Podcast appearances and mentions of cliff colnot

Welcome to a new edition of the Neon Jazz interview series with Veteran Chicago Jazz Guitarist & Gifted Educator David Bloom .. He talked about the new 2022 CD Shadow of a Soul done with Cliff Colnot. He is one of Chicago's most innovative educators that stimulates creativity in people across all disciplines. He has been an accomplished guitarist and flutist performing in Chicago for many years and he opened The Bloom School of Jazz in 1975. His jazz-as-language approach incorporates linguistics, philosophy, aesthetics and music. By listening to jazz masters, Bloom has taken their musical values and developed exercises that demand those sensibilities. David is a fascinating cat .. Dig this interview .. Click to listen.Thanks for listening and tuning into yet another Neon Jazz interview .. where we give you a bit of insight into the finest players and minds around the world giving fans all that jazz ..  If you want to hear more interviews, go to Famous Interviews with Joe Dimino on iTunes or Spotify, visit the YouTube Neon Jazz  Channel at https://www.youtube.com/c/neonjazzkc, go The Home of Neon Jazz at  http://theneonjazz.blogspot.com/ and for everything Joe Dimino related go to www.joedimino.com When you are there, you can donate to the Neon Jazz cause via PayPal https://www.paypal.com/donate?hosted_button_id=ERA4C4TTVKLR4 or through Patreon at https://www.patreon.com/neonjazzkc - Until next time .. enjoy the music my friends .. 

Michael's website - www.playwritemusic.comMichael's Instagram - www.instagram.com/playwritemusicMichael Martin, born August 9, 1985 in Marietta, Georgia, became the youngest member of the Boston Symphony Orchestra and the Boston Pops as Third/Utility trumpet in July 2010, at the age of 24. Michael attended Northwestern University where he received both his Bachelor's and Master's degrees in Trumpet Performance studying with Barbara Butler and Charles Geyer. Prior to joining the Boston Symphony, Michael performed with a diverse array of professional orchestras, ensembles and performing artists including the Civic Orchestra of Chicago; the Atlanta, Baltimore, Boston, and Chicago symphonies; the Axiom Brass; the Pacifica Quartet; “eighth blackbird”; and Sufjan Stevens. With the Boston Symphony, Michael can be heard on several upcoming albums with Music Director Andris Nelsons, including the GRAMMY-winning album, "Under Stalin's Shadow", releasing later this year.Michael has long been devoted to both performing and creating music at the highest artistic level and has become an extremely sought-after musician in both disciplines, forging a unique niche within the world of professional music. After completing his studies at Northwestern University, Michael was invited to study doctoral-level orchestration at the University of Chicago with renowned conductor and composer, Cliff Colnot. Michael has collaborated with and been commissioned by members of the Atlanta, Boston, and Chicago Symphonies; the Boston Pops; the Los Angeles and New York Philharmonics; the Chicago Chamber Musicians; the Northshore Concert Band; the University of Houston Symphony Orchestra; Northwestern University’s Symphonic Wind Ensemble; as well as numerous high school concert band programs around the country including Avon HS (IN), Clear Creek HS (TX), Flower Mound HS (TX), Kell HS (GA), Kennesaw Mountain HS (GA), and North Hardin HS (TN). Michael is also the Brass Arranger for the seven-time DCI World Champion Cavaliers Drum & Bugle Corps of Rosemont, Illinois.Support the show (https://thatsnotspit.com/support/)

Composer Steven Bryant's music for winds has quickly become part of the standard repertoire. As the son of a music educator, he is a strong supporter of music education and he joins me from the mountains of Austria to talk about his early influences, his music, and his career to this point. Topics: Steven’s background as the son of a high school band director and how that influenced his path to becoming a composer. The story of BCM International and Steve’s early success with Chester Leaps In and the stories of Dusk and Ecstatic Waters. The value of being self-published and the nuts and bolts about a career as a successful composer. Writing music for band and electronics. Links: Steven Bryant Mid Europe Band Festival Bryant: Chester Leaps In Bryant: Dusk Bryant: Ecstatic Waters Bryant: Hummingbrrd Bryant: Concerto for Wind Ensemble John Cage: As Slow as Possible Biography: Steven Bryant’s music is chiseled in its structure and intent, fusing lyricism, dissonance, silence, technology, and humor into lean, skillfully-crafted works that enthrall listeners and performers alike. His seminal work Ecstatic Waters, for wind ensemble and electronics, has become one of the most performed works of its kind in the world, receiving over 250 performances in its first five seasons. Recently, the orchestral version was premiered by the Minnesota Orchestra to unanimous, rapturous acclaim. The son of a professional trumpeter and music educator, he strongly values music education, and his creative output includes a number of works for young and developing musicians. John Corigliano states Bryant’s “compositional virtuosity is evident in every bar” of his 34’ Concerto for Wind Ensemble. Bryant’s first orchestral work, Loose Id for Orchestra, hailed by composer Samuel Adler as “orchestrated like a virtuoso,” was premiered by The Juilliard Symphony and is featured on a CD release by the Bowling Green Philharmonia on Albany Records. Alchemy in Silent Spaces, commissioned by James DePreist and The Juilliard School, was premiered by the Juilliard Orchestra in May 2006. The Chicago Symphony Orchestra’s MusicNOW series featured his brass quintet, Loose Id, conducted by Cliff Colnot, on its 2012-13 concert series. Notable upcoming projects include an orchestral work for the Detroit Symphony Orchestra (April, 2018), an evening-length dramatic work for the Pittsburgh New Music Ensemble, a choral work for the BBC Singers (July, 2017), a work for FivE for Euphonium Quartet and wind ensemble (2019), and a large work to celebrate the 150th anniversary of the University of Illinois Bands. Recent works include a Concerto for Alto Saxophone for Joseph Lulloff and the Michigan State University Wind Symphony (winner of the 2014 American Bandmasters Sousa Ostwald Award), and a Concerto for Trombone for Joseph Alessi and the Dallas Wind Symphony. Other commissions have come from the Gaudete Brass Quintet (Chicago), cellist Caroline Stinson (Lark Quartet), pianist Pamela Mia Paul, the Amherst Saxophone Quartet (funded by the American Composers Jerome Composers Commissioning Program), the University of Texas – Austin Wind Ensemble, the US Air Force Band of Mid-America, the Japanese Wind Ensemble Conductors Conference, and the Calgary Stampede Band, as well as many others. Steven studied composition with John Corigliano at The Juilliard School, Cindy McTee at the University of North Texas, and Francis McBeth at Ouachita University, trained for one summer in the mid-1980s as a break-dancer (i.e. was forced into lessons by his mother), was the 1987 radio-controlled car racing Arkansas state champion, has a Bacon Number of 1, and has played saxophone with Branford Marsalis on Sleigh Ride. He resides in Durham, NC with his wife, conductor Verena Mösenbichler-Bryant (Duke University).

Henry Chen and I go way back.  In fact, I remember meeting Henry at DePaul University over a decade ago! At that point,  he had not had much orchestral experience, but he was a fabulous solo player who won the concerto competition with the Bottesini Concerto. Chicago was Henry’s choice because of the orchestral training he knew he’d receive there.  He spent his time studying with Chicago Symphony bassist Rob Kassinger and playing principal bass with the Civic Orchestra of Chicago. Fast-forward ten years, and Henry is now teaching at  Soochow University School of Music in Jiangsu, China.  We talk about Henry’s journey from Chicago to China and the steps in between, what it’s like teaching and performing in China, opportunities for bass players looking for an orchestra job, Henry’s teaching style, and much more! Links to check out: Henry’s website Bottesini Concerto PDF and MP3 files (Cliff Colnot arrangement) Franck Sonata with Henry (mvt 1) Franck Sonata with Henry (mvt 4) Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle! Contrabass Conversations is sponsored by: Upton Bass String Instrument Company Upton's Karr Model Upton Double Bass represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr. Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long “Karr neck” has even become a favorite of crossover electric players. D'Addario Strings This episode is brought to you by D’Addario Strings! Check out their Kaplan strings, which are are designed, engineered, and crafted at the D’Addario string factory in New York and are great for all kind os styles of music.   Contrabass Conversations production team: Jason Heath, host Michael Cooper and Steve Hinchey, audio editing Mitch Moehring, audio engineer Trevor Jones, publication and promotion Subscribe to the podcast to get these interviews delivered to you automatically!

What you’ll hear: The epiphany Cliff had TWICE about his career that launched him in the direction of his career as an arranger The bold way he learned the ins-and-outs of the commercial music business Why you SHOULD NOT do what he did if you are interested in arranging for commercial music How the commercial music business has changed Two things you should do (and one thing you should NOT do) if you are thinking of diversifying the genres you play Mentioned on the episode: CONTACT CLIFF with any questions. He is happy to get your messages: cliffccm@aol.com Cliff's arranging projects mentioned in the episode: David Bloom & Cliff Colnot CD: Contender: https://itunes.apple.com/gb/album/contender/1300774452 Ellington tribute CD with Daniel Barenboim: https://www.amazon.com/Tribute-Ellington-Duke/dp/B00001SICY  For the CSO ensemble Civitas: http://www.civitasensemble.org/ I want to thank Ficks Music for sponsoring Crushing Classical. When you’re looking for high quality sheet music, look no further than  https://www.ficksmusic.com/discount/CRUSH Use the link above to get 10% off your order!   Check out the new revolutionary tuner app DRONE TUNER on iOS. Available NOW for iPhone and iPad. Tune to REAL recorded instrument tones instead of machine-like sounds to work on intonation, sound concept and blend. The visual component of this tuner is also incredible, with a super-fast reaction time, it allows you to tune while playing a musical passage or using vibrato. It even allows you to tune chords!   Get yours today: https://itunes.apple.com/us/app/drone-tuner/id1326016622?ls=1&mt=8     

On this episode, you will learn:   The multiple ways you are likely "winging it" in your approach to music making (and the impact it's having on your results AND your career) Why undergraduate music majors who desire a unique career should strongly consider pursuing a different type of music degree (this will surprise you) How to prepare *completely* as a conductor before rehearsal (and why you should never "run a piece down" with an orchestra out of the gate) The very BEST way to correct mistakes that empowers and enables those around you The #1 concept almost no one employs in lessons, rehearsals and performances...that comes directly from your own LIFE ...and much more   If you have any questions for Cliff Colnot, you can email him directly at cliffccm@aol.com   Thank you to Ficks Music for sponsoring Crushing Classical. Order NOW using the code CRUSH and receive 10% off your order. https://www.ficksmusic.com/

In the second of a two-part program from 2007, Andrew Patner's guest is multi-faceted conductor-arranger-composer and teacher Cliff Colnot [...]

In the first of a two-part program from 2007, Andrew Patner's guest is multi-faceted conductor-arranger-composer and teacher Cliff Colnot [...]

Today's episode features double bassist Trevor Jones. It actually amazes me that this is the first time that Trevor has been on the podcast. Trevor kind of does it all: he studied classical bass with Rob Kassinger at DePaul University but got a music education degree as well He has played for years in the rock band Molehill but also maintains a full-time performing schedule as a theater musician, and he has a salaried double bass teaching job at Illinois Wesleyan University as well. About Trevor: Based in Chicago, independent artist Trevor Jones works in a variety of musical settings. He performs with regional orchestras throughout the Midwest including the Elgin Symphony and is a substitute with the Grant Park Orchestra. He has also recorded for Realize Records on Chris Bruni’s album Watch Me Burn and Kate Quinby's album Tribute To Water and has co-written and recorded two albums: Tin God and Equinox with his Chicago-based alternative rock group Molehill. Trevor is the upright and electric bassist at The Marriott Theatre in Lincolnshire, IL and his credits include Jeff®-Award Winning Musical Hero that was premiered in the Summer of 2012 and reprised in 2014 at Asolo Repertory Theatre in Sarasota, FL. For the Glory with music Tony Award® nominee Frank Wildhorn (Jekyll and Hyde, The Scarlet Pimpernel), Battlecry by Paul Bogaev (Aida, Spiderman). and the World Premiere of October Sky. While growing up in Gettysburg, PA Trevor studied double bass with Duane Botterbusch of the Harrisburg Symphony, and continued with Andrew Kohn of the Pittsburgh Opera at West Virginia University. In 2009 he completed his Master’s degree at DePaul University where he studied with Rob Kassinger of the Chicago Symphony Orchestra. While studying at DePaul, Trevor performed with the Civic Orchestra of Chicago and the DePaul Symphony Orchestra under the direction of Cliff Colnot. Trevor earned his Bachelor’s degree in Music Education at West Virginia University. Trevor performs with the Chicago-based rock act Molehill. Molehill headlines some of Chicago’s most prominent venues and tours throughout the country. Highlights include appearances at CBS Studio Chicago, Metro (Chicago), Summerfest and SXSW. Their song “The Repeating” charted in the Top 10 of the KKBB Speciality Charts in 2015. Trevor has won an ASCAP+ Award for his songwriting for Molehill. Trevor is in demand as an educator in the Chicago area and maintains a studio at Midwest Young Artists , the preeminent youth music program in the Midwest. In addition to teaching at MYA, Trevor is also the Instructor of Double Bass at Illinois Wesleyan University at DePaul University where he teaches String Pedagogy.