histoire de France.Nous suivrons le Duc alors qu'il se rend à Versailles pour faire part de ses déceptions à l'ancien Régent, avant d'apprendre avec effroi le décès soudain de ce dernier. Dépossédé de toute influence politique, Saint-Simon se retire alors dans ses domaines pour se consacrer à l'écriture de ses légendaires Mémoires, véritable fresque de la fin du règne de Louis XIV.À travers le portrait au vitriol que trace Saint-Simon de ses contemporains, Franck Ferrand nous dévoile la plume incisive et le regard acéré de cet homme de cour qui, mieux que quiconque, a su saisir les intrigues et les luttes de pouvoir qui agitaient Versailles.

durée : 00:19:55 - Les Nuits de France Culture - par : Albane Penaranda - réalisation : Mathias Le Gargasson, Antoine Dhulster, Rafik Zénine, Vincent Abouchar, Emily Vallat, Hassane M'Béchour, INA Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

We discuss the life and work of Marcel Proust and explore his connections with Ireland. Featuring: Dr Max McGuinness, Postdoctoral Fellow at the School of Languages, Literatures and Cultural Studies at Trinity College Dublin, and co-editor of ‘The Irish Proust: Cultural Crossings From Beckett To McGahern'; Prof Patrick ‘Paddy' O'Donovan, Emeritus Professor of French at University College Cork; Prof Barry McCrea, Donald R. Keough Family Professor of Irish Studies, Professor of English, Concurrent Professor of Romance Languages and Literatures and Concurrent Professor of Irish Language and Literature at the University of Notre Dame in the US; and Dr Richard Robinson, Associate Professor in English Literature at Swansea University.

Episode: 3247 Proust, Turing, and the Measure of Humanity.  Today, we go from Turing to Proust.

This week, Kevin is back to catch up with his friend and cut flower grower Milli Proust. They dive into her new book, How Does Your Garden Grow, and what it really takes to grow 70% of the seed you sell. They explore floral garden design, the quirks of saving flower seeds, plus how to clean, isolate, and store them like a pro. And yes, there's a passionate detour into the prettiest veg around, radicchio, and why it deserves a spot in every garden lineup. Connect with Milli Proust: Milli Proust is one half of ALMA | PROUST, a flower farm and design studio. Milli is a flower-obsessed creative who moved from London to West Sussex nearly a decade ago. Working from a kitchen table HQ, she and her partner, Ted, grow flowers, seeds, and ideas alongside their son, Rex, and two very elegant farm dogs. Forever chasing romance in her work, Milli dreams of fields of roses while happily foraging hedgerows and ditches for overlooked botanical treasures. Find more from Milli at her website: https://www.almaproust.com/ Buy Milli's book: https://www.amazon.com/How-Does-Your-Garden-Grow/dp/1837832250/ Find more from Milli on Instagram: https://www.instagram.com/milliproust/ Support The Beet: → Shop: https://growepic.co/shop → Seeds: https://growepic.co/botanicalinterests Learn More: → All Our Channels: https://growepic.co/youtube → Blog: https://growepic.co/blog → Podcast: https://growepic.co/podcasts → Discord: https://growepic.co/discord → Instagram: https://growepic.co/insta → TikTok: https://growepic.co/tiktok → Pinterest: https://growepic.co/pinterest → Twitter: https://growepic.co/twitter → Facebook: https://growepic.co/facebook → Facebook Group: https://growepic.co/fbgroup → Love our products? Become an Epic affiliate! https://growepic.co/3FjQXqV Learn more about your ad choices. Visit megaphone.fm/adchoices