Podcasts about proust

durée : 00:51:22 - Le Cours de l'histoire - par : Xavier Mauduit, Anne-Toscane Viudes, Maïwenn Guiziou - Marcel Proust est le héraut de la bonne société parisienne. Elle se révèle complexe, internationale, cosmopolite et en écho avec les usages réinventés du modèle aristocratique. Dans quel univers Marcel Proust construit-il son œuvre, lui-même acteur et spectateur d'une décadence aristocratique ? - réalisation : Laurence Millet

durée : 00:03:21 - O'cannelé moustachu à Libourne ! - C'est la madeleine de Proust des Bordelais. On le déguste avec un café, au petit-déjeuner ou en dessert : le cannelé, avec son parfum de rhum et de vanille est, depuis le 16ème siècle, un incontournable de la la gastronomie girondine. O' cannelé moustachu vous attend sur le marché de Libourne ! Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

In this episode, Ali speaks with chiropractor and TRE expert Siv Jøssang Shields about the power of neurogenic tremoring as a natural way to release stress and trauma and allow the body to lead in healing. They explore the science behind TRE, speak why our culture suppresses these healing responses, and how reconnecting with the body's innate intelligence can support deep regulation and integration. Siv shares insights from her diverse background and clinical experience, offering practical tools and reflections on embodiment, healing, and presence.FOR MORE ALI MEZEY:ALI - WebsiteALI - LinkTreeFOR MORE SIV:Instagram: https://www.instagram.com/neurogenicintegration/ Youtube: https://www.youtube.com/@NeurogenicIntegration LinkedIn: https://www.linkedin.com/company/neurogenic-integration/about/Neurogenic Integration Website: https://neurogenic-integration.com/  To get 50% off on membership at www.neurogenicintegration.com use CODE: BrilliantBodySIV BIO:Siv Jøssang Shields - chiropractor, educator, and co-founder of Neurogenic Integration, The Integrated Human, and Voss Kiropraktorkontor. Siv has 30 years of experience in clinical practice with many thousands of patients and a deep passion for the mind-body connection. She holds degrees in biology and physiology, is certified in Tension & Trauma Releasing Exercises (TRE), HeartMath, Soma Breath, hypnotherapy, and more.For the past 14 years, Siv has led regular courses and practice sessions in Neurogenic Tremoring, often blending it with breathwork, music, journeying, and other somatic tools. She's also actively involved in developing and evolving TRE alongside its founder, Dr. David Berceli.Siv's background is as rich as it is diverse - she's studied meditation and consciousness from childhood, trained in shamanic and Ayurvedic practices, and brings a grounded yet intuitive presence to everything she does. Outside her clinical and teaching work, she's also a beekeeper, hiker, dog trainer, and lover of nature.OTHER RESOURCES, LINKS AND INSPIRATIONS: Youtube: TRE David BerceliSiv refers to "Blowing off steam" which might look like yelling into a pillow or going for a run after a frustrating day - it's a temporary release of pressure.Emotional catharsis, on the other hand, is a deeper process: it could involve fully feeling and expressing grief during a somatic session, allowing long-held emotions to move through and integrate - leading to lasting relief and insight.Self-regulation: The ability to manage one's emotions, behaviors, and physiological responses in a way that supports stability, resilience, and well-being - especially during stress or challenge. Breathwork: Any intentional practice of using the breath to influence the body, mind, or emotional state. From calming the nervous system to accessing altered states of consciousness, breathwork is a powerful tool for healing, regulation, and transformation.Triune Brain: A model of the brain that describes it as having three major parts developed over evolutionary time:The reptilian brain (brainstem), responsible for basic survival functionsThe limbic system, which processes emotions and memoryThe neocortex, which governs reasoning, language, and complex thoughtThis framework offers a simplified way to understand how different layers of the brain influence behavior, emotion, and regulation.Autonomic Nervous System (ANS): The part of the nervous system that automatically regulates vital functions like heart rate, digestion, breathing, and sexual arousal. It operates below conscious control and has two main branches - sympathetic (activating) and parasympathetic (calming) - which help the body respond to stress and return to balance.HeartMath is a research-based system that uses biofeedback and emotional regulation techniques to help individuals build resilience, manage stress, and access coherent heart-brain states. Their tools are widely used in healthcare, education, and performance coaching.Marcel Proust Binaural beats - Dr. Jeffrey Thompson Kundalini is a form of primal life force energy believed to lie dormant at the base of the spine. When awakened—through breath, movement, meditation, or spontaneous kriyas—it rises through the body, often bringing heightened awareness, emotional release, and deep transformation. It's not always gentle, but it's powerful.Kriyas are spontaneous or intentional movements that help the body release stored energy, emotions, or trauma. Rooted in yogic traditions, kriyas are purification actions—think trembling, twitching, stretching, even crying—that support healing, clarity, and awakening. They're the body's way of doing what words can't.EPISODES REFERENCED:Embodied Intelligence with Philip Shepherd: Wholeness, Sensitivity, and the Pelvic Bowl“Into the Body's Knowing” Meditation w/ Philip ShepherdThe Emotional Body with Healer, Mona Wind[From time to time, a word or phrase goes wonky. Please forgive my wandering wifi.]

Episode 155 features the return of the original Palmer Files guest Bill Sweeney. He's back to tackle some of Proust's Questionnaire. And aside from explaining what this isn't, we'll discuss Skype, basements and attics, poetry, the flow state, and much much more. Mentioned and Helpful Links from This Episode What is the Proust Questionnaire? WickedTheory.com AgentPalmer.com Other Links Casthen Gain expands Hansen's epic worldbuilding started in Graven Trilogy Palmer's 2025 Tour de France Recap Special Guest Executive Producer: Bill Sweeney Music created and provided by Henno Heitur of Monkey Tongue Productions. --End Show Notes Transmission--

durée : 00:59:59 - Les Nuits de France Culture - par : Albane Penaranda - En 2009, France Culture propose une série, en cinq volets, consacrée aux adaptations cinématographiques de "La Recherche" de Marcel Proust. Dans le troisième, Florence Colombani s'intéresse à "La Captive" de Chantal Akerman d'après "La Prisonnière". - réalisation : Virginie Mourthé - invités : Chantal Akerman Réalisatrice; Paulo Branco Producteur; Stanislas Merhar; Jean-Yves Tadié Professeur émérite de littérature française à Paris-Sorbonne et vice-président de la Société des Amis de Marcel Proust et des Amis de Combray

Erich Auerbach wrote his classic work Mimesis, a history of narrative from Homer to Proust, based largely on his memory of past reading. Having left his physical library behind when he fled to Istanbul to escape the Nazis, he was forced to rely on the invisible library of his mind. Each of us has such a library—if not as extensive as Auerbach's—even if we are unaware of it. In this erudite and provocative book, William Marx explores our invisible libraries—how we build them and how we should expand them.Libraries, Marx tells us, are mental realities, and, conversely, our minds are libraries. We never read books apart from other texts. We take them from mental shelves filled with a variety of works that help us understand what we are reading. And yet the libraries in our mind are not always what they should be. The selection on our mental shelves—often referred to as canon, heritage, patrimony, or tradition—needs to be modified and expanded. Our intangible libraries should incorporate what Marx calls the dark matter of literature: the works that have been lost, that exist only in fragments, that have been repurposed by their authors, or were never written in the first place. Marx suggests methods for recovering this missing literature, but he also warns us that adding new titles to our libraries is not enough. We must also adopt a new attitude, one that honors the diversity and otherness of literary works. We must shed our preconceptions and build within ourselves a mental world library. William Marx is professor of comparative literature at the Collège de France. He is the author of The Hatred of Literature, The Tomb of Oedipus: Why Greek Tragedies Were Not Tragic, and other books. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

Pour le mois d'août, j'avais envie de vous proposer une série d'épisodes qui mettent en lumières des entrepreneures qui cultivent un lien particulier avec le vivant et la nature dans leurs activités. Pour vous raconter en quelques mots la genèse de cette série d'été, au printemps 2025 j'ai rencontré Coline Paillard pour enregistrer un épisode du podcast et Ginnie-Line Darcq qui est une photographe à la sensibilité affirmée, ces deux femmes m'ont donné envie de vous emmener à leur rencontre et de profiter du mois d'août, au rythme parfois ralenti pour vous faire découvrir ces quatre femmes qui m'ont énormément inspirée. Outre Coline et Ginnie-Line, vous allez découvrir Maureen qui est designer floral et Jeanne qui a créé une marque de terrines végétales. Pour toutes les quatre (et comme souvent dans La Boussole), c'est leur première expérience du podcast, de partager leurs parcours, leurs doutes, comment elles ont suivi des chemins de traverse pour se sentir en harmonie avec leurs valeurs. J'ai adoré ces quatre enregistrements et j'espère qu'ils vous transporteront vous aussi. Pour ouvrir cette série, Coline Paillard qui a créé Mijoter demain et qui intervient en tant que porteuse de projet pour Refugee Food, coordinatrice pour l'Ecole comestible ou encore référente locale de la Communauté écotable, partage avec beaucoup de douceur et de détermination son parcours, ce qui l'anime, comment elle considère aujourd'hui son rôle de conseil dans la transition écologique et l'alimentation durable. D'ailleurs si vous avez des projets autour de ces thématiques, n'hésitez par à faire appel à Coline, son expertise en gestion de projet développée au sein de Décathlon et sa capacité à donner vie à des idées sont des atouts essentiels pour vous accompagner. Je vous avoue aussi que lorsque Coline a sorti devant mes yeux ébahis le livre de cuisine de sa grand-mère, j'ai vécu ce moment comme une délicieuse madeleine de Proust, me remémorant les repas préparés par ma mamie, l'odeur délicieuse et le goût divin de son incroyable purée de céleri. Si vous avez aimé cette conversation et que vous avez envie de soutenir ce travail qu'est la création d'un podcast indépendant, n'hésitez pas à vous abonner sur votre plateforme d'écoute, à le noter, à laisser un commentaire et à le partager autour de vous, c'est par ces actions que le podcast sera visible alors merci à vous ! Maintenant, je laisse la place à cette conversation joyeuse et dense, que j'ai eu la joie d'enregistrer avec Coline.Bonne écoute ! Ses recommandations culturelles:Mangez les riches de Nora BouazzouniLa série jeux d'influence, réalisée par Jean-Xavier de LestradeMangeuses de Lauren Melka Ses recommandations d'invités :Florine est Micheline, céramisteNoémie Lemaire, fondatrice de La fabrique aux coconsLucie Leforestier, designer culinaireHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Erich Auerbach wrote his classic work Mimesis, a history of narrative from Homer to Proust, based largely on his memory of past reading. Having left his physical library behind when he fled to Istanbul to escape the Nazis, he was forced to rely on the invisible library of his mind. Each of us has such a library—if not as extensive as Auerbach's—even if we are unaware of it. In this erudite and provocative book, William Marx explores our invisible libraries—how we build them and how we should expand them.Libraries, Marx tells us, are mental realities, and, conversely, our minds are libraries. We never read books apart from other texts. We take them from mental shelves filled with a variety of works that help us understand what we are reading. And yet the libraries in our mind are not always what they should be. The selection on our mental shelves—often referred to as canon, heritage, patrimony, or tradition—needs to be modified and expanded. Our intangible libraries should incorporate what Marx calls the dark matter of literature: the works that have been lost, that exist only in fragments, that have been repurposed by their authors, or were never written in the first place. Marx suggests methods for recovering this missing literature, but he also warns us that adding new titles to our libraries is not enough. We must also adopt a new attitude, one that honors the diversity and otherness of literary works. We must shed our preconceptions and build within ourselves a mental world library. William Marx is professor of comparative literature at the Collège de France. He is the author of The Hatred of Literature, The Tomb of Oedipus: Why Greek Tragedies Were Not Tragic, and other books. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Erich Auerbach wrote his classic work Mimesis, a history of narrative from Homer to Proust, based largely on his memory of past reading. Having left his physical library behind when he fled to Istanbul to escape the Nazis, he was forced to rely on the invisible library of his mind. Each of us has such a library—if not as extensive as Auerbach's—even if we are unaware of it. In this erudite and provocative book, William Marx explores our invisible libraries—how we build them and how we should expand them.Libraries, Marx tells us, are mental realities, and, conversely, our minds are libraries. We never read books apart from other texts. We take them from mental shelves filled with a variety of works that help us understand what we are reading. And yet the libraries in our mind are not always what they should be. The selection on our mental shelves—often referred to as canon, heritage, patrimony, or tradition—needs to be modified and expanded. Our intangible libraries should incorporate what Marx calls the dark matter of literature: the works that have been lost, that exist only in fragments, that have been repurposed by their authors, or were never written in the first place. Marx suggests methods for recovering this missing literature, but he also warns us that adding new titles to our libraries is not enough. We must also adopt a new attitude, one that honors the diversity and otherness of literary works. We must shed our preconceptions and build within ourselves a mental world library. William Marx is professor of comparative literature at the Collège de France. He is the author of The Hatred of Literature, The Tomb of Oedipus: Why Greek Tragedies Were Not Tragic, and other books. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Erich Auerbach wrote his classic work Mimesis, a history of narrative from Homer to Proust, based largely on his memory of past reading. Having left his physical library behind when he fled to Istanbul to escape the Nazis, he was forced to rely on the invisible library of his mind. Each of us has such a library—if not as extensive as Auerbach's—even if we are unaware of it. In this erudite and provocative book, William Marx explores our invisible libraries—how we build them and how we should expand them.Libraries, Marx tells us, are mental realities, and, conversely, our minds are libraries. We never read books apart from other texts. We take them from mental shelves filled with a variety of works that help us understand what we are reading. And yet the libraries in our mind are not always what they should be. The selection on our mental shelves—often referred to as canon, heritage, patrimony, or tradition—needs to be modified and expanded. Our intangible libraries should incorporate what Marx calls the dark matter of literature: the works that have been lost, that exist only in fragments, that have been repurposed by their authors, or were never written in the first place. Marx suggests methods for recovering this missing literature, but he also warns us that adding new titles to our libraries is not enough. We must also adopt a new attitude, one that honors the diversity and otherness of literary works. We must shed our preconceptions and build within ourselves a mental world library. William Marx is professor of comparative literature at the Collège de France. He is the author of The Hatred of Literature, The Tomb of Oedipus: Why Greek Tragedies Were Not Tragic, and other books. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Erich Auerbach wrote his classic work Mimesis, a history of narrative from Homer to Proust, based largely on his memory of past reading. Having left his physical library behind when he fled to Istanbul to escape the Nazis, he was forced to rely on the invisible library of his mind. Each of us has such a library—if not as extensive as Auerbach's—even if we are unaware of it. In this erudite and provocative book, William Marx explores our invisible libraries—how we build them and how we should expand them.Libraries, Marx tells us, are mental realities, and, conversely, our minds are libraries. We never read books apart from other texts. We take them from mental shelves filled with a variety of works that help us understand what we are reading. And yet the libraries in our mind are not always what they should be. The selection on our mental shelves—often referred to as canon, heritage, patrimony, or tradition—needs to be modified and expanded. Our intangible libraries should incorporate what Marx calls the dark matter of literature: the works that have been lost, that exist only in fragments, that have been repurposed by their authors, or were never written in the first place. Marx suggests methods for recovering this missing literature, but he also warns us that adding new titles to our libraries is not enough. We must also adopt a new attitude, one that honors the diversity and otherness of literary works. We must shed our preconceptions and build within ourselves a mental world library. William Marx is professor of comparative literature at the Collège de France. He is the author of The Hatred of Literature, The Tomb of Oedipus: Why Greek Tragedies Were Not Tragic, and other books. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Erich Auerbach wrote his classic work Mimesis, a history of narrative from Homer to Proust, based largely on his memory of past reading. Having left his physical library behind when he fled to Istanbul to escape the Nazis, he was forced to rely on the invisible library of his mind. Each of us has such a library—if not as extensive as Auerbach's—even if we are unaware of it. In this erudite and provocative book, William Marx explores our invisible libraries—how we build them and how we should expand them.Libraries, Marx tells us, are mental realities, and, conversely, our minds are libraries. We never read books apart from other texts. We take them from mental shelves filled with a variety of works that help us understand what we are reading. And yet the libraries in our mind are not always what they should be. The selection on our mental shelves—often referred to as canon, heritage, patrimony, or tradition—needs to be modified and expanded. Our intangible libraries should incorporate what Marx calls the dark matter of literature: the works that have been lost, that exist only in fragments, that have been repurposed by their authors, or were never written in the first place. Marx suggests methods for recovering this missing literature, but he also warns us that adding new titles to our libraries is not enough. We must also adopt a new attitude, one that honors the diversity and otherness of literary works. We must shed our preconceptions and build within ourselves a mental world library. William Marx is professor of comparative literature at the Collège de France. He is the author of The Hatred of Literature, The Tomb of Oedipus: Why Greek Tragedies Were Not Tragic, and other books. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

Erich Auerbach wrote his classic work Mimesis, a history of narrative from Homer to Proust, based largely on his memory of past reading. Having left his physical library behind when he fled to Istanbul to escape the Nazis, he was forced to rely on the invisible library of his mind. Each of us has such a library—if not as extensive as Auerbach's—even if we are unaware of it. In this erudite and provocative book, William Marx explores our invisible libraries—how we build them and how we should expand them.Libraries, Marx tells us, are mental realities, and, conversely, our minds are libraries. We never read books apart from other texts. We take them from mental shelves filled with a variety of works that help us understand what we are reading. And yet the libraries in our mind are not always what they should be. The selection on our mental shelves—often referred to as canon, heritage, patrimony, or tradition—needs to be modified and expanded. Our intangible libraries should incorporate what Marx calls the dark matter of literature: the works that have been lost, that exist only in fragments, that have been repurposed by their authors, or were never written in the first place. Marx suggests methods for recovering this missing literature, but he also warns us that adding new titles to our libraries is not enough. We must also adopt a new attitude, one that honors the diversity and otherness of literary works. We must shed our preconceptions and build within ourselves a mental world library. William Marx is professor of comparative literature at the Collège de France. He is the author of The Hatred of Literature, The Tomb of Oedipus: Why Greek Tragedies Were Not Tragic, and other books. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Erich Auerbach wrote his classic work Mimesis, a history of narrative from Homer to Proust, based largely on his memory of past reading. Having left his physical library behind when he fled to Istanbul to escape the Nazis, he was forced to rely on the invisible library of his mind. Each of us has such a library—if not as extensive as Auerbach's—even if we are unaware of it. In this erudite and provocative book, William Marx explores our invisible libraries—how we build them and how we should expand them.Libraries, Marx tells us, are mental realities, and, conversely, our minds are libraries. We never read books apart from other texts. We take them from mental shelves filled with a variety of works that help us understand what we are reading. And yet the libraries in our mind are not always what they should be. The selection on our mental shelves—often referred to as canon, heritage, patrimony, or tradition—needs to be modified and expanded. Our intangible libraries should incorporate what Marx calls the dark matter of literature: the works that have been lost, that exist only in fragments, that have been repurposed by their authors, or were never written in the first place. Marx suggests methods for recovering this missing literature, but he also warns us that adding new titles to our libraries is not enough. We must also adopt a new attitude, one that honors the diversity and otherness of literary works. We must shed our preconceptions and build within ourselves a mental world library. William Marx is professor of comparative literature at the Collège de France. He is the author of The Hatred of Literature, The Tomb of Oedipus: Why Greek Tragedies Were Not Tragic, and other books. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Erich Auerbach wrote his classic work Mimesis, a history of narrative from Homer to Proust, based largely on his memory of past reading. Having left his physical library behind when he fled to Istanbul to escape the Nazis, he was forced to rely on the invisible library of his mind. Each of us has such a library—if not as extensive as Auerbach's—even if we are unaware of it. In this erudite and provocative book, William Marx explores our invisible libraries—how we build them and how we should expand them.Libraries, Marx tells us, are mental realities, and, conversely, our minds are libraries. We never read books apart from other texts. We take them from mental shelves filled with a variety of works that help us understand what we are reading. And yet the libraries in our mind are not always what they should be. The selection on our mental shelves—often referred to as canon, heritage, patrimony, or tradition—needs to be modified and expanded. Our intangible libraries should incorporate what Marx calls the dark matter of literature: the works that have been lost, that exist only in fragments, that have been repurposed by their authors, or were never written in the first place. Marx suggests methods for recovering this missing literature, but he also warns us that adding new titles to our libraries is not enough. We must also adopt a new attitude, one that honors the diversity and otherness of literary works. We must shed our preconceptions and build within ourselves a mental world library. William Marx is professor of comparative literature at the Collège de France. He is the author of The Hatred of Literature, The Tomb of Oedipus: Why Greek Tragedies Were Not Tragic, and other books. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.

Et si un jeu vidéo pouvait devenir un refuge, un souvenir, un miroir de soi ?Dans cet épisode, je vous parle de Minecraft, ce jeu qui m'accompagne depuis presque 15 ans. Pourquoi j'y retourne encore, les souvenirs qu'il réveille…

The clip of the famous Carousel pitch scene (it's all about nostalgia, and it will make you nostalgic for peak tv)Connect with Sam on LinkedIn - I share customer experience content multiple times a week, and love hearing from listeners with questions or ideas for topics.Subscribe to my newsletter, Customer Experience Patterns - I publish a new edition with each episode of the podcast.My LinkedIn Learning courses: Customer Experience: 6 Essential Foundations For Lasting Loyalty, How To Create Great Customer Experiences & Build A Customer-Centric Culture. In-depth video series that teach you how to create great experiences, and build customer-centric cultuers.Thanks to my talented colleague Emily Tolmer for the cover art. Thanks to my friends at Moon Island for the music. Hosted on Acast. See acast.com/privacy for more information.

“She starts having an experience to see her own life as a more shifting sands that isn't to be fear but in fact to be enjoyed.”   Kimberly Campanello is here to talk about her novel, USE THE WORDS YOU HAVE (Somesuch Editions). It's a sweltering summer in Bretagne, France. K, an American exchange student, is navigating more than just unfamiliar streets. She's finding a new language. This is bonus content from the previous episode.  In this bonus content, I've asked Kimberly to provide me with some objects that Kimberly associated with writing the book, USE THE WORDS YOU HAVE. It's an interesting and new way to think about influence, and a way to understand both the book and the writer a bit more.  We talk about a flag, a musician, Alan Stivell, and something called a ‘Fest Noz', all of them relating to the culture of Brittany where the novel is set. Remember, if you buy from Rippling Pages Bookshop on bookshop.org.uk are all sourced from indie bookshops! https://uk.bookshop.org/shop/ripplingpagespod Support the Rippling Pages on a new Patreon https://patreon.com/RipplingPagesPod?utm_medium=unknown&utm_source=join_link&utm_campaign=creatorshare_creator&utm_content=copyLink  Interested in hosting your own podcast? Follow this link and find out how: https://www.podbean.com/ripplingpages  Rippling Points 1.54 - Proust and Memory 04.01 - Objects of influence 06.21 - Fest Noz 07.01 - Alan Stivell 08.29 - The Brittany Flag, the Blanche Ermine   Reference Point Jonathan Culler Arthur Rimbaud  

In this episode I'm joined by Bryan Counter to his book Four Moments of Aesthetic Experience: Reading Huysmans, Proust, McCarthy, and CuskBook link: https://anthempress.com/books/four-moments-of-aesthetic-experience-hb---Become part of the Hermitix community:Hermitix Twitter - ⁠⁠ / hermitixpodcast⁠⁠ Hermitix Discord - ⁠⁠ / discord Support Hermitix:Hermitix Subscription - ⁠⁠https://hermitix.net/subscribe/⁠⁠ Patreon - ⁠⁠ www.patreon.com/hermitix⁠⁠ Donations: - ⁠⁠https://www.paypal.me/hermitixpod⁠⁠Hermitix Merchandise - ⁠⁠http://teespring.com/stores/hermitix-2⁠⁠Bitcoin Donation Address: 3LAGEKBXEuE2pgc4oubExGTWtrKPuXDDLKEthereum Donation Address: 0xfd2bbe86d6070004b9Cbf682aB2F25170046A996

Join Dan and Tom as they decode some James Bond influences from History and Literature.  Hint: Proust, Dostoevsky, and others may have played a part. Christopher Booker's “Seven Basic Plots” identifies the seven main plots that literature tends to stick to.  So, we look at some classic literature and its effect on the James Bond movies.  Consequently, there aren't very many different plots to contend with, and Eon Productions has retold the same plot multiple times in their movies.  What we will decode in this episode: ·         How do Proust's works parallel a character in the last two James Bond movies? There are multiple ways this character is paralleled in Proust's writing. ·         Can Tom stay awake while reading literature? ·         What real-world characters have helped shape the James Bond movies? ·         What themes in FROM RUSSIA WITH LOVE's Tania Romanova do we see carried over in future James Bond movies? ·         Who are some of the real-world characters who influence Ian Fleming's writings? ·         Do any of the James Bond movie characters have literary influences? ·         Do Purvis and Wade deserve any credit for CASINO ROYALE's literary influences? ·         And of course, much more. To sum up, there are many characters in literature and history that may have influenced some of the characters we find in the James Bond movies. Tell us what you think about our look at James Bond influences from history and literature. Did we get the right influences? Are there other literary references you would make?  If so, please let us know.  Let us know your thoughts, ideas for future episodes, and what you think of this episode. Just drop us a note at info@spymovienavigator.com.  The more we hear from you, the better the show will surely be!  We'll give you a shout-out in a future episode!   You can check out all of our CRACKING THE CODE OF SPY MOVIES podcast episodes on your favorite podcast app or our website. In addition, you can check out our YouTube channel as well.   Episode Webpage:  https://bit.ly/4m2Ymee

Certaines odeurs convoquent des émotions fortes, à l'image de la fameuse madeleine de Proust. L'odorat est un sens puissant, ce que les professionnels du marketing ont bien compris. De plus en plus d'enseignes en tout genre développent des identités olfactives destinées à marquer leurs clients, voire à les inciter à dépenser.

Marcel Proust, vita e pensiero dello scrittore e saggista francese considerato il maestro del romanzo moderno, noto per la sua opera in sette volumi Alla ricerca del tempo perduto.

This week we discuss Immanuel Kant's Attempt to Introduce the Concept of Negative Magnitudes Into Philosophy. We look at how the work of Deleuze, Freud, Guattari, Leibniz, Proust, and Simondon resonates with this piece from the early Kant. Topics: Real and Logical Oppositions, lack and deprivation, the unconscious, moral philosophy, bodies in motion, bwo, zero. Support us on Patreon: https://www.patreon.com/muhh Twitter: @unconscioushh

Positive Gefühle sind unser Anker, wir können sie selbst anlocken und negative Stimmung mithilfe unserer Sinne drehen. Beim Erwachsenwerden geht sie oftmals etwas verloren: die pure Freude. Wie wir uns bei Kindern abschauen können? «Mit einer Sache, einer Aktivität im hier und jetzt zu sein,» sagt UPK-Psychotherapeutin Christina Stadler und erklärt damit die Grundidee von Achtsamkeitsübungen. Eben so wie Kinder, die vertieft im Spiel, alles um sich vergessen. Klar, es ist auch wichtig unangenehme Gefühle auszuhalten. Aber gegen schlechte Stimmung kann man sich durchaus wehren: Zum Beispiel indem man die eigenen Sinne nutzt. Mit Gerüchen, die einen glücklich machen, einem Song, der einem nicht mehr aus dem Kopf geht, oder einem Rückzugsort, wo man sich geborgen fühlt. Dass unsere Sinne Emotionen wecken können, wusste schon Marcel Proust. Er hat mit der Eröffnungsszene in seinem Roman «Auf der Suche nach der verlorenen Zeit», über den Geschmack von in Tee getunkten Madeleines, prompt den «Proust-Effekt» geprägt: Erinnerungen sind besonders stark, wenn sie mit Emotionen und Sinneseindrücken verknüpft sind. Das kann man für sich nutzen.

Chaque samedi, dans CLAP !, Laurie Cholewa s'intéresse aux goûts cinématographiques d'une personnalité, en l'interrogeant sur le principe du questionnaire de Proust. Aujourd'hui, c'est au tour de Gérard Jugnot.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Interview de Léandre Proust, expérimentateur ludique, réalisée lors du Festival International des Jeux de Cannes 2025.

Discover all of the podcasts in our network, search for specific episodes, get the Optimal Living Daily workbook, and learn more at: OLDPodcast.com. Episode 2643: Evan Marc Katz helps a self-aware woman navigate the conflict between love and ambition in her long-term relationship. Through compassionate questioning, he invites her to weigh the irreplaceable value of emotional safety against her desire for intellectual and professional stimulation, reminding us that no partner can fulfill every need, and that acceptance might be the most underrated form of love. Read along with the original article(s) here: https://www.evanmarckatz.com/blog/chemistry/my-boyfriend-is-wonderful-but-not-ambitious-or-successful Quotes to ponder: "You're not shallow for craving conversation that doesn't revolve around pop culture." "It's a failing proposition to expect one man to be all things to you." "The ability to quote Proust pales in comparison with the person who will drive you to your chemo treatments in thirty years." Learn more about your ad choices. Visit megaphone.fm/adchoices

Meg tells the sordid tale of Iris Sawyer's downfall at the hands of Tom and Nan Kempner - the original social X-Ray. Jessica investigates the protest group Gypsies Against Stereotypical Propaganda and their unexpected motivations.Please check out our website, follow us on Instagram, on Facebook, and...WRITE US A REVIEW HEREWe'd LOVE to hear from you! Let us know if you have any ideas for stories HEREThank you for listening!Love,Meg and Jessica

¿Puede una magdalena tener el poder de destruir el tiempo? ¿Qué tiene que ver el perfume de la abuela con la neurociencia moderna? ¿Por qué el plato más famoso de Filipinas se cocina con vinagre y melancolía? ¿Cómo una máquina de escribir códigos terminó quebrando al Imperio Nazi… y al hombre que la descifró? Hoy hablaremos de: La magdalena de Proust , Filipinas, Adriano y Antinoo, Frida y Chavela, Virginia y Vita, Alan Turing y la máquina que venció a Hitler, Y más recuerdos, datos, sabores y confesiones en este, el Banquete del Doctor Zagal. See omnystudio.com/listener for privacy information.

Une chanson, une vieille photo et bam !!! Souvenirs de ces temps bénis des voyages scolaires. Un épisode Madeleine de Proust. Un podcast Bababam Originals Écrit par Hélène Vézier Monté par Romain Redon ⁠Retrouvez tous les épisodes de Madame Meuf ici. première diffusion le 17/01/2023 Learn more about your ad choices. Visit megaphone.fm/adchoices

Chaque samedi, dans CLAP !, Laurie Cholewa s'intéresse aux goûts cinématographiques d'une personnalité, en l'interrogeant sur le principe du questionnaire de Proust. Aujourd'hui, c'est au tour de Raphaël Quenard et Hugo David. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

durée : 00:08:09 - Nouvelles têtes - par : Mathilde Serrell - Édith Proust, pensionnaire à la Comédie-Française, s'attaque à l'Everest théâtral de Paul Claudel : "Le Soulier de satin", présenté à Avignon du 19 au 25 juillet. Elle y incarne Doña Musique, personnage aussi mystérieux qu'optimiste. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Episode 152 features the return of one of my favorite Canadians, and just one of my best friends, Chris Maier. He's here to tackle some of Proust's Questionnaire. And aside from catching up, we'll discuss relationship communication, accountability, Canada, misfortune, and much much more. Mentioned and Helpful Links from This Episode How Was Your Week, Honey? Our Line Notes AgentPalmer.com Other Links The Dying Art of the Animation Cel Michael Caine does his best spy work as author of fast-paced Deadly Game Special Guest Executive Producer: Bill Sweeney Music created and provided by Henno Heitur of Monkey Tongue Productions. --End Show Notes Transmission--

The Violence of Reading: Literature and Philosophy at the Threshold of Pain (Palgrave Macmillan, 2024) expounds the scene of reading as one that produces an overwhelmed body exposed to uncontainable forms of violence. The book argues that the act of reading induces a representational instability that causes the referential function of language to collapse. This breakdown releases a type of "linguistic pain" (Scarry; Butler; Hamacher) that indicates a constitutive wounding of the reading body. The wound of language marks a rupture between linguistic reality and the phenomenal world. Exploring this rupture in various ways, the book brings together texts and genres from diverse traditions and offers close examinations of the rhetoric of masochism (Sacher-Masoch; Deleuze), the relation between reading and abuse (Nietzsche; Proust; Jelinek), the sublime experience of reading (Kant; Kafka; de Man), the "novel of the institution" (Musil; Campe), and literary suicide (Bachmann; Berryman; Okkervil River). Dominik Zechner is currently an Assistant Professor at Rutgers University. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Violence of Reading: Literature and Philosophy at the Threshold of Pain (Palgrave Macmillan, 2024) expounds the scene of reading as one that produces an overwhelmed body exposed to uncontainable forms of violence. The book argues that the act of reading induces a representational instability that causes the referential function of language to collapse. This breakdown releases a type of "linguistic pain" (Scarry; Butler; Hamacher) that indicates a constitutive wounding of the reading body. The wound of language marks a rupture between linguistic reality and the phenomenal world. Exploring this rupture in various ways, the book brings together texts and genres from diverse traditions and offers close examinations of the rhetoric of masochism (Sacher-Masoch; Deleuze), the relation between reading and abuse (Nietzsche; Proust; Jelinek), the sublime experience of reading (Kant; Kafka; de Man), the "novel of the institution" (Musil; Campe), and literary suicide (Bachmann; Berryman; Okkervil River). Dominik Zechner is currently an Assistant Professor at Rutgers University. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The Violence of Reading: Literature and Philosophy at the Threshold of Pain (Palgrave Macmillan, 2024) expounds the scene of reading as one that produces an overwhelmed body exposed to uncontainable forms of violence. The book argues that the act of reading induces a representational instability that causes the referential function of language to collapse. This breakdown releases a type of "linguistic pain" (Scarry; Butler; Hamacher) that indicates a constitutive wounding of the reading body. The wound of language marks a rupture between linguistic reality and the phenomenal world. Exploring this rupture in various ways, the book brings together texts and genres from diverse traditions and offers close examinations of the rhetoric of masochism (Sacher-Masoch; Deleuze), the relation between reading and abuse (Nietzsche; Proust; Jelinek), the sublime experience of reading (Kant; Kafka; de Man), the "novel of the institution" (Musil; Campe), and literary suicide (Bachmann; Berryman; Okkervil River). Dominik Zechner is currently an Assistant Professor at Rutgers University. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies

The Violence of Reading: Literature and Philosophy at the Threshold of Pain (Palgrave Macmillan, 2024) expounds the scene of reading as one that produces an overwhelmed body exposed to uncontainable forms of violence. The book argues that the act of reading induces a representational instability that causes the referential function of language to collapse. This breakdown releases a type of "linguistic pain" (Scarry; Butler; Hamacher) that indicates a constitutive wounding of the reading body. The wound of language marks a rupture between linguistic reality and the phenomenal world. Exploring this rupture in various ways, the book brings together texts and genres from diverse traditions and offers close examinations of the rhetoric of masochism (Sacher-Masoch; Deleuze), the relation between reading and abuse (Nietzsche; Proust; Jelinek), the sublime experience of reading (Kant; Kafka; de Man), the "novel of the institution" (Musil; Campe), and literary suicide (Bachmann; Berryman; Okkervil River). Dominik Zechner is currently an Assistant Professor at Rutgers University. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Épisode 1336 : Aujourd'hui, on parle de nostalgie, de walkman, de VHS… et de la série phénomène Stranger Things. La saison 5 vient d'être annoncé et elle est attendue en novembre 2025.https://youtu.be/QlYrNC_1Xmk?si=ElUEjMt4fr6Fgy55&t=13Déjà 5 saisons et pourtant la hype est encore bien là.Mais une question nous taraude : est-ce que le marketing de la nostalgie marche toujours aussi fort ? Ou est-ce qu'on commence à saturer ?—Retour vers le passé : quand la nostalgie devient une stratégie marketingLe marketing de la nostalgie, c'est l'art de capitaliser sur nos souvenirs d'enfance. On remet des objets, des styles, des sons dans notre quotidien… et on active des émotions positives.Stranger Things coche toutes les cases : synthés 80s, vélos sans vitesses, arcade, films VHS… La série est un hommage à Spielberg, Carpenter, King. Mais aussi à Donjons & Dragons ou au magazine MAD. Une Madeleine de Proust pop culture....Retrouvez toutes les notes de l'épisode sur www.lesuperdaily.com ! . . . Le Super Daily est le podcast quotidien sur les réseaux sociaux. Il est fabriqué avec une pluie d'amour par les équipes de Supernatifs. Nous sommes une agence social media basée à Lyon : https://supernatifs.com. Ensemble, nous aidons les entreprises à créer des relations durables et rentables avec leurs audiences. Ensemble, nous inventons, produisons et diffusons des contenus qui engagent vos collaborateurs, vos prospects et vos consommateurs. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

The Violence of Reading: Literature and Philosophy at the Threshold of Pain (Palgrave Macmillan, 2024) expounds the scene of reading as one that produces an overwhelmed body exposed to uncontainable forms of violence. The book argues that the act of reading induces a representational instability that causes the referential function of language to collapse. This breakdown releases a type of "linguistic pain" (Scarry; Butler; Hamacher) that indicates a constitutive wounding of the reading body. The wound of language marks a rupture between linguistic reality and the phenomenal world. Exploring this rupture in various ways, the book brings together texts and genres from diverse traditions and offers close examinations of the rhetoric of masochism (Sacher-Masoch; Deleuze), the relation between reading and abuse (Nietzsche; Proust; Jelinek), the sublime experience of reading (Kant; Kafka; de Man), the "novel of the institution" (Musil; Campe), and literary suicide (Bachmann; Berryman; Okkervil River). Dominik Zechner is currently an Assistant Professor at Rutgers University. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/language

Tonight, we'll read another excerpt from French writer Marcel Proust's monumental “In Search of Lost Time” which is seven volumes long, and first published in 1913. “In Search of Lost Time” follows the narrator's recollections and experiences in the late 19th-century and early 20th-century high-society France, while reflecting on the loss of time and lack of meaning in the world. This series does not necessarily need to be followed in order. Rather than being plot driven, it is more of a meditation on memories, consciousness and ambiance. The first episode aired on May 9th, 2022, and is titled “Overture.” The second episode, “The Magic Lantern” aired on July 11, 2022. The third episode, “M. Swann” aired on September 12, 2022.A madeleine de Proust is an expression used to describe smells, tastes, sounds or any sensations reminding you of your childhood or simply bringing back emotional memories from a long time ago. — read by 'V' — Sign up for Snoozecast+ to get expanded, ad-free access by going to snoozecast.com/plus! Learn more about your ad choices. Visit megaphone.fm/adchoices

Tonight, we'll read “M. Swann” the next part in our series from French writer Marcel Proust's monumental “In Search of Lost Time” which is seven volumes long, and first published in 1913. “In Search of Lost Time” follows the narrator's recollections and experiences in the late 19th-century and early 20th-century high-society France. This series does not necessarily need to be followed in order—as it drifts more like memory itself, circling themes and impressions rather than following a linear story. In this episode, we meet Charles Swann, a family acquaintance whose name and presence loom large in the narrator's early life. Though Swann appears casual and charming, his social status, romantic entanglements, and eventual tragedies become central threads in the broader tapestry of the novel. — read by 'V' — Sign up for Snoozecast+ to get expanded, ad-free access by going to snoozecast.com/plus! Learn more about your ad choices. Visit megaphone.fm/adchoices

In the first of a three-part series on Richard Rorty's Contingency, Irony, and Solidarity (1989), Let Us Think About It delves into the concept of contingency. Host Ryder Richards guides listeners through Rorty's radical argument that language, selfhood, and liberal communities are not grounded in universal truths but are crafted through historical chance, like tools in a dynamic toolkit. Drawing on Chapter 1, Ryder explores how language, far from mirroring reality, builds truths through evolving vocabularies, with examples like the French Revolution and Donald Davidson's “passing theories.” Chapter 2 reveals the self as a contingent construction, sculpted through redescriptions, as seen in Freud and Proust. Chapter 3 examines liberal societies as experimental creations, sustained by imaginative solidarity rather than fixed foundations, referencing Isaiah Berlin and Judith Shklar. While admiring Rorty's vivid metaphors and provocative ideas, Ryder critiques his potentially reductive view, questioning whether freedom alone can ensure moral progress. Packed with direct quotes and punchy insights, this episode sets the stage for upcoming discussions on irony and solidarity. Tune in to rethink how we create our world with the tools of language!

Tonight, we'll read “The Magic Lantern,” the next part in our series from French writer Marcel Proust's monumental “In Search of Lost Time” which is seven volumes long, and first published in 1913. “In Search of Lost Time” follows the narrator's recollections and experiences in the late 19th-century and early 20th-century high-society France, while reflecting on the loss of time and lack of meaning in the world. This series does not necessarily need to be followed in sequential order as it is more about an ambiance than a plot. In the first episode, “Overture”, the narrator recalls his childhood, bedtimes, bedrooms of his memories, and the peculiar states of consciousness related to sleep. This episode features memories about the magic lantern the narrator's family gives him as a child to help him with his insomnia. Magic lanterns were an early form of a slide projector. — read by 'V' — Sign up for Snoozecast+ to get expanded, ad-free access by going to snoozecast.com/plus! Learn more about your ad choices. Visit megaphone.fm/adchoices

Tonight, we'll read “Overture,” the opening to French writer Marcel Proust's monumental “In Search of Lost Time” which is seven volumes long, and first published in 1913. “In Search of Lost Time” follows the narrator's recollections and experiences in the late 19th-century and early 20th-century high-society France, while reflecting on the loss of time and lack of meaning in the world. — read by 'V' — Sign up for Snoozecast+ to get expanded, ad-free access by going to snoozecast.com/plus! Learn more about your ad choices. Visit megaphone.fm/adchoices

After a pause, The Philosopher & The News is back! In fact, we have been back since last September of 2024, in the form of a series of live online events in partnership with The Philosopher journal that have then featured in The Philosopher's YouTube Channel. But  we thought it's about time we updated our usual podcast channel too. The term "crisis" gets banded about with ease these days, in fact some have argues that we are living through an era of polycrisis, with more than one crisis going on simultaneously. But with its origins in Ancient Greek medicin, what does the term "crisis" really mean today? How can philosophy help us understand the different types of crisis, from the arena of science to that of politics? And what kind of political crisis yields a President like Donald Trump? This conversation took place on the day of the US election. Miguel de Beistegui is ICREA Research Professor of Philosophy at the Universitat Pompeu Fabra, Barcelona. He is a philosopher with a broad range of interests from ontology and aesthetics to ethics and political philosophy. He has written monographs on Heidegger, Deleuze, Proust, Chillida, and Lacan. His forthcoming book, A Philosophy of Crisis, aims to construct a rigorous concept of crisis.If you enjoyed the episode, please leave us a rating and a review on Apple Podcasts.This podcast is created in partnership with The Philosopher, the UK's longest running public philosophy journalm founded in 1923. Check out the latest issue of The Philosopher and its online events series: https://www.thephilosopher1923.org Artwork by Nick HallidayMusic by Rowan Mcilvride

durée : 00:46:40 - La 20e heure - par : Eva Bester - On la connait pour ses émissions littéraires et ses fictions sur France Inter, elle a passé ses étés avec Proust (2013) et Victor Hugo (2015). Nous recevons Laura El Makki ce soir pour son "Petit éloge de l'imagination", paru aux éditions, Les Pérégrines.

Umbral es el Harvard de la lexicografía aplicada, dardo y bisturí o sea. Paco escribía las columnas de arriba a abajo, al revés de la gente que se viste por los pies, con dos cojones. ‘Los placeres y los días' se llamaba esa colección publicada de prodigios diarios, le copió el nombre Proust a él, estoy seguro. Ay Marcel, canalla, te comes el muffin y te callas. Todavía las recordamos, las columnas, el pulso aquél, tantos días seguidos escribir tan bien, igual es de entre los writting daily señoros el escritor que más nos ha gustado en la vida. El que más le ha influido a la nueva masculinidad tóxica de 2025 de El Criticón de La Cultureta Gran Reserva. Nadie escribe hoy así de bien, usando tinta china, sobre manoseado papel de periódico. Recomendaciones de la semana: -‘Las ninfas'-‘Mortal y rosa'-‘La noche que llegué al Café Gijón'-‘Trilogía de Madrid'-‘Diario de un escritor burgués' -‘Diario de un noctámbulo'

Most scholars are both haunted, even undone, by the task of writing papers for peers and traveling to strange campuses to deliver them. Yet we keep it up--we inflict it on our peers, we inflict it on ourselves. Why? To answer that question, Recall This Book assembled three (if you count John) scholars of Victorian literature asked to speak at the Spring 2025 Northeastern Victorian Studies Association conference. Their discussion began with the idea that agreeing to give papers is an act of “externalized self-promising” and ranged across the reasons that floating ideas before our peers is terrifying, exhilarating and ultimately necessary. Kristin Mahoney 's books include Literature and the Politics of Post-Victorian Decadence (Cambridge UP, 2015) and Queer Kinship After Wilde: Transnational Decadence and the Family. Nasser Mufti 's first scholarly book was Civilizing War and he is currently working on a monograph about what Britain's nineteenth century looks like from the perspective of such anti-colonial thinkers as C.L.R. James and Eric Williams. (RTB listeners don't need to hear about John or his Arendt obsession. Mentioned in the episode Theosophical Society in Chennai Annie Besant Jiddu Krishnamurthi in his early life was a not-quite-orphan child guru for Besant. Eric Williams, British Historians and the West Indies on hte grid theorizations of race by folks like Acton C L R James Adorno's Minima Moralia provides Naser with an important reminder o the importance of “hating tradition properly.” H G Wells, The Time Machine and its modernist aftermath eg in the opening pages of Proust's Remembrance of Things Past and in Ford Madox Ford's The Inheritors and The Good Soldier, which is in its own peculiar way a time-travel novel. The three discuss Foucault's notion of capillarity a form of productive constraint, which Nasser uses to characterize both early 20th century Orientalism, and the paradigms of post colonialism that replaced it, Paul Saint Amour's chapter on Ford Madox Ford is in Tense Future. John Guillory on the distinctions between criticism and scholarship in Professing Criticism; the rhizomatic appeal of B-Side Books. The “hedgehog and the fox” as a distinction comes from a poem by Archilochus—and sparked Isaiah Berlin's celebrated essay of the same name. Pamela Fletcher the Victorian Painting of Modern Life Listen and Read here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Most scholars are both haunted, even undone, by the task of writing papers for peers and traveling to strange campuses to deliver them. Yet we keep it up--we inflict it on our peers, we inflict it on ourselves. Why? To answer that question, Recall This Book assembled three (if you count John) scholars of Victorian literature asked to speak at the Spring 2025 Northeastern Victorian Studies Association conference. Their discussion began with the idea that agreeing to give papers is an act of “externalized self-promising” and ranged across the reasons that floating ideas before our peers is terrifying, exhilarating and ultimately necessary.   Kristin Mahoney's books include Literature and the Politics of Post-Victorian Decadence (Cambridge UP, 2015) and Queer Kinship After Wilde: Transnational Decadence and the Family. Nasser Mufti 's first scholarly book was Civilizing War and he is currently working on a monograph about what Britain's nineteenth century looks like from the perspective of such anti-colonial thinkers as C.L.R. James and Eric Williams. RTB listeners don't need to hear about John or his Arendt obsession.   Mentioned in the episode Theosophical Society in Chennai Annie Besant Jiddu Krishnamurthi in his early life was a not-quite-orphan child guru for Besant.  Eric Williams, British Historians and the West Indies on grand theorizations of race by folks like Acton C L R James Adorno's Minima Moralia provides Nasser with an importantreminder of the importance of “hating tradition properly.” H G Wells, The Time Machine and its modernist aftermath eg in the opening pages of Proust's Remembrance of Things Past and in Ford Madox Ford's The Inheritors and The Good Soldier, which is in its own peculiar way a time-travel novel.  The three discuss Foucault's notion of capillarity a form of productive constraint, which Nasser uses to characterize both early 20th century Orientalism, and the paradigms of postcolonialism that replaced it,  Paul Saint Amour's chapter on Ford Madox Ford is in Tense Future. John Guillory on the distinctions between criticism and scholarship in Professing Criticism; the rhizomatic appeal of B-Side Books. The “hedgehog and the fox” as a distinction comes from a poem by Archilochus—and sparked  Isaiah Berlin's celebrated essay of the same name. Pamela Fletcher the Victorian Painting of Modern Life . Learn more about your ad choices. Visit megaphone.fm/adchoices

durée : 00:52:09 - Répliques - par : Alain Finkielkraut - Marcel Proust : celui qui ne faisait que raconter des histoires d'amour.  - réalisation : Alexandra Malka - invités : Catherine Cusset Ecrivain; Anne Simon Chercheuse en littérature française, directrice de recherche au CNRS