Podcasts about Boston Symphony Orchestra

Welcome back to Circle Round Summer Camp! We're revisiting our favorite stories about the outdoors. Recorded live at Symphony Hall with Boston Symphony Orchestra members and a star-studded cast, this Swedish tale sheds magical light on kindness, caring, and letting roots run deep. This Circle Round episode originally was released on Oct. 28, 2025. Sign up for our monthly newsletter, "The Lion's Roar", here.

Keita Ogawa is a 5x Grammy nominee and 3x Grammy winning percussionist and drummer. He's performed with Yo-Yo Ma, Maria Schneider, Betty Buckley, Sabeth Perez and the Boston Symphony Orchestra. And he's a member of Snarky Puppy. He's got a passion for crossing musical borders and uniting differences in cultures.  My featured song is “Moon Shot”, my recent single. Spotify link. —----------------------------------------------------------- The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries! Click here for Start Here Click here for All Episodes  Click here for Guest List  Click here for Guest Testimonials Click here for Pillars Click here for Robert's Project Grand Slam Click here to Subscribe  Click here to receive our Email Updates Click here to Rate and Review the podcast —---------------------------------------- CONNECT WITH KEITA:www.keitaogawa.com —---------------------------------------- ROBERT'S NEWEST RELEASE:“THE BUZZ” - Ft. Darius de Haas (vocals) and Dave Eggar (Celo). Short, Sweet and Totally Different CLICK HERE FOR OFFICIAL VIDEO CLICK HERE FOR ALL LINKS —-------------------------------------- Audio production: Jimmy RavenscroftKymera FilmsConnect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comFollow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.com    

Caleb Quillen returns to the podcast to talk about the path that took him from growing up in Sugar Land, Texas, to principal bass of the Boston Symphony Orchestra. Along the way, he reflects on formative teachers, including Dennis Whittaker and Paul Ellison, the influence of the Boston bass tradition, and much more. Check out our text/media version of this conversation and our interview with Caleb from 2016 here, and learn more about Caleb on his Boston Symphony and New England Conservatory pages. Thank you to our sponsor! Carnegie Mellon University Double Bass Studio – CMU is dedicated to helping each student achieve their goals as a musician. Every week each student receives private lessons and participates in a solo class with Micah Howard. Peter Guild, another member of the PSO, teaches Orchestral Literature and Repertoire weekly. They encourage students to reach out to the great bassists in their area for lessons and direction. Many of the bassists from all of the city's ensembles are more than willing to lend a hand. Every year members of the Symphony, the Opera and the Ballet give classes and offer our students individual attention. Click here to visit Micah's website and to sign up for a free online trial lesson.   Connect with DBHQ Join Our Newsletter Double Bass Resources Double Bass Sheet Music Double Bass Merch Gear used to record this podcast Zoom H6 studio 8-Track 32-Bit Float Handy Recorder Rode Podmic Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera Sony FE 16-35mm F2.8 GM Lens Sony FE 24-70mm F2.8 GM Lens When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ. Theme music by Eric Hochberg

What if the life you were always meant to live was hiding inside the one you were already living? In episode 262 of Joy Found Here, Katie DeBonville — writer, musician, and first-time memoirist at 53 — shares how a pandemic-era MFA, a lifelong love of music, and the quiet courage to finally call herself a writer converged into her debut memoir, Grace Notes: A Musical Memoir. For Katie, the story wasn't about starting over — it was about finally letting every part of herself show up on the page at once.In This Episode, You Will Learn:(04:54) How a blank book from her dad sparked a lifelong love of writing — and why flute nearly won(07:17) The crisis of confidence that redirected Katie from music to arts fundraising(10:01) Why the pandemic and a low-residency MFA at Lesley University changed everything(11:28) The friend's book launch that led her to Sibylline Press — and an acceptance email in three days(12:27) Getting the life-changing news on a bus in Scotland(14:33) The three mentors who transformed a seven-page draft into a full memoir chapter(24:38) Why she resisted the "memoir" label — and what finally made her embrace it(36:50) Why the world's shrinking expectations became her greatest creative freedomKatie DeBonville is a writer, musician, and arts fundraising professional whose debut memoir, Grace Notes: A Musical Memoir, is published by Sibylline Press — a house dedicated to women 50 and over. A lifelong flutist who once dreamed of the Boston Symphony Orchestra, she spent 30 years in arts development before the pandemic gave her the push she needed to pursue her MFA in creative writing at Lesley University, where her thesis became the memoir she was always meant to write.In this episode, Katie DeBonville shares the winding road from childhood writer and aspiring musician to first-time published memoirist at 53 — a journey shaped by crises of confidence, a pandemic-era MFA, and mentors who refused to let her call a seven-page draft "done." She opens up about the writing community she found at Lesley, her composer grandfather whose work appears on a Nina Simone record, and why it took another woman calling her a writer before she could claim the title herself. She also drops a line Stephanie immediately flagged for a mug: "The world has fewer expectations of me, so I can have more expectations of myself."Connect with Katie DeBonville:FacebookInstagramLinkedInSubstackBook: Katie DeBonville - Grace NotesLet's Connect:WebsiteInstagram Hosted on Acast. See acast.com/privacy for more information.

Hazel is a professional French horn artist and a founding member of The Alphorn Project. She is a faculty member at the Boston University School of Music and the Longy School of Music. Hazel spends her summers as a faculty artist and teacher at the Brevard Music Center in North Carolina and Cormont Horn Camp in New Hampshire; she also maintains a private horn studio in Arlington, MA. Originally from St. Paul, Minnesota, Hazel graduated from Harvard University in 2003 with a BA in Biological and Social Anthropology. At Harvard, she studied horn with James Sommerville and was highly active in the chamber and orchestral music scene, receiving both the David McCord Prize for Music and the Louis Sudler Top Senior Prize in the Arts. Hazel studied with Caroline Lemen and Kendall Betts in St. Paul, and with Julie Landsman at The Juilliard School, where she received a Graduate Performance Diploma in 2004. She spent two summers as a Tanglewood fellow, and she has also enjoyed summers performing at the Marlboro Chamber Music Festival, the Pacific Music Festival, and the Aspen Music Festival. Resources & Links: Official Website: hazeldeandavis.com YouTube Channel: Hazel Dean Davis on YouTube Faculty Profiles: Hazel Dean Davis | Boston University College of Fine Arts (or direct link) Hazel Dean Davis | Longy School of Music (or direct link) Hazel Dean Davis | Cormont Horn Camp (or direct link) We want to thank our sponsors ANNA and Alpensong

Boston Globe business columnist Shirley LeungTransit panel with Reggie Ramos from Transportation for Massachusetts, and former transportation secretary Jim AloisiFormer secretary of public safety Andrea CabralBSO Patron Action Network, a group of Boston Symphony Orchestra patrons backing Andris Nelsons

Lord of the Flies is a BBC and Netflix limited series and the first ever television adaptation of the 1954 novel by William Golding. It is written and created by Jack Thorne, who also wrote and co-created Adolescence, among a bunch of other stuff. The series features an ensemble cast of more than 30 boys, many of them making their professional acting debuts. And: The Fall and Rise of Reggie Dinkins is a sports mockumentary sitcom created by Robert Carlock and Sam Means. Carlock was a showrunner on 30 Rock and co-created Unbreakable Kimmy Schmidt with Tina Fey, who is an executive producer on Reggie Dinkins. The cast includes Tracy Morgan as the title character, Bobby Moynihan, Erika Alexander, Danielle Radcliffe, and more. GUESTS: Shawn Murray: A stand-up comedian, writer, and the host of the Fantasy Filmball podcast Irene Papoulis: Taught writing for a long time at Trinity College Bill Yousman: Professor of media studies at Sacred Heart University Music featured (in order): Peter Grimes, Act II: Interlude III (also known as Sunday Morning from “Four Sea Interludes”) – Benjamin Britten, as performed by the Boston Symphony Orchestra under the direction of Leonard Bernstein Hooray for Captain Spaulding – Groucho Marx (feat. The Ken Lane Singers) You Gotta Be a Football Hero – Ben Bernie and His Roosevelt Orchestra Jet Song – West Side Story Original Soundtrack Recording See You On The Radio – Grayson Hugh Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

8:05PM: Boston Symphony Orchestra Tanglewood 2026 Popular Artist Series Lineup! Some artists include: Carrie Underwood, Paul Simon, John Fogerty and more!Guest: Daniel Mallampalli - Assistant VP of Artistic Planning at the Boston Symphony Orchestra 8:15PM: As NASA prepares for the Artemis era and humanity’s return to the Moon, RR Auction will offer material from the Richard Jurek Collection, believed to be the largest private collection of space-flown currency ever assembled. We’ll discuss the prices of items that have “flown” to space.Guest: Richard Jurek – American space historian, author, and internationally recognized collector of space-flown artifacts 8:30PM: Taste of the South Shore on May 6th, with food and beverage tastings from 30 top South Shore chefs, bakers, and beverage artisans. Proceeds fund food security, early education, and YMCA programs such as day and overnight camps.Guest: Trevor Williams - South Shore YMCA’s President and CEO 8:45PM: The debate over moving to a 4-day workweek. 4-day workweek study suggests that when we work 5 days we spend one doing basically nothing…Guest: Shelly Yellin - PhD is a workplace and leadership expert. Author of: The Science of High Performance LeadershipSee omnystudio.com/listener for privacy information.

American conductor James Gaffigan is recognized worldwide for his extraordinary collaborative spirit, and he has attracted international attention for his work as a conductor of symphony orchestras and opera. James was recently named the next music director of Houston Grand Opera, and he will assume his new role in the 2027/28 season. James is in demand at opera companies and symphony orchestras across the world. He serves as the general music director of Komische Oper Berlin, where he leads his third season in 2025/26. He also serves as music director of the Verbier Festival Junior Orchestra. James Gaffigan has conducted for the Metropolitan Opera, Bayerische Staatsoper, Opéra National de Paris, Zürich Opera, Vienna Staatsoper, Deutsche Oper Berlin, Dutch National Opera, Glyndebourne Festival, Lyric Opera of Chicago, and Santa Fe Opera, among many others. He regularly leads the world's greatest orchestras, including the New York Philharmonic, Chicago Symphony Orchestra, San Francisco Symphony,Los Angeles Philharmonic, National Symphony Orchestra, Boston Symphony Orchestra, Cleveland Orchestra, Philadelphia A champion of new music, James has led more than 30 premieres by composers including Thomas Adès, Kaija Saariaho, Anders Hillborg, Andrew Norman, Sarah Kirkland Snider, and Wynton Marsalis. 

Nach 13 Jahren trennt sich das Boston Symphony Orchestra von seinem Chefdirigenten Andris Nelsons - aufgrund von Uneinigkeiten bezüglich der "künftigen Ausrichtung" des Orchesters. Das Orchester wurde in die Entscheidung jedoch gar nicht eingebunden. Jetzt kommt prominente Unterstützung aus Berlin und Leipzig.

Music has the power to move a room. For composer Carlos Simon, that effect was first felt in church, where music was both a creative act and a shared experience.  Raised in a family steeped in ministry and musical tradition, Carlos grew up surrounded by gospel, jazz, and the spontaneity of worship. From playing organ by ear during Sunday services to his later work with orchestras, film, and opera, he has built a compositional voice that blurs boundaries: bridging sacred and secular, improvisation and form, tradition and innovation. In this episode, Carlos traces his path to becoming one of today's most sought-after composers and the first-ever Composer Chair for the Boston Symphony Orchestra. Along the way, he offers insight into the deeply collaborative nature of his work and frames musical composition as an act of service. ----- LINKS: Carlos Simon: https://www.carlossimonmusic.com/ brea(d)th: https://www.carlossimonmusic.com/album/brea-d-th Monuments: A Suite for DC: https://www.kennedy-center.org/whats-on/festivals-series/250-years-of-us/sounds-of-us/monuments/ The Blacknificent 7: https://www.instagram.com/blacknificentseven/

Musicians with the Boston Symphony Orchestra gathered Tuesday on the steps of Symphony Hall to support their embattled music director Andris Nelsons.

Der lettische Stardirigent Andris Nelsons verlässt im Sommer 2027 das Boston Symphony Orchestra. Man sei sich nicht einig gewesen, was die Ausrichtung des Orchesters angehe, heißt es in einer Erklärung vom Freitag.

Chillout Classic w Radiu Spin #119 Dzień Dziadka do Orzechów "1. J.S. Bach - Wariacje Goldbergowskie - Aria , Robin O' Neil, Philharmonia Orchestra.2. P. Czajkowski - Dziadek do orzechów - Uwertura, Seiji Ozawa, Boston Symphony Orchestra.3. P. Czajkowski - Dziadek do orzechów - Arsis Handbell Ensemble.4. Overture - Duke Ellington.5. Miniature Overture - Glenn Miller Orchestra.6. P. Czajkowski - Dziadek do orzechów Act I: VIII. Scene, A Pine Forest Winter, IX. Scene, Waltz of the Snowflakes.7. P. Czajkowski - Dziadek do orzechów - Taniec Arabski, Philharmonia Orchestra, John Lanchbery.8. Arabian Dance - Glenn Miller Orchestra.9. Asa Ahora Masaraya - N2k.10. Dance of The Mirlitons - Glenn Miller Orchestra.11. Toot Toot Tootie Toot (Dance od The Reed Pipes) Duke Ellington.12. P. Czajkowski - Dziadek do orzechów - taniec chiński.13. Chinese Dance - Glenn Miller Orchestra.14. P. Czajkowski - Dziadek do orzechów - Duke Ellington, Harmonie Ensemble.15. P. Czajkowski - Dziadek do orzechów - taniec Wieszczki Cukrowej, Arsis Handbell Ensemble.16. P. Czajkowski / Duke Ellington - Sugar Plum Cherry, Harmonie Ensemble.17. Sugar Plum And Clara - James Newton Howard.

Send a textIn Episode 147 of The Bass Shed Podcast, Ryan Roberts sits down with freelance double bassist and educator Darren Sacks to explore what truly separates good playing from audition-ready playing.Darren shares the story of hearing the Boston Symphony Orchestra live at sixteen and deciding to switch from saxophone to double bass — a decision that led to rapid advancement, conservatory training, and a performing career throughout the Boston area.This conversation goes far beyond résumé highlights.Ryan and Darren dive into:• Why “innate talent” is often misunderstood• The critical role of rhythmic precision and note length in orchestral auditions• What adjudicators are actually listening for• Why technique on the double bass cannot be optional• The psychology of performing under pressure• And how Darren's Double Bass Audition Accelerator system prepares students for youth orchestra, festival, and conservatory auditionsIf you're preparing for auditions — or guiding someone who is — this episode is tactical, honest, and practical.More About Darren Sacks:https://www.darrensacksbass.com/https://www.darrensacksbasscoach.comListen & SubscribeYouTube: https://www.youtube.com/@ThebassshedInstagram: https://www.instagram.com/the_bass_shedFacebook: https://www.facebook.com/The.Bass.Shed.official/Join IN THE SHEDGo deeper with Podcast Extras, The 5 Spot, full Listening Room breakdowns, complete Bass Bites, Lessons, LowDown gear reviews, Shed Mindset videos, and access to the Shed Studio practice tools.Join here:https://www.thebassshed.comEpisode FeaturesLemur MusicServing bass players for decades with trusted instruments, accessories, and deep knowledge of the craft.LemurMusic.comPromo Code: THEBASSSHEDJerry Jemmott — 15 Timeless BasslinesA transcription collection focused on feel, phrasing, and truly serving the song.TheBassShedAcademy.orgThe Wood Shed BassVintage-inspired. Modern voice. Built for working players.TheBassShed.com/wood-shed-bassKraft Geek Capsule Music StandLightweight, collapsible, and gig-ready.Use promo code SHED15 to save 15%.https://kraftgeek.com/products/bravo-music-stand-209?ref=SHED15&utm_source=Website&utm_medium=Article&utm_campaign=Support the showInstagram / Twitter / Youtube / Website / BSA / View More Episodes

Anna Handler — "Don't show up to impress...show up to express." Today's Guest Anna Handler is a 29-year-old German-Colombian conductor and pianist currently serving as Kapellmeister at the Deutsche Oper Berlin and incoming Chief Conductor of the Ulster Orchestra. She's worked with the LA Philharmonic, Boston Symphony Orchestra, and orchestras around the world, and was the first conductor ever to receive the prestigious Kovner Fellowship at Juilliard. Episode Description In this conversation, we dig into what really happens on both sides of the audition screen, from Anna's experience taking auditions herself to now working with orchestras worldwide. We talk about visualization techniques, the power of "acting as if you've already won," what people are actually listening for beyond technical perfection, navigating the industry as a woman, and why the future of classical music depends on technology, youth engagement, and breaking down walls. Anna also shares her work with refugee musicians and why she believes classical music can be like a church — a place where we find solace. This Episode Is Brought to You By Yamaha Corporation of America — Bringing world-class craftsmanship to musicians at every level, from beginners to marquee players in symphony orchestras around the world. HPAC (Honesty Pill Accelerator Community) — A community of musicians who share the same passion, deal with the same challenges, and actually get what you're going through. Monthly coaching, real talk, and support for musicians serious about growth. Learn more at honestypill.com/acceleratorcommunity In This Episode We Discuss: Growing up with engineer parents "obsessed with math" and how Anna and her sister both ended up in music The path from piano to podium and winning the first-ever Kovner Fellowship for conducting at Juilliard What it's like to be a Dudamel Fellow with the LA Philharmonic Why Anna sometimes conducts from the piano and what it gives her musically Taking auditions as a young musician vs. evaluating musicians now — what's actually being assessed The biggest mistakes musicians make in auditions (hint: it's not about perfection) Visualization and mental performance: acting as if you've already won the job The "pretend to be asleep" principle — how everything in life works this way What people are really listening for: personality, fire, love for music Navigating the classical music world as a woman — the industry is "woefully behind" Finding mentors who believe in you and the importance of supportive communities Youth projects and working with refugee musicians on Eva und Adam at Bayerische Staatsoper What young musicians teach professionals that we sometimes forget Technology and the future of classical music — why we can't keep doing the same concerts for 300 years What the next generation of concertgoers actually wants Why classical music can be like a church: a place where we find solace The hard truth: keep fighting for music, for the sake of inviting more people in Memorable Quotes "I'm not looking for perfection. I'm looking for personality. And I want to see fire. I want to see love for life, for music. Because life is hard enough. We need to find some kind of joy, some hope every day." "If I had already won this audition, how would I walk on this stage? I wouldn't show up to prove myself. Maybe I would show up to express. I don't have to prove my worth to anybody. I can just show how much I love this music and who I am." "Think about this: if you want to go to sleep, the first thing you have to do is climb into bed and pretend to be asleep. Everything in life kind of works like that." "Classical music can be like a church. We find solace there." "Keep fighting for music. For the sake of inviting more people into our audience halls and making them feel welcome." Links & Resources Anna Handler's Website — Concert schedule and more Follow Anna on social media for updates on her work around the world Ready to Level Up Your Practice and Performance? Join Audition Accelerator — my 16-week intensive coaching program for musicians serious about winning auditions. We'll build a bulletproof practice system, work on performing under pressure, and get you ready to walk into that audition room with confidence. Join HPAC (Honesty Pill Accelerator Community) — a space for lifelong learning musicians who want to grow without the noise. Monthly coaching, community support, and real talk about what it takes to stay sharp. Learn more at honestypill.com

Recorded live at Symphony Hall with Boston Symphony Orchestra players and a star-studded cast, this Buddhist story from Tibet and India proves we can all be helpers, no matter our size. Sign up for our monthly newsletter, "The Lion's Roar", here.

Today's Black History Month episode serves also as a belated birthday tribute to the exceptional African American soprano Faye Robinson, who was born in Houston on 2 November 1943. Robinson has a voice that transcends genre, encompassing both lyric-coloratura roles at one end and pure dramatic soprano repertoire on the other. In addition, she has been created vocal works by some of the greatest twentieth-century composers, including Michael Tippett, two of whose major vocal works she premiered, and with whose compositions she is especially associated, and George Walker, whose Lilacs she premiered in 1996 with the Boston Symphony Orchestra, and which subsequently won the 1996 Pulitzer Prize by the judges' unanimous decision. Robinson's immediately recognizable voice presented in a wide-range of repertoire, including the works referenced above and also including arias by Handel, Gounod, Offenbach, Bellini, and Handel, as well as the Chevalier de Saint-Georges; as well as concert work by Schoenberg and Barber. All in all, Faye Robinson's is a voice and artistic presence well worth getting to know better! Happy Belated Birthday, Diva! Countermelody is the podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

Recorded live at Symphony Hall with Boston Symphony Orchestra players and a star-studded cast, this Sioux legend follows a rascally raccoon on a gutsy -- and gummy -- quest. Sign up for our monthly newsletter, "The Lion's Roar", here.

WBZ's Jordan Rich says the Boston Symphony Orchestra won a few Grammy's this year! Get all the news you need by listening to WBZ - Boston's News Radio! We're here for you, 24/7. See omnystudio.com/listener for privacy information.

Punxsutawney Phil confirms 6 more weeks of winter this Groundhog day, President Trump wants to close the Kennedy Center for repairs, and The Boston Symphony Orchestra wins 2 Grammys at last night's ceremony. Stay in "The Loop" with WBZ NewsRadio.See omnystudio.com/listener for privacy information.

In this episode, we discuss recordings of “Mediterranean Melodies: Virtuoso Sonatas and Canzonas c. 1600” (MDG) by Duo GlossArte, “The Bassoonist's Songbook” (Chandos) by Amy Harman & Tom Poster, “Crossing the Bar” (Avie) by Mika Stoltzman, Richard Stoltzman & Members of the Boston Symphony Orchestra and Boston Modern Orchestra Project, “Essais, Volume 6” (Alea) by the Pierre De Bethmann Trio, “London Manifest” (Soliton) by the Tomasz Zyrmont Quartet, and “Fireball” (Sunnyside) byJohn Ellis & Double Wide.   The Adult Music Podcast is featured in: Feedspot's 100 Best Jazz Podcasts   Episode 245 Deezer Playlist   Fair use disclaimer: Music sample clips are for commentary and educational purposes. We recommend that listeners listen to the complete recordings, all of which are available on streaming services in the links provided. We also suggest that if you enjoy the music, you consider purchasing the CDs or high-quality downloads to support the artists.   “Mediterranean Melodies: Virtuoso Sonatas and Canzonas c. 1600” (MDG) Duo GlossArte https://open.spotify.com/album/0L6NQo24WmOEN5Uf1GxA4s No Apple Music https://music.amazon.com/albums/B0G6LDJNRR   “The Bassoonist's Songbook” (Chandos) Amy Harman, Tom Poster https://open.spotify.com/album/2enRAeuG7z2nvqTunlqF0r https://music.apple.com/us/album/the-bassoonists-songbook/1856080498 https://music.amazon.com/albums/B0FX5P43RK   “Crossing the Bar” (Avie) Mika Stoltzman, Richard Stoltzman, Members of the Boston Symphony Orchestra and Boston Modern Orchestra Project https://open.spotify.com/album/3fkVWIjkvgems4tResxYDT https://music.apple.com/us/album/crossing-the-bar/1862544916 https://music.amazon.com/albums/B0G8N2YRT8   “Essais, Volume 6” (Alea)  Pierre De Bethmann Trio https://open.spotify.com/album/48iTowLUPCPJLsCYtebbPd https://music.apple.com/us/album/essais-volume-6/1847604854 https://music.amazon.com/albums/B0FX5513NP   “London Manifest” (Soliton)  Tomasz Zyrmont Quartet https://open.spotify.com/album/6FIDy8HZOvT2j5Mt19OfBA https://music.apple.com/us/album/london-manifest/1868797707 https://music.amazon.com/albums/B0GGLS52FG   “Fireball” (Sunnyside)  John Ellis & Double Wide https://open.spotify.com/album/5kHFD57x0IUYZaFfcQrLTA https://music.apple.com/us/album/fireball/1866431406 https://music.amazon.com/albums/B0G365L919

(00:00:00) Mclusky - Mclusky Do Dallas / 2002 (00:38:31) IDLES - Crawler / 2021 (01:00:27) Gustav Holst - The Planets performed by William Steinberg and the Boston Symphony Orchestra / 1958

Carlos Simon is the inaugural composer chair of the Boston Symphony Orchestra. He's premiering a collection of music this weekend inspired by one of Boston's famous museums: The Isabella Stewart Gardner. He speaks with WBUR's All Things Considered about the collection, and his other upcoming BSO performances that celebrate the tradition of gospel music.

MA Attorney General Andrea Campbell joins for Ask the AG.Andris Nelsons of the Boston Symphony Orchestra joins to preview their special America250 programming.Boston Globe business columnist Shirley Leung discusses her latest column on the impact of Boston's liquor license expansion and what Trump's pressure on the Federal Reserve mean for businesses in Massachusetts.Retired judge Nancy Gertner on the resignation of several top Minnesota attorneys, the Supreme Court trans athlete case, and Trump's push to change how the midterms are conducted, through redistricting, tighter voter registration rules and by gutting cybersecurity protections.

Recorded live at Symphony Hall with Boston Symphony Orchestra members and a star-studded cast, this story with roots in Jewish and Indian lore proves that when you weigh your words, they can be worth their weight in gold! Sign up for our monthly newsletter, "The Lion's Roar", here.

Recorded live at Symphony Hall with Boston Symphony Orchestra members and a star-studded cast, this Swedish tale sheds magical light on kindness, caring, and letting roots run deep. Sign up for our monthly newsletter, "The Lion's Roar", here.

On today's show, Pearl Jam & the Boston Symphony Orchestra perform for the first time & no, not together and Led Zeppelin releases a classic album.For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts from  ALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday

Elizabeth Rowe is a leadership and executive coach whose career sits at the unique crossroads of world-class performance, leadership coaching, and advocacy. For two decades, she was the principal flutist of the Boston Symphony Orchestra. In 2018, she made national headlines with a landmark equal pay lawsuit — an act of courage that earned her recognition as one of The Boston Globe's “Bostonians of the Year,” calling her “The Fighter.”  During her TEDx talk The Lonely Onlys, she shared how imagination and vulnerability can help us build connection and community. In her coaching work, Elizabeth works at the intersection of personal and professional development, helping high achievers thrive in high-pressure environments and navigate major career or life transitions with ease and confidence. Summary In this conversation, Elizabeth Rowe shares her journey from being a principal flutist with the Boston Symphony Orchestra to transitioning into leadership coaching. She reflects on the emotional farewell to her music career, the challenges of maintaining passion, and the importance of quality over quantity in practice. Elizabeth discusses the pressures of live performances, the significance of emotional expression in music, and her experiences with mistakes and internal pressures. She also addresses her lawsuit under the Equal Pay Act, the courage to explore new paths, and the evolution of her definition of excellence. Ultimately, Elizabeth emphasizes the importance of trusting the process and finding fulfillment beyond the spotlight.   Takeaways ·        Resilience is forged through setbacks and failures. ·        Quality and focus in practice matter more than hours logged. ·        Success comes from focusing on inputs, not just outcomes. ·        Perfectionism can protect but also isolate. ·        Vulnerability creates connection and growth. ·        Most obstacles for high achievers are internal, not external. ·        Excellence evolves from proving worth to providing value. ·        True fulfillment comes from connection, purpose, and service.   Notes Websites: I Am Elizabeth Rowe Sign up for newsletter

Recorded live at Tanglewood with Boston Symphony Orchestra musicians and a star-studded cast, this tale with roots in India, Mongolia, Siberia and the Philippines is all about thinking outside the box... and inside the jar.

Recorded live at Tanglewood with Boston Symphony Orchestra musicians and a star-studded cast, this Afghan tale follows a savvy seamstress and her chatty kitty on a royally epic adventure.

This week's Gramophone podcast is a special focus on one of the most significant of 20th century composers, Dimitri Shostakovich, the 50th anniversary of whose death we mark this year. As our guide to his music we're privileged to have conductor Andris Nelsons, who, together with the Boston Symphony Orchestra, has just reached the end of a journey through all his symphonies, plus the concertos for cello, piano and violin, all recently released by Deutsch Grammophon. Across half an hour of fascinating insight, he tells Editor Martin Cullingford about how he responds to Shostakovich's music and life, and about what makes the composer's music so distinct, and so remarkable.

NBC Sports Boston's Trenni Casey discusses a private equity in the Celtics' purchase bid and their devastating loss last night in game four against the Knicks. Josh Kraft joins to discuss his campaign for Mayor of Boston.Conductor Keith Lockhart on his 30th anniversary with the Boston Symphony Orchestra and what's in store for the Pops' spring season.CNN's John King joins via zoom to discuss the latest national political headlines.

Seit 2014 ist Andris Nelsons beim Boston Symphony Orchestra Chefdirigent. Gleich in seiner ersten Saison hat Nelsons mit einem Schostakowitsch-Zyklus begonnen, der jetzt zum 50. Todestag des Komponisten bei der Deutschen Grammophon komplett vorliegt. Für die beiden Cellokonzerte von Schostakowitsch konnte Nelsons den bald 70-jährigen Starcellisten Yo-Yo Ma gewinnen.

Carlos Simon is a Grammy Nominated Classical composer with Gospel and Jazz Roots. He is the Composer-In-Residence of The John F. Kennedy Center For The Performing Arts; and the holder of the Inaugural Boston Symphony Orchestra Composer Chair. His works address themes including migration, belonging and community. His latest work is “Good News Mass” with the LA Philharmonic.My featured song is my version of Miles Davis's “All Blues” from the album Miles Behind. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.—----------------------------------------Connect with Carlos Simon:https://www.carlossimonmusic.com—----------------------------------------ROBERT'S RECENT SINGLES:“MOON SHOT” is Robert's latest single, reflecting his Jazz Rock Fusion roots. The track features Special Guest Mark Lettieri, 5x Grammy winning guitarist who plays with Snarky Puppy and The Fearless Flyers. The track has been called “Firey, Passionate and Smokin!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS____________________“ROUGH RIDER” has got a Cool, ‘60s, “Spaghetti Western”, Guitar-driven, Tremolo sounding, Ventures/Link Wray kind of vibe!CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------“LOVELY GIRLIE” is a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------“SOSTICE” is Robert's single with a rockin' Old School vibe. Called “Stunning!”, “A Gem!”, “Magnificent!” and “5 Stars!”.Click HERE for all links.—---------------------------------“THE GIFT” is Robert's ballad arranged by Grammy winning arranger Michael Abene and turned into a horn-driven Samba. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Robert's Jazz Fusion “Tone Poem”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

Biographical Bytes from Bala: Laurel Hill West Stories #043   Polish born violinist Timothee Adamowski was soloist with the Boston Symphony Orchestra for many years and served as one of the first conductors of the Boston Pops Orchestra. For many years his name was romantically linked with that of famed Australian soprano Nellie Melba, but he surprised everyone when he married Gertrude Pancoast of a famed Philadelphia medical family. Timothee is interred in the Pancoast family plot at LHW. 

Boston Mayor Michelle Wu joins for Ask The Mayor.Then NBC Sports Boston anchor/reporter Trenni Casey discusses an NCAA $2.8 billion settlement, the Red Sox Mookie Betts trade getting Trump's attention and the Women's Final Four. CNN's John King zooms in for the latest national political headlines.Plus, Andris Nelsons & Chad Smith of the Boston Symphony Orchestra join ahead of a Friday Yo-Yo Ma performance of the works of Shostakovich.

Join host Lij Shaw as he dives into the sonic journey of audio engineering with Dave Glasser, founder of Airshow Mastering, revealing the secrets behind mastering timeless records like those of the Grateful Dead. In this episode of Recording Studio Rockstars, Dave shares his rich 35-year experience—from tape transfers using the Plangent Process to his days at NPR—while exploring the delicate balance of preserving the essence of live music and adapting to modern audio standards. Tune in for insights on the intricacies of mastering jazz records, the evolution of sound quality, and the magic of Phil Lesh's iconic bass. Whether you're a seasoned engineer or just starting out, Dave's passion and curiosity will inspire you to elevate your own audio projects. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is David Glasser, founder and chief engineer at Airshow Mastering. David has over 35 years of experience in audio engineering and has mastered thousands of records, including more than 80 GRAMMY nominees. He's a three-time nominee himself, earning two Grammys for mastering and restoration work on the Anthology of American Folk Music and Screamin' and Hollerin' the Blues: The Worlds of Charley Patton. David's career began with the Boston Symphony Orchestra, followed by eight years of recording and production for NPR. He founded Airshow in 1983 and transitioned to full-time mastering in 1990. In 1997, he expanded to Boulder, Colorado, and later built a new state-of-the-art facility in 2016, where he continues to lead a busy mastering practice. Special thanks to Matt Boudreau for the introduction! And this episode is dedicated to the memory of Phil Lesh. THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://stealthchair.com/ Use code ROCK10 to get 10% off! https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/0YqgLkpCEH5Toiybhl73S4?si=6ab393990ad44695 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/500

Tom Morris is the author of Always the Music, a book I consider a must-read for anyone looking to understand the ins and outs of the classical music business—how it operates, its challenges, and the fascinating personalities involved. Tom has had an extraordinary journey in the world of music, having experienced it all from multiple perspectives. He started as a percussionist, performing with the Boston Symphony Orchestra, and eventually became the General Manager of the same institution. Later, he served as the Executive Director of the Cleveland Orchestra for 17 years, where he made a lasting impact. Most recently, he was the Artistic Director of the renowned Ojai Music Festival, a position he held from 2004 to 2019. In our conversation, we delve into many aspects of his book and his life, a life filled with passion, dedication, and invaluable insights into the classical music world.In Part 1, we explore Tom's early musical journey, beginning as a percussion student and the significant influence of Vic Firth, the legendary timpanist of the Boston Symphony. From there, Tom moved into a pivotal role as the General Manager of the BSO. Along the way, he formed lasting friendships with some of the most influential figures in classical music, including composer Oliver Knussen, conductor John Williams—who joined the Boston Pops in 1980—and the visionary Pierre Boulez. We also discuss Tom's time at the Cleveland Orchestra, where he made a lasting impact, especially through successful European tours and innovative programming that helped elevate the orchestra's profile.In Part 2 [Subscriber Content], we turn to an influential figure who shaped Tom's approach to leadership and problem-solving: author Jim Collins, best known for his book Good to Great. Tom shares how he brought Collins in to help refine the Cleveland Orchestra's strategy, offering a fascinating insight into his thinking on organizational development. We also discuss a significant shift in how conductors approach programming, with many now focusing on the concert as a whole rather than simply selecting individual pieces. Finally, we wrap up with Tom reflecting on his time as Artistic Director of the Ojai Music Festival, where his leadership left a lasting legacy.Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more! As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including: Extra Audio Content: Only available to Contributing Listeners. Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students. Ask Me Anything: Both as written messages and occasional member-only Zoom sessions. The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music! Can I just donate instead of subscribing? Absolutely! Cancel at anytime and easily resubscribe when you want all that extra content again. Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!

We kicked off the program with four news stories and different guests on the stories we think you need to know about!New Additions to the Tanglewood 2025 Popular Artist Series Lineup! Our guest is Alex Speir, Director of Marketing and Audience Development at the Boston Symphony Orchestra.Blackstone Heritage Corridor's Trail Ambassadors to Guide Spring Hiking Series Through Region. Donna Williams - Blackstone Heritage Corridor Board Member joined Dan Rea.The Peaceful Parenting (R)evolution: Changing the World by Changing How We Parent. A look at parenting styles & how they've changed, with author Kiva Schuler – Founder of the Jai Institute for Parenting.Red Bull Heavy Metal Snowboarding Contest comes to Boston City Hall Plaza! Grace Warner – Red Bull Snowboarder checked in with Dan.Ask Alexa to play WBZ NewsRadio on #iHeartRadio and listen to NightSide with Dan Rea Weeknights From 8PM-12AM!

Recorded live at Symphony Hall with Boston Symphony Orchestra musicians and a star-studded cast, this indigenous Pacific Northwest tale follows a wily coyote on a daring rescue.

Recorded live at Symphony Hall with Boston Symphony Orchestra musicians and a star-studded cast, this Egyptian, Iraqi, Palestinian, Sudanese and Tunisian tale shows the importance of never biting off more than you can chew.

The Cello Sherpa Podcast Host, Joel Dallow, interviews Blaise Dejardin, principal cellist of the Boston Symphony Orchestra. They talk about what he has been up to over the past 3 years, joining the faculty of his alma mater, the New England Conservatory, his teaching philosophy, filling three openings in the cello section, and much more.For more information on Blaise Dejardin check out his website www.BlaiseDejardin.comFor his cello arrangements:www.opuscello.comCopies of his book are also available here:https://www.blaisedejardin.com/shop/audition-day-book or Carriage House Violins https://www.carriagehouseviolins.com/cgi-bin/music/scripts/violin-viola-cello-music.cgi?itemno=BKDEJAAUDITIONOCor in person at Salchow and Sons BowmakersIf you are looking for in person/virtual cello lessons, or orchestral repertoire audition coachings, check out www.theCelloSherpa.comFollow us on Facebook, Instagram, TikTok, YouTube and Bluesky @theCelloSherpaFor more information on our sponsor: www.CLEAResources.com 

It has been a transformative year for Elizabeth Rowe since stepping down from the Boston Symphony Orchestra, as she reflects on the profound emotions tied to her final performances. This episode explores themes of transition, the importance of presence, and the balance between loss and new beginnings, underscoring the idea that personal growth often entails embracing the ‘both/and' philosophy in navigating life's challenges.• Elizabeth shares her emotional journey since leaving the BSO• Reflects on the complexities of her final performances• Discusses the ‘both/and' philosophy regarding loss and new beginnings• Explores her evolving relationship with playing music • Highlights the importance of community and support during transitions• Emphasizes the parallels between music and coaching work• Encourages listeners to embrace their own transitions and growthElizabeth Rowe is a Leadership and High-Performance coach working at the intersection of personal and professional development. She helps high achievers across all industries learn to thrive in demanding work environments and successfully navigate career or personal transitions. She is also the former principal flutist of the Boston Symphony Orchestra, a social justice advocate, and a public speaker. After her landmark equal pay lawsuit in 2018 The Boston Globe honored her as a Bostonian of the Year, calling her “The Fighter.” Her ongoing commitment to opening up dialogue about complex subjects led to her TEDx talk, The Lonely Onlys. Learn more at iamelizabethrowe.com

Ojai Talk of the Town welcomes Tom Morris, a titan of the classical music world, for a deep dive into his extraordinary memoir, Always the Music: How a Lifelong Passion Framed a Future for Orchestras." With decades of leadership at the Boston Symphony Orchestra and the Cleveland Orchestra, Tom shaped the future of two of America's most revered symphonies. As artistic director of the Ojai Music Festival for 16 years, he brought bold programming and visionary collaborations to the forefront of contemporary music. In Always the Music, Tom shares behind-the-scenes stories of his friendships with legends like Pierre Boulez, Arthur Fiedler, and John Williams and Michael Tilson Thomas on iconic tours, his memoir brims with insights into the artistry, genius, and grit behind world-class symphonies and public arts organizations. Much more than a memoir, Tom's book contains insights and action plans for orchestras and arts organizations to refocus on providing transcendent experiences, to build audiences and connect communities through the transformative power of art. Join us as Tom reflects on his transformative career, the enduring power of live performance, and the lessons he's learned about music's role in connecting us all. Don't miss this candid and inspiring conversation with a master of his craft! We did not talk about John McPhee's meditation on shad runs in the Delaware River, Josh Allen's chances of winning an MVP or the opening of the El Roblar Hotel. Check out more about Tom at https://www.ojaifestival.org/about/leadership/thomas-w-morris-artistic-director/

Today:Senior Foreign Correspondent for FRONTLINE, Martin Smith, is out with an sweeping, two-hour documentary on China's rise to global superpower, Xi Jinping advancing their goals by means necessary.And, we talk with BSO Conductor and music director Andris Nelsons, who's celebrating a milestone 10 years with the Boston Symphony Orchestra. And for the first time on our show, he's joined by the BSO's new CEO and President, Chad Smith.

Recorded live at Tanglewood with members of the Boston Symphony Orchestra and a star-studded cast, this Haitian and Creole tale is all about hefty horses and broken deals.

Recorded live at Tanglewood with members of the Boston Symphony Orchestra and a star-studded cast, this Indian tale shows what happens when the price is right... and the price is wrong!

Have you ever wondered...how to develop true confidence in yourself and your abilities amidst setbacks? What the right mindset is for auditions? How much of your expressive playing should be planned out, and how much is instinct? How to recover from very direct, critical audition feedback? And how do you stay in the present moment, instead of stressing out about nerves and all the bad things that could happen when you're on stage? If you've ever struggled with questions like this, I think you'll find helpful answers in today's episode with violinist Nathan Cole - who was recently appointed concertmaster of the Boston Symphony Orchestra. Nathan shares insights, details, and lessons learned from his 20-year concertmaster audition journey, and also demonstrates an exercise (using an excerpt from Brahms's 4th Symphony) that will help you form clearer musical intentions and play more expressively no matter what music you're working on - especially in passages where you're not quite sure what to do. Get a transcript, show notes, and all the other nerdy details at:Nathan Cole: Lessons From 20 Years of Concertmaster Auditions====You can connect with Nathan and get tons more insights, tips, and technical advice at:Web: natesviolin.comNathan will also be teaching a live, 4-day, guided (and free) practice workshop on the Scheherazade solos from September 19-22, 2024 (at 4pm Eastern). Whether you're aspiring to take concertmaster auditions yourself, or simply want to learn some of Nathan practice techniques and strategies for better intonation, sound, and expressive clarity that you can apply to other music that you're working on, this will be a great way to jumpstart your fall practice with some new tools.Sign up for Violin Hero: Scheherazade: https://natesviolin.ac-page.com/violin-hero-ncYou can also study with Nathan through his online group learning program - Daily Virtuoso - where each quarter, he leads an in-depth study of a new set of masterworks from the repertoire. You'll learn how to approach both the technical and musical challenges in each piece through live calls, practice assignments, and video lessons, alongside a supportive community of fellow learners.Join Daily Virtuoso: https://natesviolin.com/daily-virtuoso/* * *BTW, have you ever wondered why it is exactly that things often sound better at home than they do on stage? If you've been confused (and frustrated) by the inconsistency of your performances, I put together a FREE 4-minute quiz called the Mental Skills Audit, which will help you pinpoint your mental strengths and weaknesses, and figure out what exactly to adjust and tweak in your preparation for more consistently optimal performances. It's 100% free, takes only 4 minutes, and you'll get a downloadable PDF with a personalized breakdown of where you stand in six key mental skill areas. You'll also get the Pressure Proof Practice Challenge, a free 1-week email course where you'll learn specific practice strategies that will help you perform your best, even under pressure. Take the quiz here: bulletproofmusician.com/msa

Recorded live at Tanglewood with members of the Boston Symphony Orchestra and a star-studded cast, this Icelandic tale features a magical bovine who's able to moooooove mountains!