Podcasts about Hadestown

Grab your coffee, matcha, or whatever takes the edge off Monday, pop in your earbuds, and let's shit-talk TV, gossip and whatever we couldn't stop thinking about.THIS WEEK'S LINEUP:

This is the All Local 4:00 P.M. update for Sunday, August 2, 2026.

Spencer Inch is one of those musicians who makes you realize how wide this career can actually be. We talked about his path from Wilton, Connecticut to the national touring circuit, and I kept thinking: this is exactly what Broadway Bound and Beyond is about.Here's what we got into:* Spencer started on drums at age six when his parents bought him a CB700 from a neighbor — he still talks about that kit like it was a Stradivarius* He studied classical percussion at Penn State, then pivoted to jazz drum set at the University of Miami's Frost School — going from big fish to small pond overnight, and what he did about it* He did multiple contracts on cruise ships right out of grad school, playing everything from waltzes to Glenn Miller to German polka with no internet and no time to prepare — and why he says he learned more there than in six years of school* He toured the country opening for the Counting Crows with singer-songwriter Seán Barna — playing to amphitheater crowds of 3,000 to 7,000 people, and the moment the Counting Crows' drummer handed him the sticks to close out a show* He spent a year and a half on the Come From Away national tour playing bodhran — on stage, in the action, 467 shows — after saying yes to an instrument he'd never played before* He's now on the Water for Elephants national tour, a gig that came directly through the music director he built a relationship with on Come From AwayThe throughline in Spencer's story isn't talent. It's relationships, saying yes, and taking every single gig seriously — no matter what it is. The polka gig. The Les Mis at a children's theater. All of it.Watch the full episode above!Clayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Grab your Comic-Con lanyards and punch your train tickets, because the studio is taking a trip to the underworld! This week on The Filmlosophers, Hosts Eddie and Spencer are joined by the ever-glorious Intern Manager/Managing Intern Amy for a massively packed episode discussing the latest in pop culture and a legendary Broadway hit hitting the big screen. The San Diego Comic-Con Aftermath Before the crew boards the train to the underworld, they unpack the massive, earth-shattering news that rocked their pop-culture hearts at last week's San Diego Comic-Con. With the dust settling from the ultimate nerd Mecca, Eddie, Spencer, and Amy unveil what hit them the hardest from the convention floor. The team geeks out over Marvel's historic Hall H presentation, buzzing over the massive announcements of Ryan Gosling joining the MCU as Ghost Rider and the highly anticipated confirmation of Black Panther 3. The trio also dives into the jaw-dropping Avengers: Doomsday trailer, dissecting Robert Downey Jr.'s terrifying debut as Victor Von Doom and what it means for the future of the cinematic universe. A Cinematic Journey to Hadestown Once the convention hype is unpacked, the team ventures far below to review their cinematic experience of the absolute box-office juggernaut, Hadestown: The Musical. The crew discusses the historic achievement of the professional live stage capture, which was filmed with the original Broadway cast in London and just shattered the theatrical record previously held by Hamilton. Eddie and Amy are Team Hadestown 100%, wholly celebrating the impeccable artistry, the breathtaking musicality of Anaïs Mitchell's score, and the phenomenal performances of stars like Reeve Carney and Eva Noblezada. However, things get a little heated as they try to understand Spencer's deep frustrations with the narrative execution of the century-old myth of Orpheus and Eurydice. While the entire table admires the sheer talent in every scene, Spencer reveals a few major reservations before he books his next ticket to ride this train again. Is this pro-shot a masterpiece of modern theater, or does the myth get lost in the music? It's time to raise a cup and find out! You can catch The Filmlosophers podcast now streaming on all major platforms!

Colleen saw "Hadestown" at the movie theater! See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

With Nick still away, Jack and Chris talk about their recent trips, and Chris shares his life-changing moment. They also discuss the allure of talking around a fire, Star City, and Masters of the Universe. Matt gives his review of two Greek-related movies: The Odyssey and the musical Hadestown (highly recommended). However, instead of Rome, all roads in this discussion lead to Kathy Ireland in a green one-piece bathing suit.Become a Patron at JayandJack.comWrite us an email at RCADCast@gmail.comFollow us on Instagram at RCADCastAnd leave us an iTunes review

With Nick still away, Jack and Chris talk about their recent trips, and Chris shares his life-changing moment. They also discuss the allure of talking around a fire, Star City, and Masters of the Universe. Matt gives his review of two Greek-related movies: The Odyssey and the musical Hadestown (highly recommended). However, instead of Rome, […]

Andy lives up to his name as we talk about Andy's Vegas adventures, conspiracy drinks at Velveteen Rabbit, DnD, pipe club, Pinball FX Midnight, Rabbit, Thursday Next, Lost in a Good Book, Hadestown, The Odyssey, Risk, Boston (the band), Fairy Voice Mother, Rick Beato, Pat Finnerty, Motor Coty, scorpions (not the band), pest control, Xbox ad tier, Atari movies, false imprisonment, Marvel in Hall H, Warhammer adds a name, Indiana Jones, Blade Runner, Mr. Terrific, and Star Wars collectables. Cheers, It's time for a GeekShock!

Gayson's birthday month is wrapping up!!! Join Gayson and Guestie Bestie Pamela as they discuss the musical Hadestown, revisit Jim Henson's The Christmas Toy, Plus, more birthday gifts, talk Laura Branigan, take a trip back to the TV show Automan, dive into another ridiculous installment of What the Tubi? and so much more! Grab your cocktail and get ready for a real gabfest! Leave us a voicemail with your comments, questions and episode requests at (636) 400-3732!⁠⁠⁠Show Notes:⁠⁠⁠⁠Three Stooges Birthday Song Hadestown TrailerHot Night - Laura BraniganLaura Branigan on AutomanThe Christmas Toy Trailer SNL ABBA Christmas Kong Vs. MegacockAll Things Gayson:⁠⁠⁠⁠⁠⁠⁠THE GABBING WITH GAYSON PRIDE PLAYLIST!!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Gayson's Most WTF Songs on the Radio Spotify Playlist⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Keeping the Yuletide Gay with Gayson Podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Gabbing with Gayson's Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Gab with Gayson on Facebook! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

JJ Gordon tells you what to see in the theater, what to stream at home and what to skip and not waste your time on!! In this episode, he reviews: Hadestown (The Musical), Pinocchio Unstrung, Holes, Tremors, A Time To Kill & The Odyssey. And even more... See omnystudio.com/listener for privacy information.

Send us Fan MailThis week on the show!The night is young…he isn't Kevin Hart stars in the Netflix exclusive: 72 HoursOnce you've gone way down to Hadestown, part of you never really leaves in the live cast recording of:Hadestown: The Musical and finally He has no strings to hold him back now. He'd kill to be a real boy in: Pinocchio UnstrungReady for my verdict? Let's get into it. *Support the show by leaving a review on Apple podcast or Spotify! *You can now listen to The Movie Wire on YouTube! Listen and subscribe here!Make sure you listen to the Gaming Views PodcastListen Here! If you haven't tuned in, followed, or subscribed to The Cultworthy Cinema Podcast and The Movie Wire's crossover show Back 2 the Balcony, now is your time, because this week, we cover the 1995 sci-fi alien sex film Species!Watch HereSupport the show

It's an absolutely jam-packed show this week, as El'Ahrai and John are joined by everybody's favorite Blonde in Front, Cati Glidwell, for a long dissection and review of "Spider-Man: Brand New Day" with a "Hadestown" bonus! Plus! Breakdowns of the San Diego Comic-Con announcements and the developments in the Paramount-Warner Brothers merger, plus home video picks, questions, and so much more! You should listen! Yes, you! You know, Max was like the sweetest guy ever before he fell into a pool of electric eels.

1. Madison Beer Engaged to Justin Herbert After Nearly One Year of Dating (E! Online) (18:56) 2. Irina Shayk and Devin Booker Newly Dating and ‘Like Each Other a Lot' (PEOPLE) (26:28) 3. Olivia Rodrigo and New Boyfriend Julian Croonenberghs Cuddle in N.Y.C. Park (PEOPLE) (30:56) 4. ‘The Odyssey' To Pass ‘Oppenheimer's Lifetime B.O. In 13 Days; ‘Hadestown' Sings $2M+ Monday – Box Office (Deadline) (40:48) 5. Dave Portnoy Weighs in On the Nantucket Influencer Drama (Instagram) (45:06) 6. Olandria Carthen perfects revenge dressing in slit-up-to-there orange gown after Nic Vansteenberghe breakup (Page Six) (53:34) The Toast with Jackie (@JackieOshry) and Claudia Oshry (@girlwithnojob) ⁠The Toast Patreon ⁠⁠  ⁠⁠Toast Merch⁠⁠ ⁠⁠Girl With No Job by Claudia Oshry⁠⁠ ⁠⁠The Camper & The Counselor⁠⁠ ⁠⁠Lean In⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Earlier this week I brought back the audio of one of my favorite conversations from the vault. Today, the full video version is here.If you missed the audio episode, here's the short version: in 2018, Mariana Ramirez became the first female Mexican percussionist to ever perform on a Broadway show, subbing Once On This Island. A year later she held the percussion chair on that show's national tour. Then came sub work on Head Over Heels (drumset book) and Ain't Too Proud, plus Off-Broadway runs of Merrily We Roll Along and Fiddler on the Roof in Yiddish.Today she holds the percussion chair at the hit Broadway show SIX.But watch this interview and you'll see the chair is just one piece of a much bigger career.Mariana began her studies at the National Conservatory of Music in Mexico City, where she won the percussion position at the Carlos Chávez Youth Orchestra, then earned her Bachelor of Music at the Mason Gross School of the Arts at Rutgers, picking up the Percussive Arts Society Thomas Siwe Scholarship along the way.She founded Percussion Quartet Excelsis — the first multinational all-female percussion quartet in the U.S. — which Jonathan Haas, head of the NYU Percussion Department, called one of the most innovative and exciting ensembles of this era of chamber music. Excelsis has performed twice on NPR's From the Top, at the Zeltsman Marimba Festival, Tippet Rise in Montana, and the Newport Classical Music Festival, and in 2024 the group received Chamber Music America's highest grant.Her recording credits include Platinum Girls and Song of Solomon on Broadway Records, and a concerto for bandoneon and violin with the Orpheus Chamber Orchestra. She has performed with the National Symphony of Mexico, the first all-women orchestra of Mexico, and premiered new works at Alice Tully Hall. She's appeared on The Late Show with Stephen Colbert and in Mozart in the Jungle. She won the FONCA grant for Mexican artists twice in a row, touring an original percussion-and-dance project across five Mexican cities. She teaches. She's endorsed by Sabian, Pearl, and Innovative Percussion.Traditional Mexican music. Symphony halls. Chamber ensembles. Television. Education. And eight shows a week on Broadway.Nobody builds a career like that by waiting for the phone to ring. Watch the conversation and you'll understand exactly how she did it — starting with a Santana concert in Mexico City when she was 11 years old, watching three percussionists light up a stadium and deciding, right there, what her life was going to be.Watch the full interview above.The audio version is available now on Apple Podcasts and Spotify if you'd rather listen on the go.And coming up next on the podcast: Spencer Inch. Stay tuned — that one's going to be worth the wait.For the complete roadmap to building a career in theater, grab Broadway Bound and Beyond at broadwayboundbook.com.Clayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Listen to the Show Right Click to Save GuestsLa Fenice & Golden Silent Improv Speak No More: LovecraftThe Zahir OversightGFTQ Camp Foolish DreamsWhat We Talked AboutChorus Line – Barrington Moulin Rouge closes – Tveit comes back RIP to Lynn Beaver Proshot of Hadestown (thru 8/6?) Falsettos Concert Reunion We Chose to go to the Moon The Mad King Purple Rain (We'll Talk about it next week) Kid's Night on Broadway Paul Soileau – Rocky Horror Show AT&T Center and Dallas Theatre Center Merge Thank you to Dean Johanesen, lead singer of "The Human Condition" who gave us permission to use "Step Right Up" as our theme song, so please visit their website.. they're good! (that's an order)   

Stephen Root may not always be in a leading role, but that doesn't stop him from remaining incredibly busy. You know the character actor from iconic roles as Milton Waddams in "Office Space" and Monroe Fuches in "Barry." Most recently, he's been nominated for a Primetime Emmy Award for "Widow's Bay" and he's resumed voice work for the rebooted "King of the Hill" on Hulu. In this episode, co-host Bruce Miller speaks with Root about his recent work and the challenges of recording voiceover remotely. Miller and co-host Terry Lipshetz continue their discussion of "The Odyssey" and its ensemble cast, as well as the original Broadway cast of "Hadestown" returning for a filmed performance. They also discuss another film in the "A Devil Wears Prada" series. About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is the retired editor of the Sioux City Journal in Iowa and Terry Lipshetz, managing editor of the National Newsroom for Lee Enterprises based in Madison, Wisconsin. The show was named Best Podcast in the 2025 Iowa Better Newspaper Contest. Theme music Thunder City by Lunareh, used under license from Soundstripe. YouTube clearance: FV694ULMCJQDG0IY

‘Purple Rain’ comes to Broadway with major changes, exciting ‘Benjamin Button’ casting, ‘Hadestown’ pro-tape breaks box office records Every week, Matt Tamanini will bring you the biggest news from across the theatrical landscape and will prepare you for what’s ahead over the next seven days. Any and all feedback is read more

Is there actually more of a “crisis of meaning” in the smartphone AI age? Is it more likely the case that the vast majority of humans always been perfectly happy to accept whatever meager meaning happens to come their way, with a small, hand-wringing set of elites always freaking out that the latest thing is bad? If everyone is content to watch individualized content on their solipsism machines, is it just kinda rude of Rowdy Roddy Piper to come barging in trying to wake everybody up? Listen, if you must! Has something we said, or failed to say, made you FEEL something? You can tell us all about it by joining the conversation on our Substack or you can send us an email here. Enjoy!Show RundownOpen — Last Out the Door, Like a Hero16:03 — Cat arsonists in Italy20:51 — AI content taking over1:03:10 — Psychos are travelling the world with giant television mugs1:11:46 — Did Mark Strassmann, CBS News' Senior National Correspondent, Get off A Good One?1:18:26 — Wrap-up! Hadestown; The Hunger Games; Airport; The TommyknockersRelevant Linkage can be found by visiting https://brainiron.substack.com/, where, if you would like to support this and the other podcasting and blogging endeavors of the Brain Iron dot com media empire, you can also become a paying subscriber.The opening and closing themes of Cast Iron Brains were composed by Marc Gillig. For more from Marc, go to tetramermusic.com.

At the age of 80, André De Shields is now on Broadway in “CATS: The Jellicle Ball.” He won a Tony in 2019 for his performance in “Hadestown” and co-stars in the new movie of the revival. He talks with Terry Gross about his Broadway debut in the original production of ‘The Wiz,' living with HIV for almost 50 years, and why he walks like a king. Also, White Mountain Apache Chef Nephi Craig explains how cooking and teaching about indigenous foods saved his life. His memoir is ‘Our Knives Will Save Us.'  John Powers reviews Will Ferrell's new series ‘The Hawk.'Subscribe to our free weekly newsletter Follow us on Instagram Subscribe to our YouTube channel Check out the Fresh Air ArchivesSee pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

It's an accidental theme week here at Breakfast All Day. We love when those happen. We're in a bit of a lull for new movies between "The Odyseey" last week and "Spider-Man: Brand New Day" next week, but here's what we reviewed for you. HER PRIVATE HELL. The first film in a decade from Nicolas Winding Refn ("Drive," "The Neon Demon") has lavish style but it's totally inscrutable. Go for the clothes and the production design if you must see it. Sophie Thatcher, Charles Melton and Havana Rose Liu star. In theaters. HADESTOWN: THE MUSICAL. This is an extraordinary live capture of AnaÏs Mitchell's Tony-winning musical. All the stars from the original Broadway run are here for this London West End performance. If you've seen "Hadestown," you'll want to see it again in this thrilling, intimate form. And if you've never seen it, prepare to be dazzled. In theaters for only about a week. Find out more and get tickets here. MOVIE NEWS LIVE! This went extra long because there was so much to discuss, including the Venice and Toronto film festival lineups, Johnny Depp as Ebenezer Scrooge, the "Avengers: Doomsday" trailer, Elon Musk's AI version of "The Odyssey," the Cinerama Dome returning and more. Join us on Fridays at Noon Pacific. Thanks for starting your weekend with us! Look for our "Spider-Man: Brand New Day" out of the theater reaction on Monday night. Subscribe to Christy's Saturday Matinee newsletter: https://christylemire.beehiiv.com/  

At the age of 80, André De Shields is now on Broadway in “CATS: The Jellicle Ball.” He won a Tony in 2019 for his performance in “Hadestown” and co-stars in the new movie of the revival. He talks with Terry Gross about his Broadway debut in the original production of ‘The Wiz,' living with HIV for almost 50 years, and why he walks like a king. Also, White Mountain Apache Chef Nephi Craig explains how cooking and teaching about indigenous foods saved his life. His memoir is ‘Our Knives Will Save Us.'  John Powers reviews Will Ferrell's new series ‘The Hawk.'Subscribe to our free weekly newsletter Follow us on Instagram Subscribe to our YouTube channel Check out the Fresh Air ArchivesSee pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

Can't make it to Broadway? Hadestown: The Musical has you covered. The film adaptation of the Tony-winning hit captures the musical retelling of the Greek tragedy of Orpheus and Eurydice. Fans can see the principal original Broadway cast including Reeve Carney, Eva Noblezada, and André De Shields reunite on the big screen for five nights only. Need more musicals? Check out these episodes:'Wicked: For Good' will bring you to tearsWe debate the best movie musical numbersConnect with Pop Culture Happy Hour:Letterboxd / FacebookOur weekly newsletterSupport Pop Culture Happy Hour+See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

Today Sari and Jacklyn are joining me to talk about this weekend's eclectic group of new releases including the proshot of Hadestown: The Musical Romance lovers join the LUV TV VIP Screening table Email info@luvtv.tv or Comment ‘VIP' and your official invite will be on its way! LUVTV is also casting for their latest show Big Bridal Giveaway. Recently engaged or know a bride to be deserving of a rom-com worthy makeover? Email info@luvtv.tv or comment ‘BRIDAL' and your official invite will be on its way! Big Bridal Giveaway premieres May 4th https://www.youtube.com/watch?v=z5sSexcTK2M Follow Sari on twitter https://twitter.com/ask_sari Check out her website http://thesaricohen.com/ See all your movies at Fatcats with fun centers for the entire family https://www.fatcatsfun.com/ Get all our movie and theatre inspired merch at https://hallmarkies.dashery.com/ Check out OnStage Blog https://www.youtube.com/@onstageblog8213 Please support us and help us make more podcasts at our patreon. Cool benefits! https://www.patreon.com/hallmarkies Follow Rachel Reviews on Itunes https://itunes.apple.com/us/podcast/rachels-reviews/id1278536301?mt=2 To see all my Family Movie Night reviews https://www.youtube.com/watch?v=Py6obIJMCfE&list=PL7wz447AgL4yAT7WALhqQASaJPunxdFoW Follow my blog at http://rachelsreviews.net Follow me on twitter http://www.twitter.com/rachel_reviews Follow me on facebook http://www.facebook.com/smilingldsgirlreviews Listen to Hallmarkies Podcast at https://podcasts.apple.com/us/podcast/hallmarkies-podcast/id1296728288 https://www.instagram.com/halvogirl/

Today Sari and Jacklyn are joining me to talk about this weekend's eclectic group of new releases including the proshot of Hadestown: The Musical Romance lovers join the LUV TV VIP Screening table Email info@luvtv.tv or Comment ‘VIP' and your official invite will be on its way! LUVTV is also casting for their latest show Big Bridal Giveaway. Recently engaged or know a bride to be deserving of a rom-com worthy makeover? Email info@luvtv.tv or comment ‘BRIDAL' and your official invite will be on its way! Big Bridal Giveaway premieres May 4th https://www.youtube.com/watch?v=z5sSexcTK2M Follow Sari on twitter https://twitter.com/ask_sari Check out her website http://thesaricohen.com/ See all your movies at Fatcats with fun centers for the entire family https://www.fatcatsfun.com/ Get all our movie and theatre inspired merch at https://hallmarkies.dashery.com/ Check out OnStage Blog https://www.youtube.com/@onstageblog8213 Please support us and help us make more podcasts at our patreon. Cool benefits! https://www.patreon.com/hallmarkies Follow Rachel Reviews on Itunes https://itunes.apple.com/us/podcast/rachels-reviews/id1278536301?mt=2 To see all my Family Movie Night reviews https://www.youtube.com/watch?v=Py6obIJMCfE&list=PL7wz447AgL4yAT7WALhqQASaJPunxdFoW Follow my blog at http://rachelsreviews.net Follow me on twitter http://www.twitter.com/rachel_reviews Follow me on facebook http://www.facebook.com/smilingldsgirlreviews Listen to Hallmarkies Podcast at https://podcasts.apple.com/us/podcast/hallmarkies-podcast/id1296728288 https://www.instagram.com/halvogirl/

What's new and good to watch? Let's talk!

  Listen to the Show Right Click to Save GuestsThe Jigglewatts Burlesque ReviewDevin FinnAlex Garza Aye No! What We Talked About Les Mis in Concert Hadestown in theatres Oh, Mary West End to start at 6:30? They're playing Our Song – Espanol Theater Games App Real Women have Curves – Pasadena Thank you to Dean Johanesen, lead singer of "The Human Condition" who gave us permission to use "Step Right Up" as our theme song, so please visit their website.. they're good! (that's an order)   

At the age of 80, Broadway legend André De Shields now starring in "CATS: The Jellicle Ball." He won a Tony in 2019 for his performance in "Hadestown," and co-stars in the new film of last year's London revival. He made his Broadway debut in the title role of the 1975 original production of "The Wiz." De Shields describes himself as Afro Queer, a longtime HIV survivor, and unreformed hippie, who grew up in inner city Baltimore. He's always gone his own way in how he thinks, speaks, dresses and moves. "I don't rush anywhere. I walk slowly. My reputation is that Andre DeShields doesn't walk, he floats." He spoke with Terry Gross. See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

At the age of 80, Broadway legend André De Shields now starring in "CATS: The Jellicle Ball." He won a Tony in 2019 for his performance in "Hadestown," and co-stars in the new film of last year's London revival. He made his Broadway debut in the title role of the 1975 original production of "The Wiz." De Shields describes himself as Afro Queer, a longtime HIV survivor, and unreformed hippie, who grew up in inner city Baltimore. He's always gone his own way in how he thinks, speaks, dresses and moves. "I don't rush anywhere. I walk slowly. My reputation is that Andre DeShields doesn't walk, he floats." He spoke with Terry Gross. See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

A few weeks ago, a longtime listener and subscriber named Leo tried to order my book on Amazon. It didn't go smoothly — stock issues, shipping headaches, the usual Amazon runaround. Most people would have just given up and moved on.Leo didn't. He found his way to Signature Brandworks and ordered a copy directly from me instead. That alone means a lot. Leo's been with the podcast and the site for a long time, and knowing he cared enough to track down the book rather than let a broken checkout page stop him is exactly the kind of support that keeps this whole project going.But what really got me was what he said after he read it.Leo described the book as “pure gold” — not just for drummers, and not just for musical theater players, but for any working musician taking on all kinds of gigs. That phrase has been stuck in my head ever since, because it's exactly what I set out to make. This was never meant to be just a drumming book. It's a career guide — contracts, negotiating with producers, breaking into a market, understanding the business side most of us were never taught. If you're a professional musician of any kind, that's information you need.Leo put it better than I could, so I'll let him say it in his own words:“This is pure gold for anyone who's interested, especially in musical theater, but it applies to any kind of musician doing all sorts of gigs. Beyond our instrument — we get really focused on the instrument — but looking up content and resources that are important for a professional musician's training... financial education, negotiation, understanding contracts, and the laws that apply to musicians. I think all of that is important for us to become better professionals and to improve the market for everyone too.”Coming from someone who's spent 23 years developing his own teaching method, that's not a compliment I take lightly.Who is Leo?Leo Bandeira is a Brazilian drummer, author, and educator — and honestly, someone every drummer reading this should be following. He's the author of Teoria Musical para Bateria (Music Theory for Drums), the accompanying Livros de Exercícios volumes 1–3, and Leitura à Primeira Vista (Sight Reading). He also teaches A Bateria no Teatro Musical — Drums in Musical Theater — so when a guy who spends his career teaching this stuff calls my book pure gold, that means a lot to me.His beginner-level video course builds directly on those books: over 400 exercises covering reading, writing, coordination, orchestration, and rhythmic dictation, all developed over two decades of teaching drummers how to actually read and understand music, not just play by feel. If you're a drummer looking to get more literate on your instrument, his material is worth your time.Follow Leo here: instagram.com/leobandeiramusicoLeo's Full Review (translated from Portuguese)I wanted to share it in full, exactly as he gave it, rather than just pulling the one line:Guys, I want to share with you a book I just finished reading, and it's amazing. Clayton is a Broadway drummer with a ton of experience. He has a podcast where he interviews Broadway musicians, so he really lays out how the industry works over there, you know? Which is basically the top of the musical theater world.So, in this book, he explains exactly how everything works over there: contracts with producers, how negotiations happen, how you break into the market. He talks about networking — honestly, he covers so many topics. This is pure gold for anyone who's interested, especially in musical theater, but it applies to any kind of musician doing all sorts of gigs, you know?Yeah, it's really important information that every professional musician should have access to.So folks, I'm leaving his Instagram here so you can find his materials. I think being a good professional musician also means doing your research. Beyond our instrument — we get really focused on the instrument — but looking up content and resources that are important for a professional musician's training, you know?Financial education, negotiation, understanding contracts, and the laws that apply to musicians. I think all of that is important for us to become better professionals and to improve the market for everyone too. Alright? So here's the golden tip. Follow him over there, and look for the book. Thanks!And if you've been on the fence about the book like Leo was — go grab a copy on Amazon. Or get a copy from me here at SignatureBrandworks.com. Also, Leo, if you're reading this: I'm taking a lesson from you the day I finally make it to Brazil, no excuses.I'm proud of this one, and it means the world that it's resonating with musicians outside the Broadway pit too.Clayton Craddock is the founder of Broadway Drumming 101.His Broadway and off-Broadway theater credits include Cats: The Jellicle Ball, Ain't Too Proud – The Life and Times of The Temptations, Lady Day at Emerson's Bar and Grill, Memphis, Altar Boyz, and tick, tick... BOOM!, plus subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour. He's appeared on The View, Good Morning America, The Tonight Show, The Today Show, and the Tony Awards, performing alongside artists from Chuck Berry to Kristin Chenoweth.His book, Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career, is available on Amazon, Barnes & Noble, and at Signature Brandworks. His course, Broadway Bound and Beyond: The Course — The Career Foundation Every Working Musician Needs (But Nobody Teaches) — is coming soon.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Welcome to We Love to Hate Everything — your weekly dose of reality TV chaos, celebrity gossip, streaming recommendations, internet nonsense, and aggressively honest commentary.THIS WEEK'S LINEUP-

Peter and Eden catch up after the UK trip — The Rest Is History Festival at Hampton Court Palace, Westminster Abbey, Hadestown, and why walking London at night feels safer than any US city. Then the pop culture blitz: Peter power-watched Fast 8–10 and Tron: Ares on the plane (he has Opinions). Eden brings new music (Rebecca Black, Blackpink with Chris Martin), K-pop supergroup collabs, two weird indie games, and a defense of the new Masters of the Universe movie.Show NotesRest is History Festival: Peter attended the inaugural festival at Hampton Court Palace with historians Mary Beard, Tracy Borman, and medieval combat demonstrations.London at night feels safer: Walking a mile from the theater district at 10:30 PM felt natural — dramatically different from any major US city Peter's experienced.America's shallow history: Westminster Abbey (Darwin, Handel, coronation chair used for a millennium) drove home how new the US is. Eden clarifies: referring to the dominant white culture, not the land itself.Renaissance babies are terrifying: Painters used adult proportions shrunk down instead of babies' actual big-head, short-limb proportions.Hadestown and La Bohème: Peter saw Hadestown ("good gut punch of a tragedy") and La Bohème at the Royal Opera House — the Mimi performer had the most stunning voice he's ever heard in person.Warning — Rituals of Shame: First album in 20 years from the British doom band. Classic mournful doom metal.Junius — Sotera: Boston post-metal band's first album in 9 years. "Depeche Mode if they wanted to be a post-metal band." LinkPrince of Failure: Daniel Tompkins (TesseracT) and Paul Ortiz (Chimp Spanner) collab via Kscope. Didn't stick past the first listen.Eden's K-pop: Blackpink's "Go" (co-written by Chris Martin, "way better than anything Coldplay ever did"), Meovv's "Hit Em," and a three-group collab (Illit, Le Sserafim, Katseye) on "Iconic by Mistake."How Do We Relationship?: Eden's favorite romance manga is getting a live-action series — filming this fall, cast announced.Fast & Furious 8–10 (plane ranking): F8 best of the three, F9 saved by Roman and Tej going to space in a Pontiac Fiero, Fast X just bad. Shared gripes: too many resurrections, the secret brother, Jason Momoa's inconsistent villain, zero stakes.Tron: Ares: Peter hated it — Jared Leto is a charisma void, Nine Inch Nails soundtrack forgettable, visuals nowhere near Tron: Legacy's light cycle sequence. Eden agrees.Masters of the Universe: Eden defends it — understood the assignment, leaned into the corny sincerity. Jared Leto's Skeletor is "the campy gay bitch we all know he is." LinkSupergirl bombs: Eden confirms the needle drop of a lo-fi "The Middle" cover in the climax burned through every ounce of goodwill.Peter's reading: Finished The Color of Magic, reading Willie, Willie, Harry and Stee and Rest is History books.

In 2018, Mariana Ramirez walked into the pit at Once On This Island as a sub and made history. She became the first female Mexican percussionist to ever perform on a Broadway show.Nobody handed her that moment. She built it.I first published this conversation in March of 2022, and it remains one of my favorites. Most of you weren't subscribed back then, so I'm bringing it back — the story is too good to leave in the archive.Who is Mariana Ramirez?Mariana is an NYC-based freelance percussionist who began her music studies at the National Conservatory of Mexico in Mexico City before earning her Bachelor of Music in Percussion at Rutgers University.That first Broadway sub gig at Once On This Island opened doors. She went on to sub Head Over Heels and Ain't Too Proud: The Life and Times of the Temptations, then hit the road holding the drums/percussion chair on the Once On This Island national tour. Off-Broadway, her credits include Merrily We Roll Along and Fiddler on the Roof in Yiddish, among many others. Today, she is one of just two female Mexican drummer/percussionists performing on Broadway.But her career stretches far beyond the pit.She has performed across Europe, Asia, and Mexico with Mexican traditional music bands, symphonic ensembles, chamber orchestras, and pop bands. You may have caught her on The Late Show with Stephen Colbert, in the series Mozart in the Jungle, or at the NBC Universal Upfronts at Radio City Music Hall.She also founded Percussion Quartet Excelsis, which Jonathan Haas, head of the NYU Percussion Department, praised as one of the most innovative and exciting percussion ensembles of this era of chamber music. Excelsis has performed twice on NPR's From the Top, at the Percussive Arts Society New York Weekend of Percussion, Brooklyn Bound with Sō Percussion, Zeltsman Marimba Festival, and Tippet Rise Music Festival in Montana. The group is endorsed by Sabian Cymbals.As a symphonic percussionist, she has performed with the National Symphony of Mexico, Orquesta de Minería, the first all-women orchestra of Mexico, Dartmouth Symphony, South Florida Symphony, New England Ensemble, Fairfield Orchestra, and most recently with The Dessoff Choir, premiering works for choir and orchestra at Alice Tully Hall.Traditional Mexican music. Broadway pits. Symphony halls. Chamber ensembles. Television. That range is not an accident — it's the career.In this conversation, we talk about:* The Santana concert in Mexico City that made an 11-year-old girl decide, on the spot, what she wanted to do with her life* Her path from the National Conservatory of Mexico to Rutgers to New York* What it took to break into Broadway subbing — and what it meant to be the first* How versatility across genres and settings keeps a freelance career aliveAnd when you're done with this one, keep an eye on your inbox. Up next on the podcast: Spencer Inch. You won't want to miss that conversation.For the complete roadmap to building a career in theater, grab Broadway Bound and Beyond at broadwayboundbook.com.Broadway Bound and Beyond isn't theory. It's twenty-six years on Broadway broken down into what actually works: how auditions really get decided, how reputation gets built or destroyed, how money works in this business, why versatility keeps you employed, and what it takes to last decades instead of one season. If you want the full career picture, the hardcover is at broadwayboundbook.com.If subbing is specifically your way in, the book gets you the mindset and the etiquette, but the Broadway Sub Playbook goes further. It's the actual system: the four-week prep formula, the show-day routine, how to take notes that stick, how to handle a pit you've never sat in before. It's built for one job — getting you ready for that call when it comes — and it's the resource a lot of working subs wish they'd had before their first one.Grab both at signaturebrandworks.com.Clayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Ficlets, we don't know about you, but your hosts are having a Greek God Summer. Join us in this episode for a sweeping discussion of mythmaking, why we tell stories, and which ones have the most staying power. And also a surprisingly high amount of chatter about Hadestown for an episode that doesn't feature a Hadestown fic. Works discussed in this episode: seventy-five perpetual deaths for the underworld's prince by anonymousAlchemist (Hades Game) Kore by oneiriad (Greek and Roman Mythology) It's a No-Regret Life by anistar_e (kaikamahine) (Percy Jackson)

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.She Was 11 Years Old at a Santana Concert. That Was It.From the vault: one of my favorite conversations on the Broadway Drumming 101 Podcast.Picture a stadium in Mexico. Bigger than Madison Square Garden. Open air. Packed. Santana is on stage with a humongous band — three percussionists and a drummer. Somewhere in that crowd is an 11-year-old girl, watching the faces around her. Tens of thousands of people losing their minds at the same time. She's never seen anything like it.And in that moment, she knew.“That's what I wanna do.”That girl was Mariana Ramirez.She went from the National Conservatory of Mexico to Rutgers to New York — and in 2018, she became the first female Mexican percussionist to ever perform on a Broadway show, subbing Once on This Island. Then Head Over Heels. Then Ain't Too Proud. Then the percussion chair at SIX.I first published this conversation back in March of 2022. It was one of the early episodes of the podcast, and it's still one of my favorites. Most of you reading this weren't subscribed back then, which means most of you have never heard it. That's exactly why I'm bringing it back.Mariana's story is a masterclass in what actually builds a career: preparation, relationships, and knowing what you want before anyone hands you anything. Nobody handed her that chair.Here's what's coming:The full episode drops again in a few days on Apple Podcasts and Spotify. But since you're subscribed here, you don't have to wait for your podcast app — you'll be able to listen right here first. The video version follows a few days after that.Stay tuned.And once you've heard Mariana's story, don't go anywhere — because up next on the podcast is Spencer Inch. That's a conversation you're not going to want to miss.If you want the complete roadmap for building a career in theater, grab Broadway Bound and Beyond at broadwayboundbook.com.Clayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

https://linktr.ee/perfectpersonliveTHE GREY AREA TOUR TICKETS ARE LIVE - come see the show!Isa Briones (The Pitt, Just In Time, Hadestown) joins the show to take stunning calls about getting out of the swimming pool, having an disney influencer as a mom, and your dad telling you he is joining a nudist colony. Join The Patreon: https://bit.ly/PPPTRN -Weekly Bonus episodes every Friday & ad-free extended version of this episode)Buy the Coffee!! perfectpersoncoffee.comWatch on Youtube: https://bit.ly/PerfectPodYTWatch Miles' Main Channel Videos: https://bit.ly/MilesbonYTFollow On Insta To Call-In!: https://bit.ly/PPPodGramTell a friend about the show! Tweet it! Story it! Scream it!Advertise on Perfect Person via Gumball.fmSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Welcome to We Love to Hate Everything — your weekly dose of reality TV chaos, celebrity gossip, streaming recommendations, internet nonsense, and aggressively honest commentary.

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.Mackenna Tolfa grew up in Green Bay with a blue sparkle drum kit called “The Rock Star.” Decades later, she's touring North America as the first featured female Rockstar character in Blue Man Group's history. The name on the kit was foreshadowing nobody knew about until recently — including the Blue Man marketing team.In this episode, we dig into the full journey: from a family tradition built around an uncle with an accordion, to classical percussion study, to pit playing Broadway shows, to landing one of the most unique drumming roles in live entertainment.Here's some of what we covered:* How growing up watching Neil Peart and Phil Collins shaped her musical identity from the start* Why she started on classical piano — and what that gave her as a percussionist* The pivot from Broadway pit playing to the Blue Man Group world tour, and what each world taught her about the other* The wild audition story — filmed at 115 degrees in a back room in Spain with a rented kit, two hours to record and send it back, and over 100 applicants in the original pool* Being flown to New York for the final callback and walking in to find the audition was nothing like what she'd spent two months preparing for* What it means to play a character when the character is essentially just you* Her time subbing on the Book of Mormon national tour — and what it was like watching audience reactions city to city* How a fun COVID project learning Ableton ended up being crucial to landing the Blue Man gig* A Cirque du Soleil invite-only audition in London that came directly from a YouTube video she posted just for fun* Her upcoming solo project (a band called Lemon) and her work as arranger and orchestrator on the new musical Dust Bowl Radio Hour* Why she tells every student: don't wait for the degree to start networkingThe advice she gave at the end of this episode is the kind of thing that takes most people years to figure out. Start the relationships now. Know your role. Understand that every gig — pit, stage, session, tour — is drumming, but the approach is completely different.If this conversation resonated with you, the roadmap for building a career in theater music — the relationships, the mindset, the financial reality — is laid out in my book Broadway Bound and Beyond.Get your copy at broadwayboundbook.comClayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Rachel Chavkin received the 2019 Tony Award, Drama Desk Award, and Outer Critics Circle Award for Best Director of a Musical for Anaïs Mitchell's Hadestown. She is a director, writer, and dramaturg, as well as the founding Artistic Director of Brooklyn-based ensemble the TEAM (theteamplays.org), an internationally renowned experimental company whose consensus-driven collaborative process was the subject of the documentary The TEAM Makes a Play (directed by Emmy winner Paulette Douglas). Additional selected: Dave Malloy's Natasha, Pierre, & The Great Comet of 1812 (Broadway featuring Denée Benton & Josh Groban); Carson Kreitzer and Matt Gould's Lempicka (Williamstown); Caryl Churchill's Light Shining in Buckinghamshire (New York Theatre Workshop), Marco Ramirez's The Royale (Old Globe, Lincoln Center); Bess Wohl's Small Mouth Sounds (Ars Nova, Off-Broadway, National Tour); Sarah Gancher's I'll Get You Back Again (Round House); and multiple collaborations with Taylor Mac, including The Lily's Revenge, Act 2 (HERE). In addition to her awards for Hadestown, Chavkin is a recipient of a Tony Award nomination for Best Direction of a Musical, three Obie Awards, a Drama Desk Award, multiple Lortel Award nominations, two Doris Duke Impact Award nominations, and the 2017 Smithsonian Award for Ingenuity along with Dave Malloy. Her first film, Remind Me, was an official selection of the Venice and Beverly Hills Film Festivals. Feature film  - Hadestown and Shrew's Nest (Paramount). Proud NYTW Usual Suspect and Member SDC. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Mackenna Tolfa is the first featured female drummer in Blue Man Group history. She plays ‘The Rockstar' on the current North American Tour — the character she originated on the World Tour in 2021 after performing in more than 20 countries. Before returning to Blue Man, she held the drum chair on the national tours of Mean Girls and The Book of Mormon. She's also the orchestrator and arranger for The Dust Bowl Radio Hour, a new musical with a concept album.In this conversation we get into how all of it happened. How she chose the University of Minnesota specifically to study with Fernando Meza, the original percussionist for The Lion King. How she wrote a letter to the drummer from The Band's Visit as a high school student, had it delivered to the stage door, and how that relationship eventually led to her finding out about the Blue Man audition years later.And the audition itself. She was in a remote desert town in Spain — 400 people, no drum set anywhere nearby — when she got the call. She drove two and a half hours, rented the one kit in a back room, and filmed her audition in 115-degree heat with no air conditioning. She booked the role.We also get into what it means to originate a role versus step into a chair, how the Book of Mormon book is one of the most technically demanding on tour right now, and why following curiosity sideways — marimba physicality, Ableton, a fun cover video — has shaped her career in ways she never planned.Catch this episode wherever you listen to podcasts. And if you're finding value in these conversations, please leave a five-star review on Apple Podcasts — it helps other musicians find the show.ResourcesIf you're serious about landing a gig in this business, start with the free How to Land a Broadway Gig Roadmap. It breaks down how the industry actually works — who the key players are, how relationships drive hiring, and how to position yourself to get the call. Free with any subscription to Broadway Drumming 101.broadwayboundbook.com/roadmapFor the full picture, pick up Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career. Everything the roadmap introduces, the book goes deeper on — the mindset, the preparation, the relationships, and the financial side of sustaining a career long-term.broadwayboundbook.comAnd coming soon — Broadway Bound and Beyond: The Course. The Career Foundation Every Working Musician Needs (But Nobody Teaches). More details dropping soon. Stay subscribed.Clayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Dizzy Gillespie didn't hand his name to just anyone. Karl Latham played in the Dizzy Gillespie Alumni All-Stars. Then he played in the Dizzy Gillespie Afro-Latin Experience alongside Paquito D'Rivera. Two different bands carrying one legend's name, and Karl had a chair in both.We recorded this conversation back in February 2022. It's been sitting on the Broadway Drumming 101 YouTube channel for a while. Now the audio is finally out everywhere you listen — Apple Podcasts, Spotify, wherever you get your shows. A lot has changed for Karl since we sat down, including new Broadway credits that weren't on his resume yet when we hit record.Karl's career doesn't sit in one lane. He's played with Claudio Roditi, Slide Hampton, Clark Terry, Jon Faddis, and Cyrus Chestnut. He's logged time with Edgar Winter and Johnny Winter. He was music director for The Shirelles. He's worked with Mark Egan's UNIT1, the Bernie Worrell Orchestra, and a long list of players most drummers only get to study, not stand next to.His Broadway sub list reads the same way. Hamilton. Beautiful: The Carole King Musical. Ain't Too Proud. Bring It On. Two Strangers. Five different shows, five different chairs, all earned the same way every sub gig gets earned: somebody trusted him enough to make the call.Karl leads his own projects too. He co-leads Big Fun(k) with Don Braden. He co-led Constellations, the group that picked up a nomination for the 2016 BMW Welt Jazz Award. As a leader, he's released Dancing Spirits, Resonance, and two volumes of Living Standards — the second one bringing in Wolfgang Lackerschmid, Mark Egan, Henry Hey, Mitch Stein, and Roger Squitero.And he never stopped teaching. Karl is the current Co-Chair of the Percussive Arts Society Education Committee. He's adjunct faculty at four schools: Drew University, County College of Morris, Raritan Valley Community College, and Blair Academy. Touring, recording, subbing on Broadway, and teaching at four schools. Most people pick one career. Karl runs four in parallel.Karl is an endorsing artist for Yamaha Drums, Paiste Cymbals, ProMark Drumsticks, Evans Drumheads, Big Fat Snare, AEA Microphones, Radial Engineering, Heil Sound, ProLogix Percussion, and RME.Press play. And if this episode gives you something, leave us a five-star review wherever you listen. It takes thirty seconds and it means a lot to the show.If you're serious about your own path in this industry, pick up Broadway Bound and Beyond at broadwayboundbook.com. Signed copies at signaturebrandworks.com.Clayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

There's nothing quite like watching your colleagues light up a TV stage.The cast of Cats: The Jellicle Ball performed “Skimbleshanks: The Railway Cat” on The Tonight Show last night. Every time I see something like this, I get excited. They always look and sound great, and there's something special about watching people you work with get that kind of shine.I've been lucky enough to be on that side of the screen a few times. Tonight Show with the Ain't Too Proud company on opening night in 2019. The Colbert Report and The View with Audra McDonald for Lady Day at Emerson's Bar and Grill in 2014. The Tony Awards stage twice — Memphis: The Musical in 2010, Ain't Too Proud in 2019.So I know what that feeling is.Someone asked me why the orchestra hasn't appeared alongside the cast on any of these TV performances. Honest answer: the orchestra isn't featured in this production the way it's been in others I've been part of. We're in the basement. You don't see us.But you hear us on every one of those tracks.And I don't mind watching from home on this one. Every time they air one of those performances, I get a check in the mail.Mailbox money. I'll take it!Clayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Karl Latham played in The Fantasy Band alongside Dave Valentin, Dave Samuels, Chuck Loeb, Noel Pointer, and Roy Ayers. Five names that don't usually end up on the same bandstand. Karl made the cut for all of them.We recorded this conversation back in February 2022. A lot has changed for Karl since we sat down, including new credits that weren't on his resume yet when we hit record.Karl's reach goes deep into the jazz world. He's played with Freddie Hendrix, Roberta Gamberini, Mark Gross, and Eric Alexander. He's worked with Michael Urbaniak and Andy Snitzer. He was part of The New Voices of Freedom and joined Howard Paul for sessions with Tom Scott and Anat Cohen. He's played with Ali Ryerson alongside Mark Egan and Pete Levin, and worked the Wolfgang Lackerschmid group with Attila Zoller, Ed Cherry, Cameron Brown, and Mark Egan. He's also recorded with pianist Johannes Mossinger's band, a lineup stacked with Joel Frahm, Calvin Jones, Don Braden, Boris Kozlov, and Kermit Driscoll.He's subbed on Broadway too: Hamilton, Beautiful: The Carole King Musical, Ain't Too Proud, Bring It On, and Two Strangers. And when he's not touring or subbing, he's teaching. Karl is Co-Chair of the Percussive Arts Society Education Committee and adjunct faculty at four schools: Drew University, County College of Morris, Raritan Valley Community College, and Blair Academy.Karl is an endorsing artist for Yamaha Drums, Paiste Cymbals, ProMark Drumsticks, Evans Drumheads, Big Fat Snare, AEA Microphones, Radial Engineering, Heil Sound, ProLogix Percussion, and RME.Press play. And if this episode gives you something, leave us a five-star review wherever you listen. It takes thirty seconds and it means a lot to the show.Broadway Bound and Beyond isn't theory. It's twenty-six years on Broadway broken down into what actually works: how auditions really get decided, how reputation gets built or destroyed, how money works in this business, why versatility keeps you employed, and what it takes to last decades instead of one season. If you want the full career picture, the hardcover is at broadwayboundbook.com.If subbing is specifically your way in, the book gets you the mindset and the etiquette, but the Broadway Sub Playbook goes further. It's the actual system: the four-week prep formula, the show-day routine, how to take notes that stick, how to handle a pit you've never sat in before. It's built for one job — getting you ready for that call when it comes — and it's the resource a lot of working subs wish they'd had before their first one.Grab both at signaturebrandworks.com.Clayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.Jared Shaw has held the drum chair on national tours of Beautiful: The Carole King Musical and The Book of Mormon. He's subbed on Broadway including Tommy, one of the most demanding drum books out there. He's performed at the Kennedy Center and Ghana's National Theater, and he plays groove percussion, orchestral, African percussion, and programs electronics.In this episode, Jared breaks down what it actually took to build a career like that.We cover:* How he approached learning difficult drum books* What touring taught him about preparation and professionalism* How electronic drumming and programming fit into his toolkit* Subbing on Broadway and staying ready for the call* Studying with James Saporito, Shawn Pelton, and Valerie Naranjo* Building a sustainable career as a working musician in New York CityIf you're serious about Broadway, touring, or becoming a more complete drummer, this conversation is for you.Clayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Jared Shaw didn't build his career on one big break.He built it on being ready.National tours of Beautiful: The Carole King Musical and The Book of Mormon. Broadway sub credits on Tommy, Boop! The Musical, Beaches, and more. Four years as the drummer for Billy Mira & The Hitmen on the Howard Stern Show. Percussion guest with the National Symphony of Ghana. First drum chair of the NYU Broadway Orchestra under Ted Sperling. Over 40 theatrical productions in New York City.That's not a resume. That's a body of work built one gig at a time.He also came up the right way — NYU Steinhardt, Percussion Performance, University Honors, with minors in Business of Entertainment and Producing. In this episode, we get into what it actually took. How he approached learning difficult books. How he thinks about subbing. What touring taught him about professionalism. How electronic drumming and programming became part of his toolkit — not as a novelty, but as a necessity.We also talk about his studies with James Saporito, Shawn Pelton, and Valerie Naranjo. Three teachers who shaped how he hears music and approaches the instrument.This is a conversation about longevity. About what it actually takes to last in this business. About being the kind of drummer people call — and call back.If you're serious about how to get into subbing on Broadway, or getting a tour, this one's worth your time.For more: https://www.jared-shaw.comClayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.Gary Seligson: The Grammy-Winning Broadway Drummer Phil Collins Refused to Work WithoutPhil Collins snuck into a performance of Wicked one night without telling Gary Seligson he was coming.The next morning, he walked into Tarzan rehearsal and told the producers he didn't care who else they put in the band. There was one guy he wanted on drums. Not Chuck Burgi — who had literally replaced Phil Collins in Brand X and was calling in every favor he had to get the gig. Gary Seligson. The one he heard play in the theater when nobody knew he was watching.That's the kind of reputation you build over a career that most Broadway musicians would trade anything for.I chatted with Gary on August 24, 2021. The video is on the Broadway Drumming 101 YouTube channel. Now the audio is available everywhere you get your podcasts — Apple Podcasts, Spotify, wherever you listen.Gary is a Grammy Award winner who originated the drum books and recorded the cast albums for Aida, Wicked, Tarzan, A Little Princess, School of Rock, and Soft Power. He held the drum chair on Billy Elliot for over three years. He's on the Motown: The Musical cast recording playing percussion. His Broadway credits span more than two decades — from The Gershwins' Fascinating Rhythm in 1999 through Bob Fosse's Dancin' and Harmony in 2023. In 2025, he headed back out on the road with the Beauty and the Beast revival. He's also subbed on more than 20 Broadway productions, including Chicago, The Lion King, Les Misérables, Miss Saigon, Cats, and Rent.Gary grew up in West Orange, New Jersey, banging on his mother's pots and pans before his father bought him a tiny metal snare drum at age three. He studied with the same teacher from second grade through twelfth grade. He went to the Hartt School of Music in Hartford. He found his way to Gary Chester in New York, who completely rewired how he thought about the instrument, and then told him flat out: never leave town for more than four weeks.Gary took a touring gig anyway.Nine years on the road followed. And the moment he pulled into his mother's driveway after finally deciding to come home, the phone rang. It was Bob Billig calling about Chicago. That's how this business works when you've done the groundwork.We get into his first Broadway subbing experience at The King and I — walking into the pit two hours before curtain, sitting down at a drum set that felt completely foreign, getting thrown out by the stage manager before the show even started, then spending an hour and forty-five minutes walking around Midtown getting more nervous with every step. Trial by fire. He made the cut, and word traveled fast.We talk about what it felt like to play alongside Elton John in an Aida rehearsal room. We talk about Phil Collins tapping a pencil on a desk during Tarzan rehearsals — not even playing, just tapping — and how the groove was so wide the entire room felt it. And we talk about the moment Gary flew himself to San Francisco on JetBlue just to watch Wicked out of town, because he needed to know for himself whether to leave Aida for it.He knew by the first number.Gary is a Pearl Drums, Sabian Cymbals, Pro-Mark Sticks, Grover Percussion, and Remo Heads endorser, and has been featured in Modern Drummer and DRUM magazine multiple times.Press play. And if this episode gives you something, please leave us a glowing five-star review wherever you're listening. It takes 30 seconds and it means everything to the show.If you're serious about your own path in this industry, pick up Broadway Bound and Beyond at broadwayboundbook.com. Signed copies at signaturebrandworks.com.Clayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

He showed up to watch.9:28 AM. Carroll's Rehearsal Studios. The Tina Turner Broadway show is about to start.Jared's a college student at NYU. He's not there to play. He's there to observe — to see how a real Broadway drummer handles a real Broadway rehearsal. He's looking at the chart on the stand. Not touching anything. Just studying.9:30 hits.The drummer isn't there.Contractor John Miller scans the room. Lands on Jared.“All right, Jared. Sit down. You're on.”He sat down. Blacked out. And sight-read 15 minutes of a mega-mix — a chart he'd never seen, styles flipping every 16 bars, a section in 3/4 buried in the middle — while a friend quietly filmed from across the room.He had no idea that moment would eventually lead to his first touring gig: Beautiful.Not because he was perfect that day, but it was because he was prepared before it.My full conversation with Jared Shaw drops soon on the Broadway Drumming 101 podcast.Clayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.comThis Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber. Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.When I recorded this in February of 2022, Rodney was in his drum room. Blue Pearl kit behind him. Meshell Ndegeocello shirt on — second album, Peace Beyond Passion. We both agreed it's her best record. If you've never heard it, fix that before you do anything else today.Now he's the percussionist on The Lost Boys at the Palace Theatre. Twelve Tony nominations. Best Musical on the table. If there was ever a time to bring this one back in full, it's now.He came up in a town in North Carolina with no stoplight. His dad couldn't buy him brushes, so he put mini broomsticks in his hands and showed him what a brush sweep sounds like on a picnic table. That's the foundation. He started on saxophone. Switched to drums at 17. Moved to New York not thinking about Broadway at all. Jeff Campbell put his name in front of Chris Parker. The rest followed.The conversation goes deep on what it actually costs to stack your deck in this business. Playing Diana in La Jolla, then jumping on a plane to Japan with Avril Lavigne, then folding Mrs. Doubtfire in because his wife asked one simple question: what's the worst that can happen?Clayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.I chatted with Rodney Howard in February of 2022. He was in his drum room — blue kit behind him, Meshell Ndegeocello shirt on — and what started as a podcast felt more like a conversation between two guys who just happened to both live in this world.I had a great time revisiting this one.The Lost Boys is now running at the Palace Theatre with 12 Tony nominations, including Best Musical. It's the most Tony-nominated musical of 2026. Rodney is the percussionist on that show. Before that, he held the drum chair at Mrs. Doubtfire, subbed some of the hardest chairs on Broadway, and spent years on the road with Avril Lavigne, Gavin DeGraw, and Regina Spektor.This episode is about how you build that kind of career. He started on saxophone. Switched to drums at 17. Moved to New York not thinking about Broadway at all. Then Jeff Campbell put his name in front of Chris Parker, and the rest is a masterclass in being ready when the call comes.Two things from this conversation I almost forgot about that were really important. First, he said, take notes literally and broadly, but not too literally. He learned that the hard way at Lion King, following a sub-conductor's shaky conducting because Tommy told him to follow the conductor. The notes you get points you somewhere, but it doesn't replace your judgment.Second, when you sub, use what the drummer uses for monitoring. Not your nice headphones. Not your in-ears. Whatever they use. The mix was built around that. He said he's personally tanked a sub gig because he didn't. Said it like a man who doesn't enjoy repeating the experience.The video drops this Friday. Go listen.Originally released February 2022 on the Broadway Drumming 101 Podcast.Clayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe