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Ayşedeniz Gökçin : Pink Floyd classical piano Nothing else matters La tierce picarde : Ukrainian folk song remixed The Turtles : So happy together Chopin : Prélude n°4 en mi mineur RadioHead : Creep Covers : BeeSideProject : Strawberry Fields forever RadioHead : Paranoid Android Super Mario 64 Remix Dave Lombardo : Les quatre saisons Village People : YMCA en mineur YMCA as DBZ music Luther Wright & the Wrongs : Another brick in the wall Batterie d'une seule main : El Estepario Siberiano : Slipknot Missmissy3131 Khaen : Khaen demo Hal Walker : Khaen Rock 2020 Sons zarbi : Le morchang indien De la techno sans ordinateur Amine Mesnaoui : Six (piano préparé) Brico Sympa : Effets sonores de cinéma Trucs en vrac : After Cooking Potatosauraus : Mariah Carrey vs Greenday NilsOfficial : Avicii vs Rick Astley Steve : Queen vs Lynyrd Skynyrd Benedikt Florian : Super Trooper a capella La +BCdM : Gilbert Bécaud : Et maintenant par Elga Andersen - Johnny Hallyday - Isabelle Boulay What now my love par Shirley Bassey - Sonny & Cher - Frank Sinatra - Elvis Presley - Ben E.King - Gilbert Bécaud & Nina Simone La Playlist de la +BCdM : sur le Tube à Walter sur Spotify (merci John Cytron) sur Deezer (merci MaO de Paris) sur Amazon Music (merci Hellxions) et sur Apple Music (merci Yawourt) Voter pour la Plus Belle Chanson du Monde Le son mystère (39'05) : Le feu de camp du dimanche matin Avec : Aude Pincho Pat Hogun MaO Daouda Merci à : Gwen Dam Michidar Jay Sephiraph Che Averell Grincheux K Rot MaO Maxime Yschwen Helmut Pat Hogun Drudentoon Blast Stéphane Gauthier Didier Podcasts et liens cités : 3 Minutes Challenge Écoute ça ! Oxymut Le générique de fin est signé Cousbou
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Implantée en Mayenne, son entreprise de scierie fabrique des palettes de toute dimensions. L'entreprise a été créée par 1974, par son père. Il prendra la tête de la société avec son frère en 2008. Les palettes sont montées en résineux et peupliers, approvisionnés par des exploitants forestiers. L'entreprise possède une grande maîtrise du procédé de fabrication ce qui permet d'accroître la qualité des produits.
MÚSICA Frédéric Chopin - Prélude Op. 28, nº 15 em Ré bemol Maior (CD) Eric Zivian: Chopin Preludes for Piano © Magnatune – www.magnatune.com -- AUTOR DOS TEXTOS P. Vasco Pinto de Magalhães, sj -- LEITORES Luís Santos (pontos) Gabriela Marques (textos bíblicos)
Le Consort Brouillamini Canon de Pachelbel : Pachelbel : Canon et Gigue en ré Pachelbel Rant Aphodite's Child : Rain and tears Green Day : Basket case Michel Sardou : La maladie d'amour Fleetwood Mac : Eyes of the world Pet Shop Boys : Go west Sister Rosetta Tharpe : Didn't it rain ? Rock me This little light of mine Up above my head - avec Mary Knight That's all Up above my head - live on TV Covers : Skatune : My girl Luca Stricagnoli : For a few dollars more Puddles Pity Party : Royals The Wall Azerbaijani cover Keith Jarrett : Over the rainbow All the things you are the Köln Concert Sons zarbi : Device Orchestra : The imperial march on an epilator Device Orchestra : Pirate of the Carribean on 3 electric toothbrushes Nintendo startup sounds remix Andrew Huang : Musical chairs Debussy Clair de lune au theremin Walk off the earth : Thunderstruck Toxic A history of the Beatles Hommage à Claude Giraud Trucs en vrac : 20.000 lieues sous les mers Wax audio : The seas have no name Pascal Sangla : Le plus beau de trois La +BCdM : Nino Ferrer : La rua Madureira par Stacey Kent - Benjamin Biolay - Saperli Starlette Carlos Antonio Jobim : Insensatez Frédéric Chopin : Prélude en mi mineur Gene Kelly : la chanson d'Andy La Playlist de la +BCdM : sur le Tube à Walter sur Spotify (merci John Cytron) sur Deezer (merci MaO de Paris) sur Amazon Music (merci Hellxions) et sur Apple Music (merci Yawourt) Le son mystère : Belmondo tourne Le Magnifique Avec : Aude Cirbafe Camille Nlllmc Pat Hogun Thomas Crayon MaO Laurent Doucet Arno Doucet Pincho Merci à : Stéphane Armos Pop goes the WZA Quadra Mephesto Phil_Goud Grincheux Writtis Podcast cité : 1AM walter@linaudible.com
NOw FUTUR X RADIO NOVA présente SIMS SAMPLES Spécial SUPREME NTM Bobby Womack And I love Her NTM Pose ton gun NTM Back dans les bacs NTM Odeurs de soufre Michael Masser Ali’s Theme NTM Laisse pas trainer ton fils Frédéric Chopin Prélude in E miner NTM That's my people Jean Luc POnty Farewell NTM On est encore là The Tramps That’s where happy people go NTM Seine St dénis Style Richard Claydrman Lyphard Melodie NTM C’est arrivé près de chez toi NTM MA BENZ NTM Paris sous les bombes Eric B & Rakim My melody NTM Pass Pass Le Oinj NTM Plus Jamais ça The Meters Oh Calcutta NTM Qu’est ce qu’on attend Public enemy Raise The Roof Ethel Beatty It’s Your love NTM Tout N’est pas si facile Crusaders My Lady NTM La fièvre Aguaviva Poetas Andalucias NTM Chacun sa mafia
The Walter Proof Experiment on W.A.P.X ! Le trou géant dans la banquise en Antarctique, t’en as entendu parler ? Eh bien Walter aussi. Et comme c’est pas loin de chez lui, il y est allé faire un tour pour voir à quoi ça ressemblait. Attends-toi donc à d’étonnantes révélations, aussi bien géologiques que musicales, dans ce 35e numéro du Dans cet épisode Le trou géant : Sweet home Alabama ReplikatorHey Ya ! (le wapx) Gainsbourg inspiration : Initials BB & Dvorak Symphonie n°9Lemon incest & Chopin Étude n°3My Lady Héroïne & Sur un marché persanJane B & Chopin Prélude en mi mineurMa Lou & Beethoven Sonate n°23Baby alone in Babylone & Brahms Symphonie n°3Dépression au-dessus du jardin & Chopin Étude n°10Lost song & Grieg Chanson de SolveigPoupée de cire, Poupée de son & Beethoven Sonate n°1Charlotte forever & Khatchaturian Andantino Lucky Chops :Buyo
NOw FUTUR X RADIO NOVA présente SIMS SAMPLES Edition Rap Fr 1 Heatwave All you do is dial Oxmo Puccino Mama lova Grover Washington Maracas beach Rocca Le hip hop mon royaume Sista Nancy Bam bam Raggasonic Aiguisé comme une lame Alkaholiks The next level X men Pendez-les, bandez-les, descendez-les! Eddy Kendricks The Newness is gone Akhenaton Bad boys de Marseille, Pt. 2 2 Bal Nigget / Mystik La sedition Deodato Pavane for a dead princess NAP feat Faf Larage 5 ans de répit [featuring] Bobby Womack And I love her NTM Pose ton gun Art Blakey Alone together La Rumeur L'ombre sur la mesure Johann Pachelbel Canon in D major Mafia Trece Rencontre du 13me_type Syl Johnson I hate I walked away IAM Elle donne son corps avant son nom Daddy Lord C Freaky flow SOUL To mend a broken heart Busta Flex Kick avec mes Nike Ben Harper Power of the gospel Oxmo Puccino La loi du point final Rotary Connection Magical world Flynt 1 pour la plume Esther Phillips Try me Haroun Les routes de l’oseille Wu Tang Clan C.R.E.A.M IAM Petit frère Earl Klugh Living inside your love Ideak J Un nuage de fumée Rocé Le respect TC 2000 Ideal J Hardcore Olympic Runners Get this thing done Oxmo Puccino Pucc fiction Stan Getz Charlie Byrd Samba triste Rohff Appelle moi Rohff Jacques Brel La fanette Scred Connexion Bouteille de gaz Ethel Beatty It’s your love NTM Tout n’est pas si facile Skit Crusaders My lady NTM La fièvre Frédéric Chopin Prélude in E miner NTM That's my people Chaka khan Magic in your eyes X men J'attaque du mike John Klemmer Barefoot ballet Oxmo Puccino J’ai mal au mic Minnie Ripperton Perfect angel Fabe Des durs, des boss, des dombis Labbi Siffre I got the Fabe L'impertinent Lalo Schifrin End Title IAM L'enfer George Benson The world is a ghetto Ideal J Cash Remix Brecker Brothers Why can’t I be there Ideal J Skit Le ghetto français Gato Barbieri Caliente Lunatic Le crime paie Paul Lewis Hommage to Dr Jekyll Lunatic Le son qui met la pression Les Mc cann Benjamin IAM C'est donc ca nos vies Kool & The Gang Jungle jazz 113 Truc De Fou Alain Souchon Qu’est ce qu’ils ont les hommes Flynt & Sidi O La gueule de l’emploi
Werke von Wolfgang Amadeus Mozart (Sonaten KV 280 & 332), Frédéric Chopin (Préludes op. 28, Mazurken), Alexander Skrjabin (Poèmes op. 69), Jean-Philippe Rameau und Johann Sebastian Bach | Grigory Sokolov (Klavier)
More about Nocturnes Leon Bosch, Sung-Suk Kang "Nocturne" (mp3) from "Virtuoso Double Bass" (Meridian Records) Buy at iTunes Music Store More On This Album The working relationship between Sung-Suk Kang and the distinguished double bass player Leon Bosch goes back to 1982, when both were students at the Royal Northern College of Music in Manchester, UK. Sung-Suk accompanied Leon during lessons and at scholarship auditions. 'At the end of our courses of study,' Leon remembers, 'the RNCM principal, Sir John Manduell, invited us to play two pieces together in one of the so-called principal's concerts. These were showcase events in which his ‘prize students’ were afforded a platform to perform in front of an audience of many distinguished invited guests, as well as the public. Sung-Suk and I performed two pieces by the great double bass player Bottesini, the Capriccio di Bravura and Fantasy Sonnambula. 'I'll remember that 1984 concert forever, for Sung-Suk’s magical playing throughout. There was one extended piano tutti in Sonnambula which was particular memorable for its unique delicacy and scintillating effervescence.' Sung-Suk picks up the story. 'After we left the RNCM, Leon and I lost contact with each other for twenty years. Then in the autumn of 2006, all of a sudden I received an SMS message from Leon on my mobile.....out of the blue. I called him back and discovered that at short notice he wanted me to play for him on a CD of pieces by Bottesini. After exchanging a few emails, I agreed.’ So what had inspired Leon to make the move? 'After Sung-Suk and I parted company back in 1984 I always thought of her whenever I played Sonnambula. I often wondered what had happened to her. I have a tape recording of that principal's concert and played it often over the years to reassure myself that it was indeed real and not just a grossly exaggerated and romanticised memory! 'Then when I was scheduled to record my first Bottesini disc, my pianist had to withdraw. After much thought, I resolved to try and find Sung-Suk, since she was the only person I felt I'd really be happy to work with. I put her name into Google and found her referred to on the website of the conductor, Nayden Todorov. With that lead, I traced her to Vienna.’ 'We began to rehearse as soon as I arrived in London!' Sung-Suk recalls. 'There wasn`t enough time to work on each piece in detail.... and we only had one and a half days to record all the repertoire for the CD. 'Playing with Leon wasn`t easy at first - he has a unique way of phrasing and his rubato is never predictable. And of course my ears had to concentrate so much on picking up the thick, deep lower register of the double bass sound. But during the recording sessions everything clicked and became completely natural. 'We tried to create a new atmosphere for each piece and then find the inspiration for a special interpretation at the end of the process. This was always different from what we'd prepared....music-making with Leon is always spontaneous! I love the full sound he makes, all the different colours he creates to express varied emotions in depth.’ As for Nocturne, it allows the piano to anticipate the main theme in the opening section but then gives it no share of the melodic line so expressively introduced and sustained by the double bass. It is, however, the piano which towards the end initiates the change from minor to major harmonies, just before double-bass harmonics magically project the melody into the soprano register. If Bottesini expected to be remembered by future generations he no doubt felt that it would be through his operas and sacred music. In fact, while they are forgotten, his posthumous reputation derives from an instrumental artistry which, though it died with him, survives in the hands of those few bassists who can do his compositions full justice. Nikolai Lugansky "Nocturne, Op. 55 No. 1" (mp3) from "Chopin: Piano Sonata No. 3, Fantasie-impromptu, Prélude, Nocturne, et al." (Onyx Classics) Buy at iTunes Music Store More On This Album Nikolai Lugansky's first recording for ONYX. The Daily Telegraph commenting on Lugansky, said 'He can thrill in taxing pianism through his iron will and fingers of steel, but there is an assuaging velvet quality to his tone, a natural feel for lyrical line' Gramophone praised his 'pianism of immense skill, fluency and innate musical quality' Nikolai Lugansky was born in Moscow in 1972. He studied at Moscow Central Music School (under Tatiana Kestner) and then at the Moscow Conservatory, where he was a pupil of Tatiana Nikolayeva, who described him as ‘the next one’ in a line of great Russian pianists. Following Nikolayeva’s untimely death in 1993, Lugansky continued his studies under Sergei Dorensky. A laureate of the International Bach Competition in Leipzig, the Rachmaninov Competition in Moscow and the International Tchaikovsky Competition in Moscow, Lugansky has a repertoire of over 50 concertos with orchestra as well as a wide range of solo and chamber works. He has worked with many distinguished orchestras and conductors including Christoph Eschenbach, Vladimir Fedoseyev, Valery Gergiev, Neeme Järvi, Raymond Leppard, Yoel Levi, Mikhail Pletnev, Gennady Rozhdestvensky, Vladimir Spivakov, Evgeny Svetlanov, Yuri Temirkanov, Kurt Masur, Riccardo Chailly and others. His chamber music partners have included Vadim Repin, Alexander Kniazev, Joshua Bell, Yuri Bashmet, Mischa Maisky, Leonidas Kavakos and Anna Netrebko among others. Lugansky has recorded 23 CDs. His solo recordings on Warner Classics — Chopin Études, Rachmaninov Préludes and Moments musicaux and Chopin Préludes — were each awarded a Diapason d’Or. His PentaTone Classics SACD of Tchaikovsky’s Piano Concerto no.1, with the Russian National Orchestra under Kent Nagano, was cited as ‘Editor’s Choice’ in Gramophone. His Prokofiev CD was one of the ‘CDs of the Year’ (2004) featured in The Daily Telegraph. Lugansky’s recordings of the complete piano concertos of Rachmaninov, with the City of Birmingham Symphony Orchestra under Sakari Oramo, received Choc du Monde de la Musique, Preis der deutschen Schallplattenkritik and the 2005 ECHO Klassik Award. His last recording (Chopin’s and Rachmaninov’s cello sonatas) with the cellist Alexander Kniazev won the 2007 ECHO Klassik Award. As well as performing and recording, Lugansky teaches at the Moscow Conservatory as an assistant of Prof. Sergei Dorensky. Anthony Goldstone "Nocturne in D-Flat Major, Op. 8" (mp3) from "Russian Piano Music, Vol. 4: Sergei Lyapunov" (Divine Art) Buy at iTunes Music Store Buy at Amazon MP3 More On This Album Now almost forgotten in the West, Lyapunov was one of the truly great composers of the Romantic era in the late 19th and early 20th centuries. His Sonata is a phenomenal work and his mastery of pianistic composition is also finely demonstrated by the other works on this album masterfully interpreted by Anthony Goldstone. Anyone who loves Chopin or Liszt should get to know this music. Fuzjko Hemming "Nocturne No. 20 In C-Sharp Minor" (mp3) from "Fuzjko Hemming - Collector's Edition" (Fuzjko Label) Buy at iTunes Music Store Stream from Rhapsody Buy at Amazon MP3 More On This Album Having wowed much of the Eastern Hemisphere for years, classical pianist Fuzjko Hemming is preparing for her introduction to the United States. Having been born into humble circumstances, child of a Japanese mother and Swedish father, she has felt rootless, too Asian in appearance for Sweden, and in Japan constricted by the society's stratified and class-oriented way of life. Then, as she was starting to gain traction as a professional musician, her promising career was cut short. - Fuzjko lost all hearing in her left ear after battling a serious cold. At 16, she already lost her hearing in her right ear due to illness. Completely deaf for 2 years, she eventually had 40% of her hearing restored in her left ear. After living in poverty in Europe for many years before returning to Japan and gaining acclaim for her music - critics hailed her as being "born to play Chopin and Liszt " In 1999, Japan's NHK Television aired a documentary of her life and she released her debut album, La Campanella, which sold more than two million copies, a rare accomplishment for any classical artist She also has won an unprecedented four Classical Album of the Year Awards at the Japan Gold Disc Awards, another extraordinary achievement for any artist, let alone a classical artist She remains the only four-time Gold Disc Award winner. Since that time she has recorded numerous successful albums - invigorating collections of classical interpretations, five of which are being released for the first time in the U.S. on her label Domo Records: Echoes of Eternity, La Campanella, Liszt: Piano Concerto No. 1, Nocturnes of Melancholy, Live at Carnegie Hall. On the new album, Fuzjko, the artist performs largely romantic repertoire ranging from Beethoven's "The Tempest" sonata to works by Chopin, Liszt, Scarlatti and Debussy. In each piece, whether performing Chopin's Nocturnes or Liszt's bravura pieces "La Campanella" and "Grand Etudes D'Apres Paganini No. 6", Fuzjko infuses poetry to these timeless compositions, and always in her own eminently attractive style. The warmth of Fuzjko's sound can also be heard in Scarlatti's Sonata K.162 and Debussy's "Claire De Lune". Although much of the repertoire is familiar, Fuzjko also dips into lesser known works like Liszt's transcription of Schumann's "Fruhlinghsnacht", and Chopin's "Trois Nouvelles Etudes No.3, and always played with her celebrated musicality much in evidence. The celebrated virtuoso blends the classicality of her influences such as Franz Liszt, Frédéric Chopin with the sophisticated approach of her mentors (Leonard Bernstein, Herbert von Karajan) to create an emotional delivery of exquisite craftsmanship. She's been known to bring some fans to tears with her moving immersion in her music. With her strikingly unorthodox playing style and intricate ethnic roots, it's evident that Fuzjko's true home is at the piano, where she reveals herself as a true artist of the world. Carly Comando "Bear" (mp3) from "One Take" (Deep Elm) Buy at iTunes Music Store Buy at Amazon MP3 More On This Album Chilling. Stirring. Powerful. Contemplative. These are some of the words most frequently used to describe the achingly beautiful piano instrumentals of Carly Comando. Her debut album "One Take" features ten delicately woven songs (including her single "Everday") that are the direct emotional output of her innermost thoughts. "The album means the world to me. It's complete, in-the-moment sincerity translated into moody solo piano music. I used an improv technique, recording in just one take, so I could capture the essence of pure emotion" says Carly. From the rises and falls to the shrinks and swells, these songs will leave an indellible impression on your mind. It's music that stays with you forever. "One Take" was recorded in Carly's home studio in Brooklyn, NY. Mastered by Phil Douglas (Latterman, Small Arms Dealer, Iron Chic). The album includes the "Everyday" which was originally released in December 2006. Deep Elm Records is simultaneously releasing an EP titled "Cordelia" featuring four additional piano instrumentals. Carly also plays keyboards / sings in the band Slingshot Dakota and composes custom works upon request. And yes, that was the name given to her at birth. "This is music that changes lives, opens minds, broadens horizons. Carly is an amazing pianist." - ANA "Beautiful and soothing, she will evoke emotion and ease any scattered mind. A talented composer." - SweetieJo "Emotional and inspiring, it grabs your soul and moves you. Highly recommended." - The Rez
Sie gelten in der Klavierliteratur als Meisterwerke der kleinen Form: die 24 Préludes op. 28 von Frédéric Chopin. Ulrich Möller-Arnsberg stellt diese gemeinsam mit der Pianistin Ewa Kupiec vor.
Eröffnung des Stefan Zweig Centre
Eröffnung des Stefan Zweig Centre