Podcasts about Hadestown

What happens when you're brand new to NYC, hanging out between shows, and you meet someone who might change your life? That's exactly what happened to drummer Patrick Phalen.In this candid clip, Patrick shares how a simple hangout with Shannon Ford and Joshua Samuels, who were both playing Beetlejuice, introduced him to Emma Ford, who later offered him the chance to sub on Shucked. Fast forward, and he's now on the First National Tour.The episode drops on Saturday, June 21st!Listen on Apple Podcasts or Spotify⭐️ Please subscribe, rate, and review—it helps more people discover the show and supports what we're building with Broadway Drumming 101.Hit that follow button, tell a friend, and join us as we explore the real stories behind Broadway's pit musicians.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he has contributed his talents to notable productions such as Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, and Hadestown (tour), among many others. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.In this classic episode of Broadway Drumming 101, I chat with the multi-talented percussionist Joshua Mark Samuels, whose Broadway journey spans from singing and dancing as a child in California to holding down chairs in some of the biggest shows on Broadway and Radio City.We initially chatted in October of 2021, but I wanted to share this episode again. It's funny, thought-provoking, and incredibly informative. Episode Highlights:* Early Musical Roots: Josh shares stories of growing up in L.A., starting drum lessons at the age of two and a half, and learning music theory from his legendary uncle, Dave Samuels.* Dual Passions: How Josh navigated his love for both performing on stage and playing in orchestras, eventually fusing both into a career in musical theater.* Cruise Ship Hustle: Becoming a music director at age 21 and realizing pit drumming was his true calling.* Move to NYC: Josh recounts his unexpected relocation to New York and how one subway ride introduced him to Broadway drummer Gary Seligson, kick-starting his networking journey.* Landing Marvelous Wonderettes & Godspell: Hear how obsessive preparation, transcriptions, and laser-focused practice helped Josh build a strong reputation as a sub.* Radio City Christmas Spectacular: What it's really like to play 200+ shows in two months with the Rockettes—and why this gig is one of the most demanding in the business.* Subbing Philosophy: Learn why being effective matters more than being right, how to take notes without ego, and why watching the conductor is non-negotiable.* Building a Career: Josh offers insight into the importance of relationships, people skills, and being someone others want to be around, on and off the bandstand.Key Takeaways:* “Subbing is a people game. It's not just about chops—it's about trust.”* “Obsessive preparation isn't about showing off—it's about honoring the gig.”* “You don't succeed on Broadway because you're the best player. You succeed because you're the best fit.”About Joshua Mark Samuels:Josh currently holds the drums/percussion chair at Maybe Happy Ending on Broadway. His resume includes work on notable productions such as Beetlejuice, Aladdin, Miss Saigon, Jersey Boys, Chaplin, Godspell, A Bronx Tale, and Sunset Boulevard, among others. He's performed all three percussion books (drums, timpani, mallets) at Radio City's Christmas Spectacular, and he's a respected clinician and educator with presentations at NYU, Carnegie Mellon, Rutgers, and Temple University.He proudly endorses Vic Firth, Sabian Cymbals, MalletKat, and TreeHouse Drums.Website: joshuamarksamuels.comSubscribe to Broadway Drumming 101 on your favorite podcast platform, and visit BroadwayDrumming101.com for more content, resources, and merch.Don't forget to rate, review, and share this episode with fellow musicians and theater fans!Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he has contributed his talents to notable productions such as Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, and Hadestown (tour), among many others. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

The post June 11, 2025: Nova High presents “Hadestown” appeared first on KRFY Radio.

Frank Zambrano didn't take the traditional path to a Broadway tour, but that's exactly what makes his journey so inspiring.In this episode, Frank shares:* Why his biggest advice is to get out of the musical theater bubble* The pivotal role the Broadway Percussion Seminar played in his development* A quote from Clint de Ganon that changed his mindset forever* How his second chance to play Kimberly Akimbo became a story of preparation, grit, and follow-through* What it took to turn theme park gigs and months of shadowing into a Broadway pit opportunityWhether you're an aspiring pit musician or just someone chasing a dream, Frank's story is packed with the kind of real-world advice that doesn't get taught in school.Listen now and hear how Frank made his second shot count.Subscribe to our YouTube channel – help us reach 1,000 subscribers by the end of June:

Q. Robinson on the 92nd episode of the Broadway Drumming 101 Inc. podcast: Tour LifeIn this episode of Broadway Drumming 101, Q. Robinson shares what it's really like on the road with a major musical. He talks about longer stays in each city, the physical and emotional toll of eight shows a week, and how the role of the drummer has shifted in modern theatre.Watch the full conversation in Episode 92.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Correction…This Week's Podcast GuestHey everyone – quick note!Sorry about the last email. I had Frank Pagano on my mind while posting about this week's episode featuring Frank Zambrano. Both are incredible drummers who've been guests on Broadway Drumming 101, and I'm honored to share their stories.The title is fixed now. Thanks for rolling with it—and don't forget to check out the latest episode!

Dylan and Connor are joined by Betty Who (Recording Artist, Hadestown). Now there's fire burning in the valley, y'all… THE Betty Who joins the twins for the 300th episode of DRAMA. Ahead of the “Out of the Darkness” tour, Betty is here to talk all things new: music, show, and era. But not just an era of artistry, it's a new era of life that they're feeling supercharged for. Leave those Pride flags out and get ready to SWEAT in this #pride-friendly summer tour! Betty dives into the highs and lows of being in Hadestown on Broadway for six months as Persephone. We cover favorite offstage moments, as well as memories from being in the building with Solea Pfeiffer, Jordan Fisher, Philip Boykin, and Lillias White. Betty also teases a little bit about the original musical she's writing before the boys ask about their favorite Betty Who tracks, bouncing from each album and getting the tea from the artist directly. “Just Thought You Should Know,” “Wanna Be”, and “High Society” are discussed at length, along with Audra McDonald's thrilling performance in Gypsy on Broadway. Stick around for some doses of drama and absolutely incredible conversation between the twins and Betty Who. Stream “Run!” and “Sweat” and get your ticket to the Out of the Darkness tour this summer. It's Betty Who season, y'all!Follow Betty on Instagram & TiktokFollow DRAMA. on Twitter & Instagram & TiktokFollow Connor MacDowell on Twitter & InstagramFollow Dylan MacDowell on Twitter & InstagramSubscribe to our show on iHeartRadio Broadway!Support the podcast by subscribing to DRAMA+, which also includes bonus episodes, Instagram Close Friends content, and more!

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.Originally recorded in October of 2021, this conversation with Sammy Merendino is a standout. Sammy is a Broadway veteran with decades of experience under his belt and a reputation for being one of the most reliable and musical drummers in the business.In this episode, we discuss:* Growing up in Akron, Ohio, and playing in several bands during his formative years.* What it was like auditioning for Chubby Checker and getting an 18-month tour.* The importance of playing live and playing with older and better players.* Going to a cattle call for a Billy Idol tour and his many second-place finishes.* How a $2.75 beer at the Prince Street Bar catapulted him to another level where he became the go-to guy for drum programming in New York City.* Meeting Larry Blackman and recoding ‘ Single Life' and eventually programming the drums for their breakout album “Word Up.”* Working on commercials in the morning, then off to do sessions with Hall and Oates in the afternoon, and Cameo later at night.* How he met Cyndi Lauper and got the drum chair at Kinky Boots.This is the kind of episode that every drummer trying to break into theater should hear. Sammy is full of practical wisdom, and his calm, grounded approach is something a lot of players can learn from.Sammy has recorded and/or performed with many top artists, including Cameo, Michael Jackson, Billy Joel, Cyndi Lauper, Foreigner, Lou Reed, Aretha Franklin, Ziggy Marley, Hall & Oates, The Beach Boys, Pat Metheny, Joan Osborne, Anita Baker, Sophie B. Hawkins, Carly Simon, Paul Rodgers, and many others. He has played on numerous Grammy-winning recordings and over 1,000 commercials and television themes, including Monday Night Football with Hank Williams Jr., Nightline, World News Tonight, and ABC Golf.Currently residing in Harlem, Sammy's turn-of-the-century brownstone is home to a state-of-the-art recording studio. Complete with Pro-tools HDX, Neve/API/BAE/ mic pre's and EQ's, vintage microphones, and compressors, his drums are always set up, and mic'd - ready to go!If you're serious about making a career in Broadway drumming, don't miss this one.Subscribe to Broadway Drumming 101 wherever you listen to podcasts, and visit broadwaydrumming101.com for more interviews, resources, and stories from the pit.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Joining Jack and Eden are Abigail Adriano & Noah Mullins. Abigail, Australia's rising star, made her stage debut in Matilda the Musical and recently toured as Kim in the award-winning Miss Saigon. She now stars as Eurydice in Hadestown.Noah debuted as Riff in West Side Story, went on to star in Jagged Little Pill and RENT, and now takes on the role of Orpheus.They also touch on Beetlejuice's opening night and Eden's evening at the Green Room Awards. THE LINKS⁠Our website⁠ ⁠Our Instagram⁠ ⁠Our TikTok⁠Abigail's InstagramNoah's InstagramGet your Hadestown tickets now!⁠

Episode 94 — Frank Pagano: From Glen Rock to the Broadway PitIn this must-hear episode of the Broadway Drumming 101 Podcast, I sit down with legendary drummer and percussionist Frank Pagano — a true veteran of both the concert stage and the Broadway scene.Frank's career reads like a who's who of the music industry. He's played with icons like Bruce Springsteen, Bette Midler, Al Green, and Phoebe Snow. On Broadway, his credits span from Leader of the Pack and The Who's Tommy to Smokey Joe's Cafe, Cry-Baby, The Pirate Queen, Good Vibrations, Fosse, Big River, Saturday Night Fever, and more. What you'll hear in this episode:* How a 4th-grade music demo sparked Frank's lifelong love of drums.* Growing up and gigging with the Vivino brothers (yes — that Jimmy Vivino).* What it was like studying percussion at Manhattan School of Music and later with Joe Morello and Justin DiCioccio.* His unusual path to Broadway — having a chair before ever subbing.* The real reason he pivoted to Broadway full-time: marriage, fatherhood, and health insurance.* Wisdom on subbing: play their show, not yours.* Lessons from playing percussion alongside killer drummers like Brian Brake.* Touring vs. pit life — the physical grind of the road versus the stability of Broadway.* How working with artists like Laura Nyro and Bruce Springsteen shaped his perspective on artistry and professionalism.* Advice for drummers who want to make it in New York: “Play with everyone. Play everything. Be early. Be likable. Be ready.”Frank's reflections on time, groove, and what it really means to be musical are some of the best insights I've heard on this show. This episode is for any drummer who wants to play on Broadway — and stay there.Watch more episodes on YouTubeListen on Apple Podcasts, Spotify, or wherever you get your podcastsLearn more about Frank Pagano: https://www.frankpagano.com/bioClayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

(Editor's Note: Welcome to our Reissue series! For the next several weeks, Basic Folk is digging back into the archives and reposting some of our favorite episodes alongside new introductions commenting on what it's like to listen back. Enjoy!)Listening back, I feel like this 2018 interview with Anaïs Mitchell holds up. Originally published on January 10, 2019, 'Hadestown' was about to debut on Broadway, the pandemic was still over a year away, and we were young and full of autumn. Our Basic Folk interview includes a really interesting discussion about feminism (with just one squeamish reference to fourth-wave being about “non-binary” from yours truly. Eeek!). Anaïs talks about her childhood on a sheep farm in Vermont. She unpacks her love for and loyalty in her collaborations and the mystical way she found her visual artist (Peter Nevins) for 'Hadestown.'We also talk about 'Hadestown' receiving some “viral” attention in 2016, thanks to a Tr*mp campaign promise to build a wall on the southern border. People latched onto her 2006-penned song, “Why We Build the Wall,” which is one of the pinnacle tracks from her Tony Award-winning Broadway musical. Anaïs opens up about how she met her husband, Noah Hahn, and her early musical beginnings in Boston at Club Passim.This episode was recorded just as 'Hadestown' was set to open at the Walter Kerr Theatre on Broadway in March 2019. This was also a year before her band, Bonny Light Horseman, would release their debut album. I'm proud of our conversation, which includes some chiming in from Anaïs' guitarist Austin Nevins, who was on tour with her at the time of the recording. We three are old friends and we were trying to record the interview and hang out at the same time. I'll leave it up to you to decide if we succeeded!Follow Basic Folk on social media: https://basicfolk.bio.link/  Sign up for Basic Folk's newsletter: https://bit.ly/basicfolknews  Help produce Basic Folk by contributing: https://basicfolk.com/donate/ Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpods Advertising Inquiries: https://redcircle.com/brands

Some drummers can play the show. They've got it memorized. But throw them on a gig where they don't know the song? Where there's no chart, no click, no safety net?They freeze.In tomorrow's episode, Frank Pagano breaks down some of the things you'll need to know to have a long-lasting career. A musician can memorize a show and play it just fine, but if someone suddenly calls out a song on a different gig and you haven't played with lots of different bands before, you might have no clue what to do. That kind of experience is what really builds your skills.Playing Broadway is about more than just knowing the notes. It's about being a musician. A collaborator. Someone who listens, adapts, and brings the music to life—even when it's unfamiliar.This episode is essential listening for anyone chasing the Broadway dream, or any gig that demands more than muscle memory.

What does it take to write a Tony-winning musical? Lynn Ahrens and Stephen Flaherty are the friends and songwriting team behind big Broadway musicals like Ragtime and Anastasia. They're also voting members for New York City's famous theatre industry prize, the Tony Awards. They join us as Tony Awards season takes off.Back stage... The make up artist. Meet the veteran head of WHAM (that's wardrobe, hair and make-up) Fiona Cooper-Sutherland as she transforms Christine Anu into Hermes, the silver god for the musical Hadestown. Hear Michael's interview with Anais Mitchell the creator of Hadestown.In the classic play The Maids by Jean Genet, two servant sisters act out a sinister game -- playing at murdering their mistress. Then the mistress herself enters the plot. Canberra theatre company The Street is staging this absurdist and chilling drama. We hear from actors Christina Falsone, Sophia Marzano, Natasha Vickery and director Caroline Stacey. The original sound design is by Kimmo Vennonen. 

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.We're bringing back a Broadway Drumming 101 Classic episode with Joe Choroszewski—a musician whose Broadway and live performance resume is as deep as it is diverse.Joe has been on drums for The Radio City Christmas Spectacular Starring The Rockettes for the past three seasons, performing hundreds of shows at one of the most iconic venues in the world. Before that, he spent an entire decade (2009–2019) anchoring the Off-Broadway hit Avenue Q at New World Stages, helping extend the legacy of the Tony Award-winning production long after its Broadway run.As a Broadway sub, Joe is in rare company—having performed on more than twenty Broadway productions, including The Lion King, Wicked, The Book of Mormon, Beetlejuice, Frozen, Beautiful – The Carole King Musical, Legally Blonde, Jagged Little Pill, Ain't Too Proud, Newsies, and more.Joe also stepped in to take over the drum chairs for Finding Neverland in 2016 and Promises, Promises in 2010, finishing the final runs of both Broadway productions. He was the drummer for the Off-Broadway run of Avenue Q and on tour, he performed in Joseph and the Amazing Technicolor Dreamcoat starring Patrick Cassidy. Joe was also on the first national tours of Avenue Q and Monty Python's Spamalot.In this episode, Joe shares insights from:* His time working with major artists like Heather Headley, Ariana DeBose, Cheyenne Jackson, Sutton Foster, and Chita Rivera* Backing cabaret icons like Natalie Douglas, Christina Bianco, and “Kenn Boisinger” (Michael West)* Playing for household names like Mario Cantone and Real Housewives star Luann de Lesseps* And his long-standing involvement in Broadway Cares/Equity Fights AIDS benefit eventsBeyond Broadway, Joe's played everywhere—from symphony halls (Princeton Symphony, Allentown Symphony) to cruise ship showbands (Carnival and Norwegian), weddings to worship bands, jazz trios to hard rock cover groups. He's also helped shape new musicals in development and has been a go-to regional drummer for ACT of Connecticut and Ridgefield Playhouse concerts.Education Spotlight:Joe holds a degree in Jazz Studies from the prestigious University of North Texas College of Music, where he studied for six semesters with drum legend Ed Soph. He continued his private study with another legend—Tommy Igoe—in New Jersey and is featured on Igoe's best-selling instructional DVD Great Hands For A Lifetime. Joe has been teaching privately for over 25 years and continues to share his knowledge as a guest clinician at schools and studios.Offstage, Joe lives in Somerset County, NJ, with his wife Giana, their three boys, and three dogs. He's an avid runner, a vintage drum collector, and a passionate Major League Baseball fan.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

On Sunday 20th April, Mickey-Jo was joined at his live Cabaret show 'MickeyJoTheatre: LIVE' at the Phoenix Arts Club by the wonderfully talented actress Allie Daniel.Allie, who is currently appearing in Hadestown (and had come straight from a matinee that afternoon!), will feature in the award-winning musical's upcoming filmed recording, having played one of the Fates, as well as understudying the role of Hermes, since the show returned to London in 2024.Check out what she had to say about her extraordinary, rewarding, and challenging time in the show so far, as well as previous experiences at the Edinburgh Fringe, doing Legally Blonde in an Open Air Theatre, art imitating life during the pandemic, and finding success in the industry as a trans woman.•get in person / live stream tickets to see MickeyJoTheatre LIVE at the Phoenix Arts Club:https://phoenixartsclub.com/events/mickeyjotheatre-live/About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 80,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.In this episode of Broadway Drumming 101, we chat with touring legend Paul Hannah, whose career spans over four decades and countless genres—from orchestras to biker bars and Broadway pits to jazz trios.Paul began playing professionally at just 16, growing up in Las Vegas during a time when the mob ran the city and every hotel had a full orchestra. He learned firsthand from giants like Jerry Gilgor, Tommy Check, Leo Camera, Roger Rampton, and Walfredo de los Reyes. Later, he studied with titans like Vic Firth, Alan Dawson, and Alexander Lepak, preparing him for a career that's taken him across the U.S., Canada, Japan, and China.

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.Paul Hannah is the latest guest on the 93rd episode of Broadway Drumming 101. In this episode (dropping May 10), Paul shares how he managed to live out nearly every dream he had in the music business, without ever relocating to New York City. From performing with top-tier jazz musicians to launching a successful Broadway-style career and securing a pension, his journey proves there's more than one path to success.Get his book: Show Drumming – An Expert's Guide to Theatre and TouringPaul's wisdom doesn't stop at the podcast. His new book,

The recipient of 14 Tony nominations and 8 wins at the 73rd Tony Awards, including best Musical and best Original Score, Hadestown returns to Chicago on its national tour. The story is based on the classic myths of Orpheus and Eurydice and Hades and Persephone, but the message from the classics resonates so strongly today. Although written as […]

Show Notes: Steven Chao, a US-born second-generation college student, shares his experiences growing up in South Carolina and feeling overwhelmed upon arriving at Harvard in 1988. He found solace in joining the Collegium Musicum, a classical musical singing group at Harvard, which helped him find his footing and connect with people from his class.  From Biochem to Game Design to Consulting Steven majored in biochemistry, which expanded his social circle and helped him find happiness. Steven's parents were both PhDs and pushed him into the MD PhD program. However, he faced challenges in medical school and research, leading to questions about his path and the decision to pursue a career in computer gaming. Steven talks about his experience working in the sound and asset acquisition field at Activision in LA. He initially had a great time there but ultimately decided that it wasn't the long-term solution for him. He returned to his PhD program and he pinned his hopes on becoming a doctor. During the last half of the MD program, Steven realized that he didn't want to be a researcher or go into medicine. He found an opportunity to explore other careers beyond medicine or research through a sub-intern at McKinsey.  The McKinsey Years Steven joined McKinsey full-time in 2001 and worked in the Boston office. The bulk of his work was in the payer and provider space, mainly health insurance and hospital systems. He spent about four and a half years at McKinsey, starting from scratch with no business background, which proved difficult. Steven's PhD focused on biology, not analytical skills, but rather gene genetic rearrangement and plasmids, and he felt lost at the beginning of McKinsey. At the same time, he also participated in the mini MBA program in Austria.  Despite meeting great friends at McKinsey, his work was hit or miss. Steven talks about a few of the McKinsey projects he worked on and how a pharma project with Jeff Elton piqued his interest in returning to biopharma. He later worked with Kim Packard, who was his first and best mentor at McKinsey. Steven was late to promotion and advancement, and in 2004, when his wife became pregnant, he gave up his job and started considering what he would do next. Boutique Consulting, Life Sciences, and Biotech Companies In 2004, Steven joined a small consulting group at an investment bank called Leering Swan, which focused on life sciences and biotech companies. This was a better fit for Steven, who had always wanted to leverage his love for science. He joined the firm and was assigned to a project in Parkinson's disease. The experience was mind-blowing, as he interviewed world experts in this space. He was hooked within a week and found the career to be a good fit for him. The combination of his love for science and medicine, without needing to do research or have a career in clinical practice, was perfect, as he loved learning about different aspects of medicine, and the variety and diversity of the day-to-day work.   Founding ClearView Steven left Leering Swan with two other people in 2008 to co-found ClearView. ClearView was born of the same concept as Leering Swan, but focused on life sciences, biotech, pharma, private equity clients, diagnostics companies, and strategic consulting. Steven's primary hat was recruiting, and he continued to love every second of doing so. ClearView Healthcare Partners is now a well-known, private consulting firm with several 100 employees. The company has a growing presence in London, India, San Francisco, New York, and Boston.  Family Life and a Love of Musicals On the personal side, Steven has a family of four children, three girls and a boy. They also have two in college and two still in high school. The oldest is a sophomore at Harvard. Music has always been a significant part of their family. They have a love for Broadway musical theater, and they have spent a lot of time attending performances. Their youngest son is doing a local production of Hadestown in Wellesley, and their oldest is performing at the Agassi theater in a production of 9-5, the film with Dolly Parton, which has themes of female empowerment.     Timestamps: 04:50: Transition to Medical School and Early Career Challenges  13:14: Joining McKinsey and Early Consulting Experience  23:20: Discovering a Passion for Biopharma Consulting 30:04: Founding ClearView Healthcare Partners  37:27: Personal Life and Family  Featured Non-profit: Hi. This is Steve Chao, class of 1992. The featured nonprofit of this episode of The 92 report is the Merriemack Repertory Theater. My wife and I love live theater. The MRT is a fantastic organization that puts on plays and musicals every year, serving a wide catchment area in and around Lowell, Massachusetts. I was actually introduced to the MRT via a fellow class of 92 Carrie Suzawa, married named Michael. And you can learn more about the work of the MRT through the website, mrt.org. And for now, here is Will Bachman with this week's episode.  To learn more about their work, visit: https:mrt.org.   

Back when we were all stuck inside and Broadway had gone quiet, I had the pleasure of sitting down with the great Warren Odze—a true Broadway and NYC studio veteran. Re-listening to this interview in 2025, I'm reminded just how rich and inspiring Warren's stories are. Things have changed for the better since we first recorded, but this conversation holds up stronger than ever.Warren has played in an incredible list of Broadway shows, including:

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.Broadway Drumming 101 – Episode: Quinton “Q.” Robinson (2025 Update)

Una puntata che porta con sé un carico di emozioni maggiore del solito e anche qualche consiglio atipico. Sergio propone Hadestown, un musical che sta ormai entrando di diritto nel gotha del genere (e non solo), mentre Silvia parla di Schitt's Creek, serie che l'ha conquistata ed emozionata fortemente.Vi ricordiamo sempre che per curiosità, pensieri e altro potete iscrivervi alla newsletter di Potrebbe Piacerti, al link qui sotto.---Per iscrivervi alla newsletter: https://potrebbepiacerti.substack.com/I link a tutti i suggerimenti link:https://oldmanaries.it/index.php/potrebbe-piacerti/https://silviacolaneri.it/potrebbe-piacerti/---Per contattarci:Pagina Facebook: https://www.facebook.com/potrebbepiacertiAccount Instagram: @potrebbepiacertiSergio: https://www.oldmanaries.it - Instagram: @OldManAriesSilvia: https://www.silviacolaneri.it - Instagram: @Silosa

This one originally dropped in September 2021 in two parts—but if you missed it back then, don't worry. I'm bringing it back as part of the Broadway Drumming 101 Classic Interview Series.Ray Marchica is one of those drummers whose name has been floating around the NYC scene for decades—and for good reason. He's done it all: gold records, TV house band gigs, iconic Broadway runs, off-Broadway, jazz big bands, the works. From James Brown's "Living in America" to The Rosie O'Donnell Show to Mamma Mia!—Ray's been laying it down with feel, power, and style.In this episode, Ray shares stories about:* Growing up in Brooklyn and learning drums from his uncle in the basement* Studying classical percussion at Brooklyn College with the legendary Morris Lang* Landing his first major gig on the A Chorus Line tour in the ‘70s* Navigating the world of jingle sessions, Radio Registry (yes, that was a thing for you young folk), and Broadway subs* Getting the gig with Dan Hartman and playing on hit records* What it was like playing for La Cage aux Folles, Starlight Express, Will Rogers Follies, and other major shows* His time in the pit for Miss Saigon, the long run with Mamma Mia!, and his approach to training subs* Real talk about the rise of drum machines, the shift in Broadway orchestra pits, and how he's stayed versatile through it allWhether you're a drummer, a fan of Broadway, or just someone who loves hearing stories from the road, the pit, and the studio, you'll dig this.Hit play. Subscribe if you haven't. And check out more at BroadwayDrumming101.com.If you loved this episode, check out some of the other powerful resources we've created for musicians looking to bridge the gap between the classroom and the Broadway pit:*

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Basic Folk is making trouble at sea with Ani DiFranco and Carsie Blanton! Hosts Lizzie and Cindy had the opportunity to speak with the two like-minded radical songwriters aboard the 2025 edition of Cayamo, a roots music cruise. Our conversation kicks off with Ani sharing her transformative experience performing as Persephone in the Broadway show 'Hadestown,' delving into the challenges of acting and the lessons learned from stepping outside her musical comfort zone. We navigate through Ani's journey of independence, discussing 'Unprecedented Sh!t,' her first album with a producer besides herself in 23 years – BJ Burton – and what it means to relinquish control in the creative process.In Ani's memoir, 'No Walls and the Recurring Dream,' she writes about how her creativity is aligned with her menstrual cycle. She described the most creative part of her cycle as "THE WINDOW." Cindy asked all three artists onstage to reflect on how their creativity relates to their periods. What resulted was a discussion on how creativity is impacted by not only menstrual cycles, but menopause and ovulation and how that has evolved over time. The conversation also touches on the significance of hair as a form of self-expression and how societal perceptions of women change with their appearances.Ani and Carsie speak to the power of songwriting in addressing historical and political issues, emphasizing the importance of music as part of a larger movement for justice. They share insights on the necessity of community and collaboration among artists in a challenging industry, encouraging listeners to find strength in solidarity rather than competition. To wrap up, they reminisce about their parallel wild, youthful experiences and how those versions of themselves continue to influence their art today. As Ani had to leave the stage early, Carsie brought it home with an Ani DiFranco-theme lightning round.Follow Basic Folk on social media: https://basicfolk.bio.link/Sign up for Basic Folk's newsletter: https://bit.ly/basicfolknewsHelp produce Basic Folk by contributing: https://basicfolk.com/donate/Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpodsAdvertising Inquiries: https://redcircle.com/brands

In this exclusive clip from the upcoming Broadway Drumming 101 podcast, percussionist Andrew Atkinson shares how a one-off gig on America's Got Talent led to an unforgettable opportunity on Hamilton. Hear how a backstage connection, a feature in Modern Drummer, and pure preparation paved the way for his Broadway debut — all without asking for a single gig.Andrew recalls the moment he heard "My Name Is Alexander Hamilton" live for the first time, the wild audience reaction, and how he learned the book in just two weeks. Most powerful of all? His mindset: "I don't get nervous. I get prepared."

The following was recorded LIVE at the Bellhouse in Brooklyn NY on December 6th 2024. It features the combined majesty and genius of Eric Gersen (keys) and Sarah Mullins (Drums). For legal reasons we've been told we can't call this one Hadestown, despite the fact that both Hades and a Town are involved. Also at one point the keyboard instrument patch is so funny to us that we basically stop the show to march around for a while. You will know it when you hear it. GODS, they're just like us maybe? Listen and find out! See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

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Back in 2021, I sat down with one of the most versatile and in-demand drummers on Broadway: Sean McDaniel.Since that interview, Sean's career has only expanded. He's played Some Like It Hot, Cabaret at the Kit Kat Club and now holds the drum chair for one of the most buzzed-about new musicals on Broadway: Smash.So I figured—why not bring this conversation back to the forefront?In this re-released episode, Sean gives us an inside look at the early development of The Book of Mormon, starting with a modest 20-minute workshop. It's wild to hear how the show started with hand-drawn cartoons projected behind a reading stage—and how Sean's ability to adapt, play by ear, and control dynamics became essential in shaping the drum parts that evolved over the years.Broadway Drumming 101 is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.He talks about the two lives of Broadway drumming: playing with “toothpicks” during readings and unleashing full stadium energy in the pit once the show is fully staged. That flexibility—combined with a deep understanding of styles and musical storytelling—is what sets him apart.Sean also shares how his high school show choir days prepared him for the dynamic, mic-less world of workshops and readings. He developed a skill many overlook: playing softly while still maintaining intensity.If you're a drummer looking to understand what it really takes to build a Broadway career from the ground up—this is an essential listen.The full episode drops this Saturday.

Lauren is BACK! After a months long hiatus she returns! It's been a minute, but Karen takes us on a new quest: Notice us Eva Noblezada! Today we chat (more greek mythology) the musical Hadestown! Do we make it out of this episode? Did you? Get in touch! @downstageleftpc downstageleftpc@gmail.com downstageleftpodcast.com

Anais Mitchell "Epic Pt 1" - Hadestown www.anaismitchell.comCosy Sheridan "Row" - Eros www.cosysheridan.com Sons Of The Never Wrong "Over There" - King Fisher King www.sonsoftheneverwrong.com Lara Hersovitch "from a dream" - highway philosophers www.laraherscovitch.comTret Fure "The Language Of Love" - Lavender Moonshine www.tretfure.comRebecca Folsom "Only Kindness" - Sanctuary www.rebeccafolsom.com ******************HuDost "Take It Back" - The Monkey In The Crown www.hudost.com Switchback "Rain Parade" - Birds Of Prey www.waygoodmusic.comDomenic Cicala "Dance For Th Devil" - As Good As I Gets www.domeniccicala.comEver More Nest "My Story" - Out Here Now www.evermorenest.comHayley MacKay "Adrenaline" - www.hayleymackay.co.uk Adama Janlo "Fool" - Michele d'Amour & The Love Dealers "Nurse With A Purse" - Hot Mess www.micheledamourandthelovedealers.com Laurie Morvan "My Moderation" - Gravity www.lauriemorvan.comAltered Five Blues Band "Guilty Of A Good Time" - Holler If You Hear Me www.alteredfivebluesband.com Dead Root Revival "Witness The Death Of Rock And roll" - The Controllers Exam www.deadrootrevival.ca ********************ALBUM FOCUS:Lucy Kaplansky: The Lucy Story http://www.lucykaplansky.comThis a double-album of mostly unreleased tracks that form a retrospective history of the acclaimed songwriter's musical life. 20 of them have never been released before; the other 5 have never appear on her albums.From the double-album I aired: "On An Asteroid With You" "Raleigh And Spencer" "Beautiful Boy" "Hot Burrito #1"

Welcome to Just Mything Around, a podcast recorded by high school students as part of their dual enrollment Mythology course. In this episode, Emma and Jami talk about the myth of Orpheus and draw connections to the musical, Hadestown. They make connections between the power of music and drama to what it means to be human and how having such an outlet can help us deal with the problems of life. Email the show! justmythingaround@gmail.com

In this episode of Broadway Drumming 101, we sit down with Andrew Beall, an accomplished percussionist, composer, and Broadway musician whose career spans international performances, musical theater orchestration, and a deep love for percussion. From his early days in Ohio to working on some of Broadway's biggest productions, Andrew shares insights into his journey, his influences, and his passion for composition.We dive into the art of orchestration, the challenges of subbing on Broadway, and how he balances multiple musical roles—including running Bachovich Music Publications and managing orchestras. Andrew also talks about adapting to technological advancements in music, the impact of Finale's discontinuation, and how biking in NYC keeps him in rhythm with the city's fast pace.Whether you're an aspiring Broadway musician or just love behind-the-scenes stories from the theater world, this episode is packed with wisdom, humor, and practical advice.Episode Highlights:

Reviews for Denzel and Gyllenhaal’s ‘Othello,’ ‘Mincemeat’ Extends on Broadway, Matt Reviews ‘Hadestown’ Tour Since 2016, “Today on Broadway” has been the first and only daily podcast recapping the top theatre headlines every Monday through Friday. Any and all feedback is appreciated:Grace Aki: grace@broadwayradio.com | @ItsGraceAkiMatt Tamanini: matt@broadwayradio.com | @BWWMatt Patreon: BroadwayRadiohttps://www.patreon.com/broadwayradio For a read more The post Today on Broadway: Tuesday, March 25, 2025 appeared first on BroadwayRadio.

Throwback to one of the wildest and most unforgettable nights of my Broadway career—the opening night of Ain't Too Proud - The Life And Times Of The Temptations on March 21st, 2019, and performing on The Tonight Show Starring Jimmy Fallon. Playing live on national TV was already a huge deal, but throw in a mad dash through Times Square with a police escort to make it back to the Imperial Theatre for opening night? That took it to another level.After performing on The Tonight Show with Jimmy Fallon at 5 PM, we still had to race across town to the Imperial Theatre for our Ain't Too Proud opening night. Traffic leaving Rockefeller Center was brutal, and for a moment, it looked like we might not make it. But somehow, we pulled up just in time.I had a click track in my ears during this Tonight Show performance—same with the music director. The band and lead vocals were 100% live, but the background vocals were pre-recorded and locked to the click.Here's a little secret that not many folks—maybe not even most of my Ain't Too Proud cast and bandmates—know: between “Get Ready” and “Ain't Too Proud to Beg,” I had four clicks to cue me into the next tune. I was supposed to kick things off with that classic Benny Benjamin intro fill… but with the adrenaline rushing, nerves firing, and Questlove and The Roots watching from the wings, I skipped the fill and went straight into the groove.Thankfully—it worked. But man, knowing millions of people were watching, then thinking about how we had to jet across town and race to opening night right after this? My head was spinning.Looking back, I'm grateful for moments like that—creating something meaningful, making people smile, and sharing the stage with some of the best in the business. Ain't Too Proud should still be running, no doubt—but that's a convo for another day. For now, I'm just appreciating the journey. And with what I'm working on over the next few weeks, maybe there's one more Broadway run in my future.But if not? I'm good. I've had my shot—and I truly hope you get yours. There's nothing like the feeling of playing a show. It's one of the most rewarding experiences a musician can have.Have you ever had one of those moments where you knew the show or song like the back of your hand—but then one little thing throws you off? Let me know. I know I'm not the only one. Leave a comment here: Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.comThis Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber. Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Broadway Drumming 101 – Classic Interview: Gary SeligsonIn this classic episode of Broadway Drumming 101, I sit down with the incredible Gary Seligson. If you've been around the Broadway scene, you already know his name. Gary's played on some massive shows, including Aida, Tarzan, Wicked, and Billy Elliot. His resume is stacked, but what really makes this interview special is the insight he shares about navigating the business, working in the pit, and adapting to the ever-changing world of theater drumming.We get into everything—how he got started, what it takes to lock in with a Broadway orchestra night after night, and how he keeps his playing fresh even after doing the same show hundreds (or thousands) of times. He also shares his approach to learning a book, staying prepared, and making a lasting career in this business.Gary's been in the game for a long time, and he's got a ton of wisdom to share. Whether you're an aspiring Broadway drummer or just someone who loves hearing behind-the-scenes stories from the pit, this episode is packed with gems.Episode Highlights:* Gary's Beginnings in Drumming: From banging on pots and pans as a child to his first toy snare drum, Gary's love for drumming was evident from an early age. His father nurtured this passion, leading him to study with Glenn Weber, who became a pivotal figure in his musical education.* High School and Early Gigs: Gary discusses his experiences in regional and all-state jazz bands, his first gig at age 13 with a Chicago/Blood, Sweat & Tears-style horn band, and how playing Bar Mitzvahs and country music gigs gave him a solid foundation for professional musicianship.* Music Education at Hartt School of Music: He shares why he chose the Hartt School over Berklee and North Texas, his influential mentor Al Lepak, and how studying in Hartford put him on a path toward a professional career in music.* Breaking into the New York Music Scene: After studying with legendary studio drummer Gary Chester, Gary received his first opportunity to sub on Broadway's The King and I in 1984. His first night in the pit was a nerve-wracking but pivotal moment that shaped his future on Broadway.* National Tours and Nine Years on the Road: Gary recounts his time playing Cats, Les Misérables, and Miss Saigon on tour, how driving between cities gave him a new appreciation for different parts of the U.S., and how this extensive road experience prepared him for his return to Broadway.* Landing Long-Running Broadway Shows: His journey from subbing on Chicago and The Lion King to originating the drum books for Aida, Wicked, and Tarzan. He shares fascinating behind-the-scenes stories, including how Phil Collins personally insisted that Gary be the drummer for Tarzan after hearing him play Wicked live.* Working with Legends: Gary reflects on playing drums alongside Elton John and Phil Collins, what made their playing styles so unique, and how their guidance influenced his own musicianship.* Adapting to Different Roles: From drumming to percussion work on Motown: The Musical, Gary shares how playing alongside master percussionists like Roger Squitero and Javier Diaz elevated his approach to groove and feel.* Navigating Broadway's Ups and Downs: Gary talks about the transitions between gigs, the importance of subbing, and how he balanced a career that included School of Rock and subbing next to me at Ain't Too Proud.This in-depth discussion offers incredible insights into a Broadway musician's life, the industry's realities, and the dedication required to thrive in musical theater drumming. Whether you're an aspiring drummer or a theater enthusiast, this episode is a must-listen.Give it a listen, and let me know what you think!

Christine Anu is a beloved Australian singer, actress, and cultural icon, known for her powerful voice and advocacy for Indigenous culture. Her hit song My Island Home has become an anthem of belonging, identity, and connection This is Christine Anu like you've never heard her before as she opens up to Jess about grief, motherhood, mental health, and addiction. She reflects on losing her beloved mother, how parenting is a two-way street of learning, the many ways postnatal depression can manifest, and how mental illness can creep up unexpectedly. Christine also shares her personal journey toward healing as she celebrates her first year of sobriety. This conversation will hit you right in the heart, and stay with you. Content Warning: This episode is created for adult audiences only, and touches on addiction, if this brings up any issues for you National Alcohol and other drug hotline provides confidential support for people struggling with addiction. You can call 24 hours a day, 7 days a week on 1800 250 015. Know someone who'd enjoy this episode? Why not share it with them by tapping the 3 dots above ⬆︎ and passing it on LINKS: Catch Chrstine's incedible performance in HADESTOWN here If you loved this chat with Christine we think you'll love Jess's conversation with Leah Purcell here If you love what we do, why not follow the show, and rate and review on Apple or Spotify CREDITS:Host: Jessica RoweGuest: Christine Anu Executive Producer: Nic McClureAudio Producer: Nat Marshall Digital Content Producer: Zoe Panaretos The Jess Rowe Big Talk Show acknowledges the Gadigal people, Traditional Custodians of the land on which we recorded this podcast, and pay our respects to their Elders past, present and extend that respect to all Aboriginal and Torres Strait Islanders peoples here today.See omnystudio.com/listener for privacy information.

Social media may be a dumpster fire these days, but every once in a while it takes us by surprise. In this case, it's a new take on Homer's Odyssey as a concept album titled Epic with music and lyrics by Jorge “Jay” Rivera-Herrans. Bopping along to all the highs and lows of this musical experience is the lovely Wren Fleming, a writer and long time friend of the podcast. Maybe we're all musical theater kids at heart, because this is one of our favorite examples of reception since, well, Hadestown. Now if we can just get it on stage, glasses-wearing Polites and all!To learn more about Wren and her work with Hillfire Press check out the website and their Instagram page under the handle @hillfire_press. Hosted on Acast. See acast.com/privacy for more information.

We fully meet Ladd Russo as he punches one guy a lot. We talk about: Avowed, Battle Angel, Hundreds of Beavers, Hadestown, Monster Hunters, Star Trek Generations, Gamera, Molly: Rivals, New PC, Baseball Stadiums, Isaac & Miria Are Perfect, Combo Trapped, Hats, Animal House Gag, Weird Old Men, The Youth, Rail Tracer Real????, Secret Basement, Bad Lessons, Hats On Hats,

Thanks for reading Broadway Drumming 101! This post is public so feel free to share it.In this episode of Broadway Drumming 101, host Clayton Craddock sits down with the incredibly talented drummer Jaylen Petinaud to discuss his journey from an eager young musician introducing himself at LaGuardia High School to playing with Herbie Hancock and holding the drum chair for Hell's Kitchen on Broadway.Jaylen shares stories about his early aspirations of playing in the NBA, how his love for music eventually won out, and his experiences at SUNY Purchase, where he studied both jazz and economics. He takes us through his path from jam sessions at Smalls and New Blue to working with artists like Kenny Seymour (For Colored Girls, The Harder They Come) and his pivotal mentorship with Zane Mark that introduced him to the world of theater.Jaylen talks about the moment he received a life-changing call from Herbie Hancock, his approach to preparing for the gig, and the whirlwind experience of balancing Broadway, jazz, and international touring. He also discusses what it was like auditioning for Alicia Keys' Hell's Kitchen, getting the approval of Adam Blackstone and Alicia Keys herself, and his first experience playing on electronic drums for the show.From studying Tony Williams and Jeff "Tain" Watts to working with Terrence Blanchard, Jaylen offers insights into developing his unique voice on the drums, handling the pressures of high-level gigs, and the importance of always being ready for the unexpected.This is an inspiring conversation for anyone looking to break into Broadway drumming, navigate the jazz scene, or just hear an incredible success story of a young drummer making waves in the music industry.

‘Sunset Blvd.’ to Close in July, Equity and League Reach Developmental Agreement, Carlos Valdes Signing ‘Hadestown’ Since 2016, “Today on Broadway” has been the first and only daily podcast recapping the top theatre headlines every Monday through Friday. Any and all feedback is appreciated:Grace Aki: grace@broadwayradio.com | @ItsGraceAkiMatt Tamanini: matt@broadwayradio.com | @BWWMatt Patreon: BroadwayRadiohttps://www.patreon.com/broadwayradio read more The post Today on Broadway: Friday, Feb. 28, 2025 appeared first on BroadwayRadio.

‘Hell’s Kitchen’ Stars to Depart Next Month, Patrick Page Out of London ‘Hadestown,’ ‘SNL50’ Features Musical Sketch Since 2016, “Today on Broadway” has been the first and only daily podcast recapping the top theatre headlines every Monday through Friday. Any and all feedback is appreciated:Grace Aki: grace@broadwayradio.com | @ItsGraceAkiMatt Tamanini: matt@broadwayradio.com | @BWWMatt Patreon: read more The post Today on Broadway: Tuesday, Feb. 18, 2025 appeared first on BroadwayRadio.

AITA: For refusing to pay for my nephew's college? Dirt Alert: Mandy Moore disses Amazon, MOVIE REVIEW: "Anora," and theater talk: "Hadestown," and "A Midsummer Night's Dream" Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

AITA: For refusing to pay for my nephew's college? Dirt Alert: Mandy Moore disses Amazon, MOVIE REVIEW: "Anora," and theater talk: "Hadestown," and "A Midsummer Night's Dream" Learn more about your ad choices. Visit podcastchoices.com/adchoices

Bryan Munar is a musical theatre actor who currently plays the role of Orpheus in the National Tour of Hadestown. We recorded this episode at The Pablo Center before their performance on Thursday, January 23rd. Bryan was on the "regular" path for success in America. He graduated from college, moved to San Fransisco, and got a desk job making the most money he ever made in his life. The only problem was that it didn't make him happy. After a couple of years working at his desk he told me his "soul felt rotten" and that he knew something had to change. He began taking acting classes and got involved with his local theatre. As his skill progressed so did the opportunities that came his way. Then one fateful day he got laid off from his job and the choice of where to take his life became clear. He got a job as a server at a sushi restaurant and worked his butt off pursuing his dream to become a full time actor. It took years of auditioning and being turned down before he was offered his current role of Orpheus on the National Tour of Hadestown, but he finally made his dreams come true. In this episode we discuss the challenges of tour life, developing relationships with cast members, being real on social media, peanut M&Ms, personal and professional development, being an independent music artist, making music videos with friends, and much more.

Yola is a singer/songwriter and actress. She released her solo debut album in 2019, which was nominated for 4 Grammys, including Best New Artist and Best Americana Album, and Rolling Stone named it one of the best country albums of the year. But the thing is, Yola's music career wasn't new, and her background wasn't in country music. She's from Bristol in the UK, and starting back in the early 2000s, she was a vocalist recording tracks for DJs and electronic music producers. In January 2025, Yola put out an EP called My Way. And as you'll hear her explain in this episode, a lot of her new music is motivated by wanting to assert her identity beyond the Americana and country music boundaries. In addition to her music, she's also acting – she played Sister Rosetta Tharpe in the 2022 film Elvis, and she starred on Broadway in the musical Hadestown. For this episode, I talked to Yola about her song “Symphony,” along with co-writer and co-producer Sean Douglas. Yola and Sean trace the journey of the song “Symphony,” and, along with it, Yola traces her own journey, too.For more info, visit songexploder.net/yola.