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EAST COAST PREMIEREBook and Lyrics by Mickle Maher Music by Merel van Dijk and Anthony Barilla Directed by Taibi Magar & Tyler Dobrowsky Commissioned and Co-Produced by Daryl Morey, Philadelphia 76ers President of Basketball OperationsPhiladelphia loves sports, so why not a sports-themed musical? Step into the surreal, magical world of Small Ball, where melancholy journeyman basketball player Michael Jordan (no, not that Michael Jordan) has recently started playing in the international league with the Lilliput Existers – as in Lilliput, from Gulliver's Travels. With teammates who are only six inches tall, the team's fortunes, and the post-game press conferences, rest on Michael's shoulders. Small Ball is an off -beat musical delight, commissioned and co-produced by Daryl Morey, President of Basketball Operations for the Philadelphia 76ers. Directed by Co-Artistic Directors Taibi Magar and Tyler Dobrowsky. An East Coast Premiere.Content Advisory: Small Ball contains strong language, adult themes, and surreal humor. Recommended for ages 13 and up.Adam Chandler-Berat - PIPPINPTC: Debut. Broadway: Next to Normal (original cast); Peter and the Starcatcher (original cast); Amélie (original cast); Saint Joan (revival). Off-Broadway: The Jonathan Larson Project; I Can Get It for You Wholesale; Assassins; The Fortress of Solitude (Lortel Award nomination); Rent; Fly by Night; How to Load a Musket; Nantucket Sleigh Ride; Zorba; Titanic. Regional: A New Brain, Barrington Stage Company; Sunday in the Park with George, Huntington Theatre Company; The Year to Come, La Jolla Playhouse. Film: Delivery Man. TV: Gossip Girl (HBO Max); Veep; Elementary; The Good Wife; Doubt; The Code; NCIS: New Orleans; Soundtrack.JORDAN DOBSON, MICHAEL JORDONPTC: Night Side Songs. Broadway: Bad Cinderella (Prince Sebastian, OBC); Hadestown (Orpheus); A Beautiful Noise (Shilo, OBC); West Side Story (Tony, dir. Ivo van Hove). Tour: Rent (Angel), Japan Tour. Regional: Hair, Signature Theatre and Two River Theater; Austen's Pride, Into the Woods, ACT of Connecticut; The Wanderer, Paper Mill Playhouse; Cabaret, Gypsy, Arden Theatre Company; The Color Purple, Theatre Horizon. Film: Maestro (William), dir. Bradley Cooper; Closing Night (Jericho). More: @jordandobson_.
Carefully Taught: Teaching Musical Theatre with Matty and Kikau
Kikau, Matty, and special guest Shorey Walker talk all things SENIOR SHOWCASE! We have been talking about showcases for the last couple years and Shorey is a true expert. In this episode, we talk about how to prepare for a New York showcase experience and what you might look for when talking about showcasing with a prospective program. Shorey's recommendation is the website UpToDateActor.com and for listeners of our podcast you can type in SM2P5 to receive a FREE month of membership benefits. If you would like to reach out to Shorey directly, contact her at shorey@shoreywalker.com. —---Shorey Walker is a working actor in Theatre, Commercials, Hosting, Industrials, TV & Film. Pursuing a career in New York City since 1992, Shorey performed in 8 Broadway National Tours, 13 years in a row of summer stock, 20+ regional theatre productions, 10+ Off-Broadway credits including the 2018 production of Tchaikovsky: None But the Lonely Heart at the Signature Theatre and can be heard as The Cat In the Hat on the revival recording of Seussical. Recent TV appearances include White Collar, Diabolical, Redrum, One Life To Live, The Eric Andrew Show, Sprout TV and Deadly Sins.
HEDWIG AND THE ANGRY INCH | Text by John Cameron Mitchell | Music & Lyrics by Stephen Trask Works Consulted & Reference :Hedwig and the Angry Inch (Original Libretto) by John Cameron Mitchell & Stephen TraskHedwig and the Angry Inch (Broadway Libretto) by John Cameron Mitchell & Stephen Trask, Directed by Michael Mayer"John Cameron Mitchell reflects on 'Hedwig and the Angry Inch' - Q with Tom Power" Podcast InterviewNew York TimesTalks Interview of Neil Patrick Harris, John Cameron Mitchell, & Stephen Trask" 'Midnight Radio' with John Cameron Mitchell | Queer the Music with Jake Shears Ep. 14" Podcast InterviewMusic Credits:"Overture" from Dear World (Original Broadway Cast Recording) | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording (Original Cast Recording / Deluxe) | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr. | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording) | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"Chromolume #7 / Putting It Together" from Sunday in the Park with George (Original Broadway Cast Recording) | Music & Lyrics by Stephen Sondheim | Performed by Mandy Patinkin, Bernadette Peters, Judith Moore, Cris Groenendaal, Charles Kimbrough, William Parry, Nancy Opel, Robert Westenberg, Dana Ivey, Kurt Knudson, Barbara Bryne"What's Inside" from Waitress (Original Broadway Cast Recording) | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"Wicked Little Town" from Hedwig and the Angry Inch (Original Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by John Cameron Mitchell "Maria" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas“What Comes Next?” from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff
Husband, father, writer and director of Private Jones shares much about the inspirations in his personal life and artistry. Learn about the ten-time nominated musical Private Jones from Signature Theatre.
PIPPIN Music & Lyrics by Stephen Schwartz | Book by Roger O. Hirson | Originally Produced on Broadway by Stuart Ostrow | Directed on the Broadway Stage by Bob Fosse Works Consulted & Reference :Pippin (Original Libretto) by Roger O. Hirson & Stephen SchwartzMagic to Do: Pippin's Fantastic, Fraught Journey to Broadway by Elyssa Gardner Music Credits:"Overture" from Dear World (Original Broadway Cast Recording) | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording (Original Cast Recording / Deluxe) | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr. | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording) | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"Chromolume #7 / Putting It Together" from Sunday in the Park with George (Original Broadway Cast Recording) | Music & Lyrics by Stephen Sondheim | Performed by Mandy Patinkin, Bernadette Peters, Judith Moore, Cris Groenendaal, Charles Kimbrough, William Parry, Nancy Opel, Robert Westenberg, Dana Ivey, Kurt Knudson, Barbara Bryne"What's Inside" from Waitress (Original Broadway Cast Recording) | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"Corner of the Sky" from Pippin (Original Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by John Rubinstein"Maria" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas“What Comes Next?” from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff
Grangeville is running off-Broadway at Signature Theatre through March 23rd. For more information, visit www.signaturetheatre.org. Follow The Present Stage on Instagram at @thepresentstageThe Present Stage: Conversations with Theater Writers is hosted by Dan Rubins, a theater critic for Slant Magazine. You can also find Dan's reviews on Cast Album Reviews and in The New Yorker's Briefly Noted column.The Present Stage supports the national nonprofit Hear Your Song. If you'd like to learn more about Hear Your Song and how to support empowering youth with serious illnesses to make their voices heard though songwriting, please visit www.hearyoursong.org
Send us a textAudrey Cefaly streamed into the Playwright's Spotlight after I had the pleasure of seeing the production of her play Alabaster at The Fountain Theatre in Los Angles. This is first time I've had the opportunity to talk to the playwright after seeing their work. We discuss asking big questions, making changes throughout the play's evolution, how much design is on the page, knowing the rules of the card game, and refraining from hardwiring stage directions to allow creative freedom. We also delve into stripping the work down to its core, the use of hashtags, writing poetic dialogue, stillness in storytelling and other way finders, and the use of overlapping and dual dialogue. We wrap it up writing regional, the use of hypnotic language, the purpose of an artistic statements, and her toolbox of playwright vocabulary and "How to Playwright." It's a great conversation that went on for another thirty minutes after I stopped recording. Won't let that happen again. Enjoy, and be sure to go catch Alabaster at any of the theaters below.Audrey Cefaly is an alumna of the Playwrights' Arena cohort at Arena Stage, a recipient of the Walter E. Dakin Fellowship from the Sewanee Writers Conference, and a Dramatist Guild Foundation Traveling Master. She is published by Concord Theatricals, Smith & Kraus, and Applause Books. Her plays have been produced by Cincinnati Playhouse, Florida Studio, Florida Rep, Gulfshore Playhouse, Signature Theatre, and many others. Her play Alabaster received an 11-city Rolling World Premiere, the largest in National New Play Network history and is now playing at The Fountain Theater in Los Angeles until March 30th.For tickets to Alabaster at The Fountain Theatre in Los Angeles, CA - https://www.fountaintheatre.com/events/alabasterFor tickets to Alabaster in Grand Rapids, MI, through March 8, 2025 -https://actorstheatregrandrapids.org/programming/coming-soon/alabaster/For tickets to Alabaster in Charolette, NC, through March 16 - https://charlottecultureguide.com/event/430227/alabaster-by-audrey-cefalyTo watch the video version of this interview, visit - https://youtu.be/pcJSzLrAk-IWebsite and Socials for Audrey Cefaly -www.audreycefaly.comSubstack - https://audreycefaly.substack.comBluesky - @audreycefaly IG - @alcefaly X - @alcefaly Websites and socials for James Elden, PMP, and Playwright's Spotlight -Punk Monkey Productions - www.punkmonkeyproductions.comPLAY Noir -www.playnoir.comPLAY Noir Anthology –www.punkmonkeyproductions.com/contact.htmlJames Elden -Twitter - @jameseldensauerIG - @alakardrakeFB - fb.com/jameseldensauerPunk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods - @playnoirla IG - @punkmonkeyprods - @playnoir_la FB - fb.com/playnoir - fb.com/punkmonkeyproductionsPlaywright's Spotlight -Twitter - @wrightlightpod IG - @playwrights_spotlightPlaywriting services through Los Angeles Collegiate Playwrights Festivalwww.losangelescollegiateplaywrightsfestival.com/services.htmlSupport the show
A ground-breaking ninety-minute new musical, Night Side Songs explores the intimacy of illness, mortality, and the incredible dignity of caregivers through the story of Yasmine Holly, a fictional character informed by interviews with real doctors, hospital staff, and patients, many from right here in Philadelphia. Night Side Songs is a musical convergence which reflects and celebrates Philly's “eds and meds” community with humor, grace, and profound empathy. The production will tour local hospitals, community centers, and places of worship for two weeks before its run at the Suzanne Roberts Theatre. Directed by Artistic Director Taibi Magar. Night Side Songs is supported by The Pew Center for Arts & Heritage.Taibi Magar is an Artistic Director of Philadelphia Theatre Company. As a freelance director, her most recent credits are We Live in Cairo (A.R.T. world premiere, upcoming at New York Theatre Workshop), The Half-God of Rainfall (New York Theatre Workshop and A.R.T.), Macbeth in Stride (co-direction with Tyler Dobrowsky), Help (The Shed), and Twilight: Los Angeles, 1992 (Signature Theatre and A.R.T., Lortel Award Best Revival). Other New York credits include Capsule by Whitney White and Peter Mark Kendall (Under the Radar Festival/The Public Theater, co-directed with Tyler Dobrowsky), Blue Ridge starring Marin Ireland and The Great Leap starring BD Wong (Atlantic Theater Company); Is God Is (Soho Rep, 2018 Obie Award;) Master (The Foundry); and Underground Railroad Game (Ars Nova, Obie Award). Regional: CTG, Woolly Mammoth Theatre, Shakespeare Theatre, Alley Theatre, The Guthrie Theater, and Seattle Repertory Theatre, among others. International: Hamburg Festival, Edinburgh Festival, Malthouse Theatre (Melbourne), and Soho Theatre (London). MFA: Brown University.Daniel and Patrick Lazour are brothers and music theater writers. Projects in development include a musical adaptation of Ritesh Batra's film The Lunchbox (Lincoln Center Theater) and their show with communal singing, Night Side Songs (Under the Radar, A.R.T./PTC co-production). They wrote original music for Caroline Lindy's debut feature Your Monster (Sundance 2024) and their movie musical Challenger: An American Dream is being developed with Bruce Cohen Productions and Spark Features. Their original musical We Live in Cairo makes its off-Broadway premiere this Fall at New York Theater Workshop after a world premiere at the American Repertory Theater in 2019, directed by Taibi Magar. Original songs by the Lazours can be heard on their independently released albums: Freres, Flap My Wings (Songs from We Live in Cairo), Beth's Homemade Cowboy Breakfast and Lullabies. They are Jonathan Larson Grant and Richard Rodgers Award recipients, MacDowell and Yaddo Fellows, and New York Theater Workshop Usual Suspects. They have worked with Noor Theatre Company, Ars Nova and PAC NYC, and are proud teaching artists. Patrick holds a B.A. from Boston College and Daniel holds a B.A. from Columbia University. @frereslazourFOR MORE INFORMATION: https://philadelphiatheatrecompany.org/night-side-songs/
The Managing Director of Signature Theatre returned to the show to give us all the details about the four remaining productions this season (including "Job," "In the Heights," and "Hedwig and the Angry Inch"), as well as information on several different ticket offers and options. Additionally, hear her thoughts on how the theater industry has evolved and changed over the last 5-7 and specifically changes Signature made to its production schedule. This episode also marks Janet Kopenhaver's last as the host of "Embracing Arlington Arts Talks" so it was so appropriate to have Maggie as the last guest since she was the absolute first guest in 2017.
The end of the year is a busy time for arts administrators, packed with holiday campaigns and fundraising deadlines. With so much happening, it's easy to lose sight of the bigger picture. So today we're taking a moment to pause, reflect, and reconnect with our “why.” In this episode, we revisit a popular Boot Camp 2024 conversation with CI President Priya Iyer Doshi and Terri Freeman, President of The Lewis Museum, about purpose-driven leadership and the resilience of our industry. Then, we ask arts administrators to reflect on their year and what's fueling their passion in 2025. It will leave you feeling grounded, inspired, and ready to tackle what's ahead. CI to Eye with Terri Freeman (1:30) - Live from Boot Camp 2024, CI President Priya Iyer Doshi sits down with Terri Freeman, President of The Lewis Museum. Together they discuss purpose-driven leadership, resilience, and navigating uncertainty with clarity. It's a timely conversation and a powerful reminder of the importance of our work. Ask The Industry (59:30) - Dan takes his microphone to the Boot Camp floor to ask arts administrators about their year in review. They share their excitements, challenges, and what's keeping them inspired as we roll into 2025. Listen for familiar voices from Acadiana Center for the Arts, ArtOps, ArtsWave, Ballet BC, Carnegie Hall, Chanhassen Dinner Theatres, Charleston Gaillard Center, Cincinnati Arts Association, Hopkins Center for the Arts, Houston Ballet, Huntington Theatre Company, Lincoln Center for the Performing Arts, Madison Symphony Orchestra, New York Theatre Workshop, Paper Mill Playhouse, Proctors Collaborative, Signature Theatre, Trinity Rep, University Musical Society, YoungArts, and ZACH Theatre.
Send your questions or provocations to Adam or Budi here!In this episode, Adam and Budi chat with Joshua Morgan, the founder of Artist's Strategy, to talk about the business side of an acting career. From financial planning to networking, they explore how artists can build sustainable careers while navigating the transition from training to the industry. Joshua Morgan is a versatile actor, director, and educator who has performed at prominent theatres across the U.S., including Woolly Mammoth Theatre Company, Arena Stage, Theatre Under the Stars, Folger Theatre, Signature Theatre, and many more. He originated the role of legendary manager Shelly Berger in Ain't Too Proud: The Life and Times of The Temptations on Broaday and stayed with the production for four years.Before moving to New York to join the last revival of Les Misérables, Joshua co-founded No Rules Theatre Company, the first dual-city theatre based in Washington, D.C., and Winston-Salem, NC. During his tenure, he produced award-winning premieres, directed acclaimed productions, and developed outreach programs for underrepresented communities, including the Deaf/Hard of Hearing.As a director, his credits include In Love and Warcraft (Helen Hayes Nomination), Hedwig and the Angry Inch, The Last Five Years, and more. He has taught at esteemed institutions such as American University, Gallaudet University, and the University of North Carolina School of the Arts.Joshua is also the founder of Artist's Strategy, an organization dedicated to helping freelance artists build sustainable careers and co-host of Creative Risk, a podcast exploring all things art, entrepreneurialism and everything in-between. Follow him on all platforms at @jmorganarts.Support the showIf you enjoyed this week´s podcast, please leave a review on Apple Podcasts. To submit a question: Voice- http://www.speakpipe.com/theatreofothers Email- podcast@theatreofothers.com Show Credits Co-Hosts: Adam Marple & Budi MillerProducer: Jack BurmeisterMusic: https://www.purple-planet.comAdditional compositions by @jack_burmeister
Joshua: Joshua is a diverse, singing actor who has worked on Broadway and regionally at esteemed theaters such as Woolly Mammoth Theatre Company, Arena Stage, Theatre Under the Stars, Folger Theatre, Triad Stage, and Signature Theatre. His television appearances include "FBI," "Law and Order," "Law and Order: Organized Crime," "Law and Order: SVU," "Lincoln Rhyme," and HBO's "Paterno." Joshua co-founded and served as Artistic Director of the Helen Hayes Award-winning No Rules Theatre Company in Washington, DC, and Winston-Salem, NC. Mike Labbadia (co-host) an actor, producer, writer and filmmaker, a “multipassionate” you can say. As a company member of BEDLAM he's appeared Off-Broadway in shows from Arcadia to Julius Caesar. Regional work includes Alabama Shakespeare Festival, Gulfshore Playhouse, Penguin Rep and Virginia Rep. He's in the upcoming film "On the End" with Tim Blake Nelson. As a producer he's had films premiere at prestigious festivals around the world. In this episode, we discuss these "Rules" actors should break: 06:15 - Rule 1 - Don't pitch yourself Sent 37 self pitching emails, without an agent, and booked a Broadway show 9:03 - Rule 2 - Don't complain to our Reps 12:45 - Rule 3 - We can only be one "kind of artist" 17:15 - Rule 4 - Wait until you have a big project to grow an audience 21:20 - Rule 5 - Don't actively pursue industry relationships 15:52 - Rule 6 - Take on Gig work to support your career 30:29 - Rule 7 - Let the Industry define you as an artist PODCAST DESCRIPTION: “CREATIVE RISK”, is a new podcast hosted by actors Joshua Morgan and Mike Labbadia of Artist's Strategy where they explore all things art, entrepreneurialism and everything in between. The acting industry is more volatile and competitive than ever before, therefore the artist must evolve in order to take radical ownership over their creative businesses. Each episode, Mike and Joshua will get raw and unfiltered, giving hot takes and cutting edge strategies on how to build a sustainable career in the arts. Guest: For Joshua Morgan : Website IMDb Instagram Broadway World For Podcast: Spotify Apple Podcasts Youtube Instagram TikTok Host: Instagram: @MentorsontheMic @MichelleSimoneMiller Twitter: @MentorsontheMic @MichelleSimoneM Facebook page: https://www.facebook.com/mentorsonthemic Website: www.michellesimonemiller.com and www.mentorsonthemic.com Youtube: https://www.youtube.com/user/24mmichelle Stay tuned to the end of the episode for a clip of the Creative Risk podcast. If you like this episode, check out my episode on their podcast" Apple Podcasts Spotify --- Support this podcast: https://podcasters.spotify.com/pod/show/michelle-miller4/support
DAPHNE RUBIN-VEGA BIO Daphne Rubin-Vega can currently be seen on Hulu's hit series ONLY MURDERS IN THE BUILDING. She can also be heard voicing the role of 'CARMILLA CARMINE' in the hugely popular A24/Prime Video R-rated animated musical comedy series HAZBIN HOTEL. She can be seen in the David Duchovny-directed feature BUCKY F*CKING DENT. She was seen in the Tony Goldwyn-directed feature EZRA, in the Apple TV+ series THE CHANGELING opposite Lakeith Stanfield, and as a guest lead on FOX's anthology series ACCUSED directed by Marlee Matlin.Rubin-Vega starred in the Jon Chu-directed Warner Brothers feature IN THE HEIGHTS as 'Daniela.' During the pandemic, she shot the Netflix series SOCIAL DISTANCE, produced by Jenji Kohan and Tara Hermann, and SAME STORM, the newest Peter Hedges film. Additional TV credits include THE HORROR OF DOLORES ROACH (Prime Video), which Rubin-Vega developed into both scripted podcast and TV iterations, KATY KEENE (CW) and TALES OF THE CITY (Netflix). A staple of the New York theatre community, Daphne earned a Tony nomination for her portrayal of 'Mimi' in the original cast of RENT, and another for ANNA IN THE TROPICS. She was most recently seen starring in the Signature Theatre's NIGHT OF THE IGUANA opposite Tim Daly and Lea DeLaria. She starred in the musical MISS YOU LIKE HELL at The Public Theatre and in the one-woman show EMPANADA LOCA, which was written for her. She helped adapt the play into the scripted podcast, THE HORROR OF DOLORES ROACH, which was then adapted into a TV series for Amazon. Additional theater credits include Broadway revivals of A STREETCAR NAMED DESIRE, THE ROCKY HORROR PICTURE SHOW, and LES MIS; TWO SISTERS AND A PIANO and F*CKING A at The Public; ROMEO & JULIET at Classic Stage; and JACK GOES BOATING opposite Philip Seymour Hoffman. ELIZABETH RODRIGUEZ BIO An award-winning actress who crosses seamlessly from studio films to independent, from the stage to television, Elizabeth Rodriguez played the emotionally complex Aleida Diaz on the groundbreaking Netflix series "Orange Is the New Black" for which she received three consecutive Screen Actors Guild Awards. Most recently, she was seen as a series regular in the CBS drama "East New York". She was also a series regular in the role of Liza Ortiz on AMC's "Fear the Walking Dead", NBC's "Prime Suspect", and Cinemax's "Blanco". Rodriguez recurred as Paz Valdez on Starz' "Power", in Showtime's "Shameless", Hulu's "Chance', "Devious Maids", "Grimm", "The Shield", "ER", and "Six Feet Under. Rodriguez's film credits include co-starring in the blockbuster film "LOGAN" opposite Hugh Jackman, Michael Mann's "Miami Vice", "The Drop", "Tio Papi" (for which she garnered an Imagen Award Nomination), "Making Babies", "Skate Kitchen", "11:55", "Return to Paradise", and "Jack Goes Boating." Most recently, she completed a starring role in the feature film "Allswell in New York", which she also co-wrote and co-produced. Rodriguez received an Obie Award, as well as a Drama Desk Award nomination, for her performance in "Halfway Bitches Go Straight to Heaven" at the Atlantic Theater, and a Tony Award nomination, and won the Outer Critics Circle Award and the Theatre World Award, for her performance in the role of "Veronica" on Broadway in Stephen Adly Guirgis' "The Motherfu**er With The Hat". Additional theater includes three world premieres at NYC's acclaimed Public Theater in "The Last Days of Judas Iscariot" (directed by Philip Seymour Hoffman), "Unconditional" and "A View from 151st Street". Other notable plays include "Beauty of the Father" (MTC) and "The Power of Duff" (Geffen). Rodriguez is a native New Yorker and member of Labyrinth Theater Company. ABOUT ALLSWELL IN NEW YORK, AVAILABLE ON DIGITAL NOVEMBER 15th Three sisters navigate the daunting life challenges of single motherhood, career, and family, all while finding humor and solace within the bond of sisterhood. Here's the trailer: Https://www.youtube.com/watch?v=Wb8CKBdXK70 Become a supporter of this podcast: https://www.spreaker.com/podcast/i-am-refocused-radio--2671113/support.
Curtain up on the 50th deep dive of KNOW THE SHOW as Anika and Michael delve into GYPSY, widely considered to be the greatest musical of all time.
In playwright Dominique Morisseau's "Bad Kreyòl," a first-generation Haitian-American travels to Haiti to reconnect with a relative, exploring the relationships between the characters and the countries they reside in. Morisseau discusses the show, which is running through December 1 in a world premiere at the Signature Theatre.
In this episode, Hayley and Amy talk with Broadway performer Happy McPartlin about always being prepared to go on as a standby/cover, the importance of storytelling for human connection, holding onto your values and identity as a theatre person through career ups and downs, and more. Click here for a transcript of the episode! Episode Notes Hosts: Hayley Goldenberg and Amy AndrewsGuest: Happy McPartlinMusic: Chloe Geller Episode Resources: The Notebook Come From Away Guest Bio: Happy McPartlin (she/her) is currently understudying Older Allie and Mother/Nurse Lori on Broadway in the new musical The Notebook, written by Ingrid Michaelson and Bekah Brunstetter, directed by Michael Greif and Schele Williams. Prior to that, she completed a 5-year run as a standby with Come From Away on Broadway, performing in the show well over 400 times in 5 different roles. Prior to that, she spent time working in some of the preeminent theaters in Washington, DC, performing in the ensembles of 110 In The Shade at Ford's Theatre, The Secret Garden for The Shakespeare Theatre, Gun & Powder (workshop ) at Signature Theatre, as well as standing by for the Pre-Broadway run of Come From Away. Happy was honored to be chosen to play the role of Beulah in Come From Away for the 20th Anniversary Memorial Concert for 9/11 in Washington, DC at the Lincoln Memorial, which was attended by roughly 10,000 people. She has also appeared on the Come From Away national tour and performed the role of Hannah for the Come From Away Tiny Desk Concert for NPR. Other favorite credits include - Broadway: Hands on a Hardbody. National tours: Memphis 1st National Tour, Hairspray (Velma), The Full Monty (Georgie). Regional: Stages Repertory: Diana in Next to Normal; Paper Mill & TUTS: Curtains; Geva: …Spelling Bee; Ogunquit Playhouse: Les Misérables, Sunset Boulevard, and The Full Monty; Bucks County Playhouse: Pennywise in Urinetown, the Witch in Into The Woods, and Sugar Babies; The Chaperone in The Drowsy Chaperone at Theatre By the Sea. Happy's biggest joy is her family - an 8-year-old son and husband - and she loves spending time with dear friends doing just about anything, baking, and watching way too much television! Find Happy Online: Instagram Thanks for listening! Who do you want to hear from next on the Women & Theatre Podcast? Nominate someone here. The Women & Theatre Podcast is created and produced by Hayley Goldenberg and Amy Andrews. Please like, comment, subscribe, follow us on Instagram and Facebook, and consider making a donation to support our work. Thank you for listening!
THE SECRET GARDEN Book & Lyrics by Marsha Norman | Music by Lucy Simon | Adapted from the novel by Frances Hodgson BurnettWorks Consulted & Reference :The Secret Garden (Original Libretto) by Marsha NormanCreating THE SECRET GARDEN Produced by Broadway Podcast NetworkMusic Credits:"Overture" from Dear World (Original Broadway Cast Recording) | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording (Original Cast Recording / Deluxe) | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr. | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording) | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"Chromolume #7 / Putting It Together" from Sunday in the Park with George (Original Broadway Cast Recording) | Music & Lyrics by Stephen Sondheim | Performed by Mandy Patinkin, Bernadette Peters, Judith Moore, Cris Groenendaal, Charles Kimbrough, William Parry, Nancy Opel, Robert Westenberg, Dana Ivey, Kurt Knudson, Barbara Bryne"What's Inside" from Waitress (Original Broadway Cast Recording) | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"Lily's Eyes" from The Secret Garden (Original Broadway Cast Recording) | Music by Lucy Simon, Lyrics by Marsha Norman | Performed by Mandy Patinkin & Robert Westenberg "Maria" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas“What Comes Next?” from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff
Connect with US Today, we revisit episode two from season one of Slant Podcast. This is an interview with David Henry Hwang. We do this in celebration of the restaging of his musical Soft Power, now playing at Signature Theatre.
Our: Guest: Heather Alicia Simms (Actor/Educator ) Follow/Contact IG: @bkjamchild X: @HeatherASimms __ __ Our: Guest: Heather Alicia Simms (Actor/Educator ) IG: @bkjamchild X: @HeatherASimms__Heather Alicia Simms is a multifaceted talent, renowned for her compelling performances on stage, screen, and in voiceover. Raised in Brooklyn, New York, she is a trailblazer, being the first in her Jamaican family to be born in the United States. Her journey through the public school system ignited her passion for the arts, leading to a dynamic career spanning theater, film, and television. Heather's theatrical prowess has graced both Broadway and acclaimed off-Broadway productions. Notably, she captivated audiences in Theater for a New Audience's "Des Moines" and Soho Rep's Pulitzer Prize-winning production, "Fairview," earning accolades for her role. Under Lynn Nottage's residency at The Signature Theatre, Heather delivered powerful performances in "Fabulation" and "By The Way, Meet Vera Stark," winning a prestigious 2019 Obie Award. --Simms has appeared in a number of Broadway and Off-Broadway productions, including Ma Rainey's Black Bottom , A Raisin in the Sun and Gem of the Ocean. Her film credits includes Broken Flowers (2005), The Nanny Diaries (2007), and The Light of the Moon. She also provided voice acting for All the Beautiful Things, Red Dead Revolver, Grand Theft Auto: San Andreas, Grand Theft Auto: The Ballad of Gay Tony and Mafia III. Simms guest-starred in a number of television series, including Homicide: Life on the Street, Law & Order, Law & Order: Criminal Intent, Third Watch, and The Good Wife. She had recurring roles in the Netflix series Luke Cage in 2018 playing Auntie Ingrid, and in the Oprah Winfrey Network prime time soap opera The Kings of Napa as Yvette King in 2022. —----Join the conversation LiveChat as we raise the questions, give our opinions , and ask you the same questions... --Live Chat with Us Every week... -----Music: Audio Podcast : by Daniel Howse : www.youtube.com/ProfessorSoraMusic ** OneMicNite Theme Song "Chance" & Background Song "Kanye" Host: --Contact/ Follow Marcos on IG/Fb/IMdb/Twitter/TikTok: @MarcosLuis and www.MarcosLuis.com —Show: OneMicNite Podcast with Marcos Luis *Contact/Follow: IG/Fb/Twitter/Tumbler/LinkedIn/Youtube/TikTok @OneMicNite www.OneMicnite.com - - ** Listen to Audio Podcast: Available wherever you download , all digital platforms.. ** Support Us Now: http:www.Anchor.fm/onemicnitetalk ---Follow/Contact -- The Show: All Social Media Fb/Ig/Twitter/Tumbler/TikTok/ *** watch the episodes on Youtube @OneMicNite & www.OneMicNite.com ****Please Support this Podcast: PayPal/ Zell Pay: MarcosStarActor@gmail.com Venmo @ Marcoso-Luis-1 CashApp : $MarcosLuis1 Please Visit: The AzulesEn Online store to find Products that Compliment your Lifestyle: Link : https://azulesen.myshopify.com/products/onemicnite-signature-logo-unisex-talk-live-pod-tee --- Support this podcast: https://podcasters.spotify.com/pod/show/onemicnite/support
Theater critic J. Wynn Rousuck joins Midday to share a review of a pair of local theatre productions. Soft Power continues at Signature Theatre in Arlington, Va., through September 15, while Beautiful: The Carole King Musical continues at Olney Theatre Center through August 25. (DJ Corey Photography)Email us at midday@wypr.org, tweet us: @MiddayWYPR, or call us at 410-662-8780.
Bill Rauch is the inaugural Artistic Director of Perelman Performing Arts Center. His work as a theater director has been seen across the nation, from low-income community centers to Broadway in the Tony Award-winning production of Robert Schenkkan's All the Way and its sequel The Great Society, as well as at many of the largest regional theaters in the country. His other New York credits include the world premiere of Naomi Wallace's Night Is a Room at Signature Theatre, the New York premiere of Sarah Ruhl's The Clean House at Lincoln Center Theater, and a site-specific Occasional Grace in multiple Manhattan churches for En Garde Arts. From 2007 to 2019, Bill was artistic director of the Oregon Shakespeare Festival (OSF), the country's oldest and largest rotating repertory theater, where he directed seven world premieres and 20 other plays including several by Shakespeare as well as innovative productions of classic musicals including a queer re-envisioning of Oklahoma! Bill is also co-founder of Cornerstone Theater Company where he served as artistic director from 1986 to 2006, directing more than 40 productions, most of them collaborations with diverse rural and urban communities. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Weekly Shoutout: coalitionworks issue 8, our latest publication is here! -- Hi there, Today I am so excited to be once again arts calling playwright Audrey Cefaly! audreycefaly.com About our Guest: Cefaly is an alumna of the Playwrights' Arena cohort at Arena Stage, a recipient of the Walter E. Dakin Fellowship from the Sewanee Writers Conference, and a Dramatist Guild Foundation Traveling Master. She is published by Concord Theatricals, Smith & Kraus, and Applause Books. Cefaly's plays have been produced by Cincinnati Playhouse, Florida Studio, Florida Rep, City Theatre, Penobscot Theatre, Gulfshore Playhouse, Merrimack Rep, Signature Theatre, Barter Theatre, Vermont Stage, Oregon Contemporary Theatre, 16th Street Theater, Capital Stage, About Face, Kitchen Dog Theatre, Circle Theatre, Theatre Three, Aurora Theatre, Quotidian Theatre Company and University of Alabama at Birmingham. Her play Alabaster received an 11-city Rolling World Premiere, the largest in National New Play Network history. Instagram: @alcefaly Twitter: @alcefaly Her play, The Last Wide Open, is currently running at American Blues Theater through August 18th! Subscribe to her insightful playwriting newsletter, HOW TO PLAYWRIGHT! https://audreycefaly.substack.com/ Thanks for this wonderful conversation, Audrey! All the best! -- Arts Calling is produced by Jaime Alejandro (cruzfolio.com). HOW TO SUPPORT ARTS CALLING: PLEASE CONSIDER LEAVING A REVIEW, OR SHARING THIS EPISODE WITH A FRIEND! YOUR SUPPORT TRULY MAKES A DIFFERENCE, AND I CAN'T THANK YOU ENOUGH FOR TAKING THE TIME TO LISTEN. Much love, j
Music Credits:"Overture" from Dear World (Original Broadway Cast Recording) | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Room Where It Happened" from Hamilton (Original Broadway Cast Recording) | Written by Lin-Manuel MIranda | Performed by Leslie Odom Jr., Lin-Manuel Miranda, Daveed Diggs, Okieriete Onaodowan, Original Broadway Cast of Hamilton"On the Balcony of the Casa Rosada / Don't Cry For Me, Argentina" from Evita (Original Broadway Cast Recording) | Written by Tim Rice & Andrew Lloyd Webber | Performed by Tim Rice, Andrew Lloyd Webber, Bob Gunton, Mandy Patinkin, Patti LuPone, Original Broadway Cast of Evita, Rene Weigert "My Strongest Suit" from Aida (Original Broadway Cast Recording) | Written by Elton John & Tim Rice | Performed by Women of the Palace, Sheri Rene Scott"What Comes Next" from Hamilton (Original Broadway Cast Recording) | Written by Lin-Manuel Miranda | Performed by Jonathan Groff
This episode we are joined by Lucille Lortel Award winning director, Annie Tippe! Annie is known for her directing work with Dave Malloy's Octet, Ghost Quartet, Cowboy Bob, and most recently Laura Benanti: Nobody Cares and Dave Malloy's Three Houses (currently playing at Signature Theatre until June 16th!). Annie has also directed short films such as Help Me Mary and Egg Timer. We talk with Annie about how she got her start, her directing style, what it's like working on new works and much more!
"The musical of a generation! The show that changed musical theatre forever! The last musical to top the pop charts!" There's always plenty of hyperbole surrounding HAIR. This week, we're getting to the heart of it, and you might be surprised by how relatable it feels. Jordan Dobson (HADESTOWN, A BEAUTIFUL NOISE, BAD CINDERELLA, WEST SIDE STORY) joins us from the Signature Theatre in Arlington, Virginia where he's currently starring in HAIR as Claude. Together, he and Jeff discuss the context of the show, its creators, and its 2024 relevance. Don't worry, there's also plenty of time to discuss astrology and being upstaged by nudity. Get your tickets now to see Jordan and his talented tribe in HAIR through July 7th at www.sigtheatre.org! You should also definitely follow Jordan on Instagram @jordandobson_ Speaking of tribes, thank you for all your kind messages and comments lately. Keep them coming! Stay up to date with "A Musical Theatre Podcast" on Instagram, TikTok, and X. Be sure to subscribe to PATREON! for only $1 a month to receive bonus episodes like our recent "Listening Party" with Jayke Workman of THE RINK. We also have great designs on our TeePublic Store that can be put on all kinds of merchandise (including tank tops!!!) The profits we receive are donated to Broadway Cares/Equity Fights AIDS. Most of all, thank you for being part of this wonderful podcasting community! Learn more about your ad choices. Visit megaphone.fm/adchoices
WTOP Entertainment Reporter Jason Fraley interviews Nathan Lane, who receives Signature Theatre's Sondheim Award at The Anthem in Washington D.C. on Monday. Lane discusses the big honor, shares his memories of Sondheim and marks the 30th anniversary of “The Lion King." (Theme Music: Scott Buckley's "Clarion") Learn more about your ad choices. Visit podcastchoices.com/adchoices
WTOP Entertainment Reporter Jason Fraley interviews Nathan Lane, who receives Signature Theatre's Sondheim Award at The Anthem in Washington D.C. on Monday. Lane discusses the big honor, shares his memories of Sondheim and marks the 30th anniversary of “The Lion King." (Theme Music: Scott Buckley's "Clarion") Learn more about your ad choices. Visit megaphone.fm/adchoices
Robertz, Andreas www.deutschlandfunk.de, Kultur heute
What an insightful and interesting interview we had with Actor Solomon Parker III who is appearing in Signature Theatre's upcoming production of "Hair." Why does he think this show is so important and relevant in 2024? Why does he believe the 1960's were so critical? How did he prepare for his role as the "President of the United States of Love" and how it contrasted to his previous role when he appeared in the production in Oregon? Answers to these questions as well as how he got into the theater industry and roles on his bucket list are some of the wide-ranging topics we discussed. And what does Solomon think would make this world a much better place?
THE WIZ Book by William F. Brown | Music & Lyrics by Charlie Smalls | From the story The Wonderful Wizard of Oz by L. Frank BaumWorks Consulted & Reference :The Wiz (Original Libretto)Oz and the Musical by Ryan BunchBlack Broadway by Stewart F. Lane"Easin' on Down the Yellow Brick Road: A Black Man's Journey to Oz" by Andre De Shields Music Credits:"Overture" from Dear World (Original Broadway Cast Recording) | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording (Original Cast Recording / Deluxe) | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr. | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording) | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"Chromolume #7 / Putting It Together" from Sunday in the Park with George (Original Broadway Cast Recording) | Music & Lyrics by Stephen Sondheim | Performed by Mandy Patinkin, Bernadette Peters, Judith Moore, Cris Groenendaal, Charles Kimbrough, William Parry, Nancy Opel, Robert Westenberg, Dana Ivey, Kurt Knudson, Barbara Bryne"What's Inside" from Waitress (Original Broadway Cast Recording) | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"Home" from The Wiz (Original Cast Recording (1987)) | Music & Lyrics by Charlie Smalls | Performed by Stephanie Mills"Maria" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas“What Comes Next?” from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff
Actor Jessica Phillips took time off the stage to join us on the podcast to talk about her new show "Penelope" being presented at Signature Theatre. How did she prepare for a one-person show and portraying Penelope - Odysseus' wife in the Odyssey? Get all the details about the show and why she thinks all audience members will be able to relate so well to her character. Also learn about how she ended up in the theater industry, what are some of the big differences and adjustments actors need to make when moving from television to the stage, and what her unique answer was to roles on her bucket list.
ANYTHING GOES Music & Lyrics by Cole Porter | Original Book by P.G. Wodehouse & Guy Bolton and Howard Lindsay & Russel Crouse | New Book by Timothy Crouse & John WeidmanWorks Consulted & Reference :Once On This Island (Libretto) by Lynn Ahrens and Stephen FlahertyMusic Credits:"Overture" from Dear World (Original Broadway Cast Recording) | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording (Original Cast Recording / Deluxe) | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr. | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording) | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"Chromolume #7 / Putting It Together" from Sunday in the Park with George (Original Broadway Cast Recording) | Music & Lyrics by Stephen Sondheim | Performed by Mandy Patinkin, Bernadette Peters, Judith Moore, Cris Groenendaal, Charles Kimbrough, William Parry, Nancy Opel, Robert Westenberg, Dana Ivey, Kurt Knudson, Barbara Bryne"What's Inside" from Waitress (Original Broadway Cast Recording) | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"You're the Top" from Anything Goes (New Broadway Cast Recording (1987)) | Music & Lyrics by Cole Porter | Performed by Patti LuPone and Howard McGillin"Cherry Pies Ought to Be You" from Out of This World (1995 Original New York Cast Recording) | Music & Lyrics by Cole Porter | Performed by LaChanze, Peter Scolari, Andrea Martin, & Ernie Sabella"They Couldn't Compare to You" from Out of This World (1995 Original New York Cast Recording) | Music & Lyrics by Cole Porter | Performed by Peter Scolari & Female Ensemble"Brush Up Your Shakespeare" from Kiss Me, Kate! (The New Broadway Cast Recording) | Music & Lyrics by Cole Porter | Performed by Lee Wilkof & Michael Mulheren"Maria" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas“What Comes Next?” from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff
Season 2 of The Melanated Archives Podcast is in full effect! And we are kicking things off with an insightful, bold, and deeply melanated chat with the iconic actor of stage and screen, Mr. Russell Hornsby! Russell currently stars off-Broadway in Dominique Morisseau's SUNSET BABY at New York's Signature Theatre. Known for his groundbreaking work as Charles Flenory in the Stars hit show BMF, Hornsby's resume consists of dynamic characters with complex and layered histories. A veteran of the stage, Hornsby is also a celebrated August Wilson actor, amongst last generation of actors hand-picked by the beloved playwright himself. You don't want to miss this transformative and rich conversation in episode 1 of season 2 of The Melanated Archives Podcast. This Episode's Guests Include: Russell Hornsby: Instagram - @russoulhornsby Theme Music: Funky Suspense - courtesy of Bensound.com Follow Our Show & Our Hosts: TMA Instagram: @themelanatedarchives TMA Website: https://www.themelanatedarchives.com/ Kendra Holloway: Instagram - @kendra2shay Brandon Rachal: Instagram - @brandonrachal_ --- Support this podcast: https://podcasters.spotify.com/pod/show/themelanatedarchives/support --- Support this podcast: https://podcasters.spotify.com/pod/show/themelanatedarchives/support
Actor Sebastian Newman offered us some insight into being a teen involved in theater, as well as told us how he became interested in theater and why he thinks it is important to have theater in our lives. He also embellishes on why theater training helps teenagers so much in terms of leadership, personality and during times of stress (like the COVID shutdown). Also hear details about two teen programs he is participating in - Synetic Theater's Teen Program which teaches students a very unique approach to acting on stage (i.e., movement theater) and Signature Theatre's Conservatory Program which teaches more traditional acting training based specifically on what the students say they need to learn. And get all the details about Synetic's upcoming production of "Romeo & Juliet."
ONCE ON THIS ISLAND Book & Lyrics by Lynn Ahrens, Music by Stephen Flaherty Works Consulted & Reference :Once On This Island (Libretto) by Lynn Ahrens and Stephen FlahertyMusic Credits:"Overture" from Dear World (Original Broadway Cast Recording) | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording (Original Cast Recording / Deluxe) | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr. | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording) | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"Chromolume #7 / Putting It Together" from Sunday in the Park with George (Original Broadway Cast Recording) | Music & Lyrics by Stephen Sondheim | Performed by Mandy Patinkin, Bernadette Peters, Judith Moore, Cris Groenendaal, Charles Kimbrough, William Parry, Nancy Opel, Robert Westenberg, Dana Ivey, Kurt Knudson, Barbara Bryne"What's Inside" from Waitress (Original Broadway Cast Recording) | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"Waiting for Life" from Once On This Island (Original Broadway Cast Recording) | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by LaChanze and 'Once On This Island' Company"Maria" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas“What Comes Next?” from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff
Branden Jacobs-Jenkins (winner of a 2016 Windham-Campbell Prize for Drama) chats with Prize Director Michael Kelleher about British theater legend Caryl Churchill's Far Away, the power of language on the page and stage, and the point of having a playwright at all. Reading list: Far Away by Caryl Churchill • Escaped Alone by Caryl Churchill • Top Girls by Caryl Churchill • Prince • Jasmine Lee Jones on Lorraine Hansberry's A Raisin in the Sun • Cristina and Her Double: Essays by Herta Müller Branden Jacobs-Jenkins is a playwright whose plays include Girls, Everybody (Pulitzer Prize finalist), War, Gloria (Pulitzer Prize finalist), Appropriate (OBIE Award), An Octoroon (OBIE Award), and Neighbors. A Residency Five playwright at Signature Theatre, recent honors include the Charles Wintour Award for Most Promising Playwright from the London Evening Standard, a London Critics' Circle Award for Most Promising Playwriting, a MacArthur Fellowship, the Windham-Campbell Prize for Drama, the Benjamin H. Danks Award from the American Academy of Arts and Letters, the Steinberg Playwriting Award, and the inaugural Tennessee Williams Award. Jacobs-Jenkins has taught at Yale, NYU, Juilliard, Hunter College, and the University of Texas-Austin. The Windham-Campbell Prizes Podcast is a program of The Windham-Campbell Prizes, which are administered by Yale University Library's Beinecke Rare Book and Manuscript Library.
Actor Jake Loewenthal took time out of his crazy schedule to chat with us about the upcoming world premiere of "Private Jones" at Signature Theatre about a a WWI deaf soldier and the unique device of "sound" in the production. Also hear about how he prepares for new roles, his bucket list of productions, his particular technique when sending in taped auditions, and what exactly he does when he is not on stage (hint: it is not reading a book!). And he does have one COVID silver lining that positively impacted his acting career.
World War II. Somewhere in Germany. Accompanied by a cameraman shooting propaganda for Mother Russia, a ragtag platoon fighting the Nazis receives a distress signal from fellow soldiers and heads off to investigate. They approach a church where no Russians can be found, but the church is inhabited by creatures who appear to be constructed from weapons, parts of machines and vehicles, but still have blood flowing through their veins. The creatures seem like part of the Nazi war machine, but then, one can't be sure in the fog of war. Soon, cut off from the outside world, the platoon is surrounded, their C.O. down. It's up to the rest to get inside the factory of a mad scientist, and soon discovers just where the creatures are from, who created them, and why they exist. Intro, Debate Society, Hot for Teacher (spoiler-free): 00:00-26:30Honor Roll and Detention (spoiler-heavy): 26:31-1:01:38Superlatives (spoiler-heavier): 1:01:39-1:24:28 Director Richard RaaphorstScreenplay Chris Mitchell & Miguel Tejada-Flores, story by Richard Raaphorst & Miguel Tejada-Flores, original idea by Richard RaaphorstFeaturing Cristina Catalina, Robert Gwilym, Alexander Mercury, Luke Newberry, Karel Roden, Joshua Sasse, Mark Stevenson, Hon Ping Tang, Andrei Zayats Bobby Frederick Tilley is a costume designer for theater, film, and TV. His theater credits include Be More Chill on Broadway, for which he received one of his two Drama Desk Award nominations for Outstanding Costume Design. His work has also been seen at the Atlantic Theatre Company, the Geffen Playhouse, the Signature Theatre, the Roundabout, Second Stage, LAByrinth Theater Company, Rattlestick Theater, and Ars Nova, among other venues. Our theme music is by Sir Cubworth, with embellishments by Edward Elgar. For more information on this film (including why the Professor chose it, on Our Blog), the pod, essays from your hosts, and other assorted bric-a-brac, visit our website, scareupod.com. Please subscribe to this podcast via Apple or Google Podcasts, Spotify, or wherever you get your podcasts. If you like what you hear, please leave us a 5-star rating. Join our Facebook group. Follow us on Instagram.
We're opening doors on our 4th season with MERRILY WE ROLL ALONG! Michael and Anika explore how this show went from biggest flop of all-time to the hottest ticket on Broadway!
It's time for another visit with Midday theater critic J. Wynn Rousuck, who joins us each week with her reviews of the Maryland, DC and Virginia regional stage. We discuss “Ragtime,” which continues at Signature Theatre in Arlington, Virginia, through Jan. 7, 2023.Email us at midday@wypr.org, tweet us: @MiddayWYPR, or call us at 410-662-8780.
Join us for a chat with actress Peggy Yates, who appeared in the 2016 Signature Theatre production of Silver Belles as Ruth Ann. Get tickets to Virginia Repertory Theatre's production of our musical, “The Silver Belles” here: https://va-rep.org/_silver-belles-november.html and support The Conner & Smith Show on Patreon here: https://www.patreon.com/ConnerandSmith and follow Ryan on Letterboxd here: Letterboxd.com/ryanthedean/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/connerandsmithshow/message
Join Matt and myself for a chat with Naomi Jacobsen, who played Bo Jack in the 2016 production of “Silver Belles” at Signature Theatre! Get tickets to Virginia Repertory Theatre's production of our musical, “The Silver Belles” here: https://va-rep.org/_silver-belles-november.html and support The Conner & Smith Show on Patreon here: https://www.patreon.com/ConnerandSmith and follow Ryan on Letterboxd here: Letterboxd.com/ryanthedean/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/connerandsmithshow/message
Join us for a chat with Dan Manning, who played Earl in the 2016 production of Silver Belles at Signature Theatre. Get tickets to Virginia Repertory Theatre's production of our musical, “The Silver Belles” here: https://va-rep.org/_silver-belles-november.html and support The Conner & Smith Show on Patreon here: https://www.patreon.com/ConnerandSmith and follow Ryan on Letterboxd here: Letterboxd.com/ryanthedean/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/connerandsmithshow/message
Join me for a chat with Ilona Dulaski, who played Berniece in the 2016 Signature Theatre production of Silver Belles. Get tickets to Virginia Repertory Theatre's production of our musical, “The Silver Belles” here: https://va-rep.org/_silver-belles-november.html and support The Conner & Smith Show on Patreon here: https://www.patreon.com/ConnerandSmith and follow Ryan on Letterboxd here: Letterboxd.com/ryanthedean/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/connerandsmithshow/message
In this podcast episode, Jennifer chats with Kel Haney all about fundraising. Kel shares what led her from being a theater director in NYC to becoming a fundraising coach, consultant, and trainer. She gives insights on transforming the often uncomfortable process of fundraising into an opportunity for building meaningful relationships, empasizing that anyone can fundraise successfully, even without a background in sales or fundraising, by passionately sharing what they love. Kel offers tools on navigating the complexities of fundraising, including handling rejection, building genuine connections, leading from abundance and finding a comfortable stretch, and embracing the power of storytelling. They discuss the importance of leading from vulnerability, curiosity, passion, and confidence. About Kel: Kel Haney is a Maine & NYC-based fundraising coach, consultant, & trainer. Before turning to fundraising full-time, she spent 20 years as a theater director and her fundraising methodology is based on how she led a rehearsal room: focusing on what makes each of us unique and engaging. She's personally made over 20,000 fundraising "asks" and trained non-profit orgs to raise over $15M (primarily in donations under $2K), which inspired her 5-Minute Fundraising Ask Training Program. Kel's work boils down to “Taking the Ick out of the Ask”: she's passionate about shifting fundraising conversations away from transactional encounters and toward relationship-building opportunities. Kel's worked with such organizations as: Berkshire Theatre Group, The Glimmerglass Festival, MCC Theatre, Signature Theatre, Manhattan Theatre Club, New York Theatre Workshop, Marin Theatre Company, BroadwayUnlocked, American Composers Forum, and RIP Medical Debt. Kel's IG: @kelhaney Kel's LInkedIn: www.linkedin.com/in/kel-haney Download “8 Phrases NOT to use in Fundraising" Guide: www.kelhaney.com/freebie-8-phrases Want to coach with Jennifer? Schedule a session here! https://appt.link/jenniferapple Monologue Sourcing Promo Link! https://empoweredartistcollective.com/podcastpromo Learn more: https://www.empoweredartistcollective.com/podcast EAC IG: @EmpoweredArtistCollective EAC TikTok: @EmpowerArtistCollective EAC Facebook: https://www.facebook.com/empoweredartistcollective/ Nominate a Podcast Guest! https://form.jotform.com/220608577638162 Sign up for our newsletter! https://mailchi.mp/8e72e8dcb662/stay-in-touch Check Out Our Merch! https://www.empoweredartistcollective.threadless.com/ Any thoughts you'd like to share? Email us at EmpoweredArtistCollective@gmail.com
Join Matt and I for a chat with DC Leading Lady Donna Migliaccio, who played “Oralene” in the 2916 Signature Theatre production of The Silver Belles. We chat about the show, and her recollections of it. Get tickets to Virginia Repertory Theatre's production of our musical, “The Silver Belles” here: https://va-rep.org/_silver-belles-november.html and support The Conner & Smith Show on Patreon here: https://www.patreon.com/ConnerandSmith and follow Ryan on Letterboxd here: Letterboxd.com/ryanthedean/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/connerandsmithshow/message
COME FROM AWAY Book, Music, & Lyrics by Irene Sankoff & David Hein Works Consulted & Reference :Come From Away (Libretto) by Irene Sankoff & David HeinCome From Away: Welcome to the Rock: An Inside Look at the Hit Musical by Laurence MaslonCome From Away (2021 Live Capture ) Directed by Christopher AshleyMusic Credits:"Overture" from Dear World (Original Broadway Cast Recording) | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording (Original Cast Recording / Deluxe) | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr. | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording) | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"Chromolume #7 / Putting It Together" from Sunday in the Park with George (Original Broadway Cast Recording) | Music & Lyrics by Stephen Sondheim | Performed by Mandy Patinkin, Bernadette Peters, Judith Moore, Cris Groenendaal, Charles Kimbrough, William Parry, Nancy Opel, Robert Westenberg, Dana Ivey, Kurt Knudson, Barbara Bryne"What's Inside" from Waitress (Original Broadway Cast Recording) | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"Me and the Sky" from Come From Away (Original Broadway Cast Recording) | Music & Lyrics by Irene Sankoff & David Hein | Performed by Jenn Colella and 'Come From Away' Company"Maria" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas“What Comes Next?” from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff
On today’s special episode, Grace Aki talks with performer, writer, and music therapist Tom Sweitzer who is currently performing his solo show “20 Seconds” Off-Broadway at the Signature Theatre through Oct. 21. In the show, Tom takes us on a journey through his turbulent, colorful yet inspiring childhood. Raised by read more The post Special: Tom Sweitzer on the Hope Found in ’20 Seconds’ appeared first on BroadwayRadio.
THE LION KING Music & Lyrics by Elton John & Tim Rice | Additional Music & Lyrics by Lebo M., Mark Mancina, Jay Rifkin, Julie Taymor, & Hans Zimmer | Book by Roger Allers & Irene Mecchi | Adapted from the Screenplay by Irene Mecchi, Jonathan Roberts, & Linda WoolvertonWorks Consulted & Reference :The Lion King (Original Production Directed by Julie Taymor)The Lion King (Original Film Directed by Roger Allers & Rob Minkoff)The Lion King: Pride Rock on Broadway by Julie TaymorThe Lion King - The Full Film Script by Bill Scollon & Marbara MontiniDisney Theatrical Productions: Producing Broadway Musicals the Disney Way by Amy S. OsatinskiThe Disney Musical on Stage and Screen: Critical Approaches from 'Snow White' to 'Frozen' Edited by George RodosthenousThe Lion King: A 'Blockbuster Feline' on Broadway and Beyond by Barbara Wallace GrossmanMusic Credits:"Overture" from Dear World (Original Broadway Cast Recording) | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording (Original Cast Recording / Deluxe) | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr. | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording) | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"Chromolume #7 / Putting It Together" from Sunday in the Park with George (Original Broadway Cast Recording) | Music & Lyrics by Stephen Sondheim | Performed by Mandy Patinkin, Bernadette Peters, Judith Moore, Cris Groenendaal, Charles Kimbrough, William Parry, Nancy Opel, Robert Westenberg, Dana Ivey, Kurt Knudson, Barbara Bryne"What's Inside" from Waitress (Original Broadway Cast Recording) | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"They Live in You" from The Lion King (Original Broadway Cast Recording) | Music & Lyrics by Lebo M., Mark Mancina, & Jay Rifkin | Performed by Samuel E. Wright & Ensemble - The Lion King"Maria" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas“What Comes Next?” from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff
The world premiere of “Penelope” a new musical about Penelope, the wife of Odysseus, begins performances this weekend at Hudson Valley Shakespeare Festival in Garrison, New York. It runs there through September 17 and will continue its journey with a production at Signature Theatre in Washington D.C. next Spring.In this telling, the famously patient spouse is fed up and has some things she wants to say. With a glass of bourbon in hand, she takes the microphone to chronicle those twenty years waiting for her husband to return to the small island kingdom of Ithaca.“Penelope” features music and lyrics by Alex Bechtel with a book by Bechtel, Grace Mclean and Eva Steinmetz. Steinmetz also directs. Actor Tatiana Wechsler plays the title character. Alex Bechtel and Tatiana Wechsler join us.
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