Podcast appearances and mentions of Rob Reiner

We interviewed Paul Leary, guitarist and founding member of the Butthole Surfers, and he walked us through each of their albums, one-by-one. Made up of core members Paul Leary, Gibby Haynes, and King Coffey, the Butthole Surfers are one of the most beloved and extraordinarily weird bands in history. But after some major-label drama in the early 00s, they are finally releasing the original version of their final album as it was intended by the band (After the Astronaut, out June 26).   Intro 00:00 The Band's Early Days 1:36 Butthole Surfers EP 4:48 Psychic... Powerless... Another Man's Sac  15:22 Matador Records Revisionist History 16:43 Lineup Changes 19:10 Rembrandt Pussyhorse 27:00 Their Insane Live Shows 28:23 Locust Abortion Technician 33:50 Getting Screwed by Alternative Tentacles 36:21 Recording Locust 37:39 Hairway to Steven 42:21 Jeff Pinkus, Butthole Bassists 45:36 Kathleen the Nude Dancer 49:11 The Worst Vans of All Time 51:42 piouhgd 53:07 Being on the Larry Sanders Show 55:41 Independent Worm Saloon/Screwed by Touch and Go 57:09 Major Label Changes 58:30 Major Label Buttholes 1:05:46 Electriclarryland and "Pepper" 1:08:53 Weird Revolution 1:16:23 After the Astronaut 1:19:47 Paul's Production Career 1:22 How Paul Keeps Busy 1:27:56 The Butthole Surfers Documentary 1:29:34 Rob Reiner's Final Day Was Watching Butthole Surfers 1:32:27 Closing Thoughts, Outro 1:34:22   ---------------------------------------------------------------------------------------------------------- My Top 77 Album Recommendations: https://every-album-ever.kit.com/0ee90183d0   Join the Patreon, it rules: https://www.patreon.com/everyalbumever   Mike's music: Pander Monkey on Bandcamp, Spotify, Apple,   Mike on Instagram @pandermonkey Tom on Instagram @tomosmansounds   Tom Osman's stuff: Music on Spotify, Apple, Website Podcast on Spotify, YouTube     ----------------------------------------------------------------------------------------------------------

Nick Reiner argument Conan O'Brien party — multiple sources reported that Nick and Rob Reiner got into a heated, loud confrontation at a Christmas gathering the night before Rob and Michele were found dead. The argument was reportedly intense enough that Rob and Michele left. Nobody has publicly reported what the fight was about. This episode puts that blank next to everything else we know and asks what fills it.Months of reporting have painted a picture of what was reportedly happening around Nick in the weeks before the killings: a trust fund distribution more than two years overdue, a medication switch that sources say left him erratic and dangerous, and substance use that was reportedly back in play. When you line the argument at the party up against those factors — alongside a lifetime of reported resentment and a $1.5 million entitlement his parents were reportedly withholding — the motive theory builds itself.Tony breaks down whether $1.5 million explains what allegedly happened in Brentwood, why the counterargument that Nick could have sued instead of allegedly killing actually proves the point, and the legal paradox that could let Nick's defense strategy protect the very money that may have been at the center of everything.Nick Reiner has pleaded not guilty. All individuals are presumed innocent until proven guilty.Join Our SubStack For AD-FREE ADVANCE EPISODES & EXTRAS!: https://hiddenkillers.substack.com/Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/channel/UC8-vxmbhTxxG10sO1izODJg?sub_confirmation=1Instagram https://www.instagram.com/hiddenkillerspod/Facebook https://www.facebook.com/hiddenkillerspod/Tik-Tok https://www.tiktok.com/@hiddenkillerspodX Twitter https://x.com/TrueCrimePodDISCLAIMER:This publication contains commentary and opinion based on publicly available information. All individuals are presumed innocent until proven guilty in a court of law. Nothing published here should be taken as a statement of fact, health or legal advice.#NickReiner #RobReiner #TrueCrimeToday #MicheleReiner #ConanOBrien #MurderMotive #BrentwoodMurders #TrustFund #TrueCrime #ReinerCase

This week we look back at the incredible career of one of Hollywood's most celebrated filmmakers. A guy who directed one of the greatest coming-of-age films ever made, one of the greatest romantic comedies ever made, one of the greatest mockumentaries ever made, one of the greatest courtroom dramas ever made, and one of the greatest psychological thrillers ever made. And he never won an Academy Award. We are talking about Rob Reiner.Check us out on...Twitter @TSMoviePodFacebook: Time SensitiveInstagram: @timesensitivepodcastGrab some Merch at TeePublicBig Heads Media 

Tonight we trek down the tracks for a coming-of-age and a loss of innocents during our Midnight Ritual of Stand By Me(1986). We are joined by David from the Journey With a Cinephile podcast and Johnathan from The Average Reviews podcast. Also, Trevor juggles. Journey With A Cinephile: https://linktr.ee/JourneywithaCinephile The Average Reviews: https://linktr.ee/theaveragereviews TNC: https://linktr.ee/thenightclubSpecial Guests: David Garrett Jr. and The Average Podcast.

Today I have TJ Payne on the show to chat about writing and how his career has taken him from Hollywood writing rooms to self-publishing to publishing with one of the Big 5. TJ's screenwriting experience includes cherished memories working with Rob Reiner and on new and upcoming Netflix shows like The Boroughs (produced by the Duffer Brothers) and Little House on the Prairie. I also chat about his latest book, INTERCEPTS. All links and show notes available at https://www.sheworeblackpodcast.com/

Who better to pontificated about the similarities and differences between two of the most popular American authors of all time than Ray Bradbury's own chosen biographer and your dedicated Kingcast boys.New York Times best selling author, biographer, and journalist Sam Weller (The Bradbury Chronicles: The Life of Ray Bradbury) makes his first appearance on The Kingcast to discuss his relationship with Bradbury, the interactions both he and Bradbury had with Stephen King (and Steven Spielberg for that matter), and why Bradbury never had a Frank Darabont or Rob Reiner that could truly translate his words into an all-timer film.Weller's latest book, Dark Black, and be picked up at the link below:https://hatandbeard.com/products/dark-black

Treating schizophrenia in America is often described as a broken system, not because of a lack of medical knowledge, but due to structural and policy failures. The failures of these systems has created a cycle where individuals often move between homelessness, emergency rooms, and the criminal justice system rather than receiving ongoing care. Many families and caregivers struggle to get help even when the situation turns dangerous. In this episode, hosts Rachel Star Withers and Gabe Howard discuss how the government and health care system failures lead to these tragedies and what needs to change. They unpack cases like the one involving Rob Reiner, where his son, who has schizophrenia, is suspected of murdering both his parents during a severe mental health crisis. Guest Gail Freedman joins later in the episode. She is the director, writer, and producer of a new documentary, “No One Cares About Crazy People.” It's inspired by Ron Powers acclaimed book of the same name and it's an intimate, immersive dive into the crisis and chaos of severe mental illness and the grassroots movement to do something about it. Guest Information: With over 25 years as an award-winning filmmaker, Gail Freedman has produced, directed, and written dozens of documentaries on a wide range of subjects. Among her films: “Hot to Trot,” an award-winning feature documentary inside the fascinating but little-known world of same-sex competitive ballroom dance; “Making the 9/11 Memorial,” a primetime special for The History Channel; “Breaking the Silence Barrier” (cognitive disabilities); “Where's The Cure?” (breast cancer activism); “Generation Rx” (the opioid crisis); “Lessons for the Future” (public education); “Giving While Living” (philanthropy); and “A Forever Family” (Annie E. Casey Foundation). “No One Cares About Crazy People”Inspired by Ron Powers' acclaimed book of the same name, “No One Cares About Crazy People” is an intimate deep dive into the crisis and chaos of severe mental illness in America. A heartbreaking family memoir and searing social history, it is personal and immersive — but also tracks a burgeoning grassroots movement to reinvent our failed systems. Narrated by actor Bob Odenkirk (“Breaking Bad,” “Better Call Saul”) with original music by Wilco frontman Jeff Tweedy. Now streaming. noonecaresfilm.com Our host, Rachel Star Withers, (Link: www.rachelstarlive.com) is an entertainer, international speaker, video producer, and schizophrenic. She has appeared on MTV's Ridiculousness, TruTV, NBC's America's Got Talent, Marvel's Black Panther, TUBI's #shockfight, Goliath: Playing with Reality, and is the host of the HealthLine podcast “Inside Schizophrenia”. She grew up seeing monsters, hearing people in the walls, and having intense urges to hurt herself. Rachel creates videos documenting her schizophrenia, ways to manage, and letting others like her know they are not alone and can still live an amazing life. She has created a kid's mental health comic line, The Adventures of ____. (Learn more at this link: https://www.amazon.com/Adventures-Fearless-Unstoppable-Light-Ambitious/dp/B0FHWK4ZHS ) Fun Fact: She has wrestled alligators. Our cohost, Gabe Howard, is an award-winning writer and speaker who lives with bipolar disorder. He is the author of the popular book, "Mental Illness is an Asshole and other Observations," available from Amazon; signed copies are also available directly from the author. He also hosts the twice Webby honored podcast, Inside Bipolar, with Dr. Nicole Washington. To learn more about Gabe, please visit his website, gabehoward.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Can Two People Just Be Friends? When Harry Met Sally… Says: Complicated.Welcome to this episode of The Most Excellent 80s Movies Show. Hosts Krissy Lenz and Nathan Blackwell are joined by special guest Mandy Kaplan of Make Me a Nerd to revisit When Harry Met Sally… (1989), and the stakes are personal, because one of them is seeing it for the very first time, one has it as a gold standard, and one literally danced to its music at her wedding.The central question this crew wrestles with isn't just Harry's infamous thesis about men, women, and friendship. It's what happens when a movie is so embedded in the culture that you've absorbed its most famous moments without ever actually watching it. What does it feel like to finally sit down with something you've only known in clips? And does it land differently when you come in a skeptic? Spoiler-light from start to finish, the conversation stays at the level of feelings, not plot reveals.What fuels the discussion is the writing—Nora Ephron's screenplay, the improv that made it into the final cut, the genius of character names, the Pictionary scene, the baseball wave, the dual-landline mystery, and the surprisingly nuanced debate over whether Harry's answering machine serenade is romantic or just deeply tone-deaf. Rob Reiner gets his flowers too.The episode wraps with warmth, strong Say Anything feelings, and a bonus rec for a road trip you should probably take.TruStory FM | Membership (early, ad-free access + bonus content): Join | Socials: Facebook | Instagram | Bluesky | Learn more about the hosts: Neighborhood Comedy Theatre | Squishy StudiosDo you genuinely believe two people can be close friends without romantic feelings ever getting in the way—and has a movie ever changed your mind about it? ---Learn more about supporting this podcast by becoming a member. It's just $5/month or $55/year. Visit our website to learn more.

Nick Reiner who is accused of murdering his parents famed actor/director Rob Reiner and photographer Michelle Singer Reiner on December 14th, 2025 in Burbank, CA is asking for the trust money owed to him in his legal filing. He may get the money owed to him but he just blew his entire defense. In this episode Roberta discusses how this latest filing destroys the defense narrative and explains how Reiner's Trust money will be used to murder the reputation and memory of his parents. Let's talk about it!Show Notes:Read Nick Reiner's defense filing here- https://deadline.com/wp-content/uploads/2026/06/Reiner-Trust-Petition-June-8_Redacted.pdfLaw & Crime “Nick Reiner Begs for Mommy & Daddy's Money” - https://youtu.be/q4T2mMAW2M4?is=BNtMvMw5-Fp5JWiWHollywood Reporter “Hollywood's Top Business Managers Tell All” - https://www.hollywoodreporter.com/lists/hollywoods-business-managers-187592/Roberta Glass True Crime Report's Nick Reiner Playlist - https://youtube.com/playlist?list=PLZCroaJ4oThAQMawy2MELgoNh95SOJggH&si=99DqMOdxIsM8Yj4IGet access to exclusive content & support the podcast by a Patron today! https://patreon.com/robertaglasstruecrimereportThrow a tip in the tip jar! https://buymeacoffee.com/robertaglassSupport Roberta by sending a donation via Venmo. https://venmo.com/robertaglassBecome a chanel member for custom Emojis, first looks and exclusive streams here: https://youtube.com/@robertaglass/joinThank you Patrons!Beth, Shelley Safford, Carol Mumumeci, Therese Tunks, JC, Lizzy D, Elizabeth Drake, Texas Mimi, Barb, Deborah Shults, Ratliff, Stephanie Lamberson, Maryellen Sudol, Mona, Karen Pacini, Jen Buell, Marie Horton, ER, Rosie Grace, B. Rabbit, Sally Merrick, Amanda D, Mary B, Mrs Jones, Amy Gill, Eileen, Wesley Loves Octoberfest, Erin (Kitties1993), Anna Quint, Cici Guteriez, Sandra Loves GatsbyHannna, Christy, Jen Buell, Elle Solari, Carol Cardella, Jennifer Harmon, DoxieMama65, Carol Holderman, Joan Mahon, Marcie Denton, Rosanne Aponte, Johnny Jay, Jude Barnes, JenTheRN, Victoria Devenish, Jeri Falk, Kimberly Lovelace, Penni Miller, Jil, Janet Gardner, Jayne Wallace (JaynesWhirled), Pat Brooks, Jennifer Klearman, Judy Brown, Linda Lazzaro, Suzanne Kniffin, Susan Hicks, Jeff Meadors, D Samlam, Pat Brooks, Cythnia, Bonnie Schoeneman-Dilley, Diane Larsen, Mary, Kimberly Philipson, Cat Stewart, Cindy Pochesci, Kevin Crecy, Renee Chavez, Melba Pourteau, Julie K Thomas, Mia Wallace, Stark Stuff, Kayce Taylor, Alice, Dean, GiGi5, Jennifer Crum, Dana Natale, Bewildered Beauty, Pepper, Joan Chakonas, Blythe, Pat Dell, Lorraine Reid, T.B., Melissa, Victoria Gray Bross, Toni Woodland, Danbrit, Kenny Haines and Toni Natalie.

Trump loves inflation, Texas hates screwworms, a new book reveals how much the White House was consumed by the Epstein Files. This week, Jerry O'Connell jumps between dimensions to talk Rob Reiner, reality TV and, of course, Sliders. Jay Pharaoh stops by to do some impressions with his good friends, Barack Obama and Denzel Washington. Plus Zach Zucker is down to clown... and play music without headphones.

Handel on the Law. Marginal Legal Advice.See omnystudio.com/listener for privacy information.

This week on The Tracklist, Daron and Chris are strapping in for the loudest, most ridiculous, and somehow most earnest rock soundtrack ever committed to film: This Is Spinal Tap (1984).Rob Reiner's mockumentary masterpiece didn't just parody '80s heavy metal — it became it. The music in this film is the joke AND the heart, and that's a genuinely hard thing to pull off. From Big Bottom to Hell Hole to the haunting, Stonehenge-adjacent opus Stonehenge, Christopher Guest, Michael McKean, and Harry Shearer wrote and performed every track themselves — and somehow made songs that are both hysterically bad and undeniably catchy.We're breaking down the score, the songs, the performances, and asking the real question: Is this a Cult Classic?Follow us on Instagram: @thedaronjenkins | @chrissaunders_music | @tracklistshowRep the show and grab some Tracklist merch at tracklist-shop.fourthwall.comIf you enjoy the episode, leave us a rating, subscribe, and follow the show wherever you listen — it means the world and helps more people find us!

Attorney Alan Jackson is once again speaking out in defense of Nick Reiner, as he faces murder charges for slaying his parents Michele and Rob Reiner. West Wilson drops a MAJOR bombshell in the timeline of his relationship with Amanda Batula. And homeless people speak out about being paid to support Nithya Raman, after her shocking landslide win with mail-in ballots in the LA Mayor Primary. Head to https://www.factormeals.com/nofilter50off and use code nofilter50off to get 50% off and free daily greens per box, with new subscription only, while supplies last until 09/27/2026. (See website for more details). Mornings don't have to take forever. Right now, Merit Beauty is offering our listeners their Signature Makeup Bag with your first order at https://www.meritbeauty.com/ Right now, DripDrop is offering podcast listeners 20% off your first order. Go to https://dripdrop.com/ and use promo code NOFILTERVisit https://www.progressive.com to see if you could save when you bundle your home and auto policies.Become a Member of No Filter: ALL ACCESS: https://allaccess.supercast.com/ Shop New Merch now: https://merchlabs.com/collections/zack-peter?srsltid=AfmBOoqqnV3kfsOYPubFFxCQdpCuGjVgssGIXZRXHcLPH9t4GjiKoaio Book a personalized message on Cameo: https://v.cameo.com/e/QxWQhpd1TIb Disclaimer: The views expressed in this video, on this YouTube Channel, and on No Filter with Zack Peter are for entertainment purposes only. All content is protected under Fair Use Rights.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

"Jack Riccardi talks Spurs, the "boring city" knock on SA, the karmelo anthony verdict, Rob Reiner's son wants his trust fund money to pay for his defense and taxing CEOs."

"Three Things You Need to Know"...Rob Reiner's son wants to use trust fund for attorney...interview with Senate candidate Jared Hudson...Seattle homeless shelters won't require sobriety.See omnystudio.com/listener for privacy information.

Rob Reiner's son wanting money from trust fund to pay for his defense, US strikes 20 targets in Iran, Obama's library, and Trump will speak about Iran strike.

Facing murder charges, Nick Reiner is now demanding he received his $1.5M trust fund, left behind by his parents Michele and Rob Reiner. Savannah Guthrie opens up about returning to the TODAY Show, as Brian Entin confirms she did NOT hire a private investigator. Spencer Pratt has officially been knocked out of the LA Mayor Race, after Nithya Raman ground-breaking sweep. Ariana Grande Splits from Ethan Slater. Head to https://www.factormeals.com/nofilter50off and use code nofilter50off to get 50% off and free daily greens per box, with new subscription only, while supplies last until 09/27/2026. (See website for more details). Mornings don't have to take forever. Right now, Merit Beauty is offering our listeners their Signature Makeup Bag with your first order at https://www.meritbeauty.com/ Right now, DripDrop is offering podcast listeners 20% off your first order. Go to https://dripdrop.com/ and use promo code NOFILTERVisit https://www.progressive.com to see if you could save when you bundle your home and auto policies.Become a Member of No Filter: ALL ACCESS: https://allaccess.supercast.com/ Shop New Merch now: https://merchlabs.com/collections/zack-peter?srsltid=AfmBOoqqnV3kfsOYPubFFxCQdpCuGjVgssGIXZRXHcLPH9t4GjiKoaio Book a personalized message on Cameo: https://v.cameo.com/e/QxWQhpd1TIb Disclaimer: The views expressed in this video, on this YouTube Channel, and on No Filter with Zack Peter are for entertainment purposes only. All content is protected under Fair Use Rights.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Nick Reiner Wants Trust Money to Fund His Murder Defense Nick Reiner says he needs trust money now. The accused son of Rob and Michele Reiner is asking the court for access to family trust funds while awaiting trial. His petition claims the delay cost him private counsel and is hurting his defense preparation. Scott breaks down the trust fight, the public defender issue, and what this could mean in a death-eligible case. Watch, comment, and subscribe for sharp legal analysis. Crime Talk Store: https://crimetalknetwork.com/shop/ #NickReiner, #RobReiner, #TrueCrime, #LegalAnalysis, #CrimeTalk, #CourtCase

Today on the Woody and Wilcox Show: Disneyworld report-Cool Beans' trip and earthquake shuts down rides; Vuvuzelas banned at World Cup games; Rob Reiner's son wants trust fund money to pay for legal fees; Woman sues Outback because she slipped on mashed potatoes; Waste water from World Cup matches will be monitored for infectious diseases; Evite phishing scam; The pronunciation of “vuvuzelas”; Tom Brady's coconut water; More than one in four Americans have made a playlist for their pet; NASA unveils Artemis crew; And more!

AP correspondent Haya Panjwani reports on a development in the case of Rob Reiner and his wife's death.

"Mel Brooks: The 99 Year Old Man!" is a 2026 American two-part documentary film that explores the life and career of Mel Brooks. Judd Apatow and Michael Bonfiglio direct the HBO documentary, and it features the final on-screen interviews with Rob Reiner and David Lynch. The documentary has received universal acclaim with a 100% rating on Rotten Tomatoes. Directors Judd Apatow and Michael Bonfiglio were kind enough to spend some time talking with us about their work and experience making the documentary, which you can listen to below. Please be sure to check out the documentary, which is available to stream on HBO Max. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

We are back!! It's been a while, but all 4 of us return and to celebrate we are doing a Sally pick. We are going back to 1989 with the late, great Rob Reiner's smash hit 'When Harry Met Sally'. Meg Ryan and Billy Crystal lead this romcom that took the world by storm and to this day is listed amongst the best of all time.

It's officially Director's Month and we have ourselves a tie! This month we'll be discussing Wes Anderson's & Rob Reiner's films. We're kicking off the month with Wes Anderson's The Grand Budapest Hotel. We run through the laundry list of nominations and wins. It's a great start to the month! Instagram: @heyitstwogirls, @classicSTINA @daniellecobianchiTwitter: @heyitstwogirls, @classicSTINA⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Two Girls Drink Beer Youtub⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠e

With his ‘80s dramedy This Too Shall Pass now streaming in the US and Canada, writer-director Rob Grant wants to celebrate Rob Reiner's Stand By Me, the coming-of-age movie that changed everyone's idea of what “a Stephen King movie” could look like. Your genial host Norm Wilner is embracing the melancholy on this one.

Tyler and David discuss the career of the late Rob Reiner as well as Jake Schreier's Thunderbolts*.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

If you're of a certain age, you may not know the name Andy Lindberg. But you definitely know his most famous role. Andy played Lard Ass Hogan in the legendary Rob Reiner film "Stand By Me," one of the most beloved coming-of-age movies ever made. His scene, the unforgettable "barf-o-rama" at the pie-eating contest, remains one of the most memorable movie moments of the 1980s. It was gross. It was hilarious. It was impossible to forget. Andy was 14 years old when he filmed the scene in Oregon, a local kid doing local theater who suddenly found himself working on a major motion picture based on a Stephen King story and directed by a man who would go on to become one of the great filmmakers of his generation. And then life kept going. In this episode, Andy shares what it was like to be cast as Lard Ass, how he felt about the role as a teenager, what it was like to return to high school after the movie came out, and why he has had to rethink the shame he carried for years about being "the right fat kid in the right place at the right time." He also shares some wonderful behind-the-scenes stories from the set, including working with Rob Reiner, watching Kiefer Sutherland hold the boom mic, and putting his face into what he estimates were more than 250 pies over the course of filming. To this day, blueberry pie is not exactly his favorite dessert. But Andy's story doesn't end with "Stand By Me." Not even close. After years of acting, including a move to New York and stage work around the country, Andy eventually returned home to Oregon. Today, he is the executive director of Westwind, a remarkable camp and natural area on the Oregon coast that helps kids unplug, connect with nature, and experience something increasingly rare: being fully present in a beautiful place. For Andy, running a summer camp is not as different from theater as it might seem. Both involve creating a temporary world; both have a beginning, middle, and end; both can change people in ways they may not understand until years later. In this episode, Andy shares his journey from childhood movie fame to steward of nature, from the stage to the forest, and from one unforgettable movie scene to a life built around helping kids find wonder in the real world. As Andy says, life is long. You can change course entirely. And it's never too late to become the person you were meant to be. To learn more about Andy's work, visit Westwind.org. ******* If you enjoy Second Act Stories, please leave us a review here. We may read your review on a future episode! Subscribe to the Second Act stories Substack. Check out the Second Act Stories YouTube channel. Follow Second Act Stories on social media: Facebook LinkedIn Instagram Second Act Stories theme music: "Between 1 and 3 am" by Echoes.

Sean Hannity has been on Fox News for 30 years. He has been on radio since 1987. He has spoken to presidents, gone to war with the media and come out on top every time. And in this conversation he said more than he has ever said publicly. In part one we get into why he deletes every text message he sends and has no cloud account, what he told Trump directly after the Rob Reiner comments, how he called Trump with Melania on speaker and told him nobody needs to hear every thought that goes through his head, why he started working at eight years old and never stopped, what it was like to raise himself because both parents worked around the clock, the bartending job he had at 17 that was keeping him out until 4AM during his senior year of high school, how he missed 37 days of school in one semester without his mother knowing, his take on masculinity and why he believes a man should be the provider, and why he called this conversation one of the most honest he has had in three decades of media. Part 2 coming soon. Sponsors: Use my link to sign up and receive a $100 funding bonus when you create and fund your account: https://www.itrustcapital.com/go/sagesteele Start your plan today and you'll get FREE meat included with every order PLUS $100 off your first three orders with my code, SAGE: https://www.goodranchers.com/ Provide one life-saving ultrasound for just $28 at https://preborn.com/sage. Hydrate your liver at the cellular level with LTV. If you're tired, bloated, or feel like water isn't working anymore, this could be the fix. Get up to 64% OFF for a limited time at http://drinkltv.com/Sage Chapters: 00:00 Intro 01:09 Why Sean Hannity Deletes Every Text and Has No Cloud Account 02:23 Sean Hannity's 1,500 Texts With Manafort Went Public. That Was the Last Straw. 05:10 Sean Hannity's Friendship With Trump and the China Trip 06:35 Sean Hannity Called Trump With Melania Listening and Told Him to Stop 10:57 The MAGA Fracture and Sean Hannity's Prediction for 2028 11:28 Sean Hannity Knew Sage Was Getting Engaged Before She Did 19:28 Why Successful Women Scare Men With No Confidence 21:46 Sean Hannity Says Men Should Be Providers. He Doesn't Care Who Gets Mad. 22:55 Two Famous People in One Marriage and Why It Takes a Secure Man 28:30 Fans Tell Sean Hannity They Go to Bed With Him Every Night 42:49 Sean Hannity Started Working at Age Eight. Here Is the Full List. 46:52 Sean Hannity Raised Himself. Both Parents Were Always Working. 52:44 Bartending at 17 Until 4AM on School Nights 54:41 Sean Hannity Missed 37 Days of School in One Semester 56:16 His Mom Drove Him to School Every Day. Sean Hannity Hitchhiked Home. 58:26 The Dean Handed Sean Hannity a Cigarette and Made a Deal 01:02:01 Sean Hannity's Dad Used the Belt. Sean Hannity Never Spanked His Kids. 01:08:18 Sean Hannity Became the Worst Helicopter Parent Despite Having No Rules Growing

This week on the Tales From Hollywoodland podcast, the crew celebrates the incredible career of legendary director, actor, producer, and storyteller Rob Reiner. From his unforgettable role as "Meathead" on All in the Family to directing some of the most beloved films in Hollywood history, Rob Reiner's impact on movies and television is undeniable. Join the conversation as the hosts revisit classics like Stand by Me, The Princess Bride, When Harry Met Sally..., Misery, A Few Good Men, and This Is Spinal Tap while discussing Reiner's directing style, storytelling legacy, comedic timing, and influence on modern filmmaking. The crew also explores Rob Reiner's collaborations with legendary actors and writers, his place in Hollywood history, and why his films continue to resonate with audiences decades later. Whether you're a fan of classic comedy, heartfelt drama, coming-of-age films, or behind-the-scenes Hollywood stories, this episode is a nostalgic and entertaining tribute to one of the industry's most respected creative voices. Subscribe to the Tales From Hollywoodland Podcast for more deep dives into Hollywood history, film careers, and the stories behind the biggest names in entertainment. Subscribe to the Tales From Hollywoodland Podcast for more interviews with authors, historians, and insiders uncovering the stories behind Hollywood's biggest legends. We want to hear from you! Feedback is always welcome. Please write to us at talesfromhollywoodland@gmail.com, and why not subscribe and rate the show on Apple Podcasts, Spotify, iHeartRadio, PlayerFM, Pandora, Amazon Music, Audible, and wherever fine podcasts are found.  #RobReiner #Hollywood #ThePrincessBride #StandByMe #WhenHarryMetSally #ThisIsSpinalTap #AFewGoodMen #Misery #MoviePodcast #ClassicMovies #HollywoodHistory #TalesFromHollywoodland #FilmDiscussion #DirectorSpotlight

“I never had any friends later on like the ones I had when I was twelve... does anyone?” Join Ian, Kev & Megs for our 332nd episode as we walk the tracks, dodge leeches, and revisit Rob Reiner's coming-of-age classic Stand By Me (1986). This week is all about friendship, memory, growing up, and the strange sadness of knowing some moments only become important once they're already gone. Liam drops in later for a special bonus segment, while BFF of the BFE: Ariannah Who Loves BFE The Most™ joins us for The Endgame. This week we discuss: River Phoenix's extraordinary performance — vulnerable, intelligent, and quietly devastating. Was this the role that proved he was destined for greatness? The chemistry of the four boys — natural, funny, chaotic, and deeply believable. Is this one of the strongest young ensembles ever put to film? The film's relationship with memory — nostalgia, grief, and the way adulthood reshapes childhood stories. Ian breaks down the narration structure — reflective storytelling, emotional hindsight, and why Richard Dreyfuss' voiceover works where so many others fail. Megs explores the emotional honesty of the film — masculinity, vulnerability, and the fear of being left behind. Kev weighs in on the pacing and atmosphere — quiet moments, campfire stories, and why the journey matters more than the destination. The balance of humour and sadness — how the film pivots effortlessly between childhood comedy and existential dread. Ian talks about the short story in the middle of this bigger story and what Stephen King is really doing with it Liam joins us for a bonus segment — dropping in to talk about the film's legacy, Stephen King adaptations, and why stories about friendship hit differently as you get older. The “show vs tell” balance — does the film earn its emotional resonance through subtle character work, or does nostalgia do some of the lifting? Ariannah joins us for The Endgame — helping us unpack why Stand By Me continues to resonate across generations and whether its emotional simplicity is actually its greatest strength. The ending — bittersweet, perfect, and quietly heartbreaking. Does any closing narration hit harder than this? And finally, whether Stand By Me is the Best Film Ever — or simply one of the most emotionally truthful coming-of-age films ever made. Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE We are very thankful to the following Patreon backers for their generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Ariannah Who Loves BFE The Most Paul Komoroski Duane Smith (Duane Smith!) Andy Dickson Aashrey Chris Pedersen Randal Silva Nate The Great Rev Bruce Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Youth Hosteling with Chris Eubank Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/. Massive thanks to Lex Van Den Berghe for the use of Mistake by Luckydog. Catch more from Lex's new band, The Maids of Honor, at https://soundcloud.com/themaidsofhonor Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/

May'Lady #4 Will, Adam, and Mike watched MISERY (1990) and try to figure out why James Caan is so miserable despite being taken care of by a beautiful lady. IMDb: https://www.imdb.com/title/tt0100157/ Trailer: https://www.youtube.com/watch?v=XHQ9CPRfDsw

FILM FESTIVAL TICKETS: https://buytickets.at/thedopeyfoundation/2216905 PATREON: www.patreon.com/dopeypodcast Summary On this Dopey Monday Total Replay, Dave looks back at Dopey Episode 28, one of the strangest and creepiest early episodes of the show. It features Dave, Chris, and graphic-design Ryan — the guy who made the original Dopey logo — talking through old Lower East Side drug energy, the first major Dopey fan emails, weird ego stuff, drug stories, recovery, Rob Reiner, Nick Reiner, and a whole lot of eerie foreshadowing. Dave reflects on how painful it is to hear Chris again, knowing he died in 2018, and uses the episode to make a simple but brutal point: if Chris had stayed in recovery, he probably wouldn't have died. The replay itself is classic early Dopey: messy, funny, dark, uncomfortable, and weirdly prophetic. Ryan tells a story about refusing to leave a drug pickup even after a guy puts a gun to his head. Chris talks about addiction, genetics, rats drinking heroin water, and recovery. Dylan randomly calls in right as Dave is talking about Dylan from 90210, which feels like Dopey synchronicity. The episode also includes the first big fan email from Tina in Philadelphia, Dave getting wounded by being called “Dan,” and a long, now-haunting conversation about Rob Reiner and Nick Reiner before Nick ever appeared on Dopey. It's funny, painful, and very Dopey. PLUS Drugs, addiction and dumb shit on the new/old 10 year anniversary of this episode!(of Dopey)   Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Political historian Oscar Winberg has a fascinating new book titled Archie Bunker for President: How One Television Show Remade American Politics. This book weaves together quite a few different threads in examining the historical context in which the television show, All In The Family, landed on American television screens. Archie Bunker for President examines why this particular sitcom was a kind of inflection point within U.S. politics, within the media landscape at the time and moving forward, and how television production shifted and changed around this one particular television series. Winberg also lays out the path from the early 1970s, when All in the Family first aired, to our contemporary political moment, when celebrity and politics seem to be inescapably intertwined. As Winberg notes in our conversation, television as an entity is inherently conservative, since the functional model was about appealing to the lowest common denominator so that advertisers would be willing to pay for time during shows. In order to reach the most viewers, at least in the age of network television, the television series needed to appeal to the largest market possible, and not “turn off” viewers. What happens in the late 1960s and early 1970s with the television show All in the Family is that this dynamic shifts, and the case is made that it isn't about reaching the most people, but about reaching the people who have the means and inclination to purchase what the advertisers are selling. This is part of the pitch that Norman Lear makes, that CBS executive Bob Wood finally decides to gamble on by greenlighting All in the Family. The dynamic inside the show itself is to focus on politics: to have the characters within the series discuss different political issues, and engage with the impacts of these issues, from women's rights and reproductive health to homosexuality to racism and the anti-war movement. In designing All in the Family with Archie Bunker (played by Carroll O'Conner) clearly defined as a conservative and as a bigot, and with Archie's daughter, Gloria Stivic (played by Sally Struthers) and son in law, Mike Stivic (played by Rob Reiner), as liberals and politically active, the show embedded politics within the narrative. Edith Bunker, played by Jean Stapleton, was an enthusiastic supporter of the Equal Rights Amendment, which was making its way through the ratification process while the series was airing, providing yet another avenue for political discussion within the show's structure. There were quite a few other shows that were developed at the same time as All in the Family that took up similarly political themes in iconic ways, from the Mary Tyler Moore Show to M*A*S*H to Maude. Political conversations were the fabric of these shows in much the same way as in All in the Family, where characters find themselves experiencing dimensions of politics in their lives and they discuss this with friends and family within the narrative construction. This also translated to Americans discussing these shows with each other at dinner, or at the “water cooler”, or at the beauty parlor or barbershop. Given the structure of television in the 1970s and 1980s, before cable and streaming services, options were more limited options, and many of these shows had great writers, actors, and showrunners. This was “appointment television” because there was no way to record or otherwise go back and watch the episode. Episodes were only available at their regularly scheduled time and day—which also meant that lots and lots of Americans were watching the same show at the same time. In some sense, Archie Bunker for President: How One Television Show Remade American Politics is not only about how one television show remade American politics, but also about how All in the Family remade American television, opening up the networks to developing and airing television shows that integrate politics (of all kinds) into the narratives. There is still quite a lot of television, particularly network television, that is pitched to the broadest possible audience, but the narratives in police procedurals or hospital-centered series or sitcoms integrate different dimensions of politics into their storylines in ways that had not been done before All in the Family. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Political historian Oscar Winberg has a fascinating new book titled Archie Bunker for President: How One Television Show Remade American Politics. This book weaves together quite a few different threads in examining the historical context in which the television show, All In The Family, landed on American television screens. Archie Bunker for President examines why this particular sitcom was a kind of inflection point within U.S. politics, within the media landscape at the time and moving forward, and how television production shifted and changed around this one particular television series. Winberg also lays out the path from the early 1970s, when All in the Family first aired, to our contemporary political moment, when celebrity and politics seem to be inescapably intertwined. As Winberg notes in our conversation, television as an entity is inherently conservative, since the functional model was about appealing to the lowest common denominator so that advertisers would be willing to pay for time during shows. In order to reach the most viewers, at least in the age of network television, the television series needed to appeal to the largest market possible, and not “turn off” viewers. What happens in the late 1960s and early 1970s with the television show All in the Family is that this dynamic shifts, and the case is made that it isn't about reaching the most people, but about reaching the people who have the means and inclination to purchase what the advertisers are selling. This is part of the pitch that Norman Lear makes, that CBS executive Bob Wood finally decides to gamble on by greenlighting All in the Family. The dynamic inside the show itself is to focus on politics: to have the characters within the series discuss different political issues, and engage with the impacts of these issues, from women's rights and reproductive health to homosexuality to racism and the anti-war movement. In designing All in the Family with Archie Bunker (played by Carroll O'Conner) clearly defined as a conservative and as a bigot, and with Archie's daughter, Gloria Stivic (played by Sally Struthers) and son in law, Mike Stivic (played by Rob Reiner), as liberals and politically active, the show embedded politics within the narrative. Edith Bunker, played by Jean Stapleton, was an enthusiastic supporter of the Equal Rights Amendment, which was making its way through the ratification process while the series was airing, providing yet another avenue for political discussion within the show's structure. There were quite a few other shows that were developed at the same time as All in the Family that took up similarly political themes in iconic ways, from the Mary Tyler Moore Show to M*A*S*H to Maude. Political conversations were the fabric of these shows in much the same way as in All in the Family, where characters find themselves experiencing dimensions of politics in their lives and they discuss this with friends and family within the narrative construction. This also translated to Americans discussing these shows with each other at dinner, or at the “water cooler”, or at the beauty parlor or barbershop. Given the structure of television in the 1970s and 1980s, before cable and streaming services, options were more limited options, and many of these shows had great writers, actors, and showrunners. This was “appointment television” because there was no way to record or otherwise go back and watch the episode. Episodes were only available at their regularly scheduled time and day—which also meant that lots and lots of Americans were watching the same show at the same time. In some sense, Archie Bunker for President: How One Television Show Remade American Politics is not only about how one television show remade American politics, but also about how All in the Family remade American television, opening up the networks to developing and airing television shows that integrate politics (of all kinds) into the narratives. There is still quite a lot of television, particularly network television, that is pitched to the broadest possible audience, but the narratives in police procedurals or hospital-centered series or sitcoms integrate different dimensions of politics into their storylines in ways that had not been done before All in the Family. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

Political historian Oscar Winberg has a fascinating new book titled Archie Bunker for President: How One Television Show Remade American Politics. This book weaves together quite a few different threads in examining the historical context in which the television show, All In The Family, landed on American television screens. Archie Bunker for President examines why this particular sitcom was a kind of inflection point within U.S. politics, within the media landscape at the time and moving forward, and how television production shifted and changed around this one particular television series. Winberg also lays out the path from the early 1970s, when All in the Family first aired, to our contemporary political moment, when celebrity and politics seem to be inescapably intertwined. As Winberg notes in our conversation, television as an entity is inherently conservative, since the functional model was about appealing to the lowest common denominator so that advertisers would be willing to pay for time during shows. In order to reach the most viewers, at least in the age of network television, the television series needed to appeal to the largest market possible, and not “turn off” viewers. What happens in the late 1960s and early 1970s with the television show All in the Family is that this dynamic shifts, and the case is made that it isn't about reaching the most people, but about reaching the people who have the means and inclination to purchase what the advertisers are selling. This is part of the pitch that Norman Lear makes, that CBS executive Bob Wood finally decides to gamble on by greenlighting All in the Family. The dynamic inside the show itself is to focus on politics: to have the characters within the series discuss different political issues, and engage with the impacts of these issues, from women's rights and reproductive health to homosexuality to racism and the anti-war movement. In designing All in the Family with Archie Bunker (played by Carroll O'Conner) clearly defined as a conservative and as a bigot, and with Archie's daughter, Gloria Stivic (played by Sally Struthers) and son in law, Mike Stivic (played by Rob Reiner), as liberals and politically active, the show embedded politics within the narrative. Edith Bunker, played by Jean Stapleton, was an enthusiastic supporter of the Equal Rights Amendment, which was making its way through the ratification process while the series was airing, providing yet another avenue for political discussion within the show's structure. There were quite a few other shows that were developed at the same time as All in the Family that took up similarly political themes in iconic ways, from the Mary Tyler Moore Show to M*A*S*H to Maude. Political conversations were the fabric of these shows in much the same way as in All in the Family, where characters find themselves experiencing dimensions of politics in their lives and they discuss this with friends and family within the narrative construction. This also translated to Americans discussing these shows with each other at dinner, or at the “water cooler”, or at the beauty parlor or barbershop. Given the structure of television in the 1970s and 1980s, before cable and streaming services, options were more limited options, and many of these shows had great writers, actors, and showrunners. This was “appointment television” because there was no way to record or otherwise go back and watch the episode. Episodes were only available at their regularly scheduled time and day—which also meant that lots and lots of Americans were watching the same show at the same time. In some sense, Archie Bunker for President: How One Television Show Remade American Politics is not only about how one television show remade American politics, but also about how All in the Family remade American television, opening up the networks to developing and airing television shows that integrate politics (of all kinds) into the narratives. There is still quite a lot of television, particularly network television, that is pitched to the broadest possible audience, but the narratives in police procedurals or hospital-centered series or sitcoms integrate different dimensions of politics into their storylines in ways that had not been done before All in the Family. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Political historian Oscar Winberg has a fascinating new book titled Archie Bunker for President: How One Television Show Remade American Politics. This book weaves together quite a few different threads in examining the historical context in which the television show, All In The Family, landed on American television screens. Archie Bunker for President examines why this particular sitcom was a kind of inflection point within U.S. politics, within the media landscape at the time and moving forward, and how television production shifted and changed around this one particular television series. Winberg also lays out the path from the early 1970s, when All in the Family first aired, to our contemporary political moment, when celebrity and politics seem to be inescapably intertwined. As Winberg notes in our conversation, television as an entity is inherently conservative, since the functional model was about appealing to the lowest common denominator so that advertisers would be willing to pay for time during shows. In order to reach the most viewers, at least in the age of network television, the television series needed to appeal to the largest market possible, and not “turn off” viewers. What happens in the late 1960s and early 1970s with the television show All in the Family is that this dynamic shifts, and the case is made that it isn't about reaching the most people, but about reaching the people who have the means and inclination to purchase what the advertisers are selling. This is part of the pitch that Norman Lear makes, that CBS executive Bob Wood finally decides to gamble on by greenlighting All in the Family. The dynamic inside the show itself is to focus on politics: to have the characters within the series discuss different political issues, and engage with the impacts of these issues, from women's rights and reproductive health to homosexuality to racism and the anti-war movement. In designing All in the Family with Archie Bunker (played by Carroll O'Conner) clearly defined as a conservative and as a bigot, and with Archie's daughter, Gloria Stivic (played by Sally Struthers) and son in law, Mike Stivic (played by Rob Reiner), as liberals and politically active, the show embedded politics within the narrative. Edith Bunker, played by Jean Stapleton, was an enthusiastic supporter of the Equal Rights Amendment, which was making its way through the ratification process while the series was airing, providing yet another avenue for political discussion within the show's structure. There were quite a few other shows that were developed at the same time as All in the Family that took up similarly political themes in iconic ways, from the Mary Tyler Moore Show to M*A*S*H to Maude. Political conversations were the fabric of these shows in much the same way as in All in the Family, where characters find themselves experiencing dimensions of politics in their lives and they discuss this with friends and family within the narrative construction. This also translated to Americans discussing these shows with each other at dinner, or at the “water cooler”, or at the beauty parlor or barbershop. Given the structure of television in the 1970s and 1980s, before cable and streaming services, options were more limited options, and many of these shows had great writers, actors, and showrunners. This was “appointment television” because there was no way to record or otherwise go back and watch the episode. Episodes were only available at their regularly scheduled time and day—which also meant that lots and lots of Americans were watching the same show at the same time. In some sense, Archie Bunker for President: How One Television Show Remade American Politics is not only about how one television show remade American politics, but also about how All in the Family remade American television, opening up the networks to developing and airing television shows that integrate politics (of all kinds) into the narratives. There is still quite a lot of television, particularly network television, that is pitched to the broadest possible audience, but the narratives in police procedurals or hospital-centered series or sitcoms integrate different dimensions of politics into their storylines in ways that had not been done before All in the Family. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Send us Fan MailOn the podcast this time, Steven and Sean are recapturing their youth by checking things off a list. We watched the 2007 film from Rob Reiner, The Bucket List.Edward Cole and Carter Chambers might have been staring death straight in the face before living life to the fullest, but that doesn't mean any of us have wait to explore our own bucket lists.Let's jump out of airplanes (with a parachute, of course). Let's ask that pretty person out for a date. Let's recognize that life can be too short, and waiting to explore out bucket lists is always a bad idea.(Recorded on April 06, 2026)Links to Stuff We Mentioned:The Bucket List - The Movie Database (TMDB)The Bucket List trailer - YouTubeJack Nicholson — The Movie Database (TMDB)Morgan Freeman — The Movie Database (TMDB)Sean Hayes — The Movie Database (TMDB)Beverly Todd — The Movie Database (TMDB)Alfonso Freeman — The Movie Database (TMDB)The Guitar (2008) — The Movie Database (TMDB)Follow Us:Give us a rating and review on Apple Podcasts!Sean's Letterboxd profile!Steven's Letterboxd profile!Our Buzzsprout site!Our Instagram profile!Support the show

A Few Good MenHosts: Clark Coffey & Cullen McFaterIn this episode, Clark Coffey and Cullen McFader discuss Rob Reiner's 1992 film 'A Few Good Men,' exploring its cultural impact, performances, and the writing style of Aaron Sorkin. They delve into personal experiences with the film, the direction, and the philosophical questions it raises about the justice system. The conversation also touches on visual storytelling techniques and the balance between performance and cinematography in the film, the limitations of Aaron Sorkin's narrative style, and the performances of the lead actors. They discuss how the film addresses philosophical questions about morality and justice, while also analyzing the character dynamics and emotional depth brought by the supporting cast. The conversation highlights the film's entertainment value and its impact on audiences, reflecting on how perceptions of military culture have evolved over time.Subscribe to Soldiers of Cinema for honest, wide-ranging conversations on film, from cult favorites to award-winners - with two filmmakers, decades apart.TrailerDirector: Rob ReinerStarring:Tom CruiseJack NicholsonDemi MooreSocials:FacebookTwitterInstagram

[A crosspost with Hollywood Woketopia, my other Substack]Every so often, a moment in culture arrives, a Sydney Sweeney ad, or Project Hail Mary. Every time, we hear that the Woke fever has finally broken. Hollywood cares about the people again. Right?The same reason Kamala Harris is likely to be the nominee in 2028, the same reason the Democrats are still selling the lie that any kind of attempt by Republicans to even out the redistricting is “Jim Crow 2.0,” is proof enough that on the Left, Woke is not going anywhere. It is who they are now. Not all of them, but the most powerful among them.Early on, when Mark Halperin and others were insisting Gavin Newsom would be the nominee in 2028, I said there was no way the Democrats would get behind a white guy, no matter how passionately he genuflects to the Woke (“Anti-woke is anti-black!”). I know the Democrats. I was one. I helped build the modern-day party of the Great Feminization and the Great Awokening. I know what fires them up every day, and it isn't just taking back power; it's foisting their religion upon the rest of us.They think it's the opposite, that it's the Right that is foisting their “Christian Nationalism” upon them. While it's true that a faction of the Right has unmasked to become the very thing Rob Reiner warned about in his movie, God and Country, they aren't the majority. Perhaps that's true on the Left. But look around. Their religion is the dominant culture in America.When news got out that Christopher Nolan had cast Lupita Nyong'o as Helen of Troy, the “most beautiful woman in the world,” whose face launched a thousand ships, it ignited yet another culture war. How you reacted was like whether or not you wore a mask outside in 2020. It was a test. You're on one side, or you're on the other. Notice it, comment on it, object to it, criticize it, and you're one of the bad people to be purged. And if that weren't enough, Nolan brought back Ellen Page from Inception, now recast as Elliot Page, the male, as an act of affirmation and yet another test. These are Orwellian 2+2=5 and force people to choose between ignoring it and going to see a big-effects movie in IMAX, or not buying a ticket and boycotting the film. Elon Musk took the bait, becoming the villain Hollywood needed to turn seeing The Odyssey into a righteous and political act. You can see them now: the bearded male feminists buying tickets ten times in a row. “Take that, Elon Musk!” The ladies of Blue Sky will go in groups, then fawn over how beautiful Lupita Nyong'o is and overuse the male pronoun for Ellen/Elliot Page. “Wasn't he great?”The game is becoming exhausting by now, as Hollywood demands the hard-working American public be impressed by them, lectured by them, and corrected by them. All audiences really want is the one thing Hollywood seems unable to accomplish: entertain them.It isn't that Nyong'o isn't pretty. She is. It's that Helen of Troy was white, famously so, even if Greek. Nyong'o is a unique beauty, not a universal one, a reality the Left wants to force, because Hollywood doesn't care about its audience. They want to look good.Probably the worst thing about the game Hollywood plays with the movie fans they helped raise is that Lupita Nyong'o is held out as a sacrificial lamb. She isn't pushing any ideology, unlike Ellen/Elliot Page. They are putting her out there and expecting her to absorb criticism about herself, including whether she is pretty enough. I met her once, back in 2013 in Telluride, before her career took off. She was too young to know how to act like a celebrity. She was so nice, I was won over. She would win an Oscar that year and become a big star in Hollywood. Is it fair to put her in this position just so they can feel good about themselves? No. Does it change anything? No. There is still such a thing as truth and reality, even if that is the thing that is unfair. The Woke Code and the Hays CodeThe Hays Code (1930-1968) represented an era wherein decency and morality were mandated in all Hollywood films. The Christian conservatism/morality mandated by the Hays Code reflected less a separation between art and governance and more a united effort toward a utopian society of goodness, especially as we moved through the last Fourth Turning, the Great Depression, and World War II, a time where the world saw true evil in Hitler and Stalin, not to mention the nuclear bomb.That isn't all that different from what the Woke Code is now. It's roughly the same kind of thing: rigid rules to depict an ideal society. The difference is that Christian advocates have been replaced by progressive activists, and the villain is the white male patriarchy. What is different now, amid our current Fourth Turning, is that the Woke Code includes only half of America. To the Left, they would rewrite this narrative to say that Hollywood depicted mostly White America, and that is what has changed. But really, if you respond to the box office, as Hollywood doesn't anymore, you will always default to the majority. It isn't rocket science — beautiful, sexy women and masculine men and a great story.The end of the Hays Code was entirely due to economics. Television became so popular in the 1950s that there wasn't much of a need to go to the movies if all you saw was the same kind of buttoned-up themes you could see on TV. That's true now, too. Movies, then, had to break out of the Hays Code and become much more subversive, leading into the 1970s, which saw some of the best films ever made. While it's true that The Odyssey will be eligible to win Oscars under the new rules, it's also true that the criteria could have been met in a way that didn't make audiences play this same exhausting game that has alienated them from everything Hollywood puts out. The casting of Nyong'o and Page is less about Oscars and more about status. Perhaps Nolan was under pressure to cast a non-white woman as Helen, or maybe he wants to be seen as a good person using his wealth and fame to make change, as the most famous white male directors reach for things money can't buy, like Martin Scorsese making Killers of the Flower Moon, Steven Spielberg making West Side Story with a real Latina, and Paul Thomas Anderson's Peak Woke Best Picture winner, One Battle After Another.No film has better exemplified Hollywood in the Trump era than this one. It says it all. ICE as the Gestapo, check. America is run by a cabal of wealthy white Nazis, check. A woman of color must save herself, check. All of it is held together by a hapless white man, Leonardo DiCaprio, who represents the film's beating heart. He's the only good white guy, which is how those in Hollywood who make these kinds of choices would like to be seen. One Battle is actually a movie about them.Had Nolan cast a blue-eyed blonde woman as Helen of Troy, all hell would have broken loose. When you go against the rules of the Woketopia, you aren't just getting hit on X with lots of angry tweets by loyal fans who continually feel betrayed; they bring out the big guns - agonizing op-eds in the New Yorker, for instance. If you obey the rules, then you are praised. The problem is that it all feels so artificial, so pre-planned, so inorganic.I used to write the Oscars report for Jane Fonda's Women's Media Center (who fired me after they found out I voted for Trump), counting the number of female nominees and winners. The statistics were always grim. Every year, it was bad news. As things began to change for women after the Academy announced its DEI mandate in 2020, that change was forced. If before merit had made too many white men winners, now we were seeing something a little closer to gender parity. So then the line moved back, and it became not just about women but women of color and trans women. Now, it's all about Marxism disguised as art. If life isn't fair, movies will make it fair. It isn't just because the Oscars have it written into their new rules, and it isn't just because activist groups like GLAAD breathe down the neck of every Hollywood studio, counting heads and making reports. It's that this is a deeply felt belief system that isn't going anywhere anytime soon. I have no doubt The Odyssey will make money. It's a Christopher Nolan film, after all. Who doesn't want to go see a giant visual effects epic filmed entirely on IMAX? If you can ignore the elephant in the room, the performative casting, you might have a great time. But if you were hoping that Woke is over, well, I think that was its own Hollywood fairy tale. It's why Kamala Harris was the nominee in 2024 and why she will once again be the nominee in 2028. This is how the ruling class in America wants to be represented. They want to force change, and they do that by elevating minority groups to high-status positions as symbols for the mostly white people who run things.Culture, like the Democratic Party, will have to be built anew. That, more than anything, explains why AI is about to completely consume the business, becoming the subversive counterculture revolution Hollywood never saw coming. They can do it all and more without the millions of dollars necessary to mount a production. AI artists don't have to be held to the same rigid standards. They can be purely about bringing in eyeballs by showing what people most want to see, rather than what Hollywood wants them to want to see. In other words, they can make the women as beautiful as they want, and no one can cancel them for it. I spent my life in movie theaters gazing up at the big screen and watching some of the best films ever made. The only way that makes sense is if you are escaping real life and finding your way into a fantasy world, and maybe for the Woke, seeing Lupita Nyong'o cast as the most beautiful woman in the world is its own kind of fantasy fulfillment. After the movie comes out, we'll have to see whether it works or not. At the moment, it feels like just another test to decide who gets to stay and who has to go. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.sashastone.com/subscribe

Don't go anywhere, We're about to get crackalackin on our review of Misery, one of Stephen Kings most successful and critically acclaimed novel adaptations. Synopsis When world class author Paul Sheldon takes a spill he falls under the care of Annie Wilkes, his Nurse. As Paul regains his strength to learn to walk again, he also finds himself learning to love again. Little does he know that Annie Wilkes is his #1 fan. As Annie becomes his muse for his next novel, Annie tries to remain professional and hide her true feelings. From the Director Princess Bride and When Harry Met Sally comes the feel good romantic comedy of the 90's, which asks, why unrequited love can lead to such… Misery. Review of Misery Misery is a horror movie that proves you don't need all the bells and whistles of the genre to be truly terrifying. Sometimes all you need is one truly unhinged person and no escape. Kathy Bates performance is truly impressive and well deserving of her academy award win. She is convincingly able to portray a cavalcade of mental health disorders at the flip of a switch. Going from Manic fan girl to menacing anger, to unnerving disassociation. James Caan comparatively has light work being nonplussed at Annie's theatrics. William Goldman's adapted screenplay deserves a lot of credit for its tight pacing, the smart addition of a sheriff character, and great dialogue. Rob Reiner had a lot to prove with this film in expanding his credibility as a director outside of comedy. It undeniably is a great thriller, but my one criticism is that it is often visually uninteresting. It might be intentional, but the over reliance on monologue long closeups felt claustrophobic at times. It's said that Reiner studied the films of Hitchcock before shooting Misery, but I don't see anything close to that level of visual storytelling. Overall, this is a great movie. The tension never lets up and Kathy Bates performance is required viewing. Score 10/10

A new week means new questions! Hope you have fun with these!Do Kiwis grow on trees, bushes, or vines?Conchita Wurst, an Austrian Drag Queen, won which song contest in 2014 with "Rise Like A Phoenix"?Chrome and Hot Leather and The Ballad of Andy Crocker are the only two films with acting roles for which singer?In 1990, Stephen Hendry became the youngest ever World Champion at 21 years old in what sport?George Milton and Lennie Small are characters in which John Steinbeck novella?The Barbary macaque is the only undomesticated monkey in which continent?Which president has an Eternal Flame next to their grave?A Sengalese dance called the Simb mixes mysticism, terror, traditional dance, and folklore in a ritual to cure a symbolic hunter who has started acting like what animal?Who was the first American to win a Nobel Peace Prize?Which English actor played the titular characters in Blackadder and Mr. Bean?What 2012 film was a quasi-prequel to the 1979 film Alien?The Musical "I Wanna Dance With Somebody" is a 2022 musical biopic about which R&B Diva?What is the largest city by total area located in the continental US?The nadir is the point directly below an observer; what is the term for the point directly above?Released in 2002, the highest rated game on BoardGameGeek dot com for over 5 years has players assume the roles of colonial governors on what titular island?What is the largest ice shelf in Antarctica at around 500,000 square kilometers, a little too big to carry up stairs even if you pivot?Who starred in the 2024 American dark fantasy Netflix film Damsel?In which month is Guy Fawkes' Night celebrated?Which 1984 American mockumentary comedy film was Rob Reiner's feature directorial debut?MusicHot Swing, Fast Talkin, Bass Walker, Dances and Dames, Ambush by Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/Don't forget to follow us on social media:Patreon – patreon.com/quizbang – Please consider supporting us on Patreon. Check out our fun extras for patrons and help us keep this podcast going. We appreciate any level of support!Website – quizbangpod.com Check out our website, it will have all the links for social media that you need and while you're there, why not go to the contact us page and submit a question!Facebook – @quizbangpodcast – we post episode links and silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess.Instagram – Quiz Quiz Bang Bang (quizquizbangbang), we post silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess.Twitter – @quizbangpod We want to start a fun community for our fellow trivia lovers. If you hear/think of a fun or challenging trivia question, post it to our twitter feed and we will repost it so everyone can take a stab it. Come for the trivia – stay for the trivia.Ko-Fi – ko-fi.com/quizbangpod – Keep that sweet caffeine running through our body with a Ko-Fi, power us through a late night of fact checking and editing!Quiz, trivia, games, pub+trivia, pub+quiz, competition, education, comedy

Butthole Surfers' Paul Leary and King Coffey trace the band's unlikely major label journey — from America's top-grossing indie act to MTV hitmakers to a lost album finally resurrected after nearly three decades. Preorder "After the Astronaut" LP here Topics Include: After the Astronaut releases June 26 after sitting unreleased for 28 years. Capitol signed Butthole Surfers when they were America's top-grossing indie band. Label president Hale Milgram believed in them; his firing changed everything. Pepper was written on the spot after a producer demanded one more song. Pepper won radio call-in polls for a month and played MTV hourly. The hit turned them into a "follow-up band," which was never their thing. John Paul Jones produced Worm Saloon and taught Paul Leary how to produce. Jones and the band shared a Lagavulin obsession, running up a $20,000 scotch bill. Capitol's big budgets contrasted sharply with Touch and Go's approach. After the Astronaut was a deliberate return to experimental, art-school Butthole Surfers DNA. Mark Ryden painted the original cover; getting dropped handed it to Marcy Playground. Declining a Hellraiser soundtrack placement created the first real rift with Capitol. Their manager's heroin relapse coincided with the band getting dropped mid-promo cycle. Promo cassettes already pressed now sell for $800–$1,000 on the secondary market. Hollywood Records funded Weird Revolution; Rob Cavallo showed up once a week for ten minutes. Finding two-inch master tapes in a storage locker triggered the After the Astronaut remix. Documentary The Whole Truth and Nothing But took director Tom Stern five years to make. Rob Reiner called it one of the best music docs ever — hours before his murder. A potential box set looms, but Paul prefers naps, his cat, and his bicycle. High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

00:00 - 23:40 - Mike Chappell from CBS4 and FOX59 joins the show! Mike and JMV discuss the Colts releasing Kenny Moore II, and how his career in Indy will be remembered. What does Mike think will happen with Anthony Richardson Sr? 23:41 - 39:56 - Actor Corey Feldman joins the show to talk about Stand By Me Live, a live showing of the 1986 film! Corey discusses the making of the film, his relationship with the director, the late Rob Reiner, and more. 39:57 - 51:40 - Comedian DeRay Davis joins the show ahead of his shows in Indianapolis this weekend! DeRay is from Chicago, and he discusses his thoughts on the Bears potentially leaving Chicago. Support the show: https://1075thefan.com/the-ride-with-jmv/See omnystudio.com/listener for privacy information.

00:00 – 23:58 – JMV opens the show by reacting to the news that Kenny Moore II has been released by the Colts. He details his appreciation for Moore, and discusses how his Colts career will be remembered. 23:59 – 41:57 – Actor Corey Feldman joins the show to talk about Stand By Me Live, a live showing of the 1986 film! Corey discusses the making of the film, his relationship with the director, the late Rob Reiner, and more. 41:58 – 45:57 – JMV wraps up the first hour of the show! 45:56 - 1:10:35 - JMV discusses the expanded NCAA Tournament, and his feelings on how unnecessary it is. 1:10:36 – 1:27:45 – Comedian DeRay Davis joins the show ahead of his shows in Indianapolis this weekend! DeRay is from Chicago, and he discusses his thoughts on the Bears potentially leaving Chicago. 1:27:46 – 1:30:49 – JMV wraps up the 2nd hour! 1:30:50 – 1:57:04 – Mike Chappell from CBS4 and FOX59 joins the show! Mike and JMV discuss the Colts releasing Kenny Moore II, and how his career in Indy will be remembered. What does Mike think will happen with Anthony Richardson Sr? 1:57:05 – 2:09:49 – JMV answers some questions and comments from listeners! 2:09:50 – 2:14:22 – JMV wraps up the show! Support the show: https://1075thefan.com/the-ride-with-jmv/See omnystudio.com/listener for privacy information.

Nick Reiner faces two counts of first-degree murder with a special-circumstance allegation of multiple murders in the stabbing deaths of his parents, filmmaker Rob Reiner, 78, and photographer Michele Singer Reiner, 70, at their Brentwood home in December 2025. He has pled not guilty. He is held without bail at Twin Towers Correctional Facility. His original defense attorney, Alan Jackson, withdrew from the case in January. A sealed medical order has been filed. He is now represented by public defender Kimberly Greene.The mental-health dimension of this case is already shaping the legal landscape. Nick Reiner has a reported schizoaffective disorder diagnosis and a documented history of addiction that includes multiple treatment facilities and periods of homelessness. Sources indicate a medication change occurred approximately a month before the alleged killings. He has been described by those with knowledge of his condition inside the facility as delusional and almost childlike — reportedly screaming innocence at night and allegedly unable to process why he is incarcerated.Retired FBI Counterintelligence Behavioral Analysis Program Chief Robin Dreeke examines what the reported medication timeline means for any mental-state defense, whether an insanity defense can succeed in a case carrying special-circumstance allegations, and what sealed medical filings typically signal about the direction defense counsel is preparing to take.According to reports, Nick is simultaneously allegedly planning a revenge tell-all from behind bars — reportedly targeting surviving family members who have cut contact with him. His brother Jake Reiner published a public essay describing the loss of both parents as the most violent experience imaginable and detailing who Rob and Michele were beyond the public personas. The contrast between the two brothers — one grieving publicly, the other reportedly retaliating — raises behavioral questions Dreeke addresses directly: whether the reported tell-all reflects calculated awareness or is itself a manifestation of the mental state sources have described, and whose influence may be driving it.The family reportedly spent years attempting intervention — rehab, financial support, unconditional presence. Rob and Nick co-wrote a 2015 film, "Being Charlie," that explored the father-son relationship through the lens of addiction. A decade later, Nick is charged with his father's murder. Jake and Romy Reiner have reportedly severed contact. The defense attorney who initially took the case walked away. And the special-circumstance allegation puts the maximum penalty on the table pending a prosecution decision that has not yet been made.All individuals discussed are presumed innocent until proven guilty.Join Our SubStack For AD-FREE ADVANCE EPISODES & EXTRAS!: https://hiddenkillers.substack.com/Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/channel/UC8-vxmbhTxxG10sO1izODJg?sub_confirmation=1Instagram https://www.instagram.com/hiddenkillerspod/Facebook https://www.facebook.com/hiddenkillerspod/Tik-Tok https://www.tiktok.com/@hiddenkillerspodX Twitter https://x.com/TrueCrimePodThis publication contains commentary and opinion based on publicly available information. All individuals are presumed innocent until proven guilty in a court of law. Nothing published here should be taken as a statement of fact, health or legal advice.#NickReiner #RobReiner #MicheleReiner #TrueCrimeToday #HiddenKillers #TrueCrime #ReinerCase #BrentwoodMurders #MentalHealthDefense #SpecialCircumstances

What happens when you finally get to mix Spinal Tap in Dubly Atmos? You turn it up to 11, of course!My guest today is Grammy-nominated engineer and mixer Steve Genewick, joining us from his Atmos room in Los Angeles to walk us through the wild, hilarious, and surprisingly heartfelt process of capturing and mixing the new "Spinal Tap II: The End Continues" soundtrack and album. In this episode, Steve talks about working directly with Christopher Guest, Michael McKean, and Harry Shearer; recording their live vocals; tracking the band as a real rock group; and assembling a full dubly Atmos experience that honors the original film while pushing the new one into immersive territory.We dig into the whole workflow - from the Beyerdynamic M500 ribbon mics he labeled as Nigel, David, and Derek… to tracking full songs live at The Village… to mixing the concert sequences for the film… to remixing "Break Like the Wind" in Atmos using the original 1990s analog tapes that had to be transferred from tape box track sheets. Steve also talks about Spinal Tap's actual backstory, the improvised nature of the films, working directly with Rob Reiner, and why the guys are not in character in the studio - except when it's time to sound "more Nigel."We also go deep into Atmos and orchestral recording, Steve's work on classic jazz records (Miles Davis, Art Blakey, Freddie Hubbard), his remixing of the "Jaws" and "Jaws 2" soundtracks, and how immersive music translates between speakers, earbuds, and soundbars. Steve explains LFE strategy, subwoofer layouts, mixing bass into objects, and why a great Atmos mix is not about flying things around the room — it's about clarity, space, and emotional impact. And yes, we do talk about Stonehenge… the pizza pedal… the cheese guitar… and whether mixing break like the wind is allowed in the control room.Get access to FREE mixing mini-course: https://MixMasterBundle.comTHANKS TO OUR SPONSORS!http://UltimateMixingMasterclass.comhttps://usa.sae.edu/ The next program starts May 11, 2026 https://www.izotope.com Use code ROCK10 to get 10% off!https://www.native-instruments.com Use code ROCK30 to get 1 month free of NI 360!https://www.spectra1964.comhttps://gracedesign.com/https://pickrmusic.com https://RecordingStudioRockstars.com/Academyhttps://www.thetoyboxstudio.com/Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusicListen to this guest's discography on Apple Music:https://music.apple.com/us/playlist/steve-genewick-atmos-mixes/pl.u-76oNkrMF1JKbpIf you love the podcast, then please leave a review: https://RSRockstars.com/ReviewCLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/556

Nick Reiner appeared in Los Angeles Superior Court on April 29 for what was scheduled as the preliminary hearing in the double murder case stemming from the December 14, 2025, stabbing deaths of his parents, filmmaker Rob Reiner and photographer Michele Singer Reiner, inside the family's Brentwood residence. The hearing was continued to September 15 after both the prosecution and defense agreed that outstanding evidence — specifically, the still-incomplete autopsy reports from the Los Angeles County Medical Examiner — necessitated additional time. Prosecutor Jonathan Chung stated the autopsy reports represent the remaining evidence the defense requires for discovery. Public defender Kimberly Greene indicated she expects to receive additional materials as well. Over two terabytes of data are reportedly still being processed. Nick Reiner has pled not guilty to two counts of first-degree murder, with a special circumstances allegation of multiple murders and an additional allegation that a knife was used in the killings. The charges make him eligible for the death penalty under California law. DA Nathan Hochman has not publicly announced whether his office will seek that penalty, stating he will consult the family before making a final determination. Nick Reiner has been held without bail at the Twin Towers Correctional Facility since his arrest. His original attorney, Alan Jackson, withdrew during the January 7 arraignment, and Greene was appointed as his public defender. A sealed medical order has been filed in the case. Nick Reiner's mental health history — including a schizoaffective disorder diagnosis and a court-approved conservatorship from 2020 to 2021 — remains a significant factor the defense has not yet formally addressed. Eric Faddis provides legal analysis of the procedural delays, the implications of the outstanding autopsy reports, and the potential defense strategies that may emerge as the case progresses toward trial.Join Our SubStack For AD-FREE ADVANCE EPISODES & EXTRAS!: https://hiddenkillers.substack.com/Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/channel/UC8-vxmbhTxxG10sO1izODJg?sub_confirmation=1Instagram https://www.instagram.com/hiddenkillerspod/Facebook https://www.facebook.com/hiddenkillerspod/Tik-Tok https://www.tiktok.com/@hiddenkillerspodX Twitter https://x.com/TrueCrimePodThis publication contains commentary and opinion based on publicly available information. All individuals are presumed innocent until proven guilty in a court of law. Nothing published here should be taken as a statement of fact, health or legal advice.#NickReiner #RobReiner #MicheleReiner #BrentwoodMurder #PreliminaryHearing #DeathPenalty #NathanHochman #KimberlyGreene #TrueCrime #TrueCrimeToday

The search for two missing University of Southern Florida doctoral students ends in murder charges. Investigators say the alleged killer asked a chatbot how to get away with it. In Southern California, prosecutors are gearing up for the trial of Larry Millete -- the man they say killed his wife Maya after paying spellcasters to hex her. In Dateline Round Up, Jake Reiner, the son of slain Hollywood director Rob Reiner speaks out about his parents' murders, and there's a surprise plea in the 2002 killing of former RUN-DMC member Jam Master Jay. Plus, a sneak peek at “Allegedly,” a new video podcast on Netflix that covers the true-crime cases you can't stop talking about.   Find out more about the cases covered each week here: www.datelinetruecrimeweekly.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Nick Reiner, the son of acclaimed filmmaker Rob Reiner, has pleaded not guilty to the stabbing deaths of his parents and is set to appear in court as prosecutors prepare for a preliminary trial in a case that has stunned Hollywood. Learn more about your ad choices. Visit podcastchoices.com/adchoices

*Timestamps are approximate* 0:00 Podcast intro with Dave & Chuck "The Freak"0:01 - - - AD MARKER - - -0:01 Back from the weekend, Lisa did some painting0:06 Las Vegas buffets are going away0:12 Choices that people are making to save money on booze when they go out0:17 People's one irrational fear (What's your irrational fear?)0:45 NEWS0:45 SUCKS TO BE OLD0:45 Old driver crashed into cyclists for taking up a whole lane0:50 Another truck caught dumping garbage juice on a street0:53 Guy almost died while rescuing his dog from a freezing river0:58 - - - AD MARKER - - -0:58 Old lady goes viral for making a sandwich for her postal delivery man1:11 CELEBRITY DIRT1:11 NBA Playoffs update1:12 The oldest son of Rob Reiner breaks silence about his parent's murder1:15 Ben Affleck seen eating an apple without using his hands1:18 The new Michael Jackson movie did better than expected at the box office1:21 Girlfriend of Anthony Kiedis defends their age gap1:25 Rihanna's weed was so strong that Jonah Hill's friend pooped his pants1:28 The 10 greatest action movies of the last 90 years1:34 - - - AD MARKER - - -1:34 FLORIDA'S EFFED UP1:34 Woman in a truck ran over a Lamborghini that she couldn't see1:42 A drunk woman passed out behind the wheel of a self-driving car1:44 Woman threw homemade dynamite stick at her sleeping boyfriend1:52 Double-amputee had to be rescued after he got stuck in a hammock2:02 Little person stowed himself in overhead storage bin on plane2:10 Police Sargent caught naked in a park2:14 Roadkill found in a Chinese restaurant's freezer2:19 THOSE FOOGIN' ITALIANS2:19 A woman in trouble for trying to touch a statue's genitals2:23 - - - AD MARKER - - -2:23 BREAKING NEWS2:23 Dave's heated socks are officially being recalled2:33 Slingshot ride broke loose with people on board2:34 Guy had medical emergency while up in a tree cutting it down2:40 Woman almost killed by an Asian needle ant sting2:44 Funeral home caught planning to give a guy the wrong ashes2:47 Woman is being stalked by a business owner after leaving a 1-star review2:51 - - - AD MARKER - - -2:51 NEWS2:51 A new STD that is sweeping across the nation2:56 Woman gave birth one plane during her flight3:02 - - - AD MARKER - - -3:02 Someone used hair dryer to influence a bet 3:05 Class action lawsuit alleges that Trader Joe's sold coffee with less caffeine 3:07 Real estate agent who sells homes with musical theater3:10 - - - AD MARKER - - -3:10 DOUCHEBAG OF THE DAY3:10 Teens drove a ride-on mower into a store for online content END OF SHOWSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode of The Truth with Lisa Boothe, Lisa digs into America’s mental health crisis in light of the tragic deaths of Hollywood icon Rob Reiner and his wife Michele — allegedly involving psychiatric medication struggles. Board-certified psychiatrist and former FDA medical officer, Dr. Josef Witt-Doerring joins Lisa to discuss the risks of psychiatric drug over-prescription, hidden side effects of SSRIs and antipsychotics, the impact on youth and developing brains, withdrawal challenges, and how Big Pharma influences the mental health narrative. If you’re curious about the long-term effects of antidepressants, the limits of current research, and how to approach mental health treatment more safely and effectively — this episode is a must-listen.See omnystudio.com/listener for privacy information.