Podcasts about Kabuki

In this week's episode of The Free Thought Project Podcast, Jason, Matt, and Don sit down with John Kiriakou—former CIA officer turned whistleblower, best-selling author, and one of the few people ever prosecuted for exposing the U.S. government's illegal torture program. After blowing the whistle on CIA waterboarding, John became a powerful voice for truth, transparency, and accountability in an age of state secrecy and suppression. We dive straight into the current state of the American police state, discussing the Trump administration's troubling remarks about suspending habeas corpus, and what that could mean for dissenters and immigrants alike. We explore the alarming normalization of censorship, as the U.S. government continues to universities and punish those who dare to speak out against its narratives. The conversation then turns to U.S.-Israel relations, as we analyze the theatrical "shift" in Trump's tone toward Netanyahu and Israel's influence on American foreign policy. Is it genuine? Or just more Kabuki theater masking business as usual? John gives us some powerful insight on why this may actually be genuine.  We also examine America's role in cultivating the opium trade in Afghanistan, and the decades-long hypocrisy of the so-called war on drugs. John offers rare firsthand insight from inside the system—what was said versus what was done—and how that disconnect continues to drive global suffering. As always, we end on a white pill note, asking John what gives him hope and whether the truth is still worth the cost in a world that punishes it. His answer is as heartfelt as it is encouraging. This is a wide-ranging, no-holds-barred conversation with one of the bravest voices in modern American history. (Length: 1:02:59) Our Little Free Thinkers Children's Book: https://littlefreethinkers.com/  Support The Free Thought Project: https://tftpsubdomain.wpengine.com/tftp-membership/ Find John on Twitter: https://x.com/JohnKiriakou Find John on Substack: https://johnkiriakou.substack.com/ John's Website: https://johnkiriakou.com/ Unifyd.TV: https://unifyd.tv/pages/johnkiriakou-new

Want to get in touch? Send Claire a message!In episode 116 of The Eat for Endurance Podcast, ultra runner Kabuki Snyder shares her powerful story, from struggling with disordered eating as a young ballerina to training for one of the toughest races out there: the Cocodona 250.We dive into how she approaches ultra running nutrition, training, and balancing life and work with her endurance goals. Kabuki and I discuss:Growing up in Ghana and how early memories shaped her relationship with foodTransitioning from ballet and body image struggles to finding joy in ultra runningFueling strategies for single day trail races, stage races like Lapland and Atacama, and other long races like the Cocodona 250 What real-life training and fueling looks like with a 4am wakeup call and a global work scheduleHow she has prepared for 250 miles with spreadsheets, snacks, and strong community supportKey Takeaways:You don't need to “look like a runner” to be oneUltra running nutrition must be flexible, practiced, and personalized“Real food” can be part of your race planFueling enough everyday and surrounding exercise is non-negotiableYou can balance ultra running goals with a full-time job (yes, really!)

#garyhart #wccw #jasonwilliams #gmbmpwWelcome to Episode 86 of Give Me Back My Pro Wrestling (@gmbmpw) with hosts Jimmy Street (@jamesrockstreet), our action figure expert, "The Plastic Sheik" Jared Street, and the Territory Wrestling Guru, Quinton Quarisma! Tune in as they join forces and tackle the world of Professional Wrestling!Today is a very special show! Join us in welcoming, Gary Hart's son, Jason Williams! We're covering all things Playboy Gary Hart! From his start in Chicago, to the Funks, the Von Erich's, World Class, Bruiser Brody, The Spoiler, Tony Falk, Chris Adams, Kabuki, Muta, WCW and so much more! If you know Jimmy, you know that this one was a very big deal and every bit of it was a blast! Enjoy!Visit our Give Me Back My Pro Wrestling podcast page! https://podcasters.spotify.com/pod/show/gmbmpwFOLLOW & SUBSCRIBE:https://facebook.com/gmbmpwhttps://facebook.com/groups/gmbmpw/https://instagram.com/gmbmpwhttps://twitter.com/gmbmpwhttps://www.youtube.com/@GMBMPWCheck out Sheik's Shorts: https://youtube.com/playlist?list=PL0oL-yrnIHtlaVHamAApDquYBXeGaHS8vCheck out host Jimmy's podcast Live and In Color with Wolfie D: https://podcasters.spotify.com/pod/show/wolfiedVISIT OUR AWESOME SPONSORS!-STEVE BOWTIE BRYANT'S 1993 "Unbeatables" trading card sets (LIMITED QUANTITIES!): Contact stevebowtiebryant@icloud.com-CHW, Championship Honor Wrestling, 1935 TN-12 Ashland City,TN https://www.facebook.com/profile.php/?id=61564165382800ADVERTISE WITH US! For business and advertising inquiries contact us at gmbmpw@gmail.comVery Special Thanks To: -Sludge (@sludge_cast) for the "Give Me Back My Pro Wrestling" entrance theme!-Tracy Byrd and A Gathering Of None for the "Sheik Fell Down A Rabbit Hole" & "Name Game" theme songs! © 2025, jamesrockstreet Productions

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Host Miko Lee celebrates AAPINH Month by interviewing Filmmakers: Sara Kambe Holland, Alleluiah Panis, and Kyle Casey Chu, also known as Panda Dulce. We also cover a bunch of AAPINH month events happening throughout the Bay Area.   Calendar of Events Community Calendar May 3 2-6pm Daly City AAPI Fest celebrating local Asian American & Pacific Islander culture in Daly City and the Greater San Francisco Bay Area     May 10 10am-12pm PT Our Heritage 5K 2025  a FREE, family-friendly 5K fun walk/run honoring the rich history and contributions of Asian American and Pacific Islander communities in San Francisco. This scenic route winds through the heart of the city, passing by over 16+ historic AAPI landmarks—featuring goodies, resources, and fun facts about its cultural significance. Expect cheer stations, photo ops, sweet treats, and entertainment along the route to keep the energy high! May 10th is also AAPI Mental Health Day! The Our Wellness Festival, will celebrate mental health, community, and joy. The festival will feature family-friendly activities, carnival-style games, music, dancing, wellness resources, and more! May 23 at 5:30 pm – 8:30 pm Asian American and Pacific Islander LGBTQ2S+ Mixer NJAHS Peace Gallery 1684 Post Street, San Francisco Children's Fairyland in Oakland, and Stanford's Asian American studies department host a series of events throughout the month that we will post in the show notes for you to check out.  Bay Area Public Libraries AAPI Month Oakland public libraries feature reading lists for all ages, a grab and grow seedling kit and events like watermelon kimchi making!San Francisco Public Libraries There will be events for all ages at Library locations throughout the City, including free author talks, book clubs, film screenings, crafts, food programs and musical and dance performances. San Jose Public libraries host a series of events with a highlights being Tapa Cloth making on May 6 and Vegan Filipino Cooking with Astig Vegan on May 7 Berkeley public libraries   CAAMFest 2025 United States of Asian America Through June 1    Transcript: Filmmakers Exploring Boundaries   Opening: [00:00:00] Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.   Ayame Keane-Lee: [00:00:57] Welcome to Apex Express and happy Asian American and Pacific Islander Heritage Month. Even though the Trump administration has eliminated recognizing cultural heritage months, we are still celebrating diversity and inclusion. Here at Apex Express and KPFA, we believe in lifting up people's voices. And tonight on Apex Express, we are focusing on Asian American filmmakers exploring boundaries. Host Mika Lee talks with filmmakers, creators, writers Sarah Kambe Holland, Alleluiah Panis, and Kyle Casey Chu, also known as Panda Dulce. Join us on Apex Express.    Miko Lee: [00:01:51] Welcome, Sarah Kambe Holland, the amazing young filmmaker, writer, director, here to talk about your very first film, egghead and Twinkie. Welcome to Apex Express.    Sarah Kambe Holland: [00:02:04] Thanks so much for having me.   Miko Lee: [00:02:06] So first I'm gonna start with a personal question, which is an adaptation from the amazing poet Chinaka Hodges. And my first question is, who are your people and what legacy do you carry with you?    Sarah Kambe Holland: [00:02:19] Oh wow. What a great question. , I think that I represent my family and my heritage. I'm mixed, so I'm half Japanese and half British. I grew up partially in Japan and partially in the States. I feel like those experiences, my family, they make up who I am and the stories that I wanna tell.   Miko Lee: [00:02:41] And what legacy do you carry with you?    Sarah Kambe Holland: [00:02:45] I think the legacy of my family, my grandparents on both sides have overcome so much, and, , they're a big inspiration to me. Funny enough, my grandparents play kind of a secret role in this film. My grandparents on my mom's side were incarcerated in the Japanese American camps. My grandmom, my British side overcame a lot of adversity as well in her life. , I think that's the legacy that I carry.    Miko Lee: [00:03:09] Thank you. Tell me a little more, what secret role do your grandparents play in the film?    Sarah Kambe Holland: [00:03:14] all my grandparents have always been very supportive of, my art and my filmmaking. But my grandparents on my mom's side, they passed away ahead of the making of this film. And I inherited my grandfather's car. And that car is the car in the movie that, Egghead Twinkie drive cross country. So I like to think that this is their way of supporting me. I think that they would get a kick out of the fact that their car is like a main character in the film,    Miko Lee: [00:03:41] literally carrying you on your journey. I had so much fun watching the film. Can you share with our audience a little bit about what the film is about and what inspired you to create this?    Sarah Kambe Holland: [00:03:52] So the film is called Egghead and Twinkie, and it's about this mixed Asian teenage lesbian named Twinkie who's coming out and her best friend Egghead, who unfortunately is in love with her and she does not feel the same. , and they end up going on this cross country road trip to meet Twinkie Online love interest IRL for the very first time. So it's kind of like a buddy comedy road trip movie. Coming of age queer story, , and it's one that's very personal to me, I think is a mixed Asian queer person. This was a story I was drawn to tell because it was a story that I didn't really see on screen when I was growing up.   Miko Lee: [00:04:30] Can you talk to me a little bit more about the use of the name Twinkie, which for many folks in the A API community is seen as a slur, and I know she talks about it a little in the film, but can you share more how you came up with that?    Sarah Kambe Holland: [00:04:44] Yes, it's a very nuanced thing and it's something I was kind of nervous to tackle, especially like in a comedy film. , but really with the creation of Twinkie's character, , I feel like she's going on this journey to embrace herself as a lesbian, as a gay woman, but then also I think that she's searching for herself as a mixed Asian person. I feel like within the Asian American community, if you're raised here in the US or if you're mixed or if you're adopted, I think that there can be this feeling of not feeling Asian enough. I think the word Twinkie was something that was kind of weaponized against her. Like, oh, you know, you're not Asian enough, you're a Twinkie. And her way of coping with that is to kind of reclaim that word and kind of own that. As her own name.    Miko Lee: [00:05:31] Thank you so much for sharing. I read online that this is the very first feature film to be crowdfunded on TikTok. Can you talk a little bit about, I know your background is in as a social media creator. Can you talk about that journey from social media creator to filmmaker?    Sarah Kambe Holland: [00:05:51] Yes. Yeah. TikTok and social media was such a big part of getting this film made. Uh, so for myself, yeah. I was a YouTuber before I was a filmmaker. I should be clear, I wasn't like PewDiePie or anything like that. I had like 40,000 followers. Um, but for me at that time when I was like 15, 16, that felt like the whole world. Um, and I think that YouTube was really my first introduction to. Storytelling, but also to making friends with people through the internet. And that ended up being a really big influence on this film because Twinkie is traveling cross country to meet a girl that she meets online. And I think that that is such a common story nowadays. Like people make friends online all the time. Um, and the ways that we find love and community has changed.Because of the internet. Um, so it felt very appropriate that we turned to TikTok turned to social media as a means to raise money for this film. Uh, we did a whole targeted crowdfunding campaign on TikTok and we raised over $20,000 from a lot of strangers that I will never meet, but I owe a lot of thanks to.   Miko Lee: [00:06:53] So now that the film has been going out to different festivals and being screened at different places, have any of those that participated in the crowdfund, have you met any of those kind of anonymous supporters?    Sarah Kambe Holland: [00:07:05] Yes. And that was crazy. it was awesome. We screened it over 40 festivals all around the world. Our international premiere was at the British Film Institute in London. And it was at that screening that someone raised their hand during the q and a and they were like, I just wanted you to know that I backed your movie, uh, and I found you on TikTok. And that just blew my mind that someone on the other side of the world, you know, had donated whatever, you know, 10, 20 bucks to making this thing a reality.   Miko Lee: [00:07:31] Oh, I love that when the anonymous becomes real like a person in front of you that you can actually meet. How fun. I'm wondering if your use of animation is, , been influenced by your social media background.    Sarah Kambe Holland: [00:07:45] Not really. Actually. I think the animation part of this film is just because I'm a total nerd. I really love animation, I love comics. And so that kind of bled into Twinkies character. You know, she loves comics, she wants to be an animator. And, uh, I think I've always been interested in the idea of combining 2D animation with live action footage. I feel like that's something that we see a lot in like children's movies or, um.Music videos, but it's not something that you really see in like, feature films all that often. So I was kind of excited to explore that, and it was a really fun collaboration with myself and our lead animator, Dylan Ello, who did most of the animations in the movie.   Miko Lee: [00:08:28] Oh, thank you for that. I, I, it was very delightful. Um, I'm wondering, because we're, our world right now is incredibly complicated and so conflicted. How do you feel filmmaking can make a difference?    Sarah Kambe Holland: [00:08:44] I feel like art is more important now than ever because I see even in just this film's journey how art literature and movies, it can change people's minds and they don't even realize that their minds are changing.I think especially with this film, 'cause it's so lighthearted and funny and silly, you'd be like, oh, it's just, you know, a good laugh and that's it. But, but not really. I've seen this film. Open doors and open conversations. And I think that that's really my hope is that maybe, you know, parents who have a queer kid and they're not sure what to do about it, maybe they'll watch this film and they'll be able to talk to their kid about things that maybe they're afraid to talk about. I think that art really has the power to, to change people's minds.    Miko Lee: [00:09:29] Have you experienced that with somebody that has actually seen your film, that you've had a conversation with them where they walked away, changed from seeing it?    Sarah Kambe Holland: [00:09:38] Well, on a very personal level, um, my parents, uh, are conservative and I think when I first came out to them, it was an adjustment for sure. Um, I. When I initially kind of pitched the idea of Egghead and Twinkie to them years, years ago, uh, as a short film, they were confused. They were like, why do you wanna make this film about being gay? Like, why do you have to make everything about being gay? And that's not really what it was. I just wanted to tell this story.  And it's been such an amazing journey to see my parents like fully embrace this movie. Like they are egghead and Twinkie biggest fans. They might love this movie more than me. Uh, so that has been really amazing to be able to kind of talk to them about queer issues in my identity through the making of this movie.   Miko Lee: [00:10:24] I love that. So let our audience know how they can see your film, egghead and Twinkie.    Sarah Kambe Holland: [00:10:31] So Egg and Twinkie is coming out on streaming platforms on April 29th. It'll be on Apple tv, Amazon Prime, uh, any video on demand streaming platform in North America.    Miko Lee: [00:10:43] Yay. And Sarah, what are you working on next?    Sarah Kambe Holland: [00:10:46] Oh boy, have a big question. Uh, I have a few screenplays in the works, one of which is a time traveling lesbian rom-com. So, uh, I'm waiting for when I get the big bucks so I can make my first period piece.    Miko Lee: [00:10:59] Love it. Sounds fun. , thank you so much for sharing with us. It was such a delight to see your film and I look forward to seeing more of your work.   Sarah Kambe Holland: [00:11:08] Thanks so much for having me, Miko. This was great.    Jalena Keane-Lee: [00:11:11] Listen to Kushimoto Bushi by Minyo crusaders, a Japanese cumbia band    MUSIC   Welcome back. This is the Powerleegirls on apex express, and that was Kushimoto Bushi by Minyo Crusaders    Miko Lee: [00:15:24] Welcome, Alleluia Panis, the Executive Director of Kularts to Apex Express.    Alleluia Panis: [00:15:30] Thank you. I'm so honored to be here.    Miko Lee: [00:15:34] I wanna talk with you about your film, but first I wanna start with a personal question, which is an adaptation from the amazing poet Chinaka Hodges. And that is, who are your people and what legacy do you carry with you?   Alleluia Panis: [00:15:49] Wow, that's deep who are my people? My people is my community. And so it is here in, in the diaspora, Filipino Americans, Asian Americans, and folks of color. And then of course the indigenous people in the Philippines. . What I carry with me and continues to inspire me on the daily is the knowing that we have been here for a long time. Our ancestors have survived eons of whether it's, good times and bad times. And so that keeps me going.   Miko Lee: [00:16:28] Thank you so much for sharing. you have been working in the field for a long time. You're really, , a trailblazer in terms of putting Filipino arts on the map and really lifting up the culture. Can you talk about your new film Memories of Mindanao, where that came from, what it's all about?   Alleluia Panis: [00:16:49] Is a leg of, , Tribo tour, which began in 2002. But actually inspired by my first trip to, , then the wild and being with in 1989 , and, , basically traveling and. Setting myself and my, my, my music and dance company at the time to just be with indigenous people. ,and how profoundly that particular experience really impacted me. For years I've been wanting to like, how can I bring this? Experience or share the experience with other diasporic folks. Fortunately I was able to connect with Carlo Abeo in the Philippines, who's been my tour manager, in 2001. And then in 2002 we embarked on the first, Tribo tour.   Miko Lee: [00:17:50] So this was an effort to really share this powerful kind of artistic travel journey with more folks. Is that right?    Alleluia Panis: [00:17:57] Yes. And it's actually beyond artistic. It's really about recognizing something deeper, right? Because our history of colonization is pretty intense. 500 years and or is it 400 years? Give or take, a century. And so there are a lot of things that had been co-opted. It has been erased, it has been gaslit. And fortunately, I feel like within the culture of the archipelago, there are, and even those. That are, of the, what is considered the colonized people or the Christianized people. there are practices that exist today that might have a different name, um, or but actually is indigenous and so, and only. Could I say that because I was able to really experience and be with folks and, uh, and it's years, you know, it's years of kind of like assessing and looking at you know, different, uh, practices. And so that is so I don't know. It's beyond gratifying. It's connecting. I mean, it seems so cliche. It's connecting with something so deep, you know, it's like connecting to, you know, to Mother Earth in, in that way our, our Mama Ocean. And recognizing yourself that, that you are bigger and have, and has agency, you know, in terms of just. What you are connected to, uh, what we are connected to. Um, and so it's, it's it, of course within the cultural practices, which is artistic practices that we see that connection.    Miko Lee: [00:19:40] You were looking at, the impact of colonization and how arts and culture has really spoke to that or fought back against that in the Philippines. Can you talk about bringing that over to our colonized United States and how you see that playing out?    Alleluia Panis: [00:19:58] Well, I think first of all as, um, as folks of color. And as former subjects of the United States, you know, 40 years of the US and still, still, um, you know, in some ways kind of soft power over the people of the Archipelago. It's, it's really, um, first and foremost knowing or getting that sense of connection and confidence and, um, self-identity. That leads, that would lead us to create, um, in the diaspora. And so what, what this pro with this project, this particular program does and, and I continue to prove it with so many folks, is that it's really. Kind of finding yourself, I mean, that, that seems so cliche and knowing your place in the world and how you are connected so deeply despite all the, you know, like all the brainwashing that you don't know anything. Everything is, uh, you know, everything that, that, that, um, that exists in terms of the cultural practices of the arch of the people of the archipelago are borrowed or, or, um. Basically borrowed or taken from another culture, um, really kind of diminishes that, that colonized thinking. And so I think the power of it is finding your stepping into your own power in this way. Um, and, and, um, you know, it is also not just the current, like in, in once lifetime do you get that abuse or trauma, but it's also all the. You know, the, the, the inheritance from our, you know, from our parents, from our grandparents, right? Great. Passed down the generation and, um, oftentimes construed as the real deal, unt true. And so, aside from the form. Aside from, um, the practices, because this trip is really a little, is is focused more on not learning or like, you know, we don't go to learn like dance music or. Weaving or, you know, design or anything like that. Yes, that happens. We do, we do have workshops, but you know, it's not like it's, it's more like opening the ice of each, you know, individual. I. To the, to the, the whole, the whole thing. What, what is the, the presence of nature is, are they water people? Well, how does the water impact the cultural practices and therefore the artistic practices, um, and understanding sort of like, oh, they, they do that kind of steps with the, you know, flat feet or whatever. Because the sound of the bamboo slats is just. Amazing, you know, uh, under their feet. And so it's not so much that I'm gonna learn, you know, x, y, Z dance or x, y, z music, music or gongs, or, but it's more like w. Through those practices, how do we see the people, how do they mirror our own existence? And what, what we can remember really is remembering, um, what my, what, what we have forgotten or what we know it's true, but we're not sure. So I dunno if I'm answering your question. It's a roundabout response.    Miko Lee:[00:23:26]  I feel like you're talking about how we step into our ancestral wisdom and power.    Alleluia Panis: [00:23:33] Correct.    Miko Lee: [00:23:33] And I'm wondering if you can expand on that,, to talk a little bit more about this time of oligarchy we are living in, which is really built in colonization. How do we both as artists use our superpowers to fight back against that and then encourage other people? How do we use our artist beings to encourage other people to fight back against the world that we're living in right now?  Alleluia Panis: [00:24:00] One of the most powerful impact on me , in experiencing, indigenous practices and culture is the practice of spirituality, the rituals, the ceremonies. There's one specific ceremony from Ana as a magana on ceremony, um, that really, It was just such a profound experience in opening up, my senses and my sense of connection to something larger than this. And, and the EPO and, um, there's several, um. Ritual practices with different names. It's basically similar, uh, practice, uh, is the connection to the five elements and the basic, um, um, and fundamental elements of life. You know, water, earth, wind, fire, and the darkness. The, there's a transcendence. Um. And that that discovery is a, or that connection, um, is something that's, it sounds really woo woo, right? I mean, um, but it really becomes kind of a, a, an experience, an embodiment experience, a belief in your own kind of intuition, your gut feeling. My, uh, my. Um, response, you know, to it, a physical response. And, um, that, that's become like a, a guide for, for everything that I do. And so, um, to me that that is the grounding that, um, has allowed me to continue the work that that. That I've been doing, continue living, period. And so it's really, I think the, a matter of really kind of like, knowing yourself, it just sounds all so cliche, you know? And, and, the power of, Really understanding that you have or I have a depth of connection, that I can draw from in terms of energy and spirit and love, that is beyond kind of the physical, but also the physical. And so for me, that sense of knowing. Is what is allowing me to continue doing what I do despite all the, you know, challenges and difficulties and, you know, the insanity of these times or any time. and having kind of that grounding, I mean, you, you, the, the, clarity, is everything. it allows me to. follow what seems to be the correct route to wherever I was going. it doesn't mean that it's, it's, I'm, I'm not working on it, you know, but I'm also not, not pushing in a way that, you know, I'm, I'm gonna make you believe in me and I'll, you know, like, sort of like, I will tell you what is the right thing and, and, and I will make you, um, agree with me. It, it's, it's not that. Um, I is, I dunno. Is that making any sense? Do you have any other,    Miko Lee: [00:27:24] you totally make sense to me. I'm wondering how people can find out how, how can people find out more about your film and about all of your work?    Alleluia Panis: [00:27:34] Oh, sure. people can find out about, my work and the film through, um, the website. It's, uh, KulArts SF dot org and, most of, if not all of my work, uh, and the work of others, are actually on there. There's a lot of information there. the, the film is gonna be shown at the Los Angeles Asian Pacific, film Festival May 3rd at, uh, a MC. Eight or 14 or is it in, Monterey Park and, folks can actually just find that information on our website as well.    Miko Lee: [00:28:13] And what would you like audience to walk away from your film with an understanding of?   Alleluia Panis: [00:28:21] I want the audience to feel the. Power of being there in TT T is the southernness most islands of, of the Philippines. And, not too many people actually go there. If you have seen the Sam Baja, um, you know, divers, uh, where they can dive for, I think they can stay from five to 15 minutes underwater without any, you know, oxygen or assistance. These are, these are the people who, who, uh, these islands belong to. and as usual, their, you know, their live livelihood is being challenged by everything that's happening in the world. And what the, the film itself, itself, is really trying to put, put the audience within the, you know, like the, I guess the, the shoe of the there and how, you know, their experiences. there's not a lot of explanation to it because we really want it to be a more visceral experience. for the audience,    Miko Lee: [00:29:22] is there anything else you'd like to share with us?    Alleluia Panis: [00:29:26] Let's keep on going. Let's, you know, we, we all, we all need to be in community to uplift each other and keep hope alive.    Miko Lee: [00:29:38] Thank you so much for joining us today and sharing a little bit more about your film and about your work and your connection to the ancestors and the need to move forward.   Alleluia Panis: [00:29:47] Appreciate you. Thank you, Miko.   Miko Lee: [00:29:51] Welcome Kyle Casey, Chu, also known as Panda Dulce to Apex Express.    Kyle Casey Chu: [00:29:57] Hi so much for having me.    Miko Lee: [00:29:59] We're so happy to have you back here, onto Apex Express Land and you have a bunch of new things happening, not just a new film, but also a new book. First off, I'm gonna just start with a personal question, which I ask everyone. Who are your people and what legacy do you carry with you?    Kyle Casey Chu: [00:30:16] Ooh, that's a juicy one. Um, my people, I would say my people are the weirdos and the art freaks of the world. Uh, queer and trans people, Asian Americans, queer and trans Asian Americans, people of color, people from the Bay Area. Um, people who have noticed the boxes that they're in and are pushing the walls and the boundaries of that. I feel like these are the people who really inspire me the most. In terms of the legacy I bring, I am a fourth generation Chinese American, uh, queer and trans femme person living in the San Francisco Bay area where I was born and raised.   Miko Lee: [00:30:56] Thanks so much for sharing. , first let's start with just finding out more about your film, which was based on a true story called After What Happened at the Library. This was a national story, I remember hearing about it, but for folks that don't know, can you describe the real incident that inspired the film?    Kyle Casey Chu: [00:31:14] So, I'm one of the founders of Drag Story Hour, which is exactly what it sounds like., drag queens reading stories to, , children and their families and libraries, bookstores and schools. In 2022, I took a gig in Pride Month at San Lorenzo Public Library, , where I was doing a drag story hour and the Proud Boys stormed in. They called me a tranny, a groomer and an it. They wore shirts saying, kill your local pedophile and I had to retreat to the back and lock myself in the back room. They scoured the premises looking for me. , the authorities showed up and didn't get any of their names or information, um, and just. Dispersed them. And after the incident, I came back to the reading room where the children and families were there, but shaken and I completed the reading.    Miko Lee: [00:32:05] Incredibly traumatic. What happened after that in real life?    Kyle Casey Chu: [00:32:10] It's funny that you, uh, because the short film is called After What Happened at the Library, uh, for a reason because I feel like it's natural as social creatures for humans to focus on the incident itself. We want to approach people with empathy and we want to, really put ourselves in their shoes, uh, to kind of be there as a support for them. What I wasn't prepared for was the gauntlet of media attention, how people would be coming out of the woodwork to ask me about the situation. They would send gushing praise, hate mail, death threats, love letters, care packages, and this wave of attention. Almost added to the overwhelm of the experience and the fact that I had suddenly become a figure and a lightning rod in a culture war when I just wanted to read a book in a library. 'cause that's what I was doing. Um, and not only this, but in the coverage of the event. Because the authorities were so slow to act on this and only started investigating it as a hate crime after it blew up on Instagram and they suddenly felt the heat of media attention. Um, I felt the, my only recourse was to go to the media and was to talk, and especially as a writer and a storyteller, I felt I needed to kind of sound the alarm because it was pride month.  This was the first, this was the inciting incident of a national, even international anti-D drag wave of right wing extremism. Um, it was a couple days later that the oath keepers were found planning some kind of resistance, like violent insurrection in before Ohio Pride. And so I would talk to these journalists and. I felt in the beginning I trusted them because, you know, I trusted that they wanted to get the word out, that they had the same intentions that I did in protecting my people. And what I found instead was that they kind of almost, they tried to elicit the most emotional response from me, which often involved asking me to relive the most excruciating aspects of that time and that experience. So I had to go back and revisit it over and over again. And when the stories actually came out, I'd found that my story was edited to suit another preconceived formula that they had already pitched a certain idea for how the story was would go. That painted me as this static monolithic victim. And they would just plug in one tearful soundbite and the rest of the story, they could just say whatever they wanted with.And there's a certain violence in that. There's a certain. Greater injustice to going through something like that, number one. But number two, telling your story and having that be distorted to suit other political aims or to, you know, buttress a call for public safety. And that specific dynamic of the direct aftermath of notoriety is what the short film gets at.   Miko Lee: [00:35:11] Oh so you're taking back your own story.    Kyle Casey Chu: [00:35:14] Absolutely. So after what happened at the library, the short film is a very much a radical reclamation of my own voice and my own story. Um, prying it back from the hands of the media and telling it on my own terms.    Miko Lee: [00:35:26] Thank you for that. And how has it been received   Kyle Casey Chu: [00:35:29] So far it's been received very well. The short film World premiered at Florida Film Festival in Orlando. Received a special jury prize for courageous voice in a time of great need, which is incredible. It's our first screening and we already got an award, which is so exciting. It just screened at SF Film on April 23rd as part of the shorts block. SF film is an Academy Award qualifying festival, and it is going to screen again at Can Fest, one of my favorite local festivals, the world's largest Asian and Asian American film showcase it's screening on Friday, May 9th at Kabuki and tickets are on sale.   Miko Lee: [00:36:11] Thank you for that. And can you tell us about your new book? This is very exciting. You have a coming of age story, the Queen Bees of Tybee County. Can you tell us about your book?   Kyle Casey Chu: [00:36:22] Absolutely. When it rains, it pours in creative worlds. I had a lot of irons on the fire and it just so happened that all of them were exhibiting or debuting or hitting shelves in the same week of April, which is last week. The Queen Bees of Tybee County is my debut novel. It's middle grade, so for ages eight through 12, though like a Pixar movie, it's for all ages really. Um, and it is a hopeful drag coming out story about a queer Chinese American seventh grade basketball star. Derek Chan, who is unceremoniously shipped off to his grandma Claudia's in rural Georgia, and she is volunteering for a local pageant. And so he. Explores his queer identity and his love for drag via Southern pageant culture.    Miko Lee: [00:37:09] Ooh, do we see a film of this in the future?    Kyle Casey Chu: [00:37:12] Actually, Queen Bees of Tybee County was optioned by Lambert Productions, which put on the Hardy Boys on Hulu. So it is on its way to becoming a TV show if every, if all the stars align, it'll be on TVs in the uk. Fingers and toes crossed for that.    Miko Lee: [00:37:27] Amazing. I'm looking forward to that. Can we pull ourselves out a little bit and talk about the times that we're living in right now and how artists use our super powers to fight back against the oligarchy that we're living in?    Kyle Casey Chu: [00:37:43] We all know, or perhaps should know that the beginnings of fascism involve suppressing intellectuals and artistic voices, increasing police presence and trying to maintain a stiff and consistent lid on the voices of the people. And so this type of suppression is happening right now. There are book bans across the country. , there are state and federal efforts legislatively to curtail the rights of trans kids and trans athletes, and Intellectuals, diplomats and scholars are all being expelled or suppressed, and I think something that I've learned is that, and it sounds really cheesy, but that quote is so real where it's like being brave isn't the absence of fear, but it's doing things in spite of it. I know it feels very scary to speak out right now, but now is the exact time to speak out because any. Ground that is seated cannot be taken back. And so holding of the line by way of protest, by way of publication, by way of dissenting is how we crack this. The armor of fascism.    Miko Lee: [00:38:55] And can you talk a little bit about the moment of joy or celebrating joy within the context of the strife that we're living in? I bring that up because , you've given me much joy as part of the rice rocketts and a lot of the work that you do. So I wonder if you could just talk about what does joy mean in the moment like this?    Kyle Casey Chu: [00:39:16] Yeah. I think. I have a background in social work and one of the first things that we learned is this is hard work. It is hard to always start on your back foot and to have to argue your own humanity and justify your existence as an artist or as a person. I found myself doing that when coverage of the library incident was happening and. One of the things that they tell you is the way that you do your best work and the way that you best serve your communities is by keeping your own self afloat. And what this means is maintaining a balance. When you have hard work, you also need to reward yourself. You also need to take care of yourself. And I don't think it's enough to just say self-care. You need to expose yourself, and you need to fully embrace the full spectrum of human emotion, which necessarily includes joy. And so. After completing such an intense project, like after what happened at the library, I knew that I needed to engage in something that was hopeful and that really struck the cord of why community is so vital and important, and why social support is integral to all of us thriving. And so the Queen Bees of Tubby County, I was told by a reviewer, and this is my favorite review, they said that it's like Chapel R'S Pink Pony Club. If it were a book. Um, and I'm going with that 'cause I love that. But this story is really just about hope. It's about friendship, it's about, it's about dancing towards the future we want. And I don't think it is enough for us to react. I don't think it's enough for us to strike down. Terrible and horrifying regimes. We also must have a vision for the future that includes ourselves thriving and enjoying ourselves. And I think a part of that practice for me is making art and scaffolding a vision for the future that is positive.    Miko Lee: [00:41:20] And what would you like people to walk away from after either reading your book or seeing your short film?   Kyle Casey Chu: [00:41:29] I think after seeing the short film. What this gets at is whenever there's a flashpoint of a culture war and it's localized on one person, whenever a culture war is personified in one singular person, like for example, ma Moon kil. There's only so much of his life that we get to see, and it's through the headlines and this viral moment of like a flash on the pan. And I want people to realize that the way that you interact with these people in that fleeting moment is going to stick with them long after this moment of notoriety passes. And. To be conscientious and aware of what impact you're bringing to that person because it may just be a moment or a blip in your feed, but the impact is enduring for the person who's living it. And I also want us to be critical of how we consume trauma and violence in the media, and to ask ourselves if. We really, truly need to get all the details if we really, truly need to be put, put that victim in the position of reliving their experience just so we can relive it for a moment. Whereas they will have to relive it for the rest of their lives. And I think survivor narratives and victim narratives are way more messy and complicated and sometimes funny than people give it credit for or realize. And to realize that when you are reading something. That is just one dimension in one shade. Uh, yeah. So that was a lot, sorry. But, um, the other thing is for the Queen Bees of Tybee County. And the reason why I wanted to end on that is because it's uplifting is as dark as the world can be. It can also be as dazzling and bright and hopeful, and that the future that we are fighting for is worth fighting for. And we need to remind ourselves of that. Especially in times like these, and I know it might seem counterintuitive for us to celebrate or to be around each other when it feels earth shatteringly bleak, but it is essential to our survival, and don't be afraid to embrace that.   Miko Lee: [00:44:00] Kyle, thank you so much. Kyle, Casey Chu, thank you so much for joining us on Apex Express. I encourage people to check the film out and the book out and we appreciate chatting with you.    Kyle Casey Chu: [00:44:11] Thanks so much.    Ayame Keane-Lee: [00:44:14] Kyle's film will be showcased at Cam Fest, the nation's largest showcase for new Asian American and Asian films, which runs from May 8th to 11th in San Francisco at a time when it feels particularly fraught to express stories from communities of color. Cam is doing what we've done for over 40 years, sharing films from Asian America to a wide array of audiences. It says, Cam's, director of programs, Dawn Young. Watching these stories in a theater full of friends and neighbors is an opportunity to laugh and cry, and ultimately to celebrate human experiences that transcend bounds. This year's festival will return to the A MC Kabuki in San Francisco's Japan town for opening night, and a total of four days of screenings in the historic neighborhood that is undergoing its own resurgence with new restaurants, cafes, and boutiques, highlighting both traditional and youth oriented culture. The Roxy Theater will also host three days of screenings. Cam Fest continues to strengthen ties with other local arts institutions with the Asian Art Museum hosting the Cam Fest gala. Following the opening night film on Thursday May 8th and SF M Om a opening the Phyllis Wa Theater for Mother's Day programming on Sunday, May 10th. Turning a lens on history, whether it's the end of the Vietnam War or the trailblazing women in the Bay Area, offers a chance to reconsider the stories through which we come to understand ourselves. Says Cam Fest program Manager Del Holton, ranging from intimate narratives of family and memory to experimental work that bends the conventions of storytelling. These films illuminate the many perspectives of Asian America.    CAAM Fest 2025 wraps up on Mother's Day with dedicated events that highlight strength and visionary artistry of Asian American women. You can also catch my sister Jalena Keane-Lee's film Standing Above the Clouds at 5:00 PM at the Kabuki. Honoring Mothering also includes celebrating the nurturing of community and pioneering of aesthetics. Cam's final day reflects on the contributions of Asian American women's work while looking to the future of storytelling. Another major multimedia arts, dance and music festival to check out is the annual United States of Asian America which runs through June 1st at venues around the Bay Area. This year's theme Critical Refuge asks us to reflect on our journey as immigrants, refugees, and generations of descendants and or mixed raced people in the diaspora as we seek necessary sanctuary within ourselves and in our communities in times of unrest and uncertainty. The festival will honor a API Arts and Culture, reflecting on where we have been, where we are now, and what our collective future holds, while acknowledging our roots as immigrants, refugees, and mixed race descendants. Also check out the 42nd annual Himalayan Fair in Berkeley's Live Oak Park happening May 17th and 18th. There will be Himalayan Food, handicrafts, music, and Dance. There are so many events happening in celebration of Asian American and Pacific Islander Heritage Month. Check out our show notes for links to all the wheelchair accessible events In addition to the films we featured tonight, camp Fest and United States of Asian America, there is also May 3rd, two to 6:00 PM daily city AAPI fest celebrating local Asian American and Pacific Islander culture in daily city in the greater San Francisco Bay area.    May 10th, 10:00 AM to 12:00 PM Our heritage, 5K 2025. A free family friendly, 5K fun walk slash run. Honoring the rich history and contributions of Asian American and Pacific Islander communities in San Francisco. This scenic route winds through the heart of the city. Passing by over 16 plus historic A API Landmarks featuring goodies, resources, and fun facts about its cultural significance. Expect cheer stations, photo ops, sweet treats, and entertainment along the route to keep the energy high. May 10th is also a API Mental Health Day. The Our Wellness Festival will celebrate mental health, community and joy. The festival will feature family friendly activities, carnival style games, music, dancing, wellness resources, and more. May 23rd at 5:30 PM to 8:30 PM Asian American and Pacific Islander, LGBT Q2 s plus Mixer, NJAHS, peace Gallery 1684 Post Street in San Francisco. Children's Fairyland in Oakland and Stanford's Asian American Studies apartment will also host a series of events throughout the month that we will post in the show notes for you to check out in Bay Area Public Library News. Oakland Public Libraries feature reading lists for all ages, a grab and grow seedling kit and events like Watermelon Kimchi making. San Francisco Public Libraries will have events for all ages at library locations throughout the city, including free author talks, book clubs, film screenings, crafts, food programs, and musical and dance performances. Highlights for adults include the launch of Corky Lee's Asian America at the main library on May 23rd. The new book features over 200 breathtaking photos celebrating the history and cultural impact of the Asian American Social Justice movement. We've covered Corky Lee's work in multiple previous Apex episodes.    Additionally, four members of the Asian American Journalist Association, AAJA, who cover the Asian American and Pacific Islander News beat will discuss how authentic local reporting happens, important stories they've reported recently, and how having reporters dedicated to the BEAT impacts the A API community on May 8th, moderated by the interim president of the AAJA-SF Bay Area chapter Harry Mock. The panel features Ko Lyn Chang from the San Francisco Chronicle, Han Lee from the San Francisco Standard, and Ravi Kapoor, CEO of Dia, TV on May 25th. The library partners with the Chinese Cultural Center of San Francisco to welcome Curtis Chin, author of everything I Learned, I learned in a Chinese restaurant for a book talk and library popup. For youth on May 25th, join June Jo Lee Food ethnographer and award-winning children's book author for a kimchi demo. Read aloud and krautchy making activity. Experience a read aloud of New Picture Storybooks for Children and participate in a drawing workshop on comics with illustrators mini fan and Sophie Dialo on May 23rd at Excelsior Branch Library. Katie Kwan, who has been featured on Apex dives into the world of comics and zines through the lens of an Asian American artist and educator, and teaches the community how to make their own comics and zines at multiple locations throughout May. San Jose Public Libraries host a series of events with highlights being top of cloth making on May 6th and vegan Filipino cooking with Aztec Vegan on May 7th. Once again, happy Asian American and Pacific Islander Heritage Month from us at Apex Express. Please do checkout CAAM Fest. May 8th through 11th in San Francisco. If you get the chance and you'll be able to see Kyle's film. As well as many other incredible AAPI, histories and stories. You can check out all of that community calendar info in our show notes, as well as information on all of the guests you heard from tonight.   Miko Lee: [00:51:55] Please check out our website, kpfa.org to find out more about our show tonight. We think all of you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world because your voices are important. APEX Express is created by Miko Lee, Jalena Keane-Lee, Preeti Mangala Shekar, Anuj Vaidya, Swati Rayasam, Aisa Villarosa, Estella Owoimaha-Church, Gabriel Tangloao, Cheryl Truong and Ayame Keane-Lee.        The post APEX Express – 5.1.25 – Filmmakers Exploring Boundaries appeared first on KPFA.

THIS IS A PREVIEW. FOR THE FULL EPISODE GO TO Patreon.com/worstofall Caleb @BirdRespecter (Western Kabuki, 60 Minute Drill) joins Brian and Josh to tell the story of Richard “Beebo” Russell, a man who walked off his job as a baggage handler at Seattle-Tacoma International Airport one day in 2018 to steal an airplane. Russell and his ill-fated flight quickly became a cause célèbre among some of the darkest corners of the internet, continuing to this day. This episode tries to figure out how and why that happened. Note: This episode deals with suicide and racist extremism. Caleb: Bluesky // Twitter // Linktree Western Kabuki: Formerly the preeminent Nick Cage podcast, this show is now a few friends from Twitter, @Birdrespecter, @AGoldmund, and @JUNlPER discussing what's going on online. Patreon // Spotify // Apple Podcasts // Bluesky // YouTube Media referenced this episode: “The Sky Thief: Beebo Russell's Last Flight” by Tim Dickinson. Rolling Stone, June 24, 2021. “I Worked With Richard Russell at Horizon Air, and I Understand Why He Did What He Did” by Todd Bunker. The Stranger, August 17, 2018. “‘Airplane of opportunity'? Richard Russell raised pilot's suspicions a year before Sea-Tac plane heist” by Lewis Kamb. The Seattle Times, September 12, 2018. “Sea-Tac air traffic controller faced ‘one in a million' scenario with stolen plane” by Daniel Beekman and Michelle Baruchman. The Seattle Times, August 11, 2018. “FBI: Richard Russell, who stole plane from Sea-Tac, acted alone, crashed on purpose; motive a mystery” by Lewis Kamb. The Seattle Times, November 9, 2018. “Human remains, flight data recorder found among wreckage of stolen plane on Ketron Island” by Stacia Glenn. The News Tribune, August 13, 2018. “Airline job was way for man who crashed stolen plane to visit Alaska” by Adam Lynn, Alexis Krell, Sue Kidd, Lauren Smith and Craig Sailor. The News Tribune, August 12, 2018. “White nationalists and the ‘Sky King'” by Martin McKenzie-Murray. The Saturday Paper, August 18, 2018. FBI press release on investigation from November 2018 Redacted FBI report from the investigation Music used in this episode: Anticipation by Drill Folly Lookin' For That Orca (Beebo's Song) by Johny Maudlin TWOAPW theme by Brendan Dalton: Patreon // brendan-dalton.com // brendandalton.bandcamp.com Interstitial: The first seven pages of “The Hidden Enemy,” written and performed by Josh Boerman

LinksHomeGymConTAKEOVER StrengthDown to the WireOutline0:00 Introduction and Background1:46 Feedback and Community Response04:42 Transition to Takeover Strength07:32 Challenges in the Barbell Market10:36 Product Lifecycle and Market Dynamics13:34 Partnership and Collaboration18:09 Launch of New Products21:56 Intellectual Property and Innovation24:12 Introduction to Takeover Strength27:26 Innovative Product Development32:22 Collaborations and Industry Connections36:10 Reflections on Successes and Mistakes41:33 Impact of Tariffs on the Industry54:23 Future of Manufacturing in the Fitness Industry57:40 The Evolution of Barbells and Innovation01:00:08 The Impact of Manufacturing Choices01:02:54 Economic Perspectives on Gym Equipment01:06:18 Consumer Behavior and Gym Equipment Purchases 01:08:43 Navigating Industry Challenges and Brand Identity01:16:09 Future Aspirations and New Beginnings01:19:29 Rich's Journey: From Gambling to Business Success

Grummz, through his advanced network of spies, got the scoop and called the FBI on us. We are currently in prison, woke has been defeated, and video games are now entering a golden age of eternal basedness. Pack it up folks, it has never been this over. Link to the video we discussed: https://www.youtube.com/watch?v=DY0Xva_QPpU  

Today's episode was a rollercoaster! Joe Oltmann and David Clements kicked things off with a deep dive into the 2024 election and Trump's latest executive orders signed today—one locking down election integrity, the other declassifying Crossfire Hurricane (you know, that Russia collusion mess). Big moves, big implications.  Then, they tackled the Jeffrey Goldberg bombshell. The disgraced Atlantic writer claims he was mysteriously added to a Signal chat plotting airstrikes on Houthi militants in Yemen for March 13. National security's on fire now, and the Select Committee on Intelligence just pivoted today's hearing to grill this mess. Classified info—who's slipping? Next, Ann Vandersteel dropped in to unpack judicial corruption and coups—gritty stuff. The Tesla takedown saga rolled on, with more “Tesla terrorists” exposed in activist vandalism plots. Are politicians pulling strings here? You be the judge. Finally, some rare good news: Ukraine-Russia peace talks are gaining steam, and the White House actually sounded hopeful. 

Pepe Escobar: The Ceasefire KabukiSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Josh sits down with Texas Houndsmen Eddie Jenkins, Guy Manning, and Wesley Young.  

In this episode we talk about out current training, Anthony has a bench epiphany, Roman figured out how to squat, the Kabuki bar, chain squats, and training conjugate for bench only!http://www.twcstayhated.comhttp://www.patreon.com/triggerwarningconjugateHost- Anthony Oliveira @anthonycw13 @trigger_warning_conjugate @anchorathleticsnhCo-Host- Roman Mustaccio @rpefmlSeason 4 lets goooo

Welcome back to the 218th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 218th episode we have a new artist interview. This particular conversation was hosted by our Co-Artistic Producer Ryan Borochovitz and features Program Officer of visual and performing arts for The Japan Foundation, Toronto, Toshi Aoyagi. Join these two as they discuss Cinema Kabuki, an annual event in which filmed versions of kabuki plays are presented for Torontonian audiences as well as traditional Japanese artforms, complicated gender dynamics, and bridging cultural divides. Cinema Kabuki will be screened in three instalments at the TIFF Lightbox (350 King St W, Toronto, ON), on February 23rd, 2025. Tickets to the screenings can be purchased from the following link: https://tr.jpf.go.jp/cinema-kabuki-2025-toronto/ Register for the Kabuki Talk Series: https://tr.jpf.go.jp/kabuki-talk-series-2025/ CONTENT WARNING: This interview contains brief allusions to suicide and sexual violence against women, contained entirely within a segment discussing the kabuki play Princess Sakurahime (approximately from 50:40 to 55:30). Viewer discretion is advised. Follow The Japan Foundation – Instagram: @jftoronto // Website: https://tr.jpf.go.jp/ Check out the Yōkai Netsuke Exhibition (extended into March by popular demand) – https://tr.jpf.go.jp/event/yokai-netsuke-exhibition/2024-10-17/ Check out Toshi's recent interview with A View from the Box (which we referenced in this interview) – https://aviewfromthebox.net/2025/02/01/stage-door-dialogues-toshi-aoyagi-of-cinema-kabuki-at-the-japan-foundation/ Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatre If you'd like us to review your upcoming show in Toronto, please send press invites/inquiries to coh.theatre.MM@gmail.comCHAPTERS: 0:00 – Intro: 3-for-1 Interview Questions3:40 – Toshi's Story 9:49 – How Does “Cinema Kabuki” Work?25:12 – Capturing Theatricality on Film 31:05 – Kabuki for Canadians 38:56 – Onnagata: A Fireball of Gender Issues 1:03:38 – Curation 1:11:03 – Talk Series 1:13:34 – What's Next?

Ron Wilbur, ACTivate Music Director, the professional performing arts training program for high school and middle school aged children that is part of the broader organization Voices Amplified, a collective dedicated to empowering artists and creating equitable spaces in arts education and theater performance, is proud to present Make Them Hear You, a musical theater cabaret series that celebrates the extraordinary contributions of African American artists through powerful performances of songs and spoken word.  "Make Them Hear You is a vibrant tapestry of artistry and resilience,” says director, Ron Wilbur. “Through every note sung and every word spoken, we illuminate the boundless beauty and depth of Black artistic expression, inviting our community into a shared celebration of unity, empowerment, and the transformative power of storytelling."Ron is a native of Atlanta Georgia, and he studied at University of Kentucky, focusing on vocal music education.While studying there, he broadened his knowledge, diversely, in many areas of music, ranging from classroom management to effective stylings of vocal jazz. Mr. Wilbur has had the opportunity to perform several titular characters such as: Sweeney Todd: The Demon Barber of Fleet Street (Sweeney Todd), Ragtime (Colehouse Walker, Jr.) and The Wiz (Lion). Ron was also a featured vocalist on NBC's hit television series, “The Sing-Off” (Season 4) with the University of Kentucky “acoUstiKats.”​Vanessa Becker Weig is Co-Founder and Executive Artistic Director of Voices Amplified (formerly known as The Girl Project) and is on the Part-Time Music and Theatre Faculty at Eastern Kentucky University. She trained at the professional actor B.F.A. training program at Wright State University in Dayton, Ohio and most recently trained with Anne Bogart and the SITI Company at their summer institute through Skidmore College.  She has over 100 directing, choreography, and performance credits. Since moving to Lexington 15 years ago, she has directed or choreographed numerous productions for Voices Amplified, Woodford Theatre,  Leeds Center for the Arts. the School for the Creative and Performing Arts,, and many more including several award-winning productions for the Itheatrics Junior Theatre Festival in Atlanta. She was the Education Director for Woodford Theatre from 2015-2019 founding the Woodofrd Theatre Young Artist Program, and served as Artistic Director for the theatre in 2019 and 2020. Prior to moving to Lexington, Vanessa served for ten years as the Education Director and Resident Director/Actor for the Phoenix Theatre (now CATCO). At the Phoenix, she directed, choreographed, and appeared in more than fifty productions and designed and implemented classes, camps, workshops, and in-school residencies. Vanessa specializes in movement theatre and theatre styles such as Kabuki, Commedia Del ‘Arte, Laban, Puppets and Masks, and Musical Theatre.  She was in the regional tour of the musical The Secret Garden, which incorporated both deaf and hearing actors and won several Central Ohio artistic excellence awards. Vanessa is a proud recipient of a Bluegrass Alliance for Women Impact Award and the prestigious Freddie G Fellowship from Music Theatre International. When she has a spare moment, Mrs. Weig appears on stage. Some of her favorite local roles include Gynecia in Head Over Heels with Voices Amplified, Morticia in The Addams Family with Leeds Theatre,  Paulette in Legally Blonde with KCT Summerfest, Madame De La Grande Bouche in Beauty and the Beast and The Warden in Holes with Lexington Children's Theatre.For more and to connect with us, visit https://www.artsconnectlex.org/art-throb-podcast.html

The first annual gamer awards show ft. the ghost of Dave. www.Patreon.com/WesternKabuki

Beverly Hills Precious Metals Exchange - Buy Gold & Silver https://themelkshow.com/gold/ Speak with Gold Expert Andrew Sorchini…Tell Him Mel K Sent You!   Follow Breanna Morello on Social Media:

It's the final episode of the Georgia 1981 Project with Guest Jammie Ward. We wrap up the year by looking at TWO holiday Omni events from Christmas Night & New Year's Night in Atlanta. Plus, smack dab in between we talk the final edition of 1981 GCW TV! We talk Tommy Rich, Masked Superstar, Super Destroyer, Rod Piper, Buzz Sawyer, Brad & Bob Armstrong, Andre the Giant, Terry Gordy, Austin Idol, Ole Anderson, Terry & Dory Funk Jr., Michael Hayes, Kabuki, Big Red, Leroy Brown, Mr. Wrestling #2, Stan Hansen, Dick Slater, Jim Garvin, Kevin Sullivan, Ron Bass, Gran Apollo, Paul Jones, the late Ricky Harris, Jammie's Top Ten of 81, & so much more!Please Subscribe to our Patreon to help pay the bills, https://www.patreon.com/wrestlecopiaIncludes the $5 “All Access” Tier & $9 "VIP Superfan" Tier featuring our VIDEO CASTS, Patreon Watch-Along Series, our insanely detailed show notes (for the Grenade, Monday Warfare, Regional Rasslin, Puro Academy, & Retro Re-View), Early Show Releases! PLUS, monthly DIGITAL DOWNLOADS for your viewing and reading pleasure!WRESTLECOPIA MERCHANDISE - https://www.teepublic.com/user/wrestlecopiaVisit the WrestleCopia Podcast Network https://wrestlecopia.comFollow WrestleCopia on “X” (Formerly Twitter) @RasslinGrenadeFollow & LIKE our FACEBOOK PAGE – https://www.facebook.com/RasslinGrenadeSubscribe to the WrestleCopia Youtube Channel at https://www.youtube.com/RasslinGrenade ★ Support this podcast on Patreon ★

During his second inaugural speech, Trump declared January 20th, 2025 as Liberation Day. His indoor inauguration kept the hoi polloi of the MAGA world literally out in the cold. Inside, the Rotunda was filled with billionaires and family members. Trump's speech screamed performative sound and fury. "For many years, a radical and corrupt establishment has extracted power and wealth from our citizens, while the pillars of our society lay broken and seemingly in complete disrepair." He then said without a hint of joking, “I was saved by God to make America great again.”  But beyond the pomp and circumstance, what meaningful actions is Trump taking in his first days in office?     Here at the Disorder programme, we try to help Order the Disorder by separating the performative sound and fury of Trump 2.0 from its actual meaningful actions. Jason's hunch is that much of Trump 2.0 will be Kabuki theatre, as many of Trump's so-called signature policies are things that he cannot enact as they violate the constitution, but a large implication of his overall programme is to foster deliberate disorder making the US completely different from other markets on things like EVs, oil and gas exploration, manufacturing, worker safety, and regulation, in general.    To break it all down, in this episode, Jason and Alex reflect on the implications of Trump's pronouncements, the combination of lofty Presidential rhetoric mixed with Trump's standard American carnage imagery, why previous POTUSs and VPs showed up for the Inauguration, and the impact of Trump's executive orders. They also look at the ceasefire in the Middle East and examine if similar tactics might actually work with Russia/Ukraine.     Plus: the depressing and corrosive precedent of Biden's pardons, the shift in Silicon Valley's political allegiance, the role of BitCoin and AI on the American economy, the dynamics between the UK and US, and the role of the UK in a Trumpian World… Why can't Starmer step up and be a mega Orderer?    To Order the Disorder, the pair suggest that Europe and aligned powers get their act together and start mega ordering, without the US in tow. The show concludes as Jason and Alex postulate that constraining Trump will not happen from external forces, but maybe just maybe there is a potential for the excesses of Trumpism to be contained or managed by internal forces within the Republican Party.    Producer: George McDonagh  Executive Producer: Neil Fearn    Subscribe to our Substack: https://natoandtheged.substack.com/    Show Notes Links    For more on our Partnership with RUSI: https://www.rusi.org/news-and-comment/rusi-news/rusi-announces-partnership-disorder-podcast     More on Trump's pardons for Jan 6th rioters https://www.nytimes.com/2025/01/23/opinion/trump-pardons-bolton-jan-6.html     More on the Hamas-Israel ceasefire https://www.nytimes.com/2025/01/23/world/middleeast/hamas-gaza-israel-cease-fire.html     Hear Jason on The Bunker - https://podcasts.apple.com/gb/podcast/the-bunker/id1496246490?i=1000685022934     Jason was interviewed by Sigma one of the leading Magazines in the e-gaming space, Sigma: https://sigma.world/news/the-art-of-risk/?utm_source=substack&utm_medium=email   Learn more about your ad choices. Visit podcastchoices.com/adchoices

Rock talks to Daniel DeBrocke about strength training & conditioning. Don't miss out on any episode. Click subscribe right now! TIME STAMPS: 2:00 Daniel's opening prayer 3:00 99lb. weakling turned Hercules 8:00 Behavior modulation 10:15 Food palatability reward hypothesis 14:00 Introvert and extroverted coach 17:15 Time with Kabuki and after 23:00 Compress and decompress 28:30 Navigating through misinformation 32:00 Incorporating faith into training 39:00 Daniel Debrocke's 2025 calendar 42:00 Differences between Canadian and U.S. S&C 44:30 Some of Daniel's mentors GET TO KNOW DANIEL DEBROCKE: LINKEDIN: https://www.linkedin.com/in/daniel-debrocke-38485662/ INSTA: https://www.instagram.com/daniel_debrocke/ DANIEL'S WEBSITE: https://danieldebrocke.com/ GET TO KNOW ROCKY SNYDER MEET: Visit the Rocky's online headquarters: RockySnyder.com READ: Grab a copy of his new "Return to Center" book: www.rockysnyder.com INSTA: Instagram fan, check him out at https://www.instagram.com/rocky_snyder/ FACEBOOK: https://www.facebook.com/rocky.snyder.77 LINKEDIN: https://www.linkedin.com/in/rocky-snyder-cscs-cafs-nsca-cpt-a77a091/ TRAIN WITH ROCKY WORKOUT: Want to meet Rocky and get a private workout: https://rfcsantacruz.com/ INSTA: https://www.instagram.com/rockysfitnesssc/ FACEBOOK: Facebook.com/RockysFitnessCenter

'Twas the night before Samsung Galaxy Unpacked 2025 and Patrick Norton makes his first appearance on Android Faithful to join Ron Richards and Jason Howell pre-game Samsung's announcement, laugh at Microsoft, navigate the TikTok ban and so many new phones all in one jam-packed episode!Note: Time codes subject to change depending on dynamic ad insertion by the distributor.00:03:06 - NEWSRich Miner, the Android co-founder throws some shade at Microsoft and Bill GatesNothing reporting over 1 Billion dollars in sales PATRON PICK: Google Home is adding on AI insights and a new UI for creating routines00:23:43 - HARDWAREGetting excited for Samsung Galaxy Unpacked 2025 plus rumors of a thin Galaxy phoneAnd you thought the Oppo Find N5 couldn't get thinner, spoiler IT'S REALLY THINHonor launches the HONOR Magic7 Pro and another partnership with Porsche for the Magic7 RSRMotorola is back with the new Moto G and Moto G Power You can now control your Chromebook with your face00:54:30 - APPSThere's a new assistant in town, with the preview of Perplexity's Android assistant Bluesky, X (formerly Twitter) and Instagram scramble to fill the void (not quite yet) caused by the TikTok banGet excited as Android Automotive is getting new apps soon!There's a problem with RCS/SMS on Google Messages and it's Apple's fault01:09:01 - COMMUNITYJohn from Cincinnati writes in with a reason why last week's e-mailer couldn't install appsDerek wants to know if he should buy the Pixel 8 or Pixel 8AMarge is skeptical of the offer Google sent Pixel 4A owners Hosted on Acast. See acast.com/privacy for more information.

Sarah Isgur is joined by David French, Jonah Goldberg, and Steve Hayes to discuss the first round of confirmation hearings for President-elect Donald Trump's Cabinet. Are they worth our time? The Agenda: —The Mount Rushmore of Putzes —Senate hearings and “transparency” —The stupidity of our times —The Laken Riley Act —Joe Biden's farewell address —The Joe Biden legacy —The Jill Biden legacy —California fires and policy failures —Should you attend a presidential inauguration? Show Notes: —WSJ: Tulsi Gabbard mixed up details about a key surveillance law The Dispatch Podcast is a production of The Dispatch, a digital media company covering politics, policy, and culture from a non-partisan, conservative perspective. To access all of The Dispatch's offerings—including members-only newsletters, bonus podcast episodes, and weekly livestreams—click here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Bart Merrick and Crystal Van's real estate services. Year-end best-of show for "A Mediocre Time with Tom and Dan." Melissa Robinson's social media contributions. Changes to the best-of show format. BDMs as the lifeblood of the business. Importance of sponsors and their support. Tracy's organizational efforts for T&D Media. Appreciation for Eric Merchman and his wife's help. Casey's editing and show management work. Tony Munget's photography and "Brown Trump" appearances. Tony Palmiati and Deb's contributions from Ahoy Cruises. Branding by Danger Brains. Support from Mark Villen and Villen Coffee stores. Collaboration with Enemy Inc. for event support. Partnerships with the Science Center, History Center, and Orange County Library System. Transition from Debra to Joe at Fairvilla. New sponsorship from Jeff's Bagel Run. Show guests' contributions and EJ's role as a good sport. Discussion of EJ's treatment by listeners and on the show. Kenny Samsell and Game Show Drew's contributions. Guests Vince Taylor and Tuttle's involvement. Sam's continued support despite moving on. Shoutout to Brendan O'Connor and Seth Petruzzelli. Highlighting Karate of Orlando as a legit dojo. Recognition of BDM Josh and Matthew Frederick. Mention of Cinema Crespo Diso, Chris Crespo, John Graham, and Joey Mazant. Volunteers and gift bag crew appreciation. Family involvement in the business, including Maisie's potential role. Gratitude for supportive wives and families. Challenges of running a small business independently. Reflection on audience importance and listener interaction. Listener encounter story at Kabuki sushi. Plan for old-school meetups to connect with listeners. Positive interactions on the BDM page during an election year. Goal of providing laughter and escapism. Business sustainability to support families and expand. Twitch and YouTube live warmups for engagement. Balancing business responsibilities with creativity. Sponsorship management and commercial scheduling. Benefits of warmups for better show flow. SJ's editing contributions for YouTube. Melissa's effort compiling warmup segments. Observations on public marijuana use and discreet methods to hide it. Challenges of attending children's outdoor activities in cold weather. Mixed feelings about canceled cross-country events. Humorous idea for tough-attitude clothing. Christmas traditions and Scotty's elf role. Stress of organizing a free beer festival. Challenges and adaptability in live event planning. Observations on Columbus Day's shift to Indigenous People's Day. Historical misconceptions about Christopher Columbus. Reward-based behavior for completing tasks. Streamline Mortgage Solutions' personalized approach. Past humorous episode titles from "A Corporate Time with Tom and Dan." Value of humor at one's own expense. Upcoming "best of" segments by Melissa. Memorable episode about Tom running mishap. Ross's new character segment. Reflections on past humorous show bits. Visit from Sabrina and personal humor. Spelling bee segment with Cadillac Pat and David Jolly. Praise for Trivia Drew's segments and flagged content. Tom's confidence boost from biking and Crystal's accident story. Emotional and physical aftermath of Crystal's biking incident. Financial and logistical challenges of medical treatment. Reflection on failed projects by Insane Clown Posse. Discussion of Florida's pill epidemic and societal impacts. Swinger culture dynamics and levels. Interview with Felipe Esparza about his Hard Rock Live show. Technical difficulties during remote interviews. Hula Bowl's community involvement and sponsorship programs. Promotional details for the Hula Bowl on January 11, 2025. Challenges of different interview formats. Memorable interviews with Daryl Hall, Ted Nugent's wife, and Yngwie Malmsteen. Lessons from Insane Clown Posse's independent spirit. Matt McCusker as the most downloaded comedian interview. Importance of air conditioning in Florida. Story of a running mishap and its aftermath. Personal grooming routines before exercise. Humorous incidents during nudist resort visits. Trivia night competitiveness and cheating challenges. Observations on societal laziness and reliance on AI. "Tom vs. Dan" game show trivia and prizes. New mini-game involving viral video creation. Recap of Cadillac Pat's cruise night and dating struggles. Political-themed couches for Sofas and Suds. Challenges and humor in radio game concepts. "Wiener Whack-Off" game humor and absurdity. ###   **Social Media:**   [Website](https://tomanddan.com/) | [Twitter](https://twitter.com/tomanddanlive) | [Facebook](https://facebook.com/amediocretime) | [Instagram](https://instagram.com/tomanddanlive) **Where to Find the Show:**   [Apple Podcasts](https://podcasts.apple.com/us/podcast/a-mediocre-time/id334142682) | [Google Podcasts](https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkLnBvZGJlYW4uY29tL2FtZWRpb2NyZXRpbWUvcG9kY2FzdC54bWw) | [TuneIn](https://tunein.com/podcasts/Comedy/A-Mediocre-Time-p364156/) **The Tom & Dan Radio Show on Real Radio 104.1:**   [Apple Podcasts](https://podcasts.apple.com/us/podcast/a-corporate-time/id975258990) | [Google Podcasts](https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkLnBvZGJlYW4uY29tL2Fjb3Jwb3JhdGV0aW1lL3BvZGNhc3QueG1s) | [TuneIn](https://tunein.com/podcasts/Comedy/A-Corporate-Time-p1038501/) **Exclusive Content:** [Join BDM](https://tomanddan.com/registration)   **Merch:** [Shop Tom & Dan](https://tomanddan.myshopify.com/)

Wishing Happy Holidays & a Merry Christmas to all as Regional Rasslin' returns with Guest Jammie Ward and this, the penultimate episode of the Georgia Championship Wrestling 1981 Project! It's the episode before the last, as we talk everything from mid-December 81 as Dusty Rhodes vows WAR on the Great Kabuki, Roddy Piper has a verbal altercation with the Armstrongs, The Masked Superstar & Super Destroyer introduce a THIRD masked man in The Assassin, but that's okay because Big Red & Leroy Brown have a GIANT surprise in return! Plus, Tommy Rich gets his shot at NWA Champ Ric Flair, while Abdullah the Butcher looks to collect the Bounty on the head of the Wildfire. Buzz Sawyer begins to ascend up the ranks, Ron Bass arrives as Steve O makes his final appearance, Mike Davis returns, Kevin Sullivan teams with Wayne Farris, the Freebirds clearly in the dog house, while Austin Idol does battle with Michael Hayes, & much more!Please Subscribe to our Patreon to help pay the bills, https://www.patreon.com/wrestlecopiaIncludes the $5 “All Access” Tier & $9 "VIP Superfan" Tier featuring our VIDEO CASTS, Patreon Watch-Along Series, our insanely detailed show notes (for the Grenade, Monday Warfare, Regional Rasslin, Puro Academy, & Retro Re-View), Early Show Releases, REMASTERED editions of the early Grenade episodes including NEW content! PLUS, monthly DIGITAL DOWNLOADS for your viewing and reading pleasure!Visit the WrestleCopia Podcast Network https://wrestlecopia.comFollow WrestleCopia on “X” (Formerly Twitter) @RasslinGrenadeFollow & LIKE our FACEBOOK PAGE – https://www.facebook.com/RasslinGrenadeSubscribe to the WrestleCopia Youtube Channel at https://www.youtube.com/RasslinGrenade ★ Support this podcast on Patreon ★

In this episode Jason discusses the various bad faith arguments being made to justify and/or explain the horrible election outcome, and why everyone should ignore this kabuki theater and accept that the truth is both simple and difficult to bear. The DZA website is here.

[✐3.Moderato]〜といっていました：report what someone said“(My wife said) we never seem to be able to save any money.[00:09]Hello everyone. How're you doing? Let's study hard today as well.  Today, we practice "〜to itte imashita(someone said〜)".[00:20]Hamada san called Matsumoto san;“Sorry, I may be a bit late.”[00:28]Then Matsumoto san report this message to everyone. “well, I've just got a call from Hamada san.  He said he might be late.”Repeat after me[00:40]1.  He said he overslept.2.  He said he had a hangover.3.  He said the train was running late.4.  He said he made a mistake in changing trains.5.  He said he lost his wallet.6.  He said he would come after he stopped by Koban(police box).[01:49]Hamada san is still taking a long time to be here.[01:56]Let's practice how to ask.[01:59]For example,Tom san→How did Tom san say?Ready?[02:08]1.  your parents→ What did your parents say?2.  teacher→ What did the teacher say?3.  commentator→ What did the commentator say?[03:06]Now, let's tell others what you heard from Tom san. Please repeat after listening to [Key Words].[03:17]1.  [KW ] Japanese university→ He said he studied at a Japanese Uni.2.  [KW] Osaka dialect→ He said he could speak Osaka dialect.3.  [KW] Kabuki→ He said he was familiar with Kabuki.4.  [KW] Karate, black belt→ He said he‘s got a black belt Karate.5.  Meeting, in Japanese→ He said the meeting was fine in Japanese (he could cope with the meeting in Japanese).[04:47]Tom san is quite a Japanese expert, isn't he?=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*= 「(つまは)おかねが ぜんぜん たまらないといっていました」[00:09]みなさん、こんにちは。おげんきですか。 さあ、きょうもがんばりましょう。きょうは 「〜といっていました。」をれんしゅうします。[00:20]はまださんは まつもとさんに でんわを しました。「ああ、ごめん、ちょっと、おくれるかも しれません。」[00:28]まつもとさんは、みんなに ほうこくします。 ｢ええと、いま、はまださんから でんわがありまして、おくれるかもしれないと いって いました。｣Repeat after me[00:40]1.  ねぼうしたと いって(い)ました。2.  ふつかよいだと いって(い)ました。3.  でんしゃがおくれていると いって(い)ました。4.  (でんしゃの)のりかえを まちがえたといって(い) ました。5.  さいふをなくしたといって(い)ました。6.  こうばんによってからくるといって(い)ました。*(い)is often dropped in conversation.[01:49]はまださん、なかなか きませんね。[01:56]では、しつもんのしかたも  れんしゅう しましょう。[01:59]たとえば、トムさん→トムさんは なんといっていましたか。いいですか。[02:08]1.  ごりょうしん→ごりょうしんは なんといっていましたか。2.  せんせい→せんせいはなんといっていましたか。3.  コメンテーター→コメンテーターはなんといっていましたか。[03:06]では、トムさんに きいたはなし をほかのひとにつたえましょう。キーワード[KW]をきいてから、リピートしてください。[03:17]1.  [KW] にほんのだいがく→にほんのだいがくでべんきょうしたといっていました。2.  [KW] おおさかべん→おおさかべんがはなせるといっていました。3.  [KW]かぶき→かぶきにくわしいといっていました。4.  [KW]からて、くろおび→からてはくろおびだといっていました。5.  [KW]かいぎ、にほんご→かいぎはにほんごでだいじょうぶだといっていました。[04:47]トムさん、かなりのにほんつうですね。Support the show=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=Need more translation & transcript? Become a patron: More episodes with full translation and Japanese transcripts. Members-only podcast feed for your smartphone app. Japanese Swotter on PatreonNote: English translations might sound occasionally unnatural as English, as I try to preserve the structure and essence of the original Japanese.

On November 1, several amendments to the United States Sentencing Guidelines took effect. Some of these changes are significant, offering advantages to the defense, while others are less beneficial. However, ultimately, this process amounts to nothing more than "Kabuki Theatre," meaning the tortured guideline applications become merely performative, because 18 U.S.C. § 3553, enables discerning judges to overlook the sentencing recommendations provided by the guidelines. Thus, it is crucial to be informed about these amendments to argue effectively whether and how they should be considered in the final analysis.   IN THIS EPISODE:  Some eye-popping facts and stats after forty years of guideline sentencing; Relevant conduct amendment to now exclude acquitted conduct (but it comes with a big but…) Possibility that new litigation may void the Kisor fix because of commission overreach by overriding congress and/or resolving circuit splits;   The “Kisor” work-around to fix the intended loss issue under the fraud guideline; The implication and larger application of the Kisor workaround – i.e., support for the argument that for other guidelines, if it's in the commentary, it doesn't count; Clarification of the new Zero Point Offender provisions (ZPO) to deny eligibility for anyone who gets an upward role adjustment; And, perhaps the one bright spot, adding a potential downward departure for “youthful offenders” (mid-20's or less); Practice tips for navigating the  new guidelines provisions; Information on reaching out to the commission for future proposed guideline amendments.   LINKS:  United States Sentencing Guidelines online:  https://guidelines.ussc.gov/apex/r/ussc_apex/guidelinesapp/home   My new Album!  The guidelines are 40 years old, which is also when I picked up my first guitar.  So, yes, I had to give a shameless plug for my first rock record, "One Good Thing", which is available everywhere you stream your music!  Music is another creative outlet that keeps me sane and quiets my brain:   https://www.youtube.com/playlist?list=OLAK5uy_kyVV0Qs1xMGqXQYZlzHzBgUlA7A35aENI   FAREWELL 2024!!!! This will be the last new episode of 2024.  As always, I wanted to thank you for listening, constributing, liking, subscribing and spreading the word about Set for Sentencing.  We have been going strong for over two years now, and the show was recently ranked #7 among the 35 “must-follow” Criminal Defense podcasts in 2024, via Feedspot (35 Best Criminal Defense Podcasts You Must Follow in 2024).  So, per a tradition I started in 2023, I'll be taking the rest of the year off!  The remaining episodes of the year will be re-broadcasts of either other podcasts I have appeared on or some earlier episodes I adore and may have been overlooked when the audience was smaller.   2025 will be a wild ride, and we'll be right here with you, buckled up and ready to roll.   Until then, I'm grateful for all of it, and I hope you find some peace, light and love as the year winds down. 

In episode 141 of the Glow Journal podcast, host Gemma Dimond talks to the co founder of Outside Beauty & Skincare, Maddison Brown. Outside Beauty & Skincare is not your average celebrity beauty brand. I already knew this, but it just becomes more and more clear the longer you speak to Maddison for. Given how impressive her career has been thus far (acting opposite Nicole Kidman when she was still a teenager, then spending 4 seasons in the role of Kirby Anders in Dynasty on The CW), you'd be forgiven for assuming this is another private label brand- an existing product with a celebrity endorsement attached. But this is so far from the case here.Outside Beauty & Skincare, which launched in January of this year, is just Maddison and her sister, Allyson. They've self-funded, they spent the 12 months prior to launch working through every single stage of starting a business themselves, and in just under a year they've brought four (five if we include the Kabuki brush) really, really beautiful sun protection products to market (with plenty more in the pipeline). In this conversation, Maddison shares the surprising differences in the response to Dynasty across Europe and Australia compared to the show's home in the US, her refreshingly level-headed approach to social media (and the media in general), and why she thinks Australia's famously strict regulations around sunscreen are a really, really positive thing.Read more at glowjournal.comFollow Outside Beauty & Skincare on Instagram @outsidebeautyskincareStay up to date with Gemma on Instagram at @gemdimond and @glow.journal, or get in touch at hello@gemkwatts.com Hosted on Acast. See acast.com/privacy for more information.

In this week's 5 Yrs Ago Flashback episode of the Wade Keller Pro Wrestling Post-show (10-30-2019), PWTorch's Kelly Wells, Tom Stoup, and Nate Lindberg cover Candice LeRae vs. Iyo Shirai, Dakota Kai & Tegan Nox vs. The Kabuki Warriors, major WarGames announcements, and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/wade-keller-pro-wrestling-post-shows--3275545/support.

East West Players' venerable producing artistic director emeritus Tim Dang came back for a third appearance here to let us all know what's in store for audience members who come to his updated version of Stephen Sondheim's and John Weidman's Pacific Overtures. Previews start Nov. 7th and the musical will run through Dec. 1st. Go to www.eastwestplayers.org to purchase tickets. Set in nineteenth-century Japan, it tells the story of the country's westernization starting in 1853, when American ships forcibly opened it to the rest of the world. The story is told from the point of view of the Japanese, and focuses in particular on the lives of two friends who are caught in the change. Mako, one of EWP's co-founders, starred in the original 1976 Broadway production, and Dang originally directed it in 1998 to celebrate the opening of the new David Henry Hwang Theater in J-Town. Twenty-six years later, Dang has been tasked with directing a slightly refreshed take of this musical. Interestingly, the questions it originally raised about isolationism versus open borders remains quite relevant today.

Join MEMBERS ONLY to get access to perks: https://www.youtube.com/channel/UCSo2azieL7E7uzkXGvEeMSw/join   For only $4.99 a month, get EVERY NEW podcast episode EARLY and AD-FREE. As a member, you'll have access to guest AMAs to get your questions answered. Enjoy the cool elitefts badge next to your profile name as well.      elitefts Apparel: https://www.elitefts.com/shop/apparel.html               Support and help the Podcast grow by Joining The Crew:  https://www.elitefts.com/join-the-crew       Brandon Morgan joins this 313th episode of Dave Tate's Table Talk Podcast.   Brandon Morgan has spent the last decade in the fitness industry, primarily coaching, and in the past five years, he has also made significant contributions to education. As the Director of Education at Kabuki Strength, he led seminars nationwide for clinicians, trainers, strength coaches, athletes, and professional sports teams. He also developed both long and short-form educational content.   Recently, Brandon left Kabuki to start his own business, which quickly expanded to three ventures. In the past few months, he opened two new gyms in the Pacific Northwest, where he oversees education and content creation, while continuing to coach both virtually and in person.   Brandon specializes in coaching individuals with hypertrophy goals, powerlifters, and MMA athletes. His wrestling background has naturally led him to work extensively with MMA athletes.   Brandon's IG: https://www.instagram.com/brandonmorgan.coach/    SPONSORS Marek Health   A telehealth platform specializing in hormone optimization and preventative medicine. Offers self-service labs and guided optimization with competitive pricing.  Save 10% on your first order with code TABLETALK. Visit Marek Health today: https://marekhealth.com/tabletalk     LMNT   A zero-sugar, naturally-formulated electrolyte drink mix suited for athletes and those on hydration-focused diets.  Receive a free 8-flavor sample pack with any purchase. https://partners.drinklmnt.com/free-gift-with-purchase?utm_campaign=agwp&rfsn=6760586.28b9b1e&utm_medium=sponsor&utm_source=tabletalk&utm_content=&utm_term=     RP Hypertrophy App An advanced training app designed for maximum muscle growth. Early access pricing starts at $24.99.  Visit the provided link for more details and discounts. https://go.rpstrength.com/hypertrophy-app/   CODE: TABLE TALK   elitefts   Offers a wide range of gym equipment and apparel.  Support the show: https://www.elitefts.com/content/table-talk/   Save 10% with code TABLETALK. CODE: TABLETALK All profits support Dave Tate's Table Talk Podcast. SUPPORT THE SHOW Support and help the Podcast grow by Joining The Crew:  https://www.elitefts.com/join-the-crew  All profits from elitefts Limited Edition Apparel, Table Talk Coffee, and Team elitefts Workouts, Programs, and Training eBooks support Dave Tate's Table Talk Podcast. Shop these elitefts items: https://www.elitefts.com/content/table-talk/       elitefts Shop: https://www.elitefts.com/        elitefts IG: https://www.instagram.com/elitefts/   elitefts Limited Edition Apparel: https://www.elitefts.com/shop/apparel/limited-edition.html

This week Joey and Keith get to know Big Jim. They dive right into some great topics like metal, New York City comutes, self help books, Kabuki, and the legend Brad The Pad. Links Massenomics x Ünpaid and Ünderrated Colab (https://www.massenomics.com/shop/unpaid-underrated-tee) Follow The Podcast On Instagram @unpaid.underrated.podcast (https://www.instagram.com/unpaid.underrated.podcast/) Online UnpaidInternPodcast.com (https://www.unpaidinternpodcast.com/) On Youtube @Unpaid.Underrated.Podcast (https://www.youtube.com/@Unpaid.Underrated.Podcast) Our Guest On Instagram @_jim_riley_ (https://www.instagram.com/_jim_riley_/) Our Hosts @keithhoneycutt73 (https://www.instagram.com/keithhoneycutt73/) or his orange gym, @thenowhinecellar (https://www.instagram.com/thenowhinecellar/) @joey_mleczko (https://www.instagram.com/joey_mleczko/) Special Guest: Big Jim.

In this episode we discuss the changes with Kabuki Power, Facebook marketplace gym equipment deals of the week, and of course our annual breakdown on the Mr. Olympia bodybuilding show. We have a big merch drop coming 10/24/24! Build Fast Formula Use code MASSENOMICS to save 10% on every order! BearFoot Shoes Use code MASSENOMICS to save 10% on every order! Juggernaut AI Use code MASSENOMICS to save 10%! The Strength Co Get some Go-To Plates! Swiss Link Use code MASS to save 15%! Texas Power Bars Get the Barbell that changed the game!

What is going on when a graphic novel has a twelfth-century samurai pick up a telephone to make a call, or a play has an ancient aristocrat teaching in a present-day schoolroom? Rather than regarding such anachronisms as errors, Samurai with Telephones: Anachronism in Japanese Literature (U Michigan Press, 2024) develops a theory of how texts can use different types of anachronisms to challenge or rewrite history, play with history, or open history up to new possibilities. By applying this theoretical framework of anachronism to several Japanese literary and cultural works, author Christopher Smith demonstrates how different texts can use anachronism to open up history for a wide variety of different textual projects. From the modern period, this volume examines literature by Mori Ōgai and Ōe Kenzaburō, manga by Tezuka Osamu, art by Murakami Takashi, and a variety of other pop cultural works. Turning to the Early Modern period (Edo period, 1600–1868), which produced a literature rich with playful anachronism, he also examines several Kabuki and Bunraku plays, kibyōshi comic books, and gōkan illustrated novels. In analyzing these works, he draws a distinction between anachronisms that attempt to hide their work on history and convincingly rewrite it and those conspicuous anachronisms that highlight and disrupt the construction of historical narratives. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

What is going on when a graphic novel has a twelfth-century samurai pick up a telephone to make a call, or a play has an ancient aristocrat teaching in a present-day schoolroom? Rather than regarding such anachronisms as errors, Samurai with Telephones: Anachronism in Japanese Literature (U Michigan Press, 2024) develops a theory of how texts can use different types of anachronisms to challenge or rewrite history, play with history, or open history up to new possibilities. By applying this theoretical framework of anachronism to several Japanese literary and cultural works, author Christopher Smith demonstrates how different texts can use anachronism to open up history for a wide variety of different textual projects. From the modern period, this volume examines literature by Mori Ōgai and Ōe Kenzaburō, manga by Tezuka Osamu, art by Murakami Takashi, and a variety of other pop cultural works. Turning to the Early Modern period (Edo period, 1600–1868), which produced a literature rich with playful anachronism, he also examines several Kabuki and Bunraku plays, kibyōshi comic books, and gōkan illustrated novels. In analyzing these works, he draws a distinction between anachronisms that attempt to hide their work on history and convincingly rewrite it and those conspicuous anachronisms that highlight and disrupt the construction of historical narratives. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

What is going on when a graphic novel has a twelfth-century samurai pick up a telephone to make a call, or a play has an ancient aristocrat teaching in a present-day schoolroom? Rather than regarding such anachronisms as errors, Samurai with Telephones: Anachronism in Japanese Literature (U Michigan Press, 2024) develops a theory of how texts can use different types of anachronisms to challenge or rewrite history, play with history, or open history up to new possibilities. By applying this theoretical framework of anachronism to several Japanese literary and cultural works, author Christopher Smith demonstrates how different texts can use anachronism to open up history for a wide variety of different textual projects. From the modern period, this volume examines literature by Mori Ōgai and Ōe Kenzaburō, manga by Tezuka Osamu, art by Murakami Takashi, and a variety of other pop cultural works. Turning to the Early Modern period (Edo period, 1600–1868), which produced a literature rich with playful anachronism, he also examines several Kabuki and Bunraku plays, kibyōshi comic books, and gōkan illustrated novels. In analyzing these works, he draws a distinction between anachronisms that attempt to hide their work on history and convincingly rewrite it and those conspicuous anachronisms that highlight and disrupt the construction of historical narratives. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

What is going on when a graphic novel has a twelfth-century samurai pick up a telephone to make a call, or a play has an ancient aristocrat teaching in a present-day schoolroom? Rather than regarding such anachronisms as errors, Samurai with Telephones: Anachronism in Japanese Literature (U Michigan Press, 2024) develops a theory of how texts can use different types of anachronisms to challenge or rewrite history, play with history, or open history up to new possibilities. By applying this theoretical framework of anachronism to several Japanese literary and cultural works, author Christopher Smith demonstrates how different texts can use anachronism to open up history for a wide variety of different textual projects. From the modern period, this volume examines literature by Mori Ōgai and Ōe Kenzaburō, manga by Tezuka Osamu, art by Murakami Takashi, and a variety of other pop cultural works. Turning to the Early Modern period (Edo period, 1600–1868), which produced a literature rich with playful anachronism, he also examines several Kabuki and Bunraku plays, kibyōshi comic books, and gōkan illustrated novels. In analyzing these works, he draws a distinction between anachronisms that attempt to hide their work on history and convincingly rewrite it and those conspicuous anachronisms that highlight and disrupt the construction of historical narratives. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What is going on when a graphic novel has a twelfth-century samurai pick up a telephone to make a call, or a play has an ancient aristocrat teaching in a present-day schoolroom? Rather than regarding such anachronisms as errors, Samurai with Telephones: Anachronism in Japanese Literature (U Michigan Press, 2024) develops a theory of how texts can use different types of anachronisms to challenge or rewrite history, play with history, or open history up to new possibilities. By applying this theoretical framework of anachronism to several Japanese literary and cultural works, author Christopher Smith demonstrates how different texts can use anachronism to open up history for a wide variety of different textual projects. From the modern period, this volume examines literature by Mori Ōgai and Ōe Kenzaburō, manga by Tezuka Osamu, art by Murakami Takashi, and a variety of other pop cultural works. Turning to the Early Modern period (Edo period, 1600–1868), which produced a literature rich with playful anachronism, he also examines several Kabuki and Bunraku plays, kibyōshi comic books, and gōkan illustrated novels. In analyzing these works, he draws a distinction between anachronisms that attempt to hide their work on history and convincingly rewrite it and those conspicuous anachronisms that highlight and disrupt the construction of historical narratives. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Episode Description In this conversation, Rich Galgano, the new owner of Kabuki Strength, shares his entrepreneurial journey, detailing his previous success with Windy City Wire and his transition into investing in Kabuki. He discusses the challenges faced by Kabuki, including financial mismanagement and operational issues, and outlines his strategic decisions to restructure the business. Rich emphasizes the importance of innovation and customer service in the fitness equipment industry and expresses his commitment to making Kabuki a more affordable and accessible brand for the community. Outline (0:00) Rich Galgano's Entrepreneurial Journey (4:38) Investing in Kabuki Strength (9:36) Challenges Faced with Kabuki Strength (14:00)Transitioning Leadership and Strategy (17:36) Future Plans and New Ventures (28:16)The Journey of Innovation (34:00) Building a Brand with Integrity (39:02) Understanding the Home Gym Community (45:36) Future Aspirations and Product Development --- Support this podcast: https://podcasters.spotify.com/pod/show/garage-gym-experiment/support

This week Regional Rasslin' heads back to the fall of 1981 in Georgia Championship Wrestling w/Guest Jammie Ward. We close out October 81 with a true Halloween Treat as RODDY PIPER makes his GCW debut alongside Gordon Solie. Plus, we look at early November, and all the new and returning names like big Stan Hansen, Austin Idol darlin', Brad & Bullet Bob Armstrong, The New Zealand Sheepherders, The Minnesota Wrecking Crew, & Big Red, just to name a few! Also, another big Omni card, Otis Sistrunk Retires, the Tag Titles are vacant, NWA World Champion Ric Flair vs. Tommy Rich, The Great Kabuki attacks Dusty Rhodes, a masked man attacks Michael Hayes in the studio, no more Mr. Nice Gordy, is Super Destroyer the Superstar(?), Karate Master Steve O, Grumpy Wrestling #2, Great Mephisto & Ray Stevens aren't playing around, Gary Hart talks "squatting in the bush", and so much more!Please Subscribe to our Patreon to help pay the bills, https://www.patreon.com/wrestlecopiaIncludes the $5 “All Access” Tier & $9 "VIP Superfan" Tier featuring our VIDEO CASTS, Patreon Watch-Along Series, our insanely detailed show notes (for the Grenade, Monday Warfare, Regional Rasslin, Puro Academy, & Retro Re-View), Early Show Releases, REMASTERED editions of the early Grenade episodes including NEW content! PLUS, monthly DIGITAL DOWNLOADS for your viewing and reading pleasure!Visit the WrestleCopia Podcast Network https://wrestlecopia.comFollow WrestleCopia on “X” (Formerly Twitter) @RasslinGrenadeFollow & LIKE our FACEBOOK PAGE – https://www.facebook.com/RasslinGrenadeSubscribe to the WrestleCopia Youtube Channel at https://www.youtube.com/RasslinGrenade ★ Support this podcast on Patreon ★

In this episode, Jaleesa Jaikaran gets to the bottom of what it really takes to turn a makeup obsession into a beauty career. From Trinidad to backstage at Fashion Week, she's sharing how her “elevated snatchural” style and a little manifestation helped her get there. Whether she's breaking down undertones or spilling makeup secrets from Sir John, Pat McGrath, and Kabuki, Jaikaran serves up real talk on building a beautiful life with heart—and a lot of hustle. Links & Products Mentioned More Episodes of Hitting PanJaleesa Jaikaran's InstagramJaleesa Jaikaran's TikTokJaleesa Jaikaran's YouTubeThe Life of a Makeup Artist PodcastTOWER 28 Bronzino™ Cream BronzerDANESSA MYRICKS BEAUTY Dew Wet BalmMAYBELLINE NEW YORK Super Stay® Up to 24HR Skin TintSerena Williams InterviewGlam for Serena Page from Love Island USANARS Soft Matte Complete ConcealerDANESSA MYRICKS BEAUTY Yummy Skin Serum Skin TintLANEIGE Lip Sleeping MaskBOBBI BROWN Vitamin Enriched Face Base Moisturizer & PrimerAMI COLÉ Skin-Enhancing ConcealerLANCÔME Teint Idole Ultra Wear FoundationESTÉE LAUDER Double Wear Sheer Long-Wear Foundation SPF 19 Hosted on Acast. See acast.com/privacy for more information.

We are beginning our new series this week, The White Lotus. It's a dark 'comedy' instead of a rom-com but since we're in October it seems fitting. In our first episode we learn that the White Lotus is a luxury resort in Hawaii where we meet 'The Arrivals': the Mossbacher Family, Tanya McQuoide, and The newlywed Suttons who all have reservations at the posh accommodations. During the first days we realize that everyone has their own secrets and struggles bubbling under the surface that will eventually materialize as the series goes on. In this episode we: give pro travel tips like 'don't travel with your mom's ashes in a garbage bag', discuss whether the 'Pineapple' in the Pineapple Room stands for swingers or hospitality and describe how the glorious Jennifer Coolidge will suck the life out of us (and we'd probably like it). This series has everything diva twins, a prick baby man and the plunge pool Corinne requires so we hope you join us this week for our standing reservation at The White Lotus.

Episode Outline (0:00) Intro and Worst Purchases (7:58) Companies with Bright Futures (25:39) Will Kabuki Survive? (35:56) REP Rewards The Roundtable Garage Gym Life Carp Brad Mark Hogan Scott Joey --- Support this podcast: https://podcasters.spotify.com/pod/show/garage-gym-experiment/support

n this hard-hitting episode of Connecting the Dots, I reveal the shocking truth behind Israel's Mossad planting deadly devices in pagers ordered by Hezbollah. Joined by lawyer and journalist Dimitry Lascaris, we expose the dangerous global implications—this isn't just espionage, it's terrorism and a war crime, all ignored by Western media. We uncover the sinister connections between Zionist ideology, Christian nationalism, and neoliberal politics, showing how civilians are left to suffer while world powers look the other way. Our political system is failing, and bold, principled leadership is more urgent than ever. Don't miss this eye-opening truth they don't want you to know.   Find me and the show on social media. Click the following links or search @DrWilmerLeon on X/Twitter, Instagram, Facebook, Patreon and YouTube!   Hey everyone, Dr. Wilmer here! If you've been enjoying my deep dives into the real stories behind the headlines and appreciate the balanced perspective I bring, I'd love your support on my Patreon channel. Your contribution helps me keep "Connecting the Dots" alive, revealing the truth behind the news. Join our community, and together, let's keep uncovering the hidden truths and making sense of the world. Thank you for being a part of this journey!   Wilmer Leon (00:00): Reuters reports. Israel's Mossad spy agency planted a small amount of explosives inside as many as 5,000. Taiwan made pagers ordered by the Lebanese group Hezbollah months before they were detonated. Is anyone safe? Let's talk. Announcer (00:27): Connecting the dots with Dr. Wilmer Leon, where the analysis of politics, culture, and history converge. Wilmer Leon (00:34): Welcome to the Connecting the Dots podcast with Dr. Wilmer Leon and I am Wilmer Leon. Here's the point. We have a tendency to view current events as though they happen in a vacuum, failing to understand the broader historic context in which most of these events take place. During each episode, my guests and I have probing, provocative, and in-depth discussions that connect the dots between these events in the broader historic context in which they occur. This enables you to better understand and analyze the events that impact the global village in which we live on today's episode. The issue before us is, as I said earlier, is anyone safe? Israel's consumer tech terrorism across Lebanon signals a terrifying new threat raising urgent concerns about the security of international supply chains and the growing insecurity of civilians worldwide. For insight into this, let's turn to my guest. He's a lawyer and journalist. He's based in Montreal, Canada and Kalama Greece. In fact, he joins us from Ada Greece. Dimitry Lascaris, Dmitri, welcome to the show. Dimitry Lascaris  (01:48): Thank you, Wilmer. It's a pleasure to be here. Wilmer Leon (01:51): So I thought that this most recent act of terrorism in a spate of acts of terrorism would be a great place to start the conversation. The cradle reports that this brutal attack should serve as a dire warning to the world. A stark reminder that the occupation states criminal actions, no, no limits indiscriminately targeting those who challenge its interest or those of its Western allies. Dmitri, your thoughts? Dimitry Lascaris  (02:24): Well, for really decades, but particularly the last 11 months, the West and particularly the major Western powers, the governments of the United States, Britain, Germany, and France, have sent an unequivocal message to Israel. And that message is you can do whatever you want. There's no red line From our perspective, we will continue to shovel weapons your way, even if that involves the depletion of our own weapon stocks. We will continue to exercise vetoes or abstentions at United Nations. We will continue to repeat your lies and support you rhetorically and from a propagandistic perspective. We'll continue to give you trade benefits under free trade agreements. So-called free trade agreements between our countries and yours. We will not impose any sanctions on you, even though we've imposed sanctions on states that were far less violative of international law and human rights than you. That's the message. They got the message very loudly and clearly, and I fear, I hope I'm wrong, Wilmer, I really do. (03:31): But I fear that this pager, walkie talkie terrorist attack is just a harbinger of things to come. Who knows what dirty, nasty, terroristic tricks Israel has up its sleeve, and it is not used up until this point in time because frankly before the genocide began in Gaza, there was some restraint being imposed upon Israel. It wasn't much, but there was some, so occasionally you would get leaders of the United States or other western countries signaling to Israel that their appetite for the depravity of this genocidal regime was not unlimited, but that's gone away now. And so everything that Israel is capable of doing from the perspective of violence, terror, oppression, we are now going to see it's all going to come out. And I think that this is just an indication of what is coming. What we saw in Lebanon last week, and it was as the former head of the CIA Leon Panetta said to a national audience on CBS last week, it was unquestionably a form of terrorism. Wilmer Leon (04:38): When someone in the position and former positions such as Leon Panetta makes a statement like that, what does that signal to you? Former head of the CIA, he's from the Clinton camp and advisors advisor Conti to the biggest and the best, and I put that in quotes. What does that signal to you? He definitely went off script on that one. Dimitry Lascaris  (05:16): Yeah, I don't think that Leon Panetta has had a come to Jesus moment. I think he's still the self-interested war monger, (05:27): Neoliberal that he always was. So when I saw this statement, which was startling, it was quite something to see the former head of the CIA. And by the way, this was not surprisingly, I guess picked up by the Israeli press. The Times of Israel had an article yesterday which was expressing its chagrin that Leon Panetta said this. So what's going on here? I can only hazard a guess Wilmer because I'm not in the man's mind and nor do I have any desire to be. But the first thing that popped into my head was this guy has some connection to a major technology company, and he's doing this because his boss or his benefactors in the technology industry are alarmed. They're alarmed about the fact that their business model is being threatened by Israel's latest technological terrorist gimmick. And sure enough, I didn't know this before I learned of the Panetta statement to CBS, but I discovered that he is on the board of Oracle, one of the most important, significant, powerful and influential technology companies in the world based in the United States. (06:30): Of course, whether this is influencing him, I can't say for sure, but the best guess that I can hazard based on the limited information available to me is that his colleagues in the technology industry are very upset about this and so should they be. If they're not, they aren't nearly the wizards and geniuses that they claim to be. If I were in their position, I'd be saying already the public has serious doubts. Thanks, for example, to the heroic revelations from Edward Snowden about the devices we sell to them, the technologies we sell to them, they already suspecting that this is a means whereby we can engage in mass surveillance, destroy their privacy, but never before have they thought that these devices that we sell to them are potentially bombs that could blind them, dismember them, kill them, or their children. Now everybody, any rational human being out there who knows about this terrorist attack has that thought in their mind, and that is a serious threat to the profitability of the Western technology industry. Wilmer Leon (07:40): One of the things that really, I use the word surprise, but I use it guardedly, is how little follow up there has been with Western media in terms of how horrific these actions by Israel have been. I remember reading a story, I think the young girl's name was Fatima, she was maybe five or six years old. Her father's pager was on the kitchen table. The pager goes off, she picks up the pager to take it to her father, and before she can get to him, the pager explodes. And I think the story said blowing off half of her face. And this happened all over Lebanon and it was reported on, but the context in which it was reported on was solely, solely lacking. Dimitry Lascaris  (08:38): I am going to plug two outlets right now, and I want be clear before I do that, that I have absolutely no connection to them. None whatsoever. And they are two telegram channels. One of them is called the Military Media Channel and the other is called the Resistance News Network. These were brought to my attention a few months ago by people in Lebanon who are sympathetic to the resistance. And every single day Wilmer, I spend, I devote an hour to two hours to reviewing what they put out, not because I believe everything that they say they're engaged in a war and information is part of warfare. So I'm cognizant of that, but they're giving us, they offer to us another perspective. So one of the things that I've learned by following the military media channel and the Rise News Network is that an extraordinary number of people, and they've offered gruesome video evidence and photographic evidence to back this up in Lebanon, were blinded by these devices. (09:42): People lost their hands. There are people with holes in their pelvises, in their abdomens, and I'm talking about children, women, elderly men, and of course military aged men. A cross section of Lebanese society was basically maimed, wounded and killed massed by these attacks. You're not going to find this information in the Western media, nor would you find information in the western media about the retaliation that Hezbollah has engaged in since then. It's amazing the disparity of the information you see from them and what you're seeing from the Western media. All of these sources I counsel, everybody who's listening to our conversation should be approached with a healthy degree of skepticism. You should believe nothing on its face, always exercise your own independent thinking, your capacity for critical thought, but do not confine yourselves to Western media because if you do that, you're going to end up supporting a diabolical, genocidal regime. That's what's going to happen to you. You need to have access to all sources of information and think critically. Wilmer Leon (10:48): Another source that I go to is Laith maros free Palestine tv. For me, that's another invaluable source for getting an alternative perspective. I'm glad that you framed it in the manner in which you did, because one of the elements of the so-called analysis is October 7th. It says, though this conflict started on October 7th, ignoring the decades of oppression that Palestinians have been subjected to. When I listen to whether it's Kamala Harris, when I listen to former President Donald Trump, if they make reference to the conflict at some point in their dialogue, it's going to be October 7th. Look what Hamas did on October 7th, totally ignoring 70 years of oppression. And so how this gets framed is very, very important. Dimitry Lascaris  (12:01): Oh, 100% Wilmer. And I think that the answer that Kamala Harris gave in the debate with Trump to the question of how to deal with the human tragedy as they call it, it's not really a human tragedy, it's much more than that. It is a genocide. In Gaza, the way she responded, Wilmer Leon (12:21): The earthquake in Haiti was a human tragedy. Correct. Dimitry Lascaris  (12:28): Humans did not cause the earthquake. You're right. Absolutely. Wilmer Leon (12:31): Exactly. And so I made that point again because how these things get framed is incredibly, famine is a human tragedy. Floods are human. So go ahead. Dimitry Lascaris  (12:45): So the first thing out of her mouth, and I'm sure you know this Wilmer, probably many of the people listening us know this. Kamala Harris went into that debate with extensive training from public relations professionals. And she was told, when you get the question about Israel, because she knew there, they all knew a question about Israel was coming. This is how you start your answer. Wilmer Leon (13:09): Wait a minute, wait minute, wait minute, wait a minute, minute, wait a minute. Lemme see if I can channel my inner Dmitri Karus. Israel has a right to defend itself. Dimitry Lascaris  (13:20): That was actually the second thing mouth, the first thing out of her mouth. There was no question. You're absolutely right. That was going to be front and center in her answer to any question about Israel and Gaza. But the first thing out of her mouth was, let's remember when this all began. October 7th, right? A colossal lie, A stupendous lie. And of course, the moderators who in my opinion were extraordinarily biased in favor of Kamala Harris, they didn't do any fact checking of her. They said nothing at this point. It might've been the most audacious lie during the entire debate, the one that certainly has the most impact on actual human lives. This did not start on October 7th. This started decades ago when the Palestinian people were dispossessed of their land forcibly by Zionist militias in the nakba. And even before then, (14:16): And it has continued year after year after year, you can go and consult the casualty figures from any independent reputable source like the United Nations. And you will find that year after year after year for decades, the Palestinian people have suffered far more civilian casualties than Israelis every year. And it's a multiple. We're talking about a ratio 10 to one, 15 to 1...21. How the hell can you say in good conscience that all of this began what we're seeing today in Gaza and now in the West Bank, that this began on October 7th. It takes a colossal act of self-deception and mendacity to say such a thing. And she was prepared to say exactly that, and it was the first thing that came out of her mouth. This is the peculiar expertise that sort of the propaganda system part excellence that we have in the West is they always start history on the date that is most advantageous to their narrative always. And we always fall for this like suckers, like chumps, like as Malcolm X said many times, you're a sucker, you're a chump. That's exactly what we are when we believe this crap, that history starts on the date that's most advantageous to our government's narrative. So Wilmer Leon (15:33): Article 51 of additional protocol one to the Geneva Convention from 1949, it prohibits the indiscriminate attacks on civilians and Article 85 lists attacks on civilians as grave breaches, that amount to war crimes, still talking about these pagers in these walkie talkies, you have to identify who qualifies as a combatant under international humanitarian law when analyzing the pager detonations, and this is from the cradle, when analyzing the pager detonations from a legal standpoint, it becomes clear that Israel's killing spree in Lebanon lies somewhere between a war crime and an act of terrorism. And they say the classification depends on the current state of affairs. Your thoughts, because one of the things to your point about, we have to look at this in the context of October 7th, a lot of this depends on how it gets classified. But as a former prosecutor, if she does not realize when she makes the statement about October 7th, when she makes the statement about Israel has the right to defend itself based upon international law, that's just flat out wrong. Dimitry Lascaris  (17:10): Yeah, I need to address this whole thing about a former prosecutor. Okay? And I know you're entirely right to bring this up, that that's what she is, Kamala Harris, and that's what people constantly point out about her. Let's just start by acknowledging that the US justice system is rigged. It's rigged against people of color, the poor, minorities, workers. It always has been, and it arguably is worse now that it has been at any time in the post World War II history. And so Kamala Harris, the fact that she was a prosecutor, nobody should think that that for one moment has conferred upon her any expertise in of the rule of law. Prosecutors in the United States are basically instruments of oppression, and that's what she was when she was a prosecutor. In any event, it's important to know that something can be a war crime in an act of terrorism. (18:05): At the same time, these concepts are not mutually exclusive and in my opinion, as a capacity as a lawyer, these fall squarely within the definition of a war crime. And within the classical conventional definition of terrorism in the West, which is the use of violence or threats of violence against civilians or civilian infrastructure in order to achieve a political objective. Clearly the political objective here is to terrorize the Lebanese population into either turning against Hezbollah or if you're already a supportive of Hezbollah, to demanding that Hezbollah stand down and allow Israel to complete the genocide without any armed resistance from outside of occupied Palestine. That's the political objective. And clearly this was going to have a massive and unknowable impact on the civilian population because nobody can know where a pager is going to be at any time. If you just think about, I don't know if you've used a pager before or some other electronic, Wilmer Leon (19:09): I'm old enough, I'm pre-cell phone. You can tell by the gray. Dimitry Lascaris  (19:12): I'm pre too. In days bygone, I too used a pager. So I used many different, I used a Blackberry, I used a Motorola phone back in the nineties. And think about what you did with that device when it was in your possession. Oftentimes you put it down in the kitchen. Sometimes your children would play with it, sometimes you would leave it in your car, you'd forget it in your car, or sometimes you'd have it on you while you're driving your car. Or you might just be a civilian who is or is not sympathetic to Hezbollah like a doctor and you use this device. There is absolutely no way Wilmer, absolutely no way that the Israeli military could have made a confident assessment of who was going to be killed and maimed directly and indirectly by the explosion of these devices, by the detonation of these devices that is both a war crime and an act of terrorism. Wilmer Leon (20:13): A minute there's, there's another element to this as well. I believe there's a cultural element in the West, the cell phone, the pager is a very personal item. I don't give my cell phone, I don't even give my cell phone to my son. He has his own phone. I don't give my cell phone to my wife. She has her own phone. In many African countries and middle Eastern countries, there may be one cell phone in a family, and so it gets or pager, it gets distributed and used, I'll say indiscriminately within a family. It could be within a neighborhood. So you don't even really know at any given time who's going to be to your point. But I also wanted to add the cultural aspect of this. You have no idea whether the person whose name is on the contract is going to be the sole user of that device. Dimitry Lascaris  (21:24): I think that's an excellent point. The only modification I would add to it is that I wouldn't say it's so much cultural as it is socioeconomic. Wilmer Leon (21:34): Okay, I got it. Dimitry Lascaris  (21:35): But at the end of the day, it's a distinction without difference Wil. But I think what, from my perspective, why your point is so powerful is because people living in West Asia generally don't have ordinary citizens. The economic means that we have. Wilmer Leon (21:51): Correct, correct. Good point. Dimitry Lascaris  (21:52): You can't have multiple devices in a family. Absolutely. That is a very important consideration. But also another consideration is that a pager, one of the reasons why we want to have our own cell phones is because there's a lot of stuff in there that's personal to us. Emails, there's text messages and so forth. The page is different. A pager just makes a noise when somebody wants to draw your attention to something. (22:17): So people are much more, I think, willing to share pagers with others, leave them in the possession of others. Then they might be with a cell phone, for example, or a tablet. So this is a particularly dangerous device. And if you're going to use it as an explosive for all of the reasons that you and I have been discussing, there is a very high potential that you are going to maim or kill innocent bystanders. And you have no way, no way of accurately assessing what the damage is going to be to the people in those categories. Wilmer Leon (22:52): And that is considered by international standards, collective punishment of civilians. And that is illegal. And I understand your point about being a prosecutor, but she was a prosecutor. And I go back to that because that's a point that her campaign and that she loves to make, that is a point of validation of her and for her. So since they want to use that point, then I'll use the point. Dimitry Lascaris  (23:24): Totally, totally. You're absolutely right. Absolutely. Wilmer Leon (23:28): It's just wrong. The world isn't flat, the sun doesn't revolve around the earth, and one plus one does not equal 17. I want to go back to something else that Joe Biden has said on more than one occasion that he is a Zionist. In fact, the last maybe it wasn't the, yeah, I think it was the last time Netanyahu was at the White House, sitting next to Joe Biden, he turned to Joe Biden and said, you are a Zionist. In fact, he said, you are a Irish Zionist. That spoke volumes to me. It took me back to the Secretary of State saying, when he first got to the region in October, I'm not only here as the American secretary, Tony Blink said, I'm not only here as a Secretary of state, I'm here as a Jew. What does that say to you about the mindset and how do statements like that resonate within the region when the United States continues to try to hold itself out as some unbiased arbiter of this conflict? Is that a valid question to ask? Dimitry Lascaris  (25:01): Well, first of all, let me say that in defense of our brothers and sisters in Ireland, most of them are not Zionists. In fact, in Europe, the Irish people, I'm not talking about the political elite Ireland, the Irish people are amongst the most principled and courageous and sympathetic when it comes to the Palestinian cause, number one. Number two, I think what Anthony Blinken said was antisemitic because he was implying that if you're a Jew, you support this genocidal regime and all of the crimes that's committed over decades. But you and I both know that all around the world, there are conscientious members of the Jewish community, people who identify as Jews and who have always identified as Jews, who are adamantly opposed to Israel with every fiber of their being. So when Anthony Blinken goes to Israel and he says, I come to you as a Jew, he's implying that if you're a Jew, you support this monstrosity. (26:03): That's antisemitic fundamentally, in my opinion. But at the end of the day, and I'll tell you on a personal level, Wilmer, I've had to deal with this issue in a painful way. And the painful way in which I had to deal with it was about six years ago, there were two members of the Liberal Party caucus, the governing party in Canada who are Zionist and who happened to be Jewish as well. And I'll tell you their names. Their names are Anthony HouseFather and Michael Levitt. And at the time, Michael Levitt was the chairman of the Canada Israel Parliamentary Friendship Group. And Anthony Housefather was the vice chair, and they were the two most outspoken, aggressive defenders of Israel in the governing party's caucus. And just to give you an example of how aggressive they were in supporting Israel in 2018, a friend of mine who's a Palestinian Canadian doctor, his name is Ek Banani, he was shot by an Israeli sniper in Gaza while he was wearing medical garb. (27:10): And he was out in the field during the great march of return tending to civilians who were being shot by Israeli snipers. He himself took a bullet to each leg. And the liberal government, Justin Trudeau, on a rare occasion, condemned Israel for this. And these two characters, Michael Levitt and Anthony Housefather put out their own statement, even though they came from the same party as Justin Trudeau, and even though their boss was Justin Trudeau and defended what Israel did, and I pointed out, in my opinion, they were showing more devotion to Israel's apartheid regime than they were to Canada, which they took an oath to defend as parliamentarians. And for this, I was accused by the Prime Minister of antisemitism. I didn't say what I said because they were Jewish. I said, what I said, because they're radical Zionists. It's as simple as that. So we have to recognize, I think today that there are people in Western politics, some of whom are Jewish, but not all of whom are Jewish by any means, who place Zionist ideology over the interests of their own country. (28:23): And by the way, I saw this myself when I was a child of Greek immigrants growing up in Canada. My parents told me when I was a kid, they came from Greece. They had a nationalistic orientation, and they said, you are a Greek first and a Canadian second. They told me that when I was a little boy, they were putting the homeland where their country of origin, ahead of the country, where I, myself, their child was born. So this is not a phenomenon that's peculiar to the Jewish community. It's one that you see in all kinds of the Asdas, including my own, the Greek, the Aspera. We need to be honest and say there are people in this community and other communities who put the interests of a foreign state ahead of the country that they have sworn to represent. This is absolutely the case. And Anthony Blinken is a classic example of this. I mean, my God, he's basically telling people, he telegraphed from the outset that I'm going to prioritize the agenda of the Israeli government over that of the United States. And that's exactly what he has done every single day of this conflict. That man is unfit to be the Secretary of state of the United States. He is not serving the national interest. He is undermining the national interest. People need to be honest about that. Wilmer Leon (29:41): When you have, I think people, because of how events have unfolded, whether it be with the Ukraine, Russia conflict, whether it be with the United States trying to pick a fight with China over Taiwan, folks need to remember that the Department of State, the Secretary of State, is supposed to be the chief diplomat in the United States. When I say chief diplomat, that means using diplomacy, not militarism to solve conflict. But you have people in the Pentagon, which used to be known as the Department of War. You have people in the Pentagon looking at Tony Blink and saying, no, no, no, no, sir, no man, no, you're you. You're traversing down the wrong road here in a number of instances saying, we don't have the capability to engage in the level of militarism that you are invoking or trying to get us into. People need to understand this man is not doing his job, even though he's following in the steps of Hillary Clinton, even though he's following in the steps of Madeline Albright, he's not doing his job. Dimitry Lascaris  (31:05): Wilmer, I'm going to make a strong statement, and I'm going to go on a limb here. I think that pretty much every leader of every western country, every foreign minister of every Western country day, certainly the major ones, they're traitors, in my opinion, they're traitors. They are all betraying the interests of the people they have sworn to represent. This is true in Canada, the United States, Greece, where I'm currently situated, I believe this government as a moral matter. I don't know whether it's true from a legal perspective. I'm not offering a legal opinion here. I'm talking about ethics, morality, the moral matter. The Greek government is a traitor. They have sold us out to Brussels and Washington. They're looking out for the agenda of a narrow elite based in Brussels in Washington to the detriment of the Greek people. The same is happening in Canada. It's happening in France. (31:56): It's happening in Britain. And we as people need to rise up and put into power those who actually represent our interests right across the west. We are governed by vassals. Even the United States is governed by vassals. They're vassals of a US-based oligarchy and the military industrial complex. I cannot stress enough that incredible speech that Dwight d Eisenhower gave at the very end of his presidency. We don't talk about that enough. When he warned of the dangers of the military industrial complex, he was very clear. It was a very, very ominous warning that it was going to destroy American democracy. What happened within the next 10 years? JFK is assassinated. Malcolm X is assassinated, MLK is assassinated. Bobby Kennedy is assassinated. And from then, it's been downhill ever since, (32:47): Downhill, ever since. And we've moved gradually, incrementally towards fascism, an oligarchic led fascism. That's where we find ourselves today. People need to rise up. I'm not suggesting that people engage in violence. We can do this in a way that is nonviolent against the elites who claim to represent us and remove them from power as quickly as possible before we are all taken down by their depravity. Whatever you may think of the Palestinian cause, whatever you may think about Israel, this may not be something. This entire region may not be something that matters to you, but the implications of this go, they're global. They're global. If this stays out of control, we are all going to be devastated and impacted by it in a profoundly negative way. And ultimately, we may find ourselves in a nuclear Armageddon. Wilmer Leon (33:35): In fact, that right there, and you went down this litany of domestic assassinations, you didn't even go down the litany of African assassinations. That's a whole nother show. I just wanted to make that point. And this could also be, excuse me, a whole nother show. But I want you just to quickly, you mentioned you're in Greece. You mentioned the traitorous action of leadership. Greece has been subjected to an incredible amount of neoliberal policy and privatization, which has not, through machinations by the World Bank and the IMF and Greece has been suffering with this, I want to say it's one of the first European countries to find itself. If my memory serves me correctly involved in these practices, am I right to make that assessment? And I bring that up in validation of your point of how leadership has sold out the Greek people to oligarchs. Dimitry Lascaris  (34:47): Oh, it's so true of this country. Wilmer starting in 2010, a financial crisis that was precipitated not by the ordinary Greek workers. It was precipitated by the fraudsters, the liars, the cheats in the banking industry in Greece and beyond Greece. And so in order to bail out the banking industry, the Greek people were made to pay ordinary workers, citizens the most vulnerable. They imposed upon Greece starting in about 2010, a neoliberal austerity program, the likes of which no country in Europe had ever seen in the post World War II period. And the country suffered an economic contraction in excess of 25%, which is I think the height of the economic contraction in the United States during the Great Depression. That's how severe it was. And it was totally engineered by Washington, Brussels and Mario Draghi, who at that time was the president of UCB, was entirely avoidable. And the unemployment rate soared to something like 27, 28%. The youth unemployment rate was nexus of 50%. The suicide rate soared, the poverty rate soared, the lifespan of Greeks fell. This was all engineered by Neoliberals and in Washington and Brussels, and I think in many ways it was an experiment and they (36:10): Found out that they could get away with it. And now we're seeing this transported exported to the rest of Europe. We're seeing this done in Germany. We're seeing this done in Britain, and they just elected Keir Starmer, who's supposed to be a Labor party leader, who's supposed to be prioritizing the interests of workers. And one of the first things Keir Starmer government does, it comes out and says, oh, we're going to have to deliver some very tough medicine to you. We have some real budgetary difficulties, Wilmer Leon (36:38): Austerity measures. Dimitry Lascaris  (36:40): Absolutely. Absolutely. They don't represent us. This goes back to the question of treason. They do not represent us. They represent a neoliberal oligarchic elite whose appetite for wealth is insatiable. It's never enough. Wilmer, I got $500 billion. Ain't enough. I got a trillion dollars. Ain't enough. There's never enough money for these people. The Elon Musks of the world, the Jeff Bezos of the world, Larry Ellison, Warren Buffett. These people have an insatiable appetite for money, and they are ruling us. They are the true rulers of our societies. I'm sorry to say, this is not a conspiracy theory. This is just reality by now. We should be able to recognize this. Wilmer Leon (37:23): It started in Greece in two. Who would've thought they were talking about privatizing the Parthenon. They were talking about privatizing Greek antiquity. I said, what? They were going to sell the coliseum to private interests, to raise money to pay the debt. And so you've seen it in Greece, you've seen it in Italy. You've we're seeing it now play itself out in Germany. It's playing all over Europe. It's playing itself out in France. I just wanted to quickly hit on that point. So now getting back to the conversation that all of this is inextricably linked, but wanted to get back to the point of the expansion of the conflict. You now have Hezbollah sending missiles into Israel. You have Israel increasing its attack on Southern Lebanon. Talk about how dangerous it is becoming even more dangerous if that's even imaginable, that this conflict is escalating. And what I think a lot of people are mistaking, they are mistaking restraint on behalf of the resistance for weakness. Dimitry Lascaris  (38:48): Absolutely. And when the contrary is true, restraint is a sign of strength. When you were able to control your emotions in situations where most people would feel their passions being inflamed and would act in ways that are contrary to their own interests, that's strength. That's an inner strength that we should commend and admire, and whatever we may think of, the politics of these resistance organizations in the government that we're in that particular aspect of their conduct deserves to be commended. They have shown a tremendous amount of restraint, but that doesn't mean they aren't escalating the Islamic resistance in Lebanon. The armed wing of Hezbollah has now expanded the zone of attack well beyond the 20 kilometers or so to which they can find themselves during the first 11 months. They are now attacking areas outside of Haifa. I think they've quite consciously said, we aren't going to attack the center of Haifa, yet. (39:45): We are going to attack the outline areas to give the Israelis an opportunity to retreat from the precipice to which they have brought us. There are reports that they fired, that they hit areas outside of Tel Aviv. Again, not inside the heart of Tel Aviv, but outside, I think this is a message. We can hit Tel Aviv, we can hit Haifa, draw back from the precipice to which you have brought us. They have hit the Ramat David Airbase for the first time. They hit Raphael facilities, which this is a major military contractor in Israel, which produces their obviously inadequate air defense systems in its facilities. I think it's the largest production facility they have in Israel is just outside of Haifa. So they're sending a message in a very disciplined manner despite the suffering that they have incurred over the last 10 days, and really the last 11 months that civilian casualties on the Lebanese side have been much higher from day one of this war. (40:46): The destruction to civilian infrastructure has been much higher on the Lebanese side from day one of this war. And now the disparity between what the Israelis are suffering and what the Lebanese are suffering is growing even wider. And yet we are seeing this very calculated, measured response and let us hope that there are some adults in the room somewhere in the west who will get the message. So far, there is nobody, I mean, the speech that Biden gave, I didn't have the opportunity to watch it, but I read reports about it and I saw a couple of excerpts from it suggest to me that there is no one getting the message in Washington. No one. These people are as arrogant as ever. They're as determined as ever to support this regime until it takes down the entirety of West Asia with it. Wilmer Leon (41:32): Two quick points I want to get to before we get to Biden's speech, and we'll wrap up with that. One is I think when we talk about restraint, there are some practical elements of this restraint, because Iran has been very, very clear. They don't want a war. Hezbollah has been very clear. They don't want a war. The only ones that seem to be encouraging this are Ansar, Allah in Yemen. They're saying, oh, United States wants to attack us. Please, please do that. They're the only ones that really seem to be saying, Dimitry Lascaris  (42:13): Someone's got to be the Bad cop. Wilmer. Ansar Allah is the bad cop. Wilmer Leon (42:18): And folks need to understand that's a fight you don't want. I don't know if you ever saw the story about Mike Tyson on the airplane coming across the top of his seat to beat up the guy that was kicking his seat behind him, but imagine Mike Tyson coming across the top of his seat in an airplane. You don't want that smoke quickly, though I think this is another very important aspect of this that doesn't get a whole lot of articulation or explanation. The impact that Christian nationalism is a lot of people are just attributing this to mistakenly Judaism, Zionism. They're trying to conflate the two. They are not anywhere near being the same, but Christian nationalism gets left out of this analysis. Dimitry Lascaris  (43:09): Oh, that's so true, and it's so important. The first time I went to Israel or occupied Palestine, as I prefer to call it, was when I was 21 years old. So this would've been back in the eighties. And at that point, I was basically incapable of seeing through the propaganda narrative about Israel, I believed it was assigning island of democracy in the sea of barbarism, and we had shared values, and the Israelis were just trying to live their lives in peace. But there were people in the region who were determined to destroy them for antisemitic reasons. I believed all of that. I went to Jerusalem, and I don't even remember how I found out about it, but there was this huge gathering of evangelical Christians from the United States in an outdoor stadium to which Shiman Perez, who I think at the time he was the prime minister of Israel, I think delivered the most really, it was a tremendously racist, anti-Arab racist propagandistic speech about the Zionist agenda, and they were wildly supportive of him. I saw a level of fanaticism I'd never experienced in my life sitting that Audience. Wilmer Leon (44:32): Wow, okay. Dimitry Lascaris  (44:32): These were American evangelical Christians, thousands upon thousands of them. It only was later in life that I realized as I came to study this conflict more closely that there are lots of reasons to believe that the most fanatical Zionists in the world are, in fact, Christian. Some of them are not even Christian or Jewish. They're secular. They described to this ideology for reasons that are completely non-religious. Wilmer Leon (44:58): Wasn't Theodore Herzl an atheist. Dimitry Lascaris  (45:00): I believe he was. That's my understanding. Absolutely. Yeah. (45:04): So this is a non religious ideology. It is an ideology of imperialism and colonialism and racism, and we shouldn't be shy about saying that, and never ever conflate that ideology with any particular religion or ethnic group, whether it be Judaism or Christianity, or of course there are many wonderful Christians who are adamantly opposed to what Israel is doing to the Palestinian people. There's a segment of self-professed Christians. I dispute whether they're Christians at all, just as I dispute whether Jewish Zionists are actually Jews. I have serious doubts about that. But they call themselves Jews. They call themselves Christians. They do not represent the Christian community. They do not represent the Jewish community. They represent an ideology that is racist and colonial. Wilmer Leon (45:50): In fact, to that point, Benjamin Netanyahu, his last name, his family last name isn't really Netanyahu. It's like WojaKowski, Mil Mil Milakowski, Milakowski. His grandfather immigrated from Poland to the region in 1920 and Arabis the family last. And there are a number of those who now are proclaiming their rights to that land, when in fact they are European immigrants. That that's hence the whole thing in terms of it's a settler colonial project. And people and settler colonial projects don't go nicely. They don't go quietly when you invade somebody else's land. The people that are there, the indigenous population usually wants to resist. But I make the point that so many of these people that are proclaiming a heritage to the space are actually parts of a settler colonial project. Dimitry Lascaris  (47:13): Absolutely, and you reminded me. So it's something I got. It's a be on my mind. And I got to say, does everybody notice when Netanyahu speaks? He sounds like he comes from the streets of New York because Wilmer Leon (47:23): He does, or Philly. Dimitry Lascaris  (47:25): Philly, yeah. Or Philly. Sure. I lived in New York for six years, and if I ran into that dude in the street and didn't know who he was, I'd say he was in New York or he is a Philly. He's from the northeast of the United States. Why does he speak that way? Because fundamentally, he is an American and he's speaking to an American audience. He's not from the region, he's not indigenous the region. I mean, come on, man. Benjamin Netanyahu, that man is indigenous to the region of West Asia. He's an alien in the region of West Asia, and he's treating people in the region like he's an alien. And why does he speak that way? He speaks that way because ultimately the very existence of Israel depends upon the sport of the United States people, the Society of the United States. Without that support, Israel would not exist in its current form. Impossible. Wilmer Leon (48:15): Final point here, and you mentioned Joe Biden's speech at the un. I want to read two short excerpts, which I think speak volumes from a couple of perspectives. The Washington Post reported Biden points to the relative success of his administration's efforts to rally western support for Ukraine, coordinating a robust response with European partners to the Russian invasion and reinvigorating the transatlantic alliance. He stressed, he didn't want to see a full scale war between Israel and Hezbollah in Lebanon. He called for the war to end. Innocent civilians in Gaza are also going through hell. Thousands and thousands killed including aid workers. Too many families dislocated crowding into tents facing a dire humanitarian situation. They didn't ask for this war. Hamas started. (49:16): So a couple of things. One, I'm looking at what he said, and I'm looking at how the Washington Post has reported. I go back to the question we talked about earlier. When we hear Vice President Harris, secretary of State, Blinken Biden and others say that Israel has the right to defend itself, then you hear Biden say, this war has to stop. Well, the conflict in Ukraine started under his administration, and the United States started the conflict again, talking about restraint being mistaken for weakness. And in terms of what he sees in Gaza, if he truly wants it to stop, all he has to do is pick up the phone. Tell Netanyahu you don't get another artillery shell. You don't get another tank, you don't get another dime, and the war stops in two days. Is that too simplistic, Dmitri Karus? Dimitry Lascaris  (50:23): No, there's absolutely not. It is absolutely the reality, and I'm as hostile to the Israel lobby as anybody, so please don't mistake me as an apologist for the Israel lobby. But I think that people like John Meir shier, for example, all my respect a lot are grossly overestimating the power of the Israel lobby. I don't think that, sure, the Israel lobby can take out people who don't have a lot of power. (50:56): They can take out like Val Bowman, they can take out Cori Bush, and maybe people are somewhat more powerful, but the president of the United States states, the sitting president of the United States, what are they going to remove him from office? No, they're not going to be able to remove him from office. If he wanted to actually stop the war in Gaza, he could stop the war in Gaza with a phone call. It is that simple. He doesn't do it because as he told us, he's a Zionist. I mean, he told us, and he's also said repeatedly, Wilmer, as I'm sure you know, if Israel didn't exist, we would have to invent it in order to protect America's, what he calls, not really, but what he calls America's strategic interest in the region. What that really means is the interest of the US oligarchy, not the American. (51:39): The unsinkable aircraft carrier in the region. (51:44): A hundred percent. A hundred percent. So all of this is Kabuki theater. Joe Biden wants Israel to achieve the agenda that Netanyahu is set for it, which is to destroy by any and all means necessary any resistance to Western slash Israeli hegemony in West Asia. He wants them to achieve that objective. That should be our operating assumption. And just because from time to time, he or Blinken or anonymous sources go to the press and say, oh, we're frustrated with Benjamin Netanyahu and we really want to cease fire, and man, we feel so terrible about what's happening to those civilians, too many are dying. Nobody should buy any of this crap. Watch what they do. Don't listen to what they say, watch what they do. And what they're doing is enabling a genocide that is unequivocal. Wilmer Leon (52:37): And you mentioned the power of APAC, and we will wrap up with this. And folks, those of you that are listening to this, that are rolling your eyes and saying, oh, this is propaganda. Look it up. I mean, there's hardly anything that's been said here that you can't research and find to be true. APAC boasted back, I want to say it was in April in the New York Times, you mentioned Jamal Bowman and Cori Bush. They touted, they bragged in the New York Times and the Washington Post that they were going to spend $100 million in the US election to unseat Democrats that they deemed to be anti Zionist. And Jamal Bowman and Cori Bush were victims of that. And I put that in quotes because at the time that that story was released, I didn't hear anybody in the Democratic Party come out and challenge APAC for making that statement. (53:46): It was only after Cori Bush lost that. She then came out and said, APAC, I'm coming after your village. Well, if you'd have said that on the front end, you'd probably still be in office because that could have been used as a rallying point. If they're going to spend a hundred million dollars, we need a hundred million votes. That to me, would've been the line that would've made the difference. And Kamala Harris finds herself in the same position. When you look at the data, over 70% of Americans want this thing ended and they want it ended. Now, she would gain votes outside of the money she would lose from APAC funding. If she were truly looking at this from an electoral politics perspective, she would gain votes. The race wouldn't even be close if she erred on the side of Wright. And on the right side of history with that, Dimitri Lascaris, I'll let you take us home, what you got, Dimitry Lascaris  (55:02): You can get elected in the United States, despite all the obstacles by running as a principled candidate committed to the wishes and the priorities of the people, you can absolutely get elected. The problem Wilmer is that the system is constructed in such a way as to squash anybody who actually has a commitment to justice and to representing the wishes of the people. There are a series of filters that have been set up. So for example, you're seeing now, I'm actually working on Jill Stein's campaign. (55:33): They're waging, and I don't think any candidate is perfect, and I don't have an expectation that Jill is going to win. I certainly would love for that to happen. But the Democratic Party is waging war against the Green Party candidacy in every single state, a legal warfare. And they have enormous resources at their disposal to do that because the oligarchy is funneling massive amounts of money to them, to squash candidates like Jill Stein. If we had a system where it was a level playing field, so people who were truly committed to the wishes of the people and were able to, they were given an equal amount of airtime to other candidates who favored the wealthy, for example, you would see principled, honorable, decent people being elected to public office over and over and over again. But we have a political system throughout the west. This is not peculiar to the us, although I think the US is a bit of an extreme case. It's also true in Canada, it's also true in Western European countries, a series of filters that have been established to squash candidates before they get an opportunity to present their case to the people. If we could get them before the people on an equal playing field, the best candidates would win time and again, the problem is the system is designed to defeat them before they even get out of the gate. Wilmer Leon (56:55): And to that, I say, dare to be moral, dare to stand on the side of right. Dare to be on the right side of history. With that, let me say Dimitri Lascaris, I want to thank you so much for giving me the time that you've given me today. I greatly, greatly appreciate it. Thank you so much for joining the show. Dimitry Lascaris  (57:16): Great pleasure, Wilmer. As always. We've had opportunity to speak before and it's the first time we had to meet today, and I love what you do and keep doing it. Wilmer Leon (57:25): Well, thank you. Thank you. Without guests like you, I'd just be sitting here talking to myself. Folks, thank you all so much for listening to the Connecting the Dots podcast with me, Dr. Wilmer Leon. Stay tuned for new episodes every week. Also, please follow and subscribe. Leave a review, share the show, follow on social media. You can find all the links below in the show description. Remember, this is where the analysis of politics, culture, and history converge because talk without analysis is just chatter, and we don't chatter here on connecting the dots. See you again next time. Until then, I'm Dr. Wilmer Leon. Have a great one. Peace and blessings. I'm out Announcer (58:10): Connecting the dots with Dr. Wilmer Leon, where the analysis of politics, culture, and history converge.  

This week, guest Steven Townshend brings us Izumo no Okuni, the original creator of Japanese Kabuki Theatre! A humble countryside shrine maiden, Izumo, travels to Kyoto in the early 1600s to help raise money for her temple, but her entertainment skills blow the minds of her audiences, giving birth to one of the most spectacular styles of theatre in existence. Why, then, don't we know her name? And why don't we see women performing Kabuki today?? You'll have to listen to find out! — — A Broad is a woman who lives by her own rules. Broads You Should Know is the podcast about the Broads who helped shape our world! BroadsYouShouldKnow.com YT/IG/FB @BroadsYouShouldKnow & TW @BYSKpodcast — 3 Ways you can help support the podcast: Write a review on Apple Podcasts Share your favorite episode with a friend or on social Send us an email with a broad suggestion, question, or comment at BroadsYouShouldKnow@gmail.com — Broads You Should Know is hosted by Sara Gorsky. IG: @SaraGorsky Web master / site design: www.BroadsYouShouldKnow.com — Broads You Should Know is produced by Sara Gorsky and edited by Chloe Skye, with original music by Darren Callahan.

Tonight on GeekNights we review the absolutely fantastic LUPIN III Kabuki Production. Even if you have never experienced kabuki and know nothing about it, this is 100% worth watching. It's a top tier experience. In the news, everything on Temu and Shein is full of poison and the updated Chicago Manual of Style just dropped!Related LinksForum ThreadLUPIN III Kabuki ProductionDiscord ChatLUPIN III Kabuki ProductionThings of the DayRym - ConsciousnessScott - The Podcast Index

Well, I'm still here! And today I'm joined by Alex Goldman (@AGoldmund) and Juniper (@CantEverDie) of Western Kabuki (@WesternKabuki)--which began its life as a Nicolas Cage podcast--to talk about GONE IN 60 SECONDS, which I hadn't seen since it first came out, and actually hated back then. Do I like it now? You'll have to listen to find out! (Yes, I do). In this episode we talk about what an incredible name Memphis Raines is, the incredible cast, the great car stunts, the one piss poor CGI stunt, Angelina Jolie's extremely Y2K hairstyle, Delroy Lindo, and the shockingly good soundtrack. So check it out, and remember: it never Raines, it pours.Check out Western Kabuki here: https://podcasts.apple.com/us/podcast/western-kabuki/id1647062210Alex has a new show launching next week! Follow it here: https://www.hyperfixedpod.com/Check out Crate Diving here: https://podcasts.apple.com/us/podcast/the-cratediving-podcast/id1713849016Support the show on Patreon! It's the one thing that's gonna help keep the show going: www.patreon.com/soundtracker

This week, we're continuing last week's footnote on daily life in Meiji Japan. Topics covered this week include life as a conscript in the army, changes to Japanese cuisine during the Meiji years, and entertainment from kabuki to early movies. Show notes here. 

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COVID, BLM, and the invasion were not enough to get the GOP on war footing. Will the Trump indictment create a revolution? Sadly, nothing will change. Speaker Mike Johnson (R-La.) is engaging in kabuki theater to pretend to be outraged but continues to fund the prosecutions. I offer all the different ways the GOP could fight back on the fiscal year 2025 budget bill, yet Johnson, with the support of Trump himself, will continue funding this. Furthermore, I note how we could have a knock-down, drag-out fight over the border – with states deporting illegal aliens, the GOP House refusing to sign off on the budget bill, and state AGs prosecuting Biden for human trafficking. Instead, we are electing the same Republicans in primaries who will do nothing.  Learn more about your ad choices. Visit megaphone.fm/adchoices