Podcasts about boukman eksperyans

Nan entèvyou sa a, Carel Pedre resevwa Claude Mancuso, yon pyonye ki make istwa sinema ak televizyon an Ayiti. Li rakonte kijan li te kreye “Ala Mizè pou Rodrigue”, premye fim kreyòl ayisyen ki te chanje tout apwòch sinema lokal la, eksperyans li ak Rodrigue Millien, Languichatte, Boukman Eksperyans, ak lòt atis ki make tan lontan. Li pataje tou vizyon li pou dokimantè “Haiti Proud”, yon fim ki vize mete limyè sou kontribisyon pozitif Ayisyen yo atravè mond lan. Entèvyou sa se pa sèlman yon vwayaj nan tan, men tou yon apèl pou Ayisyen tout kote pran kontrol sou naratif yo epi soutni yon pwojè ki ka fè Ayiti briye. Ale sou HaitiProud.com pou sipòte dokimantè a.

Émission spéciale "Musique Racine" avec les membres de deux des plus grands groupes haïtiens : Boukman Eksperyans et RAM. Lòlò, Manzè (Boukman Eksperyans), Richard et Lunise Morse (RAM) reviennent sur les origines de ces deux groupes devenus cultes. Boukman Eksperyans et RAM seront en concert au Palace de Villiers, à Villiers-Le-Bel (Val-d'Oise) dans la nuit du 31 octobre au 1er novembre. Pour visionner les clips, cliquez sur les titres des chansons :RAM - WoukeBoukman Ekspérians - Pèpè yèRAM - Nou fyèBoukman Ekspérians - Zansèt nou yoRAM - Kongo ede'm pryéBoukman Ekspérians - Lakou/ KasikaRetrouvez notre playlist sur Deezer. 

Émission spéciale "Musique Racine" avec les membres de deux des plus grands groupes haïtiens : Boukman Eksperyans et RAM. Lòlò, Manzè (Boukman Eksperyans), Richard et Lunise Morse (RAM) reviennent sur les origines de ces deux groupes devenus cultes. Boukman Eksperyans et RAM seront en concert au Palace de Villiers, à Villiers-Le-Bel (Val-d'Oise) dans la nuit du 31 octobre au 1er novembre. Pour visionner les clips, cliquez sur les titres des chansons :RAM - WoukeBoukman Ekspérians - Pèpè yèRAM - Nou fyèBoukman Ekspérians - Zansèt nou yoRAM - Kongo ede'm pryéBoukman Ekspérians - Lakou/ KasikaRetrouvez notre playlist sur Deezer. 

From Paris to New Orleans and Boston, Haitian musicians are shaking up the music scene. The island's powerful Africa-rooted culture—from celebratory rara and sensuous kompa to the deep well of vodun songs—has become a global force. In this program, we spend time with racine music veteran Lolo Beaubrun of Boukman Eksperyans, and his rising star son, Paul Beaubrun, both on a swing through New England. We also meet Paris-based Moonlight Benjamin, and hear recent New Orleans-tinged music from Lakou Mizik and RAM. Finally, we meet Tjovi Ginen, a pan-African band featuring the provocative and humorous spoken words of Boston-based Haitian educator and animator Daniel Laurent. A romping update on all things Haitian. Produced by Banning Eyre. Originally produced in 2019 APWW #806

Nous mettons fin à notre série d'émissions au Cap-Haïtien avec Kerven Lebrun, de son nom de scène Kabysh, un jeune artiste basé dans la deuxième ville du pays. Avec sa voix atypique, Kabysh veut promouvoir le « Rara-Tech », un mélange de sons traditionnels haïtiens et de musique électronique créé par Gardy Girault.  Il arpente les « lakou », sillonne les cérémonies vodou à la recherche de son inspiration. Kabysh fait de la musique pour raconter son histoire et celle de son peuple, pour narrer son quotidien et partager l'espoir. Chanteur et compositeur, Kabysh est le genre d'artiste imprégné par son art, il est habité par sa musique, dit-il.  Avec le DJ Manito Nation et d'autres artistes comme Joel Akoustik et Paul Beaubrun, il fusionne des sons traditionnels haïtiens avec de la musique house. De ce mélange de sonorités découle le « Rara-Tech », un style de musique électro-vodou dont Gardy Girault est le pionnier.  Kabysh a déjà plusieurs chansons qui tournent sur les plateformes de streaming, dont des reprises de Boukman Eksperyans et des collaborations avec d'autres artistes. Pour l'instant, il travaille sur son premier EP qui sortira très bientôt.  Programmation musicale : Kabysh – Ganga  Kabysh x Manito Nation & Joel Akoustik – Rasanble 

*Manoumba Records label granted permission to include excerpt of "Dèpi tanbou frape" track by Boulo Valcourt I love foundational work like this! A richly ethnographic and compelling read, After the Dance, the Drums Are Heavy is a study of carnival, politics, and the musical engagement of ordinary citizens and celebrity musicians in contemporary Haiti. The book explores how the self-declared president of konpa Sweet Micky (Michel Martelly) rose to the nation's highest office while methodically crafting a political product inherently entangled with his musical product. It offers a deep historical perspective on the characteristics of carnivalesque verbal play and the performative skillset of the artist (Sweet Micky) who dominated carnival for more than decade-including vulgarities and polemics. Yet there has been profound resistance to this brand of politics led by many other high-profile artists, including Matyas and Jòj, Brothers Posse, Boukman Eksperyans, and RAM. These groups have each released popular carnival songs that have contributed to the public's discussions on what civic participation and citizenship in Haiti can and should be. Drawing on more than a decade and a half of ethnographic research, Rebecca Dirksen presents an in-depth consideration of politically and socially engaged music and what these expressions mean for the Haitian population in the face of challenging political and economic circumstances. After the Dance, the Drums Are Heavy centers the voices of Haitian musicians and regular citizens by extensively sharing interviews and detailed analyses of musical performance in the context of contemporary events well beyond the musical realm. --- Send in a voice message: https://anchor.fm/negmawonpodcast/message Support this podcast: https://anchor.fm/negmawonpodcast/support

#21 La révolution haïtienne : la liberté ou la mortBienvenue à ce nouvel épisode de NH, le premier de notre rubrique révolution, dans laquelle nous évoquerons des moments pendant lesquels la peur a changé de camp grâce à la lutte des personnes opprimées.Dans cet épisode, nous voulons vous parler d'une des révolutions les plus importantes de l'histoire. Celle-ci s'est déroulée dans l'ile caribéenne d'Ayiti, à la fin du 18e siècle. À ce moment-là, des milliers de personnes esclavisées et Noir·es libres se révoltent et se soulèvent contre le régime esclavagiste, réussissent à chasser les colons français et à battre les troupes napoléoniennes réputées pour être les plus puissantes du monde. Iels y établissent la première république libre et noire du continent Abya Yala, nom autochtone de l'Amérique. Pourtant, ce n'est pas un sujet abordé dans les programmes scolaires français alors même qu'il fait partie de l'histoire de la France. Références :Hazareesingh Sudhir, Toussaint Louverture, Flammarion, 2020.Houdaille Jacques. Quelques données sur la population de Saint-Domingue au XVIIIe siècle. In: Population, 28ᵉ année, n°4-5, 1973. p. 859-872.Helg Aline, Plus jamais esclaves ! De l'insoumission à la révolte, le grand récit d'une émancipation (1492-1838), La Découverte, 2016.Roupert Catherine Eve, Histoire d'Haïti. La première république noire du Nouveau Monde, Perrin, 2011.Différence entre Toussaint Louverture et Jean Jacques Dessalines selon Dany Laferrière. Boukman Eksperyans, Imamou Lele, 1998.Fon Makaya, True Voodoo Rap , 2017.Générique : Atch, Freedom, 2020. Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

Boukman Eksperyans - Kan w Pran w Konen (Kobay) [Kanaval 2021] by Chokarella Media

Our Breaking Distance Team has a really candid and sincere conversation with global musician and humanitarian Paul Beaubrun about Haitian culture and life growing up in Haiti, his newest album "Rasanbleman - Red Moon", creative energy, music and activism. We even discuss human trafficking and sexual violence throughout the world and, particularly, in Haiti. Paul blesses our team with a musical performance and showcase that took our breath away! You will not want to miss this very special episode!    More About "Rasanbleman": Album link - https://ropeadope.lnk.to/Rasanbleman     Video links https://m.youtube.com/watch?v=GXuLFVPkNv8 https://m.youtube.com/watch?v=an7Xc8BK2kE  More About Paul: https://www.paulbeaubrun.com/  A scion of Haitian musical royalty, Paul has spent his life living to the beat. Son of the Grammy nominated band Boukman Eksperyans, his earliest memories are of rhythm and sound.  Moving to New York as a youth he was inspired by his heritage to begin crafting a sound all his own. Constantly aware of his roots, the struggle of an immigrant and the drive of New York life, Paul began to create a path where music, activism and history meet.  A unique and transfixing sound he calls 'Roots/Blues', Paul weaves his impeccable guitar skills, rich, vocals, musical ingenuity and cultural history together; all while performing a smooth melange of both English, French and Creole (the native tongue of his Haitian roots). Paul has played alongside some of the world's best artists including Ms. Lauryn Hill, Maxwell, Arcade Fire, Jackson Browne and Bob Weir.  Worldwide performances include venues such as The Beacon Theater and Radio City Music Hall in NYC, Massey Hall in Toronto, The Ryman Theatre in Nashville, The House of Blues in Chicago, The Montreal Jazz Festival, Festival Internationale Nuits d'Afrique in Montreal, Le Trianon in Paris, The Paleo Festival in Switzerland, No Siesta Fiesta in Norway.  These continued accomplishments make him one of the few artists coming out of Haiti to garner worldwide success. Paul has joined forces with Artists for Peace and Justice, and become an integral part of their organization.   He is currently working in collaboration with Jackson Browne, and several other artists including Jon Russell (the Head and the Heart), Jonathan Wilson, Habib Koite, Jenny Lewis and Raul Rodriguez on an upcoming album for APJ.  He also continues to be an active member and perform at their many events in the USA and Canada.  This allows Paul to do what he loves; play music while also furthering awareness of Haitian art, culture and promoting the incredible talent of Haiti's youth. Paul’s album titled 'Vilnerab', released in 2015, soared directly to #1 on itunes in the World Music category, receiving rave reviews. In 2016, he was nominated for a Dora Award by the Toronto Alliance for the Performing Arts for ‘Outstanding Sound Design/Composition’ in the production of Espwa/Espoir.   In May of 2018 on Ropeadope Records, Paul released an english/creole album, ‘Ayibobo’ , continuing his evolution of sound into Rock/Roots/Blues music. On April 17th, 2020, Paul released his third album entitled ‘Rasanbleman’.  Recorded live at the Cine Institute in Haiti, this album offers listeners a chance to enjoy the raw and emotive energy of uncut and raw power that Paul brings to his sounds.  

Manzè ak Lòlò ap Prezante Kanaval 2020 Boukman Eksperyans --- Send in a voice message: https://anchor.fm/carelinthemorning/message

Boukman Eksperyans - Nou Pwal Wè Si Se Vre [Kanaval 2020] by Chokarella Media

On this episode, we have a fantastic conversation with the Haitian artist Paul Beaubrun. We dive into the life experiences that influenced his music — experiences such as growing up in the incredibly artistic Grammy nominated Boukman Eksperyans family, fleeing Haiti when he was a teenager due to political reasons, getting accustomed to American culture, and balancing life as a father and musician.UPCOMING SHOW!! Mercury Lounge- NYCNOV 7TH, 2019, 9:30 P.M.217 E Houston St, New York, NY 10002https://www.paulbeaubrun.com/

From Paris to New Orleans and Boston, Haitian musicians are shaking up the music scene. The island’s powerful Africa-rooted culture—from celebratory rara and sensuous kompa to the deep well of vodun songs—has become a global force. In this program, we spend time with racine music veteran Lolo Beaubrun of Boukman Eksperyans, and his rising star son, Paul Beaubrun, both on a swing through New England. We also meet Paris-based Moonlight Benjamin, and hear recent New Orleans-tinged music from Lakou Mizik and RAM. Finally, we meet Tjovi Ginen, a pan-African band featuring the provocative and humorous spoken words of Boston-based Haitian educator and animator Daniel Laurent. A romping update on all things Haitian. [APWW #806] Produced by Banning Eyre.

In this episode we chat about a recent vacation to Haiti, Halle Berry's food baby, that toxic word and the New Kids on The Block! We have a first-rate Idris rival and naturally we get into the Pophorn and Ghetto Action News™.Opening: Ke'm Pa Sote by Boukman Eksperyans (family anthem!)Earworm: Something Just Like This by The Chainsmokers & Coldplay

In this episode we chat about a recent vacation to Haiti, Halle Berry's food baby, that toxic word and the New Kids on The Block! We have a first-rate Idris rival and naturally we get into the Pophorn and Ghetto Action News™.Opening: Ke'm Pa Sote by Boukman Eksperyans (family anthem!)Earworm: Something Just Like This by The Chainsmokers & Coldplay

She is the reigning Queen of Haitian Song: a captivating performer, versatile vocalist and one of the premier Haitian songwriters of her generation. She has recorded and appeared on concert stages throughout the Caribbean, Europe, and North & South America for over 20 years. Singing both in French and Haitian Creole, her nine albums have catapulted her to international acclaim. Emeline Michel is beloved by Haitians for combining traditional rhythms with social, political and inspirational content. She is a member of a unique generation of Haitian musicians that emerged in the late 1980’s and also includes guitarist/vocalist Beethova Obas and the bands Boukman Eksperyans and Boukan Guinen. This wave of artists emphasized complex themes, conscious lyrics, and a broad palette of musical styles, including the native Haitian compas, twoubadou and rara. Born in Gonaives, Haiti, her first experience in music was singing gospel music at the local church. After completing her education, Emeline accepted an opportunity to study at the Detroit Jazz Center and returned to Haiti as a professional musician. Emeline soon released her first album Douvanjou ka leve that featured the hit "Plezi Mize" (Pleasure in Misery) written by Beethova Obas. Relocating to France, she became a leading musical icon, performing at venues such as the Jazz Festival of Nice and Theatre de la Ville, making numerous appearances on French television and gracing the covers of many music and culture magazines.From her new base in France, Emeline’s work quickly spread throughout the French-speaking world, including Belgium, Africa, the French Antilles, French Guiana, Québec, as well as Chile and Japan. After being signed with record labels in France, Canada and the U.S., Emeline formed her own production company in 1999 to gain full control of her career. 

She is the reigning Queen of Haitian Song: a captivating performer, versatile vocalist and one of the premier Haitian songwriters of her generation. She has recorded and appeared on concert stages throughout the Caribbean, Europe, and North & South America for over 20 years. Singing both in French and Haitian Creole, her nine albums have catapulted her to international acclaim. Emeline Michel is beloved by Haitians for combining traditional rhythms with social, political and inspirational content. She is a member of a unique generation of Haitian musicians that emerged in the late 1980’s and also includes guitarist/vocalist Beethova Obas and the bands Boukman Eksperyans and Boukan Guinen. This wave of artists emphasized complex themes, conscious lyrics, and a broad palette of musical styles, including the native Haitian compas, twoubadou and rara. Born in Gonaives, Haiti, her first experience in music was singing gospel music at the local church. After completing her education, Emeline accepted an opportunity to study at the Detroit Jazz Center and returned to Haiti as a professional musician. Emeline soon released her first album Douvanjou ka leve that featured the hit "Plezi Mize" (Pleasure in Misery) written by Beethova Obas. Relocating to France, she became a leading musical icon, performing at venues such as the Jazz Festival of Nice and Theatre de la Ville, making numerous appearances on French television and gracing the covers of many music and culture magazines.From her new base in France, Emeline’s work quickly spread throughout the French-speaking world, including Belgium, Africa, the French Antilles, French Guiana, Québec, as well as Chile and Japan. After being signed with record labels in France, Canada and the U.S., Emeline formed her own production company in 1999 to gain full control of her career. 

support this podcast, donate todayThis week, Eric welcomes two brilliant guests to the show. First, Eric speaks with Don DeBar, independent broadcaster and Senior Producer at Community Public Radio (CPRmetro.org). Eric and Don discuss the state of the independent media, and how it has been rapidly transformed in recent years. Don presents an inside account of the corporate takeover and purge of Pacifica Radio and its NYC flagship station WBAI, pulling back the curtain on how Pacifica operates, and why some of its good work has come to be overshadowed by the bad, especially when it comes to issues of war and peace. Eric and Don also touch on the war in Libya and how that exposed much of the media for being aligned with the US-NATO war agenda. In the second half of the show, Eric welcomes Laura Carlsen, Director of the Americas Program at the Center for International Policy to the program. Eric and Laura discuss the 2014 Ayotzinapa massacre of student teachers in Mexico, and the obvious government cover-up of the incident. Laura explains what happened in late September 2014, what the circumstances were leading up to the massacre, and the inconsistencies in the initial government investigation. Eric and Laura also discuss neoliberalism and privatization, and how this massacre should be understood as part of a broader political process ongoing in Mexico with direct US involvement. Musical interlude from Boukman Eksperyans - "Jou Nou Revolte" Intro & Outtro from David Vest

support this podcast, donate today This week, Eric welcomes two brilliant guests to the show. First, Eric speaks with Don DeBar, independent broadcaster and Senior Producer at Community Public Radio (CPRmetro.org). Eric and Don discuss the state of the independent media, and how it has been rapidly transformed in recent years. Don presents an inside account of the corporate takeover and purge of Pacifica Radio and its NYC flagship station WBAI, pulling back the curtain on how Pacifica operates, and why some of its good work has come to be overshadowed by the bad, especially when it comes to issues of war and peace. Eric and Don also touch on the war in Libya and how that exposed much of the media for being aligned with the US-NATO war agenda. In the second half of the show, Eric welcomes Laura Carlsen, Director of the Americas Program at the Center for International Policy to the program. Eric and Laura discuss the 2014 Ayotzinapa massacre of student teachers in Mexico, and the obvious government cover-up of the incident. Laura explains what happened in late September 2014, what the circumstances were leading up to the massacre, and the inconsistencies in the initial government investigation. Eric and Laura also discuss neoliberalism and privatization, and how this massacre should be understood as part of a broader political process ongoing in Mexico with direct US involvement. Musical interlude from Boukman Eksperyans - "Jou Nou Revolte" Intro & Outtro from David Vest More The post Don DeBar & Laura Carlsen – Episode 22 appeared first on CounterPunch.org.

A special feature on disabled youth in Haiti, with special guests Peter Eyvindson, Soni, and Jan Groves. Peter is the author of Soni's Mended Wings, a story about a Haitian youth with a disability and the love of street boys at St. Joseph's Home in Haiti. Jan works at Healing Hands of Haiti which provides rehabilitation, education to the disabled population in Haiti. Music by Boukman Eksperyans. Host Leroy F. Moore Jr. The post Pushing Limits – May 9, 2004 appeared first on KPFA.