Podcast appearances and mentions of elizabeth sankey

Director Elizabeth Sankey's new documentary examines depictions of Witches across media and pop culture, using her own journeys with motherhood and mental illness as a powerful lens. She has a great chat with IndieWire's Sarah Shachat about the complex filmmaking and personal details that make the film special. Learn more about your ad choices. Visit megaphone.fm/adchoices

British director Elizabeth Sankey bravely recounts her story of frightening isolation and unwanted thoughts after childbirth in her spellbinding documentary "Witches", which is out on Mubi. The film features interviews with medical professionals, historians and fellow sufferers, and uses old film footage showing pop cultural representation of witches. The director speaks to Eve Jackson about her own experience in a mother and baby psychiatric ward and shares her perspective on how women with mental health issues have been stigmatised and misunderstood over time.

Luca Guadagnino and Daniel Craig team up to adapt William Burroughs in Luca's second film of 2024, Queer, so we talk about that. Elizabeth Sankey draws the line between society's flawed understanding of post-partum mental health and society's flawed understanding of witchcraft in new doc Witches, so we talk about that as well. And Grand Theft Hamlet is *sort of* what it says on the tin, in that it's a late pandemic doc about loneliness, futility, community and aliens in fighter jets. Naturally, we talk about that too. Gang's all here, throw in a bit of chat about David Lynch and Fran Drescher and baby, you've got an episode of The Cineskinny goin'. TIMESTAMPS: What We've Been Watching – The Nanny, Emilia Pérez, Blue Velvet (2:30) Grand Theft Hamlet review (10:15) Witches review (25:50) Queer review (39:35) Get us on Twitter, Bluesky, Instagram, Letterboxd and TikTok @thecineskinny, email us at cineskinny@theskinny.co.uk Intro/outro music: Too Cool by Kevin MacLeod (https://incompetech.filmmusic.io/song/4534-too-cool) License: https://filmmusic.io/standard-license

Yesterday, the closing arguments were made in the trial of Dominique Pelicot and 50 other men accused of raping Gisele Pelicot - a case that has not only shocked France but far beyond that country's borders. To understand what impact the trial has had on women in France Nuala speaks to Blandine Deverlanges, a feminist activist in the region where the trial is taking place who has been attending the trial of Dominique Pelicot. Bethany Hutchison is one of eight female nurses who are taking their NHS Trust to an employment tribunal for allowing a trans woman to use their changing facilities at work.  Bethany speaks to Nuala about why she feels she needed to bring this case, and how she hopes it will be resolved.The Emmy and Golden Globe award winning actor Gillian Anderson has compiled a collection of women's sexual fantasties in her book 'Want'. She tells Nuala why she wanted to work on this project, following her role as Dr Jean Milburn in Sex Education, and also responds to the recent Presidential election in the USA. Filmmaker Elizabeth Sankey has long had an affinity with witches – both the fictional depictions we get in film and TV and the women themselves caught up in the Witch Trials of the Early Modern Period. But it was her experience of perinatal mental health issues following the birth of her son that really forged a connection for her between what she'd been experiencing and witches themselves. She's produced a new documentary to look at exactly that. Presented by Nuala McGovern Producer: Louise Corley

On Truth & Movies this week, we discuss the start of The London Film Festival and spoke Elizabeth Sankey, director of Witches, one of its most exciting films. We also reviewed Alice Lowe's wonderful comedy Timestalker and spoke to the director. Finally, for film club we looked at one of Alice's inspirations, The Story of Adele H.Joining host Leila Latif is LWLies Editor David JenkinsTruth & Movies is the podcast from the film experts at Little White Lies, where along with selected colleagues and friends, they discuss the latest movie releases. Truth & Movies has all your film needs covered, reviewing the latest releases big and small, talking to some of the most exciting filmmakers, keeping you across important industry news, and reassessing great films from days gone by with the Truth & Movies Film Club.Email: truthandmovies@tcolondon.comTwitter and Instagram: @LWLiesProduced by TCO Hosted on Acast. See acast.com/privacy for more information.

A true champion of the sweaty yet charming premise, How To Lose A Guy takes all the mid-noughties rom-com tropes and rolls them into one. A woman's magazine! An advertising campaign! A bet! An article! Friends! We discuss Kate Hudson's comedic gifts, the death of the bubblegum romcom and whether women's magazines even deserve a place in the culture. Check out Elizabeth Sankey's documentary Romantic Comedy for more, or her music at Summer Camp Hosted on Acast. See acast.com/privacy for more information.

The writer Hadley Freeman stopped eating when she was 14, and spent the next three years in and out of hospital, battling with anorexia. Now in her mid-forties, she says she didn't completely close the door on the disease until relatively recently. In Good Girls – A Story and Study of Anorexia, she gives an unflinching account of what happened to her and looks at what happens to girls who become anorexic now; what we know and what we don't about the mental illness. Did you know there are 36 new romantic comedy films coming out this year? From big blockbusters like Your Place or Mine featuring Reece Witherspoon and Ashton Kutcher to smaller budget hits like Rye Lane. So, are we having a rom com revival? We speak to film director Elizabeth Sankey, whose film Romantic Comedy looked at the history of the genre, and TV and film critic Rhianna Dhillon. The Iranian police force have said that they plan to use smart technology in public places to identify and then penalise women who violate the country's strict Islamic dress code. This comes a week after a video on social media showed a man throwing yoghurt over two women for not wearing a hijab. Nuala is joined by Faranak Amidi, the BBC's Near East Women's Affairs correspondent to discuss. Alexis Strum is an actress and sketch comedian. Twenty years ago she had a record deal and achieved her dream to make an album, but then it was pulled. She walked away from music – until now. A few weeks ago someone asked her to put her music up on Spotify and now she has finally launched her album including the song - Bad Haircut – which was inspired by a breakup, and has had 1 million views on TikTok. She joins Nuala to discuss becoming a pop star at nearly 46. Presenter: Nuala McGovern Producer: Emma Pearce

See Also is a weekly dispatch that connects the dots of pop culture, with plenty of further reading and ideas to Add To Cart – or at least Open in New Tab.This week, Kate and Brodie are absolute pissy bitches. We're blaming the moon for our problems, and the only solution is to talk about all the TV we've been watching lately, okay?Then, we dig into the state of rom-coms. Covering contemporary ones that fuck with the genre, past ones we might've missed and some bright spots in the genre.Further WatchingTogether TogetherDan in Real LifeCrossing DelanceySet It UpStarstruckEverything I Know About LoveFire IslandFrench KissForget ParisZak and Miri Make a PornoLong ShotSee Alsos:Sentimental Garbage podcast"Rom Coms Were Corny and Retrograde. Why Do I Miss Them So Much?" by Wesley Morris in NY Times from 2019Rose Matafeo in the New Yorker The Rewatchables podcast on Knocked UpHow My Best Friend's Wedding "broke" the rom-com Romantic Comedy - documentary by Elizabeth Sankey featuring BLAlso AlsosREAD ALSO: New edition of Walking through Clear Water in a Pool Painted Black by Cookie Mueller, with an introduction by Olivia LaingLISTEN ALSO: Bring A Plate podcast with Peter Taggart & Bec ShawFREEZE ALSO: Lemon, lentil & spinach soupCOOK ALSO: Eric Kim's 10 essential Korean Recipes on NYT CARRY ALSO: Lazy Oaf Wild Mini bag WATCH ALSO: Barry season 3 (on Binge)Find us on Instagram @seealsopodcast Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

It's the end of the first season of Bits of Me, and we look back at the 25 episodes I've published so far, talking about everything from urinary incontinence and birth injuries to endometriosis, infertility, PMDD and ageing. Thank you to all the women featured in this season and this mini episode: Sarah Sproule, Kate Brayden, Lynn Enright, Elisha Clarke, Rebecca Flynn, Denise McAlister, Catherine Stocker, Sarah Rose McCann, Tracey Bourke, Mary Coogan, Loretta Dignam, Kim Hanly, Gillian Roddie, Carly Bailey, Kath Sansom, Grace Alice O'Shea, Emer O'Neill, Luce Brett, Jac Sinnott, Sandy Connolly, Simone, Michelle Mayefske, Angela Coraccio, Elizabeth Sankey, and Monica Heck. Bits of Me is on Instagram as @bitsofme_podcast, and on Twitter as @bitsofme_pod. If you have a minute to spare and would consider rating and reviewing the podcast on Spotify and iTunes, that would be of huge help and massively appreciated. You can also subscribe to the podcast to make sure not to miss season two when it kicks off. #bitsofmepod #womenshealth #womensbodies #gravesdisease #graves #urinaryincontinence #urgeincontinence #hyperthyroidism #hypothyroidism #thyroiddysfunction #fecalincontinence #childbirth #pregnancy #anxiety #depression #miscarriage #8thamendment #repealedthe8th #pregnancyloss #motherhood #hormones #bodyimage #pmdd #birthinjury #incontinence #birthstories #waterbirth #homebirth #weightstigma #birthadvocacy #ageing #Botox #missedmiscarriage #postnataldepression #postnatalanxiety #pnd #3ctear #sphincterrupture #endometriosis #endo #pcos #periods #femalepain #pelvicpain #womenspain #thepaingap #infertility #secondaryinfertility #mesh #meshinjured #meshsurvivor #meshimplant #meshscandal #vaginalmesh #pop #prolapse #pelvicorganprolapse #breastfeeding #lockdownbabies #pandemicbirth #vaginismus #IVF #cervicalcancer #gynaecancer #cervicalsmear #hpvvaccine #interstitialcystitis #herpes #STI #STIstigma #genitalwarts #fibromyalgia

Elizabeth Sankey is a film maker, mother, and one half of the band Summer Camp. After giving birth to her first child back in August, she started suffering from severe anxiety and suicidal thoughts, and was eventually taken in to a Mother and Baby Unit in London. In this episode of Bits of Me, I talk to Elizabeth about what those early weeks were like, how she and her husband tried to get help, and what it was like to finally spend a month in a psychiatric unit. We talk about unrealistic narratives around childbirth, the tough realisation that you are much sicker than anyone wants you to be, baby blues, WhatsApp mum support groups, privilege, recovery and more. You can read a piece Elizabeth wrote about her experience here, and follow her on Instagram or Twitter, where you'll also get updates about her film and music. Bits of Me is on Instagram as @bitsofme_podcast, and on Twitter as @bitsofme_pod. If you want to help spread the word about Bits of Me, it would make me very happy if you would share an episode on your socials and subscribe, rate and review the podcast on Spotify and iTunes. Perhaps you could also tag a friend on Instagram the next time a relevant episode pops up? It's all massively appreciated! #bitsofmepod #womenshealth #womensbodies #postnatalanxiety #postnataldepression #postnatalpsychosis #postnatalmentalhealth #perinatalmentalhealth #maternalmentalhealth #mentalhealth #maternitycare #childbirth #pregnancy #anxiety #depression #motherandbabyunit #MBU #NHS #hormones #motherhood #babyblues #recovery #breakthestigma #psychosis

"Sanditon" to nowa ekranizacja ostatniej, niedokończonej powieści Jane Austen. Jak mistrz przenoszenia literatury klasycznej na mały ekran, czyli Andrew Davies, poradził sobie z dokończeniem dzieła? I dlaczego nieziemsko przystojny główny bohater serialu, czyli Sidney Parker (nowy pan Dracy?) tak wkurza? Co ma do tego dokument "Komedia romantyczna" w reżyserii Elizabeth Sankey? Zastanawia się Kalina Mróz, dziennikarka Wyborczej TV. Facebook: facebook.com/kanapowcypodcast Instagram: @kanapowcypodcast Teksty: Wyborcza.pl

Elizabeth Sankey talks about how creating her documentary Romantic Comedy made her look at her own internalised misogyny, the process of creating Romantic Comedy and unexpectedly discussed the pressures women face and the decision of having a child. Watch Romantic Comedy: https://mubi.com/films/romantic-comedy-2019 Follow Romantic Comedy: https://twitter.com/romcommovie https://www.instagram.com/romcommovie Follow Elizabeth Sankey: https://twitter.com/sankles https://www.instagram.com/sankles

Together again for the first time, Elizabeth Sankey and Jeremy Warmsley (aka Summer Camp) visit Martin and Sam for a discussion over demo-to-final-version transitions, the process of choosing tunes and harmonies, and of course… clown-pirates. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Nobody, The Early Years vol 2, Tom Waits (1993) Love of My Life - Electronic Demo, single b-side, Summer Camp (2020) Love of My Life, Romantic Comedy, Summer Camp (2020) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly.

For this Lockdown Special, Robert and Joshua are joined by Romantic Comedy director Elizabeth Sankey to run down their film streaming recomendations, including Weekend, Arrival, Step Brothers, Are You Proud?, 13th and many more. Show Elizabeth and her film some love @RomComMovie What have you watched in isolation? Let us know on Twitter @TornStubsPod Be sure to subscribe so you don’t miss an episode.

Sam Clements is curating a fictional film festival. He'll accept almost anything, but the movie must not be longer than 90 minutes. This is the 90 Minutes Or Less Film Fest podcast. In episode 37 Sam is joined by returning podguests, Elizabeth Sankey and Jeremy Warmsley to talk about their new film, Romantic Comedy (78 minutes).  Elizabeth, Jeremy and Sam talk about their own relationships with the romantic comedy genre, how this film actually started life as an album and what it feels like to show your first feature film to a room full of people.  Romantic Comedy is available to watch on MUBI for 30 days from 7 May 2020. Stay to the end of the podcast to hear Summer Camp's track The Ugly Truth in full. You can also listen to Elizabeth and Jeremy discuss This Is Spinal Tap on episode 9 of our podcast.  Thank you for downloading. We'll be back in a couple of weeks! Rate and subscribe on Apple Podcasts: https://tinyurl.com/90minfilm We are a proud member of the Stripped Media Network. Website: 90minfilmfest.comTweet: @90MinFilmFest Instagram: @90MinFilmFest  Hosted and produced by @sam_clements. Produced and edited by Louise Owen. Guest stars @Sankles and @JwoJwo. Additional editing and sound mixing by @lukemakestweets. Music by @martinaustwick. Artwork by @samgilbey. If you enjoy the show, please subscribe, rate, review and share with your friends. We're an independent podcast and every recommendation helps - thank you! Bonus Link: Listen to the Romantic Comedy Director's Commentary on Soundcloud

This week on The Spectator Film Podcast… Tank Girl (1995) 6.13.19 Featuring: Austin, Maxx Commentary track starts at 35:50 — Notes — “Let’s Stop Calling Movies Feminist” by Anna Biller —- Here’s Anna Biller’s insightful blog post about our tendency to crown movies as “feminist”; we’re not only frequently wrong, but also convolute and trivialize the discussion of actual feminist cinema in doing so, diminishing it’s potency. As with our discussion of Legally Blonde (2001), we relied upon Biller’s criteria to frame a portion of our discussion on Tank Girl and better understand the film. We encourage you curious listeners to engage with Biller’s blog post directly, and listen to our Legally Blonde episode for additional discussion.  It’s also worth mentioning Anna’s Blog: Musings About Film and Culture has many other fascinating posts in which Anna discusses both her own work and film history at large. (Anna also seems to participate in the comments section frequently, which is pretty cool. Just sayin’…) Check out Criterion Channel’s Anna Biller Collection! Her two feature films – Viva (2007), The Love Witch (2016) – are available for streaming in addition to a number of short films she’s made over the past several decades. They won’t be around forever, so watch them while you can. ‘Post-Human Romance: Parody and Pastiche in “Making Mr. Right” and “Tank Girl”‘ by Marilyn Manners and R.L. Rutsky from Discourse — Here’s a link to the article we referenced throughout the episode, and the writers do a fantastic job of articulating how Tank Girl‘s perceived disorganization, lack of stakes, and poor structure actually work as virtues for the film. Locating online academic resources on Tank Girl may be slightly challenging, but this essay is an excellent place to start. We’ll include some relevant quotes below: “…Tank Girl is unique not only for having a female lead, but in its comedic, and self-parodic, approach to its subject matter and narrative. This difference is, moreover, very much connected to issues of style, a point foregrounded by the film's use of drawn, comic-book images – both stills and animated sequences – at numerous points in its narrative. The inclusion of these comic book images, which in themselves contribute to the film's sense of irreverent and exuberant playfulness, draws attention to the artifice of the filmmaking process and therefore serves to heighten the film's parodic attitude towards genre conventions and its own narrative. Thus, these images not only tend to privilege style and image over narrative continuity and realism, they also link this emphasis on style to a playful irreverence that refuses to take the male-dominated conventions of science-fiction – and cinematic narratives more generally – seriously” (123-24) “Tank Girl's foregrounding of style and surface is, indeed, inseparable from its parody of authority and seriousness. At a narrative level, the film seems to borrow familiar plot devices from mainstream science-fiction films only in order to make fun of them…For Kesslee, this competition is about control. Just as he tries to control the world's water, he also wants not to kill, but to control Rebecca, to force her to work for him…Yet, if the film thematizes the linkage of the female body to fluidity and of the man to the control of that fluidity (as we shall discuss further), it also formalizes these connections in its narrative, where the continuous, liner (male) narrative is constantly subverted, or diverted, by the currents of an irrepressible (female) style” (124-25) “The aesthetic style of Tank Girl, in other words, is not radical chic, but ‘radical pastiche'” (127). ‘Mapping the Music and Style of ‘Tank Girl” by Elizabeth Sankey from Vice — Here’s a neat article from Vice that touches on Tank Girl‘s relationship to various cultural objects and artists. ‘Lori Petty reflects on Tank Girl, Jennifer Lawrence, and that Game of Thrones coffee cup’ by Jerilyn Jordan from Detroit MetroTimes — Here’s a 2019 interview with Lori Petty where she offers lots of insightful thoughts reflecting on Tank Girl.  ‘The Director of “Tank Girl” is Now Behind-the-Scenes on the New “Doctor Who”‘ by Sarah Mirk from Bitchmedia — Here’s a terrific interview with Tank Girl‘s director, Rachel Talalay. She offers a lot of insight into her work directing today and her career path, as well as lots of thoughts on her experience with Tank Girl, specifically. ‘Tank Girl, Postfeminist Media Manifesto’ by Elyce Helford from Electronic Book Review — Here’s a very interesting article discussing Tank Girl from a perspective we didn’t address during our episode, specifically looking at Tank Girl as an alluring and hopeful, but ultimately misguided, post-feminist fantasy character that fails to address social reality. I haven’t found much else about Tank Girl discussing it in this manner, and it’s very thought-provoking. Give it a read! ‘Visual Pleasure and Narrative Cinema’ by Laura Mulvey — The renowned and indispensable essay that helped pioneer the concept of a gendered gaze in film. We didn’t frame our discussion in reference to this essay specifically, but there’s plenty to be gained by watching Tank Girl with this essay in mind.

In the April 2019 edition of the Senses of Cinema podcast, Kirsten and Mark are joined by producer and academic Liz Burke to talk about Lee Chang-dong's enigmatic festival favourite Burning. Then we discuss the life and career of the sorely missed Agnes Varda, and Liz talks about the time she visited the studio of this incredible filmmaker. And then following on from Sucheta Chakraborty's excellent interview with Elizabeth Sankey in our latest issue, we discuss the strengths and frustrations of the romantic comedy. We conclude as always with our recommendations for April, and for our wonderful patrons Liz, Kirsten and Mark discuss the best films to watch over Easter. 

On this episode, we're talking all about one of the defining film genres of the '90s: Romantic Comedy. From Notting Hill to You've Got Mail, they've been etched into our minds, so much so that Elizabeth Sankey directed an entire documentary about them! She joins me from London as we lol through a questionable history of impossibly charming cinematic love. Hosted on Acast. See acast.com/privacy for more information.

Sam Clements is curating a fictional film festival. He'll accept almost anything, but the movie must not be longer than 90 minutes. This is the 90 Minutes Or Less Film Fest podcast. In episode 9, Sam is joined by Elizabeth Sankey and Jeremy Warmsley, the duo behind the band Summer Camp. Elizabeth has also directed the upcoming feature film Romantic Comedy, due for release later in 2019 and Jeremy's new musical project is is A Year: An Ongoing Project For 2019. Elizabeth and Jeremy have selected Rob Reiner's 1984 feature debut, This Is Spinal Tap (82 minutes) starring Christopher Guest, Harry Shearer, Michael McKean and Rob Reiner. They talk to Sam and about how Rob Reiner's 'mockumentary' has shaped the music film scene and their own Spinal Tap moments with Summer Camp.  We'll be back in a couple of weeks with episode 10.  Tweet: @90MinFilmFest Instagram: @90MinFilmFest Subscribe on iTunes at: https://tinyurl.com/90minfilm Hosted by @sam_clements. Produced by Louise Owen. Guest stars Elizabeth Sankey and Jeremy Warmsley. Edited by @lukemakestweets. Music by @martinaustwick. Artwork by @samgilbey. If you enjoy the show, please subscribe, rate, review and share with your friends. We're an independent podcast and every recommendation helps - thank you!  Bonus link: Watch the BBC Spaghetti-tree hoax here.

Elizabeth Sankey is an English writer, musician and actor. As a cultural commentator, she has written for The Guardian, NME, Vice and McSweeney’s Quarterly Concern. With her band, Summer Camp, she has released three studio albums. Her documentary film debut, Romantic Comedy, had its world premiere at IFFR's Young Film Critics Luís Azevedo and André Shannon, she discusses the romantic comedy genre and the making of Romantic Comedy. 

It’s Episode 75! Eleanor and Elizabeth return for Eleanor’s choice The Purge, the first film in the Purge series. The Purge (2013) is what we’ll call the original Purge as they’ve confusingly released a film in the series called The First Purge (2018) that is set before The Purge. In this Purge Ethan Hawke and Lena Heady are the home invasion victims after their (not so secure) secure house is targeted when they take in a Purge prize (homeless man). Subtlety is not The Purge’s style, it hammers home it’s high concept with the same glee and force of the participants doing their purging. If you ignore that the whole film hinges on an early single action and buy into its concept you’ll have a lot of fun with its unapologetic style. Scores [supsystic-tables id='77']Overall The Purge scores 3.82, if there was additional points for an under 90 minutes runtime it would have scored full marks there, but there isn’t so 3.82 it is. Over on Twitter the general view was the later Purges we’re better - seen them all? Do send us your reviews. What do you guys think? Have you seen The Purge? What did you think? Please let us know in the comments below! Episode #075 Crew Links Thanks to the Episode #075 Crew of Elizabeth Sankey @sankles from Summer Camp band @summercampband and Eleanor McDowall @Ellie_McDowall from Radio Atlas @radioatlas Please make sure you give them some love Flixwatcher Spotify Playlist It has to be Putting on the Ritz, but there is no Gene Wilder version so we have added the Mel Torme Version! More about The Purge For more info on The Purge, you can visit the The Purge IMDB page here or the  The Purge Rotten Tomatoes page here. Final Plug! Subscribe, Share and Review us on iTunes If you enjoyed this episode of Flixwatcher Podcast you probably know other people who will like it too! Please share it with your friends and family, review us, and join us across ALL of the Social Media links below.

From her discussion with us back on Blue Valentine, we welcome back special correspondent Elizabeth Sankey to discuss the process of reinterpretation and translation of songs from studio-to-live settings. Meanwhile, elsewhere in Song by Song Towers, Martin and Sam talk about the textural shift in performances, more loss of meaning in the storytelling, as well as the brilliance of the Big Time band. Song by Song is Martin Zaltz Austwick and Sam Pay; two musicians listening to and discussing every single Tom Waits track in chronological order. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Red Shoes, Big Time, Tom Waits (1988) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly.

Everyone yells and falls down a lot, it’s Episode 69

A trip to the musicals for this first episode on Blue Valentine, as Martin and Sam are joined by Caspar Salmon and Elizabeth Sankey to discuss another of Waits's rare covers. The (perhaps inevitable) comparisons between this and other versions of Somewhere, the nature of the song in its original context and the extent to which Waits reinterprets the material all kick off season six of Song by Song. Song by Song is Martin Zaltz Austwick and Sam Pay; two musicians listening to and discussing every single Tom Waits track in chronological order. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Somewhere (from West Side Story), Blue Valentine, Tom Waits (1978) Somewhere, West Side Story Motion Picture Soundtrack, Jim Bryant & Marni Nixon [w. Leonard Bernstein & Stephen Sondheim] (1961) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly.

Director Charlie Lyne and soundtrack composers Summer Camp (Jeremy Walmsley and Elizabeth Sankey) discuss their upcoming film at the Apple Store, Regent Street in London. Beyond Clueless is a roving visual essay and a dizzying journey into the mind, body and soul of the teen movie, as seen through the eyes of over 200 modern coming-of-age classics.