POPULARITY
16 episodes with colored conventions project scholar
14 episodes with colored conventions project scholar
13 episodes with colored conventions project scholar
13 episodes with colored conventions project scholar
4 episodes with colored conventions project scholar
3 episodes with colored conventions project scholar
4 episodes with colored conventions project scholar
2 episodes with colored conventions project scholar
2 episodes with colored conventions project scholar
Juan Francisco Manzano and Gabriel de la Concepción Valdés (Plácido) were perhaps the most important and innovative Cuban writers of African descent during the Spanish colonial era. Both nineteenth-century authors used Catholicism as a symbolic language for African-inspired spirituality. Likewise, Plácido and Manzano subverted the popular imagery of neoclassicism and Romanticism in order to envision black freedom in the tradition of the Haitian Revolution. Plácido and Manzano envisioned emancipation through the lens of African spirituality, a transformative moment in the history of Cuban letters. In Cuban Literature in the Age of Black Insurrection: Manzano, Plácido, and Afro-Latino Religion (University Press of Mississippi) Matthew J. Pettway examines how the portrayal of African ideas of spirit and cosmos in otherwise conventional texts recur throughout early Cuban literature and became the basis for Manzano and Plácido’s antislavery philosophy. The portrayal of African-Atlantic religious ideas spurned the elite rationale that literature ought to be a barometer of highbrow cultural progress. Cuban debates about freedom and selfhood were never the exclusive domain of the white Creole elite. Pettway’s emphasis on African-inspired spirituality as a source of knowledge and a means to sacred authority for black Cuban writers deepens our understanding of Manzano and Plácido not as mere imitators but as aesthetic and political pioneers. As Pettway suggests, black Latin American authors did not abandon their African religious heritage to assimilate wholesale to the Catholic Church. By recognizing the wisdom of African ancestors, they procured power in the struggle for black liberation. Matthew J. Pettway is assistant professor of Spanish at University of South Alabama. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Scholar at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices
Juan Francisco Manzano and Gabriel de la Concepción Valdés (Plácido) were perhaps the most important and innovative Cuban writers of African descent during the Spanish colonial era. Both nineteenth-century authors used Catholicism as a symbolic language for African-inspired spirituality. Likewise, Plácido and Manzano subverted the popular imagery of neoclassicism and Romanticism in order to envision black freedom in the tradition of the Haitian Revolution. Plácido and Manzano envisioned emancipation through the lens of African spirituality, a transformative moment in the history of Cuban letters. In Cuban Literature in the Age of Black Insurrection: Manzano, Plácido, and Afro-Latino Religion (University Press of Mississippi) Matthew J. Pettway examines how the portrayal of African ideas of spirit and cosmos in otherwise conventional texts recur throughout early Cuban literature and became the basis for Manzano and Plácido's antislavery philosophy. The portrayal of African-Atlantic religious ideas spurned the elite rationale that literature ought to be a barometer of highbrow cultural progress. Cuban debates about freedom and selfhood were never the exclusive domain of the white Creole elite. Pettway's emphasis on African-inspired spirituality as a source of knowledge and a means to sacred authority for black Cuban writers deepens our understanding of Manzano and Plácido not as mere imitators but as aesthetic and political pioneers. As Pettway suggests, black Latin American authors did not abandon their African religious heritage to assimilate wholesale to the Catholic Church. By recognizing the wisdom of African ancestors, they procured power in the struggle for black liberation. Matthew J. Pettway is assistant professor of Spanish at University of South Alabama. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Scholar at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
Juan Francisco Manzano and Gabriel de la Concepción Valdés (Plácido) were perhaps the most important and innovative Cuban writers of African descent during the Spanish colonial era. Both nineteenth-century authors used Catholicism as a symbolic language for African-inspired spirituality. Likewise, Plácido and Manzano subverted the popular imagery of neoclassicism and Romanticism in order to envision black freedom in the tradition of the Haitian Revolution. Plácido and Manzano envisioned emancipation through the lens of African spirituality, a transformative moment in the history of Cuban letters. In Cuban Literature in the Age of Black Insurrection: Manzano, Plácido, and Afro-Latino Religion (University Press of Mississippi) Matthew J. Pettway examines how the portrayal of African ideas of spirit and cosmos in otherwise conventional texts recur throughout early Cuban literature and became the basis for Manzano and Plácido’s antislavery philosophy. The portrayal of African-Atlantic religious ideas spurned the elite rationale that literature ought to be a barometer of highbrow cultural progress. Cuban debates about freedom and selfhood were never the exclusive domain of the white Creole elite. Pettway’s emphasis on African-inspired spirituality as a source of knowledge and a means to sacred authority for black Cuban writers deepens our understanding of Manzano and Plácido not as mere imitators but as aesthetic and political pioneers. As Pettway suggests, black Latin American authors did not abandon their African religious heritage to assimilate wholesale to the Catholic Church. By recognizing the wisdom of African ancestors, they procured power in the struggle for black liberation. Matthew J. Pettway is assistant professor of Spanish at University of South Alabama. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Scholar at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices
Juan Francisco Manzano and Gabriel de la Concepción Valdés (Plácido) were perhaps the most important and innovative Cuban writers of African descent during the Spanish colonial era. Both nineteenth-century authors used Catholicism as a symbolic language for African-inspired spirituality. Likewise, Plácido and Manzano subverted the popular imagery of neoclassicism and Romanticism in order to envision black freedom in the tradition of the Haitian Revolution. Plácido and Manzano envisioned emancipation through the lens of African spirituality, a transformative moment in the history of Cuban letters. In Cuban Literature in the Age of Black Insurrection: Manzano, Plácido, and Afro-Latino Religion (University Press of Mississippi) Matthew J. Pettway examines how the portrayal of African ideas of spirit and cosmos in otherwise conventional texts recur throughout early Cuban literature and became the basis for Manzano and Plácido’s antislavery philosophy. The portrayal of African-Atlantic religious ideas spurned the elite rationale that literature ought to be a barometer of highbrow cultural progress. Cuban debates about freedom and selfhood were never the exclusive domain of the white Creole elite. Pettway’s emphasis on African-inspired spirituality as a source of knowledge and a means to sacred authority for black Cuban writers deepens our understanding of Manzano and Plácido not as mere imitators but as aesthetic and political pioneers. As Pettway suggests, black Latin American authors did not abandon their African religious heritage to assimilate wholesale to the Catholic Church. By recognizing the wisdom of African ancestors, they procured power in the struggle for black liberation. Matthew J. Pettway is assistant professor of Spanish at University of South Alabama. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Scholar at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices
Juan Francisco Manzano and Gabriel de la Concepción Valdés (Plácido) were perhaps the most important and innovative Cuban writers of African descent during the Spanish colonial era. Both nineteenth-century authors used Catholicism as a symbolic language for African-inspired spirituality. Likewise, Plácido and Manzano subverted the popular imagery of neoclassicism and Romanticism in order to envision black freedom in the tradition of the Haitian Revolution. Plácido and Manzano envisioned emancipation through the lens of African spirituality, a transformative moment in the history of Cuban letters. In Cuban Literature in the Age of Black Insurrection: Manzano, Plácido, and Afro-Latino Religion (University Press of Mississippi) Matthew J. Pettway examines how the portrayal of African ideas of spirit and cosmos in otherwise conventional texts recur throughout early Cuban literature and became the basis for Manzano and Plácido’s antislavery philosophy. The portrayal of African-Atlantic religious ideas spurned the elite rationale that literature ought to be a barometer of highbrow cultural progress. Cuban debates about freedom and selfhood were never the exclusive domain of the white Creole elite. Pettway’s emphasis on African-inspired spirituality as a source of knowledge and a means to sacred authority for black Cuban writers deepens our understanding of Manzano and Plácido not as mere imitators but as aesthetic and political pioneers. As Pettway suggests, black Latin American authors did not abandon their African religious heritage to assimilate wholesale to the Catholic Church. By recognizing the wisdom of African ancestors, they procured power in the struggle for black liberation. Matthew J. Pettway is assistant professor of Spanish at University of South Alabama. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Scholar at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices
Juan Francisco Manzano and Gabriel de la Concepción Valdés (Plácido) were perhaps the most important and innovative Cuban writers of African descent during the Spanish colonial era. Both nineteenth-century authors used Catholicism as a symbolic language for African-inspired spirituality. Likewise, Plácido and Manzano subverted the popular imagery of neoclassicism and Romanticism in order to envision black freedom in the tradition of the Haitian Revolution. Plácido and Manzano envisioned emancipation through the lens of African spirituality, a transformative moment in the history of Cuban letters. In Cuban Literature in the Age of Black Insurrection: Manzano, Plácido, and Afro-Latino Religion (University Press of Mississippi) Matthew J. Pettway examines how the portrayal of African ideas of spirit and cosmos in otherwise conventional texts recur throughout early Cuban literature and became the basis for Manzano and Plácido’s antislavery philosophy. The portrayal of African-Atlantic religious ideas spurned the elite rationale that literature ought to be a barometer of highbrow cultural progress. Cuban debates about freedom and selfhood were never the exclusive domain of the white Creole elite. Pettway’s emphasis on African-inspired spirituality as a source of knowledge and a means to sacred authority for black Cuban writers deepens our understanding of Manzano and Plácido not as mere imitators but as aesthetic and political pioneers. As Pettway suggests, black Latin American authors did not abandon their African religious heritage to assimilate wholesale to the Catholic Church. By recognizing the wisdom of African ancestors, they procured power in the struggle for black liberation. Matthew J. Pettway is assistant professor of Spanish at University of South Alabama. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Scholar at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices
Juan Francisco Manzano and Gabriel de la Concepción Valdés (Plácido) were perhaps the most important and innovative Cuban writers of African descent during the Spanish colonial era. Both nineteenth-century authors used Catholicism as a symbolic language for African-inspired spirituality. Likewise, Plácido and Manzano subverted the popular imagery of neoclassicism and Romanticism in order to envision black freedom in the tradition of the Haitian Revolution. Plácido and Manzano envisioned emancipation through the lens of African spirituality, a transformative moment in the history of Cuban letters. In Cuban Literature in the Age of Black Insurrection: Manzano, Plácido, and Afro-Latino Religion (University Press of Mississippi) Matthew J. Pettway examines how the portrayal of African ideas of spirit and cosmos in otherwise conventional texts recur throughout early Cuban literature and became the basis for Manzano and Plácido’s antislavery philosophy. The portrayal of African-Atlantic religious ideas spurned the elite rationale that literature ought to be a barometer of highbrow cultural progress. Cuban debates about freedom and selfhood were never the exclusive domain of the white Creole elite. Pettway’s emphasis on African-inspired spirituality as a source of knowledge and a means to sacred authority for black Cuban writers deepens our understanding of Manzano and Plácido not as mere imitators but as aesthetic and political pioneers. As Pettway suggests, black Latin American authors did not abandon their African religious heritage to assimilate wholesale to the Catholic Church. By recognizing the wisdom of African ancestors, they procured power in the struggle for black liberation. Matthew J. Pettway is assistant professor of Spanish at University of South Alabama. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Scholar at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices
Christina Proenza-Coles' new book American Founders: How People of African Descent Established Freedom in the New World (NewSouth Books, 2019) reveals men and women of African descent as key protagonists in the story of American democracy. It chronicles how black people developed and defended New World settlements, undermined slavery, and championed freedom throughout the hemisphere from the sixteenth thorough the twentieth centuries. While conventional history tends to reduce the roles of African Americans to antebellum slavery and the civil rights movement, in reality African residents preceded the English by a century and arrived in the Americas in numbers that far exceeded European migrants up until 1820. Afro-Americans were omnipresent in the founding and advancement of the Americas, and recurrently outnumbered Europeans at many times and places, from colonial Peru to antebellum Virginia. African-descended people contributed to every facet of American history as explorers, conquistadores, settlers, soldiers, sailors, servants, slaves, rebels, leaders, lawyers, litigants, laborers, artisans, artists, activists, translators, teachers, doctors, nurses, inventors, investors, merchants, mathematicians, scientists, scholars, engineers, entrepreneurs, generals, cowboys, pirates, professors, politicians, priests, poets, and presidents. The multitude of events and mixed-race individuals included in the book underscores that black and white Americans share the same history, and in many cases, the same ancestry. American Founders is meant to celebrate this shared heritage and strengthen these bonds. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
Christina Proenza-Coles' new book American Founders: How People of African Descent Established Freedom in the New World (NewSouth Books, 2019) reveals men and women of African descent as key protagonists in the story of American democracy. It chronicles how black people developed and defended New World settlements, undermined slavery, and championed freedom throughout the hemisphere from the sixteenth thorough the twentieth centuries. While conventional history tends to reduce the roles of African Americans to antebellum slavery and the civil rights movement, in reality African residents preceded the English by a century and arrived in the Americas in numbers that far exceeded European migrants up until 1820. Afro-Americans were omnipresent in the founding and advancement of the Americas, and recurrently outnumbered Europeans at many times and places, from colonial Peru to antebellum Virginia. African-descended people contributed to every facet of American history as explorers, conquistadores, settlers, soldiers, sailors, servants, slaves, rebels, leaders, lawyers, litigants, laborers, artisans, artists, activists, translators, teachers, doctors, nurses, inventors, investors, merchants, mathematicians, scientists, scholars, engineers, entrepreneurs, generals, cowboys, pirates, professors, politicians, priests, poets, and presidents. The multitude of events and mixed-race individuals included in the book underscores that black and white Americans share the same history, and in many cases, the same ancestry. American Founders is meant to celebrate this shared heritage and strengthen these bonds. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices
Christina Proenza-Coles' new book American Founders: How People of African Descent Established Freedom in the New World (NewSouth Books, 2019) reveals men and women of African descent as key protagonists in the story of American democracy. It chronicles how black people developed and defended New World settlements, undermined slavery, and championed freedom throughout the hemisphere from the sixteenth thorough the twentieth centuries. While conventional history tends to reduce the roles of African Americans to antebellum slavery and the civil rights movement, in reality African residents preceded the English by a century and arrived in the Americas in numbers that far exceeded European migrants up until 1820. Afro-Americans were omnipresent in the founding and advancement of the Americas, and recurrently outnumbered Europeans at many times and places, from colonial Peru to antebellum Virginia. African-descended people contributed to every facet of American history as explorers, conquistadores, settlers, soldiers, sailors, servants, slaves, rebels, leaders, lawyers, litigants, laborers, artisans, artists, activists, translators, teachers, doctors, nurses, inventors, investors, merchants, mathematicians, scientists, scholars, engineers, entrepreneurs, generals, cowboys, pirates, professors, politicians, priests, poets, and presidents. The multitude of events and mixed-race individuals included in the book underscores that black and white Americans share the same history, and in many cases, the same ancestry. American Founders is meant to celebrate this shared heritage and strengthen these bonds. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices
Christina Proenza-Coles' new book American Founders: How People of African Descent Established Freedom in the New World (NewSouth Books, 2019) reveals men and women of African descent as key protagonists in the story of American democracy. It chronicles how black people developed and defended New World settlements, undermined slavery, and championed freedom throughout the hemisphere from the sixteenth thorough the twentieth centuries. While conventional history tends to reduce the roles of African Americans to antebellum slavery and the civil rights movement, in reality African residents preceded the English by a century and arrived in the Americas in numbers that far exceeded European migrants up until 1820. Afro-Americans were omnipresent in the founding and advancement of the Americas, and recurrently outnumbered Europeans at many times and places, from colonial Peru to antebellum Virginia. African-descended people contributed to every facet of American history as explorers, conquistadores, settlers, soldiers, sailors, servants, slaves, rebels, leaders, lawyers, litigants, laborers, artisans, artists, activists, translators, teachers, doctors, nurses, inventors, investors, merchants, mathematicians, scientists, scholars, engineers, entrepreneurs, generals, cowboys, pirates, professors, politicians, priests, poets, and presidents. The multitude of events and mixed-race individuals included in the book underscores that black and white Americans share the same history, and in many cases, the same ancestry. American Founders is meant to celebrate this shared heritage and strengthen these bonds. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices
Christina Proenza-Coles' new book American Founders: How People of African Descent Established Freedom in the New World (NewSouth Books, 2019) reveals men and women of African descent as key protagonists in the story of American democracy. It chronicles how black people developed and defended New World settlements, undermined slavery, and championed freedom throughout the hemisphere from the sixteenth thorough the twentieth centuries. While conventional history tends to reduce the roles of African Americans to antebellum slavery and the civil rights movement, in reality African residents preceded the English by a century and arrived in the Americas in numbers that far exceeded European migrants up until 1820. Afro-Americans were omnipresent in the founding and advancement of the Americas, and recurrently outnumbered Europeans at many times and places, from colonial Peru to antebellum Virginia. African-descended people contributed to every facet of American history as explorers, conquistadores, settlers, soldiers, sailors, servants, slaves, rebels, leaders, lawyers, litigants, laborers, artisans, artists, activists, translators, teachers, doctors, nurses, inventors, investors, merchants, mathematicians, scientists, scholars, engineers, entrepreneurs, generals, cowboys, pirates, professors, politicians, priests, poets, and presidents. The multitude of events and mixed-race individuals included in the book underscores that black and white Americans share the same history, and in many cases, the same ancestry. American Founders is meant to celebrate this shared heritage and strengthen these bonds. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices
Between 1822 and 1857, eight Southern states barred the ingress of all free black maritime workers. According to lawmakers, they carried a 'moral contagion' of abolitionism and black autonomy that could be transmitted to local slaves. Those seamen who arrived in Southern ports in violation of the laws faced incarceration, corporal punishment, an incipient form of convict leasing, and even punitive enslavement. The sailors, their captains, abolitionists, and British diplomatic agents protested this treatment. They wrote letters, published tracts, cajoled elected officials, pleaded with Southern officials, and litigated in state and federal courts. By deploying a progressive and sweeping notion of national citizenship - one that guaranteed a number of rights against state regulation - they exposed the ambiguity and potential power of national citizenship as a legal category. Ultimately, the Fourteenth Amendment recognized the robust understanding of citizenship championed by Antebellum free people of color, by people afflicted with 'moral contagion'. In his new book Moral Contagion: Black Atlantic Sailors, Citizenship, and Diplomacy in Antebellum America(Cambridge University Press, 2019), Michael A. Schoeppner tells their story. Listen in. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews.
Between 1822 and 1857, eight Southern states barred the ingress of all free black maritime workers. According to lawmakers, they carried a 'moral contagion' of abolitionism and black autonomy that could be transmitted to local slaves. Those seamen who arrived in Southern ports in violation of the laws faced incarceration, corporal punishment, an incipient form of convict leasing, and even punitive enslavement. The sailors, their captains, abolitionists, and British diplomatic agents protested this treatment. They wrote letters, published tracts, cajoled elected officials, pleaded with Southern officials, and litigated in state and federal courts. By deploying a progressive and sweeping notion of national citizenship - one that guaranteed a number of rights against state regulation - they exposed the ambiguity and potential power of national citizenship as a legal category. Ultimately, the Fourteenth Amendment recognized the robust understanding of citizenship championed by Antebellum free people of color, by people afflicted with 'moral contagion'. In his new book Moral Contagion: Black Atlantic Sailors, Citizenship, and Diplomacy in Antebellum America(Cambridge University Press, 2019), Michael A. Schoeppner tells their story. Listen in. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices
Between 1822 and 1857, eight Southern states barred the ingress of all free black maritime workers. According to lawmakers, they carried a 'moral contagion' of abolitionism and black autonomy that could be transmitted to local slaves. Those seamen who arrived in Southern ports in violation of the laws faced incarceration, corporal punishment, an incipient form of convict leasing, and even punitive enslavement. The sailors, their captains, abolitionists, and British diplomatic agents protested this treatment. They wrote letters, published tracts, cajoled elected officials, pleaded with Southern officials, and litigated in state and federal courts. By deploying a progressive and sweeping notion of national citizenship - one that guaranteed a number of rights against state regulation - they exposed the ambiguity and potential power of national citizenship as a legal category. Ultimately, the Fourteenth Amendment recognized the robust understanding of citizenship championed by Antebellum free people of color, by people afflicted with 'moral contagion’. In his new book Moral Contagion: Black Atlantic Sailors, Citizenship, and Diplomacy in Antebellum America(Cambridge University Press, 2019), Michael A. Schoeppner tells their story. Listen in. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices
Between 1822 and 1857, eight Southern states barred the ingress of all free black maritime workers. According to lawmakers, they carried a 'moral contagion' of abolitionism and black autonomy that could be transmitted to local slaves. Those seamen who arrived in Southern ports in violation of the laws faced incarceration, corporal punishment, an incipient form of convict leasing, and even punitive enslavement. The sailors, their captains, abolitionists, and British diplomatic agents protested this treatment. They wrote letters, published tracts, cajoled elected officials, pleaded with Southern officials, and litigated in state and federal courts. By deploying a progressive and sweeping notion of national citizenship - one that guaranteed a number of rights against state regulation - they exposed the ambiguity and potential power of national citizenship as a legal category. Ultimately, the Fourteenth Amendment recognized the robust understanding of citizenship championed by Antebellum free people of color, by people afflicted with 'moral contagion’. In his new book Moral Contagion: Black Atlantic Sailors, Citizenship, and Diplomacy in Antebellum America(Cambridge University Press, 2019), Michael A. Schoeppner tells their story. Listen in. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices
Between 1822 and 1857, eight Southern states barred the ingress of all free black maritime workers. According to lawmakers, they carried a 'moral contagion' of abolitionism and black autonomy that could be transmitted to local slaves. Those seamen who arrived in Southern ports in violation of the laws faced incarceration, corporal punishment, an incipient form of convict leasing, and even punitive enslavement. The sailors, their captains, abolitionists, and British diplomatic agents protested this treatment. They wrote letters, published tracts, cajoled elected officials, pleaded with Southern officials, and litigated in state and federal courts. By deploying a progressive and sweeping notion of national citizenship - one that guaranteed a number of rights against state regulation - they exposed the ambiguity and potential power of national citizenship as a legal category. Ultimately, the Fourteenth Amendment recognized the robust understanding of citizenship championed by Antebellum free people of color, by people afflicted with 'moral contagion’. In his new book Moral Contagion: Black Atlantic Sailors, Citizenship, and Diplomacy in Antebellum America(Cambridge University Press, 2019), Michael A. Schoeppner tells their story. Listen in. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices
Between 1822 and 1857, eight Southern states barred the ingress of all free black maritime workers. According to lawmakers, they carried a 'moral contagion' of abolitionism and black autonomy that could be transmitted to local slaves. Those seamen who arrived in Southern ports in violation of the laws faced incarceration, corporal punishment, an incipient form of convict leasing, and even punitive enslavement. The sailors, their captains, abolitionists, and British diplomatic agents protested this treatment. They wrote letters, published tracts, cajoled elected officials, pleaded with Southern officials, and litigated in state and federal courts. By deploying a progressive and sweeping notion of national citizenship - one that guaranteed a number of rights against state regulation - they exposed the ambiguity and potential power of national citizenship as a legal category. Ultimately, the Fourteenth Amendment recognized the robust understanding of citizenship championed by Antebellum free people of color, by people afflicted with 'moral contagion'. In his new book Moral Contagion: Black Atlantic Sailors, Citizenship, and Diplomacy in Antebellum America(Cambridge University Press, 2019), Michael A. Schoeppner tells their story. Listen in. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
Between 1822 and 1857, eight Southern states barred the ingress of all free black maritime workers. According to lawmakers, they carried a 'moral contagion' of abolitionism and black autonomy that could be transmitted to local slaves. Those seamen who arrived in Southern ports in violation of the laws faced incarceration, corporal punishment, an incipient form of convict leasing, and even punitive enslavement. The sailors, their captains, abolitionists, and British diplomatic agents protested this treatment. They wrote letters, published tracts, cajoled elected officials, pleaded with Southern officials, and litigated in state and federal courts. By deploying a progressive and sweeping notion of national citizenship - one that guaranteed a number of rights against state regulation - they exposed the ambiguity and potential power of national citizenship as a legal category. Ultimately, the Fourteenth Amendment recognized the robust understanding of citizenship championed by Antebellum free people of color, by people afflicted with 'moral contagion’. In his new book Moral Contagion: Black Atlantic Sailors, Citizenship, and Diplomacy in Antebellum America(Cambridge University Press, 2019), Michael A. Schoeppner tells their story. Listen in. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices
What the United States dubs “freedom” is inherently tied to methods of violence. The United States’s abolitionist movement was not free from this connection. This is in spite of one of the best known white abolitionists, William Lloyd Garrison, being a pacifist, and many contemporary politicians referencing his method of non-violent resistance as a way to thwart present-day movements that grapple with the subject of revolutionary violence as a method to gain freedom from oppression. The abolitionist movement’s Black activists saw how the repression of their freedoms in the north were directly tied to the oppression of their enslaved sisters and brothers. In her new book Force and Freedom: Black Abolitionists and the Politics of Violence (University of Pennsylvania Press, 2019), Kellie Carter Jackson chronicles how violence was harnessed by Black abolitionists in their quest to rid the United States of chattel slavery. Force and Freedom explores why for many Black abolitionists, slavery could only be obliterated through violent means. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices
What the United States dubs “freedom” is inherently tied to methods of violence. The United States's abolitionist movement was not free from this connection. This is in spite of one of the best known white abolitionists, William Lloyd Garrison, being a pacifist, and many contemporary politicians referencing his method of non-violent resistance as a way to thwart present-day movements that grapple with the subject of revolutionary violence as a method to gain freedom from oppression. The abolitionist movement's Black activists saw how the repression of their freedoms in the north were directly tied to the oppression of their enslaved sisters and brothers. In her new book Force and Freedom: Black Abolitionists and the Politics of Violence (University of Pennsylvania Press, 2019), Kellie Carter Jackson chronicles how violence was harnessed by Black abolitionists in their quest to rid the United States of chattel slavery. Force and Freedom explores why for many Black abolitionists, slavery could only be obliterated through violent means. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
What the United States dubs “freedom” is inherently tied to methods of violence. The United States’s abolitionist movement was not free from this connection. This is in spite of one of the best known white abolitionists, William Lloyd Garrison, being a pacifist, and many contemporary politicians referencing his method of non-violent resistance as a way to thwart present-day movements that grapple with the subject of revolutionary violence as a method to gain freedom from oppression. The abolitionist movement’s Black activists saw how the repression of their freedoms in the north were directly tied to the oppression of their enslaved sisters and brothers. In her new book Force and Freedom: Black Abolitionists and the Politics of Violence (University of Pennsylvania Press, 2019), Kellie Carter Jackson chronicles how violence was harnessed by Black abolitionists in their quest to rid the United States of chattel slavery. Force and Freedom explores why for many Black abolitionists, slavery could only be obliterated through violent means. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices
What the United States dubs “freedom” is inherently tied to methods of violence. The United States’s abolitionist movement was not free from this connection. This is in spite of one of the best known white abolitionists, William Lloyd Garrison, being a pacifist, and many contemporary politicians referencing his method of non-violent resistance as a way to thwart present-day movements that grapple with the subject of revolutionary violence as a method to gain freedom from oppression. The abolitionist movement’s Black activists saw how the repression of their freedoms in the north were directly tied to the oppression of their enslaved sisters and brothers. In her new book Force and Freedom: Black Abolitionists and the Politics of Violence (University of Pennsylvania Press, 2019), Kellie Carter Jackson chronicles how violence was harnessed by Black abolitionists in their quest to rid the United States of chattel slavery. Force and Freedom explores why for many Black abolitionists, slavery could only be obliterated through violent means. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices
What the United States dubs “freedom” is inherently tied to methods of violence. The United States’s abolitionist movement was not free from this connection. This is in spite of one of the best known white abolitionists, William Lloyd Garrison, being a pacifist, and many contemporary politicians referencing his method of non-violent resistance as a way to thwart present-day movements that grapple with the subject of revolutionary violence as a method to gain freedom from oppression. The abolitionist movement’s Black activists saw how the repression of their freedoms in the north were directly tied to the oppression of their enslaved sisters and brothers. In her new book Force and Freedom: Black Abolitionists and the Politics of Violence (University of Pennsylvania Press, 2019), Kellie Carter Jackson chronicles how violence was harnessed by Black abolitionists in their quest to rid the United States of chattel slavery. Force and Freedom explores why for many Black abolitionists, slavery could only be obliterated through violent means. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices
At this point, it is hard to fathom the shear volume of studies of American slavery that scholars have produced. And new works on American slavery are being published at a remarkable clip. As a result, writing a new synthesis of this scholarship is a monumental feat. Dr. Calvin Schermerhorn, however, has taken done the job, and wonderfully. His new book Unrequited Toil: A History of United States Slavery (Cambridge University Press, 2018) weaves the history of slavery into that of the United States from the founding of the nation to the Reconstruction era. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews.
At this point, it is hard to fathom the shear volume of studies of American slavery that scholars have produced. And new works on American slavery are being published at a remarkable clip. As a result, writing a new synthesis of this scholarship is a monumental feat. Dr. Calvin Schermerhorn, however, has taken done the job, and wonderfully. His new book Unrequited Toil: A History of United States Slavery (Cambridge University Press, 2018) weaves the history of slavery into that of the United States from the founding of the nation to the Reconstruction era. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices
At this point, it is hard to fathom the shear volume of studies of American slavery that scholars have produced. And new works on American slavery are being published at a remarkable clip. As a result, writing a new synthesis of this scholarship is a monumental feat. Dr. Calvin Schermerhorn, however, has taken done the job, and wonderfully. His new book Unrequited Toil: A History of United States Slavery (Cambridge University Press, 2018) weaves the history of slavery into that of the United States from the founding of the nation to the Reconstruction era. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices
At this point, it is hard to fathom the shear volume of studies of American slavery that scholars have produced. And new works on American slavery are being published at a remarkable clip. As a result, writing a new synthesis of this scholarship is a monumental feat. Dr. Calvin Schermerhorn, however, has taken done the job, and wonderfully. His new book Unrequited Toil: A History of United States Slavery (Cambridge University Press, 2018) weaves the history of slavery into that of the United States from the founding of the nation to the Reconstruction era. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices
At this point, it is hard to fathom the shear volume of studies of American slavery that scholars have produced. And new works on American slavery are being published at a remarkable clip. As a result, writing a new synthesis of this scholarship is a monumental feat. Dr. Calvin Schermerhorn, however, has taken done the job, and wonderfully. His new book Unrequited Toil: A History of United States Slavery (Cambridge University Press, 2018) weaves the history of slavery into that of the United States from the founding of the nation to the Reconstruction era. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
Scholarly interest in the institution of American slavery is enjoying a kind of resurgence. Researchers are examining heretofore rarely (or never) studied aspects of slavery. One such new frontier is the history of sexuality and slavery. Two scholars at the forefront movement are Drs. Daina Ramey Berry and Leslie Harris. Drs. Berry and Harris’s recent edited volume, Sexuality and Slavery: Reclaiming Intimate Histories in the Americas (University of Georgia Press, 2018), brings together a variety of scholars working on the ways in which slavery and sexuality interacted, and whose efforts combine to show that sexuality was in some ways more central to the history of slavery in the Americas than has been thought. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices
Scholarly interest in the institution of American slavery is enjoying a kind of resurgence. Researchers are examining heretofore rarely (or never) studied aspects of slavery. One such new frontier is the history of sexuality and slavery. Two scholars at the forefront movement are Drs. Daina Ramey Berry and Leslie Harris. Drs. Berry and Harris’s recent edited volume, Sexuality and Slavery: Reclaiming Intimate Histories in the Americas (University of Georgia Press, 2018), brings together a variety of scholars working on the ways in which slavery and sexuality interacted, and whose efforts combine to show that sexuality was in some ways more central to the history of slavery in the Americas than has been thought. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices
Scholarly interest in the institution of American slavery is enjoying a kind of resurgence. Researchers are examining heretofore rarely (or never) studied aspects of slavery. One such new frontier is the history of sexuality and slavery. Two scholars at the forefront movement are Drs. Daina Ramey Berry and Leslie Harris. Drs. Berry and Harris’s recent edited volume, Sexuality and Slavery: Reclaiming Intimate Histories in the Americas (University of Georgia Press, 2018), brings together a variety of scholars working on the ways in which slavery and sexuality interacted, and whose efforts combine to show that sexuality was in some ways more central to the history of slavery in the Americas than has been thought. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices
Scholarly interest in the institution of American slavery is enjoying a kind of resurgence. Researchers are examining heretofore rarely (or never) studied aspects of slavery. One such new frontier is the history of sexuality and slavery. Two scholars at the forefront movement are Drs. Daina Ramey Berry and Leslie Harris. Drs. Berry and Harris’s recent edited volume, Sexuality and Slavery: Reclaiming Intimate Histories in the Americas (University of Georgia Press, 2018), brings together a variety of scholars working on the ways in which slavery and sexuality interacted, and whose efforts combine to show that sexuality was in some ways more central to the history of slavery in the Americas than has been thought. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices
Scholarly interest in the institution of American slavery is enjoying a kind of resurgence. Researchers are examining heretofore rarely (or never) studied aspects of slavery. One such new frontier is the history of sexuality and slavery. Two scholars at the forefront movement are Drs. Daina Ramey Berry and Leslie Harris. Drs. Berry and Harris's recent edited volume, Sexuality and Slavery: Reclaiming Intimate Histories in the Americas (University of Georgia Press, 2018), brings together a variety of scholars working on the ways in which slavery and sexuality interacted, and whose efforts combine to show that sexuality was in some ways more central to the history of slavery in the Americas than has been thought. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews.
Scholarly interest in the institution of American slavery is enjoying a kind of resurgence. Researchers are examining heretofore rarely (or never) studied aspects of slavery. One such new frontier is the history of sexuality and slavery. Two scholars at the forefront movement are Drs. Daina Ramey Berry and Leslie Harris. Drs. Berry and Harris's recent edited volume, Sexuality and Slavery: Reclaiming Intimate Histories in the Americas (University of Georgia Press, 2018), brings together a variety of scholars working on the ways in which slavery and sexuality interacted, and whose efforts combine to show that sexuality was in some ways more central to the history of slavery in the Americas than has been thought. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
According to most experts, boys have more trouble in schools than girls. Further, African-American boys have even more trouble than, say, white boys. What to do? According to some, one possible solution to the latter problem is all-Black male schools, or "ABMSs." In her new book In a Classroom of Their Own: The Intersection of Race and Feminist Politics in All-Black Male Schools (University of Illinois Press, 2018), Keisha Lindsay critiques ABMSs from a feminist perspective and has some helpful things to say about how to educate young African-Americans generally. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Scholar at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices
According to most experts, boys have more trouble in schools than girls. Further, African-American boys have even more trouble than, say, white boys. What to do? According to some, one possible solution to the latter problem is all-Black male schools, or "ABMSs." In her new book In a Classroom of Their Own: The Intersection of Race and Feminist Politics in All-Black Male Schools (University of Illinois Press, 2018), Keisha Lindsay critiques ABMSs from a feminist perspective and has some helpful things to say about how to educate young African-Americans generally. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Scholar at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices
According to most experts, boys have more trouble in schools than girls. Further, African-American boys have even more trouble than, say, white boys. What to do? According to some, one possible solution to the latter problem is all-Black male schools, or "ABMSs." In her new book In a Classroom of Their Own: The Intersection of Race and Feminist Politics in All-Black Male Schools (University of Illinois Press, 2018), Keisha Lindsay critiques ABMSs from a feminist perspective and has some helpful things to say about how to educate young African-Americans generally. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Scholar at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices
Today we have a certain idea of “race”; it’s socially constructed, conventional, and not really biological-grounded in any sense. Yet we commonly use the idea of “race” in our everyday lives to identify ourselves and others. We even have a typology of “races” that we use in official contexts. Yet, as Sharon Block shows in her book Colonial Complexions: Race and Bodies in Eighteenth-Century America (University of Pennsylvania Press, 2018), our way of putting people in “racial” buckets is not the same as that of our ancestors. Listen in as we talk about the often surprising ways in which Colonial-era Americans discussed and depicted the “races” of people in their world. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices
According to most experts, boys have more trouble in schools than girls. Further, African-American boys have even more trouble than, say, white boys. What to do? According to some, one possible solution to the latter problem is all-Black male schools, or "ABMSs." In her new book In a Classroom of Their Own: The Intersection of Race and Feminist Politics in All-Black Male Schools (University of Illinois Press, 2018), Keisha Lindsay critiques ABMSs from a feminist perspective and has some helpful things to say about how to educate young African-Americans generally. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Scholar at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
According to most experts, boys have more trouble in schools than girls. Further, African-American boys have even more trouble than, say, white boys. What to do? According to some, one possible solution to the latter problem is all-Black male schools, or "ABMSs." In her new book In a Classroom of Their Own: The Intersection of Race and Feminist Politics in All-Black Male Schools (University of Illinois Press, 2018), Keisha Lindsay critiques ABMSs from a feminist perspective and has some helpful things to say about how to educate young African-Americans generally. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Scholar at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices
Today we have a certain idea of "race"; it's socially constructed, conventional, and not really biological-grounded in any sense. Yet we commonly use the idea of "race" in our everyday lives to identify ourselves and others. We even have a typology of "races" that we use in official contexts. Yet, as Sharon Block shows in her book Colonial Complexions: Race and Bodies in Eighteenth-Century America(University of Pennsylvania Press, 2018), our way of putting people in "racial" buckets is not the same as that of our ancestors. Listen in as we talk about the often surprising ways in which Colonial-era Americans discussed and depicted the "races" of people in their world. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
Today we have a certain idea of “race”; it’s socially constructed, conventional, and not really biological-grounded in any sense. Yet we commonly use the idea of “race” in our everyday lives to identify ourselves and others. We even have a typology of “races” that we use in official contexts. Yet, as Sharon Block shows in her book Colonial Complexions: Race and Bodies in Eighteenth-Century America (University of Pennsylvania Press, 2018), our way of putting people in “racial” buckets is not the same as that of our ancestors. Listen in as we talk about the often surprising ways in which Colonial-era Americans discussed and depicted the “races” of people in their world. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices
According to most experts, boys have more trouble in schools than girls. Further, African-American boys have even more trouble than, say, white boys. What to do? According to some, one possible solution to the latter problem is all-Black male schools, or “ABMSs.” In her new book In a Classroom of Their Own: The Intersection of Race and Feminist Politics in All-Black Male Schools (University of Illinois Press, 2018), Keisha Lindsay critiques ABMSs from a feminist perspective and has some helpful things to say about how to educate young African-Americans generally. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Scholar at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices
In the wake of the bloody Civil War, millions of slaves were emancipated. How did those freed slaves, along with African Americans freed before the Civil War, interpret this new post-war world? Dr. Matthew Harper's The End of Days: African American Religion and Politics in the Age of Emancipation (University of North Carolina Press, 2016) answers this question and others by chronicling how Black North Carolinians, through their robust Christian denominational culture, biblically interpreted the world made anew by the Civil War. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Scholar at the University of Delaware. He can be reached on Twitter @CulturedModesty.
In the wake of the bloody Civil War, millions of slaves were emancipated. How did those freed slaves, along with African Americans freed before the Civil War, interpret this new post-war world? Dr. Matthew Harper’s The End of Days: African American Religion and Politics in the Age of Emancipation (University of North Carolina Press, 2016) answers this question and others by chronicling how Black North Carolinians, through their robust Christian denominational culture, biblically interpreted the world made anew by the Civil War. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Scholar at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices
In the wake of the bloody Civil War, millions of slaves were emancipated. How did those freed slaves, along with African Americans freed before the Civil War, interpret this new post-war world? Dr. Matthew Harper’s The End of Days: African American Religion and Politics in the Age of Emancipation (University of North Carolina Press, 2016) answers this question and others by chronicling how Black North Carolinians, through their robust Christian denominational culture, biblically interpreted the world made anew by the Civil War. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Scholar at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices
In the wake of the bloody Civil War, millions of slaves were emancipated. How did those freed slaves, along with African Americans freed before the Civil War, interpret this new post-war world? Dr. Matthew Harper’s The End of Days: African American Religion and Politics in the Age of Emancipation (University of North Carolina Press, 2016) answers this question and others by chronicling how Black North Carolinians, through their robust Christian denominational culture, biblically interpreted the world made anew by the Civil War. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Scholar at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices
In the wake of the bloody Civil War, millions of slaves were emancipated. How did those freed slaves, along with African Americans freed before the Civil War, interpret this new post-war world? Dr. Matthew Harper's The End of Days: African American Religion and Politics in the Age of Emancipation (University of North Carolina Press, 2016) answers this question and others by chronicling how Black North Carolinians, through their robust Christian denominational culture, biblically interpreted the world made anew by the Civil War. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Scholar at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
In the wake of the bloody Civil War, millions of slaves were emancipated. How did those freed slaves, along with African Americans freed before the Civil War, interpret this new post-war world? Dr. Matthew Harper’s The End of Days: African American Religion and Politics in the Age of Emancipation (University of North Carolina Press, 2016) answers this question and others by chronicling how Black North Carolinians, through their robust Christian denominational culture, biblically interpreted the world made anew by the Civil War. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Scholar at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices
In the wake of the bloody Civil War, millions of slaves were emancipated. How did those freed slaves, along with African Americans freed before the Civil War, interpret this new post-war world? Dr. Matthew Harper’s The End of Days: African American Religion and Politics in the Age of Emancipation (University of North Carolina Press, 2016) answers this question and others by chronicling how Black North Carolinians, through their robust Christian denominational culture, biblically interpreted the world made anew by the Civil War. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Scholar at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices
The year 2018 marks the 200th anniversary of Frederick Douglass’ birth. It can hardly be said that scholars have neglected Douglass; indeed, he is one of the most written-about figures in American history. But not all aspects of Douglass’ thought have received their due. One such blank spot in what might be called “Douglass Studies” concerns his political philosophy. Williams College scholar Dr. Neil Roberts’ new edited volume, A Political Companion to Frederick Douglass (University Press of Kentucky, 2018), helps to fill this lacuna in Douglass scholarship. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Scholar at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices
The year 2018 marks the 200th anniversary of Frederick Douglass' birth. It can hardly be said that scholars have neglected Douglass; indeed, he is one of the most written-about figures in American history. But not all aspects of Douglass' thought have received their due. One such blank spot in what might be called “Douglass Studies” concerns his political philosophy. Williams College scholar Dr. Neil Roberts' new edited volume, A Political Companion to Frederick Douglass (University Press of Kentucky, 2018), helps to fill this lacuna in Douglass scholarship. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Scholar at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
The year 2018 marks the 200th anniversary of Frederick Douglass’ birth. It can hardly be said that scholars have neglected Douglass; indeed, he is one of the most written-about figures in American history. But not all aspects of Douglass’ thought have received their due. One such blank spot in what might be called “Douglass Studies” concerns his political philosophy. Williams College scholar Dr. Neil Roberts’ new edited volume, A Political Companion to Frederick Douglass (University Press of Kentucky, 2018), helps to fill this lacuna in Douglass scholarship. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Scholar at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices
The year 2018 marks the 200th anniversary of Frederick Douglass’ birth. It can hardly be said that scholars have neglected Douglass; indeed, he is one of the most written-about figures in American history. But not all aspects of Douglass’ thought have received their due. One such blank spot in what might be called “Douglass Studies” concerns his political philosophy. Williams College scholar Dr. Neil Roberts’ new edited volume, A Political Companion to Frederick Douglass (University Press of Kentucky, 2018), helps to fill this lacuna in Douglass scholarship. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Scholar at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices
The year 2018 marks the 200th anniversary of Frederick Douglass’ birth. It can hardly be said that scholars have neglected Douglass; indeed, he is one of the most written-about figures in American history. But not all aspects of Douglass’ thought have received their due. One such blank spot in what might be called “Douglass Studies” concerns his political philosophy. Williams College scholar Dr. Neil Roberts’ new edited volume, A Political Companion to Frederick Douglass (University Press of Kentucky, 2018), helps to fill this lacuna in Douglass scholarship. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Scholar at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices
The year 2018 marks the 200th anniversary of Frederick Douglass’ birth. It can hardly be said that scholars have neglected Douglass; indeed, he is one of the most written-about figures in American history. But not all aspects of Douglass’ thought have received their due. One such blank spot in what might be called “Douglass Studies” concerns his political philosophy. Williams College scholar Dr. Neil Roberts’ new edited volume, A Political Companion to Frederick Douglass (University Press of Kentucky, 2018), helps to fill this lacuna in Douglass scholarship. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Scholar at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices
In their new edited volume Reconsidering Southern Labor History: Race, Class, and Power (University Press of Florida, 2018), Keri Leigh Merritt and Matthew Hild provide an interdisciplinary approach to understanding the historical development of southern labor. The essays in this volume demonstrate that the “southern working class”–far from being a kind of white, Trump-supporting monolith–is actually a complicated beast. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Scholar at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices
In their new edited volume Reconsidering Southern Labor History: Race, Class, and Power (University Press of Florida, 2018), Keri Leigh Merritt and Matthew Hild provide an interdisciplinary approach to understanding the historical development of southern labor. The essays in this volume demonstrate that the “southern working class”–far from being a kind of white, Trump-supporting monolith–is actually a complicated beast. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Scholar at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices
In their new edited volume Reconsidering Southern Labor History: Race, Class, and Power (University Press of Florida, 2018), Keri Leigh Merritt and Matthew Hild provide an interdisciplinary approach to understanding the historical development of southern labor. The essays in this volume demonstrate that the “southern working class”–far from being a kind of white, Trump-supporting monolith–is actually a complicated beast. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Scholar at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
In their new edited volume Reconsidering Southern Labor History: Race, Class, and Power (University Press of Florida, 2018), Keri Leigh Merritt and Matthew Hild provide an interdisciplinary approach to understanding the historical development of southern labor. The essays in this volume demonstrate that the “southern working class”–far from being a kind of white, Trump-supporting monolith–is actually a complicated beast. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Scholar at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices
Boston's political culture is most known within the frame of antebellum political struggles over the institution of slavery. What about Reconstruction and post-Reconstruction era Black Bostonian politics though? That story is made clear by the Dr. Millington W. Bergeson-Lockwood's newly published book Race Over Party: Black Politics and Partisanship in Late Nineteenth-Century Boston (University of North Carolina Press, 2018). Centering Edwin Garrison Walker, political leader and son of antebellum era abolitionist and pamphleteer David Walker, Bergeson-Lockwood tells the story of how independent Black Bostonian politics was used as a mechanism to shield Black Bostonians from party loyalty. Party loyalty, especially to the Republican Party, could be used to promote a connection to the “Party of Lincoln,” or to retain Black voters despite not always being on the side of their best interest. Ultimately, Black citizenship and the protection of the Black rights were at the forefront of Black Bostonians' political project, and Bergeson-Lockwood's history of Black politics in the late nineteenth century dramatically highlights the successes and shortcomings of this era. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Scholar at the University of Delaware. He can be reached on Twitter @CulturedModesty.
Boston's political culture is most known within the frame of antebellum political struggles over the institution of slavery. What about Reconstruction and post-Reconstruction era Black Bostonian politics though? That story is made clear by the Dr. Millington W. Bergeson-Lockwood's newly published book Race Over Party: Black Politics and Partisanship in Late Nineteenth-Century Boston (University of North Carolina Press, 2018). Centering Edwin Garrison Walker, political leader and son of antebellum era abolitionist and pamphleteer David Walker, Bergeson-Lockwood tells the story of how independent Black Bostonian politics was used as a mechanism to shield Black Bostonians from party loyalty. Party loyalty, especially to the Republican Party, could be used to promote a connection to the “Party of Lincoln,” or to retain Black voters despite not always being on the side of their best interest. Ultimately, Black citizenship and the protection of the Black rights were at the forefront of Black Bostonians' political project, and Bergeson-Lockwood's history of Black politics in the late nineteenth century dramatically highlights the successes and shortcomings of this era. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Scholar at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices
Boston's political culture is most known within the frame of antebellum political struggles over the institution of slavery. What about Reconstruction and post-Reconstruction era Black Bostonian politics though? That story is made clear by the Dr. Millington W. Bergeson-Lockwood's newly published book Race Over Party: Black Politics and Partisanship in Late Nineteenth-Century Boston (University of North Carolina Press, 2018). Centering Edwin Garrison Walker, political leader and son of antebellum era abolitionist and pamphleteer David Walker, Bergeson-Lockwood tells the story of how independent Black Bostonian politics was used as a mechanism to shield Black Bostonians from party loyalty. Party loyalty, especially to the Republican Party, could be used to promote a connection to the “Party of Lincoln,” or to retain Black voters despite not always being on the side of their best interest. Ultimately, Black citizenship and the protection of the Black rights were at the forefront of Black Bostonians' political project, and Bergeson-Lockwood's history of Black politics in the late nineteenth century dramatically highlights the successes and shortcomings of this era. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Scholar at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
Boston’s political culture is most known within the frame of antebellum political struggles over the institution of slavery. What about Reconstruction and post-Reconstruction era Black Bostonian politics though? That story is made clear by the Dr. Millington W. Bergeson-Lockwood’s newly published book Race Over Party: Black Politics and Partisanship in Late Nineteenth-Century Boston (University of North Carolina Press, 2018). Centering Edwin Garrison Walker, political leader and son of antebellum era abolitionist and pamphleteer David Walker, Bergeson-Lockwood tells the story of how independent Black Bostonian politics was used as a mechanism to shield Black Bostonians from party loyalty. Party loyalty, especially to the Republican Party, could be used to promote a connection to the “Party of Lincoln,” or to retain Black voters despite not always being on the side of their best interest. Ultimately, Black citizenship and the protection of the Black rights were at the forefront of Black Bostonians’ political project, and Bergeson-Lockwood’s history of Black politics in the late nineteenth century dramatically highlights the successes and shortcomings of this era. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Scholar at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices
Boston’s political culture is most known within the frame of antebellum political struggles over the institution of slavery. What about Reconstruction and post-Reconstruction era Black Bostonian politics though? That story is made clear by the Dr. Millington W. Bergeson-Lockwood’s newly published book Race Over Party: Black Politics and Partisanship in Late Nineteenth-Century Boston (University of North Carolina Press, 2018). Centering Edwin Garrison Walker, political leader and son of antebellum era abolitionist and pamphleteer David Walker, Bergeson-Lockwood tells the story of how independent Black Bostonian politics was used as a mechanism to shield Black Bostonians from party loyalty. Party loyalty, especially to the Republican Party, could be used to promote a connection to the “Party of Lincoln,” or to retain Black voters despite not always being on the side of their best interest. Ultimately, Black citizenship and the protection of the Black rights were at the forefront of Black Bostonians’ political project, and Bergeson-Lockwood’s history of Black politics in the late nineteenth century dramatically highlights the successes and shortcomings of this era. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Scholar at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices
Boston’s political culture is most known within the frame of antebellum political struggles over the institution of slavery. What about Reconstruction and post-Reconstruction era Black Bostonian politics though? That story is made clear by the Dr. Millington W. Bergeson-Lockwood’s newly published book Race Over Party: Black Politics and Partisanship in Late Nineteenth-Century Boston (University of North Carolina Press, 2018). Centering Edwin Garrison Walker, political leader and son of antebellum era abolitionist and pamphleteer David Walker, Bergeson-Lockwood tells the story of how independent Black Bostonian politics was used as a mechanism to shield Black Bostonians from party loyalty. Party loyalty, especially to the Republican Party, could be used to promote a connection to the “Party of Lincoln,” or to retain Black voters despite not always being on the side of their best interest. Ultimately, Black citizenship and the protection of the Black rights were at the forefront of Black Bostonians’ political project, and Bergeson-Lockwood’s history of Black politics in the late nineteenth century dramatically highlights the successes and shortcomings of this era. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Scholar at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices
Boston’s political culture is most known within the frame of antebellum political struggles over the institution of slavery. What about Reconstruction and post-Reconstruction era Black Bostonian politics though? That story is made clear by the Dr. Millington W. Bergeson-Lockwood’s newly published book Race Over Party: Black Politics and Partisanship in Late Nineteenth-Century Boston (University of North Carolina Press, 2018). Centering Edwin Garrison Walker, political leader and son of antebellum era abolitionist and pamphleteer David Walker, Bergeson-Lockwood tells the story of how independent Black Bostonian politics was used as a mechanism to shield Black Bostonians from party loyalty. Party loyalty, especially to the Republican Party, could be used to promote a connection to the “Party of Lincoln,” or to retain Black voters despite not always being on the side of their best interest. Ultimately, Black citizenship and the protection of the Black rights were at the forefront of Black Bostonians’ political project, and Bergeson-Lockwood’s history of Black politics in the late nineteenth century dramatically highlights the successes and shortcomings of this era. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Scholar at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices
As every scholar of African Americans knows, Harlem’s Schomburg Center for Research in Black Culture is an essential resource for black history. But who was Schomburg? In Diasporic Blackness: The Life and Times of Arturo Alfonso Schomburg (SUNY Press, 2018), Vanessa Valdés recovers the important legacy of the man whose name, collection, and activism are now attached forever to the legacies of the African Diaspora. Dr. Valdés situates Schomburg’s life within the context of his multi-layered identity as an Afro-Puerto Rican man born and formatively shaped in the Spanish Caribbean during a fraught period. This period witnessed Puerto Rico’s abolition of slavery and the imperialist Spanish-Cuban-American War as well. These events shaped the young man who migrated to the United States in the early 1890s and who became one of the leading Black bibliophiles and intellectuals of the twentieth century. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices
As every scholar of African Americans knows, Harlem’s Schomburg Center for Research in Black Culture is an essential resource for black history. But who was Schomburg? In Diasporic Blackness: The Life and Times of Arturo Alfonso Schomburg (SUNY Press, 2018), Vanessa Valdés recovers the important legacy of the man whose name, collection, and activism are now attached forever to the legacies of the African Diaspora. Dr. Valdés situates Schomburg’s life within the context of his multi-layered identity as an Afro-Puerto Rican man born and formatively shaped in the Spanish Caribbean during a fraught period. This period witnessed Puerto Rico’s abolition of slavery and the imperialist Spanish-Cuban-American War as well. These events shaped the young man who migrated to the United States in the early 1890s and who became one of the leading Black bibliophiles and intellectuals of the twentieth century. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices
As every scholar of African Americans knows, Harlem’s Schomburg Center for Research in Black Culture is an essential resource for black history. But who was Schomburg? In Diasporic Blackness: The Life and Times of Arturo Alfonso Schomburg (SUNY Press, 2018), Vanessa Valdés recovers the important legacy of the man whose name, collection, and activism are now attached forever to the legacies of the African Diaspora. Dr. Valdés situates Schomburg’s life within the context of his multi-layered identity as an Afro-Puerto Rican man born and formatively shaped in the Spanish Caribbean during a fraught period. This period witnessed Puerto Rico’s abolition of slavery and the imperialist Spanish-Cuban-American War as well. These events shaped the young man who migrated to the United States in the early 1890s and who became one of the leading Black bibliophiles and intellectuals of the twentieth century. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices
As every scholar of African Americans knows, Harlem’s Schomburg Center for Research in Black Culture is an essential resource for black history. But who was Schomburg? In Diasporic Blackness: The Life and Times of Arturo Alfonso Schomburg (SUNY Press, 2018), Vanessa Valdés recovers the important legacy of the man whose name, collection, and activism are now attached forever to the legacies of the African Diaspora. Dr. Valdés situates Schomburg’s life within the context of his multi-layered identity as an Afro-Puerto Rican man born and formatively shaped in the Spanish Caribbean during a fraught period. This period witnessed Puerto Rico’s abolition of slavery and the imperialist Spanish-Cuban-American War as well. These events shaped the young man who migrated to the United States in the early 1890s and who became one of the leading Black bibliophiles and intellectuals of the twentieth century. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices
As every scholar of African Americans knows, Harlem's Schomburg Center for Research in Black Culture is an essential resource for black history. But who was Schomburg? In Diasporic Blackness: The Life and Times of Arturo Alfonso Schomburg (SUNY Press, 2018), Vanessa Valdés recovers the important legacy of the man whose name, collection, and activism are now attached forever to the legacies of the African Diaspora. Dr. Valdés situates Schomburg's life within the context of his multi-layered identity as an Afro-Puerto Rican man born and formatively shaped in the Spanish Caribbean during a fraught period. This period witnessed Puerto Rico's abolition of slavery and the imperialist Spanish-Cuban-American War as well. These events shaped the young man who migrated to the United States in the early 1890s and who became one of the leading Black bibliophiles and intellectuals of the twentieth century. Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
As America changed in the Civil Rights and Black Power eras, the Southern music industry was changing as well. The music studios of Nashville, Memphis, and Muscle Shoals–known as the “country-soul triangle”–began producing some of the most important music of the 1960s and 1970s. In Country Soul: Making Music and Making Race in the American South (University of North Carolina Press, 2015), Charles Hughes chronicles the ways in which inter-racialism, cultural appropriation, racism, and racial politics affected the musical studios and the country and soul industry. How could two separate musical sounds, one white and country, and the other Black and soul, be considered completely separate when many of the musicians and producers worked in the same buildings? Charles Hughes explains all! Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews.
As America changed in the Civil Rights and Black Power eras, the Southern music industry was changing as well. The music studios of Nashville, Memphis, and Muscle Shoals–known as the “country-soul triangle”–began producing some of the most important music of the 1960s and 1970s. In Country Soul: Making Music and Making Race in the American South (University of North Carolina Press, 2015), Charles Hughes chronicles the ways in which inter-racialism, cultural appropriation, racism, and racial politics affected the musical studios and the country and soul industry. How could two separate musical sounds, one white and country, and the other Black and soul, be considered completely separate when many of the musicians and producers worked in the same buildings? Charles Hughes explains all! Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices
As America changed in the Civil Rights and Black Power eras, the Southern music industry was changing as well. The music studios of Nashville, Memphis, and Muscle Shoals–known as the “country-soul triangle”–began producing some of the most important music of the 1960s and 1970s. In Country Soul: Making Music and Making Race in the American South (University of North Carolina Press, 2015), Charles Hughes chronicles the ways in which inter-racialism, cultural appropriation, racism, and racial politics affected the musical studios and the country and soul industry. How could two separate musical sounds, one white and country, and the other Black and soul, be considered completely separate when many of the musicians and producers worked in the same buildings? Charles Hughes explains all! Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices
As America changed in the Civil Rights and Black Power eras, the Southern music industry was changing as well. The music studios of Nashville, Memphis, and Muscle Shoals–known as the “country-soul triangle”–began producing some of the most important music of the 1960s and 1970s. In Country Soul: Making Music and Making Race in the American South (University of North Carolina Press, 2015), Charles Hughes chronicles the ways in which inter-racialism, cultural appropriation, racism, and racial politics affected the musical studios and the country and soul industry. How could two separate musical sounds, one white and country, and the other Black and soul, be considered completely separate when many of the musicians and producers worked in the same buildings? Charles Hughes explains all! Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
As America changed in the Civil Rights and Black Power eras, the Southern music industry was changing as well. The music studios of Nashville, Memphis, and Muscle Shoals–known as the “country-soul triangle”–began producing some of the most important music of the 1960s and 1970s. In Country Soul: Making Music and Making Race in the American South (University of North Carolina Press, 2015), Charles Hughes chronicles the ways in which inter-racialism, cultural appropriation, racism, and racial politics affected the musical studios and the country and soul industry. How could two separate musical sounds, one white and country, and the other Black and soul, be considered completely separate when many of the musicians and producers worked in the same buildings? Charles Hughes explains all! Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices
As America changed in the Civil Rights and Black Power eras, the Southern music industry was changing as well. The music studios of Nashville, Memphis, and Muscle Shoals–known as the “country-soul triangle”–began producing some of the most important music of the 1960s and 1970s. In Country Soul: Making Music and Making Race in the American South (University of North Carolina Press, 2015), Charles Hughes chronicles the ways in which inter-racialism, cultural appropriation, racism, and racial politics affected the musical studios and the country and soul industry. How could two separate musical sounds, one white and country, and the other Black and soul, be considered completely separate when many of the musicians and producers worked in the same buildings? Charles Hughes explains all! Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews.
As America changed in the Civil Rights and Black Power eras, the Southern music industry was changing as well. The music studios of Nashville, Memphis, and Muscle Shoals–known as the “country-soul triangle”–began producing some of the most important music of the 1960s and 1970s. In Country Soul: Making Music and Making Race in the American South (University of North Carolina Press, 2015), Charles Hughes chronicles the ways in which inter-racialism, cultural appropriation, racism, and racial politics affected the musical studios and the country and soul industry. How could two separate musical sounds, one white and country, and the other Black and soul, be considered completely separate when many of the musicians and producers worked in the same buildings? Charles Hughes explains all! Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices
As America changed in the Civil Rights and Black Power eras, the Southern music industry was changing as well. The music studios of Nashville, Memphis, and Muscle Shoals–known as the “country-soul triangle”–began producing some of the most important music of the 1960s and 1970s. In Country Soul: Making Music and Making Race in the American South (University of North Carolina Press, 2015), Charles Hughes chronicles the ways in which inter-racialism, cultural appropriation, racism, and racial politics affected the musical studios and the country and soul industry. How could two separate musical sounds, one white and country, and the other Black and soul, be considered completely separate when many of the musicians and producers worked in the same buildings? Charles Hughes explains all! Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews. Learn more about your ad choices. Visit megaphone.fm/adchoices
The black social gospel–formulated and given voice by abolitionists and post-reconstruction Black men and women–took the United States by storm in the last quarter of the nineteenth century. Black Christians were not the only ones involved in the black social gospel, though. Rev. Dr. Gary Dorrien’s The New Abolition: W.E.B Du Bois and the Black Social Gospel (Yale University Press, 2018) argues that although Du Bois would not consider himself a black social gospel adherent, he was affected by the tradition and came to realize its importance in the milieu of social democracy. Dorrien uses black social gospel to chart an intellectual and theological map of the tradition that gave birth to the leader of one of America’s most radical social movements: Dr. Martin Luther King. Adam McNeil is a soon-to-be PhD student and Colored Conventions Project Scholar at the University of Delaware. He received his M.A in History at Simmons College and B.S. in History at Florida A&M University. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices
The black social gospel–formulated and given voice by abolitionists and post-reconstruction Black men and women–took the United States by storm in the last quarter of the nineteenth century. Black Christians were not the only ones involved in the black social gospel, though. Rev. Dr. Gary Dorrien’s The New Abolition: W.E.B Du Bois and the Black Social Gospel (Yale University Press, 2018) argues that although Du Bois would not consider himself a black social gospel adherent, he was affected by the tradition and came to realize its importance in the milieu of social democracy. Dorrien uses black social gospel to chart an intellectual and theological map of the tradition that gave birth to the leader of one of America’s most radical social movements: Dr. Martin Luther King. Adam McNeil is a soon-to-be PhD student and Colored Conventions Project Scholar at the University of Delaware. He received his M.A in History at Simmons College and B.S. in History at Florida A&M University. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices
The black social gospel–formulated and given voice by abolitionists and post-reconstruction Black men and women–took the United States by storm in the last quarter of the nineteenth century. Black Christians were not the only ones involved in the black social gospel, though. Rev. Dr. Gary Dorrien's The New Abolition: W.E.B Du Bois and the Black Social Gospel (Yale University Press, 2018) argues that although Du Bois would not consider himself a black social gospel adherent, he was affected by the tradition and came to realize its importance in the milieu of social democracy. Dorrien uses black social gospel to chart an intellectual and theological map of the tradition that gave birth to the leader of one of America's most radical social movements: Dr. Martin Luther King. Adam McNeil is a soon-to-be PhD student and Colored Conventions Project Scholar at the University of Delaware. He received his M.A in History at Simmons College and B.S. in History at Florida A&M University. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
The black social gospel–formulated and given voice by abolitionists and post-reconstruction Black men and women–took the United States by storm in the last quarter of the nineteenth century. Black Christians were not the only ones involved in the black social gospel, though. Rev. Dr. Gary Dorrien’s The New Abolition: W.E.B Du Bois and the Black Social Gospel (Yale University Press, 2018) argues that although Du Bois would not consider himself a black social gospel adherent, he was affected by the tradition and came to realize its importance in the milieu of social democracy. Dorrien uses black social gospel to chart an intellectual and theological map of the tradition that gave birth to the leader of one of America’s most radical social movements: Dr. Martin Luther King. Adam McNeil is a soon-to-be PhD student and Colored Conventions Project Scholar at the University of Delaware. He received his M.A in History at Simmons College and B.S. in History at Florida A&M University. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices
The black social gospel–formulated and given voice by abolitionists and post-reconstruction Black men and women–took the United States by storm in the last quarter of the nineteenth century. Black Christians were not the only ones involved in the black social gospel, though. Rev. Dr. Gary Dorrien’s The New Abolition: W.E.B Du Bois and the Black Social Gospel (Yale University Press, 2018) argues that although Du Bois would not consider himself a black social gospel adherent, he was affected by the tradition and came to realize its importance in the milieu of social democracy. Dorrien uses black social gospel to chart an intellectual and theological map of the tradition that gave birth to the leader of one of America’s most radical social movements: Dr. Martin Luther King. Adam McNeil is a soon-to-be PhD student and Colored Conventions Project Scholar at the University of Delaware. He received his M.A in History at Simmons College and B.S. in History at Florida A&M University. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices
The black social gospel–formulated and given voice by abolitionists and post-reconstruction Black men and women–took the United States by storm in the last quarter of the nineteenth century. Black Christians were not the only ones involved in the black social gospel, though. Rev. Dr. Gary Dorrien’s The New Abolition: W.E.B Du Bois and the Black Social Gospel (Yale University Press, 2018) argues that although Du Bois would not consider himself a black social gospel adherent, he was affected by the tradition and came to realize its importance in the milieu of social democracy. Dorrien uses black social gospel to chart an intellectual and theological map of the tradition that gave birth to the leader of one of America’s most radical social movements: Dr. Martin Luther King. Adam McNeil is a soon-to-be PhD student and Colored Conventions Project Scholar at the University of Delaware. He received his M.A in History at Simmons College and B.S. in History at Florida A&M University. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices
The Amistad Rebellion is usually remembered as the only instance in which a US court sent re-captured slaves back to Africa. Yet as Sharla Fett shows in her new book Recaptured Africans: Surviving Slave Ships, Detention, and Dislocation in the Final Years of the Slave Trade (University of North Carolina Press, 2017), the Amistad case is not exactly unique. By using the stories of re-captured Africans in detention in places like Key West, Florida and Charleston, South Carolina, Dr. Fett examines how pro-slavery and abolitionist factions used re-captives to argue their respective cases. She also examines the lives of re-captured slaves sent to “back” to Liberia, a place they had never been. Adam McNeil is a soon-to-be PhD student and Colored Conventions Project Scholar at the University of Delaware. He received his M.A in History at Simmons College and B.S. in History at Florida A&M University. He can be reached on Twitter @CulturedModesty.
The Amistad Rebellion is usually remembered as the only instance in which a US court sent re-captured slaves back to Africa. Yet as Sharla Fett shows in her new book Recaptured Africans: Surviving Slave Ships, Detention, and Dislocation in the Final Years of the Slave Trade (University of North Carolina Press, 2017), the Amistad case is not exactly unique. By using the stories of re-captured Africans in detention in places like Key West, Florida and Charleston, South Carolina, Dr. Fett examines how pro-slavery and abolitionist factions used re-captives to argue their respective cases. She also examines the lives of re-captured slaves sent to “back” to Liberia, a place they had never been. Adam McNeil is a soon-to-be PhD student and Colored Conventions Project Scholar at the University of Delaware. He received his M.A in History at Simmons College and B.S. in History at Florida A&M University. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices
The Amistad Rebellion is usually remembered as the only instance in which a US court sent re-captured slaves back to Africa. Yet as Sharla Fett shows in her new book Recaptured Africans: Surviving Slave Ships, Detention, and Dislocation in the Final Years of the Slave Trade (University of North Carolina Press, 2017), the Amistad case is not exactly unique. By using the stories of re-captured Africans in detention in places like Key West, Florida and Charleston, South Carolina, Dr. Fett examines how pro-slavery and abolitionist factions used re-captives to argue their respective cases. She also examines the lives of re-captured slaves sent to “back” to Liberia, a place they had never been. Adam McNeil is a soon-to-be PhD student and Colored Conventions Project Scholar at the University of Delaware. He received his M.A in History at Simmons College and B.S. in History at Florida A&M University. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices
The Amistad Rebellion is usually remembered as the only instance in which a US court sent re-captured slaves back to Africa. Yet as Sharla Fett shows in her new book Recaptured Africans: Surviving Slave Ships, Detention, and Dislocation in the Final Years of the Slave Trade (University of North Carolina Press, 2017), the Amistad case is not exactly unique. By using the stories of re-captured Africans in detention in places like Key West, Florida and Charleston, South Carolina, Dr. Fett examines how pro-slavery and abolitionist factions used re-captives to argue their respective cases. She also examines the lives of re-captured slaves sent to “back” to Liberia, a place they had never been. Adam McNeil is a soon-to-be PhD student and Colored Conventions Project Scholar at the University of Delaware. He received his M.A in History at Simmons College and B.S. in History at Florida A&M University. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
The Amistad Rebellion is usually remembered as the only instance in which a US court sent re-captured slaves back to Africa. Yet as Sharla Fett shows in her new book Recaptured Africans: Surviving Slave Ships, Detention, and Dislocation in the Final Years of the Slave Trade (University of North Carolina Press, 2017), the Amistad case is not exactly unique. By using the stories of re-captured Africans in detention in places like Key West, Florida and Charleston, South Carolina, Dr. Fett examines how pro-slavery and abolitionist factions used re-captives to argue their respective cases. She also examines the lives of re-captured slaves sent to “back” to Liberia, a place they had never been. Adam McNeil is a soon-to-be PhD student and Colored Conventions Project Scholar at the University of Delaware. He received his M.A in History at Simmons College and B.S. in History at Florida A&M University. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices
The Amistad Rebellion is usually remembered as the only instance in which a US court sent re-captured slaves back to Africa. Yet as Sharla Fett shows in her new book Recaptured Africans: Surviving Slave Ships, Detention, and Dislocation in the Final Years of the Slave Trade (University of North Carolina Press, 2017), the Amistad case is not exactly unique. By using the stories of re-captured Africans in detention in places like Key West, Florida and Charleston, South Carolina, Dr. Fett examines how pro-slavery and abolitionist factions used re-captives to argue their respective cases. She also examines the lives of re-captured slaves sent to “back” to Liberia, a place they had never been. Adam McNeil is a soon-to-be PhD student and Colored Conventions Project Scholar at the University of Delaware. He received his M.A in History at Simmons College and B.S. in History at Florida A&M University. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices
The Amistad Rebellion is usually remembered as the only instance in which a US court sent re-captured slaves back to Africa. Yet as Sharla Fett shows in her new book Recaptured Africans: Surviving Slave Ships, Detention, and Dislocation in the Final Years of the Slave Trade (University of North Carolina Press, 2017), the Amistad case is not exactly unique. By using the stories of re-captured Africans in detention in places like Key West, Florida and Charleston, South Carolina, Dr. Fett examines how pro-slavery and abolitionist factions used re-captives to argue their respective cases. She also examines the lives of re-captured slaves sent to “back” to Liberia, a place they had never been. Adam McNeil is a soon-to-be PhD student and Colored Conventions Project Scholar at the University of Delaware. He received his M.A in History at Simmons College and B.S. in History at Florida A&M University. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices
© 2020-2025 Ivy Podcast Discovery LLC
