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She is a talented solo singer-songwriter who debuted in 2006 with her first full-length album . 선우정아 has written, composed, and produced songs for many artists, including IVE and 2NE1, making her a true all-rounder artist.As a jazz vocalist, she has participated in various performances and albums, showing her limitless musical talent. Her unique voice and singing style, often combining low and high notes, have earned her much love.She has been recognized for her musical talent, winning two awards at the Korean Music Awards for her second album in 2013, and Best R&B & Soul Album for her third album in 2020.선우정아 also shines as a judge on audition programs and actively works in both the music and broadcasting industries. She even showcases her diverse musicality in various kinds of stages such as musical theater and film musicNow, let's dive into the music of this musician's musician, 선우정아!Today's playlist1. 별사탕(STAR CANDY)2. 봄처녀(SPRINGIRLS)3. BUFFALO (Feat. 다미 of 드림캐쳐, 송은이, 유승우, 윤지영, 정세운, 15인의 소띠들)4. 도망가자(Run With Me)5. 구애(I want to be loved) - Nive's Pick6. 고양이(Cat) (feat. 아이유) - AIVAN's Pick
Today was just Erick and Zack which means don't ask don't tell. Erick had some plans coming up soon when it comes to Orlando and his hometown. Erick talks about 3D and some gave some more details about his job. There is a little Fallout when it comes to the TV show and video games. Anyways a lot of good stuff and we hope you enjoy it. Music: Now you a Single Mom Links: Erick Feiling IG Zack Stack IG Comedian Erick Feiling
Today, our guest is Sandy Huang, Vice President of Product Management at GoodRx. Sandy has worked in tech for most of her career, beginning at small startups such as MusicNow, which was later acquired by AOL, as well as WeddingChannel, which was acquired by The Knot. She then moved on to companies including Shutterfly, Minted, Jive Software, and Flipboard. Before joining GoodRX, Sandy worked at Amazon as Head of Product, where she led the global visual search and discovery team for Amazon Shopping, and led the Alexa team developing experiences and content. In this episode, LogRocket's CEO and Head of Product, Matt Arbesfeld, talks to Sandy about the importance of alignment in product management, ways to collaborate with stakeholders, and insights from her experiences at Amazon working on projects like Alexa and Global Search and Discovery. Links https://www.linkedin.com/in/sandyhuangproduct/ https://twitter.com/SandyHuangPM Leader Spotlight: Finding your superpower, with Sandy Huang (https://blog.logrocket.com/product-management/leader-spotlight-sandy-huang/) What does LogRocket do? LogRocket combines frontend monitoring, product analytics, and session replay to help software teams deliver the ideal product experience. Try LogRocket for free today. (https://logrocket.com/signup/?pdr) Special Guest: Sandy Huang.
Coming up with a sound that is uniquely your own is a rare thing in heavy music. The bands that are able to succeed in it always find success whether it is in a massive cult following, or becoming the next trail blazers in their respective genres.Right now in Germany, there is a band that is blending modern heavy music and electronics in a way that sounds so complex, yet is so simple, that they have achieved that unique sound. But how far will they go?Severin and Bastian from the unique modern heavy music band AVRALIZE join the Chord Progression Podcast. With their debut album FREAKS set to release, get into the band with us throughDiscovering how the band decided to take writing seriously after working together since they were young, and how working with the proper producer created the best sound.Finding out why FREAKS brings spice to modern heavy music, and why the song Overdose is the perfect summary of their sound as a whole.The unique stylings of AVRALIZE, and how they created this one of a kind sound.This is a perfect band to get into for your love of all things heavy, so tap subscribe and not miss out on what is to come.Find AVRALIZE Online:Facebook: https://www.facebook.com/avralizemusicTwitter: https://twitter.com/avralizemusicInstagram: https://www.instagram.com/avralizemusic/Tik Tok: https://www.tiktok.com/@avralizemusicYouTube: https://youtu.be/bvNFEQ2E4AU?si=ZoKHx4JZezk-bWGyWebsite: https://avralize.comMerch: https://arising-empire.shopSpotify: https://open.spotify.com/artist/6h9Yjv46RWsgt2NQ1F6Jb5?si=CFY7mpWYRE-GbQJvHh4tYAApple Music: https://music.apple.com/us/artist/avralize/1625061405Check out our sponsor: DarkFusion Systems!Use code "CPPOD" for $100 off of your computer build!https://darkfusionsystems.comFollow us on social media!Facebook:https://www.facebook.com/chordprogressionpodcastTwitter:https://twitter.com/cppodofficialInstagram:https://www.instagram.com/chordprogressionpodcast/YouTube:https://youtube.com/channel/UCqRKZCDMcFHIYbJaLQMfDbQChord Progression Podcast (Spotify):https://open.spotify.com/show/53XWPGrIUvgavKF5Fm6SLkChord Progression Podcast (Apple Podcast):https://podcasts.apple.com/us/podcast/chord-progression-podcast-the-gateway-to-new-rock-and-metal-music/id1454876657Chord Progression Podcast (Amazon): https://music.amazon.com/podcasts/b8dad803-444c-4a73-8aa5-67b4fc43f4baChord Progression Podcast (iHeart Radio):https://www.iheart.com/podcast/269-chord-progression-70632531/Podcast Webpage:https://mysongoftheday.com/my-song-of-the-day-rock-2000-today/chord-progression-podcast/Welcome: (0:00)How Did AVRALIZE Find Their Sound?: (1:02)Getting Serious With their Music Now!: (6:00)This Ain't "Metal," This is Modern Heavy Music: (14:16)"Overdose," the Symbol of AVRALIZE Sound: (18:45)The Surprise on "Canvas": (25:45)Bringing SPICE on FREAKS: (29:15)Already Working on Album #2?: (31:33)The Overheating Show Story: (34:30)AVRALIZE Suggests 3 Bands for You: (40:14)Kevin's Final Thought; This Is Great Songwriting: (46:40)
We had the pleasure of interviewing Reyna Roberts over Zoom video!Breakout country artist and showstopping performer Reyna Roberts released her debut album Bad Girl Bible, Vol 1 on Friday September 8th (via EMPIRE Nashville). This new album follows the success of previously released singles off the album “Country Club” “One Way Street,” and “Louisiana” which have seen a great response from press and fans alike, with Wonderland Magazine stating, “Roberts' heartfelt lyrics capture the universal theme of unrequited love, striking a chord with listeners worldwide.” “Country Club” specifically is going viral across socials with posts on Hollywood Unlocked, The Neighborhood Talk and more! Focus track off the album “Miranda” was inspired by Miranda Lambert, Johnny Cash and Beyonce, with those influences also being seen in the music video for “Miranda”. Bad Girl Bible, Vol 1 is already receiving rave reviews from press with, American Songwriter describing Roberts debut album as “songwriter salvation”.Coinciding with the release of her debut album Reyna is being featured on billboards in Nashville and in New York City where she has been in town for New York Fashion Week attending shows. On Saturday Reyna made her debut at New York Fashion Week walking in the Utierre fashion show at the Dreamland After Dark show at Sony Hall. The fiery singer-songwriter has also recently partnered with The General Insurance, Amazon Prime, Grammy Museum, CMT, CMA, Amazon Music, Bud Light, Tennessee Titans, Stella Rosa, NASCAR and more!When asked about the release of her debut album Bad Girl Bible, Vol 1, Reyna said, “Bad Girl Bible, Vol. 1 is the first half of my debut double album. This is my story of being in love, on the run, my journey through Hell, and ultimately God's salvation. I'm excited about this debut album because people will get to see a full picture of who I truly am. I'm a writer on every song and I also co-produced many of the songs as well, because I had a specific vision for each one- that also included detailed visuals. I spent countless days and nights going over every detail for this album. My goal was to make sure there was personality and character throughout the entire project, so the audience can experience my journey on every level. This album is the truest reflection of my sound as an artist. Even though you hear some country trap and country pop early on. You feel like you're on the run with me, and my sound becomes more outlaw country the darker the journey becomes. This is my Old Testament.”Roberts continues blazing a trail toward success, receiving high praise from the industry and her peers. Roberts has opened for Reba McEntire, toured with country artist Jamey Johnson, and has performed with Luke Combs. Her music is “hard-hitting and anthemic” (Rolling Stone, Rolling Stone Country), “lively and energetic” (Billboard), and she has created songs for ESPN, Apple TV +, NFL, and Hallmark Channel. She has been featured in People, New York Times, Taste of Country, The Boot, Music Now, Wide Open Country, and many other publications, demonstrating that her music resonates with fans and critics alike. Bad Girl Bible, Vol. 1 will be followed by Vol. 2 set for release in 2024. Stay tuned to Reyna's socials below for more updates following the release of Bad Girl Bible, Vol. 1 as well as upcoming tour dates from this talented young artist.We want to hear from you! Please email Hello@BringinitBackwards.comwww.BringinitBackwards.com#podcast #interview #bringinbackpod #ReynaRoberts #NewMusic #ZoomListen & Subscribe to BiBhttps://www.bringinitbackwards.com/followFollow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpodThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4972373/advertisement
Dale Trumbore is a Los Angeles-based composer and writer whose music has been called "devastatingly beautiful" (The Washington Post) and praised for its "soaring melodies and beguiling harmonies deployed with finesse" (The New York Times). Trumbore's compositions have been performed by the Chicago Symphony's MusicNOW ensemble, Conspirare and the Miró Quartet, soprano Liv Redpath, Los Angeles Master Chorale, Modesto Symphony, and Pasadena Symphony. She has written extensively about working through creative blocks and establishing a career in music in essays and in her first book, Staying Composed. Learn more about Trumbore's music and writing at daletrumbore.com.In this episode, we talk about collaboration and advocacy related to composers, writers, and more! Watch this episode on YouTube: https://youtu.be/tKVY7X-sxVs The Music (ed) Matters Podcast is sponsored by our friends over at Perform International. Thinking of going on tour domestically or abroad, want to take a solo tour, or team up with a dynamic festival? PI offers the best educationally sound and culturally significant experiences! Check them out, and tell them Emmy sent you :) Perform-International.com Order your copy of “The Business of Choir”: https://www.giamusic.com/store/resource/the-business-of-choir-book-g10713 or check out the website, businessofchoir.com. Join us over at Patreon.com/MusicEdMatters for monthly meet-ups, monthly bonus episodes, special content, and more!**Show music originally written by Mr. Todd Monsell
On this edtion of The Arts Section, host Gary Zidek takes you with on a tour of the Fine Arts Building. The Chicago landmark is celebrating its 125th anniversary all year. The Dueling Critics, Kerry Reid and Jonathan Abarbanel, join Gary to discuss a revival of the classic musical DAMN YANKEES. Later in the show, Gary catches up with renowned composer Jessie Montgomery, who is preparing for the CSO's final MusicNOW concert of the season. And Gary checks in with nationally known music critic Kelefa Sanneh to talk about music genres.
Mark Knight is a musician, known for his years as the guitarist in Bang Tango, as well as for his solo career with Mark Knight & The Unsung Heroes. He has a new album coming out June 6 titled “Lonesome Songs.” We discuss the new album, plans for live shows, his work on the movie Airheads, getting a call from Slash to try out for Guns ‘N Roses and more! 00:00 - Intro00:42 - New Album "Lonesome Songs" 04:50 - Sound City 05:44 - New Album Sound & Songs 08:20 - Shutdown & Music Revenue 10:20 - Listener Takeaway From New Album 11:00 - Plans for Live Shows 15:35 - Oni Logan & Bands Vs Solo 19:02 - Players on New Album 20:20 - Working with Producer Adam Hamilton 22:13 - Fools Like You & Social Media Opinions 25:45 - Playing Old Stuff Vs. New Stuff 28:05 - Chris Van Dahl & Bang Tango Redux 29:40 - Work on Airheads Movie with Brendan Fraser 33:13 - Invitation From Slash to Try Out for GnR 37:05 - Mick Mars Replaced By John 5 38:55 - Love After Death 41:37 - Hindsight with Music Career 45:21 - Advice for Younger Musicians 47:25 - Goal with Music Now 48:25 - ASPCA 50:38 - OutroMark Knight website:https://www.markknightandtheunsungheroes.com/ASPCA website:https://www.aspca.org/Chuck Shute website:https://chuckshute.com/Support the showThanks for Listening & Shute for the Moon!
In 2022, Jessie Montgomery was named the Mead Composer in Residence for the Chicago Symphony, receiving commissions to write 3 new orchestral works, and curate the orchestra's MusicNOW programs.
Next to a small village in Bosnia there is what some believe is the world's oldest and largest pyramid. Sitting there forgotten for millennials until one man discovered them again. Or did he? Our host Fredrik continues the mission to discover what is genuine, fake, and somewhere in between on the TV-show Ancient Aliens. But in this episode we're going to do a little side tour and peek into the Bosnian Pyramids. This is a little shorter episode where we break away from the TV-show and investigate a new phenomenon that was all the rage a decade ago. We will dive deep into who created the origin, is it really real and what is the evidence behind it. This also means that we will have to get to know Semir Osmanagic a lot better. If you're not already familiar with this name you will be at the end of this episode. We also talk a little about real European pyramids and a little bit about modern Bosnia. Come with and learn how a modern myth was created. All the sources used and transcript can be found at https://diggingupancientaliens.com/episode-20-bosnian-pyramids.html (our website diggingupancientaliens.com). Music“Now we ride” by Alexander Nakarada (https://serpentsoundstudios.com/ (serpentsoundstudios.com)) Licensed under Creative Commons BY Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ (http://creativecommons.org/licenses/by/4.0/) https://open.spotify.com/track/1X5dctoVNJoPppnlNmXH1e?si=e8a272c135ed4093 (“Folie hatt” by Trallskruv)
Is the story of powerful tones from a ramshorn evidence of ancient LDAR technology?Do stories from the Guatemalan jungles about flying turtles prove aliens did visit the classical Mayan?Did Alexander the Great meet his greatest defeat against an extra-terrestrial air attack?Our host Fredrik continues the mission to discover what is genuine, fake, and somewhere in between on the TV-show Ancient Aliens. In this episode we will break down episode six from season two (Ancient Aliens S02E06) called “Alien Tech”. It originally aired in December 2010. This will be an episode full of information and research. I've found a lot of interesting things among turtles, aliens and laser guns. This will be quite the ride so stay tuned. I've also wanted to plug my appearance on friend of the show https://www.religiouswarspodcast.com/ (Erik McLarens “Religion Wars”). You should definitely check that out, a link will be in the description to this show. Otherwise you will find it everywhere you usually find your podcasts. You will be able to read the full transcript of this episode and see the sources, resources and further reading suggestions https://diggingupancientaliens.com/episode-17-alien-tech.html (on our website). In this episode: LDAR Battle of Jericho Sound construction Cyclopean Walls Treasury of Atreus Acoustic levitation Merlin building Stonehenge Ancient antigravity Flying saucers in ancient art Flying turtles of Guatemala Alexander the Great's UFO battle Anti Gravity / The Neueraera Brute force Archimedes death ray Vitrified forts Music“Now we ride” by Alexander Nakarada (https://serpentsoundstudios.com/ (serpentsoundstudios.com)) Licensed under Creative Commons BY Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ (http://creativecommons.org/licenses/by/4.0/) https://open.spotify.com/track/1X5dctoVNJoPppnlNmXH1e?si=e8a272c135ed4093 (“Folie hatt” by Trallskruv)
"The text is so crucial to my process. I try and derive every little detail -- rhythm and harmony and melody and the overall mood and tone and textures and timbres of the piece -- from the text itself. The text is really at the heart of everything I do."Dale Trumbore is a Los Angeles-based composer and writer whose music has been called "devastatingly beautiful" (The Washington Post) and praised for its "soaring melodies and beguiling harmonies deployed with finesse" (The New York Times). Trumbore's compositions have been performed widely in the U.S. and internationally by the Chicago Symphony's MusicNOW ensemble, Los Angeles Children's Chorus, Los Angeles Master Chorale, Modesto Symphony, Pasadena Symphony, Phoenix Chorale, Tonality, and VocalEssence.The recipient of ACDA's inaugural Raymond W. Brock Competition for Professional Composers, an ASCAP Morton Gould Award, and a Chamber Music America Classical Commissioning Grant, Trumbore has also served as Composer in Residence for Choral Chameleon. She has been awarded artist residencies at Copland House, the Helene Wurlitzer Foundation, the Tusen Takk Foundation, and Ucross. Her choral works have been commissioned for premieres at national conferences of the American Choral Directors Association, American Guild of Organists, Chorus America, and National Collegiate Choral Organization, and her music is available through Boosey & Hawkes, G. Schirmer, and Graphite Marketplace.Trumbore is passionate about setting to music poems, prose, and found text by living writers. She has written extensively about working through creative blocks and establishing a career in music in essays for Cantate Magazine, the Center for New Music, and NewMusicBox. Her first book, Staying Composed: Overcoming Anxiety and Self-Doubt Within a Creative Life, was hailed by writer Angela Myles Beeching as a "treasure trove of practical strategies for moving your artistic career forward... not only for composers, but for performers, writers, and any other creatives." Trumbore's short fiction is published or forthcoming from Southern Indiana Review, New Delta Review, and F(r)iction. She is currently working on a collection of short stories.Trumbore holds a dual degree in Music Composition (B.M.) and English (B.A.) from the University of Maryland, as well as a Master of Music degree in Composition from the University of Southern California. A New Jersey native, Trumbore currently lives in Azusa, CA with her spouse and their three cats.To get in touch with Dale, you can visit her website -- daletrumbore.com -- or use her contact form.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson from Pexels
This week, the gang gets together (minus Sean) to talk about local celebrations. Not so much the big things that gain a national reputation like Mardi Gras or the cherry blossom festival in DC — more like your small-town strawberry fests and whatnot. Plus, as always, Pierce apologizes, and we have a rock trivia question.MUSIC: ”Now & Later Gators” – Freddie Gibbs, Curren$y and the Alchemist
Mysterious places, they appear across the globe. Places where things mysteriously disappear, where strange beings lurk in the shadow and the technology stops working. Could there be an otherworldly explanation to this? Could it be a wormhole? Do they really exist? I'm just asking questions. Or am I? Our host Fredrik continues the mission to discover what is genuine, fake, and somewhere in between on the TV-show Ancient Aliens. In this episode we will explore mysterious places. What is the mystery and is the mystery really mysterious for the reasons presented in the show? Today we are going to break down episode 1 from season 2 titled “Mysterious Places” (S02E01). In this episode we will cover these ancient and not so ancient sites and topics: Bermuda Triangle Flight 19 Zone of Silence (Zona de silencio) Anasazi (Ancestral Puablans) Gate of the gods / Aramu Muru (Altarini) Markawasi World grid theory Ley Lines I do mention a bunch of villages (or Ancient Aliens does) and they are as follow: Calais, Mont Alix, Mont Alet, L'Allet, Anxon, Aissey, Alaise, L'Allex, Vercelli, Alzano, Calesi, Cales. I don't have a guest in this episode but we have a new outro so it's almost like having a guest. It's a song called “Tin foil hat” by a Swedish punkbank called Trallskruv. If you like this you can find https://trallskruv.com/ (their webpage), https://www.instagram.com/trallskruvpunk/ (Instagram), https://open.spotify.com/artist/4XIg7phBxKa77OOkkdvGGg (Spotify )and a bunch of https://linktr.ee/trallskruv (extra info at their linktree). Of course with their permission, go and check them out! Check out the show notes on the website for full reference list and other handy resources. Head over to https://diggingupancientaliens.com/episode-13-mysterious-places.html (diggingupancientaliens.com) and don't forget to follow us on https://www.facebook.com/Digging-up-Ancient-Aliens-108173641647111/ (Facebook)! Music“Now we ride” by Alexander Nakarada (https://serpentsoundstudios.com/ (serpentsoundstudios.com)) Licensed under Creative Commons BY Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ (http://creativecommons.org/licenses/by/4.0/) https://open.spotify.com/track/1X5dctoVNJoPppnlNmXH1e?si=e8a272c135ed4093 (“Folie hatt” by Trallskruv)
Gator Main stop By BOSS talk 101 and educated us on his start in the Music and gave Countless details on the Dallas Music Scene Gator Main spoke on the way he feel about music then and the way he feels about the Music Now the song Kiss My Ass how it hit and stuck and people gravitated to it 20 inch Daytons and so much More Gator Main Also received a Plaque just Showing the Love and appreciation BOSS TALK 101 feels for his dedication to the Music and the City #GatorMain #JPrince #PimpC Subscribe NOW to BOSS Talk 101 its a Unique Hustle: https://youtube.com/c/ECeoUniqueFashions Instagram: https://www.instagram.com/e_ceo_/?hl=enInstagram: https://www.instagram.com/bosstalkpod... Apple Podcast: https://podcasts.apple.com/us/podcast... Spotify Podcast: https://open.spotify.com/show/0yD2UzY...
Santos speaks with Arizona based R&B soul singer/songwriter Lizeth Arenas about everything from her music career to how she worked up the courage to chronicle parts of her life in her own works of music. Lizeth talks about her experiences of balancing her traditional Mexican upbringing with the Chicano experience, how she drew inspiration from her marriage to create of her new EP entitled "Blue", creating music with the Under Ground Music group, incorporating Spanish with her music, and more.Follow Santos on Social Media:Instagram: @santosthreadsshopTikTok: @santosthreadsshopYouTube: The Santos Says Podcast (Video Podcast)Shop the Santos Threads Spring Collection available now.santos-threads.comFor business inquiries and collaborations email santosthreads@gmail.comFollow Lizeth Arenas on Social MediaInstagram: @la.lizeth.musicNow available on YouTube the official music video for "Shine On" .Blue the EP available on April 22nd on all streaming platforms via Underground Music Group ™️.Support this podcast at — https://redcircle.com/the-santos-says-podcast/donations
On today's episode of the Exit Podcast, we are talking with Chris Gladwin, the Co-Founder and CEO of Ocient. Prior to that, he had multiple successful exits, including the sale of Cleversafe, a data storage and distribution company. With plenty of venture backed partners, Chris helped to raise over $100million to grow the company. His hard work would pay off when the company sold for over $1billion to IBM. His other two exits were for Cruise Technologies, a dominant developer of Wireless Thin Clients, and MusicNow, the world's first music subscription service. Always on the cutting edge, Chris shares with us how he started, grew, and sold each company. Team Building Still thinking about how to make data storage better, Chris founded Cleversafe. He built upon the techniques used in wireless communications to create a new and improved method to store and distribute the world's data. When it came to growing the team for this core information technology company, Chris says the challenge was that it was very resource intensive. In order to hire the right people that were capable of growing this technology, Chris had to raise a lot of money. He ended up raising $100million and focused on finding his team. At the time, Motorola was collapsing and a lot of people with the right experience were looking for new jobs. Chris grabbed a lot of those people and brought them on board at Cleversafe. In addition, he brought on people he knew from his prior experiences in the space and also tapped into college recruiting. By the time IBM acquired Cleversafe they had 250 employees. 100% Conversion Rate The main KPI Cleversafe focused on was how many qualified opportunities they were winning. Chris says they eventually got into the zone and for every potential client they got into the pilot, they were converting 100% of them. With these being multi-million dollar orders, Chris knew they had made it. The company was doing very well and Chris had no intention to sell when IBM approached him. Continuing to pursue them, IBM ultimately made an offer that Chris couldn't refuse. With their initial approach in March 2019, by November of that year the sale would be final. Chris says the company's investors and employees didn't even know of the acquisition until the day before. Everyone involved was very pleased though, as the $1billion sales price meant a large financial upside for everyone. Chris recognizes that there is a lot of opportunity to not treat employees right in the sale of a company, but he's very proud of what they were able to do for everyone. Knowing What You Know Now, What Would You Tell Yourself Ten Years Ago? Chris's newest company, Ocient, is very similar to Cleversafe, so there are plenty of cheats he could tell himself, but he says he wouldn't. Chris believes it's the challenge that drives the satisfaction. He also does everything in a way that, even if it fails, he would have still done it because he doesn't do it for the money, he does it because it's his craft. So, he would tell himself only that he needs to figure it out for himself. For More Information To learn more about Chris's newest endeavor, visit www.ocient.com. As they work to create the largest data analysis systems, they're always looking for talented individuals to join the team. If you think you'd be a good fit, consider applying on their website. -- The Exit—Presented By Flippa: A 30-minute podcast featuring expert entrepreneurs who have been there and done it. The Exit talks to operators who have bought and sold a business. You'll learn how they did it, why they did it, and get exposure to the world of exits, a world occupied by a small few, but accessible to many. To listen to the podcast or get daily listing updates, click on flippa.com/the-exit-podcast/
Four-time-startup-founder Chris Gladwin is a Chicago guy, and he's spent much of his career bucking the notion that game-changing tech solutions can only be nurtured to market maturity on the coasts. But if you ask him, it's not lightning-in-a-bottle moments that have propelled his journey; it's the idea that successful companies are built in increments, over what he calls “person centuries,” by constantly lending an ear to your customers and earnestly addressing their concerns and needs.In his talk with Jesse, Chris talks about his journey as an IT customer and deliverer of user-friendly enterprise solutions. He describes why IT systems are becoming more complex, and why the need for adept IT talent isn't likely to lessen any time soon. He reveals the ambitious plan behind P33, the organization he started to transform Chicago into a tech hub. He describes in detail how businesses can listen to the customer at scale. And he leaves us with a look at the future of data analysis - a future he's helping to write as CEO of Ocient. (2:51) How Chris's early journey as a customer of IT products prepared him to build consumer-friendly solutions(8:19) The rapidly accelerating complexity of IT systems and data ownership(12:40) “We know what works” -- how to prepare more people to work in IT(14:56) The allure of Chicago, and why Chris started P33 to help transform it(21:17) Building organizations that know how to listen at scale(25:36) Looking ahead: We can analyze more data than ever, but what will we do with it? Guest BioChris Gladwin is the CEO and Co-Founder of Ocient, the Chicago-based company enabling rapid analysis and management of the world's largest datasets. In 2004, Chris founded Cleversafe, which became the largest and most strategic object storage vendor in the world (according to IDC). The technology he started generated over 1,000 patents granted or filed. Prior to Cleversafe, Chris was the Founder and CEO of startups MusicNow and Cruise Technologies, and led product strategy for Zenith Data Systems. He started his career at Martin Marietta, and holds a mechanical engineering degree from MIT.Helpful Links Ocient's websiteP33 Chicago: The organization Chris started to turn Chicago into a major tech hub by 2033Article on Chris in the Chicago TribuneChris on LinkedInEpisode features: Royalty Free Music "Chicago Nights" Prod. by Danya Vodovoz
What do stone work, table saws, Puma Punku, Macu Picchu, Nicolas Tesla, Stone vases, Manna, algae and Sundays have in common? Why do obelisks have water wheels in this episode? Find out answers to these questions and more in the second part of “The Evidence”. My name is Fredrik and I have an background in archeology and I'll break down the TV-show ancient aliens. Together we will laugh, learn and take a deep dive in to the strange and unnerving history of aliens. Are the claims made in the show true or what is the real history behind this. Sources and further reading: Egyptens pyramider : evighetens arkitektur i forntid och nutid - Nils Billing E. S. Edwards, The Pyramids of Egypt Silverman, ed., Andean Archaeology. Janusek, Identity and Power in the Ancient Andes. Nicholson, P. T. and Shaw, I. 2000, Ancient Egyptian materials and techniques, New York. Aston, B. G. 1994, Ancient Egyptian stone vessels: materials and forms, Heidelberg. Petrie, W. M. F. 1974, Tools and Weapons, Warminster. https://www.britishmuseum.org/collection/object/Y_EA27628_10 http://www.oocities.org/unforbidden_geology/ancient_egyptian_stone_vase_making.html (Egyptian stone vase making - British Museum) Contact: https://my.captivate.fm/dashboard/podcast/d5804038-53cc-4ffe-8f65-5e82f4808134/diggingupancientaliens.com (diggingupancientaliens.com) Music used in this episode: Music: “Now we ride” by Alexander Nakarada (https://my.captivate.fm/dashboard/podcast/d5804038-53cc-4ffe-8f65-5e82f4808134/serpentsoundstudios.com (serpentsoundstudios.com)) Licensed under Creative Commons BY Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/%EF%BF%BC%EF%BF%BCThe (http://creativecommons.org/licenses/by/4.0/)
Are we alone in the universe? Have we ever been visited by alien lifeforms and is there evidence of this? What do a wooden bird, golden figures, Vimanas, rockets, flying carpets, Nasca Lines, old maps, the bible and a trebuchet have in common? In this first episode we will start the journey to find out all of this and more! My name is Fredrik and I have an background in archeology and I'll break down the TV-show ancient aliens. Together we will laugh, learn and take a deep dive in to the strange and unnerving history of aliens. Are the claims made in the show true or what is the real history behind this. Resources and references: http://cgpl.iisc.ernet.in/site/Portals/0/Publications/ReferedJournal/ACriticalStudyOfTheWorkVaimanikaShastra.pdf (Mukunda, H. S.; Deshpande, S. M.; Nagendra, H. R.; Prabhu, A. & Govindraju, S. P. (1974).) Silverman, Ancient Nazca Settlement and Society. Aveni, Between the Lines. Contact: diggingupancientaliens.com Music used in this episode: Music: “Now we ride” by Alexander Nakarada (serpentsoundstudios.com) Licensed under Creative Commons BY Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/%EF%BF%BC%EF%BF%BCThe (http://creativecommons.org/licenses/by/4.0/)
Episode 36 - Oct. 5th, 2021 - Owning Your Performance (Blxst Concert Review) - @DJIntence x @Im_Walttt Weekend Recap - Cheeques Gentlemen's Club (Linden, NJ) - Quicks Food Deli (Paterson, NJ) - Concert Reviews in the Past (i.e. Summer Walker x A. Boogie x The Weekend x SwaveHMG x Craigy F. Music aka Craigy F.) - @DJIntence x @Im_Waltttt parking Woes - Williamsburg Music Hall (Brooklyn, NY) Review - Funk Flex DJ Performance - Blxst Tour DJ Performance - Kobe Bryant x Jay Williams (ESPN Anchor x Former Chicago Bulls Point Guard) - Song BreakDown From The Show (Might Missed a Few but this is from Our Point of View with the Footage we have) - Blxst Wrong or Right (Blxst Background Singer Cheyanne) - Blxst No Love Lost - Blxst Searching - Blxst Got It All (Spotify Listening Sessions on the App) - Blxst Slip & Slide (Frank Ocean x The Weeknd) - Blxst Pop Out (Music & Regions) [112 “U Already Know”] - Blxst Movie - Blxst Falling (A. Boogie Remix Possibility?? from @Im_Waltttt perspective) - Blxst Hurt - Blxst Bacc Home (References to Drake “The Motto” & “In My Feelings” x Andre 3000 Hey Y'all”) - Blxst Brand New - Blxst Be Alone (Kendrick Lamar x John Austin & Jazze Phe x TDE x Pimp C *from UGK* Sample Clearance) - Aaliyah Influence in the Music Now - 2021 NFL Halftime Show (Dr. Dre x Snoop Dogg x Mary J. Blige x Kendrick Lamar x Eminem) - Blxst Gang Slide (Crown Response) - Blxst Fck Boys (Blogs & Discovering Artist Wiz Khalifa x Big K.R.I.T. x The Weeknd) - Michael Jackson vs Prince (TAFKAP) - Blxst Just Say'n - Blxst Overrated (Donell Jones “This Luv” Sample) *What's Bad For Your Heat, is good for you ART…* [The Artist known as NAV] - Ryan Tedder (One Republic “Apologize x “Bleed Love” by Leonia Lewis x Beyonce “Halo”) - Timbaland Justin Timberlake FutureSexyLoveSounds x Nelly Furtado - Myspace and its Influence for Music (i.e. Drake) - Blxst Chosen - Blxst Song we Missed “Fallin” - @DJIntence Negatives for the Concert (@DJJuelz203 x @ - @Im_Waltttt Negatives for the Concert - Song we wished that he performed….”Change Up” x Time“ - Vinny's Pizza (Williamsburg, Brooklyn, NY) - London Hill (Harlem, NY) x Stewart's Cinema (Brooklyn, NY)
Thanks for checking out Episode XXXVI! Been a fan of Gonzalo Grau's music for a while now. When I first heard La Clave Secreta I was blown away at the musicality! Easily one of my top Timba Fusion bands out there! Gonzalo Grau Biography Began his musical studies at the age of three in Caracas. Along his musical journey he developed skills in many instruments, from the viola da gamba and the cello to the flamenco cajón and his principal instrument, the piano. A Berklee College Suma Cum Laude, Gonzalo has established himself as a multi-instrumentalist and his varied credits include performances with Venezuelan music projects like Maroa, Schola Cantorum de Venezuela, Camerata de Caracas and the Simón Bolivar National Youth Orchestra, jazz icon Maria Schneider and the Latin jazz giant Timbalaye. As a music director he leads two projects of his own, "Plural" (Latin jazz-Flamenco-Venezuelan fusion) and "La Clave Secreta" (salsa fusion), nominated for the 2008 Grammys in the Best Tropical Album category. As a recording artist, Grau has participated in over eighty productions that bridge both classical and popular music worlds. His most recent productions include the studio recording of Golijov's La Pasión según San Marcos (winner of the ECHO award 2010), the album "México" of Rolando Villazón (winner of the ECHO award 2011), and Nazareno with pianists Katia and Marielle Labeque, all released by the German label Deutsche Grammophon. Also the production of West Side Story with the Labeque sisters (winner of the Choc the Classica) under KLM label. Wearing his composer and arranger hat, his achievements include composition collaborations alongside Osvaldo Golijov for the opera Ainadamar and La Pasión Según San Marcos. Original works include the overture Pregunta y Respuesta commissioned by the Atlanta Symphony (premiered in March 2008), Café con Pan, commissioned by the Chicago Symphony for the MusicNow concert series (premiered in November 2008), Nazareno (suite for two pianos and full orchestra), commissioned by pianists Katia & Marielle Labeque (premiered in January 2010), the oratorio Aqua, commissioned by the Bach Academy International, winner of the European Composer Award 2011, award given by the Young Euro Classic Festival in Berlin (premiered in August 2011); Viaje, fantasia for full-orchestra and "Latin ensemble", commissioned by the Boston Landmarks Orchestra (premiered in June 2012), and Fantasía de Guayaba Habanera, violin concerto commisioned by Johnny Gandelsman and the Community MusicWorks (premiered in May 2013). ____________________________________ FOLLOW GONZALO: http://www.instagram.com/gonzograu FOLLOW LA CLAVE SECRETA: http://www.instagram.com/laclavesecreta FOLLOW ME: http://www.instagram.com/sir_kevinchong WEBSITE: http://www.sirkevinchong.com
Podcast episode dedicated to my late recent High school Baseball Coach Marc DeLuca. May God always bless you and the many footprints you left in our hearts. “Lives of great men all remind us, we can make our lives sublime, and departing leave behind us, footprints on the sands of time.” H.W. Longfellow (American Poet 1807-1882). Music: “Now we are free” From the movie Gladiator.
1)Intro-UNKLE: Back and Forth. Global Underground Limited 2004 2)Orbital: One Perfect Sunrise (Phil Hartnoll Mix). Orbital Music 2004 3)UNKLE: In a State (Sasha Instrumental Mix), with; Justine- Want Me, Love Me (Renaissance/ Accapella). MoWax 2003 4)Timo Maas Vs. Ian Wilkie: Twin Town (Timo Maas Dub Experience). White Label 2000 5)Sleepfreaks: Distant Mellow. Sumsonic 2001 6)Memnon feat. Julie May: Eclipse (Original Mix). Musicnow 2001 7)Steve Porter: Nordica. Fade Records 2002 8)Pappa & Gilby: Void. Twilo Recordings 2001 9)CocoDaSilva: @ Night. Kismet 2010 10)Ficta: Eli (Original Mix). Global Underground 2004
Playlist Coming Later, Enjoy the Music Now!
Ethan Bensdorf joined the New York Philharmonic’s trumpet section on June 3, 2008, after spending the 2007–08 season as acting assistant principal trumpet with the Naples Philharmonic Orchestra in Naples, Florida. He received his bachelor of music degree from Northwestern University in 2007, where he studied with Barbara Butler, Charles Geyer, and Christopher Martin. While a student at Northwestern, Mr. Bensdorf spent two years performing with the Civic Orchestra of Chicago, the training orchestra for the Chicago Symphony Orchestra, and also performed with the New World Symphony and the Chicago Symphony Orchestra’s contemporary ensemble, MusicNOW. In May 2005, Mr. Bensdorf was selected to perform at the Kennedy Center for the Performing Arts representing Northwestern University as part of “The Conservatory Project” recital series. In September of 2006, Mr. Bensdorf received the Armando Ghitalla International Trumpet Classic Award, which included solo appearances with the United States Coast Guard Band and the Berkshire Symphony Orchestra in Massachusetts. He also spent two summers as a participant in the Pacific Music Festival in Sapporo, Japan; one summer at the National Orchestral Institute in Maryland; and was selected as a Fellow at the Tanglewood Music Center in the summers of 2006 and 2007, where he received the Voisin Trumpet Award.Support the show (https://thatsnotspit.com/support/)
On this episode, LP chats with his longtime friend, Matt Adell about his time at Napster, Music Now, Beatport, and advocating for creators. His new project OnNow.tv just launched is building tools to help creators with discovery, sharing, and promoting their live streams.Learn more about Lyte: http://www.lyte.com Hosted on Acast. See acast.com/privacy for more information.
On this episode, LP chats with his longtime friend, Matt Adell about his time at Napster, Music Now, Beatport, and advocating for creators. His new project OnNow.tv just launched is building tools to help creators with discovery, sharing, and promoting their live streams.Learn more about Lyte: http://www.lyte.com
"You don't 100% the video game of a Music career by getting a college teaching job." Andy Hudson is currently Assistant Professor of Clarinet at the University of North Carolina Greensboro and the NC State Chair for the International Clarinet Association. He has appeared in Carnegie Hall’s ‘Weill Recital Hall,’ Chicago’s ‘Symphony Center,’ and has performed at the World Congress of the International Alliance for Women in Music, College Music Society conferences in the US and Canada, the New Music Gathering, and International Clarinet Association Festivals in the US and Europe. Andy has commissioned or premiered dozens fo works to date, and has performed as guest principal clarinet of the Charlotte Symphony Orchestra, the North Carolina Opera, and the Carolina Ballet. He has performed with the Chicago Symphony Orchestra on their MusicNOW series and was appointed 3rd/Bass Clarinetist of the Cabrillo Festival Orchestra in 2020. Andy currently performs with Latitude 49, F-PLUS, earspace, and The Zafa Collective. Let’s connect on Twitter: @TheAndyHudsonwww.theandyhudson.comwww.ledahfinck.com
In episode 17, Leo is joined by co-host Danny and special guest local AV musician, producer, DJ, and Jesse Dean Designs lead tech, Wes Gross. This episode went a whole EXTRA HOUR! We talk about Wes and his music as well as his work with Jesse Dean Designs. We also show some love to Freddie Mercury, talk about the new Tesla truck, the changes to the Sonic Movie, Disney+, new music, and more! Get ready for this extended episode of The Chitshow! Leo on Instagram: @djbrutelc and @bassblownent Danny on Instagram: @therealdanko Wes on Instagram: @dj_westax LISTEN TO WES' MUSIC NOW! >>>www.soundcloud.com/djwestax
Pictured: Vladimir Bukovsky Matthew Bannister on The Russian dissident Vladimir Bukovsky, a long term opponent of the Soviet regime who revealed the use of psychiatric hospitals as political prisons. Alison Prince, the children's writer who scripted Trumpton. Keith Schellenberg, the eccentric millionaire who was a bobsleigh champion and keen powerboat racer. He bought the Scottish Isle of Eigg - and was accused of treating his tenants badly. Robert Ponsonby, the BBC Controller of Music who ran the Proms and faced a strike by musicians in the Corporation's orchestras. Interviewed guest: Alyona Kojevnikov Interviewed guest: Julia Eccleshare Interviewed guest: Ray Bulman Interviewed guest: Camille Dressler Interviewed guest: Professor David Hendy Interviewed guest: Peter Donohoe CBE Reader: Ian Conningham Producer: Neil George Archive clips from: Vladimir Bukovsky interviewed by Bernard Levin, BBC Sound Archive 26/04/1980; Soviet Propaganda Film 1972, Periscope Film 17/08/2014; PM, Radio 4 04/01/1977; Watch with Mother: Joe and a Horse, BBC One 03/10/1966; Trumpton, BBC One, 03/01/1967; Spud by Alison Prince, Young Corgi, 07/08/2003; Jackanory, BBC One 1965; Radio Scotland News, 09/02/2006; Upfront, BBC Scotland 03/02/1994; Music Now, Radio 3 29/11/1974; Radio 3 continuity announcement, BBC Sound Archive 23/11/1978.
Music Heals - MusicNOW by All Classical Portland
Ocient co-founder Chris Gladwin joins this episode to take us down his entrepreneurial journey, starting as a child born and raised in Ohio (7:07) to his days at MIT (14:02), including the internship that kicked off his entire career. He dives into his first few jobs: Evaluating information technology products for Martin Marietta (now Locheed Martin) (21:34) and then building ethernet into portable PCs at Zenith Data Systems (24:07). His first startup, Cruise Technologies, stemmed from his time at Zenith, developing Wireless Thin Clients (29:00) from which he shares lessons learned in building respectful relationships with investors (32:19). He then goes on to explain how those lessons enabled him to raise money for his next startup, a music subscription service called MusicNow, which he founded in 1999 (38:47). Yes, he founded this company just a few years before iTunes, and yes, that's a frustrating subject Gladwin discusses as well (44:15). However, his experience with MusicNow created a natural bridge into his next company, Cleversafe, the largest data storage system in the world (45:50), which he sold to IBM for $1.3 billion in 2015 (55:00). Finally, he explains the purpose for starting his current venture, Ocient, where he's building new technology to analyze the world's largest sets of data, faster than ever before (56:12). For More, Follow Us Here: Fritz NelsonLinkedIn: https://www.linkedin.com/in/fritznelson/ Twitter: https://twitter.com/fnelson Chris GladwinLinkedIn: https://www.linkedin.com/in/chris-gladwin-7ba42b/ Grow WireLinkedIn: https://www.linkedin.com/company/grow-wire/ Twitter: https://twitter.com/GrowWire Instagram: https://www.instagram.com/growwire/ Facebook: https://www.facebook.com/GrowWire/
Cynthia Yeh joined the Chicago Symphony Orchestra as principal percussionist in June 2007. She previously served as principal percussionist for the San Diego Symphony Orchestra from 2004 to 2007.Born in Taipei, Taiwan, Ms. Yeh received a Bachelor of Music performance degree from the University of British Columbia and a Master of Music performance degree from Temple University in Philadelphia, where she studied with Alan Abel.As an active soloist, Ms Yeh performed with the Chicago Symphony, the National Symphony of Taiwan, the National Orchestra of Mexico, the Chicago Sinfonietta and the Illinois Philharmonic. Ms Yeh has been featured Chicago’s WFMT program Live from Levin Studio. She performs regularly with the CSO’s MusicNOW ensemble as well as various chamber ensembles throughout Chicago.Ms Yeh is currently on faculty at DePaul University and the Aspen Music Festival. She has served on the faculty of the National Youth Orchestra-USA, Pacific Music Festival as well as the Chosen Vale Percussion Seminar.0:00 Intro and hello 2:00 The strike is over! 7:53 What can students do to prepare for the politics they may find in orchestras? 15:30 Inspiring listening, approaching a piece that doesn't already speak to you. Growth as a musician 19:40 Any style or composer that you weren't interested in right away? What don't we like... 22:20 How do you internalize your own sense of meaning in an orchestral work collaborating with the conductor and ensemble, vs a soloist? 24:55 The CSO percussion section? Being Principal Perc.. 29:40 Advice with and challenges with sexism? 36:10 Being on tour? 39:45 Most challenging pieces you've had to play in the orchestra? 47:45 Working with Pierre Boulez? 52:26 Bartok Sonata, HH muting contraption. 54:27 (Casey: Ampex tape recorder, Varese, Poeme Electronique, Bing Crosby) 58:15 Review question Watch here. Listen below.If you cannot see the audio controls, your browser does not support the audio element
Lets Talk About The Music, was a Humorous Controversial Talk Show
Ragbone will be having a conventional conversation with Shels and Spider about The Music Now vs 20/30 Years Ago. --- playlist: Mystic Posse, Jonny Sonic, RagBone, Heart Avail, and Man Like Jones. ---- Let’s Talk About the Music was a Humorous, Controversial Talk Show with a Global Mix of Music. Wednesday Nights at 7 pm - 10pm (PST). www.ltatmradio.com DISCLAIMER: Let's Talk About The Music was part of LTATM Radio Network and did broadcast live on Spreaker. You could have listened to on-Demand on IHeartRadio, Stitcher, Itunes and Spotify. We play only Independent Music across the globe. We did follow the rules & got all of their permissions to their music from MusicSubmit.com, Ramshaw Records, LTATM Promotions and Broken Monkey Music Productions. please visit www.Letstalkaboutthemusic.com for more details.
Composer Steven Bryant's music for winds has quickly become part of the standard repertoire. As the son of a music educator, he is a strong supporter of music education and he joins me from the mountains of Austria to talk about his early influences, his music, and his career to this point. Topics: Steven’s background as the son of a high school band director and how that influenced his path to becoming a composer. The story of BCM International and Steve’s early success with Chester Leaps In and the stories of Dusk and Ecstatic Waters. The value of being self-published and the nuts and bolts about a career as a successful composer. Writing music for band and electronics. Links: Steven Bryant Mid Europe Band Festival Bryant: Chester Leaps In Bryant: Dusk Bryant: Ecstatic Waters Bryant: Hummingbrrd Bryant: Concerto for Wind Ensemble John Cage: As Slow as Possible Biography: Steven Bryant’s music is chiseled in its structure and intent, fusing lyricism, dissonance, silence, technology, and humor into lean, skillfully-crafted works that enthrall listeners and performers alike. His seminal work Ecstatic Waters, for wind ensemble and electronics, has become one of the most performed works of its kind in the world, receiving over 250 performances in its first five seasons. Recently, the orchestral version was premiered by the Minnesota Orchestra to unanimous, rapturous acclaim. The son of a professional trumpeter and music educator, he strongly values music education, and his creative output includes a number of works for young and developing musicians. John Corigliano states Bryant’s “compositional virtuosity is evident in every bar” of his 34’ Concerto for Wind Ensemble. Bryant’s first orchestral work, Loose Id for Orchestra, hailed by composer Samuel Adler as “orchestrated like a virtuoso,” was premiered by The Juilliard Symphony and is featured on a CD release by the Bowling Green Philharmonia on Albany Records. Alchemy in Silent Spaces, commissioned by James DePreist and The Juilliard School, was premiered by the Juilliard Orchestra in May 2006. The Chicago Symphony Orchestra’s MusicNOW series featured his brass quintet, Loose Id, conducted by Cliff Colnot, on its 2012-13 concert series. Notable upcoming projects include an orchestral work for the Detroit Symphony Orchestra (April, 2018), an evening-length dramatic work for the Pittsburgh New Music Ensemble, a choral work for the BBC Singers (July, 2017), a work for FivE for Euphonium Quartet and wind ensemble (2019), and a large work to celebrate the 150th anniversary of the University of Illinois Bands. Recent works include a Concerto for Alto Saxophone for Joseph Lulloff and the Michigan State University Wind Symphony (winner of the 2014 American Bandmasters Sousa Ostwald Award), and a Concerto for Trombone for Joseph Alessi and the Dallas Wind Symphony. Other commissions have come from the Gaudete Brass Quintet (Chicago), cellist Caroline Stinson (Lark Quartet), pianist Pamela Mia Paul, the Amherst Saxophone Quartet (funded by the American Composers Jerome Composers Commissioning Program), the University of Texas – Austin Wind Ensemble, the US Air Force Band of Mid-America, the Japanese Wind Ensemble Conductors Conference, and the Calgary Stampede Band, as well as many others. Steven studied composition with John Corigliano at The Juilliard School, Cindy McTee at the University of North Texas, and Francis McBeth at Ouachita University, trained for one summer in the mid-1980s as a break-dancer (i.e. was forced into lessons by his mother), was the 1987 radio-controlled car racing Arkansas state champion, has a Bacon Number of 1, and has played saxophone with Branford Marsalis on Sleigh Ride. He resides in Durham, NC with his wife, conductor Verena Mösenbichler-Bryant (Duke University).
Chris Gladwin knows how to stay ahead of the curve. His digital music distribution service, MusicNow, launched five years ahead of iTunes and over a decade prior to Spotify. His tablet came out twenty years before the iPad, just as his company Cleversafe, a cloud storage company, burst onto the scene well before “cloud” technology became a trendy topic. Now, Chris and his new company, Ocient, are building solutions for data-analytics problems that companies will face a few years down the road. We talked to Chris to hear his thoughts on what it takes to innovate, disrupt, and promote a powerful vision to tackle problems before they've even arisen.
Joining us this week is Doug Perkins. Doug has commissioned and premiered over 100 pieces and works with such composers as David Lang, Steve Reich, Paul Lansky, John Luther Adams, Nathan Davis, Larry Polansky, Christian Wolff, Glenn Kotche, Sofia Gubaidulina, and Tristan Perich. He founded the So Percussion and the Meehan/ Perkins Duo, and performs regularly with Signal, eighth blackbird, the Chicago Symphony’s MusicNOW, and others. He currently teaches at The Boston Conservatory.Watch here. Listen below. If you cannot see the audio controls, your browser does not support the audio element 0:00 Intro and Hello 1:15 What's up? Being the Dept. Chair? 3:27 Where/how did you fall in love with drums? 7:16 TBC merging with Berklee? 9:44 New Music Gathering in Boston? 13:41 Casey: What's the sound? Acoustic Dispersion. Massive and excellent laser sound/laser tag tangent 26:00 Getting big projects off the ground? Chosen Vale percussion seminar? 35:09 Ben: Bang On a Can -Julia Wolfe and Michael Gordon 47:10 Doug's podcast series, 5 Days With Doug. 50:43 How you see electronic music as it relates to percussion?
Rey and HoHo convene and discuss their Black Friday and Cyber Monday haul and talk about what we've been playing. Doom, Skyrim, AC: Origins, CoD WWII and what we're looking forward to play next. Music: Now or Never - Splatoon 2 soundtrack
Chris Gladwin is the CEO and Founder of Ocient, a startup building software that enables sophisticated users of data to handle massive amounts of information fast enough to make real-time decisions. Two years ago Chris sold his data storage company Cleversafe to IBM for $1.3 billion. Cleversafe was the largest and most strategic object storage vendor in the world. The technology he started generated over 1,000 patents granted or filed, creating one of the ten most powerful patent portfolios in the world. Prior to Cleversafe, Chris was the Founder and CEO of startups MusicNow and Cruise Technologies, and led product strategy for Zenith Data Systems. He started his career at Martin Marietta, and holds a mechanical engineering degree from MIT. In This Episode You Will Learn: The story of Chris’s senior prank and the lessons around forming a team, have a vision, and setting goals that translate to being an entrepreneur The importance of not being too far ahead of the market and how you know if you have the timing right? His experience developing a tablet computer 20 years before the iPad Why Cleversafe was able to get a multiyear head start on everyone else in the industry How storage worked before Cleversafe Why Peter Barris, Managing General Partner at New Enterprise Associates, doesn’t think Cleversafe could have happened in Silicon Valley How the sale to IBM came about Why you want to be bought not sold What it was like delivering the news of the sale of Cleversafe to everyone The impact on the Chicago ecosystem of the Cleversafe exit minting 80 new millionaires How Chris landed his first reference customer for Cleversafe How Chicago tech has changed since his first company in geography and scale Why we still need a Chicago tech anchor Chris's thoughts on Chicago's potential for Amazon HQ2 and what they should be indexing on Why Chris requires 5-8 nonstop flights a day to any satellite office location Chicago's biggest advantages over Silicon Valley? talent cost and talent retention The similarities between being a founder and a poker player Why you have to put yourself in a position to realize your ambition What Chris focuses on? Building the team, raising money, and building a pipeline of customer information and feedback into the company The similarities between being a founder and a journalist Favorite Books: Snow Crash by Neal Stephenson The Codebreakers: The Comprehensive History of Secret Communication from Ancient Times to the Internet by David Kahn
This one starts out slow and nasty, but eventually we get going and dive into The Impaler's idea about a resource based economy and how partisan politics is not helping in the long run. Music: "Now or Never" by Benedict Arnold.
Gary Cohen CEO of EZLinks is interviewed by David Cogan of Eliances Heroes show amfm, iHeart radio. Gary is the founder of MusicNow which was sold to AOL and Circuit City. He continued in the music business as a pioneer of the digitization of music sales until joining EZLinks. EZLinks has an application TeeOff.com partnered by the Professional Golf Association. Gary and David talk about the business of music and golf, and Gary shares the secret to finding the perfect niche for growth. "Fun is a core value. We make sure to infuse fun in everything we do."
Gary Cohen CEO of EZLinks is interviewed by David Cogan of Eliances Heroes show amfm, iHeart radio. Gary is the founder of MusicNow which was sold to AOL and Circuit City. He continued in the music business as a pioneer of the digitization of music sales until joining EZLinks. EZLinks has an application TeeOff.com partnered by the Professional Golf Association. Gary and David talk about the business of music and golf, and Gary shares the secret to finding the perfect niche for growth. "Fun is a core value. We make sure to infuse fun in everything we do."
This week on our Music Now podcast we have Greg G on the show! We sit down and talk about some of the great loves of his life, his new album that will be coming out soon, a possible Broadway musical in the works, what he has to say to new artists grinding hard. Don't miss this inspirational talk with a phenomenally driven human being. Find us on social media! Facebook & Twitter: @TexasMusicPod Instagram: TexasMusicPodcast www.texasmusicspotlight.com
We're back with another exciting episode of our Music Now podcast! This week we have good friend Adam Tutor on the show. We chat about his first experiences with the saxophone, the San Antonio Sound Garden and what they're doing for the music community, his literal garden, his romantic heart, and how the music scene is blossoming as we speak. Fantastic times with a good friend and very interesting chat. Hope you enjoy! Find us on social media! Facebook & Twitter: @TexasMusicPod Instagram; @TexasMusicPodcast www.texasmusicspotlight.com
This week on the Music Now podcast we have hip hop artist SONO. This is one very inspirational talk with a driven human being that is serious about his craft. We chat about his hip hop career, his upbringing, the Nu Age Unlimited collective that he's starting up, and so much more. Listen in and subscribe for more awesome content with fantastic individuals! Find us on Social Media: Facebook & Twitter: @TexasMusicPod Instagram: Texas Music Podcast www.texasmusicspotlight.com
This week on our Music Now podcast we have Ian Stavis, owner of Vapure E-Hookah Lounge in San Antonio, Tx. We talk about how it was building his establishment in the past 6 months, his connection to the music scene, how cool vaping is, and how you need to have your next wedding at Vapure. Sit back and relax to the voice of Ian Stavis. Find us on social media! Facebook & Twitter: @TexasMusicPod www.texasmusicspotlight.com texasmusicpodcast@gmail.com to submit your music to be on the show!
This week on the Music Now podcast we sat down with Darian Thomas, violinist of San Antonio bands Femina-X, The Foreign Arm, and Sugar Skulls just to name a few. We chat about his life as a classical musician, how he became the go to violinist in San Antonio, and about his opera that he aspires to compose. It's all here in this podcast and a fantastic talk with an intelligent mind. Find us on social media! Facebook & Twitter: @TexasMusicPod Submit your own music to our email texasmusicpodcast@gmail.com www.texasmusicspotlight.com
This week we have George Garza Jr. on our Music Now podcast. He chats about his time playing bass in Pop Pistol and The Foreign Arm, his life in the San Antonio music scene, and his trip overseas and how you can help him out. It's all here in this exclusive podcast with the man before he leaves the states for a few months. Find us on social media: Facebook & Twitter: @TexasMusicPod www.TexasMusicSpotlight.com
The Texas Music Spotlight presents to you a new episode of the Music Now podcast. We sat down with San Antonio's favorite photographer, Oscar Moreno, to talk about the music scene. We chat about his life growing up, how he got into photography, and "Los Oscars". This was a fun one with one of the hardest working people in our local scene right now. Give it a listen! Find us on social media: Facebook & Twitter: @TexasMusicPod www.texasmusicspotlight.com
Texas Music Spotlight segment, Music Now, hosted by JulesTheHuman. Interview with Jeff Palacios
À medida que 2016 vai revelando o que tem reservado para nós, a Mimi e a Catarina não deixam de olhar para trás e revisitam os dez anos de história do festival MusicNOW. Na rubrica 5 Cêntimos, damos a volta ao mundo em canções com uma cidade no título. Salto — The Seed (2.0) (3 […]
“I have no plan b on backing down on my dreams.”Frank Palangi lives by that saying with his career and it shines through his work. He fuels his own feeding frenzy of modern rock with a solid sound like any 1970's muscle car (that he hopes to own someday). His old school sense is a key part of his personally and way of life. At the core, he is a singer/songwriter with a gritty bass rock voice pouring his heart and soul into lyrics based on life experiences and subject matter. Portraying a positive image to his fans, it's fresh to see an artist who respects himself. It's exciting to see he's not afraid to take chances and living outside the box. From being a multi-instrumentalist and constantly writing and creating, his creativity, drive and passion to acheive his dreams is always growing. With a discography ranging from 4 demo records in Frank's teen years to his current independent EP records (Frank Palangi EP, I Am Ready EP) and new singles that include “Hope”, "Falling too", Palangi fans know they can look forward to new material being developed. What could be the next step for Palangi???"It has been a blessing. My music has a special connection with the fans who love it most. I've been told it's helped them through hard times in their lives and that I have been a positive inspiration to them. I believe there are tough challenges in our of lives that we must face and being able for my music to have that effect, it's all I could ask for out of it. The personal interaction with fans is so important to me, so I enjoy the stories I hear. Growing up, I dealt with childhood medical issues and learning to adapt and overcome challenges that somehow let me reroute illness into a strength and gave me the passion, determination and will not give up. ” Frank says.Palangi continues to create new buzz with a growing fan base sharing the stages across the North East U.S with regional and national acts from 3 Doors Down, Aaron Lewis (Staind), FUEL, TRAPT, Powerman 5000, Candlelight Red, Young Guns, HURT, HEDPE to Prospect Hill, Veer Union, Bad Axis, Jess Malin (Former D-Generation singer), Sirsy, Deluka, Silversyde, IM5, Weaving the Fate and including festivals like the UPROAR winning the 2013 Ernie Ball Saratoga, NY opening for Alice in Chains/Jane's Addiction. Gaining national press with GuitarWorld, Revolver, Music Now, Young Celebrity, The Examiner, Mi2n.com, Top40-Charts.com and local Fox23 News, News Channel 13 (NY), Q103 radio, The Chronicle, Post Star, Spotlight News and more. Whether he is playing a restaurant or playing on stage, he consistently pours his soul into a truly energetic and enjoyable performance.-New York's very own is no longer beneath the radar screens with this latest EP entitled “I Am Ready.” (2013) - IndieShark Reviews-"Frank's natural talent and certifies that he can write songs that compete with the big boys of rock." Jamsphere Magazine.
Jason Herskowitz is a self-proclaimed "music/tech nerd with a bad social media habit." At a young age he instantly became a diehard music fan, and a lover of all things tech. His career went on to marry those two loves. He started as an artist manager and owner of a small indie record label. More recently, Jason served as Director of Products for AOL Music (Winamp, AOL Radio, MusicNow), the VP of Product for TotalMusic, the Sony / Universal Music joint venture, and then LimeWire. So he knows a thing or two about digital music. Digital Music Monthly’s Kenn Richards sat down with him to discuss the past, present and future of the streaming and subscription based music. And topics like: - how connectivity on phones completely changed how we consume music when we went from EDGE to 4G - whether windowing music is a good idea - the ability to access your music on one platform instead of it being locked behind each music provider Plug in and take a listen to May’s Digital Music Monthly.
Rod B. & Alvaro Garfunk bring you the Miami Underground Movement Born in Stockholm, the DJ/producer has spent the last decade working relentlessly to bring his amalgamation of funky house and tribal techno to a global platform. Although Swedish by birth, Christian spent much of his youth in Frankfurt, Germany,where his father was stationed as a pilot, and this turn fate played an unexpected role in determining his musical tastes. It was the early eighties and the music at the time was early electro, soul, funk and late disco music. Groups like The SOS Band, Newcleus, funk bands like Cameo and tracks like Fade To Grey by Visage had a huge influence on Christian. Although his older brother and sister would bring home the dj mix tapes from the big clubs, with music from the pre house days. This is what Christian turned on to. By the time Christian had turned fourteen, he looked old enough to get into the clubs himself and became, by his own admission, "a manic train spotter." Frequenting Sven Vaths Dorian Grey residency, this club had a big effect on Christian. He went to the clubs for the music and to check out the DJ's. If Dorian Grey was Smiths introduction to the realms of electronic music, then it would be his experiences in another of dance music's capital cities that would help mould and solidify Christians deeply entrenched love for club music. Moving to New York in 1989, Christian discovered that, running parallel to its high profile house community, the city that never sleeps also had a thriving techno scene. All the early techno clubs had started in New York, with Joey Beltram at The Limelight and soon afterwards Jeff Mills. After finishing high school in 1992, Christian moved to Washington DC to study international business at university and, in his spare time started DJing. He never dreamt DJing would become his career. Smith nonetheless started playing at big raves in Washington and Baltimore, spinning to audiences of between 500 and 3,000 people. Lets not forget, this was the early nineties, and his choice of music was somewhat different to his trademark funky techno and house fusion, as it was the hard trance and techno days. He was playing tracks on labels like Harthouse, R&S and Music Man. Unsurprisingly, given the nature of dance music's loosely defined early nineties status, Smiths first record Overdose as Neuromancer, came out on in 1992 on a label called Music Now, only for the imprint to release a follow up record by none other than BTs Embrace The Future. Back then Christian was already making house infused techno, probably less structured and not as well produced as nowadays. Indeed, Christians earliest DJing experiences also played a definitive role in his future work, as he first met regular collaborator John Selway in 1993. Selway, who was playing the same rave circuit as Christian at this time was also working in New Yorks renowned Satellite Records store, the place where Smith, who was still based in Washington, would order his tunes from. John and Christian connected musically and therefore decided to hook up and make some tracks and the Smith and Selway sound was born. In 1994, Christian set up the Tronic label, and, despite releasing three well-received records, put the label on hold until three years later, in 1997. Christian put the label on hold, as he was still a full time university student in Washington. By '97 he felt really inspired by DJing and the music that this prompted him to get working seriously with his label TRONIC. However, on completing his studies, Christian started to go to New York more frequently to collaborate with John Selway. Subsequently putting out collaborative EPs on Dave Angels Rotation label and Primate, Smiths own 1997 release, Goldrush the fourth release on Tronic also caused a serious reaction, this was the point everything took off. Tronic became a popular label and Goldrush got licensed all over the place. It was a really hard disco house tune that DJs like Sneak picked up on and it was also the first time a lot of people reacted to one of his releases. DJs like Carl Cox and Dave Angel, people who were my idols in the early days really supported it. It did so well that every month Christian had to press up more copies! Back in Stockholm, Smith noticed that the demand for his tightly mixed, three decks DJing had increased and was booked to play all over Europe and beyond. In an interesting parallel development to Christians heightened profile, the latter part of the nineties saw Swedish producers like Adam Beyer, Joel Mull and Cari Lekebusch also attain an international following. From 1997 to 1999, the Swedish sound was really hyped. Christian comes from a different background, from a funk and soul background. A point Christian feels strongly about, and is quick to detach himself from any notions of purism. Adamant that he was listening to house before techno, he also points out that, way back in 1994, when he set up Tronic, he encountered some resistance from his distributors because he wanted to release material that was somewhere in between house and techno. The distributors advised to produce/release house or techno as it would sell better, but something in between wasn’t going to work," Christian feels that history has proved him right. As much as Christian dislikes the term, Tronic was one of the first tech-house labels, music that house and techno DJs could play; Christian calls his style housey techno! Despite his newfound success, Christian didn't rest on his laurels, and, for rest of the nineties, he focused on DJing, producing and remixing as much as possible. Releasing more EPs on Tronic, Intec and Primevil, the Swedish DJ says that though one of his releases, Vanguard caught the attention and support of BBC Radio 1 DJ Pete Tong, he had to keep working as hard as ever. The really big crossover records like Move!, on Intec and the releases on labels like Rotation and Intec opened up his work to a lot of people. While there's no doubt that Christians distinctive work injected a much-needed sense of funk back into techno, he made it accessible to a wider audience. His DJing is of an exceptionally high standard; Smiths willingness to travel to literally every country in the globe has been another determining factor in his ascendance. Christian very much enjoys Asia and Eastern Europe as his favorite new places to play in. On a recent South East Asia tour, successful dates were achieved in South Korea, Kuala Lumpur and Ministry Of Sound in Bangkok. Japan is a place were Christian has a large following due to the rocking sets at Womb in Tokyo. While Smiths releases ensured his bookings continued to soar, the Swedish DJ/producer identifies the release of his first major mix CD, Tronic Treatment as another turning point in his career. Weighing in at twenty eight tracks and recorded live in Australia on three decks, the smooth mix moves from funky house through to dubby, rolling tech-house, into pulsating techno. In fact, as things get faster, his selection becomes more varied, with the brooding electro of Umeks Zeta Reticula, the dark bass powered tones of Adam Beyers Remainings and Deetrons A1 before ending with the deep, Detroit stylings of James Ruskins mix of Metier. It’s one of the most compelling, hand raising, foot stamping interpretations of modern house and techno of recent years, and its no surprise that Christians profile was raised by the mix. His sense of diversity and unwillingness to adhere to one dimension is an ethic Christian believes is inherent in the worlds finest DJs. Christian was most inspired by Carl Cox and Laurent Garnier. Although both DJ’s are quite different what Christian saw in Carl was the ability to mix continuously between three turntables, and create that musical fusion. Special Thanks to Hugo B & Christian Smith!!!!!!
This week’s Contrabass Conversations episode features an interview with and music from Chicago Symphony bassist Rob Kassinger. Rob’s musical interests span many genres and include both the electric bass and the double bass. You will learn about Rob’s early years on the bass and how working in jazz and rock settings led to an interest in orchestral double bass playing in this fascinating interview. This episode also features Rob playing the first movement of the Breval Sonata in a live performance, and it includes a track from NYCO, a rock band that Rob was a member of for several years. You will be hearing People We Knew from their recent album “Two". You can purchase “Two" by following this link. Enjoy! About Rob: Robert Kassinger was appointed to the Chicago Symphony Orchestra in 1993. Prior to Chicago, Rob performed as assistant principal bass with the Colorado Symphony and also played with the New Orleans Symphony. In addition to his busy schedule with the Orchestra, Rob is an active chamber musician. He performs with the Revolution Ensemble, the Orion Ensemble, Fulcrum Point, Ars Viva, Music of the Baroque, the Callisto Ensemble, MusicNOW, and broadcasts on WFMT and WTTW. Most recently he has been a featured guest with Yo-Yo Ma’s Silk Road Ensemble, and has performed Schubert’s Trout Quintet with Daniel Barenboim. In July 2006, Rob served as double bass professor at the Canton International Summer Music Academy, led by Charles Dutoit. Rob grew up in a family of musicians in Boulder, Colorado. He began his bass studies with Frank Carroll at the University of Colorado. In 1985 he moved to New York to study with Homer Mensch at the Manhattan School of Music, where he received his bachelor of music degree. Rob then pursued his master’s degree at the Juilliard School, continuing his studies with Mr. Mensch. He later went on to study with Bruce Bransby at Indiana University. Some of his most influential experiences as a student were his two years as principal bass of the New York String Orchestra Seminar, conducted by Alexander Schneider, and the two summers he spent as a fellowship student at the Aspen Music Festival, studying with Stuart Sankey and Bruce Bransby. In 1989 Rob was the winner of the Aspen Double Bass Competition. Rob’s experience as a jazz performer dates back to his early teens, working in the house rhythm section at the infamous Denver jazz club El Chapultapec, and over the years he has performed with Wynton Marsalis, Branford Marsalis, Kenny Burrell, the Woody Herman band, Conte Candoli, Charlie Rouse, Teddy Edwards, Harold Land, Red Holloway, Charles Brown, Art Lande, Richard Stoltzman, Gary Burton, Alex Acuna, Laurence Hobgood, and Bobby Lewis. In 1998 and 2000, Rob toured India with the Chicago Jazz Express, and he can be heard on their recordings Voyage to India and The Rhythm Section. He also appears on Bobby Lewis’ latest CD, Just Havin’ Some Fun. In addition, Rob is featured on Daniel Barenboim’s Brazilian Rhapsody on the Teldec label, and Kabbalah Blues/Quantum Funk by the Revolution Ensemble. Rob’s latest project has given him a chance to spend more time with the bass guitar. His alternative rock group NYCO has released its debut album Two, available through nycomusic.com and at Itunes.com. Rob is professor of double bass at DePaul University. He is also in demand as a coach and master clinician, serving in this capacity for the Chicago Youth Symphony Orchestras, the Juilliard School, and the Mannes School of Music. In the summers of 1999 through 2002, it was Rob’s honor to teach at the West-Eastern Divan, a ground-breaking workshop that brings young musicians from Israel and various Arab countries together to study orchestral music with Daniel Barenboim, Yo-Yo Ma, and members of the CSO, Berlin Philharmonic, and Staatskapelle Berlin.
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