Podcasts about Hadestown

In deze aflevering ontvangt Lara Lauwigi theatermaker en schrijver Patrick Ribeiro. Patrick is nieuwkomer bij Orkater en speelt momenteel de voorstelling Runner.  De tips van Patrick: Boek: The autobiography of Malcolm X (https://www.goodreads.com/book/show/92057.The_Autobiography_of_Malcolm_X) Podcast: Dipsaus (https://www.dipsaus.org/) Theater: All things Africa (https://huisheerkens.nl/voorstellingen/na-ruinas/) Musical: Harry Potter and the cursed child (https://www.instagram.com/harrypotteronstagenl/), Hadestown (https://www.instagram.com/hadestown_nl/) Film op streaming: Malcolm & Marie (https://www.imdb.com/title/tt12676326/) Serie: Harry Potter (https://www.imdb.com/title/tt13918446/), The Wire (https://www.imdb.com/title/tt0306414/), Top Boy, (https://www.imdb.com/title/tt1830379/) The Sinner (https://podcast.npo.nl/admin/feed/887/feeditem/create) Docu: Nieuwe documentaire van Nelly dos Reis (https://npo.nl/npo3/3lab/makers/nelly-dos-reis) Kindercultuur: Lennox (https://rightaboutnowinc.com/producties/lennox) Heb je cultuurtips die we niet mogen missen? Mail de redactie: eenuurcultuur@vpro.nl

I went back to one of my classic Broadway Drumming 101 conversations this week, and it reminded me why I started this series in the first place. Years ago I sat down with Rich Rosenzweig when he was holding the drum chair for the revival of ‘Company.' Now he's driving the bus for Ragtime at Lincoln Center, and revisiting this talk brought everything back. We got into the real work of subbing on Broadway, the pressure of matching the regular drummer's feel, and the quiet connection with the conductor that determines whether you get asked back.In the clip, Rich breaks down the truth every serious drummer needs to hear. Subbing isn't about chops or showing what you can do. It's about matching the show so well that the conductor can close their eyes and feel the same pulse, the same sound, the same flow they get from the regular drummer. They're not looking for surprises. They want stability. If you're not giving accuracy, presence, and attention to detail, they feel it immediately.Rich also talks about how conductors watch the monitor even when they say they don't. They're looking for someone who is locked in and communicating clearly. Plenty of great drummers have fallen short because they didn't prepare the book with real precision or didn't read the conductor the way the regular drummer does. Most people never hear that part of the job. Subbing is consistency, connection, and trust.Thanks for reading! This post is public so feel free to share it.This conversation is one of my favorites, and I'm bringing it back. Subscribe to Broadway Drumming 101 so you're notified when the re-release goes live. If you're trying to get into Broadway or looking to sharpen your subbing skills, this episode will show you what the job really demands.This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.Rich Rosenzweig has played more than a dozen Broadway shows and appeared on multiple cast recordings. He's been the drummer for the Kennedy Center Honors orchestra for more than a decade, toured nationally and internationally, and has been the regular drummer for City Center's Encores! series. He performs in progressive jazz ensembles, including his own East Down Septet, teaches privately, and has written several feature screenplays.More episodes like this are coming. Stay tuned.Clayton Craddock is the drummer for the upcoming Broadway revival of Cats: The Jellicle Ball, opening at the Broadhurst Theatre on April 7th. He is also the founder of Broadway Drumming 101 and the author of the forthcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway and Off-Broadway credits include tick, tick…BOOM!, Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and The Hippest Trip: The Soul Train Musical, along with extensive subbing on shows such as Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton is currently on tour with The Rock Orchestra and has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the TONY Awards, and has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

It has finally happened - both Vero and Lina are actually agreeing on things in this episode! It took several episodes but now we are back to accidentally reading from each others notes, agreeing on relevant plot points and even being accepting of the few moments we do differ in our interpretation. So join in for some good vibes, some random tangents and some (at least to us) entertaining debates about this episode, that sadly has nothing to do with Hadestown. And if you don't already, feel free to follow us on our not really active socials: * Bluesky: https://bsky.app/profile/theappleoftruth.bsky.social * Instagram: https://www.instagram.com/taotpodcast * Patreon: https://patreon.com/taotpodcast

Neste novo episódio do Entreato, Rafael Nogueira, Leticia Sagesse, Diego Galatti e Bruno Leão comentam as últimas notícias e compartilham suas opiniões. Falamos sobre os musicais The Queen of Versailles, Chess, Paddington, Rocky Horror Show, Hadestown e outros. Dê o play e confira nossos comentários. Ajude o Musical Cast se manter vivo! Contribua no Catarse e assine nosso conteúdo. https://www.catarse.me/musicalcast

This conversation with Nathan Lee Graham goes deeper than expected, mixing sharp humor with real insight into a career built on consistency, curiosity, and craft. He reflects on growing up between St. Louis and Los Angeles, navigating a childhood shaped by divorce, experimental schools, and parents who understood early on that the arts were his home. Nathan talks about discovering his calling in high school, the moment Marin Mazie encouraged him to move to New York, and how that one decision launched decades of steady work across stage and screen. Along the way he opens up about playing twins on Scrubs, aging in Hollywood, the discipline required to keep his instrument ready, and why he still sees himself first and foremost as a working actor rather than someone chasing fame. We also dive into the surprising path that led him to Zoolander the day after The Wild Party closed, the unique challenge and joy of creating memorable moments with only a handful of lines, and how he approaches every medium — stage, film, TV — with the same mindset and integrity. Nathan shares what it means to trust collaborators, what he's learning during previews of The Baker's Wife at Classic Stage Company, and why patience, perspective, and self-care have become essential to his life and artistry. It's a thoughtful, warm, and often funny look at a career defined not by one role, but by the sum of its parts and the relationships that shaped them. Nathan Lee Graham is a Grammy winner for Best Classical Album (Songs of Innocence and of Experience), a Los Angeles Drama Critics Circle Award recipient for The Wild Party, and a Drama League Award nominee for Wig Out. His stage work includes originating roles in The Wild Party and Priscilla, Queen of the Desert, with national tours of Hadestown and Show Boat. On screen, he is known for Zoolander, Zoolander 2, Sweet Home Alabama, Hitch, The Comeback, Scrubs, LA to Vegas, Mid-Century Modern, and more. He currently stars as Marquis in The Baker's Wife at Classic Stage Company. This episode is powered by WelcomeToTimesSquare.com, the billboard where you can be a star for a day. Connect with Nathan: Instagram: @nathanleegraham Connect with The Theatre Podcast: Support the podcast on Patreon and watch video versions of the episodes: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon.com/TheTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Twitter & Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@theatre_podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook.com/OfficialTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheTheatrePodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Alan's personal Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@alanseales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

Zangeres Kaat Van Stralen droomt ervan om ooit een musical te schrijven. Haar liefde voor het genre werd aangewakkerd door de musical Hadestown. Ze vertelt ook waarom componist Hendrik Lasure een fanclub verdiend, én waarom vooral Gen Z de serie Hacks moet bingen. In onze cultuurpodcast Bar Miroir brengen bekende gasten elke week drie dingen mee die hen raken, inspireren of een impact hebben op hun denken of leven. Je kan deze podcast ook bekijken op het Youtubekanaal van De Standaard. CREDITS Gast Kaat Van Stralen | Presentatie Lise Bonduelle | Redactie Fien Dillen, Lise Bonduelle | Eindredactie Fien Dillen | Audioproductie Joris Van Damme | Muziek Azertyklavierwerke | Chef podcast Alexander LippeveldSee omnystudio.com/listener for privacy information.

Zangeres Kaat Van Stralen droomt ervan om ooit een musical te schrijven. Haar liefde voor het genre werd aangewakkerd door de musical Hadestown. Ze vertelt ook waarom componist Hendrik Lasure een fanclub verdiend, én waarom vooral Gen Z de serie Hacks moet bingen. In onze cultuurpodcast Bar Miroir brengen bekende gasten elke week drie dingen mee die hen raken, inspireren of een impact hebben op hun denken of leven. Je kan deze podcast ook bekijken op het Youtubekanaal van De Standaard. CREDITS Gast Kaat Van Stralen | Presentatie Lise Bonduelle | Redactie Fien Dillen, Lise Bonduelle | Eindredactie Fien Dillen | Audioproductie Joris Van Damme | Muziek Azertyklavierwerke | Chef podcast Alexander LippeveldSee omnystudio.com/listener for privacy information.

The latest pod recaps this past spooky season! We talk about the menswear Anaïs Mitchell's epic musical "Hadestown", making pirate outfits out of 30s/40s vintage clothing, our very filmbro-friendly Halloween costumes, and of course, the fabulous start-of-term party for Cosmus Academy of the Arcane Arts, where Spencer was a first year and Ethan served as headmaster and emcee. It truly was a fun October! Blog Post: https://alittlebitofrest.com/2025/11/10/hadestown-halloween-2025-the-cosmus-academy-banquet/ Support us on Patreon and join the Discord: https://www.patreon.com/styleanddirection/ Follow us on Instagram! www.instagram.com/styleanddirection/ Podcast is produced by MJ

✨ Episode Summary It's a father–daughter reunion over 11 years in the making!In this heartwarming episode, I'm joined by my original co-host — and the smartest Disney daughter in the world — Lindsay!

In this WhatsOnStage Podcast special, two of the stars of the Donmar Warehouse production of Next to Normal – Caissie Levy and Jack Wolfe – reunite as they both take on Broadway at the same time. The pair are currently starring in separate shows – Levy as Mother in the critically lauded revival of Ragtime, Wolfe in the role Orpheus in the much-loved Hadestown. Hosted on Acast. See acast.com/privacy for more information.

It was such a pleasure to get to know Nicola Roberts during this episode.Nicola, who is currently starring as Persephone in the West End production of the musical Hadestown at the Lyric Theatre joined me for the best chat where she really opened up about what it was like being judged for her appearance in her Girls Aloud Days and how she has learnt to truly love and accept herself.We talk about relationships, feelign positive about ageing and also about how she looks after her sensitive skin. After our recording Nicola was off to do an event with Aveeno who she has been working with to promote their really beautiful new Age Renewal Range which is really gentle but powerful. Their entire campaign is about ageing gratefully and Nicola is the face of it. As you can imagine, this is totally up my street and I enjoyed learning more about this too.All in all, this is a great episode and it was lovely to get to meet a woman who has really taken control of her career and life in the best and most inspiring way possible.

Anna and Molly, two sixth-formers at Channing, discuss their experiences auditioning for and preparing to perform in the musical Hadestown. They share insights into their backgrounds, the audition process, the emotional highs and lows of landing roles, and the challenges of balancing schoolwork with rehearsals. The duo reflects on their growth in confidence, teamwork, and the supportive environment fostered by their drama department. They also emphasise the importance of feedback and collaboration in the creative process, encouraging younger students to participate in drama and take advantage of the opportunities available to them. As they look back on their favourite productions and share their aspirations for the future, they express excitement about the upcoming performance of Hadestown. Takeaways Anna & Molly both have a strong background in drama and have participated in multiple productions.The choice of Hadestown was influenced by its themes and musical demands.They emphasise the importance of camaraderie in the drama community.Auditioning for Hadestown was a significant moment for both of them.They discuss the challenges of balancing schoolwork and rehearsals.Confidence and teamwork have been key areas of growth for them.The rehearsal process is demanding but rewarding, especially with a large cast.They encourage younger students to get involved in drama.Both have aspirations to continue their creative pursuits in the future.

Happy Halloween!! This episode, we join Alice and Peter, two PhD Students in Magick studies, as they journey to hell to save their advisor in R.F. Kuang's new fantasy novel Katabasis. We start off spoiler free in this first of three episodes with our initial reactions, thoughts on pretentiousness in relation to academic prestige and precarity, and who we ultimately think this book is for.As a bit of a content warning, Katabasis deals with abuse and suicidal ideation. Because these themes are pretty central to the novel, we won't be able to provide specific timecodes for when it comes up in our own discussion, but wanted to make sure you know going in. What's Sparking Joy this episode: Silent Hill f and Love in the CloudEpisode was recorded October 19, 2025Show Notes:Support us on Ko-Fi: ⁠⁠⁠⁠⁠https://ko-fi.com/sexlovelitpodcast⁠⁠⁠⁠Listen to Corinne on Afternoona Asks: https://podcasts.apple.com/us/podcast/till-the-end-of-the-moon-deep-dive/id1698849342?i=1000729479718A little about the concerns around Lewis Carroll: https://www.pbs.org/wgbh/roadshow/articles/understanding-concerns-about-lewis-carroll/Listen to our Joy Sparked: SLL Song Recs playlist: ⁠⁠⁠https://open.spotify.com/playlist/50MNBI1kYKdJgxh8CzEJF1?si=d9df62854c684557⁠⁠⁠Listen to our episode on Hadestown: https://www.sexlovelitpodcast.com/ep40-hadestown/https://www.sexlovelitpodcast.com/ep40-hadestown/Other lit mentioned this episode: His Dark Materials, Hadestown, The Wasteland by T S Elliot, Dante's Inferno, Alice in Wonderland, The Stormlight Archive, Witch Hat Atelier, A Discovery of WitchesOn Future SLL Episodes: Isekai and Transmigration, Trope Spotlight: Forced Proximity, Frieren: Beyond Journey's EndDon't forget to subscribe to Sex. Love. Literature! You can find us at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SexLoveLitPodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠; on Instagram , Tumblr, and BlueSky @SexLoveLitPodcast. Support us on Ko-fi: ⁠⁠⁠⁠⁠https://ko-fi.com/sexlovelitpodcast⁠⁠⁠⁠⁠⁠Our cover art is by Charcooll (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/charcooll/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠). The SLL Theme music is “Pluck It Up” by Dan Henig. What's Sparking Joy BGM is "Candy-Coloured Sky" by Catmosphere | https://soundcloud.com/ctmsphr;Released by Paper Crane Collective; Music promoted by https://www.free-stock-music.com; Creative Commons Attribution 3.0 Unported License; https://creativecommons.org/licenses/by/3.0/deed.en_US.Sex. Love. Literature. is a pop culture podcast that relishes the romantic, the sexy, and the scandalous in media. Join pop culture scholars (and besties) Ayanni and Corinne as they deep dive into why the “sex-stuff” in media matters. Main episodes drop the last Friday of the month.

The new cast from Broadway's Hadestown joins Alison Stewart live in The Greene Space. Lead actors Morgan Dudley, Kurt Elling, Rebecca Naomi Jones, Paulo Szot, and Jack Wolfe perform songs from the show and discuss stepping into the principal roles of the long-running Broadway hit. This event is part of All Of It's Broadway on the Radio series.

In this episode, I sit down with drummer Tom Jorgensen. He's been playing drums on the Beetlejuice national tour for the last three years. Tom talks about what makes the Beetlejuice drum book one of the most physically demanding on the road and how Shannon Ford's original approach set the tone for everything that followed.We dig into:* The sheer physical challenge of playing Beetlejuice eight times a week and how Tom reworked his setup and grip to survive it.* The philosophy he learned from jazz legend Michael Carvin — “It's not about what you're playing, it's about what you're doing” — and how that mindset keeps every performance fresh.* His time touring with Postmodern Jukebox, cutting his teeth on cruise ships, and what those experiences taught him about endurance, posture, and musical adaptability.* Lessons from working with Rich Mercurio and Nadia DiGiallonardo on Waitress, and the moment that turned a sub gig into his first big break.* The balance between consistency and creativity on tour — how to avoid burnout, stay healthy, and keep the show locked in night after night.* Why gratitude and discipline are non-negotiable for musicians who want longevity on the road.Tom's story is a reminder that Broadway drumming isn't just about chops — it's about mindset, focus, and knowing how to serve the show every night.For more: https://www.tomjorgensensound.comListen now wherever you get your podcasts.Subscribe at BroadwayDrumming101.com and pre-order my new book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career at BroadwayBoundBook.com.Mentioned in this episode:* Beetlejuice National Tour* Shannon Ford* Michael Carvin* Rich Mercurio* Nadia DiGiallonardo* Postmodern Jukebox* Waitress First National TourClayton Craddock is the drummer for the upcoming Broadway revival of Cats: The Jellicle Ball, opening at the Broadhurst Theatre on April 7th. He is also the founder of Broadway Drumming 101 and the author of the forthcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway and Off-Broadway credits include tick, tick…BOOM!, Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and The Hippest Trip: The Soul Train Musical, along with extensive subbing on shows such as Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton is currently on tour with The Rock Orchestra and has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the TONY Awards, and has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

#acting #LynneJebens #NewYorkOne of the most important goals in this podcast is to have some kind of eclecticism, variety or diversity in the kind of artistic and cultural matters we try and cover. Lynne Jebens' episode certainly is a paramount example of this. Going into this episode, the first with a talent agent on our sows I had no idea we would be discussing being on the road with a Southern Rock band, the musical stylings of Bix Beiderbick, and the Joseph Mankiewicz masterpiece All About Eve all in the same episode! But this is an inevitability when you spend anytime at all with Lynne Jebens. With close to 40 years in the talent industry, Lynne Jebens gives the essentials on what an Actor must do in order to be successful in the business. Lynne is one of NYC's most respected agents who gives truly usable, incisive critiques. She works in all legit areas (film, TV and theater) as well as commercials.I certainly hope you enjoy listening to us at least as much as we enjoyed creating this episode. Lynne's BioAn agent for over 30 years who was a former actor and director, Lynne is one of NYC's most respected agents who gives truly usable, incisive critiques. She works in all legit areas (Film, TV and Theater) as well as commercials.Recent or Upcoming Broadway/Tours: & Juliet, A Beautiful Noise, Ain't Too Proud, Aladdin, Annie, Back to the Future, Beauty and the Beast, Beetlejuice, The Book of Mormon, Boop!, Cabaret, Chicago, Clue, Come From Away, Dolly, Floyd Collins, Funny Girl, The Great Gatsby, Hadestown, Hamilton, Harry Potter and the Cursed Child, Hell's Kitchen, Les Misérables, Life of Pi, The Lost Boys, Mean Girls, MJ, Moulin Rouge, Mrs. Doubtfire, The Notebook, The Outsiders, Peter Pan, Pirates: The Penzance Musical, Redwood, Shucked, Six, Smash, Some Like it Hot, Wicked, The Wiz.Recent Film/TV: American Horror Story, And Just Like That, Beth and Don, The Blacklist, Black Panther: Wakanda Forever, Blue Bloods, Brass Tactics, Bull, Chicago Med, Christmas With You, City on a Hill, Daredevil: Born Again, Dear Edward, Dexter: Resurrection, The Devil Wears Prada 2, Eleanor the Great, Elsbeth, The Endgame, The Equalizer, Etoile, Ever's Blueberry, Evil, FBI, Feud: Capote and the Women, The Friend, Full Circle, Genie, The Gilded Age, The Girls on the Bus, Godfather of Harlem, The Good Fight, Goosebumps: The Vanishing, Gossip Girl, Happy Gilmore 2, The History of Sound, The Holdovers, Hondo, Imaginary Friends, Jigsaw, Kaleidoscope, The Knowing, Law & Order (all of them), Let the Right One In, Manifest, The Marvelous Mrs. Maisel, New Amsterdam, Notice to Quit, Only Murders in the Building, The Other Two, Poker Face, Power: Raising Kanan, Queens of Christmas, Random Acts of Flyness, Servant, Severance, The Sex Lives of College Girls, Succession, Summer of 69, The Watcher, Your Friends & Neighbors and Zero Day.Besides Broadway and Tour, this office also books clients in numerous NY and Off-Broadway shows and every AEA regional theatre in the country.A truly caring agent who LOVES her actors.With close to 40 years in the talent industry, Lynne Jebens gives the essentials on what an Actor must do in order to be successful in the business. Lynne is one of NYC's most respected agents who gives truly usable, incisive critiques. She works in all legit areas (film, TV and theater) as well as commercials.I certainly hope you enjoy listening to us at least as much as we enjoyed creating this episode.Links to wonderful interviews on Lynne's works: https://www.nycastings.com/being-professional-and-prepared-an-interview-with-talent-agent-lynne-jebens/

Coming Soon: The Tom Jorgensen Broadway Drumming 101 Podcast EpisodeThere's a line that's stuck with Tom Jorgensen ever since he first heard it from jazz legend Michael Carvin:“It's not about what you're playing — it's about what you're doing.”It sounds simple. But as Tom explains in the upcoming episode of the Broadway Drumming 101 Podcast, that one sentence completely changed how he approaches music, performance, and storytelling on stage.For those who don't know Tom: he's the drummer on the North American tour of Beetlejuice The Musical, which returned to Broadway in a limited 13-week engagement at the Palace Theatre beginning October 8, 2025 and running through January 3, 2026. In this episode, Tom opens up about how Carvin's philosophy guided him through every stage of his career. From late nights on cruise ships to the bright lights of Broadway. He shares how mentors like Rich Mercurio and Nadia DiGiallonardo helped him realize that playing music isn't just about perfect notes or flawless grooves, it's about listening, intention, and being part of the story.This episode goes beyond chops and technique. It's about presence, purpose, and what it truly means to serve the music.If you've ever found yourself going through the motions—counting bars, chasing perfection, or just trying to “get through” a gig—this conversation will hit home. It's a reminder that every note, no matter how small, can help tell the story.Clayton Craddock is the drummer for the upcoming Broadway revival of Cats: The Jellicle Ball, opening at the Broadhurst Theatre on April 7th. He is also the founder of Broadway Drumming 101 and the author of the forthcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway and Off-Broadway credits include tick, tick…BOOM!, Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and The Hippest Trip: The Soul Train Musical, along with extensive subbing on shows such as Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton is currently on tour with The Rock Orchestra and has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the TONY Awards, and has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Mickey-Jo recently returned to the West End production of HADESTOWN at the Lyric Theatre to see the show's newest cast member, Nicola Roberts, in the role of Persephone.Nicola, who is best known for having been a member of the pop group Girls Aloud, made her West End debut five years ago in the sadly short lived revival of CITY OF ANGELS, and now returns to the stage to join a talented cast in the Tony Award winning musical which includes Cedric Neal, Chris Jarman, Desmonda Cathabel, and Dylan Wood.Check out what Mickey-Jo thought of each of these principal performances as well as what he took creatively from his 11th visit to this rich musical...•00:00 | introduction03:11 | Hadestown thoughts11:42 | Nicola Roberts as Persephone19:46 | the principal cast28:18 | final thoughtsAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 89,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

Tony-winning Broadway co-producer and Minnesota native, Jennifer Melin Miller joins to share how she turned her love of theater into a thriving business. After a first career in NYC media (Time Inc., The New York Times, Condé Nast) and leadership roles at MPR and Minnetonka Moccasin, Jennifer switched gears and turned a lifelong love of musicals into an investment and producing practice. From The Curious Incident of the Dog in the Nighttime, Hadestown, The Devil Wears Prada and upcoming Purple Rain, to name a few, Jennifer has produced on Broadway, off-broadway in London, on the West End and regionally. She reveals what really happens behind the curtain—how shows are financed, produced, and brought to life. Tune in for stories of risk, creativity, and community, and discover why showing up for what you love can open unexpected doors. Purple Rain is coming to Minneapolis, MN October 16-November 23, 2025 Our Non Profit Spotlight is Planned Parenthood North Central States _ Katie Harms: katie@katieharms.com, www.katieharms.com Lisa Rubin: lisa@wardrobeconsulting.net, www.wardrobeconsulting.net . Follow Us On: Instagram LinkedIn Facebook YouTube Please take a moment to rate our podcast wherever you are reading or listening to this! Thank you! We are thankful to our sponsors Anderson Cabinet, Sweet Ivy , Beem, and Jester Concepts (new owner of Rustica Bakery)

Send us a textThis week, Mark and Amy pull back the curtain and answer the most popular questions fans have asked on social media. From guilty pleasures to secret Broadway crushes, nothing is off limits — and some of the answers might just shock you. Even Mark, who thought he knew Amy inside and out, is left speechless. Expect laughter, surprises, and a few truths that even the best of besties didn't see coming.

This week, Mickey-Jo had the chance to sit down with one of his favourite performers, the brilliant Melanie La Barrie.Mel is currently appearing in Mary Page Marlowe at the Old Vic and rehearsing for three upcoming concert performances of a new musical based on The Book Thief.Best known to audiences for starring in & Juliet in the West End and on Broadway, and for her WhatsOnStage Award winning performance in Hadestown, Mel has enjoyed a multi-decade career on stage that has included roles in Mary Poppins, Matilda, Wicked, Les Misérables, and more.Check out what she had to say about her career, co-stars, early inspirations, and the nature of the roles she has played.About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 89,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.Broadway Drumming 101 Podcast — Episode: Larry LelliLarry Lelli has done just about everything a Broadway drummer can do. From marching snare in Wisconsin to playing The Producers on Broadway, his story is about hard work, timing, and versatility. In this conversation, Larry talks about his early days growing up in the Midwest, his years in drum corps, the Nashville country scene, and how he built a lasting career in New York City's theater world.Larry's been behind the drum kit for shows like The Producers, Jekyll and Hyde, Les Misérables, Wicked, and The Full Monty. He's also a respected educator and clinician whose experience bridges jazz, pop, and orchestral playing.This episode breaks down how he made the jump from the road to Broadway, what it takes to earn a chair, and why learning from others is one of the smartest moves a drummer can make.Key Moments and Topics Covered00:03 – Early Years in the MidwestLarry talks about growing up in Chicago, Wisconsin, and Minnesota. He shares how he started on trombone before switching to drums and getting his first kit — a red Slingerland jazz set from the 1960s.00:05 – Marching Band and Drum CorpsHe describes how marching band led him to drum corps, playing snare with the Blue Stars. Those years shaped his reading, discipline, and love of ensemble playing.00:09 – The High School Metal BandLarry formed a heavy-metal band called Fallen Angel, later Perfect Stranger, influenced by Motley Crüe, Poison, and Ozzy Osbourne. That mix of rock energy and groove became part of his foundation.00:10 – Discovering Studio LegendsHe recalls studying the session greats — Steve Gadd, Jeff Porcaro, Hal Blaine, and JR Robinson — and how copying their records taught him to listen, absorb, and reproduce other players' feel. That skill later helped him sub successfully on Broadway.00:13 – Choosing Music Over a “Backup Plan”Despite warnings from family about the risks of a music career, Larry stayed focused. A mentor told him, “If it's the thing you must do, then you have to do it.” That advice stuck.00:16 – University of Wisconsin–Eau ClaireHe studied jazz performance, percussion, and conducting, earning a Bachelor of Music degree. He credits conductor Robert Baca and professor Ron Keiser for turning Eau Claire into a respected jazz program.00:19 – Nashville YearsLarry moved to Nashville in the early 90s and toured with the country-comedy duo Pinkerton Bowden and later with country balladeer Doug Stone. He shares what life on the road was really like and why he eventually grew tired of touring.00:24 – The Call of New YorkAfter meeting jazz players on a cruise, he decided to explore Broadway. They told him his versatility would fit New York's theater scene. His first exposure to a pit was watching Ray Marchica play Damn Yankees — a life-changing moment.00:28 – Starting Over in NYCHe saved $10,000, moved to the city, and started sitting in on shows. Early on, he learned that “no one cares what you've done anywhere else — they only care what you've done in New York.” That lesson shaped how he built credibility.00:33 – Miss Saigon: The BreakthroughMichael Hinton gave Larry a shot at subbing the massive percussion book for Miss Saigon. The score had originally been written for three percussionists. Larry practiced daily for a month and nailed his first show — instantly building a reputation as someone who could handle the hardest gig in town.00:37 – From Subbing to a ChairLarry began subbing at Beauty and the Beast, Les Misérables, and other productions, eventually holding nine different sub books at once. His first full Broadway chair came with Jekyll and Hyde.00:42 – Landing The ProducersWhen Jekyll and Hyde closed, a referral led to an audition with legendary conductor Paul Gemignani for a new show. Although that production closed quickly, the connection opened doors. A few years later, Larry joined The Producers, which became a long-running hit.00:46 – Lessons on LongevityLarry emphasizes professionalism: showing up prepared, treating every sub date like an audition, and understanding that reliability and attitude matter as much as chops. Every gig, even the short-lived ones, builds your reputation.00:48 – Teaching and Passing It OnHe now teaches drummers how to approach theater work with discipline and respect for the craft — reading, listening, blending, and adapting.Key Takeaways* Learning by listening prepares you for the realities of Broadway.* Every show, even a short run, can lead to future work.* Versatility is a drummer's greatest asset — orchestral, rock, jazz, and pop all show up in modern theater books.* Reputation is everything. People hire musicians who make their lives easier.* Keep the joy. The best drummers never lose that excitement they had as kids hitting their first kit.Connect with Larry LelliWebsite: larrylelli.comInstagram: @larrylelliAbout Broadway Drumming 101Broadway Drumming 101 is the leading platform for drummers and musicians working in theater. Subscribe to our YouTube channel for full interviews and clips, or join the membership at BroadwayDrumming101.com for behind-the-scenes videos, real-world training, and exclusive articles.Learn more about our upcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career at BroadwayBoundBook.com.Clayton Craddock is the drummer for the upcoming Broadway revival of Cats: The Jellicle Ball, opening at the Broadhurst Theatre on April 7th. He is also the founder of Broadway Drumming 101 and the author of the forthcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway and Off-Broadway credits include tick, tick…BOOM!, Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and The Hippest Trip: The Soul Train Musical, along with extensive subbing on shows such as Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the TONY Awards, and has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.I'm excited to share that a new Broadway Drumming 101 podcast episode with Larry Lelli will be re-released soon. I originally sat down with Larry back on December 16, 2021, and since then, his career has kept growing in remarkable ways.Larry isn't just a veteran Broadway drummer—he's now also a Broadway producer. He's gone on to co-produce Water for Elephants (opened March 21, 2024), Gutenberg! The Musical! (opened October 12, 2023), and most recently Waiting for Godot (opened September 28, 2025).Before stepping into producing, Larry built a career most musicians dream of. He's played drums and conducted for over 40 Broadway shows, including The Producers, Assassins, How To Succeed In Business, and Million Dollar Quartet. His list of collaborations is just as impressive—Melissa Etheridge, Josh Groban, Audra McDonald, Patti LuPone, Bernadette Peters, Nick Jonas, Vanessa Williams, Jerry Lee Lewis, and even the New York Philharmonic.Larry is also a clinician with Yamaha Drums and Sabian Cymbals, and you can currently catch him performing in the Tony Award-winning hit Come From Away.In our conversation, we dug into:* Growing up in the Midwest playing in baton and drum corps* Touring with country star Doug Stone after moving to Nashville* How a jazz cruise changed his life and led him to New York City* Why subbing for Michael Hinton on Miss Saigon was his big break* Learning from legends like Paul Gemignani* How he approaches learning an entire Broadway showLarry's story is a masterclass in building a long, versatile career in music—and now he's added producing to his list of achievements.Stay tuned for the re-release of this edited Broadway Drumming 101 episode. It's one you won't want to miss.https://www.larrylelli.comClayton Craddock is the founder of Broadway Drumming 101 and the author of the forthcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career. His Broadway and Off-Broadway credits include tick, tick…BOOM!, Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical, along with extensive subbing on shows like Rent, Motown, Evita, Avenue Q, and the Hadestown tour. He has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the TONY Awards, and has performed with artists from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis. www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Olivier nominee Carly Mercedes Dyer (Singin' in the Rain / A Chorus Line) co-hosts The West End Frame Show!Andrew and Carly discuss The Harder They Come (Stratford East), 50 First Dates (The Other Palace) and Clarkston(Trafalgar Theatre) as well as the latest news about Amber Davies, Bank Of Dave, Beetlejuice, Lucie Jones, Megan Hilty and more.Carly has played roles including Cassie in A Chorus Line, Faye Treadwell in The Drifters Girl, June in Gypsy and Erma in Anything Goes, for which she was nominated for an Olivier Award and won a WhatsOnStage Award. Her other theatre credits include: The Color Purple, Dreamgirls, Memphis, West Side Story, Hadestown, Rock Of Ages and lots more. Carly played Christine in Dirty Rotten Scoundrels at the London Palladium and recently reprised her performance in Japan. This Christmas she's off to Manchester to star as Kathy Seldon in Singin' in the Rain at the Royal Exchange.Follow Carly on Instagram and TikTok: @carlymdyerThis podcast is hosted by Andrew Tomlins. @AndrewTomlins32 Thanks for listening!Email: andrew@westendframe.co.ukVisit westendframe.co.uk for more info about our podcasts. Hosted on Acast. See acast.com/privacy for more information.

Earlier this week, Mickey-Jo sat down with Cedric Neal, the US born West End star currently starring as Hermes in HADESTOWN at the Lyric Theatre.Cedric, an Olivier Award nominee for his performance as Nicely Nicely Johnson in the Bridge Theatre's innersive revival of GUYS & DOLLS, will star in a concert presentation of PERSONALITY: The Lloyd Price Musical.Check out what Cedric had to say about developing this new show, the career milestones that changed his life, and where he finds personal resonance in the roles he has played.About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 89,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

Melanie La Barrie is In The Frame! Melanie is currently playing Nurse in the UK premiere of Mary Page Marlowe, marking her return to The Old Vic where she previously performed in The Lorax. Melanie is also reuniting with artistic director Matthew Warchus who directed her as Mrs Phelps in the original cast of Matilda. Mary Page Marlowe is written by Tracy Letts, with cast also including Susan Sarandon and Andrea Riseborough. Melanie is also preparing to star as Death in the concert production of The Book Thief at the Prince of Wales Theatre in October. Some of Melanie's other theatre credits include Madame Morrible in Wicked (Apollo Victoria), Madame Thénardier in Les Misérables (Queen's Theatre) and Bow Belles in Dick Whittington (National Theatre). Melanie was the original Mrs Corry in Mary Poppins, the original Angélique in And Juliet (in the West End and on Broadway) and most recently she starred as Hermes in the original West End cast of Hadestown, picking up the WhatsOnStage Award for Best Supporting Performer in a Musical. Recorded backstage at The Old Vic, in this episode Melanie discusses what makes Mary Page Marlowe a dreamy job and why she's delighted to be reuniting with two of her Matilda cast mates, Lauren Ward and Eleanor Worthington-Cox. Melanie also discusses her approach to this industry, her reflections on special times Hadestown, And Juliet and Matilda… and lots more.Mary Page Marlowe runs at The Old Vic until 1st November 2025. Visit www.oldvictheatre.com for info and tickets. This podcast is hosted by Andrew Tomlins @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts. Hosted on Acast. See acast.com/privacy for more information.

R.F Kuang's Katabasis has reignited the discourse around journeying into the underworld as a storytelling device. We've covered many stories in the past with the theme of Katabasis (namely Inanna and Persephone), so why not deep dive into the various versions of Orpheus' myth especially with Supergiant Games' Hades II coming out! Join us as we trace Orpheus and Eurydice's story from Pindar to Virgil and Ovid all the way to Supernatural, Buffy the Vampire Slayer and Hadestown as we ask the age old question- why did Orpheus turn?  Show notes for this episode can be found on our website at: https://talesfromtheenchantedforest.com/2025/09/24/katabasis-the-myth-of-orpheus/ You can also find us on: Bluesky Mastodon Instagram   TikTok

It is a privilege to welcome Max Bartos and Chelsea Turbin as guests for a special edition of The Jake's Take with Jacob Elyachar Podcast.  On Sunday, September 21, Max (from Sing Street) and Chelsea (from Off-Broadway's Little Shop of Horrors) will join an all-star lineup of performers at the New York City-based 54 Below to celebrate the 21st anniversary of Green Day's iconic album, American Idiot, and its subsequent Broadway musical. Max co-produced this tribute concert with director/producer Laura Pietropinto and actor Matt DeAngelis. The two explosive shows mark over two decades since the band released the Grammy and American Music Award-winning album, and a decade since the curtain fell on its musical counterpart.  With music supervision from Moulin Rouge and SpongeBob SquarePants alum Julie McBride and music direction by Sean Pallatroni, the shows will offer unforgettable performances of classic tracks, storytelling moments, and a nostalgic journey through the themes of rebellion, hope, and the quest for identity that American Idiot so brilliantly encapsulates.   In addition to Max, Matt, and Chelsea, there is Tony Award-nominated and Green Day superfan Derek Klena; Van Hughes, a member of the Original Broadway Cast and the first national tour who starred opposite Billie Joe Armstrong; and other American Idiot Broadway and tour alumni, including Gerard Canonico, Nicci Claspell, Francesca Granell, Carson Higgins, Brian Charles Johnson, Brandon Kalm, and Johnny Newcomb. Broadway standouts such as J. Antonio Rodriguez (Hadestown), Taylor Iman Jones (Six), Teddy Grey (The British Invasion), Dillion Klena (Jagged Little Pill national tour), and Trent Saunders (Disney's Aladdin, Hadestown, and Dead Outlaw) are also involved.   On this special edition of Jake's Take with Jacob Elyachar Podcast, Max Bartos and Chelsea Turbin preview the 54 Below celebration, the first time they heard Green Day's American Idiot, and share their most memorable moments from participating in the regional and touring productions.Become a supporter of this podcast: https://www.spreaker.com/podcast/jake-s-take-with-jacob-elyachar--4112003/support.

I've covered digital and practical effects in film and TV, but creating special effects for live theater is a whole other challenge. J&M Special Effects has been up to the task for 40 years. Their crew has worked on shows from Hadestown to Harry Potter and The Cursed Child to Disney musicals like Frozen and Aladdin. I get a behind-the-scenes tour of their Brooklyn warehouse, where failure is part of the process in figuring out how to make the magic work. I talk with partner and designer Jeremy Chernick, along with pyrotechnician Bohdan Bushnell, about how theatrical effects have evolved with new technology -- and why they can sometimes be too good at their jobs in making the impossible seem possible.    This episode is sponsored by Remi and ShipStation. Start your 60-day free trial at ShipStation.com and use the code IMAGINARY. Try Remi risk-free at shopremi.com/IMAGINARY and use the code IMAGINARY to get up to 50% off your nightguard at checkout Learn more about your ad choices. Visit podcastchoices.com/adchoices

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.Today's guest is a little different. Usually, I feature drummers on this podcast, and we've had some incredible ones—plus music directors like Nate Patten and music coordinators like Michael Aarons and Michael Keller. But this time, I wanted to bring on someone I've known and played with for the past ten years, a true “Piano Man” and multi-instrumentalist who has made his mark on Broadway and beyond: Matthew Friedman.Matthew isn't just a pianist—he's a singer, a bandleader, a composer, and yes, even a drummer. He was “The Piano Man” in the national touring company of Movin' Out and has performed with the legendary Lords of 52nd Street, Billy Joel's original band. He's also been part of Broadway productions like Jersey Boys and Smokey Joe's Café, while leading his own group, Matthew Friedman & Stiletto.In this episode, we talk about:* His early start in music and the influences that shaped him.* How he made the leap from being an attorney to a full-time musician.* The highs and lows of touring life—from first-class gigs to rough bus-and-truck runs.* Stories from his time on Broadway, including connections to past podcast guest Jon Berger and future guest Joe Bergamini.* What it means to be more than just a player in the pit—how to lead, adapt, and thrive as a versatile instrumentalist.Matthew has great stories, big insights, and a unique perspective on what it takes to succeed in this business—not just as a drummer, but as a full-fledged musician and bandleader.Some clips of me playing a fun gig with him several years ago:Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, The Hippest Trip: The Soul Train Musical, and The Gospel at Colonus (featuring Kim Burrell). As a skilled sub, he has contributed his talents to notable productions, including Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, and the national tour of Hadestown, among many others. He has also appeared on major shows including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards. He has performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton is the author of the forthcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career, the only guide you'll need to succeed in the competitive world of musical theater.Sign up to be the first to know when the book drops: www.BroadwayBoundBook.comHe proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock at www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Originally posted December 2021In this episode of Broadway Drumming 101, I sit down with Dena Tauriello, the drummer for Little Shop of Horrors at the Westside Theatre. From her first sparkle kit inspired by Karen Carpenter to a career that's taken her from rock arenas to Broadway pits, Dena shares a powerful story about perseverance, adaptability, and passion.Dena spent nearly two decades with the all-female rock band Antigone Rising, logging more than 260 shows a year, signing with Lava/Atlantic Records, and sharing bills with bands like Aerosmith, the Rolling Stones, and The Bangles. Along the way, she learned the grind of life on the road, the frustration of being pigeonholed as “girl music,” and the discipline that comes from playing night after night. Those experiences became the foundation for her eventual move to Broadway.Her first Broadway chair came in Head Over Heels, the Go-Go's jukebox musical that featured an all-female band. From there, Dena's career expanded into multiple productions, including Kristin Chenoweth: For the Girls, The Cher Show (as a sub), Magic Mike the Musical (Broadway Lab), and her current run in Little Shop of Horrors. She also subs on Hamilton, Six, and at the origial run of Beetlejuice.In our conversation, Dena opens up about the realities of the pit:* Why no two shows are ever the same and why you can never “phone it in”* The discipline it takes to stay fully present eight times a week* How playing in Antigone Rising prepared her for the demands of Broadway* What she looks for when hiring subs and why paying it forward matters* The role of Ableton, click tracks, and sound cues in modern Broadway drumming* Her full gear setup: Pearl drums, Zildjian cymbals, Evans heads, Promark sticks, and custom in-ears* Why she always keeps charts in front of her—even after memorizing the showDena also talks about the surreal moment of playing on stage with the Go-Go's, interviewing Gina Schock for Modern Drummer, and what it feels like to see the Head Over Heels Playbill now preserved in the Rock & Roll Hall of Fame.This is a conversation filled with honesty, humor, and hard-won lessons for any drummer dreaming of breaking into Broadway—or simply learning how to thrive in the unpredictable world of live performance.For more about Dena: https://www.denatauriello.comClayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.comThis Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber. Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Want to buy a copy of Rainbow Rodeo Issue 6 but too scared to pull the trigger? Don't worry! Rachel is here to guide you through the zine. You'll hear from Allison Russell about Hadestown, Josh Friedberg talks us through his essay about Beyonce winning the Best Country Album Grammy, Vandoliers, Glen Meadmore's glory hole, and more! Subscribe for $5 or more today and you'll also got nyan cats, lavender coasts, and boisterous stage banter! Plus – a reminder about your FREE zine codes! Purchase your copy of the zine here.  Sign up for our newsletter and more here! Song List Willi Carlisle -- Cryin' These Cocksucking Tears (2:25) Low Cut Connie -- I Can't Shake the Stranger Out of You (6:54) Luisa Lopez -- Tired (11:02) Vandoliers -- Life Behind Bars (14:50) Hayden Stern, Elise Snoey, and Ezra Jane Landsman -- "Jig to Reel With Twin Fiddles and DADGAD Guitar" (20:42) Allison Rusell and Hadestown Cast -- "Livin' It Up" (24:11) Jeremy Dion -- "Bend in the Middle" (28:20) Glenmeadmore -- "Glory Hole" (30:39) Jake Blount and Mali Obamsawin -- "What's Ya Gonna Do When the World is on Fire?" Riggings -- "Big Box Black Dress" (38:56)

Madeline Charlemagne is In The Frame!Madeline recently had a big career chapter with Hadestown (Lyric Theatre). She was part of the original West End cast as a Fate and understudy for Eurydice. A few months into the run Madeline took over the role of Eurydice full-time. At the end of her contract, she returned to playing a Fate alongside the original cast for the special filmed performances for the Hadestown live capture. After training at Central School of Speech and Drama, Madeline's early theatre credits include Carousel (Regent's Park Open Air Theatre), Hex (National Theatre), Kick (Lyric Hammersmith), 42 Balloons (Vaudeville Theatre) and The Secret Life of Beas (Almeida Theatre). Next up Madeline is playing Elsa in The Harder They Come (Theatre Royal Stratford East). In this episode Madeline discusses her Hadestown journey, from why she wanted to do a big West End contract, the challenge of taking over as Eurydice and what it was like to film the show. She also talks about her path into theatre, her time training and what she learnt from her first jobs. You can follow Madeline on Instagram: @madcharlemagneThis podcast is hosted by Andrew Tomlins @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts. Hosted on Acast. See acast.com/privacy for more information.

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.In this episode, I talk with Michael Manasseh, the drummer for the current Hadestown national tour. Michael shares his unique path from studying economics at Columbia University to landing gigs on Broadway tours, and how his early training shaped the versatile musician he is today.We talk about:* How growing up in Boston, church music, and early jazz studies shaped his drumming identity* His college years at Columbia, balancing academics with student theater, and realizing music could become a career* The turning point of joining Muse (Musicians United for Social Equity) and mentorship with John Clancy, which led to his first big break on the Shrek tour* What it's like playing Hadestown night after night—the mental and physical demands, the freedom to improvise, and why it feels like “jazz theater”* Stories from the road, including near-misses with quick costume changes, learning directly from orchestrators, and pulling influences from Art Blakey to Mark Guiliana* His perspective on the business side of Broadway, the economics of touring shows, and why relationships—not transactions—drive opportunities for drummersMichael's story highlights not just the technical side of playing drums on a major tour, but also the importance of balance, community, and adaptability in building a long-term career in theater.If you're a drummer looking to break into Broadway—or just want to hear what life is really like behind the kit on a national tour—you won't want to miss this conversation.More about Michael: https://www.michaelmanassehmusic.com/If you want to understand how to make a lasting career in this business — not just play the music — my upcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career dives deep into both the art and the industry.Subscribe to Broadway Drumming 101 so you don't miss Michael's episode and other conversations that go beyond the notes.This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, The Hippest Trip: The Soul Train Musical, and The Gospel at Colonus (featuring Kim Burrell). As a skilled sub, he has contributed his talents to notable productions, including Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, and the national tour of Hadestown, among many others. He has also appeared on major shows including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards. He has performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton is the author of the forthcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career, the only guide you'll need to succeed in the competitive world of musical theater.Sign up to be the first to know when the book drops: www.BroadwayBoundBook.comHe proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock at www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.The next episode of the Broadway Drumming 101 Podcast features a great conversation with Michael Manasseh, drummer and percussionist for the most recent North American tour of Hadestown.Michael's musical journey started at the age of five and has taken him through an impressive range of experiences. From big band and small combo work at The Rivers School in Weston, MA, to prestigious jazz programs like The NEC Jazz Lab, Berklee's Five-Week Jazz Workshop, and the Vail Jazz Workshop, he built a deep foundation in multiple styles. In college, he studied under Vince Cherico, Bruce Barth, David Gibson, and Don Sickler, and played in 11 theater productions, including In The Heights, Head Over Heels, and Pippin. He eventually graduated from Columbia University with a degree in Economics and Mathematics.What made this conversation stand out was Michael's curiosity about not just drumming, but the business side of Broadway. He talked about joining a co-producing team for Lumpica, helping to fundraise for the production, and learning firsthand how tight the margins are in theater. From the massive cost of putting up a show to the weekly expenses that can make or break a production, Michael brings a perspective that every theater musician should hear.If you want to understand how to make a lasting career in this business — not just play the music — my upcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career dives deep into both the art and the industry.Subscribe to Broadway Drumming 101 so you don't miss Michael's episode and other conversations that go beyond the notes.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, The Hippest Trip: The Soul Train Musical, and The Gospel at Colonus (featuring Kim Burrell). As a skilled sub, he has contributed his talents to notable productions, including Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, and the national tour of Hadestown, among many others. He has also appeared on major shows including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards. He has performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton is the author of the forthcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career, the only guide you'll need to succeed in the competitive world of musical theater.Sign up to be the first to know when the book drops: www.BroadwayBoundBook.comHe proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock at www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Yola hit the music scene hard and fast with her 2019 debut, Walk Through Fire. Lately she’s been showing off her acting chops—as Sister Rosetta Tharpe in Baz Luhrmann’s 2022 Best Picture nominee ELVIS, and Persephone in Hadestown on Broadway. Despite the detours, her songwriting skills are as potent as ever. Check out the high power track “Amazing.” This song, from her new EP My Way, is one she penned while dating stateside and imagining her future partner. Yola says: “I was in a function of actively manifesting those lyrics, and then when I met my person, the lyrics made sense.”

In this episode, singer, actress, writer, lyricist, and voiceover artist Amanda Fischler discusses Greek mythology in musical theater from Hadestown to The Golden Apple and all the aspects that go into writing these stories. We also talk about the song "In My Own Little Corner" from Richard Rodgers and Oscar Hammerstein II's 1957 TV musical Cinderella, specifically the 1997 TV version with Brandy. You can write to scenetosong@gmail.com with a comment or question about an episode or about musical theater, or if you'd like to be a podcast guest. Follow on Instagram at @ScenetoSong and on Facebook at “Scene to Song with Shoshana Greenberg Podcast.” And be sure to sign up for the new monthly e-newsletter at scenetosong.substack.com. Contribute to the Patreon. The theme music is by Julia Meinwald.  Music played in this episode: "Why We Build the Wall" from Hadestown "The Tirade" from The Golden Apple "In My Own Little Corner" from Cinderella

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.Originally posted November 2021Paul Pizzuti has over fifty years of experience playing shows, making him one of the most seasoned and respected drummers on Broadway. He's a musician everyone should listen to when it comes to understanding what it takes to build and sustain a successful career playing Broadway musicals.In this episode, we discuss:* Playing the musical Candide* Landing the original Godspell* Handling a performance during the 1977 New York City blackout* Working on the original Evita* Why Merrily We Roll Along closed quickly but became a classic* How a chain of small connections led to a seven-year run on Cats* Sight-reading the TONY Awards show* Leaving the business altogether for a short period of time* Being the China Club house drummer on Wednesday nights* Recording the cast albums for Assassins and Crazy For You* Working on Gypsy with Patti LuPone* Observing the transition from no monitors in Broadway pits to personal monitoring systemsPartial list of Paul's Broadway and concert credits:* She Loves Me* Far Away Places: Live at 54 Below w/ Patti LuPone* The Other Duke: Tribute to Duke Pearson* How to Succeed in Business Without Really Trying* Merrily We Roll Along* Another Monday Night* The Lady with the Torch w/ Patti LuPone* Rodgers & Hammerstein's South Pacific, in Concert from Carnegie Hall* Pacific Overtures* Big Band Blues* Into the Woods* The Frogs / Evening Primrose* Kiss Me, Kate* Fifteen-Year Anniversary w/ Betty Buckley* Big* A Christmas Carol* Crazy for You* Assassins* Cats* …and many moreI just released a free PDF every working musician needs—and it's not just for drummers.It's called “20 Smart Questions to Ask Before Saying Yes to Any Gig,” pulled straight from my upcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career. This book is packed with tools, insights, and real-world advice to help you navigate the ups and downs of a music career.This checklist will help you:* Avoid gigs that aren't worth your time* Spot red flags before you commit* Make sure the money, the people, and the music are right* Say no with confidence—or yes with clarityGrab your free copy here:

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.In this video episode, I sit down with drummer and Hawaii native Pili Fronda—and fair warning: you might learn more about Hawaiian history, food, geography, and culture than you expected. And I'm not mad about it…because I love Hawaii as much as Pili does.What started as a conversation about drums quickly turned into a deep dive into the mountains of Maui, eating poke in Vegas, dodging cliffs on the road to Hana, and unpacking what it really means to grow up Hawaiian.Pili shares powerful insight into his upbringing, the meaning behind his full name (which you'll want to hear him pronounce), and how the cultural values of the islands shaped his character and musical path. We talk about the community spirit of Hawaii, how music is integrated into education there, and how his influences—from reggae to Latin percussion to gospel—eventually led him to the national tour of Mrs. Doubtfire.Later on, Pili breaks down how he landed that tour gig right out of college, how he prepared for it, and what it really takes to succeed on the road. It's an inspiring conversation with a young musician doing it right—with humility, discipline, and heart.Watch, enjoy, and if you like what you see, hit that subscribe button on the Broadway Drumming 101 YouTube channel. There's more great content coming your way, with new videos dropping regularly.And if you're looking to build your own career in musical theater, stay tuned. Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career is almost done—and I can't wait to share it with you. This book covers everything I've learned about getting the gig, keeping it, and building something bigger.Sign up at www.BroadwayBoundBook.com to stay updated on the release.For more about Pili, visit www.pilifronda.com.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, The Hippest Trip: The Soul Train Musical, and The Gospel at Colonus (featuring Kim Burrell). As a skilled sub, he has contributed his talents to notable productions, including Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, and the national tour of Hadestown, among many others. He has also appeared on major shows including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards. He has performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton is the author of the forthcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career, the only guide you'll need to succeed in the competitive world of musical theater.Sign up to be the first to know when the book drops: www.BroadwayBoundBook.comHe proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock at www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Hailes spent the last several years in New York, where she performed in "Hadestown" on Broadway and started her own solo career. She's back in Kansas City ahead of a show at The Blue Room on August 5.

In this episode, I sit down with drummer and Hawaii native Pili Fronda, and fair warning: you might learn more about Hawaiian history, food, geography, and culture than you bargained for. And I'm not mad about it…because I love Hawaii as much as Pili does. This conversation might've started out about drums, but before we even hit the 10-minute mark, we were deep in the mountains of Maui, eating poke in Vegas, dodging cliffs on the road to Hana, and breaking down what it really means to grow up Hawaiian.Pili shares powerful insight into his upbringing, the meaning behind his full name (which you're going to want to hear him pronounce), and how the cultural values instilled in him shaped not just his character, but his entire musical path. We also talk about the community-centered spirit of the islands, the way music is woven into Hawaiian education, and how Pili's musical influences—from reggae to Latin percussion to gospel—led him to the national tour of Mrs. Doubtfire.Later in the episode, we dig into his process for landing that tour gig straight out of college, how he prepared for it, and what it takes to thrive on the road. This is an inspiring conversation with a young musician who's doing things the right way, with humility, discipline, and heart.This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.For more about Pili: www.pilifronda.comAnd if you're looking to build your own career in musical theater, I've got something coming for you. Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career is almost finished, and I can't wait for you to read it. This book breaks down everything I've learned over decades in the industry, what it takes to get the gig, keep it, and grow beyond it. Sign up for our email list at www.BroadwayBoundBook.com to stay updated on the release.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, The Hippest Trip: The Soul Train Musical, and The Gospel at Colonus (featuring Kim Burrell). As a skilled sub, he has contributed his talents to notable productions, including Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, and the national tour of Hadestown, among many others. He has also appeared on major shows including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards. He has performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton is the author of the forthcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career, the only guide you'll need to succeed in the competitive world of musical theater.Sign up to be the first to know when the book drops: www.BroadwayBoundBook.comHe proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock at www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

[REBROADCAST FROM June 2, 2025] Our Get Lit with All Of It musical guest for the month of May was actor and musician Reeve Carney, who joined us to discuss his career and creative process. Plus, he played some brand new original music live.

Originally released in 2021, this episode is a masterclass in what it really takes to make it on Broadway and beyond. Jake Goldbas was at the time, the drummer for Dear Evan Hansen. He shares his incredible journey from growing up in Connecticut to playing for some of the biggest names in music, including Aretha Franklin, Patti Austin, and The O'Jays.In this conversation, we talk about:* How a subway bucket drummer sparked Jake's passion for rhythm* The power of preparation when subbing on Broadway* Why being early (not just on time) sets you apart in the business* Valuable lessons from legends like Bernard Purdie* The reality of building trust as a sub and making the right impressionIf you've ever wondered how to break into the Broadway scene, this episode gives you a front-row seat to the mindset, hustle, and professionalism required.Sign up at BroadwayBoundBook.com for updates on Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, The Hippest Trip: The Soul Train Musical, and The Gospel at Colonus (featuring Kim Burrell). As a skilled sub, he has contributed his talents to notable productions, including Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, and the national tour of Hadestown, among many others. He has also appeared on major shows including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards. He has performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton is the author of the forthcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career, the only guide you'll need to succeed in the competitive world of musical theater.Sign up to be the first to know when the book drops: www.BroadwayBoundBook.comHe proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock at www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

U Guys, Broadway star and Tony Nominee Amber Gray is here! First, I fill you in on all the latest Bway updates, from closing announcements to casting announcements, in this week's BroadwayWorld Recap, brought to you by my wonderful friends at BroadwayWorld.com. Then I am joined by Broadway star Amber Gray to discuss her amazing career on stage and screen, and beyond! Currently starring as Mrs. Whatsit in the World Premiere of Heather Christian's musical adaptation of A Wrinkle In Time, Amber Gray is no stranger to originating roles. From Helene in Great Comet, to her Tony-nominated portrayal of Persephone in Hadestown, Amber's talent and artistry know no bounds and hold a singular place in the musical theater canon. In this episode, we talk about everything from higher education in the arts, to being a mother and a full-time working actor. Amber is truly one of the best, both onstage and off. U don't wanna miss this episode! Follow the pod on Instagram: @ohmypoduguys Learn more about your ad choices. Visit megaphone.fm/adchoices

What does it take to go from high school marching band to playing drums for major Broadway tours? Meet Jaren Angud, a versatile percussionist whose journey has taken him from ska cover bands in garages to international stages with Disney and beyond.In this episode, Jaren and I dive deep into his story:* How a high school French horn mishap led him to drums* Playing in ska and punk bands before discovering theater music* Why he originally planned to be an engineer, not a musician* The moment he decided to pursue music seriously and how grad school shaped his path* Landing national and international tours like Flashdance The Musical and Beauty and the Beast* Touring across the U.S. and overseas—from Cairo to Qatar—and what it taught him about culture, travel, and resilience* What life is like as the drummer for the First National Tour of Back to the Future: The Musical* How he and his wife turned RV living into a full-time touring lifestyle* Managing fitness, routine, and mental focus while on the road* Advice for drummers who want to break into the Broadway world: versatility, preparation, and mindsetJaren's story is full of practical advice, real-life insights, and inspiring lessons about saying “yes” to opportunities and staying ready for the big call.Mentioned in this episode:* His early influences: Travis Barker, ska bands, and marching percussion* Transitioning from music education to performance* Why being a “total drummer” is the key to success* Tips for navigating long-haul touring, from budgeting to health* The reality of subbing on Broadway and how Jaren prepared for Back to the FutureWhether you're a drummer dreaming of Broadway, a musician navigating freelance life, or someone curious about the touring lifestyle, this episode is packed with valuable takeaways.And if you've ever dreamed of building a theater career of your own, my new book is almost here.Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career is launching soon.Get your name on the list at BroadwayBoundBook.com to be among the first to grab a copy when it drops.Thanks for listening!Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he has contributed his talents to notable productions such as Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, and Hadestown (tour), among many others. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Jean Smart extends in ‘Call Me Izzy,’; Szot, Jones, Wolfe to join ‘Hadestown’; Cherry Lane to reopen in September Since 2016, “Today on Broadway” has been the first and only daily podcast recapping the top theatre headlines every Monday through Friday. Any and all feedback is appreciated:Grace Aki: grace@broadwayradio.com | @ItsGraceAkiMatt Tamanini: matt@broadwayradio.com | read more

Dylan and Connor are joined by Grace Hodgett Young (Sunset Blvd, Hadestown). Ahead of her final weekend of performances in the Tony-winning revival of Sunset Blvd, Grace sits down with the twins for a thrilling exit interview for the ages. We cover: auditioning for the ensemble, getting cast as Betty Schaeffer, why Grace initially passed on the New York transfer, and what her Broadway highlights have been. We of course dive into all things Nicole Scherzinger, including our favorite YouTube videos and X Factor judging iconography from the Tony Award-winning diva. Don't worry, we ask what Grace has learned from her New York experience, what it's like working with heartthrob co-stars Tom Francis and Diego Andres Rodriguez, and her favorite onstage moments in Jamie Lloyd's Sunset. Hadestown fans will be thrilled to hear tea about that West End production, the cast, and what songs she loved singing nightly. Moments from Mountview, growing up in Nottingham, and living her Gossip Girl NYC fantasy are all on the pod. Don't miss Grace in Sunset Blvd through this weekend only!Follow Grace on Instagram & TiktokFollow DRAMA. on Twitter & Instagram & TiktokFollow Connor MacDowell on Twitter & InstagramFollow Dylan MacDowell on Twitter & Instagram Subscribe to our show on iHeartRadio Broadway! Support the podcast by subscribing to DRAMA+, which also includes bonus episodes, Instagram Close Friends content, and more!

The Tony Award-winning musical Hadestown is a fantastic retelling of the myths of Orpheus' journey to the Underworld to rescue Eurydice alongside the marriage of Hades and Persephone, set amidst the visual and musical elements of New Orleans during the 1920s and 1930s. On this episode, we visit with guitarist, songwriter, and producer Sam Wade, who has been on the road with the traveling version of this stunning musical for most of the last year and will continue in that role again next year. Wade has been a friend and collaborator of ours for a few years. He has produced a few songs for my wife, Michelle Lynn Thompson, including her song “Riptide.” (Listen closely for an instrumental snippet in the background of this episode.) He will also be joining me (JJT) for my set at the Audiofeed festival this summer and backing up Michelle for hers as well. We jumped at the chance to see him and the rest of the company in action with Hadestown when they came through Chattanooga recently, and to catch up with him to see what it's been like to travel with a production like this. For more information, including a list of all of the songs used in this episode, visit the show notes page at TrueTunes.com/Hadestown If you want to support the show, please join our Patreon community or drop us a one-time tip and check out our MERCH!  

Kirk answers a bunch of listener questions on topics like bluegrass guitar, the music of Blue Prince, good apps for training theory skills, Robert Fripp's "Frippertronics," a mysterious sound on a Gene Clark song, different types of music notation, and the legacy of the blues. All that, and a trio of terrific singer/songwriters stops by the studio to help answer a question about lyrics.Come see Triple Click Live! Friday, July 11 at the Alberta Rose Theatre in Portland, OR. Tickets HereKirk has new music for sale on Bandcamp: Music For Podcasting and his original score for Arydia: The Paths We Dare TreadThanks to The Wailin' Jennys for coming on the show! Stay tuned for a full-length interview episode this summer, and go see them live if you can. They are amazing.FEATURED/DISCUSSED:“White Trash Wedding” by The Chicks from Home, 2002A live performance of “White Trash Wedding”“Simon's Theme” by Trigg & Gusset from the Blue Prince original soundtrack, 2025Kirk's recent essay about Blue Prince and musicTwo good free music sites: musictheory.net and muted.io“What Am I Here For” by Jade Bird from Something American - EP, 2017“Across The Sea” by The Wailin' Jennys from Bright Morning Stars, 2011“Lady of the North” by Gene Clark from No Other, 1974The terrific Wonder of Stevie podcastTantacrul's tremendous video about the history of music notation“Hammond Song” by The Roaches, 1979Chords of Orion video explaining and re-creating Frippertronics“The Heavenly Music Corporation II” by Robert Fripp and Brian Eno from No Pussyfooting, 1973“St. James Infirmary” rec. Joseph “King” Oliver, 1930“Cross Road Blues” rec. Robert Johnson, ~193x“Down Hearted Blues” rec. Bessie Smith, 1929Two versions of "Wedding Song" by Anaïs Mitchell from Hadestown, 2018Kirk's essay about musical creation and “The Spark”OUTRO SOLO: Rob Reich, prolific bay area multi-instrumentalist, died unexpectedly a few weeks ago at the age of 47. It's an unfathomable loss. Rob recorded an outro solo for Strong Songs back in its very first year, so we're including it in this episode as a tribute to him and his generous musical spirit. Read more about Rob here.----LINKS-----