Podcasts about proust

Fuhrig, Dirk www.deutschlandfunkkultur.de, Studio 9

Fuhrig, Dirk www.deutschlandfunkkultur.de, Studio 9

Fuhrig, Dirk www.deutschlandfunkkultur.de, Studio 9

Fuhrig, Dirk www.deutschlandfunkkultur.de, Studio 9

durée : 01:01:07 - Le Book Club - par : Mathilde Wagman - À l'occasion de la sortie de son documentaire "Splendeurs et misères de la Maison Camondo", nous avons proposé à la cinéaste Ruth Zylberman de dévoiler ses rayonnages. Sur ses étagères, Proust et Isaac Babel côtoient la poésie de Zuzanna Ginczanka et les romans autobiographiques de Peter Kurzeck. - réalisation : Louise André - invités : Ruth Zylberman Écrivaine et réalisatrice

En Tunisie, les femmes ont toujours été majoritaires dans le domaine de la pâtisserie traditionnelle. Mais depuis quelques années, de jeunes pâtissières bouleversent les codes, optant pour une pâtisserie à la française, allégée en sucre et diversifiée. Une manière de revendiquer une créativité et une originalité tout en s'inspirant des recettes des pâtisseries ancestrales. À la pâtisserie Boulevard des Capucines, en banlieue nord de Tunis, Salma Langar, 36 ans, donne ses instructions de la journée pour la conception de ses gâteaux. Depuis onze ans, cette passionnée s'adonne à la pâtisserie haut de gamme. « Je voulais faire ça depuis toute petite, j'ai grandi dans une famille de cuisiniers. Mon père avait un restaurant, donc j'ai ouvert les yeux dans le restaurant de mon père et aussi dans la cuisine de ma grand-mère qui est une grande cuisinière. J'ai grandi en cuisinant les gâteaux traditionnels, avec elle et avec mes tantes. Vraiment chaque Ramadan, chaque Aïd », raconte-t-elle.  Et pourtant, dans les vitrines de sa pâtisserie, les douceurs traditionnelles tunisiennes sont absentes. Salma a misé sur la différence. On trouve des opéras revisités, des tartes aux fruits, des trompe-l'œil, dont le best-seller, un saucisson chocolat noisette... « J'aime bien qu'on s'amuse avec la pâtisserie. Puisque ici les gens ne peuvent pas manger de la charcuterie de porc, on s'est dit ''on va leur faire une charcuterie en chocolat''. Et les gens adorent », s'amuse-t-elle.  Pour cette cheffe, formée entre la Tunisie et la France, notamment chez le chef pâtissier Cyril Lignac, le terrain de la pâtisserie en Tunisie est un tremplin pour les femmes et laisse place à la créativité. « On voit beaucoup de femmes qui sont en train de se lancer, même qui sont en train de faire des reconversions professionnelles, c'est ça qui est beau », s'enthousiasme-t-elle.  À lire aussiLes délices du continent: en Tunisie, le mleoui est une institution de la street food [4/10] Une reconversion qui a fait le succès de sa collègue, Kawther Hattab, à la tête d'une autre pâtisserie, Madeleine et Proust. Dans son enseigne, la précision et le dosage sont les maîtres mots. Kawther, 40 ans, ancienne ingénieure, s'est amourachée de la pâtisserie à travers le jeu sur la matière. « Je me suis inspirée de ce que j'aimais manger : la fleur d'oranger, l'eau de rose, etc. Mais à ma façon et en l'intégrant dans des mousses, des recettes françaises. C'est aussi comme ça que j'ai des combinaisons entre les saveurs tunisiennes, la Méditerranée et la France », détaille-t-elle. Dans un pays qui compte 16% de diabétiques, Kawther a voulu aussi innover en diminuant le sucre. « Je n'ai pas travaillé uniquement sur le sucre, j'ai travaillé également sur le gras, parce que c'est un ratio. Si on diminue seulement le sucre, le taux de gras augmente, donc on n'est pas sur une recette qui est forcément saine ou avec moins de calories », explique-t-elle. La recette fonctionne car la pâtisserie vient d'ouvrir un café dédié au brunch. Salma, elle, a inauguré une boutique de glaces artisanales, nommée Lou, inspirée des recettes italiennes. À lire aussiTunisie: la richesse du patrimoine culinaire encore méconnue

François Susky a raconté sa vie d'aventures aériennes dans le ciel guyanais à André Rouayroux. Il en ressort « Raconte-moi les nuages », un récit édifiant qui relate les faits et gestes d'un pilote de brousse aux mains d'or et à l'esprit libre.Gérard Maoui en lit un extrait.Commander en ligne : Raconte-moi les nuagesHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

The real beauty of inhalers is how they get these medications into your lungs. They work by suspending, or aerosolizing, medications into the air to be easily inhaled. Each type of inhaler does this in a slightly different way.吸入器真正的妙处在于，它能将药物高效地送入肺部。它的原理是将药物悬浮在空气中，或将其雾化成可吸入的微粒。而不同类型的吸入器实现这一过程的方式略有不同。Dry powder inhalers require a person to breathe in to aerosolize a powder medication.干粉吸入器需要使用者主动吸气，使粉末状药物被雾化并吸入肺部。Nebulizers, on the other hand, use either ultrasonic vibrations or compressed air to turn liquid medication into a mist.雾化器则利用超声波震动或压缩空气，将液态药物转化成细微的雾状颗粒。The pressurized metered-dose inhaler works a lot like hairspray. This medicine is dissolved in a fluid called a propellant, and it's under high pressure. This causes the fluid and medication mixture to shoot out in a fast-moving mist.加压定量吸入器（MDI）的工作方式与喷发胶非常相似。药物被溶解在一种称为推进剂的液体中，并处于高压状态。当按下装置时，药液与药物的混合物会以高速喷出，形成可吸入的雾气。But this mist can sometimes be hard to coordinate with breathing. So there's one more device, called a soft mist inhaler, that administers doses at lower speeds, without the use of a propellant.不过，这种喷雾有时需要与呼吸动作配合，操作并不总是容易。因此，又出现了一种称为“软雾吸入器”的装置，它不使用推进剂，而是以较低速度释放药物，使吸入更加平稳自然。Asthma and COPD each affects hundreds of millions of people worldwide each year. But thanks to inhalers, what once kept Proust confined to a cork-lined room, can now be treated in a few short puffs.哮喘和COPD每年都影响着全球数以亿计的人口。但多亏了吸入器，这种曾让普鲁斯特困于软木包裹房间、饱受折磨的疾病，如今只需几次轻轻吸入，就能得到有效控制。

Aujourd'hui, Basilic met en lumière un épisode de Soif de Sens avec Claire Vallée, cheffe autodidacte qui a décroché la première étoile Michelin pour une cuisine 100 % végétale avec ONA – et l'étoile verte qui récompense une approche responsable. Au micro de Pierre Chevelle, Claire raconte un parcours singulier : de l'archéologie aux fourneaux, un détour par l'Asie, l'apprentissage des fermentations, la sobriété énergétique en cuisine et l'art de fédérer un quartier quand les banques tournent le dos. On parle leadership au féminin dans un milieu encore très masculin, mais surtout nouveaux récits culinaires où le végétal devient source d'exploration et de plaisir.Ce dialogue déborde d'écologie concrète (circuits courts, énergie renouvelable, zéro déchet), de bien-être (émotions en cuisine, madeleine de Proust version végétale), et d'utopie très réelle : proposer une gastronomie durable et positive sans renoncer à la gourmandise. Des tables éphémères à six couverts jusqu'à son ancrage près de Nantes, Claire invente des expériences totales : scénographie, boissons fermentées maison, épices d'exception et transmission. Sa cuisine prouve qu'un plat peut émouvoir, relier des inconnus à la même table et déplacer nos imaginaires alimentaires.Pourquoi cette curation ? Parce qu'ici cuisine ouvre un horizon positif et accessible : moins d'empreinte, plus de saveurs, des producteurs mis à l'honneur et une cheffe qui partage ses doutes, ses ratés et ses victoires – bref, du journalisme de solutions version gastronomique.Pour découvrir le travail de Pierre, ça se passe par ici : https://soifdesens.fr/Et pour soutenir Basilic il vous suffit de vous abonner au podcast, laisser un commentaire sur Spotify ou lire la newsletter sur Kessel !

Autrice de bande dessinée engagée, illustratrice et tatoueuse, Mirion Malle s'est d'abord fait connaître avec des ouvrages didactiques, marqués par une forte dimension féministe. Depuis quelques années, elle se consacre davantage à la fiction. Son nouveau livre, Le problème avec les fantômes, aborde avec sensibilité la question du deuil et ses répercussions au sein d'un groupe d'amis (un thème central dans son travail). Une belle occasion de l'accueillir dans Neuvième Art pour revenir sur son parcours et ses inspirations. Elle a également accepté de se prêter à notre questionnaire de Proust version BD. Bonne écoute !Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Early 20th century writer, Marcel Proust, finished his magnum opus “In Search of Lost Time” from bed— in a cork-lined room to keep allergens out. Proust suffered from severe asthma. At the time, there weren't great treatments. When breathlessness set in, he'd burn powders that filled the space with smoke and fumes. Or, for a quick fix, he'd smoke a doctor-recommended anti-asthma cigarette. These powders and cigarettes commonly contained thorn apple, which can open your airways. However, both were clearly terrible ideas. Smoking and fumes bring damaging, carcinogenic toxins into your lungs.二十世纪初的作家马塞尔·普鲁斯特，在床上完成了他的鸿篇巨著《追忆似水年华》——他住在一个用软木塞包裹的房间里，以隔绝过敏原。普鲁斯特患有严重的哮喘，而当时并没有有效的治疗方法。当他呼吸困难时，会燃烧一些粉末，使房间充满烟雾和气味；或者，为了快速缓解，他会抽医生推荐的“抗哮喘香烟”。这些粉末和香烟通常含有曼陀罗成分，可以帮助打开气道。然而，这两种做法显然都是糟糕的主意——吸入烟雾会把有害的致癌毒素带入肺部。Thankfully, today we have inhalers— simple but powerful devices that deliver lung medications straight to the source and without the nasty side effects of smoke inhalation.幸运的是，如今我们有了吸入器——这种简单而强大的装置能将药物直接输送到肺部病灶处，而不会产生吸入烟雾带来的副作用。Inhalers are mainly used to treat two conditions: asthma and chronic obstructive pulmonary disease, or COPD. And there are two main types: preventative inhalers and rescue inhalers. Preventative inhalers can be used every day to control symptoms. There are also rescue inhalers, which are great in an emergency, but using them regularly can be dangerous.吸入器主要用于治疗两种疾病：哮喘和慢性阻塞性肺病（COPD）。吸入器分为两大类：预防型吸入器和急救型吸入器。预防型吸入器可以每天使用，以控制症状；而急救型吸入器在紧急情况下非常有用，但若经常依赖使用则可能带来危险。

Certains en mettent seulement quelques gouttes au creux du cou, sur les poignets, ou le vaporisent, d'autres semblent avoir vidé toute la bouteille. À l'origine, rituel sacré, utilisé ensuite pour dissimuler les mauvaises odeurs, le parfum revêt aujourd'hui bien d'autres significations. Derrière ce geste du quotidien, se cache un désir de séduction, de montrer son pouvoir, sa sensibilité ou tout simplement l'envie de sentir bon. Le parfum révèle aussi beaucoup de celui ou celle qui le porte. On associe d'ailleurs certaines senteurs au genre féminin, d'autres au masculin, fleuries pour les filles, boisées pour les garçons. Tout le monde a en tête un parfum qu'il reconnaîtrait parmi mille. Celui d'un amoureux ou d'une amoureuse, d'un parent, d'un être cher. Une odeur, qui nous apaise, nous réconforte, comme une madeleine de Proust ou au contraire nous irrite et nous indispose. Genre, personnalité, humeur... que révèlent nos effluves ? Laisse-moi te sentir et je te dirai qui tu es ?   Cette émission est une rediffusion du 12 mai 2025 Avec : • Jeanne Doré, cofondatrice, rédactrice en chef de Nez, la revue olfactive, une publication biannuelle consacrée à la culture olfactive • Calice Becker, maître parfumeur française et directrice de l'École de Parfumerie Givaudan • Duplex Mbeleck, artisan parfumeur à Douala au Cameroun et promoteur de la marque DM PERFUME.   Un nouvel épisode de notre série Le succès des repats réalisée par Charlie Dupiot. Ils et elles sont originaires d'Afrique centrale et ont décidé de rentrer chez eux pour contribuer au développement de leur pays. C'est le moment du «Succès des Repats» ! De retour à Kinshasa, Marie-Ange Lubeka a fondé «Empreinte Consulting», un cabinet de gestion et de co-gestion pour des PME, des petites et moyennes entreprises congolaises...  Notre reporter Charlie Dupiot a rencontré cette cheffe d'entreprise à l'automne dernier.   Programmation musicale : ► Cafuné - Gabriel Da Rosa ► Ghetto Whine – Blaiz Fazya.

Certains en mettent seulement quelques gouttes au creux du cou, sur les poignets, ou le vaporisent, d'autres semblent avoir vidé toute la bouteille. À l'origine, rituel sacré, utilisé ensuite pour dissimuler les mauvaises odeurs, le parfum revêt aujourd'hui bien d'autres significations. Derrière ce geste du quotidien, se cache un désir de séduction, de montrer son pouvoir, sa sensibilité ou tout simplement l'envie de sentir bon. Le parfum révèle aussi beaucoup de celui ou celle qui le porte. On associe d'ailleurs certaines senteurs au genre féminin, d'autres au masculin, fleuries pour les filles, boisées pour les garçons. Tout le monde a en tête un parfum qu'il reconnaîtrait parmi mille. Celui d'un amoureux ou d'une amoureuse, d'un parent, d'un être cher. Une odeur, qui nous apaise, nous réconforte, comme une madeleine de Proust ou au contraire nous irrite et nous indispose. Genre, personnalité, humeur... que révèlent nos effluves ? Laisse-moi te sentir et je te dirai qui tu es ?   Cette émission est une rediffusion du 12 mai 2025 Avec : • Jeanne Doré, cofondatrice, rédactrice en chef de Nez, la revue olfactive, une publication biannuelle consacrée à la culture olfactive • Calice Becker, maître parfumeur française et directrice de l'École de Parfumerie Givaudan • Duplex Mbeleck, artisan parfumeur à Douala au Cameroun et promoteur de la marque DM PERFUME.   Un nouvel épisode de notre série Le succès des repats réalisée par Charlie Dupiot. Ils et elles sont originaires d'Afrique centrale et ont décidé de rentrer chez eux pour contribuer au développement de leur pays. C'est le moment du «Succès des Repats» ! De retour à Kinshasa, Marie-Ange Lubeka a fondé «Empreinte Consulting», un cabinet de gestion et de co-gestion pour des PME, des petites et moyennes entreprises congolaises...  Notre reporter Charlie Dupiot a rencontré cette cheffe d'entreprise à l'automne dernier.   Programmation musicale : ► Cafuné - Gabriel Da Rosa ► Ghetto Whine – Blaiz Fazya.

Chaque samedi, dans CLAP !, Laurie Cholewa s'intéresse aux goûts cinématographiques d'une personnalité, en l'interrogeant sur le principe du questionnaire de Proust. Aujourd'hui, c'est au tour du réalisateur, Cédric Jimenez.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Corinne Lordier, la nouvelle Madeleine Proust était l'invitée de Room Service ce mercredi 08 octobre à 8h20. L'humoriste légendaire La Madeleine Proust est de retour sur scène ! Après 40 ans de succès avec son personnage iconique, la Madeleine incarnée jusqu'ici par Laurence Sémonin, a repris toutes ses notes pour lui donner un second souffle dans un tout nouveau spectacle et passer le relai à une nouvelle comédienne, Corinne Lordier. Au temps du confinement et ce, dans un décor très semblable au spectacle précédent, elle fait des grands écarts entre les nouvelles technologies et le temps passé. Un nouveau spectacle intitulé "La Madeleine passe le relai", à découvrir ce vendredi 10 octobre au Cèdre à Chenôve à 20h, le 09 novembre salle Marcel Sembat à Chalon-sur-Saône à 17h  ou encore le 28 mars 2026 au théâtre Ledoux à Besançon à 20h.

Russell G. Little is a writer and practicing divorce attorney. Murder for Me is a fictionalized compilation of the many people he's encountered over his lifetime and thirty-two-year career. He lives in Houston, Texas, with his wife of thirty-two years, Melinda.Bio: An interesting fact is that I practiced law for forty years, I tried over one hundred jury trials and hundreds more before a Judge alone.  Along the way I came across some unbelievable situations. While not all can be told, they can feed my stories, and I can write those.I write on a regular basis, but I'm not always productive.  Some days I get up and erase the whole days previous work because I woke up and realized that, unlike the night before, now I thought it was garbage.  My oldest son gives me grief about that.My favorite authors are not modern. I read Proust, Dostoevsky, and Chekhov. When I'm in a writer's block, I read Hemingway's The Sun Also Rises.  The chapters about sitting in a Paris café always gets me back to the keyboard. The love of writing is what I got from those authors.Make sure to check out this author https://www.russelllittleauthor.com/You can listen to the podcast on Apple Podcast, Spotify, Google Podcast, or visit my website www.drkatherinehayes.com

For the season finale, we're joined by Yale law professor Justin Driver to talk about his new book, "The Fall of Affirmative Action: Race, the Supreme Court, and the Future of Higher Education." We discuss the conservative cases for and against affirmative action, the post-SFFA world of university admissions, the promise and limits of colorblindness, and the effects of admissions policies on students' sense of belonging.

Dimitri Tsekenis vient de publier sa toute première bande dessinée, La timidité des arbres. Il y raconte l'histoire d'un étudiant qui s'installe dans une ville peu à peu envahie par la végétation. Cet ouvrage a été réalisé dans le cadre d'une résidence portée par la Cité internationale de la bande dessinée et de l'image, l'École européenne supérieure de l'image et le Pôle Image Magelis. L'occasion de le recevoir dans Neuvième Art pour évoquer sa pratique, son parcours (il a étudié la gravure à l'école Estienne puis la bande dessinée à l'École européenne supérieure de l'image) et le soumettre à notre questionnaire de Proust version BD. Bonne écoute !Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Episode 159 features the return of one of my best friends Christopher J. Hughes. He's back to tackle some of Proust's Questionnaire. And aside from explaining what to do when things are 25 pixels to the left we discuss art, color, the creative process and much much more. Mentioned and Helpful Links from This Episode What is the Proust Questionnaire? TriforceDad.com AgentPalmer.com So You Made A Movie Friendship Episode II: Christopher J. Hughes Other Links A Robert by any other name might not make this list results of search| provide a perfect snapshot via google Special Guest Executive Producer: Bill Sweeney Music created and provided by Henno Heitur of Monkey Tongue Productions. --End Show Notes Transmission--

On se rappelle tous des vacances de Noël, sous un plaid avec un chocolat chaud devant un "Astérix" ou un "Maman, j'ai raté l'avion". Des films devenus une madeleine de Proust pour plusieurs générations grâce à leurs multiples rediffusions par les chaînes de télévision françaises. Mais seriez-vous capable de citer ceux qui sont passés le plus de fois sur nos petits écrans ? C'est ce qu'on va décrypter dans cet épisode. Mais pourquoi diffuser autant de fois les mêmes films à la télévision ? Et quel est le grand gagnant ? Écoutez la suite dans cet épisode de "Maintenant vous savez ". Un podcast écrit et réalisé par Jonathan Aupart. Date de première diffusion : 15/10/2021 À écouter aussi : ⁠Pourquoi faut-il s'inquiéter du vol de nos données personnelles ?⁠ ⁠Qu'est-ce que la consanguinité de l'IA ?⁠ ⁠Pourquoi la santé mentale des étudiants se dégrade-t-elle ?⁠ Retrouvez tous les épisodes de ⁠⁠⁠⁠⁠"Maintenant vous savez".⁠⁠⁠⁠⁠ Suivez Bababam sur ⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

durée : 00:29:22 - Les Nuits de France Culture - par : Philippe Garbit - "Antoine Bibesco seul me comprend" écrivit Proust un jour dans une lettre. En 1947, l'émission " Tels que les autres - Marcel Proust", fait entendre des amis qui témoignent de leur amitié avec l'écrivain. - réalisation : Virginie Mourthé

Chaque samedi, dans CLAP !, Laurie Cholewa s'intéresse aux goûts cinématographiques d'une personnalité, en l'interrogeant sur le principe du questionnaire de Proust. Aujourd'hui, c'est au tour de Cécile de France.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Maar, Michael www.deutschlandfunkkultur.de, Lesart

Maar, Michael www.deutschlandfunkkultur.de, Lesart

Notes and Links to Andrew Porter's Work     Andrew Porter is the author of four books, including the short story collection The Theory of Light and Matter (Vintage/Penguin Random House), which won the Flannery O'Connor Award for Short Fiction, the novel In Between Days (Knopf), which was a Barnes & Noble “Discover Great New Writers”  selection, an IndieBound “Indie Next” selection, and the San Antonio Express News's “Fictional Work of the Year,” the short story collection The Disappeared (Knopf), which was longlisted for The Story Prize and the Joyce Carol Oates Prize, and the novel The Imagined Life, which was published by Knopf in April 2025. Porter's books have been published in foreign editions in the UK, Australia, and New Zealand and translated into numerous languages, including French, Spanish, Dutch, Italian, Bulgarian, and Korean. In addition to winning the Flannery O'Connor Award, his collection, The Theory of Light and Matter,  received Foreword Magazine's “Book of the Year” Award for Short  Fiction, was a finalist for The Steven Turner Award, The Paterson Prize  and The WLT Book Award, was shortlisted for the William Saroyan International Prize for Writing, and was selected by both The Kansas City Star and The San Antonio Express-News  as one of the “Best Books of the Year.” The recipient of a Pushcart Prize and fellowships from the James Michener-Copernicus Foundation, the W.K. Rose Foundation,  and the Helene Wurlitzer Foundation,  Porter's  short stories have appeared in The Best American Short Stories, One Story, Ploughshares, The Southern Review, The Threepenny Review, The Missouri Review, American Short Fiction, Narrative Magazine, Epoch, Story, The Colorado Review, Electric Literature, and Texas Monthly, among others. He has had his work read on NPR's Selected Shorts and numerous times selected as one of the Distinguished Stories of the Year by Best American Short Stories.  A graduate of the Iowa Writers' Workshop, Porter is currently a Professor of English and Director of the Creative Writing Program at Trinity University in San Antonio.   Buy The Imagined Life   Andrew's Website   Andrew's Wikipedia Page   Book Review for The Imagined Life from New York Times   At about 1:30, Pete makes a clumsy but heartfelt comparison between The Imagined Life and Hemingway's Old Man and the Sea and Andrew shares feedback from readers of his novel At about 3:10, Andrew responds to Pete's question about the book's seeds and talks about “tinker[ing]” with the book's opening for years At about 4:45, Pete remarks on the book's first-person account, and Andrew and Pete discuss the book's opening and ideas of naivete and fallible parents At about 6:45, Pete asks Andrew, who expands about structuring the book and its connection to revision  At about 8:45, Pete compares the setting of the book, 1983 Fullerton, CA, to The Smashing Pumpkins' “1979,” and Andrew discusses similarities  At about 10:30, Pete reflects on the importance of the age given to the book's narrator and the two characterize the book's “father” and Andrew talks about using a 70s/early 80s atmosphere through the young narrator's lens At about 15:30, Pete summarizes an important character introduction and Andrew talks about the importance of an embarrassing faux pas by the narrator's father that might have "professional ramifications” At about 17:30, Andrew responds to Pete's question about the visits that Steven takes to speak with his father's former colleagues in the present-day At about 21:20, Andrew explains connections between Proust (“Proo-st”) and the father, who is obsessed in some ways with Proust's work; Andrew notes personal parallels between the father and Proust At about 24:10, Andrew gives background on Uncle Julian's connection to his brother and his family  At about 25:40, Andrew responds to Pete's questions about the importance of the book's cabana and complicated coupling  At about 27:40, Andrew reflects on Chau's relationship with Steven and the connection as a shared “escape from their home lives” At about 31:00, Andrew responds to Pete's questions about fleeting beautiful moments between father and son At about 32:25, Pete wonders about how Andrew picks character names At about 34:10, Andrew discusses the narrator's son, Finn, and his acting out in school as a function of his parents' marital shakiness  At about 35:30, Pete asks Andrew about a pivotal party and any “ruptures” in relationships that may have followed   At about 38:00, Andrew reflects on possible foreshadowing through letters and notes left behind by Steven's father  At about 40:40, Andrew discusses his mindset in writing an important and off-the-wall culminating scene At about 43:35, The two reflect on ideas of traumas and cycles and anger, especially with regard to Steven's recognition of same  At about 46:30, Pete compliments the ending of the book, ideas of legacy and wonderful book timing At about 47:30, Andrew reflects on his book's setting as key in exploring contrasts between Steven's life then and now, as well as with the world as a whole At about 48:30, Swatch Watch discourse! and vague Bel Biv Devoe reference!      You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Hannah Pittard, a recent guest, is up at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This month's Patreon bonus episode features an exploration of flawed characters, protagonists who are too real in their actions, and horror and noir as being where so much good and realistic writing takes place. Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 295 with Wright Thompson, a senior writer for ESPN, contributing writer to the Atlantic, and the New York Times bestselling author of Pappylandand The Cost of These Dreams. The Barn, a captivating story of the tragedy of Emmett Till's racist murder, is out in paperback on the day the episode airs, today, September 9.    Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.  

Chaque samedi, dans CLAP !, Laurie Cholewa s'intéresse aux goûts cinématographiques d'une personnalité, en l'interrogeant sur le principe du questionnaire de Proust. Aujourd'hui, c'est au tour de Vincent Elbaz.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

En berättelse om drömcentret som sprängdes: Stockholm Karisma Center, den första pingstförsamlingen att sättas i konkurs.Sofie Twal Hedman och Mia Fernando har skrivit boken Även den minsta fanatiker behöver sova ibland, en inifrånskildring av att som ung att hamna i malströmmen som var Karisma. Manipulation, "smoking hot wives", maratonkollekttal och att bli tömd på tro när korthuset rasar - allt detta och mer i avsnittet.Dessutom, Anton försvarar aristokratin efter att ha läst Proust och Annika lever sig in i Twilight-romanserna. ---Gilla oss på ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Följ oss på ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Skriv till oss på ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠atenochjerusalem@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Stöd oss på ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!

In this episode of Hawthornden's Como Conversazione, another session of practical translation: the reading and comparing of many renditions of one passage, to see how translators make their choices.  But the text we'll be examining, 1001 Nights, presents an unusual challenge. Unlike with the Proust that we discussed in the first episode, there is not one fixed source text to work with. There were many retellings of Scheherazade's tales over the centuries, which were then written down as many different manuscripts. What, then, does it mean for a translator to “take liberties,” or to be “faithful to the text”?

Salut, c'est Madame Meuf ! Aujourd'hui, j'ai décidé de répondre au questionnaire de Proust ! Oh mais quelle originalité ! Non mais avant-hier c'était pour rigoler, hier c'était pour rigoler aujourd'hui c'est pour rigoler ! Aujourd'hui non c'est pour de vrai, c'est exactement ce que je pense pour de vrai ! Un podcast Bababam Originals Ecrit par Hélène Vézier Retrouvez tous les épisodes de Madame Meuf ici. Première diffusion le 02/07/2020 Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, host Jason Jefferies is joined by Pat Lipsky, artist and author of Brightening Glance: Art and Life, which is published by our friends at the University of Iowa Press. Topics of conversation include duck and cover drills, "Russia", Proust, Kafka & Chekhov, a life filled with art, artist's parties, printing your own currency and more.  Copies of Brightening Glance can be purchased here. Happy reading! 

In the first episode of Hawthornden's Como Conversazione, we start with an exercise in practical translation: a discussion of seven different English interpretations of one, highly complicated sentence from Volume One of Marcel Proust's In Search of Lost Time.  Maureen Freely will speak first, followed by Daisy Rockwell, Virginia Jewiss, Jeremy Tiang, and finally Tiffany Tsao. It sounds like a lot to keep track of, but in the course of these conversations,  you will get to know all of their voices very well. 

durée : 00:29:07 - Les Bonnes Choses - par : Caroline Broué - Ils sont deux. Deux jeunes chefs réunis par leur talent fou, leur amour de la cuisine, leurs influences qui viennent de loin et qui parfument leurs assiettes comme des petites madeleines de Proust… - réalisation : Cassandre Puel - invités : Omar Dhiab Chef du restaurant Omar Dhiab; Youssef Marzouk Chef du restaurant L'aldéhyde

durée : 00:51:22 - Le Cours de l'histoire - par : Xavier Mauduit, Anne-Toscane Viudes, Maïwenn Guiziou - Marcel Proust est le héraut de la bonne société parisienne. Elle se révèle complexe, internationale, cosmopolite et en écho avec les usages réinventés du modèle aristocratique. Dans quel univers Marcel Proust construit-il son œuvre, lui-même acteur et spectateur d'une décadence aristocratique ? - réalisation : Laurence Millet

In this episode, Ali speaks with chiropractor and TRE expert Siv Jøssang Shields about the power of neurogenic tremoring as a natural way to release stress and trauma and allow the body to lead in healing. They explore the science behind TRE, speak why our culture suppresses these healing responses, and how reconnecting with the body's innate intelligence can support deep regulation and integration. Siv shares insights from her diverse background and clinical experience, offering practical tools and reflections on embodiment, healing, and presence.FOR MORE ALI MEZEY:ALI - WebsiteALI - LinkTreeFOR MORE SIV:Instagram: https://www.instagram.com/neurogenicintegration/ Youtube: https://www.youtube.com/@NeurogenicIntegration LinkedIn: https://www.linkedin.com/company/neurogenic-integration/about/Neurogenic Integration Website: https://neurogenic-integration.com/  To get 50% off on membership at www.neurogenicintegration.com use CODE: BrilliantBodySIV BIO:Siv Jøssang Shields - chiropractor, educator, and co-founder of Neurogenic Integration, The Integrated Human, and Voss Kiropraktorkontor. Siv has 30 years of experience in clinical practice with many thousands of patients and a deep passion for the mind-body connection. She holds degrees in biology and physiology, is certified in Tension & Trauma Releasing Exercises (TRE), HeartMath, Soma Breath, hypnotherapy, and more.For the past 14 years, Siv has led regular courses and practice sessions in Neurogenic Tremoring, often blending it with breathwork, music, journeying, and other somatic tools. She's also actively involved in developing and evolving TRE alongside its founder, Dr. David Berceli.Siv's background is as rich as it is diverse - she's studied meditation and consciousness from childhood, trained in shamanic and Ayurvedic practices, and brings a grounded yet intuitive presence to everything she does. Outside her clinical and teaching work, she's also a beekeeper, hiker, dog trainer, and lover of nature.OTHER RESOURCES, LINKS AND INSPIRATIONS: Youtube: TRE David BerceliSiv refers to "Blowing off steam" which might look like yelling into a pillow or going for a run after a frustrating day - it's a temporary release of pressure.Emotional catharsis, on the other hand, is a deeper process: it could involve fully feeling and expressing grief during a somatic session, allowing long-held emotions to move through and integrate - leading to lasting relief and insight.Self-regulation: The ability to manage one's emotions, behaviors, and physiological responses in a way that supports stability, resilience, and well-being - especially during stress or challenge. Breathwork: Any intentional practice of using the breath to influence the body, mind, or emotional state. From calming the nervous system to accessing altered states of consciousness, breathwork is a powerful tool for healing, regulation, and transformation.Triune Brain: A model of the brain that describes it as having three major parts developed over evolutionary time:The reptilian brain (brainstem), responsible for basic survival functionsThe limbic system, which processes emotions and memoryThe neocortex, which governs reasoning, language, and complex thoughtThis framework offers a simplified way to understand how different layers of the brain influence behavior, emotion, and regulation.Autonomic Nervous System (ANS): The part of the nervous system that automatically regulates vital functions like heart rate, digestion, breathing, and sexual arousal. It operates below conscious control and has two main branches - sympathetic (activating) and parasympathetic (calming) - which help the body respond to stress and return to balance.HeartMath is a research-based system that uses biofeedback and emotional regulation techniques to help individuals build resilience, manage stress, and access coherent heart-brain states. Their tools are widely used in healthcare, education, and performance coaching.Marcel Proust Binaural beats - Dr. Jeffrey Thompson Kundalini is a form of primal life force energy believed to lie dormant at the base of the spine. When awakened—through breath, movement, meditation, or spontaneous kriyas—it rises through the body, often bringing heightened awareness, emotional release, and deep transformation. It's not always gentle, but it's powerful.Kriyas are spontaneous or intentional movements that help the body release stored energy, emotions, or trauma. Rooted in yogic traditions, kriyas are purification actions—think trembling, twitching, stretching, even crying—that support healing, clarity, and awakening. They're the body's way of doing what words can't.EPISODES REFERENCED:Embodied Intelligence with Philip Shepherd: Wholeness, Sensitivity, and the Pelvic Bowl“Into the Body's Knowing” Meditation w/ Philip ShepherdThe Emotional Body with Healer, Mona Wind[From time to time, a word or phrase goes wonky. Please forgive my wandering wifi.]

Episode 155 features the return of the original Palmer Files guest Bill Sweeney. He's back to tackle some of Proust's Questionnaire. And aside from explaining what this isn't, we'll discuss Skype, basements and attics, poetry, the flow state, and much much more. Mentioned and Helpful Links from This Episode What is the Proust Questionnaire? WickedTheory.com AgentPalmer.com Other Links Casthen Gain expands Hansen's epic worldbuilding started in Graven Trilogy Palmer's 2025 Tour de France Recap Special Guest Executive Producer: Bill Sweeney Music created and provided by Henno Heitur of Monkey Tongue Productions. --End Show Notes Transmission--

durée : 00:59:59 - Les Nuits de France Culture - par : Albane Penaranda - En 2009, France Culture propose une série, en cinq volets, consacrée aux adaptations cinématographiques de "La Recherche" de Marcel Proust. Dans le troisième, Florence Colombani s'intéresse à "La Captive" de Chantal Akerman d'après "La Prisonnière". - réalisation : Virginie Mourthé - invités : Chantal Akerman Réalisatrice; Paulo Branco Producteur; Stanislas Merhar; Jean-Yves Tadié Professeur émérite de littérature française à Paris-Sorbonne et vice-président de la Société des Amis de Marcel Proust et des Amis de Combray

Erich Auerbach wrote his classic work Mimesis, a history of narrative from Homer to Proust, based largely on his memory of past reading. Having left his physical library behind when he fled to Istanbul to escape the Nazis, he was forced to rely on the invisible library of his mind. Each of us has such a library—if not as extensive as Auerbach's—even if we are unaware of it. In this erudite and provocative book, William Marx explores our invisible libraries—how we build them and how we should expand them.Libraries, Marx tells us, are mental realities, and, conversely, our minds are libraries. We never read books apart from other texts. We take them from mental shelves filled with a variety of works that help us understand what we are reading. And yet the libraries in our mind are not always what they should be. The selection on our mental shelves—often referred to as canon, heritage, patrimony, or tradition—needs to be modified and expanded. Our intangible libraries should incorporate what Marx calls the dark matter of literature: the works that have been lost, that exist only in fragments, that have been repurposed by their authors, or were never written in the first place. Marx suggests methods for recovering this missing literature, but he also warns us that adding new titles to our libraries is not enough. We must also adopt a new attitude, one that honors the diversity and otherness of literary works. We must shed our preconceptions and build within ourselves a mental world library. William Marx is professor of comparative literature at the Collège de France. He is the author of The Hatred of Literature, The Tomb of Oedipus: Why Greek Tragedies Were Not Tragic, and other books. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

Erich Auerbach wrote his classic work Mimesis, a history of narrative from Homer to Proust, based largely on his memory of past reading. Having left his physical library behind when he fled to Istanbul to escape the Nazis, he was forced to rely on the invisible library of his mind. Each of us has such a library—if not as extensive as Auerbach's—even if we are unaware of it. In this erudite and provocative book, William Marx explores our invisible libraries—how we build them and how we should expand them.Libraries, Marx tells us, are mental realities, and, conversely, our minds are libraries. We never read books apart from other texts. We take them from mental shelves filled with a variety of works that help us understand what we are reading. And yet the libraries in our mind are not always what they should be. The selection on our mental shelves—often referred to as canon, heritage, patrimony, or tradition—needs to be modified and expanded. Our intangible libraries should incorporate what Marx calls the dark matter of literature: the works that have been lost, that exist only in fragments, that have been repurposed by their authors, or were never written in the first place. Marx suggests methods for recovering this missing literature, but he also warns us that adding new titles to our libraries is not enough. We must also adopt a new attitude, one that honors the diversity and otherness of literary works. We must shed our preconceptions and build within ourselves a mental world library. William Marx is professor of comparative literature at the Collège de France. He is the author of The Hatred of Literature, The Tomb of Oedipus: Why Greek Tragedies Were Not Tragic, and other books. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Erich Auerbach wrote his classic work Mimesis, a history of narrative from Homer to Proust, based largely on his memory of past reading. Having left his physical library behind when he fled to Istanbul to escape the Nazis, he was forced to rely on the invisible library of his mind. Each of us has such a library—if not as extensive as Auerbach's—even if we are unaware of it. In this erudite and provocative book, William Marx explores our invisible libraries—how we build them and how we should expand them.Libraries, Marx tells us, are mental realities, and, conversely, our minds are libraries. We never read books apart from other texts. We take them from mental shelves filled with a variety of works that help us understand what we are reading. And yet the libraries in our mind are not always what they should be. The selection on our mental shelves—often referred to as canon, heritage, patrimony, or tradition—needs to be modified and expanded. Our intangible libraries should incorporate what Marx calls the dark matter of literature: the works that have been lost, that exist only in fragments, that have been repurposed by their authors, or were never written in the first place. Marx suggests methods for recovering this missing literature, but he also warns us that adding new titles to our libraries is not enough. We must also adopt a new attitude, one that honors the diversity and otherness of literary works. We must shed our preconceptions and build within ourselves a mental world library. William Marx is professor of comparative literature at the Collège de France. He is the author of The Hatred of Literature, The Tomb of Oedipus: Why Greek Tragedies Were Not Tragic, and other books. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Erich Auerbach wrote his classic work Mimesis, a history of narrative from Homer to Proust, based largely on his memory of past reading. Having left his physical library behind when he fled to Istanbul to escape the Nazis, he was forced to rely on the invisible library of his mind. Each of us has such a library—if not as extensive as Auerbach's—even if we are unaware of it. In this erudite and provocative book, William Marx explores our invisible libraries—how we build them and how we should expand them.Libraries, Marx tells us, are mental realities, and, conversely, our minds are libraries. We never read books apart from other texts. We take them from mental shelves filled with a variety of works that help us understand what we are reading. And yet the libraries in our mind are not always what they should be. The selection on our mental shelves—often referred to as canon, heritage, patrimony, or tradition—needs to be modified and expanded. Our intangible libraries should incorporate what Marx calls the dark matter of literature: the works that have been lost, that exist only in fragments, that have been repurposed by their authors, or were never written in the first place. Marx suggests methods for recovering this missing literature, but he also warns us that adding new titles to our libraries is not enough. We must also adopt a new attitude, one that honors the diversity and otherness of literary works. We must shed our preconceptions and build within ourselves a mental world library. William Marx is professor of comparative literature at the Collège de France. He is the author of The Hatred of Literature, The Tomb of Oedipus: Why Greek Tragedies Were Not Tragic, and other books. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Erich Auerbach wrote his classic work Mimesis, a history of narrative from Homer to Proust, based largely on his memory of past reading. Having left his physical library behind when he fled to Istanbul to escape the Nazis, he was forced to rely on the invisible library of his mind. Each of us has such a library—if not as extensive as Auerbach's—even if we are unaware of it. In this erudite and provocative book, William Marx explores our invisible libraries—how we build them and how we should expand them.Libraries, Marx tells us, are mental realities, and, conversely, our minds are libraries. We never read books apart from other texts. We take them from mental shelves filled with a variety of works that help us understand what we are reading. And yet the libraries in our mind are not always what they should be. The selection on our mental shelves—often referred to as canon, heritage, patrimony, or tradition—needs to be modified and expanded. Our intangible libraries should incorporate what Marx calls the dark matter of literature: the works that have been lost, that exist only in fragments, that have been repurposed by their authors, or were never written in the first place. Marx suggests methods for recovering this missing literature, but he also warns us that adding new titles to our libraries is not enough. We must also adopt a new attitude, one that honors the diversity and otherness of literary works. We must shed our preconceptions and build within ourselves a mental world library. William Marx is professor of comparative literature at the Collège de France. He is the author of The Hatred of Literature, The Tomb of Oedipus: Why Greek Tragedies Were Not Tragic, and other books. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Erich Auerbach wrote his classic work Mimesis, a history of narrative from Homer to Proust, based largely on his memory of past reading. Having left his physical library behind when he fled to Istanbul to escape the Nazis, he was forced to rely on the invisible library of his mind. Each of us has such a library—if not as extensive as Auerbach's—even if we are unaware of it. In this erudite and provocative book, William Marx explores our invisible libraries—how we build them and how we should expand them.Libraries, Marx tells us, are mental realities, and, conversely, our minds are libraries. We never read books apart from other texts. We take them from mental shelves filled with a variety of works that help us understand what we are reading. And yet the libraries in our mind are not always what they should be. The selection on our mental shelves—often referred to as canon, heritage, patrimony, or tradition—needs to be modified and expanded. Our intangible libraries should incorporate what Marx calls the dark matter of literature: the works that have been lost, that exist only in fragments, that have been repurposed by their authors, or were never written in the first place. Marx suggests methods for recovering this missing literature, but he also warns us that adding new titles to our libraries is not enough. We must also adopt a new attitude, one that honors the diversity and otherness of literary works. We must shed our preconceptions and build within ourselves a mental world library. William Marx is professor of comparative literature at the Collège de France. He is the author of The Hatred of Literature, The Tomb of Oedipus: Why Greek Tragedies Were Not Tragic, and other books. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

Erich Auerbach wrote his classic work Mimesis, a history of narrative from Homer to Proust, based largely on his memory of past reading. Having left his physical library behind when he fled to Istanbul to escape the Nazis, he was forced to rely on the invisible library of his mind. Each of us has such a library—if not as extensive as Auerbach's—even if we are unaware of it. In this erudite and provocative book, William Marx explores our invisible libraries—how we build them and how we should expand them.Libraries, Marx tells us, are mental realities, and, conversely, our minds are libraries. We never read books apart from other texts. We take them from mental shelves filled with a variety of works that help us understand what we are reading. And yet the libraries in our mind are not always what they should be. The selection on our mental shelves—often referred to as canon, heritage, patrimony, or tradition—needs to be modified and expanded. Our intangible libraries should incorporate what Marx calls the dark matter of literature: the works that have been lost, that exist only in fragments, that have been repurposed by their authors, or were never written in the first place. Marx suggests methods for recovering this missing literature, but he also warns us that adding new titles to our libraries is not enough. We must also adopt a new attitude, one that honors the diversity and otherness of literary works. We must shed our preconceptions and build within ourselves a mental world library. William Marx is professor of comparative literature at the Collège de France. He is the author of The Hatred of Literature, The Tomb of Oedipus: Why Greek Tragedies Were Not Tragic, and other books. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Erich Auerbach wrote his classic work Mimesis, a history of narrative from Homer to Proust, based largely on his memory of past reading. Having left his physical library behind when he fled to Istanbul to escape the Nazis, he was forced to rely on the invisible library of his mind. Each of us has such a library—if not as extensive as Auerbach's—even if we are unaware of it. In this erudite and provocative book, William Marx explores our invisible libraries—how we build them and how we should expand them.Libraries, Marx tells us, are mental realities, and, conversely, our minds are libraries. We never read books apart from other texts. We take them from mental shelves filled with a variety of works that help us understand what we are reading. And yet the libraries in our mind are not always what they should be. The selection on our mental shelves—often referred to as canon, heritage, patrimony, or tradition—needs to be modified and expanded. Our intangible libraries should incorporate what Marx calls the dark matter of literature: the works that have been lost, that exist only in fragments, that have been repurposed by their authors, or were never written in the first place. Marx suggests methods for recovering this missing literature, but he also warns us that adding new titles to our libraries is not enough. We must also adopt a new attitude, one that honors the diversity and otherness of literary works. We must shed our preconceptions and build within ourselves a mental world library. William Marx is professor of comparative literature at the Collège de France. He is the author of The Hatred of Literature, The Tomb of Oedipus: Why Greek Tragedies Were Not Tragic, and other books. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

In this episode I'm joined by Bryan Counter to his book Four Moments of Aesthetic Experience: Reading Huysmans, Proust, McCarthy, and CuskBook link: https://anthempress.com/books/four-moments-of-aesthetic-experience-hb---Become part of the Hermitix community:Hermitix Twitter - ⁠⁠ / hermitixpodcast⁠⁠ Hermitix Discord - ⁠⁠ / discord Support Hermitix:Hermitix Subscription - ⁠⁠https://hermitix.net/subscribe/⁠⁠ Patreon - ⁠⁠ www.patreon.com/hermitix⁠⁠ Donations: - ⁠⁠https://www.paypal.me/hermitixpod⁠⁠Hermitix Merchandise - ⁠⁠http://teespring.com/stores/hermitix-2⁠⁠Bitcoin Donation Address: 3LAGEKBXEuE2pgc4oubExGTWtrKPuXDDLKEthereum Donation Address: 0xfd2bbe86d6070004b9Cbf682aB2F25170046A996

Join Dan and Tom as they decode some James Bond influences from History and Literature.  Hint: Proust, Dostoevsky, and others may have played a part. Christopher Booker's “Seven Basic Plots” identifies the seven main plots that literature tends to stick to.  So, we look at some classic literature and its effect on the James Bond movies.  Consequently, there aren't very many different plots to contend with, and Eon Productions has retold the same plot multiple times in their movies.  What we will decode in this episode: ·         How do Proust's works parallel a character in the last two James Bond movies? There are multiple ways this character is paralleled in Proust's writing. ·         Can Tom stay awake while reading literature? ·         What real-world characters have helped shape the James Bond movies? ·         What themes in FROM RUSSIA WITH LOVE's Tania Romanova do we see carried over in future James Bond movies? ·         Who are some of the real-world characters who influence Ian Fleming's writings? ·         Do any of the James Bond movie characters have literary influences? ·         Do Purvis and Wade deserve any credit for CASINO ROYALE's literary influences? ·         And of course, much more. To sum up, there are many characters in literature and history that may have influenced some of the characters we find in the James Bond movies. Tell us what you think about our look at James Bond influences from history and literature. Did we get the right influences? Are there other literary references you would make?  If so, please let us know.  Let us know your thoughts, ideas for future episodes, and what you think of this episode. Just drop us a note at info@spymovienavigator.com.  The more we hear from you, the better the show will surely be!  We'll give you a shout-out in a future episode!   You can check out all of our CRACKING THE CODE OF SPY MOVIES podcast episodes on your favorite podcast app or our website. In addition, you can check out our YouTube channel as well.   Episode Webpage:  https://bit.ly/4m2Ymee

This week we discuss Immanuel Kant's Attempt to Introduce the Concept of Negative Magnitudes Into Philosophy. We look at how the work of Deleuze, Freud, Guattari, Leibniz, Proust, and Simondon resonates with this piece from the early Kant. Topics: Real and Logical Oppositions, lack and deprivation, the unconscious, moral philosophy, bodies in motion, bwo, zero. Support us on Patreon: https://www.patreon.com/muhh Twitter: @unconscioushh

Tonight, we'll read another excerpt from French writer Marcel Proust's monumental “In Search of Lost Time” which is seven volumes long, and first published in 1913. “In Search of Lost Time” follows the narrator's recollections and experiences in the late 19th-century and early 20th-century high-society France, while reflecting on the loss of time and lack of meaning in the world. This series does not necessarily need to be followed in order. Rather than being plot driven, it is more of a meditation on memories, consciousness and ambiance. The first episode aired on May 9th, 2022, and is titled “Overture.” The second episode, “The Magic Lantern” aired on July 11, 2022. The third episode, “M. Swann” aired on September 12, 2022.A madeleine de Proust is an expression used to describe smells, tastes, sounds or any sensations reminding you of your childhood or simply bringing back emotional memories from a long time ago. — read by 'V' — Sign up for Snoozecast+ to get expanded, ad-free access by going to snoozecast.com/plus! Learn more about your ad choices. Visit megaphone.fm/adchoices

Tonight, we'll read “M. Swann” the next part in our series from French writer Marcel Proust's monumental “In Search of Lost Time” which is seven volumes long, and first published in 1913. “In Search of Lost Time” follows the narrator's recollections and experiences in the late 19th-century and early 20th-century high-society France. This series does not necessarily need to be followed in order—as it drifts more like memory itself, circling themes and impressions rather than following a linear story. In this episode, we meet Charles Swann, a family acquaintance whose name and presence loom large in the narrator's early life. Though Swann appears casual and charming, his social status, romantic entanglements, and eventual tragedies become central threads in the broader tapestry of the novel. — read by 'V' — Sign up for Snoozecast+ to get expanded, ad-free access by going to snoozecast.com/plus! Learn more about your ad choices. Visit megaphone.fm/adchoices

Tonight, we'll read “The Magic Lantern,” the next part in our series from French writer Marcel Proust's monumental “In Search of Lost Time” which is seven volumes long, and first published in 1913. “In Search of Lost Time” follows the narrator's recollections and experiences in the late 19th-century and early 20th-century high-society France, while reflecting on the loss of time and lack of meaning in the world. This series does not necessarily need to be followed in sequential order as it is more about an ambiance than a plot. In the first episode, “Overture”, the narrator recalls his childhood, bedtimes, bedrooms of his memories, and the peculiar states of consciousness related to sleep. This episode features memories about the magic lantern the narrator's family gives him as a child to help him with his insomnia. Magic lanterns were an early form of a slide projector. — read by 'V' — Sign up for Snoozecast+ to get expanded, ad-free access by going to snoozecast.com/plus! Learn more about your ad choices. Visit megaphone.fm/adchoices