Podcasts about Christian Dior

Geraldine Wharry is one of the world's leading Fashion Futurists. As a Regenerative Futures Architect, she helps partners decode emergence and implement change, whilst adopting strategies leveraging creative, systemic and environmental imperatives.Trusted by organisations ranging from Nike, Samsung, Afterpay, Christian Dior to Seymour Powell, Geraldine's blend of strategic, regenerative and creative foresight has been applied across fashion, beauty, technology, sustainability, culture, media, gaming, the arts, health, travel and industrial design. Geraldine is also a regular speaker on stages ranging from SXSW to the Adidas global headquarters. Her views on a future of fashion that stands at the crossroads of Tech, Purpose and Sustainability are regularly featured on the BBC, Vogue, The Financial Times, BoF and other international press publications. She writes about strategic futures for Dazed Beauty and in her monthly column 'Tomorrow' for Spur Magazine in Japan.Questioning established future foresight methods and innovation implementation problems, by applying regenerative futures thinking and Biomimicry, has been a running thread in Geraldine's practice and the school community hybrid she founded, Trend Atelier. She is a regular guest lecturer at leading universities in Europe.As a Fellow of the Royal Society for the Arts and a member of the United Nations' Conscious Fashion & Lifestyle network, Geraldine Wharry's mission is to inspire leaders, industries and people to enact visionary futures, for the greater good of the people and planet.Support the showThank you for listening! Follow us through our website or social media!https://www.thecolorauthority.com/podcasthttps://www.instagram.com/the_color_authority_/https://www.linkedin.com/company/78120219/admin/

Mai adásunkban francia divatipari kirándulást teszünk. Fókuszunk azon lesz, hogy Bernard Arnault, aki a világon a leggazdagabb nem amerikai milliárdos hogyan csinált negyven év alatt 15 millió dollárból 184 milliárd dollárt. Christian Dior, Yves Saint Laurent, Moët & Chandon, Hennessy, Louis Vuitton, Gucci, Tom Ford és a Hermès, mint ikonikus luxusmárkák és divattervezők mind felbukkannak a színen. De történetünk főszereplője egyértelműen Arnault, a Moët Hennessy Louis Vuitton csoport fő tulajdonosa és vezetője, aki hatalmas győzelmeket aratott és egyben fájdalmas vereségeket is szenvedett el útja során miközben vállalatcsoportjába konszolidálta az európai luxusipar igen szignifikáns részét.A mai beszélgetésben Becsei Kinga és Jónap Richárd vesz részt.Olvass minden nap a világ történéseiről egy Concorde-os szemüvegén keresztül: https://www.concordeblog.hu/Kövess bennünket minden csatornánkon:https://www.linkedin.com/company/concordecsoport/https://www.instagram.com/concordecsoport/https://www.facebook.com/concorde/https://www.youtube.com/@concorde_csoport

Son nom ne vous évoque rien et pourtant, dans les années 1960 et 1970 il était sur les lèvres du tout Paris de la mode. “Une nouvelle étoile se lève dans le ciel de la mode parisienne” écrivait le magazine américain Women's Wear Daily en 1959. Jules-François Crahay, venait alors de signer sa première collection pour la maison Nina Ricci, qu'il quittera en 1963 avant de rejoindre la maison Lanvin. En 20 ans, il y signe plus de 40 collections de haute couture et de prêt à porter. Qui était ce styliste né à Liège en 1917, que la presse a comparé à Christian Dior? Comment est-il devenu le premier couturier belge à prendre la direction artistique d'une maison de mode parisienne ? Pour tenter de répondre à ces questions, Denis Laurent, auteur d'un livre «Jules-François Crahay: La redécouverte d'un grand couturier » aux éditions Lannoo, résultat de cinq années de recherche, est au micro de Nicolas Bogaerts pour retracer le destin d'un génie trop vite oublié. Sujets traités : Jules-François Crahay, génie, haute couture ,oubli, Nina Ricci, Lanvin, collection, Christian Dior, mode, Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

He created Jean-Paul Gaultier's Le Mâle at just 24 and gave the world Baccarat Rouge 540, the fragrance that conquered the internet. Now, master perfumer Francis Kurkdjian – head of his own perfume house and Perfume Creation Director at Christian Dior – unveils a new Paris exhibition, "Perfume: Sculpture of the Invisible", at the Palais de Tokyo, celebrating 30 years of his groundbreaking creations. He sat down with FRANCE 24's Culture Editor Eve Jackson to talk about the art of capturing emotion in scent, the viral success of Baccarat Rouge 540 and how he's redefining fragrance as a true form of art.

Welcome to the Dior Talks podcast series dedicated to the 10th edition of Dior Lady Art, hosted by Paris-based journalist Katya Foreman. For this milestone edition, 10 artists from around the world were invited to reinterpret the iconic Lady Dior handbag, transforming it into a one-of-a-kind artwork. In this episode, we speak with British artist Marc Quinn, whose practice spans sculpture, painting, and public installations that explore identity, the body, and the evolving dialogue between nature and technology. A pivotal figure in contemporary art, Quinn was the very first artist to collaborate on Dior Lady Art in 2016. Almost a decade later, he returns with a bold new series that bridges past and present, human and machine, reality and dream. For this 10th edition, Quinn reimagines the Lady Dior as a living sculpture, enriched with three-dimensional elements that bring sound and movement to life. His five new creations revisit themes at the heart of his work: the iris as a symbol of identity and perception, flowers as emblems of beauty and transience, and fingerprints as unique traces of the self. Among the collection, one bag shimmers with metallic forms of varying sizes, enlarged portraits of Christian Dior's own fingerprint. These abstract, oval shapes are partly fixed, while others dangle freely and produce a soft clink as the bag moves. Another bag teems with hundreds of enameled eyes generated by an AI system trained on Quinn's iris paintings —surreal variations he describes as “AI dreaming of what we look like.” One design stands out for its restraint: pure white, decorated only with a sculptural silver orchid on the front and a smaller bloom in the top corner, its pared-back elegance recalling the minimalism of the 1960s. For Quinn, these works are not simply accessories but mobile sculptures—artworks carried into daily life, shaped by chance, encounter, and performance. Bridging the virtual and the physical, the personal and the universal, they embody identities in transformation, becoming relics of the present and messengers of the future. Download the episode to hear Marc Quinn reflect on his creative journey, his return to Dior Lady Art, and the poetic meeting point of art, fashion, and technology.Hosted by Ausha. See ausha.co/privacy-policy for more information.

Thời còn trẻ, nhà thiết kế Paul Poiret nổi tiếng không kém gì Coco Chanel. Tạp chí thời trang lừng danh Vogue từng so sánh tài năng của ông ngang hàng với Christian Dior. Nhưng ngày nay, tên tuổi của Paul Poiret lại bị lãng quên, cho dù gương mặt tiên phong của trường phái Art Déco đã có công thay đổi thời trang phái nữ một cách sâu rộng. Tên tuổi của Paul Poiret gắn liền với thời kỳ Belle Époque đầu thế kỷ XX, thời Paris là kinh đô xa hoa, ngập tràn sáng tạo, phù phiếm lễ hội. Xu hướng thời trang thịnh hành lúc bấy giờ là những chiếc váy « lưng ong » đề cao những đường cong bằng chiếc áo corset nịt ngực. Với tư cách là học trò của hai nhà thiết kế lớn thời bấy giờ là Jacques Doucet và Charles Frederick Worth, ông Paul Poiret đã phá vỡ khuôn thước thẩm mỹ này, giúp « tháo gỡ » những ràng buộc trên cơ thể phụ nữ bằng cách thiết kế những kiểu váy với đường thằng đơn giản hơn (kiểu áo Joséphine, vợ của hoàng đế Napoléon). Chiếc áo nịt ngực thắt lưng (corset) nhường chỗ lại cho một dải ruy băng mềm mại, giúp cho phụ nữ đi đứng thoải mái. Trong vai trò của một người tiên phong (nổi danh cùng thời với bà Jeanne Lanvin), nhà thiết kế Paul Poiret đã ý thức rất sớm về tiềm năng của thương hiệu, ngoài trang phục ông cho sản xuất thêm các chai nước hoa, phụ kiện thời trang và nhiều sản phẩm khác. Để vinh danh tài năng này, Viện bảo tàng Nghệ thuật Trang trí ở quận 1, Paris tổ chức một cuộc triển lãm lớn « Paul Poiret :La mode est une fête » (Thời trang như lễ hội) từ đây cho tới trung tuần tháng Giêng năm 2026. Trả lời phỏng vấn RFI ban tiếng Pháp, cô Marie-Sophie Caron de la Carrière trưởng ban điều hành triển lãm và đồng thời là giám tuyển nghệ thuật cho biết đôi nét về thân thế sự nghiệp của ông Paul Poiret. Marie-Sophie Caron de la Carrière: Paul Poiret (1879-1944) là dân Paris chính hiệu, ông sinh trưởng trong một gia đình khá giả, bố ông à một nhà buôn vải cho nên ông đã lớn lên trong thế giới của gấm vóc, lụa là. Từ khi còn nhỏ, ông đã nuôi mộng trở thành một nhà thiết kế thời trang. Sự kiện quan trọng thúc đẩy ông chọn nghề này là khi cùng với song thân, ông đi xem cuộc Triển lãm Toàn cầu tại Paris năm 1889. Ông có kể lại điều này trong quyển hồi ký của mình. Vào lúc ấy, ông khám phá được nhiều nền văn hóa mà không cần phải đi đâu xa : nguyên tắc chính của Triển lãm Toàn cầu là mỗi quốc gia tham dự đều có một không gian triển lãm riêng để giới thiệu những nét hay nhất trong văn hóa nước nhà. Chính điều này đã khơi dậy sự tò mò, cũng như niềm khao khát được đi xa và khám phá những chân trời khác biệt. Những kiểu áo dài caftan của Thổ Nhĩ Kỳ, khăn xếp Ba Tư hay kimono của Nhật Bản đều gợi hứng rất nhiều cho Paul Poiret thiết kế các kiểu áo như váy hình chụp đèn, áo đầm suông, áo lụa rũ xếp. Nơi Paul Poiret, các kiểu áo may thẳng thon dài mềm mại, không còn siết chặt vòng eo khiến cho vóc dáng phụ nữ không còn giống như chiếc đồng hồ cát. Cuộc triển lãm lần này nhằm giúp cho giới trẻ thời nay khám phá (lại) nhà thiết kế thời trang Paul Poiret, thực sự là một nhân vật không may đã bị lãng quên, chính những sản phẩm của thương hiệu này giờ đây cũng không còn tồn tại nữa. Trong cuộc triển lãm này, có trích dẫn câu nói nổi tiếng của nhà thiết kế người Pháp Christian Dior về bậc đàn anh, theo đó ông Paul Poiret đã bước vào ngành thời trang cao cấp để rồi khuynh đảo mọi thứ. Vậy thì ông Paul Poiret đã thay đổi điều gì ? Cô Marie-Sophie Caron de la Carrière, giám tuyển nghệ thuật nhận xét : Marie-Sophie Caron de la Carrière : Theo tôi, ông Paul Poiret đã đem lại hai sự thay đổi lớn cho làng thời trang. Đầu tiên hết, ông đã hoàn toàn biến đổi vóc dáng của phụ nữ : quan niệm về nữ tính không chỉ được gắn liền với những đường cong trên cơ thể của người đàn bà. Từ khi mới vào nghề, ông đã muốn khuynh đảo những khuôn thước có sẵn cũng như những người bạn họa sĩ của ông đã từng làm với trường phái « dã thú ». Để phá vỡ truyền thống của chiếc corset, ông đã trao dồi tay nghề với Jacques Doucet và sau đó nữa là với Charles Frederick Worth. Hiệu thời trang « House of Worth » chuyên phục vụ giới quý tộc châu Âu hoặc giới thượng lưu ở Mỹ thời bấy giờ. Các kiểu váy xòe, với nhiều thước vải khiến cho phụ nữ không dễ chuyển động, đứng ngồi. Việc lược bỏ các chi tiết rườm rà, thiết kế từ những năm 1910 những đường nét vuông vức thẳng đứng, khiến cho Paul Poiret trở thành gương mặt tiên phong của trường phái Art Déco, thịnh hành từ năm 1925. Yếu tố quan trọng thứ nhì là Paul Poiret không những thay đổi hình dáng của phụ nữ mà còn thay đổi luôn vai trò của một nhà thiết kế thời trang. Nhà thiết kế không còn đơn thuần may quần áo theo đơn đặt hàng, mà thực sự góp phần làm cho cuộc sống tươi đẹp hơn. Ngoài thiết kế trang phục, Paul Poiret còn thành lập một công ty chuyên về trang trí nội thất, sản xuất nước hoa và mỹ phẩm. Đây là một thay đổi lớn trong ngành thời trang, khi nhà thiết kế có một tầm nhìn và lối tiếp cận toàn diện hơn về phụ nữ cũng như môi trường sống của họ. Paul Poiret đã sáng tạo ra điều mà thời nay được gọi là « liefestyle » (có nghĩa là lối sống hay phong cách sống). Các nhà thiết kế sau đó như Giogio Armani hay Ralph Lauren đều nâng lifestyle lên hàng nghệ thuật, rồi trở thành nhưng vị đại sứ toàn cầu cho gu thẩm mỹ thời trang. Thời trang không còn đơn thuần là quần áo, mà còn thể hiện một lối sống bao gồm cả thói quen và sở thích, từ chuyện ăn uống đến chơi thể thao hay giải trí. Chỉ riêng về điểm này có thể nói là ông Paul Poiret là một nhân vật tiên phong, đi trước thời của mình trước ngày đời của các thuật ngữ như lifestyle (phong cách sống) hoặc marketing (tiếp thị). Nhân cuộc triển lãm tại Bảo tàng Nghệ thuật trang trí ở Paris, nhiều mùi nước hoa đã được tái tạo hơn một thế kỷ sau lần phát hành đầu tiên, như mùi hương Rosine mang tên con gái của Paul Poiret hay là kiểu chai nước hoa « Le Fruit Défendu » (Trái cấm) ăn khách vào đầu thế kỷ XX. Paul Poiret đã vào nghề thiết kế gần 10 năm trước Chanel. Ngoài đời, hai công ty này là đối thủ cạnh tranh, với phong cách thời trang hoàn toàn khác biệt. Câu hỏi đặt ra là tại sao Chanel nay vẫn là một thương hiệu toàn cầu trong khi Paul Poiret giờ đây lại không còn tồn tại ? Marie-Sophie Caron de la Carrière : Một hiệu thời trang thực sự tồn tại khi nhà thiết kế có được một sự hậu thuẫn vững chắc về mặt tài chính. Chẳng hạn như hiệu Yves Saint Laurent tồn tại được lâu nhờ vào ông Pierre Bergé. Còn trong trường hợp của hiệu Chanel, gia đình Wertheimer, qua thỏa thuận hợp tác với Chanel, đã giúp cho thương hiệu trải qua bao sóng gió. Về phía Paul Poiret, ông đã không lập quan hệ đối tác với bất cứ nhà đầu tư nào, mục đích của ông là duy trì tính độc lập, quyền kiểm soát công ty, để làm theo ý mình. Vấn đề ở đây là Paul Poiret đã không trông rộng nhìn xa : do không đủ nguồn tài chính, công ty Paul Poiret đã sụp đổ khá nhanh sau khi Đệ nhất Thế chiến bùng nổ, thương hiệu này rốt cuộc đã biến mất. Một trong những điểm thành công trong cuộc triển lãm về Paul Poiret, là ban tổ chức đã tạo ra được một cuộc đối thoại giữa các tác phẩm thời xưa với các sáng tạo thời nay, cho thấy được tầm ảnh hưởng của ông lên thế hệ nghệ sĩ lừng danh đi sau kể cả Elsa Schiaparelli, Yves Saint-Laurent hay Castelbaljac. Các bộ sưu tập của họ từng gợi hứng ít nhiều từ những tác phẩm của bậc tiền bối. Thực tế cho thấy thương hiệu này không còn tồn tại, nhưng trước sự đóng góp của Paul Poiret cho làng thời trang, thủ đô Paris ,tuy không thể trả lại cho hoàng đế César một ngai vàng, nhưng vẫn khôi phục phần nào ánh hào quang của một tài năng không may bị chìm vào quên lãng.

Thời còn trẻ, nhà thiết kế Paul Poiret nổi tiếng không kém gì Coco Chanel. Tạp chí thời trang lừng danh Vogue từng so sánh tài năng của ông ngang hàng với Christian Dior. Nhưng ngày nay, tên tuổi của Paul Poiret lại bị lãng quên, cho dù gương mặt tiên phong của trường phái Art Déco đã có công thay đổi thời trang phái nữ một cách sâu rộng. Tên tuổi của Paul Poiret gắn liền với thời kỳ Belle Époque đầu thế kỷ XX, thời Paris là kinh đô xa hoa, ngập tràn sáng tạo, phù phiếm lễ hội. Xu hướng thời trang thịnh hành lúc bấy giờ là những chiếc váy « lưng ong » đề cao những đường cong bằng chiếc áo corset nịt ngực. Với tư cách là học trò của hai nhà thiết kế lớn thời bấy giờ là Jacques Doucet và Charles Frederick Worth, ông Paul Poiret đã phá vỡ khuôn thước thẩm mỹ này, giúp « tháo gỡ » những ràng buộc trên cơ thể phụ nữ bằng cách thiết kế những kiểu váy với đường thằng đơn giản hơn (kiểu áo Joséphine, vợ của hoàng đế Napoléon). Chiếc áo nịt ngực thắt lưng (corset) nhường chỗ lại cho một dải ruy băng mềm mại, giúp cho phụ nữ đi đứng thoải mái. Trong vai trò của một người tiên phong (nổi danh cùng thời với bà Jeanne Lanvin), nhà thiết kế Paul Poiret đã ý thức rất sớm về tiềm năng của thương hiệu, ngoài trang phục ông cho sản xuất thêm các chai nước hoa, phụ kiện thời trang và nhiều sản phẩm khác. Để vinh danh tài năng này, Viện bảo tàng Nghệ thuật Trang trí ở quận 1, Paris tổ chức một cuộc triển lãm lớn « Paul Poiret :La mode est une fête » (Thời trang như lễ hội) từ đây cho tới trung tuần tháng Giêng năm 2026. Trả lời phỏng vấn RFI ban tiếng Pháp, cô Marie-Sophie Caron de la Carrière trưởng ban điều hành triển lãm và đồng thời là giám tuyển nghệ thuật cho biết đôi nét về thân thế sự nghiệp của ông Paul Poiret. Marie-Sophie Caron de la Carrière: Paul Poiret (1879-1944) là dân Paris chính hiệu, ông sinh trưởng trong một gia đình khá giả, bố ông à một nhà buôn vải cho nên ông đã lớn lên trong thế giới của gấm vóc, lụa là. Từ khi còn nhỏ, ông đã nuôi mộng trở thành một nhà thiết kế thời trang. Sự kiện quan trọng thúc đẩy ông chọn nghề này là khi cùng với song thân, ông đi xem cuộc Triển lãm Toàn cầu tại Paris năm 1889. Ông có kể lại điều này trong quyển hồi ký của mình. Vào lúc ấy, ông khám phá được nhiều nền văn hóa mà không cần phải đi đâu xa : nguyên tắc chính của Triển lãm Toàn cầu là mỗi quốc gia tham dự đều có một không gian triển lãm riêng để giới thiệu những nét hay nhất trong văn hóa nước nhà. Chính điều này đã khơi dậy sự tò mò, cũng như niềm khao khát được đi xa và khám phá những chân trời khác biệt. Những kiểu áo dài caftan của Thổ Nhĩ Kỳ, khăn xếp Ba Tư hay kimono của Nhật Bản đều gợi hứng rất nhiều cho Paul Poiret thiết kế các kiểu áo như váy hình chụp đèn, áo đầm suông, áo lụa rũ xếp. Nơi Paul Poiret, các kiểu áo may thẳng thon dài mềm mại, không còn siết chặt vòng eo khiến cho vóc dáng phụ nữ không còn giống như chiếc đồng hồ cát. Cuộc triển lãm lần này nhằm giúp cho giới trẻ thời nay khám phá (lại) nhà thiết kế thời trang Paul Poiret, thực sự là một nhân vật không may đã bị lãng quên, chính những sản phẩm của thương hiệu này giờ đây cũng không còn tồn tại nữa. Trong cuộc triển lãm này, có trích dẫn câu nói nổi tiếng của nhà thiết kế người Pháp Christian Dior về bậc đàn anh, theo đó ông Paul Poiret đã bước vào ngành thời trang cao cấp để rồi khuynh đảo mọi thứ. Vậy thì ông Paul Poiret đã thay đổi điều gì ? Cô Marie-Sophie Caron de la Carrière, giám tuyển nghệ thuật nhận xét : Marie-Sophie Caron de la Carrière : Theo tôi, ông Paul Poiret đã đem lại hai sự thay đổi lớn cho làng thời trang. Đầu tiên hết, ông đã hoàn toàn biến đổi vóc dáng của phụ nữ : quan niệm về nữ tính không chỉ được gắn liền với những đường cong trên cơ thể của người đàn bà. Từ khi mới vào nghề, ông đã muốn khuynh đảo những khuôn thước có sẵn cũng như những người bạn họa sĩ của ông đã từng làm với trường phái « dã thú ». Để phá vỡ truyền thống của chiếc corset, ông đã trao dồi tay nghề với Jacques Doucet và sau đó nữa là với Charles Frederick Worth. Hiệu thời trang « House of Worth » chuyên phục vụ giới quý tộc châu Âu hoặc giới thượng lưu ở Mỹ thời bấy giờ. Các kiểu váy xòe, với nhiều thước vải khiến cho phụ nữ không dễ chuyển động, đứng ngồi. Việc lược bỏ các chi tiết rườm rà, thiết kế từ những năm 1910 những đường nét vuông vức thẳng đứng, khiến cho Paul Poiret trở thành gương mặt tiên phong của trường phái Art Déco, thịnh hành từ năm 1925. Yếu tố quan trọng thứ nhì là Paul Poiret không những thay đổi hình dáng của phụ nữ mà còn thay đổi luôn vai trò của một nhà thiết kế thời trang. Nhà thiết kế không còn đơn thuần may quần áo theo đơn đặt hàng, mà thực sự góp phần làm cho cuộc sống tươi đẹp hơn. Ngoài thiết kế trang phục, Paul Poiret còn thành lập một công ty chuyên về trang trí nội thất, sản xuất nước hoa và mỹ phẩm. Đây là một thay đổi lớn trong ngành thời trang, khi nhà thiết kế có một tầm nhìn và lối tiếp cận toàn diện hơn về phụ nữ cũng như môi trường sống của họ. Paul Poiret đã sáng tạo ra điều mà thời nay được gọi là « liefestyle » (có nghĩa là lối sống hay phong cách sống). Các nhà thiết kế sau đó như Giogio Armani hay Ralph Lauren đều nâng lifestyle lên hàng nghệ thuật, rồi trở thành nhưng vị đại sứ toàn cầu cho gu thẩm mỹ thời trang. Thời trang không còn đơn thuần là quần áo, mà còn thể hiện một lối sống bao gồm cả thói quen và sở thích, từ chuyện ăn uống đến chơi thể thao hay giải trí. Chỉ riêng về điểm này có thể nói là ông Paul Poiret là một nhân vật tiên phong, đi trước thời của mình trước ngày đời của các thuật ngữ như lifestyle (phong cách sống) hoặc marketing (tiếp thị). Nhân cuộc triển lãm tại Bảo tàng Nghệ thuật trang trí ở Paris, nhiều mùi nước hoa đã được tái tạo hơn một thế kỷ sau lần phát hành đầu tiên, như mùi hương Rosine mang tên con gái của Paul Poiret hay là kiểu chai nước hoa « Le Fruit Défendu » (Trái cấm) ăn khách vào đầu thế kỷ XX. Paul Poiret đã vào nghề thiết kế gần 10 năm trước Chanel. Ngoài đời, hai công ty này là đối thủ cạnh tranh, với phong cách thời trang hoàn toàn khác biệt. Câu hỏi đặt ra là tại sao Chanel nay vẫn là một thương hiệu toàn cầu trong khi Paul Poiret giờ đây lại không còn tồn tại ? Marie-Sophie Caron de la Carrière : Một hiệu thời trang thực sự tồn tại khi nhà thiết kế có được một sự hậu thuẫn vững chắc về mặt tài chính. Chẳng hạn như hiệu Yves Saint Laurent tồn tại được lâu nhờ vào ông Pierre Bergé. Còn trong trường hợp của hiệu Chanel, gia đình Wertheimer, qua thỏa thuận hợp tác với Chanel, đã giúp cho thương hiệu trải qua bao sóng gió. Về phía Paul Poiret, ông đã không lập quan hệ đối tác với bất cứ nhà đầu tư nào, mục đích của ông là duy trì tính độc lập, quyền kiểm soát công ty, để làm theo ý mình. Vấn đề ở đây là Paul Poiret đã không trông rộng nhìn xa : do không đủ nguồn tài chính, công ty Paul Poiret đã sụp đổ khá nhanh sau khi Đệ nhất Thế chiến bùng nổ, thương hiệu này rốt cuộc đã biến mất. Một trong những điểm thành công trong cuộc triển lãm về Paul Poiret, là ban tổ chức đã tạo ra được một cuộc đối thoại giữa các tác phẩm thời xưa với các sáng tạo thời nay, cho thấy được tầm ảnh hưởng của ông lên thế hệ nghệ sĩ lừng danh đi sau kể cả Elsa Schiaparelli, Yves Saint-Laurent hay Castelbaljac. Các bộ sưu tập của họ từng gợi hứng ít nhiều từ những tác phẩm của bậc tiền bối. Thực tế cho thấy thương hiệu này không còn tồn tại, nhưng trước sự đóng góp của Paul Poiret cho làng thời trang, thủ đô Paris ,tuy không thể trả lại cho hoàng đế César một ngai vàng, nhưng vẫn khôi phục phần nào ánh hào quang của một tài năng không may bị chìm vào quên lãng.

Saturday Live is a staple of BBC Radio 4's weekend schedule, and for years it was presented by Reverend Richard Coles and Nikki Bedi. Andrea interviewed Richard as he departed in 2023 when the programme moved to Cardiff. The lead presenter post was covered in the interim by Nikki Bedi with different co-hosts. Now, Adrian Chiles has entered the chat, as the new presenter of Saturday Live. Feedback listeners have been telling us what they think of this change. Andrea Catherwood puts your comments to Colin Paterson, Head of Audio for BBC Wales and the West of England. There's also been tweaks to how some listeners access BBC Sounds when using a browser, leading to widespread confusion. We've got an answer about the changes from the BBC Sounds team.Last week Andrea spoke to BBC Political Editor Chris Mason about how the BBC has been covering Reform UK and its leader Nigel Farage. We'll hear what you thought of the discussion. And finally, one listener has nominated John Wilson's interview with Northern Ireland fashion designer Jonathan Anderson, who has recently been appointed Creative Director at French fashion house Christian Dior, for Interview of the Year. As we learned in the interview, it's a far cry from Mid Ulster, where he grew up.Presenter: Andrea Catherwood Producer: Pauline Moore Assistant Producer: Rebecca Guthrie Executive Producer: David PrestA Whistledown Scotland production for BBC Radio 4

Mark Simone talks about CBS News potentially going neutral with their news coverage; The Seattle mayor not wanting to put repeat criminal offenders in jail; Donald Trump has people looking into protestors who are being paid, and who may be paying them and backing the antifa riots; Donald Trump's improvement with posting memes; Christian Dior opening up its newly renovated flagship store in NYC that includes a spa; Howard Stern fighting back against claims that he is woke; Mamdani continued his lies about free bussing and rent freezes in the debate

Mark Simone talks about CBS News potentially going neutral with their news coverage; The Seattle mayor not wanting to put repeat criminal offenders in jail; Donald Trump has people looking into protestors who are being paid, and who may be paying them and backing the antifa riots; Donald Trump's improvement with posting memes; Christian Dior opening up its newly renovated flagship store in NYC that includes a spa; Howard Stern fighting back against claims that he is woke; Mamdani continued his lies about free bussing and rent freezes in the debateSee omnystudio.com/listener for privacy information.

Catalyst is a Creative Industries podcast, from Chapman University. Each episode features Chapman students who have completed a Podcasting course through the Center for Creative and Cultural Industries at the university. Students who had no podcasting experience or technical ability in the genre before taking the course were able to contribute all the segments to Catalyst this season with the goal being that they will take this ‘hands-on' experience and carry it over to the launching of their very own series. Each episode of Season 14 will feature one to two different interviews conducted by CCI students, exploring different aspects of the Creative and Cultural Industries. Kicking off our show this week Carly Arebalo sits down with Gianna Verde, a Public Relations trainee at Christian Dior in New York City. Originally from a small coastal town in New Jersey, Gianna always dreamed of working in fashion, a passion that took her to the Fashion Institute of Technology (FIT). Through multiple internships, she discovered her love for public relations and followed that path to Dior, one of the world's most prestigious luxury fashion houses. In this conversation, Gianna reflects on her journey from creative childhood to young professional, offering a candid look at the challenges of breaking into the fashion industry. She shares honest advice for students and recent graduates about resilience, determination, and the importance of taking on responsibility. Wrapping up the episode today is a conversation with Nick Weihe, a Baltimore-based visual artist and clothing designer who speaks with Sidney Karjian about his creative journey. Raised in Seattle, Nick studied Fine Art Photography and Film Studies at Seattle University before earning his MFA in Photographic and Electronic Media at the Maryland Institute College of Art. Weihe talks about starting out at Youth in Focus, a photography program in Seattle and how it sparked his lifelong interest in telling stories through images. In their discussion, Nick reflects on how his work evolved from darkroom photography and graffiti to his current work with hand-stamped fashion designs. Weihe also discusses the balance of emotional storytelling and experimentation in his work, and the challenges of sustaining a creative practice. He offers advice on trusting your instincts, staying motivated, and continuing to create—even when it feels imperfect.

Christian Dior, couturier du rêve, Chanel manifeste de mode ou encore La Planète Mode de Jean-Paul Gaultier : depuis quelques années, la mode s'invite au musée. Alors, comment la mode a-t-elle acquis sa place dans les musées du monde entier ? Et comment ces institutions lui ont offert une légitimité et une puissance symbolique inégalée dans l'histoire ?Bienvenue dans Catwalk Calling saison 2, un podcast de la Fédération de la Haute Couture et de la Mode, avec Florence Muller, Alexandre Samson et Laurence Benaïm.Catwalk Calling est une création de la Fédération de la Haute Couture et de la Mode avec le soutien du Défi, incarné par Jeanne Balibar, produit par Lacmé Production, coordonné par Chloé Wibaux, préparé, tourné et écrit par Hélène Carbonnel, réalisé et mis en musique par Thomas Rozès, avec une identité visuelle signée Bureau Future. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Claire McCardell forever changed fashion—and most importantly, the lives of women. She shattered cultural norms around women's clothes, and today much of what we wear traces back to her ingenious, rebellious mind. McCardell invented ballet flats and mix-and-match separates, and she introduced wrap dresses, hoodies, leggings, denim, and more into womenswear. She tossed out corsets in favor of a comfortably elegant look and insisted on pockets, even as male designers didn't see a need for them. She made zippers easy to reach because a woman “may live alone and like it,” McCardell once wrote, “but you may regret it if you wrench your arm trying to zip a back zipper into place.” After World War II, McCardell fought the severe, hyper-feminized silhouette championed by male designers, like Christian Dior. Dior claimed that he wanted to “save women from nature.” McCardell, by contrast, wanted to set women free. Claire McCardell became, as the young journalist Betty Friedan called her in 1955, “The Gal Who Defied Dior.” Filled with personal drama and industry secrets, Claire McCardell: The Designer Who Set Women Free (Simon & Schuster, 2025) by Elizabeth Evitts Dickinson reveals how Claire McCardell built an empire at a time when women rarely made the upper echelons of business. At its core, hers is a story about our right to choose how we dress—and our right to choose how we live. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Claire McCardell forever changed fashion—and most importantly, the lives of women. She shattered cultural norms around women's clothes, and today much of what we wear traces back to her ingenious, rebellious mind. McCardell invented ballet flats and mix-and-match separates, and she introduced wrap dresses, hoodies, leggings, denim, and more into womenswear. She tossed out corsets in favor of a comfortably elegant look and insisted on pockets, even as male designers didn't see a need for them. She made zippers easy to reach because a woman “may live alone and like it,” McCardell once wrote, “but you may regret it if you wrench your arm trying to zip a back zipper into place.” After World War II, McCardell fought the severe, hyper-feminized silhouette championed by male designers, like Christian Dior. Dior claimed that he wanted to “save women from nature.” McCardell, by contrast, wanted to set women free. Claire McCardell became, as the young journalist Betty Friedan called her in 1955, “The Gal Who Defied Dior.” Filled with personal drama and industry secrets, Claire McCardell: The Designer Who Set Women Free (Simon & Schuster, 2025) by Elizabeth Evitts Dickinson reveals how Claire McCardell built an empire at a time when women rarely made the upper echelons of business. At its core, hers is a story about our right to choose how we dress—and our right to choose how we live. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Claire McCardell forever changed fashion—and most importantly, the lives of women. She shattered cultural norms around women's clothes, and today much of what we wear traces back to her ingenious, rebellious mind. McCardell invented ballet flats and mix-and-match separates, and she introduced wrap dresses, hoodies, leggings, denim, and more into womenswear. She tossed out corsets in favor of a comfortably elegant look and insisted on pockets, even as male designers didn't see a need for them. She made zippers easy to reach because a woman “may live alone and like it,” McCardell once wrote, “but you may regret it if you wrench your arm trying to zip a back zipper into place.” After World War II, McCardell fought the severe, hyper-feminized silhouette championed by male designers, like Christian Dior. Dior claimed that he wanted to “save women from nature.” McCardell, by contrast, wanted to set women free. Claire McCardell became, as the young journalist Betty Friedan called her in 1955, “The Gal Who Defied Dior.” Filled with personal drama and industry secrets, Claire McCardell: The Designer Who Set Women Free (Simon & Schuster, 2025) by Elizabeth Evitts Dickinson reveals how Claire McCardell built an empire at a time when women rarely made the upper echelons of business. At its core, hers is a story about our right to choose how we dress—and our right to choose how we live. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Claire McCardell forever changed fashion—and most importantly, the lives of women. She shattered cultural norms around women's clothes, and today much of what we wear traces back to her ingenious, rebellious mind. McCardell invented ballet flats and mix-and-match separates, and she introduced wrap dresses, hoodies, leggings, denim, and more into womenswear. She tossed out corsets in favor of a comfortably elegant look and insisted on pockets, even as male designers didn't see a need for them. She made zippers easy to reach because a woman “may live alone and like it,” McCardell once wrote, “but you may regret it if you wrench your arm trying to zip a back zipper into place.” After World War II, McCardell fought the severe, hyper-feminized silhouette championed by male designers, like Christian Dior. Dior claimed that he wanted to “save women from nature.” McCardell, by contrast, wanted to set women free. Claire McCardell became, as the young journalist Betty Friedan called her in 1955, “The Gal Who Defied Dior.” Filled with personal drama and industry secrets, Claire McCardell: The Designer Who Set Women Free (Simon & Schuster, 2025) by Elizabeth Evitts Dickinson reveals how Claire McCardell built an empire at a time when women rarely made the upper echelons of business. At its core, hers is a story about our right to choose how we dress—and our right to choose how we live. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Claire McCardell forever changed fashion—and most importantly, the lives of women. She shattered cultural norms around women's clothes, and today much of what we wear traces back to her ingenious, rebellious mind. McCardell invented ballet flats and mix-and-match separates, and she introduced wrap dresses, hoodies, leggings, denim, and more into womenswear. She tossed out corsets in favor of a comfortably elegant look and insisted on pockets, even as male designers didn't see a need for them. She made zippers easy to reach because a woman “may live alone and like it,” McCardell once wrote, “but you may regret it if you wrench your arm trying to zip a back zipper into place.” After World War II, McCardell fought the severe, hyper-feminized silhouette championed by male designers, like Christian Dior. Dior claimed that he wanted to “save women from nature.” McCardell, by contrast, wanted to set women free. Claire McCardell became, as the young journalist Betty Friedan called her in 1955, “The Gal Who Defied Dior.” Filled with personal drama and industry secrets, Claire McCardell: The Designer Who Set Women Free (Simon & Schuster, 2025) by Elizabeth Evitts Dickinson reveals how Claire McCardell built an empire at a time when women rarely made the upper echelons of business. At its core, hers is a story about our right to choose how we dress—and our right to choose how we live. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Pornstar Gigi Dior showed the world she has plenty of fight when she took on Christian Dior in a trademark battle. In her Adult Empire Podcast appearance, she discusses the story behind her name, her entry into the industry, memorable performances like Buckle Bunny and Buddy Moon, her XRCO hosting gig, and more. Watch for Dior in the new Elegant Angel movie Breakthrough!

International best selling author Justine Picardie joined us in this 2022, two-part episode to discuss the life and legacy of Christian Dior's beloved sister Catherine, a WWII French resistance fighter, concentration camp survivor, and inspiration behind Dior's most famous scent Miss Dior. Recommended reading: Justine Picardie's Miss Dior: A Story of Courage and Couture Want more Dressed: The History of Fashion?  Our website and classes Our Instagram Our bookshelf with over 150 of our favorite fashion history titles Dressed is a part of the AirWave Media network Learn more about your ad choices. Visit megaphone.fm/adchoices

Jonathan Anderson w czerwcu 2025 roku pokazem męskiej kolekcji zadebiutował jako dyrektor kreatywny Diora. Christian Dior stworzył markę, w której wszystko bez wyjątku było nowe. Jonathan Anderson po błyskotliwym starcie uratował od zapomnienia markę Loewe. Teraz zaczyna nowy rozdział. Marzył o wielkich wyzwaniach, to ma. Autorka: Kamila Wagner Artykuł przeczytasz pod linkiem: https://www.vogue.pl/a/jak-jonathan-anderson-zostal-dyrektorem-kreatywnym-domu-mody-dior

Thuy is a seasoned training and leadership expert with over 15 years of experience in the luxury industry. Having worked with top-tier brands like Chanel and Christian Dior, Thuy has become a sought-after figure in the world of training and development. Throughout Thuy's career, she has mentored, hired, and built successful teams, helping individuals reach their full potential and achieve greater productivity while living happier lives. As a dynamic and passionate leader, Thuy Diep has inspired many teams to strive for excellence and achieve their goals, leaving a lasting professional and personal impact on those she works with.

Dell, Nascar, Louis Vuitton, AT&T, Christian Dior, a dating app disaster the UK government and so many more...

Christian Dior, który w latach 40. XX wieku zrewolucjonizował modę, zostawił dziedzictwo kontynuowane przez największych współczesnych projektantów. Przypominamy historię projektanta i jednego z najistotniejszych współcześnie domów mody. Prezydent Francji Emmanuel Macron powiedział kiedyś: – Jeśli diabeł ubiera się u Prady, Bóg musi ubierać się u Diora. Autorka: Kara Becker Artykuł przeczytasz pod linkiem: https://www.vogue.pl/a/historia-domu-mody-dior-od-rewolucji-new-look-po-jonathana-andersona

Episode 140 takes on the mission to find the song of the summer (for the third year in a row!) beginning with our dissection of MK's dance-pop hitter featuring Chrystal - "Dior".  Castle and JAG are back and in a brand new setup to take on a fresh beat that's tearing up the chart, that may have been created just to net Chrystal some fresh Christian Dior bags. Do these DJs know what Christian Dior is? Do you have an issue with people who type multiple question marks in their question messages? And what is the perfect setting for a song of this vibe? It's all discussed - NEXT!Watch the Video Podcast: https://youtu.be/Z_6dtF4GbDU

durée : 00:55:38 - Histoire de femmes, histoire de fringues - par : Stéphanie DUNCAN - La mode au lendemain de la guerre est affaiblie, démunie, mais bien vivante. Mais la haute couture française, absente de la scène internationale durant quatre ans, a perdu sa position dominante. En 1947, la première collection d'un couturier français, Christian Dior, change la donne. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Naomi Campbell is known as one of the five original supermodels. After being discovered at age 15, she went on to grace the covers of more than 500 magazines. She's been featured in campaigns for fashion houses like Burberry, Prada, and Dolce & Gabbana, and has walked iconic shows for Chanel, Christian Dior, Versace, and many more. Naomi has also leveraged her platform for an array of fundraising and non-profit initiatives across the globe. She focuses on Environmentalism, Human Rights and Global Health, specifically for women and children. She founded her own non-profit, Fashion for Relief, in 2005. Today, Naomi is known as a cultural innovator – using her platform and success for positive change across industries around the world. Originally published in November 2020. Watch this episode at youtube.com/TalksAtGoogle.

Bob Goodwin welcomes Gena Smith, North American CHRO for luxury powerhouse LVMH, for a masterclass in leadership development and cultivating excellence across iconic brands like Louis Vuitton, Christian Dior, and Tiffany.Gena shares her unexpected journey from small-town Texas to leading human resources for one of the world's most prestigious luxury groups. A pivotal study abroad experience in Greece awakened her passion for people and culture, establishing a personal benchmark that guided her career choices: "Any role had to have an international dimension and I had to be working with people." This philosophy ultimately led her to LVMH, where she now champions a culture built on creativity, innovation, excellence, and entrepreneurship.Gena's conversation with Bob explores how LVMH maintains the delicate balance between preserving brand heritage while pushing creative boundaries. "We don't want our brands sitting in museums," Smith explains, highlighting the tension between honoring each brand's DNA while ensuring contemporary relevance. This balancing act requires diverse perspectives and trustful environments where creativity can flourish.Leadership development emerges as a cornerstone of LVMH's success. Smith details their comprehensive succession planning process that examines potential leaders across all 75 brands, paired with targeted development experiences. She emphasizes that leadership must be approached with the same intentionality as any business objective: "You actually have to want to be a great leader. That has to be something that's important to you."Looking toward the future, Smith discusses LVMH's "HR New Deal" initiative, which positions employees at the center of their career journey with access to opportunities across all brands. While acknowledging technology's growing role, she returns to a fundamental truth that transcends industry or era: "At the end of the day, we rely on talented, motivated, inspired, engaged people to drive our business."Ready to discover what truly lights your fire professionally? Tune in to this insightful conversation about finding your passion, developing leadership excellence, and creating environments where people and creativity thrive.Support the showFeature Your Brand on the HRchat PodcastThe HRchat show has had 100,000s of downloads and is frequently listed as one of the most popular global podcasts for HR pros, Talent execs and leaders. It is ranked in the top ten in the world based on traffic, social media followers, domain authority & freshness. The podcast is also ranked as the Best Canadian HR Podcast by FeedSpot and one of the top 10% most popular shows by Listen Score. Want to share the story of how your business is helping to shape the world of work? We offer sponsored episodes, audio adverts, email campaigns, and a host of other options. Check out packages here. Follow us on LinkedIn Subscribe to our newsletter Check out our in-person events

Direction le sud…le Lavandou Pour se rafraichir non pas dans la verdure comme hier, mais les pieds dans l'eau. On part hôtel mythique posé sur les Roches à coté de la plage d'Aiguebelle ! son nom : les Roches, tout simplement : Après 10 ans de Travaux il rouvre enfin ce we ! Si je dis enfin c'est parce que c'est une institution dans le sud cet hôtel. Il ressemble à un navire, accroché aux calanques. Il a tellement rayonné que les hôtels des Roches Blanches à Cassis et des Roches Rouges à Saint-Raphaël lui doivent surement beaucoup. Mais il a aussi rayonné par son histoire. Tout a débuté dans les années 30 – a l'époque il s'appelait les “Roches fleuries”- c'est un lieu de villégiature estivale bien raffiné. Quelques noms ? Humphrey Bogart et Lauren Bacall, Jean Cocteau, Christian Dior, Winston Churchill. Le prix Nobel de littérature allemand Thomas Mann, Lui il s'y réfugie avec sa famille en 1933 pour fuir le nazisme. Et puis 2 décennies plus tard, en 57 c'est Françoise Sagan qui va y poser ses valises pendant le tournage de « Bonjour Tristesse » au Lavandou Vous dites que c'est un hôtel navire … c'est-à-dire ? Tout donne sur l'eau. D'où cette atmosphère un peu transatlantique : chacune des chambres, la terrasse, le bar, le restaurant de l'oursin. SI vous êtes de grands gastronomes, la cuisine d'Antoine Gras est essentiellement à base de poissons et de langouste mais la c'est sur le restaurant du rooftop « la Langouste sur le toit ». La vue sur les Iles d'or est juste époustouflante. D'ailleurs Je vous conseille de vous en approcher de ses iles en Ludik. C'est l'école de voile du Lavandou qui propose ca : un dériveur pour naviguer a 8… au ras de l'eau. Alors plusieurs options pour découvrir Les Roches ; vous pouvez y dormir- relais et châteaux-ou simplement y prendre un verre, diner sinon ils ont aussi sur la plage d'Aiguebelle un charmant petit hôtel- restaurant : les pieds dans le sable : l'hôtel de la plage, à 115 euros la nuit. Fiche Pratique L'Hôtel Relais et Châteaux : les Roches Restaurant l'oursin et Restaurant La langouste sur le toit d'Antoine Gras:  https://www.hotellesroches.com/ L'Hôtel de la plage : https://www.lhoteldelaplage.com/   LES VINS Avec l'été, nos envies changent : plus de fraîcheur, de la tonicité, moins d'alcool, plus de fruit. Évidemment, le rosé coche les cases, mais il y existe des alternatives, si vous voulez changer un peu. Tout d'abord, ne pas hésiter à mettre les vins, même rouges au frigo, on les sert souvent trop chauds. Et puisqu'on parle de vins rouges, voilà quelques idées :  - Gamay de Loire (cépage du Beaujolais), vinifiés sur le fruit, très croquant et juteux - Dans la Loire encore, le délicieux pineau d'Aunis, cépage local qui donne des vins poivrés et épicés/ Parfait pour les grillades. La tendance depuis quelques années : les rouges légers Des rouges qui assument de se boire comme des rosés, donc frais : on en trouve chez Chapoutier, Gérard Bertrand ou encore au château Malleret à Bordeaux J'aime leur côté digeste et canaille qui ne se prend pas la tête. C'est du fruit, du fruit et encore du fruit… plus structurés que la plupart des rosés. Ce ne sont pas des vins de garde, ils assument ce côté simple et immédiat.  Et puis, évidemment, les incontournables beaujolais, je parlais du gamay…un beaujolais-village bien vinifié, c'est délicieux aussi. Enfin, pour ces vins estivaux, n'hésitez pas à opter pour les « bib ». De nombreux bon vignerons s'y sont mis, d'un point de vue pratique et surtout environnemental, il n'y a pas photo !! Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

An award-winning writer captures a year that defined the modern world, intertwining historical events around the globe with key moments from her personal history.The year 1947 marks a turning point in the twentieth century. Peace with Germany becomes a tool to fortify the West against the threats of the Cold War. The CIA is created, Israel is about to be born, Simone de Beauvoir experiences the love of her life, an ill George Orwell is writing his last book, and Christian Dior creates the hyper-feminine New Look as women are forced out of jobs and back into the home.In the midst of it all, a ten-year-old Hungarian-Jewish boy resides in a refugee camp for children of parents murdered by the Nazis. This year he has to make the decision of a lifetime, one that will determine his own fate and that of his daughter yet to be born, Elisabeth. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

An award-winning writer captures a year that defined the modern world, intertwining historical events around the globe with key moments from her personal history.The year 1947 marks a turning point in the twentieth century. Peace with Germany becomes a tool to fortify the West against the threats of the Cold War. The CIA is created, Israel is about to be born, Simone de Beauvoir experiences the love of her life, an ill George Orwell is writing his last book, and Christian Dior creates the hyper-feminine New Look as women are forced out of jobs and back into the home.In the midst of it all, a ten-year-old Hungarian-Jewish boy resides in a refugee camp for children of parents murdered by the Nazis. This year he has to make the decision of a lifetime, one that will determine his own fate and that of his daughter yet to be born, Elisabeth. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

An award-winning writer captures a year that defined the modern world, intertwining historical events around the globe with key moments from her personal history.The year 1947 marks a turning point in the twentieth century. Peace with Germany becomes a tool to fortify the West against the threats of the Cold War. The CIA is created, Israel is about to be born, Simone de Beauvoir experiences the love of her life, an ill George Orwell is writing his last book, and Christian Dior creates the hyper-feminine New Look as women are forced out of jobs and back into the home.In the midst of it all, a ten-year-old Hungarian-Jewish boy resides in a refugee camp for children of parents murdered by the Nazis. This year he has to make the decision of a lifetime, one that will determine his own fate and that of his daughter yet to be born, Elisabeth. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies

An award-winning writer captures a year that defined the modern world, intertwining historical events around the globe with key moments from her personal history.The year 1947 marks a turning point in the twentieth century. Peace with Germany becomes a tool to fortify the West against the threats of the Cold War. The CIA is created, Israel is about to be born, Simone de Beauvoir experiences the love of her life, an ill George Orwell is writing his last book, and Christian Dior creates the hyper-feminine New Look as women are forced out of jobs and back into the home.In the midst of it all, a ten-year-old Hungarian-Jewish boy resides in a refugee camp for children of parents murdered by the Nazis. This year he has to make the decision of a lifetime, one that will determine his own fate and that of his daughter yet to be born, Elisabeth. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

An award-winning writer captures a year that defined the modern world, intertwining historical events around the globe with key moments from her personal history.The year 1947 marks a turning point in the twentieth century. Peace with Germany becomes a tool to fortify the West against the threats of the Cold War. The CIA is created, Israel is about to be born, Simone de Beauvoir experiences the love of her life, an ill George Orwell is writing his last book, and Christian Dior creates the hyper-feminine New Look as women are forced out of jobs and back into the home.In the midst of it all, a ten-year-old Hungarian-Jewish boy resides in a refugee camp for children of parents murdered by the Nazis. This year he has to make the decision of a lifetime, one that will determine his own fate and that of his daughter yet to be born, Elisabeth. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs

An award-winning writer captures a year that defined the modern world, intertwining historical events around the globe with key moments from her personal history.The year 1947 marks a turning point in the twentieth century. Peace with Germany becomes a tool to fortify the West against the threats of the Cold War. The CIA is created, Israel is about to be born, Simone de Beauvoir experiences the love of her life, an ill George Orwell is writing his last book, and Christian Dior creates the hyper-feminine New Look as women are forced out of jobs and back into the home.In the midst of it all, a ten-year-old Hungarian-Jewish boy resides in a refugee camp for children of parents murdered by the Nazis. This year he has to make the decision of a lifetime, one that will determine his own fate and that of his daughter yet to be born, Elisabeth. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

An award-winning writer captures a year that defined the modern world, intertwining historical events around the globe with key moments from her personal history.The year 1947 marks a turning point in the twentieth century. Peace with Germany becomes a tool to fortify the West against the threats of the Cold War. The CIA is created, Israel is about to be born, Simone de Beauvoir experiences the love of her life, an ill George Orwell is writing his last book, and Christian Dior creates the hyper-feminine New Look as women are forced out of jobs and back into the home.In the midst of it all, a ten-year-old Hungarian-Jewish boy resides in a refugee camp for children of parents murdered by the Nazis. This year he has to make the decision of a lifetime, one that will determine his own fate and that of his daughter yet to be born, Elisabeth. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Oud Ispahan by Christian Dior (2012) + Howard Gordon and Alex Ganza's Homeland (2011-20) with Adam Lehrer 7/2/25 S7E46 To hear this episode and the complete continuing story of The Perfume Nationalist please subscribe on Patreon. 

Have you ever wondered how France became the world's perfume capital? In “The Story of Perfume: A Journey Through France's Luxurious Past,” host Annie Sargent and guest Elyse Rivin from Toulouse Guided Walks take you on a fragrant journey through French history. They explore how perfume evolved from smoky rituals and religious ceremonies to the luxury bottles we see today. You will learn how Grasse became the heart of perfume making and why Chanel No. 5, Shalimar, and Poison became iconic scents tied to France. Listen to the episode ad-free to travel back in time through the scents of France! Annie and Elyse share stories about Catherine de' Medici bringing her personal perfumer to France, the smelly days at Versailles when perfume was used to cover the lack of bathing, and how Napoleon loved Eau de Cologne so much he used it daily. Discover how the French revolution impacted perfume makers, how the Guerlain family shaped perfume history, and how synthetic fragrances changed the industry. If you are planning a trip to France, Annie and Elyse suggest several places you can visit to enjoy this history in real life. This episode is perfect for travelers interested in French culture, perfume lovers, and anyone curious about the unique stories that shaped France. Subscribe to the Join Us in France Travel Podcast to get weekly episodes that bring France to life with history, culture, and practical travel tips for your next adventure. Listen to this episode to add a touch of scent and story to your France travel plans and discover why perfume remains one of the country's most luxurious traditions. Table of Contents for this Episode [00:00:15] Introduction and Topic Overview [00:00:31] Today on the podcast [00:01:03] Podcast supporters [00:01:59] No Magazine segment [00:02:33] Annie and Elyse about the History of Perfume in France [00:03:01] Perfume as a French Identity [00:04:15] Understanding Different Types of Perfume [00:07:38] Historical Significance of Perfume [00:08:46] The Fragonard Perfume Store near the Opera House in Paris [00:09:30] Finding Your Perfume [00:13:27] The word Perfume [00:13:30] Origin of the word “perfume” [00:14:44] Perfume in Religious and Cultural Practices [00:16:27] Perfume in Ancient Civilizations [00:20:24] The Renaissance Influence on French Perfume [00:21:58] Catherine de' Medici and the Rise of French Perfume [00:25:59] Grasse: The Perfume Capital [00:29:19] Impact of the Plague on Hygiene and Perfume [00:31:16] The Unwashed Aristocracy [00:32:41] Perfume to Mask the Stench [00:34:52] The Spread of Perfume Culture [00:37:30] The Birth of Eau de Cologne [00:42:45] Perfume Revolution in the 1700s [00:44:33] Napoleon and the Return of Perfume [00:46:45] The Rise of Guerlain and Synthetic Perfumes [00:48:00] The Introduction of Synthetic Fragrances [00:50:24] Perfume in 20th Century [00:52:15] Coco Chanel and Chanel No5 [00:53:34] Christian Dior and the Perfume for the “New Women” [00:54:18] The Golden Age of French Perfume [00:56:17] Conclusion and Final Thoughts More episodes about French culture

Dioressence by Christian Dior (1969) + Fear of Flying by Erica Jong (1973) with Cael Brennan 6/25/25 S7E42 To hear the complete continuing story of The Perfume Nationalist please subscribe on Patreon. 

✨  [REPLAY] Bonnie Wong, Senior Manager, Client Engagement @ Saint Laurent☁️  Bonnie's career journey from Chanel, to Christian Dior, Bottega, Hermès, and Saint Laurent☁️  Defining client engagement and experiences☁️  Internship strategies for luxury fashion industry☁️  Planning and executing luxury events☁️  Career progression and networking in luxury fashion marketingJoin the Sky Society Women in Marketing private LinkedIn group.Follow Sky Society on Instagram @skysociety.co and TikTok @skysociety.co

Jonathan Anderson, the Northern Irish designer who made Loewe a billion dollar brand, has just taken on the biggest job in fashion: the first sole creative director of Dior since the eponymous Christian Dior. Ahead of this fashion week there's been a chaotic reshuffle at the top of fashion as the industry copes with a challenging economic downturn. Who is the most important man in fashion, and can he rescue Dior from the chaos?This podcast was brought to you thanks to the support of readers of The Times and The Sunday Times. Subscribe today: http://thetimes.com/thestoryGuest: Harriet Walker, Fashion Editor, The Times.Host: Luke Jones.Producer: Anna Dowell.Further reading:Jonathan Anderson: British designer to take the reins at DiorIs this fashion's most powerful man?Clips: New York Times, SHOWstudio via YouTube, Mashable via YouTube, LOEWE via YouTube Photo: Getty Images.Get in touch: thestory@thetimes.com Hosted on Acast. See acast.com/privacy for more information.

Hay una gran diferencia entre “agradar” y VENDER.En este episodio te doy todas mis estrategias para dejar de solo buscar aprobación y empezar a liderar con tu comunicación. Vas a aprender por qué agradar no es lo mismo que influir, y 7 estrategias para Comandar Admiración Intelectual. Hacemos un análisis de como Christian Dior supo Vender Sin Vender y te enseño porque tienes que dejar de sonar como un eco de tu industria. Es hora de aprender como DETONAR ventas sin rogar ni convencer. Para conseguir las notas del episodio y desbloquear el cupón de $77 USD para VENDER SIN VENDER, entra a mi instagram ⁠⁠⁠@isagarcia ⁠⁠⁠y mándame un mensaje por interno que diga 183CUPON.Para crear tu estrategia de ventas más influyente y persuasiva-⁠ Click aquí

Efter andra världskriget vill Paris modeskapare åter sätta staden på modekartan. De får en snilleblixt en utställning med dockor klädda i couture. Lyssna på alla avsnitt i Sveriges Radio Play. I veckans Samtal med Stil pratar Susanne Ljung och Samanda Ekman om tiden efter kriget. Hur skulle Paris modeskapare gå till väga för att visa att Paris är tillbaka som modestad? Det var fortfarande brist på det mesta, inte minst tyg. En modeutställning med dockor fick bli lösningen, för det skulle ju kräva mycket mindre tyg. Utställningen Théâtre de la Mode blev en dundersuccé som åkte på turné över världen, även till Stockholm. En av modeskaparna som var med och skapade dessa modockor var Christian Dior. Några år senare skulle han slå igenom stort med The New Look. Kollektionen blev en stor succé, men fick också en hel del kritik.

Prime Minister Keir Starmer has announced an overhaul of the U.K.'s defence spending. And fashion powerhouse Christian Dior gets a new boss who hails from Northern Ireland..

Reinvention beats repetition every time. In a crowded market, it's reimagination that sets you apart.That's the real lesson behind The New Look, a drama that follows Christian Dior as he rebuilds a whole new vision of fashion. In this episode, we're taking inspiration from that spirit of transformation with the help of our special guest, Hrishi Kulkarni, Director of Customer Advocacy & Executive Programs at dbt Labs.Together, we explore what B2B marketers can learn from narrative-driven branding, thoughtful reinvention, and the power of showing up with both creativity and compassion.About our guest, Hrishi KulkarniHrishi Kulkarni leads customer advocacy and executive programs at dbt Labs. Previously, Hrishi served as Head of Customer Marketing & Executive Programs at New Relic. He has also worked at Salesforce in Customer Engagement and Marketing and QStream in Customer Success and Professional Services. Hrishi brings with him over 16 years of experience in customer engagement. He is also an equality champion, SF LGBT Center board member and founder of LGBTQ+ ERGs in India and Asia.What B2B Companies Can Learn From The New Look:Storytelling is your superpower. In The New Look, Christian Dior tells stories through his fashion. His work is infused with personal meaning, from tributes to his sister to inspiration from his mother. Hrishi says, “Marketing is all about storytelling. I joined marketing because I love storytelling… it emotionally connects your product and your services to your audience.” In B2B, storytelling isn't fluff, it's how you make people care. It's how you stand out. Don't just tell your audience what your product does, tell them why it matters.Innovation only works when it's authentic. Dior's most memorable move wasn't a massive runway spectacle; it was an intimate, unexpected fashion show that broke every rule. Hrishi explains, “He's not going to have a huge fashion show… He's going to create it in a very small space, a very personalized experience. Which never before any designer had done.” That decision wasn't flashy for the sake of it. It was deeply intentional. For B2B marketers, it's a reminder that innovation doesn't mean gimmicks. It means staying true to your values and finding fresh, genuine ways to express them.Repetition kills good content. Dior didn't copy what worked, he created what was next. Hrishi says, “As a customer marketer… we have to be creative in identifying and securing the right stories and then finding innovative ways to amplify those stories. If you keep amplifying different stories also in similar ways, at some point it is going to fall flat.” B2B marketers often default to the same formats: another case study, another quote, another video. But to keep your audience engaged, you have to rethink how you tell your stories, not just what stories you tell.Quotes*“ I love storytelling. It's because, if you think about it, storytelling truly impacts people's hearts and minds. It emotionally connects your product and your services to your audience. And that's exactly what Dior has done with his fashion. Like the perfume story you shared earlier, right? It's inspired by his sister. Like a lot of his design of his costumes, of his art, his all comes inspired from his mother. So he truly shows us how storytelling can drive the fashion industry. He started his fashion through the art of storytelling. Also thinking outside the box. If you saw the show, he's constantly innovating. He's constantly thinking outside the box. And as a customer marketer, you have to be constantly creative in identifying and securing the right stories and then finding innovative ways to amplify those stories. If you keep amplifying different stories also in similar ways, at some point it is going to fall flat. So it's always “how can I be innovative with these stories?” And then of course thought leadership, right? It's storytelling or thinking outside the box, being creative to showcase the thought leadership of your customers, their brand.”*“ In terms of B2B, customers love to hear how other customers are doing, how they're using your platform. .And I always say that what makes a kickass story is it has to be data driven and there has to be some human element to it. And now that's your recipe of a powerful story. ”*“ In a B2B world, we create all these customer stories, but what's our end goal? Our end goal is how are my sales teams, my how are my account executives going to leverage this story with other prospects, with other customers. So truly thinking that buyer journey, how are your different stories going to influence every stage in that buyer journey?”*“ Being authentic is so important in marketing. That is something we learned from The New Look. Be authentic in what you do. The passion comes across genuinely. It comes across easily. It's very evident. Be innovative. Don't be afraid to take risks.”Time Stamps[0:55] Meet Hrishi Kulkarni, Customer Advocacy & Executive Programs Lead at dbt Labs[01:10] Why The New Look?[04:19] Customer Advocacy & Executive Programs at dbt Labs[06:54] Origins of The New Look[11:54] B2B Marketing Takeaways from The New Look[24:57] Building a Strong Content Strategy[27:53] Measuring ROI in Customer Marketing[32:08] dbt Labs Executive Sponsorship Program[34:12] Advice for Marketing LeadersLinksConnect with Hrishi on LinkedInLearn more about dbt LabsAbout Remarkable!Remarkable! is created by the team at Caspian Studios, the premier B2B Podcast-as-a-Service company. Caspian creates both nonfiction and fiction series for B2B companies. If you want a fiction series check out our new offering - The Business Thriller - Hollywood style storytelling for B2B. Learn more at CaspianStudios.com. In today's episode, you heard from Ian Faison (CEO of Caspian Studios) and Meredith Gooderham (Head of Production). Remarkable was produced this week by Jess Avellino, mixed by Scott Goodrich, and our theme song is “Solomon” by FALAK. Create something remarkable. Rise above the noise.

Founders ✓ Claim What I learned from reading The Red Bull Story by Wolfgang Fürweger and Red Bull's Billionaire Maniac by Duff McDonald. ----Get access to the World's Most Valuable Notebook for Founders by investing in a subscription to Founders Notes----Come and build in-person relationships at the Founders Only conference----(1:30) "In literal financial terms, our sports teams are not yet profitable, but in value terms, they are," he says. "The total editorial media value plus the media assets created around the teams are superior to pure advertising expenditures."(2:30) "It is a must to believe in one's product. If this were just a marketing gimmick, it would never work."(5:00) He doesn't place a premium on collecting friends or socializing: "I don't believe in 50 friends. I believe in a smaller number. Nor do I care about society events. It's the most senseless use of time. When I do go out, from time to time, it's just to convince myself again that I'm not missing a lot."(7:30) The most dangerous thing for a branded product is low interest. (Edwin Land: The test of an invention is the power of an inventor to push it through in the face of the staunch-not opposition, but indifference-in society. (Indifference is your enemy)(9:00) Nike, Adidas and Vans episodes:Shoe Dog: A Memoir by the Creator of Nike by Phil Knight. (Founders #186)Sneaker Wars: The Enemy Brothers Who Founded Adidas and Puma and The Family Feud That Forever Changed The Business of Sports by Barbara Smit. (Founders #109)Authentic: A Memoir by the Founder of Vans by Paul Van Doren. (Founders #216)(11:00) The lines between Red Bull, Red Bull athletes, and Red Bull events are blurry on purpose. To Mateschitz, it's just one big image campaign with many manifestations.(12:00) He has no plans to sell or take Red Bull public. "It's not a question of money. It's a question of fun. Can you imagine me in a shareholders' meeting?”(13:00) Red Bull's Billionaire Maniac https://www.bloomberg.com/news/articles/2011-05-19/red-bulls-billionaire-maniac(16:00) He is universally described as a person with great charisma.(16:30) The Invisible Billionaire: Daniel Ludwig by Jerry Shields. (Founders 292)(17:00) He has a fierce desire for privacy. He buys a society magazine to make sure he never appears in it.(22:00) There is no market for Red Bull. We will create one.(24:00) Estée Lauder: A Success Story by Estée Lauder.  (Founders #217)(30:00) the NEW Poor Charlie's Almanack: The Wit and Wisdom of Charlie Munger. (Founders #329)(31:00) Gossip and malicious rumors are worth more than the most expensive publicity campaign in the world.” — Dior by Dior: The Autobiography of Christian Dior (Founders #331)(36:00) Control your costs and maintain financial discipline even when making record profits.(38:00) Cult brands have their own laws, otherwise they would not be cultish.(38:00) Red Bull is Dietrich Mateschitz and Dietrich Mateschitz is Red Bull.(38:00) Many companies outsource their marketing and advertising activity. Red Bull consistently took the opposite route: It outsourced production and distribution and takes care of sales and advertising itself.(40:00) Charlie Munger and John Collison on Invest Like The Best #355 Rolex: Timeless Excellence on Invest Like The Best (41:00) If you are making a physical product make it look different from its competitors from the start.(43:00) Everything is marketing.(45:00) Never do anything that compromises your survival.(46:00) He keeps his empire constantly in motion(46:00) All corporate projects like Formula 1, football, Air Race, and media serve the core business: the sale of the energy drink.(47:00) This is a battle for attention.(49:00) Red Bull owns their events. They never relinquish media rights to any event. They invest in making the content and then they give their content to other media distributors for free. A very clever way to multiply their advertising and marketing spend.(52:00) The Bugatti Story by L'Ebe Bugatti. (Founders #316)The Dream of Solomeo: My Life and the Idea of Humanistic Capitalism by Brunello Cucinelli. (Founders #289)(54:00) Why he moved Red Bull's headquarters to a little village on a lake: The aim was to create a more pleasant working atmosphere.(54:00) On why fitness is so important to him: “Everything that gives me pleasure in life is connected with a certain physical fitness and physical well-being. I like going to the mountain, I like skiing, I like sailing, I like riding a motorbike, I like fooling around - and everything is connected with a minimum of physical agility, motor skills, dexterity, strength, stamina. In order to enjoy it outdoors, I need the indoor program.”----Get access to the World's Most Valuable Notebook for Founders by investing in a subscription to Founders Notes----Come and build in-person relationships at the Founders Only conference----“I have listened to every episode released and look forward to every episode that comes out. The only criticism I would have is that after each podcast I usually want to buy the book because I am interested, so my poor wallet suffers.” — GarethBe like Gareth. Buy a book: All the books featured on Founders Podcast ----Founders Notes gives you the ability to tap into the collective knowledge of history's greatest entrepreneurs on demand. Use it to supplement the decisions you make in your work. Get access to Founders Notes here. ----“I have listened to every episode released and look forward to every episode that comes out. The only criticism I would have is that after each podcast I usually want to buy the book because I am interested so my poor wallet suffers. ” — GarethBe like Gareth. Buy a book: All the books featured on Founders Podcast

Patrice Louvet, president and CEO of Ralph Lauren, knows a thing or two about growing with style. He's taken the fashion house's global and digital reach to new heights, all while preserving the brand's iconic look. In this episode of This is Working, Louvet talks to  LinkedIn Editor-in-Chief Dan Roth about marketing finesse, the subtle alchemy of brand evolution, and the art of keeping a legacy brand both relevant and authentic — and his management style. When Louvet took over Ralph Lauren had a storied past, massive brand recognition and a particularly valuable, one-of-a-kind asset — founder Ralph Lauren himself. But the company had seen better days. Over the years, Patrice said, Ralph Lauren had lost its way in the U.S. In a nutshell, overdistribution in the pursuit of growth had led to dilution of the brand Lauren had launched with a single tie decades earlier, audaciously priced at three times competitors like Christian Dior. It was time for a reset. It wouldn't be easy, but the global tragedy that was COVID was forcing hands across every industry anyway, so at least the timing was right. How Louvet keeps Ralph Lauren as going as one of the fashion world's most successful dream factories was topic one. The idea that consistently creating fashion people want to buy starts not on a drawing board or what colors will be hot next year, but as the embodiment of a vibe that Lauren himself conjures, is a major differentiator. "He and I had a fascinating conversation a few months into my tenure," Louvet said. "The company was going through challenging times and it felt like we need to get back to our roots. And a lot of people would say, 'Well, Ralph Lauren, you do great dresses or shirts or ties. And we would say, 'Actually, no, that's not the business we're in.' We shut down about two thirds of our department store doors, and I don't regret it," Louvet said. "We took the hit, the numbers were ugly, but we weren't in this for one quarter or a year. We're in this for the next 10 to 20 years and felt like we absolutely had to do this reset, and it is serving us super well." To get more great insights from leaders direct to your inbox, subscribe to the free This is Working newsletter here.

Would you like access to our advanced agency training for FREE? https://www.agencymastery360.com/training Is artificial intelligence revolutionizing business operations or threatening the carefully crafted storytelling techniques developed over decades? As many businesses struggle with integrating AI while maintaining authentic connections, today's featured guest offers valuable insights from his perspective as both an agency leader and AI advocate as well as someone who can see some of the fatigue caused by the ever-growing demand for constant information that has been aided by AI and the availability to create content faster and efficiently. He shares the ways he is integrating AI technology into his own agency, and why he believes it won't work when it comes to replacing the human touch. Learn about his vision for AI use in business, the trends he sees changing in consumer preferences in social media, and how agencies can adapt to AI. Marc Beckman is the co-founder and CEO of DMA United, a New York City agency specializing in style and design, with a broad reach into fashion, art, music, sports, and entertainment. He shares the pros and cons of building great relationships with company CMOs, his agency's challenges improving at self-promotion, and how he sees AI has affecting the very human art of storytelling. In this episode, we'll discuss: Building a reputation that attracts big brands. The double-edged sword of CMO relationships. AI integration done right; the framework agencies need. Did AI kill storytelling?  Subscribe Apple | Spotify | iHeart Radio Sponsors and Resources Smart Pricing Table: Today's episode of the Smart Agency Masterclass is sponsored by Smart Pricing Table, an award-winning proposal software built just for marketing agencies and designed to handle your unique challenges and cut down the time you spend on proposal as much as 90%. Go to smartpricingtable.com/smartagency to see if this is the missing piece your agency needs. Schedule a demo and get 50% OFF for the first two months. Building a Reputation That Attracts Big Brands Over thirty years ago, Marc, then the owner of a cosmetic company, met a branding specialist who had carved out his niche in the luxury sector. Their initial collaboration proved so successful that when Christian Dior acquired Marc's cosmetic company, the two of them saw an opportunity to create something bigger together and joined forces as DMA United. According to Marc, their agency's approach has never been about self-promotion or chasing after marquee clients for the sake of reputation. Instead, Marc and his partner built their reputation on letting the work speak for itself. By focusing on the work rather than the accolades, DMA United has built a reputation that attracts clients organically, including industry giants like Sony Music, Warner Brothers Entertainment, and Pepsi. Pros and Cons of Getting in Bed with a CMO Starting with their first big clients, Kerastase (a L'Oreal subsidiary), Marc's agency was able to move to working with other big names thanks in part to the relationships they built with CMOs. As CMOs move from one company to another, they often bring their trusted agency partners, creating a network of opportunities based on proven performance. Some of these CMOs have worked with his agency for their entire careers from big brand to big brand. This dynamic also presents challenges. When a CMO leaves, the new leadership may seek to reinvent their brand strategy, often leading to the loss of established partnerships. Marc acknowledges this double-edged sword but suggests agencies can mitigate this risk by diversifying their offerings. By expanding their skill set beyond traditional marketing and into emerging technologies like blockchain, Web3, and artificial intelligence, his agency has created a unique value proposition that makes it harder for people to let go of them. AI Integration Done Right: A Strategic Framework for Agency Innovation As a proponent and an author on AI integration in agency operations, Marc has developed a nuanced approach to incorporating artificial intelligence into his agency's work, focusing primarily on two areas: data analysis and content creation. In the fashion and lifestyle sectors where Marc's agency operates, traditional data analysis often poses significant challenges. Executive teams typically struggle with multiple data sets and time-consuming reporting processes, making swift market responses difficult. AI technology addresses this pain point by enabling real-time data analysis, allowing executives to make informed decisions instantly. CEOs and CMOs can now evaluate marketing campaign performance across platforms immediately and adjust budget allocations dynamically for optimal results. However, Marc's enthusiasm for AI comes with careful consideration of its limitations, particularly in creative work. While AI excels at generating quick visual content and creating operational efficiencies, his agency maintains a balanced approach. The technology's current state, still in its infancy, serves best as a complementary tool rather than a replacement for human creativity. The core of effective storytelling and branding, Marc argues, remains rooted in human insight and emotional intelligence. Overall, his vision isn't about surrendering creativity to algorithms but rather about leveraging AI's strengths while preserving the irreplaceable human element in creative work and that, rather than a threat, businesses should focus on harnessing its potential to enhance their operations and drive innovation. Therefore, the future of creativity lies not in the replacement of human input but in the collaboration between human ingenuity and AI capabilities. Did AI Kill Storytelling? While artificial intelligence excels at producing high-volume, short-form content for our attention-starved digital landscape, he questions whether this marks the end of meaningful storytelling or perhaps signals an impending shift in consumer preferences. The current media environment, saturated with brief clips and advertisements, has created a paradox: content is more abundant than ever, yet authentic engagement seems increasingly rare. Although AI helps meet the demand for constant content production, its output often lacks the emotional resonance and nuanced understanding that human creators naturally bring to their work. There are growing signs of content fatigue among audiences which suggests a potential revival of long-form storytelling that weaves narratives that consumers can relate to. Brands can certainly benefit from this return to long-form that allows them to become educators and storytellers, providing insights that empower consumers in their decision-making processes. AI can still be a center component in the creation of this longer content, of course, Marc just emphasizes it'll always need human overseeing to give it the relatability that will really engage people and keep them coming back. Do You Want to Transform Your Agency from a Liability to an Asset? Looking to dig deeper into your agency's potential? Check out our Agency Blueprint. Designed for agency owners like you, our Agency Blueprint helps you uncover growth opportunities, tackle obstacles, and craft a customized blueprint for your agency's success.

In this episode, Brooke takes you behind the scenes of her Live Out Loud elite retreats and shares an unforgettable experience from her recent trip to Paris—one that started at the Dior store and turned into a powerful lesson on faith and purpose. She dives into the inspiring story of Christian Dior, a man who faced rejection, challenges, and setbacks but built a global legacy through intentionality and resilience. Brooke weaves this story into a message that will challenge you to reintroduce yourself, rise above obstacles, and step fully into your God-given calling. Get ready for scripture, personal stories, and practical insights to help you stay unshakable in your faith, family, and business.   Show Notes: 00:45 – Purposeful Design: How intentionality in brand representation impacts business and brand.  01:23 – The Dior Connection: Insights gained from Dior's story in Paris.  05:45 – Unshakable Faith: Brooke discusses the significance of Psalm 15:2-5.  13:49 – Christian Dior's Struggle: Overcoming family opposition and financial ruin to build a legacy.  19:10 – Reintroduce Yourself: The importance of resilience and self-reinvention in pursuing one's calling.  24:15 – Respond vs React: Focusing on faith and surrender to handle adversities without stirring negativity. Resources: Be the First in Line for The Elite Mastermind! Ready to activate your full potential and transform your life? Join the exclusive waitlist for the sold-out Elite Mastermind. Don't miss your chance to claim your spot in this faith-driven, high-impact community.  Apply Here!   Join the Live Out Loud Tour 2025! Activate your vision, transform your business, and strengthen your faith at the Live Out Loud Tour. Want to know when tickets go live? Join the waitlist now! Join the waitlist now and let us know which city we should visit next!    Transform Your Business in Just 60 Minutes a Day! Unlock the secrets to attracting dream clients with my Activation Hour framework. Download your FREE training now! Download this FREE training session and start filling your pipeline today!   Free 90-Min Masterclass: Multiply Your Business by Expanding Your Capacity in 2024 with My Proven Live Out Loud Activation System! It's time to activate your impact! Receive daily encouragement, biblical business principles, and a monthly group coaching call with Brooke Thomas!   Enroll in The Live Out Loud Ignite Membership Unlock your potential with The LOL Ignite Membership's daily faith activations and exclusive mentorship. Be part of a community that empowers you to achieve your business and personal goals. Discover your true potential with Ignite!   Join Brooke's Mental Wellness Team Discover the keys to mental wellness, including confidence, stress resilience, and overall well-being. Join us and start thriving in every area of your life!   The Live Out Loud Playlist: Keep the inspiration going with the Live Out Loud Spotify Playlist! Curated for your breakthroughs, transformations, and moments of joy. LISTEN HERE  Follow Brooke on Social Media www.brookethomas.com Facebook Instagram LinkedIn TikTok  

“There is only one man who can lead any worker's regime.” Together, Eva and Colonel Perón built a political movement powered by operatic rhetoric. Perónism promised genuine benefits for the working class, denouncing violence and emphasising ritual and spectacle. Eva embodied the working-class migrant to Buenos Aires that Perón sought to attract, and she increasingly entered the role of his partner both at home and in government. Ostentatiously flamboyant in her dress sense, how did Evita become a woman of the people who also wore Christian Dior? Listen as Tom and Dominic unpack how Eva became Evita, the most powerful woman in global politics. _______ *The Rest Is History LIVE in the U.S.A.* If you live in the States, we've got some great news: Tom and Dominic will be performing throughout America in November, with shows in San Francisco, L.A., Chicago, Philadelphia, Washington D.C., Boston and New York.  *The Rest Is History LIVE at the Royal Albert Hall* Tom and Dominic, accompanied by a live orchestra, take a deep dive into the lives and times of two of history's greatest composers: Wolfgang Amadeus Mozart and Ludwig van Beethoven. Tickets on sale now at TheRestIsHistory.com _______ Twitter: @TheRestHistory @holland_tom @dcsandbrook Producer: Theo Young-Smith Assistant Producer: Tabby Syrett + Anouska Lewis Editor: Becki Hills Executive Producers: Jack Davenport + Tony Pastor Learn more about your ad choices. Visit podcastchoices.com/adchoices

Koala Kare controls 85% of the baby-changing station biz… because they covered their blind spot.Christian Dior sells $3,000 handbags… but a report says they pay just $57 for them.Paramount was just acquired by David Ellison using his dad's money… and he's turning the company into dude-tube.Plus, Shark Week just began… but sharks are the unpaid interns of the animal kingdom.$CHDRY $LVMUY $PARASubscribe to our Saturday Newsletter: tboypod.com/newsletter Watch us on YouTube Submit Facts & Shoutouts Instagram, TikTok, LinkedIn (Nick) & LinkedIn (Jack)About Us: From the creators of Robinhood Snacks Daily, The Best One Yet (TBOY) is the daily pop-biz news show making today's top stories your business. 20 minutes on the 3 business, economics, and finance stories you need, with fresh takes you can pretend you came up with — Pairs perfectly with your morning oatmeal ritual. Hosted by Jack Crivici-Kramer & Nick Martell.00:00 - intro01:43 - Shark Week04:29 - Paramount's ultimate nepo-baby09:58 - Christian Dior's $57 handbag drama15:17 - Koala Kare's diaper monopoly20:35 - Takeaways21:14 - OTHER NEWS!22:52 - Best Fact Yet24:33 - Shout outsSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.