Podcasts about hagoromo

The SLC Performance Lab is produced by ContemporaryPerformance.com and the Sarah Lawrence College MFA Theatre Program. During the course, visiting artists to the MFA Theatre Program's Performance Lab are interviewed after leading a workshop with the students. Performance Lab is one of the core components of the program where graduate students work with guest artists and develop group-generated performance experiments. David Neumann and Marcella Murray are interviewed by Chisom Awachie (SLC 23) Marcella Murray is a New York-based theatre artist from Augusta, Georgia, Murray is a playwright, performer, collaborator, and puppeteer. Her work is heavily inspired by the observed ways in which people tend to segregate and reconnect. Her work tends to focus on themes of identity within a community and (hopefully) forward momentum in the face of trauma.  Performances include The Slow Room, a piece directed by Annie Dorsen at Performance Space New York; a workshop of Ocean Filibuster, which was co-created by the team Pearl D'Amour (Lisa D'Amour and Katie Pearl) with composer Sxip Shirey at Abrons Arts Center; the work-in-progress, I Don't Want to Interrupt You Guys, created in collaboration with Leonie Bell and Hyung Seok Jeon during RAP at Mabou Mines; New Mony, created by Maria Camia at Dixon Place; and Shoot Don't Talk at St. Ann's Warehouse/Puppet Lab, created by Andrew Murdock.  Along with David Neumann, Murray recently co-created Distances Smaller Than This Are Not Confirmed (Obie Special Citation for Creation and Performance), which opened at Abrons Arts Center in January 2020. Murray is part of an artist collective called The Midwives. As artistic director of Advanced Beginner Group, Neumann's original work has been presented in New York at PS 122, New York Live Arts, The Kitchen, Central Park Summerstage (in collaboration with John Giorno), Symphony Space (in collaboration with Laurie Anderson), Abrons Arts Center, The Chocolate Factory, and The Whitney. Advanced Beginner Group has also performed at the Walker Art Center, Jacob's Pillow, MASS MoCA, American Dance Institute, and Carolina Performing Arts, among others. Neumann has been a featured dancer in the works of Adrienne Truscott, Susan Marshall, Jane Comfort, Big Dance Theater, Doug Varone, Doug Elkins Dance Company, and in two duets with Mikhail Baryshnikov. His choreography in the theatre includes The Antipodes at Signature Theatre, Futurity with Soho Rep and Ars Nova, An Octoroon at Soho Rep, Underground Railroad Game at Ars Nova, and directing Geoff Sobelle in The Object Lesson at BAM Fischer and New York Theatre Workshop. Neumann was choreographer on Hagoromo with Wendy Whelan and Jock Soto, Home at BAM Harvey, and Sibyl Kempson's Let Us Now Praise Susan Sontag at Abrons Arts Center. His film work includes collaborations with Hal Hartley, I Am Legend with Will Smith, Marriage Story with Adam Driver and Scarlett Johanssen, and White Noise directed by Noah Baumbach. Neumann is the recipient of three New York Dance and Performance “Bessie” Awards (including Best Production in 2015 for I Understand Everything Better). The third installment of the Distances... trilogy, in collaboration with theatre artists Marcella Murray and Tei Blow, will be presented in New York in 2024. Neumann has also been nominated for Tony, Drama Desk, and Outer Circle Critics awards for his choreography on Hadestown. He is also the recipient of a 2019 Chita Rivera Award for Outstanding Choreography of a Broadway Musical for Hadestown. Most recently, Neumann was choreographer on Swept Away, with music by the Avett Brothers at Berkeley Rep. Photo: Maria Baranova

On this episode of The Report Card, Nat speaks with Po-Shen Loh, professor of mathematics at Carnegie Mellon University and coach of the United States' International Mathematical Olympiad (IMO) team. Nat and Po discuss the difference between teaching problem solving and teaching computation, the limitations of mastery learning, the potential of online learning, math outreach, IMO, Hagoromo chalk, how to make math instruction simultaneously more engaging and more challenging, whether educators should discuss the usefulness of math, a scalable program to teach problem solving to advanced students live online, calculators, and more. Show Notes: https://www.poshenloh.com/about/ (Po's Personal Website) https://www.cmu.edu/math/people/faculty/loh.html (Po's Academic Website) https://en.wikipedia.org/wiki/International_Mathematical_Olympiad (International Mathematical Olympiad) https://live.poshenloh.com (Live.PoShenLoh) https://www.nytimes.com/2020/02/05/science/quadratic-equations-algebra.html (Po on Quadratic Equations) https://www.novid.org (NOVID) https://www.poshenloh.com/tour (Po's Speaking Tour)

How geeky mathematicians created a cult brand. The Do One Thing Well podcast is a weekly project.The best way to think of this podcast is as a research tool into brands, businesses, and individuals that ‘Do One Thing (INCREDIBLY) Well'.My job is to try and unpack the secret sauce of these world-class performers.So, we can learn from them and apply some of that magic to our own businesses, brands, and lives.The structure is always the same:1.        We learn the back story.2.        We, oddly, look at the Key Takeaways at the start.3.        The turning point.4.         The strategies.5.         What drives them?6.         How they got the message out.If you want to check out Hiut Denim Co to see the one thing we do well – the best-made jeans in the world:https://hiutdenim.co.uk/The Hiut Denim Co produces a weekly newsletter, which has become an optimistic gathering for the creative community.The newsletter has been written about in newspapers and magazines and it even inspired a book. Join the community here:Newsletterhttps://hiutdenim.co.uk/#newsletter-b...Instagramhttps://www.instagram.com/hiutdenim/Twitterhttps://twitter.com/hiutdenim/TikTokhttps://www.tiktok.com/@hiutdenimFacebookhttps://www.facebook.com/HiutDenimCo/Listen and subscribe to this podcast on the platform of choice: Apple, Spotify, Google.#brand #denim  #founder #hagoromoMusic by Lesfm from Pixabay Music by Lesfm from Pixabay

Amy asks Poulton to explain the difference between reading Noh plays and seeing a Noh performance. Poulton goes into great detail on the subject, including why and how the same Noh play covered in a few pages of text becomes a one-and-a-half hour play when performed. He quotes from Arthur Waley's The Noh Plays of Japan to explain the concept of length and time.He further introduces Kan'ami and Zeami, father and son, who elevated the art of Noh to what it has become and discusses the Tokugawa Shogunate's influence on Noh and gagaku (court music). Poulton notes that the flute, drum, and howling in Noh are designed to help take the audience into a different time and space. This is especially important to plays that focus on stories of ghosts, demons, and natural spirits (such as those of trees and plants).Noh performances are known for their ability to induce drowsiness and even sleep among the audience. Poulton explains how this induced hypnotic state can effectively transport the audience to a liminal awareness between reality and dreams."There is a transcendental boredom to Noh. We have to slow down our consciousnesses to get into the space of the performance. Time and space expand into infinity and eternity and this is how we can contact those things." —Cody PoultonNext Poulton expands on the structure of Noh plays and the use of dreams as devices in two well-known performances: "Hagoromo," an encounter of a human being and a supernatural creature, and "Yamamba" the mountain crone (See BOA Podcast 14: Yamamba: Japanese Mountain Witch with Rebecca Copeland and Linda Erlich). He explains the role of Noh masks and costumes. He further comments on "Funabenke" a demon play.Amy mentions "Takasago" and its continued reference in modern-day Japan.  Poulton responds that Noh often has a liturgical purpose, a way of blessing or commemorating an event similar to a requiem, and gives three modern examples of Japanese tragedies linked to Noh plays. He sum up his comments with:When bad things happen, we go back to ceremony, to ritual, to try to give shape to our feelings, and Noh is a beautiful device for doing that.Next is a discussion about the author Izumi Kyōka and how he came from a long line of Noh musicians and artists. Kyoka himself wrote plays about the supernatural and became a model of the counterculture of the 1960s in Japan. His uncle, Matsumoto Kintaro, was a famous Noh actor of the Meiji period. Poulton mentions the plays "Uta andon" and "Ama.""Saigyozakura" (Saigyo's Cherry Tree) is a play about the poet's trip to a temple to get away from the crowds at cherry-viewing time in search of a quiet and peaceful place to view the trees. But the cherry tree he finds at the temple chastises Saigyo for being a party pooper, telling him that people partying under the blossoms are celebrating his and the other trees' beauty. Poulton uses this as an example of how flowers and trees come to life and talk back to the humans via Noh plays.Lastly, Amy asks Poulton to recommend some books for those wanting to learn more about the Japanese performing arts:History of Japanese Theatre (Cambridge University Press, 2016), edited by Jonah SalzTraditional Japanese Theater (Columbia University Press), edited by Karen BrazellJapanese No Dramas (Penguin Classics, 1993) by Royall TylerKabuki Plays on Stage (4 Vols) (University of Hawaii Press, 2002-3) by James R. Brandon and Samuel L. LeiterBackstage at the Bunraku (Weatherhill, 1985) by Barbara C. AdachiThe Columbia Anthology of Modern Japanese Drama (Columbia University Press, 2017), co-edited by M Cody Poulton with Thomas Rimer, Mitsuya Mori, et al.Anthology of Japanese Short Stories (Oxford University Press, 2010), edited by Theadore W Goosen, which includes the story "Portrait of an Old Geisha" by Okamoto Kanoko (trans. Cody Poulton)About Cody Poulton:Cody Poulton taught Japanese literature, theater, and culture in the Department of Pacific and Asian Studies at the University of Victoria, Canada, for thirty-two years before retiring in 2021. Active as a translator of Japanese fiction and drama, he is author of Spirits of Another Sort: The Plays of Izumi Kyōka (2001) and A Beggar's Art: Scripting Modernity in Japan, 1900-1930. He is also co-editor, with Mitsuya Mori and J. Thomas Rimer, of The Columbia Anthology of Modern Japanese Drama and a contributing editor to History of Japanese Theatre. He is editor and chief translator of Citizens of Tokyo: Six Plays by Oriza Hirata (2019) and co-editor, with Barbara Geilhorn, Peter Eckersall, and Andreas Regelsberger, of Okada Toshiki and Japanese Theatre (2021).The Books on Asia Podcast is sponsored by Stone Bridge Press. Check out their books on Japan at www.stonebridge.com. Read a BOA review of their publication Yamamba: In Search of the Japanese Mountain Witch (edited by Rebecca Copeland and Linda C Ehrlich).Your podcast host is Amy Chavez, author of Amy's Guide to Best Behavior in Japan, and The Widow, the Priest and the Octopus Hunter: Discovering a Lost Way of Life on a Secluded Japanese Island.Don't miss out on upcoming episodes with Asia's best authors and translators by subscribing to the Books on Asia podcast.

Team 7 teams up one last time to defeat Kaguya, but then...Featuring Animak and Gozen from AnimeUproar.

We get buzzy over incorrectly brewed Matcha Green Tea and talk a whole bunch of nonsense.  An average Sugary Brew week then?  We did the tea a disservice by having no idea what to do with it… it will return for a proper go in the future!

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Once upon a time, a mysterious substance emerged that was so precious, so wondrous to have inspired a kind of worship. That magical object was … a chalk. But not just any chalk! This was Hagoromo: a Japanese brand so smooth, so perfect that some mathematicians wondered if it was made from the tears of angels. But one day it was threatened with extinction, triggering the greatest crisis the world of chalk had ever seen. Pencils down, please, as we tell the tale of a writing implement so irreplaceable, professors stockpiled it. And we’ll meet the brave teacher who singlehandedly saved its legacy from being erased. To learn more about how CNN protects listener privacy, visit cnn.com/privacy

The Perfect Chalk Chalk has been used by humans as a communication tool for thousands of years. Are some technologies too good to be replaced? Image: contri via Flickr Things mentioned in this podcast: - 2015 article expounding the virtue of Hagoromo chalk (https://gizmodo.com/why-mathematicians-are-hoarding-this-special-type-of-ja-1711008881) For more Cognitive Engineering episodes find us on iTunes, Google Play or wherever you get your podcasts, or add this RSS feed to your preferred player: feeds.soundcloud.com/users/soundcloud:users:219479129/sounds.rss

Wendy Whelan spent 30 years with New York City Ballet, 23 of those years as a principal dancer. She has danced virtually every major Balanchine role, and worked closely with Jerome Robbins on many of his ballets. She originated leading roles in works by such notable choreographers as William Forsythe, Twyla Tharp, Alexei Ratmansky, and Christopher Wheeldon. Wendy has been a guest artist with The Royal Ballet and the Kirov Ballet and has performed on nearly every major stage across the globe. She received the Dance Magazine Award in 2007, and in 2009 was given a Doctorate of Arts, honoris causa, from Bellarmine University. In 2011, she received both The Jerome Robbins Award and a Bessie Award for her Sustained Achievement in Performance. Since 2013, Wendy has been developing her own independent projects including, Restless Creature and Some Of A Thousand Words both co-produced by The Joyce Theater Productions, Whelan/Watson Other Stories co-produced by London’s Royal Opera House and Hagoromo, self-produced for the 2015 BAM Next Wave Festival. A documentary, entitled Restless Creature: Wendy Whelan, was released during the summer of 2016, in movie theaters across the country.

Prima ballerina Wendy Whelan, is one of the most acclaimed dancers of our time. She had spent 30 years at the New York City Ballet, 23 of those as principal dancer, before her final performance in 2014. She started taking ballet lessons when she was only 3 years old, began intensive training at the Louisville Ballet Academy at age 9 and then continued to spend most of her life dedicated to the craft. Since leaving the New York City Ballet, Whelan has joined the faculty of New York City's Ballet Academy East and was appointed Artistic Associate at New York City Center. She also premiered her inaugural independent project "Restless Creature" followed by two more independent projects, Whelan/Watson Other Stories, at London's Royal Opera House and Hagoromo at BAM's Next Wave Festival. On May 24, 2017 Abramorama released the film, "Restless Creature: Wendy Whelan" in New York at Elinor Bunin Theater and Film Forum, a documentary giving an intimate look at Whelan as she prepares to leave NYCB. In this episode, Whelan discusses the dedication and difficulties associated with being a ballerina and also the rewarding experience of fully committing to her passion and the lessons she learned by letting it go. Like what we're doing? Leave a review! ----> http://bit.ly/2ks4f90 Follow Sara Haines Twitter & Instagram: @SaraHaines Follow Jedidiah Bila on Twitter & Instagram: @jedediahbila Follow

I saw the latest two episodes of Naruto and really wanted to talk about Hagoromo, the Sage of the Six Paths and what I thought about his story and the story of Ninja-kind. In season 1, the first adventure that Naruto goes on is protecting a bridge builder, who wants to build a bridge to […]

Tracklist:001: Johanna Knutsson - Groove Support / Klasse Recordings 002: Arttu - Attic House (Snuff Crew Remix) / 4Lux Black003: Nina Kraviz - Ghetto Kraviz (Amine Edge Edit) / REKIDS004: Krystal Klear - Krystal Waters / CD-R005: Sound Pellegrino Thermal Team - Strange Touch (My House) / Sound Pellegrino006: Johanna Knutsson - Groove Support (Sacha Robotti 19808 Remix) / Klasse Recordings 007: Tom Flynn - Suzy Swap Meet / Hypercolour008: Untold - Motion The Dance / Hemlock Recordings009: Lando Kal - Rhythm Sektion / Hotflush Recordings010: Sepalcure - Hold On (Trevino Remix) / Hotflush Recordings011: Adam Port - Voyage / Play It Down012: Gregor Tresher - Throwing Faces / Ovum Recordings013: Chube.Ka - Naughty Neighbour / Snatch! Records014: Todd Terry, Sound Design - Bounce To The Beat (Gary Beck Remix) / Toolroom Records015: L-Vis 1990 - Hard Drive / Night Slugs016: Kaptain Cadillac - Ghetto Zoo (Manare Remix) / Booty Call Records017: L-Vis 1990 - Workout / Night Slugs018: Tanka - Patience / CD-R019: XXXY - Everything / Well Rounded Records020: Lazy Flow - Fanfar Drum Tool / Moveltraxx021: The Town - The Movement / ClekClekBoom Recordings022: Shox - Pass Go / Roska Kicks & Snares023: Krueger - 40oz Bounce / Paradisiaca Recordings 024: Last Japan - Tactics / LNUK

Tracklist:001: Jai Paul - jasmine (demo) / XL Recordings002: Jon Convex - Tightbeam / CD-R003: R2Bees feat. Sarkodie & Nana Boroo - Agyeeei (Dubbel Dutch Re-Riddim) / CD-R004: Howard Johnson - So Fine (Curtis Vodka Edit) / CD-R005: Surkin - iNYN (Live Mix) / Marble006: Worthy - Miami BBQ (Pulled Back Edit) / CD-R007: Bass Mekanik, Mad Mike - Ghetto Bass / Bass Mekanik Records008: Mak & Pasteman - Do The Same (Lando Kal Remix) / Shifting Peaks009: Lando Kal - Inquisition / Hotflush Recordings010: Trikk - Jointly / Man Make Music011: Shadow Child - Rustic Chip / dirtybird012: Shadow Child - The Verdict / CD-R013: XXXY - I Know This (Can't Be Love) / Well Rounded Records014: Underground Resistance feat. Yolanda - Living For The Nite (For The Feeling) / Underground Resistance 1991015: London Connection - You Bring Me Love / Industry Standard 1997016: Boiling Point - Movin' / Nice 'N' Ripe017: Adam Port - Sally / Play It Down018: George Morel - Let's Groove / Strictly Rhythm 1992019: L-Vis 1990 - Video Drone / Night Slugs020: Traxmen - F..... N'Suckin!! / WOX Records 1994021: Fast Eddie - Ain't It Funky (Fantastic Acid Mix) / Underground Classic Trax 1988022: DJ Pierre - Jack Da Groove (Angel Alanis Remix) / BNR Trax023: Rhythim Is Rhythim - Strings Of Life / Transmat 1987024: Mak & Pasteman - Mode / Shifting Peaks