Podcast appearances and mentions of agnes varda

Ça y est : après deux semaines de visionnages intenses à Cannes, on a enfin pu se poser pour faire le bilan de cette édition 2025 !Au programme, des coups de coeur comme Sirat, La Petite Dernière ou Love Me Tender, des débats houleux sur Alpha ou Eddington... Mais aussi nos coups de cœur de cette édition.Chapitrage :02:57 : Les temps forts du festival / 07:09 : Sirat / 11:59 : Eddington / 19:37 : Amour Apocalypse / 22:52 : Alpha / 30:57 : Romeria / 35:22 : Sound of Falling / 39:10 : Sentimental Value / 43:59 : La petite dernière / 50:13 : Un simple accident / 53:48 : Nos coups de cœurAnimation, réalisation, montage : Mariana AgierParticipantes : Enora Abry, Mariana Agier, Margaux Baralon, Esther BrejonSon : Margaux BaralonGénérique : © SorocinéMusique : © Antonin Agier et Hugo CardonaHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Son nouveau film "Vie Privée" sera diffusé lors de cette 78e édition du festival de Cannes. Rebecca Zlotowski, qui s'était d'abord illustrée par son premier film Belle Epine, chérit le frivole et l'esprit, et s'intéresse aux formes de la féminité dans tous ses films. Pour l'occasion, nous nous penchons sur sa filmographie à travers trois films : Belle Epine (2010), Une Fille Facile (2019) et Les enfants des autres (2022).Chapitrage :02:10 : Belle Epine16:09 : Une fille facile35:11 : Les enfants des autresAnimation : Léon CattanParticipantes : Enora Abry, Léon Cattan, Victoria Faby, Diane LestageRéalisation, montage : Mariana AgierSon : Hélyette ArnaultGénérique : © SorocinéMusique : © Antonin Agier et Hugo CardonaHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Pour ce focus du mois, on prépare le festival de Cannes en parlant de la Palme d'or 2021, Titane, le deuxième film de Julia Ducournau qui amenait le genre du body horror sur la croisette.Animation : Mariana AgierParticipantes : Mariana Agier, Hélyette Arnault, Alicia Arpaïa, Lisa DurandRéalisation, montage, son : Mariana AgierGénérique : © SorocinéMusique : © Antonin Agier et Hugo CardonaHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

We close out 1987 with a quirky one: Steve Martin's adaptation of Cyrano de Bergerac: Roxanne, starring Daryl Hannah as the titular intellectual love interest of C.D. (Martin), a small-town fire chief with a brilliant mind and a prominent proboscis. This is a really fun way to end this series! Next up we'll have an entire month of Agnes Varda, starting with her first feature Cleo from 5 to 7, so start watching!

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues   Kate MacKay: John Cassavetes Directs Gena Rowlands Kate MacKay Kate MacKay, Associate Film Curator at Pacific Film Archive, in conversation with host Richard Wolinsky, discussing the films of John Cassavetes directing his wife Gena Rowlands. Kate MacKay is the curator of a retrospective of the films in which John Cassavetes directs his wife, Gena Rowlands, at Berkeley Art Museum and Pacific Film Archives from May 2 through May 14, 2025. In this interview, she discusses Cassavetes as a pioneer of the American independent film, then goes into detail on the films shown in the restrospective, including A Woman Under The Influence, Faces, Gloria, Opening Night, and Minnie and Moskowitz. She also talks about putting together a retrospective, and the upcoming Pacific Film Archive schedule for summer, 2025. Complete Interview.   Susan Oxtoby: The Life and Career of Agnes Varda Susan Oxtoby. Photo: BAMPFA. Susan Oxtoby, Director of Film and Senior Film Curator at Berkeley Art Museum and Pacific Film Archive (BAMPFA), discusses the work of the great Belgian-French film maker Agnes Varda (1928-2019) with host Richard Wolinsky. The first major biography of Agnes Varda, A Complicated Passion: The Life and Work of Agnes Varda by Carrie Rickey, was published in 2024 and will come out in paperback on August 12, 2025. Agnes Varda began her career as a stills photographer and became a director with La Point Courte (1954), having seen very few films in her life. She went on to international fame with Cleo from 5 to 7 and Vagabond, but her late life films The Beaches of Agnes and Faces, Places established her as one of the most important directors of the modern era. All the films discussed in this interview (except the recent documentary Viva Varda!) are available to stream on the Criterion app, save for Faces, Places, which can be streamed on Kanopy. Cleo from 5 to 7 can also be streamed on Max Complete Interview.     Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and vaccination and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others Wednesday or Thursday through Sunday. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival  See website for highlights from the 10th Annual Bay Area Book Festival, June 1-2, 2024. Book Passage.  Monthly Calendar. Mix of on-line and in-store events. Books Inc.  Mix of on-line and in-store events. The Booksmith.  Monthly Event Calendar. BookShop West Portal. Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books  On-line Refresh the Page program listings. Live Theater Companies Actors Ensemble of Berkeley.  Summers at John Hinkel Park: Cymbeline opens July 4; The Taming of the Shrew opens August 16. See website for readings and events. Actor's Reading Collective (ARC).   See website for upcoming productions. African American Art & Culture Complex. See website for calendar. Afro-Solo Theatre Company.See website for calendar. American Conservatory Theatre Two Trains Running by August Wilson, April 15 -May 4, and The Comedy of Errors, April 22 – May 3 with The Acting Company, in repertory, Toni Rembe Theater. Aurora Theatre  Crumbs from the Table of Joy by Lynn Nottage, April 26-May 25, 2025 Awesome Theatre Company. See website for information. Berkeley Rep. Here There Are Blueberries by Moises Kaufman and Amanda Gronich, April 5 – May 11, Roda Theatre. Berkeley Shakespeare Company Julius Caesar, June 13-21, Live Oak Theater, Berkeley. y. See website for upcoming events and productions. Boxcar Theatre. The Illusionist with Kevin Blake, live at the Palace Theatre, through April 27. Brava Theatre Center: See calendar for current and upcoming productions. BroadwaySF: Mamma Mia! April 30 – May 11, Orpheum. See website for complete listings for the Orpheum, Golden Gate and Curran Theaters. Broadway San Jose:  Six. April 22-27. See website for other events. Center Rep: The Unfair Advantage created and performed by Harry Milas, April 29 – May 11. Lesher Center. Central Stage. See website for upcoming productions, 5221 Central Avenue, Richmond Central Works  The Last Goat by Gary Graves, June 28 – July 27. Cinnabar Theatre. Bright Star, June 13-29, Sonoma State. Club Fugazi. Dear San Francisco ongoing. Check website for Music Mondays listings. Contra Costa Civic Theatre Fiddler on the Roof June 7 – 22. See website for other events. 42nd Street Moon. See website for upcoming productions. Golden Thread  AZAD (The Rabbit and the Wolf) by Sona Tatoyan in collaboration with Jared Mezzocchi, April 11 – May 3. See website for other events. Hillbarn Theatre: Writing Fragments Home by Jeffrey Lo, April 17 – May 4. Lorraine Hansberry Theatre. Come Thru: A Celebration of Black Artistry, Story Telling and Community, May 5-18, Magic Theatre, Fort Mason. See website for specific workshops and events. Los Altos Stage Company. Cyrano by Edmund Rostand, April 10 – May 4. Lower Bottom Playaz  See website for upcoming productions. Magic Theatre. Reading: Muse of Fire by Lauren Gunderson, April 26, 1 pm/8 pm; Anne by Anne Kenner, May 19, 7:30 pm. Aztlan by Luis Alfaro, World Premiere, June 25 – July 13. See website for additional events. Marin Shakespeare Company: See website for calendar. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC) Simple Mexican Pleasures by Eric Reyes Loo, April 18 – May 11. New Performance Traditions.  See website for upcoming schedule Oakland Theater Project. Ironbound by Martyna Majok, May 2 – 18. Odd Salon: Upcoming events in San Francisco & New York, and streaming. Palace of Fine Arts Theater.  See website for event listings. Pear Theater. Henry V by William Shakespeare, April 18 – May 11. See website for staged readings and other events. Playful People Productions. Disney's Frozen Jr., May 16-25, Hoover Theater, San Jose. Presidio Theatre. See website for complete schedule of events and performances. Ray of Light: Next to Normal. May 30 – June 21. Ross Valley Players: The Book of Will  by Lauren Gunderson, May 9 – June 8. See website for New Works Sunday night readings and other events. San Francisco Playhouse. The Curious Incident of the Dog in the Night-Time based on the novel by Mark Haddon, adapted by Simon Stephens. May 1-June 21. SFBATCO.  See website for upcoming streaming and in- theater shows.  The Day The Sky Turned Orange by Julius Ernesto, Sept 5 – Oct. 5, Z Space. San Jose Stage Company: The Underpants by Steve Martin, April 3 -27. Shotgun Players.  Yellowface by David Henry Hwang, May 10 – June 8. South Bay Musical Theatre:  Brigadoon, May 17-June 7, Stagebridge: See website for events and productions. Storytime every 4th Saturday. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Lunatico  Romeo and Juliet by William Shakespeare, April 26 – May 18. LaVal's Subterranean Theatre. Theatre Rhino  Doodler by John Fisher, extended to May 2, at Safehouse Arts. Gumiho by Nina Ki, April 17 – May 11. Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand. TheatreWorks Silicon Valley. The Heart-Sellers by Lloyd Suh, April 2-27. Word for Word.  See website for upcoming productions. Misc. Listings: BAM/PFA: On View calendar for Berkeley Art Museum/Pacific Film Archive. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2025 Season. Dance Mission Theatre. On stage events calendar. Fort Mason Center. Events calendar. Crushing, live monologue show, Feb. 27-28. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Gay Men's Chorus. See schedule for upcoming SFGMC performances. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org                                   .   . The post May 1, 2025: Pacific Film Archive. John Cassavetes Directs Gena Rowlands appeared first on KPFA.

Pour ce focus du mois d'avril, on s'intéresse au nouveau documentaire de Léa Clermont-Dion, "La peur au ventre", en salles le 30 avril 2025, qui s'intéresse au backlash anti-avortement suite à l'abrogation de l'arrêt Roe v. Wade aux Etats-Unis qui inscrivait l'avortement dans la Constitution. Comment le film raconte-t-il ce retour en arrière sur les droits des femmes, et comment s'intéresse-t-il aux discours anti-avortement ?Animation : Léon CattanParticipantes : Enora Abry, Hélyette Arnault, Léon CattanSon : Hélyette ArnaultRéalisation, montage : Mariana AgierGénérique : © SorocinéMusique : © Antonin Agier et Hugo CardonaHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Le 16 janvier dernier, David Lynch nous quittait, emporté par un arrêt cardiaque. Alors, nous nous sommes penchées sur les femmes de son cinéma, à travers la figure emblématique de Laura Palmer.Chapitrage :08:04 : Laura Palmer, archétype de la femme lynchienne15:13 : La figure du double chez David Lynch21:42 : La femme fatale35:32 : Le thème des violences sexuelles55:54 : Le rapport de Lynch à ses actricesAnimation : Léon CattanParticipantes : Mariana Agier, Léon Cattan, Diane LestageRéalisation, montage, son : Mariana AgierGénérique : © SorocinéMusique : © Antonin Agier et Hugo CardonaHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Ce vendredi 4 avril s'ouvre la 47e édition du Festival International du Film de Femmes de Créteil, qui met en lumière tous les ans le travail des femmes dans les corps de métier du cinéma : réalisatrices, actrices, techniciennes... Nous nous sommes réunies avec Jackie Buet, cofondatrice et directrice du festival, et Rose Hirgorom, programmatrice du festival.Cette interview a été enregistrée à distance, et présente donc un son légèrement altéré. Nous espérons tout de même qu'il vous plaira, et nous vous encourageons à donner beaucoup de force au festival !Animation, réalisation, montage, son : Mariana AgierParticipantes : Mariana Agier, Jackie Buet, Rose HirgoromGénérique : © SorocinéMusique : © Antonin Agier et Hugo CardonaHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Pour ce focus du mois, on revient sur la dernière adaptation en live action des studios Disney : Blanche-Neige, sorti en salles le 19 mars, avec Rachel Zegler et Gal Gadot, réalisé par Marc Web... Et précédé de nombreuses polémiques.Animation : Léon Cattan Participantes : Hélyette Arnault, Alicia Arpaïa, Léon Cattan, Lisa DurandRéalisation, montage : Mariana AgierSon : Antoine BrunetGénérique : © SorocinéMusique : © Antonin Agier et Hugo CardonaHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Join host Aaron Strand live at the historic Plaza Theatre in Atlanta, GA as he presents Agnes Varda's 1962 film 'Cleo from 5 to 7'. Before the screening we hosted the OFFICIAL Agnes Varda lookalike competition (you can check out the video on our Instagram and Tiktok). So this podcast is featuring the-post film audience discussion!Come see us for our next live show, March 27th where we will be screening Walter Hill's 1979 film 'The Warriors'Tickets hereEmail us: behindtheslatepod@gmail.comInstagram: @behindtheslatepodTikTok: @behindtheslatepodYouTube: @behindtheslatepodcast Hosted on Acast. See acast.com/privacy for more information.

Tom Luddy was a quiet titan of cinema. He presided over the Pacific Film Archive in Berkeley for some 10 years, co-founded and directed The Telluride Film Festival for nearly 50 years, produced some 14 movies, match-made dozens of international love affairs, and foraged for the most beautiful, political, important, risky films and made sure there was a place for them to be seen in the world. And that the people making this powerful work were known and knew each other. Tom Luddy with his photographic memory, his infinite rolodex, his encyclopedic knowledge of global cinema and his catalytic ability to connect people, caused the most unusual of collaborations to come to be. Tom championed the French New Wave, the Czech New Wave, Brazilian cinema novo, dissident Soviet cinema, directors Francis Coppola, Jean-Luc Godard, Werner Herzog, Agnes Varda, Les Blank, Paul Schrader, Agnieszka Holland, Barry Jenkins, Laurie Anderson and countless others.Tom passed away on February 13, 2023. There's a giant hole in the screen without him here. But his DNA is in the hundreds of filmmakers, musicians, writers and activists he nurtured and inspired.The Tom Luddy Connection: The Man, The Movies, The Rolodex was produced by Evan Jacoby and The Kitchen Sisters (Davia Nelson & Nikki Silva) in collaboration with Brandi Howell and Nathan Dalton. Mixed by Jim McKee.

Le 1er janvier 2025 sortait Bird, le dernier film de la réalisatrice britannique Andrea Arnold. Un film qui poursuit sa veine de réalisme social, tout en s'aventurant du côté de l'onirisme. Alors, la sortie de Bird nous a donné envie de nous réunir pour parler de la carrière d'Andrea Arnold, figure de proue du cinéma indépendant britannique, héritière du naturalisme de Ken Loach, et aussi grande passionnée des images de la nature.Chapitrage :05:37 : Red Road (2006)17:55 : Fish Tank (2009)37:39 : Les Hauts de Hurlevent (2011)56:31 : Bird (2025)Animation, réalisation, montage, son : Mariana AgierParticipantes : Alicia Arpaïa, Mariana Agier, Léon Cattan, Lisa DurandGénérique : © SorocinéMusique : © Antonin Agier et Hugo CardonaPhoto : © RankinHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Luke Kemp returns to the show to discuss Two Cheers for Anarchism, James C. Scott's six essays or "fragments" applying an anarchist squint to the world. Luke and I discuss the joy of Scott's book, it's controversial place in anarchist theory, and why it's a good place for the anarcho-curious to start their journey into anarchism.Along the way I also highly recommend Agnes Varda's amazing film, Daguerréotypes https://www.criterionchannel.com/daguerreotypes Luke should appear on the podcast later this year to discuss his new book about societal collapse, Goliath's Curse! https://www.penguinrandomhouse.com/books/691357/goliaths-curse-by-luke-kemp/

Here I go again, Bivol the magnificent, reading the signs, the tragedy of the five seasons, viddy well little brother, beer is overrated, a new drug on the horizon, an epic dig from Johnny Carson, I'm big in Paris, the rhythm method, the genius of Michel Legrand, the amazing Agnes Varda, a goofy ass yet enjoyable Pierce Brosnan curio, it's all about the traction, more made up quotes, and some wisdom from George Carlin. Stuff mentioned: Whitesnake "Here I Go Again" (1982), Dmitry Bivol vs. Artur Beterviev II (February 22, 2025), Derek and the Dominos "Bell Bottom Blues" (1970), Somebody Up There Likes Me (1956), The Box (2009), Frankie Valli and the Four Seasons "Opus 17/Don't You Worry 'bout Me" (1966), A Clockwork Orange (1971), Danny Sugerman and Jerry Hopkins No One Here Gets Out Alive (1980), Anthony Burgess A Clockwork Orange (1962), The Chevy Chase Show (1993), Hudson Hawk (1991), Howard the Duck (1986), An American in Paris (1951), Liza: A Truly Terrific Absolutely True Story (2024), Gene Kelly "I Got Rhythm" (1951), Michel Legrand "The Windmills of Your Mind" (1968), The Thomas Crown Affair (1968), The Thomas Crown Affair (1999), Die Hard (1988), The Umbrellas of Cherbourg (1964), The Young Girls of Rochefort (1967), Michel Legrand "Devant le Garage" (1964), Michel Legrand "Chanson des Jumelles" (1967), Cleo from 5 to 7 (1962), Vagabond (1985), The Gleaners and I (2000), Taffin (1988), and Sayonara (1957).

Pour ce focus du mois, retour sur le film Maria de Pablo Larrain, un biopic sur les derniers jours de la cantatrice Maria Callas incarnée par Angelina Jolie. L'équipe s'est réunie pour débattre sur le film et sur les deux autres biopics féminins du réalisateur, Jackie (2017) et Spencer (2021).Animation : Mariana AgierParticipantes : Diane Lestage, Léon Cattan, Hélyette Arnaut, Mariana AgierRéalisation, montage, son : Mariana AgierGénérique : © SorocinéMusique : © Antonin Agier et Hugo CardonaHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Pour honorer ce début d'année, on revient sur un film très attendu à la rédaction : Babygirl, de Halina Reijn, avec l'actrice Nicole Kidman qui incarne une PDG qui entame une liaison torride avec son stagiaire pour réaliser ses fantasmes.Animation : Margaux BaralonParticipantes : Alicia Arpaïa, Margaux Baralon, Léon Cattan, Oykü SofuogluRéalisation, montage : Mariana AgierSon : Alicia ArpaïaGénérique : © SorocinéMusique : © Antonin Agier et Hugo CardonaHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Le 27 novembre dernier sortait Les Reines du drame, d'Alexis Langlois, un ode à l'esthétique camp, à l'excès et au mauvais goût. Alors nous nous sommes interrogées : c'est quoi, le camp, et comment se représente-t-il au cinéma ?Chapitrage :Définition du camp : 02:33Mommy Dearest : 13:26Showgirls : 29:13Jawbreaker : 49:11Animation : Léon CattanParticipantes : Alicia Arpaïa, Mariana Agier, Léon CattanRéalisation, montage : Alicia Arpaïa, Mariana AgierSon : Hugo CardonaGénérique : © SorocinéMusique : © Antonin Agier et Hugo CardonaHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Pour ce focus du mois, on revient sur l'événement Les Femmes au Balcon de Noémie Merlant, une "farce punk" avec Sanda Codreanu, Souheila Yacoub et Noémie Merlant, en salles depuis le 11 décembre 2024.Animation : Léon CattanParticipantes : Margaux Baralon, Léon Cattan, Victoria FabyRéalisation, montage : Mariana AgierSon : Hugo CardonaGénérique : © SorocinéMusique : © Antonin Agier et Hugo CardonaHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Join host Aaron Strand live at the historic Plaza Theatre in Atlanta, GA as he presents Sergio Leone's 1967 film 'The Good, The Bad, and The Ugly'. Aaron gives an opening monologue giving a brief historical background of the filmmaker. After the screening, we open up the conversation for a lively audience discussion!Come see us for our next live show, January 23rd where we will be screening Agnes Varda's 1962 film 'Cleo from 5 to 7'Tickets hereEmail us: behindtheslatepod@gmail.comInstagram: @behindtheslatepodTikTok: @behindtheslatepodYouTube: @behindtheslatepodcast Hosted on Acast. See acast.com/privacy for more information.

Welcome to the FINALE of Season 12! I am so excited to say that my guest on the GWA Podcast is the acclaimed writer, Sheila Heti. Born in 1976 in Toronto, where she lives today, Heti is the author of eleven books, from novels to novellas, short stories and children's books. Most recently, her acclaimed books have included Alphabetical Diaries, that ordered a decade worth of diaries in alphabetical order; Pure Colour (2022), a novel that explores grief, art and time; Motherhood (2018), a meditation on whether or not to become a mother in a society that judges you whatever the outcome. Heti's writing is some of the most honest, thoughtful I've ever read, and throughout weaves in the broad subject of art, whether it be paintings or her protagonists' professions… Heti also wrote for the literary journal the Believer, and has conducted many long-form print interviews with writers and artists, including conversations with Joan Didion, Elena Ferrante, Agnes Varda, Sophie Calle, who are among some of the artists we are going to be, very excitingly, discussing today. -- THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: https://www.famm.com/en/ https://www.instagram.com/famm_mougins // https://www.merrellpublishers.com/9781858947037 Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Nada Smiljanic Music by Ben Wetherfield

#herkesesanat #çağdaşsanat Bir pisuar sanat tarihini nasıl değiştirdi? Öncüsü Beuys'a göre her insan bir sanatçı! Yüksek ve alçak kültür arasındaki sınırı bulanıklaştıran sanat biçimi! Anlamak çok zor! ... Bilgi Üniversitesi'nden Esra Yıldız rehberliğinde çağdaş sanatla tanışıyoruz. Çağdaş sanatın ne olduğunu, önemli sanatçı ve eserleri öğreniyoruz. ... Çağdaş sanat, yüksek kültürle alçak kültür arasındaki sınırı bulanıklaştıran, salt estetikten uzak, toplumsal kaygılarla üretilen sanat biçimi. Öncülerinden Joseph Beuys'a göre, her insan bir sanatçı. Belki bu yüzden çağdaş sanatı anlamak zor! Tarihsel aralık açısından sanat tarihçileri iki döneme işaret ediyor: İlki, 2. Dünya Savaşı sonrası dönem. Milyonlarca insanın toplama kamplarında öldürülmesi ve bundan sonra artık nasıl devam edileceği sorusu. Frankfurt Okulu'nun temsilcisi Adorno'nun, “Auschwitz'ten sonra şiir yazılamaz” sözünün ardından sanatçıların yapıtlarına dikkat çekti. İkinci dönem, 1960'dan günümüze kadar devam eden dönem. Feminizm, çevre hareketlerinin yükselişi, siyah haklar hareketi, 1968'de gençlerin ve işçilerin hareketi açısından önemli dönem. Sanatçıların bunlara karşılık gelen üretimlerini görüyoruz... ... Esra Yıldız'ın çağdaş sanata örnek olarak anlattığı sanatçılar ve eserleri: “Hazır yapıt” terimini literatüre kazandıran Fransız sanatçı Marcel Duchamp - 1917'de Bağımsız Sanatçılar Sergisi'ne gönderdiği ancak reddedilen eseri “çeşme / pisuvar”, modern sanat döneminde olsa bile, çağdaş sanatın kırılma noktası kabul ediliyor. Çağdaş sanatta önemli bir yeri olan, toplumu sanat aracılığıyla şekillendirmede önemli rolü olan Alman sanatçı Joseph Beuys. Ona göre her insan bir sanatçı. Almanya'da 2. Dünya Savaşı'nda tahrip edilen ve ekolojik yapısı bozulan Kassel kentini canlandırma amacıyla yaptığı “7 bin meşe” çalışması, örnek eserlerden. Bu bölüm için seçtiği müzikler: John Cage'ten “Music for Marcel Duchamp” ve “Fontana Mix” Joseph Beuys - Sonne statt Reagan 1982 Türkiye'den örnek verdiği sanatçılar: Ayşe Erkmen - Berlin'de bir evin dış cephesindeki “mış'lı” yerleştirmesi. İstanbul'da İstiklal Caddesi'nin Tünel tarafındaki bir heykeli var. Nur Koçak, Nil Yalter ve Sarkis'in de 70'lerden itibaren öncü isimler. Filmlerin, çağdaş sanatı anlamak açısından önemini vurguladı. Agnes Varda'nın “Les Glaneurs et la glaneuse” / “Toplayıcılar ve Ben” adlı belgeselinin izlenmesini önerdi, neden önemli olduğunu anlattı. Çağdaş sanat ve felsefe ilişkisine dikkat çekti, Fransız felsefeci Jean Francois Lyotard'ın 1985'te Paris Pompidou Kültür Merkezi'ndeki sergisinin önemli olduğunu belirtti. Bu sergi için: https://www.centrepompidou.fr/en/collection/film-and-new-media/les-immateriaux-1985 Ve günümüz filozoflarından Fransız sanatçı Georges Didi-Huberman'ın halen Madrid'de devam eden sergisini işaret etti. Bu sergiyle ilgili için: https://www.museoreinasofia.es/en/exhibitions/in-the-troubled-air NEDEN ESRA YILDIZ? İstanbul Bilgi Üniversitesi Kültür ve Sanat Yönetimi Bölümünde öğretim üyesi. Lisans derecesini Çevre Mühendisliği (İstanbul Teknik Üniversitesi, İTÜ) ve Sosyoloji (İÜ), yüksek lisans (İTÜ) ve doktora derecelerini (İTÜ) Sanat Tarihi bölümünden aldı. Doktora çalışmaları sırasında Technische Universität Berlin'de bulundu. Doktora sonrası çalışmalarını Berlin Humboldt Üniversitesi ve Paris EHESS'te sürdürdü. Critical Arts, African Arts, International Journal of Arts Management gibi dergilerde, Routledge, Intellect, İstanbul Bilgi Üniversitesi Yayınları gibi yayınevlerinden çıkan kitaplarda akademik çalışmaları, makaleleri yayınlanıyor. Akademik çalışmalarının yanı sıra, Sayfalar Arasında Bir Gölge: Sahaf Vahan (2010) ve Vatansız (2021) belgesel filmlerinin yönetmeni.

The monthly magazine podcast for the discerning film nerd is back for a new issue, starting with Double Reel Monthly. As well as a look at news and upcoming new releases, we talk about new films Blitz, Paddington in Peru, Woman of the Hour and Time Cut. For our ongoing annual projects James (no the other one) continues Year of the Nolan with the mighty Interstellar, and James (yes that one) has another entry in the Women Directors Showcase, Agnes Varda's iconic Cleo from 5 to 7 Next week we drop the next part of the issue, Classics and Hidden Gems, where we finally get round to watching a great film we've been meaning to see, and talk about a lesser known film that you should check out.

This is the first of two episodes in which host Dr Pasquale Iannone and guests discuss Film Phenomenologies, a ground-breaking collection of essays from Edinburgh University Press which explores work by filmmakers such as Céline Sciamma, Agnès Varda, Bill Viola, Alex Garland and Barry Jenkins through a phenomenological lens.In this first episode, Pasquale is joined by the collection's editor Dr Kelli Fuery (Professor of Creative and Cultural Industries at Chapman University, California). Kelli discusses her interest in feminist film-phenomenology, provides an overview of all 13 chapters and then takes a closer look at her own piece - on Agnès Varda's feminist musical One Sings, The Other Doesn't (1977).The next episode of Edinburgh Film Podcast (EFP 50) includes conversations with Professor Lucy Bolton and Dr David Sorfa, who discuss their respective chapters.

Pour ce focus du mois, on revient sur l'événement The Substance de Coralie Fargeat, une fable gore sur le culte des corps parfaits avec Demi Moore et Margaret Qualley, auréolé du prix du scénario au dernier festival de Cannes.Animation, réalisation, montage, son : Mariana AgierParticipantes : Mariana Agier, Lisa Durand, Victoria FabyGénérique : © SorocinéMusique : © Antonin Agier et Hugo CardonaHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Pour ce focus du mois, on revient sur la Palme d'Or de cette année, Anora, le 8e film du réalisateur américain Sean Baker, qui raconte l'histoire d'amour contrariée entre une strip-teaseuse de Brooklyn et le fils d'un oligarque russe.Animation : Léon CattanParticipantes : Mariana Agier, Léon Cattan, Victoria FabyRéalisation, montage, son : Mariana AgierGénérique : © SorocinéMusique : © Antonin AgierHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

It's about time, after 3 and a half years we got a brand spankin' new trailer. If you're new to Deep Cut, welcome! If you're a long-time fan, share this with your friends!  Deep Cut: A Film Podcast is a director-focused film podcast featuring deep-dive discussions about international, art-house, and independent cinema. Each episode we discuss either a director's most popular film or a "Deep Cut Pick": a personal favorite chosen by one of us: Wilson Lai, Benjamin Yap, and Eli Sands. We've covered movies from filmmakers like Hirokazu Kore-eda, Agnes Varda, Éric Rohmer, Kelly Reichardt, Wong Kar-wai, S.S. Rajamouli, Bong Joon-ho, and more! Looking for film recommendations off the beaten path? This is the pod to follow! Available wherever you get your podcasts! Find our FREE patreon, discord server, and all our socials @ http://www.deepcutpod.com

"If all great filmmakers would make a documentary about their lives right before they died, wouldn't that be so handy?" Couldn't put it better than Jennifer Jones does in this episode. She and Laura Glazer are the co-founders of the Agnes Varda Forever project, and they're here to talk about "Varda by Agnes" (2019), the final film from world cinema icon Agnes Varda. We dig into Varda's one-of-a-kind career, suggest starting points for newcomers, and assess what sets Varda's final film apart of the towering epics that seem to typify this series. Check out the Agnes Varda Forever website for free posters, cool merch, info on a forthcoming postcard project, and news of their return to Clinton Street Theater in March: AgnesVardaForever.com

Depuis le mois de septembre, la cinéaste belge Chantal Akerman est mise à l'honneur à travers une rétrospective en salles et une exposition au Jeu de Paume, à Paris. L'occasion pour nous de revenir sur l'oeuvre multiple de cette cinéaste fascinante, pétrie d'idées révolutionnaires et d'une liberté permanente.Chapitrage :02:50 : Saute ma ville07:17 : News from home19:32 : Golden EightiesAnimation : Léon CattanParticipantes : Noémie Attia, Léon Cattan, Diane LestageRéalisation, montage, son : Mariana AgierGénérique : © SorocinéMusique : © Antonin AgierHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Trash. Agnes Varda. Waste. France. Debris. Aging. Detritus. Death. Junk. All this and more swings in the orbit of THE GLEANERS AND I, the 2000 French documentary by legendary maverick filmmaker Agnes Varda. Filled to the brim with quirky characters, Varda among them, THE GLEANERS AND I takes Charlie and Antonio for an easy, breezy ride. Hop in! Intro/outro music: "Flitcraft" by Mekons THE GLEANERS AND I (2000), France, directed and shot by Agnes Varda

Pour ce premier focus de la rentrée, on revient sur Emmanuelle, le nouveau film d'Audrey Diwan, qui revisite le film érotique culte des années 1970 avec Noémie Merlant, Naomi Watts et Will Sharpe.Animation : Alicia ArpaïaParticipantes : Alicia Arpaïa, Mariana Agier, Léon CattanMontage : Mariana Agier, Alicia ArpaïaRéalisation, son : Mariana AgierGénérique : © SorocinéMusique : © Antonin AgierHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Having done film criticism for decades, it was around the early points of the COVID-19 pandemic that film critic and historian Carrie Rickey decided to take up the task of outlining the life of beloved director, Agnes Varda. In A Complicated Passion: The Life and Work of Agnès Varda, Rickey looks at not just Varda's filmography, but also how she became such a public-facing individual who embodied the politics she preached in interviews and on the big screen. Writing about the work that went into making great films like Cleo from 5 to 7, how she became a notable part of France's feminist movement, and the friendships that made her known as a beloved socialite. So for this week's FilmWeek feature, we speak to film critic and historian Carrie Rickey about her new book, A Complicated Passion: The Life and Work of Agnès Varda.

After polling missed the extent of Donald Trump's appeal in 2016 and overstated Joe Biden's strength in 2020, why should we believe what polls are telling us now? LA DA candidate Nathan Hochman explains his party affiliation change, defending Sheriff Lee Baca, and his “hard middle” approach to crime.   Filmmaker Agnes Varda shaped the French New Wave in the ‘60s, and was known as a “punk grandma” in her later years. A new biography traces her art-filled life.

Monocle's Andrew Mueller finds out about Soviet-era rock'n'roll in Ukraine ahead of the release of ‘Even The Forest Hums: Ukrainian Sonic Archives 1971-1996'. Plus: we discuss a new biography about filmmaker Agnes Varda and hear from Serbian performance artist Marina Abramovic. See omnystudio.com/listener for privacy information.

Pour cet épisode de rentrée, l'équipe de Sorociné est revenue sur la définition de la critique féministe, dans une époque où les questionnements féministes ont imprégné la création cinématographique. Comment aborder le female gaze, les représentations de la sexualité, les intentions féministes d'un film, par le biais de la critique ?Participantes : Léon Cattan, Mariana Agier, Margaux BaralonAnimation : Léon CattanRéalisation, montage : Mariana Agier Son : Hugo CardonaGénérique : (c) SorocinéMusique : (c) Antonin AgierRetrouvez toute l'actualité de Sorociné sur nos réseaux sociaux, Twitter, Facebook et Instagram : @Sorociné Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Seyahat etmek insanlığın her zaman en büyük tutkularından biri oldu. Tarih boyunca var olan tüm tehlikelere, yaşanabilecek tüm zorluklara rağmen seyahat etmekten vazgeçmedik. Günümüzdeyse durum biraz farklı... Artık oturduğumuz yerden merak ettiğimiz her bilgiye ulaşabilecek durumdayız. Fakat hala seyahat etmekten vazgeçmiyoruz. Peki bu arzunun kaynağı ne olabilir? 111 Hz'in bu bölümünde bir yolculuğa çıkıyoruz. Seyahat etme arzumuzun kaynağını farklı destinasyonlarda arıyoruz.Sunan: Barış ÖzcanHazırlayan: Kevser Yağcı BiçiciSes Tasarım ve Kurgu: Metin BozkurtYapımcı: Podbee Media------- Podbee Sunar -------Bu podcast, Hiwell hakkında reklam içerir.Hiwell'in klinik psikologlarıyla ücretsiz tanışma görüşmeleri yapmak ve terapi seanslarınızda pod10 koduyla %10 indirimden faydalanmak için linkten Hiwell indirin. Bu podcast Garanti BBVA hakkında reklam içerir.Sen de hemen aşağıdaki linkten Garanti BBVA Mobil uygulamasını indir, GENC2024 promosyon koduyla sana özel fırsatlardan hemen faydalan, 8 bin TL'ye varan ödülü kap. Garanti BBVA Mobil indir.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

A Complicated Passion: The Life and Work of Agnès Varda, is the book by award- winning film critic Carrie Rickey. Rickey traces Varda's three remarkable careers—as still photographer, as filmmaker, and as installation artist. She explains how Varda was a pioneer in blurring the lines between documentary and fiction, using the latest digital technology and carving a path for women in the movie industry. She demonstrates how Varda was years ahead of her time in addressing sexism, abortion, labor exploitation, immigrant rights, and race relations with candor and incisiveness. She makes clear Varda's impact on contemporary figures like Ava DuVernay, Greta Gerwig, Barry Jenkins, the Safdie brothers, and Martin Scorsese, who called her one of the Gods of cinema. And she delves into Varda's incredibly rich social life with figures such as Harrison Ford, Jean-Luc Godard, Jim Morrison, Susan Sontag, and Andy Warhol, and her nearly forty-year marriage to the celebrated director Jacques Demy.Suchita talks to Carrie about this most important book on Agnes Varda who defined the French New Wave, inspired an entire generation of filmmakers, and was recognized with major awards at the Cannes, Berlin, and Venice Film Festivals, as well as an honorary Oscar at the Academy Awards.Digs:1) Varda and her relationships with other Artists. She got to the essence very fast. Her ability to connect with people as a photographer and storyteller was immemse.2) Transforming from still image to moving pictures to 3 dimensional spaces- almost like a 3 Act of life!!3) The approach as a filmmaker that was so distinct from her director husband Demy. Her approach was to discover deeper aspects of things.4) Varda started making movies without knowing anything about movies- without having even have watched many films- and so she found her own language, her own grammar.5) Opening up to arts, creativity and filmmaking to create a new syntax.6) Truffaut's non acceptance of Varda as a director and his reviews in Cahiers du cinema.7) A very imporant difference between the French and the American studios financing movies-8) How photography taught her to capture the decisive moment!9) 1958 when her film got into the Cannes festival was she accepted into the community of french filmmakers and new wave filmmakers?10) The long marriage to another brilliant filmmaker Demy 11) Varda's relationship with Jim Morrison and his death- and how his funeral was for less than 8 minutes!12) Varda with Warhol, Susan Sontag, Truffaut. 13) Scorses's immense admiration for Varda.Enjoy this longish episode, and check out the book that is out now !!Join our Artists insta handle the.artistspodcast  Email id: metaphysicallab@gmail.com/  You can follow us and leave us feedback on Facebook, Instagram, and Twitter @eplogmedia, For partnerships/queries send you can send us an email at bonjour@eplog.media DISCLAIMER: The views expressed on all the shows produced and distributed by Ep.Log Media are personal to the host and the guest of the shows respectively and with no intention to harm the sentiments of any individual/organization.The said content is not obscene or blasphemous or defamatory of any event and/or person deceased or alive or in contempt of court or breach of contract or breach of privilege, or in violation of any provisions of the statute, nor hurt the sentiments of any religious groups/ person/government/non-government authorities and/or breach or be against any declared public policy of any nation or state.See omnystudio.com/listener for privacy information.

Josh and Drusilla take in the enormous beauty of Masaki Kobayashi's 1964 anthology film, Kwaidan. From wiki: “Kwaidan (Japanese: 怪談, Hepburn: Kaidan, lit. 'Ghost Stories') is a 1964 Japanese anthology horror film directed by Masaki Kobayashi. It is based on stories from Lafcadio Hearn's collections of Japanese folk tales, mainly Kwaidan: Stories and Studies of Strange Things (1904), for which it is named. The film consists of four separate and unrelated stories. Kwaidan is an archaic transliteration of the term kaidan, meaning "ghost story". Receiving critical acclaim, the film won the Special Jury Prize at the 1965 Cannes Film Festival,[5] and received an Academy Award nomination for Best Foreign Language Film.[6] Also discussed: Alien: Romulus, pinball, Strange Darling, production design, Jacques Demy, Lady Snowblood, Tales from the Crypt comics, Raw Dawn Chong and Tales from the Darkside (the movie), Conan the Barbarian, Crying in H Mart, Agnes Varda, Nothing But Trouble, and more! NEXT WEEK: Daughters of Darkness (1971)    Follow them across the internet: Bloodhaus:https://www.bloodhauspod.com/https://twitter.com/BloodhausPodhttps://www.instagram.com/bloodhauspod/ Drusilla Adeline:https://www.sisterhydedesign.com/https://letterboxd.com/sisterhyde/ Joshua Conkelhttps://www.joshuaconkel.com/https://www.instagram.com/joshua_conkel/https://letterboxd.com/JoshuaConkel/ 

Electric Vehicles are having a real moment. People by and large prefer EVs because they're greener, quieter, and often more fun to drive than gas cars. But one sticking point in the EV revolution is charging. There are more charging stations now than there have ever been, but it's still not enough. And how those stations are distributed can make driving long distances in an EV feel like a bit of a gamble.This week on Gadget Lab, WIRED staff writer Aarian Marshall joins the show to talk about the state of EV charging, the feelings of “charging anxiety,” and whether people really need to worry all that much about those EV battery fires in the news.Show Notes:Read Aarian's story on the current state of EV charging prices. Aarian writes for WIRED about all things electric vehicle and transportation related.Recommendations:Aarian recommends three different episodes of PJ Vogt's Search Engine podcast featuring Ezra Klein as a guest. Mike recommends Agnes Varda's film The Gleaners and I from the year 2000. Lauren is out this week.Aarian Marshall can be found on social media @AarianMarshall. Michael Calore is @snackfight. Bling the main hotline at @GadgetLab. Lauren Goode is @LaurenGoode. The show is produced by Boone Ashworth (@booneashworth). Our theme music is by Solar Keys.

A l'occasion du festival Avant-Premières organisé par les Cinémas Indépendants Parisiens, nous avons rencontré la réalisatrice tunisienne Kaouther Ben Hania, qui présentait son dernier film Les Filles d'Olfa, un documentaire poignant sur le déchirement familial et sur l'usage du cinéma pour ressusciter les fantômes. Rencontre avec la réalisatrice.Participantes : Kaouther Ben Hania, Alicia Arpaïa, Mariana AgierAnimation : Alicia ArpaïaRéalisation, montage : Alicia Arpaïa, Mariana Agier Son : Mariana AgierGénérique : (c) SorocinéMusique : (c) Antonin AgierRetrouvez toute l'actualité de Sorociné sur nos réseaux sociaux, Twitter, Facebook et Instagram : @Sorociné Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Mike and Nick revisit one of their favourite directors: Agnès Varda. They spotlight 1985's Vagabond and supplement with a few of her short films. Vada conjures a realism and respect for her subject matter which bolsters her authenticity.

In honor of the Paris Olympics and the astounding contribution of the French to culture and art of the world, The Kitchen Sisters Present, Archive Fever: Henri Langlois and the history of the Cinémathèque Française, featuring Francis Ford Coppola, Wim Wenders, Tom Luddy, Lotte Eisner, Simone Signoret, Agnes Varda, Costa-Gavras, Barbet Schroeder.Henri Langlois never made a single film — but he's considered one of the most important figures in the history of filmmaking. Possessed by what French philosopher Jacques Derrida called "archive fever," Langlois began obsessively collecting films in the 1930s and by the outset of World War II, he had one of the largest film collections in the world. The archive's impact on the history of French cinema is legendary, as is the legacy of its controversial keeper.Langlois fell in love with film in his teens, just as silent films were being replaced by talkies. "In the early 30s they were destroying every silent movie," says film director Costa-Gavras, now president of Langlois' Cinémathèque Française. "He started collecting all those movies, not just to save them for the future, but to show them.""Langlois educated a whole generation of film archivists and filmmakers," says filmmaker Wim Wenders. "He spread the idea of saving the memory of mankind that is in the history of cinema."This story is part of The Keepers series — Activist archivists, rogue librarians, historians, collectors, curators — keepers of the culture and the free flow of information. Produced by The Kitchen Sisters (Nikki Silva & Davia Nelson) with Nathan Dalton and Brandi Howell. Mixed by Jim McKee.

En octobre 2020, la série Netflix Le Jeu de la Dame mettait en scène une joueuse d'échecs toxicomane. Dans un épisode centré sur sa descente aux enfers, il y a une scène où la jeune femme, ivre sur son canapé, ne porte qu'un débardeur moulant et un gilet, qui descend le long de ses jambes nues parfaitement épilées ; son brushing est impeccable, il n'y a qu'autour de ses yeux que son maquillage a un peu bavé. Ce qui nous a amené à nous interroger : une femme qui va mal, au cinéma et à la télé, ça ressemble à quoi ?   Pour répondre à cette question, nous nous sommes entretenues avec le psychiatre et auteur Jean-Victor Blanc, qui analyse comment les troubles psychiques traversent de part et d'autre notre imaginaire cinématographique. Participant.e.s : Léon Cattan, Mariana Agier, Jean-Victor BlancAnimation : Léon CattanRéalisation et montage : Mariana Agier Son : Hugo CardonaGénérique : (c) SorocinéMusique : (c) Antonin AgierRetrouvez toute l'actualité de Sorociné sur nos réseaux sociaux, Twitter, Facebook et Instagram : @SorocinéHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

The French New Wave was headlined by names like Truffaut & Godard, but Agnes Varda was a vital writer/director in the movement too. Her Cleo From 5 To 7 is set in in Paris and plays out in real time (90 minutes, though, not 2 hours). The beautiful and compelling Corinne Marchand wanders around the city, killing time until she will find out whether or not she has cancer. Cleo is a little aloof, which is partly the point, especially since she's a vain singer. Being that closed off though is partly why we didn't fall in love with Varda's opus the way Sight & Sound voters did in 2022, but we definitely have great appreciation for this B&W classic. So live in the moment as episode #599 of Have You Ever Seen has us hashing out one of the foremost of the (we think overrated) French New Wave. Sparkplug Coffee sponsors this podcast. Our "HYES" promo code will snag you a onetime 20% discount. The website is "sparkplug.coffee/hyes". Tell us what you think of our thoughts. Our email address is "haveyoueverseenpodcast@gmail.com" and our Twi-X accounts are @moviefiend51 and @bevellisellis. She uses that on Threads too. And we post our shows on YouTube (@hyesellis in your browser), where you can comment, like, subscribe and so on. Do those things and rate & review on your podcast app too.

Ce mois-ci, on vous parle de Love Lies Bleeding de Rose Glass, avec Kristen Stewart et Katy O'Brian, une histoire d'amour lesbienne entre Lou, gérante solitaire d'une salle de sport, et Jackie, une culturiste ambitieuse.Animation : Léon CattanParticipantes : Mariana Agier, Noémie Attia, Léon CattanRéalisation, montage : Mariana AgierSon : Hugo CardonaGénérique : © SorocinéMusique : © Antonin AgierHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

The fifth episode of our season on the awesome movie year of 2000 features our documentary pick, Agnes Varda's The Gleaners and I. Directed by and featuring Agnes Varda, The Gleaners and I is considered one of the greatest documentaries of all time.The contemporary reviews quoted in this episode come from Roger Ebert (https://www.rogerebert.com/reviews/the-gleaners-and-i-2001), Kevin Thomas in the Los Angeles Times (https://www.latimes.com/archives/la-xpm-2001-apr-06-ca-47419-story.html), and Stephanie Zacharek in Salon (https://www.salon.com/2001/03/08/gleaners/).Visit https://www.awesomemovieyear.com for more info about the show.Make sure to like Awesome Movie Year on Facebook at http://www.facebook.com/awesomemovieyear and follow us on Twitter @AwesomemoviepodYou can find Jason online at http://goforjason.com/, on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Twitter @JHarrisComedyYou can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/ and on Twitter @signalbleedYou can find our producer David Rosen's Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod and the Popcorn & Puzzle Pieces Facebook Group at https://www.facebook.com/groups/piecingpod.You can also follow us all on Letterboxd to keep up with what we've been watching at goforjason, signalbleed and bydavidrosen.Subscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year, plus fellow podcasts Piecing It Together and All Rice No Beans, and music by David Rosen: https://www.patreon.com/bydavidrosenAll of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comPlease like, share, rate and comment on the show and this episode, and tune in for the next 2000 installment, featuring Josh's personal pick, Curtis Hanson's Wonder Boys.

Sara Gómez's first and only feature, De Cierta Manera / One Way or Another (1977), is ranked at 196. Gómez was a revolutionary filmmaker in Cuba who spent her career examining and highlighting the struggles of the Afro-Cuban community, women, and the marginalized as they dealt with continued inequalities after social revolution. De Cierta Manera combines documentary footage and fictionalized narratives; professional and amateur actors as well as people playing themselves; and facts and argumentation. Agnes Varda, who worked with Gomez, once characterized her work as "didactic films," and Paul and Corey wholeheartedly agree - to the film's credit and limitations. Because of...the whole America-Cuba thing, De Cierta Manera is not readily available for streaming. You can watch a rough copy here on YouTube. It's a great discussion of an interesting film. Enjoy!

Do you love French New Wave feminist classics that prominently feature mirrors, kittens, and cameos? Then Cleo from 5 To 7 (1962) is the movie for you! Check out our tribute to the legendary filmmaker Agnes Varda on this week's episode of Talk Classic To Me with host Sara Greenfield, and guest Susannah Mars. -------------- This episode is sponsored by Magic Mind. Use the code TALKCLASSIC20 to receive 20% off your order. ⁠https://www.magicmind.com/talkclassictome⁠. --- Support this podcast: https://podcasters.spotify.com/pod/show/sara-greenfield/support

The fourth episode of our season on the awesome movie year of 2000 features the Cannes Film Festival Palme d'Or winner, Lars von Trier's Dancer in the Dark. Written and directed by Lars von Trier and starring Björk, Catherine Deneuve, David Morse and Peter Stormare, Dancer in the Dark also won the Best Actress award at Cannes for Björk's lead performance.The contemporary reviews quoted in this episode come from Roger Ebert (https://www.rogerebert.com/reviews/dancer-in-the-dark-2000), Edward Guthmann in the San Francisco Chronicle (https://www.sfgate.com/movies/article/Dancer-Dares-to-Be-Different-Singer-Bjork-3303305.php), and Peter Bradshaw in The Guardian (https://www.theguardian.com/film/2000/sep/15/1).Thanks to our special guest, skateboarder Justin Bishop, for joining us. Check out Justin on Instagram at @justinthebishop.Visit https://www.awesomemovieyear.com for more info about the show.Make sure to like Awesome Movie Year on Facebook at http://www.facebook.com/awesomemovieyear and follow us on Twitter @AwesomemoviepodYou can find Jason online at http://goforjason.com/, on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Twitter @JHarrisComedyYou can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/ and on Twitter @signalbleedYou can find our producer David Rosen's Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod and the Popcorn & Puzzle Pieces Facebook Group at https://www.facebook.com/groups/piecingpod.You can also follow us all on Letterboxd to keep up with what we've been watching at goforjason, signalbleed and bydavidrosen.Subscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year, plus fellow podcasts Piecing It Together and All Rice No Beans, and music by David Rosen: https://www.patreon.com/bydavidrosenAll of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comPlease like, share, rate and comment on the show and this episode, and tune in for the next 2000 installment, featuring our documentary pick, Agnes Varda's The Gleaners and I.

Send us a Text Message.Agnès Varda is one the most innovative and boundary-pushing filmmakers in cinematic history. Her impact on the French New Wave and her genre-blending approach has completely changed the game. In this episode, Nick, Bella, and Varda fan Remy Smith (who also happens to be our first guest!) do a deep dive into three of Agnès' most impressive films. Cleo From 5 to 7, One Sings, The Other Doesn't, and Vagabond are on our slate for this episode. Check out this episode and check out these incredible Varda masterpieces. Let us know what you think of the films in the comment section. Support the Show.Sign up for our Patreon for exclusive Bonus Content.Follow the podcast on Instagram @gimmethreepodcastYou can keep up with Bella on Instagram @portraitofacinephile or Letterboxd You can keep up with Nick: on Instagram @nicholasybarra, on Twitter (X) @nicholaspybarra, or on LetterboxdShout out to contributor and producer Sonja Mereu. A special thanks to Anselm Kennedy for creating Gimme Three's theme music. And another special thanks to Zoe Baumann for creating our exceptional cover art.

When I first saw Hiroshima Mon Amour, this particular director went on the long list of names I wanted to cover. Alain Resnais is an internationally acclaimed film director, associated with both the Left Bank Group and the Nouvelle Vague. His preoccupation with the themes of time, memory and history, and his dazzling exploration of cinematographic technique, made him one of France's most distinctive and influential filmmakers for over 60 years, inspiring the likes of David Lynch & Michel Gondry. For this episode, previous guest and friend to the show Kate Blair (who joined me for Agnes Varda) returns for a delightful discussion on close to ten films of his, including a high recommendation of some of his short films as well at the end. Then I'm taking the rest of the month off to concentrate on prepping for the epic 1994 retrospective recording the first weekend of March. Thank you to Kate for a great conversation on a filmmaker I grew to love the more we talked about him.  Follow Kate: https://letterboxd.com/selective_kate