Podcasts about diasporic

This week on Herbal Radio, we are joined by host Lucretia Van Dyke, and the spiritually attuned clinical herbalist who has found herself guided on an ancestral path to unite the Black herbalist community, Donette Lowe.   Join us as they explore: Spiritual herbalism: cultivating connection between person and plant Alchemizing ancestral medicine as a poisoner in the Hoodoo tradition Food as medicine: onions, collard greens, and everything in between   Customizing care aligned with the individual's lifestyle Donette's calling to connect the Black herbalist community Herbalism and social media: the real herbalist vs. the reel herbalist As always, we thank you for joining us on another botanical adventure and are so honored to have you tag along with us on this ride. Remember, we want to hear from you! Your questions, ideas, and who you want to hear from are an invaluable piece to our podcast. Email us at podcast@mountainroseherbs.com to let us know what solutions we should uncover next within the vast world of herbalism. Learn more about Donette and Lucretia below! ⬇️

Send us a text message and tell us your thoughts.A woman signs up 3,000 new members, walks into a meeting she was invited to lead, and is assassinated at the podium. That single moment opens a window into the hidden architecture of a global movement and the women who kept it alive when headlines and historians looked away. We continue our conversation with Dr. Natanya Duncan to explore the life and legacy of Princess Laura Adorkor Kofey and the broader force she represents: efficient womanhood inside the Universal Negro Improvement Association. We unpack how Kofey leveraged overlapping memberships across Black political organizations to grow the UNIA at scale, and why her ability to mobilize made her both indispensable and threatening. Dr. Duncan traces archival breadcrumbs to show how debates about Kofey's origins obscured the central question: who shot her, and what does that reveal about power, loyalty, and gender in mass movements?We broaden the lens to spotlight women like Henrietta Vinton Davis who signed stock certificates and underwrote the Black Star Line, illustrating how everyday decisions about money, mutual aid, and accountability built real infrastructure. This isn't just civil rights history; it's a blueprint for Black autonomy and human rights that shaped the tactics of later movements and still resonates now. Tune in, rethink the narrative, and help surface the names and questions that deserve daylight. City University of New York Associate Professor of History, Dr. Natanya Duncan's research and teaching focuses on global freedom movements of the 20th and 21st Century. Duncan's research interest includes constructions of identity and nation building amongst women of color; migrations; color and class in Diasporic communities; and the engagements of intellectuals throughout the African Diaspora. Her book, An Efficient Womanhood: Women and the Making of the Universal Negro Improvement Association, (University of North Carolina Press 2025) focuses on the distinct activist strategies in-acted by women in the UNIA, which Duncan calls an efficient womanhood. Following the ways women in the UNIA scripted their own understanding of Pan Africanism, Black Nationalism and constructions of Diasporic Blackness, the work traces the blending of nationalist and gendered concerns amongst known and lesser known Garveyite women. Support the showConnect with Strictly Facts - Instagram | Facebook | Twitter | LinkedIn | YouTube | Website Looking to read more about the topics covered in this episode? Subscribe to the newsletter at www.strictlyfactspod.com to get the Strictly Facts Syllabus to your email!Want to Support Strictly Facts? Rate & Leave a Review on your favorite platform Share this episode with someone or online and tag us Send us a DM or voice note to have your thoughts featured on an upcoming episode Donate to help us continue empowering listeners with Caribbean history and education Produced by Breadfruit Media

Send us a text message and tell us your thoughts.What happens when the archive starts talking back? We sat down with Dr. Natanya Duncan to illuminate the women who built the Universal Negro Improvement Association (UNIA) from the ground up and gave the movement its global muscle. From a Kingston porch to Harlem kitchens and London cafés, their labor carried Garveyism across continents while reshaping what Black leadership looked like in the early twentieth century. Along the way, we meet names that deserve the spotlight: Henrietta Vinton Davis, Laura Kofey, and especially the Two Amys. Amy Ashwood Garvey co-founded the UNIA and helped the Negro World reach readers far beyond Harlem. Amy Jacques Garvey transformed the paper's women's page into a political and strategic forum, setting the tone for a movement that saw home life and nation building as the same fight.Threaded through the conversation is “efficient womanhood,” a term recovered in the archive that captures how UNIA women blended gender demands with nationalist goals as one practical program. We explore how public stance and private negotiation worked in tandem, why women printed their addresses and left a paper trail of property, and how their coalitions nurtured anticolonial leadership. This is a story of logistics, courage, and care: parades organized, ledgers balanced, alliances brokered, and a movement sustained in the face of surveillance and erasure.Editor's Note: At 03:14, Dr. Duncan meant to refer to Dr. Patrick E. Bryan instead of "Patrick Henry."City University of New York Associate Professor of History, Dr. Natanya Duncan's research and teaching focuses on global freedom movements of the 20th and 21st Century. Duncan's research interest includes constructions of identity and nation building amongst women of color; migrations; color and class in Diasporic communities; and the engagements of intellectuals throughout the African Diaspora. Her book, An Efficient Womanhood: Women and the Making of the Universal Negro Improvement Association, (University of North Carolina Press 2025) focuses on the distinct activist strategies in-acted by women in the UNIA, which Duncan calls an efficient womanhood. Following the ways women in the UNIA scripted their own understanding of Pan Africanism, Black Nationalism and constructions of Diasporic Blackness, the work traces the blendiSupport the showConnect with Strictly Facts - Instagram | Facebook | Twitter | LinkedIn | YouTube | Website Looking to read more about the topics covered in this episode? Subscribe to the newsletter at www.strictlyfactspod.com to get the Strictly Facts Syllabus to your email!Want to Support Strictly Facts? Rate & Leave a Review on your favorite platform Share this episode with someone or online and tag us Send us a DM or voice note to have your thoughts featured on an upcoming episode Donate to help us continue empowering listeners with Caribbean history and education Produced by Breadfruit Media

Dr. Bimbola Akinbola is an artist and scholar currently based in Chicago. Working at the intersection of African diapora studies, performance, and visual art, her scholarly and artistic work is concerned with the complicated and nagging nature of belonging, queerness, and the concept of family. Dr. Akinbola's newly published book, Transatlantic Disbelonging: Unruliness, Pleasure and Play in Nigerian Diasporic Women's Art examines anti-respectability, queer kinship, and diasporic homemaking in the creative work of contemporary Nigerian diasporic women artists. Her essays have also been published in Text and Performance Quarterly and Women Studies Quarterly. 

New upload to commence 2026 titled Unspoken. A reflection on things understood or felt but not said. Music that sits between the conscious and the instinctive. Diasporic, tribal and forward thinking. An ode to Soul in its many forms. Rooted rhythms, spiritual movement and forward momentum designed for deep listening as much as for the dancefloor. Tracks featured in the mix: Dj Ryte Nou, Marcus Harris, Venessa Jackson Have Some Fun Patrick Gibin, Kaidi Tatham, Joaquin Joe Claussell Let It Go Sebb Junior, Tasha LaRae Never Be Alone (SoulLab Vocal Remix) Thakzin Release & Sustain Daniele Busciala, Earl W. Green No Regret Thakzin The Magnificent Dance Del Bianchi, Haldo Spirit Of Drum Yuu Udagawa Urban Physicality (Takuya Matsumoto Piano Mix) Alongside the music, I'm looking ahead to a special appearance coming up soon at Counting Blessings in Bristol. On Friday 16 January, I'll be joining Katie Novo at To The Moon for the first Counting Blessings party of 2026. Expect a night rooted in house, broken beat, jazz funk, samba, soul and rhythmic movement, with a Foundations of House Dance workshop opening the evening. Free entry all night and a beautiful space for music, movement and connection. If you're listening in Bristol or nearby, it would be great to see you. Counting Blessings Info here: https://hdfst.uk/e143708 #ElecSoul #RobbieDuncan #CountingBlessings #Novo.Katie

Settler Attachments and Asian Diasporic Film (University of Minnesota Press, 2025) is an interdisciplinary examination of the stubborn attachment of Asian diasporas to settler-colonial ideals and of the decolonial possibilities Asian diasporic films imagine. Author Beenash Jafri uniquely addresses the complexities of Asian–Indigenous relationality through film and visual media, urging film scholars to approach their subjects with an eye to the entanglements of race, diaspora, and Indigeneity. Beenash Jafri is an associate professor of Gender, Sexuality and Women's Studies at UC Davis. Her work engages longstanding debates on relationality and coalition across feminist and queer, Indigenous and critical ethnic studies. She is the co-editor of Cultural Studies in the Interregnum (Temple University Press, 2025), and of Amerasia's forthcoming special issue on Asian Settler Colonial Critique. Her writing has been published in academic venues such as GLQ: A Journal of Lesbian and Gay Studies, Feminist Studies, Settler Colonial Studies, American Indian Culture and Research Journal, Cultural Studies-Critical Methodologies, and Lateral: Journal of the Cultural Studies Association; and in public venues such as Reappropriate, Public Books, ASAP/J, Truthout, and Briarpatch Magazine. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Settler Attachments and Asian Diasporic Film (University of Minnesota Press, 2025) is an interdisciplinary examination of the stubborn attachment of Asian diasporas to settler-colonial ideals and of the decolonial possibilities Asian diasporic films imagine. Author Beenash Jafri uniquely addresses the complexities of Asian–Indigenous relationality through film and visual media, urging film scholars to approach their subjects with an eye to the entanglements of race, diaspora, and Indigeneity. Beenash Jafri is an associate professor of Gender, Sexuality and Women's Studies at UC Davis. Her work engages longstanding debates on relationality and coalition across feminist and queer, Indigenous and critical ethnic studies. She is the co-editor of Cultural Studies in the Interregnum (Temple University Press, 2025), and of Amerasia's forthcoming special issue on Asian Settler Colonial Critique. Her writing has been published in academic venues such as GLQ: A Journal of Lesbian and Gay Studies, Feminist Studies, Settler Colonial Studies, American Indian Culture and Research Journal, Cultural Studies-Critical Methodologies, and Lateral: Journal of the Cultural Studies Association; and in public venues such as Reappropriate, Public Books, ASAP/J, Truthout, and Briarpatch Magazine. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Settler Attachments and Asian Diasporic Film (University of Minnesota Press, 2025) is an interdisciplinary examination of the stubborn attachment of Asian diasporas to settler-colonial ideals and of the decolonial possibilities Asian diasporic films imagine. Author Beenash Jafri uniquely addresses the complexities of Asian–Indigenous relationality through film and visual media, urging film scholars to approach their subjects with an eye to the entanglements of race, diaspora, and Indigeneity. Beenash Jafri is an associate professor of Gender, Sexuality and Women's Studies at UC Davis. Her work engages longstanding debates on relationality and coalition across feminist and queer, Indigenous and critical ethnic studies. She is the co-editor of Cultural Studies in the Interregnum (Temple University Press, 2025), and of Amerasia's forthcoming special issue on Asian Settler Colonial Critique. Her writing has been published in academic venues such as GLQ: A Journal of Lesbian and Gay Studies, Feminist Studies, Settler Colonial Studies, American Indian Culture and Research Journal, Cultural Studies-Critical Methodologies, and Lateral: Journal of the Cultural Studies Association; and in public venues such as Reappropriate, Public Books, ASAP/J, Truthout, and Briarpatch Magazine. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Settler Attachments and Asian Diasporic Film (University of Minnesota Press, 2025) is an interdisciplinary examination of the stubborn attachment of Asian diasporas to settler-colonial ideals and of the decolonial possibilities Asian diasporic films imagine. Author Beenash Jafri uniquely addresses the complexities of Asian–Indigenous relationality through film and visual media, urging film scholars to approach their subjects with an eye to the entanglements of race, diaspora, and Indigeneity. Beenash Jafri is an associate professor of Gender, Sexuality and Women's Studies at UC Davis. Her work engages longstanding debates on relationality and coalition across feminist and queer, Indigenous and critical ethnic studies. She is the co-editor of Cultural Studies in the Interregnum (Temple University Press, 2025), and of Amerasia's forthcoming special issue on Asian Settler Colonial Critique. Her writing has been published in academic venues such as GLQ: A Journal of Lesbian and Gay Studies, Feminist Studies, Settler Colonial Studies, American Indian Culture and Research Journal, Cultural Studies-Critical Methodologies, and Lateral: Journal of the Cultural Studies Association; and in public venues such as Reappropriate, Public Books, ASAP/J, Truthout, and Briarpatch Magazine. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Settler Attachments and Asian Diasporic Film (University of Minnesota Press, 2025) is an interdisciplinary examination of the stubborn attachment of Asian diasporas to settler-colonial ideals and of the decolonial possibilities Asian diasporic films imagine. Author Beenash Jafri uniquely addresses the complexities of Asian–Indigenous relationality through film and visual media, urging film scholars to approach their subjects with an eye to the entanglements of race, diaspora, and Indigeneity. Beenash Jafri is an associate professor of Gender, Sexuality and Women's Studies at UC Davis. Her work engages longstanding debates on relationality and coalition across feminist and queer, Indigenous and critical ethnic studies. She is the co-editor of Cultural Studies in the Interregnum (Temple University Press, 2025), and of Amerasia's forthcoming special issue on Asian Settler Colonial Critique. Her writing has been published in academic venues such as GLQ: A Journal of Lesbian and Gay Studies, Feminist Studies, Settler Colonial Studies, American Indian Culture and Research Journal, Cultural Studies-Critical Methodologies, and Lateral: Journal of the Cultural Studies Association; and in public venues such as Reappropriate, Public Books, ASAP/J, Truthout, and Briarpatch Magazine. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

In this season four premier, Nancey speaks with writer, griot, culture worker, healer, and diviner, Sara Makeba Daise to talk about recognition, knowing your worth, and accepting your ancestral calling. Sara shares a dream story about being recognized in non-traditional spaces and what it taught her about using her voice. Sara Makeba Daise, MA (she/her) is a Black, queer, fifth-generation Gullah Geechee Writer, Griot, Cultural Worker, Healer and Diviner from Beaufort, SC. She works passionately at the intersections of Afrofuturism, ancestor veneration, intergenerational healing, Black queer erotics & desire, and African Diasporic rituals, history & culture - particularly in The South. As a writer, Sara explores these topics through memoir, prose, folklore and speculative fiction.Daughter of Storytellers, Culture Bearers, and stars of Nick Jr.'s Gullah Gullah Island, Ron & Natalie Daise, Sara's multidisciplinary approach builds on their continuous work of worldbuilding, archiving and affirming Black life.  Sara's acclaimed 2020 essay "Be Here Now: The South is a Portal", published in Root Work Journal, uplifts the South as a portal for Africana and Indigenous resistance and ways of knowing. Her debut book, Sankofa Shadow Work: Diaries of a Diasporic Diviner (2025), is a literary cosmogram blending memoir, public history, fabulation, and conjure. Following the life and death cycles of a queer Black Diviner, Griot, and Gatekeeper, the stories invite readers to explore their shadows, center pleasure, and heal backwards and forwards in the face of systemic terror. Purchase Sankofa Shadow Work: https://www.saramakeba.com/store/p/signed-copy-of-sankofa-shadow-workVisit Sara's Website: www.saramakeba.comFollow Sara on Substack: @saramakebaFollow the show on IG: @dreamingincolorpodFollow Nancey on IG @nanceybprice and TikTok @nanceybpriceMusic by Omar Faruque from Pixabay

David Kraemer is the author of a recent book entitled Embracing Exile: The Case for Jewish Diaspora, and the Joseph J. and Dora Abbell Librarian and Professor of Talmud and Rabbinics at the Jewish Theological Seminary. He joins Dan and Lex for a conversation that uses that book as a springboard into a conversation about diaspora and exile in the Jewish past, present, and future.Access full shownotes for this episode via this link. If you're enjoying Judaism Unbound, please help us keep things going with a one-time or monthly tax-deductible donation -- support Judaism Unbound by clicking here!Join the Judaism Unbound discord, where you can interact with fellow listeners all around the world, by heading to discord.judaismunbound.com. 

This week on Bad Queers, we've got company! Welcome Autumn Breon, multidisciplinary artist, abolitionist, and all-around visionary. Autumn uses performance, sculpture, and installation to explore Black queer feminist liberation, Diasporic memory, and the systems we're ready to leave behind.In this episode we discuss:- Autumn's journey from studying aeronautics at Stanford to becoming a queer Black feminist artist- How Diasporic memory, history, and imagination shape her creative process- Her performance piece Dignity Denied and what it means to use the body as an altar - Why queerness is not a hall pass for misogyny (and other Bad Queer Opinions)Plus: guilty pleasure crushes, Beyoncé queers being the best queers, and the rituals that fuel Autumn's art.Shoutouts: Kris: LaDarrion Williams is a Los Angeles based-playwright, filmmaker, author, and screenwriter and author of Blood at the Root and Bones at the Crossroads. This book series follows a Black teenager, Malik, who gets accepted into a magical HBCU and he goes there to learn about his ancestral magic and uncover dark secrets surrounding his mother's mysterious disappearance. The books are available to purchase now, you can follow LaDarrion on IG @itsladarrionShana: Bliss Sundays - Global ecosystem for queer women 25+ based out of Houston. They host a range of events from mixers that center queer women from all different spectrums. Recess events to parties and networking. Follow and support @blissxsundays Autumn: Repro Uncensored: A group at the intersection of art and technology who are fighting censorship. Follow @reprouncensoredEpisode Notes: 1:00 - Queer Urban Dictionary3:20 - Autumn Breon Introduction4:30 - Autumn Breon Interview 51:23 - Bad Queer Opinions1:03:56 - ShoutoutsShare your Am I A Bad Queer? hereSupport the showPATREON: patreon.com/BadQueersPodcast Subscribe to our Youtubehttps://www.youtube.com/@BadQueersPodcast The opinions expressed during this podcast are conversational in nature and expressed only for comedic purposes. Not all of the facts will be correct but we attempt to be as accurate as possible. BQ Media LLC, the hosts, nor any guest host(s) hold no liability over the conversations on this podcast and by using this podcast you understand that it is solely for entertainment purposes. Copyright Disclaimer: Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, parody, scholarship and research.

In this episode, we sit down with Sana Javeri Kadri, founder and CEO of Diaspora Co., the single-origin spice company reimagining what an equitable, decolonised spice trade can look like. Growing up in 90s Bombay in a mixed-heritage, progressive family, Sana witnessed firsthand the power of food and culture in shaping identity. After moving to the U.S., she uncovered the lack of transparency in the global spice trade and set out to change it; placing freshness, farmer equity, sustainability, and justice at the core of her mission.We explore Sana's story from Mumbai to California, her queer, progressive approach to leadership, the challenges and triumphs of building Diaspora Co., and why spices aren't just a garnish for special dishes, but the everyday backbone of our lives.(00:00) - Introducing Sana Javeri Kadri(00:55) - Sana's childhood and blended family roots(02:16) - Growing up mixed religion in 90s Bombay(06:16) - Bullying, queerness, privilege and ambition(10:15) - Diasporic nostalgia vs. modern India(12:18) - Sana's culture shock moving to the US(15:01) - Visual art, food politics and storytelling(18:40) - Realising the broken spice trade(20:08) - Why the origins of your spices matter(24:05) - Cancellation fears, female founders & transparency(26:05) - Co-opted language in the food industry(27:29) - Scaling Diaspora Co & measuring true impact(30:23) - Workers' equity & long-term growth goals(33:23) - Educating consumers without preaching(34:39) - Making spices more accessible(36:15) - Intentional vs. easy consumption & capitalism fatigue(37:16) - Balancing founder life, step-parenting & partnership(43:03) - Why Diaspora Co is inherently queer(46:01) - Storytelling and branding(47:02) - Climate change and regenerative farming (52:18) - Tariffs and challenges of scaling globally(53:33) - Diaspora Co expanding into Ocado & Whole Foods(55:14) - The Diaspora Co cookbook(56:31) - Branding, packaging and in-house design process(58:23) - What does Sana have strong game in?Find Diaspora Co on: https://www.diasporaco.com/ Mitali is wearing the Käma choker & Mango Slices by Surmeyi: https://surmeyi.com/To be the first to get updates on new episodes, please do give us a subscribe or follow!

Flamenco's haunting rhythms carry centuries of suppressed memories—the echoes of Spain's Jewish and Muslim communities, expelled and erased through centuries of ethnic cleansing. Yet somehow, these cultural memories persist through sound and verse, creating what poet Ben Meyerson calls "diasporic memory."In this conversation that spans continents and centuries, Meyerson takes us deep into the inspiration behind his collection "Seguirías," named after a flamenco form known for its mournful depth. "I was using it as a shorthand for diasporic memory," he explains, "for the recording of diasporic memory or itinerant memory in various ways." Through his poetry, Meyerson creates a powerful bridge between the experiences of Spain's persecuted minorities and his own Jewish identity in North America.The discussion moves effortlessly between practical craft considerations—like how to adapt flamenco's complex 12-beat rhythms into English verse—to profound questions about poetic subjectivity. Drawing from his academic work on medieval troubadour poetry, Meyerson offers a fascinating perspective: that subjectivity itself might be a formal choice rather than an authentic expression. "Choosing to be a subject in a poem is a choice," he argues, "it's not just something that we automatically do."We also explore the limitations of contemporary workshop culture, where poems focused on personal trauma can sometimes create a flattened social interior where readers are only invited to validate rather than engage. Throughout, Meyerson demonstrates how poetry can be both intellectually rigorous and emotionally affecting—challenging readers while still offering them a way into the experience.Whether you're fascinated by poetry's relationship to music, interested in cultural memory, or simply looking for fresh perspectives on the craft of writing, this conversation will leave you with new ways to think about how poetry preserves what history tries to erase. Discover how form becomes memory and memory becomes form in Ben Meyerson's remarkable work.Send us a text Musis by Bitterlake, Used with Permission, all rights to BitterlakeSupport the showCrew:Host: C. Derick VarnIntro and Outro Music by Bitter Lake.Intro Video Design: Jason MylesArt Design: Corn and C. Derick VarnLinks and Social Media:twitter: @varnvlogblue sky: @varnvlog.bsky.socialYou can find the additional streams on YoutubeCurrent Patreon at the Sponsor Tier: Jordan Sheldon, Mark J. Matthews, Lindsay Kimbrough, RedWolf, DRV, Kenneth McKee, JY Chan, Matthew Monahan, Parzival, Adriel Mixon

This episode stars Dr. Stacey Diane Arañez Litam (Patterns That Remain: A Guide to Healing for Asian Children for Immigrants). It was recorded in-person at the Fairfield Inn & Suites Chicago Downtown* in April 2025. *Please do ignore the occasional outside noise, unlike the host and guest, there were people actually working the day of the recording.  

Ryan Tucker Jones, History, and 2024–25 OHC Faculty Research Fellow. This interdisciplinary global history integrates the newest, exciting advances in whale science to reinterpret the last 500 years of human-cetacean relations. In the past decades, satellite tagging, drone footage, DNA analysis, and long-term behavioral studies have revealed whale lives in unprecedented detail. The newest cetacean science not only reveals ways that whales experienced this history, but also casts new light on the crucial global stories of colonization, industrialization, and the creation of a modern, interconnected world.

Forgive the sound problems on this. It took a couple of recordings, but in the end we cobbled together I show where you'll hear from MIke Robinson and Emma Foster joining myself to speak about The Story and The Engine. We look at the show's first trip to the continent, as well as Nigerian and diasporic culture.Episode Rating – 0:40Favourite Part – 0:57Least Favourite Part – 13:30The Episode's Use of Stories – 24:20Additional Observations – 34:12Episode MVP – 1:10:14Email – Analysingdoctorwho@gmail.comInstagram – analysingdwTikTok - @analysingdwYouTube - https://www.youtube.com/@AnalysingDoctorWho/communityThreads - analysingdwTwitter - @AnalysingDW

This episode begins with a reflection on this podcast project reaching its 50th episode. I share some additional background and future plans, including some of the symbolism behind the WAI logo. This episode introduces some ideas from the article, Indigeneity as a Post-Apocalyptic Genealogical Metaphor, which explores the metaphysics of indigeneity - Indigenous metaphysics through a global Indigenous consciousness. In conclusion, a diverse range of Indigenous experiences are presented in the constellation of Indigeneities identified as Elder/Local, Continental/Regional, Diasporic, Creole, Born-Again, Global/Trans-Indigenous, which are described in the artice, A Wīnak Perspective on Cosmovisíon Maya and Eco-Justice Education. Terms: Yamanik (Green Stone/Jade in K'iche'-Maya), Hoa/Soa (Partner/Companion – Pair in lea faka-Tonga and gagana Sāmoa). References mentioned or inspirational to this episode: ‘Tongan Hoa: Inseparable yet indispensable pairs/binaries', by Lear, Māhina-Tuai, Vaka, Ka'ili, & Māhina Pasifika Webinar Series: Signature Event featuring Dr. Tēvita O. Ka'ili The Polynesian Iconoclasm by Jeffrey Sissons Indigenous science (fiction) for the Anthropocene: Ancestral dystopias and fantasies of climate change crises by Kyle P. Whyte Naming, A Coming Home: Latinidad and Indigeneity in the Settler Colony by Flori Boj Lopez The Apocalypse of Settler Colonialism: The Roots of Slavery, White Supremacy, and Capitalism in Seventeenth-Century North America and the Caribbean by Gerald Horne The Black Shoals: Offshore Formations of Black and Native Studies by Tiffany Lethabo King The University and the Undercommons: Seven Theses by Fred Moten and Stefano Harney The Undercommons: Fugitive Planning & Black Study by Stefano Harney and Fred Moten The Empty Wagon: Zionism's journey from identity crisis to identity theft by Rabbi Yaakov Shapiro The Black Atlantic: Modernity and Double Consciousness by Paul Gilroy Creole Indigeneity: Between Myth and Nation in the Caribbean by Shona N. Jackson Sovereign Embodiment: Native Hawaiians and Expressions of Diasporic Kuleana by Kēhaulani Vaughn Trans-Indigenous: Methodologies for Global Native Literary Studies by Chadwick Allen

Join Crystal Wilkinson as she sits with Ebony Lumumba to discuss her national best-selling book, Praise Song for the Kitchen Ghosts: Stories and Recipes from Five Generations of Black Country Cooks. Crystal Wilkinson: Crystal Wilkinson is an acclaimed American author, poet, and educator known for her poignant and lyrical explorations of identity, family, and rural Black life in Appalachia.Host Ebony Lumumba: Ebony Lumumba is an English professor specializing in African American and Diasporic literature. Her work intersects education, activism, and literature, making her a vital voice in discussions on contemporary race, culture, and social progress. Hosted on Acast. See acast.com/privacy for more information.

Today on Speaking Out of Place we talk with Professor Persis Karim, co-producer and co-director of a new documentary film, The Dawn is Too Far: Stories of Iranian-American Life. She is joined by Roya Ahmadi, a student at Stanford who interned at the Center for Iranian Diaspora Studies at San Francisco State University and was part of the production team for the film. The film captures the lives of young Iranian-Americans who come to the San Francisco Bay Area around the time of the Iranian Revolution, and find themselves involved with, and helping to shape, a vibrant, international culture of politics and art. We talk about both the similarities and differences between those days and today—especially with regard to diasporic identity formation in different historical times, and the persistent need to resist racism and bigotry and act in solidarity with others. Persis Karim is the director of the Center for Iranian Diaspora Studies at San Francisco State University, where she also teaches in the Department of Humanities and Comparative and World Literature. Since 1999, she has been actively working to expand the field of Iranian Diaspora Studies, beginning with the first anthology of Iranian writing she co-edited, A World Between: Poems, Short Stories and Essays by Iranian-Americans. She is the editor of two other anthologies of Iranian diaspora literature: Let Me Tell You Where I've Been: New Writing by Women of the Iranian Diaspora, and Tremors: New Fiction by Iranian-American Writers. Before coming to San Francisco State, she was a professor of English & Comparative Literature at San Jose State where she was the founder and director of the Persian Studies program, and coordinator of the Middle East Studies Minor. She has published numerous articles about Iranian diaspora literature and culture for academic publications including Iranian Studies, Comparative Studies of South Asian, African and Middle East Studies (CSSAMES), and MELUS: Multi-Ethnic Literatures of the United States. “The Dawn is Too Far: Stories of Iranian-American Life,” is her first film project (co-directed and co-produced with Soumyaa Behrens). She received her Master's in Middle East Studies and her Ph.D. in Comparative Literature from UT Austin. She is also a poet.Roya Ahmadi is a senior at Stanford University studying Human Biology with a self-designed concentration in Southwest Asian and North African (SWANA) Women's Health and a minor in Interdisciplinary Arts. She is interested in Muslim and SWANA women's sexual and reproductive health and culturally/religiously sensitive pregnancy care. Roya is a co-chair for the Stanford Institute for Diversity in the Arts Undergraduate Fellowship and a video and sound installation artist who has presented work in group shows across the US. Roya interned for the Center for Iranian Diaspora Studies at SFSU for two summers when she was in high school; the Center has had a deep impact on her artwork and her identity as an Iranian-American.Trailer:https://vimeo.com/1002914645

In this episode, we speak to Rainbow Chan, a multifaceted artist whose work spans music, performance, and visual art. Born in Hong Kong and raised in Sydney, Rainbow's artistic journey is deeply rooted in her family's heritage and her experiences as a member of the Asian diaspora. Rainbow's creative process is a fascinating blend of traditional and contemporary elements. Her songwriting often explores themes of loss and healing, focusing on the complexities of diasporic experiences. One of Rainbow's most intriguing projects revolves around her Weitou ancestry, the first settlers of Hong Kong. She has been working on reimagining the Weitou bridal lament, a ritual where brides-to-be would express their grievances through song before marriage. This project not only showcases Rainbow's musical talents but also highlights her commitment to preserving and sharing her cultural heritage through performance art. Through her art, Rainbow amplifies the experiences of the diaspora, exploring themes of cultural representation, identity, and the interplay between tradition and modernity. Her work serves as a bridge between generations, bringing lesser-known aspects of Hong Kong culture to the forefront and engaging in a dialogue about the complexities of diasporic life.Get your tickets for The Bridal Lament hereRainbow Chan Offical Website

In this episode on Speaking Out of Place podcast Professor David Palumbo-Liu talks with Professor Persis Karim, co-producer and co-director of a new documentary film, The Dawn is Too Far: Stories of Iranian-American Life. She is joined by Roya Ahmadi, a student at Stanford who interned at the Center for Iranian Diaspora Studies at San Francisco State University and was part of the production team for the film. The film captures the lives of young Iranian-Americans who come to the San Francisco Bay Area around the time of the Iranian Revolution, and find themselves involved with, and helping to shape, a vibrant, international culture of politics and art. We talk about both the similarities and differences between those days and today—especially with regard to diasporic identity formation in different historical times, and the persistent need to resist racism and bigotry and act in solidarity with others.Persis Karim is the director of the Center for Iranian Diaspora Studies at San Francisco State University, where she also teaches in the Department of Humanities and Comparative and World Literature. Since 1999, she has been actively working to expand the field of Iranian Diaspora Studies, beginning with the first anthology of Iranian writing she co-edited, A World Between: Poems, Short Stories and Essays by Iranian-Americans. She is the editor of two other anthologies of Iranian diaspora literature: Let Me Tell You Where I've Been: New Writing by Women of the Iranian Diaspora, and Tremors: New Fiction by Iranian-American Writers. Before coming to San Francisco State, she was a professor of English & Comparative Literature at San Jose State where she was the founder and director of the Persian Studies program, and coordinator of the Middle East Studies Minor. She has published numerous articles about Iranian diaspora literature and culture for academic publications including Iranian Studies, Comparative Studies of South Asian, African and Middle East Studies (CSSAMES), and MELUS: Multi-Ethnic Literatures of the United States. “The Dawn is Too Far: Stories of Iranian-American Life,” is her first film project (co-directed and co-produced with Soumyaa Behrens). She received her Master's in Middle East Studies and her Ph.D. in Comparative Literature from UT Austin. She is also a poet.www.palumbo-liu.comhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place

In this episode on Speaking Out of Place podcast Professor David Palumbo-Liu talks with Professor Persis Karim, co-producer and co-director of a new documentary film, The Dawn is Too Far: Stories of Iranian-American Life. She is joined by Roya Ahmadi, a student at Stanford who interned at the Center for Iranian Diaspora Studies at San Francisco State University and was part of the production team for the film. The film captures the lives of young Iranian-Americans who come to the San Francisco Bay Area around the time of the Iranian Revolution, and find themselves involved with, and helping to shape, a vibrant, international culture of politics and art. We talk about both the similarities and differences between those days and today—especially with regard to diasporic identity formation in different historical times, and the persistent need to resist racism and bigotry and act in solidarity with others.Persis Karim is the director of the Center for Iranian Diaspora Studies at San Francisco State University, where she also teaches in the Department of Humanities and Comparative and World Literature. Since 1999, she has been actively working to expand the field of Iranian Diaspora Studies, beginning with the first anthology of Iranian writing she co-edited, A World Between: Poems, Short Stories and Essays by Iranian-Americans. She is the editor of two other anthologies of Iranian diaspora literature: Let Me Tell You Where I've Been: New Writing by Women of the Iranian Diaspora, and Tremors: New Fiction by Iranian-American Writers. Before coming to San Francisco State, she was a professor of English & Comparative Literature at San Jose State where she was the founder and director of the Persian Studies program, and coordinator of the Middle East Studies Minor. She has published numerous articles about Iranian diaspora literature and culture for academic publications including Iranian Studies, Comparative Studies of South Asian, African and Middle East Studies (CSSAMES), and MELUS: Multi-Ethnic Literatures of the United States. “The Dawn is Too Far: Stories of Iranian-American Life,” is her first film project (co-directed and co-produced with Soumyaa Behrens). She received her Master's in Middle East Studies and her Ph.D. in Comparative Literature from UT Austin. She is also a poet.www.palumbo-liu.comhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place

In this episode on Speaking Out of Place podcast Professor David Palumbo-Liu talks with Professor Persis Karim, co-producer and co-director of a new documentary film, The Dawn is Too Far: Stories of Iranian-American Life. She is joined by Roya Ahmadi, a student at Stanford who interned at the Center for Iranian Diaspora Studies at San Francisco State University and was part of the production team for the film. The film captures the lives of young Iranian-Americans who come to the San Francisco Bay Area around the time of the Iranian Revolution, and find themselves involved with, and helping to shape, a vibrant, international culture of politics and art. We talk about both the similarities and differences between those days and today—especially with regard to diasporic identity formation in different historical times, and the persistent need to resist racism and bigotry and act in solidarity with others.Persis Karim is the director of the Center for Iranian Diaspora Studies at San Francisco State University, where she also teaches in the Department of Humanities and Comparative and World Literature. Since 1999, she has been actively working to expand the field of Iranian Diaspora Studies, beginning with the first anthology of Iranian writing she co-edited, A World Between: Poems, Short Stories and Essays by Iranian-Americans. She is the editor of two other anthologies of Iranian diaspora literature: Let Me Tell You Where I've Been: New Writing by Women of the Iranian Diaspora, and Tremors: New Fiction by Iranian-American Writers. Before coming to San Francisco State, she was a professor of English & Comparative Literature at San Jose State where she was the founder and director of the Persian Studies program, and coordinator of the Middle East Studies Minor. She has published numerous articles about Iranian diaspora literature and culture for academic publications including Iranian Studies, Comparative Studies of South Asian, African and Middle East Studies (CSSAMES), and MELUS: Multi-Ethnic Literatures of the United States. “The Dawn is Too Far: Stories of Iranian-American Life,” is her first film project (co-directed and co-produced with Soumyaa Behrens). She received her Master's in Middle East Studies and her Ph.D. in Comparative Literature from UT Austin. She is also a poet.www.palumbo-liu.comhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place

In this episode on Speaking Out of Place podcast Professor David Palumbo-Liu talks with Professor Persis Karim, co-producer and co-director of a new documentary film, The Dawn is Too Far: Stories of Iranian-American Life. She is joined by Roya Ahmadi, a student at Stanford who interned at the Center for Iranian Diaspora Studies at San Francisco State University and was part of the production team for the film. The film captures the lives of young Iranian-Americans who come to the San Francisco Bay Area around the time of the Iranian Revolution, and find themselves involved with, and helping to shape, a vibrant, international culture of politics and art. We talk about both the similarities and differences between those days and today—especially with regard to diasporic identity formation in different historical times, and the persistent need to resist racism and bigotry and act in solidarity with others.Persis Karim is the director of the Center for Iranian Diaspora Studies at San Francisco State University, where she also teaches in the Department of Humanities and Comparative and World Literature. Since 1999, she has been actively working to expand the field of Iranian Diaspora Studies, beginning with the first anthology of Iranian writing she co-edited, A World Between: Poems, Short Stories and Essays by Iranian-Americans. She is the editor of two other anthologies of Iranian diaspora literature: Let Me Tell You Where I've Been: New Writing by Women of the Iranian Diaspora, and Tremors: New Fiction by Iranian-American Writers. Before coming to San Francisco State, she was a professor of English & Comparative Literature at San Jose State where she was the founder and director of the Persian Studies program, and coordinator of the Middle East Studies Minor. She has published numerous articles about Iranian diaspora literature and culture for academic publications including Iranian Studies, Comparative Studies of South Asian, African and Middle East Studies (CSSAMES), and MELUS: Multi-Ethnic Literatures of the United States. “The Dawn is Too Far: Stories of Iranian-American Life,” is her first film project (co-directed and co-produced with Soumyaa Behrens). She received her Master's in Middle East Studies and her Ph.D. in Comparative Literature from UT Austin. She is also a poet.www.palumbo-liu.comhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place

In this music show on arts24, Jennifer Ben Brahim is joined on set by American-Haitian multi-instrumentalist Leyla McCalla. She's on tour with her fifth studio album “Sun Without the Heat”. It blends sounds from the diaspora – Afrobeat, Ethiopian modalities, Brazilian tropicalism, folk and American blues. The title of the record is a reference to a 1857 Frederick Douglass speech made six years before the Emancipation Proclamation. The songs on the record juxtapose grief and joy and despite being released in the spring, it reflects the current mood in the aftermath of the US presidential election.

In this episode of Black Her Stories, Michaela Ayers reconnects with Chef Franchesca Lamarre. Together, they host an intimate backyard dinner party where food rituals and lineage intertwine. From her roots in Haitian traditions to her bold experimentation with Black American flavors, Fran takes us on a journey through food that honors her ancestors and connects her to her community.  Links and Resources: Episode Sponsor: The FBomb Breakfast Club is badass peer support network where women and gender-diverse business leaders come together to laugh, learn, and share recipes for success.  Join the FBomb community (@fbombbreakfastclub) to gain access to monthly meetings, accountability groups and business resources. Blow up the ordinary on f-bomb at a time. Follow that Fran  Keep up with Fran (@franchescalamarre) to stay up to date on her food pop-ups (@ayitispaghetti) book clubs (@thisisthepeoplesbookclub), and so much more! Learn More About Feed'em Freedom Growers: Explore the work of Myrtle Thompson and Feed'em Freedom Growers (@feedemfreedomgrowers), the Detroit-based farming community featured in the dinner.  BHS Newsletter

This episode of Black Her Stories celebrates our maternal connections through food and the sisterhood between chefs Franchescha Lamarre and Mariya Moore Russell. Both women allow us to tag along their journeys through the culinary world and their commitment to preserving Black food traditions. Tune in for a delicious conversation about food, family, and the care of cooking. Links and Resources: Instagram

Notes and Links to Christina Cooke's Work      For Episode 247, Pete welcomes Christina Cooke, and the two discuss, among other topics, her childhood love of books, formative and transformative books and writers, contemporaries and fellow debut writers with whom her books are in conversation, the outsized influence of Mamá Lou, and salient themes and issues in her book like diaspora, notions of “home,” queerness and divinity, brotherly and sisterly relationships, and religiosity vs. spirituality.      Christina Cooke's writing has appeared in or is forthcoming from The Caribbean Writer, PRISM International, Prairie Schooner, Apogee, Epiphany, Michigan Quarterly Review, Lambda Literary Review, and others. A MacDowell Fellow and Journey Prize winner, she holds a Master of Arts from the University of New Brunswick and a Master of Fine Arts from the Iowa Writers' Workshop. Christina was born in Jamaica and is now a Canadian citizen who lives and writes in New York City. BROUGHTUPSY is her debut novel.   Buy Broughtupsy   Christina Cooke's Website   Article in Vogue about Broughtupsy At about 1:40, Pete and Christina talk about a top-notch fruit mentioned in her book At about 4:00, Pete highlights an amazing version of the book that he received  At about 5:15, Christina talks about her rich childhood reading life At about 8:20, Christina shouts out Mrs. Dooley, an inspiring teacher At about 11:30, Christina cites books that made a huge impact on how she writes, including Handmaid's Tale At about 13:20, Pete wonders which books and writers “are in conversation” with Christina and her work, and she mentions Ruben Reyes, Jr., Santiago José Sánchez, Melissa Mogollon, Emma Copley, Lisa Ko, Annie Liontas, Miss Lou, Zadie Smith, and Erna Brodber At about 17:00, Christina talks about why she calls Jamaican patois a language, and its distinctive nature, and she tells about a fun difference between #3/#6 mango At about 18:45, Christina dissects the meanings of the book's title At about 19:45, The two discuss a Jamaican original word At about 20:40, Christina discusses seeds for the book and its iterations  At about 23:50, The two discuss the book's epigraph and Christina describes its provenance/significance  At about 28:00, Pete lays out the book's exposition and Christina gives background on sickle cell anemia, which is deadly to Bryson At about 30:30, Christina discusses Bryson's memories and wise maturity in his last days At about 33:25, Christina remarks on the “fable” told to reassure Bryson that his sister Tamika would be visiting-she cites “the complicated ways that we love” At about 35:10, Christina talks about a possibly-doomed relationship At about 37:20, Christina details how the book complicates religiosity and queerness' connections At about 40:35, Christina describes Akua “spiraling” in making a trip back home to Jamaica  At about 42:30, Akua and her “Americanness” in Jamaica is discussed, and Christina talks about parallels in her own life At about 45:40, An uncomfortable visit and questions between the sisters is discussed At about 46:30, Cod liver oil and a scene involving its destruction is recounted by Christina as she discusses its connection to Jamaican parenting in a certain time period At about 49:10, Christina responds to Pete's question about why Akua carries her brother's urn At about 51:40, Christina talks about Jamaicans being “culturally Anglican” and its complexities At about 53:20-Lady Saw and her legendaries and an early encounter with Akua and a woman in Kingston is recounted At about 57:20, Christina talks about “lyme” and its usage in the book and in Jamaica  At about 1:00:10, Christina charts the importance of The Miss Lou “Happy Birthday Song” in the book and in Jamaica and the Jamaican diaspora At about 1:01:45, Christina responds to Pete's questions about the ways in which Akua's father treats her and her homosexuality-Christina speaks to the idea of “infantilizing”  At about 1:06:00, Café con Libros, Word Up, and Bookshop.org are shouted out as good places to buy her book and she gives contact information/social media information At about 1:06:55, Christina shares wonderful feedback from readers      You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.    I am very excited about having one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. A big thanks to Rachel León and Michael Welch at Chicago Review.    Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl     Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!       This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 248 with Katya Apekina, a novelist, screenwriter and translator; her novel, The Deeper the Water the Uglier the Fish, was named a Best Book of 2018 by Buzzfeed, LitHub, and more and finalist for the LA Times Book Prize; Mother Doll, was named a Best Book So Far of 2024 by Vogue    The episode will go live on August 16.    Lastly, please go to https://ceasefiretoday.com/, which features 10+ actions to help bring about Ceasefire in Gaza.  

The Experiences of Diasporic Female Muay Thai Fighters, by Emily Dobrich (University of Toronto). Talk given at the 2024 Martial Arts Studies Conference at Cardiff University.

Diasporic Care: We Show Up for Each OtherWelcome to Part 1 of 2 of this live recording from our Crosspollination community block party series. This event took place on June 8th, 2024. This episode features our opening prayer with Dr. Uzo Nwankpa, & the beginning of our speakers panel, featuring the brilliant hearts & minds of:Sarah O'Neal, Oakland-based poet & organizerLubna Morrar, Palestinian Feminist CollectiveAnt Lorenzo, Liyang NetworkMansi, ASATA (Alliance of South Asians Taking Action)Jesse Strauss, IJAN (International Jewish Anti-Zionist Network)Mira Stern, JVP Bay Area & EducatorWhat we get into throughout these two episodes: How do we take care of us? What practices sustain us in these challenging times?What wisdoms are we drawing from to strengthen each other & our movements? How are we engaging in a diversity of tactics? For many of us, as we show up for each other here in Huchiun, we are also caring for our communities in our motherlands. We know all land is connected, all waters are connected. Like seeds, we know the power of diaspora, the potency of biodiversity to nourish & create liberatory ecosystems, never forgetting where we come from. From Huchiun to Palestine, from the Philippines to Mexico, we honor our interconnectedness across borders.Gratitude to We Rise Advisor, teaching artist & theater worker Tierra Allen for MCing this event. If you feel nourished by this work, please share it! And if you're able, please support We Rise by contributing via Patreon or PayPal. We'd love to hear from you! Reach out at WeRiseProduction@protonmail.com.

Fabi Reyna is a Portland-based guitarist and songwriter and is also the founder of She Shreds Media, which is dedicated to empowering women and non-binary guitarists and bassists. Reyna is now out with a new album under her artist name, Reyna Tropical. The album is called 'Malegria.' KEXP's Albina Cabrera caught up with Reyna to learn more about the inspiration behind the album, how it explores the Latinx diaspora and identity, and about Reyna's musical partner, Nectali "Sumohair" Díaz, who passed away during the making of the album.Support the show: https://www.kexp.org/sound/See omnystudio.com/listener for privacy information.

This week's episode is an interview with Remy Siu, the creative director of the recently released 1000xRESIST. It's a phenomenally good game that pushes video game storytelling forward in several interesting ways. Our discussion touched on games-as-art, diasporic narratives, working through Covid, the origins of "hekki", hooking up with Fellow Traveller, the incredible player and critical response, and lots more. Thanks to Remy for coming on, and enjoy the show! Links & Stuff Support this podcast on Patreon: ⁠http://patreon.com/gaminginthewild⁠ Say hi on on social media: http://linktr.ee/gaminginthewild Follow the show's YouTube channel for more: ⁠http://youtube.com/gaminginthewild⁠ Steam curator page maintained by pod patron Dovetail: ⁠⁠https://store.steampowered.com/curator/43457463-Gaming-in-the-Wild-%2528unofficial%2529 Articles mentioned in the show: Natalie Flores for Paste: https://www.pastemagazine.com/games/1000xresist/insist-on-1000xresist-one-of-2024s-best-new-games Cohost article by Kastelpls: https://cohost.org/highimpactsex/post/5960606-1000x-resist-is-a-gam

Welcome to the Institute of Black Imagination podcast, beaming in conversations from the galaxy of Black genius. I am your host, Dario. Today, we're excited to introduce Olalekan Jeyifous, an innovative artist and architect whose world-building practice reimaginations the relationship between community, urbanity, nature, and time; It's very much giving Main Character Energy, and citizens of the Black Atlantic take centerstage.In today's conversation, Olalekan and I discuss how architecture alone is rarely sufficient in solving problems in the urban landscape, we reimagine what the continent of Africa COULD have looked like if colonial powers were expelled post-independence, and Lek challenges conventional notions of beauty and success in architecture and why storefront churches and bodegas deserve a shoutout. Connect with us on Twitter and Instagram @blackimagination, subscribe to our newsletter for updates, and support the show by clicking this support link. and explore more content on blackimagination.com. And now, take a breath, as we take a ride with artist and architect Olalekan Jeyifous.Key LinksLebbeus Woods - American architect and artistSilver Lion - an annual award presented for best directing achievements in a feature film at official competition section of the Venice Film Festival since 1998.Saul Williams - American singer-songwriter and musicianThe Apocryphal Gospel of Oakland- A discussion between artist, Olalekan Jeyifous and UC Berkeley assistant professor of Geography, Dr. Brandi T. Summers on the generative power of collaboration and the potential for speculative architecture as a means to develop comprehensive constructions of urban Utopias/Dystopias that engage with a variety of social, political, and environmental realities.Black Reconstruction Collective -American architecture collectiveBlack Quantum Futurism - A literary and artistic collectiveAmanda Williams - Visual ArtistJustin Garrett Moore- a transdisciplinary designer and urbanist.Torkwase Dyson - Interdisciplinary artistNorma Merrick Sklarek - American architectGrace Wales Bonner - London-based designerVenice Biennale - an international cultural exhibition hosted annually in Venice,...

NEW Co-Host: Reverend Dana TakagiDana (she/her) is a retired professor of Sociology and also a zen priest. She spent 33 years teaching sociology and Asian Am history at UC Santa Cruz, she is a past president of the Association for Asian American Studies.  Zen practice since 1998. Check out more of Dana's work:2022: Sutra and Bible: an Interview with Duncan Ryūken Williams2020: Most Intimate, Ordinary Way, Recollections of Katherine Thanas  (co-eds. with Eugene Bush; 2nd printing 2022)Mentioned in the episode, her 1993 book on affirmative action: "The Retreat from Race: Asian American Admissions and Racial Politics"https://danatakagizenlife.squarespace.com/Season 3 description:This season, we will have a new focus: Uplifting and Forwarding Asian American/Asian Diasporic Buddhist Experiences in the West.With our guests and audience, we will explore the specificities of Asian American/Asian Diasporic experiences.  We take as given that there are generational differences (hence the historical moment matters!) and we hope to also delve into Asian family norms and values, our inchoate understanding of ancestor worship, issues of identity, representation, stereotypes about sexuality and sexual identity,  and Asian American depression.   A theme we'll be using to help guide our conversations is The Disquiet - a term we are adapting from writer/poet Fernando Pessoa (The Book of Disquiet) - which in our view signals a complex recognition of self, mind, and body.  The evidence for the foregoing includes scholarly research indexed in aggregate statistics on depression, youth suicide, and other issues in immigrant or first-generation families. While Asian Americans are not alone in experiencing trauma, the racial languages and discourses of othering are different for us than for other groups.    What do we hope is the outcome of this podcast?  Our first aim is to give voice to the range and depth of Buddhism in Asian and Asian American generations.  We hope that in doing so, we help to shine a light on the limited or myopic envisioning of race in primarily white sanghas. Asian and Asian American diasporic truths about practice are a teaching for contemporary dharma organizations and centers. We recognize the depth and range of Asian and Asian Diasporic Buddhists is a wisdom mirror for organized Buddhism in the West.  Co-Host: REV. LIÊN SHUTT (she/they) is a recognized leader in the movement that breaks through the wall of American white-centered convert Buddhism to welcome people of all backgrounds into a contemporary, engaged Buddhism. As an ordained Zen priest, licensed social worker, and longtime educator/teacher of Buddhism, Shutt represents new leadership at the nexus of spirituality and social justice, offering a special warm welcome to Asian Americans, all BIPOC, LGBTQIA+, immigrants, and those seeking a “home” in the midst of North American society's reckoning around racism, sexism, homophobia, and xenophobia. Shutt is a founder of Access to Zen (2014). You can learn more about her work at AccessToZen.org. Her new book, Home is Here: Practicing Antiracism with the Engaged Eightfold Path. See all her offerings at EVENTSReach out to us at:   info.access2zen@gmail.com

In this week's episode, I'm in conversation with Sophia Ali Khan, activist, public interest lawyer, and Canadian-based author of *A Good Country: My Life in Twelve Town and the Devastating Battle for a White America*. We talked about a wide range of things, playing with the intersection of activism and spiritualit: from the current genocide (do we take the first flight out to Rafah?) to resonance with our ancestral homeland (what is embedded in our DNA that signals we are home?); from balancing being a mom with activism (how does one guide one's children through the practices of fasting during Ramadan?) to what true spirituality and faith look like. (Hint: It's not all white flowing robes and kumbaya). Come along with us on this meandering road of understanding what our role might be in this life as a human during this particular moment in time. Listen in today! About Sofia Ali-Khan: Sofia Ali-Khan is an anti-racist storyteller, author, and public interest lawyer. Her book, A Good Country: My Life in Twelve Towns and the Devastating Battle for a White America was published by Random House in 2022 and won the 2023 Nautilus Gold Book Award for Social Justice. Writing at the intersection of politics, race, history, and Muslim America, her essays have appeared in the Los Angeles Times, TIME Magazine, the Chicago Tribune, and other publications, earning her a Pushcart Prize nomination in 2022. She has appeared as a featured storyteller on The Moth's Mainstage in Boston and Philadelphia and at the Manhattan Public Theater. Sofia lives in Ontario, Canada with her husband, kids and cat, and is presently at work on her first novel with the generous support of the Canada Council for the Arts.  =============== Today's poems/ Books mentioned: Oracle card: The Queen of Swords Poem: “Please Stop” by Sophia Ali Khan ===============  Courses / Exclusive Content / Book Mentioned: Subscribe to “Adventures in Midlife” newsletter: leslieann.substack.com Instagram: @leslieannhobayan  Email: leslieann@suryagian.com Sophia Ali Khan https://www.sofiaalikhan.com/ https://www.instagram.com/sofia_alikhan/

Grammy-nominated percussionist, recording artist and educator Michael Spiro joins Rebecca to speak about his apprenticeship in Matanzas with masters of Afro-Cuban folkloric drumming, differences in drumming styles between Havana and Matanzas, and his innovative recordings, which fuse batá drumming with other Afro-diasporic traditions, such as Brazilian samba, Candomblé, and Zimbabwean mbira music. Songs played:Inspiración a Santiago, Los Muñequitos de MatanzasPara Clave y Guaguancó, Clave y GuaguancóOsain, Michael Spiro & guestsButsu Mutandari/Iyesa, Michael Spiro & guestsMaracambique, Michael Spiro, Joe Galvin & guestsStardust (El Encanto), Michael Spiro,Wayne Wallace & guestsSupport the showIf you like this podcast, please subscribe and give us a 5-star rating on Apple PodcastsFollow The Clave Chronicles on Twitter, Instagram, and Facebook @clavechronicleshttps://theclavechronicles.buzzsprout.comIntro and outro music: "Bengo Latino," Jimmy Fontanez/Media Right Productions

Ben Rogaly, a Professor of Human Geography at the Centre for Migration Research at the University of Sussex in Brighton, England, joins Zach today to speak about urban geography, music, migration and diaspora, as well as the recent and ongoing Jewish left organising in Britain!Notes:Prof. Ben Rogaly: profiles.sussex.ac.uk/p28173-ben-rogalyMoushumi Bhowmik: thetravellingarchive.orgen.wikipedia.org/wiki/Moushumi_BhowmikBen and Moushumi's article: journals.sagepub.com/doi/full/10.1177/00380261231152039#fn1-00380261231152039"Workers": creativeinterruptions.net/commissions/workers/Jewish Solidarity with Palestine Webinar w/ Prof. Rogaly: youtu.be/UCHB4hG-YYs?si=jetQeAKm6iah8qLwPatreon: patreon.com/TheJewishDiasporistYouTube: youtube.com/@JewishDiasporistMakingMenschesInstagram: instagram.com/thejewishdiasporistpod/Endless Gratitude to Joe Dobkin for allowing us to use his song "Falndike Vent":youtube.com/watch?v=BCBELp1ZG7E

Festival of the Diaspora is a global convener of talent, ideas and solutions. In this episode,  Adam Torres and Cordell Carter, Founder of Festival of the Diaspora and Founding Executive Director of The Aspen Institute Project on Belonging, explore the evolution of Festival of the Diaspora and what its community can expect. Follow Adam on Instagram at https://www.instagram.com/askadamtorres/ for up to date information on book releases and tour schedule.Apply to be a guest on our podcast:https://missionmatters.lpages.co/podcastguest/Visit our website:https://missionmatters.com/Support the showMore FREE content from Mission Matters here: https://linktr.ee/missionmattersmedia

Today I talked to Wayne Soon about his book Global Medicine in China: A Diasporic History (Stanford UP, 2020). In 1938, one year into the Second Sino-Japanese War, the Chinese military found itself in dire medical straits. Soldiers were suffering from deadly illnesses, and were unable to receive blood transfusions for their wounds. The urgent need for medical assistance prompted an unprecedented flowering of scientific knowledge in China and Taiwan throughout the twentieth century. Wayne Soon draws on archives from three continents to argue that Overseas Chinese were key to this development, utilizing their global connections and diasporic links to procure much-needed money, supplies, and medical expertise. The remarkable expansion of care and education that they spurred saved more than four million lives and trained more than fifteen thousand medical personnel. Moreover, the introduction of military medicine shifted biomedicine out of elite, urban civilian institutions and laboratories and transformed it into an adaptive field-based practice for all. Universal care, practical medical education, and mobile medicine are all lasting legacies of this effort. Wayne Soon is an Associate Professor in the Program of the History of Medicine in the Department of Surgery and the Program of History of Science, Medicine, and Technology at the University of Minnesota. Dr. Soon is a historian of medicine as well as modern China and Taiwan, with an interest in how international ideas and practices of medicine, institutional building, and diaspora have shaped Chinese East Asia's interaction with its people and the world in the twentieth century. He has published scholarly articles in Bulletin of the History of Medicine, Twentieth Century China, American Journal of Chinese Studies, and East Asian Science, Technology and Society: An International Journal. Li-Ping Chen is a teaching fellow in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Today I talked to Wayne Soon about his book Global Medicine in China: A Diasporic History (Stanford UP, 2020). In 1938, one year into the Second Sino-Japanese War, the Chinese military found itself in dire medical straits. Soldiers were suffering from deadly illnesses, and were unable to receive blood transfusions for their wounds. The urgent need for medical assistance prompted an unprecedented flowering of scientific knowledge in China and Taiwan throughout the twentieth century. Wayne Soon draws on archives from three continents to argue that Overseas Chinese were key to this development, utilizing their global connections and diasporic links to procure much-needed money, supplies, and medical expertise. The remarkable expansion of care and education that they spurred saved more than four million lives and trained more than fifteen thousand medical personnel. Moreover, the introduction of military medicine shifted biomedicine out of elite, urban civilian institutions and laboratories and transformed it into an adaptive field-based practice for all. Universal care, practical medical education, and mobile medicine are all lasting legacies of this effort. Wayne Soon is an Associate Professor in the Program of the History of Medicine in the Department of Surgery and the Program of History of Science, Medicine, and Technology at the University of Minnesota. Dr. Soon is a historian of medicine as well as modern China and Taiwan, with an interest in how international ideas and practices of medicine, institutional building, and diaspora have shaped Chinese East Asia's interaction with its people and the world in the twentieth century. He has published scholarly articles in Bulletin of the History of Medicine, Twentieth Century China, American Journal of Chinese Studies, and East Asian Science, Technology and Society: An International Journal. Li-Ping Chen is a teaching fellow in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Today I talked to Wayne Soon about his book Global Medicine in China: A Diasporic History (Stanford UP, 2020). In 1938, one year into the Second Sino-Japanese War, the Chinese military found itself in dire medical straits. Soldiers were suffering from deadly illnesses, and were unable to receive blood transfusions for their wounds. The urgent need for medical assistance prompted an unprecedented flowering of scientific knowledge in China and Taiwan throughout the twentieth century. Wayne Soon draws on archives from three continents to argue that Overseas Chinese were key to this development, utilizing their global connections and diasporic links to procure much-needed money, supplies, and medical expertise. The remarkable expansion of care and education that they spurred saved more than four million lives and trained more than fifteen thousand medical personnel. Moreover, the introduction of military medicine shifted biomedicine out of elite, urban civilian institutions and laboratories and transformed it into an adaptive field-based practice for all. Universal care, practical medical education, and mobile medicine are all lasting legacies of this effort. Wayne Soon is an Associate Professor in the Program of the History of Medicine in the Department of Surgery and the Program of History of Science, Medicine, and Technology at the University of Minnesota. Dr. Soon is a historian of medicine as well as modern China and Taiwan, with an interest in how international ideas and practices of medicine, institutional building, and diaspora have shaped Chinese East Asia's interaction with its people and the world in the twentieth century. He has published scholarly articles in Bulletin of the History of Medicine, Twentieth Century China, American Journal of Chinese Studies, and East Asian Science, Technology and Society: An International Journal. Li-Ping Chen is a teaching fellow in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Today I talked to Wayne Soon about his book Global Medicine in China: A Diasporic History (Stanford UP, 2020). In 1938, one year into the Second Sino-Japanese War, the Chinese military found itself in dire medical straits. Soldiers were suffering from deadly illnesses, and were unable to receive blood transfusions for their wounds. The urgent need for medical assistance prompted an unprecedented flowering of scientific knowledge in China and Taiwan throughout the twentieth century. Wayne Soon draws on archives from three continents to argue that Overseas Chinese were key to this development, utilizing their global connections and diasporic links to procure much-needed money, supplies, and medical expertise. The remarkable expansion of care and education that they spurred saved more than four million lives and trained more than fifteen thousand medical personnel. Moreover, the introduction of military medicine shifted biomedicine out of elite, urban civilian institutions and laboratories and transformed it into an adaptive field-based practice for all. Universal care, practical medical education, and mobile medicine are all lasting legacies of this effort. Wayne Soon is an Associate Professor in the Program of the History of Medicine in the Department of Surgery and the Program of History of Science, Medicine, and Technology at the University of Minnesota. Dr. Soon is a historian of medicine as well as modern China and Taiwan, with an interest in how international ideas and practices of medicine, institutional building, and diaspora have shaped Chinese East Asia's interaction with its people and the world in the twentieth century. He has published scholarly articles in Bulletin of the History of Medicine, Twentieth Century China, American Journal of Chinese Studies, and East Asian Science, Technology and Society: An International Journal. Li-Ping Chen is a teaching fellow in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

Today I talked to Wayne Soon about his book Global Medicine in China: A Diasporic History (Stanford UP, 2020). In 1938, one year into the Second Sino-Japanese War, the Chinese military found itself in dire medical straits. Soldiers were suffering from deadly illnesses, and were unable to receive blood transfusions for their wounds. The urgent need for medical assistance prompted an unprecedented flowering of scientific knowledge in China and Taiwan throughout the twentieth century. Wayne Soon draws on archives from three continents to argue that Overseas Chinese were key to this development, utilizing their global connections and diasporic links to procure much-needed money, supplies, and medical expertise. The remarkable expansion of care and education that they spurred saved more than four million lives and trained more than fifteen thousand medical personnel. Moreover, the introduction of military medicine shifted biomedicine out of elite, urban civilian institutions and laboratories and transformed it into an adaptive field-based practice for all. Universal care, practical medical education, and mobile medicine are all lasting legacies of this effort. Wayne Soon is an Associate Professor in the Program of the History of Medicine in the Department of Surgery and the Program of History of Science, Medicine, and Technology at the University of Minnesota. Dr. Soon is a historian of medicine as well as modern China and Taiwan, with an interest in how international ideas and practices of medicine, institutional building, and diaspora have shaped Chinese East Asia's interaction with its people and the world in the twentieth century. He has published scholarly articles in Bulletin of the History of Medicine, Twentieth Century China, American Journal of Chinese Studies, and East Asian Science, Technology and Society: An International Journal. Li-Ping Chen is a teaching fellow in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/medicine

The Cambodian Civil War and genocide of the late 1960s and '70s left the country and its diaspora with long-lasting trauma that continues to reverberate through the community. In Cambodian Evangelicalism: Cosmological Hope and Diasporic Resilience (Pennsylvania State UP, 2023), Briana L. Wong explores the compelling stories of Cambodian evangelicals, their process of conversion, and how their testimonials to the Christian faith helped them to make sense of and find purpose in their trauma. Based on ethnographic fieldwork with Cambodian communities in the metropolitan areas of Philadelphia, Los Angeles, Paris, and Phnom Penh, Wong examines questions of religious identity and the search for meaning within the context of transnational Cambodian evangelicalism. While the community has grown in recent decades, Christians nevertheless make up a small minority of the predominantly Buddhist diaspora. Wong explores what it is about Christianity that makes these converts willing to risk their social standing, familial bonds, and, in certain cases, physical safety in order to identify with the faith. Contributing to ongoing dialogues on conversion, reverse mission, and multiple religious belonging, this book will appeal to students and scholars of world Christianity, missiology, and the history of Christianity, as well as Southeast Asian studies, secular sociologies, and anthropologists operating within the field of religious studies. Byung Ho Choi is a Ph.D. candidate in the Department of History and Ecumenics, with a concentration in World Christianity and history of religions at Princeton Theological Seminary. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Cambodian Civil War and genocide of the late 1960s and '70s left the country and its diaspora with long-lasting trauma that continues to reverberate through the community. In Cambodian Evangelicalism: Cosmological Hope and Diasporic Resilience (Pennsylvania State UP, 2023), Briana L. Wong explores the compelling stories of Cambodian evangelicals, their process of conversion, and how their testimonials to the Christian faith helped them to make sense of and find purpose in their trauma. Based on ethnographic fieldwork with Cambodian communities in the metropolitan areas of Philadelphia, Los Angeles, Paris, and Phnom Penh, Wong examines questions of religious identity and the search for meaning within the context of transnational Cambodian evangelicalism. While the community has grown in recent decades, Christians nevertheless make up a small minority of the predominantly Buddhist diaspora. Wong explores what it is about Christianity that makes these converts willing to risk their social standing, familial bonds, and, in certain cases, physical safety in order to identify with the faith. Contributing to ongoing dialogues on conversion, reverse mission, and multiple religious belonging, this book will appeal to students and scholars of world Christianity, missiology, and the history of Christianity, as well as Southeast Asian studies, secular sociologies, and anthropologists operating within the field of religious studies. Byung Ho Choi is a Ph.D. candidate in the Department of History and Ecumenics, with a concentration in World Christianity and history of religions at Princeton Theological Seminary. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

The Cambodian Civil War and genocide of the late 1960s and '70s left the country and its diaspora with long-lasting trauma that continues to reverberate through the community. In Cambodian Evangelicalism: Cosmological Hope and Diasporic Resilience (Pennsylvania State UP, 2023), Briana L. Wong explores the compelling stories of Cambodian evangelicals, their process of conversion, and how their testimonials to the Christian faith helped them to make sense of and find purpose in their trauma. Based on ethnographic fieldwork with Cambodian communities in the metropolitan areas of Philadelphia, Los Angeles, Paris, and Phnom Penh, Wong examines questions of religious identity and the search for meaning within the context of transnational Cambodian evangelicalism. While the community has grown in recent decades, Christians nevertheless make up a small minority of the predominantly Buddhist diaspora. Wong explores what it is about Christianity that makes these converts willing to risk their social standing, familial bonds, and, in certain cases, physical safety in order to identify with the faith. Contributing to ongoing dialogues on conversion, reverse mission, and multiple religious belonging, this book will appeal to students and scholars of world Christianity, missiology, and the history of Christianity, as well as Southeast Asian studies, secular sociologies, and anthropologists operating within the field of religious studies. Byung Ho Choi is a Ph.D. candidate in the Department of History and Ecumenics, with a concentration in World Christianity and history of religions at Princeton Theological Seminary. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/southeast-asian-studies

As London Fashion Week kicks off, BoF founder and editor-in-chief Imran Amed sits down with four London-based creative talents to explore how the city's rich creative scene stems from its unique cultural diversity and the sense of community and collaboration this provides.Background: With over 300 languages spoken within its city limits — more than any other metropolis — London has cemented its place among the world's most global cities. This has boosted its reputation not only as a creative hub, but also as a source of inspiration for creatives around the world working in sectors from fashion and media to music and art.“London has a rich Diasporic culture, and it's where… you have the opportunity to build a community around you,” says fashion designer Jawara Alleyne. “London, being such a vast city, gives that space [for] these multiple different cultures that are existing on top of each other and inspiring each other and feeding off of each other.”This week on The BoF Podcast, BoF founder and editor-in-chief Imran Amed chats with four exciting Londoners shaping the city's creative scene.Alleyne joins conceptual artist Amber Pinkerton, musician Bradley Miller and Dazed editorial director Kacion Mayers to discuss their experiences of living, working and creating in London and to hear their advice for other creatives looking for their big break. Key Insights:London's history of thriving subcultures has helped create an inclusive community spirit, says Alleyne, where “the people around you actually have a shared experience that you can amplify. You're no longer just speaking for yourself, you're speaking for all of the other groups of people who feel the same way that you feel.”Creatives starting out in London should channel their inner courage, says Pinkerton. “Don't be afraid to approach people or bother them… not being afraid to ask for advice, not being afraid to also get… feedback or criticism about things,” she says. Boldness alone isn't enough, Mayers believes. “You need to really find your community, hone in on that and just work with each other and build on each other and create with each other and stay true to what you want to communicate and what you want to create,” he says. Mayers added that his own London community is a frequent reference in his work. “I always want to reflect back to the community. I always want people to open Dazed and… see things that they can recognise and see things that's aspirational… And I think that's key to a lot of people's success, just being able to reflect a reality,” he says. Miller believes the industries that hindered creatives of colour in the past need to change if they want to remain relevant. “These systems and infrastructures… have to adapt to what we're [industry creatives of colour] doing because this is what's happening right now. For them to be relevant or seem to be functioning, they have to [provide] support in these things that are happening in their city,” says Miller. Additional Resources:Meet the Creative Agency Behind Those Viral Dazed Covers: New School, a agency out of London reps a fast-rising group of tight-knit creatives, including members of the teams behind last fall's Dazed covers featuring Rihanna and Harry Styles, campaigns for Apple and Klarna, and a show for Thebe Magugu. Hosted on Acast. See acast.com/privacy for more information.

In this episode, the new podcast of the Trotter institute Black in Boston and Beyond is introduced. Black in Boston and Beyond is the podcast of the Trotter Institute out of the University of Massachusetts at Boston hosted by Dr. Hettie V. Williams. Williams is the current Director of the Trotter Institute. The Trotter Institute was founded in 1984 to address the concerns of Black communities in Boston and Massachusetts through research, social advocacy, and public service. It is named for William Monroe Trotter, whose political advocacy, radical journalism, and Black internationalism placed Diasporic communities across the United States, the Caribbean, and Africa in critical conversation. Black in Boston and Beyond will include conversations with members of the faculty, authors, community activists, and students about the Black experience in the history and culture of Boston.