Podcasts about Bunraku

Spring has sprung and so has a new SHUDcast theme! Courtesy of Lucas we take a sample of his “Purple Flavored Kool-Aid” as we dive into Cult Movies aka movies about cults with his selection of THE SACRAMENT. Along the way we talk Magic, our 2025 horror movie draft successes and failures so far, The Monkey, and a whole lot about Jonestown.   Come join us on our Patreon where you get access to our Discord, full videos, and bonus episodes! More us! https://www.patreon.com/c/shudcast   00:00 - 18:40ish - Intros: Tons of Magic: The Gathering talk, nerd cultures, our 2025 horror movie draft.   18:40ish - 1:12:00ish - The other stuff we watched this time!   Cody - Anora, The Apprentice, Heart Eyes, The Gorge, Raiders of the Lost Ark, Indiana Jones and the Temple of Doom, Indiana Jones and the Last Crusade, Evil Dead 2, The Straight Story, The Substance, The Monkey,    Curtis - Anora, The Gorge, The Straight Story, The Monkey, Eyes Wide Shut, Captain America: Brave New World, Captain Kronos: Vampire Hunter, Spring, Inland Empire, Happy Together, The Dead Thing, The Assassin   Austin - Sing Sing, Companion, The Brutalist   Lucas - Anora, Interstellar, Dune Part Two, Pain & Gain, Bunraku, Last Seen Alive, Den of Thieves, What Did Jack Do?   1:12:00ish - 1:53:00ish - THE SACRAMENT - SHUDdown and discussion!   1:53:00ish - The next selection in “Purple Flavored Kool-Aid” sponsored by Cody! 

Yoshida Minosuke III, a performer of "bunraku" traditional Japanese puppet plays and a living national treasure, died at a hospital in the western city of Osaka on Thursday. He was 91.

What is going on when a graphic novel has a twelfth-century samurai pick up a telephone to make a call, or a play has an ancient aristocrat teaching in a present-day schoolroom? Rather than regarding such anachronisms as errors, Samurai with Telephones: Anachronism in Japanese Literature (U Michigan Press, 2024) develops a theory of how texts can use different types of anachronisms to challenge or rewrite history, play with history, or open history up to new possibilities. By applying this theoretical framework of anachronism to several Japanese literary and cultural works, author Christopher Smith demonstrates how different texts can use anachronism to open up history for a wide variety of different textual projects. From the modern period, this volume examines literature by Mori Ōgai and Ōe Kenzaburō, manga by Tezuka Osamu, art by Murakami Takashi, and a variety of other pop cultural works. Turning to the Early Modern period (Edo period, 1600–1868), which produced a literature rich with playful anachronism, he also examines several Kabuki and Bunraku plays, kibyōshi comic books, and gōkan illustrated novels. In analyzing these works, he draws a distinction between anachronisms that attempt to hide their work on history and convincingly rewrite it and those conspicuous anachronisms that highlight and disrupt the construction of historical narratives. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

What is going on when a graphic novel has a twelfth-century samurai pick up a telephone to make a call, or a play has an ancient aristocrat teaching in a present-day schoolroom? Rather than regarding such anachronisms as errors, Samurai with Telephones: Anachronism in Japanese Literature (U Michigan Press, 2024) develops a theory of how texts can use different types of anachronisms to challenge or rewrite history, play with history, or open history up to new possibilities. By applying this theoretical framework of anachronism to several Japanese literary and cultural works, author Christopher Smith demonstrates how different texts can use anachronism to open up history for a wide variety of different textual projects. From the modern period, this volume examines literature by Mori Ōgai and Ōe Kenzaburō, manga by Tezuka Osamu, art by Murakami Takashi, and a variety of other pop cultural works. Turning to the Early Modern period (Edo period, 1600–1868), which produced a literature rich with playful anachronism, he also examines several Kabuki and Bunraku plays, kibyōshi comic books, and gōkan illustrated novels. In analyzing these works, he draws a distinction between anachronisms that attempt to hide their work on history and convincingly rewrite it and those conspicuous anachronisms that highlight and disrupt the construction of historical narratives. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

What is going on when a graphic novel has a twelfth-century samurai pick up a telephone to make a call, or a play has an ancient aristocrat teaching in a present-day schoolroom? Rather than regarding such anachronisms as errors, Samurai with Telephones: Anachronism in Japanese Literature (U Michigan Press, 2024) develops a theory of how texts can use different types of anachronisms to challenge or rewrite history, play with history, or open history up to new possibilities. By applying this theoretical framework of anachronism to several Japanese literary and cultural works, author Christopher Smith demonstrates how different texts can use anachronism to open up history for a wide variety of different textual projects. From the modern period, this volume examines literature by Mori Ōgai and Ōe Kenzaburō, manga by Tezuka Osamu, art by Murakami Takashi, and a variety of other pop cultural works. Turning to the Early Modern period (Edo period, 1600–1868), which produced a literature rich with playful anachronism, he also examines several Kabuki and Bunraku plays, kibyōshi comic books, and gōkan illustrated novels. In analyzing these works, he draws a distinction between anachronisms that attempt to hide their work on history and convincingly rewrite it and those conspicuous anachronisms that highlight and disrupt the construction of historical narratives. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

What is going on when a graphic novel has a twelfth-century samurai pick up a telephone to make a call, or a play has an ancient aristocrat teaching in a present-day schoolroom? Rather than regarding such anachronisms as errors, Samurai with Telephones: Anachronism in Japanese Literature (U Michigan Press, 2024) develops a theory of how texts can use different types of anachronisms to challenge or rewrite history, play with history, or open history up to new possibilities. By applying this theoretical framework of anachronism to several Japanese literary and cultural works, author Christopher Smith demonstrates how different texts can use anachronism to open up history for a wide variety of different textual projects. From the modern period, this volume examines literature by Mori Ōgai and Ōe Kenzaburō, manga by Tezuka Osamu, art by Murakami Takashi, and a variety of other pop cultural works. Turning to the Early Modern period (Edo period, 1600–1868), which produced a literature rich with playful anachronism, he also examines several Kabuki and Bunraku plays, kibyōshi comic books, and gōkan illustrated novels. In analyzing these works, he draws a distinction between anachronisms that attempt to hide their work on history and convincingly rewrite it and those conspicuous anachronisms that highlight and disrupt the construction of historical narratives. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What is going on when a graphic novel has a twelfth-century samurai pick up a telephone to make a call, or a play has an ancient aristocrat teaching in a present-day schoolroom? Rather than regarding such anachronisms as errors, Samurai with Telephones: Anachronism in Japanese Literature (U Michigan Press, 2024) develops a theory of how texts can use different types of anachronisms to challenge or rewrite history, play with history, or open history up to new possibilities. By applying this theoretical framework of anachronism to several Japanese literary and cultural works, author Christopher Smith demonstrates how different texts can use anachronism to open up history for a wide variety of different textual projects. From the modern period, this volume examines literature by Mori Ōgai and Ōe Kenzaburō, manga by Tezuka Osamu, art by Murakami Takashi, and a variety of other pop cultural works. Turning to the Early Modern period (Edo period, 1600–1868), which produced a literature rich with playful anachronism, he also examines several Kabuki and Bunraku plays, kibyōshi comic books, and gōkan illustrated novels. In analyzing these works, he draws a distinction between anachronisms that attempt to hide their work on history and convincingly rewrite it and those conspicuous anachronisms that highlight and disrupt the construction of historical narratives. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

What is going on when a graphic novel has a twelfth-century samurai pick up a telephone to make a call, or a play has an ancient aristocrat teaching in a present-day schoolroom? Rather than regarding such anachronisms as errors, Samurai with Telephones: Anachronism in Japanese Literature (U Michigan Press, 2024) develops a theory of how texts can use different types of anachronisms to challenge or rewrite history, play with history, or open history up to new possibilities. By applying this theoretical framework of anachronism to several Japanese literary and cultural works, author Christopher Smith demonstrates how different texts can use anachronism to open up history for a wide variety of different textual projects. From the modern period, this volume examines literature by Mori Ōgai and Ōe Kenzaburō, manga by Tezuka Osamu, art by Murakami Takashi, and a variety of other pop cultural works. Turning to the Early Modern period (Edo period, 1600–1868), which produced a literature rich with playful anachronism, he also examines several Kabuki and Bunraku plays, kibyōshi comic books, and gōkan illustrated novels. In analyzing these works, he draws a distinction between anachronisms that attempt to hide their work on history and convincingly rewrite it and those conspicuous anachronisms that highlight and disrupt the construction of historical narratives. Learn more about your ad choices. Visit megaphone.fm/adchoices

What is going on when a graphic novel has a twelfth-century samurai pick up a telephone to make a call, or a play has an ancient aristocrat teaching in a present-day schoolroom? Rather than regarding such anachronisms as errors, Samurai with Telephones: Anachronism in Japanese Literature (U Michigan Press, 2024) develops a theory of how texts can use different types of anachronisms to challenge or rewrite history, play with history, or open history up to new possibilities. By applying this theoretical framework of anachronism to several Japanese literary and cultural works, author Christopher Smith demonstrates how different texts can use anachronism to open up history for a wide variety of different textual projects. From the modern period, this volume examines literature by Mori Ōgai and Ōe Kenzaburō, manga by Tezuka Osamu, art by Murakami Takashi, and a variety of other pop cultural works. Turning to the Early Modern period (Edo period, 1600–1868), which produced a literature rich with playful anachronism, he also examines several Kabuki and Bunraku plays, kibyōshi comic books, and gōkan illustrated novels. In analyzing these works, he draws a distinction between anachronisms that attempt to hide their work on history and convincingly rewrite it and those conspicuous anachronisms that highlight and disrupt the construction of historical narratives. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

What is going on when a graphic novel has a twelfth-century samurai pick up a telephone to make a call, or a play has an ancient aristocrat teaching in a present-day schoolroom? Rather than regarding such anachronisms as errors, Samurai with Telephones: Anachronism in Japanese Literature (U Michigan Press, 2024) develops a theory of how texts can use different types of anachronisms to challenge or rewrite history, play with history, or open history up to new possibilities. By applying this theoretical framework of anachronism to several Japanese literary and cultural works, author Christopher Smith demonstrates how different texts can use anachronism to open up history for a wide variety of different textual projects. From the modern period, this volume examines literature by Mori Ōgai and Ōe Kenzaburō, manga by Tezuka Osamu, art by Murakami Takashi, and a variety of other pop cultural works. Turning to the Early Modern period (Edo period, 1600–1868), which produced a literature rich with playful anachronism, he also examines several Kabuki and Bunraku plays, kibyōshi comic books, and gōkan illustrated novels. In analyzing these works, he draws a distinction between anachronisms that attempt to hide their work on history and convincingly rewrite it and those conspicuous anachronisms that highlight and disrupt the construction of historical narratives. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

What is going on when a graphic novel has a twelfth-century samurai pick up a telephone to make a call, or a play has an ancient aristocrat teaching in a present-day schoolroom? Rather than regarding such anachronisms as errors, Samurai with Telephones: Anachronism in Japanese Literature (U Michigan Press, 2024) develops a theory of how texts can use different types of anachronisms to challenge or rewrite history, play with history, or open history up to new possibilities. By applying this theoretical framework of anachronism to several Japanese literary and cultural works, author Christopher Smith demonstrates how different texts can use anachronism to open up history for a wide variety of different textual projects. From the modern period, this volume examines literature by Mori Ōgai and Ōe Kenzaburō, manga by Tezuka Osamu, art by Murakami Takashi, and a variety of other pop cultural works. Turning to the Early Modern period (Edo period, 1600–1868), which produced a literature rich with playful anachronism, he also examines several Kabuki and Bunraku plays, kibyōshi comic books, and gōkan illustrated novels. In analyzing these works, he draws a distinction between anachronisms that attempt to hide their work on history and convincingly rewrite it and those conspicuous anachronisms that highlight and disrupt the construction of historical narratives. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of the Why Distance Learning? podcast, our hosts interview Sara Burmenko from the Center for Puppetry Arts, delving into the unique world of puppetry as an educational tool. Sara shares her journey from an education major to becoming the director of the digital learning department at the Center for Puppetry Arts, emphasizing how puppetry bridges cultural and educational gaps globally. Her insight into the evolution of puppetry underscores its universal appeal and educational potency, particularly its ability to make learning accessible and engaging across various cultures and languages.The discussion also explores the technical and expressive aspects of puppetry, with a spotlight on different puppetry styles like Bunraku and shadow puppets. Sara's passion for puppetry shines as she describes its educational applications, from teaching history through masks to exploring ecological themes with butterfly puppets.This episode not only highlights the adaptability of puppetry in education but also resonates with the podcast's theme of making educational experiences accessible through innovative distance learning methods. The conversation concludes with a reflection on the transformative potential of distance learning, akin to historical advances in public access to knowledge.For more insightful episodes, follow the podcast, share with friends, and explore the detailed show notes linked below.Guest Links:1. Center for Puppetry ArtsHost Links:1. Browse amazing virtual learning opportunities at Tami Moehring and Allyson Mitchell's CILC.org2. Seth Fleischauer's  Banyan Global Learning helps schools leverage technology for teacher and student wellness including AI literacy PD for teachers and, for students, live virtual learning experiences in Character Education: banyangloballearning.com

Jala is joined by Moxie (The Level (https://www.thelevelpodcast.com/)) and Will (Friday Night Gamecast (https://fridaynightgamecast.buzzsprout.com/)) to discuss the star-studded 2010 surreal adventure movie Bunraku. SPOILER WALL AT 51:19 Mentioned during the episode: * Bunraku puppet theater (https://youtu.be/8F-xtbiTtjQ?si=hQGpPbIBeUwKFK2U) * Repo! The Genetic Opera (https://en.m.wikipedia.org/wiki/Repo!_The_Genetic_Opera) * Zatoichi Meets Yojimbo (https://www.facebook.com/AikidoofMontclairVillage/videos/zatoichi-meets-yojimbo-1970-1h56m-aka-zat%C3%B4ichi-to-y%C3%B4jinb%C3%B4/548052872635477/) Support this show via Ko-fi! Just like Patreon, there are subscription tiers (with bonus content!) in addition to the ability to drop us a one-time donation. Every little bit helps us put out better quality content and keep the lights on, and gets a shout out in a future episode. Check out ko-fi.com/fireheartmedia (https://ko-fi.com/fireheartmedia) for the details! Don't forget to rate & review us on your podcasting platform of choice~ Jala Prendes - @jalachan (https://twitter.com/jalachan) The Level (https://thelevelpodcast.com/hosts/jala) Ko-fi (https://ko-fi.com/fireheartmedia) Swag Shop (https://www.teepublic.com/user/fireheartmedia) Moxie is an internet cryptid, but may be found in the Jala-chan's Place Discord server and the Duckfeed Slack. The Level (https://thelevelpodcast.com/hosts/david) Will Adeshina - @realkingzosotai (https://twitter.com/realkingzosotai) Friday Night Gamecast (https://fridaynightgamecast.buzzsprout.com/) Patreon (https://www.patreon.com/fridaynightgamecast?fan_landing=true) Special Guests: Moxie and Will Adeshina.

Lethal Mullet Podcast: Episode #247: Bunraku   From director Guy Moshe comes a very different, and visual feast, a mix of comic book, artistic, bunraku and pop-up book inspired story telling that is a must see. Starring Josh Hartlett, Woody Harrelson and Japanese music star: Gackt the film is a spaghetti western fused with martial arts with wild characters. Join us as we enjoy a rewatch and chat Bunra Contact: Site: fpnet.podbean.com Twitter: @fanpodnetwork Facebook & Instagram: Fandom Podcast Network Adam: @thelethalmullet (Twitter/Facebook/Instagram) FPN Master Feed: fpnet.podbean.com Catch the flagship show: Culture Clash, Blood of Kings, and the host of amazing podcasts covering all of Lethal Mullet Podcast Flashback! #fandompodcastnetwork #lethalmulletpodcast #adamobrien #australia #popculture #action #movies #bunraku #gackt #ronperlman #woodyharreksmmmm

Send your questions or provocations to Adam or Budi here!In this week's episode, Adam and Budi discuss the fourth book for 2024, Yoshi Oida's "The Invisible Actor".Yoshi Oida, A Japanese speaking neither English nor French, became the first member of Peter Brook's international theatre company in Paris in 1968. Trained in the traditional Japanese arts of Noh theatre, Kabuki dance, and Bunraku storytelling, he became a leading member of the company. He participated in the extraordinary explorative journey through Africa and played starring roles in The Ik, The Conference of the Birds, The Mahabharata, and The Tempest. He was made Chevalier de l'Ordre des Art et des Lettres in 1992, and in 2007, made an officer of the same order.Mentioned in this EpisodeLa Belle Époque - Theatre Works 2024Myth, Literature, and the African World Support the Show.If you enjoyed this week´s podcast, please leave a review on Apple Podcasts. To submit a question: Voice- http://www.speakpipe.com/theatreofothers Email- podcast@theatreofothers.com Show Credits Co-Hosts: Adam Marple & Budi MillerProducer: Jack BurmeisterMusic: https://www.purple-planet.comAdditional compositions by @jack_burmeister

ΛƬSUMOЯI é um espectáculo que cruza dança, teatro, instalação sonora e instalação visual e que se afirma como “uma construção de arte contemporânea”. A obra de Catarina Miranda é apresentada, a 17 e 18 de Maio, no centro de arte contemporânea Pompidou, em Paris. A história parte de uma peça japonesa de teatro Noh, do século XV, em que o fantasma de uma criança-guerreira deambula pelo campo de batalha. A peça fala de espectros e rituais e mostra como a dança pode tornar visível o invisível. ΛƬSUMOЯI é apresentada como “uma peça de dança para um quinteto e um palco luminoso”, mas os palcos de Catarina Miranda mobilizam movimento, teatro, instalação sonora, instalação visual, histórias visíveis e rituais invisíveis. A criadora resume que ΛƬSUMOЯI é “uma construção de arte contemporânea”, inspirada na peça japonesa de teatro Noh de título homónimo, em que o fantasma de uma criança-guerreira, morta em combate, deambula por um campo de batalha. A inspiração surge da formação em teatro Noh, no Kyoto Art Center, no Japão, depois de se ter licenciado em Coreografia pelo Instituto Internacional de Coreografia/Centro de Montpellier e em Artes Visuais pela Escola Superior de Belas-Artes do Porto.ΛƬSUMOЯI é uma peça também definida como apotropaica, ou seja, uma dança que afasta o mal e que convoca o invisível. O resultado é um espectáculo em que se cruzam espectros e sombras, danças ancestrais e linguagens futuristas. O espaço cénico oscila entre a penumbra e reflexos fosforescentes, nos quais os corpos se dissolvem e se revelam, ao ritmo de uma composição sonora também ela "apotropaica".ΛƬSUMOЯI estreou a 27 de Abril no festival Abril Dança Coimbra e foi apresentado a 30 de Abril no Festival Dias da Dança no Porto. A 17 e 18 de Maio, a peça vai estar no Centro Pompidou, em Paris, onde Catarina Miranda apresentou, em Março de 2022, o espectáculo “Cabraqimera” e a instalação vídeo “Poromechanics”.Catarina Miranda: "Não é só dança, é arte contemporânea" RFI: A Catarina Miranda está no Centro Pompidou pela segunda vez. O que significa para si, artista visual, mas também coreógrafa?Catarina Miranda, Artista: “Eu penso que enquanto artista ou arquitecta de palco, é super entusiasmante apresentarmos estes espectáculos em diferentes palcos e com diferentes públicos. Para mim, vir ao Pompidou - e vir uma segunda vez a convite da Chloé [Siganos] - é de uma importância extrema porque durante todo o meu percurso eu nunca me senti artista visual ou coreógrafa ou música. Eu senti-me sempre uma artista de arte contemporânea, uma criadora de arte contemporânea. Mais do que artista, eu sou criadora e o Pompidou para mim também é a confirmação de que o trabalho que eu desenvolvo - e que desenvolvo sempre com equipas- é uma construção de arte contemporânea, não fica preso no formato da dança. Para mim, o Pompidou, que é um espaço a que eu vim muito nova, em que estudei as peças, que é dos museus com o maior espólio de arte contemporânea, obviamente, é um grande apreço estar cá porque sinto que estou no local correcto para apresentar este género de trabalho. Porque não é só dança, é arte contemporânea.”O que significa ΛƬSUMOЯI?"ΛƬSUMOЯI é o título homónimo de outro espectáculo de uma peça de teatro Noh, que eu estudei em 2018, num programa que se chama Traditional Theater Training, em Kyoto. Foi uma peça que, de certa forma, criou algum afecto comigo em algumas questões e eu pensei que seria interessante usar o mesmo título. Em termos de tipografia está manuseado, mas mesmo a palavra é o nome de um fantasma, de uma criança-guerreira que voltou ao campo de batalha para se vingar da sua própria morte. Depois foi uma personagem ficcionada e popularizada porque era uma criança aristocrata, era poeta, músico, artista. Então, era uma pessoa que não estava de todo preparada para enfrentar uma guerra e que acaba por ser morta e ser apanhada num conflito entre território e poder, que é uma temática que podemos rapidamente transpor para hoje, para toda a ontologia humana - uma criança que é apanhada no meio de marcas, no meio de um clã ou de outro."Como é que toda essa história e essa fantasmagoria se reflectem em palco? "O que me marcou e me afectou nesta peça foi não tanto a narrativa do espetáculo Noh, mas alguns conceitos que eu senti que gostaria de traduzir em palco e na temporalidade da arquitectura do palco. A primeira foi a sensação de: qual é o devir de ser espectro? O que é que implica ser espectro? Como se estabelece comunicação? Que corpo é este? Que sensação é esta de um espectro voltar para sempre ao sítio onde houve ruptura com o seu corpo e que cria uma segunda dependência que é a espectro-geografia, ou seja, a geografia está impregnada dos eventos que ali acontecem, que podíamos também facilmente dar exemplos concretos de hoje. E qual é essa relação do mundo dos vivos com o mundo do desconhecido que levanta questões mais filosóficas do que é que acontece quando há separação, quando há ruptura do corpo e o corpo fica desmembrado."A dança e o corpo são presença. Como é que se torna presente o que está ausente?"O que eu pensei é que seria muito interessante, por um lado, trabalhar níveis de visibilidade e níveis de presença, quase viajar entre níveis do que é visível e o que não é visível. Por isso, a arquitectura do palco é estabelecida enquanto lugares lumínicos e de sombra, quase como se estivéssemos sempre a atravessar vários níveis de comunicação e de visibilidade, mas também a necessidade de afirmar esse espectro na sua realidade, na sua condição nova. E na sua condição, se for o seu centro, reencontrará o seu corpo ou “remembrará” o seu corpo numa nova condição, até física. Por outro lado, não estará tão dependente desta obsessão de voltar para sempre a um ponto no tempo e no espaço."A obra começa na penumbra, ao som de uma composição sonora metálica. Depois há sons mais techno e electrónicos que marcam o compasso dos bailarinos em transe, por vezes em modo robótico. Há qualquer coisa de ancestral que se cruza com o futurista. Como é que cruzou estas diferentes linguagens e porquê estas escolhas?"Eu fui buscar várias referências de movimento ao teatro Noh em termos da essencialidade de gesto, do gesto essencial, da manipulação de objectos e também a elementos de outras danças mais religiosas, como o vudu e o candomblé, onde tanto a dança como a música têm o denominador comum do ritmo e do êxtase e da comunidade.  Ao escolher uma equipa de co-criadores de dança contemporânea e de danças também urbanas e de teatro, fomos compondo gestualidades que são composições de grupo, quase como se fossem memórias de organização social, mas também depois afirmações individuais de personagens que são sempre a mesma personagem e que aí também vai beber um pouco aos fantasmas que cada bailarino tem na sua memória muscular. Ou seja, o nosso corpo carrega também em si fantasmas, não no sentido filosófico, mas realmente temos toda uma aprendizagem impregnada na nossa musculatura a que também fomos tirar partido e, por isso, muitas danças ou muitas técnicas contemporâneas foram também traduzidas nesta composição coreográfica.Um ponto muito carinhoso para nós durante a peça toda, tanto em termos coreográficos como em termos da composição musical, é a questão apotropaica."Quer explicar-nos o conceito?"São todos os comportamentos, todas as acções e objectos que servem para afastar o mal, afastar a morte, afastar a doença, afastar o azar. Isso ocupa a banda sonora inteira, do início ao fim, e também as acções da peça, como o manuseamento de isqueiros para fazer faísca, palmas, vocalizes, chamamentos vocais, sussurros… Foi sempre tudo gravado pelo Lechuga Zaphiro e desenvolvido com os bailarinos para que houvesse realmente uma dança apotropaica, no sentido desta peça não só espantar, mas ser atraída por…"Espantar os fantasmas, mas ao mesmo tempo chamar os fantasmas?"Sim. Este palco é um quadrado suspenso, tem um chão e tem um tecto. A luz vem de cima e de baixo, quase como se estivéssemos a dobrar a luz do sol que pudesse iluminar de cima e de baixo ao mesmo tempo. O palco é todo desenhado por linhas de horizonte. Na cultura nipónica não existe nem céu nem inferno como na cultura cristã. Então, sendo ilhas, as almas podem repousar para além do mar, para além da linha do horizonte. Esta cenografia é toda cheia de linhas de horizonte."A linha é um elemento que não está apenas no espaço desenhado em palco, no rectângulo do chão e no do tecto. Há também uma fita vermelha que une os intérpretes. Esta é uma fita lendária na cultura nipónica. Que fita é e porquê utilizá-la?"É quase como se eu pudesse transportar a minha alma para outro corpo. Na cultura nipónica, seria uma fita do destino em que as almas estão juntas. Elas são irmãs gémeas e amam-se mutuamente, mas penso que aqui não é tão relativo a essa simbologia. É mais como eu consigo manter a minha linha de existência de várias formas, não só pelo gesto, mas também por me transportar para outro corpo ou por me projectar noutro corpo porque estamos sempre a falar de duplos e de dimensões dobradas.E a questão da linha do horizonte vem porque eu estava a falar sobre comunicação. Se eu pensar que este espaço é um espaço intersticial de linhas de horizonte onde eu não sei tudo - nós não sabemos tudo em termos de quântica e de compreensão do mundo - mas se nós pudéssemos ter todas as dimensões ao mesmo tempo, num só espaço, seria quase uma caixa de comunicação, uma telefonia em que podemos ter tudo a comunicar com tudo. E essa linha vermelha também vem nessa leva de comunicação entre corpos."A comunicação também acontece porque temos não apenas a dança, o movimento, mas também a instalação sonora, a instalação visual. Além de coreógrafa, é artista visual. Há uma vontade deliberada de acabar com as fronteiras em palco?"Penso que não é uma opção individual, pessoal, mas há realmente uma grande liberdade, de um grande prazer de podermos imaginar, projectar ideias que não estão só contidas num só formato. A arquitectura do palco permite-nos potenciar todos os sentidos e é, por isso, que me interessa trabalhar níveis de percepção que não são só dependentes do movimento, mas de como é que é percebido e, muitas vezes, como é que eu posso criar tensão pela oposição do som e da luz e do movimento ou como os posso dinamizar todos ao mesmo tempo e criar uma sensação de alívio, por exemplo."Falámos do som, do movimento, ainda não falámos propriamente da luz. Há cores fosforescentes, chamas douradas com as tais faíscas, há néons azuis... Como foram orientadas estas escolhas?"A peça é uma peça nocturna que vive entre os brancos, os roxos, os lilases e os azuis frios. À medida que a peça se vai desenvolvendo, nós vamos entrando num vermelho sangue, a linha vermelha que sai da boca, uma linha que aparece mais tarde com ‘o diabo da Costa do Marfim, o diabo dos casacos'. Há também um grande sol que aparece na plataforma de cima, em contraposto com uma pessoa sozinha a confrontar-se com a sua própria morte. A peça foi gerida de um luar para algo que é mais ontológico, que é mais carnal. Daí esta viagem, dos tons frios para o vermelho."Falou do ‘diabo dos casacos'. Há personagens atribuídas a cada intérprete?"A meu ver, todos os intérpretes são a mesma personagem, são o fantasma cansado desta criança. E são mais do que isso, são o confronto com a própria perda, com a perda de si próprio, de uma desintegração do corpo e, ao mesmo tempo, confronto também com o início de um novo ciclo e a afirmação desse novo ciclo.O monstro dos casacos, se assim lhe chamarmos, é uma personagem diferente. Ele é a adição de todas as superfícies, de todas as peles desta personagem, como se fosse o tempo. São várias peles, são várias superfícies. No teatro Noh existe uma ponte que leva da porta até ao palco, que é simbolicamente uma ponte que leva da realidade dos mortos à realidade dos vivos. Muitas vezes, a personagem principal sai com um figurino e volta a entrar com um figurino demoníaco. Ao longo de todas as peças Noh, há sempre uma revelação da personagem que começa, por exemplo, como uma rapariga inocente que está a contar uma história, mas que depois se revela um demónio que foi ruturado por alguma razão. E a mesma coisa também no espetáculo de marionetas japonesas, o Bunraku. Há sempre transformações, clivagens e revelações e isso interessa-me muito. Esta personagem vem nessa leva do que é mais do que humano, a temática é mais do que humana, passa para o abstracto, são superfícies que se movem de formas caóticas e não temos de explicar tudo no sentido narrativo."

And now for something completely different...This week Ben and Will dive into our second P-MoN installment of PUPPET HISTORY! For the first episode in this illustrious series, the Puppet Masters will be talking about the venerated Japanese style of puppetry known as Bunraku!  From its deep historical roots and connection with Kabuki Theatre to modern interpretations all over the world, come on and nerd out with us about some historical and international puppets! Join the discussion on our discord! https://discord.gg/JDtWJrhPF6 Follow us on twitter @PMoNPodcast and  Instagram and Threads @puppetmastersofnoneFind out more about the puppet masters on our website: https://puppetmastersofnone.wixsite.com/puppetmastersofnoneOriginal Music Composed by Taetro. @Taetro  https://www.taetro.com/

Dans cet épisode spécial de La 13, nous avons eu le privilège de recevoir Allebou qui vient tout juste de sortir son dernier projet intitulé "Epicerie du bonheur".Dès l'âge de 13 ans, Allebou a plongé dans l'univers du rap, conciliant sa passion avec ses études en sport-études. Depuis lors, il a tracé son chemin dans l'industrie musicale, lançant son premier morceau en 2016. Sa détermination et son talent l'ont amené à enchaîner les freestyles, les Open-mics et les concours, bâtissant ainsi une discographie impressionnante qui compte deux mixtapes, "Synthèse additive" et "Bunraku", ainsi que plusieurs EP.Influencé par des grands noms tels que Kerry James, Médine et Youssoupha, Allebou se distingue par sa capacité à rapper, chanter et kicker tout en transmettant des messages forts et lourds de sens à travers sa musique.Lors de notre conversation, nous avons également eu l'opportunité de revenir sur certains moments marquants de sa carrière, notamment son freestyle remarquable lors du Planete Rap de Maes et celui du Reglement. Ces deux freestyles d'une qualité extraordinaire ont véritablement marqué le début de son ascension dans le monde du rap.Cet épisode offre un aperçu captivant de l'univers artistique et de l'engagement de Allebou, nous plongeant dans les coulisses de sa création musicale et nous permettant de découvrir les messages profonds qui sous-tendent ses paroles. Become a member at https://plus.acast.com/s/la-13. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

This week Zak and Stevie discuss the bizarre and fantastical world of the movie Bunraku

En un Japón destrozado por la victoria aliada, una nueva generación de músicos nacidos en la década de los 30, se divide entre el nacionalismo y la aceptación de las tendencias occidentales. Toshirō Mayuzumi,Toshi IchiyanagiyTōru Takemitsusonalgunos de ellos._____Has escuchadoMandala Symphony (1960) / Toshirō Mayuzumi. NHK Symphony Orchestra; Hiroyuki Iwaki, director. Odyssey (1967)November Steps (1967) / Tōru Takemitsu. Saito Kinen Orchestra; Seiji Ozawa, director.Sello: Philips (1991)Requiem: For String Orchestra (1957) / Tōru Takemitsu. Toronto Symphony Orchestra; Seiji Ozawa, director. RCA (1969)Sapporo (1962) / Toshi Ichiyanagi. Ensemble Musica Negativa; Reiner Riehn, director. Odeon (1972) _____Selección bibliográficaBATTIER, Marc y Kenneth Fields (eds.), Electroacoustic Music in East Asia. Routledge, 2020BURT, Peter, The Music of Tōru Takemitsu. Cambridge University Press, 2001COOK, Lisa M., “Venerable Traditions, Modern Manifestations: Understanding Mayuzumi's ‘Bunraku' for Cello'”. Asian Music, vol. 45, n.º 1 (2014), pp. 98-131*FUKUNAKA, Fuyuko, “World Music History and Interculturality: Toward Recontextualizing Post-War Japanese Avant-Garde Music”. The World of Music, vol. 6, n.º 1 (2017), pp. 59-71*GALLIANO, Luciana y Martin Mayes, Yōgaku: Japanese Music in the Twentieth Century. Scarecrow Press, 2002HEIFETZ, Robin J., “East-West Synthesis in Japanese Composition: 1950-1970”. The Journal of Musicology, vol. 3, n.º 4 (1984), pp. 443-455*HERD, Judith Ann, “The Neonationalist Movement: Origins of Japanese Contemporary Music”. Perspectives of New Music, vol. 27, n.º 2 (1989), pp. 118-163*LOUBET, Emmanuelle, Curtis Roads y Brigitte Robindoré, “The Beginnings of Electronic Music in Japan, with a Focus on the NHK Studio: The 1950s and 1960s”. Computer Music Journal, vol. 21, n.º 4 (1997), pp. 11-22*PACUN, David, “Nationalism and Musical Style in Interwar ‘Yōgaku': A Reappraisal.” Asian Music, vol. 43, n.º 2 (2012), pp. 3-46*SMALDONE, Edward, “Japanese and Western Confluences in Large-Scale Pitch Organization of Tōru Takemitsu's November Steps and Autumn”. Perspectives of New Music, vol. 27, n.º 2 (1989), pp. 216-231*TAKEMITSU, Tōru, “Contemporary Music in Japan”. Perspectives of New Music, vol. 27, n.º 2 (1989), pp. 198-204*UTZ, Christian, Musical Composition in the Context of Globalization: New Perspectives on Music History in the 20th and 21st Century. Transcript Verlag, 2021*YANG, Chien-Chang, “Technologies of Tradition in Post-War Musical Avant-Gardism: A Theoretical Reflection”. The World of Music, vol. 6, n.º 1 (2017), pp. 41-58* *Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March

In the final episode of the 2023 season, our host, Stephanie Fortunato, speaks with Basil Jones and Adrian Kohler, founders of Handspring Puppet Company, whose monumental works include War Horse and Little Amal. They discuss the role of puppetry in storytelling, building new audiences, activism and bridging connections between communities. The Three Bells podcast is produced by AEA Consulting for the Global Cultural Districts Network (GCDN). Sound mixing and theme music by Artwave Studio.External references: Handspring Puppet Company: https://www.handspringpuppet.com/ Handspring Puppet Company LinkedIn: https://www.linkedin.com/company/handspring-puppet-company/about/ War Horse: https://www.warhorseonstage.com/learning/puppets/ War Horse: https://en.wikipedia.org/wiki/War_Horse_(play) Life and Times of Michael K: http://www.quaternaire.org/handspring-puppet-co/life-and-times-michael-k The Walk (Little Amal): https://www.walkwithamal.org/about-us/little-amal-the-walk/ Little Amal: https://en.wikipedia.org/wiki/Little_Amal The Walk Productions (Little Amal) LinkedIn: https://www.linkedin.com/company/the-walk-productions-little-amal/ Bunraku: https://en.wikipedia.org/wiki/Bunraku Barrydale Giant Puppet Parade: https://barrydaleparade.wordpress.com/ The Walk, documentary by Tamara Kotevska: https://www.docnyc.net/film/the-walk/ Simon Sinacs Ted Talk – How Great Leaders Inspire Action: https://www.ted.com/talks/simon_sinek_how_great_leaders_inspire_action?language=en Bios:Basil Jones is the co-founder and Executive Producer of Handspring Puppet Company. Jones completed his BFA at UCT. In 1990, Jones set up a not for profit NGO Handspring Trust, which produced the award winning Spider's Place, an innovative, multi-media science education series for TV, radio an comic aimed at young learners from disadvantaged backgrounds. The Handspring Trust is involved in a number of projects in urban township and rural areas, using puppetry as a means to educate and empower youth and bring communities together through street parades and performance. He received the Naledi Executive Directors Award (2012), a lifetime achievement award from Tshwane University (2006) and an honorary doctorate in literature from UCT (2012). Adrian Kohler is the co-founder and Artistic Director of Handspring Puppet Company, and considered to be one of the world's leading masters of his medium. He gained a BA Fine Art at the University of Cape Town and then spent a year at The Space Theatre and another in Birmingham U.K. at the Canon Hill Arts Centre and Weld Community Arts Centre. Kohler then moved to Botswana to run the National Popular Theatre Programme for three years. He has had a solo retrospective at the National Gallery in South Africa, and groups of his works have been shown at The Barbican Art Gallery, London and The Museum for African Art, New York. Kohler received the Michaelis Prize, a lifetime achievement award from Tshwane University (2006) and an honorary doctorate in literature UCT (2012). Handspring Puppet CompanyFounded by Adrian Kohler and Basil Jones (with Jill Joubert and Jon Weinberg) in 1981, the Handspring Puppet Company continues to explore, innovate and push the boundaries of puppetry and contemporary performance. Deeply inspired by traditional puppetry – such as the Bunraku puppeteers of Japan and the Bamana puppeteers of Mali – Handspring fuses ancient craft, technical innovation and modern dramatic themes. Over four decades, the company has collaborated with world-renowned artists, directors, musicians, actors and theatre groups performing in 295 cities in 30 countries.

Holly trades guns for swords to settle her scores the old fashioned way in Bunraku (2010), a virtual world-set mashup of Kung Fu and Spaghetti Western genres, sending two warriors, a cowboy drifter and a samurai, into battle against a despotic warlord and his army disposable henchmen. Listen as we witness fights on trapezes, trampolines, four-level side scroller video game levels, and overstimulation of color as we plow toward the eventual boss fight on this week's exciting episode! Hosted on Acast. See acast.com/privacy for more information.

Join me for a drink as we Create a Baltimore Orioles Caribbean Connection poster; And Special Guest Brent Flyberg, LA based comedian and podcast producer of Pod Yourself a Gun, talks about making his little brother laugh and the Seattle Mariners. Drink: Nihonjin No Wasuremono (Yamahai Junmai Sake) from Bunraku in Saitama, Japan Brent Flyberg Instagram: brentflyberg_ Pod Yourself The Wire Twitter: @PodYourselfAGun Instagram: Hipster Baseball Podcast Twitter: @HBP4040 Intro and Outro music: DeCarlo

¡Muy buenas Tomodachis y Mamonakus! Hoy hablamos junto con Brody, Bros y Roberto, del Teatro Bunraku, conocido por las marionetas usadas en él. Hablaremos de su historia, orígenes y alguna que otra curiosidad que seguro os sorprenderá. Recordad que podéis dejarnos comentarios en ivoox, además de escuchar el podcast por otras plataformas como Apple Podcasts o Spotify. Nos podéis apoyar en Ko-Fi: https://ko-fi.com/japonizados Anterior MicroJaponizados: https://www.ivoox.com/microjaponizados-5x01-kamon-los-emblemas-japoneses-audios-mp3_rf_92534243_1.html

Director Guy Moshe and actor Kevin McKidd

En glemt legende..et ikon fra en svunnen tid..Vi graver frem Q-Bert i ukas episode! Vi har sett kampsport film med Woody Harrelson, Josh Hartnett og Demi Moore, og Lars har testet det nyeste spillet i Mario Strikers serien. I tillegg får vi høre om den nye Elvis filmen, og Ida har sett Thor - Love and Thunder! Hvordan står det til på gården til Gregers? Det ryktes om store vannmengder..En variert episode som vanlig, for deg som trenger en pause fra voksenlivet!Støtt oss på Patreon: https://www.patreon.com/retrotimenFølg oss på Spotify: https://open.spotify.com/show/5zGwZLI4M6OVUzzMuu3Qqk...Bli med på vår discord server: https://discord.gg/CKPw9KRmDFSupport this show http://supporter.acast.com/retrotimen. See acast.com/privacy for privacy and opt-out information.

Even when your law career doesn't go smoothly, perhaps you have been laid off or there are other challenges on your path, trusting your gut can help you to find the right way forward. My guest is Bonnie Dixon, the first foreign woman to be made a partner of a Japanese law firm. You will not believe how Bonnie created this opportunity for herself. Bonnie also shows us other ways we can serve our countries, either as a commercial attache in business or in the community as a scout leader. In this episode you'll hear: How Bonnie came to Japan for the first time as a child and the influence it had on the trajectory of her life Surviving two crumbling law firms, but finding her way by trusting her gut Refusing a job offer but laying a groundbreaking opportunity on the table in return that was accepted The importance of marketing and networking skills for lawyers and the different ways that can look Her favourite Netflix show and other fun facts About Bonnie Bonnie Dixon is a Partner at Atsumi & Sakai in Tokyo. In 2005, when Bonnie joined the firm she became the first non-Japanese attorney to become a partner of a domestic Japanese law firm since the Occupation of Japan. Bonnie serves clients in cross-border transactions and dispute resolution matters and her practice includes general corporate matters, mergers and acquisitions, employment law, cross border litigation and antitrust matters. She's consistently in Best Lawyer and other rankings. Bonnie is licensed to practice law in the State of New, admitted in 1982 and is admitted to the Court of Appeals of the First Circuit. Bonnie is registered in Japan as a Foreign Registered Lawyer. She has extensive experience in international transactions, cross border labor and employment, structured finance, banking transactions, investment funds, etc. Educated at the University of Michigan with a B.A., majoring in Japanese and Political Science in 1978, and the University of Michigan Law School, attaining her J.D. in 1981, Bonnie speaks and reads fluent Japanese and has worked in Tokyo for more than twenty years in the aggregate. Before returning to Tokyo in 2002, Bonnie practiced law in New York City, where she became a partner of Schulte Roth & Zabel LLP, and later of Morgan Lewis & Bockius LLP. Recently, Atsumi & Sakai has established an office in New York, to be formally named as Atsumi & Sakai New York LLP. This expansion will be led by Bonnie, who will serve as managing partner of the New York office. In her spare time, Bonnie produces translations of Kabuki and Bunraku dramas. Her translation commentaries can be heard through the Earphone Guide service available for rent at the National Theater in Tokyo and at the National Bunraku Theater in Osaka. She is an avid hiker and enjoys camping and other outdoor activities. Bonnie was the founder and for years served as the Scoutmaster of Troop 5 of the Far East Council of the Boy Scouts of America. During her tenure as Scoutmaster, Bonnie was the only female scoutmaster of the BSA program in all of Asia. She currently serves as an Assistant Scoutmaster for Troop 5's female scouts. Connect with Bonnie Please email Catherine to be connected with Bonnie. Links The Tokyo American Club: https://www.tokyoamericanclub.org/index.php/en/ Connect with Catherine Linked In https://www.linkedin.com/in/oconnellcatherine/

Amy asks Poulton to explain the difference between reading Noh plays and seeing a Noh performance. Poulton goes into great detail on the subject, including why and how the same Noh play covered in a few pages of text becomes a one-and-a-half hour play when performed. He quotes from Arthur Waley's The Noh Plays of Japan to explain the concept of length and time.He further introduces Kan'ami and Zeami, father and son, who elevated the art of Noh to what it has become and discusses the Tokugawa Shogunate's influence on Noh and gagaku (court music). Poulton notes that the flute, drum, and howling in Noh are designed to help take the audience into a different time and space. This is especially important to plays that focus on stories of ghosts, demons, and natural spirits (such as those of trees and plants).Noh performances are known for their ability to induce drowsiness and even sleep among the audience. Poulton explains how this induced hypnotic state can effectively transport the audience to a liminal awareness between reality and dreams."There is a transcendental boredom to Noh. We have to slow down our consciousnesses to get into the space of the performance. Time and space expand into infinity and eternity and this is how we can contact those things." —Cody PoultonNext Poulton expands on the structure of Noh plays and the use of dreams as devices in two well-known performances: "Hagoromo," an encounter of a human being and a supernatural creature, and "Yamamba" the mountain crone (See BOA Podcast 14: Yamamba: Japanese Mountain Witch with Rebecca Copeland and Linda Erlich). He explains the role of Noh masks and costumes. He further comments on "Funabenke" a demon play.Amy mentions "Takasago" and its continued reference in modern-day Japan.  Poulton responds that Noh often has a liturgical purpose, a way of blessing or commemorating an event similar to a requiem, and gives three modern examples of Japanese tragedies linked to Noh plays. He sum up his comments with:When bad things happen, we go back to ceremony, to ritual, to try to give shape to our feelings, and Noh is a beautiful device for doing that.Next is a discussion about the author Izumi Kyōka and how he came from a long line of Noh musicians and artists. Kyoka himself wrote plays about the supernatural and became a model of the counterculture of the 1960s in Japan. His uncle, Matsumoto Kintaro, was a famous Noh actor of the Meiji period. Poulton mentions the plays "Uta andon" and "Ama.""Saigyozakura" (Saigyo's Cherry Tree) is a play about the poet's trip to a temple to get away from the crowds at cherry-viewing time in search of a quiet and peaceful place to view the trees. But the cherry tree he finds at the temple chastises Saigyo for being a party pooper, telling him that people partying under the blossoms are celebrating his and the other trees' beauty. Poulton uses this as an example of how flowers and trees come to life and talk back to the humans via Noh plays.Lastly, Amy asks Poulton to recommend some books for those wanting to learn more about the Japanese performing arts:History of Japanese Theatre (Cambridge University Press, 2016), edited by Jonah SalzTraditional Japanese Theater (Columbia University Press), edited by Karen BrazellJapanese No Dramas (Penguin Classics, 1993) by Royall TylerKabuki Plays on Stage (4 Vols) (University of Hawaii Press, 2002-3) by James R. Brandon and Samuel L. LeiterBackstage at the Bunraku (Weatherhill, 1985) by Barbara C. AdachiThe Columbia Anthology of Modern Japanese Drama (Columbia University Press, 2017), co-edited by M Cody Poulton with Thomas Rimer, Mitsuya Mori, et al.Anthology of Japanese Short Stories (Oxford University Press, 2010), edited by Theadore W Goosen, which includes the story "Portrait of an Old Geisha" by Okamoto Kanoko (trans. Cody Poulton)About Cody Poulton:Cody Poulton taught Japanese literature, theater, and culture in the Department of Pacific and Asian Studies at the University of Victoria, Canada, for thirty-two years before retiring in 2021. Active as a translator of Japanese fiction and drama, he is author of Spirits of Another Sort: The Plays of Izumi Kyōka (2001) and A Beggar's Art: Scripting Modernity in Japan, 1900-1930. He is also co-editor, with Mitsuya Mori and J. Thomas Rimer, of The Columbia Anthology of Modern Japanese Drama and a contributing editor to History of Japanese Theatre. He is editor and chief translator of Citizens of Tokyo: Six Plays by Oriza Hirata (2019) and co-editor, with Barbara Geilhorn, Peter Eckersall, and Andreas Regelsberger, of Okada Toshiki and Japanese Theatre (2021).The Books on Asia Podcast is sponsored by Stone Bridge Press. Check out their books on Japan at www.stonebridge.com. Read a BOA review of their publication Yamamba: In Search of the Japanese Mountain Witch (edited by Rebecca Copeland and Linda C Ehrlich).Your podcast host is Amy Chavez, author of Amy's Guide to Best Behavior in Japan, and The Widow, the Priest and the Octopus Hunter: Discovering a Lost Way of Life on a Secluded Japanese Island.Don't miss out on upcoming episodes with Asia's best authors and translators by subscribing to the Books on Asia podcast.

Seeing as this is the month of love, we thought we'd bring you a film that you'd absolutely love...to hate! Combining all the best and worst elements of Broadway, samurai films, spaghetti westerns, and nonsensical anime; Bunraku is a one of a kind experience. So, go ahead and grab you a beer...or several to enjoy this week's episode! You'll need 'em! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

::Slaps roof of Estonia:: this baby can fit so many continents in it! In this episode Meghan and Neda speedrun the 2022 European Championships AND Four Continents, because Estonia booty called and we answered. **Disclaimer: Meghan knows Bunraku puppets have faces, she meant they don't have MOVEABLE faces, please no one @ her or take away her degree, thx** Featuring: Little Miss Sunshine, knives, Aerosmith jumpscares, Jesussy, deep cut Eastern European geopolitics, attacking and dethroning God, and Faerie Discourse(tm). FOLLOW US twitter @IceTeaPod @meghankelleher3 @NedaMarie instagram @IceTeaPod @NedaMarie @n_iceskating SUPPORT US Patreon: https://www.patreon.com/iceteapod Leave us a tip at: https://www.buymeacoffee.com/iceteapod “Slappy Theme Song” by Meghan Kelleher

einiges an kulturellem Wissen voraus: über Bunraku- und Kabuki-Konventionen, die späte Heian-Epoche, den mythischen Volkshelden Abe no Seimei. Entsprechend können wir uns nur als liebevolle Dilettanten diesem Film nähern. Wir unterhalten uns über die zweigeteilte Struktur des Films - erst Tragödie über Intrigen bei Hofe, in der zweiten Hälfte dann Märchen aus dem Kitsune-Wald. Über Uchidas großartigen Umgang mit dem Breitwandformat Toeiscope. Und ganz ähnlich wie bei Miyamoto Musashi auch darüber, wie anschlussfähig dieser Film für ein japanisches Nachkriegspublikum gewesen sein muss.

Do you feel you've lost that sense of childhood wonder?Neil D'Monte has not lost his.  In fact, he makes sure to incorporate it into all of his work.  He would like to reactivate YOUR sense of wonder.In this uplifting Brain Burrow Digging Deep episode, writer, director, and actor Neil D'Monte talks about his goal to bring the magic of Hollywood back to the public.  Neil also shares about his connection to childhood friends and the importance of keeping that connection. He also talks about his strategy to use self-deprecating humor (and how he witnessed this with George Clooney).  Neil talks about the joys and challenges of directing.  He says it is important to have a vision and a template to explain the vision.  Neil D'Monte is an American artist, SAG-Aftra film actor and musician born and raised in Chicago, Illinois. A graduate of the USC School of Fine Arts, he began his career as a comic book and storyboard artist, which segued into a successful acting career. Neil made his feature film debut in 2003 with Vampires Anonymous, followed by the box office blockbuster Pirates of the Caribbean: Dean Man's Chest in 2006. He can be seen as "The Pianist" in the spaghetti western/samurai epic Bunraku alongside Josh Hartnett, Demi Moore and Woody Harrelson. His theatrical training at Chicago's prestigious Goodman Theatre allowed him to develop his skill at portraying offbeat and eccentric characters, for which he is quickly gaining notoriety among his peers in the film industry. In addition to his work as an actor and a sought after artist, he is also touring/recording as a drummer with guitarist Peter DiStefano (Porno for Pyros/Lance Herbstrong/Satellite Party) and James Iha (Smashing Pumpkins/A Perfect Circle). Always up for a new challenge, D'Monte is also taking on co-writing and directing with his first proof of concept film, Bedbug and the preternatural feature film, Still Small Voice. [source: IMDB bio]Connect with Neil D'Monte:http://www.clanofthevein.com/https://www.instagram.com/clanofthevein/https://www.imdb.com/title/tt2725964https://www.imdb.com/name/nm1548702https://www.facebook.com/neil.dmonteConnect with Mark D Valenti:https://www.instagram.com/valentihorror/http://www.brainburrow.com/​https://www.imdb.com/name/nm11764201/https://www.youtube.com/user/valentimdhttps://twitter.com/brainburrowhttps://www.tiktok.com/@brainburrowhttps://www.instagram.com/brainburrowshow/Brain Burrow Sponsors:Delirium MagazineCreepy Crate (use code Burrow5 to save $5 off your first order)Horror Pack: Movie Subscription Box #brainburrow

Welcome to another adventure of the Ninja Please podcast.  We start this episode off with a discussion on why shows get removed on streaming services and The Disney vault. (00:08:50) WE talk about Flights and the award things that happen on them. (00:20:40)  Flight lands in Rome as we discuss Red Notice, starring Ryan remolds, The Rock and Gal Gadot.  at about (00:40:00) we Get a spoiler-free review of the 1st 3 episodes of cowboy bebop, we will have a full review soon.  Cowboy Bebop OST by Yoko Kanno  Original Music By Starman Ninja Please Theme - Starman .  Ninjaplease OST Coming soon. 2020 Star Superior, LLC Follow us on social Media @Ninjapleasepod and like us on Facebook. Coming soon to Youtube. #Ninjapleasepodcast #covid19 #Anime #Hulu #Crunchyroll #Funimation #Nintendo #Sony #PS5 #Marvel #DC #DIsney #syfy #Cartoonnetwork #CN #Adultswim #usa #trending #memes #life #style #Netflix #Ninjapleasepodcast #Amazonprimevideo #Hulu #PS5 #Xbox #WB #HBOMAX #Disney+ #animereview #bestanimepocast #BLERD #Bestblerdpodintheunuverse #geekoftheyear #bestgeekpod  #blackgeekculture #comedy #bitcoin #senpaisundae #cowboybebop #Thanksgiving 

Also available on YouTube at: https://www.youtube.com/c/SpeakingofShakespeare.[See SEGMENTS below] Thomas Dabbs speaks with Shoichiro Kawai of the University of Tokyo about his role as a director, playwright, translator, and scholar. Professor Kawai directs The Kawai Project, a multi-volume series that has staged productions of 'Much Ado about Nothing,'  'The Comedy of Errors,' and other Shakespearean plays and adaptations. Kawai has also adapted Samuel Beckett's 'Waiting for Godot' for the Japanese stage and has produced a Beckett-esque drama drawing from Shakespeare and echoing Beckett entitled 'Waiting for Will.' LINKS:Kawai Project (in Japanese): https://www.kawaiproject.comSEGMENTS:00:00:00 - Intro00:02:08 - The Holy Trinity of being a Shakespearean00:02:40 - Kawai Project: Waiting for Will and Samuel Beckett, Jean Jean Theatre00:11:45 - Kawai Project: Translating ‘Waiting for Godot' and ‘Waiting for Will'00:14:13 - Kawai Project: Much Ado about Nothing': Immersive theatre00:15:05 - Kawai Project: Comedy of Errors' and ‘As You Like It'00:17:35 - Translating and writing plays in Japanese00:18:45 - Kawai's and translation theory: ‘To Be or Not To Be'00:35:20 - Shakespeare: ‘Master of the Theatre of Life' 00:40:30 - Cultural adaptation: Bunraku and (mostly) Kyōgen00:49:20 - Critical theory vs doing and mimicry00:52:16 - Coming work: Maugham, Poe, The Tempest, Henry IV00:56:40 - The need for more Shakespearean drama00:59:30 - Other Shakespearean activities in Japan, King Lear (again)01:01:03 - Young Kawai and turning to theatre and Shakespeare01:13:10 - Closing remarks, Hamlet is Fat

This week, we're looking at the legacy of Chikamatsu Monzaemon, the most famous playwright in Japanese history. During his career, which spanned the zenith of Japan's Edo period, he produced some 130 plays and was enormously influential in terms of his approach to drama. How did he do it, and what is his legacy for Japan today? Show notes here.

Re-Introducing: Justin Eaton, stuntman and double in Banshee, Dr. Strange, Daredevil, and Punisher. He was Emmy nominated for his stunt performance as Captain America John Walker in Falcon and The Winter Soldier. He is also married to CC Ice, double for Black Widow and Scarlet Witch! In this episode, we discuss his work on Daredevil where he doubled the legendary Scott Glenn! We also get a story about Scott Elk hunting on his front porch. Justin also talks about his time doubling Dr Strange for reshoots, what it's like donning the Dr Strange cape, and doing motion capture for Deadpool as well as an NFL robot! *SPOILER ALERT* We also break down fights from Falcon and the Winter Soldier, specifically episode 4's fight where Falcon, Winter Soldier, and Cap take on the Flag Smashers. We also breakdown episode 5's fight where Captain America John Walker fights Falcon and Winter Soldier, something the action team dubbed “Civil War 2.0.” In Part I, we discussed Justin's work on American Horror Story, Bunraku, and more. Check it out if you haven't already! Join us as we chat with Justin Eaton: The Wicked Lion of Stunts. - Edited by Luigi Hernandez If you enjoyed this episode, you can support us at Patreon.com/actionfilmmaking. Subscribe and leave a review on Apple Podcasts, Spotify, or the podcast app of your choice. Find us at actiondecoded.com, on Instagram, Facebook, and TikTok at @actionfilmmakingpodcast, or on Twitter @ActionDecoded Until next time, thanks for listening. --- Support this podcast: https://anchor.fm/action-filmmaking-decoded/support

Introducing: Justin Eaton, stuntman and double in Banshee, Dr. Strange, Daredevil, and The Punisher. He was Emmy nominated for his stunt performance as Captain America John Walker in Falcon and The Winter Soldier. He is also married to CC Ice, double for Black Widow and Scarlet Witch! In this episode, we discuss his work as Bloody Face on American Horror Story, scaring people on set with his monster makeup, and receiving an action stunt crash course for Bunraku. We also dive into his work relationship with Dave Macomber, having tattoos as a stunt performer, and that time he stretched his shoulder muscles til they "plucked" like the violin bow strings. We also breakdown Banshee's pit fight as well as the action short Identity Crisis which was filmed over two weekends with the Banshee action team! In Part II, we'll be going in depth about Daredevil, Deadpool, and Doctor Strange. We'll also be breaking down action sequences from Falcon and the Winter Soldier. Join us as we chat with Justin Eaton: The Wicked Lion of Stunts. - Edited by Luigi Hernandez If you enjoyed this episode, you can support us at Patreon.com/actionfilmmaking Subscribe and leave a review on Apple Podcasts, Spotify, or the podcast app of your choice Find us at actiondecoded.com, on Instagram, Facebook, and TikTok @actionfilmmakingpodcast or on Twitter @ActionDecoded Until next time, thanks for listening --- Support this podcast: https://anchor.fm/action-filmmaking-decoded/support

Husband and wife comedians Mike Bobbitt and Allyson Bobbitt take turns making each other watch a movie the other has never seen. This week, Allyson and Mike are joined by their friend Paul Duggan, who made them watch the Josh Hartnett, Ron Perlman, Woody Harrelson, Demi Moore hidden gem Bunraku. Strap in and buckle up for cowboys, samurais, bartenders, floppy hats, and lots and lots of dance fighting. If you want to let us know what you thought about , or you have a movie you think we should watch, let us know. Join our https://www.facebook.com/groups/youmademewatch (Facebook group) for more movie talk! https://www.facebook.com/groups/youmademewatch Logo by Martin Butler. Follow him on Instagram @MartyButtons Theme song by Thomas Medelheim. https://www.fiverr.com/medelheim

  It's short films week this week, Junkies! First, a square from CIncinnati tells us all about the evils of porn in "Perversion for Profit." Next, we get a glimpse of nature in "Unedited Footage of a Bear." Finally, two puppets deal witht heir fate in a monster-ridden world in "Kaiju Bunraku." All this plus Nerd News, a live studio audience, DVDs, Young Charles, junk mails and so much more! Direct Donloyd Here.

Esta semana se estrena: "Los descendientes", "Silencio en la nieve", "Jack y su gemela" y "Bunraku".

Esta semana se estrena: "Los descendientes", "Silencio en la nieve", "Jack y su gemela" y "Bunraku".

In a world without guns, a horseless cowboy and a swordless samurai have to take down the local crime lord using any means necessary. With a stacked cast that includes Josh Hartnett, Ron Perlman, Woody Harrelson, Demi Moore and J-pop star Gackt Kate and Sky have plenty to talk about.

Nos vamos de paseo a Oriente para conocer el maravilloso mundo del teatro de esta parte del mundo

Today ON THE SHELF: Today we discover The 2020 Ringo Award judges recognized IDW Publishing and its imprints, Artist's Editions, Top Shelf, and Yoe Books, with a combined nine nods this year. The prestigious award ceremony is an annual celebration of creativity, skill, and fun in comics, with nominations reflecting publications from the previous year as determined by fans and pros alike. ____________________________________________________________ **New Episodes Every Week! Recommended Playlist: https://www.youtube.com/playlist?list=PLLJ__3POkQAgcTBscLA2J4bYvd81QlfmB Subscribe to Constant Collectible and never miss an episode! https://www.youtube.com/channel/UC_hxYXkJc4Jnd3r3zV94SgA?sub_confirmation=1 ____________________________________________________________ Essential Reads: They Called Us Enemy: https://www.amazon.com/dp/1603094709/ref=as_sl_pc_qf_sp_asin_til?tag=ccollect-20&linkCode=w00&linkId=fbfb551f438fba6317ff1817a5a95863&creativeASIN=1603094709 Canto: If I Only Had a Heart https://www.amazon.com/dp/1684056217/ref=as_sl_pc_qf_sp_asin_til?tag=ccollect-20&linkCode=w00&linkId=113b3a214105b909e230e6f8728d7512&creativeASIN=1684056217 Usagi Yojimbo Vol. 1: Bunraku and Other Stories https://www.amazon.com/dp/1684056578/ref=as_sl_pc_qf_sp_asin_til?tag=ccollect-20&linkCode=w00&linkId=3cb8e3d4c4434be83f1348b0cd223cd3&creativeASIN=1684056578 ____________________________________________________________ Where You Can Follow Us: Follow Constant Collectible on FaceBook: https://www.facebook.com/ConstantCollectible Follow Constant Collectible on Twitter: https://twitter.com/C_Collectible Follow Constant Collectible on Pinterest: https://www.pinterest.com/CCollectible/_created/ Follow Constant Collectible on Instagram: https://www.instagram.com/c_collectible/ ____________________________________________________________ Equipment Used: Mac Mini: https://www.amazon.com/dp/B08N5P7TLW/ref=as_sl_pc_qf_sp_asin_til?tag=ccollect-20&linkCode=w00&linkId=0babcfadbba2a2d45767f3dc638e15ba&creativeASIN=B08N5P7TLW Monitor: https://www.amazon.com/dp/B01N4TOXFG/ref=as_sl_pc_qf_sp_asin_til?tag=ccollect-20&linkCode=w00&linkId=2eb5822a2882eaf0c09483b2100ab998&creativeASIN=B01N4TOXFG Key Board: https://www.amazon.com/dp/B016QO64FI/ref=as_sl_pc_qf_sp_asin_til?tag=ccollect-20&linkCode=w00&linkId=2ea219a2abecb152b1b21732a74ab832&creativeASIN=B016QO64FI Mic: https://www.amazon.com/dp/B014PYGTUQ/ref=as_sl_pc_qf_sp_asin_til?tag=ccollect-20&linkCode=w00&linkId=4e10182b54f3adf30f51ee278dc222f4&creativeASIN=B014PYGTUQ As an Amazon Associate, I earn a small commission from qualifying purchases. Some of the links are affiliate links and if you decide to buy the gear through them I earn a tiny commission. It costs you nothing but helps me big time in keeping these videos coming. ____________________________________________________________ Thank you for the support & thanks for listening. Our email is ConstantCollectible@Gmail.com and we will be back next time where we will find out what is ON THE SHELF. In The meantime, Don't forget to like, share and subscribe to all things Constant Collectible to keep you up to date with news & reviews from a world of GEEK CULTURE. #IDWPUBLISHING #RINGO --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/constantcollectible/support

Hello Whiskey Wittering Family! Please join us for Joe San Diego's fourth film in the series as we go over a very overlooked film in Bunraku! Grab your Michters and get ready for an east meets west team up to rule the town!

Juliet and Mykelle sit down with Hollywood artist, actor, director, and musician Neil D'Monte. Neil has been a fixture in the film industry for many years, providing artwork for major films like Batman vs. Superman, Jurassic World, Rambo: Last Blood, Bunraku, and a variety of other films. The trio talk about life in Hollywood, supernatural experiences, music, and branching out to keep one's creativity flowing. Neil is a very interesting person with a wealth of experience in the entertainment industry. Plus, he does a wicked Darth Vader impersonation (listen to the whole episode). Tune in to this exciting episode of BrokenGirl Unchained. From the IMDB website:Neil D'Monte (b. June 30) is an American artist, SAG-Aftra film actor and musician born and raised in Chicago, Illinois. A graduate of the USC School of Fine Arts, he began his career as a comic book and storyboard artist, which segued into a successful acting career. Neil made his feature film debut in 2003 with Vampires Anonymous, followed by the box office blockbuster Pirates of the Caribbean: Dean Man's Chest in 2006. He can be seen as "The Pianist" in the spaghetti western/samurai epic Bunraku alongside Josh Hartnett, Demi Moore and Woody Harrelson. His theatrical training at Chicago's prestigious Goodman Theatre allowed him to develop his skill at portraying offbeat and eccentric characters, for which he is quickly gaining notoriety among his peers in the film industry. In addition to his work as an actor and a sought after artist, he is also touring/recording as a drummer with guitarist Peter DiStefano (Porno for Pyros/Lance Herbstrong/Satellite Party) and James Iha (Smashing Pumpkins/A Perfect Circle). Always up for a new challenge, D'Monte is also taking on co-writing and directing with his first proof of concept film, Bedbug and the preternatural feature film, Still Small Voice.Neil's latest thriller TBK: The Toolbox Murders 2 showcases his range as a chameleon-like actor while his next artistic ventures, Den of Thieves, Blumhouse's Stephanie and Open Road's Midnight Sun are currently in theaters with a nationwide release. He is working on artwork for the upcoming films Burden (produced by Dallas Buyers Club's Robbie Brenner), Gold Circle's I Still See You, SpectreVision's Daniel Isn't Real, Sobini Films' Emperor and Awesomeness TV's The List.The busy multi-hyphenate is also a humanitarian who donates his spare time helping terminally-ill children as a spokesperson with St. Baldrick's Children's Cancer Foundation and CHLA. He is also an animal rights activist who works with the organizations I Stand With My Pack (ISWMP) and Defending The Endangered, an anti-poaching movement started by actress/singer and fashion model Jon Marie Mack. D'Monte serves as an honorary board member of the non-profit Wisdom by Nature Academy.

In this brand new Patreon-mandated episode, our heroes watch a beautiful looking film with some narrative flaws.

Carmen is an opera by French composer Georges Bizet.The San Diego Opera Association (SDO) is a professional opera company located in the city of San Diego, California.La sonnambula (The Sleepwalker) is an opera semiseria in two acts, with music in the bel canto tradition by Vincenzo Bellini.Rusalka is an opera ('lyric fairy tale') by Antonín Dvořák.Eugene Onegin is an opera composed by Pyotr Tchaikovsky.Oberlin College and ConservatorySeiji Ozawa is a Japanese conductor known for his advocacy of modern composers and for his work with the San Francisco Symphony, the Toronto Symphony Orchestra, and the Boston Symphony Orchestra.The Heart Mountain War Relocation Center was one of ten concentration camps used for the internment of Japanese Americans evicted from the West Coast Exclusion Zone during World War II by executive order from President Franklin Roosevelt after the bombing of Pearl Harbor in December 1941.The Holocaust was the World War II genocide of the European Jews.An American Dream is an opera by Jack Perla, a composer and pianist.Lyric Opera of ChicagoEverything Is Illuminated is a 2005 biographical comedy-drama film, written and directed by Liev Schreiber and starring Elijah Wood and Eugene Hütz. It was adapted from the novel of the same name by Jonathan Safran Foer.Marie Kondo is a Japanese organizing consultant and author.Boris Goldovsky was a Russian-born conductor and broadcast commentator, active in the United States. He has been called an important "popularizer" of opera in America.Roméo et Juliette (Romeo and Juliet) is an opera by Charles Gounod.The Marriage of Figaro is an opera buffa (comic opera) composed in 1786 by Wolfgang Amadeus Mozart.La bohème is an opera composed by Giacomo Puccini.Minnesota Opera is a performance organization based in Minneapolis, Minnesota.Nicole Cabell is an American operatic soprano. She recently played Juliet in Cincinnati Opera’s production of Romeo and Juliet.Matthew White recently played Romeo in Cincinnati Opera’s production of Romeo and Juliet.Traditional Japanese theatre includes Kabuki, Noh(and its comic accompaniment, Kyōgen) and the puppet theatre, Bunraku.Jennifer Good is the Managing Director of Production at the San Francisco Opera.Santa Fe Opera (SFO) is an American opera company.Rupert Hemmings is the Vice President of Artistic Planning at the LA Opera.Paul Moser is an American philosopher who writes on epistemology and the philosophy of religion. He is Professor of Philosophy at Loyola University Chicago and past editor of the American Philosophical Quarterly.Houston Ballet, operated by Houston Ballet Foundation, is the fourth-largest professional ballet company in the United States, based in Houston, Texas.William Shakespeare was an English poet, playwright and actor, widely regarded as the greatest writer in the English language and the world's greatest dramatist.Mozawa is a performing arts company that, through hybridity and fusion, aims to break down the barriers that exist between differing artistic media and cultures.Nabucco is an Italian-language opera by Giuseppe Verdi.Franco Zeffirelli was an Italian director and producer of operas, films and television.Origami is the art of paper folding, which is often associated with Japanese culture.Don Carlos is a (historical) tragedy in five acts by Friedrich Schiller.Sir Derek Jacobi is an English actor and stage director.Madame Butterfly is an opera by Giacomo Puccini.Ana Martínez is a Puerto Rican soprano.Kelly Kaduce is an American soprano.Robert Wilson is an American experimental theater stage director and playwright who has been described by the media as "[America]'s – or even the world's – foremost vanguard 'theater artist'".University of MichiganDePaul UniversityNorth Park UniversityThe Patrick G. and Shirley W. Ryan Opera CenterAdler Fellowship ProgramDie Frau ohne Schatten (The Woman without a Shadow) is an opera by Richard Strauss.The Turn of the Screw is a 20th-century English chamber opera composed by Benjamin Britten.The Rake's Progress is an English-language opera in three acts and an epilogue by Igor Stravinsky.Marco Polo is an opera by the Chinese-born composer Tan Dun.Carousel is the second musical by the team of Richard Rodgers (music) and Oscar Hammerstein II (book and lyrics).My Fair Lady is a musical based on George Bernard Shaw's Pygmalion.Stephen Sondheim is an American composer and lyricist known for more than a half-century of contributions to musical theatre.A Little Night Music is a musical with music and lyrics by Stephen Sondheim.Isaac Mizrahi is an American fashion designer, TV presenter, and Chief Designer of the Isaac Mizrahi brand for Xcel Brands.Houston Grand Opera (HGO), located in Houston, Texas, was founded in 1955 by German-born impresario Walter Herbert.Opera Theatre of Saint Louis (OTSL) is an American summer opera festival held in St. Louis, Missouri.Sweeney Todd: The Demon Barber of Fleet Street is a 1979 musical thriller with music and lyrics by Stephen Sondheim.American Gods (2001) is a fantasy novel by British author Neil Gaiman.Dark is a German science fiction thriller web television series.Uber Technologies, Inc. is an American multinational transportation network company offering services that include peer-to-peer ridesharing, ride service hailing, food delivery, and a bicycle-sharing system.The John A. Roebling Suspension Bridge, originally known as the Cincinnati-Covington Bridge spans the Ohio River between Cincinnati, Ohio and Covington, Kentucky.Ohio River TrailThe Brooklyn Bridge is a hybrid cable-stayed/suspension bridge in New York City.Matthew mentions Beyoncé as one of his favorite artists outside of the opera world.

Breton brings the film Mishima, and Harry brings the action film Bunraku as a contrast. We go deep on the history and execution of these two extremely different western interpretations of Japanese art.

In this episode, Hilliard and Chris chop it up with indie film producer Keith Calder (Blindspotting, The Blair Witch, The Wackness, Bunraku, The Guest).   Keith mentioned one of his favorite projects was a doc on the Kashmere Stage Band, a high school funk band, he's the link to THUNDER SOUL. Don't slip on checking this out! Here's the link to Blindspotting's trailer. Follow Keith Calder on Twitter.   We mentioned upcoming Rant Room T-shirts! They're available now! If you are enjoying this labor of love, please consider supporting the Rant Room with a donation to our Patreon page - we spend considerable hours and tremendous resources each week, an every little bit of support helps enormously.   If you're already a Patreon Patron: THANK YOU.   Don't forget to listen to... Stay Free: The Story of The Clash podcast narrated by Chuck D!!! Yeaaaaah, boooyyyyyy! Writing and Entertainment podcasts we hope you enjoy!  Alex and Nick's PaperTeam podcast Pilar Alessandra's On The Page podcast   Shout out to the Micheaux Mission Podcast for keeping it on point wit

Tyler from Stasis Lock, Jed from Blackout & Shout, and Professor Brotha Kyle from The Dickbird Nest will be discussing how one Millennial views a Gen X's movies and music and vice versa with a Gen Y stuck in the middle. Thanks for listening! Opening music: Tri-Tachyon - Hundred Years in Helheim

Dreadlocked Ron Pearlman rules post-apocalyptic feudal Neo Japan, where guns are banned and everyone knows martial arts, with an iron fist. Drifter Josh Hartnet and samurai Gackt walk into a bar and meet the one person central to the plot, soliloquizing bartender and pop-up funny enthusiast, Woody Harrelson. Together, they lead a revolution of chimney sweepers against an army of redshirts and Kevin McKidd. Grab your grandpa's medallion, a fifty-five dollar glass of whiskey, and cock those fist guns, because this ain't no ordinary puppet show—it's BUNRAKU!Support the show (https://www.patreon.com/moviedumpster)

Dreadlocked Ron Pearlman rules post-apocalyptic feudal Neo Japan, where guns are banned and everyone knows martial arts, with an iron fist. Drifter Josh Hartnet and samurai Gackt walk into a bar and meet the one person central to the plot, soliloquizing bartender and pop-up funny enthusiast, Woody Harrelson. Together, they lead a revolution of chimney … Continue reading "2.10 Bunraku" The post 2.10 Bunraku appeared first on Movie Dumpster.

Defying ancient Mayan prophecies of the apocalypse, your intrepid Master Breakers explain how to raise 40 grand in three quarters of an hour, while making 40 percent of a joke about The Danish String Quartet. Google's prog-rock Bach emulator is tested to destruction, with plenty of gory details about Count Duckula's death by cookies, Mike's Frankenmix monster, and Jon's anti-Vatican orgy. Plus, we reveal how gourmet risotto and Angry Birds can help banish bouts of freelance lethargy, and Jon delivers a brief masterclass on bunraku puppet twerking. All to the accompaniment of a nightmarish wobble-board/plate-reverb hybrid (with snares on) and a 1000-person samba band half a mile away. Fancy more of this nonsense? Then please support the podcast at www.patreon.com/projectstudioteabreak

Defying ancient Mayan prophecies of the apocalypse, your intrepid Master Breakers explain how to raise 40 grand in three quarters of an hour, while making 40 percent of a joke about The Danish String Quartet. Google's prog-rock Bach emulator is tested to destruction, with plenty of gory details about Count Duckula's death by cookies, Mike's Frankenmix monster, and Jon's anti-Vatican orgy. Plus, we reveal how gourmet risotto and Angry Birds can help banish bouts of freelance lethargy, and Jon delivers a brief masterclass on bunraku puppet twerking. All to the accompaniment of a nightmarish wobble-board/plate-reverb hybrid (with snares on) and a 1000-person samba band half a mile away. Fancy more of this nonsense? Then please support the podcast at www.patreon.com/projectstudioteabreak

I fremtiden hvor mennesket stadig higer efter vold har en ny verden rejst sig fra asken af den gamle. Her er alle pistoler forbudte og klingen hersker. I denne verden, hvor alle mennesker er defineret gennem stereotyper, hersker Nicola. Den mægtigste man øst for Atlanten. En nådesløs leder, der leder en bande af 9 dræbere, som alle har deres særprægede stil og individuelle undersåtter.Det er nu op til en cowboy uden pistol og en samurai uden sværd at vriste verden, der primært består af papir, fri fra Nicolas greb, og endeligt få deres egen personlige hævn over skovhuggeren Nicola.Vi har til i dag set Bunraku!

Un auditor nos recomendó "Bunraku", película no tan conocida del 2010 que hace tributo a varios elementos de la cultura pop. Víctor y Jorge quedaron casi pasmados al verla. Además, noticias corneta, anécdotas del Festival de la Canción de Viña del Mar y más.

Un auditor nos recomendó "Bunraku", película no tan conocida del 2010 que hace tributo a varios elementos de la cultura pop. Víctor y Jorge quedaron casi pasmados al verla. Además, noticias corneta, anécdotas del Festival de la Canción de Viña del Mar y más.

This week the guys discuss "Lars And The Real Girl" starring Ryan Gosling, The Netflix original "Polar" and "Bunraku" starring Josh Hartnett. They touch on the upcoming Oscars, which, for the first time, the guys haven't seen many of the movies in the running and Pete rounds out the episode with his weekly video game updates! Thank you for listening/ watching! You can follow the guys on social media: www.Twitter.com/svopresents www.Facebook.com/svopresents www.Instagram.com/svopresents You can E-mail them at: Supervillainobituary@gmail.com Don’t forget to rate, comment and subscribe! Tell your friends, your family and everyone you come into contact with. Enjoy this weeks episode!

Yo! Today we talk about Guy Moshe's film Bunraku. It's a great exercise in stylization and an honestly fun movie to watch. Hope you enjoy the episode! Cheers! See acast.com/privacy for privacy and opt-out information.

After a week away so Jake could go on his honeymoon, we’re back to talk about Josh Hartnett’s crazy fantastical stylized action movie, Bunraku, which definitely features the best trampoline fight in film history. It’s amazing that this move got made. Also: we recap Jake’s wedding, make a discovery about Josh’s social media accounts, and try to figure out how to talk like Woody Harrelson.

In this Episode, we had a wonderful guest by the name of Stephen Love who is one of the puppeteers for the touring production of Warhorse. He spoke to us about his journey from East 15 to becoming the head of a horse. He told us about the art of Bunraku and gave some sound advise for anyone looking to get into the industry. We review Jaz's choice of Come from away from last episodes 'Album of the week' rating it out of five microphones, see how many we gave it. We 'Spin that wheel' to see who will be picking this episodes album, take a listen to find out who it will be. (here's a hint, it's between Anna and Tom) We have a community over on Facebook, so please come and join us for a chat. https://www.facebook.com/groups/148894559115729/ So tune in, Join in, have some fun and take a listen. Please rate and review us on itunes or our facebook page Yours From The 'It's all an act' Team (Jaz, Lucie, Tom and Anna) Intro and Outro Credit - Joepurdue.com It's all an act Logo - Joe Foskett Warhorse - http://www.warhorseonstage.com Table by Blind Summit - https://youtu.be/nO4YJo16p2A Handspring Puppet Company - http://www.handspringpuppet.co.za Forward thinking theatre - https://www.facebook.com/Forwardthinkingtheatre/ The National Theatre - https://www.nationaltheatre.org.uk  

Reflections on early 2017! Gracie and Abbey discuss where they were emotionally during this time last year and why Good Mourning, Nancy was conceived. This episode contains a podcast-host proposal story, Bunraku puppetry, best-friends becoming best-hosts, why we use The Bechdel Test, and a TMI description of our tech set-up! Email us at goodmourningnancy@gmail.com if you have any questions about the show! We'll try to answer them in another Coffee Break! Thanks to a patrons: James, Shanna, Stacy, and Julie!

Eric Lancaster is an instructor of Japanese at the University of Missouri and an instructor of religious studies at Columbia College. He is a member of Bunraku Bay Puppet Theatre troupe, whose film, "Kaiju Bunraku," was screened at the 2017 Sundance Film Festival. This conversation talks about the importance of teaching and studying religion. 

An incomprehensible sci-fi plot, sex as an economic commodity, and an indie sensibility that just won't quit- take all these ingredients, throw in a winter sangria, and what do you have? Regrettably, you have the 2005 Hal Hartley movie The Girl from Monday. Harkening back to last year's Bunraku, Leigh puts forth this mopey mess for Brendan and Chris to make sense of. How could this Dutch-angled dystopia have been improved? Listen and find out! Also, we talk about TaleSpin for some reason. You can spin it by reviewing us on iTunes and Stitcher, following us at @whywatchpodcast, and liking us at facebook.com/whywatchpodcast. Continue reading →

Under The Puppet is a monthly show that talks to working puppeteers about the art and business of puppetry. Guests will include puppeteers from The Muppets, Sesame Street, The Jim Henson Company and more. The show also covers other forms of puppetry such as marionettes, shadow puppetry and Bunraku . Hosted by puppeteer Grant Baciocco (The Jim Henson Company, Mystery Science Theatre 3000). Art by Parker Jacobs Music by Dan Ring Help us make more shows like this one.  Become a patron of Saturday Morning Media and get cool rewards!  Visit www.patreon.com/saturdaymorningmedia for info! ©2017 Saturday Morning Media - http://www.saturdaymorningmedia.com

Episode 154: Come With Us To Kabuki If you're going to teach a Theatre History Unit, one of the areas you may include is Japanese Theatre: Kabuki, Noh or Bunraku. Theatrefolk co-owners Lindsay and Craig got a chance to see a Kabuki performance at the Kabukiza Theatre in Tokyo and share their fascinating experience with this art form on the podcast. Show Notes Kabuki Official Website Shakespeare In An Hour Episode Transcript Welcome to TFP – The Theatrefolk Podcast – the place to be for Drama teachers, Drama students, and theatre educators everywhere. I'm Lindsay Price, resident playwright for Theatrefolk. Hello! I hope you're well. Thanks for listening! This is Episode 154 – one, five, four; one fifty-four; one hundred and fifty-four – all of the above. You can find any links to this episode in the show notes which are at theatrefolk.com/episode154. Today, we're staying in-house. We have a conversation between myself – hello – and my Theatrefolk partner in crime, Craig Mason. Last year, we had the opportunity to travel to Japan and we knew that one of the things we wanted to do was go to the theatre. I just think it's so fascinating to experience not only theatre in another country but the theatre of another country, especially if it's in a language you don't understand. I saw King Lear in Czech in Prague. I was there about ten, fifteen years ago. So, it's Kral Lear in Czech and you really realize how many times the word “king” is said in the play when that is the only word you know and that's something that you might miss when you see it in English. And seeing a play in another language is a great opportunity to see how a company visually tells their story – visualizes the theme alongside of the verbal, alongside of the words. A really great adjudicator who I had the opportunity to learn from, Ron Cameron-Lewis, he gave us great percentages that I use all the time in my own adjudications and that is that, when an audience takes in something, it is 60 percent visual, 30 percent oral, and 10 percent text. So, you know, if you're not thinking about that 60 percent of the visual, you're missing out on getting some of your audience and that's a really great percentage too if you're presenting to people who aren't speaking your language. Oh, I know one other thing I was going to say. We're going to Iceland very shortly and, as I was looking up the theatre that we could possibly go and see, one of the options is going to see Mama Mia in Icelandic which I am fascinated. I am totally, totally fascinated. Here's a story that I know, music that I know very well, but in a completely foreign language to me. What will that experience be like? I am sure that I will tell you down the road. Okay, back to Kabuki. Here's Craig and myself – me and Craig, Craig and I. We're in Japan, Tokyo – to be more specific, in the Ginza district of Tokyo, reflecting on our very first time at a Kabuki show. Let's get to it. LINDSAY: Hello, Craig. CRAIG: Hello, Lindsay. LINDSAY: So, when I usually start each podcast, I always say, “So, where are you in the world?” to sort of introduce yourself and I think this counts as the farthest away a podcast has been from, don't you think? CRAIG: Certainly for us. LINDSAY: Certainly for us. Well, it's even better because we're actually in the place. I'm not talking to someone from this place. We're in the place. CRAIG: We are in Japan. LINDSAY: We are in Japan. Very cool, don't you think? CRAIG: I love it. LINDSAY: And it's really funny because you and I often travel for work so people asked, “Are you going to Japan for work?” and it's just a vacation. CRAIG: Yeah, that was the funniest question we got when we were going to Japan. I don't know what work we would be doing in Japan. LINDSAY: I have no idea. CRAIG: There aren't a lot of English high school theatre program conferences in Japan that I'm aware of so I'm not sure why...

Episode 154 of Trick or Treat Radio manages to do something we’ve not done often in our 154 Episodes -- actually have intelligent film discussions! That’s because we have our good buddy from North Cackalacky, the film maestro Professor Jay in studio! He joins us to talk about the horror flick from Dark Sky Films, Producer Travis Stevens and Director Ted Geoghegan, We Are Still Here. Dynamo presents a gift to MonsterZero, Ravenshadow has a present from the back of his van and we also do our Nerds of the Not-So-Round Table segment. So put on your monocle, take the blue pill and strap on! Topics discussed: Roar, The Battery, Horror-Bull Podcast, film distribution in 2015, Joshua Wagner and the Badger Game, Sun Choke, independent cinema and VOD, January genre releases, Lost River, The Editor, The Horror Club, Jared and Bill Cosby, Lions Gate, WiFi, Fantasia, MonsterZero t-shirts, Robert Smith, We Are Still Here, the origin of "this is exciting", Barbara Crampton, Grafton, Maggie, where Ravenshadow lived and lives, The Nightmare, The Fearful Meat, Film for Thought Podcast, Dynamo's hair, Coco Crisp, 80's film racism, Felt, Bruce Willis, Gedde Watanabe, Scream/Shout Factory release state, John Cusack, Larry Fessenden, People Under the Stairs, the multiple Army of Darkness releases, Dog Soldiers Blu Ray, Anchor Bay, Dynamo's Blu haul, Bunraku, Room 237, over explaining horror movies, CosbyMorpheus, the Amazon link, Dodge Dart, Kurando Mitsutake, The Three Stooges, the new router, premium content, Bill By Force’s cookout, The Changeling, VOD, The Beyond, You’re Next, stunt casting, Ravenshadow's van, the effect of summer blockbusters on modern cinema, Paranormal Activity: The Ghost Dimension, The Brattle Theater, Eli Roth movies, digital distribution in music vs film, I-Lived, Back Alley Film Series, Billy Pon, interesting distribution of The Tribe, Ted Geoghegan and the pronunciation of his name.Support the show (https://www.patreon.com/trickortreatradio)

Recorded on July 27, 2014. Episode 287: Bunraku The story of a a young man who has spent his life searching for revenge only to find himself up against a bigger challenge than he originally bargained for. Music by Man or Astroman? and Slayer Check out Jason’s site, Eric’s site, The View Masters, Stupid Sexy … Continue reading

This week on Alcohollywood, we get in touch with our primitive side with returning guest Theo as we check out the stark prehistoric film Quest for Fire! A strange blend of speculative historical documentary and hero’s journey, the film follows a small group of Neanderthals (including Silver Bullet’s Everett McGill and Bunraku’s Ron Perlman) who must travel to find a new source for fire after it is lost. Along the way, they encounter apelike homo erectus, advanced homo sapiens (including a mesmerizing Rae Dawn Chong) and prehistoric animals of varying levels of terror. The film itself is a fascinating watch that’s difficult to quantify, but we certainly give it our shot. Also be sure to check out our drinking rules and custom cocktail below!

This week on Alcohollywood, we’ve got a very special guest: Nathan Rabin, former head writer for The Onion AV Club and current contributor to The Dissolve! He joins us to talk about the the samurai western gangster musical film mash-up Bunraku! In a post-apocalyptic world without guns, a drifter (Josh Hartnett) and samurai (Gackt) must team up with a saloon owner (Woody Harrelson) to defeat a mob boss (Ron Perlman) for unknown reasons. What follows is a stylish, but ultimately schizophrenic exercise in style and theatricality for its own sake. Take a listen below, and check out our custom cocktail and drinking rules! SUPPLEMENTAL READING: Nathan Rabin has written on Bunraku previously for The Dissolve. Plus, he's currently celebrating the one-year anniversary of the release of his latest book, You Don’t Know Me But You Don’t Like Me. Pick it up now!

We're back!After a week-long hiatus, Michelle and Justin have returned with a very special guest.This week we are talking with Neil D'Monte - illustrator, actor, musician, director & writer - who talks to us about his varying projects. We also talk B-Movies, acting, art, music, filmmaking and long distance relationships.Neil is an accomplished artist who has made a name for himself as a storyboard illustrator and musician.Some of Neil's current & past projects include Tell, Coffin Baby, Day of the Dead, Bunraku, Star Wars: The Phantom Menace, The Mummy and his own original story, Clan of the Vein.It's a peek behind-the-curtain of the creative process, so come and listen!Check out Neil online at: http://www.neildmonte.com/ | http://tapthevein2000.deviantart.com/ | http://www.imdb.com/name/nm1548702/ -----------------------------------------As always please follow us on Twitter @thegwordpodcast and on Facebook.You can also listen to us on iTunes here: https://itunes.apple.com/us/podcast/the-g-word-podcast/id677928444 A proud partner of The Geek Speak Network

Pues sí, han vuelto los Kafelog Espresso. Bueno, en realidad ha vuelto un Espresso de momento, pero es nuestra intención que nuestros «famosos micro-podcasts» (guiño, guiño) estén más presentes esta nueva temporada. Para empezar he aquí un episodio centrado en el cine, donde Roberto nos hablará de varias de las películas que ha visto últimamente. Aquí una lista de las películas mencionadas: Dolor y Dinero (2013), Bunraku (2010), Infierno Blanco (2011), Scott Pilgrim contra el Mundo(2010), El Último Desafío (2013), Escondidos en Brujas (2008), Seven Psychopaths (2012), El Mono Borracho en el Ojo del Tigre (1978), Jack Reacher (2012), Police Story (1985), Cruce de Caminos (2012), Infernal Affairs (2002), Election (2005), Speed (1994), Asalto al Poder(2013), La Deuda (2010), Trilogía de Berserk (2012), Pacific Rim (2013), jOBS (2013), Arma Fatal(2007), Sin Tregua (2012), Feliz Navidad Mr. Lawrence (1983), El Rey León (1994), Rush (2013), Hijos de los Hombres (2006), Blackthorn (2011) y The Terminator (1984). Venga cinéfilos, a por el Espresso. --- Send in a voice message: https://anchor.fm/kafelog/message

A review of the 2010 stylized action film “BUNRAKU”, where a drifter rolls into a pop-up book like world to take revenge on a hitman, only to find a samurai out for similar vengeance.

This week, I'll be talking about the life of the average city-dweller in the Edo Period. This is a very wide-ranging episode, covering everything from the schools in which young samurai were trained to the kabuki-based prostitution which those same young samurai were absolutely forbidden to patronize (not that it stopped them). I have to say, of all the episodes I've finished up to this point, I've enjoyed writing this one the most. I hope you guys like it too!

On today's show we talk about DC Universe Online, an update to Netflix, a new documentary on the horizon & a review of Bunraku (2010).

Inizio spiazzante con la ricerca di Bunraku, film visto da Faster e uscito in tutto il mondo solo in DVD Passando ai film della settimana, impossibile non iniziare con il problematico Educazione siberiana, e poi si passa ad un altro film italiano, Tutti contro tutti, meno interessante, invece più interessante e più originale (almeno nelle premesse) è Upside Down. Dopo un commento alla premiazione degli Oscar si passa a qualche anticipazione delle prossime settimane tra cui Amiche da morire...

Inizio spiazzante con la ricerca di Bunraku, film visto da Faster e uscito in tutto il mondo solo in DVD Passando ai film della settimana, impossibile non iniziare con il problematico Educazione siberiana, e poi si passa ad un altro film italiano, Tutti contro tutti, meno interessante, invece più interessante e più originale (almeno nelle premesse) è Upside Down. Dopo un commento alla premiazione degli Oscar si passa a qualche anticipazione delle prossime settimane tra cui Amiche da morire...

In mid-September we discussed a case of mistaken identity at White Castle; the The Legend of Zelda: The Wind Waker–shaped hole in the Postmodem family, which game may or may not be excellent, and also the other 3D Zeldas; the flaws and virtues of the Wii; the pervasive culture of design-by-project-management and Nintendo's cultural inability to say no; Colin's foray into improv comedy. Feelings and anxiety received an extensive, video games and literature–tinged treatment and we had another potentially family-ending argument this time about Credence Clearwater Revival; Patrick and Colin sang the Crossfire jingle and we all sang the praises of Nick Harkaway once again. Patrick told of his internet-less vacation to France, Phillip called out sanctimonious Internet quitters, and Colin complained about the addictive nature of social media. Hideo Kojima broke the 4th wall, we discussed the Metal Gear Solid: Ground Zeroes trailer and the possibility of Christian Bale as Solid Snake. We discussed a bunch of films including the new Judge Dredd movie, The Raid: Redemption (2011), Shoot 'Em Up (2007), and Bunraku (2010). And fulfilling our music quota, we discussed the new Lil Wayne, the documentary The Carter, the new Atoms for Peace, GZA's classic Liquid Swords, and Pitchfork's practice of re-rating albums including the first Andrew W.K. album. And finally we asked: what if someone quit Wikipedia?

In part two of our talk with Stevie Suan we continue our discussion of his book “The Anime Paradox“, and the internationalization of Anime around the world. Support this podcast: Shop Amazon.com, suport the podcast: http://amzn.to/wnDX2j Samurai Archives Bookstore: http://astore.amazon.com/samurai-20 Samurai Archives Shop (T-Shirts, etc) http://www.cafepress.com/samuraiarchives Contact Us: Twitter @SamuraiArchives https://twitter.com/#!/samuraiarchives Facebook: http://www.facebook.com/pages/Samurai-Archives/104533213984 Samurai Archives podcast blog: http://www.samuraipodcast.com Samurai Archives Forum: http://www.japanhistoryforum.com

In this episode of the Samurai Archives Podcast (Part one of two), we talk to Stevie Suan, the author of the forthcoming book “The Anime Paradox“, about examining Anime through the lens of traditional Japanese theater. Stevie Suan was born in Sri Lanka but grew up in New York City. He received his M.A. in Asian Studies at the University of Hawai‛i at Mānoa, and is in the PhD program in the East Asian Languages and Literatures Department. He specializes in aesthetics, Japanese traditional theater, and Anime. Support this podcast: Shop Amazon.com, suport the podcast: http://amzn.to/wnDX2j Samurai Archives Bookstore: http://astore.amazon.com/samurai-20 Samurai Archives Shop (T-Shirts, etc) http://www.cafepress.com/samuraiarchives Contact Us: Twitter @SamuraiArchives https://twitter.com/#!/samuraiarchives Facebook: http://www.facebook.com/pages/Samurai-Archives/104533213984 Samurai Archives podcast blog: http://www.samuraipodcast.com Samurai Archives Forum: http://www.japanhistoryforum.com

Justin and Patty discuss their dream cast for the all female spin-off of The Expendables...

In this episode we formally introduce Philip/Pip to the podcast. We talk about: American Horror story, Top 10 Shootouts, Sons of Guns, The Oscars, Paranormal Activity series, Bunraku, Redstate, and much more.

Os damos nuestra opinión de "Millenium: los hombres que no amaban a las mujeres", "Juan de los Muertos", "Drive", "The Ring" y "Los chicos del coro". Además, os recomendamos los estrenos que más vemos interesantes de esta semana, entre los cuales están: "Bunraku", "Jack y su gemela", "Los descendientes", "Oro negro" y "Silencio en la nieve". También os traemos las últimas noticias más interesantes del mundo del cine, relacionadas entre otras "ATM", "Skyfall" (la nueva de James Bond), "The Bourne Legacy" y la saga Crepúsculo. 

Os damos nuestra opinión de "Millenium: los hombres que no amaban a las mujeres", "Juan de los Muertos", "Drive", "The Ring" y "Los chicos del coro". Además, os recomendamos los estrenos que más vemos interesantes de esta semana, entre los cuales están: "Bunraku", "Jack y su gemela", "Los descendientes", "Oro negro" y "Silencio en la nieve". También os traemos las últimas noticias más interesantes del mundo del cine, relacionadas entre otras "ATM", "Skyfall" (la nueva de James Bond), "The Bourne Legacy" y la saga Crepúsculo. 

We discuss: Movies: Paul, Girl with the Dragon Tattoo Attack on the block, Bunraku, Ghost Rider 2 tv: Comic Book Men, The Misfits, Walking Dead. Special thinks to Pip for sitting down at the end of the show to chat for a bit. Facebook.com/onomatopodcast Twitter: @Onomatopodcast Email: Onomatopodcast@gmail.com

Edición 20 de Hoth Factory, en la que destacamos las grandes risas que nos hemos echado de los desvarios producidos por los temas de los que hoy nos ha tocado hablar. Empezando por unas películas recientes como Los Descendientes o El monje, y algunas no tanto como Bunraku. A la hora de series, Terra Nova y sus […]

Edición 20 de Hoth Factory, en la que destacamos las grandes risas que nos hemos echado de los desvarios producidos por los temas de los que hoy nos ha tocado hablar. Empezando por unas películas recientes como Los Descendientes o El monje, y algunas no tanto como Bunraku. A la hora de series, Terra Nova y sus viajes temporales, y sin alejarnos de este tema, la reciente Alcatraz. Los videojuegos empiezan siendo un par de noticias, que termina en unas reflexiones sobre los polemicos DLC y otros contenidos descargables, ademas de las artimañanas de las compañias para combatir la "malvada" segunda mano. Tampoco nos olvidamos de la racion chorra de hoy, que nos la traen nuestros amigos de Square-Enix y sus fantasticos productos conmemorativos del 25º Aniversario de la saga Final Fantasy. En música, Kori aporta su toque artístico y nos trae Wicked, un musical basado en un libro, donde tenemos animales parlantes, profesores cabrios, y personas verdes.

In this show I review the movies Bunraku, Dylan Dog: Dead of Night with Brandon Routh and Season of the Witch. And for the comic book review Justice League written by Geoff Johns and drawn by Jim Lee . Be sure to check out the website www.thetorturerack.com or send me an email at thetorturerack@gmail.com. Follow me on Twitter @xTxRACKx.

Programa en el cual repasamos los Estrenos de la semana:Bunraku,Silencio en la niver, Los Descendientes,Jack y su gemela. Actualidad de la semana,noticias sobre los Globos de Oro. En el Rincón del Arte, nos daremos un paseo por la sección -Curiosidades, S.A. y hablaremos sobre Super 8 y El Origen del planeta de los simios. En el Coleccionista repasaremos los dvds que salen al mercado y en la BSO de tu vida, un tema de Full Monty.

Esta semana se estrena: "Los descendientes", "Silencio en la nieve", "Jack y su gemela" y "Bunraku".

Segunda edição do Yopinando Shinbun após o Reboot.

When it came down to doing this episode I wasn't quite sure what I could do since I hadn't watched anything that came out this week in theaters and based on how the box office numbers came in I'd say most people didn't bother either. So on Sunday my brother and I went to buy a movie on DVD and that's where my review comes from. So there's a little bit of news, although in retrospect it was rather boring. The Trailer Spot this week is Bunraku, it has Woody Harrelson, Josh Hartnett, and Gackt in it so it definitely made me raise an eyebrow. There's the Box Office Report. And finally the review, which I made a point to not reveal until the whole review was over. Also don't forget the Closing Comments so please enjoy the show! Opening Song- Teardrop by Massive Attack (the House Theme Song) Closing Song- Do You Want To by Franz Ferdinand

For a Wireless Express Show Interview Special we talk to fight co-ordinator Larnell Stovall, veteran of Undisputed III, Black Dynamite, 24, Treme and a host of other projects. His upcoming projects include Bunraku with Josh Hartnett and Green Lantern with Ryan Reynolds. Also it's a small world, Larnell Stovall has worked with more than one […]

A look into the world of Japanese puppetry featuring a performance and lecture demonstration of Japanese puppetry and traditional music by members of Bunraku Bay Puppet Troupe and Imada Puppet Troupe.