Podcasts about IndieWire

On the latest episode of IndieWire's "Screen Talk" podcast, Editor-at-Large Anne Thompson and Executive Editor Ryan Lattanzio dive into Paul Thomas Anderson's exuberant action thriller "One Battle After Another," which has screened for press and media. They praise the film as an Oscar frontrunner while also assessing the state of the race so far, up against "Hamnet" and "Sinners" for Best Picture. Anne and Ryan also recap what went down at the Venice Film Festival awards last weekend. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's IndieWire's Filmmakers Toolkit, Chris O'Falt talks with writer-director Andrew DeYoung about his dark comedy Friendship—now streaming on HBO Max. He reveals how he shaped Tim Robinson's offbeat energy, uncovered a vulnerable side of Paul Rudd, and crafted a breakup story that's as funny as it is unsettling—proving comedy hits harder when rooted in truth. Learn more about your ad choices. Visit megaphone.fm/adchoices

Mario Van Peebles joins IndieWire's Jim Hemphill for a live version of Filmmaker Toolkit to talk about his directorial debut, “New Jack City.” In a conversation that followed a 35mm screening of the 1991 gangster classic, Van Peebles discusses casting the film, finding its visual language, and the influence of his father Melvin Van Peebles on his approach. Learn more about your ad choices. Visit megaphone.fm/adchoices

Front Row Classics is taking a look at one of most audacious films of the 1930s. Brandon is joined by Christian Blauvelt from IndieWire to take a look at 1939's Confessions of a Nazi Spy. The two discuss the bravery of Warner Brothers to take a stand against Nazi Germany when it was not popular to do so. They also discuss the film's documentary feel thanks to director, Anatole Litvak. The lead performance of Edward G Robinson is also celebrated.

Director Josh Greenbaum took IndieWire behind the scenes of the planning, shooting, and editing of his Emmy nominated documentary. Learn more about your ad choices. Visit megaphone.fm/adchoices

Confessions of a Nazi Spy Front Row Classics is taking a look at one of most audacious films of the 1930s. Brandon is joined by Christian Blauvelt from IndieWire to take a look at 1939’s Confessions of a Nazi Spy. The two discuss the bravery of Warner Brothers to take a stand against Nazi Germany … Continue reading Ep. 345- Confessions of a Nazi Spy →

Weapons è il nuovo film di Zach Cregger. Ha inaspettatamente dominato il box office nel mese di agosto 2025. Per sostenere il podcast, puoi fare una piccola donazione qui: https://ko-fi.com/saramazzoniEPISODI DEL PODCAST CITATIEp. 05 – Cos'è un JUMPSCARE?Ep. 72 – SMILE 2: il cinema dei jumpscare Ep. 75 – BRING HER BACK e il cinema del traumaSITOGRAFIACregger su Weapons come film sul lutto: https://nextbestpicture.com/the-next-best-picture-podcast-interview-with-weapons-filmmaker-zach-cregger/ Anche in: https://www.polygon.com/zach-cregger-weapons/  Cregger su Weapons come film sull'alcolismo: https://www.hollywoodreporter.com/movies/movie-features/weapons-audiences-disagree-movie-1236342296/Il prequel di Weapons: https://www.hollywoodreporter.com/movies/movie-news/weapons-aunt-gladys-prequel-zach-cregger-1236342838/ Indiewire su Weapons come antidoto al cinema del trauma: https://www.indiewire.com/criticism/movies/weapons-horror-movie-review-zach-cregger-1235143451/ FILM CITATIChe fine ha fatto Baby Jane? di Robert Aldrich (1962)Lost Highway di David Lynch (1997)Magnolia di Paul Thomas Anderson (1999)The Blackcoat's Daughter di Osgood Perkins (2015)Us di Jordan Peele (2019)The Hunt di Craig Zobel (2020)Antlers di Scott Cooper (2021)Barbarian di Zach Cregger (2022)Something in the Dirt di Justin Benson e Aaron Moorhead (2022)Furiosa: A Mad Max Saga di George Miller (2024)Longlegs di Osgood Perkins (2024) Never Let Go di Alexandre Aja (2024)Sinners di Ryan Coogler (2025)Final Destination: Bloodlines di Zach Lipovsky and Adam Stein (2025)Bring Her Back di Danny e Michael Philippou (2025)SERIEFeud di Ryan Murphy, stagione 1 (2017)LIBRIJacob e Wilhelm Grimm, Le fiabe del focolareItalo Calvino, Fiabe italianeFritz Leiber, Nostra signora delle tenebreJennifer Egan, Il tempo è un bastardoArthur Schnitzler, Girotondo

Emmy-winning director Jon Cassar joins IndieWire features writer Jim Hemphill for a special episode on Jon's 31 rules for television directors. These are things he's learned over the course of 30-plus years and over 200 episodes of TV that range from the technical to the political — all of them vital to sustaining a career. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week Camille and Rich welcome East Dallas resident Julian Sol Jordan, a 24-year-old filmmaker, cinematographer, editor, and musician whose work blends documentary and narrative styles with a deeply personal touch. His most recent project, REAL LIFE, an experimental documentary created entirely on his own, is filled with scenes and moments from East Dallas, grounding the film in the neighborhood where he lives. The project was highlighted by IndieWire as part of the Future of Filmmaking initiative, recognizing Julian as one of the fresh voices reshaping independent cinema. Beyond film, Julian is also part of the indie music duo Sunrise Academy, whose songs have gained a viral following online. In this conversation, Julian shares how East Dallas inspires his work, what it means to tell stories that are honest and alive, and how film, photography, and music give him a way to capture both memory and the present moment.Connect with us! Instagram - Facebook www.visiteastdallas.comPartner with us! connect@visiteastdallas.com

Brennan Lee Mulligan, executive producer and GM of "Dimension 20," offers IndieWire a peak inside the dimensional dome and discusses how cinematic tools, from editing and art design to sound effects and physical props, can help enhance Actual Play storytelling. Learn more about your ad choices. Visit megaphone.fm/adchoices

Behold the birth of the cinematic icon that is Nicolas Cage. Bask in the glory of his historic first on-screen freak-out. Witness his wondrous weirdness expertly unleashed by director Martha Coolidge, who made the most of a tiny budget, tight schedule, and tepid script to deliver a (sub-)cultural landmark by way of the Sherman Oaks Galleria. This week, Javi, Paul - and for sure, like totally, Producer Brad - pop their pastel polo collars as they venture valiantly into the strange suburban vortex of vapidity that is VALLEY GIRL. Demure Julie (Deborah Foreman) falls for pseudo-punk Randy (Cage) from the scary side of the Hollywood Hills, but when her high school social circle disdainly disapproves, she's torn between lofty love and crushing conformity. Will peer pressure prune her passion? Or will she stop the world and melt with Randy a million miles away on Electric Avenue? Whether you're in the mood for the valley or not, our hosts have got the vibe, even if their brains are bad news from that creepy clown doll. Have a nice flight!Show Notes:1983 Box OfficeValley Girl Weekend Box Office, April 29, 1993Valley Girl Box Office, August 12, 1983Valley Girl Box Office ResultsAFI Catalog entry for Valley GirlRoger Ebert review of Valley GirlAFI Movie Club segment on Valley Girl with DP Frederick ElmesNYT 2020 article on Valley Girl quoting Martha Coolidge exploiting nudity requirement loopholes.Indie Wire article with quotes from Nicholas Cage praising Martha Coolidge.Follow us!InstagramBlueskyemail: Multiplexoverthruster@gmail.com Hosted on Acast. See acast.com/privacy for more information.

In this episode of the Marketing and Distribution Podcast, Alex Stolz is joined by Maxwell Riesberg, founder and CEO of Rascal (RSCL) Films – a bold new theatrical-first studio on a mission to bring international action films the big-screen releases they deserve. With a background that includes award-winning campaigns for A Quiet Place and Bumblebee, Maxwell shares how Rascal aims to become the 'A24 of action cinema' by combining cutting-edge AI dubbing technology, premium marketing, and a community-first approach to distribution. He explains how Rascal is building an identity-driven brand that speaks directly to underserved action fans across the U.S., why theatrical still matters, and how user-generated content is shaping the future of film marketing. A deep dive into genre strategy, branding, AI, and the power of building direct audience relationships — this is a must-listen for anyone shaping the future of film distribution. About Maxwell Riesberg Maxwell Riesberg is an accomplished producer, storyteller, and creative advertising professional, as well a seasoned entrepreneur with two successful exits. He is the Founder of RSCL, the first film distribution company devoted exclusively to action cinema. Built as a consumer-facing lifestyle brand, RSCL represents a radical rethinking of film distribution for the AI era, focused on building meaningful, direct relationships with audiences through exceptional international action films, innovative partnerships, and community building. Previously, Maxwell founded Paradise Creative, an advertising agency that specializes in theatrical trailers & digital campaigns for films and TV shows.  Maxwell led the company from a two-person upstart into an industry powerhouse, cementing the agency's status as a go-to partner for clients including Amazon Studios, Warner Bros, Paramount, Sony Pictures, Hulu, HBO Max, Netflix, and many others.  In addition to generating millions of box office dollars and delivering untold eyeballs to streaming titles, Maxwell & the Paradise team garnered many notable awards, including seven wins at the prestigious Clio Awards.  Maxwell was Chief Executive Officer of the agency, until engineering his exit in 2021. Before that, Maxwell founded Lord Danger, a boutique commercial production company.  He developed an in-demand roster of bold commercial directors, sourcing their campaigns and managing their career trajectories.  Clients included Lawrence Lamont, Mike Diva, and Gille Klabin.  Maxwell worked hand-in-hand as producer on his clients' works, from conceptualization all the way through post-production.  Lord Danger created music videos for some of the biggest acts in music (Major Lazer, J. Cole, Steve Aoki, Big Sean, et al) as well as iconic commercials for house-name brands including 1-800-Contacts & Meow Mix.  Maxwell was Co-Chief Executive Officer of the company, leading it to its acquisition in 2015. Maxwell's work has been written about extensively, including in The Hollywood Reporter, Ad Age, Fast Company, Deadline, Entertainment Weekly, Billboard, Indiewire, and CNN.  And Eater LA. Maxwell loves to travel, both abroad but also to the furthest reaches of Los Angeles in search of its best food.  When he's not on the road, he enjoys seeing (almost) every movie in theatres, appreciating dogs, rooting for Red Bull Formula 1 and (tragically) the Chicago Bears, and working on his tennis game.

Her hafta Canlı Yayında sinema ve televizyon gündemini konuşuyoruz, haftanın öne çıkan dizi ve filmlerini yorumluyoruz, ilgimizi çeken konuları tartışıyoruz, listeler yapıyoruz, goygoydan geri kalmıyoruz...00:00 | Giriş07:00 | The Fantastic 4: First Steps22:20 | Moon 28:25 | Çocukken En Çok İzlediğimiz 10 Film 1:18:15 | Vince Gilligan'ın Yeni Projesi1:22:35 | Venedik Film Festivali'nin Programı Açıklandı1:32:25 | Hollywood Reporter: 21. Yüzyılın En İyi 25 Korku Filmi1:41:55 | Indiewire: 2020'lerin En İyi 50 Dizisi 1:49:35 | Nuri Bilge Ceylan'a Bir Red Daha1:53:00 | Sinema Salonlarının Hali1:56:25 | 2025'te En Çok İzlenen İki Orijinal Film 1:58:25 | Sacha Boran Cohen'in Yeni Rolü 2:00:05 | James Camerion'ın Yeni Projesi 2:01:55 | South Park'tan Yeni Tartışmalı Sahne2:03:20 | PTA ve Fortnite(?)2:06:50 | Coppola Megalopolis'i Yeniden Kurgulayacak 2:08:10 | One Battle After Another'ın Karakter Afişleri2:08:30 | Lena Dunham'ın Yeni Filmi Good Sex2:08:45 | The Devil Wears Prada 2 Çekimleri Başladı2:09:00 | Robert Eggers'in Yeni Filmi Werwulf'un Cast'ı

Jennifer Kaytin Robinson joins IndieWire features writer Jim Hemphill to talk about rebooting the 1997 slasher classic. Robinson discusses integrating the original cast members into the story (warning: spoilers!), balancing horror and comedy, and the influence of Steven Spielberg's “Jaws” on her summer thriller. Learn more about your ad choices. Visit megaphone.fm/adchoices

IndieWire's Ryan Lattanzio is joined by Awards Editor Marcus Jones to break down which Emmy nominations are worth caring about, predict which films will premiere at Venice this year, and explain their mixed reactions to Ari Aster's newest film 'Eddington' about American mania in 2020. Learn more about your ad choices. Visit megaphone.fm/adchoices

We're celebrating our 400th episode with a look at the biggest 400 in cinema, Francois Truffaut's 1959 French New Wave classic, The 400 Blows! Join in as we discuss the New Wave's place in cinema history, Antoine Doinel's poor fire safety, his conspicuous lack of siblings, and engage in a cinemabration of eight years of podcasting. Plus: How closely does the film map onto Truffaut's life? What does the title actually mean? Which school subjects are worth learning? And, most importantly, what's the difference between 2017 and 2018? Make sure to rate, review, and subscribe!Next week: Fantastic Four: Rise of the Silver Surfer (2007)-------------------------------------------------Key sources and links for this episode:"Movie Poster of the Week: Francois Truffaut's The 400 Blows" (MUBI)"The 400 Blows: Close to Home" (Criterion)"The Emoji Movie was the First Film to Publicly Screen in Saudi Arabia after 35-Year Cinema Ban" (IndieWire)"Mike White Confronts Rob Cesternino over Emoji Movie" (All Winners Survivor on YouTube)"Christopher Nolan Took his Kids to See Phantom Thread and Now They Call Him 'Woodcock' When He's Being Mean" (IndieWire)The 2022 Sight & Sound lists

Director Rob Reiner returns to Filmmaker Toolkit to talk with IndieWire features writer Jim Hemphill about “This is Spinal Tap.” Released in 1984 to widespread acclaim, Reiner's debut feature created a new form of comedy that inspired countless hours of “mockumentary” TV episodes and films in the decades to follow. On the occasion of the film's theatrical re-release in a new 4K restoration, Reiner reflects on its making and the challenges he faced getting the movie out into the world. Learn more about your ad choices. Visit megaphone.fm/adchoices

The writer, director, and star of the Sundance hit and new A24 release joins IndieWire's Chris O'Falt to break down their directorial debut. Eva was forthright about the challenges of learning how to direct (including a graduate level film class of sorts supervised by Barry Jenkins) and also explored how she balanced a gentle tonal approach to a tough subject. Learn more about your ad choices. Visit megaphone.fm/adchoices

Simon Ennis is the award-winning director of the feature films Lunarcy! and You Might As Well Live. His work has screened at TIFF, SXSW, IDFA, CPH:DOX, Slamdance, True/False, & Fantasia, and been praised by the NY Times, Variety, IndieWire and the Toronto Star. The Hobby: Tales From The Tabletop, his latest feature documentary, had its world premiere at SXSW, is currently playing theatrically in Canada, and will be released on VOD in Canada and the US in July. Simon loves baseball, crime fiction, surrealist art, and board games. He tells stories with humour and heart, often focusing on dreamers and eccentrics, like… himself. To learn more about THE HOBBY and upcoming screenings, check him out here: https://www.route504pr.com/the-hobbyWHERE TO BUY OUR BOOK: https://www.amazon.com/dp/B0DSJ1LMQ1FOLLOW US ON: Facebook: https://www.facebook.com/groups/boardgamebingeInstagram: https://www.instagram.com/boardgamebingepodcast/ Twitter: https://www.twitter.com/boardgamebingeWHERE TO FIND OUR PODCAST:Spotify: https://open.spotify.com/show/5RJbdkguebb3MSLAatZr7riHeart Radio: https://www.iheart.com/podcast/269-board-game-binge-72500104/Tune In: https://tunein.com/embed/player/p1344218/Google Podcasts: https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5jYXB0aXZhdGUuZm0vYm9hcmRnYW1lYmluZ2U=Apple Podcasts: https://podcasts.apple.com/ca/podcast/board-game-binge/id1522623033Visit Our Websites: Board Game Binge: https://boardgamebinge.com/Tin Robot Games: https://tinrobotgames.comElixir Board Games: https://www.elixirboardgames.com/our-games

Text us your movie thoughts!Reel Week | 172:On this week's episode, we discuss Indie Wire's list of the top 100 movies from the 2020's, so far.Plus: mini reviews of FOUR new releases! Ballerina; Karate Kid Legends; The Phoenician Scheme; and Materialists.Stay tuned for our Marquee topic of the show episode next week where we begin our 2025 Movie Homework.Next episode: Close Up (1990) | 2025 Movie HomeworkSocials:Cristian on Twitter: @_isoCristianCristian on Letterboxd: isoCristianHugo on twitter: @Hugo_PinaiHugo on Letterboxd: Hugo_P7Jackson on Letterboxd: @jacksonwwellsHelpful Links Large Popcorn linktree Large Popcorn on Twitter: @ LargePopcornPod Dial-in to the show via SpeakPipe! Keep up with all the films we watch on every show at my letterboxd profile Check out our merch on bonfire!

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IndieWire's Anne Thompson and Ryan Latanzio give their reactions to some of the most anticipated releases coming our way, from a thoughtful romantic drama to the big follow up from the team behind 'Top Gun: Maverick' and even the odd little TIFF audience winner that's getting a unique marketing push from NEON. Finally they give their takes on the buzz around exhibitors lobbying for a spot in the Academy voting body. Learn more about your ad choices. Visit megaphone.fm/adchoices

Lucia Aniello and Paul W. Downs, two of the three co-creators of "Hacks" and two of its writers and directors, talk to IndieWire about giving Ava and Deborah an antagonistic relationship like never before in Season 4. The pair discuss how their team has continued to evolve the filmmaking language of the show and set new challenges for themselves — namely, a Late Night show for Deborah — while still bringing a half-hour Max comedy in on time. Watch full episodes of the Filmmaker Toolkit on YouTube - https://youtube.com/playlist?list=PL_oEavFHbDlFCGlOmGO71Tvzb1qEHofCg&si=9pUCNArDCxcyrX2b Learn more about your ad choices. Visit megaphone.fm/adchoices

Hollywood couldn't figure out how to sell a historical fiction political comedy about teenagers set twenty-five years in the past, but we're big fans of Andrew Fleming's 1999 film Dick and we're here to talk about it! Join in as we discuss teenage celebrity crushes, child stardom, an odd choice for weed storage, and a deep cast of sketch performers. Plus: Why does Nixon White House Counsel John Dean have a "special thanks" in the credits? Why is the New York Times review so fixated on connecting this movie to Monica Lewinsky? And, most importantly, why does this dog look nothing like Checkers?? Make sure to rate, review, and subscribe! Next week: Burn After Reading (2008)----------------------------------------------Key sources and links for this episode:Stephen Holden's review in the New York TimesMichael O'Sullivan's review in the Washington Post"Generation X's Tricky Dick" (Washington Post)"Dick Director on the Challenges of Making a Watergate Comedy and Whether it Could be Done Today" (The Hollywood Reporter)"9 Things You Never Really Knew about Dick" (Huffington Post)"Dick at 25: The Watergate Satire's Writer and Director on Putting Michelle Williams and Kirsten Dunst in Nixon's White House" (IndieWire)"Michelle Williams Bares All for Her Art" (Entertainment Weekly)"Michelle Williams, Naked Angel" (Paper Magazine)"Some Like Her Hot" (2012 GQ cover story on Michelle Williams)"How Did Two Elite Students Fall for the Zizians Cult?" (The Cut)"Stalkers, Disease, and Doubt: A Gymnast's Hard Road Back to the Games" (New York Times piece on Suni Lee's adjustment to fame and adult life)Dear Hollywood - Alyson Stoner's podcast on child acting"Jason Bateman" (Conan O'Brien Needs a Friend)"The Reveal of Emo Kylo Ren's Parentage is Tearing Twitter Apart" (AV Club)"The Story of the Really Weird Night Richard Nixon Hung out with Hippies at the Lincoln Memorial" (Washingtonian Magazine)

The creator, showrunner, and lead writer of 'Ando'r joining IndieWire's Chris O'Falt to break down the entire final season of his amazing series. 'Andor' remains some of the best world building we have ever seen on screen, and Tony explained how his decades of researching rebellions inspired his team to take Star Wars to a new level of political and cultural relevance. Learn more about your ad choices. Visit megaphone.fm/adchoices

One of the key minds behind the hit series 'Adolescence' sat down with Sarah Shachat of IndieWire to break down the show's complex emotions and technical genius. Graham dives deep into the casting process for each character, and walks us through the elaborate dance they did with the camera crew for each 'oner' filmed episode. Learn more about your ad choices. Visit megaphone.fm/adchoices

“The Righteous Gemstones” creator Danny McBride joins IndieWire's Jim Hemphill to talk about the final season of his hit HBO comedy about a dysfunctional family of televangelists. McBride discusses balancing comedy and emotion, casting Bradley Cooper in the offbeat season premier, and much more in this wide-ranging conversation. Learn more about your ad choices. Visit megaphone.fm/adchoices

Directing 'April' put director Dea Kulumbegashvili and her team into hot water with the Gerogian Government. Dea joined IndieWire's Chris O'Falt to talk through the ways she tackled controversial topics like abortion in her film, and how catching parts of 'First Blood' on TV during rare electricity surges hooked her on cinema. Learn more about your ad choices. Visit megaphone.fm/adchoices

Have you felt completely overwhelmed when deciding what new show to watch these days? Us too. There’s just so much content out there between network TV and numerous streaming platforms. Each week, we will try to break through the noise with TV watchers who can point us to the must-sees and steer us clear of the shows that maybe don’t live up to the hype. This week, listeners will get the latest scoop on what’s worth watching with Saloni Gajjar, staff writer covering TV at the A.V. Club and Marcus Jones, awards editor for TV & Film at IndieWire. TV Shows: The Four Seasons (Netflix) St. Denis Medical (NBC) Dark Winds (AMC) 100 Foot Wave (HBO) Dark Winds (AMC) Love Hotel (Bravo) Eva Longoria: Searching for Spain (CNN)

Cassian Andor himself sat down with IndieWire's Sarah Schachat to break down what goes into making the most detailed Star Wars project yet. Diego opens up about his role keeping the vision on track as an actor/producer, and how the structure of Andor's production allows for so much detail. Watch this entire conversation on IndieWire's Youtube page: https://www.youtube.com/watch?v=YPSFHS75XyM&ab_channel=IndieWire Learn more about your ad choices. Visit megaphone.fm/adchoices

What is going on with the 'Sinners' box office reporting? IndieWire's Anne Thompson and Ryan Lattanzio break down the bizare narrative that took shape over the weekend. Then they dive into their feels for some 'The Last of Us' spoiler talk, and react to the Academy's new rules to force Oscar voters to actually watch the movies. For interviews with today's top directors and showrunners, check out IndieWire's Toolkit Podcast: https://podcasts.apple.com/us/podcast/indiewires-filmmaker-toolkit/id1142632832 Learn more about your ad choices. Visit megaphone.fm/adchoices

David Cronenberg' is one of our greatest living filmmakers, and not just because he made so many classic films in the 70s and 80s. His recent work is frighteningly modern, grappling with phones and AI and how they intersect with the body. Listen to hear Cronenberg break down how this film was inspired by losing his wife, and what the film taught him about grief. You can watch this conversation on IndieWire's Youtube page: https://youtu.be/oWRY3tCX17Y Learn more about your ad choices. Visit megaphone.fm/adchoices

This is a free preview of a paid episode. To hear more, visit cocomocoe.substack.comThank you for your patience on this episode going up Tuesday vs Monday and happy Easter, coconuts ❤️

På 90-talet var hon Hollywoods bäst betalda kvinnliga skådespelare. På 00-talet var hon uträknad. Vid 62 års ålder kom hon tillbaka i sitt livs roll. Nya avsnitt från P3 ID hittar du först i Sveriges Radio Play. Med filmer som Ghost, På heder och samvete, Ett oanständigt förslag, och Skamgrepp var Demi Moore ett av filmvärldens största dragplåster under 1990-talet.Men när hon stod på toppen av sina karriär, och krävde lika hög ersättning som sina manliga skådespelarkollegor, blev hon kallad girig. Plötsligt vände allt för Moore, som gick från stekhet till iskall i Hollywood.P3 ID om Demi Moore är berättelsen om uppgång, fall, och återuppståndelse.Efter en tumultartad barndom slog Moore igenom som 19-åring i såpoperan General Hospital. Sprit, knark, vilda fester och snabba nätter på motorcykel genom Los Angeles tog vid. I slutet av 80-talet blev hon och Die Hard-stjärnan Bruce Willis Hollywoods starkast lysande ”power couple”, och därefter tycktes inget kunna hejda Moores klättring till biotoppen.Men knivarna var vässade, redo att stickas in vid minsta felsteg...Över två decennier efter att hennes superstjärnestatus punkterats klev Moore för första gången in i filmvärldens absoluta finrum, när filmen The Substance skapade svallvågor i Cannes. Rollen som den bedagade och ratade Hollywooddrottningen Elisabeth Sparkle låg spöklikt nära Demi Moores egna erfarenheter, och hon hissades till skyarna för sin tolkning.För första gången nämndes Moores namn på allvar i Oscarssammanhang, en halv livstid efter att hon en gång haft den amerikanska filmindustrin i sin hand.Medverkande: Olga Ruin, chefredaktör för filmtidskriften FLM, Anne Thompson, kritiker på sajten Indiewire.Klippen i programmet är hämtade från: ABC News, NPR, CNBC, Red Table Talk, Ljudboksversionen av Moores självbiografi Inside Out, Touchstone Pictures, The Late Shows Youtubekanal, Mubi, AP, Entertainment Tonight, Movieclips

Director Christopher Landon joins IndieWire features writer Jim Hemphill to talk about his latest film, “Drop.” A thriller set almost entirely in one location, relying heavily on cell phones, “Drop” created a number of logistical and aesthetic challenges for Landon, all of which he breaks down in this conversation. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode IndieWire's Jim Hemphill is joined by veteran television director Bethany Rooney, who talks about a career that began on “St. Elsewhere” in the 1980s and continues to the present day on shows like “Tracker” and “Criminal Minds.” Rooney takes the listener through the nuts and bolts of every facet of TV directing, explaining the similarities between TV and features and the very real differences. Watch full director interviews on our Toolkit YouTube playlist: https://youtube.com/playlist?list=PL_oEavFHbDlFCGlOmGO71Tvzb1qEHofCg&si=w5vAKxoVhhhSZLwT Learn more about your ad choices. Visit megaphone.fm/adchoices

Merriam-Webster's Word of the Day for March 28, 2025 is: derelict • DAIR-uh-likt • adjective Derelict is a formal word that describes something that is no longer cared for or used by anyone. It can also describe someone who is negligent or who fails to do what needs to be done. // The kids made sure to stay away from the spooky derelict houses in the neighborhood on Halloween. // The officers were charged with being derelict in their duty. See the entry > Examples: "In a movie that spends most of its time confined to the disorienting guts of a derelict spaceship, tracking Kenneth's de-evolution from Kennedy wannabe to a used car salesman version of Colonel Kurtz is often the only moral compass we have to find our way towards a better tomorrow." — David Ehrlich, Indie Wire, 15 Feb. 2025 Did you know? The Latin verb relinquere, meaning "to leave behind," left English with a number of words, including derelict. Something derelict has been left behind, or at least appears that way. In another sense, someone who is derelict leaves behind or neglects their duties or obligations. Another descendant of relinquere is relinquish, meaning "to leave behind," "to give up," or "to release." Relic also ultimately comes from relinquere. Relics, in the original sense of the term, are things treasured for their association with a saint or martyr—that is, objects saints and martyrs left behind. Relinquere also gives English its name for the containers or shrines which hold relics, reliquary.

This impressive indie film documents the groundbreaking work of physician and co-founder of Ronald McDonald House Charities, Dr. Audrey Evans. Director Ami Canaan Mann joins IndieWire's Sarah Shachat to discuss illuminating this incredible woman's life, and share how she made such a handsome looking feature on a truly indie budget (it involves an abandoned hospital!) Learn more about your ad choices. Visit megaphone.fm/adchoices

“The Actor” director Duke Johnson stops by Toolkit to talk with IndieWire's Jim Hemphill about making his live-action feature debut after making a name for himself in the world of stop-motion animation. Topics include the challenges of adaptation, why he cast actors in multiple roles, and how he made the most of a budget and schedule that fell far short of his ambitions. Learn more about your ad choices. Visit megaphone.fm/adchoices

“Novocaine” directors Dan Berk and Robert Olsen join IndieWire's Jim Hemphill to talk about their new action-comedy, which merges the influence of 1980s hits like “Die Hard” and “Lethal Weapon” with the story of a new kind of action hero. Berk and Olsen discuss how they made the most of a modest budget, why Cape Town, South Africa doubled for San Diego, and much more. Learn more about your ad choices. Visit megaphone.fm/adchoices

Korean only version begins at: 23:01 We are thrilled to welcome back Oscar winning director of Parasite, Bong Joon Ho. His new movie takes place in a world where human printing exists (memories and all), and follows a man who agrees to be killed again for science. Director Bong reveals the pandemic-inspired origins of the film, what it was like working with Robert Pattinson and Mark Ruffalo, and more. You can watch the full conversation on IndieWire's Youtube page: https://youtube.com/playlist?list=PL_oEavFHbDlFCGlOmGO71Tvzb1qEHofCg&si=GIs_qajyGCSlhXvu Learn more about your ad choices. Visit megaphone.fm/adchoices

So what makes a great hangout film like “Dazed & Confused” or “American Graffiti”? That's what IndieWire's Chris O'Falt asks director Carson Lund, a student of the sub-genre and who just made a great one with his baseball film “Eephus,” the story of two recreational baseball teams, up in small town New England, playing their last game on their beloved field before it gets torn down. Learn more about your ad choices. Visit megaphone.fm/adchoices

As is tradition, we're taking this week to unpack the romances of all ten Best Picture nominees at next Sunday's Academy Awards! Join in as we discuss The Brutalist's AI controversy, the underserved women of A Complete Unknown, our Conclave theories, the maximalism of The Substance, and more! Plus: Will finally explains his long-hinted-at dislike of Wicked, Marc correctly identifies the year's hottest performance, Dune and Nickel Boys set the gold standard for literary adaptation, and the Best Original Song category continues to be a mess. Make sure to rate, review, and subscribe! Next week: Monster Trucks (2017)----------------------------------------------Key sources and links for this episode: Interview with Anora director Sean Baker on the Prestige Junkie podcast "Inside the Anora House" (IndieWire) "About the Destination: The Brutalist and Israel" (Screen Slate) "The Brutalist's AI Controversy Explained" (Vulture) "Glen Powell Reveals Steven Spielberg's Twisters Note that Changed the Ending" (Collider) Elizabeth Cotten playing "Freight Train" "Emilia Perez's Controversial Camino" (Vulture) Lemme Say This interview with journalist Sarah Hagi on uncovering Emilia Perez star Karla Sofia Gascon's Twitter page "Margaret Qualley was Given Prosthetic Boobs to 'Endow Me with the Rack of a Lifetime' for The Substance" (People)

'Universal Language' is a charming, deceptively deep indie film about a town that is somehow both Winnipeg, Canada and Tehran, Iran, and the lives of its citizens. Director Mathew Rankin sat down with IndieWire craft writer Sarah Shachat to discuss what it takes to live in community, finding his family on set, and of course filming with live turkeys. Learn more about your ad choices. Visit megaphone.fm/adchoices

Director Coralie Fargeat tells IndieWire how the films of David Lynch, Stanley Kubrick, the Coen Brothers, David Cronenberg, John Carpenter and Darren Aronofsky inspired her Oscar nominated body horror classic. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Oscar nominated director of one of the splashiest films of the year joins IndieWire's Chris O'Falt to dive into her ideas about self hatred, body image, Hollywood, and how she represented it all in her body-horror extravaganza. Learn more about your ad choices. Visit megaphone.fm/adchoices

The director of the most celebrated animated film of the year sat down with IndieWire's Sarah Shachat to share how he made this charming and powerful film on a micro-indie budget. You can watch the full intrerview with Glints at Youtube.com/IndieWire. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the latest episode, I catch up with the host of the 50MPH podcast Kris Tapley about the birth of the action franchise of the last decade, JOHN WICK.Kris Tapley has covered the film and television industry for two decades, with bylines at Variety, The New York Times, Empire, Vanity Fair, Netflix Queue, HitFix and The Times of London. He was formerly the host of Variety and iHeartRadio's Playback podcast where he interviewed filmmakers, actors and more about their work. He also hosted Netflix's behind-the-scenes podcast The Call Sheet, as well as the popular awards season podcast Oscar Talk, a co-production with IndieWire. He now works as a writer and consultant in Los Angeles, where he lives with his loving wife, lively son and lazy cat. You can follow him on Twitter @kristapley.Listen to 50MPH.Thank you so much for the ongoing support!One Heat Minute ProductionsWEBSITE: oneheatminute.comTWITTER: @OneBlakeMinute & @OHMPodsMERCH: https://www.teepublic.com/en-au/stores/one-heat-minute-productionsSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

MUSICThree men are accusing Sean "Diddy" Combs of drugging and raping them between 2019 and 2022. The men, all three anonymous John Does, filed a civil suit in New York on Wednesday. Rage Against The Machine bassist Tom Commerford has opened up about his three-year battle with prostate cancer.It seems that Nine Inch Nails fans might have some reissues to look forward to. Trent Reznor was asked by Indie Wire if there's a chance he'll reissue older Nine Inch Nails video projects and he replied, "I'm trying to think what I'm able to say right now. We are doing some things with Interscope again. There's a renewed interest in making sure the back catalog is being curated and maintained properly." Reznor was asked if one of those things in the catalog is a reissue of the 1997 video album Closure, which was released as a double VHS tape but had a DVD reissue shelved in the early 2000s. Reznor said, "I haven't been paying close attention to what the status of those things are because this is a relatively new development. But that's a good thing to mention because I would like to have that in some consumable fashion, whether it be streamable or something.”Fred Durst says people have misunderstood the lyrics for Limp Bizkit's "Nookie" for 25 yearsTVHot Ones host Sean Evans is now a key stakeholder in First We Feast, the studio that produces his popular celebrity interview series.MOVING ON INTO MOVIE NEWS:It looks like casting may be locked in for the four-part biopic series on The Beatles, with each band member getting their own film.'Elvis' and 'Dune 2' star Austin Butler has been cast as Patrick Bateman for the 'American Psycho' remake. AND FINALLYO.J. Simpson accumulated quite a collection of PORNO MAGS in prison . . . and he KEPT them when he got out. Now they're hitting the auction block, and his MAGNUM condoms might follow. Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

MUSIC Three men are accusing Sean "Diddy" Combs of drugging and raping them between 2019 and 2022. The men, all three anonymous John Does, filed a civil suit in New York on Wednesday. Rage Against The Machine bassist Tom Commerford has opened up about his three-year battle with prostate cancer. It seems that Nine Inch Nails fans might have some reissues to look forward to. Trent Reznor was asked by Indie Wire if there's a chance he'll reissue older Nine Inch Nails video projects and he replied, "I'm trying to think what I'm able to say right now. We are doing some things with Interscope again. There's a renewed interest in making sure the back catalog is being curated and maintained properly." Reznor was asked if one of those things in the catalog is a reissue of the 1997 video album Closure, which was released as a double VHS tape but had a DVD reissue shelved in the early 2000s. Reznor said, "I haven't been paying close attention to what the status of those things are because this is a relatively new development. But that's a good thing to mention because I would like to have that in some consumable fashion, whether it be streamable or something.” Fred Durst says people have misunderstood the lyrics for Limp Bizkit's "Nookie" for 25 years TV Hot Ones host Sean Evans is now a key stakeholder in First We Feast, the studio that produces his popular celebrity interview series. MOVING ON INTO MOVIE NEWS: It looks like casting may be locked in for the four-part biopic series on The Beatles, with each band member getting their own film. 'Elvis' and 'Dune 2' star Austin Butler has been cast as Patrick Bateman for the 'American Psycho' remake. AND FINALLY O.J. Simpson accumulated quite a collection of PORNO MAGS in prison . . . and he KEPT them when he got out. Now they're hitting the auction block, and his MAGNUM condoms might follow. Learn more about your ad choices. Visit podcastchoices.com/adchoices