Podcasts about Boston Symphony Orchestra

This week's Gramophone podcast is a special focus on one of the most significant of 20th century composers, Dimitri Shostakovich, the 50th anniversary of whose death we mark this year. As our guide to his music we're privileged to have conductor Andris Nelsons, who, together with the Boston Symphony Orchestra, has just reached the end of a journey through all his symphonies, plus the concertos for cello, piano and violin, all recently released by Deutsch Grammophon. Across half an hour of fascinating insight, he tells Editor Martin Cullingford about how he responds to Shostakovich's music and life, and about what makes the composer's music so distinct, and so remarkable.

NBC Sports Boston's Trenni Casey discusses a private equity in the Celtics' purchase bid and their devastating loss last night in game four against the Knicks. Josh Kraft joins to discuss his campaign for Mayor of Boston.Conductor Keith Lockhart on his 30th anniversary with the Boston Symphony Orchestra and what's in store for the Pops' spring season.CNN's John King joins via zoom to discuss the latest national political headlines.

Seit 2014 ist Andris Nelsons beim Boston Symphony Orchestra Chefdirigent. Gleich in seiner ersten Saison hat Nelsons mit einem Schostakowitsch-Zyklus begonnen, der jetzt zum 50. Todestag des Komponisten bei der Deutschen Grammophon komplett vorliegt. Für die beiden Cellokonzerte von Schostakowitsch konnte Nelsons den bald 70-jährigen Starcellisten Yo-Yo Ma gewinnen.

1943, de Hongaarse componist Béla Bartók vindt nieuwe levenskracht wanneer hij de opdracht krijgt om een werk voor het Boston Symphony Orchestra te componeren. Het resultaat is een enorme tour de force, zijn Concerto voor orkest. Muziek waar heel het orkest een belangrijke rol speelt. Maar wat heeft dit met wedstrijdpaarden te maken? Clara moet een beurs aanvragen om volksmuziek op te nemen en Sander strooit deze aflevering kwistig in het rond met levenslessen.

Carlos Simon is a Grammy Nominated Classical composer with Gospel and Jazz Roots. He is the Composer-In-Residence of The John F. Kennedy Center For The Performing Arts; and the holder of the Inaugural Boston Symphony Orchestra Composer Chair. His works address themes including migration, belonging and community. His latest work is “Good News Mass” with the LA Philharmonic.My featured song is my version of Miles Davis's “All Blues” from the album Miles Behind. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.—----------------------------------------Connect with Carlos Simon:https://www.carlossimonmusic.com—----------------------------------------ROBERT'S RECENT SINGLES:“MOON SHOT” is Robert's latest single, reflecting his Jazz Rock Fusion roots. The track features Special Guest Mark Lettieri, 5x Grammy winning guitarist who plays with Snarky Puppy and The Fearless Flyers. The track has been called “Firey, Passionate and Smokin!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS____________________“ROUGH RIDER” has got a Cool, ‘60s, “Spaghetti Western”, Guitar-driven, Tremolo sounding, Ventures/Link Wray kind of vibe!CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------“LOVELY GIRLIE” is a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------“SOSTICE” is Robert's single with a rockin' Old School vibe. Called “Stunning!”, “A Gem!”, “Magnificent!” and “5 Stars!”.Click HERE for all links.—---------------------------------“THE GIFT” is Robert's ballad arranged by Grammy winning arranger Michael Abene and turned into a horn-driven Samba. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Robert's Jazz Fusion “Tone Poem”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

W 2016 roku ukończył Uniwersytet Muzyczny Fryderyka Chopina w klasie Antoniego Wita. Kształcił się także u Jormy Panuli, Jacka Kaspszyka i Riccardo Mutiego. Brał udział w Festiwalu Tanglewood w Stanach Zjednoczonych, organizowanym przez Boston Symphony Orchestra. Współpracował z Teatrem Wielkim – Operą Narodową. Dawid Runtz od 2026 będzie pełnić funkcję pierwszego dyrygenta Sinfonieorchester Liechtenstein.

Biographical Bytes from Bala: Laurel Hill West Stories #043   Polish born violinist Timothee Adamowski was soloist with the Boston Symphony Orchestra for many years and served as one of the first conductors of the Boston Pops Orchestra. For many years his name was romantically linked with that of famed Australian soprano Nellie Melba, but he surprised everyone when he married Gertrude Pancoast of a famed Philadelphia medical family. Timothee is interred in the Pancoast family plot at LHW. 

Boston Mayor Michelle Wu joins for Ask The Mayor.Then NBC Sports Boston anchor/reporter Trenni Casey discusses an NCAA $2.8 billion settlement, the Red Sox Mookie Betts trade getting Trump's attention and the Women's Final Four. CNN's John King zooms in for the latest national political headlines.Plus, Andris Nelsons & Chad Smith of the Boston Symphony Orchestra join ahead of a Friday Yo-Yo Ma performance of the works of Shostakovich.

Join host Lij Shaw as he dives into the sonic journey of audio engineering with Dave Glasser, founder of Airshow Mastering, revealing the secrets behind mastering timeless records like those of the Grateful Dead. In this episode of Recording Studio Rockstars, Dave shares his rich 35-year experience—from tape transfers using the Plangent Process to his days at NPR—while exploring the delicate balance of preserving the essence of live music and adapting to modern audio standards. Tune in for insights on the intricacies of mastering jazz records, the evolution of sound quality, and the magic of Phil Lesh's iconic bass. Whether you're a seasoned engineer or just starting out, Dave's passion and curiosity will inspire you to elevate your own audio projects. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is David Glasser, founder and chief engineer at Airshow Mastering. David has over 35 years of experience in audio engineering and has mastered thousands of records, including more than 80 GRAMMY nominees. He's a three-time nominee himself, earning two Grammys for mastering and restoration work on the Anthology of American Folk Music and Screamin' and Hollerin' the Blues: The Worlds of Charley Patton. David's career began with the Boston Symphony Orchestra, followed by eight years of recording and production for NPR. He founded Airshow in 1983 and transitioned to full-time mastering in 1990. In 1997, he expanded to Boulder, Colorado, and later built a new state-of-the-art facility in 2016, where he continues to lead a busy mastering practice. Special thanks to Matt Boudreau for the introduction! And this episode is dedicated to the memory of Phil Lesh. THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://stealthchair.com/ Use code ROCK10 to get 10% off! https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/0YqgLkpCEH5Toiybhl73S4?si=6ab393990ad44695 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/500

durée : 00:09:28 - Le Disque classique du jour du mardi 18 mars 2025 - Seong-Jin Cho ouvre l'année Ravel 2025 avec un projet ambitieux : à l'occasion du 150e anniversaire du compositeur français, le pianiste coréen publie l'œuvre monumentale de Ravel en trois albums.

durée : 00:09:28 - Le Disque classique du jour du mardi 18 mars 2025 - Seong-Jin Cho ouvre l'année Ravel 2025 avec un projet ambitieux : à l'occasion du 150e anniversaire du compositeur français, le pianiste coréen publie l'œuvre monumentale de Ravel en trois albums.

Wolfgang Amadeus Mozart (1756 - 1791) - Sinfonia n. 40 in sol minore, K 550Molto allegro (sol minore)Andante (mi bemolle maggiore)Minuetto e trio. Allegretto (sol minore)Allegro assai (sol minore)Boston Symphony OrchestraLeonard Bernstein, conductor

Tom Morris is the author of Always the Music, a book I consider a must-read for anyone looking to understand the ins and outs of the classical music business—how it operates, its challenges, and the fascinating personalities involved. Tom has had an extraordinary journey in the world of music, having experienced it all from multiple perspectives. He started as a percussionist, performing with the Boston Symphony Orchestra, and eventually became the General Manager of the same institution. Later, he served as the Executive Director of the Cleveland Orchestra for 17 years, where he made a lasting impact. Most recently, he was the Artistic Director of the renowned Ojai Music Festival, a position he held from 2004 to 2019. In our conversation, we delve into many aspects of his book and his life, a life filled with passion, dedication, and invaluable insights into the classical music world.In Part 1, we explore Tom's early musical journey, beginning as a percussion student and the significant influence of Vic Firth, the legendary timpanist of the Boston Symphony. From there, Tom moved into a pivotal role as the General Manager of the BSO. Along the way, he formed lasting friendships with some of the most influential figures in classical music, including composer Oliver Knussen, conductor John Williams—who joined the Boston Pops in 1980—and the visionary Pierre Boulez. We also discuss Tom's time at the Cleveland Orchestra, where he made a lasting impact, especially through successful European tours and innovative programming that helped elevate the orchestra's profile.In Part 2 [Subscriber Content], we turn to an influential figure who shaped Tom's approach to leadership and problem-solving: author Jim Collins, best known for his book Good to Great. Tom shares how he brought Collins in to help refine the Cleveland Orchestra's strategy, offering a fascinating insight into his thinking on organizational development. We also discuss a significant shift in how conductors approach programming, with many now focusing on the concert as a whole rather than simply selecting individual pieces. Finally, we wrap up with Tom reflecting on his time as Artistic Director of the Ojai Music Festival, where his leadership left a lasting legacy.Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more! As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including: Extra Audio Content: Only available to Contributing Listeners. Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students. Ask Me Anything: Both as written messages and occasional member-only Zoom sessions. The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music! Can I just donate instead of subscribing? Absolutely! Cancel at anytime and easily resubscribe when you want all that extra content again. Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!

We kicked off the program with four news stories and different guests on the stories we think you need to know about!New Additions to the Tanglewood 2025 Popular Artist Series Lineup! Our guest is Alex Speir, Director of Marketing and Audience Development at the Boston Symphony Orchestra.Blackstone Heritage Corridor's Trail Ambassadors to Guide Spring Hiking Series Through Region. Donna Williams - Blackstone Heritage Corridor Board Member joined Dan Rea.The Peaceful Parenting (R)evolution: Changing the World by Changing How We Parent. A look at parenting styles & how they've changed, with author Kiva Schuler – Founder of the Jai Institute for Parenting.Red Bull Heavy Metal Snowboarding Contest comes to Boston City Hall Plaza! Grace Warner – Red Bull Snowboarder checked in with Dan.Ask Alexa to play WBZ NewsRadio on #iHeartRadio and listen to NightSide with Dan Rea Weeknights From 8PM-12AM!

Recorded live at Symphony Hall with Boston Symphony Orchestra musicians and a star-studded cast, this indigenous Pacific Northwest tale follows a wily coyote on a daring rescue.

Recorded live at Symphony Hall with Boston Symphony Orchestra musicians and a star-studded cast, this Egyptian, Iraqi, Palestinian, Sudanese and Tunisian tale shows the importance of never biting off more than you can chew.

The Cello Sherpa Podcast Host, Joel Dallow, interviews Blaise Dejardin, principal cellist of the Boston Symphony Orchestra. They talk about what he has been up to over the past 3 years, joining the faculty of his alma mater, the New England Conservatory, his teaching philosophy, filling three openings in the cello section, and much more.For more information on Blaise Dejardin check out his website www.BlaiseDejardin.comFor his cello arrangements:www.opuscello.comCopies of his book are also available here:https://www.blaisedejardin.com/shop/audition-day-book or Carriage House Violins https://www.carriagehouseviolins.com/cgi-bin/music/scripts/violin-viola-cello-music.cgi?itemno=BKDEJAAUDITIONOCor in person at Salchow and Sons BowmakersIf you are looking for in person/virtual cello lessons, or orchestral repertoire audition coachings, check out www.theCelloSherpa.comFollow us on Facebook, Instagram, TikTok, YouTube and Bluesky @theCelloSherpaFor more information on our sponsor: www.CLEAResources.com 

durée : 00:08:56 - Le Disque classique du jour du vendredi 24 janvier 2025 - Andris Nelsons dirige la vaste partition de Messiaen avec les forces du Boston Symphony Orchestra mais aussi la pianiste Yuja Wang et Cécile Lartigau aux ondes Martenot. Une Turangalîla-Symphonie à ne pas manquer !

durée : 00:08:56 - Le Disque classique du jour du vendredi 24 janvier 2025 - Andris Nelsons dirige la vaste partition de Messiaen avec les forces du Boston Symphony Orchestra mais aussi la pianiste Yuja Wang et Cécile Lartigau aux ondes Martenot. Une Turangalîla-Symphonie à ne pas manquer !

In this interview with Tom Morris, a veteran of orchestra management whose career included leadership roles with the Boston Symphony and the Cleveland Orchestra, conductor Devin Patrick Hughes provides a comprehensive look at the inner workings of orchestral institutions, the evolution of their management, and the crucial role of music in their success. Morris's journey from a percussionist to a top-level administrator offers a unique perspective, and his reflections provide valuable lessons for anyone interested in the performing arts. One of the most compelling aspects of the interview is Morris's discussion of how his musical background shaped his management philosophy. He emphasizes his deep understanding of musicians' lives, having experienced firsthand the challenges and demands of performing in an orchestra. This empathy enabled him to build trust with musicians and approach labor negotiations with a unique perspective. Morris's belief that "ultimately these institutions are about the music" underscores the importance of passion and artistic integrity in organizational leadership. The episode also explores the historical evolution of orchestra management, particularly the Boston Symphony Orchestra. Morris recounts how, before the 1970s, the orchestra relied on simple postcards for subscription renewals. He explains that over the seventies and eighties, the percentage of the budget earned from ticket sales gradually fell. This shift necessitated the development of marketing and fundraising departments, leading to a significant increase in administrative staff.  Morris shares fascinating insights about the Boston Pops, emphasizing that it was founded in 1885, before Arthur Fiedler became its 17th conductor in 1929. The Boston Symphony created the Pops to provide more employment for musicians and to perform lighter music for a broader audience. He discusses how the Boston Symphony transformed Symphony Hall into a "beer hall" to accommodate a more informal setting for the Pops concerts. He explains that in the early days the Pops sold blocks of tickets to community groups and did not have to focus on individual ticket sales. He also recounts how the popularity of Arthur Fiedler was enhanced even further by the "Evening at Pops" television series. Morris details the process of selecting John Williams as Fiedler's successor, explaining that Williams was chosen for his musical integrity and knowledge of the symphony orchestra. Furthermore, the interview addresses the crucial dynamic between management, the music director, and the board of directors, which Morris refers to as the "Bermuda Triangle.” Morris suggests that this structure can function perfectly if the right people are in those roles and are bound by a common vision. He also emphasizes that having a collaborative culture is essential, but that collaborative decision-making should be avoided. Morris stresses the importance of clear lines of authority and not settling for "good enough" when hiring. He also shares that when hiring he uses Jim Collins' three C's: competence, character, and chemistry. These points underscore the need for strong leadership and a shared vision in any successful organization. Morris also touches on the importance of thoughtful programming. He humorously mentions his collection of "dumb programs" and emphasizes the importance of carefully considering the combination of pieces in a concert. He contrasts examples of bad programming with one of his favorites, a concert he organized with Christoph von Dohnányi, which combined pieces by Ligeti, Wagner, and Bruckner. This conversation highlights that thoughtful artistic direction is an essential element in the success of an orchestra. Thank you for joining us on One Symphony. Special thanks to Thomas Morris for sharing his life and leadership. You can pick up a copy of Always the Music: How a Lifelong Passion Framed a Future for Orchestras wherever you get your books. For a list of recordings played on today's episode, please check out our show notes. You can always find more info at OneSymphony.podbean.com or DevinPatrickHughes.com, including a virtual tip jar if you'd like to support the show. Please feel free to rate, review, or share the podcast! Until next time, thank you for being part of the music. https://www.alwaysthemusic.com Featured Music All music selections for this episode feature the Boston Pops.  Tchaikovsky's Serenade for Strings in C Major, Op. 48: Waltz. Conducted by Arthur Fiedler, from the album Fiedler: Greatest Hits.  L'Arlésienne Suite No. 2: Farandole. Composed by Georges Bizet. Conducted by Arthur Fielder, from the album Fiedler: Greatest Hits. “Manhattan Skyline.” From the album Disco Inferno / Manhattan Skyline. Conducted by Arthur Fiedler.  “I Got Rhythm, Embraceable You.” From the album Boston Pops Salutes Astaire, Kelly, Garland. Composed by George and Ira Gershwin. Conducted by John Williams.  “Flying Theme” from E. T. Composed by John Williams. Performed live by John Williams conducting the Boston Pops in 2002.  “America Medley: America.” From the album Salute to America. Composed by Leonard Bernstein. Lyrics by Stephen Sondheim. Conducted by John Williams.  “None But The Lonely Heart.” From the album Pops a la Russe. Composed by Pyotr Ilyich Tchaikovsky. Conducted by John Williams.  The Snow Maiden - Suite - Danse des Bouffons. Composed by Nikolai Rimsky-Korsakov. From the album Pops a la Russe. Conducted by John Williams.  Holst: The Planets, op.32: 3. Mercury, The Winged Messenger. From the album Boston Pops Orchestra: John Williams. Conducted by John Williams. Overture from The Merry Wives of Windsor. From the album Fiedler: Greatest Hits. Conducted by Arthur Fiedler.  “Pizzicato Polka.” From the album 100 Fiedler Favorites. Conducted by Arthur Fiedler.  “Funeral March of a Marionette.” From the album 100 Fiedler Favorites. Conducted by Arthur Fiedler.  

Seong-Jin Cho, the 30-year-old pianist and winner of the 2015 International Chopin Piano Competition, has been entrusted by Deutsche Grammophon to spearhead the company's celebrations of the 150th anniversary of the birth of the great French composer, Maurice Ravel. The first release, out on January 17, contains the complete solo piano works, and the second, due on February 21, is of the two piano concertos (a live recording with the Boston Symphony Orchestra and Andris Nelsons).  Gramophone's James Jolly caught up with Seong-Jin Cho just after the pianist had performed the complete solo works in a single evening in Liechtenstein to talk about Ravel's important contribution to the piano repertoire.

Edwin Barker is recognized as one of the most gifted bassists on the American concert scene. In this wide-ranging interview, you'll hear about how when he was still a student, he won a job with the Chicago Symphony Orchestra, and then at age 22, he was appointed to the position of Principal Bass of the Boston Symphony Orchestra, a position he has now held for nearly 50 years. He shared memories of his mentors, and his valuable perspectives on learning and teaching the bass, playing in orchestra, conductors, auditions, acoustics and more. We're featuring his wonderful recent album of solo bass music, Basso Profundo, both J.S. Bach's Suite no. 5 and Weinberg's Sonata Op. 108. You can also watch this on my YouTube, and I've also linked the transcript, everything linked here to my website. It's a joy to bring these inspiring episodes to you every week, and I do all the many jobs of research, production and publicity. Please consider either buying me a coffee on my Ko-fi page, or ordering some of my merchandise. This weekly podcast is in Season 5 and I send out an email newsletter where you can get access to exclusive information about upcoming guests! Navona records link to album: https://edwinbarker.com Weinberg biography I think you may also enjoy these episodes: Mark Deutsch Thomas Cabaniss Jeeyoon Kim Rachel Mercer Hillary Simms Gail Archer Jessica Cottis and so many more ! photo of Edwin Barker: Sam Brewer Timestamps: (00:00) Intro (02:23) Ed's start on the bass in school music program, Angelo LaMariana (05:33) Henry Portnoi, Peter Mercurio (09:25) New York Philharmonic, Chicago Symphony, Boston Symphony (12:37) David Perlman, different schools of bass playing (17:28) Basso Profundo album, Bach suite adaptation for the bass (21:58) Courante from Bach Suite no. 5, from Basso Profundo (link in description) (24:14)bass history, Dragonetti (27:53) Ed's first week in Boston, Mahler 1 (30:28) Seiji Ozawa, orchestra conductors (34:26) composer Mieczyslaw Weinberg, solo bass repertoire (37:34) 3rd movement of the Weinberg Sonata op. 108 (link in description) (40:13) connection between the Bach Suite and the Weinberg sonata (42:01) excerpt of the 5th movement, Lento, of Weinberg sonata (42:56) Weinberg's life (46:43) excerpt of the 6th movement Weinberg sonata (47:22) other episodes you will find interesting, ways to support this series (48:14) the joys and challenges of orchestral playing (56:59) the influence of the acoustics of the hall on an orchestras sound (01:03:13) orchestra auditions (01:10:32) teaching the bass, playing Principal

It has been a transformative year for Elizabeth Rowe since stepping down from the Boston Symphony Orchestra, as she reflects on the profound emotions tied to her final performances. This episode explores themes of transition, the importance of presence, and the balance between loss and new beginnings, underscoring the idea that personal growth often entails embracing the ‘both/and' philosophy in navigating life's challenges.• Elizabeth shares her emotional journey since leaving the BSO• Reflects on the complexities of her final performances• Discusses the ‘both/and' philosophy regarding loss and new beginnings• Explores her evolving relationship with playing music • Highlights the importance of community and support during transitions• Emphasizes the parallels between music and coaching work• Encourages listeners to embrace their own transitions and growthElizabeth Rowe is a Leadership and High-Performance coach working at the intersection of personal and professional development. She helps high achievers across all industries learn to thrive in demanding work environments and successfully navigate career or personal transitions. She is also the former principal flutist of the Boston Symphony Orchestra, a social justice advocate, and a public speaker. After her landmark equal pay lawsuit in 2018 The Boston Globe honored her as a Bostonian of the Year, calling her “The Fighter.” Her ongoing commitment to opening up dialogue about complex subjects led to her TEDx talk, The Lonely Onlys. Learn more at iamelizabethrowe.com

Ojai Talk of the Town welcomes Tom Morris, a titan of the classical music world, for a deep dive into his extraordinary memoir, Always the Music: How a Lifelong Passion Framed a Future for Orchestras." With decades of leadership at the Boston Symphony Orchestra and the Cleveland Orchestra, Tom shaped the future of two of America's most revered symphonies. As artistic director of the Ojai Music Festival for 16 years, he brought bold programming and visionary collaborations to the forefront of contemporary music. In Always the Music, Tom shares behind-the-scenes stories of his friendships with legends like Pierre Boulez, Arthur Fiedler, and John Williams and Michael Tilson Thomas on iconic tours, his memoir brims with insights into the artistry, genius, and grit behind world-class symphonies and public arts organizations. Much more than a memoir, Tom's book contains insights and action plans for orchestras and arts organizations to refocus on providing transcendent experiences, to build audiences and connect communities through the transformative power of art. Join us as Tom reflects on his transformative career, the enduring power of live performance, and the lessons he's learned about music's role in connecting us all. Don't miss this candid and inspiring conversation with a master of his craft! We did not talk about John McPhee's meditation on shad runs in the Delaware River, Josh Allen's chances of winning an MVP or the opening of the El Roblar Hotel. Check out more about Tom at https://www.ojaifestival.org/about/leadership/thomas-w-morris-artistic-director/

On this week's episode, we welcome Keith Elder, President & CEO of the Grand Rapids Symphony. Keith Elder joined the Grand Rapids Symphony as its President & CEO on July 1, 2023. Before that, he served as president of the Tulsa Symphony Orchestra in Tulsa, Oklahoma.  He's also had roles with the Aspen Music Festival and School, Eastman School of Music, Detroit Symphony Orchestra, Boston Symphony Orchestra, Boston Pops, and Tanglewood Music Center. On this episode, Keith Elder joined us to discuss his background and the significant cultural impact that the Grand Rapids Symphony has on the West Michigan region and he highlighted the numerous partnerships the symphony has developed to strengthen its ties to the community.  He also discussed some of the highlights of the remaining symphony season, including the annual Symphony Holiday Pops concerts, membership opportunities with the Grand Rapids Symphony, and a major event to be revealed in February 2025. Since its founding in 1930, the Grand Rapids Symphony has been nationally recognized for the quality of its concerts, the breadth of its educational programs, and the innovation of its initiatives to support diversity, equity, and inclusion as well as to serve the wider community in non-traditional settings.  Online: The Grand Rapids Symphony  

Today:Senior Foreign Correspondent for FRONTLINE, Martin Smith, is out with an sweeping, two-hour documentary on China's rise to global superpower, Xi Jinping advancing their goals by means necessary.And, we talk with BSO Conductor and music director Andris Nelsons, who's celebrating a milestone 10 years with the Boston Symphony Orchestra. And for the first time on our show, he's joined by the BSO's new CEO and President, Chad Smith.

Harriet Krijgh zählt zu den aufregendsten Cellistinnen unserer Zeit. Konzerte führen die junge Niederländerin in die bedeutenden Säle Europas, Nordamerikas und Asiens. Sie spielte u.a. mit Orchestern wie dem Boston Symphony Orchestra, den Wiener Symphonikern, dem London Philharmonic Orchestra und ist gern gesehener Gast auf den großen internationalen Festivals. Der Kammermusik gilt darüber hinaus ihre große Liebe, seit 13 Jahren hat Krijgh ein eigenes Festival, das Harriet & Friends Festival, in Niederösterreich, nicht weit von ihrem Wohnsitz Wien entfernt. Harriet Krijgh ist in einer Familie aufgewachsen, in der immer musiziert wurde, obwohl ihre Eltern keine Musiker sind. Mit 5 Jahren griff sie zum Cello ihres Bruders. Der Beginn einer eindrucksvollen Karriere. Über ihre Familie, ihre Musik und ihre neuesten Einspielungen, den Cellokonzerten von Dvořák und Elgar, spricht Harriet Krijgh in "NDR Kultur à la carte" mit Beate Scheibe.

On the October 22 edition of Music History Today podcast, Pearl Jam & the Boston Symphony Orchestra perform for the first time & no, not together, Bob Seger gets a silver bullet, & Imagine Dragons form. Plus, it's classical composer Franz Liszt's birthday. For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts from ALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday --- Support this podcast: https://podcasters.spotify.com/pod/show/musichistorytodaypodcast/support

Damir Marusic and WoC executive editor Santiago Ramos get together to discuss Damir's latest article, “Why We Need Nightmares.” In it, Damir writes about the the binding of Isaac — the chilling story from the Book of Genesis where God asks Abraham to sacrifice his son. Damir is fascinated both by the story and by a Caravaggio painting depicting it. “That's the stuff,” he writes. But what is this “stuff”?While searching for an answer to this question, Damir and Santiago cover a lot of ground. They discuss the story of Abraham and Isaac, as well as the different ways that philosophers have interpreted it. They talk about Kierkegaard, Nietzsche, and Kant. They come to the conclusion that, while we all have different words for it — terrifying, mysterious, sublime — everyone must grapple with the stuff. Grappling with the stuff is an essential part of living a human life, for believers and unbelievers alike.This episode covers the Bible, philosophy, art, music, and much more. It is not a debate, but an exploration of what exactly it is that makes certain stories, works of art, and experiences so moving, compelling, terrifying. We enjoyed recording this episode so much that we decided to make it free for all subscribers.Required Reading and Listening:* Damir, “Why We Need Nightmares” (WoC).* Damir, “The Pursuit of Passion for Its Own Sake” (WoC).* Damir, “It's Not Really About Cancel Culture,” about Tár (WoC).* “Ending Summer on Violence and Despair, with Twitter's Audrey Horne” (WoC).* The story of the binding of Isaac in Genesis 22 (King James Version). * Immanuel Kant (Stanford Encyclopedia of Philosophy).* Søren Kierkegaard (Stanford Encyclopedia of Philosophy).* Friedrich Nietzsche (Stanford Encyclopedia of Philosophy).* “Time of tension between dying and birth” quote by T. S. Eliot, in “Ash Wednesday” (Best Poems). * Mozart, Symphony No. 40 (Leonard Bernstein and the Boston Symphony Orchestra, YouTube).* Roger Scruton on pop music as addictive (YouTube).* Keith Richards on heavy metal, “No lift, no bounce, no syncopation” (YouTube).* Caspar David Friedrich, “Sea of Ice” (painting of shipwreck/example of the sublime).* The Rolling Stones, “Gimme Shelter” (YouTube).* Nirvana, “Radio Friendly Unit Shifter” (YouTube). * Shellac, At Action Park (YouTube). * Arvo Pärt, Cantus in memoriam Benjamin Britten (Norwegian Chamber Orchestra, YouTube).* Leonard Bernstein, “The Unanswered Question,” lectures (YouTube).Wisdom of Crowds is a platform challenging premises and understanding first principles on politics and culture. Join us! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit wisdomofcrowds.live/subscribe

Recorded live at Tanglewood with members of the Boston Symphony Orchestra and a star-studded cast, this Haitian and Creole tale is all about hefty horses and broken deals.

Send me a text message. Suggestions? Subjects for future podcasts? Let me know--thanks!Let's continue our practice with the verb “take”, this time with “take place” which means to “happen”, usually for organized events.1) The next summer Olympic Games will take place in Los Angeles. I hope it won't be too hot.2) The next performance by the Boston Symphony Orchestra will take place on September 8th.3) The 2024 US presidential election will take place on November 5.4) I would like our wedding to take place as soon as possible. 5) We had a long business meeting, but the serious decisions took place later during dinner.Intro & Outro Music: La Pompe Du Trompe by Shane Ivers - https://www.silvermansound.com Support the showEmail me: swift.water3883@fastmail.comYou can now support my podcasts and classes:Help Barry pay for podcast expenses--thank you!

Recorded live at Tanglewood with members of the Boston Symphony Orchestra and a star-studded cast, this Indian tale shows what happens when the price is right... and the price is wrong!

Have you ever wondered...how to develop true confidence in yourself and your abilities amidst setbacks? What the right mindset is for auditions? How much of your expressive playing should be planned out, and how much is instinct? How to recover from very direct, critical audition feedback? And how do you stay in the present moment, instead of stressing out about nerves and all the bad things that could happen when you're on stage? If you've ever struggled with questions like this, I think you'll find helpful answers in today's episode with violinist Nathan Cole - who was recently appointed concertmaster of the Boston Symphony Orchestra. Nathan shares insights, details, and lessons learned from his 20-year concertmaster audition journey, and also demonstrates an exercise (using an excerpt from Brahms's 4th Symphony) that will help you form clearer musical intentions and play more expressively no matter what music you're working on - especially in passages where you're not quite sure what to do. Get a transcript, show notes, and all the other nerdy details at:Nathan Cole: Lessons From 20 Years of Concertmaster Auditions====You can connect with Nathan and get tons more insights, tips, and technical advice at:Web: natesviolin.comNathan will also be teaching a live, 4-day, guided (and free) practice workshop on the Scheherazade solos from September 19-22, 2024 (at 4pm Eastern). Whether you're aspiring to take concertmaster auditions yourself, or simply want to learn some of Nathan practice techniques and strategies for better intonation, sound, and expressive clarity that you can apply to other music that you're working on, this will be a great way to jumpstart your fall practice with some new tools.Sign up for Violin Hero: Scheherazade: https://natesviolin.ac-page.com/violin-hero-ncYou can also study with Nathan through his online group learning program - Daily Virtuoso - where each quarter, he leads an in-depth study of a new set of masterworks from the repertoire. You'll learn how to approach both the technical and musical challenges in each piece through live calls, practice assignments, and video lessons, alongside a supportive community of fellow learners.Join Daily Virtuoso: https://natesviolin.com/daily-virtuoso/* * *BTW, have you ever wondered why it is exactly that things often sound better at home than they do on stage? If you've been confused (and frustrated) by the inconsistency of your performances, I put together a FREE 4-minute quiz called the Mental Skills Audit, which will help you pinpoint your mental strengths and weaknesses, and figure out what exactly to adjust and tweak in your preparation for more consistently optimal performances. It's 100% free, takes only 4 minutes, and you'll get a downloadable PDF with a personalized breakdown of where you stand in six key mental skill areas. You'll also get the Pressure Proof Practice Challenge, a free 1-week email course where you'll learn specific practice strategies that will help you perform your best, even under pressure. Take the quiz here: bulletproofmusician.com/msa

Recorded live at Tanglewood with members of the Boston Symphony Orchestra and a star-studded cast, this Icelandic tale features a magical bovine who's able to moooooove mountains!

The annual Tanglewood on Parade concert brings together the best of The Boston Symphony Orchestra and The Boston Pops in a day full of family fun and lively music, culminating in an exciting evening of performances and fireworks.The evening concert will include special tributes to late Maestro Seiji Ozawa – the former head of the BSO died earlier this year at the age of 88.Tony Fogg is the Vice President for Artistic Planning at The Boston Symphony Orchestra and he joins us with a preview of Tanglewood on Parade.

Europa har genomgått många revolutioner och krig som påverkat kontinentens politiska och kulturella landskap. Två världskrig och det påföljande kalla kriget skapade djupa politiska, ekonomiska och ideologiska splittringar i Europa.Men Europas länder blir alltmer lika varandra ekonomiskt, medan värderingarna släpar efter. Kalla krigets gränser finns fortfarande kvar som tydliga skillnader i värderingar mellan länderna som hamnade på olika sidor om järnridån. Men spåren av trettioåriga krigets religionskrig är sedan länge borta.I detta avsnitt samtalar programledare Urban Lindstedt med Fredrik Charpentier Ljungqvist, professor i historia, särskilt historisk geografi vid Stockholms universitet och aktuell med boken Europa i dag – Likheter och skillnader mellan länderna på vår kontinent.Europas karta har rivits upp otal gånger från att den europeiska kulturen etablerade sig i Grekland före vår tidräkning till att Kol- och stålunionen började integrera gamla fiender. Det romerska imperiet föll sönder i mindre kungariken och furstendömen. Upplysningen skiljde ut Europa från övriga världen. Första världskriget blev slutet både för Habsburgska dubbelmonarkin, det kejserliga Ryssland och det ottomanska riket. Sist ut har vi järnridån som delade Europa i en västlig och östlig del under nästan femtio år.Europa är en kontinent med suddiga gränser där EU bara omfattar 27 länder, medan fotbollens UEFA inkluderar 55 nationella fotbollsförbund. På geografiska kartor brukar gränsen dras vid Uralbergen och Bosporen i öst och Atlanten i väst. Europa, som nämns av Homeros, började användas som ett samlande begrepp efter Konstantinopels fall 1453. Det representerade en kristen och kulturell gemenskap, trots betydande judiska och muslimska minoriteter. Under renässansen och reformationen breddades begreppet och användes mer allmänt.Dessa gränser och förändringar har skapat och vidmakthållit skillnader mellan Europas länder. Även om religionen slutat att fungera som skiljelinje i Europa finns det helt klart stora skillnader mellan nord och syd. Och Norden sticker ut på mer än ett sätt.Europeiska unionens ekonomisk integration och politisk samverkan har främjat fred, stabilitet och ekonomisk tillväxt bland medlemsländerna. Denna union har också spelat en central roll i att forma likheter och skillnader mellan länderna genom gemensamma lagar, politik och värderingar.Norden som en ekonomisk, politisk och värderingsmässig enhet går att ifrågasätta då Danmark hamnar utanför Norden vid en statistisk klusteranalys av Europas länder, medan Schweiz och Österrike grupperas tillsammans med Norden utan Danmark.Bild: Avbildning av Europa regina ('Drottning Europa') 1582 av Heinrich Bünting, Wikipedia, Public Domain.Musik: Ludvig von Beethoven, nionde symfoni, Boston Symphony Orchestra, 1948, Internet Archive, Public Domain.Lyssna också på Kartornas historia från Babylon till 1:a världskrigetKlippare: Emanuel Lehtonen Vill du stödja podden och samtidigt höra ännu mer av Historia Nu? Gå med i vårt gille genom att klicka här: https://plus.acast.com/s/historianu-med-urban-lindstedt. Hosted on Acast. See acast.com/privacy for more information.

Tony Fogg is a dear friend to this program and has been with us since we first broadcast here some 2-decades. Tony was born in Australia and was trained as a pianist at the Brazilian Academy of Music and at the University of Sydney. In 1994 at the invitation of Seiji Ozawa, he came to the USA to take up the position of Artistic Administrator of the Boston Symphony Orchestra. Now, as Vice-President of Artistic Planning, he assists BSO Music Director, Andris Nelsons, with the scheduling of all performances by the BSO, as well as overseeing the Pops and Tanglewood Music Festival.

Tom Morris has had an illustrious career in classical music. He was the longtime former Senior Executive of The Boston Symphony Orchestra and then The Cleveland Orchestra. He went on to become the Artistic Director of the Ojai Music Festival. He currently serves on the Board of the Interlochen Arts Center. And he has a forthcoming autobiography coming out which discusses several of the key people from his career including John Williams and Arthur Fiedler.My featured song is “Stockbridge Fanfare” from the album East Side Sessions by my band Project Grand Slam. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here .To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------“LOU'S BLUES” is Robert's new single. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------“THE RICH ONES”. Robert's recent single. With guest artist Randy Brecker (Blood Sweat & Tears) on flugelhorn. Click HERE for all links.—---------------------------------------“MILES BEHIND”, Robert's debut album, recorded in 1994, was “lost” for the last 30 years. It's now been released for streaming. Featuring Randy Brecker (Blood Sweat & Tears), Anton Fig (The David Letterman Show), Al Foster (Miles Davis), Tim Ries (The Rolling Stones), Jon Lucien and many more. Called “Hip, Tight and Edgy!” Click here for all links.—--------------------------------------“IT'S ALIVE!” is Robert's latest Project Grand Slam album. Featuring 13 of the band's Greatest Hits performed “live” at festivals in Pennsylvania and Serbia.Reviews:"An instant classic!" (Melody Maker)"Amazing record...Another win for the one and only Robert Miller!" (Hollywood Digest)"Close to perfect!" (Pop Icon)"A Masterpiece!" (Big Celebrity Buzz)"Sterling effort!" (Indie Pulse)"Another fusion wonder for Project Grand Slam!" (MobYorkCity)Click here for all links.Click here for song videos—-----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

In this episode, we sat down with principal trombonist of the Boston Symphony Orchestra, Toby Oft, to dive into the exhilarating journey of his music career. We discussed Toby's start in music, how to justify a life in the arts, thoughts on having a career in a creative industry, approach to instrumental aspects like conceptualizing tone and breathing, tips for navigating the industry both as a student and as a professional, and so much more!  This was one of our favorite episodes yet and is a can't miss listen for anyone looking to hear a deep and insightful conversation about the world of music! Don't know much about Toby? Let's catch you up: “Toby Oft, the 12th principal trombonist in Boston Symphony Orchestra's esteemed history, boasts a career spanning nine seasons with the BSO. In addition to his time in the BSO, Toby's artistry extends beyond orchestral performances to acclaimed solo and chamber appearances worldwide. Oft's dedication to education is evident through master classes and recitals globally, alongside his roles on the faculties of New England Conservatory and Boston University. In addition to prominent military band and teaching positions, Oft's students have won tenured positions in top orchestras in Detroit, Jacksonville, Toronto, and Puerto Rico, and have also been accepted to such distinguished festivals as the Verbier Festival and Tanglewood Music Center.” For more insights and updates, be sure to follow us on Instagram: ⁠⁠⁠⁠⁠⁠⁠Toby's Instagram ⁠⁠⁠⁠⁠⁠Virtuosity Musical Instruments' Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠J. Landress Brass' Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠ You can also explore more about our businesses on our websites: ⁠⁠⁠⁠⁠⁠⁠Toby's Website ⁠⁠⁠⁠⁠⁠⁠⁠⁠J. Landress Brass' Website⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Virtuosity Musical Instruments' Website⁠⁠⁠⁠⁠⁠

The Trombone Corner Podcast is brought to you by Bob Reeves Brass and The Brass Ark.  Join hosts Noah and John as they interview Jim Nova, 2nd trombonist with the Pittsburgh Symphony Orchestra About Jim Nova James Nova joined the Grammy award-winning Pittsburgh Symphony Orchestra in 2009 as second/utility trombone. In 2012, Nova made his solo debut with the PSO, performing Henri Tomasi's Concerto for Trombone and Orchestra. Prior to that, he was a member of the Utah Symphony Orchestra where he served eight seasons as assistant principal/second trombone.  Since 2012, James Nova has found a new passion in multitrack recording, also known as "overdubbing." Overdubbing is a process by which a musician records all the parts of a piece of music one by one and layers the recordings on top of each other to create a full ensemble. Nova has released dozens of stunning and virtuosic tracks of his own challenging arrangements of exciting repertoire for trombone choir. The arrangements employ many different trombones: contra bass, bass, tenor, small tenor, alto, and even soprano trombones! James Nova has had a lifelong love of John Williams' film scores and in December of 2017, he released a new overdub album for trombone choir, A Fall from Light to Dark. Through the chosen moments of John Williams' masterful scores, this album musically chronicles the rise and descent of Anakin Skywalker as he transforms into Darth Vader. Truly a one-man show, this album's transcriptions, playing, recording, editing, mixing, and mastering were all done by Nova himself. James Nova has always been passionate about music education. When not on stage at Heinz Hall with the Pittsburgh Symphony, he can be found at the Mary Pappert School of Music at Duquesne University where he is adjunct trombone faculty, as well as the brass coach of the Three Rivers Young Peoples Orchestras. Given their widespread popularity, Nova's recordings are playing an impactful role in inspiring the next generation of musicians and budding recording artists and he is frequently invited to teach outside the region. Since 2012, he has completed more than 85 visits to prominent festivals (such as the International Trombone Festival, American Trombone Workshop, and the Korea Trombone Festival, among others) and reputable educational institutions (such as the Curtis Institute of Music, Juilliard School of Music, and New England Conservatory, among others) as the featured artist and educator in concerts, masterclasses, and clinics. James Nova studied with Glenn Dodson at the Curtis Institute of Music followed by study with Norman Bolter at the New England Conservatory of Music. While in Boston, Nova played regularly with the Boston Symphony Orchestra and the Boston Pops Orchestra, including recordings and television broadcasts as both principal and second trombone.  James Nova is an S.E. Shires Artist and performs on his signature line of Greg Black Mouthpieces. For more info, visit jimnova.com or hear his recordings at soundcloud.com/jimnova

In this episode, we delve into the intricacies of Stephen Tramontozzi's new solo double bass album, Basso Novo. Tramontozzi shares the three-fold mission behind the album: to uncover and bring to light underappreciated works for the double bass, to transcribe works from other instruments for the double bass, and to commission new works for the instrument. This is his fourth, and most ambitious recording project to date, with all tracks designed for solo double bass and featuring contemporary works. Among the highlights, Tramontozzi commissioned Larry Wolfe from the Boston Symphony Orchestra for a suite, "Blomidon Set", inspired by Bach suites but adding a twist from Celtic, Scottish, Irish, and Acadian fiddler traditions. An exciting addition to the album is "The Earth and Stars", a piece written by talented composition student at the San Francisco Conservatory of Music, José Vargas. This piece, which Tramontozzi premiered in the previous year, stands out as the only track where he used his orchestra tuned bass. The album also features other important works like "Ballade" by Ranjbaran, written for the 1999 International Society of Bassists solo competition, "Hommage a J.S. Bach" by Zbinden, and Berio's short gem "Psy". Join us as we explore the rich sounds and captivating stories behind Basso Novo. Check out the sheet music for Blomidon Set here, and be sure to check out the latest album on Apple Music and Spotify! Subscribe to the podcast to get these interviews delivered to you automatically!   Connect with us: all things double bass double bass merch double bass sheet music   Thank you to our sponsor!   Dorico - This podcast episode is sponsored by Dorico: the next-generation music notation software from Steinberg, that's packed with smart, time-saving features to help you spend less time in front of your computer and more time doing what you love: making music.   The latest version of Dorico 5, includes Iconica Sketch, a new orchestral sound library, bringing more expressive playback, and making it easy to produce more life-like performances with a dynamic stereo soundstage. Try Dorico Now For 60 Days For Free: visit dorico.com     theme music by Eric Hochberg

(00:00:00) Mclusky - Mclusky Do Dallas / 2002 (00:31:39) IDLES - CRAWLER / 2021 (01:00:28) Gustav Holst - The Planets (William Steinberg; Boston Symphony Orchestra) / 1971

During the series of conversations I've had with people in the music business over the past 3 1/2 year, I've spoken with guests representing many aspects of music. But I haven't spoken with anybody about the give and take between orchestra management and musicians. So, who better to have on the podcast than Lynn Larsen? Lynn has been Personnel Manager (since 1988) and Orchestra Manager (since 2017) of the Boston Symphony Orchestra. Formerly, he was a fellow in the American Symphony Orchestra League management program and worked for a year with the Denver, Albuquerque, and St. Louis Symphonies. But he began his career as a horn player with the Utah Symphony, was the head of the orchestra committee, and later was also president of ICSOM (International Conference of Symphony and Opera Musicians) for two years, representing over 4,000 players across the United States. Lynn has a huge amount of insight into both sides of the management/player relationship, and so this is a conversation that I think will be interesting to many players (and hopefully people in management as well!)Lynn began his life as a musician by playing second horn with the Utah Symphony for 17 years. During his time with the orchestra, he was head of the orchestra committee, so he takes us behind the scenes to show us what happens during a strike, and some potential ways of resolving one. I then ask Lynn about his time as a fellow in the American Symphony Orchestra League program, and what he learned from working with the orchestras of Denver, Albuquerque, and St. Louis. We end Part 1 with Lynn talking about his two years with ICSOM.Dorico Professional music notation and composition software from Steinberg. Download a free 30-trial today!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more! As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including: Extra Audio Content: Only available to Contributing Listeners. Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students. Ask Me Anything: Both as written messages and occasional member-only Zoom sessions. The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music! Can I just donate instead of subscribing? Absolutely! Cancel at anytime and easily resubscribe when you want all that extra content again. Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!

Dr. Anita Hill joined Radio Boston to talk about her long career of advocacy and her upcoming performance with the Boston Symphony Orchestra.

Anthony Fogg, vice-president of artistic planning for the Boston Symphony Orchestra, joined Paris and Jeremy to share his memories of his friend and colleague, longtime BSO conductor Seiji Ozawa, who passed away at his home in Tokyo on Tuesday.

Cara and John catch up with Chantell McFarland who recently returned from a hugely successful run at the International Blues Challenge in Memphis with Diego Mongue and his band. Chantell has something in common with John and Cara as a stepmom making it work in the blended family. We cover almost scripted Taylor Swift, KC Chiefs, NFL season, Cara's purchasing Halara overalls for comfort and to relive her college days, Chantell talks about her wedding dress video that went viral and got over a million views on Facebook, the experience in Memphis where the band had seven performances including at a radio station there, her inspiration to get back into performing music after a longtime away and more! Songstress, Chantell, is a classically trained artist from Chicago, not residing in the idyllic hills of Berkshire County. In her early career, Chantell performed on studio albums for PBS Kids and Sesame Street. In 2021, Chantell performed in a concert of encouragement and hope for essential workers featuring Cellist, Yo-yo Ma and The Boston Symphony Orchestra's maestro, Manny Ax. In 2023, Chantell joined the Diego Mongue Band and was a semi finalist in the International Blues Challenge. She was also accepted into the Recording Academy. Chantell's love for music and people are intrinsic within her melodious vocal arrangements and soulful songwriting. Cara Krol is the author of Fairy Slippers and Molly Saves the Bees: https://www.fairyslippers.info/books In addition to being an author, Cara is an energy healer and intuitive coach. Her website for her business Balance & Bliss Wellness is https://balanceandblisswellness.com John Krol is the owner of One Eighty Media marketing agency: https://oneeightymedia.com/ a longtime radio/television and podcast host and producer. John and Cara are raising a family of five kiddos between the ages of 8 and 15, making it all work! --- Support this podcast: https://podcasters.spotify.com/pod/show/john-krol/support

Recorded live at Tanglewood with members of the Boston Symphony Orchestra and a star-studded cast, this Chinese courtroom drama explores truth, justice, and the elephant way.

Recorded live at Tanglewood with members of the Boston Symphony Orchestra and a star-studded cast, this West African tale shows why dishonesty is definitely not the best policy!

Recorded live at Tanglewood with members of the Boston Symphony Orchestra and a star-studded cast, this tale from Borneo features a tiny trickster who untangles a problem by tying it up in knots!