Podcast appearances and mentions of Gillian Anderson

Rated RRuntime: 1hr 52minWritten & Directed by Jane SchoenbrunStars: Hannah Einbinder, Gillian Anderson and Jack HavenPremiered at Cannes May 13, 2026Released in US theaters (limited) August 7, 2026RT: 94% critics / 78% audienceSynopsisQueer filmmaker Kris has been tasked with revamping the problematic Camp Miasma slasher film series. She tracks down the original film's reclusive star, Billy Presley, who just so happens to live at the former campsite, and they begin a strange relationship.Join us again in two weeks when we'll be reviewing Leviticus, currently available to rent.Theme music: "Secret of Tiki Island" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 Licensehttp://creativecommons.org/licenses/by/3.0/

Is Teenage Sex and Death at Camp Miasma a slasher movie, an art film, a psychosexual fever dream, a two-hour therapy session about making movies... or one of the best films of 2026? Jane Schoenbrun's follow-up to I Saw the TV Glow takes the bones of an '80s summer-camp slasher and uses them to dig into sex, death, nostalgia, identity, fandom, filmmaking and our increasingly complicated relationship with the movies that shaped us. And blissfully, Gillian Anderson is at the center of all of it giving one of our favorite performances of the year.  This week on Messed Up Movies, Griffey, Heath, Sam and Sophia dig into Teenage Sex and Death at Camp Miasma, from Little Death and the movie's gloriously ridiculous kills to its obsession with horror nostalgia, Hollywood exploitation and the terrifying prospect of actually being seen for who you are. Some of us think it's one of the year's best movies. Some of us think it's a gorgeous, self-indulgent cinematic therapy session. Somehow, both might be right. FULL SPOILERS AHEAD. Subscribe to Misfit Parade for new episodes of the Messed Up Movies Podcast every Monday, Wednesday and Friday. Support the show, join our community and help select movies for future episodes on Patreon: https://www.patreon.com/c/messedupmoviespod Follow Misfit Parade: https://www.misfitparade.com/

In this episode, we review the 2026 American slasher film, written and directed by Jane Schoenbrun and starring Hannah Einbinder and Gillian Anderson titled Teenage Sex and Death at Camp Miasma. We discuss whether the film's plot stuck the landing, and we debate whether campy slasher movies are starting to make a comeback in the horror genre.See omnystudio.com/listener for privacy information.

Jane Schoenbrun's latest film is an innovative Horror Comedy, an incisive commentary on the slasher genre and a showcase for Hanna Einbinder and Gillian Anderson. It's already one of our favorite films of the year, and this is our film study episode. NON-SPOILER REVIEW OF CAMP MIASMA: Production Profile, Cannes & Early Reception Scores - 3:46 Our issues with modern day platform releases - 4:32 The Premise & Non-Spoiler Script Thoughts - 12:45 Performance Reviews - 17:10 Production Values featuring some of our favorite music in film this year - 20:53 Our Oscar Lens, including Gothams & Spirits talk - 28:31 Spoiler Warning - 32:59 SPOILER REVIEW OF TEENAGE SEX & DEATH AT CAMP MIASMA: A joyous film about sex - 34:02 Meta, requel, and allegory takes - 39:52 The Russian Doll of it all - 41:53 Analyzing the title - 47:40 Profound casting - 48:34 That Oner - 49:26 More Best Scenes re: Slasher Genre & The Candy - 52:53 A few nitpicks - 57:25 Final Thoughts & Grades - 58:47 OUTRO: We've just launched our YouTube channel. So please subscribe and like our videos. There's already a first video posted, plus you can listen to a selection of our podcasts, and we will be posting many more exclusive videos in the near future as well as live webcasts and video versions of our podcast. https://www.youtube.com/@MikeMikeandOscar And here's our linktree: https://linktr.ee/mikemikeandoscar

Kelsi and Trey explore Jane Schoenbrun's Teenage Sex and Death at Camp Miasma, one of their favorite and strangest movies of the year. They unpack Hannah Einbinder and Gillian Anderson, the fake slasher franchise, Hollywood's obsession with zombie IP, Little Death, Final Girls, queer reclamation, and why Schoenbrun's overwhelming cinematic language can be both exhilarating and deeply uncomfortable. They also discuss “Cinema Dysmorphia," an idea that movies can become so embedded in how we understand ourselves that they help us recognize something about our identity or reality while simultaneously distorting those things. In that way, Camp Miasma becomes a poisoned love letter to horror about the movies that never really leave us. To sign up for free bonus episodes as a free member on Patreon or to access our whole 100+ episode catalogue as a paid member, sign up below!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Become a member of The Extra Credits+ on Patreon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok: The Extra Credits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Extra Credits YouTube Channel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd: ⁠The Extra Credits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠@theextracredits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter: ⁠@theextracredits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Send requests, questions, and thoughts to our email: extracreditspod@gmail.com

Con il nostro Boris Sollazzo parliamo di "Oceania" live action tratto dal film di animazione, diretto da Thomas Kail con Catherine Lagaʻaia nel ruolo di Vaiana e Dwayne Johnson e di "Maldoror" di Fabrice Du Welz con Anthony Bajon, Alba Gaïa Bellugi, Alexis Manenti, Sergi López.Cosa Vedremo: I film dell'autunno inverno dalle voci dei distributori. Interviste raccolte da Chiara PizzimentiSpazio all'horror con Emanuele Di Nicola, critico ed esperto di genere, che ci racconta "Insidious" horror diretto da James Wan con Patrick Wilson, Rose Byrne, Ty Simpkins e "Camp Miasma" scritto e diretto da Jane Schoenbrun e con protagoniste Hannah Einbindger e Gillian Anderson."Terminator 2" torna in sala 35° anniversario restaurato 4K.

It's Friday on The Rizzuto Show, which means this comedy podcast is landing the plane with music nostalgia, celebrity chaos and enough questionable information to ruin several perfectly good movies.First, Rizz gets ambushed by his own shuffle when a Rollins Band song he hadn't heard in roughly 25 years suddenly comes back from the dead. That launches the crew into Henry Rollins memories, MTV, Beavis and Butt-Head, Black Flag, Lollapalooza and the fascinating contradiction that is Henry Rollins: an inspirational motivational speaker who always looks like he's about three seconds away from yelling at a parking meter.Some of the crew remembers the song. Some absolutely do not. Rizz insists everybody needs to listen to it. Rafe now apparently has new music for the closet he cries in. Great start.Then it's time for Crap on Celebrities, where Foo Fighters joining AC/DC in St. Louis continues to be enormous news. Dave Grohl explains just how much AC/DC influenced him, while everyone tries to figure out what happened to The Pretty Reckless and whether the lineup change was designed to give ticket sales another shot of adrenaline.Either way, September 8 is shaping up to be massive.Unfortunately, so is the parking nightmare.From there, celebrity news takes the wheel and immediately drives directly into a ditch. The upcoming Michael Jackson biopic sequel is expected to tackle the controversial later years of his life. The ongoing Tupac Shakur murder case raises new questions about alleged connections to Sean “Diddy” Combs. Then Biggie's family enters an estate fight after changes were reportedly made to his mother's will shortly before her death.Nothing brings a family together quite like hundreds of millions of dollars.We also get new music releases, Dr. Phil lawsuit news and one of the uglier family betrayals in comedy history. Dane Cook's documentary revisits his rise to superstardom and the revelation that his own brother, who handled his finances, embezzled roughly $12 million.Imagine becoming one of the biggest comedians in America and still discovering the most expensive heckler was sitting at Thanksgiving dinner.The entertainment rundown keeps rolling as Yellowjackets heads toward its final season and Dave Bautista takes over as Kratos in Amazon's God of War. The original actor had already gotten himself ridiculously ripped for the role before suffering a torn bicep and losing the job, which is one of those stories that makes your bad week seem slightly more manageable.Then Moon performs an important public service by warning everybody away from a movie he describes, with tremendous critical nuance, as a total piece of crap.You're welcome, America.And because apparently we haven't damaged enough childhood memories, Lern brings in a list of famous movie and TV couples who reportedly hated each other while working together. Patrick Swayze and Jennifer Grey had issues before Dirty Dancing. Reese Witherspoon and Vince Vaughn clashed on Four Christmases. Ryan Gosling and Rachel McAdams reportedly needed a screaming match while making The Notebook before eventually dating in real life. Julia Roberts and Nick Nolte? Apparently not exchanging Christmas cards.Claire Danes wasn't thrilled with Leonardo DiCaprio's behavior on Romeo + Juliet, Gillian Anderson and David Duchovny went through rough stretches on The X-Files, and Sarah Silverman had her own memorable confrontation with Michael Richards on Seinfeld.Romance is alive, everybody.We finish with celebrity birthdays before the Friday tradition manages to make things uncomfortable one last time, because this comedy podcast refuses to simply arrive at the weekend like a normal program.It's forgotten music, rock news, celebrity gossip, Hollywood feuds, ridiculous show-business money, St. Louis entertainment and enough sarcastic humor to make HR quietly close the browser tab. In other words, another perfectly normal episode of your favorite comedy podcast.Follow The Rizzuto Show → linktr.ee/rizzshow for more from your favorite daily comedy show.Connect with The Rizzuto Show Comedy Podcast online → 1057thepoint.com/RizzShow.Hear The Rizz Show daily on the radio at 105.7 The Point | Hubbard Radio in St. Louis, MO.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Take is now on Patreon: www.patreon.com/kermodeandmayo Become a Vanguardista or an Ultra Vanguardista to get video episodes of Take Two every week, plus member-only chat rooms, polls and submissions to influence the show, behind-the-scenes photos and videos, the monthly Redactor's Roundup newsletter, and access to a new fortnightly LIVE show - a raucous, unfiltered lunchtime special with the Good Doctors, new features, and live chat so you can heckle, vote, and have your questions read out in real time. Our special guest this week is Johnny Flynn, who stars in & Sons—A dysfunctional family drama with a twist. His character Richard is one of three long suffering sons to Billy Nighy's A.N. Dyer, a mega-successful novelist turned alcoholic recluse and personal disaster zone. Johnny chats to Simon about the movie, its unusual filmmaking process, and working alongside Nighy, Imelda Staunton, George McKay and Noah Jupe as part of its all-star ensemble cast. Plus we hear a little about his upcoming performances as Paul Simon in South-African-set drama The Road Home, as a beleaguered sheriff in western A Prayer For The Dying, as Dostoevsky in The Idiots, and as Lucuis Malfoy (i.e. Jason Isaacs) in Harry Potter. I do wish someone would give this lad a bit of work, he must be desperate for something to get his teeth into… Mark reviews & Sons, as well as two more of the week's most exciting titles. First up, Coyote vs Acme, a live action animation hybrid that sees Looney Tunes' murderous canine Wile E. Coyote return to the screen in a meta legal drama with the suppliers of his ever-malfunctioning gadgets. Plus, Teenage Sex and Death at Camp Miasma (one film not two), a meta-slasher starring Gillian Anderson in which a film director becomes obsessed with casting her ‘final girl' in a classic horror sequel. The most Mark film evz? We'll find out. All that plus the Laughter Lift, the return of Simon after Sanjeev's super subbing last week, and of course your witty, erudite and delightful correspondence. Keep the postbag full please gang! You can find out more about Medi Cinema and donate here: https://www.medicinema.org.uk You can contact the show by emailing correspondence@kermodeandmayo.com or you can find us on social media, @KermodeandMayo. A Sony Music Entertainment production. Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts and follow us @sonypodcasts To advertise on this show contact: podcastadsales@sonymusic.com EXCLUSIVE NordVPN Deal ➼ https://nordvpn.com/take Try it risk-free now with a 30-day money-back guarantee! Our Christmas Movie Spectacular is back! It's in Bristol this year on Sunday 6th December. Don't miss it! Here's the link for tickets: https://www.fane.co.uk/kermode-and-mayo Timecodes: 00:06:25 Coyote vs Acme Review 00:14:25 Box Office Top Ten 00:26:58 Johnny Flynn interview 00:42:43 & Sons review 00:59:09 Teenage Sex and Death at Camp Miasma review Learn more about your ad choices. Visit podcastchoices.com/adchoices

You've never seen a Slasher like this before. Following the critically acclaimed “I Saw the TV Glow,” Director Jane Schoenbrun is back with a new feature, “Teenage Sex and Death at Camp Miasma.”   Hannah Einbinder and Gillian Anderson star in this psychosexual ode to the Slasher genre and we dig into their performances as well as the production, story, themes, and more in this spoiler-free Teenage Sex and Death at Camp Miasma review. Join us for the discussion and feel free to drop your all-time favorite slasher film in our free discord server linked below.   Open [00:00] First Crunch [03:32] Take One [04:41] Take Two [10:45] Take Three [17:02] Last Looks [21:07] Close [24:22]   Thanks for listening!   Please rate, review, and subscribe if you liked this episode!   For all things Popcorn for Breakfast: https://linktr.ee/popcornforbreakfast   Check out our website: https://www.popcorn4breakfast.com Chat with us on Discord: https://discord.gg/7wGQ4AARWn Follow us on Twitch: https://www.twitch.tv/popcornforbreakfast Subscribe to our YouTube channel: https://www.youtube.com/channel/UCeVJZwPMrr3_2p171MCP1RQ Follow us on Spotify: https://open.spotify.com/show/4HhMxftbuf1oPn10DxPLib?si=2l8dmt0nTcyE7eOwtHrjlw&nd=1 Like us on Facebook: https://www.facebook.com/popcorn4breakfast Follow us on Twitter: @pfb_podcast Follow us on Instagram: @pfb_podcast Follow us on TikTok: https://www.tiktok.com/@popcornforbreakfast? Email us: contact@popcorn4breakfast.com   Our original music is by Rhetoric, check them out on Spotify: https://open.spotify.com/artist/44JvjuUomvPdSqZRxxz2Tk?si=hcYoSMLUQ0iPctllftAg2g&nd=1

X-Files' Star Gillian Anderson Regrets Being 'Selfish' as a Young MomAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Gillian Anderson Reveals ‘Secret' Same-S-- Relationship as a Teen in Rare InterviewAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Remember when getting 11 albums for one penny seemed like a completely legitimate business model? Pepperidge Farm remembers. More importantly, Rizz remembers — because apparently Columbia House helped build the musical foundation of the man you hear yelling into a microphone every morning.Episode 52 starts with a guy who has somehow learned to sing a hit song backwards, melody and all, so that when the recording is reversed it sounds remarkably close to the real thing. It's impressive, unsettling, and exactly the kind of useless talent we deeply respect around here.Then nostalgia kicks the studio door off its hinges.Those Little Free Libraries have apparently evolved into Free Blockbusters — neighborhood boxes stocked with DVDs, Blu-rays and VHS tapes for people to take, trade and return. It's basically streaming for people who enjoy leaving the house and trusting strangers. Lern immediately wants one, complete with an old-school beaded curtain for the grown-up section, because apparently we're rebuilding the entire video store experience one suburban lawn at a time.And while physical media gets another tiny breath of life, the funny podcast says goodbye to an absolute legend: Columbia House.Yes. THAT Columbia House.The “11 albums for a penny” people.Also: they were apparently still around.Rizz takes us back to the golden era of putting an actual penny in an envelope, receiving a box full of music, getting bills in the mail and having the financial security of knowing, “What are they gonna do? I'm 11.” Guns N' Roses, Mötley Crüe, Def Leppard and Bon Jovi helped build the Rizz starter pack, while Rafe reveals Columbia House was also apparently part of his mom's Christmas gift strategy.Nothing says “Merry Christmas” like potentially questionable mail-order accounting.Then it's time for Crap on Celebrities, where the crew gets into the Tupac murder trial, an upcoming Elvis hologram experience in Vegas, Gillian Anderson's truly wild teenage arrest story, celebrity divorce becoming content, a Clueless sequel series, more Fast & Furious, and Ella Langley's monster chart run.Matthew McConaughey also delivers possibly the most Matthew McConaughey story ever: getting so high before his own birthday party that he sat in his car listening to Janet Jackson over and over until the party was finished.Everybody left.Birthday over.But that song? Apparently fantastic.Reese Witherspoon and Will Ferrell also kick the hornet's nest by discussing extreme Disney adults, because nothing brings the Internet together like telling grown people their favorite mouse might be a red flag.Meanwhile, Ella Langley's chart domination has the crew officially becoming “Ella fellas” and wondering whether she can finally defeat one of the most powerful forces in American culture: hearing the same Mariah Carey song every December until the sun explodes.And because this funny podcast occasionally invites people who actually know what they're talking about, Cardinals assistant GM and 2006 World Series champion Randy Flores joins the show to talk baseball and the Cardinals' Draft365: Scouting MLB's Future Stars, which pulls back the curtain on scouting, drafting and finding the organization's next generation of players.So Episode 52 has everything: St. Louis baseball, celebrity gossip, physical-media nostalgia, weird Internet talent, questionable teenage financial decisions and Matthew McConaughey losing an entire birthday to Janet Jackson.Another educational installment of your favorite funny podcast.We use the term “educational” very aggressively.Follow The Rizzuto Show → linktr.ee/rizzshow for more from your favorite daily comedy show.Connect with The Rizzuto Show Comedy Podcast online → 1057thepoint.com/RizzShow.Hear The Rizz Show daily on the radio at 105.7 The Point | Hubbard Radio in St. Louis, MO.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

If you've been listening to this show lately you know that Derek has put his foot down: if Lanterns, the DCU Green Lantern TV show, makes fun of the Green Lantern oath he's gonna stop watching. And in the very first episode of the show someone makes fun of the oath. Will Derek stick it out? Only one way to find out. In this first ep we get introduced to our characters and experience a ton of lore and exposition, all delivered smoothly and well. The ending is quite the shocker, and we have our theories, but we're so excited to see how it all plays out that we'd be happy to be wrong!Before the recap and review we discuss MCU Peter Parker's virginity, we puzzle over why Welcome to Derry season 2 took so long to come together, we find out who grifted Gillian Anderson and I wax rhapsodic about Reese's Peanut Butter Oreos. Don't care about any of that? Skip right to 47:53.Want your questions answered on the show? Send an email to ask.cinema.sangha@gmail.com and ask away, and ask about pretty much anything at all. Make sure your subject line contains the name of the show on which you want your question answered. One question per email, please, but feel free to send in multiple emails!Spread the word! Tell your friends about us! And go to our YouTube channel and subscribe to our video feed!

Actress Gillian Anderson feels nonplussed about being Conan O'Brien's friend.   Gillian sits down with Conan to discuss her iconic role as Agent Scully on The X Files, exploring complexities of character as Margaret Thatcher on The Crown, and putting out the call for authentic desires for her latest book More: Sexual Fantasies by Anonymous. Plus, Conan and Sona take a platonic friendship quiz.   For Conan videos, tour dates and more visit TeamCoco.com. Got a question for Conan? Call our voicemail: (323) 362-2295. Get access to all the podcasts you love, music channels and radio shows with the SiriusXM App! Get 3 months free using this show link: https://siriusxm.com/conan. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The new movie Teenage Sex and Death at Camp Miasma is a bloody and bewildering queer slasher film. Directed by Jane Schoenbrun (I Saw the TV Glow), it stars Hannah Einbinder as a queer young filmmaker tapped to reboot a defunct slasher franchise, and Gillian Anderson as a reclusive actress. The movie is a meditation on slashers and film itself, sexuality and identity – and it's also gore-filled fun you won't want to miss. Want more queer indie horror? Check out these episodes:'I Saw the TV Glow' is weird and transfixing'Love Lies Bleeding' is the queer erotic thriller Kristen Stewart fans have wanted  Connect with Pop Culture Happy Hour:Letterboxd / FacebookOur weekly newsletterSupport public media with NPR+ and enjoy perks for over 25 podcasts like this one. This show's perks include bonus episodes and sponsor-free listening. Learn more at plus.npr.org.See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

It's a long, hot American Summerween and we're so excited for Jane Schoenbrun's third feature film to finally hit our screens. 'Teenage Sex and Death at Camp Miasma' is Schoenbrun's third feature film and this time, they're taking on the slasher genre.This week, hosts Ione and Gina get to grips with the queer metaverse of Camp Miasma, the poignancy of casting Hannah Einbinder and Gillian Anderson, and how trans narratives translate to universal experience in the movie of the summer.Watch the film in all good US cinemas now and in the UK from August 21st!! Order The Polyester Book Of Bad Taste here!Support our work and become a Polyester Podcast member

Sean is joined by “mean pod guy” Adam Nayman to cover Jane Schoenbrun's new sexy slasher flick ‘Teenage Sex and Death at Camp Miasma' starring Hannah Einbinder and Gillian Anderson. They celebrate what makes the movie so exciting and singular, and make the case for why it cements Schoenbrun as a crucially important and definitional millennial filmmaker. Then, they discuss what makes a great “final girl” and build the “final girl” film canon. Finally, Sean has a very special conversation with Schoenbrun, Einbinder, and Anderson where they dive deep into their film, shed light on the actual process behind making the movie, and explain why the project felt so special for each of them. (0:00) Intro (0:51) Adam Nayman joins the show! (1:38) ‘Teenage Sex and Death at Camp Miasma' (44:07) The Final Girl Film Canon (1:04:11) Gillian Anderson, Hannah Einbinder, and Jane Schoenbrun join the show! Host: Sean Fennessey Guests: Jane Schoenbrun, Hannah Einbinder, Gillian Anderson, and Adam Nayman Producer: Jack Sanders Production Support: Lucas Cavanagh It's on Prime. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Director Jane Schoenbrun's latest film has had a certain kind of movie fan salivating for months now, and it's finally in theaters. So, are we still...salivating? Is this getting gross? Editor of RUE MORGUE Magazine, Andrea Subissati, joins us to discuss. Then, we get our tongues tied up with a movie quiz about film titles even longer than TEENAGE SEX AND DEATH AT CAMP MIASMA. What's Good Alonso: Jeni's Dark Chocolate Bombe Drea: Full-body skin care Andrea: Double cone, the American way Kevin: finally solving the Vitamin C face care situation (Paula's Choice C5 Superboost Moisturizer) ITIDICEllison Says Paramount Will Exit CA if Suit Isn't Settled By OctoberWB Promotes The End of Oak Street on AI Dog PodcastOne Night Only Director Removed Says Audiences Don't Like Sex Scenes All titles from our  Long Titles Movie Quiz as a Letterboxd list Staff Picks Alonso: Trick (1999) Drea: Wet Hot American Summer Andrea: Milk & Serial Kevin: Undertone   Help support this show and unlock bonus content! Become a member at https://maximumfun.org/joinmaxfilm Follow us on BlueSky, Facebook, Instagram, or LetterboxdWithKevin AveryDrea ClarkAlonso DuraldeProduced by Marissa FlaxbartSr. Producer Laura Swisher

Travis Hopson talks with TEENAGE SEX AND DEATH AT CAMP MIASMA star Hannah Einbinder about Jane Schoenbrun's queer horror, transphobia in the slasher genre, sexual awakenings, and more.All of this and more can be found at www.punchdrunkcritics.com!Subscribe to Punch Drunk Critics on YouTube:    / @punchdrunkcritics1  Follow Punch Drunk Critics on Twitter:   / pdcmovies  Follow Punch Drunk Critics on Facebook:   / pdcmovies  You can also subscribe to our podcast Cinema Royale anywhere you get your podcasts!#TeenageSexandDeathAtCampMiasma #hannaheinbinder #queercinema

Klocki są gdzieś tam…Pierwszy w historii LEGO zestaw klocków inspirowanych „The X files” trafił do sprzedaży 1 sierpnia. Dzięki wspaniałej reklamie z udziałem Gillian Anderson wieść o tej kolekcji rozeszła się wręcz viralowo. Choć wierni fani śledzili zapowiedzi już od roku 2025, kiedy to Brand Waller i jego projekt zwyciężyli konkurs 90s Nostalgia Challenge. Bogusia zaprasza na wyprawę w świat klocków LEGO. Z perspektywy początkującej rozpoczyna zabawę w układanie i śledzenie ciekawostek z historii tego fanowskiego rarytasu. Ale najpierw trzeba klocki rozpakować i otworzyć pudełka w poszukiwanie wskazówek, gdzie szukać prawdy. Prezentacja zestawów, pierwsze zachwyty i wątpliwości oraz spora dawka wspomnień, oczekiwań, przedzakupowego stresu. A to wszystko w formie video.

Clayton and Miranda dive head first into an entire lake of queer horror with the latest from ‘I Saw the TV Glow’ director Jane Shoenbrun, ‘Teenage Sex and Death at Camp Miasma’. Starring the legendary Gillian Anderson and the engaging Hannah Einbinder, the movie delves into the sapphic while embracing the horror genre. The post Le Petite Mort appeared first on Geeks OUT.

Welcome back to purgatory and get ready to fight the future!!! This week it's Jeremy's pick and the boy's jump in deep into the conspiracy theory with The X Files from 1998 written by Frank Spotnitz and Chris Carter and directed by Rob Bowman!!! The movie stars Gillian Anderson, David Duchovny, William B. Davis, John Neville, Mitch Pileggi, Martin Landau, Jeffrey DeMunn, Terry O' Quinn, Blythe Danner, Armin Mueller Stahl, Lucas Black, Dean Haglund, Bruce Harwood, Tom Braidwood & many, many more!!! Thanks for checking us out! You can find our past and most recent episodes on Podbean.com and you can find us on where most other podcasts are found. Please do not support us on spotify, they take down our music episodes. Music used in the episode are from The X Files soundtrack/score composed & conducted by Mark Snow  1. Threnody in X https://youtu.be/4i9ZRhT1XdI?si=FrgnUPiNLN0Iv8q9 2. Corn Copters https://youtu.be/JzsEoKeA03c?si=JZMPpAciFoz-LPCC 3. Fossil Swings https://youtu.be/bJQ85wgAd0k?si=6__x_gj7sKlT-VhQ 4. Cave Base https://youtu.be/q_c_4ZkrHfM?si=4gcWlWT-uJAuiBCo  

Pequeña Muerte se acerca…Una joven y entusiasta directora debe resucitar la franquicia de Campamento Miasma tras años de secuelas mediocres. Pero cuando visita a la protagonista de la película original, una actriz recluida y envuelta en misterio, ambas se sumergen en un mundo empapado de sangre, deseo, miedo y delirio.Teenage Sex and Death at Camp Miasma es una película slasher estadounidense de 2026, escrita y dirigida por Jane Schoenbrun. Está protagonizada por Hannah Einbinder y Gillian Anderson, con Jack Haven y Patrick Fischler en papeles secundarios.Episodio disponible en tu plataforma de podcast favorita. PLANETA TERROR es un podcast semanal en español dedicado al cine de horror/slasher/gore.Reseñas, noticias, rankings y discusión general desde el punto de vista de alguien cuyo “goal” en la vida es mudarse a Woodsboro, vivir en Elm Street y asistir al Campamento Crystal Lake.Apple Podcasthttps://podcasts.apple.com/ca/podcast/planeta-terror-podcast/id1539867451Instagramhttps://www.instagram.com/planetaterrorpod/Xhttps://x.com/planetaterrorpd?s=21&t=jiQBxnyCEsmbvNpY8pNnmgTikTok https://www.tiktok.com/@planetaterrorpod?

National Hold hands day. Entertainment from 2022. 2nd atomic bomb dropped on Japan, Richard Nixon resigned ast president, Charles Manson followered committed Helter Skelter. Todays birthdays - Robert Shaw, Wanda Young, Sam Elliott, Melanie Griffith, Whitney Houston, Gillian Anderson, Anna Kendrick. Bernie Mac died.Intro - God did good - Dianna Corcoran https://www.diannacorcoran.com/I want to hold your hand - The BeatlesBreak My Soul - BeyonceThe kind of love we make - Luke CombsBirthdays - In da club - 50 Cent https://www.50cent.com/Don't mess with Bill - The MarvelettesI wanna dance with somebody - Whitney HoustonThe X Files TV themeExit - Mr. Wrong - Christie Lamb https://www.christielamb.com/History & Factoids about today Playlist on SpotifyHistory & Factoids about today webpagecooolmedia.comcountryundergroundradio.comNational Days Puzzles - JulyGrace & Grit Christian Country Radio

Episode 83: Part Two..Week two of our coverage of the Studio Ghibli film Princess Mononoke from 1997 and find out if we can help Ashitaka's journey to save Iron Town from its fate with The Spirit of the Forest. Join us!Princess Mononoke Trailer.Join us next week at high noon, when we discuss Sergio Leone's follow up to A Fistful of Dollars with 1967's For a Few Dollars More.And help support our other projects @KineticOnslotCircle of Jerks PodcastSwords in Stereo PodcastA Cut Above: Horror ReviewSpecial shout to The Bird Beats for our theme.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-cinemigos--6354096/support.

It's no surprise that horror films are often allegories for larger societal issues, like racism with Get Out (2017) or male entitlement with Curry Barker's recent Obsession (2025). But rarely does the final girl, the last woman standing to confront the killer, get a redemption story of her own. That changes with Jane Schoenbrun's Teenage Sex and Death at Camp Miasma. "I think just the genre ambiguity, the fact that it is not totally categorizable in one way," Hannah Einbinder told Newsweek's H. Alan Scott about what drew her to the project. "The way that it uses horror slasher tropes to ultimately be something that is empowering is just cool. I hadn't seen anything like it." Gillian Anderson said the impact was apparent the moment she walked onto the set. "It's one thing to read something on the page," she said. "And then there's another thing, stepping onto a set that has been so perfectly production designed and created for the sole purpose of the viewing public. There's a meta aspect of it that I don't even think I anticipated." Listen to this conversation about one of the most original films of the year. Watch the video on YouTube. Subscribe to my newsletter: https://for-the-culture.beehiiv.com Follow me: https://linktr.ee/halanscottSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Check out Cam's latest novel / audio drama here! Jane Schoenbrun has done something absolutely extraordinary with their latest film, Teenage Sex and Death at Camp Miasma. This is a horror movie by horror fans for horror fans that is also about being a horror fan. The density, the efficiency, the provocation — there is so much to love here, and even more to discuss! This is a fantastic slasher movie just as much as it is a rigorous academic dissection of the slasher genre. It might even end up being our favorite "meta" horror movie ever made. LINKS: Patreon, YouTube, Spotify, Instagram Feedback & Theories: secondbreakfastpod@gmail.com 00:00 VHS Worship 02:00 Fandom vs. Analysis 05:35 Text vs. Subtext 08:52 Fun Factor 11:15 Metatextual Storytelling 15:44 Curiosity in Horror 20:46 Gillian Anderson 23:00 Closing Thoughts

Let's talk about sex, baby. Tristan Fidler and Simon Miraudo join Brekky host Pam Boland to review two films with the little death on their mind. One of them even has Little Death as a character! That'd be Jane Schoenbrun's dreamy Teenage Sex and Death at Camp Miasma, about a filmmaker (Hannah Einbinder) trying to recruit a reclusive scream queen (Gillian Anderson) for her slasher reboot. It's now in cinemas. Then, Tristan reviews the contentious rom-com One Night Only, about the one night of the year where pre-marital relations isn't criminalised, starring Monica Barbaro and Callum Turner. A chaotic discussion follows. It arrives in cinemas next week. Stay tuned for an extra pod-exclusive review of the grimdark martial arts spectacular The Furious, now available to rent digitally. Join Pam and the Blockbuster Babes live at Local & Aesthetic next Friday 14 August for the Radiothon 2026 kick-off! Learn about the new season of Tristan's Trash Classics screenings at Luna Cinemas held on the last Friday of every month. Be sure to tune in to RTRFM every Friday at 7:30am to hear Movie Squad live on Breakfast with Pam!

“Teenage Sex and Death at Camp Miasma” is a 2026 horror comedy film written and directed by Jane Schoenbrun, following the success of their previous film, “I Saw the TV Glow.” Starring Hannah Einbinder and Gillian Anderson, the film combines a mind-bending structure and meta storytelling with Schoenbrun's signature exploration of pop culture and identity. However, unlike nearly everything the filmmaker has made before, this is as much a comedy as it is a strange, sexual, and visually stunning horror film. It had its world premiere at the 2026 Cannes Film Festival, where it received rave reviews. Before its theatrical release, Schoenbrun spoke with me, while Einbinder and Anderson joined Cody Dericks to discuss their experiences making the film, which you can watch or listen to below. Please be sure to check out the film, which will be released in theaters by MUBI on August 7th. Thank you, and enjoy! https://youtu.be/A4uk9HRMhRA https://youtu.be/Zz7FNVQlS20 Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

For this Out Takes, Out Takes, we featured two films that delve into the world of experimental filmmaking from a queer perspective. First up, ‘Teenage Sex and Death at Camp Miasma’ has been one of the most anticipated films of 2026 and it is finally coming to Aussie cinemas from August 6. Described as a new kind of horror remake from Jane Schoenbrun starring Hannah Einbinder and Gillian Anderson, the film picks up on the Camp Miasma slasher film franchise after years of slapdash sequels where it has been handed over to an enthusiastic young director for resurrection. But when she visits the original's star, a now-reclusive actress shrouded in mystery, the two women fall into a blood-soaked world of desire, fear, and delirium. We confirm if this film lived up to the hype and whether or not it received the Out Takes Recommends seal of approval (spoiler alert – it did!). Then we were joined by Brisbane-based writer / director Adam C. Briggs whose latest film ‘Phillip Philadelphia' is having it's world premiere at MIFF on Friday August 7 and an encore screening on Sunday August 9. Briggs has often worked closely with non-professional actors to craft narratives whose blends of fact and fiction are as riotous as they are discomforting; he previously garnered acclaim for his 2024 feature ‘A Grand Mockery' which took out top honours at SXSW Sydney as well as the Best Director prize at Sitges. With ‘Phillip Philadelphia’, he captures the garish, grubby beauty of the Gold Coast on 16mm while also extending his own distinctively homegrown, eloquently vulgar style. In this discussion, we discussed his career, influences and his thoughts on being a queer filmmaker and what makes a film queer. Finally, we were joined by Mitu Bhowmick Lange AM, the founder and festival director of the Indian Film Festival of Melbourne (IFFM) which is the largest annual celebration of Indian cinema outside of India. This year the program has an expansive lineup of over 130 films in 38 languages screening from August 13 – 24 so we went straight to the source to find out more about what they have in store for the 2026 IFFM. The post Teenage Sex and Death at Camp Miasma review, Phillip Philadelphia with Adam C. Briggs and Indian Film Festival of Melbourne 2026 appeared first on Out Takes.

From a teenage Anthony Bourdain finding his calling to Sybylla Melvyn defying expectations, we meet the stars and creators behind Tony and Netflix's My Brilliant Career.

From a teenage Anthony Bourdain finding his calling to Sybylla Melvyn defying expectations, we meet the stars and creators behind Tony and Netflix's My Brilliant Career.

Quali film e serie TV vale davvero la pena vedere ad agosto 2026? Dopo aver festeggiato il primo posto nella classifica di Apple Podcast, torniamo con la puntata più importante del mese: la nostra selezione delle principali uscite tra cinema, Netflix, Apple TV+, HBO Max e FX. Partiamo dal ritorno di Ted Lasso. La quarta stagione riprende una storia che poteva tranquillamente considerarsi conclusa, affidando però al protagonista una nuova squadra femminile e provando a ricominciare senza copiare le prime tre stagioni. Tra le serie più attese c'è soprattutto Lanterns, il nuovo progetto DC firmato da Damon Lindelof, Tom King e Chris Mundy, con Kyle Chandler nei panni di Hal Jordan e Aaron Pierre in quelli di John Stewart. Al cinema segnaliamo Camp Miasma – Adolescenza, Sesso E Morte, lo slasher metacinematografico con Hannah Einbinder e Gillian Anderson che Federico ha già visto a Cannes e considera uno dei migliori film dell'anno. Molto meno entusiasmo per il live-action di Oceania, accusato di riprodurre quasi esattamente il film animato, e per Robin Hood – Il Prezzo Del Sangue, il nuovo film con Hugh Jackman e Jodie Comer. Parliamo inoltre dell'horror Hokum con Adam Scott, della miniserie Tip Toe, del thriller fantascientifico The Last House, della serie animata Ricky Gervais' Alley Cats e del documentario dedicato a José Mourinho. Completano il mese The End of Oak Street, It's Always Sunny In Philadelphia 18, Insidious: Fuori Dall'Altrove, La Vendetta Perfetta: Bear Country, Dark Matter 2 e The Whisper Man con Adam Scott e Robert De Niro. Sedici titoli selezionati, tra grandi ritorni, possibili sorprese, film già bocciati in partenza e almeno un'opera che dovete assolutamente vedere. (00:00) Primo posto su Apple Podcast! (04:12) Ted Lasso 4 (08:09) Hokum (10:54) Tip Toe (16:17) The Last House (20:39) Ricky Gervais' Alley Cats (23:3'0) Mourinho (24:58) Oceania (27:46) The End Of Oak Street (30:48) Lanterns (33:32) It's Always Sunny In Philadelphia 18 (34:57) Camp Miasma - Adolescenza, Sesso E Morte (40:16) Insidious: Fuori dall'Altrove (44:31) Robin Hood - Il Prezzo Del Sangue (47:15) La Vendetta Perfetta: Bear Country (49:14) Dark Matter 2 (51:58) The Whisper Man - L'uomo Dei Sussurri Learn more about your ad choices. Visit megaphone.fm/adchoices

Jane is back! Back, back! And she returns to Fi's new Jason Derulo-inspired alter ego: they discuss the care system, misguided massage chairs, royal soap shrines, Gillian Anderson's drinks range, and collapsible bidets.There's no Visualised Monday episode this week - it's just a Monday.They also bring an update on Fringe By The Sea. Our book club pick is a collection of short stories! 'Interpreter of Maladies' is by Jhumpa Lahiri. You can check out our YouTube channel here: https://www.youtube.com/@OffAirWithJaneAndFiOur most asked about book is called 'The Later Years' by Peter Thornton.If you want to contact the show to ask a question and get involved in the conversation then please email us: janeandfi@times.radioFollow us on Instagram! @janeandfiPodcast Producers: Eve SalusburyExecutive Producer: Rosie Cutler Hosted on Acast. See acast.com/privacy for more information.

This week we are joined by long-time supporter of the podcast Stephen Jeffs as we discuss 2025 science fiction action film Tron: Ares. This film was chosen by our guest from Gillian Anderson's filmography as she was the leaper chosen by our last guest from the film The Last King of Scotland. We hope you enjoy our discussion of Tron: Ares and the Tron franchise in general. Two of us know absolutely nothing about Tron but Mike and our guest had a lot to say. We hope you enjoy.

Episode 83. Part One,This week the boys head east, to tackle a demon of a task. They seek to find Princess Mononoke from 1997. Can they purge their demons and come out on top of this two parter, and their first Studio Ghibli film?Princess Mononoke Trailer.Make sure to come back next week, as we cover part two of the animated classic that is Studio Ghibli's Princess Mononoke from 1997.And help support our other projects @KineticOnslotCircle of Jerks PodcastSwords in Stereo PodcastA Cut Above: Horror ReviewSpecial shout to The Bird Beats for our theme.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-cinemigos--6354096/support.

Jason Fraley marks the 20th anniversary of Jeffrey Epstein's first mugshot by revisiting this chat with “X-Files” star Gillian Anderson about her sex-trafficking film “Sold” when it made its D.C. premiere at the Angelika Pop Up at Union Market in 2016. Stay tuned after the interview to hear a true-crime timeline of the Epstein scandal. (Theme Music: Scott Buckley's "Clarion")

Puntata a cura di Jacopo Bulgarini d'Elci e Livio Pacella.Serie tv poliziesca girata e ambientata nell'Irlanda del Nord, The Fall è un prodotto assieme “piccolo” (3 stagioni, 17 episodi, in onda dal 2013 al 2016), anomalo e originale, come raccontiamo nel podcast. Non la “caccia al serial killer” dello stupido titolo italiano, ma una danza dark, e quasi macabra, tra una poliziotta (Gillian Anderson, protagonista di X-Files, già costretta ad affrontare il mostro in Hannibal) e un assassino seriale (il sorprendente Jamie Dornan).Una “caduta”, come appunto si traduce The Fall. In cui tutti - poliziotti, omicida, vittime, comprimari - precipitano nel buco nero di violenza e asprezza di Belfast.Al momento in Italia non dispoinibile, ma sui cataloghi americano o inglesi di Disney e Prime Video. “2 voci, 1 serie”: dialoghi sulle cose che ci piacciono, o ci interessano, nel podcast di Mondoserie.Leggi il nostro articolo su The Fall: https://www.mondoserie.it/the-fall/ Parte del progetto: https://www.mondoserie.it/  Iscriviti al podcast sulla tua piattaforma preferita o su: https://www.spreaker.com/show/mondoserie-podcast  Collegati a MONDOSERIE sui social:https://www.facebook.com/mondoserie https://www.instagram.com/mondoserie.it/   https://www.youtube.com/channel/UCwXpMjWOcPbFwdit0QJNnXQ  https://www.linkedin.com/in/mondoserie/ 

Send us Fan MailTeenage Sex and Death at Camp Miasma is a 2026 queer meta-slasher horror film written and directed by Jane Schoenbrun, known for the movie I Saw the TV Glow. It stars Hannah Einbinder and Gillian Anderson.The story follows a queer filmmaker who is hired to reboot a fictional long-running slasher franchise called Camp Miasma. She becomes obsessed with convincing the reclusive actress who played the original “final girl” to return, and their collaboration spirals into a surreal mix of horror, desire, identity, and psychological obsession.Support the show

Tron Ares (2025) on The Atomic Cinema Experiment. This is a sci fi movie podcast. Tron Ares is directed by Joachim Rønning and stars Jared Leto, Greta Lee, Evan Peters, Jodie Turner-Smith, Gillian Anderson, Jeff Bridges patreon: https://www.patreon.com/mildfuzztv all links: https://linktr.ee/mildfuzz discord: https://discord.gg/8fbyCehMTy Email: mftvquestions@gmail.com Audio version: https://the-ace-atomic-cinema-experime.pinecast.com

1993. La série X-Files est diffusée pour la première fois sur la Fox. Le réalisateur, Chris Carter, travaille dessus depuis maintenant deux ans. Au moment de sa sortie, il est sans doute loin d'imaginer le succès que le show s'apprête à rencontrer... Fox Mulder est interprété par David Duchovny. Dana Scully par Gillian Anderson. Deux acteurs pour lesquels Chris Carter s'est battu. X-Files c'est eux, Mulder et Scully. C'est aussi le tout premier "shipping" de l'ère des série. Dérivé de "relationship", le terme désigne l'investissement des fans dans une relation amoureuse soit existante, soit entièrement fantasmée.  Un podcast Bababam Originals Ecriture et voix : Alice Deroide Learn more about your ad choices. Visit megaphone.fm/adchoices

Books run on word-of-mouth. So what are the people who shape what gets made, watched, read and bought reading? Elaine Low, Natalie Jarvey and Sean McNulty dig into The Ankler's inaugural summer reading list, where 100 notables — including Sony Entertainment CEO Ravi Ahuja, Gov. Gavin Newsom, Sherry Lansing, New York City Mayor Zohran Mamdani, YouTube CEO Neal Mohan, Netflix film chief Dan Lin, Gillian Anderson and Janelle James — shared the books they're packing, recommending and obsessing over now. Plus, with every major buyer adapting a glut of novels for the screena — see Elaine's Series Business sellers' guide — the team unpacks why book-based IP is hotter than ever and which major titles are in development. Learn more about your ad choices. Visit megaphone.fm/adchoices

Netflix's Scoop, a high-profile dramatic film about Prince Andrew's disastrous BBC Newsnight interview — the 2019 broadcast in which he attempted to explain his ties to convicted sex offender Jeffrey Epstein — was announced and released to significant attention as it revisits a moment that helped derail his public life. The film, based on Sam McAlister's memoir Scoops and starring roles by Gillian Anderson, Billie Piper, and Rufus Sewell, retells how BBC producers secured the interview and how that event unfolded on camera, showing the palace negotiations and Andrew's statements that were widely panned and mocked. Scoop dropped on Netflix on April 5, 2024 and has since generated discussion not just as entertainment but as a cultural recounting of one of the most consequential media moments involving the British royal family in recent memory.While this film drew interest from audiences and critics intrigued by the behind-the-scenes story of a globally infamous interview, Buckingham Palace did not publicly endorse or celebrate the movie — and its official reactions have been minimal to non-committal. When asked if the palace had reached out to producers or commented on the dramatization, Sam McAlister jokingly noted she hadn't heard from the institution, implying there was no formal engagement from royal spokespeople about the project. The lack of an official positive palace response — combined with the enduring sensitivity around Andrew's role in the Epstein scandal — suggests the establishment prefers to distance itself from dramatizations that revisit and potentially amplify a deeply embarrassing episode for the monarchy.to contact me:bobbycapucci@protonmail.com

Story: Anthemoessa Author: Aloysia_Virgata Rating: NR Site link: https://archiveofourown.org/works/4758428 Read by: XP Summary: A show like Orphan Black where Gillian Anderson plays Dana Scully, Stella Gibson, and Bedelia du Maurier and they all go around not putting up with nonsense. Used by the author's permission. The characters in these works are not the property of the Audio Fanfic Podcast or the author and are not being posted for profit.

In this episode, David Peck chats with magician James Alan and director James Biss about their upcoming show Mysteries and Lies at the Toronto Fringe Festival. They talk about creativity, philosophical issues surrounding truth, illusion and lived experience and explore the intersection of magic, AI, and technology and how their performance challenges perceptions of reality.For more info about James and the show: www.jamesalan.caJames Alan proves that magic really is for grownups. Performing for over fifteen years, he has earned a reputation for producing experiences which are “thought provoking, astonishing funny and thoroughly entertaining.” For seven years he was the star of his own shows, Magic & Martini and James Alan's Magic Tonight, which ran weekly in Toronto with over four hundred sold out performances. His one-person show Lies, Damn Lies & Magic Tricks was featured at the Summerworks Performance Festival. During the pandemic he crated Bring Magic Home, a live interactive online magic experience which was presented for audiences in twenty-six countries, as well as hosting and co-producing a series of virtual fundraisers that raised over $22,000 for local charities including North York General Hospital, the Princess Margaret Cancer Foundation and the Daily Bread Food Bank.In addition to performing, he works with Magicana, a charitable organization with community outreach programs organizing performances for seniors and workshops for children in hospitals. His writing and original magic have been featured in the world's largest magic periodicals, M.U.M., The Linking Ring, Genii - The Conjurer's Magazine, Magicol and MAGIC Magazine.James Biss is a Canadian theatrical creator, mentalism author, and director whose work blends psychological illusion, storytelling, and immersive audience experience. Over the past three decades, his original ideas and performances have been presented across five continents within the worlds of magic, mentalism, and unusual theatre. Mysteries & Lies is Biss's fifth theatrical production, following The Demon Haunted Cottage, Mental Telepathy for Dummies, The Ghost Experience, and Lies, Damn Lies & Magic Tricks, which he also directed. His productions are known for combining mystery, humour, audience interaction, and psychological themes in ways that challenge perception and blur the line between truth and performance. With Mysteries & Lies, James Biss continues an exploration of deception, belief, memory, and human behaviour through a theatrical experience designed to leave audiences bewildered and intrigued.David Peck is a writer, speaker, and award-winning podcaster who works at the intersection of storytelling, social change, and meaningful dialogue. As the host of Face2Face and former host of Toronto Threads on 640 AM, he has published over 800 in-depth interviews with some of the world's most compelling thinkers, artists and storytellers, including Viggo Mortensen, Sarah Polley, Raoul Peck, Werner Herzog, Chris Hadfield, David Cronenberg, Jason Issacs, Gillian Anderson and Wade Davis. With a background in philosophy and international development, David brings a thoughtful, globally aware perspective to every conversation.He's a published author and experienced keynote speaker, known for creating spaces where complexity is welcomed and ideas come alive. Whether moderating panels, hosting live events, or speaking on issues ranging from ethics to media, David's work is grounded in a deep curiosity about people. At heart, he simply loves good conversation — and believes it's one of the best ways we grow, connect, and make sense of the world.For more information about David Peck's podcasting, writing and public speaking please visit his site here.F2F Music and Image Copyright: David Peck and Face2Face. Used with permission. Hosted on Acast. See acast.com/privacy for more information.

David Peck sits down with acclaimed actors Radha Mitchell, Ioan Gruffudd, and Bianca Wallace to discuss the tense new action-thriller Seven Snipers on Face2Face. Together they explore the film's emotional core, the psychology of survival, the lingering effects of trauma, and the complicated relationships that exist beneath the bullets and battlefield tactics. What begins as a gripping sniper thriller quickly reveals itself as a story about family, love, sacrifice, and redemption. The conversation touches on strong female characters, the realities of violence, PTSD, independent filmmaking, and why some films linger long after the credits roll. A compelling look behind the scope of one of this year's most intense action films.Seven Snipers brings together an impressive ensemble led by three accomplished performers whose careers span film, television, and independent cinema.Academy Award-nominated actor Radha Mitchell leads the film as Kris Hendricks, a retired elite sniper whose carefully constructed life is shattered when a ruthless enemy from her past resurfaces. One of Australia's most respected international actors, Mitchell is known for standout performances in Pitch Black, Finding Neverland, Phone Booth, Man on Fire, and Silent Hill. Throughout her career, she has built a reputation for portraying strong, complex, and emotionally layered characters, making her a natural fit for the heart of Seven Snipers.Joining her is acclaimed Welsh actor Ioan Gruffudd, whose extensive screen career includes memorable roles in Titanic, Black Hawk Down, King Arthur, Fantastic Four, Forever, and Harrow. A graduate of the Royal Academy of Dramatic Art (RADA), Gruffudd has earned international recognition for bringing intelligence, warmth, and depth to every role. In Seven Snipers, he plays "Milk," a loyal former member of the sniper team whose courage and humanity become central to the film's emotional core. He is also the recipient of the Welsh BAFTA's Sian Phillips Award for Outstanding Contribution to Film and Television.Rounding out the trio is Australian actor Bianca Wallace, whose work spans feature films, television, voice acting, and producing. Originally from Queensland, Wallace first began performing as a singer before transitioning into acting, earning recognition for her award-winning work in Bloodline and other film projects. In Seven Snipers, she portrays Kaldayev, a skilled member of the elite team brought together to face an increasingly dangerous threat.Together, Mitchell, Gruffudd, and Wallace help elevate Seven Snipers beyond a traditional action thriller, grounding its intense action in themes of loyalty, family, sacrifice, and survival.David Peck is a writer, speaker, and award-winning podcaster who works at the intersection of storytelling, social change, and meaningful dialogue. As the host of Face2Face and former host of Toronto Threads on 640 AM, he has published over 800 in-depth interviews with some of the world's most compelling thinkers, artists and storytellers, including Viggo Mortensen, Sarah Polley, Raoul Peck, Werner Herzog, Chris Hadfield, David Cronenberg, Jason Issacs, Gillian Anderson and Wade Davis. With a background in philosophy and international development, David brings a thoughtful, globally aware perspective to every conversation.He's a published author and experienced keynote speaker, known for creating spaces where complexity is welcomed and ideas come alive. Whether moderating panels, hosting live events, or speaking on issues ranging from ethics to media, David's work is grounded in a deep curiosity about people. At heart, he simply loves good conversation — and believes it's one of the best ways we grow, connect, and make sense of the world.For more information about David Peck's podcasting, writing and public speaking please visit his site here.F2F Music and Image Copyright: David Peck and Face2Face. Used with permission. Hosted on Acast. See acast.com/privacy for more information.

Movie of the Year: 2006Tristram Shandy: A Cock and Bull StoryThe Tristram Shandy Podcast Opens the 2006 BracketThe Tristram Shandy podcast episode kicks off our brand new 2006 bracket on Movie of the Year. After crowning our way through 1971, the Taste Buds turn to a fresh film year. Moreover, we start with one of the strangest comedies of the decade. Michael Winterbottom's Tristram Shandy: A Cock and Bull Story is a film about making a film of an unfilmable book. Consequently, it makes a perfect launch title for a show that loves movies about movies. In this episode, Ryan, Mike, and Greg dig into metafiction, gender, and the prickly chemistry between Steve Coogan and Rob Brydon. Additionally, two new segments make their debut. Above all, we want to set the tone for a wild 2006 season.About the FilmLaurence Sterne published The Life and Opinions of Tristram Shandy, Gentleman in nine volumes between 1759 and 1767. The novel is famous for being playful, digressive, and nearly impossible to adapt. Notably, the narrator barely manages to get himself born across hundreds of pages. Winterbottom and his team turned that problem into the whole joke. As a result, the movie follows a fictional crew trying to film the book. Steve Coogan plays a vain version of himself, plus Tristram and his father, Walter. Meanwhile, Rob Brydon plays a needling version of himself and Uncle Toby. The screenplay carries the pseudonym "Martin Hardy," although Frank Cottrell-Boyce actually wrote it. Furthermore, the cast includes Keeley Hawes, Shirley Henderson, Dylan Moran, Naomie Harris, Kelly Macdonald, and Jeremy Northam. Gillian Anderson and Stephen Fry also appear as heightened versions of themselves. You can read more at Wikipedia or the original Roger Ebert review.This is the first film episode of our 2006 season. To explore the wider bracket project, visit the Movie of the Year archive. If you enjoy this Tristram Shandy podcast deep dive, our A Clockwork Orange episode from the 1971 run pairs nicely with this conversation about cinematic form.Want to hear how the season began? Start with our 2006 season intro, then dig into the 2006 bracket reveal before this episode.Metafiction and the Unfilmable NovelMetafiction sits at the center of our first discussion. Sterne wrote a novel that constantly reminds you it is a novel. Similarly, Winterbottom built a movie that keeps reminding you it is a movie. The crew breaks the fourth wall, argues about the script, and screens its own dailies. Therefore, the film becomes a hall of mirrors about storytelling itself. The Taste Buds ask a simple question. How do you adapt a book that mocks the idea of adaptation? Furthermore, we trace the lineage from Sterne to modern self-aware comedies. Films like Adaptation and Day for Night come up as obvious cousins. Ultimately, we argue that Winterbottom found the only honest solution. He filmed the failure instead of the book. Consequently, the movie respects Sterne by refusing to tame him.The Battle of the Sexes on ScreenNext, we turn to gender and how the film portrays men and women. The male characters chase status, sex, and screen time with comic desperation. Coogan, in particular, frets about his shoe lifts and his billing. Meanwhile, the women in the film often hold the real power. Kelly Macdonald plays Jenny, who grounds Coogan with calm clarity. Naomie Harris plays Jennie, a production assistant who runs circles around the panicking men. Gillian Anderson arrives late and instantly reshapes the production. By contrast, the men flail and posture. So the Taste Buds debate a thorny point. Does the movie satirize male ego, or does it quietly indulge it? Additionally, we weigh how the battle of the sexes plays inside an 18th-century story. The novel and the film both poke fun at male pride. As a result, the gender comedy spans two very different centuries.Coogan and Brydon Anchor the Tristram Shandy PodcastAbove all, the Coogan and Brydon double act drives this Tristram Shandy podcast conversation. The two comedians play exaggerated, petty versions of themselves. Their rivalry over billing, teeth, and impressions fuels the funniest scenes. Notably, this dynamic later powered the beloved series The Trip. The Taste Buds dig into why their friction feels so real. Brydon needles, Coogan bristles, and the comedy snaps into focus. Furthermore, we discuss how improvisation shapes their banter. The closing Al Pacino impression duel becomes a highlight. Meanwhile, we ask whether the pair actually like each other on screen. The answer stays gloriously unclear. Consequently, their chemistry gives a chilly intellectual film a warm, human pulse.Rushmore: The Mount Rushmore of 2006 TelevisionOur Rushmore segment asks each host to carve a Mount Rushmore of 2006 television. The year was loaded with future classics. For instance, The Wire aired its acclaimed fourth season. Meanwhile, The Office, 30 Rock, and Friday Night Lights were all finding their feet. Additionally, prestige newcomers like Dexter and Heroes premiered to big buzz. The hosts each pick four shows and defend their choices. Naturally, the debate gets heated fast. Listen to the episode to hear which four faces each Taste Bud sets in stone.I Never Metacritic I Didn't LikeThis episode debuts a brand new game called "I Never Metacritic I Didn't Like." The premise is simple and a little dangerous. We pull up a film's Metacritic profile and put the critical consensus on trial. Specifically, we test whether the aggregate score matches our own gut reactions. Tristram Shandy earned strong reviews from critics on release. However, strong scores do not always survive a Taste Buds cross-examination. Therefore, the game lets us argue with the wider critical record in real time. Expect this segment to return throughout the 2006 season. Above all, it gives us a structured excuse to fight about numbers.Why Tristram Shandy Still MattersTristram Shandy still matters because it cracked a problem that had defeated everyone before it. Winterbottom proved you can film an unfilmable book by filming the attempt. Moreover, the movie launched a now-legendary comic partnership. The Coogan and Brydon collaboration grew into The Trip and its many sequels. Additionally, the film remains a sharp, funny lesson in adaptation. Film students and Sterne scholars both still cite it today. Ultimately, the Tristram Shandy 2006 podcast discussion shows why this small comedy punches far above its weight. Notably, it kicks our 2006 bracket off with brains and mischief.Related Episodes from Movie of the Year: 2006The 2006 season is just getting started, so this list will grow each week. For now, revisit the episodes that set up the bracket, plus a favorite from our 1971 run.Movie of the Year 2006: Season IntroThe 2006 Bracket RevealMovie of the Year archiveThe Last Picture Show (1971)FAQ: Tristram Shandy Podcast and FilmWhat is this Tristram Shandy podcast episode about?In this episode, Ryan, Mike, and Greg launch the 2006 bracket by breaking down Michael Winterbottom's comedy. They cover metafiction, gender, the Coogan and Brydon dynamic, and two new segments.What is the movie Tristram Shandy about?The film follows a crew trying to adapt an unfilmable 18th-century novel. As they struggle, the actors' egos and offscreen lives take over the production.Who directed Tristram Shandy: A Cock and Bull Story?Michael Winterbottom directed the film. Frank Cottrell-Boyce wrote the screenplay under the pseudonym "Martin Hardy."Is Tristram Shandy based on a book?Yes. Laurence Sterne wrote The Life and Opinions of Tristram Shandy, Gentleman across nine volumes between 1759 and 1767. You can read more on Wikipedia.Do Steve Coogan and Rob Brydon play themselves?Yes, mostly. Both actors play exaggerated, fictional versions of themselves, and they also play characters in the film within the film. See the full cast on IMDb.Is Tristram Shandy connected to The Trip?Yes, in spirit. This film first paired Coogan and Brydon with Winterbottom, and that chemistry...

Alper & Jonas waren zehn Tage beim 79. Filmfestival Cannes 2026, um die aktuellen Low- und Highlights live vor Ort mitzubekommen! Dabei trafen sie nicht nur Stars wie Guilermo del Toro, Elijah Wood, Gillian Anderson, Peter Jackson und John Travolta, sondern sahen auch zusammen über 40 Filme! Welche Filme unbedingt und welche überhaupt nicht sehenswert sind, verraten sie in diesem besonderen Podcast aus ihrer Ferienwohnung aus Südfrankreich. Dabei geht es um Festival-Hits wie CLUB KID, JIM QUEEN, TEENAGE SEX AND DEATH AT CAMP MIASMA, THE BELOVED uvm.! Viel Spaß bei diesem neuen Podcast hier auf Cinema Strikes Back!

Matt Wilstein sits down with acclaimed actress Danielle Deadwyler for a wide-ranging conversation about her extraordinary run of projects across film and television. From her comedic turn opposite Steve Carell in HBO's Rooster to the emotional weight of Till, Danielle opens up about balancing intense dramatic work with lighter roles, her roots in Atlanta theater, and why “weird” storytelling continues to inspire her. She also reflects on unforgettable experiences working on Atlanta, Watchmen, Station Eleven, The Bear, and the highly anticipated new season of Euphoria. Plus, Danielle teases what drew her to Ryan Coogler's upcoming reboot of The X-Files and reacts to support from Gillian Anderson as fans prepare for a new chapter in the iconic franchise. Follow Kevin Fallon on Instagram ⁠@kpfallon⁠ Follow Matt Wilstein on Instagram ⁠@mattjwilstein⁠ New episodes every Thursday, and Saturday; ⁠early drops on YouTube⁠. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Ep. 393: Jordan Cronk on Cannes 2026: Directors' Fortnight Preview, Teenage Sex and Death at Camp Miasma, Nagi Notes, Butterfly Jam, plus Play-Doc retro + Jeonju Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. For the 2026 Cannes Film Festival, I'm very happy to start the big show with Jordan Cronk, critic and programmer. We discussed a few films from the first big day of programming: Teenage Sex and Death at Camp Miasma (directed by Jane Schoenbrun, starring Gillian Anderson and Hannah Einbinder), Nagi Notes (Koji Fukada), and Butterfly Jam (Kantemir Balagov, starring Barry Keoghan, Riley Keough, Harry Messing). But I was also treated to a preview of Directors' Fortnight, the Cannes showcase where Cronk is also a program advisor, and which this year includes films by Radu Jude, Alain Cavalier, Dominga Sotomayor, Lisandro Alonso, longtime Apichatpong Weerasethakul collaborato Sompot Chidgasornpongse, and Bruno Dumont. But that's not all! Cronk also shares his visits to two festivals just before Cannes: Play-Doc in Galicia, where he saw a very intriguing retrospective, Spain, and the Jeonju International Film Festival in Jeonju, South Korea. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass