Podcasts about culturedmodesty

Juan Francisco Manzano and Gabriel de la Concepción Valdés (Plácido) were perhaps the most important and innovative Cuban writers of African descent during the Spanish colonial era. Both nineteenth-century authors used Catholicism as a symbolic language for African-inspired spirituality. Likewise, Plácido and Manzano subverted the popular imagery of neoclassicism and Romanticism in order to envision black freedom in the tradition of the Haitian Revolution. Plácido and Manzano envisioned emancipation through the lens of African spirituality, a transformative moment in the history of Cuban letters. In Cuban Literature in the Age of Black Insurrection: Manzano, Plácido, and Afro-Latino Religion (University Press of Mississippi) Matthew J. Pettway examines how the portrayal of African ideas of spirit and cosmos in otherwise conventional texts recur throughout early Cuban literature and became the basis for Manzano and Plácido’s antislavery philosophy. The portrayal of African-Atlantic religious ideas spurned the elite rationale that literature ought to be a barometer of highbrow cultural progress. Cuban debates about freedom and selfhood were never the exclusive domain of the white Creole elite. Pettway’s emphasis on African-inspired spirituality as a source of knowledge and a means to sacred authority for black Cuban writers deepens our understanding of Manzano and Plácido not as mere imitators but as aesthetic and political pioneers. As Pettway suggests, black Latin American authors did not abandon their African religious heritage to assimilate wholesale to the Catholic Church. By recognizing the wisdom of African ancestors, they procured power in the struggle for black liberation. Matthew J. Pettway is assistant professor of Spanish at University of South Alabama. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Scholar at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices

Juan Francisco Manzano and Gabriel de la Concepción Valdés (Plácido) were perhaps the most important and innovative Cuban writers of African descent during the Spanish colonial era. Both nineteenth-century authors used Catholicism as a symbolic language for African-inspired spirituality. Likewise, Plácido and Manzano subverted the popular imagery of neoclassicism and Romanticism in order to envision black freedom in the tradition of the Haitian Revolution. Plácido and Manzano envisioned emancipation through the lens of African spirituality, a transformative moment in the history of Cuban letters. In Cuban Literature in the Age of Black Insurrection: Manzano, Plácido, and Afro-Latino Religion (University Press of Mississippi) Matthew J. Pettway examines how the portrayal of African ideas of spirit and cosmos in otherwise conventional texts recur throughout early Cuban literature and became the basis for Manzano and Plácido’s antislavery philosophy. The portrayal of African-Atlantic religious ideas spurned the elite rationale that literature ought to be a barometer of highbrow cultural progress. Cuban debates about freedom and selfhood were never the exclusive domain of the white Creole elite. Pettway’s emphasis on African-inspired spirituality as a source of knowledge and a means to sacred authority for black Cuban writers deepens our understanding of Manzano and Plácido not as mere imitators but as aesthetic and political pioneers. As Pettway suggests, black Latin American authors did not abandon their African religious heritage to assimilate wholesale to the Catholic Church. By recognizing the wisdom of African ancestors, they procured power in the struggle for black liberation. Matthew J. Pettway is assistant professor of Spanish at University of South Alabama. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Scholar at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices

Juan Francisco Manzano and Gabriel de la Concepción Valdés (Plácido) were perhaps the most important and innovative Cuban writers of African descent during the Spanish colonial era. Both nineteenth-century authors used Catholicism as a symbolic language for African-inspired spirituality. Likewise, Plácido and Manzano subverted the popular imagery of neoclassicism and Romanticism in order to envision black freedom in the tradition of the Haitian Revolution. Plácido and Manzano envisioned emancipation through the lens of African spirituality, a transformative moment in the history of Cuban letters. In Cuban Literature in the Age of Black Insurrection: Manzano, Plácido, and Afro-Latino Religion (University Press of Mississippi) Matthew J. Pettway examines how the portrayal of African ideas of spirit and cosmos in otherwise conventional texts recur throughout early Cuban literature and became the basis for Manzano and Plácido’s antislavery philosophy. The portrayal of African-Atlantic religious ideas spurned the elite rationale that literature ought to be a barometer of highbrow cultural progress. Cuban debates about freedom and selfhood were never the exclusive domain of the white Creole elite. Pettway’s emphasis on African-inspired spirituality as a source of knowledge and a means to sacred authority for black Cuban writers deepens our understanding of Manzano and Plácido not as mere imitators but as aesthetic and political pioneers. As Pettway suggests, black Latin American authors did not abandon their African religious heritage to assimilate wholesale to the Catholic Church. By recognizing the wisdom of African ancestors, they procured power in the struggle for black liberation. Matthew J. Pettway is assistant professor of Spanish at University of South Alabama. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Scholar at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices

Juan Francisco Manzano and Gabriel de la Concepción Valdés (Plácido) were perhaps the most important and innovative Cuban writers of African descent during the Spanish colonial era. Both nineteenth-century authors used Catholicism as a symbolic language for African-inspired spirituality. Likewise, Plácido and Manzano subverted the popular imagery of neoclassicism and Romanticism in order to envision black freedom in the tradition of the Haitian Revolution. Plácido and Manzano envisioned emancipation through the lens of African spirituality, a transformative moment in the history of Cuban letters. In Cuban Literature in the Age of Black Insurrection: Manzano, Plácido, and Afro-Latino Religion (University Press of Mississippi) Matthew J. Pettway examines how the portrayal of African ideas of spirit and cosmos in otherwise conventional texts recur throughout early Cuban literature and became the basis for Manzano and Plácido’s antislavery philosophy. The portrayal of African-Atlantic religious ideas spurned the elite rationale that literature ought to be a barometer of highbrow cultural progress. Cuban debates about freedom and selfhood were never the exclusive domain of the white Creole elite. Pettway’s emphasis on African-inspired spirituality as a source of knowledge and a means to sacred authority for black Cuban writers deepens our understanding of Manzano and Plácido not as mere imitators but as aesthetic and political pioneers. As Pettway suggests, black Latin American authors did not abandon their African religious heritage to assimilate wholesale to the Catholic Church. By recognizing the wisdom of African ancestors, they procured power in the struggle for black liberation. Matthew J. Pettway is assistant professor of Spanish at University of South Alabama. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Scholar at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices

Juan Francisco Manzano and Gabriel de la Concepción Valdés (Plácido) were perhaps the most important and innovative Cuban writers of African descent during the Spanish colonial era. Both nineteenth-century authors used Catholicism as a symbolic language for African-inspired spirituality. Likewise, Plácido and Manzano subverted the popular imagery of neoclassicism and Romanticism in order to envision black freedom in the tradition of the Haitian Revolution. Plácido and Manzano envisioned emancipation through the lens of African spirituality, a transformative moment in the history of Cuban letters. In Cuban Literature in the Age of Black Insurrection: Manzano, Plácido, and Afro-Latino Religion (University Press of Mississippi) Matthew J. Pettway examines how the portrayal of African ideas of spirit and cosmos in otherwise conventional texts recur throughout early Cuban literature and became the basis for Manzano and Plácido’s antislavery philosophy. The portrayal of African-Atlantic religious ideas spurned the elite rationale that literature ought to be a barometer of highbrow cultural progress. Cuban debates about freedom and selfhood were never the exclusive domain of the white Creole elite. Pettway’s emphasis on African-inspired spirituality as a source of knowledge and a means to sacred authority for black Cuban writers deepens our understanding of Manzano and Plácido not as mere imitators but as aesthetic and political pioneers. As Pettway suggests, black Latin American authors did not abandon their African religious heritage to assimilate wholesale to the Catholic Church. By recognizing the wisdom of African ancestors, they procured power in the struggle for black liberation. Matthew J. Pettway is assistant professor of Spanish at University of South Alabama. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Scholar at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices

Juan Francisco Manzano and Gabriel de la Concepción Valdés (Plácido) were perhaps the most important and innovative Cuban writers of African descent during the Spanish colonial era. Both nineteenth-century authors used Catholicism as a symbolic language for African-inspired spirituality. Likewise, Plácido and Manzano subverted the popular imagery of neoclassicism and Romanticism in order to envision black freedom in the tradition of the Haitian Revolution. Plácido and Manzano envisioned emancipation through the lens of African spirituality, a transformative moment in the history of Cuban letters. In Cuban Literature in the Age of Black Insurrection: Manzano, Plácido, and Afro-Latino Religion (University Press of Mississippi) Matthew J. Pettway examines how the portrayal of African ideas of spirit and cosmos in otherwise conventional texts recur throughout early Cuban literature and became the basis for Manzano and Plácido’s antislavery philosophy. The portrayal of African-Atlantic religious ideas spurned the elite rationale that literature ought to be a barometer of highbrow cultural progress. Cuban debates about freedom and selfhood were never the exclusive domain of the white Creole elite. Pettway’s emphasis on African-inspired spirituality as a source of knowledge and a means to sacred authority for black Cuban writers deepens our understanding of Manzano and Plácido not as mere imitators but as aesthetic and political pioneers. As Pettway suggests, black Latin American authors did not abandon their African religious heritage to assimilate wholesale to the Catholic Church. By recognizing the wisdom of African ancestors, they procured power in the struggle for black liberation. Matthew J. Pettway is assistant professor of Spanish at University of South Alabama. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Scholar at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices

Juan Francisco Manzano and Gabriel de la Concepción Valdés (Plácido) were perhaps the most important and innovative Cuban writers of African descent during the Spanish colonial era. Both nineteenth-century authors used Catholicism as a symbolic language for African-inspired spirituality. Likewise, Plácido and Manzano subverted the popular imagery of neoclassicism and Romanticism in order to envision black freedom in the tradition of the Haitian Revolution. Plácido and Manzano envisioned emancipation through the lens of African spirituality, a transformative moment in the history of Cuban letters. In Cuban Literature in the Age of Black Insurrection: Manzano, Plácido, and Afro-Latino Religion (University Press of Mississippi) Matthew J. Pettway examines how the portrayal of African ideas of spirit and cosmos in otherwise conventional texts recur throughout early Cuban literature and became the basis for Manzano and Plácido's antislavery philosophy. The portrayal of African-Atlantic religious ideas spurned the elite rationale that literature ought to be a barometer of highbrow cultural progress. Cuban debates about freedom and selfhood were never the exclusive domain of the white Creole elite. Pettway's emphasis on African-inspired spirituality as a source of knowledge and a means to sacred authority for black Cuban writers deepens our understanding of Manzano and Plácido not as mere imitators but as aesthetic and political pioneers. As Pettway suggests, black Latin American authors did not abandon their African religious heritage to assimilate wholesale to the Catholic Church. By recognizing the wisdom of African ancestors, they procured power in the struggle for black liberation. Matthew J. Pettway is assistant professor of Spanish at University of South Alabama. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Scholar at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Christina Proenza-Coles' new book American Founders: How People of African Descent Established Freedom in the New World (NewSouth Books, 2019) reveals men and women of African descent as key protagonists in the story of American democracy. It chronicles how black people developed and defended New World settlements, undermined slavery, and championed freedom throughout the hemisphere from the sixteenth thorough the twentieth centuries. While conventional history tends to reduce the roles of African Americans to antebellum slavery and the civil rights movement, in reality African residents preceded the English by a century and arrived in the Americas in numbers that far exceeded European migrants up until 1820. Afro-Americans were omnipresent in the founding and advancement of the Americas, and recurrently outnumbered Europeans at many times and places, from colonial Peru to antebellum Virginia. African-descended people contributed to every facet of American history as explorers, conquistadores, settlers, soldiers, sailors, servants, slaves, rebels, leaders, lawyers, litigants, laborers, artisans, artists, activists, translators, teachers, doctors, nurses, inventors, investors, merchants, mathematicians, scientists, scholars, engineers, entrepreneurs, generals, cowboys, pirates, professors, politicians, priests, poets, and presidents. The multitude of events and mixed-race individuals included in the book underscores that black and white Americans share the same history, and in many cases, the same ancestry. American Founders is meant to celebrate this shared heritage and strengthen these bonds. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices

Christina Proenza-Coles' new book American Founders: How People of African Descent Established Freedom in the New World (NewSouth Books, 2019) reveals men and women of African descent as key protagonists in the story of American democracy. It chronicles how black people developed and defended New World settlements, undermined slavery, and championed freedom throughout the hemisphere from the sixteenth thorough the twentieth centuries. While conventional history tends to reduce the roles of African Americans to antebellum slavery and the civil rights movement, in reality African residents preceded the English by a century and arrived in the Americas in numbers that far exceeded European migrants up until 1820. Afro-Americans were omnipresent in the founding and advancement of the Americas, and recurrently outnumbered Europeans at many times and places, from colonial Peru to antebellum Virginia. African-descended people contributed to every facet of American history as explorers, conquistadores, settlers, soldiers, sailors, servants, slaves, rebels, leaders, lawyers, litigants, laborers, artisans, artists, activists, translators, teachers, doctors, nurses, inventors, investors, merchants, mathematicians, scientists, scholars, engineers, entrepreneurs, generals, cowboys, pirates, professors, politicians, priests, poets, and presidents. The multitude of events and mixed-race individuals included in the book underscores that black and white Americans share the same history, and in many cases, the same ancestry. American Founders is meant to celebrate this shared heritage and strengthen these bonds. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices

Christina Proenza-Coles' new book American Founders: How People of African Descent Established Freedom in the New World (NewSouth Books, 2019) reveals men and women of African descent as key protagonists in the story of American democracy. It chronicles how black people developed and defended New World settlements, undermined slavery, and championed freedom throughout the hemisphere from the sixteenth thorough the twentieth centuries. While conventional history tends to reduce the roles of African Americans to antebellum slavery and the civil rights movement, in reality African residents preceded the English by a century and arrived in the Americas in numbers that far exceeded European migrants up until 1820. Afro-Americans were omnipresent in the founding and advancement of the Americas, and recurrently outnumbered Europeans at many times and places, from colonial Peru to antebellum Virginia. African-descended people contributed to every facet of American history as explorers, conquistadores, settlers, soldiers, sailors, servants, slaves, rebels, leaders, lawyers, litigants, laborers, artisans, artists, activists, translators, teachers, doctors, nurses, inventors, investors, merchants, mathematicians, scientists, scholars, engineers, entrepreneurs, generals, cowboys, pirates, professors, politicians, priests, poets, and presidents. The multitude of events and mixed-race individuals included in the book underscores that black and white Americans share the same history, and in many cases, the same ancestry. American Founders is meant to celebrate this shared heritage and strengthen these bonds. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices

Christina Proenza-Coles' new book American Founders: How People of African Descent Established Freedom in the New World (NewSouth Books, 2019) reveals men and women of African descent as key protagonists in the story of American democracy. It chronicles how black people developed and defended New World settlements, undermined slavery, and championed freedom throughout the hemisphere from the sixteenth thorough the twentieth centuries. While conventional history tends to reduce the roles of African Americans to antebellum slavery and the civil rights movement, in reality African residents preceded the English by a century and arrived in the Americas in numbers that far exceeded European migrants up until 1820. Afro-Americans were omnipresent in the founding and advancement of the Americas, and recurrently outnumbered Europeans at many times and places, from colonial Peru to antebellum Virginia. African-descended people contributed to every facet of American history as explorers, conquistadores, settlers, soldiers, sailors, servants, slaves, rebels, leaders, lawyers, litigants, laborers, artisans, artists, activists, translators, teachers, doctors, nurses, inventors, investors, merchants, mathematicians, scientists, scholars, engineers, entrepreneurs, generals, cowboys, pirates, professors, politicians, priests, poets, and presidents. The multitude of events and mixed-race individuals included in the book underscores that black and white Americans share the same history, and in many cases, the same ancestry. American Founders is meant to celebrate this shared heritage and strengthen these bonds. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices

Christina Proenza-Coles' new book American Founders: How People of African Descent Established Freedom in the New World (NewSouth Books, 2019) reveals men and women of African descent as key protagonists in the story of American democracy. It chronicles how black people developed and defended New World settlements, undermined slavery, and championed freedom throughout the hemisphere from the sixteenth thorough the twentieth centuries. While conventional history tends to reduce the roles of African Americans to antebellum slavery and the civil rights movement, in reality African residents preceded the English by a century and arrived in the Americas in numbers that far exceeded European migrants up until 1820. Afro-Americans were omnipresent in the founding and advancement of the Americas, and recurrently outnumbered Europeans at many times and places, from colonial Peru to antebellum Virginia. African-descended people contributed to every facet of American history as explorers, conquistadores, settlers, soldiers, sailors, servants, slaves, rebels, leaders, lawyers, litigants, laborers, artisans, artists, activists, translators, teachers, doctors, nurses, inventors, investors, merchants, mathematicians, scientists, scholars, engineers, entrepreneurs, generals, cowboys, pirates, professors, politicians, priests, poets, and presidents. The multitude of events and mixed-race individuals included in the book underscores that black and white Americans share the same history, and in many cases, the same ancestry. American Founders is meant to celebrate this shared heritage and strengthen these bonds. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Between 1822 and 1857, eight Southern states barred the ingress of all free black maritime workers. According to lawmakers, they carried a 'moral contagion' of abolitionism and black autonomy that could be transmitted to local slaves. Those seamen who arrived in Southern ports in violation of the laws faced incarceration, corporal punishment, an incipient form of convict leasing, and even punitive enslavement. The sailors, their captains, abolitionists, and British diplomatic agents protested this treatment. They wrote letters, published tracts, cajoled elected officials, pleaded with Southern officials, and litigated in state and federal courts. By deploying a progressive and sweeping notion of national citizenship - one that guaranteed a number of rights against state regulation - they exposed the ambiguity and potential power of national citizenship as a legal category. Ultimately, the Fourteenth Amendment recognized the robust understanding of citizenship championed by Antebellum free people of color, by people afflicted with 'moral contagion'. In his new book Moral Contagion: Black Atlantic Sailors, Citizenship, and Diplomacy in Antebellum America(Cambridge University Press, 2019), Michael A. Schoeppner tells their story. Listen in. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices

Between 1822 and 1857, eight Southern states barred the ingress of all free black maritime workers. According to lawmakers, they carried a 'moral contagion' of abolitionism and black autonomy that could be transmitted to local slaves. Those seamen who arrived in Southern ports in violation of the laws faced incarceration, corporal punishment, an incipient form of convict leasing, and even punitive enslavement. The sailors, their captains, abolitionists, and British diplomatic agents protested this treatment. They wrote letters, published tracts, cajoled elected officials, pleaded with Southern officials, and litigated in state and federal courts. By deploying a progressive and sweeping notion of national citizenship - one that guaranteed a number of rights against state regulation - they exposed the ambiguity and potential power of national citizenship as a legal category. Ultimately, the Fourteenth Amendment recognized the robust understanding of citizenship championed by Antebellum free people of color, by people afflicted with 'moral contagion'. In his new book Moral Contagion: Black Atlantic Sailors, Citizenship, and Diplomacy in Antebellum America(Cambridge University Press, 2019), Michael A. Schoeppner tells their story. Listen in. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews.

Between 1822 and 1857, eight Southern states barred the ingress of all free black maritime workers. According to lawmakers, they carried a 'moral contagion' of abolitionism and black autonomy that could be transmitted to local slaves. Those seamen who arrived in Southern ports in violation of the laws faced incarceration, corporal punishment, an incipient form of convict leasing, and even punitive enslavement. The sailors, their captains, abolitionists, and British diplomatic agents protested this treatment. They wrote letters, published tracts, cajoled elected officials, pleaded with Southern officials, and litigated in state and federal courts. By deploying a progressive and sweeping notion of national citizenship - one that guaranteed a number of rights against state regulation - they exposed the ambiguity and potential power of national citizenship as a legal category. Ultimately, the Fourteenth Amendment recognized the robust understanding of citizenship championed by Antebellum free people of color, by people afflicted with 'moral contagion’. In his new book Moral Contagion: Black Atlantic Sailors, Citizenship, and Diplomacy in Antebellum America(Cambridge University Press, 2019), Michael A. Schoeppner tells their story. Listen in. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices

Between 1822 and 1857, eight Southern states barred the ingress of all free black maritime workers. According to lawmakers, they carried a 'moral contagion' of abolitionism and black autonomy that could be transmitted to local slaves. Those seamen who arrived in Southern ports in violation of the laws faced incarceration, corporal punishment, an incipient form of convict leasing, and even punitive enslavement. The sailors, their captains, abolitionists, and British diplomatic agents protested this treatment. They wrote letters, published tracts, cajoled elected officials, pleaded with Southern officials, and litigated in state and federal courts. By deploying a progressive and sweeping notion of national citizenship - one that guaranteed a number of rights against state regulation - they exposed the ambiguity and potential power of national citizenship as a legal category. Ultimately, the Fourteenth Amendment recognized the robust understanding of citizenship championed by Antebellum free people of color, by people afflicted with 'moral contagion'. In his new book Moral Contagion: Black Atlantic Sailors, Citizenship, and Diplomacy in Antebellum America(Cambridge University Press, 2019), Michael A. Schoeppner tells their story. Listen in. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Between 1822 and 1857, eight Southern states barred the ingress of all free black maritime workers. According to lawmakers, they carried a 'moral contagion' of abolitionism and black autonomy that could be transmitted to local slaves. Those seamen who arrived in Southern ports in violation of the laws faced incarceration, corporal punishment, an incipient form of convict leasing, and even punitive enslavement. The sailors, their captains, abolitionists, and British diplomatic agents protested this treatment. They wrote letters, published tracts, cajoled elected officials, pleaded with Southern officials, and litigated in state and federal courts. By deploying a progressive and sweeping notion of national citizenship - one that guaranteed a number of rights against state regulation - they exposed the ambiguity and potential power of national citizenship as a legal category. Ultimately, the Fourteenth Amendment recognized the robust understanding of citizenship championed by Antebellum free people of color, by people afflicted with 'moral contagion’. In his new book Moral Contagion: Black Atlantic Sailors, Citizenship, and Diplomacy in Antebellum America(Cambridge University Press, 2019), Michael A. Schoeppner tells their story. Listen in. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices

Between 1822 and 1857, eight Southern states barred the ingress of all free black maritime workers. According to lawmakers, they carried a 'moral contagion' of abolitionism and black autonomy that could be transmitted to local slaves. Those seamen who arrived in Southern ports in violation of the laws faced incarceration, corporal punishment, an incipient form of convict leasing, and even punitive enslavement. The sailors, their captains, abolitionists, and British diplomatic agents protested this treatment. They wrote letters, published tracts, cajoled elected officials, pleaded with Southern officials, and litigated in state and federal courts. By deploying a progressive and sweeping notion of national citizenship - one that guaranteed a number of rights against state regulation - they exposed the ambiguity and potential power of national citizenship as a legal category. Ultimately, the Fourteenth Amendment recognized the robust understanding of citizenship championed by Antebellum free people of color, by people afflicted with 'moral contagion’. In his new book Moral Contagion: Black Atlantic Sailors, Citizenship, and Diplomacy in Antebellum America(Cambridge University Press, 2019), Michael A. Schoeppner tells their story. Listen in. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices

Between 1822 and 1857, eight Southern states barred the ingress of all free black maritime workers. According to lawmakers, they carried a 'moral contagion' of abolitionism and black autonomy that could be transmitted to local slaves. Those seamen who arrived in Southern ports in violation of the laws faced incarceration, corporal punishment, an incipient form of convict leasing, and even punitive enslavement. The sailors, their captains, abolitionists, and British diplomatic agents protested this treatment. They wrote letters, published tracts, cajoled elected officials, pleaded with Southern officials, and litigated in state and federal courts. By deploying a progressive and sweeping notion of national citizenship - one that guaranteed a number of rights against state regulation - they exposed the ambiguity and potential power of national citizenship as a legal category. Ultimately, the Fourteenth Amendment recognized the robust understanding of citizenship championed by Antebellum free people of color, by people afflicted with 'moral contagion’. In his new book Moral Contagion: Black Atlantic Sailors, Citizenship, and Diplomacy in Antebellum America(Cambridge University Press, 2019), Michael A. Schoeppner tells their story. Listen in. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices

What the United States dubs “freedom” is inherently tied to methods of violence. The United States’s abolitionist movement was not free from this connection. This is in spite of one of the best known white abolitionists, William Lloyd Garrison, being a pacifist, and many contemporary politicians referencing his method of non-violent resistance as a way to thwart present-day movements that grapple with the subject of revolutionary violence as a method to gain freedom from oppression. The abolitionist movement’s Black activists saw how the repression of their freedoms in the north were directly tied to the oppression of their enslaved sisters and brothers. In her new book Force and Freedom: Black Abolitionists and the Politics of Violence (University of Pennsylvania Press, 2019), Kellie Carter Jackson chronicles how violence was harnessed by Black abolitionists in their quest to rid the United States of chattel slavery. Force and Freedom explores why for many Black abolitionists, slavery could only be obliterated through violent means. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices

What the United States dubs “freedom” is inherently tied to methods of violence. The United States’s abolitionist movement was not free from this connection. This is in spite of one of the best known white abolitionists, William Lloyd Garrison, being a pacifist, and many contemporary politicians referencing his method of non-violent resistance as a way to thwart present-day movements that grapple with the subject of revolutionary violence as a method to gain freedom from oppression. The abolitionist movement’s Black activists saw how the repression of their freedoms in the north were directly tied to the oppression of their enslaved sisters and brothers. In her new book Force and Freedom: Black Abolitionists and the Politics of Violence (University of Pennsylvania Press, 2019), Kellie Carter Jackson chronicles how violence was harnessed by Black abolitionists in their quest to rid the United States of chattel slavery. Force and Freedom explores why for many Black abolitionists, slavery could only be obliterated through violent means. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices

What the United States dubs “freedom” is inherently tied to methods of violence. The United States's abolitionist movement was not free from this connection. This is in spite of one of the best known white abolitionists, William Lloyd Garrison, being a pacifist, and many contemporary politicians referencing his method of non-violent resistance as a way to thwart present-day movements that grapple with the subject of revolutionary violence as a method to gain freedom from oppression. The abolitionist movement's Black activists saw how the repression of their freedoms in the north were directly tied to the oppression of their enslaved sisters and brothers. In her new book Force and Freedom: Black Abolitionists and the Politics of Violence (University of Pennsylvania Press, 2019), Kellie Carter Jackson chronicles how violence was harnessed by Black abolitionists in their quest to rid the United States of chattel slavery. Force and Freedom explores why for many Black abolitionists, slavery could only be obliterated through violent means. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

What the United States dubs “freedom” is inherently tied to methods of violence. The United States’s abolitionist movement was not free from this connection. This is in spite of one of the best known white abolitionists, William Lloyd Garrison, being a pacifist, and many contemporary politicians referencing his method of non-violent resistance as a way to thwart present-day movements that grapple with the subject of revolutionary violence as a method to gain freedom from oppression. The abolitionist movement’s Black activists saw how the repression of their freedoms in the north were directly tied to the oppression of their enslaved sisters and brothers. In her new book Force and Freedom: Black Abolitionists and the Politics of Violence (University of Pennsylvania Press, 2019), Kellie Carter Jackson chronicles how violence was harnessed by Black abolitionists in their quest to rid the United States of chattel slavery. Force and Freedom explores why for many Black abolitionists, slavery could only be obliterated through violent means. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices

What the United States dubs “freedom” is inherently tied to methods of violence. The United States’s abolitionist movement was not free from this connection. This is in spite of one of the best known white abolitionists, William Lloyd Garrison, being a pacifist, and many contemporary politicians referencing his method of non-violent resistance as a way to thwart present-day movements that grapple with the subject of revolutionary violence as a method to gain freedom from oppression. The abolitionist movement’s Black activists saw how the repression of their freedoms in the north were directly tied to the oppression of their enslaved sisters and brothers. In her new book Force and Freedom: Black Abolitionists and the Politics of Violence (University of Pennsylvania Press, 2019), Kellie Carter Jackson chronicles how violence was harnessed by Black abolitionists in their quest to rid the United States of chattel slavery. Force and Freedom explores why for many Black abolitionists, slavery could only be obliterated through violent means. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices

At this point, it is hard to fathom the shear volume of studies of American slavery that scholars have produced. And new works on American slavery are being published at a remarkable clip. As a result, writing a new synthesis of this scholarship is a monumental feat. Dr. Calvin Schermerhorn, however, has taken done the job, and wonderfully. His new book Unrequited Toil: A History of United States Slavery (Cambridge University Press, 2018) weaves the history of slavery into that of the United States from the founding of the nation to the Reconstruction era. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews.

At this point, it is hard to fathom the shear volume of studies of American slavery that scholars have produced. And new works on American slavery are being published at a remarkable clip. As a result, writing a new synthesis of this scholarship is a monumental feat.  Dr. Calvin Schermerhorn, however, has taken done the job, and wonderfully. His new book Unrequited Toil: A History of United States Slavery (Cambridge University Press, 2018) weaves the history of slavery into that of the United States from the founding of the nation to the Reconstruction era. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices

At this point, it is hard to fathom the shear volume of studies of American slavery that scholars have produced. And new works on American slavery are being published at a remarkable clip. As a result, writing a new synthesis of this scholarship is a monumental feat.  Dr. Calvin Schermerhorn, however, has taken done the job, and wonderfully. His new book Unrequited Toil: A History of United States Slavery (Cambridge University Press, 2018) weaves the history of slavery into that of the United States from the founding of the nation to the Reconstruction era. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices

At this point, it is hard to fathom the shear volume of studies of American slavery that scholars have produced. And new works on American slavery are being published at a remarkable clip. As a result, writing a new synthesis of this scholarship is a monumental feat.  Dr. Calvin Schermerhorn, however, has taken done the job, and wonderfully. His new book Unrequited Toil: A History of United States Slavery (Cambridge University Press, 2018) weaves the history of slavery into that of the United States from the founding of the nation to the Reconstruction era. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

At this point, it is hard to fathom the shear volume of studies of American slavery that scholars have produced. And new works on American slavery are being published at a remarkable clip. As a result, writing a new synthesis of this scholarship is a monumental feat.  Dr. Calvin Schermerhorn, however, has taken done the job, and wonderfully. His new book Unrequited Toil: A History of United States Slavery (Cambridge University Press, 2018) weaves the history of slavery into that of the United States from the founding of the nation to the Reconstruction era. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices

Scholarly interest in the institution of American slavery is enjoying a kind of resurgence. Researchers are examining heretofore rarely (or never) studied aspects of slavery. One such new frontier is the history of sexuality and slavery. Two scholars at the forefront movement are Drs. Daina Ramey Berry and Leslie Harris. Drs. Berry and Harris’s recent edited volume, Sexuality and Slavery: Reclaiming Intimate Histories in the Americas (University of Georgia Press, 2018), brings together a variety of scholars working on the ways in which slavery and sexuality interacted, and whose efforts combine to show that sexuality was in some ways more central to the history of slavery in the Americas than has been thought. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices

Scholarly interest in the institution of American slavery is enjoying a kind of resurgence. Researchers are examining heretofore rarely (or never) studied aspects of slavery. One such new frontier is the history of sexuality and slavery. Two scholars at the forefront movement are Drs. Daina Ramey Berry and Leslie Harris. Drs. Berry and Harris’s recent edited volume, Sexuality and Slavery: Reclaiming Intimate Histories in the Americas (University of Georgia Press, 2018), brings together a variety of scholars working on the ways in which slavery and sexuality interacted, and whose efforts combine to show that sexuality was in some ways more central to the history of slavery in the Americas than has been thought. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices

Scholarly interest in the institution of American slavery is enjoying a kind of resurgence. Researchers are examining heretofore rarely (or never) studied aspects of slavery. One such new frontier is the history of sexuality and slavery. Two scholars at the forefront movement are Drs. Daina Ramey Berry and Leslie Harris. Drs. Berry and Harris's recent edited volume, Sexuality and Slavery: Reclaiming Intimate Histories in the Americas (University of Georgia Press, 2018), brings together a variety of scholars working on the ways in which slavery and sexuality interacted, and whose efforts combine to show that sexuality was in some ways more central to the history of slavery in the Americas than has been thought. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Scholarly interest in the institution of American slavery is enjoying a kind of resurgence. Researchers are examining heretofore rarely (or never) studied aspects of slavery. One such new frontier is the history of sexuality and slavery. Two scholars at the forefront movement are Drs. Daina Ramey Berry and Leslie Harris. Drs. Berry and Harris’s recent edited volume, Sexuality and Slavery: Reclaiming Intimate Histories in the Americas (University of Georgia Press, 2018), brings together a variety of scholars working on the ways in which slavery and sexuality interacted, and whose efforts combine to show that sexuality was in some ways more central to the history of slavery in the Americas than has been thought. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices

Scholarly interest in the institution of American slavery is enjoying a kind of resurgence. Researchers are examining heretofore rarely (or never) studied aspects of slavery. One such new frontier is the history of sexuality and slavery. Two scholars at the forefront movement are Drs. Daina Ramey Berry and Leslie Harris. Drs. Berry and Harris’s recent edited volume, Sexuality and Slavery: Reclaiming Intimate Histories in the Americas (University of Georgia Press, 2018), brings together a variety of scholars working on the ways in which slavery and sexuality interacted, and whose efforts combine to show that sexuality was in some ways more central to the history of slavery in the Americas than has been thought. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices

Scholarly interest in the institution of American slavery is enjoying a kind of resurgence. Researchers are examining heretofore rarely (or never) studied aspects of slavery. One such new frontier is the history of sexuality and slavery. Two scholars at the forefront movement are Drs. Daina Ramey Berry and Leslie Harris. Drs. Berry and Harris's recent edited volume, Sexuality and Slavery: Reclaiming Intimate Histories in the Americas (University of Georgia Press, 2018), brings together a variety of scholars working on the ways in which slavery and sexuality interacted, and whose efforts combine to show that sexuality was in some ways more central to the history of slavery in the Americas than has been thought. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews.

Today we have a certain idea of "race"; it's socially constructed, conventional, and not really biological-grounded in any sense.  Yet we commonly use the idea of "race" in our everyday lives to identify ourselves and others. We even have a typology of "races" that we use in official contexts. Yet, as Sharon Block shows in her book Colonial Complexions: Race and Bodies in Eighteenth-Century America(University of Pennsylvania Press, 2018), our way of putting people in "racial" buckets is not the same as that of our ancestors. Listen in as we talk about the often surprising ways in which Colonial-era Americans discussed and depicted the "races" of people in their world. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Today we have a certain idea of “race”; it’s socially constructed, conventional, and not really biological-grounded in any sense.  Yet we commonly use the idea of “race” in our everyday lives to identify ourselves and others. We even have a typology of “races” that we use in official contexts. Yet, as Sharon Block shows in her book Colonial Complexions: Race and Bodies in Eighteenth-Century America (University of Pennsylvania Press, 2018), our way of putting people in “racial” buckets is not the same as that of our ancestors. Listen in as we talk about the often surprising ways in which Colonial-era Americans discussed and depicted the “races” of people in their world. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today we have a certain idea of “race”; it’s socially constructed, conventional, and not really biological-grounded in any sense.  Yet we commonly use the idea of “race” in our everyday lives to identify ourselves and others. We even have a typology of “races” that we use in official contexts. Yet, as Sharon Block shows in her book Colonial Complexions: Race and Bodies in Eighteenth-Century America (University of Pennsylvania Press, 2018), our way of putting people in “racial” buckets is not the same as that of our ancestors. Listen in as we talk about the often surprising ways in which Colonial-era Americans discussed and depicted the “races” of people in their world. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices

According to most experts, boys have more trouble in schools than girls. Further, African-American boys have even more trouble than, say, white boys. What to do? According to some, one possible solution to the latter problem is all-Black male schools, or “ABMSs.” In her new book In a Classroom of Their Own: The Intersection of Race and Feminist Politics in All-Black Male Schools (University of Illinois Press, 2018), Keisha Lindsay critiques ABMSs from a feminist perspective and has some helpful things to say about how to educate young African-Americans generally. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Scholar at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices

How does one show empathy towards someone across racial lines? In her new book Black for a Day: White Fantasies of Race and Empathy (University of North Carolina Press, 2017) Dr. Alisha Gaines analyzes the history of sympathetic whites “becoming” temporarily black (often going beyond simple “blackface”) to understand (and explain to their peers) what it was “like” to be black in America. Dr. Gaines details the limits of racial empathy and vouches, rather, for an anti-racist sensibility for those seeking to work on behalf of oppressed people everywhere. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Fellow at the University of Delaware. He can be reached on Twitter @CulturedModesty.

How does one show empathy towards someone across racial lines?  In her new book Black for a Day: White Fantasies of Race and Empathy (University of North Carolina Press, 2017) Dr. Alisha Gaines analyzes the history of sympathetic whites “becoming” temporarily black (often going beyond simple “blackface”) to understand (and explain to their peers) what it was “like” to be black in America.  Dr. Gaines details the limits of racial empathy and vouches, rather, for an anti-racist sensibility for those seeking to work on behalf of oppressed people everywhere. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and  Colored Conventions Project Fellow at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices

How does one show empathy towards someone across racial lines?  In her new book Black for a Day: White Fantasies of Race and Empathy (University of North Carolina Press, 2017) Dr. Alisha Gaines analyzes the history of sympathetic whites “becoming” temporarily black (often going beyond simple “blackface”) to understand (and explain to their peers) what it was “like” to be black in America.  Dr. Gaines details the limits of racial empathy and vouches, rather, for an anti-racist sensibility for those seeking to work on behalf of oppressed people everywhere. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and  Colored Conventions Project Fellow at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices

How does one show empathy towards someone across racial lines?  In her new book Black for a Day: White Fantasies of Race and Empathy (University of North Carolina Press, 2017) Dr. Alisha Gaines analyzes the history of sympathetic whites “becoming” temporarily black (often going beyond simple “blackface”) to understand (and explain to their peers) what it was “like” to be black in America.  Dr. Gaines details the limits of racial empathy and vouches, rather, for an anti-racist sensibility for those seeking to work on behalf of oppressed people everywhere. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and  Colored Conventions Project Fellow at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices

How does one show empathy towards someone across racial lines?  In her new book Black for a Day: White Fantasies of Race and Empathy (University of North Carolina Press, 2017) Dr. Alisha Gaines analyzes the history of sympathetic whites “becoming” temporarily black (often going beyond simple “blackface”) to understand (and explain to their peers) what it was “like” to be black in America.  Dr. Gaines details the limits of racial empathy and vouches, rather, for an anti-racist sensibility for those seeking to work on behalf of oppressed people everywhere. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and  Colored Conventions Project Fellow at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices

How does one show empathy towards someone across racial lines?  In her new book Black for a Day: White Fantasies of Race and Empathy (University of North Carolina Press, 2017) Dr. Alisha Gaines analyzes the history of sympathetic whites “becoming” temporarily black (often going beyond simple “blackface”) to understand (and explain to their peers) what it was “like” to be black in America.  Dr. Gaines details the limits of racial empathy and vouches, rather, for an anti-racist sensibility for those seeking to work on behalf of oppressed people everywhere. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and  Colored Conventions Project Fellow at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

The role of the artist in the cause of Black freedom has been a hotly debated topic for generations now. Dr. Jonathan Shandell’s The American Negro Theatre and the Long Civil Rights Era (University of Iowa Press, 2018) focuses the American Negro Theatre, located in Harlem, New York, to argue that the stories told in the theatre transformed and expanded how Black life was and would be portrayed. Ultimately, Shandell shows that the American Negro Theatre was a formative space for many Black artists who ended up shaping the Civil Rights Movement, as well as American popular culture as a whole. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and  Colored Conventions Project Fellow at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices

The role of the artist in the cause of Black freedom has been a hotly debated topic for generations now. Dr. Jonathan Shandell’s The American Negro Theatre and the Long Civil Rights Era (University of Iowa Press, 2018) focuses the American Negro Theatre, located in Harlem, New York, to argue that the stories told in the theatre transformed and expanded how Black life was and would be portrayed. Ultimately, Shandell shows that the American Negro Theatre was a formative space for many Black artists who ended up shaping the Civil Rights Movement, as well as American popular culture as a whole. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and  Colored Conventions Project Fellow at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices

The role of the artist in the cause of Black freedom has been a hotly debated topic for generations now. Dr. Jonathan Shandell's The American Negro Theatre and the Long Civil Rights Era (University of Iowa Press, 2018) focuses the American Negro Theatre, located in Harlem, New York, to argue that the stories told in the theatre transformed and expanded how Black life was and would be portrayed. Ultimately, Shandell shows that the American Negro Theatre was a formative space for many Black artists who ended up shaping the Civil Rights Movement, as well as American popular culture as a whole. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and  Colored Conventions Project Fellow at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

The role of the artist in the cause of Black freedom has been a hotly debated topic for generations now. Dr. Jonathan Shandell’s The American Negro Theatre and the Long Civil Rights Era (University of Iowa Press, 2018) focuses the American Negro Theatre, located in Harlem, New York, to argue that the stories told in the theatre transformed and expanded how Black life was and would be portrayed. Ultimately, Shandell shows that the American Negro Theatre was a formative space for many Black artists who ended up shaping the Civil Rights Movement, as well as American popular culture as a whole. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and  Colored Conventions Project Fellow at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices

The role of the artist in the cause of Black freedom has been a hotly debated topic for generations now. Dr. Jonathan Shandell’s The American Negro Theatre and the Long Civil Rights Era (University of Iowa Press, 2018) focuses the American Negro Theatre, located in Harlem, New York, to argue that the stories told in the theatre transformed and expanded how Black life was and would be portrayed. Ultimately, Shandell shows that the American Negro Theatre was a formative space for many Black artists who ended up shaping the Civil Rights Movement, as well as American popular culture as a whole. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and  Colored Conventions Project Fellow at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices

As every scholar of African Americans knows, Harlem’s Schomburg Center for Research in Black Culture is an essential resource for black history. But who was Schomburg? In Diasporic Blackness: The Life and Times of Arturo Alfonso Schomburg (SUNY Press, 2018), Vanessa Valdés recovers the important legacy of the man whose name, collection, and activism are now attached forever to the legacies of the African Diaspora. Dr. Valdés situates Schomburg’s life within the context of his multi-layered identity as an Afro-Puerto Rican man born and formatively shaped in the Spanish Caribbean during a fraught period. This period witnessed Puerto Rico’s abolition of slavery and the imperialist Spanish-Cuban-American War as well. These events shaped the young man who migrated to the United States in the early 1890s and who became one of the leading Black bibliophiles and intellectuals of the twentieth century. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices

As every scholar of African Americans knows, Harlem’s Schomburg Center for Research in Black Culture is an essential resource for black history. But who was Schomburg? In Diasporic Blackness: The Life and Times of Arturo Alfonso Schomburg (SUNY Press, 2018), Vanessa Valdés recovers the important legacy of the man whose name, collection, and activism are now attached forever to the legacies of the African Diaspora. Dr. Valdés situates Schomburg’s life within the context of his multi-layered identity as an Afro-Puerto Rican man born and formatively shaped in the Spanish Caribbean during a fraught period. This period witnessed Puerto Rico’s abolition of slavery and the imperialist Spanish-Cuban-American War as well. These events shaped the young man who migrated to the United States in the early 1890s and who became one of the leading Black bibliophiles and intellectuals of the twentieth century. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices

As every scholar of African Americans knows, Harlem’s Schomburg Center for Research in Black Culture is an essential resource for black history. But who was Schomburg? In Diasporic Blackness: The Life and Times of Arturo Alfonso Schomburg (SUNY Press, 2018), Vanessa Valdés recovers the important legacy of the man whose name, collection, and activism are now attached forever to the legacies of the African Diaspora. Dr. Valdés situates Schomburg’s life within the context of his multi-layered identity as an Afro-Puerto Rican man born and formatively shaped in the Spanish Caribbean during a fraught period. This period witnessed Puerto Rico’s abolition of slavery and the imperialist Spanish-Cuban-American War as well. These events shaped the young man who migrated to the United States in the early 1890s and who became one of the leading Black bibliophiles and intellectuals of the twentieth century. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices

As every scholar of African Americans knows, Harlem's Schomburg Center for Research in Black Culture is an essential resource for black history. But who was Schomburg? In Diasporic Blackness: The Life and Times of Arturo Alfonso Schomburg (SUNY Press, 2018), Vanessa Valdés recovers the important legacy of the man whose name, collection, and activism are now attached forever to the legacies of the African Diaspora. Dr. Valdés situates Schomburg's life within the context of his multi-layered identity as an Afro-Puerto Rican man born and formatively shaped in the Spanish Caribbean during a fraught period. This period witnessed Puerto Rico's abolition of slavery and the imperialist Spanish-Cuban-American War as well. These events shaped the young man who migrated to the United States in the early 1890s and who became one of the leading Black bibliophiles and intellectuals of the twentieth century. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

As every scholar of African Americans knows, Harlem’s Schomburg Center for Research in Black Culture is an essential resource for black history. But who was Schomburg? In Diasporic Blackness: The Life and Times of Arturo Alfonso Schomburg (SUNY Press, 2018), Vanessa Valdés recovers the important legacy of the man whose name, collection, and activism are now attached forever to the legacies of the African Diaspora. Dr. Valdés situates Schomburg’s life within the context of his multi-layered identity as an Afro-Puerto Rican man born and formatively shaped in the Spanish Caribbean during a fraught period. This period witnessed Puerto Rico’s abolition of slavery and the imperialist Spanish-Cuban-American War as well. These events shaped the young man who migrated to the United States in the early 1890s and who became one of the leading Black bibliophiles and intellectuals of the twentieth century. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices

The World War II era was a transformative period for the United States' relationship to the rest of the world. Exporting liberal democracy was an important goal for the American government. Yet in places like Florida, the promise of liberal democracy was yet to be fulfilled for African Americans. In her 2015 book Democracy Abroad, Lynching at Home: Racial Violence in Florida (University Press of Florida, 2105), Tameka Bradley Hobbs explores this contradiction by telling the stories of four African American men–Arthur C. Williams, Cellos Harrison, Willie James Howard, and Jessie James Payne–who were lynched in the Panhandle of Florida between 1941-1945. Using a plethora of court documents, white and black press editorials, and oral histories to find the voices of those living in the aftermath of the lynchings, Dr. Hobbs targets the narrative of Florida “exceptionalism” in the American South to show that Florida was actually, per capita, the state where Black Americans were most likely to be lynched. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and  Colored Conventions Project Fellow at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

The World War II era was a transformative period for the United States’ relationship to the rest of the world. Exporting liberal democracy was an important goal for the American government. Yet in places like Florida, the promise of liberal democracy was yet to be fulfilled for African Americans. In her 2015 book Democracy Abroad, Lynching at Home: Racial Violence in Florida (University Press of Florida, 2105), Tameka Bradley Hobbs explores this contradiction by telling the stories of four African American men–Arthur C. Williams, Cellos Harrison, Willie James Howard, and Jessie James Payne–who were lynched in the Panhandle of Florida between 1941-1945. Using a plethora of court documents, white and black press editorials, and oral histories to find the voices of those living in the aftermath of the lynchings, Dr. Hobbs targets the narrative of Florida “exceptionalism” in the American South to show that Florida was actually, per capita, the state where Black Americans were most likely to be lynched. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and  Colored Conventions Project Fellow at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices

The World War II era was a transformative period for the United States’ relationship to the rest of the world. Exporting liberal democracy was an important goal for the American government. Yet in places like Florida, the promise of liberal democracy was yet to be fulfilled for African Americans. In her 2015 book Democracy Abroad, Lynching at Home: Racial Violence in Florida (University Press of Florida, 2105), Tameka Bradley Hobbs explores this contradiction by telling the stories of four African American men–Arthur C. Williams, Cellos Harrison, Willie James Howard, and Jessie James Payne–who were lynched in the Panhandle of Florida between 1941-1945. Using a plethora of court documents, white and black press editorials, and oral histories to find the voices of those living in the aftermath of the lynchings, Dr. Hobbs targets the narrative of Florida “exceptionalism” in the American South to show that Florida was actually, per capita, the state where Black Americans were most likely to be lynched. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and  Colored Conventions Project Fellow at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices

The World War II era was a transformative period for the United States’ relationship to the rest of the world. Exporting liberal democracy was an important goal for the American government. Yet in places like Florida, the promise of liberal democracy was yet to be fulfilled for African Americans. In her 2015 book Democracy Abroad, Lynching at Home: Racial Violence in Florida (University Press of Florida, 2105), Tameka Bradley Hobbs explores this contradiction by telling the stories of four African American men–Arthur C. Williams, Cellos Harrison, Willie James Howard, and Jessie James Payne–who were lynched in the Panhandle of Florida between 1941-1945. Using a plethora of court documents, white and black press editorials, and oral histories to find the voices of those living in the aftermath of the lynchings, Dr. Hobbs targets the narrative of Florida “exceptionalism” in the American South to show that Florida was actually, per capita, the state where Black Americans were most likely to be lynched. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and  Colored Conventions Project Fellow at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices

As America changed in the Civil Rights and Black Power eras, the Southern music industry was changing as well. The music studios of Nashville, Memphis, and Muscle Shoals–known as the “country-soul triangle”–began producing some of the most important music of the 1960s and 1970s. In Country Soul: Making Music and Making Race in the American South (University of North Carolina Press, 2015), Charles Hughes chronicles the ways in which inter-racialism, cultural appropriation, racism, and racial politics affected the musical studios and the country and soul industry. How could two separate musical sounds, one white and country, and the other Black and soul, be considered completely separate when many of the musicians and producers worked in the same buildings? Charles Hughes explains all! Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews.

As America changed in the Civil Rights and Black Power eras, the Southern music industry was changing as well. The music studios of Nashville, Memphis, and Muscle Shoals–known as the “country-soul triangle”–began producing some of the most important music of the 1960s and 1970s. In Country Soul: Making Music and Making Race in the American South (University of North Carolina Press, 2015), Charles Hughes chronicles the ways in which inter-racialism, cultural appropriation, racism, and racial politics affected the musical studios and the country and soul industry. How could two separate musical sounds, one white and country, and the other Black and soul, be considered completely separate when many of the musicians and producers worked in the same buildings? Charles Hughes explains all! Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices

As America changed in the Civil Rights and Black Power eras, the Southern music industry was changing as well. The music studios of Nashville, Memphis, and Muscle Shoals–known as the “country-soul triangle”–began producing some of the most important music of the 1960s and 1970s. In Country Soul: Making Music and Making Race in the American South (University of North Carolina Press, 2015), Charles Hughes chronicles the ways in which inter-racialism, cultural appropriation, racism, and racial politics affected the musical studios and the country and soul industry. How could two separate musical sounds, one white and country, and the other Black and soul, be considered completely separate when many of the musicians and producers worked in the same buildings? Charles Hughes explains all! Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

As America changed in the Civil Rights and Black Power eras, the Southern music industry was changing as well. The music studios of Nashville, Memphis, and Muscle Shoals–known as the “country-soul triangle”–began producing some of the most important music of the 1960s and 1970s. In Country Soul: Making Music and Making Race in the American South (University of North Carolina Press, 2015), Charles Hughes chronicles the ways in which inter-racialism, cultural appropriation, racism, and racial politics affected the musical studios and the country and soul industry. How could two separate musical sounds, one white and country, and the other Black and soul, be considered completely separate when many of the musicians and producers worked in the same buildings? Charles Hughes explains all! Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices

As America changed in the Civil Rights and Black Power eras, the Southern music industry was changing as well. The music studios of Nashville, Memphis, and Muscle Shoals–known as the “country-soul triangle”–began producing some of the most important music of the 1960s and 1970s. In Country Soul: Making Music and Making Race in the American South (University of North Carolina Press, 2015), Charles Hughes chronicles the ways in which inter-racialism, cultural appropriation, racism, and racial politics affected the musical studios and the country and soul industry. How could two separate musical sounds, one white and country, and the other Black and soul, be considered completely separate when many of the musicians and producers worked in the same buildings? Charles Hughes explains all! Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices

As America changed in the Civil Rights and Black Power eras, the Southern music industry was changing as well. The music studios of Nashville, Memphis, and Muscle Shoals–known as the “country-soul triangle”–began producing some of the most important music of the 1960s and 1970s. In Country Soul: Making Music and Making Race in the American South (University of North Carolina Press, 2015), Charles Hughes chronicles the ways in which inter-racialism, cultural appropriation, racism, and racial politics affected the musical studios and the country and soul industry. How could two separate musical sounds, one white and country, and the other Black and soul, be considered completely separate when many of the musicians and producers worked in the same buildings? Charles Hughes explains all! Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices

As America changed in the Civil Rights and Black Power eras, the Southern music industry was changing as well. The music studios of Nashville, Memphis, and Muscle Shoals–known as the “country-soul triangle”–began producing some of the most important music of the 1960s and 1970s. In Country Soul: Making Music and Making Race in the American South (University of North Carolina Press, 2015), Charles Hughes chronicles the ways in which inter-racialism, cultural appropriation, racism, and racial politics affected the musical studios and the country and soul industry. How could two separate musical sounds, one white and country, and the other Black and soul, be considered completely separate when many of the musicians and producers worked in the same buildings? Charles Hughes explains all! Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices

As America changed in the Civil Rights and Black Power eras, the Southern music industry was changing as well. The music studios of Nashville, Memphis, and Muscle Shoals–known as the “country-soul triangle”–began producing some of the most important music of the 1960s and 1970s. In Country Soul: Making Music and Making Race in the American South (University of North Carolina Press, 2015), Charles Hughes chronicles the ways in which inter-racialism, cultural appropriation, racism, and racial politics affected the musical studios and the country and soul industry. How could two separate musical sounds, one white and country, and the other Black and soul, be considered completely separate when many of the musicians and producers worked in the same buildings? Charles Hughes explains all! Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews.

Throughout many American classrooms, students learn how the United States was formed, and most importantly, the historical figures who helped produce the contemporary nation we occupy. All too often, however, African American, Latinx, and Native Americans are not given similar attention. Rather, they are depicted as passive receivers of what those of European-descent pushed upon them. In An African American and Latinx History of the United States (Beacon Press, 2017), Paul Ortiz attempts to bring more balance to this picture. By employing a bottom-up approach, Ortiz shows how central black and brown solidarities were to the political history of the United States. Ortiz's is a narrative history spanning two hundred-plus years of African Americans, Latinx, and Native Americans expanding what freedom and justice in the United States meant by challenging American exceptionalism, imperialism, and colonialism as much as possible. Adam McNeil is a graduating M.A in History student at Simmons College in Boston, MA. He graduated from Florida Agricultural and Mechanical University in Fall 2015 with B.S. in History. Adam can be reached at @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Throughout many American classrooms, students learn how the United States was formed, and most importantly, the historical figures who helped produce the contemporary nation we occupy. All too often, however, African American, Latinx, and Native Americans are not given similar attention. Rather, they are depicted as passive receivers of what those of European-descent pushed upon them. In An African American and Latinx History of the United States (Beacon Press, 2017), Paul Ortiz attempts to bring more balance to this picture. By employing a bottom-up approach, Ortiz shows how central black and brown solidarities were to the political history of the United States. Ortiz’s is a narrative history spanning two hundred-plus years of African Americans, Latinx, and Native Americans expanding what freedom and justice in the United States meant by challenging American exceptionalism, imperialism, and colonialism as much as possible. Adam McNeil is a graduating M.A in History student at Simmons College in Boston, MA. He graduated from Florida Agricultural and Mechanical University in Fall 2015 with B.S. in History. Adam can be reached at @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices

Throughout many American classrooms, students learn how the United States was formed, and most importantly, the historical figures who helped produce the contemporary nation we occupy. All too often, however, African American, Latinx, and Native Americans are not given similar attention. Rather, they are depicted as passive receivers of what those of European-descent pushed upon them. In An African American and Latinx History of the United States (Beacon Press, 2017), Paul Ortiz attempts to bring more balance to this picture. By employing a bottom-up approach, Ortiz shows how central black and brown solidarities were to the political history of the United States. Ortiz’s is a narrative history spanning two hundred-plus years of African Americans, Latinx, and Native Americans expanding what freedom and justice in the United States meant by challenging American exceptionalism, imperialism, and colonialism as much as possible. Adam McNeil is a graduating M.A in History student at Simmons College in Boston, MA. He graduated from Florida Agricultural and Mechanical University in Fall 2015 with B.S. in History. Adam can be reached at @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices

Throughout many American classrooms, students learn how the United States was formed, and most importantly, the historical figures who helped produce the contemporary nation we occupy. All too often, however, African American, Latinx, and Native Americans are not given similar attention. Rather, they are depicted as passive receivers of what those of European-descent pushed upon them. In An African American and Latinx History of the United States (Beacon Press, 2017), Paul Ortiz attempts to bring more balance to this picture. By employing a bottom-up approach, Ortiz shows how central black and brown solidarities were to the political history of the United States. Ortiz’s is a narrative history spanning two hundred-plus years of African Americans, Latinx, and Native Americans expanding what freedom and justice in the United States meant by challenging American exceptionalism, imperialism, and colonialism as much as possible. Adam McNeil is a graduating M.A in History student at Simmons College in Boston, MA. He graduated from Florida Agricultural and Mechanical University in Fall 2015 with B.S. in History. Adam can be reached at @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices

Throughout many American classrooms, students learn how the United States was formed, and most importantly, the historical figures who helped produce the contemporary nation we occupy. All too often, however, African American, Latinx, and Native Americans are not given similar attention. Rather, they are depicted as passive receivers of what those of European-descent pushed upon them. In An African American and Latinx History of the United States (Beacon Press, 2017), Paul Ortiz attempts to bring more balance to this picture. By employing a bottom-up approach, Ortiz shows how central black and brown solidarities were to the political history of the United States. Ortiz’s is a narrative history spanning two hundred-plus years of African Americans, Latinx, and Native Americans expanding what freedom and justice in the United States meant by challenging American exceptionalism, imperialism, and colonialism as much as possible. Adam McNeil is a graduating M.A in History student at Simmons College in Boston, MA. He graduated from Florida Agricultural and Mechanical University in Fall 2015 with B.S. in History. Adam can be reached at @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices

Typically the Jim Crow Era of segregation is understood as beginning directly after Reconstruction and going into the mid-twentieth century with the dual climaxes of the Brown vs. Board Supreme Court decision and the Montgomery Bus Boycott Movement in Montgomery, Alabama. What this narrative suggests is that Jim Crow was a southern phenomenon. Such a view is unfortunately ill conceived. Colored Travelers: Mobility and the Fight for Citizenship before the Civil War (University of North Carolina Press, 2016), written by Dr. Elizabeth Stordeur Pryor, Associate Professor of History at Smith College, reshapes contemporary memory of when and why Jim Crow laws were enacted. In Colored Travelers, Dr. Pryor details how while antebellum-era Northern black abolitionists simultaneously fought to abolish slavery, they also pushed the limits of what citizenship meant by attempting to freely travel within it. They did this by challenging Northern Jim Crow laws set to undermine the mobility of black people in general, but this oppression hit black abolitionists most because of the mobility needed to reach their events. By using travel narratives, newspaper articles, and various primary sources of domestic and international black travel, Dr. Pryor explains why the pre-Civil War period was an essential training ground for the laws that would nationally become entrenched in the post-emancipation United States of America. Adam McNeil is a graduating M.A in History student at Simmons College in Boston, MA. He graduated from Florida Agricultural and Mechanical University in Fall 2015 with B.S. in History. Adam can be reached at @CulturedModesty.

Typically the Jim Crow Era of segregation is understood as beginning directly after Reconstruction and going into the mid-twentieth century with the dual climaxes of the Brown vs. Board Supreme Court decision and the Montgomery Bus Boycott Movement in Montgomery, Alabama. What this narrative suggests is that Jim Crow was a southern phenomenon. Such a view is unfortunately ill conceived. Colored Travelers: Mobility and the Fight for Citizenship before the Civil War (University of North Carolina Press, 2016), written by Dr. Elizabeth Stordeur Pryor, Associate Professor of History at Smith College, reshapes contemporary memory of when and why Jim Crow laws were enacted. In Colored Travelers, Dr. Pryor details how while antebellum-era Northern black abolitionists simultaneously fought to abolish slavery, they also pushed the limits of what citizenship meant by attempting to freely travel within it. They did this by challenging Northern Jim Crow laws set to undermine the mobility of black people in general, but this oppression hit black abolitionists most because of the mobility needed to reach their events. By using travel narratives, newspaper articles, and various primary sources of domestic and international black travel, Dr. Pryor explains why the pre-Civil War period was an essential training ground for the laws that would nationally become entrenched in the post-emancipation United States of America. Adam McNeil is a graduating M.A in History student at Simmons College in Boston, MA. He graduated from Florida Agricultural and Mechanical University in Fall 2015 with B.S. in History. Adam can be reached at @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Typically the Jim Crow Era of segregation is understood as beginning directly after Reconstruction and going into the mid-twentieth century with the dual climaxes of the Brown vs. Board Supreme Court decision and the Montgomery Bus Boycott Movement in Montgomery, Alabama. What this narrative suggests is that Jim Crow was a southern phenomenon. Such a view is unfortunately ill conceived. Colored Travelers: Mobility and the Fight for Citizenship before the Civil War (University of North Carolina Press, 2016), written by Dr. Elizabeth Stordeur Pryor, Associate Professor of History at Smith College, reshapes contemporary memory of when and why Jim Crow laws were enacted. In Colored Travelers, Dr. Pryor details how while antebellum-era Northern black abolitionists simultaneously fought to abolish slavery, they also pushed the limits of what citizenship meant by attempting to freely travel within it. They did this by challenging Northern Jim Crow laws set to undermine the mobility of black people in general, but this oppression hit black abolitionists most because of the mobility needed to reach their events. By using travel narratives, newspaper articles, and various primary sources of domestic and international black travel, Dr. Pryor explains why the pre-Civil War period was an essential training ground for the laws that would nationally become entrenched in the post-emancipation United States of America. Adam McNeil is a graduating M.A in History student at Simmons College in Boston, MA. He graduated from Florida Agricultural and Mechanical University in Fall 2015 with B.S. in History. Adam can be reached at @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices

Typically the Jim Crow Era of segregation is understood as beginning directly after Reconstruction and going into the mid-twentieth century with the dual climaxes of the Brown vs. Board Supreme Court decision and the Montgomery Bus Boycott Movement in Montgomery, Alabama. What this narrative suggests is that Jim Crow was a southern phenomenon. Such a view is unfortunately ill conceived. Colored Travelers: Mobility and the Fight for Citizenship before the Civil War (University of North Carolina Press, 2016), written by Dr. Elizabeth Stordeur Pryor, Associate Professor of History at Smith College, reshapes contemporary memory of when and why Jim Crow laws were enacted. In Colored Travelers, Dr. Pryor details how while antebellum-era Northern black abolitionists simultaneously fought to abolish slavery, they also pushed the limits of what citizenship meant by attempting to freely travel within it. They did this by challenging Northern Jim Crow laws set to undermine the mobility of black people in general, but this oppression hit black abolitionists most because of the mobility needed to reach their events. By using travel narratives, newspaper articles, and various primary sources of domestic and international black travel, Dr. Pryor explains why the pre-Civil War period was an essential training ground for the laws that would nationally become entrenched in the post-emancipation United States of America. Adam McNeil is a graduating M.A in History student at Simmons College in Boston, MA. He graduated from Florida Agricultural and Mechanical University in Fall 2015 with B.S. in History. Adam can be reached at @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices

Typically the Jim Crow Era of segregation is understood as beginning directly after Reconstruction and going into the mid-twentieth century with the dual climaxes of the Brown vs. Board Supreme Court decision and the Montgomery Bus Boycott Movement in Montgomery, Alabama. What this narrative suggests is that Jim Crow was a southern phenomenon. Such a view is unfortunately ill conceived. Colored Travelers: Mobility and the Fight for Citizenship before the Civil War (University of North Carolina Press, 2016), written by Dr. Elizabeth Stordeur Pryor, Associate Professor of History at Smith College, reshapes contemporary memory of when and why Jim Crow laws were enacted. In Colored Travelers, Dr. Pryor details how while antebellum-era Northern black abolitionists simultaneously fought to abolish slavery, they also pushed the limits of what citizenship meant by attempting to freely travel within it. They did this by challenging Northern Jim Crow laws set to undermine the mobility of black people in general, but this oppression hit black abolitionists most because of the mobility needed to reach their events. By using travel narratives, newspaper articles, and various primary sources of domestic and international black travel, Dr. Pryor explains why the pre-Civil War period was an essential training ground for the laws that would nationally become entrenched in the post-emancipation United States of America. Adam McNeil is a graduating M.A in History student at Simmons College in Boston, MA. He graduated from Florida Agricultural and Mechanical University in Fall 2015 with B.S. in History. Adam can be reached at @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices

Typically the Jim Crow Era of segregation is understood as beginning directly after Reconstruction and going into the mid-twentieth century with the dual climaxes of the Brown vs. Board Supreme Court decision and the Montgomery Bus Boycott Movement in Montgomery, Alabama. What this narrative suggests is that Jim Crow was a southern phenomenon. Such a view is unfortunately ill conceived. Colored Travelers: Mobility and the Fight for Citizenship before the Civil War (University of North Carolina Press, 2016), written by Dr. Elizabeth Stordeur Pryor, Associate Professor of History at Smith College, reshapes contemporary memory of when and why Jim Crow laws were enacted. In Colored Travelers, Dr. Pryor details how while antebellum-era Northern black abolitionists simultaneously fought to abolish slavery, they also pushed the limits of what citizenship meant by attempting to freely travel within it. They did this by challenging Northern Jim Crow laws set to undermine the mobility of black people in general, but this oppression hit black abolitionists most because of the mobility needed to reach their events. By using travel narratives, newspaper articles, and various primary sources of domestic and international black travel, Dr. Pryor explains why the pre-Civil War period was an essential training ground for the laws that would nationally become entrenched in the post-emancipation United States of America. Adam McNeil is a graduating M.A in History student at Simmons College in Boston, MA. He graduated from Florida Agricultural and Mechanical University in Fall 2015 with B.S. in History. Adam can be reached at @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices